Browse content similar to 22/03/2016. Check below for episodes and series from the same categories and more!
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I'm going to find his dad. Drew needs to know what happened to him. | 0:00:20 | 0:00:23 | |
-What are you waiting for? -Calm down. -Or what? | 0:00:23 | 0:00:26 | |
-The guy died. -You need to go the polis. Tell them it was an accident. | 0:00:26 | 0:00:29 | |
Eileen, you need to help me. I cannae go to jail. | 0:00:29 | 0:00:31 | |
I need you to tell the police that you locked up last night. | 0:00:31 | 0:00:35 | |
The police know I've got this disc. | 0:00:35 | 0:00:36 | |
If I don't give it to them, then they'll throw the book at me. | 0:00:36 | 0:00:39 | |
This is all I can do for you. | 0:00:39 | 0:00:40 | |
The lawyer's advised him just to tell the truth. | 0:00:40 | 0:00:43 | |
You're no' going anywhere without me and Hope. | 0:00:43 | 0:00:45 | |
Then, we need to leave...now. | 0:00:45 | 0:00:46 | |
Stevie...? | 0:01:12 | 0:01:14 | |
-Any sign? -No. | 0:01:17 | 0:01:19 | |
Right, let's go. | 0:01:20 | 0:01:22 | |
HE SIGHS | 0:01:25 | 0:01:27 | |
DOOR CLOSES | 0:01:27 | 0:01:28 | |
TRAIN HORN HONKS | 0:01:34 | 0:01:37 | |
TRAIN PASSES | 0:01:37 | 0:01:39 | |
BABY GURGLES | 0:01:44 | 0:01:45 | |
(Hey...hey, hey, hey...) | 0:01:50 | 0:01:53 | |
How's my big girl? | 0:01:55 | 0:01:57 | |
Baby, come on, then. | 0:01:57 | 0:01:59 | |
Oh, up we go, up we go. | 0:01:59 | 0:02:01 | |
I know, hey, hey, hey... | 0:02:01 | 0:02:03 | |
Your daddy's here. | 0:02:06 | 0:02:08 | |
Hey... | 0:02:08 | 0:02:10 | |
This is some mess I've got us into, eh? | 0:02:13 | 0:02:16 | |
We'll be OK. | 0:02:19 | 0:02:21 | |
Eh? I promise. | 0:02:22 | 0:02:23 | |
Drew! | 0:02:28 | 0:02:31 | |
Drew! | 0:02:31 | 0:02:33 | |
You'll be late. Come on! | 0:02:33 | 0:02:35 | |
Keep it down. | 0:02:35 | 0:02:37 | |
DREW! | 0:02:37 | 0:02:39 | |
Oh, there you are. Hurry up. Ruby's already away. | 0:02:39 | 0:02:42 | |
-You'll miss the bus. -I don't feel well. | 0:02:42 | 0:02:45 | |
-You feel fine. -I've got a sore stomach. | 0:02:45 | 0:02:47 | |
No, you've no'. You're going to school and that's that. | 0:02:47 | 0:02:51 | |
HE SIGHS | 0:02:53 | 0:02:54 | |
DOOR CLOSES | 0:02:56 | 0:02:57 | |
Make up your mind. You're normally telling me to GET him to school. | 0:02:57 | 0:03:01 | |
At least one good thing'll come out of all this. | 0:03:05 | 0:03:07 | |
Harry'll see her true colours. | 0:03:07 | 0:03:09 | |
That's something, I suppose. | 0:03:09 | 0:03:12 | |
I'm not going to go on about it. | 0:03:12 | 0:03:14 | |
All that matters is that, well, he can put it behind him | 0:03:14 | 0:03:16 | |
and get back on track. | 0:03:16 | 0:03:18 | |
Good. | 0:03:18 | 0:03:19 | |
You know, it's bad enough that she seduces him | 0:03:19 | 0:03:22 | |
and humiliates our whole family, she asks him to lie to the police. | 0:03:22 | 0:03:25 | |
I thought you weren't going to go on about it. | 0:03:25 | 0:03:28 | |
