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The Dreaming Dead

Thriller set during the Victorian era. Thatcher discovers a fresh lead of a double murder committed by Nathaniel, giving Reid cause for hope.


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This programme contains prolonged violent scenes.

0:00:020:00:07

-REID: The mother's name was the word he used for Dove.

-Guluba.

0:00:070:00:10

-DOVE:

-As I understand it,

0:00:100:00:12

the doctors have passed you fit, Inspector?

0:00:120:00:14

I will be a father to you.

0:00:140:00:15

There are Westminster police on guard day and night.

0:00:150:00:18

The house, entrances, bedchambers of the occupants.

0:00:180:00:23

-PRUDENCE:

-I do not see an animal, Nathaniel.

0:00:230:00:25

-It ain't right!

-No!

0:00:250:00:27

SCREAMING

0:00:290:00:30

I beg you. Shut...shut... Stop it! BONE CRUNCHES

0:00:300:00:33

Robin? Robin.

0:00:360:00:38

Miss Chudleigh!

0:00:400:00:43

Windows to the soul, they say. You spy the semblance of one?

0:00:470:00:52

It is the inter-cranial pressure.

0:00:530:00:55

You have told me this before.

0:00:550:00:57

The hurt of it, however, daily more savage.

0:00:570:01:00

The pressure is increasing rapidly.

0:01:000:01:03

And?

0:01:030:01:05

Given the inefficacy of my treatments, it's...

0:01:050:01:09

most likely glioma.

0:01:090:01:12

-English.

-Oh...

0:01:120:01:14

Tumour.

0:01:140:01:16

Perhaps from...

0:01:180:01:20

You did mention historic trauma to the head?

0:01:200:01:23

Yeah, took a proper stoving in the ring, all right,

0:01:230:01:28

from the very man who used to hold this office,

0:01:280:01:30

rest his chewed old soul.

0:01:300:01:32

Back then, one of you sawbones said these eyes had gone.

0:01:320:01:36

But Jedediah Shine don't wink out so easy.

0:01:360:01:39

I see you, and I'll see you wrong as he.

0:01:400:01:44

Inspector Shine,

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there is not a doctor in this land who could diagnose definitively.

0:01:460:01:50

RINGING IN HIS HEAD

0:01:500:01:51

Even then,

0:01:510:01:53

there lacks...

0:01:530:01:55

a medicine for glioma.

0:01:550:01:58

I can increase the concentration of your morphine.

0:01:580:02:02

Measure carefully.

0:02:050:02:06

At this concentration,

0:02:060:02:08

so much as half a phial could see three men never wake again.

0:02:080:02:12

More coca also. I cannot afford my wits dulled.

0:02:120:02:14

One tabloid per dose.

0:02:140:02:17

On no account exceed this.

0:02:170:02:19

A man with a crutch may yet walk an endless mile.

0:02:200:02:23

Inspector Shine, I must warn you, the swelling,

0:02:230:02:27

your prognosis...

0:02:270:02:29

Your brain is crushing itself against your skull...

0:02:310:02:35

..and given the increase in your agonies...

0:02:360:02:38

..a catastrophe is by no means distant.

0:02:400:02:43

You are saying that I, Jedediah Shine, am on his last rounds?

0:02:530:02:59

I begin to consider it a medical miracle you've survived this long.

0:02:590:03:02

Ain't no miracles left in this world, Doctor.

0:03:060:03:09

All a man needs...

0:03:110:03:14

is something to live for.

0:03:140:03:16

Fresh blooms for you, sir?

0:03:550:03:57

-For you, sir?

-No, thank you.

0:03:570:04:00

HAWKERS SHOUT

0:04:000:04:02

Oi. The Sumner fish stall. There's no Sumners and no fishes. What...

0:04:060:04:10

Oi. Copper.

0:04:100:04:11

What's afoot, then?

0:04:160:04:17

I found him cowering behind the meat wagons.

0:04:170:04:20

Robin, what happened?

0:04:220:04:25

Mr Thatcher.

0:04:250:04:26

Says they were slain.

0:04:260:04:28

Mama.

0:04:280:04:31

-HE SNIFFS

-Uncle Caleb. Nathaniel.

0:04:310:04:34

Uncle Caleb's neck.

0:04:340:04:36

HE SNIFFS

0:04:360:04:37

He looked like an animal.

0:04:370:04:39

He...

0:04:390:04:41

ate his throat.

0:04:410:04:43

About your business now.

0:04:460:04:48

I'll take care of the lad.

0:04:490:04:51

Robin Sumner. Hey, look at me.

0:04:530:04:55

You trust me, don't you?

0:04:550:04:57

You come with me now.

0:04:570:05:00

I'll see you safe.

0:05:000:05:02

You come with me.

0:05:020:05:04

Come on.

0:05:060:05:08

Oi, come! Look, look! That's the Sumner boy there.

0:05:080:05:11

So, you saw it? You saw the man Nathaniel?

0:05:110:05:13

It's all right, Robin. They're friends.

0:05:130:05:15

-Mr Reid, sir...

-You tell me, Robin. Where? Where?!

0:05:150:05:18

-Will you tell me, boy? Where?

-Back off, Reid.

0:05:180:05:20

Can't you tell that boy is shit scared?

0:05:200:05:23

It's all right, son. It's all right.

0:05:230:05:26

You get the hell out of here, for Christ sake.

0:05:260:05:28

Mr Reid, leave us, please.

0:05:280:05:30

You just drink this up, little man.

0:05:390:05:42

That's good medicine.

0:05:430:05:44

There you go.

0:05:460:05:48

Good boy.

0:05:480:05:50

What the hell are you wearing?

0:05:500:05:52

Did you get demoted?

0:05:530:05:56

Don't ask.

0:05:560:05:57

Jesus Christ.

0:05:570:05:58

Here. I hope this is adequate.

