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REID: There will be bad things said about me, | 0:00:02 | 0:00:04 | |
things that perhaps you will not recognise | 0:00:04 | 0:00:06 | |
as acts I could have carried out. | 0:00:06 | 0:00:08 | |
Not again, Father, do not leave me. | 0:00:08 | 0:00:09 | |
You stay close to your Samuel Drummond, understand? | 0:00:09 | 0:00:12 | |
Should you need to speak with me, place a candle in your window. | 0:00:12 | 0:00:17 | |
Nathaniel, is it? | 0:00:17 | 0:00:18 | |
This programme contains some violent scenes | 0:00:18 | 0:00:22 | |
-JACKSON: -Those are bite marks, Reid. Flesh torn out with teeth. | 0:00:22 | 0:00:25 | |
We find him, his capture will bring us also his brother Augustus Dove. | 0:00:25 | 0:00:34 | |
This programme contains some scenes which some viewers may find upsetting | 0:00:34 | 0:00:39 | |
-DRAKE: -Where'd he say? | 0:00:44 | 0:00:45 | |
-LONG SUSAN: -Somewhere. It is... It is a whole system of tunnels. | 0:00:45 | 0:00:48 | |
Hide. I shall find you. | 0:00:48 | 0:00:51 | |
REID: Bennet! | 0:00:57 | 0:00:59 | |
THUD | 0:00:59 | 0:01:01 | |
Bennet! | 0:01:01 | 0:01:02 | |
Cut me open and eat out my heart... | 0:01:02 | 0:01:06 | |
but all you will find there is dust. | 0:01:06 | 0:01:09 | |
BENNET YELLS | 0:01:13 | 0:01:14 | |
GUNSHOTS | 0:01:14 | 0:01:15 | |
You fight! You fight! | 0:01:17 | 0:01:18 | |
No, my friend. | 0:01:20 | 0:01:22 | |
No more fight. | 0:01:26 | 0:01:29 | |
NO! | 0:01:34 | 0:01:36 | |
FOOTSTEPS APPROACH | 0:01:54 | 0:01:55 | |
-Undertaker? -Yes, sir? | 0:02:01 | 0:02:03 | |
A closed casket for this man, if you will. | 0:02:03 | 0:02:05 | |
# The Lord's my Shepherd I'll not want | 0:02:40 | 0:02:48 | |
# He makes me down to lie | 0:02:48 | 0:02:56 | |
# In pastures green | 0:02:56 | 0:03:02 | |
# He leadeth me | 0:03:02 | 0:03:08 | |
# The quiet waters by | 0:03:08 | 0:03:15 | |
# My soul He doth restore again | 0:03:21 | 0:03:31 | |
# And me to walk doth make | 0:03:31 | 0:03:41 | |
# Within the paths of righteousness | 0:03:41 | 0:03:51 | |
# E'en for His own name's sake | 0:03:51 | 0:04:00 | |
# Yea, though I walk in death's dark vale... # | 0:04:08 | 0:04:15 | |
SHE SOBS | 0:04:16 | 0:04:17 | |
Reid! | 0:04:41 | 0:04:42 | |
-CLICKS FINGERS -Reid! | 0:04:44 | 0:04:47 | |
What do you say? | 0:04:47 | 0:04:48 | |
Three nights we've been down here. | 0:04:52 | 0:04:54 | |
This day, every uniform from the city | 0:04:54 | 0:04:56 | |
to the marshes is going to be at his graveside. | 0:04:56 | 0:04:59 | |
If we're quick about it, we can move freely. | 0:04:59 | 0:05:02 | |
Where? | 0:05:02 | 0:05:03 | |
Some place that ain't a sewer... | 0:05:05 | 0:05:07 | |
..where we can sleep... | 0:05:08 | 0:05:10 | |
eat. | 0:05:10 | 0:05:11 | |
-Then say. -If I say, you won't come. | 0:05:11 | 0:05:15 | |
That thing's more conspicuous than you are. This way now. | 0:05:26 | 0:05:29 | |
Quick! | 0:05:29 | 0:05:31 | |
Come. The stage door gives out onto the lane-way. | 0:05:51 | 0:05:53 | |
HE HUMS, GLASS SMASHES | 0:06:08 | 0:06:09 | |
LATCH UNLOCKS | 0:06:12 | 0:06:14 | |
Here it is - food! | 0:06:34 | 0:06:35 | |
GUNSHOTS | 0:06:40 | 0:06:41 | |
You'd think you'd have the decency | 0:06:44 | 0:06:46 | |
to keep your murderous fingers off my lunch. | 0:06:46 | 0:06:48 | |
All the decayed ruins in this town and you bring me to hers! | 0:06:51 | 0:06:54 | |
I did warn you. | 0:06:54 | 0:06:56 | |
SHE SIGHS | 0:06:56 | 0:06:57 | |
It's a real nice place you got here, Hermione. | 0:07:05 | 0:07:08 | |
ROWDY BANTER | 0:07:47 | 0:07:49 | |
DOGS BARK AND SNARL | 0:07:49 | 0:07:52 | |
See, listen up, the beast lies dead. | 0:07:55 | 0:07:57 | |
All right. | 0:07:59 | 0:08:01 | |
I'm going to take your money, sir. And you, pay up. | 0:08:01 | 0:08:03 | |
And you. That's right. There's skill in such savagery. | 0:08:03 | 0:08:06 | |
That's savage, Chopper! | 0:08:06 | 0:08:08 | |
Who's next? Eh? | 0:08:10 | 0:08:12 | |
Who dare risk their animal against mine? | 0:08:12 | 0:08:15 | |
BELL RINGS | 0:08:17 | 0:08:18 | |
CROWD ROARS | 0:08:18 | 0:08:19 | |
DOGS BARK AND SNARL | 0:08:19 | 0:08:22 | |
No, this way. | 0:08:27 | 0:08:29 | |
CHOPPER SNARLS | 0:08:37 | 0:08:39 | |
Would not if I were you, brother, he ain't the petting kind. | 0:08:41 | 0:08:44 | |
-What kind is he? -The killing kind! | 0:08:44 | 0:08:46 | |
CHOPPER WHINES | 0:08:46 | 0:08:47 | |
-Is that so? -What do you want? | 0:08:47 | 0:08:49 | |
I want your dog. | 0:08:49 | 0:08:52 | |
Well, you can't have him. | 0:08:52 | 0:08:53 | |
What do you want? What are you doing with me?! | 0:08:56 | 0:08:59 | |
Please! | 0:09:01 | 0:09:02 | |
GLASS SHATTERS IN DISTANCE Hey! | 0:09:03 | 0:09:05 | |
LAUGHTER | 0:09:05 | 0:09:06 | |
CHOPPER BARKS | 0:09:08 | 0:09:10 | |
CHOPPER WHINES | 0:09:12 | 0:09:13 | |
Good boy. Good boy. Come on. Come on. | 0:09:13 | 0:09:17 | |
You come with me, boy, you're mine now. | 0:09:18 | 0:09:21 | |
MATHILDA: "Why Inspector Reid resorted to such action | 0:09:34 | 0:09:37 | |
"is a question that may only be answered by the man himself. | 0:09:37 | 0:09:41 | |
"But the facts of the ghastly fate | 0:09:41 | 0:09:43 | |
"suffered by Mr Swift cannot be ignored. | 0:09:43 | 0:09:45 | |
"The recorded cause of death was dehydration, | 0:09:46 | 0:09:49 | |
"but that eventual end must, one imagines, have come | 0:09:49 | 0:09:51 | |
"as mighty relief for a once-eminent man | 0:09:51 | 0:09:54 | |
"who had lived for ten days | 0:09:54 | 0:09:55 | |
"in conditions which defy imagination. | 0:09:55 | 0:09:57 | |
"Ten days in which his body, in starving desperation, | 0:09:58 | 0:10:01 | |
"would have slowly turned | 0:10:01 | 0:10:02 | |
