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I was told that you were dead. But he did not... | 0:00:02 | 0:00:03 | |
Yes, but I was told this. | 0:00:03 | 0:00:05 | |
I will talk to her. My word on it. | 0:00:05 | 0:00:09 | |
I do not see an animal, Nathaniel. | 0:00:09 | 0:00:10 | |
And what if we left this place? Robin as well. | 0:00:10 | 0:00:14 | |
Robin Sumner, you trust me, don't you? | 0:00:14 | 0:00:17 | |
I'll see you safe. | 0:00:18 | 0:00:20 | |
You've been a very brave boy, Robin. | 0:00:20 | 0:00:23 | |
Well, that boy's dead, | 0:00:28 | 0:00:29 | |
washed up like garbage in the mud of Goodluck Hope. | 0:00:29 | 0:00:32 | |
It's your piece-of-shit brother, killing on account of your killing, | 0:00:32 | 0:00:35 | |
you goddamn animals. | 0:00:35 | 0:00:36 | |
There is a candle, sir. | 0:00:38 | 0:00:41 | |
BONE CRUNCHES | 0:00:44 | 0:00:46 | |
No! | 0:00:48 | 0:00:50 | |
Mathilda! We had to catch him! | 0:00:50 | 0:00:53 | |
Mr Reid? | 0:01:16 | 0:01:18 | |
Sir? | 0:01:18 | 0:01:20 | |
Mr Reid? | 0:01:21 | 0:01:23 | |
How is it you were taken? | 0:01:24 | 0:01:27 | |
They say it was as though you surrendered. | 0:01:29 | 0:01:32 | |
Why? | 0:01:33 | 0:01:35 | |
Sir, to what end? Hm? | 0:01:36 | 0:01:38 | |
Did you and the Captain find Robin's killed mother and uncle? | 0:01:39 | 0:01:44 | |
THATCHER SIGHS | 0:01:44 | 0:01:46 | |
On what rash instinct has he and Miss Susan now blasted their way | 0:01:46 | 0:01:49 | |
in and out of Mr Dove's home? | 0:01:49 | 0:01:51 | |
Please? | 0:01:53 | 0:01:55 | |
Please, Mr Reid. | 0:01:58 | 0:02:00 | |
What must we do next? | 0:02:03 | 0:02:04 | |
Mr Reid? | 0:02:11 | 0:02:12 | |
Mr Reid? | 0:02:15 | 0:02:17 | |
MAN: You can see they came through this way. | 0:02:57 | 0:02:59 | |
This is your case, Inspector Drummond. | 0:02:59 | 0:03:03 | |
This may be Hackney, but this is a crime birthed in Whitechapel. | 0:03:03 | 0:03:06 | |
Its felons will no doubt be hid there until their escape may be made | 0:03:06 | 0:03:09 | |
and you, sir, and your men at H Division, | 0:03:09 | 0:03:11 | |
you shall hunt and trap them in Whitechapel. | 0:03:11 | 0:03:13 | |
Am I clear? Yes, Mr Dove. | 0:03:13 | 0:03:16 | |
Now that they've got the boy, they must make their escape and must show themselves in so doing. | 0:03:16 | 0:03:20 | |
Therefore, will you allow me more men requisitioned from the J and the K? | 0:03:20 | 0:03:23 | |
See the docksides locked down, all the train stations likewise. | 0:03:23 | 0:03:26 | |
She was mother to me when I had need of one. | 0:03:26 | 0:03:28 | |
CLOCK TICKS | 0:03:28 | 0:03:30 | |
And they have stole my son. | 0:03:30 | 0:03:32 | |
So, yes, Inspector, you shall have all the men you require. | 0:03:33 | 0:03:36 | |
Only make the instruction. Yes, sir. | 0:03:36 | 0:03:38 | |
And Mr Reid? Now that Mr Shine's last actions have delivered him into your custody, does he speak? | 0:03:38 | 0:03:43 | |
He does not. | 0:03:43 | 0:03:44 | |
And never mind what Mr Shine did to him. It's... | 0:03:44 | 0:03:48 | |
it's as if the marrow has been sucked from his bones. | 0:03:48 | 0:03:51 | |
The betrayal he has suffered. | 0:03:51 | 0:03:54 | |
The perception of it, at least. It is perhaps understandable. | 0:03:54 | 0:03:58 | |
You have cleared the Leman Street cells for his safety there? | 0:03:58 | 0:04:01 | |
I have. | 0:04:01 | 0:04:02 | |
Then perhaps I might interview him? | 0:04:02 | 0:04:04 | |
I should be grateful, sir. | 0:04:04 | 0:04:06 | |
Then let us to Leman Street. After you, Inspector. | 0:04:06 | 0:04:09 | |
Send for a photographer. Do not let the mortuary men touch her. | 0:04:12 | 0:04:16 | |
Thank you, Matthew. | 0:04:50 | 0:04:52 | |
Thank you. | 0:04:53 | 0:04:55 | |
I never knew... | 0:04:59 | 0:05:01 | |
I never knew what it would be to see the two of you together... | 0:05:01 | 0:05:05 | |
..and to know myself changed. | 0:05:07 | 0:05:10 | |
And, Connor, | 0:05:12 | 0:05:14 | |
you watch your father, | 0:05:14 | 0:05:17 | |
but, despite all, there is much to take example from. | 0:05:17 | 0:05:21 | |
His courage. | 0:05:22 | 0:05:24 | |
His courage and his love. | 0:05:24 | 0:05:26 | |
There are fences yet to be leapt. | 0:05:28 | 0:05:31 | |
But we're going home, son, | 0:05:33 | 0:05:35 | |
to America. | 0:05:35 | 0:05:37 | |
And there, there are deep valleys | 0:05:37 | 0:05:40 | |
and there are rivers that are fresh with spring thaw. | 0:05:40 | 0:05:43 | |
I have the carriage ready. | 0:05:47 | 0:05:49 | |
My driver will take you as far as the Old North Road | 0:05:49 | 0:05:52 | |
and then make his own way home. | 0:05:52 | 0:05:53 | |
Now, Connor, this is Miss Mimi, | 0:05:53 | 0:05:56 | |
our true friend. | 0:05:56 | 0:05:59 | |
Well, how else am I to be rid of you? | 0:05:59 | 0:06:01 | |
The docks will be watched. | 0:06:01 | 0:06:03 | |
The boat trains for the northern and southern ports likewise. | 0:06:03 | 0:06:06 | |
No, you'd only be apprehended, escape once again, return here, | 0:06:06 | 0:06:10 | |
and I should never be able to open this playhouse to the paying public. | 0:06:10 | 0:06:12 | |
All right. Best we're about it, then. | 0:06:12 | 0:06:14 | |
A-ha. | 0:06:16 | 0:06:18 | |
You do not wish to hear news of the wider world of Whitechapel? | 0:06:19 | 0:06:23 | |
We do not. And what news is that, Miss Mimi? | 0:06:23 | 0:06:27 | |
Jedediah Shine is dead. | 0:06:27 | 0:06:29 | |
Well, that's cause for celebration, then. | 0:06:35 | 0:06:38 | |
How so? | 0:06:38 | 0:06:39 | |
Er...it is not said in detail... | 0:06:39 | 0:06:41 | |
