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Your wife, in Newgate three years. | 0:00:02 | 0:00:03 | |
-Yeah, I can do math, Drake. -Yet you still make no plans to visit? | 0:00:03 | 0:00:06 | |
I can't lose you! | 0:00:07 | 0:00:08 | |
Then save me, or else I will die, Matthew. | 0:00:08 | 0:00:11 | |
The rabbi, Leon Ratovski, visited London from Paris. | 0:00:11 | 0:00:14 | |
Isaac Bloom killed him in a Whitechapel laneway and will hang for it. | 0:00:14 | 0:00:18 | |
HE MUMBLES | 0:00:18 | 0:00:19 | |
Mr Bloom, do you know why you are here? | 0:00:19 | 0:00:21 | |
The guilt that men assume is yours? | 0:00:21 | 0:00:23 | |
Isaac did not do such a thing. It is not within him. | 0:00:23 | 0:00:26 | |
-Who else shares this conviction? -Only myself. | 0:00:26 | 0:00:28 | |
And, I hoped, perhaps yourself. | 0:00:28 | 0:00:31 | |
His name is Sayid Kalim Abdul Al-Qadir. He was my son. | 0:00:31 | 0:00:36 | |
And extreme beliefs beget extreme action, Inspector. | 0:00:36 | 0:00:39 | |
We must put an end to this Muslim Patriotic League. | 0:00:39 | 0:00:42 | |
Is it therefore incumbent upon us, we Muslim men, | 0:00:42 | 0:00:46 | |
advanced by the privilege of our British educations... | 0:00:46 | 0:00:49 | |
HE SHOUTS | 0:00:51 | 0:00:52 | |
MAN GRUNTS IN PAIN | 0:00:52 | 0:00:53 | |
-Mr Drake, sir. -I believe you wish | 0:00:55 | 0:00:57 | |
to interview this man, Mr Drake. | 0:00:57 | 0:00:59 | |
MEN CHATTER | 0:01:31 | 0:01:33 | |
MAN: Roy, that's your girl Kay! | 0:01:45 | 0:01:47 | |
Christ! No! | 0:01:55 | 0:01:57 | |
No! Kay! | 0:01:59 | 0:02:01 | |
Pune, India. The Deputy Governor of that state | 0:02:54 | 0:02:57 | |
assassinated at a Jubilee tea party by this man - Javed Akhram. | 0:02:57 | 0:03:02 | |
He, as Mr Hafeez, | 0:03:02 | 0:03:05 | |
as Sayid Al-Qadir, your victim, | 0:03:05 | 0:03:07 | |
also a graduate of Deccan College. | 0:03:07 | 0:03:10 | |
Hafeez, do you know who this gentleman is, his back to us? | 0:03:11 | 0:03:16 | |
That, Mr Dove, is Mr Abdul Karim. | 0:03:18 | 0:03:20 | |
-The Munshi? -The same. | 0:03:21 | 0:03:24 | |
Victoria's brown right arm, | 0:03:24 | 0:03:26 | |
an invited guest to a gathering of our Muslim Patriotic League's top brass, | 0:03:26 | 0:03:30 | |
and here in pleasing colloquy with Mr Imran Hafeez, | 0:03:30 | 0:03:34 | |
your murder suspect. | 0:03:34 | 0:03:36 | |
This, watch report number 3691, Friday 18th of June 1897, | 0:03:36 | 0:03:42 | |
which - for those hard of counting, Mr Drake - is this Friday just passed. | 0:03:42 | 0:03:45 | |
"Subject Hafeez, Imran observed in an urgent gesticulation | 0:03:45 | 0:03:50 | |
"with subject Al-Qadir, Sayid." Your murder victim. | 0:03:50 | 0:03:53 | |
"Shoving and punching between both gentlemen." | 0:03:53 | 0:03:56 | |
And this latter gentleman now washes up, his throat cut, on a Whitechapel dockside. | 0:03:58 | 0:04:03 | |
All this but days from the most significant act of patronage | 0:04:03 | 0:04:06 | |
that our glorious empire has ever known. | 0:04:06 | 0:04:08 | |
Makes me restive, Mr Dove. It makes me urgent curious. | 0:04:08 | 0:04:13 | |
So I shall be taking this Mr Hafeez, and I shall see that curiosity fed. | 0:04:13 | 0:04:18 | |
On whose authority, Mr Constantine? | 0:04:18 | 0:04:20 | |
On my own, Mr Drake. | 0:04:20 | 0:04:22 | |
On that of the realm's inviolability. | 0:04:22 | 0:04:24 | |
Forgive me, Mr Dove. | 0:04:24 | 0:04:26 | |
These spies, it is their business | 0:04:26 | 0:04:28 | |
to imagine threat where none yet exists, | 0:04:28 | 0:04:31 | |
but what we have here in our deadroom is a sight more real | 0:04:31 | 0:04:35 | |
than the fancies he summons up | 0:04:35 | 0:04:37 | |
of Indian cuckoos in our Queen's nest. | 0:04:37 | 0:04:39 | |
Mr Dove, surely you see the greater scale of our priorities here. | 0:04:39 | 0:04:43 | |
Mr Hafeez will be remanded to Inspector Drake's care. | 0:04:45 | 0:04:48 | |
And if I have you overruled? | 0:04:52 | 0:04:53 | |
Who here overrules me? | 0:04:55 | 0:04:56 | |
BOOK SLAMS | 0:05:03 | 0:05:05 | |
Do not think me gone for long. | 0:05:05 | 0:05:06 | |
WOMEN CHATTER | 0:05:22 | 0:05:24 | |
You are fixed to that view today, Miss Susan. | 0:05:25 | 0:05:28 | |
It is of interest to me today. | 0:05:29 | 0:05:31 | |
Of course. | 0:05:31 | 0:05:33 | |
It must go hard to think... | 0:05:33 | 0:05:34 | |
Well, to know that you will not feel that free sky above you after all. | 0:05:36 | 0:05:41 | |
-Do you gloat, Doctor? -Perhaps a little. | 0:05:41 | 0:05:45 | |
HE LAUGHS SOFTLY | 0:05:45 | 0:05:46 | |
Perhaps I am in fact relieved that the 55 souls you accounted for | 0:05:46 | 0:05:51 | |
will now have their justice. | 0:05:51 | 0:05:53 | |
It, er...it had been troubling me, I, er...do confess. | 0:05:54 | 0:05:58 | |
Well, I'm glad to have removed such disquiet from your conscience. | 0:05:58 | 0:06:03 | |
I wonder... | 0:06:03 | 0:06:05 | |
will you offer a prayer for my soul in return, | 0:06:05 | 0:06:09 | |
as you stand over my corpse and confirm my passing? | 0:06:09 | 0:06:12 | |
-Oh, I shall. -Hmm. | 0:06:12 | 0:06:13 | |
Perhaps also stand at that commoners' boneyard, | 0:06:15 | 0:06:18 | |
offer greeting to that husband of yours, | 0:06:18 | 0:06:20 | |
as he does what he can to comfort your boy. | 0:06:20 | 0:06:24 | |
HE CHUCKLES QUIETLY | 0:06:26 | 0:06:27 | |
No, God damn you. | 0:06:35 | 0:06:37 | |
HE YELLS | 0:06:39 | 0:06:41 | |
BUZZ OF CONVERSATION | 0:06:56 | 0:06:59 | |
By my reckoning, I'd say you were set on | 0:07:10 | 0:07:12 | |
one form of mischief or another. | 0:07:12 | 0:07:13 | |
You send no news. You don't answer your mail. | 0:07:17 | 0:07:19 | |
-You send none. -I don't speak for myself. | 0:07:19 | 0:07:22 | |