"to eating itself, before death came to spare him further suffering. | 0:10:02 | 0:10:06 | |
"Before that blessed hour, however, | 0:10:07 | 0:10:09 | |
"dehydration would have brought him to a mad delirium. | 0:10:09 | 0:10:12 | |
"In that state, | 0:10:12 | 0:10:14 | |
"he had chewed his own tongue to ribbons and shattered the bones | 0:10:14 | 0:10:16 | |
"of his fingers and wrists | 0:10:16 | 0:10:18 | |
"in repeated attempts to break down the bars of his prison. | 0:10:18 | 0:10:22 | |
"As for Mr Reid, the only man who might shed light on his own motives, | 0:10:22 | 0:10:26 | |
"his whereabouts remain unknown." | 0:10:26 | 0:10:28 | |
DOOR OPENS | 0:10:29 | 0:10:31 | |
There is more food, and water too, if you would like to wash. | 0:10:32 | 0:10:37 | |
And, believe me, you ought to do so, because never mind talk of you, | 0:10:37 | 0:10:41 | |
I expect the stink carries to Scotland Yard. | 0:10:41 | 0:10:44 | |
How do we know she may be trusted? | 0:10:46 | 0:10:47 | |
I imagine that depends on whether you intend to | 0:10:47 | 0:10:49 | |
become charming or not, Mr Reid. | 0:10:49 | 0:10:51 | |
You. Might I have a word, please? | 0:10:53 | 0:10:55 | |
WOOD CLATTERS | 0:11:08 | 0:11:09 | |
-Where is it you go, Mr Reid? -To get eyes on my girl, if I can. | 0:11:09 | 0:11:13 | |
See if she has lit her candle to call for me. | 0:11:13 | 0:11:16 | |
I shan't expose you if I am taken, were that your chief concern. | 0:11:16 | 0:11:20 | |
DOOR SLAMS | 0:11:20 | 0:11:21 | |
When is it you are planning to leave? You are running, I imagine? | 0:11:21 | 0:11:24 | |
-We are. -Then why are you in my playhouse? | 0:11:24 | 0:11:27 | |
All the ports are watched. | 0:11:27 | 0:11:29 | |
And besides, me and Susan, we're a family now. | 0:11:29 | 0:11:33 | |
LIGHTER CLICKS | 0:11:33 | 0:11:34 | |
You will not leave your son behind? | 0:11:34 | 0:11:36 | |
-No. -And Mr Reid? | 0:11:37 | 0:11:40 | |
Pour two. | 0:11:40 | 0:11:41 | |
Reid, yeah... Look, his gruffness... | 0:11:44 | 0:11:47 | |
He's barely spoken two words since. | 0:11:50 | 0:11:52 | |
Since what? Since they came for him? | 0:11:52 | 0:11:54 | |
No. | 0:11:54 | 0:11:55 | |
Since we watched Drake die. | 0:11:58 | 0:12:00 | |
You were there when that man Abel Croker murdered him? | 0:12:06 | 0:12:11 | |
Don't believe everything you read in the newspapers. | 0:12:11 | 0:12:13 | |
Did he not, in fact, murder Inspector Drake? | 0:12:13 | 0:12:15 | |
-Was the man fitted for the crime? -It's best you don't know. | 0:12:15 | 0:12:17 | |
Then that which Mr Reid is accused of, | 0:12:17 | 0:12:19 | |
what happened to Miss Swift out there's father? | 0:12:19 | 0:12:22 | |
Is that also a questionable version of events? | 0:12:22 | 0:12:24 | |
Is he... Is she, in fact, blameless? | 0:12:24 | 0:12:27 | |
Blameless? | 0:12:27 | 0:12:28 | |
Huh, never that. | 0:12:30 | 0:12:31 | |
Yeah, and to think when I read of her supposed passing, I... | 0:12:32 | 0:12:36 | |
I mean, I should be shot, but I... | 0:12:36 | 0:12:39 | |
I sorrowed for you. | 0:12:39 | 0:12:40 | |
-Oh, look, Mimi, darlin'... -Don't call me "darling". | 0:12:40 | 0:12:44 | |
You call me "darling" one more time | 0:12:44 | 0:12:45 | |
and I will walk you to Leman Street myself. | 0:12:45 | 0:12:48 | |
I don't understand how you dare come to me. | 0:12:50 | 0:12:54 | |
Was there no-one, nowhere else? | 0:12:54 | 0:12:57 | |
Oh, we had a long list. | 0:12:57 | 0:13:00 | |
DOG BARKS OUTSIDE | 0:13:08 | 0:13:09 | |
TRAIN RUMBLES PAST | 0:13:29 | 0:13:31 | |
KNOCK ON DOOR | 0:13:56 | 0:13:58 | |
No candle? | 0:14:24 | 0:14:25 | |
Well, she has Drummond staying with her, right? | 0:14:26 | 0:14:29 | |
-Correct. -Well... | 0:14:29 | 0:14:30 | |
And all the while, Augustus Dove... | 0:14:33 | 0:14:36 | |
..that brother of his, now hid in some safe place | 0:14:37 | 0:14:40 | |
while he makes certain the world is fully apprised | 0:14:40 | 0:14:42 | |
of the evil I have done. And I may not protest, | 0:14:42 | 0:14:46 | |
and I may not hold my girl and explain to her the... | 0:14:46 | 0:14:50 | |
the ghastly truth of her Uncle Bennet's passing. | 0:14:50 | 0:14:54 | |
Hey, Reid. | 0:14:54 | 0:14:55 | |
She knows that truth, she then knows danger, | 0:14:55 | 0:14:57 | |
and you're in no place to offer her your protection... | 0:14:57 | 0:14:59 | |
But then we must continue to cower, must we? | 0:14:59 | 0:15:01 | |
While the world is poisoned, | 0:15:03 | 0:15:05 | |
justice and truth are made Augustus Dove's whores. | 0:15:05 | 0:15:09 | |
What are we to do, then, Reid? | 0:15:09 | 0:15:12 | |
We go get our justice. | 0:15:12 | 0:15:14 | |
Or the heavens fall. | 0:15:16 | 0:15:17 | |
What will he do? | 0:15:33 | 0:15:34 | |
Huh, what can he do? | 0:15:36 | 0:15:38 | |
He chooses to fix his will to vengeance, | 0:15:39 | 0:15:42 | |
he will tear this world down about us. | 0:15:42 | 0:15:44 | |
What, you don't wish for justice? | 0:15:44 | 0:15:45 | |
You're asking the wrong woman entirely the wrong question. | 0:15:45 | 0:15:49 | |
Whatever... common factors shared by Miss Morton | 0:15:49 | 0:15:52 | |
and myself, I am today grateful for them, | 0:15:52 | 0:15:55 | |
but we cannot imagine ourselves protected by her. | 0:15:55 | 0:15:58 | |
So you believe her disloyal? | 0:15:58 | 0:16:00 | |
What motive does she have to lean to loyalty when she brings you to mind? | 0:16:00 | 0:16:04 | |
We do not act, you and I, whether it is Reid's fury, | 0:16:04 | 0:16:09 | |
or another's idle tongue. | 0:16:09 | 0:16:11 | |
We must act, is all I say. | 0:16:11 | 0:16:12 | |
Oh, and this great action you describe? | 0:16:12 | 0:16:15 | |