..only that the capture of Mr Reid was his last living act. | 0:06:44 | 0:06:47 | |
It appears Mr Reid's daughter was turned to his betrayal. | 0:06:50 | 0:06:53 | |
Hey, he knew the risk. I warned him. | 0:06:55 | 0:06:57 | |
But he decided to go his own way, just as now we're going to go ours. | 0:06:57 | 0:07:02 | |
Caitlin, you bring the boy. I'm going to take the bags out to the carriage. | 0:07:02 | 0:07:06 | |
Caitlin, I said bring the boy. | 0:07:09 | 0:07:11 | |
Matthew, I have to. I made the promise. | 0:07:11 | 0:07:14 | |
That betrayal, that sundering, they are down to me. | 0:07:14 | 0:07:17 | |
God damn it, Caitlin! | 0:07:17 | 0:07:20 | |
No. | 0:07:20 | 0:07:21 | |
Or does he not merit intervention? Does she not deserve the truth? | 0:07:21 | 0:07:24 | |
And what about us, for Christ's sakes? | 0:07:24 | 0:07:26 | |
We have him, we have Connor, | 0:07:26 | 0:07:29 | |
and now you're going to go saunter over | 0:07:29 | 0:07:31 | |
and present yourself to the home address of Inspector Samuel Drummond? | 0:07:31 | 0:07:34 | |
I do not suggest such a thing. | 0:07:34 | 0:07:37 | |
Then what? | 0:07:37 | 0:07:39 | |
DOOR RATTLES AND CREAKS | 0:07:39 | 0:07:41 | |
DOG BARKS OUTSIDE | 0:07:48 | 0:07:49 | |
Will you leave us a moment, Inspector Drummond? | 0:07:49 | 0:07:52 | |
Yes, sir. | 0:07:52 | 0:07:53 | |
DOG BARKS OUTSIDE | 0:07:58 | 0:08:00 | |
DOOR SHUTS | 0:08:00 | 0:08:02 | |
All of London is a-clamour, sir. | 0:08:04 | 0:08:06 | |
The capital's press is therefore to be gathered | 0:08:07 | 0:08:10 | |
at Scotland Yard tomorrow morning... | 0:08:10 | 0:08:12 | |
..where I shall explain to them the ugly whys and wherefores of how it is | 0:08:13 | 0:08:18 | |
the leading police of Whitechapel are either murdered or murdering. | 0:08:18 | 0:08:22 | |
I'm sure you... | 0:08:26 | 0:08:28 | |
understand, therefore... | 0:08:28 | 0:08:32 | |
..a service you would render, | 0:08:34 | 0:08:36 | |
should you give full account of... | 0:08:36 | 0:08:38 | |
..all you know. | 0:08:41 | 0:08:42 | |
Your friends have killed once more. | 0:08:48 | 0:08:50 | |
More blood, | 0:08:50 | 0:08:53 | |
the spattering of which lands on your shirt cuffs, Mr Reid, | 0:08:53 | 0:08:55 | |
for you know where they might be found and will not say. | 0:08:55 | 0:08:59 | |
Will you now tell me? | 0:09:00 | 0:09:02 | |
And be aware I do not offer you terms. | 0:09:12 | 0:09:15 | |
You are wiser than to think your many articles of disgrace might be shrived for one act of confession. | 0:09:15 | 0:09:21 | |
No, you speak, because you understand that this mayhem must come to an end. | 0:09:21 | 0:09:25 | |
You do it because you believe in a resolution. | 0:09:25 | 0:09:29 | |
A last good act for Edmund Reid. | 0:09:29 | 0:09:31 | |
It will not erase the stain of your works, sir. | 0:09:33 | 0:09:36 | |
But it will return a measure of order | 0:09:36 | 0:09:38 | |
to the community you have purported to serve... | 0:09:38 | 0:09:41 | |
..and some peace | 0:09:44 | 0:09:46 | |
to the shattered soul of your daughter. | 0:09:46 | 0:09:49 | |
I could hear Bennet Drake as he died. | 0:09:53 | 0:09:56 | |
I heard what it was he said to your brother, | 0:09:58 | 0:10:01 | |
before your brother took his throat out. | 0:10:01 | 0:10:04 | |
Bennet said that to see him was only looking in a mirror... | 0:10:06 | 0:10:11 | |
..and now you and I here, | 0:10:12 | 0:10:14 | |
facing reflections of our own. | 0:10:14 | 0:10:17 | |
I know you sincere, Mr Dove... | 0:10:19 | 0:10:21 | |
..sincere in your hope that the world be righted and renewed... | 0:10:24 | 0:10:29 | |
..the pitiless murk of the past | 0:10:30 | 0:10:33 | |
be obliterated and forgot. | 0:10:33 | 0:10:35 | |
This journey here, | 0:10:36 | 0:10:39 | |
ours, | 0:10:39 | 0:10:41 | |
began with a man named Isaac Bloom. | 0:10:41 | 0:10:44 | |
You recall the name? | 0:10:45 | 0:10:46 | |
Isaac was a mathematician. | 0:10:49 | 0:10:50 | |
He believed that numbers betrayed the true nature of our universe | 0:10:50 | 0:10:54 | |
and that, accordingly, it was empirically proved | 0:10:54 | 0:10:56 | |
that the entropy of the universe extended to a maximum, | 0:10:56 | 0:11:01 | |
that everything moved irretrievably from order | 0:11:01 | 0:11:05 | |
into chaos. | 0:11:05 | 0:11:07 | |
You do not believe that, do you? | 0:11:09 | 0:11:11 | |
I cannot. | 0:11:11 | 0:11:13 | |
I said the same, because what hope for Whitechapel if he were right? | 0:11:13 | 0:11:18 | |
You wish for a confession of truth from me? | 0:11:20 | 0:11:22 | |
I do. | 0:11:23 | 0:11:25 | |
Well, this is it. | 0:11:25 | 0:11:27 | |
Isaac Bloom was correct in all that he said. | 0:11:27 | 0:11:29 | |
You forget your hopes, sir, | 0:11:31 | 0:11:33 | |
because this Whitechapel is coming for you. | 0:11:33 | 0:11:35 | |
The one last good act, you say? | 0:11:38 | 0:11:40 | |
Then I choose the simplest. | 0:11:43 | 0:11:45 | |
I will not betray my friends. | 0:11:47 | 0:11:49 | |
He will not speak. But we must proceed, regardless. | 0:12:14 | 0:12:18 | |
The man he is, his position in your own private life, | 0:12:18 | 0:12:22 | |
it is no easy thing, I know. | 0:12:22 | 0:12:24 | |
But you see him charged, Inspector. | 0:12:24 | 0:12:27 | |
I shall, Mr Dove. | 0:12:27 | 0:12:28 | |
My, but you are upright, the pair of you. | 0:12:31 | 0:12:35 | |
Careful, Frank. | 0:12:35 | 0:12:38 | |
What is it scares you, Drum? | 0:12:38 | 0:12:41 | |
That just as the sanctified Miss Mathilda Reid has done, | 0:12:41 | 0:12:43 | |
