Browse content similar to 15/03/2016. Check below for episodes and series from the same categories and more!
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You and I both know there's a connection between us. | 0:00:21 | 0:00:23 | |
-Aw, Harry. -I can't ignore how I feel. | 0:00:23 | 0:00:26 | |
This is the guy you met? | 0:00:26 | 0:00:28 | |
I didn't find out until after we'd spent..... | 0:00:28 | 0:00:30 | |
After you... | 0:00:30 | 0:00:31 | |
It's negative. They got it all. They got all the cancer. | 0:00:31 | 0:00:34 | |
This is where it all begins, our family. | 0:00:34 | 0:00:36 | |
I'll go and get Stevie. All right? | 0:00:36 | 0:00:37 | |
-Bob, you cannae, it's coming right now. -What? | 0:00:37 | 0:00:40 | |
It's a baby! | 0:00:40 | 0:00:41 | |
I'm sorry I couldnae give you this. | 0:00:42 | 0:00:44 | |
Hope, I like that. | 0:00:44 | 0:00:45 | |
-Me too. -Looks like you've got a name. | 0:00:45 | 0:00:47 | |
Eileen might be onto something about Alasdair. | 0:00:47 | 0:00:51 | |
What would your dream job be? | 0:00:51 | 0:00:52 | |
-A doctor. -Maybe you should be a bit more realistic, sweetheart. | 0:00:52 | 0:00:56 | |
You need to believe in yourself, right, stay positive, | 0:00:56 | 0:00:58 | |
and don't take no for an answer. | 0:00:58 | 0:00:59 | |
I'm going to give her everything - love, stability, security. | 0:00:59 | 0:01:03 | |
Everything. | 0:01:03 | 0:01:04 | |
MUSIC: Mr Blue Sky by ELO | 0:01:10 | 0:01:12 | |
Were you sleeping? | 0:01:50 | 0:01:52 | |
Naw, I'm just back. | 0:01:52 | 0:01:53 | |
She took ages to get to sleep, man. | 0:01:54 | 0:01:56 | |
So what d'you think? | 0:01:57 | 0:01:58 | |
Aye, it's all right. Did we stay on budget? | 0:02:00 | 0:02:03 | |
More or less, aye. | 0:02:03 | 0:02:05 | |
How much more? | 0:02:05 | 0:02:06 | |
It wasnae that much. | 0:02:06 | 0:02:07 | |
A couple of hundred, or so. | 0:02:10 | 0:02:11 | |
-Or so? -It's fine, Stella. | 0:02:11 | 0:02:13 | |
Come on, let's get her in before she wakes up, eh? | 0:02:15 | 0:02:18 | |
Maybe we should just leave her if she's sleeping. | 0:02:18 | 0:02:21 | |
In the motor? | 0:02:21 | 0:02:22 | |
Aye, well, you can stay with her. | 0:02:22 | 0:02:24 | |
Go for a sleep yourself, if you want. | 0:02:24 | 0:02:26 | |
I cannae. | 0:02:26 | 0:02:27 | |
I need to organise The Ship for the party tonight. | 0:02:27 | 0:02:30 | |
Can Harry not do that? | 0:02:30 | 0:02:31 | |
I said I would. It's overtime for me. | 0:02:31 | 0:02:34 | |
OK, fine, take her in. | 0:02:36 | 0:02:37 | |
-It'll get easier. -I know. | 0:02:49 | 0:02:51 | |
Is one not enough for you? | 0:02:52 | 0:02:54 | |
So what do you think? | 0:02:57 | 0:02:58 | |
I think she's a lovely, lovely baby. | 0:03:00 | 0:03:03 | |
I meant the motor. | 0:03:03 | 0:03:05 | |
Is it yours? | 0:03:05 | 0:03:06 | |
Only had it half an hour, it's not even registered yet. | 0:03:06 | 0:03:09 | |
Have you registered HER yet? | 0:03:09 | 0:03:11 | |
Of course. | 0:03:11 | 0:03:12 | |
If Raymond was here, he'd be like a proud grandad. | 0:03:13 | 0:03:15 | |
Aye, he would. | 0:03:17 | 0:03:18 | |
So I'll just have to be proud for him. | 0:03:20 | 0:03:22 | |
Thanks, Eileen. | 0:03:22 | 0:03:23 | |
BABY CRIES | 0:03:23 | 0:03:24 | |
Oh! | 0:03:24 | 0:03:25 | |
I'll leave you to deal with that. | 0:03:26 | 0:03:28 | |
Thanks very much. See you later! | 0:03:28 | 0:03:30 | |
Right! | 0:03:33 | 0:03:34 | |
Ina must have been a lovely person, | 0:03:35 | 0:03:38 | |
nobody there had a bad word to say about her. | 0:03:38 | 0:03:41 | |
She had a hellish temper after a few gins. | 0:03:41 | 0:03:43 | |
LIZ CHUCKLES | 0:03:43 | 0:03:45 | |
That is hardly the way to talk about the recently interred. | 0:03:45 | 0:03:49 | |
But what a great send-off she had. | 0:03:49 | 0:03:51 | |
And the floral display, well, it fair took your breath away. | 0:03:51 | 0:03:55 | |
I thought it was a bit too much myself. | 0:03:55 | 0:03:57 | |
-How so? -You can always tell a guilty conscience | 0:03:57 | 0:04:00 | |
by the size of the wreaths. | 0:04:00 | 0:04:02 | |
I thought the choice of hymns was perfect. | 0:04:02 | 0:04:06 | |
# On a hill far away stood an old rugged cross. # | 0:04:06 | 0:04:11 | |
You have such a lovely voice, Alasdair - | 0:04:11 | 0:04:14 | |
everyone in the church must have heard it. | 0:04:14 | 0:04:17 | |
You couldn't miss it, right enough. | 0:04:17 | 0:04:19 | |
Well, I can't help but feel it. | 0:04:19 | 0:04:22 | |
When someone passes, I think they call it natural empathy. | 0:04:22 | 0:04:25 | |
Ah, well, you can call it what you like, but they're all the same, | 0:04:25 | 0:04:28 | |
these coffin chasers. | 0:04:28 | 0:04:30 | |
Never a word about the living, | 0:04:30 | 0:04:31 | |
but, oh, at the first sniff of a free buffet, they're there in a flash. | 0:04:31 | 0:04:35 | |
Molly, there's no need for that kind of talk. | 0:04:35 | 0:04:39 | |
I'm wounded. I merely attended as a shoulder for you ladies. | 0:04:39 | 0:04:43 | |
That's not much use if you're the one greetin'. | 0:04:43 | 0:04:45 | |
-HE CHUCKLES -I need to get going. | 0:04:45 | 0:04:47 | |
No, you don't have to. | 0:04:47 | 0:04:49 | |
No, it's fine, I have things to do. | 0:04:49 | 0:04:50 | |
I'm off round the church halls | 0:04:51 | 0:04:53 | |
to see if I can sniff out another free buffet. | 0:04:53 | 0:04:55 | |
How can you be so nasty to him? | 0:05:01 | 0:05:03 | |
He's only trying to be the gentleman. | 0:05:03 | 0:05:06 | |
I don't like a man who enjoys a funeral. | 0:05:06 | 0:05:09 | |
What can you possibly mean by that? | 0:05:10 | 0:05:13 | |
I don't know, but there's just... | 0:05:13 | 0:05:15 | |
There's just something about him | 0:05:15 | 0:05:17 | |
that does not ring true. | 0:05:17 | 0:05:19 | |
What do you think? | 0:05:26 | 0:05:27 | |
It's fine. | 0:05:27 | 0:05:28 | |
Look, just hurry up, it's freezing. Come on! | 0:05:28 | 0:05:31 | |
What, big deal, is it? This St Patrick's Day thing? | 0:05:34 | 0:05:38 | |
It's the first time we've ever tried it. | 0:05:38 | 0:05:40 | |
Eileen's idea - anything for a profit. | 0:05:40 | 0:05:43 | |
Hey, I heard that, Stevie Burns. | 0:05:43 | 0:05:45 | |
What? Am I wrong? | 0:05:45 | 0:05:47 | |
-When was the last time you got some sleep? -I'm fine. | 0:05:48 | 0:05:50 | |
Go home, have a nap. | 0:05:50 | 0:05:52 | |
I need you fresh for tonight. | 0:05:52 | 0:05:54 | |
Me and Harry can manage. | 0:05:54 | 0:05:56 | |
Sorry. | 0:05:56 | 0:05:57 | |
Sorry, mate, just a short fuse today. | 0:05:57 | 0:05:59 | |
There she is, my wee sweetheart. | 0:06:01 | 0:06:03 | |
Oh, thanks. I've brought the wean, an' all. | 0:06:03 | 0:06:05 | |
She's a wee cutie pie, aren't you? | 0:06:05 | 0:06:07 | |
A what? | 0:06:07 | 0:06:09 | |
You're just a wee sweetie. | 0:06:09 | 0:06:10 | |
Bob, she's not a dog. | 0:06:11 | 0:06:13 | |
Aye? Sorry. | 0:06:13 | 0:06:14 | |
She is lovely, though. | 0:06:15 | 0:06:16 | |
Aye, well, not so lovely when she's waking up at four in the morning screaming. | 0:06:16 | 0:06:19 | |
Do you do that? Do you? | 0:06:19 | 0:06:21 | |
Aye, Stevie usually gets up, I'm useless. | 0:06:21 | 0:06:23 | |
I wouldnae mind. | 0:06:23 | 0:06:25 | |
I know you wouldnae. | 0:06:27 | 0:06:28 | |
It must be hard work. | 0:06:30 | 0:06:32 | |
But if you need a hand, just give me a shout. | 0:06:32 | 0:06:35 | |
Although I'm sure Stevie would have something to say about that. | 0:06:35 | 0:06:38 | |
Er, you brought her into this world, I want you to be a part of her life. | 0:06:38 | 0:06:41 | |
You know what he's like. | 0:06:41 | 0:06:42 | |
Well, he's got two women getting him told now, sure he does, | 0:06:42 | 0:06:45 | |
and we want to see plenty of Uncle Bob. | 0:06:45 | 0:06:47 | |
Uncle Bob, eh? | 0:06:47 | 0:06:48 | |