Our vases. I have a sense of where Croker may have hid them. | 0:16:18 | 0:16:21 | |
If that sense is accurate, there is not a soul left | 0:16:21 | 0:16:23 | |
-to stop me taking them. -You don't think you're going to be seen on the dockside? | 0:16:23 | 0:16:26 | |
Yes. And I have thought on how that might be addressed. | 0:16:26 | 0:16:29 | |
I don't like it, Caitlin. | 0:16:31 | 0:16:33 | |
Look, I'll go, you just... | 0:16:39 | 0:16:41 | |
-You stay here where it's safe. -No. | 0:16:41 | 0:16:44 | |
Because you must go to Connor, set eyes on our son if you can. | 0:16:44 | 0:16:48 | |
All that has passed in a house which he must call home. | 0:16:49 | 0:16:53 | |
We must see that he is well, Matthew. | 0:16:53 | 0:16:55 | |
And I will be watched for there. | 0:16:55 | 0:16:57 | |
Darling... | 0:16:59 | 0:17:00 | |
we are watched for everywhere, by everybody. | 0:17:00 | 0:17:04 | |
No. No, not everywhere. Not with such fixation anyway. | 0:17:04 | 0:17:09 | |
Besides, what is a theatre if not | 0:17:09 | 0:17:11 | |
a place in which we might transform ourselves? | 0:17:11 | 0:17:13 | |
Transform MYSELF. | 0:17:13 | 0:17:14 | |
What? | 0:17:24 | 0:17:26 | |
You be careful. | 0:17:27 | 0:17:28 | |
Cos I might fall in love with you all over again. | 0:17:30 | 0:17:33 | |
VENDORS SHOUT | 0:17:50 | 0:17:51 | |
This new chief of ours who comes here this morning, | 0:18:00 | 0:18:03 | |
he's a proper heavyweight from what they say, right? | 0:18:03 | 0:18:05 | |
At the K, when he ran Limehouse, | 0:18:05 | 0:18:07 | |
ten commissioner's recommendations in one year, | 0:18:07 | 0:18:10 | |
nigh on 50 nicker won from the Bow Street Fund | 0:18:10 | 0:18:13 | |
for bringing down an armed robbery single-handed. | 0:18:13 | 0:18:15 | |
That's over five years past, Frank. Where's he been since, eh? | 0:18:15 | 0:18:18 | |
And now he comes here to run this division? | 0:18:18 | 0:18:20 | |
From the sound of it, he's entirely the stripe of man | 0:18:20 | 0:18:22 | |
required for this sink in which we here currently find ourselves. | 0:18:22 | 0:18:25 | |
And I, for one, should be happy to walk alongside such a man. | 0:18:25 | 0:18:28 | |
-Aye, and fall on your arse, most like. -Oi! | 0:18:28 | 0:18:32 | |
I've been robbed. | 0:18:32 | 0:18:33 | |
-Name? -Why do you need that? | 0:18:33 | 0:18:35 | |
So we can come by and cook your dinner for you! | 0:18:35 | 0:18:38 | |
-It is a legal requirement, sir. -Oh. It's Jenkins. | 0:18:38 | 0:18:41 | |
-And what is took from you, sir? -My dog. -Breed? | 0:18:41 | 0:18:44 | |
English bull terrier. | 0:18:44 | 0:18:45 | |
Oh? It's a fighting dog, is it? | 0:18:45 | 0:18:48 | |
It is not. It's my domestic companion. | 0:18:50 | 0:18:53 | |
He's pure breed, understand? | 0:18:53 | 0:18:55 | |
-£25 to replace. -Some pet. | 0:18:55 | 0:18:58 | |
You see those scars about his hands, Drum? | 0:18:58 | 0:19:02 | |
I'd lay my pension on it - that's a pit bull stolen, | 0:19:02 | 0:19:06 | |
and he's a pit bull handler. Now, you just be glad | 0:19:06 | 0:19:08 | |
we here are currently exercised by graver matters | 0:19:08 | 0:19:11 | |
than a ballock-sack like you. | 0:19:11 | 0:19:13 | |
Mr Dove comes - the new chief with him. | 0:19:13 | 0:19:15 | |
Get out of here, Mr Jenkins. | 0:19:20 | 0:19:22 | |
TRAIN HORN TOOTS | 0:19:24 | 0:19:26 | |
Men of H Division, I expect you to show your new leader | 0:19:43 | 0:19:47 | |
all the loyalty you showed your last. | 0:19:47 | 0:19:50 | |
VENDORS SHOUT | 0:19:50 | 0:19:51 | |
NECK CRUNCHES | 0:20:07 | 0:20:09 | |
HE GROANS | 0:20:09 | 0:20:10 | |
Your men welcome you. | 0:20:17 | 0:20:19 | |
Portland stone pillars, Mr Shine. | 0:20:23 | 0:20:26 | |
Money's been spent... | 0:20:26 | 0:20:27 | |
or lost. | 0:20:27 | 0:20:29 | |
Dependent on your outlook. | 0:20:30 | 0:20:32 | |
What is that? | 0:20:51 | 0:20:52 | |
It is a telephone, Inspector Shine. | 0:20:54 | 0:20:57 | |
-You are Desk Sergeant... -Drummond, sir. | 0:20:57 | 0:20:59 | |
I know what a telephone is, Drummond. | 0:20:59 | 0:21:02 | |
Of course. | 0:21:02 | 0:21:03 | |
Perhaps Mr Shine refers to your microreader, Sergeant? | 0:21:03 | 0:21:06 | |
Oh, erm, Mr Reid's files were photographed | 0:21:06 | 0:21:09 | |
and their size then shrunk by a ratio of 160-1. | 0:21:09 | 0:21:12 | |
Which Reid? | 0:21:14 | 0:21:15 | |
Hmm? This Reid? | 0:21:15 | 0:21:17 | |
His brain made wood and glass, is it? | 0:21:19 | 0:21:21 | |
Shall we move on? | 0:21:21 | 0:21:23 | |
-DOVE: -Gentlemen. | 0:21:24 | 0:21:25 | |
You do not advertise the American's position? | 0:21:28 | 0:21:31 | |
That is your prerogative, Mr Shine. | 0:21:31 | 0:21:33 | |
No, it's not mine. | 0:21:33 | 0:21:35 | |
In truth, I do not overly care for such empirical provings. | 0:21:35 | 0:21:38 | |
Lead on, Drummond. | 0:21:38 | 0:21:39 | |
No wonder you suffer such strife in this division, sir. | 0:21:44 | 0:21:47 | |
This bang-up is not full enough. Not near, Mr Dove. | 0:21:47 | 0:21:51 | |
Example needs setting. | 0:21:51 | 0:21:52 | |
Then see it set, Mr Shine. | 0:21:53 | 0:21:55 | |
This was Bennet Drake's seat? | 0:22:21 | 0:22:23 | |
It was. | 0:22:25 | 0:22:26 | |
How soon a great man replaced. | 0:22:26 | 0:22:28 | |
Who was this man, Croker? This Whitechapel Golem. | 0:22:30 | 0:22:35 | |
A wharfinger. A nobody. | 0:22:35 | 0:22:37 | |
A nobody ended Bennet Drake? | 0:22:37 | 0:22:39 | |
Ate his flesh, four others besides. | 0:22:42 | 0:22:44 | |
That is not a nobody. | 0:22:47 | 0:22:48 | |
The file in front of you, all you need know on Mr Reid. | 0:22:52 | 0:22:57 | |
These charges, justifiable homicide - | 0:22:57 | 0:22:59 | |