we too might find cause to wallop you in full view of the world? | 0:12:43 | 0:12:48 | |
Are you about your work, Desk Sergeant? | 0:12:48 | 0:12:51 | |
Have you wired the J and K about them extra boots? | 0:12:51 | 0:12:53 | |
Do they even now read their instructions | 0:12:53 | 0:12:56 | |
as to how each and every means of departure from this town | 0:12:56 | 0:12:58 | |
is to be barricaded? | 0:12:58 | 0:13:00 | |
No? Then see it done! | 0:13:01 | 0:13:03 | |
And when you have, you may come and witness Mr Reid's charge sheet. | 0:13:03 | 0:13:07 | |
Hear his offences for yourself. | 0:13:07 | 0:13:09 | |
Please confirm your name. | 0:13:47 | 0:13:49 | |
Edmund John James Reid. | 0:13:49 | 0:13:51 | |
Address? 14 Fairclough Street, Whitechapel. | 0:13:51 | 0:13:54 | |
Occupation? | 0:13:54 | 0:13:56 | |
Police officer. Drummond? | 0:13:58 | 0:13:59 | |
What I asked of you earlier, you told Mathilda? | 0:13:59 | 0:14:04 | |
That I understand, that I understood? | 0:14:05 | 0:14:07 | |
KNOCK AT DOOR | 0:14:08 | 0:14:10 | |
Please, will you tell her? | 0:14:10 | 0:14:12 | |
Please say that you'll tell her. | 0:14:15 | 0:14:16 | |
CLEARS THROAT: Charge sheet against Reid, Edmund John James. | 0:14:16 | 0:14:20 | |
Witness, Sergeant Francis Thatcher. | 0:14:20 | 0:14:22 | |
Her Majesty's Metropolitan Police do charge you with the following crimes. | 0:14:22 | 0:14:25 | |
The unlawful murder with malice aforethought of Theodore Swift. | 0:14:25 | 0:14:29 | |
The unlawful murder of Horace Buckley. Drum... | 0:14:29 | 0:14:31 | |
Aiding and abetting in the unlawful murder of Frank Goodnight. | 0:14:31 | 0:14:33 | |
Resisting arrest. | 0:14:33 | 0:14:35 | |
Drummond. Conspiracy to defeat justice. | 0:14:35 | 0:14:37 | |
Please... Being an accessory after the fact... Mathilda must know. | 0:14:37 | 0:14:40 | |
..to the felony of permitting... She must not suffer... ..Miss Susan Hart... ..further distress. | 0:14:40 | 0:14:44 | |
..and Captain Homer Jackson to regain their liberty, whilst having them in custody. | 0:14:44 | 0:14:47 | |
It is only a message. You will sign here, Mr Reid. Why will you not undertake to give it? | 0:14:47 | 0:14:50 | |
He cannot undertake to do that, Mr Reid, | 0:14:50 | 0:14:51 | |
because Miss Mathilda put him out on the streets and won't speak to him. | 0:14:51 | 0:14:54 | |
Is this true, Drummond? | 0:14:59 | 0:15:02 | |
Please, sir, sign... Tell me. | 0:15:02 | 0:15:03 | |
Sergeant Thatcher, sign. Samuel Drummond? | 0:15:09 | 0:15:12 | |
Was it you who lit the candle in Mathilda's window? | 0:15:14 | 0:15:16 | |
Sergeant Thatcher, earlier, you were enquiring after the Sumner family. | 0:15:35 | 0:15:39 | |
Yes, Mr Reid. | 0:15:39 | 0:15:40 | |
Perhaps one-and-a-half kilometres upstream from the Limehouse Cut, | 0:15:40 | 0:15:44 | |
there is a series of heavy meanders through Bow Creek | 0:15:44 | 0:15:47 | |
and on the eastern bank | 0:15:47 | 0:15:49 | |
there is a copse of black poplars at Goodluck Hope. | 0:15:49 | 0:15:53 | |
Amongst, you will find a mound of earth marked with a prow of driftwood | 0:15:53 | 0:15:57 | |
and within that grave you will find the murdered body of Robin Sumner. | 0:15:57 | 0:16:01 | |
How? | 0:16:07 | 0:16:08 | |
Who? | 0:16:10 | 0:16:14 | |
Commissioner Dove, I believe. | 0:16:14 | 0:16:15 | |
That man. | 0:16:24 | 0:16:26 | |
And that Inspector Drum, up there with his vanity and his ambition, | 0:16:26 | 0:16:30 | |
he may as well have the little boy's blood on his hands as well. | 0:16:30 | 0:16:33 | |
Well, he shall hear what he's done. | 0:16:33 | 0:16:35 | |
No. No, no. | 0:16:35 | 0:16:36 | |
Samuel Drummond...Samuel Drummond is innocent of all and must remain so. | 0:16:36 | 0:16:39 | |
Sir? The candle. Miss Mathilda. How can you defend him? | 0:16:39 | 0:16:42 | |
It was done for the love of her. | 0:16:42 | 0:16:44 | |
Whichever, Sergeant. | 0:16:46 | 0:16:48 | |
It serves no purpose to ruin his sense of the world. | 0:16:48 | 0:16:51 | |
Not yet, at any rate. | 0:16:51 | 0:16:52 | |
Then I ask you again, sir. | 0:16:53 | 0:16:56 | |
What must we do now? | 0:16:57 | 0:16:59 | |
Not we, Francis Thatcher. | 0:16:59 | 0:17:02 | |
You. | 0:17:03 | 0:17:04 | |
TRAIN WHISTLE BLOWS | 0:17:06 | 0:17:09 | |
HAWKER SHOUTS | 0:17:12 | 0:17:14 | |
You are Miss Mathilda Reid? | 0:17:18 | 0:17:21 | |
Yes. Who are you? | 0:17:21 | 0:17:23 | |
This is my theatre, Miss Reid. | 0:17:34 | 0:17:36 | |
It means a great deal to me so I do hope that you can be trusted. | 0:17:36 | 0:17:40 | |
FOOTSTEPS APPROACH | 0:18:00 | 0:18:02 | |
Hello, Mathilda. | 0:18:04 | 0:18:06 | |
Why am I brought here? | 0:18:10 | 0:18:11 | |
Because she asks. | 0:18:12 | 0:18:14 | |
And she has a way of getting what she asks for. | 0:18:14 | 0:18:17 | |
You bank a great deal on my discretion, Miss Susan. | 0:18:18 | 0:18:22 | |
I hope you will consider it a risk worth taking. | 0:18:22 | 0:18:25 | |
Then what is it that I may do for you? | 0:18:25 | 0:18:28 | |
Relieve me of a secret, | 0:18:28 | 0:18:30 | |
I hope. | 0:18:30 | 0:18:33 | |
How may I do that? | 0:18:33 | 0:18:34 | |
Allow me to tell it to you... | 0:18:34 | 0:18:36 | |
..for I've kept it long and it is to me a poison. | 0:18:37 | 0:18:40 | |
FOOTSTEPS APPROACH | 0:18:40 | 0:18:42 | |
Hello, Connor. | 0:18:49 | 0:18:51 | |
My son knows a friend when he sees one. | 0:18:52 | 0:18:54 | |
May I fetch you some tea, Miss Reid? | 0:18:59 | 0:19:01 | |
Thank you, Captain Jackson. | 0:19:03 | 0:19:04 | |
We heard the news of your father. | 0:19:08 | 0:19:10 | |