0:06:000:06:03

Oh, you must be starved, young one.

0:06:030:06:06

We're going to fill your belly, get you cleaned up real good,

0:06:060:06:10

and then I'm going to see if I've got a shirt

0:06:100:06:12

that fits a strong young soldier.

0:06:120:06:15

The boy is fed and watered, at least.

0:06:250:06:28

I have left him in more capable hands.

0:06:280:06:31

His terrors. I should not have shouted at him.

0:06:310:06:34

You, Miss Morton, may be a stranger to fearful children.

0:06:340:06:36

I, alas, ought to have the benefit of experience.

0:06:360:06:40

I would not know where to begin, Mr Reid.

0:06:410:06:44

It is strange to see the captain thus...

0:06:490:06:51

..a man so given to degenerate proclivities and carnal oblivion.

0:06:530:06:57

To see him thus, how?

0:06:570:06:59

I suppose...

0:07:010:07:03

fatherly.

0:07:030:07:05

He told us where it happened

0:07:070:07:09

and, better than that, where Nathaniel's holed up.

0:07:090:07:12

Reid. Reid, it is broad daylight.

0:07:170:07:20

-Then we move fast.

-We can't just...

0:07:200:07:21

Have we not waited here long enough for the merest thread to follow?

0:07:210:07:24

We know where he lives. We find him, we get to Dove.

0:07:240:07:27

We find the bodies, we get to Dove. You, wait here, keep the boy safe.

0:07:270:07:30

We go now!

0:07:300:07:32

It's Edmund Reid! Get him! It's Edmund Reid!

0:07:350:07:39

GUN COCKS

0:07:390:07:41

It ain't worth it, friend.

0:07:410:07:43

Now, Frank, everyone in the market saw you with him.

0:07:470:07:50

What do you mean, he ran away?

0:07:500:07:51

The boy was as jumpy as a buggered fox, Drum.

0:07:510:07:53

What rumpus now with you two pansy-flaps?

0:07:530:07:55

Frank here campaigns to trade his helmet for a dunce cap.

0:07:550:07:58

I do not expect to repeat my questions, Drummond.

0:07:580:08:00

I passed by Spitalfields, sir. All the talk is,

0:08:000:08:04

a pair of fish sellers, usually at market, were missing this day.

0:08:040:08:07

Only their boy, see, he turns up, full hysterics,

0:08:070:08:09

says he seen his ma and uncle killed.

0:08:090:08:11

He says the killer, he used his teeth.

0:08:110:08:14

-Teeth?

-Ripped the neck out, as I heard.

0:08:140:08:16

-Where this lad now?

-Where indeed, sir?

0:08:160:08:20

Frank had him and Frank lost him.

0:08:200:08:22

The boy was... He made off before I could...

0:08:220:08:26

-Bested by a woe-struck nipper.

-My apologies, Inspector.

0:08:260:08:29

-Inspector, should I wire J Division?

-Why would you do that?

0:08:290:08:32

The Sumners, the fish sellers, that is, they wasn't Whitechapel.

0:08:320:08:35

They lived Hackney way, J Division turf.

0:08:350:08:37

They worked Whitechapel Market. Makes this Whitechapel business.

0:08:370:08:40

LOCK CLICKS

0:08:530:08:55

I've brought you breakfast.

0:09:040:09:06

Eat, Nathaniel.

0:09:090:09:11

You will not heal.

0:09:120:09:14

Gustus.

0:09:150:09:17

The pup.

0:09:200:09:21

Robin.

0:09:220:09:24

Let us hope he ran far, shall we?

0:09:260:09:28

And does not stop his running.

0:09:280:09:31

But if he is found...

0:09:320:09:34

..and if he should speak of me...

0:09:350:09:37

..say you will not hurt him.

0:09:380:09:41

No more, Gustus.

0:09:420:09:45

I cannot bear no more.

0:09:460:09:49

The pup.

0:09:490:09:51

He is no more than that.

0:09:510:09:53

Even if he spoke of aught...

0:09:550:09:58

..found the ears of strangers,

0:09:590:10:01

who would listen to a child's hysterics?

0:10:010:10:04

DOOR BANGS

0:10:240:10:27

WATER DRIPS

0:10:270:10:30

Clean.

0:10:370:10:38

Nothing.

0:10:450:10:47

That's the point, Reid. Nobody's place is this goddamn clean.

0:10:470:10:51

No dust, no dirt. These walls...

0:10:510:10:53

Huh! These walls, the plaster's still damp.

0:10:540:10:57

It's been scrubbed.

0:10:570:11:00

The entire place has been scoured.

0:11:000:11:02

By Dove, I have no doubt.

0:11:020:11:04

-HE SNIFFS

-Whoa. Christ.

0:11:050:11:09

HE SNIFFS

0:11:090:11:10

Sodium hydroxide.

0:11:190:11:20

It's for cleaning, say, blood and death off your walls.

0:11:200:11:24

Look at...

0:11:290:11:30

Something was there. A rug.

0:11:310:11:34

Two bodies in a rug, huh?

0:11:340:11:37

There were wheels here.

0:11:540:11:56

A cart. Hoof tracks.

0:11:560:11:59

Usually headed in that direction.

0:12:000:12:02

Horse hair. And see how those stems are broke back?

0:12:020:12:06

Horse and cart went here, a different way.

0:12:060:12:10

No tracks.

0:12:100:12:12

On account that somebody went to the trouble of clearing them.

0:12:120:12:15

HE GRUNTS

0:12:330:12:35

-Kerosene.

-All right, so, he does his housework,

0:12:390:12:42

rolls the bodies into the rug,

0:12:420:12:44

puts them in the cart, wheels it down to the water.

0:12:440:12:47

And he dumps the Sumners in the river.

0:12:470:12:49

He burns the cart...

0:12:490:12:51

..covers his tracks.