-truthful or cooked? -It is all there, Inspector. | 0:22:59 | 0:23:02 | |
Ed Reid... | 0:23:02 | 0:23:04 | |
..called for my death once... | 0:23:05 | 0:23:07 | |
..as I fought Bennet Drake for the Lafone Cup. | 0:23:09 | 0:23:13 | |
Drake was base sergeant then, and Reid ordered him to it. | 0:23:13 | 0:23:17 | |
-To my finishing, Mr Dove. -But Mr Drake disobeyed him. | 0:23:17 | 0:23:21 | |
It was widely spoke of, for many years after. | 0:23:21 | 0:23:24 | |
He saved your life, Mr Shine. | 0:23:25 | 0:23:26 | |
As I understand it, the doctors have passed you fit, Inspector. | 0:23:36 | 0:23:40 | |
Once I had threatened to burn down their homes if they did not. | 0:23:42 | 0:23:45 | |
Well, I expect you to be well enough for your duties here, | 0:23:51 | 0:23:54 | |
chief amongst which the capture of these fugitives. | 0:23:54 | 0:23:57 | |
So I understand it, sir. | 0:23:57 | 0:23:59 | |
For why is it you believe I have accepted your invitation back here? | 0:23:59 | 0:24:02 | |
Bringing this man... | 0:24:02 | 0:24:04 | |
..to his retribution, well... | 0:24:09 | 0:24:12 | |
that will be the highest of high days. | 0:24:12 | 0:24:14 | |
I have coffee and hot rolls. | 0:25:18 | 0:25:20 | |
Thank you, Miss Morton. | 0:25:36 | 0:25:38 | |
I hope you will forgive me my poor manners. | 0:25:41 | 0:25:43 | |
Oh, come, Mr Reid. I've heard worse. | 0:25:45 | 0:25:47 | |
And you are hardly a scaffolder. | 0:25:47 | 0:25:49 | |
You had left this place, had you not? | 0:26:05 | 0:26:08 | |
Why is it you come back here, Miss Morton? | 0:26:08 | 0:26:10 | |
I'm happy here. | 0:26:12 | 0:26:14 | |
Happier than I am anywhere else, at least. | 0:26:16 | 0:26:18 | |
You cannot settle over west? | 0:26:18 | 0:26:21 | |
It is... It's diverting, for a while. | 0:26:24 | 0:26:27 | |
When I'm there, I think of here. | 0:26:28 | 0:26:30 | |
VENDORS SHOUT | 0:26:36 | 0:26:37 | |
You don't think I can deal with that turd up top? | 0:27:17 | 0:27:19 | |
Where's our boy, Rose? | 0:27:28 | 0:27:30 | |
Wouldn't you like to know? | 0:27:31 | 0:27:33 | |
Tell me where you're hid, I'll tell you where he is likewise. | 0:27:34 | 0:27:38 | |
You're going to tell me now, goddamn it. | 0:27:38 | 0:27:39 | |
GUN COCKS | 0:27:39 | 0:27:40 | |
You think I give two hoots to be made dead? | 0:27:40 | 0:27:43 | |
I do not. | 0:27:45 | 0:27:46 | |
There's twice a day it's only weariness stops me doing it myself. | 0:27:47 | 0:27:51 | |
GUN UNCOCKS | 0:27:55 | 0:27:57 | |
Where do you go? I see your life's all packed away. | 0:27:58 | 0:28:02 | |
They will have me at Blackpool for a season. | 0:28:02 | 0:28:04 | |
-And then? -I do not care. Somewhere. | 0:28:04 | 0:28:08 | |
Where's my son, Rose? | 0:28:13 | 0:28:15 | |
What is your name? | 0:28:19 | 0:28:20 | |
My name's Matthew Judge. | 0:28:20 | 0:28:23 | |
What is hers? | 0:28:23 | 0:28:24 | |
It's Caitlin. | 0:28:24 | 0:28:26 | |
And despite what you believe, | 0:28:26 | 0:28:28 | |
she's your friend, and she loves you. | 0:28:28 | 0:28:31 | |
As do I, Rose. | 0:28:31 | 0:28:33 | |
And how we understand the time between then and now, | 0:28:34 | 0:28:37 | |
I have no clue, but it's true, Rose - you are loved. | 0:28:37 | 0:28:41 | |
Where's Connor? | 0:28:47 | 0:28:48 | |
I have given him away. | 0:28:54 | 0:28:56 | |
Goddamn it! To who? | 0:28:59 | 0:29:01 | |
-Rose, to who? -To a life that you... | 0:29:02 | 0:29:05 | |
will not prise him from. | 0:29:05 | 0:29:09 | |
They are papers. | 0:29:11 | 0:29:13 | |
Connor Judge is now the ward of Augustus Dove. | 0:29:13 | 0:29:16 | |
Rose, where is he? I beg you! | 0:29:19 | 0:29:22 | |
Hackney, he has said, but I do not know where | 0:29:22 | 0:29:24 | |
and I do not wish to know neither. | 0:29:24 | 0:29:25 | |
Will you leave me, please, Captain? | 0:29:28 | 0:29:33 | |
CARRIAGE DOOR OPENS | 0:29:50 | 0:29:52 | |
CHURCH BELL TOLLS | 0:30:21 | 0:30:24 | |
I am Chudleigh. | 0:30:29 | 0:30:31 | |
He will be glad for more permanent company, I believe. | 0:30:32 | 0:30:35 | |
He grows restless. | 0:30:35 | 0:30:37 | |
It's not company he needs, it's order. | 0:30:37 | 0:30:39 | |
Or has the moral discipline I was brought to teach you | 0:30:39 | 0:30:42 | |
as a foul-mouthed, mudlarking boy | 0:30:42 | 0:30:43 | |
been forgot now you are a frock-coated gentleman? | 0:30:43 | 0:30:47 | |
No, of course not, Miss Chudleigh. | 0:30:47 | 0:30:49 | |
Now see, he comes to greet you himself. | 0:30:49 | 0:30:52 | |
Well, Connor. | 0:30:57 | 0:30:58 | |
Do you have a word of greeting for your new governess? | 0:30:58 | 0:31:02 | |
Hear me, out the way! Police coming through! Move! | 0:31:23 | 0:31:28 | |
Make way! | 0:31:28 | 0:31:29 | |
His name is Nathaniel. A nudge two yards in height. | 0:31:47 | 0:31:50 | |
He'll be rough and dirty, | 0:31:50 | 0:31:52 | |
but if you see him, you treat him kind. | 0:31:52 | 0:31:54 | |
And, Constable, this is not police business. | 0:31:55 | 0:31:59 | |
-This is my own affair, you understand? -Yes, Mr Dove. | 0:31:59 | 0:32:02 | |
Mr Dove thinks he can set the hour of the world | 0:32:09 | 0:32:12 | |
by his own pocket watch, | 0:32:12 | 0:32:14 | |
surveying the docks like the heir Abel Croker | 0:32:14 | 0:32:16 | |
might have wished him to be. | 0:32:16 | 0:32:18 | |
And he has your son. | 0:32:19 | 0:32:21 | |
He knows you will not leave without him. | 0:32:22 | 0:32:24 | |
-Cannot but try to retake him. -He's correct on both counts. | 0:32:24 | 0:32:28 | |
But he does not have all within his control, however. | 0:32:28 | 0:32:31 | |
He does not take his private guard to the docks for his health... | 0:32:31 | 0:32:34 | |
-..nor indeed to seek our vases. -You mean he looks for Nathaniel? | 0:32:35 | 0:32:39 | |