He's quite the crestfallen soldier for a while or so. | 0:07:24 | 0:07:27 | |
But as you say, I am not the stripe of man for nostalgia, | 0:07:28 | 0:07:31 | |
not then, not now. So, if you forgive me, Reid, I've got bad business to attend. | 0:07:31 | 0:07:35 | |
Do you have any objection to my walking with you? | 0:07:35 | 0:07:37 | |
-Plenty. -Then call a policeman. | 0:07:37 | 0:07:39 | |
The sea air is agreeable, Reid. | 0:07:42 | 0:07:43 | |
It's brought out the well-fed plutocrat in you. | 0:07:43 | 0:07:46 | |
-That is silver in your beard, is it not? -It is grey, Reid. | 0:07:46 | 0:07:49 | |
Silver, I'd be drawing a pension. | 0:07:49 | 0:07:51 | |
-Social visit? -It is not. | 0:07:51 | 0:07:53 | |
Well, why don't you state your business, Reid? | 0:07:53 | 0:07:55 | |
Midsummer it may be, but the day is short. | 0:07:55 | 0:07:58 | |
Isaac Bloom. | 0:07:58 | 0:07:59 | |
-He is sentenced to hang. -On your conviction. | 0:08:03 | 0:08:06 | |
-Not mine, Reid, not mine. -You conducted the autopsy. | 0:08:06 | 0:08:08 | |
You assembled the forensical evidence for your inspector. | 0:08:08 | 0:08:10 | |
I did. | 0:08:10 | 0:08:11 | |
But why, Reid? Why the care? | 0:08:13 | 0:08:15 | |
You miss this all so much? | 0:08:15 | 0:08:17 | |
-The care was asked of me. -Who by? | 0:08:18 | 0:08:20 | |
-Well, it doesn't matter. -Oh, it doesn't, does it? | 0:08:20 | 0:08:23 | |
-He was my friend. -So was Drake, Reid. | 0:08:23 | 0:08:26 | |
I don't see you giving one snide farthing for his wellbeing. | 0:08:26 | 0:08:29 | |
Bennet Drake is not one day's grace from the hangman. | 0:08:29 | 0:08:32 | |
Should he find you lurking about the place, however, | 0:08:32 | 0:08:34 | |
putting that mistrustful mind of yours to the querying of his professional conduct... | 0:08:34 | 0:08:38 | |
No man was ever more loyal to another than he to you, | 0:08:40 | 0:08:42 | |
but even he would be moved to your injuring in such a circumstance. | 0:08:42 | 0:08:45 | |
-Which is why I asked you... -Excuse me. | 0:08:45 | 0:08:48 | |
Do you pay my wages? You do not. He does. | 0:08:48 | 0:08:50 | |
And it's a poor assumption of yours that this faithlessness you imagine | 0:08:52 | 0:08:55 | |
so ingrained in me would, by one simple tug on my tit, | 0:08:55 | 0:08:58 | |
sell Drake out to you! | 0:08:58 | 0:09:00 | |
No, Reid, why don't you find yourself another pigeon? | 0:09:00 | 0:09:02 | |
You follow me, I'm going to shoot you. | 0:09:02 | 0:09:04 | |
MAN SHOUTS ORDERS | 0:09:15 | 0:09:18 | |
You are a sneaky fellow, American. | 0:09:27 | 0:09:30 | |
I do not like sneaky fellows, in truth. | 0:09:31 | 0:09:34 | |
BELL TOLLS OUTSIDE | 0:09:34 | 0:09:36 | |
Now, this, I imagine, is that elephant horn | 0:09:41 | 0:09:44 | |
reported thieved from the customs house. | 0:09:44 | 0:09:46 | |
I prefer "liberated". | 0:09:47 | 0:09:49 | |
That place, they burn it all, you know, if the Crown's duty is not paid. | 0:09:49 | 0:09:53 | |
Why should an honest wharfinger not profit from such thriftless squandering? | 0:09:53 | 0:09:57 | |
Why, indeed? | 0:09:57 | 0:09:59 | |
Because you thieve from the Queen, Abel. | 0:10:01 | 0:10:03 | |
Do you fire your cannons across my bow, Captain...Jackson? | 0:10:09 | 0:10:14 | |
I cannot imagine for why, | 0:10:14 | 0:10:17 | |
when you owe me one sovereign ton for the berth to New York City | 0:10:17 | 0:10:22 | |
I have brokered, in no little secrecy, for you and your wife and child. | 0:10:22 | 0:10:26 | |
I had assumed you came to settle, | 0:10:29 | 0:10:31 | |
but your current manner suggests otherwise. | 0:10:31 | 0:10:33 | |
Do you cancel your billet therefore? | 0:10:33 | 0:10:36 | |
I hope not to. | 0:10:37 | 0:10:40 | |
Yeah, yeah. | 0:10:41 | 0:10:42 | |
-Christ, Abel, what is this stuff? -Turmeric. | 0:10:45 | 0:10:48 | |
Sweat it down with some onions, diced side of bacon, hot stock. | 0:10:48 | 0:10:53 | |
Good eating. | 0:10:53 | 0:10:54 | |
But the staining... | 0:10:56 | 0:10:57 | |
..it is the very devil. | 0:10:58 | 0:11:00 | |
But enough of my galley skills. | 0:11:04 | 0:11:06 | |
I should like my cash spending from you. | 0:11:06 | 0:11:09 | |
I, er... | 0:11:09 | 0:11:11 | |
-I don't have it. -Aw.... | 0:11:11 | 0:11:15 | |
but I have laid out, Captain, therefore you must also. | 0:11:15 | 0:11:18 | |
-Them's the rules. -I thought to do so | 0:11:18 | 0:11:21 | |
in alternative currency, however. | 0:11:21 | 0:11:23 | |
HE SCOFFS | 0:11:23 | 0:11:25 | |
Until I can hand you those 100 sovereigns. | 0:11:25 | 0:11:27 | |
Then name your tender. | 0:11:32 | 0:11:34 | |
Knowledge. | 0:11:37 | 0:11:39 | |
We transact under different terms, therefore. | 0:11:39 | 0:11:42 | |
Well, we...we renegotiate the terms. | 0:11:42 | 0:11:45 | |
Those being, Captain? | 0:11:46 | 0:11:49 | |
You, Mr Drake, you think the man correct in his suspicions? | 0:11:52 | 0:11:56 | |
This man, Constantine. | 0:11:59 | 0:12:01 | |
I know him not a good man, sir. | 0:12:02 | 0:12:04 | |
And most every thought he ever had an evil one. | 0:12:04 | 0:12:08 | |
But this... What my son... | 0:12:08 | 0:12:10 | |
What Sayid has written - these are not only evil thoughts. | 0:12:13 | 0:12:17 | |
He has written them. He has proclaimed them. | 0:12:17 | 0:12:21 | |
Major, we understand, do we not, | 0:12:21 | 0:12:22 | |
the difference between thinking a thing and doing a thing? | 0:12:22 | 0:12:26 | |
That it is action which makes matter real, not ideas. | 0:12:26 | 0:12:30 | |
Yet, I do not think such ideas came to him without the influence of Imran Hafeez. | 0:12:30 | 0:12:35 | |
His death, therefore, similarly so. | 0:12:35 | 0:12:37 | |
Well, Mr Hafeez, he is the thinking kind, not the doing kind. | 0:12:37 | 0:12:41 | |
