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This programme contains prolonged violent scenes. | 0:00:02 | 0:00:07 | |
-REID: The mother's name was the word he used for Dove. -Guluba. | 0:00:07 | 0:00:10 | |
-DOVE: -As I understand it, | 0:00:10 | 0:00:12 | |
the doctors have passed you fit, Inspector? | 0:00:12 | 0:00:14 | |
I will be a father to you. | 0:00:14 | 0:00:15 | |
There are Westminster police on guard day and night. | 0:00:15 | 0:00:18 | |
The house, entrances, bedchambers of the occupants. | 0:00:18 | 0:00:23 | |
-PRUDENCE: -I do not see an animal, Nathaniel. | 0:00:23 | 0:00:25 | |
-It ain't right! -No! | 0:00:25 | 0:00:27 | |
SCREAMING | 0:00:29 | 0:00:30 | |
I beg you. Shut...shut... Stop it! BONE CRUNCHES | 0:00:30 | 0:00:33 | |
Robin? Robin. | 0:00:36 | 0:00:38 | |
Miss Chudleigh! | 0:00:40 | 0:00:43 | |
Windows to the soul, they say. You spy the semblance of one? | 0:00:47 | 0:00:52 | |
It is the inter-cranial pressure. | 0:00:53 | 0:00:55 | |
You have told me this before. | 0:00:55 | 0:00:57 | |
The hurt of it, however, daily more savage. | 0:00:57 | 0:01:00 | |
The pressure is increasing rapidly. | 0:01:00 | 0:01:03 | |
And? | 0:01:03 | 0:01:05 | |
Given the inefficacy of my treatments, it's... | 0:01:05 | 0:01:09 | |
most likely glioma. | 0:01:09 | 0:01:12 | |
-English. -Oh... | 0:01:12 | 0:01:14 | |
Tumour. | 0:01:14 | 0:01:16 | |
Perhaps from... | 0:01:18 | 0:01:20 | |
You did mention historic trauma to the head? | 0:01:20 | 0:01:23 | |
Yeah, took a proper stoving in the ring, all right, | 0:01:23 | 0:01:28 | |
from the very man who used to hold this office, | 0:01:28 | 0:01:30 | |
rest his chewed old soul. | 0:01:30 | 0:01:32 | |
Back then, one of you sawbones said these eyes had gone. | 0:01:32 | 0:01:36 | |
But Jedediah Shine don't wink out so easy. | 0:01:36 | 0:01:39 | |
I see you, and I'll see you wrong as he. | 0:01:40 | 0:01:44 | |
Inspector Shine, | 0:01:44 | 0:01:46 | |
there is not a doctor in this land who could diagnose definitively. | 0:01:46 | 0:01:50 | |
RINGING IN HIS HEAD | 0:01:50 | 0:01:51 | |
Even then, | 0:01:51 | 0:01:53 | |
there lacks... | 0:01:53 | 0:01:55 | |
a medicine for glioma. | 0:01:55 | 0:01:58 | |
I can increase the concentration of your morphine. | 0:01:58 | 0:02:02 | |
Measure carefully. | 0:02:05 | 0:02:06 | |
At this concentration, | 0:02:06 | 0:02:08 | |
so much as half a phial could see three men never wake again. | 0:02:08 | 0:02:12 | |
More coca also. I cannot afford my wits dulled. | 0:02:12 | 0:02:14 | |
One tabloid per dose. | 0:02:14 | 0:02:17 | |
On no account exceed this. | 0:02:17 | 0:02:19 | |
A man with a crutch may yet walk an endless mile. | 0:02:20 | 0:02:23 | |
Inspector Shine, I must warn you, the swelling, | 0:02:23 | 0:02:27 | |
your prognosis... | 0:02:27 | 0:02:29 | |
Your brain is crushing itself against your skull... | 0:02:31 | 0:02:35 | |
..and given the increase in your agonies... | 0:02:36 | 0:02:38 | |
..a catastrophe is by no means distant. | 0:02:40 | 0:02:43 | |
You are saying that I, Jedediah Shine, am on his last rounds? | 0:02:53 | 0:02:59 | |
I begin to consider it a medical miracle you've survived this long. | 0:02:59 | 0:03:02 | |
Ain't no miracles left in this world, Doctor. | 0:03:06 | 0:03:09 | |
All a man needs... | 0:03:11 | 0:03:14 | |
is something to live for. | 0:03:14 | 0:03:16 | |
Fresh blooms for you, sir? | 0:03:55 | 0:03:57 | |
-For you, sir? -No, thank you. | 0:03:57 | 0:04:00 | |
HAWKERS SHOUT | 0:04:00 | 0:04:02 | |
Oi. The Sumner fish stall. There's no Sumners and no fishes. What... | 0:04:06 | 0:04:10 | |
Oi. Copper. | 0:04:10 | 0:04:11 | |
What's afoot, then? | 0:04:16 | 0:04:17 | |
I found him cowering behind the meat wagons. | 0:04:17 | 0:04:20 | |
Robin, what happened? | 0:04:22 | 0:04:25 | |
Mr Thatcher. | 0:04:25 | 0:04:26 | |
Says they were slain. | 0:04:26 | 0:04:28 | |
Mama. | 0:04:28 | 0:04:31 | |
-HE SNIFFS -Uncle Caleb. Nathaniel. | 0:04:31 | 0:04:34 | |
Uncle Caleb's neck. | 0:04:34 | 0:04:36 | |
HE SNIFFS | 0:04:36 | 0:04:37 | |
He looked like an animal. | 0:04:37 | 0:04:39 | |
He... | 0:04:39 | 0:04:41 | |
ate his throat. | 0:04:41 | 0:04:43 | |
About your business now. | 0:04:46 | 0:04:48 | |
I'll take care of the lad. | 0:04:49 | 0:04:51 | |
Robin Sumner. Hey, look at me. | 0:04:53 | 0:04:55 | |
You trust me, don't you? | 0:04:55 | 0:04:57 | |
You come with me now. | 0:04:57 | 0:05:00 | |
I'll see you safe. | 0:05:00 | 0:05:02 | |
You come with me. | 0:05:02 | 0:05:04 | |
Come on. | 0:05:06 | 0:05:08 | |
Oi, come! Look, look! That's the Sumner boy there. | 0:05:08 | 0:05:11 | |
So, you saw it? You saw the man Nathaniel? | 0:05:11 | 0:05:13 | |
It's all right, Robin. They're friends. | 0:05:13 | 0:05:15 | |
-Mr Reid, sir... -You tell me, Robin. Where? Where?! | 0:05:15 | 0:05:18 | |
-Will you tell me, boy? Where? -Back off, Reid. | 0:05:18 | 0:05:20 | |
Can't you tell that boy is shit scared? | 0:05:20 | 0:05:23 | |
It's all right, son. It's all right. | 0:05:23 | 0:05:26 | |
You get the hell out of here, for Christ sake. | 0:05:26 | 0:05:28 | |
Mr Reid, leave us, please. | 0:05:28 | 0:05:30 | |
You just drink this up, little man. | 0:05:39 | 0:05:42 | |
That's good medicine. | 0:05:43 | 0:05:44 | |
There you go. | 0:05:46 | 0:05:48 | |
Good boy. | 0:05:48 | 0:05:50 | |
What the hell are you wearing? | 0:05:50 | 0:05:52 | |
Did you get demoted? | 0:05:53 | 0:05:56 | |
Don't ask. | 0:05:56 | 0:05:57 | |
Jesus Christ. | 0:05:57 | 0:05:58 | |
Here. I hope this is adequate. | 0:06:00 | 0:06:03 | |
Oh, you must be starved, young one. | 0:06:03 | 0:06:06 | |