Did you hear that, pal? Bob's your uncle. | 0:06:48 | 0:06:51 | |
Oh, hold on. | 0:06:52 | 0:06:53 | |
I got this for her. | 0:06:55 | 0:06:57 | |
-What is it? -Open it. | 0:06:57 | 0:06:58 | |
It's a cheque for her savings account, | 0:07:03 | 0:07:04 | |
for when you open one in her name. | 0:07:04 | 0:07:06 | |
That's far too much. | 0:07:06 | 0:07:07 | |
Away you go. | 0:07:07 | 0:07:08 | |
I can afford it - | 0:07:08 | 0:07:09 | |
nothing's too much for my favourite niece. | 0:07:09 | 0:07:12 | |
-Thank you. -Nae bother. | 0:07:14 | 0:07:16 | |
So how you getting on the day, then, eh? | 0:07:43 | 0:07:45 | |
Did you hear what I said? | 0:07:48 | 0:07:50 | |
Where you going? | 0:07:51 | 0:07:52 | |
Up to my room. | 0:07:52 | 0:07:53 | |
If you can't talk to your mammy... | 0:07:53 | 0:07:56 | |
who can you talk to? | 0:07:56 | 0:07:57 | |
OK, so what's up with you? | 0:08:06 | 0:08:08 | |
It's bad enough without you pretending to care. | 0:08:08 | 0:08:11 | |
Suit yourself. | 0:08:11 | 0:08:12 | |
I never got a work-experience place. | 0:08:15 | 0:08:17 | |
How did you manage that? | 0:08:17 | 0:08:19 | |
Me? Well, I made sure I applied for all the ones that would be full up. | 0:08:19 | 0:08:22 | |
Er, less of the attitude, lady. | 0:08:22 | 0:08:24 | |
It's not me that messed up. | 0:08:24 | 0:08:25 | |
What you going to do? | 0:08:28 | 0:08:29 | |
Take a leaf out your book and pretend it never happened. | 0:08:30 | 0:08:34 | |
You could come and work with me if you like. | 0:08:34 | 0:08:36 | |
You? | 0:08:36 | 0:08:38 | |
I'm sure Eileen wouldnae mind. | 0:08:38 | 0:08:40 | |
"Toilet cleaner." That'll get me into uni. They'll be queuing up. | 0:08:40 | 0:08:44 | |
Come on, it'll be great, you and me working together. | 0:08:44 | 0:08:46 | |
I'll find something else, thanks for the inspiration. | 0:08:46 | 0:08:48 | |
Oh, don't mention it, Your Highness. | 0:08:48 | 0:08:50 | |
Good luck with becoming a brain surgeon. | 0:08:50 | 0:08:52 | |
Cheers, mate. | 0:09:38 | 0:09:39 | |
So how much did you give her? | 0:09:41 | 0:09:44 | |
What? | 0:09:44 | 0:09:45 | |
Stella, how much? | 0:09:45 | 0:09:47 | |
Doesnae matter. | 0:09:47 | 0:09:48 | |
Where'd you get the money? | 0:09:49 | 0:09:51 | |
That's my business. | 0:09:51 | 0:09:53 | |
Did you borrow it? | 0:09:53 | 0:09:55 | |
I mean, I know you're not exactly flush. | 0:09:55 | 0:09:57 | |
Look, it's important to me, all right? | 0:09:57 | 0:09:59 | |
It's just I've been badly let down by my other applications. | 0:10:06 | 0:10:09 | |
Why didn't you ask me in the first place? | 0:10:09 | 0:10:11 | |
Well, I didn't think that... | 0:10:11 | 0:10:12 | |
I wasn't sure it would be appropriate. | 0:10:14 | 0:10:16 | |
Look, stop playing hard to get. | 0:10:16 | 0:10:18 | |
She's only after a bit of work experience, not a medical degree. | 0:10:18 | 0:10:21 | |
Can you make a decent cup of coffee? | 0:10:21 | 0:10:22 | |
The best. | 0:10:22 | 0:10:24 | |
Then you're hired. | 0:10:24 | 0:10:25 | |
Hang on, you don't get to decide. | 0:10:25 | 0:10:27 | |
Just ignore her. She's trying to seem important. | 0:10:27 | 0:10:29 | |
Just ignore him. He's got ideas above his station. | 0:10:29 | 0:10:32 | |
Well, you know how much I respect you as a doctor. | 0:10:32 | 0:10:34 | |
I'd love to get a chance to learn from someone like you. | 0:10:34 | 0:10:37 | |
Mm! | 0:10:37 | 0:10:38 | |
You hear that? | 0:10:38 | 0:10:39 | |
I AM important. | 0:10:39 | 0:10:40 | |
When do you need to start? | 0:10:41 | 0:10:43 | |
Tomorrow? | 0:10:43 | 0:10:44 | |
Why don't you come and work with me for a whole week? | 0:10:44 | 0:10:47 | |
That would be amazing, thank you so much! | 0:10:47 | 0:10:49 | |
I need a word. | 0:11:01 | 0:11:03 | |
What is it? | 0:11:03 | 0:11:05 | |
We can't accept this. | 0:11:05 | 0:11:06 | |
-Look, Stevie... -It's too much, Bob. | 0:11:07 | 0:11:09 | |
Take it back. | 0:11:09 | 0:11:10 | |
Stella seemed quite happy. | 0:11:10 | 0:11:12 | |
Maybe she didn't want to hurt your feelings. | 0:11:12 | 0:11:14 | |
-That's not true. -How would you know? | 0:11:14 | 0:11:16 | |
Fair enough. | 0:11:18 | 0:11:19 | |
I'll get her something else, then. | 0:11:19 | 0:11:21 | |
-Don't bother. -Look, what is your problem, eh? | 0:11:21 | 0:11:23 | |
I'm happy for you, for the pair of you. | 0:11:23 | 0:11:25 | |
-Don't give us all that, I know your game. -"Game"? | 0:11:25 | 0:11:28 | |
This is my family. | 0:11:28 | 0:11:30 | |
Oh, right. | 0:11:30 | 0:11:31 | |
So you think I'm trying to muscle in on your wee family? | 0:11:31 | 0:11:33 | |
Do you think I'm daft? | 0:11:33 | 0:11:35 | |
All your "Uncle Bob" guff. | 0:11:35 | 0:11:37 | |
I don't want you round my wean. | 0:11:37 | 0:11:39 | |
It's not like that. I'm only trying to help. | 0:11:39 | 0:11:41 | |
You heard me. | 0:11:41 | 0:11:42 | |
It's nothing like that! | 0:11:42 | 0:11:43 | |
Same again, please. | 0:11:46 | 0:11:47 | |
He's getting us another one, what's he up to? | 0:11:49 | 0:11:51 | |
I think you'll find it's called generosity. | 0:11:51 | 0:11:54 | |
-SHE CHUCKLES -He's after something, | 0:11:54 | 0:11:57 | |
I'm telling you. | 0:11:57 | 0:11:58 | |
I thought he was supposed to be your friend. | 0:11:58 | 0:12:01 | |
A friend of a friend - I met him at another poker night. | 0:12:01 | 0:12:05 | |
Well, who brought him along that time? | 0:12:05 | 0:12:08 | |
Well, Effie said she just mentioned our poker nights in the passing. | 0:12:08 | 0:12:12 | |
Next thing, there he is. | 0:12:12 | 0:12:13 | |
I don't know why you always have to find the worst in people. | 0:12:14 | 0:12:18 | |
Here you are, ladies, the best cognac the house can offer. | 0:12:18 | 0:12:23 | |
Oh, you shouldnae have bothered, I'm quite happy with the cheap stuff. | 0:12:23 | 0:12:26 | |
I'm sure she'll find a place for it, though. | 0:12:26 | 0:12:29 | |
To life. | 0:12:30 | 0:12:31 | |
Life. | 0:12:32 | 0:12:34 | |
-There you go, mate. -Cheers. | 0:12:42 | 0:12:43 | |
Hey, watch it, pal. | 0:12:45 | 0:12:47 | |
Sorry, mate. | 0:12:47 | 0:12:49 | |
There he is, the new dad. | 0:12:50 | 0:12:51 | |
Congratulations! What you after? | 0:12:53 | 0:12:55 | |
Eh? No, I'm meant to be working, man. | 0:12:55 | 0:12:57 | |
Oh, come on, you can have one, to celebrate. | 0:12:57 | 0:12:59 | |
-A bottle of beer please, Harry? -I'll be there in a minute. | 0:12:59 | 0:13:01 | |
Better add a large malt to that. | 0:13:01 | 0:13:03 | |
Molly sent me over to stand young Steven here a drink | 0:13:03 | 0:13:06 | |
to wet the baby's head. | 0:13:06 | 0:13:08 | |
Cheers! | 0:13:08 | 0:13:09 | |
DOGS BARKING | 0:13:09 | 0:13:10 | |
What are you doing out? | 0:13:21 | 0:13:22 | |
I know, it's a pure riot, man. | 0:13:23 | 0:13:25 | |
But the fresh air is the only thing that sends her to sleep, so... | 0:13:25 | 0:13:27 | |
What's up with you? | 0:13:29 | 0:13:31 | |
Look, I don't want to cause any hassle between you and Stevie, | 0:13:32 | 0:13:35 | |
-all right? -You're not. | 0:13:35 | 0:13:36 | |
I don't think he sees it like that. | 0:13:36 | 0:13:38 | |
Bob, he was always going to have a mad thing about you and me, but... | 0:13:38 | 0:13:41 | |
He'll get over it. | 0:13:41 | 0:13:42 | |
And I never meant to embarrass you with the cheque, either. | 0:13:42 | 0:13:45 | |
-Is that what he said to you? -He gave me it back. | 0:13:45 | 0:13:48 | |
He what? | 0:13:48 | 0:13:49 | |
Listen, I had absolutely nothing to do with that. | 0:13:51 | 0:13:53 | |
That really meant a lot to me. | 0:13:53 | 0:13:54 | |
What did he say to you? | 0:13:56 | 0:13:57 | |
He said that you didn't want to hurt my feelings. | 0:13:57 | 0:14:00 | |
Oh, really? | 0:14:00 | 0:14:01 | |
Right, will you watch the wean a minute? | 0:14:03 | 0:14:04 | |