He must hunt him himself. | 0:32:39 | 0:32:41 | |
Because if that man kills again, | 0:32:41 | 0:32:44 | |
if he even speaks, Dove himself will fall. | 0:32:44 | 0:32:47 | |
All I have done, what you and I did to your father - | 0:32:47 | 0:32:50 | |
perhaps I am as black of heart | 0:32:50 | 0:32:51 | |
as Augustus Dove would have the world believe, | 0:32:51 | 0:32:54 | |
but, Bennet Drake, my friend, was not. | 0:32:54 | 0:32:58 | |
There never was a more dedicated or honest soul. | 0:32:59 | 0:33:02 | |
God knows, I used that integrity to my own ends but, before I die, | 0:33:02 | 0:33:07 | |
I will see his voice given back to him. | 0:33:07 | 0:33:09 | |
-JACKSON: -Then we need to trap the beast which killed him. | 0:33:09 | 0:33:12 | |
MEN SHOUT | 0:33:14 | 0:33:15 | |
What makes you so certain he hides in the Jewish Quarter? | 0:33:15 | 0:33:18 | |
Nathaniel has lost everything, remember. | 0:33:18 | 0:33:20 | |
Whatever kind of father the man Croker was to him, | 0:33:21 | 0:33:24 | |
he cannot simply call on his brother to ask for a bed. | 0:33:24 | 0:33:26 | |
He must wait for that brother to find him. | 0:33:26 | 0:33:28 | |
-He cannot stray too far, therefore. -And like any human male... | 0:33:28 | 0:33:31 | |
Any mammal, any wolf cub... | 0:33:31 | 0:33:34 | |
..he may seek comfort in where he found it before. | 0:33:34 | 0:33:36 | |
Amongst the people he's preyed on. | 0:33:38 | 0:33:40 | |
KNOCK ON DOOR | 0:33:40 | 0:33:41 | |
Last three days, a man, early 30s. | 0:33:42 | 0:33:45 | |
Don't talk much, but when he does, it's English. | 0:33:45 | 0:33:48 | |
No stranger, will know his way about. | 0:33:48 | 0:33:50 | |
-Yeah, this man, I had him thrown out. -Why? | 0:33:50 | 0:33:54 | |
No dogs. | 0:33:55 | 0:33:56 | |
DOOR OPENS | 0:33:58 | 0:33:59 | |
Lamb chops - costly eating to give away to an animal. | 0:34:06 | 0:34:10 | |
Is he fattening it up? | 0:34:11 | 0:34:13 | |
-What breed? -Bull terrier. | 0:34:13 | 0:34:15 | |
-A brute of a thing. -Fight dog? | 0:34:15 | 0:34:18 | |
A way to raise funds, certainly. | 0:34:18 | 0:34:20 | |
But where is he fighting it? | 0:34:20 | 0:34:21 | |
What is this? Church of the Latter Day Saints. | 0:34:24 | 0:34:27 | |
Do you think it's code? | 0:34:27 | 0:34:29 | |
Well, a street crier would be unwise. | 0:34:29 | 0:34:31 | |
The whereabouts of their match-ups must be communicated somehow. | 0:34:31 | 0:34:34 | |
Last I knew, there were no Mormons setting up church in Whitechapel. | 0:34:35 | 0:34:39 | |
See there, tending to his flock. | 0:34:43 | 0:34:46 | |
Peace be upon you. | 0:34:48 | 0:34:49 | |
And upon you, brother. Do you wish to give thanks? | 0:34:49 | 0:34:54 | |
-We do. -Cassock or congregation? | 0:34:54 | 0:34:57 | |
Fight or play? | 0:34:58 | 0:35:00 | |
Play. | 0:35:00 | 0:35:02 | |
SNARLING | 0:35:02 | 0:35:04 | |
Bless you, brother! | 0:35:08 | 0:35:10 | |
Lovely. All right? | 0:35:15 | 0:35:18 | |
All right, let's get this started! | 0:35:19 | 0:35:22 | |
DOG SNARLS | 0:35:24 | 0:35:26 | |
Fear not, Abel, fear not. We ain't here to watch them suffer. | 0:35:42 | 0:35:47 | |
FIGHT DOG HOWLS | 0:35:47 | 0:35:50 | |
SNARLING | 0:36:01 | 0:36:03 | |
Get in there! | 0:36:07 | 0:36:08 | |
-DOGS YELP -Oi! Oi! | 0:36:10 | 0:36:12 | |
What you doing? | 0:36:15 | 0:36:17 | |
Oi, you! | 0:36:20 | 0:36:22 | |
You have some brass to come here, to my kingdom, with that animal. | 0:36:23 | 0:36:26 | |
A dog I raised! | 0:36:26 | 0:36:28 | |
Raised for violence? Raised for blood? | 0:36:28 | 0:36:31 | |
That dog was born to such. | 0:36:31 | 0:36:32 | |
So you give him up now! Give him up! | 0:36:32 | 0:36:34 | |
-DOG GROWLS -As you wish. Go! | 0:36:34 | 0:36:36 | |
Argh! Get him off! | 0:36:38 | 0:36:40 | |
Get him off! | 0:36:40 | 0:36:42 | |
AGONISED CRIES | 0:36:44 | 0:36:45 | |
Argh! | 0:36:45 | 0:36:47 | |
-HE WHISTLES -Abel. | 0:36:47 | 0:36:49 | |
Argh! Get off, get off! | 0:36:49 | 0:36:52 | |
DOGS BARK | 0:36:59 | 0:37:01 | |
Watch out, watch out! | 0:37:01 | 0:37:03 | |
BARKING AND SHOUTING CONTINUES | 0:37:06 | 0:37:08 | |
-You! Tell what has happened here! -Reid! I see him! | 0:37:11 | 0:37:13 | |
Get after him, then! | 0:37:13 | 0:37:15 | |
-We're going to lose him. -We must not! | 0:37:16 | 0:37:18 | |
GUNSHOT | 0:37:18 | 0:37:19 | |
-DOG WHIMPERS -Come on, boy! Come on! | 0:37:19 | 0:37:22 | |
Come on, boy! | 0:37:22 | 0:37:24 | |
Who is it brews the coffee here? | 0:37:34 | 0:37:35 | |
That'd be Sergeant Drummond, sir. | 0:37:35 | 0:37:37 | |
We leave all matters domestic to him. | 0:37:37 | 0:37:39 | |
It's good drinking, Sergeant Drummond. | 0:37:39 | 0:37:41 | |
Thank you, sir. | 0:37:41 | 0:37:43 | |
Is it you who, instead of his own soft bed, | 0:37:43 | 0:37:45 | |
warms the stone hearth of Miss Mathilda Reid? | 0:37:45 | 0:37:47 | |
Yeah, it is, Mr Shine. Sleeps like a dog there. | 0:37:47 | 0:37:51 | |
Well, dogs are loyal, Mr...? | 0:37:51 | 0:37:52 | |
Thatcher. DS, sir. | 0:37:52 | 0:37:54 | |
Mr Drummond. | 0:37:56 | 0:37:57 | |
Would you be so kind as to introduce me to the young lady? | 0:37:57 | 0:38:00 | |
I would feel it an honour to lay my eyes upon her. | 0:38:00 | 0:38:03 | |
Of course, sir. | 0:38:05 | 0:38:07 | |
The smell of this town, Drummond. | 0:38:15 | 0:38:17 | |
I do not think I could mistake it though I lived to be 500. | 0:38:17 | 0:38:20 | |
It is shit, bad gin and dead flowers. | 0:38:21 | 0:38:25 | |
Miss Reid. I am to introduce you to Inspector Shine. | 0:38:28 | 0:38:33 | |
I am pleased to make your acquaintance, Mr Shine. | 0:38:33 | 0:38:36 | |
Miss Reid. | 0:38:36 | 0:38:38 | |
