Browse content similar to A Brittle Thread. Check below for episodes and series from the same categories and more!
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This programme contains prolonged violent scenes, very strong language | 0:00:02 | 0:00:05 | |
and some scenes which some viewers may find upsetting. | 0:00:05 | 0:00:07 | |
-SHINE: -Who was this man Croker? | 0:00:07 | 0:00:09 | |
A wharfinger, a nobody. | 0:00:09 | 0:00:12 | |
A nobody ended Bennet Drake? | 0:00:12 | 0:00:14 | |
That is not a nobody. | 0:00:14 | 0:00:16 | |
-MATHILDA: -Father, Mr Swift. | 0:00:18 | 0:00:20 | |
Why would you put him there, in the cellar that was once my home? | 0:00:20 | 0:00:23 | |
Drum? | 0:00:23 | 0:00:24 | |
They set a trap for him, Shine and Frank Thatcher. | 0:00:24 | 0:00:28 | |
REID: They construct this animal fight to draw us out, | 0:00:28 | 0:00:30 | |
but we shall see Shine's claws pulled from him first. | 0:00:30 | 0:00:33 | |
DS Thatcher. | 0:00:33 | 0:00:34 | |
CROWD JEERS | 0:00:34 | 0:00:37 | |
-CROWD: -Reid! Reid! Reid! -WHISTLE BLOWS | 0:00:37 | 0:00:40 | |
Reid! Reid! Reid! | 0:00:40 | 0:00:42 | |
I want him found - now! | 0:00:42 | 0:00:44 | |
TRAIN PASSES OUTSIDE | 0:00:47 | 0:00:50 | |
-When? -This morning. | 0:01:47 | 0:01:49 | |
Or night before, perhaps. | 0:01:50 | 0:01:53 | |
We said fresh. This man is in rigor. | 0:01:53 | 0:01:57 | |
Look, do you want him or not? | 0:01:57 | 0:01:58 | |
Will he serve? | 0:01:58 | 0:01:59 | |
Well, look at him. He's...he's rigid. | 0:02:00 | 0:02:02 | |
Can he be made to serve? | 0:02:02 | 0:02:04 | |
< What do you want it for? | 0:02:08 | 0:02:09 | |
Mm-mm. | 0:02:55 | 0:02:56 | |
All will be well, Myrtle. | 0:02:59 | 0:03:02 | |
Only do as you've promised, no more. | 0:03:02 | 0:03:05 | |
Of course, my love. | 0:03:05 | 0:03:07 | |
Promise me you will be vigilant. Take no risks. | 0:03:07 | 0:03:10 | |
I will be the meekest man you ever did see. | 0:03:12 | 0:03:16 | |
Last stop, calling Hackney Marshes, ladies and gentlemen. | 0:03:28 | 0:03:32 | |
CLOCK CHIMES | 0:03:48 | 0:03:50 | |
First day, is it? | 0:03:52 | 0:03:54 | |
Handyman, to work about the house. | 0:03:54 | 0:03:57 | |
Name? | 0:03:57 | 0:03:58 | |
Waters, Leonard. | 0:03:59 | 0:04:02 | |
In you go. | 0:04:04 | 0:04:05 | |
You may think me ignorant, Drum, but I ain't no imbecile. | 0:04:14 | 0:04:18 | |
You and your Mathilda, | 0:04:18 | 0:04:19 | |
her hand on your Thomas, | 0:04:19 | 0:04:21 | |
tugging your loyalty from you, | 0:04:21 | 0:04:22 | |
plotting how best we here might be embarrassed. | 0:04:22 | 0:04:26 | |
Come on, then. | 0:04:28 | 0:04:29 | |
-Aah! UNIFORM AND CID: -Oh! | 0:04:31 | 0:04:32 | |
When you say WE, Frank, is it, in fact, YOU you talk of? | 0:04:32 | 0:04:35 | |
Are your knackers still chafed, are they, from that pony's backside? | 0:04:35 | 0:04:38 | |
THATCHER YELLS, BOTH GROAN | 0:04:38 | 0:04:40 | |
-SHINE: -Thatcher? | 0:04:44 | 0:04:47 | |
DRUMMOND GROANS Aah! | 0:04:47 | 0:04:48 | |
What horseplay is this? | 0:04:52 | 0:04:54 | |
We have urgent business to go about and you two stop for a cuddle. | 0:04:54 | 0:04:58 | |
Thatcher, explain yourself. | 0:04:59 | 0:05:01 | |
The whole world knows it's this shandygaff who's blown on our plans. | 0:05:01 | 0:05:04 | |
You'd best do a better job of proving that with your words than your fists. | 0:05:04 | 0:05:07 | |
-THATCHER ROARS SHINE: -No, Thatcher. | 0:05:07 | 0:05:09 | |
I mean explain to me how you have allowed this fight to develop. | 0:05:09 | 0:05:12 | |
As I say, Inspector, it's this wet-soaped clown! | 0:05:12 | 0:05:16 | |
No, Sergeant. I know WHY you might hope to batter the man. | 0:05:16 | 0:05:20 | |
I am more concerned that you have found yourself unable. | 0:05:20 | 0:05:23 | |
You see, his reach is longer than yours | 0:05:27 | 0:05:31 | |
and he is a sight more calculating. | 0:05:31 | 0:05:33 | |
Now, if you are to fight such a man, | 0:05:33 | 0:05:36 | |
you must know before you begin that you will win. | 0:05:36 | 0:05:38 | |
-Oh! -OFFICER: -Ooh! | 0:05:40 | 0:05:42 | |
I do that by way of demonstration | 0:05:42 | 0:05:44 | |
of how you might in future overcome your disadvantages. | 0:05:44 | 0:05:48 | |
DRUMMOND COUGHS | 0:05:48 | 0:05:51 | |
But you do not mind, do you, Sergeant Drum? | 0:05:51 | 0:05:54 | |
What's a pair of sore knackers between comrades? | 0:05:54 | 0:05:57 | |
Or are we not comrades no more? | 0:05:59 | 0:06:01 | |
We are, Mr Shine. | 0:06:02 | 0:06:04 | |
And I'm glad to hear it. | 0:06:04 | 0:06:06 | |
Thatcher, you are to repeat such accusations in the future, | 0:06:08 | 0:06:11 | |
you will do so with articles of proof. | 0:06:11 | 0:06:13 | |
Drummond... | 0:06:15 | 0:06:16 | |
DRUMMOND GROANS | 0:06:17 | 0:06:19 | |
..you are to deny them, | 0:06:19 | 0:06:22 | |
you best find men who believe such denials. | 0:06:22 | 0:06:24 | |
Now, I am to Hackney, to tell Mr Dove how we are made monkeys of. | 0:06:26 | 0:06:30 | |
-CHUDLEIGH: -When Mr Dove was a boy, | 0:06:45 | 0:06:47 | |
I made sure he sat for breakfast at the same time each morning. | 0:06:47 | 0:06:51 | |
This boy must do likewise. | 0:06:51 | 0:06:53 | |
He cannot learn punctuality otherwise, | 0:06:53 | 0:06:55 | |
and if he does not learn punctuality, he cannot learn discipline. | 0:06:55 | 0:06:59 | |
Yes, Miss. | 0:06:59 | 0:07:00 | |
-You are Waters? -Yes, ma'am. | 0:07:02 | 0:07:05 | |
Why do you call me "Ma'am"? I'm not married. | 0:07:05 | 0:07:07 | |
"Miss Chudleigh" will serve. | 0:07:07 | 0:07:10 | |
As you prefer, Miss. | 0:07:13 | 0:07:15 | |
You make the fire for the master's study? | 0:07:15 | 0:07:17 | |
I do. | 0:07:18 | 0:07:20 | |
Then be sure to knock. | 0:07:20 | 0:07:22 | |
DOVE AND SHINE TALK | 0:07:30 | 0:07:34 | |
-DOVE: -Check the brothels in case the woman Hart returns to her former work. | 0:07:34 | 0:07:37 | |
-DOVE: -Come. | 0:07:40 | 0:07:41 | |
Coal for the fire, Mr Dove. | 0:07:47 | 0:07:49 | |
-Of course. Mr Waters, is it not? -It is, sir. | 0:07:49 | 0:07:52 | |
-DOVE: -Well, don't let us stop you. | 0:07:52 | 0:07:54 | |
And they had stripped Sergeant Thatcher? | 0:07:58 | 0:08:01 | |
All but for that flashman's hat he sports | 0:08:01 | 0:08:03 | |
and the carnations in his gob. | 0:08:03 | 0:08:05 | |
Who can say why they love Ed Reid? | 0:08:05 | 0:08:08 | |
Although it must be said - it makes good copy. | 0:08:08 | 0:08:12 | |
I'd have you make better, Inspector, and catch him. | 0:08:12 | 0:08:16 | |