We're going to fill your belly, get you cleaned up real good, | 0:06:06 | 0:06:10 | |
and then I'm going to see if I've got a shirt | 0:06:10 | 0:06:12 | |
that fits a strong young soldier. | 0:06:12 | 0:06:15 | |
The boy is fed and watered, at least. | 0:06:25 | 0:06:28 | |
I have left him in more capable hands. | 0:06:28 | 0:06:31 | |
His terrors. I should not have shouted at him. | 0:06:31 | 0:06:34 | |
You, Miss Morton, may be a stranger to fearful children. | 0:06:34 | 0:06:36 | |
I, alas, ought to have the benefit of experience. | 0:06:36 | 0:06:40 | |
I would not know where to begin, Mr Reid. | 0:06:41 | 0:06:44 | |
It is strange to see the captain thus... | 0:06:49 | 0:06:51 | |
..a man so given to degenerate proclivities and carnal oblivion. | 0:06:53 | 0:06:57 | |
To see him thus, how? | 0:06:57 | 0:06:59 | |
I suppose... | 0:07:01 | 0:07:03 | |
fatherly. | 0:07:03 | 0:07:05 | |
He told us where it happened | 0:07:07 | 0:07:09 | |
and, better than that, where Nathaniel's holed up. | 0:07:09 | 0:07:12 | |
Reid. Reid, it is broad daylight. | 0:07:17 | 0:07:20 | |
-Then we move fast. -We can't just... | 0:07:20 | 0:07:21 | |
Have we not waited here long enough for the merest thread to follow? | 0:07:21 | 0:07:24 | |
We know where he lives. We find him, we get to Dove. | 0:07:24 | 0:07:27 | |
We find the bodies, we get to Dove. You, wait here, keep the boy safe. | 0:07:27 | 0:07:30 | |
We go now! | 0:07:30 | 0:07:32 | |
It's Edmund Reid! Get him! It's Edmund Reid! | 0:07:35 | 0:07:39 | |
GUN COCKS | 0:07:39 | 0:07:41 | |
It ain't worth it, friend. | 0:07:41 | 0:07:43 | |
Now, Frank, everyone in the market saw you with him. | 0:07:47 | 0:07:50 | |
What do you mean, he ran away? | 0:07:50 | 0:07:51 | |
The boy was as jumpy as a buggered fox, Drum. | 0:07:51 | 0:07:53 | |
What rumpus now with you two pansy-flaps? | 0:07:53 | 0:07:55 | |
Frank here campaigns to trade his helmet for a dunce cap. | 0:07:55 | 0:07:58 | |
I do not expect to repeat my questions, Drummond. | 0:07:58 | 0:08:00 | |
I passed by Spitalfields, sir. All the talk is, | 0:08:00 | 0:08:04 | |
a pair of fish sellers, usually at market, were missing this day. | 0:08:04 | 0:08:07 | |
Only their boy, see, he turns up, full hysterics, | 0:08:07 | 0:08:09 | |
says he seen his ma and uncle killed. | 0:08:09 | 0:08:11 | |
He says the killer, he used his teeth. | 0:08:11 | 0:08:14 | |
-Teeth? -Ripped the neck out, as I heard. | 0:08:14 | 0:08:16 | |
-Where this lad now? -Where indeed, sir? | 0:08:16 | 0:08:20 | |
Frank had him and Frank lost him. | 0:08:20 | 0:08:22 | |
The boy was... He made off before I could... | 0:08:22 | 0:08:26 | |
-Bested by a woe-struck nipper. -My apologies, Inspector. | 0:08:26 | 0:08:29 | |
-Inspector, should I wire J Division? -Why would you do that? | 0:08:29 | 0:08:32 | |
The Sumners, the fish sellers, that is, they wasn't Whitechapel. | 0:08:32 | 0:08:35 | |
They lived Hackney way, J Division turf. | 0:08:35 | 0:08:37 | |
They worked Whitechapel Market. Makes this Whitechapel business. | 0:08:37 | 0:08:40 | |
LOCK CLICKS | 0:08:53 | 0:08:55 | |
I've brought you breakfast. | 0:09:04 | 0:09:06 | |
Eat, Nathaniel. | 0:09:09 | 0:09:11 | |
You will not heal. | 0:09:12 | 0:09:14 | |
Gustus. | 0:09:15 | 0:09:17 | |
The pup. | 0:09:20 | 0:09:21 | |
Robin. | 0:09:22 | 0:09:24 | |
Let us hope he ran far, shall we? | 0:09:26 | 0:09:28 | |
And does not stop his running. | 0:09:28 | 0:09:31 | |
But if he is found... | 0:09:32 | 0:09:34 | |
..and if he should speak of me... | 0:09:35 | 0:09:37 | |
..say you will not hurt him. | 0:09:38 | 0:09:41 | |
No more, Gustus. | 0:09:42 | 0:09:45 | |
I cannot bear no more. | 0:09:46 | 0:09:49 | |
The pup. | 0:09:49 | 0:09:51 | |
He is no more than that. | 0:09:51 | 0:09:53 | |
Even if he spoke of aught... | 0:09:55 | 0:09:58 | |
..found the ears of strangers, | 0:09:59 | 0:10:01 | |
who would listen to a child's hysterics? | 0:10:01 | 0:10:04 | |
DOOR BANGS | 0:10:24 | 0:10:27 | |
WATER DRIPS | 0:10:27 | 0:10:30 | |
Clean. | 0:10:37 | 0:10:38 | |
Nothing. | 0:10:45 | 0:10:47 | |
That's the point, Reid. Nobody's place is this goddamn clean. | 0:10:47 | 0:10:51 | |
No dust, no dirt. These walls... | 0:10:51 | 0:10:53 | |
Huh! These walls, the plaster's still damp. | 0:10:54 | 0:10:57 | |
It's been scrubbed. | 0:10:57 | 0:11:00 | |
The entire place has been scoured. | 0:11:00 | 0:11:02 | |
By Dove, I have no doubt. | 0:11:02 | 0:11:04 | |
-HE SNIFFS -Whoa. Christ. | 0:11:05 | 0:11:09 | |
HE SNIFFS | 0:11:09 | 0:11:10 | |
Sodium hydroxide. | 0:11:19 | 0:11:20 | |
It's for cleaning, say, blood and death off your walls. | 0:11:20 | 0:11:24 | |
Look at... | 0:11:29 | 0:11:30 | |
Something was there. A rug. | 0:11:31 | 0:11:34 | |
Two bodies in a rug, huh? | 0:11:34 | 0:11:37 | |
There were wheels here. | 0:11:54 | 0:11:56 | |
A cart. Hoof tracks. | 0:11:56 | 0:11:59 | |
Usually headed in that direction. | 0:12:00 | 0:12:02 | |
Horse hair. And see how those stems are broke back? | 0:12:02 | 0:12:06 | |
Horse and cart went here, a different way. | 0:12:06 | 0:12:10 | |
No tracks. | 0:12:10 | 0:12:12 | |
On account that somebody went to the trouble of clearing them. | 0:12:12 | 0:12:15 | |
HE GRUNTS | 0:12:33 | 0:12:35 | |
-Kerosene. -All right, so, he does his housework, | 0:12:39 | 0:12:42 | |
rolls the bodies into the rug, | 0:12:42 | 0:12:44 | |
puts them in the cart, wheels it down to the water. | 0:12:44 | 0:12:47 | |
And he dumps the Sumners in the river. | 0:12:47 | 0:12:49 | |
He burns the cart... | 0:12:49 | 0:12:51 | |