This man Constantine, he wishes to torture him. You understand? | 0:12:42 | 0:12:46 | |
Ideas do not merit such a fate, not in my opinion. | 0:12:48 | 0:12:51 | |
He will not talk to me, Major. | 0:12:54 | 0:12:57 | |
And I believe he might to you. | 0:12:58 | 0:13:00 | |
HINGE SQUEAKS | 0:13:05 | 0:13:06 | |
DOOR SLAMS | 0:13:06 | 0:13:08 | |
It is good of you, Rose, to come at such rapid request. | 0:13:11 | 0:13:15 | |
Of course, Susan. | 0:13:16 | 0:13:17 | |
You are forever my friend. | 0:13:19 | 0:13:21 | |
Then I am indeed fortunate, as is my son. | 0:13:21 | 0:13:26 | |
I do not know what spell I've been beneath | 0:13:27 | 0:13:30 | |
to have neglected the thought for so long. | 0:13:30 | 0:13:32 | |
But I am awake now, Rose, and awoken to a horror... | 0:13:32 | 0:13:36 | |
What horror, Susan? | 0:13:37 | 0:13:38 | |
What is to become of my boy? | 0:13:40 | 0:13:42 | |
Rose, I do not think his father can care for him. | 0:13:44 | 0:13:48 | |
He is not equipped, in my opinion. | 0:13:49 | 0:13:52 | |
Then, Rose, where else will there be for him but the workhouse? | 0:13:55 | 0:13:59 | |
Well... | 0:14:04 | 0:14:06 | |
there is...one home I might think of. | 0:14:06 | 0:14:11 | |
There is? | 0:14:11 | 0:14:13 | |
Ours. | 0:14:16 | 0:14:17 | |
-Yours? -SHE SNIFFLES | 0:14:18 | 0:14:20 | |
Oh... Oh, I would love him! | 0:14:20 | 0:14:23 | |
Love him fierce, Susan! | 0:14:23 | 0:14:26 | |
And I will forever keep him in mind of the truth of you... | 0:14:26 | 0:14:31 | |
..my friend. | 0:14:33 | 0:14:34 | |
SHE SOBS LOUDLY | 0:14:40 | 0:14:43 | |
-Mrs Drake? -Hello, Drum. | 0:15:06 | 0:15:07 | |
Is he here? | 0:15:07 | 0:15:09 | |
He is. | 0:15:10 | 0:15:12 | |
Rose? | 0:15:12 | 0:15:13 | |
Jesus Christ! What's the purpose of such machinery if it cannot be...? | 0:15:28 | 0:15:32 | |
-DRAKE: -'Everything's all right, my love? | 0:15:32 | 0:15:35 | |
'Bennet, I have kept secrets from you.' | 0:15:35 | 0:15:37 | |
OK, this should be good. | 0:15:37 | 0:15:38 | |
Well... | 0:15:44 | 0:15:45 | |
..best you get it off your chest, Rose. | 0:15:46 | 0:15:48 | |
Newgate, Bennet, in the jail there with Miss Susan. | 0:15:48 | 0:15:53 | |
You what, Rose? | 0:15:53 | 0:15:54 | |
Now, Bennet, you swallow | 0:15:54 | 0:15:56 | |
'that rage of yours. Firstly, it's not as if I announce your cuckolding. | 0:15:56 | 0:16:00 | |
'Second, I'm not even close to getting started.' | 0:16:00 | 0:16:03 | |
You are the one in a press, so, the quicker I say this and you agree, | 0:16:03 | 0:16:06 | |
the quicker you may be back at it. | 0:16:06 | 0:16:08 | |
-Well, you tell me what it is I'm agreeing to, then. -I am trying, Bennet! | 0:16:08 | 0:16:12 | |
There is a little boy we could have. | 0:16:17 | 0:16:20 | |
One who lives already. | 0:16:20 | 0:16:23 | |
One who is in desperate need of us to give him a home, to protect him. | 0:16:24 | 0:16:29 | |
'A little boy who...' | 0:16:31 | 0:16:32 | |
HE HANGS UP | 0:16:32 | 0:16:34 | |
What is it she calls him? | 0:16:40 | 0:16:41 | |
Connor. | 0:16:43 | 0:16:44 | |
-This boy Connor has a father, Rose. -None that is any use to him. | 0:16:46 | 0:16:50 | |
'Not unless it is the skill to cheat at a gaming table at six in the morning,' | 0:16:51 | 0:16:55 | |
or shoot a bottle of rum off the upturned behind of a musical hoofer, | 0:16:55 | 0:16:59 | |
but not what it is to be a man. | 0:16:59 | 0:17:01 | |
'Not the man you are, Bennet.' | 0:17:01 | 0:17:03 | |
I don't seem to recall you complaining overly when it was your behind, darling. | 0:17:05 | 0:17:09 | |
Slippery soul that you are. | 0:17:11 | 0:17:14 | |
No. | 0:17:14 | 0:17:15 | |
I will not have you stand in judgment of me. | 0:17:17 | 0:17:20 | |
Not you, of all! | 0:17:20 | 0:17:22 | |
They are up there, Captain Jackson - your wife, your child! | 0:17:22 | 0:17:27 | |
And she, as you well know, soon to go to her end, but yet you do not visit. | 0:17:27 | 0:17:31 | |
You pay them no mind! | 0:17:31 | 0:17:33 | |
Your son! | 0:17:34 | 0:17:36 | |
-Your living flesh! -Are you done? | 0:17:36 | 0:17:39 | |
Er, your man downstairs, he's got staining about the wound. | 0:17:43 | 0:17:48 | |
Now, at first I thought simply contusion, discolouring therefore, | 0:17:48 | 0:17:52 | |
but, all these Indians, it was caused by contact with turmeric. | 0:17:52 | 0:17:56 | |
It's a spice. It's powder. So, my thinking, | 0:17:56 | 0:17:59 | |
it was about the cuffs or the wrists of the sleeve as the knife was pulled across. | 0:17:59 | 0:18:03 | |
Bennet... | 0:18:08 | 0:18:10 | |
Rose, as I said, the boy has a father. | 0:18:10 | 0:18:14 | |
When the mother is...gone, | 0:18:14 | 0:18:16 | |
it is up to Jackson to resolve. Right? | 0:18:16 | 0:18:19 | |
Take him. | 0:18:22 | 0:18:23 | |
This hatred of my empire and Queen, these were my son's true beliefs? | 0:18:48 | 0:18:52 | |
They were, Major Al-Qadir. | 0:18:52 | 0:18:55 | |
I cannot believe he came to them without you. | 0:18:55 | 0:18:57 | |
Hmm. | 0:18:57 | 0:18:59 | |
And which beliefs did he come to because of you? | 0:18:59 | 0:19:01 | |
I am his father. | 0:19:03 | 0:19:05 | |
That is a notional term, sir. | 0:19:05 | 0:19:06 | |
You have a cheek. You always did. | 0:19:06 | 0:19:10 | |
I recall the first time my mother asked him to eat with us. | 0:19:12 | 0:19:16 | |
He said, "I do not eat with my fingers." | 0:19:16 | 0:19:19 | |
My mother asked him why. | 0:19:19 | 0:19:21 | |
He said, "My father says it is so." | 0:19:21 | 0:19:23 | |
My mother asked him, "And where is your father?" | 0:19:23 | 0:19:27 | |
Sayid replied, "He marches to war in Kandahar." | 0:19:27 | 0:19:32 | |
She asked him who it was would then rule in Afghanistan. | 0:19:32 | 0:19:38 | |
He replied... | 0:19:38 | 0:19:40 | |
"Why, the Empress Victoria." | 0:19:40 | 0:19:42 | |