You have the town rousted? | 0:08:17 | 0:08:19 | |
The brothels, in case the woman Hart returns to her former work? | 0:08:19 | 0:08:22 | |
Oh, yes, Mr Dove. | 0:08:22 | 0:08:23 | |
All gaming houses for word of the American. | 0:08:24 | 0:08:27 | |
Mr Dove, do you doubt my vigour? | 0:08:27 | 0:08:29 | |
Of course not, Inspector. | 0:08:29 | 0:08:31 | |
Then perhaps you will answer me something. | 0:08:31 | 0:08:34 | |
-If I can. -These dogfights. | 0:08:34 | 0:08:37 | |
Reid and Jackson emerge from wherever they are hid for dogfights. | 0:08:37 | 0:08:42 | |
So I understand. | 0:08:42 | 0:08:43 | |
Or, rather, one particular fight-dog | 0:08:43 | 0:08:46 | |
and one particular man who has thieved that fight-dog. | 0:08:46 | 0:08:50 | |
Why does Edmund Reid have such an itch in his britches | 0:08:52 | 0:08:57 | |
that he breaks cover to trap him? | 0:08:57 | 0:08:59 | |
SCUTTLE SCRAPES | 0:09:00 | 0:09:03 | |
Thank you, Waters. | 0:09:03 | 0:09:04 | |
RATTLING | 0:09:06 | 0:09:07 | |
DOOR OPENS | 0:09:09 | 0:09:10 | |
DOOR CLOSES | 0:09:10 | 0:09:12 | |
THEY TALK INSIDE | 0:09:14 | 0:09:16 | |
TOY CLINKS | 0:09:17 | 0:09:18 | |
Hush, Connor. I am a friend. | 0:09:20 | 0:09:23 | |
-DOVE: -Go on. | 0:09:23 | 0:09:24 | |
-SHINE: -Whereas I now understand it, | 0:09:24 | 0:09:26 | |
Reid had his own theories on this cannibal killer. | 0:09:26 | 0:09:29 | |
He disagrees it was this man Croker killed those men. | 0:09:29 | 0:09:34 | |
Bennet Drake also. | 0:09:34 | 0:09:36 | |
He would be misguided in that belief, however. | 0:09:39 | 0:09:42 | |
Seems he clings to it with some determination, however. | 0:09:42 | 0:09:47 | |
Desk Sergeant Drummond, | 0:09:52 | 0:09:54 | |
I'd bet my liver it is he who forewarned Reid. | 0:09:54 | 0:09:56 | |
You have no proof of such betrayal? | 0:09:57 | 0:09:59 | |
Well, then, you leave him in peace. | 0:10:00 | 0:10:02 | |
That station house needs balance and stability, | 0:10:02 | 0:10:05 | |
not fear and retribution. | 0:10:05 | 0:10:06 | |
As you wish, Mr Dove. | 0:10:10 | 0:10:11 | |
Good day to you, sir. | 0:10:15 | 0:10:17 | |
Inspector Shine. | 0:10:17 | 0:10:18 | |
-Miss Chudleigh? -Yes, Mr Dove. | 0:10:23 | 0:10:25 | |
Oh! To your room! | 0:10:25 | 0:10:27 | |
-Your guardian and father must have peace for his work. -Wait, Miss Chudleigh. | 0:10:27 | 0:10:31 | |
I have business this morning in a place that... | 0:10:31 | 0:10:34 | |
were I still a small boy, well, it would fill me with wonder. | 0:10:34 | 0:10:38 | |
See him readied, if you please. The two of you will join me. | 0:10:38 | 0:10:41 | |
Yes, Mr Dove. | 0:10:41 | 0:10:43 | |
"Mr Edmund Reid may have cause to reflect | 0:10:46 | 0:10:49 | |
"on whether, as H Division's head man, | 0:10:49 | 0:10:51 | |
"he ever knew the popularity he now does | 0:10:51 | 0:10:54 | |
"as its most urgent quarry." | 0:10:54 | 0:10:56 | |
-The people are fickle. -Oh, they are that. | 0:10:56 | 0:10:59 | |
It seems you too are also on the road to redemption. | 0:10:59 | 0:11:01 | |
Listen to this. | 0:11:01 | 0:11:03 | |
"More enquiring minds might also ask themselves the question | 0:11:03 | 0:11:06 | |
"of what need and purpose it is now sees Miss Hart, | 0:11:06 | 0:11:10 | |
"a woman who once gave great civic care to her community, | 0:11:10 | 0:11:13 | |
"now united with Mr Reid in their fugitive status." | 0:11:13 | 0:11:16 | |
-This is Miss Castello's pen? -She herself. | 0:11:16 | 0:11:18 | |
What is it irks you, Mr Judge? | 0:11:18 | 0:11:20 | |
Is it that she does not even once make mention of your notoriety? | 0:11:20 | 0:11:23 | |
Not as if she never once met me. | 0:11:23 | 0:11:25 | |
Perhaps you are easily forgot? | 0:11:25 | 0:11:27 | |
Perhaps she does not know which name to call you. | 0:11:27 | 0:11:29 | |
Oh, aren't you all so cute? Maybe I ought to hand you in myself. | 0:11:30 | 0:11:34 | |
You know, broker an amnesty, live in peace, ALONE. | 0:11:34 | 0:11:37 | |
Still, I am entirely uncertain how to respond to YOUR notoriety. | 0:11:37 | 0:11:41 | |
-What am I to make of your bizarre requests? -You have them? | 0:11:41 | 0:11:45 | |
The falsies? | 0:11:47 | 0:11:48 | |
A healthy selection. | 0:11:48 | 0:11:50 | |
Yes, but to what end? | 0:11:52 | 0:11:54 | |
Pulling the tiger's tail. | 0:11:54 | 0:11:55 | |
-This is the first step, darling. -No, not good enough. Please. | 0:11:57 | 0:12:01 | |
Will one of you explain? | 0:12:01 | 0:12:03 | |
Your latest victim? | 0:12:13 | 0:12:15 | |
Natural causes, Miss Morton. | 0:12:15 | 0:12:17 | |
Let me rephrase that. Have you killed him? | 0:12:17 | 0:12:19 | |
I said we should have waited till she'd gone home. | 0:12:19 | 0:12:21 | |
Excuse me. I will not be spoken of as if I am some irksome landlady. | 0:12:21 | 0:12:24 | |
If we wait any longer, this stiff's going to be beyond purpose. | 0:12:24 | 0:12:26 | |
And what purpose that? | 0:12:26 | 0:12:27 | |
They wish to make a scandal, Miss Morton. | 0:12:27 | 0:12:30 | |
Show Augustus Dove the limits of his control. | 0:12:30 | 0:12:33 | |
-And for that you require dental... -We require TEETH. | 0:12:33 | 0:12:36 | |
Oh! | 0:12:36 | 0:12:37 | |
Good God. Do you intend to make another victim? | 0:12:37 | 0:12:41 | |
We need to break the mortis first. | 0:12:41 | 0:12:43 | |
JACKSON GROANS | 0:12:48 | 0:12:50 | |
CRUNCHING | 0:12:50 | 0:12:51 | |
OK, move around one. | 0:12:55 | 0:12:56 | |
Could be a child's parlour game. | 0:13:00 | 0:13:02 | |
CRUNCHING | 0:13:06 | 0:13:07 | |
All right. Do you have them? | 0:13:09 | 0:13:11 | |
-REID: -I believe the records had had their uses when I took them. | 0:13:11 | 0:13:14 | |
I hadn't anticipated imitation, however. | 0:13:14 | 0:13:16 | |
Going to have to screw down hard, prize the flesh away. | 0:13:20 | 0:13:24 | |
-How charming. -Yes. | 0:13:24 | 0:13:26 | |
Men's work, I believe. Shall we? | 0:13:26 | 0:13:29 | |
Let us. | 0:13:29 | 0:13:30 | |
MEN SHOUT | 0:14:11 | 0:14:13 | |
DOG BARKS | 0:14:13 | 0:14:14 | |
I will stop just a moment or two. | 0:14:16 | 0:14:17 | |
Then we shall be on our way. | 0:14:19 | 0:14:20 | |
Mr Dove. | 0:14:36 | 0:14:38 | |
Appointments are there to be made. | 0:14:39 | 0:14:41 | |
But you, it seems, feel yourself above | 0:14:41 | 0:14:43 | |
the simple act of a knock upon a door. | 0:14:43 | 0:14:46 | |
Fugitives from justice | 0:14:47 | 0:14:48 | |
conduct themselves with more refinement, do they? | 0:14:48 | 0:14:51 | |
Mr Dove, surely you understand. | 0:14:51 | 0:14:53 | |