..covers his tracks. | 0:12:52 | 0:12:53 | |
-But he would have weighed the bodies. -Already on it, Reid. | 0:12:53 | 0:12:57 | |
My guess is, he probably weighed 'em down | 0:13:01 | 0:13:03 | |
just enough to let the current take them...all the way to the ocean. | 0:13:03 | 0:13:06 | |
If we can intercept the bodies, if we can recover them, | 0:13:06 | 0:13:09 | |
then we have proof of Nathaniel's murder, and Robin as witness. | 0:13:09 | 0:13:12 | |
Reid, if Abel Croker taught his boys one thing, | 0:13:12 | 0:13:14 | |
it's how to dump a body in the river. | 0:13:14 | 0:13:16 | |
In the River Thames, not the River Lea. | 0:13:16 | 0:13:18 | |
The Thames is over 300 feet wide but the Lea is a tributary. | 0:13:18 | 0:13:21 | |
It dwindles and meanders. | 0:13:21 | 0:13:22 | |
With a map of its course gradients and tide times... | 0:13:22 | 0:13:25 | |
-WHEELS CLATTER -Reid, shut up. | 0:13:25 | 0:13:27 | |
That's a hansom. | 0:13:30 | 0:13:32 | |
HE CRUNCHES | 0:13:38 | 0:13:40 | |
This place just got cleaned. | 0:13:48 | 0:13:50 | |
GUN COCKS | 0:13:50 | 0:13:52 | |
Be a shame to spray your brains all over it. | 0:13:53 | 0:13:56 | |
SHINE SCREAMS | 0:14:04 | 0:14:05 | |
HE PANTS | 0:14:10 | 0:14:12 | |
Hello, Jedediah. | 0:14:16 | 0:14:18 | |
Just like you, Edmund, have your chump at the dirty work. | 0:14:19 | 0:14:24 | |
-Morphine. -For you to require this, your pain must be considerable. | 0:14:32 | 0:14:37 | |
For why are you here? | 0:14:39 | 0:14:41 | |
All right, all right, let's parley. Parley. | 0:14:47 | 0:14:51 | |
Let us parley. | 0:14:51 | 0:14:53 | |
Answer me. | 0:14:55 | 0:14:56 | |
Heard rumblings that this here may be a murder scene. | 0:14:56 | 0:14:59 | |
I thought you might have heard them likewise. | 0:14:59 | 0:15:01 | |
So, you come in pursuit of me, | 0:15:01 | 0:15:03 | |
not to police some vicious slaughter? | 0:15:03 | 0:15:05 | |
Hackney killers, Edmund, are not my business. | 0:15:07 | 0:15:10 | |
Whitechapel fugitives, however... | 0:15:10 | 0:15:12 | |
It was him, Jedediah. | 0:15:12 | 0:15:14 | |
The murderer who stalked Whitechapel, | 0:15:14 | 0:15:16 | |
he now stalks these marshes. | 0:15:16 | 0:15:18 | |
Our mutual friend, Miss Castello, | 0:15:20 | 0:15:22 | |
took to sharing with me your conjecture | 0:15:22 | 0:15:25 | |
that the toothsome villain then said to be Abel Croker, deceased, | 0:15:25 | 0:15:29 | |
is neither Abel Croker nor deceased. | 0:15:29 | 0:15:31 | |
The brother, she says. The brother of Augustus Dove, she says. | 0:15:31 | 0:15:36 | |
Miss Castello, | 0:15:38 | 0:15:41 | |
she proved amenable... | 0:15:41 | 0:15:42 | |
..give or take, | 0:15:43 | 0:15:45 | |
to sharing her research, Ed, | 0:15:45 | 0:15:48 | |
research which I now have in my possession. | 0:15:48 | 0:15:50 | |
Yes. | 0:15:52 | 0:15:54 | |
I seen what you seen. | 0:15:54 | 0:15:56 | |
The boys. | 0:15:57 | 0:15:59 | |
The Jews. | 0:15:59 | 0:16:01 | |
The wolves. | 0:16:01 | 0:16:03 | |
Then you know it's the goddamn truth. | 0:16:03 | 0:16:06 | |
-We've seen that brother. -His name is Nathaniel. | 0:16:07 | 0:16:10 | |
Every killing ascribed to Abel Croker, he performed. | 0:16:10 | 0:16:13 | |
He tore apart Bennet Drake. | 0:16:15 | 0:16:16 | |
Augustus Dove used Croker to protect his brother, | 0:16:16 | 0:16:21 | |
as he now uses you to prevent me from exposing him. | 0:16:21 | 0:16:25 | |
You are not appointed, Jedediah, for your able policing, | 0:16:26 | 0:16:30 | |
but because you are so easily made marionette, | 0:16:30 | 0:16:32 | |
dancing to your master's fingers. | 0:16:32 | 0:16:36 | |
Augustus Dove will fall. | 0:16:36 | 0:16:38 | |
I will serve justice on him and his brother | 0:16:38 | 0:16:41 | |
and I only tell you this so that you might stay out of my way. | 0:16:41 | 0:16:46 | |
Understand that my contempt for you is beyond limit... | 0:16:47 | 0:16:52 | |
..but my fight is not with you. | 0:16:53 | 0:16:55 | |
Have your cunny chaser pull his trigger now, Reid. | 0:16:58 | 0:17:01 | |
-HE SNIFFS -You will not find another chance. | 0:17:01 | 0:17:04 | |
GUN COCKS | 0:17:04 | 0:17:05 | |
I ain't of a mind to argue with it. | 0:17:05 | 0:17:07 | |
Pull the trigger, Reid. | 0:17:07 | 0:17:09 | |
I hope you have more of this about you, Jedediah. | 0:17:13 | 0:17:15 | |
It's a long walk back to Whitechapel. | 0:17:15 | 0:17:17 | |
GUN CLICKS | 0:17:19 | 0:17:21 | |
CHAINS CLINK | 0:17:24 | 0:17:25 | |
KETTLE WHISTLES | 0:17:25 | 0:17:27 | |
How long will he sleep? | 0:17:51 | 0:17:54 | |
I cannot say whether his exhaustion or his terror is more powerful. | 0:17:54 | 0:17:58 | |
Oh. | 0:18:00 | 0:18:02 | |
Your way with the boy is... | 0:18:02 | 0:18:05 | |
so tender. | 0:18:05 | 0:18:06 | |
Motherhood changes you... | 0:18:09 | 0:18:10 | |
..as you will learn, I'm sure, Miss Morton. | 0:18:12 | 0:18:14 | |
Years ago, when the captain told me he was leaving me and choosing you, | 0:18:16 | 0:18:20 | |
I told him he was choosing his past over his future. | 0:18:20 | 0:18:24 | |
But I was wrong. | 0:18:25 | 0:18:27 | |
I was so... | 0:18:28 | 0:18:31 | |
extraordinarily wrong... | 0:18:31 | 0:18:32 | |
..because... | 0:18:34 | 0:18:35 | |
..you and he grow together, | 0:18:36 | 0:18:39 | |
with a love inviolable... | 0:18:39 | 0:18:42 | |
..and I...I do not. | 0:18:43 | 0:18:46 | |
But there is one thing of which I am certain. | 0:18:47 | 0:18:51 | |
Your son will always be... | 0:18:51 | 0:18:55 | |
fortunate indeed | 0:18:55 | 0:18:57 | |
to have you as his parents. | 0:18:57 | 0:18:59 | |
SHE SNIFFS | 0:19:02 | 0:19:04 | |