HE SCOFFS | 0:19:42 | 0:19:43 | |
So we showed him how to eat with his hands while you were at war. | 0:19:46 | 0:19:52 | |
If we believe another person is wrong, which is worse? | 0:19:55 | 0:19:59 | |
To persuade that person with violence or with ideas? | 0:20:01 | 0:20:05 | |
And if ideas bring men to violence, if these...ideas | 0:20:07 | 0:20:12 | |
of Sayid's brought another to... | 0:20:12 | 0:20:14 | |
Why will you not speak? | 0:20:21 | 0:20:23 | |
Did you not...care for him? | 0:20:24 | 0:20:26 | |
Like a brother. | 0:20:29 | 0:20:30 | |
And brothers fight. | 0:20:30 | 0:20:33 | |
You are watched, Imran, by men who, | 0:20:38 | 0:20:41 | |
though, yes, we serve the same Queen, | 0:20:41 | 0:20:44 | |
I see no honour in them. | 0:20:44 | 0:20:47 | |
Why did you fight with Sayid? | 0:20:49 | 0:20:51 | |
I do not know who killed your son, | 0:20:57 | 0:21:01 | |
but, yes, we fought. | 0:21:01 | 0:21:03 | |
And we did so because... | 0:21:04 | 0:21:06 | |
..he stole. | 0:21:08 | 0:21:09 | |
Your son was a thief. | 0:21:11 | 0:21:13 | |
They were zakat, Mr Drake, alms. | 0:21:16 | 0:21:19 | |
And it was almost £200 for the Indian merchant seamen | 0:21:19 | 0:21:23 | |
on the docks. | 0:21:23 | 0:21:24 | |
-Lascars? -Yes, sir. | 0:21:24 | 0:21:26 | |
Funds were raised, to be distributed among those men | 0:21:26 | 0:21:30 | |
who were left without a ship to crew, to...ease their need. | 0:21:30 | 0:21:35 | |
And... | 0:21:38 | 0:21:39 | |
..my Sayid stole it. | 0:21:41 | 0:21:43 | |
He steals the money meant for the lascars, therefore they kill him. | 0:21:46 | 0:21:49 | |
No. See, here, a draft amendment to the Merchant Shipping Act. | 0:21:49 | 0:21:54 | |
Authors, Mr R Ahmad, and Mr SKA Al-Qadir. | 0:21:54 | 0:21:58 | |
"To give more robust and far-reaching legal protection in this country | 0:21:58 | 0:22:02 | |
"to the status of those merchant seamen from the South Asian colonies." | 0:22:02 | 0:22:05 | |
He, Mr Hafeez also, they fight for lascars. | 0:22:05 | 0:22:08 | |
This was a cornerstone of his legal career. | 0:22:08 | 0:22:11 | |
Why would he steal from them, and why would they kill him? | 0:22:11 | 0:22:13 | |
Please, Inspector, there is a particular clause that by law | 0:22:15 | 0:22:18 | |
they would then be allowed to find other work whilst they remain here. | 0:22:18 | 0:22:21 | |
That is cause for more than offence. There are slim pickings down on those docks. | 0:22:21 | 0:22:26 | |
And Mr Sayid lobbied that they be stretched even further to accommodate | 0:22:26 | 0:22:29 | |
men of both different colour and creed. Stevedores, lumpers, lightermen. | 0:22:29 | 0:22:34 | |
All of whom may have cause to handle a cargo of turmeric. | 0:22:34 | 0:22:37 | |
But what of this 200 nicker, sir? | 0:22:37 | 0:22:39 | |
Christ knows. | 0:22:39 | 0:22:41 | |
Mr Drummond, you will by morning | 0:22:42 | 0:22:44 | |
have found each and every shipment of South Asian spices | 0:22:44 | 0:22:47 | |
to have been lumped ashore between St Katherine's and the Isle of Dogs. | 0:22:47 | 0:22:51 | |
Sergeant Thatcher, | 0:22:51 | 0:22:52 | |
the bunkhouse for foreign shipping crews | 0:22:52 | 0:22:54 | |
-on West India Dock Road. -The Strangers' Home, sir? | 0:22:54 | 0:22:57 | |
Yes - you and I are paying a visit. | 0:22:57 | 0:22:59 | |
We shall see what those lascars know about the thief, Potter Chowdey. | 0:22:59 | 0:23:02 | |
Inspector Drake, sir, if I may. | 0:23:02 | 0:23:04 | |
DS Thatcher has many admirable qualities, but... | 0:23:05 | 0:23:09 | |
I'm not sure the speaking of Urdu is one. | 0:23:09 | 0:23:12 | |
THATCHER SCOFFS | 0:23:13 | 0:23:14 | |
You crowing cock, Drum! | 0:23:14 | 0:23:16 | |
Do you want that snide little nose of yours broke? | 0:23:16 | 0:23:18 | |
Come now, Sergeant, we are one uniform. | 0:23:18 | 0:23:22 | |
Major, would you consider... | 0:23:23 | 0:23:25 | |
Word from the top, Inspector Drake. | 0:23:26 | 0:23:29 | |
Colonial Secretary Chamberlain himself. | 0:23:29 | 0:23:33 | |
You are to release your prisoner to me. | 0:23:33 | 0:23:34 | |
I would not have had it happen this way. | 0:23:50 | 0:23:53 | |
If I learn that this man has been injured or harmed in any way, | 0:24:04 | 0:24:08 | |
your Secretary Chamberlain shall hear from me, sir. | 0:24:08 | 0:24:12 | |
And you imagine he shall give two tosses, do you? | 0:24:14 | 0:24:17 | |
He's the Colonial Secretary, and you're the colonial. | 0:24:17 | 0:24:20 | |
You are to him no more than a trained circus pony. | 0:24:21 | 0:24:24 | |
Best you understand that. | 0:24:25 | 0:24:27 | |
Here is the lesson, Major. | 0:24:28 | 0:24:30 | |
HE CLEARS THROAT | 0:24:30 | 0:24:31 | |
They dress you in this costume | 0:24:31 | 0:24:34 | |
and puff you full of a confected self-importance, | 0:24:34 | 0:24:37 | |
the purpose of which is only this - that we here in this country | 0:24:37 | 0:24:42 | |
may slowly bleed your country dry, | 0:24:42 | 0:24:44 | |
whilst your back is turned, parading in our honour. | 0:24:44 | 0:24:48 | |
Now... | 0:24:50 | 0:24:51 | |
I shall be taking this little...insurrectionist | 0:24:53 | 0:24:58 | |
and putting him under the boot. | 0:24:58 | 0:25:00 | |
Mr Drake, there is not a thing to be done. | 0:25:03 | 0:25:07 | |
There may be now. | 0:25:07 | 0:25:09 | |
However, we will show our special branch that they are dogs | 0:25:09 | 0:25:13 | |
barking up the wrong tree entirely. | 0:25:13 | 0:25:15 | |
Mr Drummond, those dockside work gangs, get to the wires. | 0:25:15 | 0:25:20 | |
Sergeant Thatcher. Major Al-Qadir, sir, with me, if you please. | 0:25:20 | 0:25:25 | |
MURMUR OF VOICES | 0:25:49 | 0:25:51 | |
MEN SHOUT | 0:25:57 | 0:25:58 | |
THEY SING IN URDU | 0:26:06 | 0:26:08 | |