I hear that the former Police Detective Edmund Reid | 0:14:53 | 0:14:56 | |
is cheered to the skies as he runs through our streets. | 0:14:56 | 0:14:59 | |
Well, that is an event worthy of report, in my opinion. | 0:14:59 | 0:15:02 | |
And yet, Miss Castello, | 0:15:02 | 0:15:03 | |
but three editions past, you penned the report, | 0:15:03 | 0:15:05 | |
true facts of how THIS man, whose reputation you now burnish, | 0:15:05 | 0:15:09 | |
most likely placed a defenceless old man in an underground dungeon | 0:15:09 | 0:15:12 | |
and left him there to starve and rot, | 0:15:12 | 0:15:14 | |
and then, here today, you make as if he might in fact be a folk hero. | 0:15:14 | 0:15:18 | |
Our readers are fickle, sir, and it is they who pay my wages. | 0:15:18 | 0:15:21 | |
No! | 0:15:21 | 0:15:23 | |
This neighbourhood, the people require simple paradigms, | 0:15:23 | 0:15:26 | |
good, bad, justice, villainy. | 0:15:26 | 0:15:29 | |
These ideas become confused in their heads, | 0:15:29 | 0:15:31 | |
well, the social fabric of these streets | 0:15:31 | 0:15:33 | |
is sewn with a brittle thread. | 0:15:33 | 0:15:36 | |
That thread breaks, the carapace of civility falls away with it | 0:15:36 | 0:15:39 | |
and what will be left but naked savagery? | 0:15:39 | 0:15:41 | |
Edmund Reid did evil. | 0:15:41 | 0:15:44 | |
Long Susan Hart did evil. Captain Homer Jackson likewise. | 0:15:44 | 0:15:48 | |
If you wish to remain friend to the police... | 0:15:51 | 0:15:54 | |
that is the story you ought to tell. | 0:15:54 | 0:15:56 | |
Do you threaten me, Mr Dove? | 0:15:56 | 0:15:59 | |
Well, you interpret it how you wish, Miss Castello. | 0:16:00 | 0:16:03 | |
But you see it done. | 0:16:04 | 0:16:06 | |
BIRDS TWEET | 0:16:12 | 0:16:13 | |
PUPPY BARKS | 0:16:13 | 0:16:15 | |
See how they love to play, Connor? | 0:16:20 | 0:16:22 | |
CONNOR LAUGHS | 0:16:23 | 0:16:25 | |
PUPPY BARKS | 0:16:25 | 0:16:27 | |
I fear only that the boy will become spoiled, sir. | 0:16:32 | 0:16:34 | |
There is nothing spoiling in joy, Miss Chudleigh. | 0:16:36 | 0:16:38 | |
All young boys need a dog. | 0:16:39 | 0:16:41 | |
Do you know, Connor, when I was only a little older than you are now, | 0:16:44 | 0:16:47 | |
I lost my mother and was alone. | 0:16:47 | 0:16:49 | |
But then I was found and cared for | 0:16:49 | 0:16:52 | |
by a man who showed me that a way may be made | 0:16:52 | 0:16:54 | |
from the lonely boy I was, | 0:16:54 | 0:16:56 | |
to a new life - a better life. | 0:16:56 | 0:16:58 | |
Connor, I intend to be that man for you. | 0:17:02 | 0:17:04 | |
You have my oath on it. | 0:17:05 | 0:17:06 | |
Until you yourself are become a man, | 0:17:07 | 0:17:10 | |
it will be my greatest endeavour | 0:17:10 | 0:17:12 | |
to see you do not lack for a single thing. | 0:17:12 | 0:17:14 | |
I will be a father to you. | 0:17:17 | 0:17:19 | |
You choose your favourite, Connor, then we shall bring it home. | 0:17:23 | 0:17:27 | |
I thought to settle your invoice in cash, Mr Sparks. | 0:17:31 | 0:17:34 | |
We are grateful, Mr Dove. | 0:17:34 | 0:17:36 | |
As am I for your efforts. | 0:17:36 | 0:17:38 | |
The beasts were not too hard to find? | 0:17:38 | 0:17:39 | |
Sir. This is Jamrach's. | 0:17:39 | 0:17:42 | |
There is not a creature alive that we here cannot locate for you. | 0:17:42 | 0:17:45 | |
And the other conditions we agreed? | 0:17:45 | 0:17:47 | |
Full anonymity, sir, as promised. | 0:17:47 | 0:17:50 | |
Thatcher. | 0:18:05 | 0:18:06 | |
Inspector. My apologies, sir. | 0:18:06 | 0:18:09 | |
A snitch reports, sir, and I thought his intelligence worth a coin. | 0:18:09 | 0:18:11 | |
That being? | 0:18:11 | 0:18:13 | |
Captain Jackson. He and Miss Hart. | 0:18:13 | 0:18:15 | |
I mean, it's not as if she was the sole focus | 0:18:15 | 0:18:18 | |
of his ardour down the years. | 0:18:18 | 0:18:19 | |
If we roust each and every twat that man has inspected, | 0:18:19 | 0:18:22 | |
the pair of us will be old and grey. | 0:18:22 | 0:18:23 | |
Yes, sir. I know, sir. But there was one other | 0:18:23 | 0:18:26 | |
who, word had it, he stayed loyal to. | 0:18:26 | 0:18:28 | |
Only for a little while, but the talk was that she kept him in order. | 0:18:28 | 0:18:32 | |
Look, the pair of them were tight till Miss Susan got locked down and then he made his choice. | 0:18:32 | 0:18:35 | |
You have paid a snitch for old gossip, Thatcher? | 0:18:35 | 0:18:37 | |
No, sir, I paid him because he brought word | 0:18:37 | 0:18:39 | |
that this other is once more in Whitechapel. | 0:18:39 | 0:18:41 | |
Who this lady? | 0:18:43 | 0:18:44 | |
Well-to-do. Fine silk, fine hair, fine carriage, you know. | 0:18:44 | 0:18:48 | |
-Slum tourist? -Yeah, of a kind. | 0:18:48 | 0:18:51 | |
What kind? | 0:18:51 | 0:18:53 | |
The dramatic, sir. Playhouses. | 0:18:53 | 0:18:56 | |
Your games are ended, then? | 0:19:04 | 0:19:05 | |
KNOCKING AT DOOR | 0:19:07 | 0:19:08 | |
Are you expecting visitors, Mimi? | 0:19:09 | 0:19:11 | |
-THATCHER: -Oi, Police! You will open these doors! | 0:19:11 | 0:19:15 | |
In there! | 0:19:15 | 0:19:16 | |
-KNOCKING AT DOOR THATCHER: -Open! Open up, I say! > | 0:19:18 | 0:19:21 | |
Police! > | 0:19:24 | 0:19:25 | |
Open this door! > | 0:19:27 | 0:19:28 | |
Quick, up into the lighting rigs. | 0:19:28 | 0:19:30 | |
-Miss Morton? -Yes. | 0:19:33 | 0:19:34 | |
We've come for a show, lady. | 0:19:36 | 0:19:38 | |
One man here, other stage door. | 0:19:38 | 0:19:41 | |
Watch your step. | 0:19:46 | 0:19:47 | |
-There are lights? -There are. | 0:19:49 | 0:19:51 | |
SWITCHES CLICK | 0:19:53 | 0:19:54 | |
-Ah... Look at that, a theatre. -Hm. | 0:19:57 | 0:20:01 | |
So, it is the case that you and Captain Jackson once stepped out? | 0:20:01 | 0:20:05 | |
Stepped out? | 0:20:05 | 0:20:07 | |
Hm, that's a delicate phrase for a man in a velvet collar. | 0:20:07 | 0:20:10 | |
Well, we know you theatricals, how you like to use words | 0:20:10 | 0:20:13 | |
to describe a thing that ain't actually the thing itself. | 0:20:13 | 0:20:16 | |
Oh, you mean a simile? | 0:20:16 | 0:20:17 | |
Although "stepped out" is perhaps more of a metaphor. | 0:20:17 | 0:20:20 | |
Perhaps you'd best describe the thing itself? | 0:20:20 | 0:20:23 | |
All right, then, let me ask you this... | 0:20:23 | 0:20:27 | |
-Were you... -Mm-hm? | 0:20:27 | 0:20:29 | |
..and the man most widely known as Homer Jackson | 0:20:29 | 0:20:32 | |
once joined by cock and cunny? | 0:20:32 | 0:20:34 | |
Oh! Oh, so much clearer. | 0:20:34 | 0:20:37 | |