I, um...I should check on Robin. | 0:19:09 | 0:19:12 | |
Robin, I thought you might like... | 0:19:22 | 0:19:24 | |
Robin? Robin? | 0:19:28 | 0:19:30 | |
Your visitor, Mr Dove, has traipsed his filth. | 0:19:42 | 0:19:46 | |
My apologies, madam. | 0:19:46 | 0:19:48 | |
Them marshes are sodden. | 0:19:48 | 0:19:50 | |
Then again, Mr Dove, | 0:19:50 | 0:19:53 | |
I gather you have a gift for cleaning. | 0:19:53 | 0:19:56 | |
CHAINS CLINK | 0:19:57 | 0:19:59 | |
If you'd be so kind. | 0:20:01 | 0:20:03 | |
Your latest reflections for the Police Gazette, is it? | 0:20:19 | 0:20:22 | |
What is the meaning of this? | 0:20:22 | 0:20:24 | |
Last I was here, | 0:20:25 | 0:20:27 | |
I asked if you knew aught of Edmund Reid's hypothesising... | 0:20:27 | 0:20:32 | |
..vis-a-vis the infamous cannibal golem of Whitechapel. | 0:20:34 | 0:20:41 | |
-And I told you I did not. -So I recall. | 0:20:41 | 0:20:44 | |
But you see, Mr Dove, now I do know Edmund Reid's hypothesising, | 0:20:44 | 0:20:47 | |
-because Edmund Reid told me. -You... | 0:20:47 | 0:20:50 | |
..you found Reid? | 0:20:51 | 0:20:53 | |
-Where is he? -You see, | 0:20:53 | 0:20:55 | |
Reid is not currently the matter critical, Mr Dove. | 0:20:55 | 0:20:59 | |
Your brother... | 0:21:04 | 0:21:06 | |
..Nathaniel, he is the matter most currently critical. | 0:21:07 | 0:21:11 | |
You're mistaken. I have...I have no brother. | 0:21:11 | 0:21:14 | |
There is this day a nipper abroad in Whitechapel, | 0:21:17 | 0:21:22 | |
bawling how his uncle got his throat bit out. | 0:21:22 | 0:21:25 | |
So I come for a look | 0:21:25 | 0:21:28 | |
and who should I find doing likewise but Steady Ed and the American? | 0:21:28 | 0:21:32 | |
And with the luxury of a gun on me, they thought to tell me plenty. | 0:21:33 | 0:21:38 | |
Reid gave proof to all I'd read in Miss Castello's files. | 0:21:38 | 0:21:42 | |
Your mother. | 0:21:44 | 0:21:46 | |
Guluba... | 0:21:46 | 0:21:48 | |
..means "dove", doesn't it? | 0:21:49 | 0:21:51 | |
I will not tolerate the deception of no man, Commissioner... | 0:21:59 | 0:22:03 | |
..not even you. | 0:22:05 | 0:22:07 | |
My brother is my concern alone. | 0:22:16 | 0:22:19 | |
No. | 0:22:19 | 0:22:20 | |
No, he is mine also, | 0:22:20 | 0:22:22 | |
if he may bait my hook for Edmund Reid. | 0:22:22 | 0:22:25 | |
There is... | 0:22:25 | 0:22:27 | |
perhaps... | 0:22:27 | 0:22:28 | |
another way. | 0:22:28 | 0:22:30 | |
Reid's daughter. | 0:22:33 | 0:22:35 | |
Her loyalties have turned against his favour. | 0:22:35 | 0:22:38 | |
You come by this knowledge how? | 0:22:38 | 0:22:40 | |
He gave to her a note concerning my brother. | 0:22:40 | 0:22:43 | |
She and Inspector Drummond thought to pass it to me. | 0:22:43 | 0:22:47 | |
Mathilda is in contact with her father? | 0:22:47 | 0:22:51 | |
HE LAUGHS | 0:22:53 | 0:22:56 | |
And I am being informed of this only now? | 0:22:56 | 0:22:59 | |
But you are informed of it, nonetheless. | 0:22:59 | 0:23:02 | |
And with your other recent knowledge concerning my brother, | 0:23:02 | 0:23:05 | |
you perhaps grasp the fresh urgency of Reid's apprehension. | 0:23:05 | 0:23:09 | |
Bait the hook. | 0:23:09 | 0:23:11 | |
Well, Mr Dove... | 0:23:18 | 0:23:19 | |
..you are as black-hearted a bastard... | 0:23:20 | 0:23:23 | |
..as ever roamed the lanes of this dread city. | 0:23:24 | 0:23:27 | |
-Needs must, Inspector. -When the Devil drives? | 0:23:29 | 0:23:32 | |
There is no Devil, Inspector Shine. | 0:23:33 | 0:23:35 | |
Tell that to the fish sellers' boy. | 0:23:35 | 0:23:38 | |
When Reid is done with... | 0:23:40 | 0:23:41 | |
..you and I, Commissioner, we shall talk again... | 0:23:42 | 0:23:45 | |
..on what price your reeking secrets may be worth to you. | 0:23:47 | 0:23:50 | |
Be assured, sir, | 0:24:01 | 0:24:02 | |
every man of this division will keep their eyes peeled for him. | 0:24:02 | 0:24:05 | |
A Hackney boy from the borough I call my home, | 0:24:05 | 0:24:09 | |
bearing witness to such atrocity, | 0:24:09 | 0:24:11 | |
running afeared through these cruel streets. | 0:24:11 | 0:24:13 | |
It sits ill with me, Drummond, most ill. | 0:24:13 | 0:24:15 | |
I understand, sir. | 0:24:15 | 0:24:17 | |
J Division territory this may be, | 0:24:17 | 0:24:18 | |
but you inform me personally should this poor mite be found. | 0:24:18 | 0:24:22 | |
Yeah, of course, Mr Dove. | 0:24:22 | 0:24:24 | |
Of course. | 0:24:24 | 0:24:25 | |
-How could you?! -Jesus Christ, Caitlin. | 0:24:30 | 0:24:32 | |
He must have run, and run fast, because he saw this. | 0:24:32 | 0:24:36 | |
Miss Morton is currently scouring Spitalfields | 0:24:37 | 0:24:40 | |
-for any sight of him. -No. No, no, no. | 0:24:40 | 0:24:43 | |
He may fear us, but he trusts Thatcher. | 0:24:43 | 0:24:45 | |
-The boy will seek him out. -What, you're going to the police now? | 0:24:45 | 0:24:48 | |
No, Thatcher will see him safe. There's work to do. | 0:24:48 | 0:24:50 | |
We've need of an Ordnance Survey map and the London Shipping Gazette. | 0:24:50 | 0:24:54 | |
PHONE RINGS Sign your name. | 0:24:56 | 0:24:57 | |
Just make your mark. You two, you're next! | 0:24:57 | 0:25:00 | |
Leman Street. | 0:25:01 | 0:25:02 | |
-No, no. -Mr Thatcher! | 0:25:03 | 0:25:06 | |
Jesus Christ. Robin, what are you doing? You were to stay. | 0:25:07 | 0:25:11 | |
I was afraid. Them people you left me with, they're bad. | 0:25:11 | 0:25:14 | |
No, I've told you, Robin. They're friends. All right? | 0:25:14 | 0:25:16 | |
You cannot be here, hey? PHONE RINGS | 0:25:16 | 0:25:19 | |
Leman Street. On Princelet Street? | 0:25:20 | 0:25:23 | |