To him - I can give it out to you, can't I? | 0:03:28 | 0:03:31 | |
Anyway, what's keeping him? Harry, your breakfast's ready! | 0:03:31 | 0:03:34 | |
DOOR CLOSES | 0:03:34 | 0:03:35 | |
Harry? | 0:03:36 | 0:03:38 | |
-Is that him gone out the front door? -Gone where? | 0:03:38 | 0:03:41 | |
Don't tell me he's gone back there. Not to her. | 0:03:42 | 0:03:45 | |
You don't know that - he does work there. | 0:03:45 | 0:03:48 | |
After everything that she has done. | 0:03:48 | 0:03:50 | |
I mean, he's lucky the police aren't charging him. | 0:03:50 | 0:03:52 | |
They're not, though, are they? He got his knuckles rapped. | 0:03:52 | 0:03:55 | |
SHE SCOFFS | 0:03:55 | 0:03:56 | |
You know, a big help you are. | 0:03:56 | 0:03:58 | |
After all the education he's had, and the chances he's had. | 0:03:58 | 0:04:01 | |
You expect me just to sit back and let her destroy all that? | 0:04:01 | 0:04:04 | |
Look, it's over. She finished it, remember. | 0:04:04 | 0:04:07 | |
But she hasn't loosened her hold on him, has she? | 0:04:07 | 0:04:09 | |
-Oh, Annie... -If anything, it's got tighter. | 0:04:09 | 0:04:12 | |
You really need to calm down. | 0:04:12 | 0:04:13 | |
Don't tell me to calm down. We need to do something. | 0:04:13 | 0:04:17 | |
There's nothing we can do. | 0:04:17 | 0:04:19 | |
This is my son we are talking about. | 0:04:19 | 0:04:21 | |
He's my son as well. | 0:04:21 | 0:04:22 | |
Then act like it. Do something. | 0:04:22 | 0:04:25 | |
-SIGHING: -Annie... | 0:04:25 | 0:04:26 | |
I want my son back. I want him away from that woman. | 0:04:26 | 0:04:30 | |
And how exactly are you going to do that? | 0:04:30 | 0:04:32 | |
I'll think of something. | 0:04:32 | 0:04:35 | |
Look, I need to go. I'll catch you later, all right? | 0:04:35 | 0:04:38 | |
DOOR CLOSES | 0:04:46 | 0:04:47 | |
Sorry, I haven't seen him since last night in the pub. | 0:04:49 | 0:04:53 | |
Well, if you do, will you get in touch with us? | 0:04:53 | 0:04:55 | |
Excuse me. I'm sorry to interrupt. | 0:04:57 | 0:04:59 | |
But I was wondering if I could have a word? In private. | 0:04:59 | 0:05:03 | |
It's important. | 0:05:03 | 0:05:04 | |
DOOR KNOCKS | 0:05:10 | 0:05:11 | |
Come in. | 0:05:11 | 0:05:13 | |
Just up for the till keys. | 0:05:13 | 0:05:15 | |
No, no, no, wait, wait... | 0:05:15 | 0:05:16 | |
I'm glad to see you. | 0:05:20 | 0:05:22 | |
I owe you an apology. | 0:05:24 | 0:05:26 | |
I had no right to put you in that position. | 0:05:29 | 0:05:32 | |
I need some answers. Why did you put Stevie before me? | 0:05:32 | 0:05:35 | |
I had no idea what I was getting you into. | 0:05:35 | 0:05:38 | |
I'm so sorry. | 0:05:40 | 0:05:41 | |
(That's better.) | 0:05:46 | 0:05:47 | |
(Good girl.) | 0:05:48 | 0:05:50 | |
Hey... | 0:05:50 | 0:05:51 | |
(I know, I know...) | 0:05:54 | 0:05:57 | |
You're a pure natural. | 0:06:06 | 0:06:08 | |
Sorry, I didn't want to wake you. | 0:06:08 | 0:06:11 | |
You didnae. | 0:06:11 | 0:06:12 | |
How long have you been up for? | 0:06:13 | 0:06:15 | |