There's a couple more behind the bar. | 0:14:11 | 0:14:13 | |
Seems you have a lot of friends. | 0:14:13 | 0:14:14 | |
Did you get your drink? | 0:14:17 | 0:14:18 | |
I did, Molly, aye, that was really good of you. Thanks. | 0:14:18 | 0:14:21 | |
Pleasure, son. | 0:14:21 | 0:14:22 | |
Hard at it, aye? | 0:14:28 | 0:14:29 | |
Where's the wean? | 0:14:30 | 0:14:31 | |
Bob's watching her outside. | 0:14:31 | 0:14:32 | |
You had nae right to give that present back. | 0:14:34 | 0:14:36 | |
Can we not do this the now? | 0:14:36 | 0:14:38 | |
Oh sorry, I forgot. You're busy "working". | 0:14:38 | 0:14:40 | |
I only took five minutes. Harry covered. | 0:14:40 | 0:14:42 | |
And who's covering for me, while you're in here enjoying yourself? | 0:14:42 | 0:14:45 | |
I'm going back to work in a minute. | 0:14:45 | 0:14:47 | |
Leave Bob alone. | 0:14:47 | 0:14:48 | |
Whatever he wants to do for the wean's fine by me, | 0:14:48 | 0:14:50 | |
do you hear me? | 0:14:50 | 0:14:52 | |
I hear you. | 0:14:52 | 0:14:53 | |
Good. | 0:14:53 | 0:14:54 | |
I wouldnae let my missus speak to me like that. | 0:14:58 | 0:15:01 | |
Especially in front of all these folk. | 0:15:01 | 0:15:02 | |
Do I know you? | 0:15:04 | 0:15:05 | |
Just saying. | 0:15:05 | 0:15:06 | |
Well, see in future, keep your opinions to yourself, all right? | 0:15:06 | 0:15:09 | |
HE LAUGHS | 0:15:09 | 0:15:10 | |
You all right? | 0:15:24 | 0:15:26 | |
Aye. Everything all right? | 0:15:26 | 0:15:28 | |
Fine. | 0:15:28 | 0:15:29 | |
If you still want to give her that present, that's absolutely fine. | 0:15:29 | 0:15:32 | |
You were still going to get it anyway. | 0:15:32 | 0:15:35 | |
I was going to give it to my ma to give to you. | 0:15:35 | 0:15:36 | |
Thanks. | 0:15:38 | 0:15:39 | |
It's dead nice of you. | 0:15:39 | 0:15:41 | |
Nae bother. | 0:15:41 | 0:15:42 | |
-See you. -See you later. | 0:15:42 | 0:15:44 | |
That was the time I played Archie Rice in "The Entertainer" | 0:15:48 | 0:15:51 | |
for the Barony Players in Perth. | 0:15:51 | 0:15:53 | |
Some said it was like seeing Olivier come back to life. | 0:15:53 | 0:15:56 | |
Others less kindly observed that he would be turning in his grave | 0:15:57 | 0:16:01 | |
so much that he would have been working his way back to the surface. | 0:16:01 | 0:16:04 | |
HE AND LIZ LAUGH | 0:16:04 | 0:16:07 | |
You'll need to show us sometime. | 0:16:07 | 0:16:09 | |
Well, it was a long time ago, and long forgotten. | 0:16:09 | 0:16:12 | |
Well, thank you for walking us home. | 0:16:16 | 0:16:19 | |
How are you getting home? | 0:16:20 | 0:16:22 | |
I'll get a taxi in the street. | 0:16:23 | 0:16:26 | |
Where to? | 0:16:26 | 0:16:27 | |
The West End. | 0:16:27 | 0:16:28 | |
What's the address? | 0:16:28 | 0:16:29 | |
Roxburgh Street. | 0:16:31 | 0:16:33 | |
I have a four-bedroom flat, in a lovely tenement, | 0:16:33 | 0:16:36 | |
massive bay window, garden flat attached. | 0:16:36 | 0:16:40 | |
Though it does sometimes get a bit lonesome, | 0:16:40 | 0:16:42 | |
rattling about in a big empty place on your own. | 0:16:42 | 0:16:45 | |
And so, to bed. Good night, ladies. | 0:16:45 | 0:16:49 | |
Good night, Alasdair. | 0:16:49 | 0:16:51 | |
Surely you believe him now? He gave an address. | 0:16:54 | 0:16:58 | |
I once gave my address as Buckingham Palace. | 0:16:59 | 0:17:01 | |
Cheers. | 0:17:06 | 0:17:07 | |
Having another, mate? | 0:17:07 | 0:17:08 | |
Er, aye, go for it. | 0:17:08 | 0:17:10 | |
Harry, go get us a couple of beers when you're ready, pal. | 0:17:10 | 0:17:13 | |
Hey, I was next, pal. | 0:17:13 | 0:17:14 | |
Er, in a minute, yeah? | 0:17:14 | 0:17:16 | |
No, you'll serve me now. | 0:17:16 | 0:17:18 | |
-In a minute. -What are you waiting for? | 0:17:18 | 0:17:20 | |
Oh! Calm down. | 0:17:20 | 0:17:21 | |
Or what? You'll set your wife on me? | 0:17:21 | 0:17:23 | |
That's it! | 0:17:26 | 0:17:28 | |
Who d'you think you are? | 0:17:28 | 0:17:29 | |
I'm the manager, and you're out. | 0:17:29 | 0:17:31 | |
Move, you're barred. | 0:17:31 | 0:17:32 | |
-Stevie. -You let it get out of hand. | 0:17:35 | 0:17:37 | |
Don't let that happen again, d'you hear me? | 0:17:37 | 0:17:39 | |
And a couple of more beers. | 0:17:42 | 0:17:43 | |
Is that you sleeping again? | 0:17:55 | 0:17:56 | |
What are you like? | 0:17:56 | 0:17:58 | |
Your daddy'll be home soon. | 0:17:59 | 0:18:01 | |
That's the front door bolted. | 0:18:10 | 0:18:12 | |
Let's get all this cleaned up, an' all. | 0:18:13 | 0:18:15 | |
Just leave it for the morning, I think. | 0:18:15 | 0:18:17 | |
Aye. | 0:18:17 | 0:18:18 | |
In future, if you've got a problem with me, | 0:18:18 | 0:18:21 | |
I'd appreciate a bit of privacy, OK? | 0:18:21 | 0:18:23 | |
What? | 0:18:24 | 0:18:25 | |
Look, there's no need to have a go in front of everybody. | 0:18:25 | 0:18:28 | |
Aye, well. | 0:18:28 | 0:18:30 | |
Maybe you're right, I'm sorry. | 0:18:31 | 0:18:32 | |
I'll lock up. | 0:18:34 | 0:18:35 | |
I'll do it. | 0:18:35 | 0:18:37 | |
"I have of late, wherefore I know not, lost all my mirth." | 0:19:24 | 0:19:28 | |
HE CHUCKLES | 0:19:30 | 0:19:32 | |
"What a piece of work is a man..." | 0:19:33 | 0:19:35 | |
Drunk enough to face your missus? | 0:19:40 | 0:19:42 | |
Listen, I don't want any bother, all right? | 0:19:42 | 0:19:45 | |
Well you should have thought about that before you started chucking your weight about. | 0:19:45 | 0:19:48 | |
I'm having you, pal. | 0:19:48 | 0:19:49 | |
All right? | 0:20:10 | 0:20:12 | |
Look at the state of you. | 0:20:12 | 0:20:14 | |
I know. Folk kept plying me with drink. | 0:20:14 | 0:20:16 | |
Oh, that's great, that, isn't it? | 0:20:16 | 0:20:18 | |
I'm a wee bit shook up. | 0:20:18 | 0:20:19 | |
How, what happened? | 0:20:20 | 0:20:21 | |
Some bampot tried to jump me outside the pub. | 0:20:21 | 0:20:24 | |
Somebody tried to jump you? | 0:20:24 | 0:20:25 | |
It's fine. | 0:20:25 | 0:20:26 | |
He came at me once and I skelped him, that was it. | 0:20:26 | 0:20:29 | |
Are you all right? | 0:20:29 | 0:20:30 | |
It's fine, honestly, it was nothing. | 0:20:30 | 0:20:32 | |
I put him in his place and he was nae more bother after that. | 0:20:32 | 0:20:35 | |
Away you go to your bed. | 0:20:36 | 0:20:38 | |
Aye, that's like a good idea. | 0:20:38 | 0:20:39 | |
Sorry. | 0:20:40 | 0:20:42 | |
Aw, she is adorable. Isn't she gorgeous? | 0:20:47 | 0:20:50 | |
Even a hint of Winston Churchill. | 0:20:50 | 0:20:52 | |
Ho, you can't say that! | 0:20:52 | 0:20:54 | |
I was joking. | 0:20:54 | 0:20:56 | |
Here. A wee penny for her. | 0:20:56 | 0:20:58 | |
Aw, thanks, Robbie. | 0:20:58 | 0:20:59 | |
Aww! | 0:20:59 | 0:21:00 | |
Oh, she really is lovely. | 0:21:00 | 0:21:02 | |
I know. | 0:21:02 | 0:21:03 | |
-Right, I'll see you later. -See you later. -Bye, Patrick. -See you later. | 0:21:03 | 0:21:06 | |
Ooft. | 0:21:08 | 0:21:09 | |
Thought you'd still be in bed. How's the head? | 0:21:12 | 0:21:14 | |
Oh, don't ask. A fry-up'll sort it out. | 0:21:14 | 0:21:16 | |
Listen, I'm sorry about last night. It was just... | 0:21:17 | 0:21:20 | |
The party, I got carried away. | 0:21:20 | 0:21:23 | |
I don't mind you letting off steam. | 0:21:23 | 0:21:24 | |
But this thing with Bob... | 0:21:25 | 0:21:27 | |
D'you want me to take her? | 0:21:28 | 0:21:29 | |
No, it's fine, you go and get your breakfast, | 0:21:29 | 0:21:32 | |
you look like you need it. | 0:21:32 | 0:21:33 | |
-I love you. -Love you. | 0:21:36 | 0:21:38 | |
Oh, she's so lovely, isn't she? | 0:21:46 | 0:21:48 | |
Here. Madonna. | 0:21:50 | 0:21:51 | |
Put that in baby Hope's pram. | 0:21:53 | 0:21:54 | |
Look, Scarlett, I'm really sorry. | 0:22:03 | 0:22:04 | |
Sorry, just being daft. | 0:22:06 | 0:22:08 | |
No, you're not. | 0:22:08 | 0:22:09 | |
She's so beautiful. | 0:22:10 | 0:22:11 | |
And you so deserve her, you and Stevie, | 0:22:14 | 0:22:17 | |