He was hid here with us until... | 0:19:10 | 0:19:13 | |
Well, you called to him, | 0:19:15 | 0:19:16 | |
and which father can resist the call of his child? | 0:19:16 | 0:19:19 | |
But I did not call to him, | 0:19:19 | 0:19:21 | |
did not send him out to go beneath Mr Shine's fists. | 0:19:21 | 0:19:24 | |
I would not. I could not. | 0:19:24 | 0:19:25 | |
I believe it, Mathilda. You love him. | 0:19:25 | 0:19:28 | |
I do. | 0:19:30 | 0:19:30 | |
And yet... | 0:19:34 | 0:19:35 | |
The things he has done? | 0:19:35 | 0:19:37 | |
May I tell you about my father? | 0:19:43 | 0:19:45 | |
LONG SUSAN TALKS | 0:19:53 | 0:19:55 | |
Are you feeling all right? | 0:20:05 | 0:20:07 | |
Oh, um... | 0:20:07 | 0:20:09 | |
a little flu. | 0:20:09 | 0:20:10 | |
..great ambition, | 0:20:10 | 0:20:13 | |
what he suffered and for all its horror... | 0:20:13 | 0:20:16 | |
..I wished for Mr Reid to lock the grille and leave my father there. | 0:20:18 | 0:20:22 | |
Forgive me, Miss Susan. | 0:20:22 | 0:20:25 | |
But your father's fate, my own's involvement in that, | 0:20:25 | 0:20:29 | |
it is not those actions which brought me to despair. | 0:20:29 | 0:20:33 | |
I know, Mathilda. | 0:20:33 | 0:20:34 | |
But Mr Buckley... what he did to Mr Buckley... | 0:20:34 | 0:20:36 | |
Mathilda, this...this is why I bring you here. | 0:20:36 | 0:20:40 | |
Whenever, | 0:20:43 | 0:20:45 | |
down the years, | 0:20:45 | 0:20:47 | |
you bring to mind the picture of what befell Mr Buckley in that cellar, | 0:20:47 | 0:20:51 | |
you no more imagine Mr Reid with that man's head between his fists... | 0:20:51 | 0:20:56 | |
but myself. | 0:20:56 | 0:20:58 | |
Now, it would take you another lifetime to understand | 0:21:01 | 0:21:03 | |
what would have made me do...do such a thing, | 0:21:03 | 0:21:07 | |
but at the time I believed your father | 0:21:07 | 0:21:09 | |
perhaps as vicious as your... your worst dreams may suggest... | 0:21:09 | 0:21:13 | |
..and... | 0:21:15 | 0:21:17 | |
SNIFFS ..to my shame, | 0:21:17 | 0:21:20 | |
my life... | 0:21:20 | 0:21:22 | |
my lifelong shame, | 0:21:22 | 0:21:24 | |
I saw a way by which... | 0:21:24 | 0:21:27 | |
..all that I had made for myself... | 0:21:28 | 0:21:30 | |
..all that your father would set himself upon taking from me, | 0:21:31 | 0:21:36 | |
I saw a means to protect it and that means was a lie. | 0:21:36 | 0:21:40 | |
In the days after you were found, taken into my care, | 0:21:41 | 0:21:45 | |
your mind fevered, wandering, | 0:21:45 | 0:21:48 | |
the damaged spirit child Mr Buckley had made you believe that you were... | 0:21:48 | 0:21:53 | |
..your father, Mr Reid, came looking for you | 0:21:57 | 0:22:01 | |
and I told him you were dead. | 0:22:01 | 0:22:03 | |
And worse, Mathilda. | 0:22:03 | 0:22:06 | |
For all Mr Buckley's gentleness to you, | 0:22:08 | 0:22:12 | |
I described a vision of horror to your father, | 0:22:12 | 0:22:15 | |
that you had been chained and starved and...and violated | 0:22:15 | 0:22:18 | |
all those years that you'd been gone from him. | 0:22:18 | 0:22:20 | |
So, yes, he took Horace Buckley's life. | 0:22:20 | 0:22:23 | |
But with my hands, Mathilda. | 0:22:23 | 0:22:25 | |
My hands. | 0:22:26 | 0:22:30 | |
As... | 0:22:32 | 0:22:33 | |
..as though he were my puppet. | 0:22:34 | 0:22:36 | |
It's true, Miss Reid. | 0:22:41 | 0:22:44 | |
All of it. | 0:22:44 | 0:22:45 | |
And so you bring me here now to tell me this, | 0:22:51 | 0:22:55 | |
because you have your son, are leaving, | 0:22:55 | 0:22:58 | |
and wish to unburden yourself before you do? | 0:22:58 | 0:23:01 | |
Forgive me, but, as ever, I feel you serve no-one's ends but your own. | 0:23:01 | 0:23:06 | |
Think on it, | 0:23:07 | 0:23:09 | |
as my father is dragged pitilessly to his justice, | 0:23:09 | 0:23:13 | |
while you escape yours. | 0:23:13 | 0:23:15 | |
God damn it! | 0:23:17 | 0:23:19 | |
You just couldn't leave well enough alone, could you? | 0:23:20 | 0:23:23 | |
Of all the women in the world to have an attack of conscience. | 0:23:23 | 0:23:26 | |
Jesus Christ! | 0:23:26 | 0:23:28 | |
God damn it! | 0:23:30 | 0:23:32 | |
I mean, what did he ever do for me, huh? | 0:23:32 | 0:23:35 | |
Hauled his flapping ass out of more scrapes than I care to think of, | 0:23:35 | 0:23:38 | |
and now... | 0:23:38 | 0:23:39 | |
Now what, Captain? | 0:23:39 | 0:23:41 | |
I have a goddamn plan... | 0:23:45 | 0:23:48 | |
that's what. | 0:23:48 | 0:23:49 | |
I see him, Sarge. | 0:24:01 | 0:24:03 | |
Evening, boys. You took your sweet time. | 0:24:07 | 0:24:10 | |
Think it's going to take six of you, do you? | 0:24:10 | 0:24:13 | |
Well, perhaps it might... | 0:24:13 | 0:24:15 | |
..if you were men and not cowards and eunuchs. | 0:24:16 | 0:24:20 | |
Come on, darlings. | 0:24:22 | 0:24:24 | |
Where's Sergeant Thatcher? | 0:24:34 | 0:24:36 | |
Don't know, sir. Well, somebody bloody find him! | 0:24:36 | 0:24:38 | |
RAISED VOICES | 0:24:38 | 0:24:40 | |
Stay there! | 0:24:40 | 0:24:42 | |
Well, Drummond, the fairy queen himself. | 0:24:44 | 0:24:46 | |
Whatever it is you have in mind, do not take me for a fool. | 0:25:06 | 0:25:10 | |
Has he been searched? | 0:25:12 | 0:25:14 | |
Strip him. | 0:25:15 | 0:25:16 | |
Do it! | 0:25:18 | 0:25:20 | |
Inspector, sir... What? | 0:25:38 | 0:25:40 | |
You're called for. | 0:25:40 | 0:25:41 | |
I'm occupied. Take a note or send them away. | 0:25:41 | 0:25:43 | |
It is Miss Reid, sir. | 0:25:43 | 0:25:45 | |
DISTANT DOG BARKS | 0:25:45 | 0:25:48 | |
Lock Captain Jackson down. Two men on the outer door also. | 0:25:54 | 0:25:58 | |