-All night. -Did you not sleep? | 0:06:15 | 0:06:18 | |
No. Couldn't switch my brain off. | 0:06:18 | 0:06:21 | |
Every time I heard a motor door slam, I thought it was the polis. | 0:06:21 | 0:06:24 | |
They're no' going to be looking for us in Gretna. | 0:06:24 | 0:06:27 | |
The first place they'll look is Mark's house, up north. | 0:06:27 | 0:06:31 | |
Do you think they've already looked there? | 0:06:31 | 0:06:33 | |
Probably, aye. | 0:06:33 | 0:06:35 | |
But it doesn't matter, because he doesn't know where we are. | 0:06:35 | 0:06:37 | |
Nobody does. | 0:06:37 | 0:06:39 | |
And like you says, the motor isn't registered yet, | 0:06:39 | 0:06:41 | |
so they're never going to trace the reggie plate back to us. | 0:06:41 | 0:06:44 | |
By the time they figure out that we're down south - | 0:06:44 | 0:06:47 | |
if they even figure that out - we'll be long gone. | 0:06:47 | 0:06:49 | |
Stevie, we are doing the right thing. | 0:06:49 | 0:06:52 | |
I know. I know. You're right. | 0:06:52 | 0:06:54 | |
HE SNIFFS | 0:06:54 | 0:06:56 | |
HE EXHALES | 0:06:56 | 0:06:58 | |
I thought you'd chucked our phones. | 0:06:58 | 0:07:00 | |
A pay-as-you-go. I got it when you were sleeping. | 0:07:00 | 0:07:03 | |
They won't be able to trace it. But it's for emergencies. | 0:07:03 | 0:07:06 | |
Right... | 0:07:06 | 0:07:07 | |
PHONE KEYS BEEP | 0:07:07 | 0:07:10 | |
-Want to put the kettle on? -Aye. | 0:07:10 | 0:07:13 | |
HE EXHALES | 0:07:13 | 0:07:15 | |
Once we've had this, | 0:07:18 | 0:07:19 | |
I'll jump in the shower, unless you want to go first. | 0:07:19 | 0:07:22 | |
No, that's fine, on you go. | 0:07:22 | 0:07:24 | |
I think I should let on to Alasdair that I know. | 0:07:28 | 0:07:31 | |
Oh, please don't. He asked me not to. | 0:07:31 | 0:07:35 | |
I am the soul of discretion. What's your problem? | 0:07:35 | 0:07:39 | |
What was his place like again? | 0:07:41 | 0:07:43 | |
-Oh, God, I wish I'd never told you. -A single end? | 0:07:43 | 0:07:46 | |
It was...modest. | 0:07:47 | 0:07:49 | |
Oh, modest(!) | 0:07:49 | 0:07:50 | |
It's a bedsit. | 0:07:54 | 0:07:55 | |
So, it's not a posh flat in the West End? Ha-ha! | 0:07:55 | 0:08:00 | |
Oh, Molly, try and show a little respect. | 0:08:00 | 0:08:03 | |
It's very hard to lose your home. | 0:08:03 | 0:08:06 | |
All your lovely things. | 0:08:06 | 0:08:09 | |
Friends that share your interests. | 0:08:09 | 0:08:12 | |
Especially if it happens in later life. | 0:08:12 | 0:08:15 | |
Now... It happened to me. | 0:08:15 | 0:08:17 | |
That's true. | 0:08:17 | 0:08:19 | |
I thought the world had come to an end. | 0:08:19 | 0:08:22 | |
But I was lucky. | 0:08:22 | 0:08:24 | |
-I met Malcolm. -Hm... | 0:08:24 | 0:08:25 | |
And me. | 0:08:25 | 0:08:26 | |
-Sorry? -Well, I took you in, didn't I? | 0:08:26 | 0:08:30 | |
Oh, I can't see it like that. For me, it was more a... | 0:08:30 | 0:08:34 | |
-mutual desire for companionship. -Call it what you like. | 0:08:34 | 0:08:38 | |
And you needed my rent money. | 0:08:38 | 0:08:40 | |