after everything you've been through. | 0:22:17 | 0:22:19 | |
Thanks. | 0:22:20 | 0:22:21 | |
And thank you, Madonna. | 0:22:23 | 0:22:24 | |
I'll need to have some more babies, I'll be rich. | 0:22:24 | 0:22:27 | |
Aye, she'll be emptying your bank account, soon enough. | 0:22:27 | 0:22:29 | |
-Just like this one. -THEY CHUCKLE | 0:22:29 | 0:22:31 | |
Are you feeling better now? | 0:22:33 | 0:22:34 | |
Aye, I'm all right, doll. | 0:22:35 | 0:22:36 | |
A lot better than the last time you saw me, anyway. | 0:22:36 | 0:22:39 | |
That wasnae pretty. | 0:22:39 | 0:22:41 | |
Aye, your big brother was a hero that day, by the way. | 0:22:41 | 0:22:43 | |
Right, we better go soon and get you something for your playpiece, eh? | 0:22:45 | 0:22:49 | |
Say cheerio to baby Hope. | 0:22:49 | 0:22:51 | |
Bye, Hope. | 0:22:51 | 0:22:52 | |
See you later. | 0:22:52 | 0:22:54 | |
See you later. | 0:22:54 | 0:22:55 | |
Hello! | 0:23:12 | 0:23:13 | |
Aw, is she sleeping? | 0:23:13 | 0:23:15 | |
Aye, at last. She always seems to sleep when I walk her. | 0:23:15 | 0:23:18 | |
I forgot to give you a penny last time I saw her. | 0:23:18 | 0:23:20 | |
Don't be daft, it's been raining pennies. | 0:23:20 | 0:23:22 | |
Saw the polis outside, is everything all right? | 0:23:24 | 0:23:26 | |
Oh, they found some poor guy lying outside the pub last night, unconscious. | 0:23:26 | 0:23:30 | |
-Is he OK? -In a coma, apparently. | 0:23:31 | 0:23:33 | |
He'd been drinking, | 0:23:33 | 0:23:34 | |
so they're trying to work out if he's been in here or another pub. | 0:23:34 | 0:23:37 | |
I don't suppose Stevie mentioned anything? | 0:23:37 | 0:23:40 | |
No, he's... He's still out of it from last night. | 0:23:40 | 0:23:43 | |
Do they know what happened? | 0:23:43 | 0:23:44 | |
That's what they're trying to figure out, | 0:23:44 | 0:23:46 | |
whether he fell or whether he'd been assaulted. | 0:23:46 | 0:23:48 | |
-Assaulted? -He was drunk. | 0:23:50 | 0:23:51 | |
He probably fell and banged his head. | 0:23:51 | 0:23:53 | |
Are you OK? You look really pale. | 0:23:54 | 0:23:57 | |
She's had me up all night. | 0:23:57 | 0:23:59 | |
They do that. | 0:23:59 | 0:24:00 | |
It passes. | 0:24:00 | 0:24:02 | |
In about five years. | 0:24:02 | 0:24:04 | |
Eileen, I'm going to need to go, OK? I'll see you later. | 0:24:04 | 0:24:06 | |
Sure. Right, here. | 0:24:06 | 0:24:08 | |
Stevie? | 0:24:17 | 0:24:19 | |
What's up? | 0:24:19 | 0:24:20 | |
That guy that jumped you last night? | 0:24:22 | 0:24:23 | |
What's happened? | 0:24:23 | 0:24:25 | |
The polis have been to see Eileen. | 0:24:25 | 0:24:27 | |
The polis? | 0:24:27 | 0:24:28 | |
He was found lying on the ground unconscious. He's in a coma. | 0:24:28 | 0:24:31 | |
How can he be in a coma? | 0:24:34 | 0:24:35 | |
Well, I don't know, do I? | 0:24:35 | 0:24:36 | |
It was one punch. | 0:24:38 | 0:24:39 | |
He came for me, I threw a punch, that was it. | 0:24:40 | 0:24:42 | |
-Well, how hard did you hit him? -Not hard! | 0:24:42 | 0:24:45 | |
Not THAT hard. | 0:24:46 | 0:24:47 | |
Did he fall and hit his head or something? | 0:24:48 | 0:24:50 | |
Well, it was just a blur. He fell, I legged it. | 0:24:53 | 0:24:56 | |
Stevie... | 0:24:56 | 0:24:57 | |
What was I meant to do? | 0:24:57 | 0:24:59 | |
Keep your voice down. | 0:24:59 | 0:25:00 | |
He was coming for me. I lashed out, just the once. | 0:25:00 | 0:25:03 | |
He fell, that was it. | 0:25:03 | 0:25:04 | |
You didn't check him? After he fell? | 0:25:04 | 0:25:06 | |
No. I didn't want to get in a fight, so I bolted. | 0:25:06 | 0:25:09 | |
The polis are wanting to find out what happened. | 0:25:09 | 0:25:11 | |
And they're asking questions. | 0:25:11 | 0:25:12 | |
Who was this guy anyway? Did you know him? | 0:25:14 | 0:25:16 | |
Never seen him before. | 0:25:16 | 0:25:18 | |
What if he's married? | 0:25:19 | 0:25:20 | |
-What if he's got a family? -All right. | 0:25:21 | 0:25:23 | |
Nae need to make it worse. | 0:25:24 | 0:25:26 | |
The guy's in a coma, Stevie. How could it be worse? | 0:25:26 | 0:25:29 | |
Oh, no. | 0:25:30 | 0:25:32 | |
-Hey! -Hi! | 0:25:38 | 0:25:39 | |
You're up early. | 0:25:39 | 0:25:40 | |
Yeah, I'm starting a week's work experience. | 0:25:40 | 0:25:43 | |
With your mum. | 0:25:43 | 0:25:44 | |
Are you now? | 0:25:44 | 0:25:45 | |
Well, that... | 0:25:45 | 0:25:46 | |
will be an experience for you. | 0:25:46 | 0:25:48 | |
I'm really nervous about it. | 0:25:48 | 0:25:50 | |
-You're smarter than the lot of them. -Oh, I doubt that. | 0:25:50 | 0:25:52 | |
You'll see. | 0:25:52 | 0:25:53 | |
After a week, they won't want to lose you. | 0:25:53 | 0:25:55 | |
So what're you going to be doing? | 0:25:55 | 0:25:57 | |
She didn't say. | 0:25:57 | 0:25:59 | |
Be great if I was, like, shadowing her, or something like that. | 0:25:59 | 0:26:01 | |
Well, it does get busy, so... | 0:26:02 | 0:26:04 | |
maybe don't get your hopes up too much. | 0:26:04 | 0:26:06 | |
-Bye. -See you. | 0:26:08 | 0:26:10 | |
Sorry about the mess. | 0:26:21 | 0:26:23 | |
Listen, was there a guy in here last night. Erm... | 0:26:23 | 0:26:26 | |
Short dark hair, 5'8". He was wearing a leather jacket. | 0:26:26 | 0:26:29 | |
Yeah, sounds like the bloke that got up Stevie's nose. | 0:26:29 | 0:26:31 | |
So he was here? | 0:26:31 | 0:26:33 | |
He was a bit tight. | 0:26:33 | 0:26:35 | |
Short fuse. | 0:26:35 | 0:26:36 | |
I could've handled him OK, but then... | 0:26:36 | 0:26:38 | |
Stevie threw him out. | 0:26:38 | 0:26:40 | |
-Stevie did? -Yeah, chucked him out the door. | 0:26:40 | 0:26:42 | |
Was he rough with the guy? | 0:26:42 | 0:26:44 | |
I thought he overreacted a little. | 0:26:44 | 0:26:46 | |
I mean, he had had a few, so. | 0:26:47 | 0:26:48 | |
Listen will you get this mess cleared up? I need to go out. | 0:26:50 | 0:26:52 | |
Yeah, sure. Anything else I can do? | 0:26:53 | 0:26:55 | |
Not just now, but... | 0:26:55 | 0:26:56 | |
..don't speak to anyone about this until I've talked to Stevie. | 0:26:57 | 0:27:00 | |
Maybe you should go and speak to the polis. | 0:27:06 | 0:27:08 | |
What? And confess? | 0:27:08 | 0:27:09 | |
I punched a guy into a coma? | 0:27:09 | 0:27:11 | |
But you could at least try and explain. | 0:27:11 | 0:27:13 | |
-Then it won't look as if you're trying to hide anything. -I'm not. | 0:27:13 | 0:27:16 | |
But they won't see it that way. | 0:27:16 | 0:27:17 | |
PHONE BEEPS | 0:27:18 | 0:27:19 | |
What is it? | 0:27:23 | 0:27:24 | |
Eileen wants to talk to me. | 0:27:25 | 0:27:27 | |
-I'm coming with you. -No, it's better if you stay here. | 0:27:27 | 0:27:29 | |
-Why? -Because I'm not dragging Hope into all this. | 0:27:29 | 0:27:32 | |
It's my problem, I'll sort it, all right? | 0:27:32 | 0:27:34 | |
I'm always the same after a funeral. | 0:27:42 | 0:27:44 | |
I was up all night, couldn't sleep. | 0:27:45 | 0:27:46 | |
Every time I closed my eyes, it was me in that coffin, | 0:27:46 | 0:27:49 | |
being lowered into the ground. | 0:27:49 | 0:27:51 | |
Well, that's a cheery way to start the day! | 0:27:51 | 0:27:54 | |
Which is why I got up this morning, | 0:27:54 | 0:27:57 | |
and started on this. | 0:27:57 | 0:27:58 | |
What is it? | 0:27:58 | 0:28:00 | |
My bucket list. | 0:28:00 | 0:28:01 | |
Life's too short, and we're running out of time. | 0:28:01 | 0:28:04 | |
A bucket what? | 0:28:04 | 0:28:05 | |
A bucket list, never heard of that? | 0:28:05 | 0:28:07 | |
It's a list of ambitions that you'd like to fulfil before you die. | 0:28:07 | 0:28:13 | |
All contributions welcome. | 0:28:13 | 0:28:14 | |
What sort of ambitions? | 0:28:14 | 0:28:16 | |
Big ones - the bigger the better. | 0:28:16 | 0:28:17 | |
A trip across Europe on the Orient Express, | 0:28:18 | 0:28:22 | |