The spice shipments, Assistant Commissioner, all those from South India. | 0:26:14 | 0:26:17 | |
There were five in the last fortnight, | 0:26:17 | 0:26:19 | |
and these are names of those men to lead those work gangs. | 0:26:19 | 0:26:22 | |
One such name chimes heavy with me, sir. | 0:26:22 | 0:26:24 | |
And which one is that, Sergeant? | 0:26:24 | 0:26:27 | |
Teague. | 0:26:27 | 0:26:29 | |
He's a union steward. | 0:26:29 | 0:26:31 | |
One moment, if you will, sir. | 0:26:31 | 0:26:32 | |
His daughter, Kay Teague, | 0:26:44 | 0:26:46 | |
she threw herself off of the dock gates at the Western only this morning. | 0:26:46 | 0:26:49 | |
-That is rich coincidence, Mr Drummond. -Is it not, sir? | 0:26:49 | 0:26:52 | |
See the news communicates to Inspector Drake. | 0:26:52 | 0:26:54 | |
I will, sir. | 0:26:54 | 0:26:55 | |
-Reassure him that I myself will investigate these others. -Very good, Assistant Commissioner. | 0:26:55 | 0:27:00 | |
MAN SPEAKS URDU | 0:27:00 | 0:27:03 | |
TRANSLATES: If this man stole, he did so with love in his heart, | 0:27:05 | 0:27:08 | |
and only to give to another in greater need. | 0:27:08 | 0:27:12 | |
And does he have any indication as to whose that greater need might be? | 0:27:13 | 0:27:18 | |
HE SPEAKS IN URDU | 0:27:18 | 0:27:20 | |
HE REPLIES IN URDU | 0:27:24 | 0:27:26 | |
It is thought Sayid had a lover here, who he met here. | 0:27:34 | 0:27:39 | |
He says...um...he says she is a white woman. | 0:27:41 | 0:27:45 | |
Roy Teague's daughter? | 0:27:47 | 0:27:50 | |
We have a testimony here | 0:27:52 | 0:27:54 | |
says there is a young white woman | 0:27:54 | 0:27:55 | |
who shared intimacies with Major Al-Qadir's son. | 0:27:55 | 0:27:58 | |
Understood, Sergeant. | 0:28:00 | 0:28:01 | |
Give my thanks to Mr Dove. | 0:28:01 | 0:28:02 | |
There is a wake we must attend. | 0:28:06 | 0:28:08 | |
Is Roy Teague here? | 0:28:21 | 0:28:23 | |
No, sir. He could not bear the sight and bolted. | 0:28:23 | 0:28:25 | |
BABY CRIES | 0:28:59 | 0:29:00 | |
CROKER CHUCKLES | 0:29:42 | 0:29:43 | |
Ah...! | 0:29:45 | 0:29:46 | |
What trouble brings you here, young Mr Dove? | 0:29:47 | 0:29:50 | |
I've a worry which roots itself in these parts. | 0:29:50 | 0:29:53 | |
Why, you surprise me. | 0:29:53 | 0:29:55 | |
This is that Indian fellow which washed ashore at the Western, then? | 0:29:57 | 0:30:01 | |
This Indian nurtured opinions... on this country, on its ruler... | 0:30:01 | 0:30:07 | |
she who will soon pass not too far from here. | 0:30:07 | 0:30:09 | |
He not only had opinions, Abel. | 0:30:11 | 0:30:14 | |
He had stolen 200 sterling, also. | 0:30:14 | 0:30:17 | |
Two tons? Your masters fear some plot afoot, do they? | 0:30:17 | 0:30:22 | |
I believe it fear alone. | 0:30:22 | 0:30:24 | |
Well... | 0:30:26 | 0:30:28 | |
But there are...other indications bring me down here. | 0:30:28 | 0:30:32 | |
Spice cargoes. | 0:30:34 | 0:30:36 | |
Turmeric. | 0:30:38 | 0:30:40 | |
The work gangs who brought such shipments ashore. | 0:30:40 | 0:30:44 | |
And my name among them. | 0:30:44 | 0:30:45 | |
It was not you nor none of your own who opened the man's throat for him? | 0:30:45 | 0:30:50 | |
It was not me, Augustus. | 0:30:52 | 0:30:54 | |
There is not one atom of life, human or otherwise, | 0:31:00 | 0:31:05 | |
which lands on this stretch of water | 0:31:05 | 0:31:06 | |
without that you know its nature. | 0:31:06 | 0:31:09 | |
This is true. | 0:31:09 | 0:31:10 | |
Then what is at the root of this, Abel? | 0:31:13 | 0:31:15 | |
Well... | 0:31:15 | 0:31:17 | |
£200 gone missing, you say? | 0:31:18 | 0:31:20 | |
HE CHUCKLES | 0:31:20 | 0:31:21 | |
No need to unsettle yourself, my lad. | 0:31:24 | 0:31:26 | |
This is not some grand foreign plot, but local mischief. | 0:31:27 | 0:31:32 | |
You leave dock disorders to dock folk. | 0:31:33 | 0:31:35 | |
Golem! | 0:32:02 | 0:32:03 | |
Stop! Wait! | 0:32:04 | 0:32:06 | |
Please, wait, wait. Wait! | 0:32:06 | 0:32:08 | |
SHOUTING | 0:32:10 | 0:32:12 | |
Goren, Deborah Goren. Deborah Goren? | 0:32:15 | 0:32:19 | |
ALL TALK AT ONCE | 0:32:19 | 0:32:20 | |
Ah... | 0:32:20 | 0:32:22 | |
HE TRIES TO SPEAK HEBREW | 0:32:22 | 0:32:23 | |
She will speak for me. She will speak for me. | 0:32:23 | 0:32:25 | |
CLAMOUR OF VOICES INSIDE | 0:32:30 | 0:32:32 | |
Just wait here. | 0:32:32 | 0:32:33 | |
Please, calm yourselves. My friends, please, calm yourselves! | 0:32:37 | 0:32:42 | |
He was there because I invited him! | 0:32:42 | 0:32:44 | |
-I invited him! -Why would you invite Edmund Reid, | 0:32:44 | 0:32:48 | |
inspector as he was, | 0:32:48 | 0:32:50 | |
into the rooms of Isaac Bloom? | 0:32:50 | 0:32:54 | |
-Why, Deborah? -Mr Reid and I, we share, I hope, | 0:32:56 | 0:33:00 | |
a fear that Isaac's conviction may be unsafe. | 0:33:00 | 0:33:02 | |
Is this true? | 0:33:02 | 0:33:04 | |
I had, er... I had hoped to investigate. | 0:33:05 | 0:33:08 | |
MAN SPEAKS IN HEBREW | 0:33:08 | 0:33:09 | |
-No, that was never proved, never. -What does he say? | 0:33:14 | 0:33:18 | |
There's a belief in the community that it's being haunted by a monster. | 0:33:18 | 0:33:22 | |
Golem. | 0:33:22 | 0:33:24 | |
What gave them this belief? | 0:33:25 | 0:33:27 | |
Well, they said that children awoke with a dark figure standing over their beds, | 0:33:27 | 0:33:32 | |
an etching scratched in the walls, jaws of savage creatures. | 0:33:32 | 0:33:36 | |
Er... On occasion, they thought they had trapped it, | 0:33:36 | 0:33:39 | |
but it was strong and fast, | 0:33:39 | 0:33:40 | |
and leapt from roof to roof. | 0:33:40 | 0:33:43 | |
And this they believe to have been Bloom? | 0:33:43 | 0:33:45 | |
Yes, they believe. | 0:33:46 | 0:33:47 | |
-WHISPERS: -The boy'll be safe, cared for while we, you know, reassemble ourselves. | 0:33:55 | 0:34:00 | |