Language is so much better for an accurate expression, I find. | 0:20:37 | 0:20:40 | |
-Well, then, Miss. Were you? -Yes. | 0:20:40 | 0:20:42 | |
My God, that is a loathsome hat. | 0:20:43 | 0:20:45 | |
When did contact cease? | 0:20:48 | 0:20:49 | |
When he chose to join that cock to his wife's cunny instead. | 0:20:49 | 0:20:52 | |
You got friends visiting, Miss Morton? | 0:20:56 | 0:21:00 | |
Do you see us ready to admit audiences yet? | 0:21:00 | 0:21:03 | |
No? | 0:21:03 | 0:21:04 | |
That is because there is a renovation taking place | 0:21:04 | 0:21:07 | |
and because I have yet to establish for myself | 0:21:07 | 0:21:09 | |
how best a collapsing wall may be buttressed | 0:21:09 | 0:21:11 | |
and my plastering is not all I'd wish it to be. | 0:21:11 | 0:21:13 | |
I must employ workmen | 0:21:13 | 0:21:15 | |
and workmen, not unlike policemen, are fond of tea and biscuits. | 0:21:15 | 0:21:18 | |
It's not the only items we police have a liking for. | 0:21:19 | 0:21:22 | |
SLAP | 0:21:30 | 0:21:31 | |
WHISPERS: Wait, wait, wait, wait. | 0:21:31 | 0:21:33 | |
You know, Miss Morton, | 0:21:35 | 0:21:37 | |
you grow ever more fetching to my eye. | 0:21:37 | 0:21:40 | |
Now, it is in your interest to be candid with me, lady. | 0:21:43 | 0:21:47 | |
The risk of a fire in a place so full of the flammable. | 0:21:47 | 0:21:51 | |
My theatre burns, that fire will not stop till it meets the river. | 0:21:51 | 0:21:54 | |
Well, best you tell me, then. Have you seen him? | 0:21:56 | 0:22:00 | |
Have you hid him? | 0:22:00 | 0:22:01 | |
I'll tell you something about Captain Homer Jackson. | 0:22:04 | 0:22:08 | |
I'm sure a great many believe he cuts quite the dash | 0:22:08 | 0:22:11 | |
with his cool eye | 0:22:11 | 0:22:12 | |
for all that the world, in its foolishness, considers of value. | 0:22:12 | 0:22:15 | |
And I'll admit, such a cynicism quite had me taken for a while. | 0:22:15 | 0:22:18 | |
LIGHTER CLICKS | 0:22:24 | 0:22:26 | |
But that nonchalance is just a pose | 0:22:26 | 0:22:29 | |
behind which he hides a tearful, fearful, treacherous heart. | 0:22:29 | 0:22:34 | |
Further to which, | 0:22:34 | 0:22:36 | |
for a man to spend so much of his life in the service of his manhood, | 0:22:36 | 0:22:41 | |
when that manhood is... | 0:22:41 | 0:22:43 | |
well... | 0:22:43 | 0:22:46 | |
more of a boyhood. | 0:22:46 | 0:22:47 | |
You get my meaning, Mr Shine. | 0:22:49 | 0:22:50 | |
Thatcher. | 0:22:57 | 0:22:59 | |
With me, Thatcher. | 0:23:10 | 0:23:12 | |
Run along. | 0:23:12 | 0:23:14 | |
SIGHING | 0:23:31 | 0:23:33 | |
Miss Morton, any damage incurred while you keep us here, | 0:23:36 | 0:23:38 | |
I will foot the bill myself. | 0:23:38 | 0:23:40 | |
And what will you do, Miss Hart? Set armed men to rob another train? | 0:23:40 | 0:23:43 | |
Now, let us hope it doesn't come to that, all right? | 0:23:43 | 0:23:46 | |
Are you OK, Mimi? | 0:23:46 | 0:23:47 | |
I will not have you soft-soap me, either. | 0:23:47 | 0:23:49 | |
Perhaps, after all, we have overstayed our welcome. | 0:23:49 | 0:23:53 | |
Jedediah Shine is not a man I would have set any further sights on you. | 0:23:53 | 0:23:57 | |
Come. It's becoming dark. We may go. | 0:23:58 | 0:24:00 | |
Find ourselves alternative concealment. | 0:24:00 | 0:24:02 | |
-MIMI LAUGHS -And then, when you're caught | 0:24:02 | 0:24:04 | |
and your severed heads are displayed on the iron railings | 0:24:04 | 0:24:06 | |
that line the new station house on Leman Street, | 0:24:06 | 0:24:09 | |
I shall have eternal guilt | 0:24:09 | 0:24:11 | |
to add to the catalogue of vexations I suffer | 0:24:11 | 0:24:13 | |
as a result of YOU coming back into my life. | 0:24:13 | 0:24:16 | |
No. | 0:24:16 | 0:24:17 | |
This profanity is part of some strategy | 0:24:17 | 0:24:19 | |
that, at its end, sees you restored, | 0:24:19 | 0:24:21 | |
these two gone away, and that man Dove punished for all he has done? | 0:24:21 | 0:24:24 | |
It is no easy task, Miss Morton, but, yes, that is the goal. | 0:24:25 | 0:24:29 | |
Best you and your merry band get about it, then, Mr Reid. | 0:24:32 | 0:24:35 | |
Where you go, you trust these people? | 0:24:54 | 0:24:57 | |
They are not one-time lovers of mine but, that aside, yes, I do. | 0:24:57 | 0:25:00 | |
What am I today? The world's chopping block? | 0:25:00 | 0:25:02 | |
I want to know you're safe is all. | 0:25:02 | 0:25:03 | |
Just get about your work, husband, and I shall get about mine. | 0:25:05 | 0:25:08 | |
-WHISPERS: -Leonard. Myrtle. | 0:25:19 | 0:25:20 | |
Miss Susan. Quick, before you're seen. | 0:25:23 | 0:25:26 | |
DOOR CLOSES | 0:25:27 | 0:25:29 | |
Look at you, Myrtle. You must be near term. | 0:25:29 | 0:25:32 | |
I am, Miss Susan. And you? Is all safe with you? | 0:25:32 | 0:25:36 | |
Oh, you must not fear, neither of you. | 0:25:36 | 0:25:39 | |
You do quite enough for me as it is. | 0:25:39 | 0:25:41 | |
But there's never enough we could do for you, Miss. Not never. | 0:25:41 | 0:25:44 | |
Tell me, Leonard, how fares my boy? | 0:25:46 | 0:25:49 | |
Oh, but he is a stout and fine young man, as only could be expected. | 0:25:49 | 0:25:54 | |
He is well, then? | 0:25:54 | 0:25:56 | |
He is well cared for, certainly. | 0:25:56 | 0:25:58 | |
But not... | 0:25:58 | 0:26:00 | |
..happy? | 0:26:01 | 0:26:03 | |
How could a boy be happy without his ma? | 0:26:03 | 0:26:05 | |
But he is kept on a short line. The woman Chudleigh. | 0:26:05 | 0:26:09 | |
The governess? | 0:26:09 | 0:26:11 | |
As fierce and shrewish a harridan as ever scolded a boy. | 0:26:11 | 0:26:15 | |
But, Mr Dove, he has some feeling for the boy, I believe. | 0:26:15 | 0:26:20 | |
Took him to Jamrach's today and bought him a puppy, | 0:26:20 | 0:26:23 | |
so to ease his loneliness. | 0:26:23 | 0:26:26 | |
But, Leonard, do you think... | 0:26:27 | 0:26:30 | |
do you see a way when the time comes that he might be taken away? | 0:26:30 | 0:26:34 | |
There are Westminster Police on guard day and night, | 0:26:35 | 0:26:39 | |
but the woman Chudleigh must eat and sleep, | 0:26:39 | 0:26:41 | |
and the gardens... | 0:26:41 | 0:26:43 | |
Mr Dove's gardens, they are bordered at the back only by the marshes | 0:26:44 | 0:26:48 | |
and that puppy must be exercised. | 0:26:48 | 0:26:50 | |
I see, Leonard. | 0:26:50 | 0:26:52 | |
Albeit slight, there are opportunities there. | 0:26:52 | 0:26:55 | |
There are. | 0:26:55 | 0:26:56 | |
How do you find Mr Dove? | 0:27:00 | 0:27:02 | |
Too upright by half, as you ask, | 0:27:02 | 0:27:05 | |