except I'll never be able to afford that. | 0:28:22 | 0:28:24 | |
You have to think much bigger than that, Liz. | 0:28:24 | 0:28:27 | |
You know, I've always regretted never having climbed Everest. | 0:28:27 | 0:28:32 | |
I nearly did once. | 0:28:32 | 0:28:33 | |
You never tried to climb Everest. | 0:28:33 | 0:28:36 | |
Oh, yes, I did. | 0:28:36 | 0:28:37 | |
When were you there? What did you do? | 0:28:37 | 0:28:41 | |
It was in the early '70s, when I was at St Andrews University. | 0:28:41 | 0:28:45 | |
We made it as far as the base camp, but then, stymied by the weather. | 0:28:45 | 0:28:48 | |
St Andrews, eh? | 0:28:48 | 0:28:50 | |
Who else was on the expedition with you? Sherpa Tensing? | 0:28:50 | 0:28:54 | |
I've got one. Write it down. | 0:28:57 | 0:28:59 | |
Fire away. | 0:29:00 | 0:29:01 | |
I have always fancied a tour of one those big houses in the West End. | 0:29:02 | 0:29:09 | |
Oh! | 0:29:09 | 0:29:10 | |
Maybe you could show me round yours? | 0:29:10 | 0:29:12 | |
Well, if you don't want to take this seriously... | 0:29:13 | 0:29:16 | |
It's a bit of a blur. | 0:29:21 | 0:29:22 | |
I had a run in with him, on the way home. | 0:29:23 | 0:29:25 | |
After you locked up? | 0:29:26 | 0:29:28 | |
He was waiting on me. | 0:29:28 | 0:29:29 | |
I thought cos I chucked him out he was going to go for me. | 0:29:30 | 0:29:33 | |
I mean, he even said "I'm having you, pal", | 0:29:33 | 0:29:35 | |
so I skelped him. | 0:29:35 | 0:29:37 | |
And you just left him there? | 0:29:38 | 0:29:39 | |
You didn't go and check he was OK? | 0:29:39 | 0:29:41 | |
I thought he was going to leather me. | 0:29:41 | 0:29:43 | |
I was glad to get away. | 0:29:43 | 0:29:44 | |
Stevie. | 0:29:44 | 0:29:46 | |
The police think the guy might not make it. It's touch-and-go! | 0:29:46 | 0:29:49 | |
How could this happen? | 0:29:50 | 0:29:52 | |
Maybe if you go to the police and you tell them the truth. | 0:29:52 | 0:29:55 | |
It's my word against his, Eileen. | 0:29:55 | 0:29:57 | |
If he survives! | 0:29:59 | 0:30:00 | |
I mean, what if he doesnae? | 0:30:01 | 0:30:02 | |
It's down to them to believe whatever I tell them. | 0:30:03 | 0:30:06 | |
Why would they not believe you? | 0:30:06 | 0:30:07 | |
With my record? | 0:30:07 | 0:30:08 | |
The police want me to check the CCTV, see if there's anything on it. | 0:30:10 | 0:30:13 | |
-Is there? -I don't know, I've not had time, | 0:30:14 | 0:30:16 | |
but they're coming back to see me later. | 0:30:16 | 0:30:18 | |
After everything me and Stella have been through, | 0:30:20 | 0:30:23 | |
finally with a new family and her getting the all-clear... | 0:30:23 | 0:30:25 | |
I cannae believe this! | 0:30:25 | 0:30:27 | |
Eileen, you need to help me. | 0:30:27 | 0:30:28 | |
I cannae go to jail, not now. | 0:30:29 | 0:30:32 | |
Oh... Jenny, I'm so sorry, | 0:30:42 | 0:30:45 | |
I completely forgot all about you. | 0:30:45 | 0:30:47 | |
-It's been such a full-on morning. -That's OK. | 0:30:48 | 0:30:50 | |
I'm sure you're perfectly good at sitting there waiting, | 0:30:50 | 0:30:53 | |
but I can find you something a bit more taxing. | 0:30:53 | 0:30:55 | |
-I thought... -We've been doing an anonymous customer survey | 0:30:55 | 0:30:58 | |
for the past three months. | 0:30:58 | 0:30:59 | |
This is the last batch of forms. | 0:30:59 | 0:31:01 | |
The genius idea is to put all the data into the computer | 0:31:01 | 0:31:04 | |
and then we can count the number of whinges. | 0:31:04 | 0:31:06 | |
I know. It's ground-breaking. | 0:31:06 | 0:31:08 | |
I thought that I'd be sitting in with you. | 0:31:09 | 0:31:11 | |
I'm sorry if I gave you that impression, Jenny. | 0:31:11 | 0:31:14 | |
There are issues with patient privacy, I'm sure you understand. | 0:31:14 | 0:31:17 | |
Of course. | 0:31:17 | 0:31:18 | |
OK. Now, any problems, ask for help. | 0:31:18 | 0:31:20 | |
I miss living in the country. | 0:31:29 | 0:31:30 | |
So, how long have you lived in the city? | 0:31:32 | 0:31:35 | |
Ten years now. | 0:31:35 | 0:31:37 | |
What did you need such a big flat for? I mean, just for yourself? | 0:31:37 | 0:31:40 | |
My partner and I liked to have room. | 0:31:40 | 0:31:43 | |
But now it's just me, it feels so empty. | 0:31:43 | 0:31:46 | |
What happened to your partner? | 0:31:46 | 0:31:48 | |
Cancer. | 0:31:48 | 0:31:49 | |
Far too young. | 0:31:49 | 0:31:50 | |
Why don't you sell it, and buy something smaller? | 0:31:53 | 0:31:56 | |
It holds too many happy memories - | 0:31:58 | 0:32:00 | |
I'd be sad to let them go. | 0:32:00 | 0:32:02 | |
I know what that means. | 0:32:02 | 0:32:03 | |
-This partner... -No. | 0:32:03 | 0:32:05 | |
I'd rather not talk about it. | 0:32:05 | 0:32:07 | |
So what are you going to do? | 0:32:13 | 0:32:15 | |
Nothing. | 0:32:15 | 0:32:17 | |
Wait and see what happens. | 0:32:17 | 0:32:18 | |
The longer you leave it, the worse it's going to look. | 0:32:19 | 0:32:22 | |
Look, when he wakes up, he can spin them any old story. | 0:32:22 | 0:32:24 | |
He might even say it was me that attacked him. | 0:32:24 | 0:32:27 | |
But it wasnae. | 0:32:27 | 0:32:28 | |
Well, who do you think they're going to believe? | 0:32:28 | 0:32:30 | |
A poor drunk guy or a guy with a criminal record? | 0:32:30 | 0:32:33 | |
Och, that was ages ago. | 0:32:33 | 0:32:34 | |
Oh, right, so they would have forgot about that, then, will they? | 0:32:34 | 0:32:37 | |
You don't even know the guy, why would you want to attack him? | 0:32:39 | 0:32:42 | |
I chucked him out the pub earlier on. | 0:32:44 | 0:32:46 | |
You what? | 0:32:48 | 0:32:49 | |
That's why I thought he was going to jump me. | 0:32:50 | 0:32:52 | |
What did you chuck him out the pub for? | 0:32:52 | 0:32:54 | |
Cos he was being an idiot. | 0:32:54 | 0:32:56 | |
Causing bother. | 0:32:56 | 0:32:57 | |
Oh, this just gets better and better. | 0:32:57 | 0:32:59 | |
Look, none of this is my fault, all right? | 0:32:59 | 0:33:01 | |
I know, Stevie, but I'm just trying to understand | 0:33:01 | 0:33:03 | |
what actually happened. | 0:33:03 | 0:33:04 | |
I've told you what happened, I've told you exactly what happened. | 0:33:04 | 0:33:07 | |
-There's no need to shout. -BABY CRIES | 0:33:07 | 0:33:09 | |
At me, or her. | 0:33:09 | 0:33:10 | |
I really think it would be a good idea if you went to the polis before it's too late. | 0:33:12 | 0:33:15 | |
Looks pretty bad. | 0:33:41 | 0:33:43 | |
He says the guy threatened him. | 0:33:44 | 0:33:45 | |
But there's no sound, so... | 0:33:46 | 0:33:48 | |
Harry, I know things between us recently have been... | 0:33:51 | 0:33:53 | |
Well, you know what I mean. | 0:33:54 | 0:33:56 | |
But I need you to do me a big favour. | 0:33:57 | 0:34:00 | |
What? | 0:34:01 | 0:34:03 | |
I need you to tell the police that you locked up last night. | 0:34:03 | 0:34:06 | |
You want me to lie? | 0:34:09 | 0:34:10 | |
I want to keep Stevie out of all this, for his sake, | 0:34:11 | 0:34:14 | |
and for Stella's and for the baby. This is the last thing they need. | 0:34:14 | 0:34:18 | |
And it's harmless enough, the police won't know any different. | 0:34:18 | 0:34:20 | |
Harmless? You want me to lie to the police! | 0:34:20 | 0:34:23 | |
Just say you locked up and you saw nothing. | 0:34:23 | 0:34:26 | |
What happens if they see the CCTV? | 0:34:26 | 0:34:28 | |
Eileen? | 0:34:31 | 0:34:32 | |
I'll just say the machine wasn't on. | 0:34:32 | 0:34:34 | |
And I don't want you to mention it to anyone, OK? | 0:34:34 | 0:34:37 | |
Look, this is getting way out of hand, here. | 0:34:38 | 0:34:41 | |
I'm asking you to do something for me, a personal favour. | 0:34:41 | 0:34:44 | |
Can you do it? | 0:34:46 | 0:34:47 | |
I... | 0:34:48 | 0:34:49 | |
honestly don't know if I can. | 0:34:49 | 0:34:51 | |
I didn't say I wouldn't. | 0:34:57 | 0:34:58 | |