Yeah, we'll send a constable right away. | 0:25:23 | 0:25:27 | |
Who's this, then? | 0:25:27 | 0:25:29 | |
Robin, sir. | 0:25:32 | 0:25:33 | |
Robin? Robin Sumner? | 0:25:35 | 0:25:37 | |
I'll wire J Division. They've been looking for him all over. | 0:25:38 | 0:25:40 | |
It's their case now. Come with me, Robin. | 0:25:40 | 0:25:43 | |
We'll find you a quiet place and a cup of sweet tea. | 0:25:43 | 0:25:46 | |
You're going to be just fine, son. | 0:25:46 | 0:25:48 | |
Come on. | 0:25:50 | 0:25:51 | |
-MAN: -Sergeant? | 0:25:51 | 0:25:53 | |
-Sergeant? Sergeant? -All right, fine. Yeah. | 0:25:57 | 0:25:59 | |
-Sergeant, I'm in need of assistance. -Sign it. Right, name? | 0:25:59 | 0:26:02 | |
Dove puts the bodies in the water here. | 0:26:02 | 0:26:06 | |
But for them to meet such a flow | 0:26:07 | 0:26:09 | |
to navigate clear through the Limehouse Cut | 0:26:09 | 0:26:12 | |
and into the Thames, I mean... | 0:26:12 | 0:26:14 | |
Now, this stretch here... | 0:26:14 | 0:26:16 | |
..that's barely five foot to a mile. | 0:26:17 | 0:26:19 | |
Tide drops, those bodies will wash up for us to find | 0:26:19 | 0:26:21 | |
before they're carried away again. | 0:26:21 | 0:26:23 | |
So, anything heavy in the water would most likely be washed aground? | 0:26:23 | 0:26:26 | |
-Just after this meander. -Goodluck Hope. -Goodluck Hope. | 0:26:26 | 0:26:29 | |
11 tonight, the tide at its lowest. | 0:26:39 | 0:26:42 | |
After that, the current will wash them away and into the Thames. | 0:26:42 | 0:26:45 | |
Jackson, we can find them. | 0:26:45 | 0:26:46 | |
With the Sumner boy missing, the bodies of his mother and uncle | 0:26:46 | 0:26:49 | |
may be our only incontrovertible evidence of Nathaniel's savagery. | 0:26:49 | 0:26:53 | |
We can bring Dove down. | 0:26:53 | 0:26:56 | |
Jackson, are you with me? | 0:26:57 | 0:26:59 | |
Then I guess we're doing us some night-fishing. | 0:27:02 | 0:27:05 | |
DOOR OPENS | 0:27:08 | 0:27:10 | |
J Division? Here's the lad. | 0:27:17 | 0:27:19 | |
You're going to go with this policeman now, Robin. | 0:27:19 | 0:27:23 | |
His division are going to take care of you. All right? | 0:27:23 | 0:27:25 | |
Well, that's one less headache. | 0:27:29 | 0:27:32 | |
You've been a very brave boy, Robin... | 0:27:52 | 0:27:55 | |
..but you don't need to be afraid any more. | 0:27:59 | 0:28:02 | |
Does he, Miss Chudleigh? | 0:28:05 | 0:28:08 | |
RINGING IN HIS HEAD | 0:28:10 | 0:28:13 | |
RINGING IN HIS HEAD | 0:28:19 | 0:28:22 | |
KNOCK AT DOOR | 0:28:26 | 0:28:27 | |
-You called for me, sir? -I did. | 0:28:30 | 0:28:32 | |
I did. Come in, sit. | 0:28:34 | 0:28:37 | |
I've just handed the boy over to J Division, Inspector. | 0:28:37 | 0:28:40 | |
Good. Good. | 0:28:40 | 0:28:43 | |
Now, Inspector Drummond... | 0:28:43 | 0:28:45 | |
..when you observe these posters, | 0:28:46 | 0:28:48 | |
plastered around the station house and the streets beyond... | 0:28:48 | 0:28:52 | |
..what is it you see? | 0:28:57 | 0:28:58 | |
Sir, is that...blood? | 0:28:58 | 0:29:01 | |
Let me tell you what I see, a looking glass | 0:29:01 | 0:29:04 | |
that every day reflects | 0:29:04 | 0:29:05 | |
the continued inefficacy of this division | 0:29:05 | 0:29:07 | |
to prosecute justice upon its most hunted fugitives. | 0:29:07 | 0:29:10 | |
Now, there are some | 0:29:10 | 0:29:13 | |
might say this shame on us... | 0:29:13 | 0:29:16 | |
..should be doubled at least, | 0:29:17 | 0:29:20 | |
given our most recently promoted officer | 0:29:20 | 0:29:23 | |
is sweetheart to the very daughter of the fugitive-in-chief. | 0:29:23 | 0:29:26 | |
Sir, now, she... | 0:29:26 | 0:29:28 | |
I will tell you what she is, your Mathilda Reid. | 0:29:28 | 0:29:32 | |
She's on the side of goodness... | 0:29:32 | 0:29:35 | |
..willing to turn against her own pappy out of noble rectitude, | 0:29:36 | 0:29:39 | |
and you, | 0:29:39 | 0:29:41 | |
you, Drummond, | 0:29:41 | 0:29:43 | |
lack even the decency to share such with your constabulary brothers. | 0:29:43 | 0:29:48 | |
Now, lad... | 0:29:50 | 0:29:51 | |
..you will tell me about Miss Reid's doings | 0:29:52 | 0:29:56 | |
with her outlaw old man | 0:29:56 | 0:29:58 | |
and you will tell me now. | 0:29:58 | 0:30:00 | |
Now, Drummond! | 0:30:04 | 0:30:05 | |
There...there is a candle, sir... | 0:30:15 | 0:30:18 | |
..in the bedroom window. | 0:30:19 | 0:30:21 | |
Miss Reid? | 0:30:36 | 0:30:38 | |
Might I have a word? | 0:30:38 | 0:30:40 | |
Mr Shine, I really must be going. | 0:30:40 | 0:30:42 | |
A moment is all and no more. | 0:30:42 | 0:30:45 | |
Last we spoke, | 0:30:45 | 0:30:46 | |
I pondered we were kin, on account of us both resurrected. | 0:30:46 | 0:30:50 | |
-Yes, but I... -Please, Miss Reid, | 0:30:50 | 0:30:53 | |
I was wrong. | 0:30:53 | 0:30:55 | |
You are life. | 0:30:55 | 0:30:57 | |
But I... | 0:30:59 | 0:31:01 | |
..my kin is your father. | 0:31:03 | 0:31:05 | |
We, er...who imagined... | 0:31:07 | 0:31:10 | |
..we saw off death... | 0:31:11 | 0:31:13 | |
..but there was for us... | 0:31:14 | 0:31:17 | |
no true resurrection. | 0:31:17 | 0:31:20 | |
We are the ghouls. | 0:31:20 | 0:31:22 | |
We...we're bound | 0:31:25 | 0:31:27 | |
to the reeking purgatory of these streets, | 0:31:27 | 0:31:30 | |
more...more cursed than the dead, | 0:31:30 | 0:31:34 | |
who at least know their peace. | 0:31:34 | 0:31:36 | |
For with us... | 0:31:38 | 0:31:40 | |
..there lingers like... | 0:31:41 | 0:31:43 | |
like a whore's perfume, | 0:31:43 | 0:31:45 | |
the dream of life. | 0:31:45 | 0:31:48 | |
There... | 0:31:52 | 0:31:54 | |
HE LAUGHS | 0:31:54 | 0:31:56 | |