0:12:520:12:53

-But he would have weighed the bodies.

-Already on it, Reid.

0:12:530:12:57

My guess is, he probably weighed 'em down

0:13:010:13:03

just enough to let the current take them...all the way to the ocean.

0:13:030:13:06

If we can intercept the bodies, if we can recover them,

0:13:060:13:09

then we have proof of Nathaniel's murder, and Robin as witness.

0:13:090:13:12

Reid, if Abel Croker taught his boys one thing,

0:13:120:13:14

it's how to dump a body in the river.

0:13:140:13:16

In the River Thames, not the River Lea.

0:13:160:13:18

The Thames is over 300 feet wide but the Lea is a tributary.

0:13:180:13:21

It dwindles and meanders.

0:13:210:13:22

With a map of its course gradients and tide times...

0:13:220:13:25

-WHEELS CLATTER

-Reid, shut up.

0:13:250:13:27

That's a hansom.

0:13:300:13:32

HE CRUNCHES

0:13:380:13:40

This place just got cleaned.

0:13:480:13:50

GUN COCKS

0:13:500:13:52

Be a shame to spray your brains all over it.

0:13:530:13:56

SHINE SCREAMS

0:14:040:14:05

HE PANTS

0:14:100:14:12

Hello, Jedediah.

0:14:160:14:18

Just like you, Edmund, have your chump at the dirty work.

0:14:190:14:24

-Morphine.

-For you to require this, your pain must be considerable.

0:14:320:14:37

For why are you here?

0:14:390:14:41

All right, all right, let's parley. Parley.

0:14:470:14:51

Let us parley.

0:14:510:14:53

Answer me.

0:14:550:14:56

Heard rumblings that this here may be a murder scene.

0:14:560:14:59

I thought you might have heard them likewise.

0:14:590:15:01

So, you come in pursuit of me,

0:15:010:15:03

not to police some vicious slaughter?

0:15:030:15:05

Hackney killers, Edmund, are not my business.

0:15:070:15:10

Whitechapel fugitives, however...

0:15:100:15:12

It was him, Jedediah.

0:15:120:15:14

The murderer who stalked Whitechapel,

0:15:140:15:16

he now stalks these marshes.

0:15:160:15:18

Our mutual friend, Miss Castello,

0:15:200:15:22

took to sharing with me your conjecture

0:15:220:15:25

that the toothsome villain then said to be Abel Croker, deceased,

0:15:250:15:29

is neither Abel Croker nor deceased.

0:15:290:15:31

The brother, she says. The brother of Augustus Dove, she says.

0:15:310:15:36

Miss Castello,

0:15:380:15:41

she proved amenable...

0:15:410:15:42

..give or take,

0:15:430:15:45

to sharing her research, Ed,

0:15:450:15:48

research which I now have in my possession.

0:15:480:15:50

Yes.

0:15:520:15:54

I seen what you seen.

0:15:540:15:56

The boys.

0:15:570:15:59

The Jews.

0:15:590:16:01

The wolves.

0:16:010:16:03

Then you know it's the goddamn truth.

0:16:030:16:06

-We've seen that brother.

-His name is Nathaniel.

0:16:070:16:10

Every killing ascribed to Abel Croker, he performed.

0:16:100:16:13

He tore apart Bennet Drake.

0:16:150:16:16

Augustus Dove used Croker to protect his brother,

0:16:160:16:21

as he now uses you to prevent me from exposing him.

0:16:210:16:25

You are not appointed, Jedediah, for your able policing,

0:16:260:16:30

but because you are so easily made marionette,

0:16:300:16:32

dancing to your master's fingers.

0:16:320:16:36

Augustus Dove will fall.

0:16:360:16:38

I will serve justice on him and his brother

0:16:380:16:41

and I only tell you this so that you might stay out of my way.

0:16:410:16:46

Understand that my contempt for you is beyond limit...

0:16:470:16:52

..but my fight is not with you.

0:16:530:16:55

Have your cunny chaser pull his trigger now, Reid.

0:16:580:17:01

-HE SNIFFS

-You will not find another chance.

0:17:010:17:04

GUN COCKS

0:17:040:17:05

I ain't of a mind to argue with it.

0:17:050:17:07

Pull the trigger, Reid.

0:17:070:17:09

I hope you have more of this about you, Jedediah.

0:17:130:17:15

It's a long walk back to Whitechapel.

0:17:150:17:17

GUN CLICKS

0:17:190:17:21

CHAINS CLINK

0:17:240:17:25

KETTLE WHISTLES

0:17:250:17:27

How long will he sleep?

0:17:510:17:54

I cannot say whether his exhaustion or his terror is more powerful.

0:17:540:17:58

Oh.

0:18:000:18:02

Your way with the boy is...

0:18:020:18:05

so tender.

0:18:050:18:06

Motherhood changes you...

0:18:090:18:10

..as you will learn, I'm sure, Miss Morton.

0:18:120:18:14

Years ago, when the captain told me he was leaving me and choosing you,

0:18:160:18:20

I told him he was choosing his past over his future.

0:18:200:18:24

But I was wrong.

0:18:250:18:27

I was so...

0:18:280:18:31

extraordinarily wrong...

0:18:310:18:32

..because...

0:18:340:18:35

..you and he grow together,

0:18:360:18:39

with a love inviolable...

0:18:390:18:42

..and I...I do not.

0:18:430:18:46

But there is one thing of which I am certain.

0:18:470:18:51

Your son will always be...

0:18:510:18:55

fortunate indeed

0:18:550:18:57

to have you as his parents.

0:18:570:18:59

SHE SNIFFS

0:19:020:19:04

I, um...I should check on Robin.

0:19:090:19:12

Robin, I thought you might like...

0:19:220:19:24

Robin? Robin?

0:19:280:19:30

Your visitor, Mr Dove, has traipsed his filth.