What is it you do, Captain? | 0:26:11 | 0:26:13 | |
Attack of conscience, Reid, and you can save your gratitude for later. | 0:26:13 | 0:26:18 | |
And why am I grateful that you too are now incarcerated? | 0:26:18 | 0:26:22 | |
Why do you think? | 0:26:24 | 0:26:25 | |
Not that you deserve it, but we're going to break you out of here. | 0:26:25 | 0:26:28 | |
We? | 0:26:28 | 0:26:30 | |
Tilda? | 0:26:35 | 0:26:37 | |
Tilda. | 0:26:43 | 0:26:45 | |
Will you come upstairs so we may talk? | 0:26:45 | 0:26:47 | |
In due course, perhaps. | 0:26:48 | 0:26:51 | |
For now, I would see my father. | 0:26:51 | 0:26:54 | |
Drum, you may take a moment | 0:26:54 | 0:26:56 | |
to consider the consequences of denying me this, | 0:26:56 | 0:26:58 | |
but do not take any longer. | 0:26:58 | 0:27:00 | |
DOOR RATTLES AND CREAKS | 0:27:03 | 0:27:05 | |
Thank you, Drum. As I said, alone. | 0:27:12 | 0:27:13 | |
I shall wait beyond. | 0:27:17 | 0:27:19 | |
Hammer on the door when you are done, Tilda. | 0:27:19 | 0:27:21 | |
Father. Darling girl. | 0:27:25 | 0:27:26 | |
Are you hurt? What that man did... Hush, Mathilda. I shall live. | 0:27:26 | 0:27:29 | |
My candle. It was not myself to have lit it. | 0:27:29 | 0:27:32 | |
I know. I know, Mathilda. | 0:27:32 | 0:27:35 | |
But how? | 0:27:35 | 0:27:36 | |
Mr Drummond is not a man much able to disguise his shame. | 0:27:36 | 0:27:39 | |
He told you? Not as such. | 0:27:39 | 0:27:40 | |
But he bears it hard, my darling. | 0:27:40 | 0:27:42 | |
Hey, my heart bleeds for him, really, but, Miss Reid, | 0:27:42 | 0:27:44 | |
do you think it's about time we got about our chief purpose? | 0:27:44 | 0:27:48 | |
No, no. No. | 0:27:50 | 0:27:52 | |
No, I am not for the freeing, Mathilda. | 0:27:52 | 0:27:55 | |
Excuse me? No more running, no more, no more. | 0:27:55 | 0:27:58 | |
But, Miss Susan, she explained all to me. | 0:27:58 | 0:28:00 | |
No, no. Not all. | 0:28:00 | 0:28:02 | |
The man, Buckley, perhaps. | 0:28:02 | 0:28:03 | |
Her father, Theodore Swift, I can never regret that. | 0:28:03 | 0:28:07 | |
But think on your Uncle Bennet and all I brought him to. | 0:28:07 | 0:28:11 | |
Mathilda, an accounting must be made. | 0:28:14 | 0:28:18 | |
And now you're happy to let me hang alongside you, | 0:28:18 | 0:28:20 | |
when I bust my ass in here to free you? | 0:28:20 | 0:28:23 | |
Yes. | 0:28:23 | 0:28:25 | |
On that matter, it is my own strategy, Captain, | 0:28:25 | 0:28:27 | |
and I very much hope it shan't come to that. | 0:28:27 | 0:28:29 | |
And that strategy being what? | 0:28:29 | 0:28:31 | |
Francis Thatcher is gone to exhume the body of Robin Sumner. | 0:28:31 | 0:28:34 | |
I thought you said you left that boy to rest. | 0:28:38 | 0:28:41 | |
He rests. Augustus Dove prevails. | 0:28:41 | 0:28:43 | |
Now, he may rest in due course again, | 0:28:45 | 0:28:47 | |
but it is that boy who will give his own tragedy... | 0:28:47 | 0:28:50 | |
His family is here, Bennet Drake's, Isaac Bloom's. | 0:28:50 | 0:28:53 | |
It is that boy who will hand them their justice, | 0:28:53 | 0:28:56 | |
even if I am handed mine alongside. | 0:28:56 | 0:28:57 | |
And how is the boy to do that, Reid? That boy cannot speak. | 0:28:57 | 0:29:02 | |
The dead can always speak, Captain, when you are there to aid them. | 0:29:02 | 0:29:05 | |
BIRDS TWEET, CARRIAGE APPROACHES | 0:29:08 | 0:29:11 | |
DOOR OPENS | 0:29:11 | 0:29:13 | |
My apologies, brother. I have left you alone too long. | 0:29:16 | 0:29:19 | |
I thought we might eat together. | 0:29:19 | 0:29:20 | |
Last night, as we came under attack, you broke down your door. | 0:29:44 | 0:29:48 | |
I did. | 0:29:48 | 0:29:49 | |
You did this so you might assist my people? | 0:29:49 | 0:29:52 | |
I heard the pup calling. | 0:29:56 | 0:29:58 | |
And yet you did not protect him? | 0:29:58 | 0:30:01 | |
Well, the Captain, he... | 0:30:02 | 0:30:04 | |
he had a pistol. | 0:30:04 | 0:30:06 | |
And besides... Besides what, brother? | 0:30:07 | 0:30:09 | |
Miss Susan is his mother. | 0:30:12 | 0:30:14 | |
She is a murderer, Nathaniel. | 0:30:14 | 0:30:16 | |
So am I, Gustus. | 0:30:18 | 0:30:19 | |
Do you recall the boy Robin Sumner? | 0:30:31 | 0:30:33 | |
Of course. | 0:30:34 | 0:30:36 | |
DOGS BARK OUTSIDE | 0:30:36 | 0:30:38 | |
Miss Susan told me... | 0:30:38 | 0:30:40 | |
he is, in fact, not safe, | 0:30:40 | 0:30:43 | |
but he is dead. | 0:30:43 | 0:30:45 | |
And she knows this how? | 0:30:48 | 0:30:51 | |
Captain found him in water... | 0:30:51 | 0:30:53 | |
..at Goodluck Hope. | 0:30:55 | 0:30:56 | |
How dead, did these most valued witnesses say? | 0:31:00 | 0:31:04 | |
Killed... | 0:31:05 | 0:31:06 | |
..by you, they believe. | 0:31:08 | 0:31:10 | |
And what do you believe, Nathaniel? | 0:31:13 | 0:31:17 | |
You, who have known me your entire life. | 0:31:17 | 0:31:19 | |
Do you truly believe I could do that to a pup? | 0:31:22 | 0:31:24 | |
A pup? | 0:31:27 | 0:31:29 | |
No. | 0:31:33 | 0:31:34 | |
Now, we are almost home. | 0:31:37 | 0:31:40 | |
Edmund Reid lies in a cell at Leman Street, his spirit broken. | 0:31:40 | 0:31:44 | |
The woman Hart and her American must now escape with their child | 0:31:44 | 0:31:46 | |
and will surely be taken in so doing. | 0:31:46 | 0:31:50 | |
It will be Christmas before we know it. | 0:31:53 | 0:31:55 | |
We shall fill the house with food and gifts and friends | 0:31:55 | 0:32:00 | |
and give thanks for the future ahead of us. | 0:32:00 | 0:32:02 | |
Eat. | 0:32:06 | 0:32:07 | |
BIRDS TWEET | 0:32:26 | 0:32:29 | |