How will this reassembling take place? | 0:34:00 | 0:34:02 | |
Yeah, it's all under good control. | 0:34:02 | 0:34:04 | |
But then once we are prepared, all we have to do is take him. | 0:34:04 | 0:34:08 | |
From Rose? It would kill her. | 0:34:08 | 0:34:10 | |
That is a metaphor, darling. | 0:34:10 | 0:34:12 | |
The killing that comes your way, that ain't. | 0:34:13 | 0:34:17 | |
We have no funds with which to run, | 0:34:18 | 0:34:20 | |
-and I will be hunted. -Don't you see, darling? | 0:34:20 | 0:34:23 | |
That's entirely the beauty of it. | 0:34:23 | 0:34:24 | |
But the man Probyn. It is he who must confirm that the hangman's job is done, | 0:34:25 | 0:34:30 | |
and the bond we had, surely it is broken now. | 0:34:30 | 0:34:33 | |
Ssh, ssh, ssh, ssh. | 0:34:33 | 0:34:34 | |
You're going to leave Probyn to me. | 0:34:35 | 0:34:37 | |
Guns and horses. | 0:34:41 | 0:34:43 | |
No doubt this has been quite the ugliest of days for you. | 0:34:59 | 0:35:01 | |
Our condolences for your daughter. | 0:35:01 | 0:35:03 | |
I will take the drink, Croker. | 0:35:03 | 0:35:05 | |
I don't think I trust you enough to sit. | 0:35:05 | 0:35:07 | |
Fair enough, old son. | 0:35:07 | 0:35:09 | |
Do you have it? | 0:35:11 | 0:35:12 | |
Word is you have something urgent to relay to me | 0:35:15 | 0:35:18 | |
on the subject of my Kay. | 0:35:18 | 0:35:20 | |
Word is, Roy, you do not hand that sack of money to me, | 0:35:22 | 0:35:27 | |
I shall see the whole world apprised of who it was | 0:35:27 | 0:35:30 | |
cut that Indian gentleman's throat for him. | 0:35:30 | 0:35:31 | |
DOOR OPENS | 0:35:31 | 0:35:33 | |
Why would you do such a thing, Roy? | 0:35:41 | 0:35:43 | |
Not for you to question what I do in the interest of my family | 0:35:44 | 0:35:48 | |
or my community. | 0:35:48 | 0:35:50 | |
HE CHUCKLES | 0:35:50 | 0:35:51 | |
Oh, it is murdering has clearly advanced the interests of both those constituents. | 0:35:51 | 0:35:56 | |
Your community's suffering every bluebottle this side of the Aldgate Pub | 0:35:56 | 0:36:01 | |
crawling up its fundament. | 0:36:01 | 0:36:02 | |
And your family, well, Roy... | 0:36:04 | 0:36:06 | |
..it is masterful self-delusion | 0:36:07 | 0:36:09 | |
to think you have helped them one jot. | 0:36:09 | 0:36:11 | |
That gold-skinned grandson of yours... | 0:36:11 | 0:36:14 | |
..where's his ma now? | 0:36:16 | 0:36:18 | |
Oh, you, you were always a hothead and a rabble-rouser, | 0:36:22 | 0:36:25 | |
too eager for a moan and a bullhorn when a moment's contemplation | 0:36:25 | 0:36:28 | |
might have brought you some perspective. | 0:36:28 | 0:36:32 | |
But you are emotional. | 0:36:32 | 0:36:35 | |
HE CHUCKLES And you are political, | 0:36:35 | 0:36:37 | |
always tossing on about the rights of working man, | 0:36:37 | 0:36:41 | |
and forgetting that the rice-eaters and the coolies you hate so much, | 0:36:41 | 0:36:45 | |
that they too are working men. | 0:36:45 | 0:36:47 | |
They are not of this city, and they are not of this country. | 0:36:47 | 0:36:50 | |
Men like that lawyer... | 0:36:50 | 0:36:52 | |
Ah, the Mohammedan lad that was up your Kay, him. | 0:36:52 | 0:36:55 | |
Yes, him! | 0:36:55 | 0:36:56 | |
Telling us we have to compete | 0:36:56 | 0:36:58 | |
for the same scraps as those murdering, moon-faced bastards! | 0:36:58 | 0:37:02 | |
Ah, correct me if I'm wrong, it is you what's done the murdering? | 0:37:03 | 0:37:08 | |
In all truth, Roy, I knew it the moment you kicked up such rage | 0:37:14 | 0:37:18 | |
when I had Nate here wash him up at the Western. | 0:37:18 | 0:37:21 | |
I do like me a pineapple. | 0:37:26 | 0:37:27 | |
How about you? | 0:37:27 | 0:37:29 | |
I like it good enough. | 0:37:31 | 0:37:33 | |
Now, you see, this pineapple | 0:37:33 | 0:37:38 | |
is a lascar brought here on the world's ocean currents. | 0:37:38 | 0:37:43 | |
A piece of fruit is not a man. | 0:37:43 | 0:37:45 | |
But it...it provides for a man, however, eh? | 0:37:46 | 0:37:50 | |
Its cultivation, its shipping, its trade, and so... | 0:37:50 | 0:37:54 | |
such fruits become part of our lives. | 0:37:54 | 0:37:58 | |
Lascars, all their colour, plenty more besides. | 0:37:59 | 0:38:03 | |
Not if working men in this city stay tight. | 0:38:03 | 0:38:05 | |
Ah...you need to take a look about. | 0:38:12 | 0:38:15 | |
There is a city out there | 0:38:16 | 0:38:18 | |
tuned to cheer its Queen as she parades her way through it. | 0:38:18 | 0:38:21 | |
But what is that Queen? | 0:38:22 | 0:38:24 | |
She is an empress, but her empire is not solely England, boy. | 0:38:24 | 0:38:30 | |
It is the world. | 0:38:31 | 0:38:33 | |
And therefore the world comes to London, | 0:38:33 | 0:38:38 | |
and London becomes the world. | 0:38:38 | 0:38:41 | |
This is not because Englishmen are good or pretty... | 0:38:41 | 0:38:45 | |
..but because we understood quicker than all | 0:38:46 | 0:38:50 | |
good trade made for greater power. | 0:38:50 | 0:38:53 | |
Power which you will always lack for, Roy, | 0:38:54 | 0:38:58 | |
until you understand that there is but one boat afloat in this world, and it is this. | 0:38:58 | 0:39:05 | |
-ROY GASPS -You roll with the future times... | 0:39:05 | 0:39:09 | |
or the future times will roll over you. | 0:39:09 | 0:39:13 | |
ROY GASPS | 0:39:13 | 0:39:14 | |
BLOOD DRIPS | 0:39:14 | 0:39:16 | |
It was a Burmese silk captain showed me that. | 0:39:19 | 0:39:22 | |
Slip a knife between a man's ribs without him even feeling it. | 0:39:23 | 0:39:26 | |
KNIFE SLASHES | 0:39:26 | 0:39:28 | |
See what a man might learn if he opens his heart to the world, Roy? | 0:39:31 | 0:39:36 | |
HE GASPS AND CHOKES | 0:39:42 | 0:39:45 | |
But you, as we know, are an ignorant fellow. | 0:39:45 | 0:39:48 | |