0:19:420:19:46

My apologies, madam.

0:19:460:19:48

Them marshes are sodden.

0:19:480:19:50

Then again, Mr Dove,

0:19:500:19:53

I gather you have a gift for cleaning.

0:19:530:19:56

CHAINS CLINK

0:19:570:19:59

If you'd be so kind.

0:20:010:20:03

Your latest reflections for the Police Gazette, is it?

0:20:190:20:22

What is the meaning of this?

0:20:220:20:24

Last I was here,

0:20:250:20:27

I asked if you knew aught of Edmund Reid's hypothesising...

0:20:270:20:32

..vis-a-vis the infamous cannibal golem of Whitechapel.

0:20:340:20:41

-And I told you I did not.

-So I recall.

0:20:410:20:44

But you see, Mr Dove, now I do know Edmund Reid's hypothesising,

0:20:440:20:47

-because Edmund Reid told me.

-You...

0:20:470:20:50

..you found Reid?

0:20:510:20:53

-Where is he?

-You see,

0:20:530:20:55

Reid is not currently the matter critical, Mr Dove.

0:20:550:20:59

Your brother...

0:21:040:21:06

..Nathaniel, he is the matter most currently critical.

0:21:070:21:11

You're mistaken. I have...I have no brother.

0:21:110:21:14

There is this day a nipper abroad in Whitechapel,

0:21:170:21:22

bawling how his uncle got his throat bit out.

0:21:220:21:25

So I come for a look

0:21:250:21:28

and who should I find doing likewise but Steady Ed and the American?

0:21:280:21:32

And with the luxury of a gun on me, they thought to tell me plenty.

0:21:330:21:38

Reid gave proof to all I'd read in Miss Castello's files.

0:21:380:21:42

Your mother.

0:21:440:21:46

Guluba...

0:21:460:21:48

..means "dove", doesn't it?

0:21:490:21:51

I will not tolerate the deception of no man, Commissioner...

0:21:590:22:03

..not even you.

0:22:050:22:07

My brother is my concern alone.

0:22:160:22:19

No.

0:22:190:22:20

No, he is mine also,

0:22:200:22:22

if he may bait my hook for Edmund Reid.

0:22:220:22:25

There is...

0:22:250:22:27

perhaps...

0:22:270:22:28

another way.

0:22:280:22:30

Reid's daughter.

0:22:330:22:35

Her loyalties have turned against his favour.

0:22:350:22:38

You come by this knowledge how?

0:22:380:22:40

He gave to her a note concerning my brother.

0:22:400:22:43

She and Inspector Drummond thought to pass it to me.

0:22:430:22:47

Mathilda is in contact with her father?

0:22:470:22:51

HE LAUGHS

0:22:530:22:56

And I am being informed of this only now?

0:22:560:22:59

But you are informed of it, nonetheless.

0:22:590:23:02

And with your other recent knowledge concerning my brother,

0:23:020:23:05

you perhaps grasp the fresh urgency of Reid's apprehension.

0:23:050:23:09

Bait the hook.

0:23:090:23:11

Well, Mr Dove...

0:23:180:23:19

..you are as black-hearted a bastard...

0:23:200:23:23

..as ever roamed the lanes of this dread city.

0:23:240:23:27

-Needs must, Inspector.

-When the Devil drives?

0:23:290:23:32

There is no Devil, Inspector Shine.

0:23:330:23:35

Tell that to the fish sellers' boy.

0:23:350:23:38

When Reid is done with...

0:23:400:23:41

..you and I, Commissioner, we shall talk again...

0:23:420:23:45

..on what price your reeking secrets may be worth to you.

0:23:470:23:50

Be assured, sir,

0:24:010:24:02

every man of this division will keep their eyes peeled for him.

0:24:020:24:05

A Hackney boy from the borough I call my home,

0:24:050:24:09

bearing witness to such atrocity,

0:24:090:24:11

running afeared through these cruel streets.

0:24:110:24:13

It sits ill with me, Drummond, most ill.

0:24:130:24:15

I understand, sir.

0:24:150:24:17

J Division territory this may be,

0:24:170:24:18

but you inform me personally should this poor mite be found.

0:24:180:24:22

Yeah, of course, Mr Dove.

0:24:220:24:24

Of course.

0:24:240:24:25

-How could you?!

-Jesus Christ, Caitlin.

0:24:300:24:32

He must have run, and run fast, because he saw this.

0:24:320:24:36

Miss Morton is currently scouring Spitalfields

0:24:370:24:40

-for any sight of him.

-No. No, no, no.

0:24:400:24:43

He may fear us, but he trusts Thatcher.

0:24:430:24:45

-The boy will seek him out.

-What, you're going to the police now?

0:24:450:24:48

No, Thatcher will see him safe. There's work to do.

0:24:480:24:50

We've need of an Ordnance Survey map and the London Shipping Gazette.

0:24:500:24:54

PHONE RINGS Sign your name.

0:24:560:24:57

Just make your mark. You two, you're next!

0:24:570:25:00

Leman Street.

0:25:010:25:02

-No, no.

-Mr Thatcher!

0:25:030:25:06

Jesus Christ. Robin, what are you doing? You were to stay.

0:25:070:25:11

I was afraid. Them people you left me with, they're bad.

0:25:110:25:14

No, I've told you, Robin. They're friends. All right?

0:25:140:25:16

You cannot be here, hey? PHONE RINGS

0:25:160:25:19

Leman Street. On Princelet Street?

0:25:200:25:23

Yeah, we'll send a constable right away.

0:25:230:25:27

Who's this, then?

0:25:270:25:29

Robin, sir.

0:25:320:25:33

Robin? Robin Sumner?

0:25:350:25:37

I'll wire J Division. They've been looking for him all over.

0:25:380:25:40

It's their case now. Come with me, Robin.

0:25:400:25:43

We'll find you a quiet place and a cup of sweet tea.