..there is a hell of its very own for the dreaming dead. | 0:31:56 | 0:31:59 | |
RINGING IN HIS HEAD | 0:31:59 | 0:32:01 | |
Mr Shine! Mr Shine! | 0:32:05 | 0:32:07 | |
Mr Shine! | 0:32:07 | 0:32:08 | |
-Somebody! Help! Help! -No. No, no. No. | 0:32:08 | 0:32:12 | |
Forgive me. Forgive me, Miss Reid. | 0:32:14 | 0:32:17 | |
My intention was not to... | 0:32:18 | 0:32:20 | |
Dear girl. | 0:32:22 | 0:32:25 | |
Your father will find his peace. I will make sure of it. | 0:32:25 | 0:32:29 | |
Before it is done... | 0:32:29 | 0:32:31 | |
..take yourself from this place. | 0:32:32 | 0:32:35 | |
Hear me. | 0:32:36 | 0:32:38 | |
Good day, Miss Reid. | 0:32:38 | 0:32:40 | |
Drum. | 0:32:52 | 0:32:55 | |
What are you doing home so early? | 0:32:55 | 0:32:57 | |
I saw Mr Shine on Princelet Street. | 0:32:59 | 0:33:01 | |
He was behaving very strangely. | 0:33:01 | 0:33:03 | |
Tilda, I, er... | 0:33:03 | 0:33:05 | |
Could we sit? | 0:33:06 | 0:33:08 | |
But the longer he's out there on the run, | 0:33:13 | 0:33:16 | |
he just makes things worse for himself. | 0:33:16 | 0:33:19 | |
Maybe...if he turned himself in, | 0:33:19 | 0:33:22 | |
or else we could find him, bring him in, | 0:33:22 | 0:33:24 | |
he would have a fair hearing, a chance to present himself... | 0:33:24 | 0:33:28 | |
..and, er... | 0:33:30 | 0:33:32 | |
..and all you would need to do... | 0:33:33 | 0:33:35 | |
..is light your candle. | 0:33:37 | 0:33:39 | |
-I cannot, Drum. -But, Tilda... | 0:33:39 | 0:33:41 | |
..I would not ask this of you, except I... | 0:33:43 | 0:33:46 | |
Drum. | 0:33:46 | 0:33:47 | |
He is my father. | 0:33:47 | 0:33:49 | |
I know it is difficult, but I cannot do this. | 0:33:49 | 0:33:54 | |
I understand, my love. | 0:33:57 | 0:34:00 | |
Forgive me. | 0:34:05 | 0:34:07 | |
We're 30 yards from the bend. | 0:34:14 | 0:34:16 | |
The flow should be at its slowest on this side. | 0:34:16 | 0:34:20 | |
The Sumner man will be the heavier of the two. | 0:34:22 | 0:34:25 | |
Body should wash up near this bank. | 0:34:25 | 0:34:28 | |
But she will not, see. | 0:34:49 | 0:34:51 | |
Says she cannot. | 0:34:51 | 0:34:52 | |
And I, er...I would value your advice, is all, Mr Dove. | 0:34:53 | 0:34:58 | |
My advice on questioning an order from your direct superior? | 0:35:00 | 0:35:04 | |
I'm not accusing you of insubordination, Inspector Drummond. | 0:35:09 | 0:35:12 | |
Reid's apprehension remains the chief concern of H Division. | 0:35:12 | 0:35:16 | |
Whatever policing you must do to that end, | 0:35:16 | 0:35:18 | |
you may be sure it is for the good, | 0:35:18 | 0:35:21 | |
and also, above all, think of your future with Miss Reid, | 0:35:21 | 0:35:25 | |
the life you would build for her. | 0:35:25 | 0:35:28 | |
How may that begin, | 0:35:28 | 0:35:30 | |
when she must live under the shadow of her renegade father? | 0:35:30 | 0:35:34 | |
GLASSES CLINK | 0:35:39 | 0:35:41 | |
Reid, over here. | 0:35:53 | 0:35:55 | |
For...for the boy... | 0:36:33 | 0:36:35 | |
..for the boy to be here, | 0:36:36 | 0:36:39 | |
to have washed up thus, er... | 0:36:39 | 0:36:41 | |
..for him to have got to the marshes so fast, we can recalculate. | 0:36:43 | 0:36:47 | |
-What? -For him to have reached the marshes so fast, | 0:36:47 | 0:36:51 | |
we can work out where the body was dropped. | 0:36:51 | 0:36:53 | |
-Reid, Reid... -We can recalculate. | 0:36:53 | 0:36:55 | |
You don't even see it, do you? | 0:36:55 | 0:36:57 | |
Look at him. | 0:36:57 | 0:36:59 | |
Look at him! | 0:36:59 | 0:37:01 | |
Goddamn it, look at him! He's a child. | 0:37:01 | 0:37:04 | |
This is how far he'll go. This is what he does. | 0:37:04 | 0:37:06 | |
My son is in that house right now. | 0:37:06 | 0:37:08 | |
It's over. | 0:37:08 | 0:37:11 | |
-It's over. -No, no, no, no, no. | 0:37:11 | 0:37:14 | |
You stay. You stay. You stay. | 0:37:14 | 0:37:17 | |
Stay. | 0:37:17 | 0:37:18 | |
You stay. We have a clue. We have a fresh clue. | 0:37:20 | 0:37:23 | |
GUN COCKS | 0:37:23 | 0:37:26 | |
We got nothing, Reid. | 0:37:26 | 0:37:28 | |
Nothing. | 0:37:28 | 0:37:30 | |
Goddamn you for ever, coming back to Whitechapel. | 0:37:37 | 0:37:41 | |
You think I'm going to let my son, my wife, | 0:37:41 | 0:37:44 | |
fall under the hooves of your crusade? | 0:37:44 | 0:37:47 | |
Where are you going? | 0:37:47 | 0:37:48 | |
-Where? -I can't look at him. | 0:37:50 | 0:37:52 | |
Or you. | 0:37:53 | 0:37:55 | |
Jackson. Jackson, the boy. | 0:37:55 | 0:37:57 | |
The boy! | 0:37:57 | 0:37:59 | |
Just throw him back in the water. | 0:38:01 | 0:38:03 | |
Let the ocean take him. | 0:38:05 | 0:38:07 | |
It's coming for all of us. | 0:38:08 | 0:38:10 | |
I will not see your memory washed away, Robin Sumner. | 0:38:35 | 0:38:39 | |
Caitlin! | 0:38:41 | 0:38:43 | |
Matthew? What? | 0:38:43 | 0:38:44 | |
The boy, er... | 0:38:45 | 0:38:47 | |
Caitlin. | 0:38:48 | 0:38:49 | |
Robin, he, er... | 0:38:52 | 0:38:54 | |
We found him. | 0:38:57 | 0:38:59 | |
It was Dove. | 0:38:59 | 0:39:01 | |
He killed him. | 0:39:01 | 0:39:03 | |
Listen to me. | 0:39:03 | 0:39:05 | |
We're taking Connor | 0:39:06 | 0:39:08 | |
and we're getting out of this goddamn hellhole. | 0:39:08 | 0:39:10 | |
-How, Matthew? -I don't care how. | 0:39:10 | 0:39:12 | |
But I'm taking our son and, by God, I'll see him safe. | 0:39:12 | 0:39:16 | |
-Are you with me? -Matthew, I... -Are you with me? | 0:39:17 | 0:39:20 | |
I am with you. | 0:39:23 | 0:39:26 | |
Always. | 0:39:26 | 0:39:27 | |
HE SOBS | 0:39:32 | 0:39:34 | |
At fresh light, we're out of here. | 0:39:37 | 0:39:40 | |
We'll get our boy, and Reid can go to hell. | 0:39:40 | 0:39:43 | |