A man of the riverside, and yet you cannot so much as place | 0:39:50 | 0:39:54 | |
a dead man in that river and get him lost. | 0:39:54 | 0:39:56 | |
You need to weigh the cargo down, Roy, | 0:39:56 | 0:40:00 | |
and let your tide help you through. | 0:40:00 | 0:40:02 | |
Nate here knows how. | 0:40:02 | 0:40:05 | |
I showed him. | 0:40:05 | 0:40:07 | |
Yeah. | 0:40:07 | 0:40:08 | |
You are going deep, my friend. | 0:40:11 | 0:40:14 | |
Out into the estuary, | 0:40:15 | 0:40:17 | |
the black river mouth... | 0:40:17 | 0:40:19 | |
..the belly of the seas beyond. | 0:40:22 | 0:40:25 | |
CHOKING | 0:40:25 | 0:40:28 | |
You're the husband, are you not? | 0:40:52 | 0:40:53 | |
I am, Doctor. | 0:40:54 | 0:40:56 | |
What is it you want? | 0:40:56 | 0:40:58 | |
Have you, er... Have you found the wherewithal? | 0:40:58 | 0:41:02 | |
Of a kind. | 0:41:02 | 0:41:04 | |
Well, I'll show you if you ask nice. | 0:41:06 | 0:41:08 | |
Ssh! Ssh! | 0:41:17 | 0:41:20 | |
MUFFLED SPEECH | 0:41:20 | 0:41:21 | |
-Say what? -MUFFLED RESPONSE | 0:41:21 | 0:41:23 | |
Oh, what do I want? | 0:41:23 | 0:41:24 | |
Well, I want you to help her as you contracted to do. | 0:41:24 | 0:41:27 | |
MUFFLED SPEECH | 0:41:27 | 0:41:28 | |
Are you really going to quibble with a pistol in your mouth? | 0:41:28 | 0:41:31 | |
You don't do this, I will kill you. | 0:41:31 | 0:41:34 | |
How does that sound? | 0:41:34 | 0:41:36 | |
MUFFLED SPEECH | 0:41:36 | 0:41:38 | |
There is no time, however. It...it is but hours away. | 0:41:42 | 0:41:45 | |
I... I... I can't. | 0:41:45 | 0:41:46 | |
The men....the laundry. | 0:41:46 | 0:41:48 | |
The plan cannot work. | 0:41:48 | 0:41:50 | |
Well, there's a new plan, however. | 0:41:50 | 0:41:52 | |
Now, it's you the prison governor's going to look to | 0:41:54 | 0:41:56 | |
-for confirmation of her death, correct? -Uh-huh. | 0:41:56 | 0:41:59 | |
Mr Bloom. | 0:42:06 | 0:42:08 | |
Mr Bloom! | 0:42:08 | 0:42:09 | |
Will you explain something to me, sir? | 0:42:12 | 0:42:14 | |
If I can. | 0:42:14 | 0:42:15 | |
What is a golem? | 0:42:15 | 0:42:17 | |
It may mean many things. | 0:42:17 | 0:42:19 | |
An unformed being of human shape, but not human, | 0:42:20 | 0:42:22 | |
a monster made by other men to protect or attack. | 0:42:22 | 0:42:25 | |
Children of Whitechapel report seeing such a being, sir - | 0:42:25 | 0:42:29 | |
a dark figure entering the rooms of the young, leaping from rooftops. | 0:42:29 | 0:42:33 | |
My people have avid imaginations. | 0:42:34 | 0:42:35 | |
Your people now imagine that figure to be yourself, Mr Bloom. | 0:42:35 | 0:42:39 | |
But I am not strong. I have no athleticism. | 0:42:40 | 0:42:44 | |
Why would I seek to frighten children? | 0:42:44 | 0:42:47 | |
I... I am occupied! | 0:42:47 | 0:42:48 | |
Do you know a man named Ratovski - a rabbi, also? | 0:42:48 | 0:42:51 | |
Of course. Leon Ratovski's work on vector spaces has been deeply influential, | 0:42:51 | 0:42:57 | |
but...but he... He is dead. | 0:42:57 | 0:43:01 | |
How is he dead? | 0:43:01 | 0:43:02 | |
-He... He is killed. -At whose hand? | 0:43:02 | 0:43:04 | |
I believe you play games with me. | 0:43:04 | 0:43:06 | |
Then tell me. | 0:43:06 | 0:43:08 | |
By my hand, so it is said. | 0:43:08 | 0:43:11 | |
And do you deny it? | 0:43:11 | 0:43:13 | |
-I was not believed. -Will you deny it now? | 0:43:13 | 0:43:16 | |
What is the use? | 0:43:16 | 0:43:18 | |
I might believe you! | 0:43:18 | 0:43:20 | |
Your instinct as regards the tidal patterns... | 0:43:28 | 0:43:34 | |
..your workings were sound. | 0:43:35 | 0:43:37 | |
Such strong forces colliding, they will create a vortex. | 0:43:37 | 0:43:42 | |
But the breakwater, this, er, pier, they have built houses the vortex. | 0:43:43 | 0:43:50 | |
Gives it shape, drives it into the land. | 0:43:50 | 0:43:53 | |
So the pier must be removed. | 0:43:57 | 0:43:59 | |
That will not help. Pier, no pier, the vortex is made. | 0:43:59 | 0:44:02 | |
This land... | 0:44:02 | 0:44:03 | |
not to be lived on. | 0:44:03 | 0:44:05 | |
Mr Bloom, please. | 0:44:13 | 0:44:16 | |
Did you kill Leon Ratovski? | 0:44:17 | 0:44:20 | |
Leon Ratovski was my friend. | 0:44:21 | 0:44:23 | |
And did you know he was in Whitechapel? | 0:44:23 | 0:44:25 | |
I did. He visited me. | 0:44:25 | 0:44:26 | |
But he did not come to Whitechapel to visit me. | 0:44:26 | 0:44:29 | |
Then why? | 0:44:29 | 0:44:30 | |
To see another. | 0:44:30 | 0:44:32 | |
He said, to right a wrong. | 0:44:32 | 0:44:33 | |
A wrong? What kind? | 0:44:33 | 0:44:35 | |
An abandonment, he said. A child. | 0:44:35 | 0:44:38 | |
Which? | 0:44:38 | 0:44:39 | |
I promised not to say. | 0:44:39 | 0:44:40 | |
And I would not ask my friends to break an oath. | 0:44:42 | 0:44:44 | |
And he left you then, yes? | 0:44:44 | 0:44:46 | |
Mr Reid, | 0:44:46 | 0:44:48 | |
I could no more kill Leon Ratovski | 0:44:48 | 0:44:53 | |
than I could kill myself. | 0:44:53 | 0:44:55 | |
Ah, Mr Drake. Kind of you to save me the trouble. | 0:45:03 | 0:45:07 | |
You may take your prisoner back yourself. | 0:45:07 | 0:45:09 | |
Mr Hafeez, sir, I am sorry. | 0:45:09 | 0:45:13 | |
I am sorry. | 0:45:15 | 0:45:16 | |
Yes, it is a sadness to cause such suffering without reward. | 0:45:16 | 0:45:21 | |
He told you nothing, then? | 0:45:23 | 0:45:24 | |
No, no. Too much, in fact. | 0:45:24 | 0:45:27 | |
Anything I asked him, he screamed confirmation. | 0:45:28 | 0:45:31 | |
Too eager to please, you see. | 0:45:33 | 0:45:35 | |
And I never trust the word of a man who's too eager to please. | 0:45:35 | 0:45:38 | |
Nah...no monster, he. | 0:45:39 | 0:45:43 | |
Your prisoner, Inspector. | 0:45:45 | 0:45:47 | |
Inspector. | 0:46:24 | 0:46:25 | |
What? | 0:46:27 | 0:46:28 | |
I didn't know what to do with him, sir. He waits in your office, therefore. | 0:46:28 | 0:46:31 | |