0:25:430:25:46

You're going to be just fine, son.

0:25:460:25:48

Come on.

0:25:500:25:51

-MAN:

-Sergeant?

0:25:510:25:53

-Sergeant? Sergeant?

-All right, fine. Yeah.

0:25:570:25:59

-Sergeant, I'm in need of assistance.

-Sign it. Right, name?

0:25:590:26:02

Dove puts the bodies in the water here.

0:26:020:26:06

But for them to meet such a flow

0:26:070:26:09

to navigate clear through the Limehouse Cut

0:26:090:26:12

and into the Thames, I mean...

0:26:120:26:14

Now, this stretch here...

0:26:140:26:16

..that's barely five foot to a mile.

0:26:170:26:19

Tide drops, those bodies will wash up for us to find

0:26:190:26:21

before they're carried away again.

0:26:210:26:23

So, anything heavy in the water would most likely be washed aground?

0:26:230:26:26

-Just after this meander.

-Goodluck Hope.

-Goodluck Hope.

0:26:260:26:29

11 tonight, the tide at its lowest.

0:26:390:26:42

After that, the current will wash them away and into the Thames.

0:26:420:26:45

Jackson, we can find them.

0:26:450:26:46

With the Sumner boy missing, the bodies of his mother and uncle

0:26:460:26:49

may be our only incontrovertible evidence of Nathaniel's savagery.

0:26:490:26:53

We can bring Dove down.

0:26:530:26:56

Jackson, are you with me?

0:26:570:26:59

Then I guess we're doing us some night-fishing.

0:27:020:27:05

DOOR OPENS

0:27:080:27:10

J Division? Here's the lad.

0:27:170:27:19

You're going to go with this policeman now, Robin.

0:27:190:27:23

His division are going to take care of you. All right?

0:27:230:27:25

Well, that's one less headache.

0:27:290:27:32

You've been a very brave boy, Robin...

0:27:520:27:55

..but you don't need to be afraid any more.

0:27:590:28:02

Does he, Miss Chudleigh?

0:28:050:28:08

RINGING IN HIS HEAD

0:28:100:28:13

RINGING IN HIS HEAD

0:28:190:28:22

KNOCK AT DOOR

0:28:260:28:27

-You called for me, sir?

-I did.

0:28:300:28:32

I did. Come in, sit.

0:28:340:28:37

I've just handed the boy over to J Division, Inspector.

0:28:370:28:40

Good. Good.

0:28:400:28:43

Now, Inspector Drummond...

0:28:430:28:45

..when you observe these posters,

0:28:460:28:48

plastered around the station house and the streets beyond...

0:28:480:28:52

..what is it you see?

0:28:570:28:58

Sir, is that...blood?

0:28:580:29:01

Let me tell you what I see, a looking glass

0:29:010:29:04

that every day reflects

0:29:040:29:05

the continued inefficacy of this division

0:29:050:29:07

to prosecute justice upon its most hunted fugitives.

0:29:070:29:10

Now, there are some

0:29:100:29:13

might say this shame on us...

0:29:130:29:16

..should be doubled at least,

0:29:170:29:20

given our most recently promoted officer

0:29:200:29:23

is sweetheart to the very daughter of the fugitive-in-chief.

0:29:230:29:26

Sir, now, she...

0:29:260:29:28

I will tell you what she is, your Mathilda Reid.

0:29:280:29:32

She's on the side of goodness...

0:29:320:29:35

..willing to turn against her own pappy out of noble rectitude,

0:29:360:29:39

and you,

0:29:390:29:41

you, Drummond,

0:29:410:29:43

lack even the decency to share such with your constabulary brothers.

0:29:430:29:48

Now, lad...

0:29:500:29:51

..you will tell me about Miss Reid's doings

0:29:520:29:56

with her outlaw old man

0:29:560:29:58

and you will tell me now.

0:29:580:30:00

Now, Drummond!

0:30:040:30:05

There...there is a candle, sir...

0:30:150:30:18

..in the bedroom window.

0:30:190:30:21

Miss Reid?

0:30:360:30:38

Might I have a word?

0:30:380:30:40

Mr Shine, I really must be going.

0:30:400:30:42

A moment is all and no more.

0:30:420:30:45

Last we spoke,

0:30:450:30:46

I pondered we were kin, on account of us both resurrected.

0:30:460:30:50

-Yes, but I...

-Please, Miss Reid,

0:30:500:30:53

I was wrong.

0:30:530:30:55

You are life.

0:30:550:30:57

But I...

0:30:590:31:01

..my kin is your father.

0:31:030:31:05

We, er...who imagined...

0:31:070:31:10

..we saw off death...

0:31:110:31:13

..but there was for us...

0:31:140:31:17

no true resurrection.

0:31:170:31:20

We are the ghouls.

0:31:200:31:22

We...we're bound

0:31:250:31:27

to the reeking purgatory of these streets,

0:31:270:31:30

more...more cursed than the dead,

0:31:300:31:34

who at least know their peace.

0:31:340:31:36

For with us...

0:31:380:31:40

..there lingers like...

0:31:410:31:43

like a whore's perfume,

0:31:430:31:45

the dream of life.

0:31:450:31:48

There...

0:31:520:31:54

HE LAUGHS

0:31:540:31:56

..there is a hell of its very own for the dreaming dead.

0:31:560:31:59

RINGING IN HIS HEAD

0:31:590:32:01

Mr Shine! Mr Shine!

0:32:050:32:07

Mr Shine!

0:32:070:32:08

-Somebody! Help! Help!

-No. No, no. No.

0:32:080:32:12

Forgive me. Forgive me, Miss Reid.

0:32:140:32:17

My intention was not to...

0:32:180:32:20

Dear girl.

0:32:220:32:25

Your father will find his peace. I will make sure of it.

0:32:250:32:29

Before it is done...