Oh, Mathilda. | 0:40:04 | 0:40:06 | |
DOOR CREAKS | 0:40:48 | 0:40:50 | |
DOOR SHUTS | 0:40:52 | 0:40:54 | |
I told Caitlin to get some sleep... | 0:41:22 | 0:41:24 | |
..cos we're getting out... | 0:41:28 | 0:41:30 | |
with Connor. | 0:41:30 | 0:41:32 | |
I know you want Dove. I know you want justice for... | 0:41:39 | 0:41:42 | |
..Drake, for Bloom, for... | 0:41:44 | 0:41:47 | |
..for all of 'em. | 0:41:48 | 0:41:50 | |
But... | 0:41:50 | 0:41:52 | |
..I can't help you no more. | 0:41:55 | 0:41:57 | |
I buried him. | 0:42:02 | 0:42:03 | |
You were right. | 0:42:14 | 0:42:16 | |
It is over. | 0:42:18 | 0:42:19 | |
It is, it's over. | 0:42:21 | 0:42:23 | |
I want to give you some advice. | 0:42:27 | 0:42:29 | |
You get out, also, | 0:42:29 | 0:42:31 | |
and for good. | 0:42:31 | 0:42:33 | |
And you would have me leave my Mathilda here? She lit her candle. | 0:42:35 | 0:42:39 | |
Can you trust her, Reid? | 0:42:39 | 0:42:41 | |
She is my daughter... | 0:42:41 | 0:42:44 | |
..and I must say goodbye. | 0:42:46 | 0:42:48 | |
Your advice, Captain, | 0:42:48 | 0:42:51 | |
was a conclusion I had already reached... | 0:42:51 | 0:42:54 | |
unaided. | 0:42:54 | 0:42:55 | |
We tried. | 0:42:58 | 0:42:59 | |
Didn't we? We... | 0:43:02 | 0:43:04 | |
We can say that at least. | 0:43:04 | 0:43:07 | |
We did. | 0:43:07 | 0:43:09 | |
We did, Captain. | 0:43:11 | 0:43:12 | |
We tried. | 0:43:13 | 0:43:15 | |
That's Connor's room. | 0:43:39 | 0:43:41 | |
CHAIN RATTLES | 0:43:45 | 0:43:47 | |
Caitlin. | 0:44:02 | 0:44:04 | |
Caitlin! | 0:44:05 | 0:44:06 | |
Chudleigh, right? | 0:44:09 | 0:44:11 | |
-Get out of our way. -BELL TINKLES | 0:44:11 | 0:44:13 | |
BELL TINKLES | 0:44:15 | 0:44:17 | |
Take them now. | 0:44:17 | 0:44:19 | |
Not today, boys. | 0:44:19 | 0:44:21 | |
Ah! | 0:44:21 | 0:44:22 | |
Connor. | 0:44:23 | 0:44:25 | |
Gustus! | 0:44:28 | 0:44:30 | |
Augustus will hunt you down and grind you for glue. | 0:44:30 | 0:44:34 | |
You ought to know I ain't above shooting a woman. | 0:44:34 | 0:44:37 | |
Nor am I. | 0:44:37 | 0:44:39 | |
Third floor. | 0:44:42 | 0:44:43 | |
GUN COCKS | 0:44:47 | 0:44:49 | |
Miss Susan? | 0:44:51 | 0:44:52 | |
Shoot him. Shoot the son of a bitch, Goddamn it! | 0:44:52 | 0:44:55 | |
-Matthew, he has Connor. -Mama! | 0:44:55 | 0:44:58 | |
Nathaniel, I'm here for my son. | 0:44:58 | 0:45:00 | |
Please, please give him to me. | 0:45:00 | 0:45:03 | |
The pup. | 0:45:03 | 0:45:05 | |
Gustus cares for him now. | 0:45:06 | 0:45:08 | |
I'm pleading with you, Nathaniel. | 0:45:08 | 0:45:11 | |
Give me my son. | 0:45:11 | 0:45:13 | |
Gustus, he'll... | 0:45:13 | 0:45:15 | |
-Miss Susan, I can't... -Your brother is no safe guardian. | 0:45:15 | 0:45:18 | |
He is a killer of boys. | 0:45:18 | 0:45:21 | |
Robin Sumner. Nathaniel, you knew him, did you not? | 0:45:22 | 0:45:26 | |
Robin? | 0:45:26 | 0:45:28 | |
Where is he? | 0:45:30 | 0:45:31 | |
Matthew pulled him from the river last night, | 0:45:31 | 0:45:34 | |
where your brother Augustus put him. | 0:45:34 | 0:45:36 | |
No. | 0:45:36 | 0:45:37 | |
No. Gustus promised me he would not harm him. | 0:45:39 | 0:45:42 | |
Well, that boy's dead... | 0:45:42 | 0:45:44 | |
washed up like garbage in the mud of Goodluck Hope. | 0:45:44 | 0:45:47 | |
It's your piece-of-shit brother killing on account of your killing, | 0:45:47 | 0:45:50 | |
you goddamn animals. | 0:45:50 | 0:45:51 | |
I never meant for...never meant for... | 0:45:51 | 0:45:54 | |
Robin. Robin. | 0:45:56 | 0:45:59 | |
Nathaniel, give me my son. | 0:45:59 | 0:46:01 | |
Mama. | 0:46:06 | 0:46:07 | |
Forgive me, Miss Susan. Forgive me. | 0:46:07 | 0:46:10 | |
He ain't holding Connor now. Step aside, Caitlin. | 0:46:10 | 0:46:14 | |
CONNOR WHIMPERS | 0:46:16 | 0:46:17 | |
HE SOBS | 0:46:17 | 0:46:19 | |
Please. | 0:46:21 | 0:46:22 | |
Just end...end me! | 0:46:22 | 0:46:25 | |
GUN COCKS | 0:46:25 | 0:46:26 | |
Matthew. Matthew, we have Connor. | 0:46:26 | 0:46:28 | |
Please, end me. | 0:46:28 | 0:46:31 | |
I beg you. Please. | 0:46:31 | 0:46:33 | |
GUN CLICKS | 0:46:35 | 0:46:36 | |
No, we're leaving. Let's go. | 0:46:36 | 0:46:39 | |
HE SOBS | 0:46:42 | 0:46:44 | |
WHEEZING | 0:46:46 | 0:46:48 | |
Such food for thought, Mr Dove. | 0:46:48 | 0:46:51 | |
Proud words, proud and noble. | 0:46:51 | 0:46:54 | |
This morning, then, you will have him? | 0:46:55 | 0:46:59 | |
That I will. | 0:46:59 | 0:47:00 | |
He will bow to me. Edmund Reid will kneel. | 0:47:00 | 0:47:03 | |
I will wait upon it, Inspector. | 0:47:03 | 0:47:06 | |
Your work has been... | 0:47:07 | 0:47:09 | |
exemplary. | 0:47:09 | 0:47:11 | |
Lady Justice, Mr Dove, | 0:47:11 | 0:47:14 | |
holds us both close to her righteous tit, does she not? | 0:47:14 | 0:47:18 | |
FOOTSTEPS APPROACH | 0:47:51 | 0:47:53 | |
Mathilda? WHISTLE BLOWS | 0:47:53 | 0:47:55 | |
Oh, no. | 0:47:55 | 0:47:57 | |
WHISTLE BLOWS | 0:47:57 | 0:48:00 | |
Mr Reid! | 0:48:00 | 0:48:02 | |
You cannot run no more. | 0:48:02 | 0:48:04 | |
There are 20 constables, both ends of this alley. | 0:48:07 | 0:48:11 | |
Will you come peaceful with me? | 0:48:13 | 0:48:15 | |
Mathilda? | 0:48:18 | 0:48:20 | |
It's better you come quiet, sir. | 0:48:24 | 0:48:27 | |
Drummond, I, er... | 0:48:40 | 0:48:41 | |
Will you tell her I understand? | 0:48:44 | 0:48:47 | |
And that I love her. | 0:48:48 | 0:48:51 | |
To remember that of me, if naught else. | 0:48:53 | 0:48:55 | |
-DOVE: -I write of that which all of us who police this great city | 0:49:01 | 0:49:04 | |
hold dearest to our hearts. | 0:49:04 | 0:49:06 | |