I've just been stopped by the police. | 0:08:43 | 0:08:45 | |
Did you no' pay for the coffees? | 0:08:45 | 0:08:48 | |
They showed me a picture of the barman from the Tall Ship. | 0:08:48 | 0:08:50 | |
-Asked if I'd seen him. -Stevie. | 0:08:50 | 0:08:53 | |
Oh, listen, I bet that's in connection with that | 0:08:53 | 0:08:57 | |
-poor chap that died. -Oh, God... | 0:08:57 | 0:08:59 | |
Oh, if he's done a runner, that's worse. | 0:08:59 | 0:09:02 | |
It'll just look like he's guilty. | 0:09:02 | 0:09:04 | |
Not necessarily! You mustn't go casting aspersions. | 0:09:04 | 0:09:08 | |
Ladies. Ladies. Enough. | 0:09:08 | 0:09:10 | |
Oh, oh, oh, look at this! | 0:09:10 | 0:09:13 | |
Oh, that fairly takes me back. | 0:09:13 | 0:09:16 | |
Me and all. | 0:09:16 | 0:09:17 | |
Oh, no, Molly, this is a quality garment. | 0:09:17 | 0:09:21 | |
I expect it would be right out of your price range. | 0:09:21 | 0:09:24 | |
Aye, right enough. But at least I could still get into it. | 0:09:24 | 0:09:27 | |
Is there anything you would like to add, Dr Jandhu? | 0:09:29 | 0:09:32 | |
Yes. | 0:09:32 | 0:09:33 | |
My son is a good, decent, young man. | 0:09:33 | 0:09:36 | |
And he's never been in any kind of trouble his whole life. | 0:09:36 | 0:09:38 | |
Not until he got mixed up with that woman. | 0:09:38 | 0:09:41 | |
OK... Well, I won't keep you any longer. | 0:09:41 | 0:09:45 | |
Have you caught him yet? The man who did this? | 0:09:45 | 0:09:48 | |
I really can't discuss that. | 0:09:48 | 0:09:49 | |
It's Stevie Burns, isn't it? | 0:09:49 | 0:09:51 | |
Ask Eileen Donachie where he is. | 0:09:51 | 0:09:53 | |
She's covering up for him. | 0:09:55 | 0:09:56 | |
Thank you for coming forward. | 0:09:56 | 0:09:58 | |
-So what happens now? -Just leave it with us. | 0:09:58 | 0:10:01 | |
You will follow it up? | 0:10:01 | 0:10:03 | |
If we need anything else, we'll be in touch. | 0:10:03 | 0:10:06 | |
I'll see myself out. | 0:10:07 | 0:10:08 | |
I just hope he's taken my advice and turned himself in. | 0:10:15 | 0:10:18 | |
-I just hope we've heard the last of it. -Yeah. | 0:10:18 | 0:10:20 | |
Eileen. | 0:10:22 | 0:10:24 | |
Craig, hello again. | 0:10:24 | 0:10:25 | |
Hi. | 0:10:25 | 0:10:27 | |
I need a word. Do you mind? | 0:10:27 | 0:10:28 | |
Will you go and change that barrel before we open, please? | 0:10:28 | 0:10:31 | |
I'm afraid an allegation's been made against you. | 0:10:38 | 0:10:41 | |
What allegation? | 0:10:41 | 0:10:42 | |
It's regarding the death of the man who was attacked outside the pub. | 0:10:42 | 0:10:45 | |
It's alleged that you persuaded Harry to give | 0:10:45 | 0:10:48 | |
false information to the police. | 0:10:48 | 0:10:50 | |
What a mess. | 0:10:52 | 0:10:53 | |
I think I know who's made this allegation. | 0:10:55 | 0:10:57 | |
Do you deny it? | 0:10:57 | 0:10:59 | |
I wish I didn't have to. | 0:10:59 | 0:11:02 | |
-But I can see why she's done it. -Who? | 0:11:02 | 0:11:04 | |
It's personal. | 0:11:06 | 0:11:07 | |