0:32:290:32:31

..take yourself from this place.

0:32:320:32:35

Hear me.

0:32:360:32:38

Good day, Miss Reid.

0:32:380:32:40

Drum.

0:32:520:32:55

What are you doing home so early?

0:32:550:32:57

I saw Mr Shine on Princelet Street.

0:32:590:33:01

He was behaving very strangely.

0:33:010:33:03

Tilda, I, er...

0:33:030:33:05

Could we sit?

0:33:060:33:08

But the longer he's out there on the run,

0:33:130:33:16

he just makes things worse for himself.

0:33:160:33:19

Maybe...if he turned himself in,

0:33:190:33:22

or else we could find him, bring him in,

0:33:220:33:24

he would have a fair hearing, a chance to present himself...

0:33:240:33:28

..and, er...

0:33:300:33:32

..and all you would need to do...

0:33:330:33:35

..is light your candle.

0:33:370:33:39

-I cannot, Drum.

-But, Tilda...

0:33:390:33:41

..I would not ask this of you, except I...

0:33:430:33:46

Drum.

0:33:460:33:47

He is my father.

0:33:470:33:49

I know it is difficult, but I cannot do this.

0:33:490:33:54

I understand, my love.

0:33:570:34:00

Forgive me.

0:34:050:34:07

We're 30 yards from the bend.

0:34:140:34:16

The flow should be at its slowest on this side.

0:34:160:34:20

The Sumner man will be the heavier of the two.

0:34:220:34:25

Body should wash up near this bank.

0:34:250:34:28

But she will not, see.

0:34:490:34:51

Says she cannot.

0:34:510:34:52

And I, er...I would value your advice, is all, Mr Dove.

0:34:530:34:58

My advice on questioning an order from your direct superior?

0:35:000:35:04

I'm not accusing you of insubordination, Inspector Drummond.

0:35:090:35:12

Reid's apprehension remains the chief concern of H Division.

0:35:120:35:16

Whatever policing you must do to that end,

0:35:160:35:18

you may be sure it is for the good,

0:35:180:35:21

and also, above all, think of your future with Miss Reid,

0:35:210:35:25

the life you would build for her.

0:35:250:35:28

How may that begin,

0:35:280:35:30

when she must live under the shadow of her renegade father?

0:35:300:35:34

GLASSES CLINK

0:35:390:35:41

Reid, over here.

0:35:530:35:55

For...for the boy...

0:36:330:36:35

..for the boy to be here,

0:36:360:36:39

to have washed up thus, er...

0:36:390:36:41

..for him to have got to the marshes so fast, we can recalculate.

0:36:430:36:47

-What?

-For him to have reached the marshes so fast,

0:36:470:36:51

we can work out where the body was dropped.

0:36:510:36:53

-Reid, Reid...

-We can recalculate.

0:36:530:36:55

You don't even see it, do you?

0:36:550:36:57

Look at him.

0:36:570:36:59

Look at him!

0:36:590:37:01

Goddamn it, look at him! He's a child.

0:37:010:37:04

This is how far he'll go. This is what he does.

0:37:040:37:06

My son is in that house right now.

0:37:060:37:08

It's over.

0:37:080:37:11

-It's over.

-No, no, no, no, no.

0:37:110:37:14

You stay. You stay. You stay.

0:37:140:37:17

Stay.

0:37:170:37:18

You stay. We have a clue. We have a fresh clue.

0:37:200:37:23

GUN COCKS

0:37:230:37:26

We got nothing, Reid.

0:37:260:37:28

Nothing.

0:37:280:37:30

Goddamn you for ever, coming back to Whitechapel.

0:37:370:37:41

You think I'm going to let my son, my wife,

0:37:410:37:44

fall under the hooves of your crusade?

0:37:440:37:47

Where are you going?

0:37:470:37:48

-Where?

-I can't look at him.

0:37:500:37:52

Or you.

0:37:530:37:55

Jackson. Jackson, the boy.

0:37:550:37:57

The boy!

0:37:570:37:59

Just throw him back in the water.

0:38:010:38:03

Let the ocean take him.

0:38:050:38:07

It's coming for all of us.

0:38:080:38:10

I will not see your memory washed away, Robin Sumner.

0:38:350:38:39

Caitlin!

0:38:410:38:43

Matthew? What?

0:38:430:38:44

The boy, er...

0:38:450:38:47

Caitlin.

0:38:480:38:49

Robin, he, er...

0:38:520:38:54

We found him.

0:38:570:38:59

It was Dove.

0:38:590:39:01

He killed him.

0:39:010:39:03

Listen to me.

0:39:030:39:05

We're taking Connor

0:39:060:39:08

and we're getting out of this goddamn hellhole.

0:39:080:39:10

-How, Matthew?

-I don't care how.

0:39:100:39:12

But I'm taking our son and, by God, I'll see him safe.

0:39:120:39:16

-Are you with me?

-Matthew, I...

-Are you with me?

0:39:170:39:20

I am with you.

0:39:230:39:26

Always.

0:39:260:39:27

HE SOBS

0:39:320:39:34

At fresh light, we're out of here.

0:39:370:39:40

We'll get our boy, and Reid can go to hell.

0:39:400:39:43

Oh, Mathilda.

0:40:040:40:06

DOOR CREAKS

0:40:480:40:50

DOOR SHUTS

0:40:520:40:54

I told Caitlin to get some sleep...

0:41:220:41:24

..cos we're getting out...

0:41:280:41:30

with Connor.

0:41:300:41:32

I know you want Dove. I know you want justice for...

0:41:390:41:42

..Drake, for Bloom, for...

0:41:440:41:47

..for all of 'em.

0:41:480:41:50

But...

0:41:500:41:52

..I can't help you no more.

0:41:550:41:57

I buried him.

0:42:020:42:03

You were right.

0:42:140:42:16

It is over.