Will you excuse me, Inspector Shine? | 0:38:39 | 0:38:42 | |
You know, your news travelled to Ireland, where I worked at the time. | 0:38:42 | 0:38:46 | |
Forgive me. Which news? | 0:38:48 | 0:38:49 | |
Your resurrection. | 0:38:54 | 0:38:56 | |
Sir, ought we not to...? | 0:38:59 | 0:39:00 | |
No, we ought not, Drummond. I share the experience, see? | 0:39:00 | 0:39:03 | |
Of all having thought me gone... | 0:39:04 | 0:39:09 | |
only to be restored. | 0:39:09 | 0:39:10 | |
Who else may say that? Save yourself and myself. | 0:39:11 | 0:39:15 | |
Man may stop and wonder if perhaps we are kin, | 0:39:15 | 0:39:19 | |
you and I. | 0:39:19 | 0:39:21 | |
You should know it is me now that hunts your pappy. | 0:39:24 | 0:39:27 | |
-Drum? -I wish you only to know this - | 0:39:28 | 0:39:31 | |
whatever may pass... | 0:39:31 | 0:39:33 | |
..you will always have a defender in Jedediah Shine. | 0:39:35 | 0:39:38 | |
Life is precious, Miss. | 0:39:40 | 0:39:43 | |
Particularly that which is given twice. | 0:39:43 | 0:39:45 | |
Good day, Miss Reid. | 0:39:51 | 0:39:53 | |
Do you think we were seen? | 0:40:09 | 0:40:10 | |
An American shooting his pistol off in broad daylight? | 0:40:10 | 0:40:13 | |
Who would remark on such a thing(?) | 0:40:13 | 0:40:14 | |
Hey! He's the animal we hunt, what the hell was I supposed to do? | 0:40:14 | 0:40:17 | |
Not kill him, for one. His use to us dead is exactly nil. | 0:40:17 | 0:40:21 | |
That man Nathaniel, what... What is it that he hunts? | 0:40:21 | 0:40:23 | |
The chaos back there, the unleashed fighting dogs, | 0:40:23 | 0:40:26 | |
he is releasing them, not fighting them. | 0:40:26 | 0:40:28 | |
-An act of liberation, not violence. -From a violent man. | 0:40:28 | 0:40:30 | |
Dogs ain't just dogs to Nathaniel. | 0:40:30 | 0:40:33 | |
What, then? His wolf brothers who he now seeks to free? | 0:40:33 | 0:40:38 | |
An act of compassion from a man who tore my friend's throat from him. | 0:40:38 | 0:40:41 | |
I hear Susan say he's more of a man-child than a monster. | 0:40:41 | 0:40:44 | |
He may have developed an affection for her. And she for him. | 0:40:45 | 0:40:51 | |
-I believe. -So this compassion he has for the dogs, | 0:40:51 | 0:40:53 | |
we must assume he will persevere with these acts. | 0:40:53 | 0:40:55 | |
Unless his brother may lay hands on him and stop him. | 0:40:55 | 0:40:58 | |
Then let's hope he does not trap him once more. | 0:40:58 | 0:41:00 | |
-And more Methodist pit fights then? -Yes, until we have him, yes. | 0:41:00 | 0:41:04 | |
And perhaps Miss Swift may use their mutual affection | 0:41:04 | 0:41:06 | |
and turn him to our own ends. | 0:41:06 | 0:41:08 | |
It is a great risk you take for a man who let you down so. | 0:41:22 | 0:41:25 | |
Who betrayed me, with you. | 0:41:33 | 0:41:35 | |
Then you see my argument. | 0:41:35 | 0:41:37 | |
Why not turn us out to the streets? | 0:41:37 | 0:41:40 | |
He is very charming, your man. | 0:41:42 | 0:41:44 | |
He is. | 0:41:45 | 0:41:46 | |
-He's also an idiot. -Mm! | 0:41:46 | 0:41:48 | |
But if in this life we do not trust our instinct as to who is | 0:41:48 | 0:41:52 | |
a good person, then I think we might be ruined. | 0:41:52 | 0:41:54 | |
It's Hackney, is it not, where, according to Rose Drake, | 0:41:56 | 0:41:59 | |
this Mr Dove now resides? | 0:41:59 | 0:42:01 | |
It is. | 0:42:02 | 0:42:04 | |
Now that it lives again, | 0:42:07 | 0:42:09 | |
I must re-register my theatre here for its purpose. | 0:42:09 | 0:42:13 | |
I do so via a young man called Eric at the Land Registry | 0:42:13 | 0:42:15 | |
on Lincoln's Inn Fields. | 0:42:15 | 0:42:17 | |
Mr Dove, good man of the law that he is, | 0:42:17 | 0:42:21 | |
must also register his new domicile for gas, waterworks, the like. | 0:42:21 | 0:42:25 | |
Dear Eric is a little bit in love with me, I think. | 0:42:25 | 0:42:28 | |
He makes a household there. | 0:42:39 | 0:42:41 | |
And will be advertising for staff, I imagine. | 0:42:41 | 0:42:44 | |
Do you know, Miss Morton, | 0:42:48 | 0:42:49 | |
we have far too much in common not to be friends. | 0:42:49 | 0:42:52 | |
DOGS BARK | 0:42:54 | 0:42:55 | |
Pit fight up the old wool works. | 0:43:02 | 0:43:04 | |
Word is the dogs were released. | 0:43:04 | 0:43:05 | |
They're now scattered throughout Whitechapel. | 0:43:05 | 0:43:08 | |
Think you're immune to arrest, Jenkins? | 0:43:10 | 0:43:12 | |
Perhaps I am. | 0:43:12 | 0:43:13 | |
The ruckus which saw these dogs set loose. | 0:43:18 | 0:43:20 | |
Your men here in attendance. | 0:43:20 | 0:43:22 | |
In a pursuit all their own. | 0:43:22 | 0:43:24 | |
A pursuit of the wretch who thieved my dog, Chopper. | 0:43:24 | 0:43:27 | |
-You're not so spry now! -Hello, Mr Jenkins. | 0:43:27 | 0:43:30 | |
That is valuable intelligence and no mistake. | 0:43:33 | 0:43:36 | |
Don't I know it. | 0:43:36 | 0:43:38 | |
Then perhaps you will allow us to show you our gratitude. | 0:43:38 | 0:43:41 | |
By all means, Inspector. | 0:43:41 | 0:43:44 | |
Here. Have this. | 0:43:44 | 0:43:45 | |
HE BREATHES HEAVILY | 0:43:56 | 0:43:57 | |
Higher. | 0:43:59 | 0:44:00 | |
GROANING | 0:44:00 | 0:44:02 | |
-Higher... -ROPE CREAKS | 0:44:02 | 0:44:05 | |
-STRAINED: -What you doing? -Higher... | 0:44:05 | 0:44:08 | |
GROANING CONTINUES | 0:44:08 | 0:44:10 | |
Now, Mr Jenkins. | 0:44:12 | 0:44:14 | |
You dance there on your tippy-toes for an hour or four, | 0:44:14 | 0:44:17 | |
while we here establish the truth of your snitching on Edmund Reid. | 0:44:17 | 0:44:22 | |
With me, Sergeant Thatcher. | 0:44:24 | 0:44:26 | |
Yes, sir, Mr Shine. | 0:44:31 | 0:44:33 | |
CELL DOOR SLAMS | 0:44:33 | 0:44:34 | |
Inspector Shine, sir. | 0:44:46 | 0:44:47 | |