I write of justice. | 0:49:06 | 0:49:08 | |
We, all of us, stand today on the cusp of a glorious new age. | 0:49:08 | 0:49:12 | |
CLOCK CHIMES | 0:49:12 | 0:49:13 | |
A locomotive carving steadfast and sure towards our fabulous future, | 0:49:13 | 0:49:19 | |
the future we have dared to dream. | 0:49:19 | 0:49:22 | |
And what a future it shall be! | 0:49:24 | 0:49:26 | |
The brave and glittering century which awaits us | 0:49:26 | 0:49:28 | |
fills me only with hope, | 0:49:28 | 0:49:31 | |
hope that with ever more sophisticated policing... | 0:49:31 | 0:49:34 | |
CLOCK CHIMES | 0:49:34 | 0:49:35 | |
..we may, in the coming decades, eradicate crime altogether. | 0:49:35 | 0:49:41 | |
CLOCK CHIMES | 0:49:42 | 0:49:45 | |
Naught so kind as kin, | 0:49:49 | 0:49:52 | |
is there? | 0:49:52 | 0:49:53 | |
Good work, Inspector Drummond. | 0:49:54 | 0:49:56 | |
HE WHEEZES | 0:49:57 | 0:49:59 | |
You are caught, Edmund. | 0:50:03 | 0:50:05 | |
You are out-coppered. | 0:50:06 | 0:50:08 | |
Will you kneel to me as my prisoner? | 0:50:10 | 0:50:12 | |
He will not kneel! | 0:50:19 | 0:50:21 | |
PEOPLE SHOUT | 0:50:21 | 0:50:23 | |
This savage and inhuman outlaw | 0:50:23 | 0:50:26 | |
still thinks himself a man of stature. | 0:50:26 | 0:50:29 | |
Well, now... | 0:50:31 | 0:50:32 | |
..them shackles are unbecoming for a man of stature. | 0:50:34 | 0:50:37 | |
Take 'em off. | 0:50:39 | 0:50:41 | |
I said, | 0:50:43 | 0:50:45 | |
take 'em off. | 0:50:45 | 0:50:47 | |
HE SIGHS | 0:50:52 | 0:50:55 | |
No, Jedediah. | 0:50:56 | 0:50:58 | |
At long last, | 0:50:58 | 0:51:00 | |
Edmund Reid must fight his own cowardly corner. | 0:51:00 | 0:51:02 | |
I will not fight you. | 0:51:02 | 0:51:05 | |
Then this, brother, | 0:51:11 | 0:51:13 | |
will sting something fierce. | 0:51:13 | 0:51:16 | |
PEOPLE GASP | 0:51:16 | 0:51:18 | |
Steady Ed ain't so steady now. | 0:51:21 | 0:51:24 | |
-Get him, Ed. -And another! Harder! | 0:51:31 | 0:51:35 | |
Fight, Edmund. | 0:51:35 | 0:51:36 | |
PEOPLE SHOUT | 0:51:38 | 0:51:40 | |
These men will not intervene. | 0:51:40 | 0:51:42 | |
PEOPLE SHOUT | 0:51:51 | 0:51:52 | |
Go on! Go on, Mr Reid! | 0:51:56 | 0:51:59 | |
Get him, Mr Reid! We believe in you! | 0:51:59 | 0:52:01 | |
-DOVE: -We may come to know the 20th century as the great era of peace... | 0:52:01 | 0:52:05 | |
Well, now. | 0:52:05 | 0:52:07 | |
Let us parley. | 0:52:07 | 0:52:08 | |
..and at last know an age of true harmony between men. | 0:52:10 | 0:52:15 | |
PEOPLE SHOUT | 0:52:17 | 0:52:19 | |
I will... | 0:52:26 | 0:52:28 | |
end you. | 0:52:28 | 0:52:30 | |
HE GRUNTS | 0:52:33 | 0:52:35 | |
Father! | 0:52:35 | 0:52:37 | |
HE SCREAMS | 0:52:39 | 0:52:42 | |
No! | 0:52:53 | 0:52:54 | |
SHE SOBS | 0:52:56 | 0:52:58 | |
Please, Mr Shine. | 0:52:58 | 0:53:01 | |
He is my father. | 0:53:01 | 0:53:02 | |
Get her away from here. | 0:53:04 | 0:53:06 | |
SHE SOBS | 0:53:06 | 0:53:07 | |
Get her away from here. | 0:53:07 | 0:53:09 | |
Mathilda. | 0:53:09 | 0:53:10 | |
Mathilda... | 0:53:13 | 0:53:15 | |
We had to catch him. | 0:53:16 | 0:53:18 | |
I will never forgive you! | 0:53:19 | 0:53:20 | |
SHINE PANTS | 0:53:32 | 0:53:35 | |
CROWD MURMURS | 0:53:35 | 0:53:37 | |
REID GROANS | 0:53:45 | 0:53:46 | |
REID GROANS | 0:53:49 | 0:53:52 | |
Behold him! | 0:53:53 | 0:53:55 | |
CROWD MURMURS | 0:53:55 | 0:53:56 | |
Behold him! | 0:53:57 | 0:53:59 | |
Look upon your Edmund Reid! | 0:54:00 | 0:54:03 | |
Look upon him! | 0:54:06 | 0:54:08 | |
REID GROANS | 0:54:08 | 0:54:10 | |
He is fallen. | 0:54:12 | 0:54:14 | |
He is fallen. | 0:54:17 | 0:54:19 | |
See him... | 0:54:20 | 0:54:21 | |
..kneel now | 0:54:23 | 0:54:25 | |
before the justice | 0:54:25 | 0:54:27 | |
of Jedediah Shine. | 0:54:27 | 0:54:29 | |
REID GASPS | 0:54:29 | 0:54:31 | |
SHINE SIGHS | 0:54:31 | 0:54:34 | |
You will know it, Edmund. | 0:54:36 | 0:54:38 | |
HE LAUGHS | 0:54:39 | 0:54:41 | |
At last, | 0:54:41 | 0:54:43 | |
you WILL know it. | 0:54:43 | 0:54:45 | |
What it means to have | 0:54:48 | 0:54:50 | |
all you are snatched from you... | 0:54:50 | 0:54:54 | |
..to be a half-man | 0:54:55 | 0:54:57 | |
in a half-life | 0:54:57 | 0:55:00 | |
with naught in your black heart... | 0:55:00 | 0:55:03 | |
HE SOBS | 0:55:03 | 0:55:06 | |
..but hate. | 0:55:06 | 0:55:07 | |
Hate. | 0:55:08 | 0:55:10 | |
SHINE SOBS | 0:55:10 | 0:55:13 | |
I have dreamed of this. | 0:55:22 | 0:55:24 | |
RINGING IN HIS HEAD | 0:55:29 | 0:55:31 | |
HE SIGHS | 0:55:34 | 0:55:36 | |
Put him in irons. | 0:55:38 | 0:55:40 | |
I'm finished. | 0:55:44 | 0:55:46 | |
Finished. | 0:55:48 | 0:55:49 | |
RINGING IN HIS HEAD | 0:56:17 | 0:56:20 | |
HE GROANS | 0:56:20 | 0:56:21 | |
No. No more. | 0:56:26 | 0:56:29 | |
No more, no more. | 0:56:29 | 0:56:31 | |
No more! | 0:56:32 | 0:56:34 | |
HE GRUNTS | 0:56:34 | 0:56:36 | |
HE GASPS | 0:56:39 | 0:56:41 | |
HE CHUCKLES | 0:56:41 | 0:56:43 | |
I am... | 0:56:43 | 0:56:45 | |
my own master. | 0:56:45 | 0:56:46 | |
Ain't no man... | 0:56:49 | 0:56:51 | |
brings down Jedediah Shine... | 0:56:51 | 0:56:53 | |
..except Jedediah Shine. | 0:56:55 | 0:56:57 | |
I'm done with dreaming. | 0:56:59 | 0:57:01 | |
HE GASPS | 0:57:01 | 0:57:03 | |
FOOTSTEPS APPROACH | 0:57:26 | 0:57:28 | |
Mr Reid? What must we do next? | 0:58:07 | 0:58:09 | |
The dead can always speak. | 0:58:09 | 0:58:11 | |
-Order! -You would send one of your own to the rope? -We would. | 0:58:11 | 0:58:13 | |
I made the promise. Does he not merit intervention? | 0:58:13 | 0:58:17 | |
I have a plan. | 0:58:17 | 0:58:18 | |
Forget your hopes. Whitechapel is coming for you. | 0:58:21 | 0:58:24 |