and he is distracted by something which makes him fearful anxious. | 0:27:05 | 0:27:09 | |
Leonard, do you think it's possible, | 0:27:12 | 0:27:14 | |
whilst always, of course, being most careful, | 0:27:14 | 0:27:16 | |
that you may discover what it is that makes him so anxious? | 0:27:16 | 0:27:20 | |
Please, Miss Susan. | 0:27:20 | 0:27:23 | |
He already risks so much. What if he is found out? Leonard? | 0:27:23 | 0:27:27 | |
No, now, come, Myrtle. | 0:27:28 | 0:27:31 | |
We must remind ourselves of all this good lady has done for us. | 0:27:31 | 0:27:35 | |
I was only a daily fix-it, | 0:27:35 | 0:27:37 | |
paid a penny to clear the guttering at Tenter Street when the leaves got in | 0:27:37 | 0:27:41 | |
and she encouraged my love for you, | 0:27:41 | 0:27:44 | |
saw that you need earn in that way no more, | 0:27:44 | 0:27:46 | |
handed us the deposit for our home here. | 0:27:46 | 0:27:48 | |
Hush, Leonard. You need not go on. | 0:27:48 | 0:27:50 | |
But... | 0:27:52 | 0:27:54 | |
..he's my Leonard and I would be lost without him. | 0:27:55 | 0:27:59 | |
He means to name the child after you, if it is a girl. | 0:28:01 | 0:28:05 | |
And even if it is not. | 0:28:05 | 0:28:07 | |
Leonard! | 0:28:07 | 0:28:09 | |
A boy named...Susan? | 0:28:09 | 0:28:11 | |
Strong a name as ever there was. | 0:28:13 | 0:28:15 | |
THEY LAUGH | 0:28:15 | 0:28:17 | |
Um... | 0:28:20 | 0:28:21 | |
The, er...the house, | 0:28:24 | 0:28:27 | |
entrances, bedchambers of the occupants. | 0:28:27 | 0:28:30 | |
Do you think you might be able to draw it for me? | 0:28:31 | 0:28:33 | |
I'm sure I may. | 0:28:36 | 0:28:38 | |
Here, the back stairwell. | 0:28:40 | 0:28:43 | |
This, Mr Dove's rooms, and this, where your Connor sleeps. | 0:28:43 | 0:28:49 | |
JACKSON: That's the way, brother. Almost home. | 0:28:49 | 0:28:53 | |
WHISPERS: Right, quick, over here. | 0:28:53 | 0:28:54 | |
Well, do we say a prayer? | 0:29:16 | 0:29:18 | |
-REID: -Pray that one deception is believed over the other. | 0:29:18 | 0:29:21 | |
Now, I go to watch for Mathilda's candle. | 0:29:21 | 0:29:23 | |
-MATHILDA: -I'm sorry, Drum. | 0:29:33 | 0:29:34 | |
It's not you that lumped me, Tilda. | 0:29:34 | 0:29:35 | |
I might as well have, however. | 0:29:35 | 0:29:37 | |
My father would be grateful for such loyalty. | 0:29:38 | 0:29:40 | |
They know it was me told you and you that told him | 0:29:40 | 0:29:44 | |
and he that tied Frank Thatcher starkers to that pony. | 0:29:44 | 0:29:47 | |
-I am watched. -By Mr Shine? | 0:29:47 | 0:29:49 | |
He wishes to dice me for his cooking pot. | 0:29:49 | 0:29:51 | |
SHE SIGHS | 0:29:51 | 0:29:52 | |
I shall not ask it of you again, Drum. | 0:29:53 | 0:29:56 | |
Come, please. Do not sleep on the floor tonight. | 0:30:03 | 0:30:06 | |
Tilda, do you not fear for what folk will say? | 0:30:06 | 0:30:09 | |
Do you not want to be...proper? | 0:30:09 | 0:30:10 | |
Proper? I'm not sure I know what that means. | 0:30:12 | 0:30:15 | |
But I certainly do not care for others' definition of it. | 0:30:15 | 0:30:18 | |
All that is proper and true is that this is good. | 0:30:18 | 0:30:22 | |
All else can go hang. | 0:30:22 | 0:30:23 | |
-Come, Samuel. -No. No, no, Tilda. | 0:30:29 | 0:30:32 | |
It's not that I lack the...desire. | 0:30:32 | 0:30:35 | |
It does not feel right. | 0:30:36 | 0:30:37 | |
In your heart? | 0:30:38 | 0:30:40 | |
No. | 0:30:40 | 0:30:42 | |
Then we must stay true to that. | 0:30:42 | 0:30:44 | |
TRAIN RUMBLES | 0:30:51 | 0:30:54 | |
TRAIN RUMBLES | 0:30:59 | 0:31:02 | |
PEOPLE SHOUT | 0:31:29 | 0:31:31 | |
-THATCHER: -Move! Move! Oi! Oi! | 0:31:31 | 0:31:33 | |
Move! Keep them back. | 0:31:33 | 0:31:35 | |
-MAN SHOUTS: -I've seen this before. We are not slaves! | 0:31:35 | 0:31:37 | |
WOMAN SHOUTS | 0:31:37 | 0:31:39 | |
-WOMAN: -My children are not safe in their beds! | 0:31:39 | 0:31:42 | |
WOMAN SHOUTS | 0:31:42 | 0:31:43 | |
DOVE: What's that you say? | 0:31:53 | 0:31:55 | |
-POLICEMAN: -A new body with bite marks has been found, Mr Dove. | 0:31:55 | 0:31:57 | |
Another! Where found? By whom? | 0:31:57 | 0:31:59 | |
The wire says only that they need your urgent attendance at Leman Street, sir. | 0:31:59 | 0:32:03 | |
Telephone Leman Street. They are to expect me within the hour. | 0:32:03 | 0:32:06 | |
And wire Jamrach's for the latest shipping times. | 0:32:06 | 0:32:08 | |
-Now! -Yes, Mr Dove. | 0:32:08 | 0:32:09 | |
Miss Chudleigh. | 0:32:35 | 0:32:36 | |
Good morning. | 0:32:37 | 0:32:38 | |
Waters. The scuttle. | 0:32:41 | 0:32:44 | |
DOG WHINES | 0:32:44 | 0:32:45 | |
Of course, Miss Chudleigh. | 0:32:46 | 0:32:48 | |
DOOR OPENS | 0:32:49 | 0:32:51 | |
Where is it he was found? | 0:33:00 | 0:33:02 | |
Yard off the back of Half Moon Passage, sir. | 0:33:02 | 0:33:04 | |
That is but a spit from this address here. | 0:33:06 | 0:33:09 | |
The murdering maniacs of this town lack all respect. | 0:33:09 | 0:33:13 | |
This man Croker, your case was made sound, Mr Dove, | 0:33:13 | 0:33:17 | |
for there is fearful likeness here. | 0:33:17 | 0:33:19 | |
-You will send for a surgeon. -To what end, sir? | 0:33:24 | 0:33:27 | |
For full autopsy! For certainty! | 0:33:27 | 0:33:29 | |
Certainty? Well... | 0:33:29 | 0:33:32 | |
..that is a luxury, in my experience, sir. | 0:33:33 | 0:33:36 | |
Nonetheless. | 0:33:36 | 0:33:38 | |
Sergeant Drummond, you will please send to the Yard. | 0:33:38 | 0:33:40 | |
Yes, Mr Dove. | 0:33:40 | 0:33:42 | |
Sirs, the press come. | 0:33:43 | 0:33:45 | |
Mr Dove! | 0:33:49 | 0:33:50 | |
Might I have some confirmation concerning the dead man's body | 0:33:51 | 0:33:54 | |
recovered this morning from Half Moon Passage? | 0:33:54 | 0:33:56 | |
Has this force once more assumed their tormentor dead when he is not? | 0:33:56 | 0:34:01 | |
There are over 15 witnesses all describing the work done to the body. | 0:34:01 | 0:34:05 | |
What use our word on it, then, girl? | 0:34:05 | 0:34:06 | |
Mr Dove? | 0:34:07 | 0:34:08 | |
You are the ranking officer here. | 0:34:08 | 0:34:10 | |
May I have it from you? | 0:34:10 | 0:34:11 | |
Assistant Commissioner? | 0:34:14 | 0:34:16 | |
Sergeant Drummond, will you brew a pot of tea | 0:34:20 | 0:34:23 | |
and show Miss Castello to the private office above? | 0:34:23 | 0:34:26 | |
That is if Mr Shine will allow for the loan of it. | 0:34:26 | 0:34:30 | |
Be my guest. | 0:34:30 | 0:34:32 | |
I am to be granted private interview, am I? | 0:34:50 | 0:34:53 | |