That dress was actually worn to | 0:35:02 | 0:35:04 | |
one of Her Majesty the Queen's garden parties at Holyrood, no less. | 0:35:04 | 0:35:07 | |
It has provenance, you know. | 0:35:07 | 0:35:09 | |
Thank you. | 0:35:09 | 0:35:10 | |
I like to send them off with a smile. | 0:35:13 | 0:35:15 | |
And a big fat lie. Queen's garden party. | 0:35:15 | 0:35:19 | |
Some lies are fine, if your heart's in the right place. | 0:35:19 | 0:35:22 | |
And who knows, it might be true. | 0:35:22 | 0:35:23 | |
You are living in a fantasy. | 0:35:23 | 0:35:26 | |
Speaking of which, that bucket thing of yours, | 0:35:26 | 0:35:29 | |
I have a few wishes of my own. | 0:35:29 | 0:35:31 | |
Oh, let's add them to the list. | 0:35:31 | 0:35:34 | |
I would like to go to Perth. | 0:35:34 | 0:35:36 | |
Well, that sounds like an epic adventure. | 0:35:36 | 0:35:38 | |
To the theatre, | 0:35:38 | 0:35:40 | |
to see some of these wonderful actors | 0:35:40 | 0:35:42 | |
that you seem to know. | 0:35:42 | 0:35:44 | |
Tea at the Ritz? | 0:35:45 | 0:35:46 | |
Ah, now you're talking. | 0:35:46 | 0:35:48 | |
But most of all, | 0:35:48 | 0:35:50 | |
I would like you to organise our next poker night at your place. | 0:35:50 | 0:35:56 | |
Oh, I don't think that would be such a good idea. | 0:35:56 | 0:35:58 | |
Why not? You've got plenty of room. | 0:35:58 | 0:36:00 | |
Well, everybody would have to travel over there. | 0:36:00 | 0:36:03 | |
Just what are you hiding? | 0:36:03 | 0:36:04 | |
-Hiding? -Ha! Well, obviously you're hiding something, | 0:36:04 | 0:36:07 | |
all these stories that you're spinning us. | 0:36:07 | 0:36:10 | |
Molly, you've said quite enough. | 0:36:10 | 0:36:12 | |
Well, look, I just cannae be doing with all this cloak-and-dagger stuff. | 0:36:12 | 0:36:15 | |
Oh! I'm going to be late for my shift. | 0:36:15 | 0:36:19 | |
'Scuse me! | 0:36:19 | 0:36:20 | |
Thank you. | 0:36:22 | 0:36:23 | |
I'm sorry about all that. | 0:36:33 | 0:36:34 | |
No, no. No, it's fine. | 0:36:34 | 0:36:36 | |
Some folk find me a bit of a puzzle. | 0:36:37 | 0:36:41 | |
She's just...the suspicious type. | 0:36:44 | 0:36:47 | |
Listen... | 0:36:49 | 0:36:50 | |
HE CLEARS HIS THROAT | 0:36:50 | 0:36:52 | |
I'm feeling a bit peaky. | 0:36:52 | 0:36:53 | |
I think I might... | 0:36:54 | 0:36:55 | |
..give today a miss. | 0:36:56 | 0:36:58 | |
Can you manage on your own? | 0:36:58 | 0:37:00 | |
Well, yes, of course. | 0:37:00 | 0:37:01 | |
Thanks, Liz. Thank you. | 0:37:01 | 0:37:03 | |
COMPUTER BEEPS | 0:37:31 | 0:37:32 | |
COMPUTER BEEPS TWICE | 0:37:34 | 0:37:36 | |
No, no, no! | 0:37:38 | 0:37:40 | |
Everything all right? | 0:37:40 | 0:37:41 | |
Jenny? | 0:37:43 | 0:37:44 | |
I think... I think I might have messed up. | 0:37:44 | 0:37:47 | |
Messed up how? | 0:37:47 | 0:37:48 | |
It's all gone. All the data. | 0:37:48 | 0:37:50 | |
What, all of it? | 0:37:51 | 0:37:52 | |
I'm not used to these computers. | 0:37:52 | 0:37:54 | |
I told you to ask for help. | 0:37:54 | 0:37:55 | |
I thought the short cuts would be the same. | 0:37:55 | 0:37:57 | |
Most of the data was on here, | 0:37:57 | 0:37:58 | |
so we'll have destroyed all the hard copies. | 0:37:58 | 0:38:00 | |
I thought you said it wasn't that important. | 0:38:00 | 0:38:02 | |
Not to me, it's not, but to the bureaucrats that fund us, | 0:38:02 | 0:38:05 | |
this is the holy Bible. | 0:38:05 | 0:38:06 | |
I'm sorry, I didn't know the machine. | 0:38:06 | 0:38:08 | |
Is everything OK? | 0:38:08 | 0:38:10 | |
No, it's not OK. | 0:38:10 | 0:38:11 | |
-Why don't I take her off your hands for a wee while? -Yes. | 0:38:13 | 0:38:16 | |
All right? | 0:38:25 | 0:38:26 | |
Not really, no. | 0:38:27 | 0:38:29 | |
How come? | 0:38:31 | 0:38:32 | |
Eileen asked me to lie to the police. | 0:38:35 | 0:38:38 | |
Tell them I locked up. | 0:38:38 | 0:38:39 | |
To help you out. | 0:38:40 | 0:38:42 | |
What you going to do? | 0:38:42 | 0:38:43 | |
I really don't know. | 0:38:45 | 0:38:47 | |
Harry, it's not a big deal. They don't care who locked up. | 0:38:48 | 0:38:51 | |
No, they're just looking for someone who might have assaulted the guy | 0:38:51 | 0:38:54 | |
-and put him in a coma. -Well, maybe if you'd handled him better in the first place... | 0:38:54 | 0:38:57 | |
Don't start trying to blame any of this on me. This is all your fault. | 0:38:57 | 0:39:00 | |
Is that what you're going to tell them? | 0:39:02 | 0:39:03 | |
You had to be the big macho guy and flex your muscles. | 0:39:03 | 0:39:07 | |
Harry, if you tell them that, I'm finished. | 0:39:07 | 0:39:09 | |
Stevie, there's a whole pub of witnesses who saw the same thing. | 0:39:09 | 0:39:12 | |
Aye, but they might not speak to them if they don't think he was in the pub. | 0:39:12 | 0:39:15 | |
Why should I lie to protect you? | 0:39:18 | 0:39:20 | |
You know what me and Stella have been through, don't you? | 0:39:20 | 0:39:22 | |
Come on, I never caused any of this. | 0:39:22 | 0:39:24 | |
Look, Harry, I've got a new baby, a family. | 0:39:25 | 0:39:28 | |
I wouldn't do anything like this on purpose. | 0:39:28 | 0:39:31 | |
Stevie. | 0:39:31 | 0:39:32 | |
And Harry Jandhu, is it? | 0:39:33 | 0:39:35 | |
-That's right, yeah. -I'm Detective Inspector Donald, | 0:39:36 | 0:39:39 | |
Shieldinch and Musgreen Police. | 0:39:39 | 0:39:40 | |
I was wondering if I could ask you a few questions about last night. | 0:39:40 | 0:39:43 | |
-Fire away. -I take it you were both working? | 0:39:43 | 0:39:46 | |
Well, I was supposed to be, Harry done my shift. | 0:39:46 | 0:39:48 | |
I was wetting the baby's head, you know how it is. | 0:39:48 | 0:39:51 | |
I get the picture. | 0:39:51 | 0:39:53 | |
So it would have been you that locked up, then? | 0:39:53 | 0:39:55 | |
Yeah, that's right. | 0:39:57 | 0:39:59 | |
What time was that? | 0:39:59 | 0:40:01 | |
That must have been... half 12, around that. | 0:40:02 | 0:40:05 | |
And did you see anything outside? | 0:40:05 | 0:40:07 | |
Like someone lying on the street in a coma, for example. | 0:40:08 | 0:40:12 | |
No, I never saw anything like that. | 0:40:12 | 0:40:14 | |
What about you? | 0:40:14 | 0:40:15 | |
I could hardly see straight, I don't really remember anything. | 0:40:16 | 0:40:20 | |
The pub was busy, though? Irish night, I heard. | 0:40:20 | 0:40:22 | |
I've seen it busier. | 0:40:22 | 0:40:24 | |
Still, you'll have known all the locals. | 0:40:24 | 0:40:26 | |
It would be useful if we could get a list of which ones were in. | 0:40:26 | 0:40:29 | |
-What for? -Well, call it intuition, but I'm guessing at some point, | 0:40:29 | 0:40:33 | |
everybody went home. | 0:40:33 | 0:40:34 | |
So there's a good chance | 0:40:34 | 0:40:35 | |
somebody might have seen something on their way. | 0:40:35 | 0:40:38 | |
That's where we get the expression "germ warfare". | 0:40:42 | 0:40:46 | |
Now, the toilets need checked every couple of hours. | 0:40:46 | 0:40:50 | |
It's especially important, this being a health centre, | 0:40:50 | 0:40:54 | |
that we keep on top of things. | 0:40:54 | 0:40:56 | |
Off you pop. | 0:40:56 | 0:40:57 | |
-OVER RADIO: -'..a Glasgow man died earlier this morning, | 0:41:03 | 0:41:06 | |
'after a brief spell in intensive care following a probable assault. | 0:41:06 | 0:41:09 | |
'The man was found lying outside the Tall Ship Bar | 0:41:09 | 0:41:12 | |
'in the Shieldinch area of the city in the early hours, | 0:41:12 | 0:41:15 | |
'and never regained consciousness.' | 0:41:15 | 0:41:17 | |
'..anyone who might have been in the area last night...' | 0:41:19 | 0:41:22 | |
SIGHING: It's terrible, isn't it? | 0:41:22 | 0:41:24 | |
OLD-FASHIONED JAZZ MUSIC PLAYS | 0:41:29 | 0:41:32 | |
HE SIGHS | 0:41:36 | 0:41:39 | |
KNOCK AT DOOR | 0:41:39 | 0:41:40 | |
Hello, Alasdair. | 0:41:49 | 0:41:52 | |