0:42:180:42:19

It is, it's over.

0:42:210:42:23

I want to give you some advice.

0:42:270:42:29

You get out, also,

0:42:290:42:31

and for good.

0:42:310:42:33

And you would have me leave my Mathilda here? She lit her candle.

0:42:350:42:39

Can you trust her, Reid?

0:42:390:42:41

She is my daughter...

0:42:410:42:44

..and I must say goodbye.

0:42:460:42:48

Your advice, Captain,

0:42:480:42:51

was a conclusion I had already reached...

0:42:510:42:54

unaided.

0:42:540:42:55

We tried.

0:42:580:42:59

Didn't we? We...

0:43:020:43:04

We can say that at least.

0:43:040:43:07

We did.

0:43:070:43:09

We did, Captain.

0:43:110:43:12

We tried.

0:43:130:43:15

That's Connor's room.

0:43:390:43:41

CHAIN RATTLES

0:43:450:43:47

Caitlin.

0:44:020:44:04

Caitlin!

0:44:050:44:06

Chudleigh, right?

0:44:090:44:11

-Get out of our way.

-BELL TINKLES

0:44:110:44:13

BELL TINKLES

0:44:150:44:17

Take them now.

0:44:170:44:19

Not today, boys.

0:44:190:44:21

Ah!

0:44:210:44:22

Connor.

0:44:230:44:25

Gustus!

0:44:280:44:30

Augustus will hunt you down and grind you for glue.

0:44:300:44:34

You ought to know I ain't above shooting a woman.

0:44:340:44:37

Nor am I.

0:44:370:44:39

Third floor.

0:44:420:44:43

GUN COCKS

0:44:470:44:49

Miss Susan?

0:44:510:44:52

Shoot him. Shoot the son of a bitch, Goddamn it!

0:44:520:44:55

-Matthew, he has Connor.

-Mama!

0:44:550:44:58

Nathaniel, I'm here for my son.

0:44:580:45:00

Please, please give him to me.

0:45:000:45:03

The pup.

0:45:030:45:05

Gustus cares for him now.

0:45:060:45:08

I'm pleading with you, Nathaniel.

0:45:080:45:11

Give me my son.

0:45:110:45:13

Gustus, he'll...

0:45:130:45:15

-Miss Susan, I can't...

-Your brother is no safe guardian.

0:45:150:45:18

He is a killer of boys.

0:45:180:45:21

Robin Sumner. Nathaniel, you knew him, did you not?

0:45:220:45:26

Robin?

0:45:260:45:28

Where is he?

0:45:300:45:31

Matthew pulled him from the river last night,

0:45:310:45:34

where your brother Augustus put him.

0:45:340:45:36

No.

0:45:360:45:37

No. Gustus promised me he would not harm him.

0:45:390:45:42

Well, that boy's dead...

0:45:420:45:44

washed up like garbage in the mud of Goodluck Hope.

0:45:440:45:47

It's your piece-of-shit brother killing on account of your killing,

0:45:470:45:50

you goddamn animals.

0:45:500:45:51

I never meant for...never meant for...

0:45:510:45:54

Robin. Robin.

0:45:560:45:59

Nathaniel, give me my son.

0:45:590:46:01

Mama.

0:46:060:46:07

Forgive me, Miss Susan. Forgive me.

0:46:070:46:10

He ain't holding Connor now. Step aside, Caitlin.

0:46:100:46:14

CONNOR WHIMPERS

0:46:160:46:17

HE SOBS

0:46:170:46:19

Please.

0:46:210:46:22

Just end...end me!

0:46:220:46:25

GUN COCKS

0:46:250:46:26

Matthew. Matthew, we have Connor.

0:46:260:46:28

Please, end me.

0:46:280:46:31

I beg you. Please.

0:46:310:46:33

GUN CLICKS

0:46:350:46:36

No, we're leaving. Let's go.

0:46:360:46:39

HE SOBS

0:46:420:46:44

WHEEZING

0:46:460:46:48

Such food for thought, Mr Dove.

0:46:480:46:51

Proud words, proud and noble.

0:46:510:46:54

This morning, then, you will have him?

0:46:550:46:59

That I will.

0:46:590:47:00

He will bow to me. Edmund Reid will kneel.

0:47:000:47:03

I will wait upon it, Inspector.

0:47:030:47:06

Your work has been...

0:47:070:47:09

exemplary.

0:47:090:47:11

Lady Justice, Mr Dove,

0:47:110:47:14

holds us both close to her righteous tit, does she not?

0:47:140:47:18

FOOTSTEPS APPROACH

0:47:510:47:53

Mathilda? WHISTLE BLOWS

0:47:530:47:55

Oh, no.

0:47:550:47:57

WHISTLE BLOWS

0:47:570:48:00

Mr Reid!

0:48:000:48:02

You cannot run no more.

0:48:020:48:04

There are 20 constables, both ends of this alley.

0:48:070:48:11

Will you come peaceful with me?

0:48:130:48:15

Mathilda?

0:48:180:48:20

It's better you come quiet, sir.

0:48:240:48:27

Drummond, I, er...

0:48:400:48:41

Will you tell her I understand?

0:48:440:48:47

And that I love her.

0:48:480:48:51

To remember that of me, if naught else.

0:48:530:48:55

-DOVE:

-I write of that which all of us who police this great city

0:49:010:49:04

hold dearest to our hearts.

0:49:040:49:06

I write of justice.

0:49:060:49:08

We, all of us, stand today on the cusp of a glorious new age.

0:49:080:49:12

CLOCK CHIMES

0:49:120:49:13

A locomotive carving steadfast and sure towards our fabulous future,

0:49:130:49:19

the future we have dared to dream.

0:49:190:49:22

And what a future it shall be!

0:49:240:49:26

The brave and glittering century which awaits us

0:49:260:49:28

fills me only with hope,

0:49:280:49:31

hope that with ever more sophisticated policing...