Perhaps you'll begin by telling me on what evidence you named the man Croker | 0:34:54 | 0:34:58 | |
and if, as it now seems likely, it was not he performed these savage acts... | 0:34:58 | 0:35:02 | |
..you will now be reopening the investigation | 0:35:03 | 0:35:05 | |
into the murder of Inspector Bennet Drake. | 0:35:05 | 0:35:08 | |
I shall not be taking questions on this matter until autopsy is met. | 0:35:09 | 0:35:13 | |
Then why bring me here? | 0:35:13 | 0:35:14 | |
Why not simply make your denial and cast me out? | 0:35:15 | 0:35:18 | |
You believe yourself a good journalist, I am sure. | 0:35:20 | 0:35:23 | |
Good, I mean, in that you understand the moral imperative of the truth. | 0:35:23 | 0:35:27 | |
I do. | 0:35:27 | 0:35:28 | |
Perhaps you believe I have, in the past, | 0:35:29 | 0:35:31 | |
been eager to hide such truth from you. | 0:35:31 | 0:35:33 | |
Well, I am tearing it up from the roots now. | 0:35:34 | 0:35:37 | |
That is a copy, yours to take. | 0:35:38 | 0:35:40 | |
But what you will find is that | 0:35:40 | 0:35:42 | |
the fate to have befallen Mr Theodore Swift, | 0:35:42 | 0:35:44 | |
buried alive by Edmund Reid, was far from an isolated occurrence. | 0:35:44 | 0:35:47 | |
Within, the testimony of a man who once served him. | 0:35:47 | 0:35:50 | |
Proof of this station house's past iniquity. | 0:35:50 | 0:35:53 | |
Corroborated, extra-judicial murder. | 0:35:54 | 0:35:57 | |
You wish to fill your next front page with speculation... | 0:35:58 | 0:36:01 | |
you be my guest. | 0:36:01 | 0:36:03 | |
But this, this is fact. | 0:36:04 | 0:36:06 | |
And were you not to print fact, Miss Castello, | 0:36:06 | 0:36:08 | |
well, I'd need to ask myself why that was. | 0:36:08 | 0:36:12 | |
Care to share, Mr Dove? | 0:36:27 | 0:36:29 | |
All in good time... | 0:36:33 | 0:36:34 | |
..Mr Shine. | 0:36:35 | 0:36:36 | |
BOBBY GRACE: Despite our sternest efforts, | 0:37:01 | 0:37:03 | |
neither myself, Inspector Drake nor Captain Jackson | 0:37:03 | 0:37:07 | |
could break down the iron grille | 0:37:07 | 0:37:09 | |
which Inspector Reid had locked behind him. | 0:37:09 | 0:37:11 | |
He would not open it and...and set about the suspect, Mr Buckley. | 0:37:11 | 0:37:15 | |
Mr Reid took Mr Buckley's head between his hands and... | 0:37:15 | 0:37:19 | |
Hold the evening run! | 0:37:19 | 0:37:21 | |
DOOR CREAKS SHUT | 0:37:32 | 0:37:34 | |
What? | 0:37:42 | 0:37:44 | |
Well, you've made the front page. | 0:37:44 | 0:37:46 | |
Just not all of it. | 0:37:46 | 0:37:48 | |
Jesus, Reid. | 0:37:53 | 0:37:55 | |
Horace Buckley. They have everything. | 0:37:56 | 0:37:58 | |
Oh, Mathilda. | 0:38:01 | 0:38:03 | |
No, no, no. Mathilda. | 0:38:04 | 0:38:06 | |
-BOBBY GRACE: -..He would not open it and... | 0:38:08 | 0:38:10 | |
and set about the suspect, Mr Buckley. | 0:38:10 | 0:38:12 | |
Mr Reid took Mr Buckley's head between his hands and... | 0:38:12 | 0:38:15 | |
Well, I cannot think of a better word for it... | 0:38:16 | 0:38:18 | |
popped it against the wooden pillar. | 0:38:18 | 0:38:20 | |
I believe Mr Buckley died after the second strike. | 0:38:22 | 0:38:25 | |
Mr Thatcher, what has befallen this neighbourhood | 0:38:37 | 0:38:41 | |
that it is a-burst with women | 0:38:41 | 0:38:43 | |
who wish to hide their information from the police? | 0:38:43 | 0:38:45 | |
I don't know what it is, sir. | 0:38:48 | 0:38:50 | |
Perhaps you'd best tell me, then, Miss Castello. | 0:38:52 | 0:38:55 | |
I am accustomed to those of your sex | 0:38:55 | 0:38:57 | |
being a sight more pliant than this. | 0:38:57 | 0:39:00 | |
Our Assistant Commissioner Dove has given you intelligence | 0:39:00 | 0:39:05 | |
that now sees fugitive Reid damned | 0:39:05 | 0:39:09 | |
in the pages where he was so recently celebrated. | 0:39:09 | 0:39:13 | |
And what if it were? | 0:39:13 | 0:39:15 | |
Hm. | 0:39:15 | 0:39:17 | |
Do you see? | 0:39:17 | 0:39:18 | |
There you go again and I tire of it, girlie. | 0:39:20 | 0:39:23 | |
-Inspector, sir... -What? You object to my questioning? | 0:39:33 | 0:39:36 | |
No. | 0:39:38 | 0:39:39 | |
You see, Miss... Now, listen. SHE GASPS | 0:39:41 | 0:39:44 | |
There is a battle currently played out, | 0:39:44 | 0:39:47 | |
its field of conflict - the pages of YOUR DIRTY RAG! | 0:39:47 | 0:39:53 | |
Right? | 0:39:53 | 0:39:54 | |
Now, | 0:39:54 | 0:39:56 | |
its antagonists are | 0:39:56 | 0:39:59 | |
my Mr Dove | 0:39:59 | 0:40:01 | |
and Mr Edmund Reid. | 0:40:01 | 0:40:03 | |
SHE GASPS | 0:40:03 | 0:40:04 | |
No! | 0:40:04 | 0:40:06 | |
SHE WHIMPERS | 0:40:06 | 0:40:08 | |
Please! I do not know what you mean. | 0:40:08 | 0:40:11 | |
Do you not? Huh? It's that corpse. It's that corpse. | 0:40:11 | 0:40:16 | |
Yeah? Which all assume is your cannibal-killer back about it. | 0:40:16 | 0:40:22 | |
It is not. | 0:40:23 | 0:40:24 | |
Mr Dove... | 0:40:24 | 0:40:27 | |
..he is a clever cat, now, | 0:40:28 | 0:40:31 | |
but he ain't seen near enough dead bodies. | 0:40:31 | 0:40:35 | |
Them bite marks, hm? | 0:40:37 | 0:40:39 | |
The yellow round the edges? | 0:40:39 | 0:40:41 | |
No lividity, see. | 0:40:41 | 0:40:43 | |
Carried out a good long day or so | 0:40:43 | 0:40:46 | |
after death came down. | 0:40:46 | 0:40:49 | |
In other words, a hoax. | 0:40:49 | 0:40:52 | |
The skilled hand of Ed Reid's Yankee. | 0:40:52 | 0:40:55 | |
Now, what I drive at is this. | 0:40:56 | 0:40:59 | |
Why? Hm? Why? | 0:41:00 | 0:41:03 | |
What is the message | 0:41:03 | 0:41:05 | |
Reid sends the Assistant Commissioner of Police? | 0:41:05 | 0:41:08 | |
-SHOUTS: What is it? What is it? -Please! I don't know! | 0:41:08 | 0:41:10 | |
-What is it? -Inspector Shine! Please! | 0:41:10 | 0:41:13 | |
-Oh! -Aah! -You moan like a bitch, I shall slap you like one. | 0:41:13 | 0:41:17 | |
You don't have the stomach for my work. | 0:41:18 | 0:41:20 | |
Get out. | 0:41:21 | 0:41:22 | |
And shut the door behind you. | 0:41:24 | 0:41:25 | |
SHE WHIMPERS | 0:41:27 | 0:41:29 | |
Get out. | 0:41:31 | 0:41:33 | |
-Please, Mr Thatcher, please! -Get out now! | 0:41:33 | 0:41:35 | |
Shut the door behind you! | 0:41:35 | 0:41:36 | |
SHE GASPS AND PANTS | 0:41:39 | 0:41:41 | |
SHE GROANS | 0:41:45 | 0:41:47 | |
Mm. You speak. | 0:41:48 | 0:41:50 | |
Mm. | 0:41:50 | 0:41:52 | |
Or you shall know the full majesty of Jedediah Shine's displeasure. | 0:41:52 | 0:41:56 | |
It is his brother. | 0:41:57 | 0:41:59 | |
Whose? | 0:42:04 | 0:42:05 | |
Mr Dove's. | 0:42:05 | 0:42:07 | |
You be clear now. | 0:42:08 | 0:42:09 | |
Be clear. | 0:42:10 | 0:42:12 | |