I hope you don't mind, | 0:41:52 | 0:41:53 | |
but you left this and I thought you might be needing it. | 0:41:53 | 0:41:57 | |
No, it's OK. | 0:41:58 | 0:42:00 | |
Come in. | 0:42:00 | 0:42:01 | |
Thank you. | 0:42:03 | 0:42:04 | |
There she is, Jenny McLean, MD. | 0:42:56 | 0:42:59 | |
SHE SIGHS | 0:42:59 | 0:43:00 | |
I'm not in the mood for your pathetic jokes. | 0:43:00 | 0:43:02 | |
Oh, you didn't kill anybody, did you? | 0:43:02 | 0:43:04 | |
So how was it? | 0:43:06 | 0:43:08 | |
Any tricky operations? | 0:43:08 | 0:43:09 | |
-None of your business. -Oh, charming. | 0:43:09 | 0:43:12 | |
And here's me gone and got you a wee present for your first day. | 0:43:12 | 0:43:16 | |
What present? | 0:43:16 | 0:43:18 | |
-You shouldn't have done that. -You're worth it. | 0:43:22 | 0:43:24 | |
-Rubber gloves? -I bumped into Molly at the shop. | 0:43:31 | 0:43:34 | |
I thought these might protect your fair skin | 0:43:34 | 0:43:36 | |
when your hands are in the lavvies. | 0:43:36 | 0:43:38 | |
SHE CRIES | 0:43:38 | 0:43:39 | |
SHE SNIFFS | 0:43:39 | 0:43:41 | |
Aw, come on, I was just having a wee laugh. | 0:43:41 | 0:43:43 | |
Oh, I thought you'd see the funny side of it. | 0:43:44 | 0:43:47 | |
It's not funny. | 0:43:47 | 0:43:48 | |
No, you're right. | 0:43:48 | 0:43:50 | |
Oh, come on, it's only your first day. Things will get better. | 0:43:51 | 0:43:54 | |
How can I go back? | 0:43:54 | 0:43:56 | |
Because Annie took you on. | 0:43:56 | 0:43:58 | |
And she wouldn't do that for just anybody. | 0:43:58 | 0:44:00 | |
She knows what you're really worth. | 0:44:00 | 0:44:02 | |
You have to go back and prove her right. | 0:44:02 | 0:44:05 | |
Right? | 0:44:06 | 0:44:07 | |
Come here. | 0:44:08 | 0:44:10 | |
See, this one, I can never get it to catch. | 0:44:10 | 0:44:13 | |
That's just cos you're no' as amazing as am are. | 0:44:13 | 0:44:15 | |
Aye, that'll be it. | 0:44:15 | 0:44:16 | |
DOOR OPENS | 0:44:16 | 0:44:18 | |
What's wrong? | 0:44:28 | 0:44:29 | |
It was on the news on the radio. | 0:44:31 | 0:44:33 | |
The guy died. | 0:44:37 | 0:44:39 | |
What?! | 0:44:41 | 0:44:42 | |
This is a nightmare. | 0:44:43 | 0:44:45 | |
Stevie, what are we going to dae? | 0:44:45 | 0:44:47 | |
I don't know. | 0:44:47 | 0:44:49 | |
They took Harry away in the polis motor. | 0:44:49 | 0:44:51 | |
Harry? | 0:44:51 | 0:44:53 | |
They'll get the truth out of him. | 0:44:53 | 0:44:55 | |
You need to go to the polis. | 0:44:58 | 0:44:59 | |
And tell them what? | 0:45:01 | 0:45:03 | |
I'm the one that killed him? | 0:45:03 | 0:45:05 | |
Tell them it was an accident. | 0:45:05 | 0:45:06 | |
Right, I punched the guy and knocked him out by accident. | 0:45:08 | 0:45:10 | |
You need to do something. | 0:45:10 | 0:45:12 | |
-I need to get a look at that disc. -What disc? | 0:45:15 | 0:45:18 | |
The CCTV outside the pub. | 0:45:18 | 0:45:19 | |
Right, well, maybe that'll show the guy trying to attack you. | 0:45:21 | 0:45:25 | |
He never really attacked me. | 0:45:25 | 0:45:26 | |
-You said that he.... -I thought he was going to. | 0:45:28 | 0:45:30 | |
He said he was, so I skelped him before he could move. | 0:45:30 | 0:45:34 | |
You need to go Eileen's, right now. | 0:45:34 | 0:45:35 | |
HE EXHALES | 0:45:35 | 0:45:37 | |
I was once married. | 0:45:44 | 0:45:46 | |
But I fell in love with someone else. | 0:45:46 | 0:45:49 | |
I'm not proud of it. | 0:45:49 | 0:45:51 | |
My partner and I left our spouses, we felt so guilty. | 0:45:51 | 0:45:55 | |
Mm, I can imagine. | 0:45:55 | 0:45:57 | |
But we never regretted it. | 0:45:57 | 0:45:59 | |
It was true love, and everybody deserves a bit of that. | 0:45:59 | 0:46:03 | |
15 years we were together. | 0:46:03 | 0:46:05 | |
What happened? | 0:46:05 | 0:46:06 | |
My partner died two years ago. | 0:46:07 | 0:46:09 | |
I was divorced by then, but they never got round to it. | 0:46:11 | 0:46:14 | |
Our house was in my partner's name for tax purposes. | 0:46:14 | 0:46:18 | |
To my surprise, there was no will. | 0:46:18 | 0:46:20 | |
So everything went to the legal spouse, I was left with nothing. | 0:46:20 | 0:46:23 | |
Nothing but fond memories. | 0:46:23 | 0:46:25 | |
But... | 0:46:26 | 0:46:28 | |
..why all the lies? | 0:46:30 | 0:46:32 | |
About this place, | 0:46:33 | 0:46:36 | |
your lifestyle? | 0:46:36 | 0:46:39 | |
Well, they're not lies, per se. | 0:46:39 | 0:46:41 | |
Just not true any more. | 0:46:42 | 0:46:44 | |
It's never easy having to admit that you've spent a whole lifetime | 0:46:45 | 0:46:48 | |
and come to nothing. | 0:46:48 | 0:46:50 | |
Oh, I wouldn't say you've come to nothing. | 0:46:50 | 0:46:53 | |
Oh, no. You've had your struggles, | 0:46:53 | 0:46:57 | |
but you still have the memories. | 0:46:57 | 0:46:59 | |
And now, you have me and Molly. | 0:46:59 | 0:47:03 | |
But I'm not sure that I'm ready... | 0:47:03 | 0:47:04 | |
Would you mind if we kept all this just between the two of us for now? | 0:47:08 | 0:47:14 | |
-Would that be OK? -Oh, yes, yes. | 0:47:14 | 0:47:17 | |
Yes, of course, if... that's what you want. | 0:47:17 | 0:47:19 | |
Is that you?! | 0:47:22 | 0:47:24 | |
On Everest? | 0:47:26 | 0:47:27 | |
I need that disc. | 0:47:32 | 0:47:34 | |
I was going to tell them it wasn't even turned on. | 0:47:34 | 0:47:37 | |
Well, then, why don't you? | 0:47:37 | 0:47:38 | |
Because Harry's seen it. | 0:47:38 | 0:47:41 | |
He's involved now, he already lied to protect you. | 0:47:41 | 0:47:44 | |
-If he just sticks by his story... -And if he doesn't? | 0:47:44 | 0:47:47 | |
This footage is the one thing that puts him in the clear. | 0:47:47 | 0:47:50 | |
You'd see me go to jail? | 0:47:51 | 0:47:54 | |
Maybe it won't come to that. I'll get you a good lawyer. | 0:47:54 | 0:47:56 | |
We'll prove you were provoked. | 0:47:56 | 0:47:58 | |
Folk saw me in the bar squaring up to him. | 0:47:58 | 0:48:01 | |
Throwing him out, they saw me getting drunk. | 0:48:01 | 0:48:03 | |
They'll have witnesses to all of that. | 0:48:03 | 0:48:05 | |
My only chance is if you get rid of that disc, | 0:48:05 | 0:48:07 | |
and they believe what I tell them. | 0:48:07 | 0:48:09 | |
People are on your side. They'll testify to your character. | 0:48:09 | 0:48:12 | |
And then the prosecution whips out my criminal record? | 0:48:12 | 0:48:14 | |
I'm done for, Eileen! | 0:48:14 | 0:48:16 | |
-I... I can't. -Look... | 0:48:17 | 0:48:18 | |
..it's not just me, right? | 0:48:20 | 0:48:22 | |
It's Stella and the wean. | 0:48:22 | 0:48:24 | |
That CCTV is me never seeing her growing up. | 0:48:25 | 0:48:28 | |
It's her growing up without a da. | 0:48:29 | 0:48:31 | |
You think I don't know that? | 0:48:31 | 0:48:33 | |
-FROM DOWNSTAIRS: -Eileen, you up there? -Gie me the disc! | 0:48:33 | 0:48:36 | |
-Gie me...! -Stay there! | 0:48:36 | 0:48:38 | |
Eileen, it's me. It's Craig Donald. | 0:48:38 | 0:48:40 | |
Hey. | 0:48:42 | 0:48:43 | |
I need to talk to you. | 0:48:44 | 0:48:46 | |
Sure, sure, come through. | 0:48:46 | 0:48:47 | |
Harry told us what happened. | 0:48:57 | 0:48:59 | |
-Harry has got nothing to do with any of this. -I know. | 0:48:59 | 0:49:02 | |
He lied to cover for Stevie. | 0:49:02 | 0:49:04 | |
He also told us about the CCTV disc. | 0:49:05 | 0:49:08 | |
This is a mess. | 0:49:11 | 0:49:12 | |
How did Stevie get in this fight? | 0:49:13 | 0:49:15 | |
It wasn't a fight. | 0:49:15 | 0:49:17 | |
What was it, then? | 0:49:17 | 0:49:18 | |
Have you still got the disc? | 0:49:23 | 0:49:25 | |
Eileen, I know you want to help him, but this is serious - | 0:49:26 | 0:49:29 | |
it's a murder investigation, potentially. | 0:49:29 | 0:49:32 | |
Murder? That's ridiculous! | 0:49:32 | 0:49:34 | |
SHE SIGHS | 0:49:37 | 0:49:38 | |
The guy was in the pub causing trouble earlier, | 0:49:40 | 0:49:44 | |