GULLS CRY | 0:32:29 | 0:32:31 | |
Right. | 0:32:38 | 0:32:39 | |
HE SNIFFS | 0:32:48 | 0:32:49 | |
HE BREATHES HARD | 0:33:18 | 0:33:20 | |
BIRDS TWEET | 0:33:33 | 0:33:35 | |
GATE SQUEAKS | 0:33:37 | 0:33:39 | |
RUNNING WATER, CROWS CAW | 0:34:01 | 0:34:04 | |
RUNNING WATER | 0:34:06 | 0:34:08 | |
HE BREATHES HARD | 0:34:09 | 0:34:11 | |
RUNNING WATER | 0:34:16 | 0:34:19 | |
I will fear no evil... | 0:34:19 | 0:34:21 | |
..for thou art with me, | 0:34:23 | 0:34:25 | |
thy rod and thy staff, they comfort me. | 0:34:25 | 0:34:29 | |
HE SNIFFS | 0:34:30 | 0:34:32 | |
Oh. | 0:34:44 | 0:34:46 | |
HE BREATHES HARD | 0:34:46 | 0:34:48 | |
HE GULPS | 0:34:55 | 0:34:57 | |
HE SOBS | 0:34:58 | 0:35:01 | |
Oh, Robin. | 0:35:03 | 0:35:05 | |
How did you know where to find him, Sergeant? | 0:35:06 | 0:35:09 | |
Mr Reid told me where. | 0:35:14 | 0:35:16 | |
And what will you do with him now? | 0:35:16 | 0:35:17 | |
Get him his retribution. | 0:35:22 | 0:35:24 | |
An admirable instinct, Mr Thatcher. | 0:35:27 | 0:35:30 | |
A policeman's instinct. | 0:35:30 | 0:35:32 | |
GUNSHOT | 0:35:32 | 0:35:34 | |
THATCHER GRUNTS | 0:35:37 | 0:35:39 | |
You have saved me a great deal of trouble. | 0:35:39 | 0:35:43 | |
I should have been here all night otherwise. | 0:35:43 | 0:35:45 | |
HE GRUNTS | 0:35:50 | 0:35:52 | |
THATCHER GRUNTS | 0:35:54 | 0:35:56 | |
SOBS | 0:35:56 | 0:35:58 | |
RUNNING WATER | 0:35:59 | 0:36:01 | |
THATCHER SOBS | 0:36:04 | 0:36:06 | |
THATCHER GRUNTS | 0:36:09 | 0:36:11 | |
It is a faster current here... GROANS | 0:36:13 | 0:36:15 | |
..and the course runs direct. | 0:36:15 | 0:36:17 | |
Do you see? | 0:36:18 | 0:36:20 | |
The pilot lights at Limehouse Cut. | 0:36:20 | 0:36:22 | |
The Thames running on the spring tide and, beyond, the ocean. | 0:36:22 | 0:36:27 | |
As you sought to show Robin Sumner his path in life, | 0:36:29 | 0:36:32 | |
you will lead him on in death now. | 0:36:32 | 0:36:33 | |
HE GROANS | 0:36:33 | 0:36:35 | |
RUNNING WATER | 0:36:40 | 0:36:42 | |
HE BREATHES HARD | 0:36:47 | 0:36:49 | |
WATER SPLASHES | 0:37:20 | 0:37:22 | |
HE BREATHES HARD | 0:37:26 | 0:37:28 | |
HE BREATHES HARD | 0:37:29 | 0:37:32 | |
HE SIGHS | 0:37:56 | 0:37:58 | |
HE SIGHS | 0:38:00 | 0:38:02 | |
JACKSON PACES | 0:38:04 | 0:38:06 | |
Whichever road Thatcher took, he's late. | 0:38:11 | 0:38:15 | |
He is way, way late. | 0:38:15 | 0:38:16 | |
JACKSON SIGHS | 0:38:19 | 0:38:22 | |
Yeah, they're waiting for me, you know? My wife, my boy. | 0:38:22 | 0:38:26 | |
For you too, if you need a ride. | 0:38:26 | 0:38:28 | |
We have the guns, we have the dynamite, Reid. | 0:38:33 | 0:38:37 | |
We might...just go. | 0:38:37 | 0:38:39 | |
You might. | 0:38:42 | 0:38:44 | |
You ought. | 0:38:44 | 0:38:46 | |
Whatever has happened, whatever is coming, I cannot explain it. | 0:38:46 | 0:38:49 | |
But I...I must be here to see it. | 0:38:49 | 0:38:51 | |
But I am in earnest, Captain. | 0:38:51 | 0:38:54 | |
You go. Go now. | 0:38:54 | 0:38:56 | |
What? | 0:38:59 | 0:39:01 | |
And let you martyr yourself all alone? | 0:39:01 | 0:39:04 | |
BIRDS TWEET OUTSIDE | 0:39:47 | 0:39:49 | |
Nathaniel! | 0:40:05 | 0:40:07 | |
KNOCK AT DOOR | 0:40:15 | 0:40:17 | |
Mr Dove, sir, your carriage is here. | 0:40:18 | 0:40:21 | |
CLICKS WATCH | 0:40:21 | 0:40:23 | |
CLICKS WATCH | 0:40:24 | 0:40:26 | |
LOW CHATTER | 0:40:56 | 0:40:58 | |
CLOCK CHIMES | 0:41:04 | 0:41:06 | |
CLOCK CHIMES | 0:41:09 | 0:41:11 | |
CHATTER | 0:41:13 | 0:41:16 | |
CHATTER INTENSIFIES | 0:41:19 | 0:41:22 | |
CHATTER | 0:41:25 | 0:41:26 | |
CHATTER | 0:41:31 | 0:41:32 | |
Order. | 0:41:32 | 0:41:35 | |
CHATTER | 0:41:35 | 0:41:38 | |
God damn you, silence! | 0:41:38 | 0:41:40 | |
CHATTER HALTS | 0:41:40 | 0:41:42 | |
So that the newspapermen of London may be furnished with the truth, | 0:41:42 | 0:41:45 | |
Assistant Commissioner Dove will now elaborate. | 0:41:45 | 0:41:48 | |
Thank you, Commissioner. | 0:41:48 | 0:41:50 | |
It is with regret I must announce the death | 0:41:53 | 0:41:56 | |
of Inspector First Class Jedediah Shine of H Division, Whitechapel. | 0:41:56 | 0:41:59 | |
CHATTER | 0:41:59 | 0:42:01 | |
How do you respond to rumours... | 0:42:01 | 0:42:03 | |
GAVEL BANGS | 0:42:03 | 0:42:05 | |
Please. CHATTER PAUSES | 0:42:05 | 0:42:08 | |
Mr Shine was as fine and resourceful a policeman | 0:42:08 | 0:42:10 | |
as any this force has known. He will be mourned accordingly. | 0:42:10 | 0:42:14 | |
WHISPER: Extraordinary. | 0:42:14 | 0:42:16 | |
I need hardly mention how hard this goes on the morale of our men, | 0:42:16 | 0:42:19 | |
who only so recently lost Inspector Bennet Drake of the same division. | 0:42:19 | 0:42:22 | |
Is there any connection between... How did Inspector Drake meet his end, though? | 0:42:22 | 0:42:26 | |
Inspector Shine's last action... CHATTER PAUSES | 0:42:26 | 0:42:29 | |
..was to secure the arrest of Edmund Reid, | 0:42:29 | 0:42:32 | |
and whilst...and whilst I know that man's reputation was hard won, | 0:42:32 | 0:42:37 | |
I hope that you will take in good faith the charges | 0:42:37 | 0:42:39 | |
which the men of H Division will soon be presenting | 0:42:39 | 0:42:41 | |
against their one-time station chief. | 0:42:41 | 0:42:43 | |
Charges? How does this reflect on the force as a whole, sir? | 0:42:43 | 0:42:46 | |
Let me say only this. | 0:42:46 | 0:42:47 | |
None of the speculation carried in your pages | 0:42:47 | 0:42:49 | |
is far from the truth of the matter. | 0:42:49 | 0:42:51 | |
And should the courts, as I expect them to do, find Edmund Reid guilty, | 0:42:51 | 0:42:56 | |