What does Mr Dove's brother do? | 0:42:13 | 0:42:15 | |
Reid believed him to have been the killer, | 0:42:17 | 0:42:20 | |
hidden away for his mania, | 0:42:20 | 0:42:24 | |
escaping to murder, | 0:42:24 | 0:42:26 | |
and Mr Dove, by necessity, moving mountains to see blame shifted | 0:42:26 | 0:42:31 | |
and that man protected. | 0:42:31 | 0:42:34 | |
Where's this man now? | 0:42:35 | 0:42:37 | |
-SOBS: -I do not know. | 0:42:37 | 0:42:38 | |
SHE CRIES | 0:42:40 | 0:42:42 | |
Mr Dove, Mr Dove, his... | 0:42:42 | 0:42:45 | |
His displeasure at the sight of that hoax corpse... | 0:42:46 | 0:42:50 | |
..that might tell you something, Miss. | 0:42:51 | 0:42:53 | |
You see, he does not know, neither, | 0:42:54 | 0:42:57 | |
where this killer brother of his is now hid. | 0:42:57 | 0:43:00 | |
His fear is that Reid will trap him first. | 0:43:00 | 0:43:03 | |
SHE SOBS | 0:43:03 | 0:43:05 | |
Now. | 0:43:06 | 0:43:07 | |
CHAIR CREAKS | 0:43:11 | 0:43:13 | |
Come on, you're all right, you're all right. | 0:43:13 | 0:43:15 | |
Now, an exemplary hacker, such as yourself, | 0:43:16 | 0:43:19 | |
would not entertain such stories | 0:43:19 | 0:43:21 | |
-without also gathering your own evidence, would you? SOBS: -No. | 0:43:21 | 0:43:24 | |
Then you shall hand that evidence to me now, hey? | 0:43:27 | 0:43:30 | |
SHE SOBS | 0:43:30 | 0:43:32 | |
Oh, shhh. | 0:43:32 | 0:43:33 | |
CREAKING | 0:43:36 | 0:43:38 | |
SHE SOBS | 0:43:41 | 0:43:44 | |
SHE SOBS | 0:44:47 | 0:44:49 | |
SHE SOBS | 0:44:57 | 0:44:59 | |
JACKSON: Young Leonard took some risk in thieving this for you. | 0:45:01 | 0:45:04 | |
-REID: -Jamrach's? | 0:45:05 | 0:45:06 | |
It's the menagerie. | 0:45:06 | 0:45:08 | |
Leonard told me Dove had bought him a puppy. | 0:45:08 | 0:45:10 | |
Well, these ain't puppies. | 0:45:10 | 0:45:12 | |
Canis lupus lupus, the Middle Russian forest wolf. | 0:45:12 | 0:45:16 | |
I have heard tales of such wolves in such forests. | 0:45:16 | 0:45:20 | |
Augustus Dove, philanthropic benefactor? | 0:45:20 | 0:45:23 | |
He does not draw breath without strategy. | 0:45:23 | 0:45:25 | |
Such rare beasts, coming in from the Thames for tax and clearance. | 0:45:25 | 0:45:29 | |
Word of their arrival will be seething on that dockside. | 0:45:29 | 0:45:31 | |
A dockside well known to the creature Nathaniel Dove | 0:45:31 | 0:45:33 | |
and where he's surely hid somewhere. | 0:45:33 | 0:45:35 | |
It is not such a leap of faith to imagine him being drawn | 0:45:35 | 0:45:37 | |
to the same creatures who have so indelibly marked his soul. | 0:45:37 | 0:45:40 | |
The same creatures as took their mother from them, | 0:45:40 | 0:45:43 | |
brought to London from one brother to draw the other one out. | 0:45:43 | 0:45:46 | |
They are a lure. | 0:45:46 | 0:45:47 | |
But if Dove hopes to use these creatures to trap his brother, | 0:45:47 | 0:45:50 | |
we may use them also and set a trap for them both. | 0:45:50 | 0:45:52 | |
WOLVES WHINE | 0:46:04 | 0:46:06 | |
BARKING | 0:46:07 | 0:46:09 | |
WOLF BARKS | 0:46:14 | 0:46:16 | |
WOLF WHIMPERS | 0:46:16 | 0:46:19 | |
WOLF BARKS | 0:46:19 | 0:46:21 | |
FOOTSTEPS APPROACH | 0:46:37 | 0:46:40 | |
Tilda! Tilda, please, do not be frightened. | 0:46:40 | 0:46:43 | |
Will you take this to Drummond? Within are instructions. | 0:46:48 | 0:46:51 | |
If he follows the instructions and brings men, | 0:46:51 | 0:46:53 | |
they will capture this monster, the true beast of Whitechapel. | 0:46:53 | 0:46:56 | |
Much then will be revealed, and I hope... | 0:46:58 | 0:47:00 | |
I hope that we may return to our lives together. | 0:47:00 | 0:47:02 | |
And that would be a good thing, would it? | 0:47:03 | 0:47:05 | |
Yes, Mathilda, it would. | 0:47:05 | 0:47:07 | |
The world will be safer. Your Uncle Bennet, others too, they will have their justice. | 0:47:07 | 0:47:10 | |
And what of you, Father? | 0:47:10 | 0:47:13 | |
All of which you stand accused? | 0:47:13 | 0:47:15 | |
There is much explaining I would do. I do not say that I am blameless. | 0:47:15 | 0:47:18 | |
-But there is mitigation? -I hope so. | 0:47:18 | 0:47:20 | |
Mr Buckley was not a big man. | 0:47:22 | 0:47:25 | |
Not nearly as big as you, Father. | 0:47:25 | 0:47:27 | |
Mathilda. | 0:47:28 | 0:47:29 | |
Mathilda, please, we will... | 0:47:31 | 0:47:33 | |
talk of that man in due course, | 0:47:33 | 0:47:35 | |
but first, please hand this note to Drummond. | 0:47:35 | 0:47:38 | |
You broke his head open on a wood pillar. | 0:47:38 | 0:47:41 | |
You smashed his brains from him. | 0:47:41 | 0:47:45 | |
There is a testimony from Bobby Grace. | 0:47:45 | 0:47:46 | |
No shard of glass, no necessary defence of yourself. Only murder. | 0:47:46 | 0:47:50 | |
A defenceless man killed in cold blood by YOUR hand. | 0:47:50 | 0:47:53 | |
I was told that you were dead, | 0:47:53 | 0:47:56 | |
dead for all that he had done to you, | 0:47:56 | 0:47:58 | |
terrible, dread things done to you in his captivity. | 0:47:58 | 0:48:01 | |
-But he did not... -Yes, but I was TOLD this. | 0:48:01 | 0:48:04 | |
I was assured this. I cannot be blamed... | 0:48:04 | 0:48:07 | |
He took you FROM me, Mathilda! Do you not see? | 0:48:08 | 0:48:11 | |
No! | 0:48:11 | 0:48:12 | |
He kept me safe! | 0:48:12 | 0:48:14 | |
From you. | 0:48:14 | 0:48:15 | |
Mathilda, Mathilda, I will explain. All will be explained. | 0:48:17 | 0:48:21 | |
The Captain. Susan Hart, she who lied to me. | 0:48:21 | 0:48:23 | |
But first... | 0:48:23 | 0:48:24 | |
The note. Tell Drummond. | 0:48:25 | 0:48:27 | |
All will be right again. | 0:48:27 | 0:48:29 | |
-MAN SHOUTS -Please. | 0:48:30 | 0:48:32 | |
WOMAN LAUGHS | 0:48:32 | 0:48:34 | |
Must I take you by the throat again, | 0:48:40 | 0:48:43 | |
pin you to the wall and accuse you of all the evil ever born? | 0:48:43 | 0:48:47 | |
Mr Reid. I will talk to her. | 0:48:48 | 0:48:51 | |
My word on it. | 0:48:51 | 0:48:53 | |
Should we live, be free, I will not leave this city | 0:48:53 | 0:48:55 | |
until I have made her understand the truth. | 0:48:55 | 0:48:58 | |
No. Not you. | 0:49:04 | 0:49:06 | |
Not by my side. You are no ally of mine. | 0:49:06 | 0:49:09 | |
Get to Leonard. He has done all he might for us now. | 0:49:11 | 0:49:14 | |
Get him out of there. We'll meet you after. | 0:49:14 | 0:49:16 | |
DOOR CLOSES | 0:49:21 | 0:49:22 | |
WOLF HOWLS | 0:49:23 | 0:49:26 | |
WINDOW SMASHES | 0:49:33 | 0:49:34 | |
BIRDS SCREECH | 0:49:34 | 0:49:36 | |
Shhh. | 0:49:38 | 0:49:40 | |
-WHISPERS: -Oh, my, my... | 0:49:43 | 0:49:45 | |