John, could you grab us a couple of coffees, please? | 0:11:08 | 0:11:11 | |
Take your time. | 0:11:11 | 0:11:12 | |
OK, Eileen, what's going on? | 0:11:18 | 0:11:20 | |
DOOR CLOSES | 0:11:25 | 0:11:27 | |
You're home early. | 0:11:33 | 0:11:34 | |
The class got cancelled. | 0:11:34 | 0:11:36 | |
Where are you going? | 0:11:36 | 0:11:37 | |
Eh... Tenerife. | 0:11:37 | 0:11:39 | |
Tenerife? | 0:11:39 | 0:11:40 | |
Aye, well, it was one of those last-minute-deal things. | 0:11:40 | 0:11:43 | |
And you're leaving us here? | 0:11:43 | 0:11:45 | |
Well, it's only for four or five days. It's no biggie. | 0:11:45 | 0:11:48 | |
But I'm going to miss you lot. Definitely. | 0:11:48 | 0:11:51 | |
But what about Drew? | 0:11:51 | 0:11:53 | |
He'll be fine. | 0:11:53 | 0:11:54 | |
Just keep an eye on him for me, will you? | 0:11:54 | 0:11:56 | |
I can't believe this. You weren't even going to tell us? | 0:11:56 | 0:11:58 | |
-Well, I left you a note. -A note? | 0:11:58 | 0:12:00 | |
And some dosh. | 0:12:00 | 0:12:02 | |
Oh, come on, don't be like that. You've got an empty. Enjoy. | 0:12:02 | 0:12:06 | |
Well, who are you going with? | 0:12:06 | 0:12:07 | |
PHONE RINGS | 0:12:07 | 0:12:08 | |
Right, that's my taxi. Right, no wild parties, eh? | 0:12:11 | 0:12:14 | |
Not till I get back, anyway. And you're in charge, OK? | 0:12:14 | 0:12:17 | |
Well, have you got everything? Got your passport? | 0:12:17 | 0:12:20 | |
Em, right... | 0:12:20 | 0:12:23 | |
Passport... Nearly forgot. | 0:12:23 | 0:12:24 | |
Right. That's me. I'm off. | 0:12:29 | 0:12:32 | |
DOOR OPENS AND CLOSES | 0:12:37 | 0:12:39 | |
It's a bit...embarrassing. | 0:12:45 | 0:12:47 | |
Don't worry, there's nothing I've not heard in this job. | 0:12:49 | 0:12:52 | |
I recently had a thing with her son. | 0:12:52 | 0:12:56 | |
OK. What sort of thing? | 0:12:57 | 0:12:59 | |
Harry. We were together, briefly. | 0:12:59 | 0:13:03 | |
Oh... | 0:13:05 | 0:13:07 | |
Well, it takes all sorts, I guess. | 0:13:08 | 0:13:11 | |
So, you're saying she made this up to get back at you? | 0:13:12 | 0:13:16 | |
Sadly, yes. | 0:13:16 | 0:13:18 | |
You do realise that giving false information to the police | 0:13:18 | 0:13:21 | |
is a serious offence? With consequences. | 0:13:21 | 0:13:24 | |
Yeah, I know, she probably wasn't thinking straight. | 0:13:24 | 0:13:27 | |
I'm talking about you. | 0:13:27 | 0:13:29 | |
You think I would lie to the police? | 0:13:30 | 0:13:32 | |
To you? | 0:13:32 | 0:13:34 | |
How long have you known me? | 0:13:35 | 0:13:37 | |
I'm sorry, Eileen, I'm just trying to do my job here. | 0:13:37 | 0:13:39 | |
I know. | 0:13:39 | 0:13:40 | |
So, did you ask Harry Jandhu to lie to us? | 0:13:40 | 0:13:43 | |
No. | 0:13:43 | 0:13:45 | |
Annie's just a mother protecting her son. | 0:13:45 | 0:13:47 | |
That's all that's going on here. | 0:13:47 | 0:13:50 | |
She thinks you're covering up for Stevie. | 0:13:50 | 0:13:52 | |
What? | 0:13:52 | 0:13:54 | |
Are you? | 0:13:54 | 0:13:56 | |