no matter his years of service, | 0:42:56 | 0:42:59 | |
we will be urging for the most severe of penalties under the law. | 0:42:59 | 0:43:02 | |
CHATTER | 0:43:02 | 0:43:04 | |
Commissioner Bradford. Can this indeed be true? | 0:43:04 | 0:43:07 | |
You would send one of your own to the rope? | 0:43:07 | 0:43:09 | |
We would, Miss Castello. | 0:43:15 | 0:43:17 | |
With ever greater conviction, | 0:43:17 | 0:43:19 | |
given the vile and headstrong hypocrisy he has sanctioned and performed in our name. | 0:43:19 | 0:43:22 | |
CHATTER | 0:43:22 | 0:43:24 | |
CHATTER | 0:43:32 | 0:43:34 | |
You are Castello? | 0:43:38 | 0:43:40 | |
Good day, Mr Abberline. | 0:43:40 | 0:43:43 | |
Come away, Miss. | 0:43:43 | 0:43:44 | |
You heard? I did. | 0:43:52 | 0:43:54 | |
Then you understand why I wired you. | 0:43:54 | 0:43:57 | |
I hoped you might be prised from your retirement. | 0:43:57 | 0:43:59 | |
Ed Reid is to be hanged. | 0:43:59 | 0:44:01 | |
That hair-oiled smooth face back there, | 0:44:01 | 0:44:05 | |
that is the Mr Dove you wrote of? | 0:44:05 | 0:44:07 | |
I fear he now has the wherewithal to prevail. | 0:44:07 | 0:44:10 | |
There are none left to challenge him. | 0:44:10 | 0:44:12 | |
There is you, Miss. | 0:44:12 | 0:44:14 | |
But all I had accumulated of his story, | 0:44:14 | 0:44:17 | |
the murdered Rabbi Ratovski's own written account, I believe... | 0:44:17 | 0:44:21 | |
..Mr Shine destroyed it. | 0:44:23 | 0:44:25 | |
Then best we put it together again. | 0:44:25 | 0:44:28 | |
Where is Francis Thatcher? | 0:44:36 | 0:44:37 | |
Gone, as you ask. No man knows where. | 0:44:38 | 0:44:42 | |
Not returned? | 0:44:42 | 0:44:43 | |
Mathilda, why does the whereabouts of Frank Thatcher worry you so? | 0:44:45 | 0:44:48 | |
I'm not sure I want to tell you, Drum. | 0:44:48 | 0:44:50 | |
After all, I know what it is you do with the secrets I give you. | 0:44:50 | 0:44:55 | |
I would take it back, if I could. | 0:44:58 | 0:45:01 | |
I am sure. | 0:45:03 | 0:45:05 | |
But not for him. | 0:45:05 | 0:45:07 | |
All them things Mr Reid is said to have done, he done. | 0:45:07 | 0:45:10 | |
I know. So, he must face his punishment. | 0:45:10 | 0:45:12 | |
I understand, Drum. | 0:45:17 | 0:45:19 | |
I did it for you, Tilda. | 0:45:19 | 0:45:21 | |
Because I wanted... | 0:45:21 | 0:45:23 | |
I still only want for you and I to be able to walk clean of this mess, | 0:45:23 | 0:45:28 | |
for you, for once, to be able to stand atop the building of your life | 0:45:28 | 0:45:31 | |
and look outward from it, | 0:45:31 | 0:45:32 | |
not forever be casting your gaze back inside, | 0:45:32 | 0:45:34 | |
for the fear it might catch fire again. | 0:45:34 | 0:45:37 | |
And he is the building, you feel? | 0:45:40 | 0:45:42 | |
Well? | 0:45:42 | 0:45:43 | |
I mean, is he not? | 0:45:44 | 0:45:45 | |
DOORS BANG | 0:46:07 | 0:46:08 | |
Yard, son! Pipe down! | 0:46:08 | 0:46:11 | |
Where's your chief? | 0:46:14 | 0:46:15 | |
Mr Abberline. | 0:46:17 | 0:46:20 | |
Mathilda Reid. | 0:46:20 | 0:46:22 | |
Mr Abberline. | 0:46:22 | 0:46:23 | |
On another occasion the men of H Division would gladly welcome you, | 0:46:23 | 0:46:27 | |
but, as you might have heard, we are sorely pressed at the present moment. | 0:46:27 | 0:46:30 | |
Who this? | 0:46:30 | 0:46:32 | |
This is Inspector Drummond. | 0:46:32 | 0:46:35 | |
This is him? | 0:46:35 | 0:46:36 | |
The milksop with whom you bring yourself into shame and disrepute? | 0:46:36 | 0:46:40 | |
Looks like he might battle to blow the head off a pint of mild. | 0:46:40 | 0:46:44 | |
Nonetheless, sir, | 0:46:46 | 0:46:48 | |
this is my command | 0:46:48 | 0:46:50 | |
and I'd ask you why you've brung yourself here, today of all days. | 0:46:50 | 0:46:55 | |
I would see my friend, | 0:47:01 | 0:47:03 | |
before you and your master have his neck choked at Newgate. | 0:47:03 | 0:47:07 | |
Tilda, it is not I that will pass that sentence on him, as you know, | 0:47:10 | 0:47:15 | |
nor Mr Dove. | 0:47:15 | 0:47:16 | |
He agitates for it, however. | 0:47:16 | 0:47:19 | |
Drum, please. | 0:47:19 | 0:47:22 | |
Allow it. | 0:47:22 | 0:47:23 | |
I will not. It is prohibited. | 0:47:24 | 0:47:26 | |
What is it you do, Drum? | 0:47:28 | 0:47:30 | |
What else? Alert Mr Dove to this man's presence. | 0:47:30 | 0:47:33 | |
You do it, sonny. I should be glad to know him. | 0:47:33 | 0:47:37 | |
DOORS OPEN | 0:47:52 | 0:47:54 | |
FOOTSTEPS APPROACH | 0:47:54 | 0:47:57 | |
DOORS CREAK SHUT | 0:47:57 | 0:47:59 | |
FOOTSTEPS APPROACH | 0:47:59 | 0:48:01 | |
Hm. | 0:48:07 | 0:48:08 | |
Hello? | 0:48:12 | 0:48:15 | |
Susan? | 0:48:20 | 0:48:21 | |
Captain? | 0:48:24 | 0:48:25 | |
SHE GASPS | 0:49:07 | 0:49:09 | |
Who are you? | 0:49:09 | 0:49:10 | |
Wait, wait. Wait. | 0:49:11 | 0:49:14 | |
Aah! | 0:49:14 | 0:49:15 | |
Shut up! Gaah! | 0:49:15 | 0:49:18 | |
Aaah! Be quiet. Be quiet! | 0:49:18 | 0:49:20 | |
Nathaniel! Nathaniel, you leave her be. | 0:49:20 | 0:49:23 | |
Will you...will you take Connor? | 0:49:42 | 0:49:45 | |
And leave you here? He is a friend. | 0:49:45 | 0:49:47 | |
Trust me. | 0:49:49 | 0:49:51 | |
You brought him here? | 0:50:03 | 0:50:05 | |
Why? | 0:50:05 | 0:50:06 | |
Miss Susan, you told me | 0:50:12 | 0:50:15 | |
and I had to ask him, | 0:50:15 | 0:50:17 | |
because he...he is my brother. | 0:50:17 | 0:50:20 | |
But, Gustus, he swore, | 0:50:21 | 0:50:23 | |
no, he hadn't, | 0:50:23 | 0:50:26 | |
and how could I believe this of him? | 0:50:26 | 0:50:28 | |
But I watched and I followed him... | 0:50:30 | 0:50:33 | |