0:49:310:49:34

CLOCK CHIMES

0:49:340:49:35

..we may, in the coming decades, eradicate crime altogether.

0:49:350:49:41

CLOCK CHIMES

0:49:420:49:45

Naught so kind as kin,

0:49:490:49:52

is there?

0:49:520:49:53

Good work, Inspector Drummond.

0:49:540:49:56

HE WHEEZES

0:49:570:49:59

You are caught, Edmund.

0:50:030:50:05

You are out-coppered.

0:50:060:50:08

Will you kneel to me as my prisoner?

0:50:100:50:12

He will not kneel!

0:50:190:50:21

PEOPLE SHOUT

0:50:210:50:23

This savage and inhuman outlaw

0:50:230:50:26

still thinks himself a man of stature.

0:50:260:50:29

Well, now...

0:50:310:50:32

..them shackles are unbecoming for a man of stature.

0:50:340:50:37

Take 'em off.

0:50:390:50:41

I said,

0:50:430:50:45

take 'em off.

0:50:450:50:47

HE SIGHS

0:50:520:50:55

No, Jedediah.

0:50:560:50:58

At long last,

0:50:580:51:00

Edmund Reid must fight his own cowardly corner.

0:51:000:51:02

I will not fight you.

0:51:020:51:05

Then this, brother,

0:51:110:51:13

will sting something fierce.

0:51:130:51:16

PEOPLE GASP

0:51:160:51:18

Steady Ed ain't so steady now.

0:51:210:51:24

-Get him, Ed.

-And another! Harder!

0:51:310:51:35

Fight, Edmund.

0:51:350:51:36

PEOPLE SHOUT

0:51:380:51:40

These men will not intervene.

0:51:400:51:42

PEOPLE SHOUT

0:51:510:51:52

Go on! Go on, Mr Reid!

0:51:560:51:59

Get him, Mr Reid! We believe in you!

0:51:590:52:01

-DOVE:

-We may come to know the 20th century as the great era of peace...

0:52:010:52:05

Well, now.

0:52:050:52:07

Let us parley.

0:52:070:52:08

..and at last know an age of true harmony between men.

0:52:100:52:15

PEOPLE SHOUT

0:52:170:52:19

I will...

0:52:260:52:28

end you.

0:52:280:52:30

HE GRUNTS

0:52:330:52:35

Father!

0:52:350:52:37

HE SCREAMS

0:52:390:52:42

No!

0:52:530:52:54

SHE SOBS

0:52:560:52:58

Please, Mr Shine.

0:52:580:53:01

He is my father.

0:53:010:53:02

Get her away from here.

0:53:040:53:06

SHE SOBS

0:53:060:53:07

Get her away from here.

0:53:070:53:09

Mathilda.

0:53:090:53:10

Mathilda...

0:53:130:53:15

We had to catch him.

0:53:160:53:18

I will never forgive you!

0:53:190:53:20

SHINE PANTS

0:53:320:53:35

CROWD MURMURS

0:53:350:53:37

REID GROANS

0:53:450:53:46

REID GROANS

0:53:490:53:52

Behold him!

0:53:530:53:55

CROWD MURMURS

0:53:550:53:56

Behold him!

0:53:570:53:59

Look upon your Edmund Reid!

0:54:000:54:03

Look upon him!

0:54:060:54:08

REID GROANS

0:54:080:54:10

He is fallen.

0:54:120:54:14

He is fallen.

0:54:170:54:19

See him...

0:54:200:54:21

..kneel now

0:54:230:54:25

before the justice

0:54:250:54:27

of Jedediah Shine.

0:54:270:54:29

REID GASPS

0:54:290:54:31

SHINE SIGHS

0:54:310:54:34

You will know it, Edmund.

0:54:360:54:38

HE LAUGHS

0:54:390:54:41

At last,

0:54:410:54:43

you WILL know it.

0:54:430:54:45

What it means to have

0:54:480:54:50

all you are snatched from you...

0:54:500:54:54

..to be a half-man

0:54:550:54:57

in a half-life

0:54:570:55:00

with naught in your black heart...

0:55:000:55:03

HE SOBS

0:55:030:55:06

..but hate.

0:55:060:55:07

Hate.

0:55:080:55:10

SHINE SOBS

0:55:100:55:13

I have dreamed of this.

0:55:220:55:24

RINGING IN HIS HEAD

0:55:290:55:31

HE SIGHS

0:55:340:55:36

Put him in irons.

0:55:380:55:40

I'm finished.

0:55:440:55:46

Finished.

0:55:480:55:49

RINGING IN HIS HEAD

0:56:170:56:20

HE GROANS

0:56:200:56:21

No. No more.

0:56:260:56:29

No more, no more.

0:56:290:56:31

No more!

0:56:320:56:34

HE GRUNTS

0:56:340:56:36

HE GASPS

0:56:390:56:41

HE CHUCKLES

0:56:410:56:43

I am...

0:56:430:56:45

my own master.

0:56:450:56:46

Ain't no man...

0:56:490:56:51

brings down Jedediah Shine...

0:56:510:56:53

..except Jedediah Shine.

0:56:550:56:57

I'm done with dreaming.

0:56:590:57:01

HE GASPS

0:57:010:57:03

FOOTSTEPS APPROACH

0:57:260:57:28

Mr Reid? What must we do next?

0:58:070:58:09

The dead can always speak.

0:58:090:58:11

-Order!

-You would send one of your own to the rope?

-We would.

0:58:110:58:13

I made the promise. Does he not merit intervention?

0:58:130:58:17

I have a plan.

0:58:170:58:18

Forget your hopes. Whitechapel is coming for you.

0:58:210:58:24

Thatcher discovers a fresh lead of a double murder committed by Nathaniel, giving Reid cause for hope.