Who does? | 0:46:33 | 0:46:34 | |
Go and see. | 0:46:34 | 0:46:36 | |
Hello, Bennet. | 0:46:49 | 0:46:51 | |
And this you've done on nothing but the suspicion of one woman? | 0:46:54 | 0:46:58 | |
A woman who... Forgive me, Mr Reid. | 0:47:00 | 0:47:03 | |
I currently lack for energy and therefore tact, | 0:47:03 | 0:47:05 | |
but this is the woman for whom you shamed your wife, is it not? | 0:47:05 | 0:47:09 | |
I did warn you. | 0:47:10 | 0:47:12 | |
What? You knew? | 0:47:13 | 0:47:15 | |
You knew he was here, pushing his refined nose into work he had | 0:47:15 | 0:47:19 | |
-long since abandoned? -Now, Drake, I merely told him... -Do not "now" me nothing, Jackson! | 0:47:19 | 0:47:23 | |
I do not know why I should feel the slightest taken aback. | 0:47:23 | 0:47:26 | |
The pair of you always were like two rats in a sack! | 0:47:27 | 0:47:30 | |
-What did he tell you? -He told me nothing, Bennet. | 0:47:30 | 0:47:33 | |
He made heavy point of it. | 0:47:33 | 0:47:35 | |
Did he tell you how we made the case? | 0:47:35 | 0:47:37 | |
No. As I am trying to say, I know nothing. | 0:47:37 | 0:47:39 | |
Did he tell you about the clothes we found in Bloom's apartment? | 0:47:39 | 0:47:42 | |
Your genius here took fingerprints from the white breast placket of his shirt. | 0:47:42 | 0:47:47 | |
Quite so, Mr Reid, fingerprints. | 0:47:48 | 0:47:49 | |
But accredited this time, given as evidence. | 0:47:49 | 0:47:52 | |
The victim, Rabbi Ratovski's bloody fingerprints | 0:47:53 | 0:47:56 | |
stuck on a shirt of Isaac Bloom. | 0:47:56 | 0:47:58 | |
And not one word of denial did he make, Mr Reid. | 0:48:00 | 0:48:03 | |
He did so to me. | 0:48:03 | 0:48:04 | |
Did you know, Bennet, that Ratovski and Bloom were friends, | 0:48:05 | 0:48:09 | |
students of mathematics together in Paris? | 0:48:09 | 0:48:11 | |
Mr Reid, I do not think you may call me Bennet no longer. | 0:48:14 | 0:48:17 | |
And I care not whether they were students of mathematics or cat shit together! | 0:48:17 | 0:48:21 | |
Follow me, if you will, Mr Reid. | 0:48:25 | 0:48:27 | |
Have a good butcher's at this, Mr Reid. | 0:48:36 | 0:48:38 | |
What's this, compressor technology? | 0:48:43 | 0:48:45 | |
It's a, er, evaporative cycle... ammonia, carbon dioxide, and ether. | 0:48:45 | 0:48:48 | |
Listen to me, the both of you! I do not give | 0:48:48 | 0:48:51 | |
two silent sods about the technology of it. | 0:48:51 | 0:48:53 | |
This, Mr Reid, you should save your shock and awe for this. | 0:48:53 | 0:48:56 | |
Now, we did not release such knowledge to the press, | 0:49:02 | 0:49:05 | |
but you ask him what they are. | 0:49:05 | 0:49:07 | |
What are they, Captain? | 0:49:07 | 0:49:09 | |
Those are bite marks, Reid... | 0:49:09 | 0:49:11 | |
flesh torn out with teeth. | 0:49:11 | 0:49:13 | |
The case file, clause 15...read it. | 0:49:19 | 0:49:22 | |
"Found beneath suspect's cot, one morsel of human flesh. | 0:49:26 | 0:49:31 | |
"Weight one-and-a-half pounds as confirmed by Captain Jackson. | 0:49:31 | 0:49:34 | |
"Characteristics consistent with that removed from victim's thorax." | 0:49:34 | 0:49:37 | |
He will hang. | 0:49:38 | 0:49:39 | |
He will. | 0:49:40 | 0:49:42 | |
He won't be alone, neither. | 0:49:46 | 0:49:47 | |
You will visit her at last, then? | 0:49:49 | 0:49:51 | |
Yeah, last day on Earth - I believe I will. | 0:49:53 | 0:49:56 | |
BELL TOLLS | 0:51:18 | 0:51:20 | |
TRAPDOOR SLAMS OPEN | 0:51:47 | 0:51:49 | |
BABY CRYING | 0:52:02 | 0:52:03 | |
Please, please, Connor, it's for the best. | 0:52:03 | 0:52:06 | |
A song, Rose, he likes a song. | 0:52:08 | 0:52:11 | |
A pinch of cinnamon and brown sugar in hot milk. | 0:52:11 | 0:52:14 | |
Take him. | 0:52:15 | 0:52:17 | |
BABY WAILING | 0:52:17 | 0:52:19 | |
Come, Miss S. You must ready yourself. | 0:52:29 | 0:52:32 | |
BANGING ON DOOR | 0:52:43 | 0:52:44 | |
DOOR OPENS | 0:52:44 | 0:52:45 | |
The three of you in harness once again. | 0:53:27 | 0:53:29 | |
I'm glad you shan't be lonely. | 0:53:33 | 0:53:35 | |
MUTTERS TO HIMSELF | 0:54:09 | 0:54:11 | |
TRAPDOOR SLAMS OPEN | 0:54:15 | 0:54:17 | |
CHEERING | 0:55:07 | 0:55:08 | |
Wrong corpse, Captain. | 0:56:19 | 0:56:21 | |
Ow! Christ, Matthew, you might at least remove this contraption | 0:56:31 | 0:56:34 | |
before you have at me. | 0:56:34 | 0:56:35 | |
Don't ever die for real. Understand? | 0:56:51 | 0:56:54 | |
THUNDER CRACKS | 0:57:06 | 0:57:08 | |
It is true, then. | 0:57:34 | 0:57:35 | |
It is. | 0:57:37 | 0:57:38 | |
I hope you are not angered. | 0:57:39 | 0:57:42 | |
Why would I feel anger, Mr Reid? | 0:57:42 | 0:57:44 | |
My friend is home. | 0:57:44 | 0:57:46 | |
What will you do for work? | 0:57:51 | 0:57:52 | |
I haven't given it too much thought. | 0:57:54 | 0:57:56 | |
Oh. | 0:57:56 | 0:57:58 | |
It would not be so hard, I think, to have a warrant card made for you, | 0:58:00 | 0:58:03 | |
should you wish it. | 0:58:03 | 0:58:05 | |
Needs must, you would work under me, however. | 0:58:07 | 0:58:09 | |
And the man, Bloom, that matter is shut. | 0:58:11 | 0:58:15 | |
The men cannot see me challenged. | 0:58:17 | 0:58:20 | |
Nor will I be. | 0:58:20 | 0:58:22 | |
So, Mr Reid, what is your wish? | 0:58:28 | 0:58:33 | |
Today you return to your duties at Leman Street. | 0:58:37 | 0:58:40 | |
We are lucky indeed to have him back with us. | 0:58:40 | 0:58:43 | |
Father! | 0:58:43 | 0:58:44 | |
-Tommy Riggs, a runaway. -What possessed you to come back here? | 0:58:44 | 0:58:47 | |
REID: 'I have questions of the workhouse. | 0:58:47 | 0:58:50 | |
'I know a boy in its care may die.' | 0:58:50 | 0:58:52 | |
-DRAKE: -'You are going beyond here.' | 0:58:52 | 0:58:54 | |
-MAN: -There is no hope for him. | 0:58:54 | 0:58:56 |