..and I saw him, he put a bullet in that copper Thatcher. | 0:50:34 | 0:50:38 | |
Thatcher's dead? | 0:50:38 | 0:50:40 | |
Yes. | 0:50:40 | 0:50:41 | |
He put 'em both in the river, but I swum out and I brought Robin back. | 0:50:41 | 0:50:45 | |
SHE SIGHS | 0:50:48 | 0:50:50 | |
Oh, why did you bring him to me? | 0:50:53 | 0:50:55 | |
I've no-one else to go to... | 0:50:55 | 0:50:57 | |
..and I feel as... | 0:50:59 | 0:51:01 | |
as though something should be done | 0:51:01 | 0:51:04 | |
and Robin should be shown to someone as proof. | 0:51:04 | 0:51:09 | |
Augustus must be punished? | 0:51:09 | 0:51:11 | |
Yeah. | 0:51:14 | 0:51:16 | |
Why? | 0:51:18 | 0:51:20 | |
Because he has killed. | 0:51:20 | 0:51:22 | |
So have you, Nathaniel. | 0:51:22 | 0:51:24 | |
But not a pup. | 0:51:24 | 0:51:25 | |
Never a pup. | 0:51:29 | 0:51:31 | |
Killing is killing... | 0:51:31 | 0:51:33 | |
..and if... | 0:51:34 | 0:51:35 | |
..if Augustus must be punished... | 0:51:38 | 0:51:40 | |
..then you must. | 0:51:42 | 0:51:43 | |
All who kill... | 0:51:48 | 0:51:50 | |
must be punished. | 0:51:50 | 0:51:51 | |
I'm frightened, Miss Susan. | 0:52:00 | 0:52:03 | |
Perhaps... | 0:52:03 | 0:52:05 | |
HE SNIFFS | 0:52:05 | 0:52:07 | |
..perhaps I ought to go with you? | 0:52:07 | 0:52:09 | |
Whoa! | 0:52:18 | 0:52:20 | |
Thank you. Thank you, sir. | 0:52:28 | 0:52:30 | |
Walk on. | 0:52:30 | 0:52:32 | |
Miss Reid. | 0:52:49 | 0:52:51 | |
You did right to send for me, Inspector. | 0:52:52 | 0:52:54 | |
This him, then, is it? | 0:52:54 | 0:52:56 | |
Mr Abberline. | 0:52:56 | 0:52:58 | |
On another occasion, I should be grateful to meet you | 0:52:58 | 0:53:01 | |
and account for actions we here have taken | 0:53:01 | 0:53:03 | |
which I understand must surely fill you with horror. | 0:53:03 | 0:53:06 | |
But, our force, we comrades cannot be seen to fight among ourselves. | 0:53:06 | 0:53:10 | |
My, but you are silky and oiled, boy. | 0:53:12 | 0:53:15 | |
However, I'm not in your force no more | 0:53:15 | 0:53:19 | |
and even were I still, I would not call you my brother-man. | 0:53:19 | 0:53:24 | |
Then, sir, I think Inspector Drummond must have his men | 0:53:24 | 0:53:26 | |
escort you from these premises. | 0:53:26 | 0:53:29 | |
Mr Drummond. | 0:53:29 | 0:53:30 | |
You men, with me. | 0:53:30 | 0:53:32 | |
Gustus. | 0:53:33 | 0:53:34 | |
Good afternoon, Mr Dove. | 0:53:49 | 0:53:51 | |
Inspector Drummond, my name is Caitlin Swift, | 0:53:57 | 0:54:01 | |
and I wish to surrender myself to the police. | 0:54:01 | 0:54:04 | |
RAISED VOICES | 0:54:04 | 0:54:05 | |
My name is Nathaniel Croker... | 0:54:10 | 0:54:13 | |
..and I too wish to surrender myself to the police. | 0:54:15 | 0:54:18 | |
For what crime? | 0:54:18 | 0:54:20 | |
I'm sorry, Gustus. | 0:54:22 | 0:54:24 | |
I do not know you, sir. | 0:54:26 | 0:54:27 | |
Which crime? | 0:54:30 | 0:54:32 | |
Murder. PEOPLE TALK | 0:54:38 | 0:54:39 | |
Whose? RAISED VOICES | 0:54:40 | 0:54:42 | |
Leon Ratovski. | 0:54:46 | 0:54:47 | |
Rabbi Leon Ratovski. | 0:54:47 | 0:54:50 | |
RAISED VOICES | 0:54:50 | 0:54:51 | |
Other men, | 0:54:52 | 0:54:55 | |
whose names I did not know... | 0:54:55 | 0:54:58 | |
..and Mr Drake. | 0:55:03 | 0:55:04 | |
RAISED VOICES | 0:55:04 | 0:55:07 | |
He known to you, is he, Mr Dove? | 0:55:11 | 0:55:14 | |
He familiar? | 0:55:14 | 0:55:16 | |
I do not know this man. | 0:55:18 | 0:55:20 | |
Get 'em in. Men! | 0:55:27 | 0:55:29 | |
Get them in, all of them! Now! | 0:55:30 | 0:55:33 | |
Mathilda? What is it? What do you do? | 0:55:35 | 0:55:38 | |
Father, I think you must come. | 0:55:38 | 0:55:40 | |
RAISED VOICES | 0:55:43 | 0:55:45 | |
Just follow procedures, Mr Drummond. | 0:55:46 | 0:55:48 | |
All confessions to be writ, signed and witnessed. | 0:55:48 | 0:55:51 | |
Yes, sir. | 0:55:51 | 0:55:53 | |
Renshaw! Yes, sir. | 0:55:53 | 0:55:56 | |
You keep away! Right? | 0:55:56 | 0:55:58 | |
You keep away. Nathaniel. | 0:55:58 | 0:56:01 | |
Allow it. | 0:56:01 | 0:56:03 | |
They must see him. | 0:56:03 | 0:56:05 | |
Who is this boy? Gustus. | 0:56:29 | 0:56:33 | |
Please. | 0:56:33 | 0:56:35 | |
You know. | 0:56:35 | 0:56:36 | |
Yes, Mr Dove. | 0:56:38 | 0:56:40 | |
You know. GUN COCKS | 0:56:40 | 0:56:42 | |
I'll kill you, you son of a bitch. It is not worth the blood. | 0:56:42 | 0:56:45 | |
You taught him... | 0:56:47 | 0:56:49 | |
that he was the beast, did you not? | 0:56:49 | 0:56:52 | |
And that make you more able to suppress and disguise | 0:56:53 | 0:56:56 | |
your own monstrosity? | 0:56:56 | 0:56:58 | |
Take control of your station house, Inspector! | 0:56:59 | 0:57:03 | |
Barely have I known you ten minutes, boy, | 0:57:03 | 0:57:06 | |
and already the sound of your voice makes me want to shit! | 0:57:06 | 0:57:10 | |
Edmund. | 0:57:15 | 0:57:17 | |
Fred. | 0:57:17 | 0:57:18 | |
Samuel Drummond. | 0:57:22 | 0:57:24 | |
You see, your station house has been overtaken by its prisoners. | 0:57:24 | 0:57:28 | |
You are not to blame. You were overwhelmed, at gunpoint... | 0:57:30 | 0:57:34 | |
..and your captors then locked down the station house around you. | 0:57:38 | 0:57:41 | |
RAISED VOICES | 0:58:03 | 0:58:05 | |
I knew chaos and horror long before I came to Whitechapel. | 0:58:07 | 0:58:11 | |
Augustus knew it all. | 0:58:12 | 0:58:14 | |
You're going to leave her be, Drummond. | 0:58:14 | 0:58:16 | |
Caitlin! Think of what you and I once found. | 0:58:16 | 0:58:19 | |
You are needed here, Mr Reid. | 0:58:21 | 0:58:23 | |
Police. H Division. | 0:58:23 | 0:58:25 |