WOLF WHINES | 0:49:47 | 0:49:48 | |
Shhh! | 0:49:48 | 0:49:50 | |
Oh, my. | 0:49:54 | 0:49:56 | |
My, but ain't you both beauties, hey? | 0:49:57 | 0:50:00 | |
DOOR CLICKS | 0:50:10 | 0:50:11 | |
WOLVES BARK AND GROWL | 0:50:11 | 0:50:12 | |
WOLVES SNARL | 0:50:14 | 0:50:16 | |
-NATHANIEL: -'Gustus? | 0:50:16 | 0:50:18 | |
WOLVES SNARL | 0:50:18 | 0:50:20 | |
I'm glad to have found you, brother. | 0:50:23 | 0:50:24 | |
-Have you...? -It doesn't matter. | 0:50:24 | 0:50:26 | |
But I was certain the news of such rare beasts | 0:50:26 | 0:50:29 | |
landing on this shoreline would draw you out. | 0:50:29 | 0:50:32 | |
Nathaniel, there is a savaged man found. | 0:50:38 | 0:50:41 | |
-It is not...by your action? -'Gustus, I have not... | 0:50:41 | 0:50:44 | |
Felt the hunger? | 0:50:44 | 0:50:46 | |
Well... | 0:50:47 | 0:50:49 | |
I feel it, yes. | 0:50:49 | 0:50:51 | |
But I feel also that it may be withstood. | 0:50:51 | 0:50:56 | |
Then I am glad. | 0:51:00 | 0:51:01 | |
They are magnificent. | 0:51:05 | 0:51:07 | |
Oh. 'Gustus. | 0:51:07 | 0:51:10 | |
They are perfect. | 0:51:13 | 0:51:15 | |
WOLVES GROWL AND BARK | 0:51:16 | 0:51:18 | |
They would offer you their affection and yet they fear me. | 0:51:20 | 0:51:22 | |
Perhaps they see you for what you are. | 0:51:22 | 0:51:24 | |
Calm, brother. | 0:51:24 | 0:51:26 | |
Hello, Mr Reid. | 0:51:29 | 0:51:31 | |
Captain. | 0:51:31 | 0:51:32 | |
You seem very sure of yourself, sir. | 0:51:32 | 0:51:34 | |
Of certain things, Mr Reid, yes, I am. | 0:51:34 | 0:51:37 | |
And so how will you explain your kinship with this man | 0:51:37 | 0:51:39 | |
when the men of H Division arrive? | 0:51:39 | 0:51:41 | |
'Gustus? | 0:51:41 | 0:51:42 | |
The men of H Division cannot arrive if they are not instructed to do so. | 0:51:42 | 0:51:45 | |
And yet they are so instructed. | 0:51:45 | 0:51:47 | |
By these instructions? | 0:51:48 | 0:51:49 | |
Those you handed to your daughter? | 0:51:50 | 0:51:53 | |
Drummond. | 0:51:53 | 0:51:54 | |
Not he alone. | 0:51:56 | 0:51:57 | |
The two, she AND he. | 0:51:57 | 0:52:00 | |
Your Mathilda, her world now so terribly shaken | 0:52:01 | 0:52:03 | |
by the sudden understanding of her father's true character. | 0:52:03 | 0:52:06 | |
She understands where her future lies, | 0:52:06 | 0:52:09 | |
with Samuel Drummond and with the police, with the true police. | 0:52:09 | 0:52:12 | |
-I'm going to shoot the pair of them. -No, wait, wait! | 0:52:12 | 0:52:15 | |
WOLVES WHINE AND BARK | 0:52:15 | 0:52:17 | |
Mr Reid is wise, Captain. | 0:52:17 | 0:52:19 | |
-'Gustus! -Do not think me ignorant | 0:52:19 | 0:52:21 | |
of how the intelligence of these wolves' importation came to you. | 0:52:21 | 0:52:24 | |
Your wife's friend Mr Waters. | 0:52:24 | 0:52:26 | |
Oh, Christ. | 0:52:26 | 0:52:28 | |
He will leave a pregnant widow, I believe. | 0:52:28 | 0:52:29 | |
GUNS COCK | 0:52:29 | 0:52:31 | |
'Gustus, please! | 0:52:31 | 0:52:33 | |
No! No! | 0:52:33 | 0:52:34 | |
If I kill him, there is no way back for you. No case ever to be made. | 0:52:34 | 0:52:39 | |
But your boy will be well. | 0:52:48 | 0:52:50 | |
I give you my word. | 0:52:50 | 0:52:52 | |
He will grow strong, live in bright light and clean air. | 0:52:52 | 0:52:56 | |
And if I put a bullet in your head, Mr Dove? | 0:52:56 | 0:52:58 | |
I've left instruction with Miss Chudleigh, should I not return. | 0:53:00 | 0:53:03 | |
She cares for children, but she has no care FOR them, | 0:53:03 | 0:53:06 | |
if you understand my meaning. | 0:53:06 | 0:53:08 | |
WOLVES SNARL AND BARK | 0:53:10 | 0:53:13 | |
WOLVES WHINE | 0:53:17 | 0:53:18 | |
-JACKSON: -Now what? | 0:53:21 | 0:53:22 | |
He would have sent word. | 0:53:26 | 0:53:29 | |
-It's gone midnight. -Myrtle, it is Leonard. | 0:53:29 | 0:53:33 | |
-SHE SOBS -Dear, sweet Leonard. | 0:53:33 | 0:53:36 | |
And what harm can come to such a man? | 0:53:36 | 0:53:39 | |
Take your murderous hands off me. You are death. | 0:53:43 | 0:53:47 | |
Out, woman. | 0:53:54 | 0:53:55 | |
-YELLS: -Get out! | 0:53:55 | 0:53:57 | |
MYRTLE SOBS | 0:53:59 | 0:54:01 | |
MYRTLE SOBS | 0:54:16 | 0:54:18 | |
SHE CRIES | 0:54:27 | 0:54:30 | |
FLOORBOARD CREAKS | 0:54:53 | 0:54:55 | |
All that you have heard, Tilda... | 0:54:59 | 0:55:02 | |
all that you must feel. | 0:55:02 | 0:55:04 | |
But you know this, the love that I feel for you, it only swells further. | 0:55:06 | 0:55:10 | |
This is Mr Reid's bed. | 0:55:25 | 0:55:26 | |
No, Samuel. | 0:55:32 | 0:55:33 | |
It is ours now. | 0:55:35 | 0:55:36 | |
GUN COCKS | 0:56:00 | 0:56:02 | |
Evening to you, sirs. | 0:56:02 | 0:56:04 | |
-Madam. -Thatcher. | 0:56:06 | 0:56:07 | |
I always knew you were the one with the brains. | 0:56:07 | 0:56:10 | |
Cadogan's Dental Supplies. | 0:56:10 | 0:56:12 | |
Ain't none of you in need of falsies, last time I saw you. | 0:56:12 | 0:56:16 | |
And there's a chewed-up cadaver in your dead room, Captain, | 0:56:17 | 0:56:20 | |
which is now pronounced a hoax. | 0:56:20 | 0:56:22 | |
Fine work, Thatcher. | 0:56:22 | 0:56:25 | |
I'm sure your new master will see you rewarded. | 0:56:25 | 0:56:28 | |
Where is Shine? | 0:56:28 | 0:56:29 | |
Drowning in his own poison and conceit, for all I care. | 0:56:29 | 0:56:34 | |
So, do you have three sets of irons with you? | 0:56:37 | 0:56:40 | |
I do not. | 0:56:40 | 0:56:41 | |
Mr Thatcher... | 0:56:45 | 0:56:46 | |
..what may we do for you, then? | 0:56:47 | 0:56:49 | |
He is as wicked a man as any I've met. | 0:56:51 | 0:56:54 | |
Shine? | 0:56:54 | 0:56:55 | |
Despite your low opinion of me, Mr Reid, | 0:56:55 | 0:56:58 | |
I would see some good done in this uniform. | 0:56:58 | 0:57:02 | |
Now, I don't know if all that's now said of you three is true or no... | 0:57:02 | 0:57:05 | |
...but I will not serve him. | 0:57:08 | 0:57:10 | |
Do you mean to help us, then, son? | 0:57:13 | 0:57:16 | |
There is fishing and there is peace. | 0:57:48 | 0:57:50 | |
You will live quiet, easy... | 0:57:50 | 0:57:52 | |
..until all that may harm us will be put to rest. | 0:57:54 | 0:57:56 | |
Thank you, 'Gustus. | 0:57:56 | 0:57:59 | |
-NATHANIEL: -The hunger. | 0:58:08 | 0:58:10 | |
There are days I feel it abate. | 0:58:10 | 0:58:14 | |
I've not seen a single soul. | 0:58:14 | 0:58:16 | |
It is only until Edmund Reid | 0:58:16 | 0:58:19 | |
is reckoned for. | 0:58:19 | 0:58:20 | |
We have need for an extra pair of hands. | 0:58:20 | 0:58:22 | |
You should have stayed away. | 0:58:24 | 0:58:25 |