I think you might want to come and see this. | 0:44:48 | 0:44:50 | |
Right, come on... | 0:44:52 | 0:44:54 | |
Mr Thatcher, can you bring to mind any man of these parts | 0:45:00 | 0:45:04 | |
who might have need for a .45 cartridge? | 0:45:04 | 0:45:07 | |
Yeah, I can, Inspector. | 0:45:12 | 0:45:14 | |
That'll be Captain Jackson. | 0:45:15 | 0:45:17 | |
Lunch, I think. | 0:45:20 | 0:45:21 | |
Right. | 0:45:23 | 0:45:25 | |
Mr Drake not allow you your lunch, then? | 0:45:30 | 0:45:32 | |
MOUTH FULL: Not such a lunch as this. | 0:45:32 | 0:45:34 | |
No, he, erm... He felt... Well, he and Mr Dove felt | 0:45:35 | 0:45:40 | |
that we here who police these streets | 0:45:40 | 0:45:42 | |
must be seen to work as hard as them who must | 0:45:42 | 0:45:44 | |
live on them, and not place ourselves above them in any way. | 0:45:44 | 0:45:47 | |
But we are above them, son. They must follow the law. | 0:45:47 | 0:45:51 | |
We... We ARE the law. | 0:45:51 | 0:45:53 | |
There is no equality in that fact. | 0:45:55 | 0:45:57 | |
Neither ought there to be. | 0:45:57 | 0:45:59 | |
Yeah. Yes, yes, Inspector. | 0:45:59 | 0:46:01 | |
He and his American associate | 0:46:06 | 0:46:08 | |
do not go around letting off firecrackers | 0:46:08 | 0:46:11 | |
without good reason. | 0:46:11 | 0:46:13 | |
These pit fights, they have significance for them. | 0:46:13 | 0:46:16 | |
Well, that being the case, this one today... | 0:46:16 | 0:46:20 | |
..might not be the only such fight they might attend. | 0:46:21 | 0:46:24 | |
My, you are a quick fellow, Detective. | 0:46:25 | 0:46:28 | |
What else does that quick wit of yours ponder? | 0:46:28 | 0:46:31 | |
Our new friend, Jenkins. | 0:46:32 | 0:46:34 | |
-He who you've got now strung up in our cells. -Indeed. | 0:46:34 | 0:46:37 | |
He might be set to the organising of another such fight. | 0:46:37 | 0:46:39 | |
The coordinates of which to be described | 0:46:39 | 0:46:42 | |
a little bit differently to Mr Reid and Captain Jackson. | 0:46:42 | 0:46:44 | |
And there where there was in fact no pit fight... | 0:46:44 | 0:46:48 | |
There might instead be ourselves, lying in wait. | 0:46:48 | 0:46:51 | |
It is a happy thing you are a man of foresight. | 0:46:53 | 0:46:58 | |
Is it not? | 0:46:58 | 0:46:59 | |
Please, sirs. Unchain me. | 0:47:01 | 0:47:05 | |
I am not an evil man. | 0:47:05 | 0:47:06 | |
HE SCREAMS | 0:47:08 | 0:47:10 | |
Were I a dog, bred for profit, would you make such a claim? | 0:47:11 | 0:47:15 | |
No... I mean, yes, yes. | 0:47:15 | 0:47:18 | |
I am an evil man, I am an evil man! | 0:47:19 | 0:47:21 | |
-Then do you say I am a dog? -Mr Shine... | 0:47:21 | 0:47:25 | |
my pardon. A thousand pardons! | 0:47:25 | 0:47:29 | |
Ought I to release you? | 0:47:30 | 0:47:32 | |
I don't know, sir. That is for you to say. | 0:47:32 | 0:47:36 | |
If I were to, would you do my bidding? | 0:47:37 | 0:47:40 | |
-MUFFLED: -Forever. | 0:47:40 | 0:47:41 | |
Forever more, forever more! | 0:47:43 | 0:47:46 | |
Forever more. | 0:47:46 | 0:47:47 | |
Then do what you do best, and, by way of example, | 0:47:48 | 0:47:51 | |
see another pit fight arranged and broadcast. | 0:47:51 | 0:47:54 | |
Take him down. | 0:48:01 | 0:48:02 | |
RELIEVED GASP | 0:48:02 | 0:48:04 | |
PANTING | 0:48:07 | 0:48:09 | |
Sign here. | 0:48:12 | 0:48:13 | |
And you, Frank. | 0:48:22 | 0:48:23 | |
He is meticulous, our desk sergeant. | 0:48:24 | 0:48:26 | |
Oh, he is that. | 0:48:26 | 0:48:27 | |
And more besides. | 0:48:29 | 0:48:31 | |
Right! | 0:48:31 | 0:48:32 | |
Be on your way now, Mr Jenkins. | 0:48:35 | 0:48:37 | |
Don't be forgetting our love for you, Mr Jenkins. | 0:48:40 | 0:48:44 | |
What, Drum? | 0:48:52 | 0:48:54 | |
What would you prefer, 'Tilda - that he were caught and returned? | 0:49:06 | 0:49:10 | |
To make his case, I mean. Claim his innocence. | 0:49:10 | 0:49:13 | |
-Or that he were never caught? -And never returned? | 0:49:13 | 0:49:16 | |
I cannot say, but I do not think it only the law which motivates | 0:49:17 | 0:49:21 | |
Mr Shine's pursuit of him. | 0:49:21 | 0:49:23 | |
-No. -He was right, however. | 0:49:23 | 0:49:25 | |
What he said about resurrection. | 0:49:25 | 0:49:27 | |
Father said it, too, that I was born to him twice. | 0:49:27 | 0:49:30 | |
And now I am perhaps lost to him twice. | 0:49:32 | 0:49:35 | |
They set a trap for him. | 0:49:41 | 0:49:42 | |
Shine and Frank Thatcher. | 0:49:42 | 0:49:45 | |
Drum? What is it? | 0:49:45 | 0:49:47 | |
Please, will you say? | 0:49:47 | 0:49:49 | |
He is my father. | 0:49:49 | 0:49:51 | |
There! Your Mormons again. | 0:50:26 | 0:50:28 | |
Captain, find the coordinates of this next pit fight. | 0:50:28 | 0:50:31 | |
-And where is it you go? -To see my girl. | 0:50:31 | 0:50:34 | |
Have you lost your mind? If you're taken... | 0:50:34 | 0:50:37 | |
Then I am taken. | 0:50:37 | 0:50:39 | |
But she lit a candle for me last night, so I must go to her. | 0:50:39 | 0:50:41 | |
You go, Mr Reid. | 0:50:41 | 0:50:44 | |
Do not sling your accusations at me. | 0:50:50 | 0:50:52 | |
I know how he feels is all. | 0:50:52 | 0:50:53 | |
So you go to Hackney, do you? | 0:50:53 | 0:50:56 | |
I know where our son is. I must go. | 0:50:56 | 0:50:59 | |
-Mathilda, my girl. -You were watching. | 0:51:10 | 0:51:13 | |
I have been every night I could. | 0:51:13 | 0:51:16 | |
You are well, my darling? Is there any trouble? | 0:51:16 | 0:51:18 | |
Are you threatened? | 0:51:18 | 0:51:20 | |
No, Father. I am well. | 0:51:20 | 0:51:22 | |
Samuel Drummond keeps a weather eye. | 0:51:22 | 0:51:24 | |
-He stops the night at our home? -He does. | 0:51:24 | 0:51:28 | |
Well, Mathilda, you lit your candle. | 0:51:29 | 0:51:31 | |