and Stevie threw him out. | 0:49:44 | 0:49:46 | |
He says the guy threatened him, and that's why Stevie punched him. | 0:49:46 | 0:49:50 | |
But there's no sound on the CCTV. | 0:49:51 | 0:49:53 | |
It looks like Stevie went for him, | 0:49:54 | 0:49:56 | |
but we both know that's not what he's like. | 0:49:56 | 0:49:58 | |
And you can testify to that, as a character witness. | 0:49:58 | 0:50:01 | |
I don't know what to do. | 0:50:03 | 0:50:05 | |
I just wish that footage didn't exist. | 0:50:05 | 0:50:07 | |
Well, Harry's put the existence of the disc on record, | 0:50:07 | 0:50:10 | |
so there's nothing I can do. | 0:50:10 | 0:50:12 | |
What are Stevie's chances? | 0:50:13 | 0:50:16 | |
Tell me the truth. | 0:50:16 | 0:50:17 | |
HE EXHALES | 0:50:18 | 0:50:20 | |
With a good lawyer, he might get lucky, | 0:50:20 | 0:50:22 | |
but he's looking at culpable homicide. | 0:50:22 | 0:50:25 | |
He goes to prison? | 0:50:27 | 0:50:29 | |
How can I just hand him over? | 0:50:31 | 0:50:33 | |
I can't send him to prison. | 0:50:33 | 0:50:35 | |
I'll do everything I can, you know that. | 0:50:35 | 0:50:37 | |
SHE SIGHS | 0:50:41 | 0:50:42 | |
-MOBILE PHONE BUZZES -Excuse me. | 0:50:42 | 0:50:45 | |
Donald. | 0:50:49 | 0:50:50 | |
Right, OK. Yeah, thank you. | 0:50:52 | 0:50:54 | |
My officers have just been over at Stevie's - no response. | 0:50:58 | 0:51:02 | |
Look, I don't want them tramping their size tens up here, | 0:51:02 | 0:51:05 | |
so I'll wait down in the bar. Will you bring the disc down? | 0:51:05 | 0:51:08 | |
Yeah, yeah. I'll bring it down to you. | 0:51:08 | 0:51:10 | |
OK. And if Stevie comes here... | 0:51:10 | 0:51:12 | |
..just tell him to do the right thing, yeah? | 0:51:13 | 0:51:15 | |
You know better than anybody what I've been through. | 0:51:42 | 0:51:45 | |
If it wasn't for you and Raymond, I wouldn't even be here. | 0:51:45 | 0:51:48 | |
-Stevie, don't... -But you know exactly what Raymond would do. | 0:51:48 | 0:51:50 | |
He'd snap that disc in two. | 0:51:50 | 0:51:52 | |
He wouldn't even think twice about it. | 0:51:52 | 0:51:53 | |
-That's not fair. -It's too late for being fair. | 0:51:53 | 0:51:55 | |
I'm running out of time, here. | 0:51:55 | 0:51:57 | |
I've told you, my hands are tied. | 0:51:57 | 0:51:59 | |
The police are waiting downstairs for me. | 0:51:59 | 0:52:01 | |
Eileen, please don't gie it to them. It's my only chance! | 0:52:01 | 0:52:04 | |
What good would it do? | 0:52:04 | 0:52:05 | |
And think what it could do to me. | 0:52:06 | 0:52:09 | |
The police know I've got this disc. | 0:52:09 | 0:52:11 | |
If I don't give it to them, then they'll throw the book at me. | 0:52:11 | 0:52:14 | |
VOICE BREAKING: I don't want you in trouble, tae. | 0:52:15 | 0:52:17 | |
Turn yourself in. | 0:52:17 | 0:52:19 | |
And I'll be with you every step of the way. | 0:52:20 | 0:52:22 | |
That's not gonnae happen. | 0:52:24 | 0:52:25 | |
I'm just going to have to take my chances. | 0:52:27 | 0:52:29 | |
Come downstairs with me. | 0:52:31 | 0:52:32 | |
I cannae. | 0:52:34 | 0:52:35 | |
Where are you going to go? | 0:52:40 | 0:52:41 | |
What are you going to do for money? | 0:52:43 | 0:52:45 | |
This is all I can do for you. | 0:52:58 | 0:53:00 | |
-Thanks, Eileen. -There's nothing to thank me for. | 0:53:05 | 0:53:08 | |
Harry! | 0:53:21 | 0:53:23 | |
SIGHING: What happened? | 0:53:23 | 0:53:25 | |
The lawyers advised him just to tell the truth. Seemed to do the trick. | 0:53:25 | 0:53:29 | |
I originally told them that I locked up last night, when it was Stevie. | 0:53:29 | 0:53:33 | |
But now they want to know why he told the lies in the first place. | 0:53:33 | 0:53:35 | |
I said I was covering for a mate. | 0:53:35 | 0:53:37 | |
Huh, let me guess - something to do with Eileen? | 0:53:37 | 0:53:40 | |
Don't start with all that. | 0:53:40 | 0:53:41 | |
Come on, Annie, the boy's had a fright. | 0:53:41 | 0:53:43 | |
You do realise that it could be your word against Stevie's? | 0:53:43 | 0:53:47 | |
There's a CCTV recording. | 0:53:47 | 0:53:49 | |
It shows Stevie punching the guy. | 0:53:49 | 0:53:51 | |
And you told the police this? | 0:53:51 | 0:53:54 | |
You have to understand, Eileen and Stevie, they go way back. | 0:53:54 | 0:53:58 | |
-She's like a surrogate mother to him. -Oh, is that her trick? | 0:53:58 | 0:54:02 | |
But you did tell them about the footage? | 0:54:02 | 0:54:04 | |
-I had to, I mean, I had no other option. -She's gone too far. | 0:54:04 | 0:54:07 | |
-Mum... -I've had it, she's not getting away with this. | 0:54:07 | 0:54:10 | |
Thanks, Eileen. | 0:54:23 | 0:54:25 | |
Right, job done, let's go. | 0:54:27 | 0:54:29 | |
Ah, here he is. | 0:54:47 | 0:54:48 | |
What kept you?! | 0:54:49 | 0:54:51 | |
-What did Eileen say? -I couldn't get the recording. | 0:54:51 | 0:54:54 | |
-How no'?! -It disnae matter. | 0:54:54 | 0:54:56 | |
Stella, listen, I have to go. Now. | 0:54:56 | 0:54:59 | |
Go where?! | 0:54:59 | 0:55:01 | |
Leave town. | 0:55:01 | 0:55:02 | |
Take my chances. | 0:55:02 | 0:55:04 | |
Mate, that's a bad idea. | 0:55:04 | 0:55:05 | |
I've no' got a choice. | 0:55:05 | 0:55:07 | |
-They'll find you. -Mibbe, mibbe no'. | 0:55:07 | 0:55:09 | |
You need to get rid of your bank account, your phone. | 0:55:09 | 0:55:12 | |
Even so, they've got technology nowadays, | 0:55:12 | 0:55:14 | |
-they'll spot you on the street. -And what about us? | 0:55:14 | 0:55:17 | |
You're just going to leave us, aye? | 0:55:17 | 0:55:19 | |
-There's nothing else I can do. -Well, I'm really sorry, Stevie, | 0:55:19 | 0:55:22 | |
but this isn't going to be the last time | 0:55:22 | 0:55:23 | |
that we're all going to be together. | 0:55:23 | 0:55:26 | |
You're not going anywhere without me and Hope. | 0:55:26 | 0:55:28 | |
We stay a faimily, do you understand? | 0:55:28 | 0:55:30 | |
-I cannae ask you to dae that. -That's not your decision. | 0:55:30 | 0:55:33 | |
Then we need to leave, now. | 0:55:36 | 0:55:37 | |
Listen to me, the pair of yese. | 0:55:38 | 0:55:40 | |
Just stop and think about this for one second! | 0:55:40 | 0:55:42 | |
-We've not got time! -This is insane! | 0:55:42 | 0:55:44 | |
-You'll get caught. -Aye, mibbe. But no' the day | 0:55:44 | 0:55:47 | |
Come on. | 0:55:47 | 0:55:49 | |
Watch. | 0:55:49 | 0:55:51 | |
Would you just wait! | 0:55:51 | 0:55:52 | |
No' the day. | 0:55:54 | 0:55:56 | |
I want my son back. I want him away from that woman. | 0:56:30 | 0:56:32 | |
And how exactly are you going to do that? | 0:56:32 | 0:56:34 | |
I was wondering if I could have a word. In private. | 0:56:34 | 0:56:36 | |
The first place they'll look is Mark's house up north. | 0:56:36 | 0:56:38 | |
It disnae matter, he doesn't know where we are. | 0:56:38 | 0:56:40 | |
-Naebody does. -I'm afraid an allegation | 0:56:40 | 0:56:42 | |
has been made against you. | 0:56:42 | 0:56:43 | |
You're leaving us here? | 0:56:43 | 0:56:44 | |
It's only for four or five days, it's no biggie. | 0:56:44 | 0:56:46 | |
Well, I left a note. | 0:56:46 | 0:56:47 | |
What are you doing? | 0:56:47 | 0:56:49 | |
This isnae exactly how I imagined it. | 0:56:49 | 0:56:50 | |
Stevie, he's taken the money and done a runner, | 0:56:50 | 0:56:52 | |
and you're covering for him again! | 0:56:52 | 0:56:54 | |
-Stevie, we need to get out of here. -Just go. | 0:56:54 | 0:56:57 | |
You're OK, I've got you. | 0:56:57 | 0:56:58 | |
Listen, I really need your help. | 0:57:00 | 0:57:01 | |
But you cannae go to the polis, OK? I'm begging you. | 0:57:01 | 0:57:04 | |
She has money and property and influence. | 0:57:04 | 0:57:07 | |
You were just a bit of fun. | 0:57:07 | 0:57:08 | |
-STEVIE: -This isnae gonnae work! -Where are you going? | 0:57:08 | 0:57:11 | |
Well, I'm gonnae hand myself in, before they catch us. | 0:57:11 | 0:57:14 |