I did. | 0:51:31 | 0:51:32 | |
Father, Mr Swift...? | 0:51:33 | 0:51:35 | |
Yes, I... | 0:51:38 | 0:51:39 | |
Mathilda, please, we need space and freedom and time for such talk. | 0:51:39 | 0:51:43 | |
No. It is not so much Mr Swift | 0:51:43 | 0:51:45 | |
I wish to speak of, but the cellar, Father. | 0:51:45 | 0:51:47 | |
Why would you put him there? Why? | 0:51:48 | 0:51:51 | |
The cellar that was once my home? | 0:51:51 | 0:51:53 | |
Mathilda, please. It had the force of logic at the time. | 0:51:53 | 0:51:58 | |
We will in due course talk on it and I will explain all, | 0:51:59 | 0:52:02 | |
but for now, please, is there anything you need to tell me? | 0:52:02 | 0:52:05 | |
They plan for your capture. | 0:52:05 | 0:52:07 | |
This is Mr Dove? It is he who plans it? | 0:52:07 | 0:52:09 | |
-No, it is not. -Then who? | 0:52:09 | 0:52:11 | |
There is a new man sits in Uncle Bennet's office. | 0:52:11 | 0:52:14 | |
He came to talk to me. | 0:52:14 | 0:52:15 | |
-What is his name? -He is named Shine. | 0:52:15 | 0:52:18 | |
You're certain? | 0:52:20 | 0:52:22 | |
Jedediah Shine? | 0:52:22 | 0:52:24 | |
Has he threatened you? | 0:52:25 | 0:52:28 | |
No, Father. Quite the reverse, in fact. | 0:52:28 | 0:52:30 | |
Never, ever let yourself be alone with him. Do you understand? | 0:52:30 | 0:52:33 | |
-Do you understand?! -Yes, I understand. | 0:52:33 | 0:52:36 | |
Now, what is his strategy? | 0:52:40 | 0:52:43 | |
Mathilda, please, his strategy? | 0:52:45 | 0:52:47 | |
HE KNOCKS ON BOARD | 0:53:00 | 0:53:02 | |
Peace be with you, brother. | 0:53:06 | 0:53:07 | |
And you. | 0:53:07 | 0:53:09 | |
Gather round, gather round! | 0:53:16 | 0:53:18 | |
All those seeking employment, the household has need | 0:53:18 | 0:53:20 | |
for a footman, a cook and two maids. | 0:53:20 | 0:53:24 | |
All applicants are to form a line and hand their credentials in here. | 0:53:24 | 0:53:27 | |
Footman, is it? | 0:53:31 | 0:53:32 | |
He has a governess. | 0:53:52 | 0:53:53 | |
Well, governesses can be dissuaded with firearms. | 0:53:54 | 0:53:57 | |
You have not seen this woman. | 0:53:57 | 0:53:59 | |
She has the look of someone who has sent Satan himself back to hell. | 0:53:59 | 0:54:03 | |
Besides, there is a bodyguard also. Two uniformed men. | 0:54:05 | 0:54:10 | |
Whitechapel men? | 0:54:11 | 0:54:12 | |
-H Division? -No, A. | 0:54:13 | 0:54:16 | |
It's Westminster. | 0:54:17 | 0:54:18 | |
Even they are not immune to a bullet shot from a firearm. | 0:54:20 | 0:54:23 | |
I suspect it may come to that. | 0:54:23 | 0:54:25 | |
Well, you took your sweet time. | 0:54:25 | 0:54:27 | |
-Any longer, we'd have missed our window. There's another pit fight scheduled... -I know. | 0:54:27 | 0:54:30 | |
It is upon the waste ground beyond the charcoal works. | 0:54:30 | 0:54:33 | |
What? How? I only just came from the man who was... | 0:54:33 | 0:54:36 | |
Never mind. But I have found opportunity also. | 0:54:36 | 0:54:39 | |
They construct this animal fight to draw us out, | 0:54:40 | 0:54:43 | |
but we shall see their claws pulled from them first. | 0:54:43 | 0:54:46 | |
HE WHISTLES | 0:54:47 | 0:54:48 | |
DS Thatcher. | 0:54:50 | 0:54:52 | |
My heart has sorely missed you, son. | 0:54:54 | 0:54:57 | |
As I have it, Sergeant, you are half in love with your new inspector. | 0:54:57 | 0:55:00 | |
Sergeant Thatcher, the unreliable stripe of copper, is he? | 0:55:03 | 0:55:06 | |
Where the hell is he, Drummond? You, men, with me. | 0:55:06 | 0:55:10 | |
We must move now! Or the chance to trap Reid is... | 0:55:11 | 0:55:14 | |
-SHOUTING AND LAUGHTER -What's that noise? | 0:55:14 | 0:55:16 | |
SHOUTING AND LAUGHTER CONTINUE | 0:55:19 | 0:55:22 | |
-MAN: -It's not that cold out here, Thatcher. Is it always that small? | 0:55:23 | 0:55:27 | |
-MAN: -Lovely bunch of flowers! | 0:55:37 | 0:55:38 | |
LAUGHTER AND JEERING CONTINUES | 0:55:47 | 0:55:49 | |
-MAN: -I feel sorry for the horse! | 0:55:51 | 0:55:53 | |
Are you out there, Ed Reid? | 0:55:56 | 0:55:58 | |
HUBBUB SUBSIDES | 0:55:58 | 0:55:59 | |
I know you too vain a man not to now be watching your own acts. | 0:56:00 | 0:56:06 | |
I am fierce glad to be here. | 0:56:06 | 0:56:09 | |
Fierce glad to know you yet a worthy antagonist! | 0:56:09 | 0:56:15 | |
I have thirsted long and hard... | 0:56:15 | 0:56:20 | |
for this fight! | 0:56:20 | 0:56:22 | |
I'm in your house, my feet under your table, | 0:56:25 | 0:56:30 | |
and I will not be leaving till I have looked you in the eye... | 0:56:30 | 0:56:35 | |
..and then I'm going to paint these streets... | 0:56:40 | 0:56:43 | |
with your blood! | 0:56:43 | 0:56:45 | |
All men, every address within 100 yards. | 0:56:46 | 0:56:50 | |
Tear 'em apart. | 0:56:51 | 0:56:53 | |
Do it now! | 0:56:54 | 0:56:55 | |
Tear them apart! Tear them apart! | 0:56:55 | 0:56:58 | |
I want him found, now! | 0:56:58 | 0:57:00 | |
We best run, I imagine. | 0:57:00 | 0:57:02 | |
WHISTLE BLASTS | 0:57:02 | 0:57:04 | |
DOG WHIMPERS | 0:57:07 | 0:57:08 | |
Shh, it's going to be all right. | 0:57:08 | 0:57:10 | |
DOG WHINES | 0:57:10 | 0:57:12 | |
Shh. Forgive me, Abel. | 0:57:16 | 0:57:19 | |
BONES CRUNCH | 0:57:22 | 0:57:23 | |
Shh... | 0:57:23 | 0:57:24 | |
WHISTLES BLAST | 0:57:47 | 0:57:49 | |
INDISTINCT SHOUTS | 0:57:52 | 0:57:54 | |
Edmund Reid did evil. | 0:57:58 | 0:58:00 | |
He took you from me! | 0:58:00 | 0:58:03 | |
He kept me safe! | 0:58:03 | 0:58:05 | |
Do you intend to make another victim? | 0:58:05 | 0:58:08 | |
What horseplay is this? | 0:58:08 | 0:58:10 | |
What did Dove's brother do? | 0:58:12 | 0:58:13 | |
Reid believed him to have been the killer. | 0:58:13 | 0:58:15 | |
No! | 0:58:15 | 0:58:16 |