No, no, of course not. | 0:13:56 | 0:13:59 | |
OK... | 0:14:01 | 0:14:03 | |
Do you have you any idea where he might have gone? | 0:14:03 | 0:14:06 | |
No. He didn't turn up for work this morning. | 0:14:06 | 0:14:08 | |
I presume you've been round there and spoken to Stella? | 0:14:08 | 0:14:11 | |
She's not at home either. | 0:14:11 | 0:14:12 | |
But it's difficult to get lost these days. | 0:14:13 | 0:14:15 | |
We're surrounded by technology. | 0:14:15 | 0:14:17 | |
They'll turn up on some system or another. | 0:14:17 | 0:14:20 | |
Look, if you hear from them, let us know. | 0:14:20 | 0:14:22 | |
-Will do. -Ta. | 0:14:23 | 0:14:25 | |
She still sleeping? | 0:14:37 | 0:14:39 | |
Aye. | 0:14:39 | 0:14:41 | |
Stella...come here... | 0:14:41 | 0:14:43 | |
Right... | 0:14:48 | 0:14:51 | |
I've been thinking... | 0:14:51 | 0:14:53 | |
The money Eileen gave us, maybe we should rent a caravan? | 0:14:54 | 0:14:57 | |
-A caravan? -Aye, one of they static ones, near a park. | 0:14:58 | 0:15:03 | |
Nobody'll find us there. | 0:15:03 | 0:15:05 | |
I'll get work. In a bar, in a pub. Anything. | 0:15:05 | 0:15:08 | |
-Casual work? -Cash in hand, aye. | 0:15:10 | 0:15:13 | |
No bank accounts, no credit cards ever again. | 0:15:13 | 0:15:17 | |
Complete freedom. | 0:15:19 | 0:15:21 | |
Aye. Sounds good. | 0:15:21 | 0:15:23 | |
And we'll move about. Explore different places. | 0:15:23 | 0:15:26 | |
It'll be an adventure. | 0:15:26 | 0:15:28 | |
We'll need to settle somewhere when she starts school. | 0:15:28 | 0:15:31 | |
I want things to be stable for her. | 0:15:31 | 0:15:33 | |
Aye, they will be. Listen, she's gonnae have the best life. | 0:15:33 | 0:15:37 | |
A maw and da that loves her. That's all she needs. | 0:15:37 | 0:15:41 | |
What's the matter? | 0:15:47 | 0:15:49 | |
He was somebody's baby once too. That guy. | 0:15:51 | 0:15:55 | |
You cannae think like that. | 0:15:55 | 0:15:56 | |
I'm thinking about his maw and da. | 0:15:58 | 0:16:00 | |
Right, come on. Let's take the wean out and get some fresh air. | 0:16:01 | 0:16:04 | |
-Go to the park. -I'll take her. | 0:16:04 | 0:16:08 | |
I need to be on my own for a bit. Do you mind? | 0:16:08 | 0:16:11 | |
No, it's OK. | 0:16:11 | 0:16:13 | |
I won't be long. | 0:16:13 | 0:16:14 | |
I've just been to see Eileen Donachie. | 0:16:23 | 0:16:25 | |
I appreciate you acting so promptly on this. | 0:16:25 | 0:16:28 | |
She's explained the circumstances involved, | 0:16:28 | 0:16:32 | |
and I think it's best all round if you just let this matter drop. | 0:16:32 | 0:16:35 | |
-I'm sorry? -This is a police investigation. | 0:16:35 | 0:16:39 | |
I don't want it getting pulled out of shape by some personal feud. | 0:16:39 | 0:16:43 | |
-Now, hang on... -Your son lied to the police. | 0:16:43 | 0:16:47 | |
So to follow this up, | 0:16:47 | 0:16:48 | |
we'd have to draw him back into the investigation. | 0:16:48 | 0:16:52 | |
I'll let you get on with your coffee. | 0:16:54 | 0:16:57 | |
DOOR CLOSES | 0:17:03 | 0:17:04 | |
KNOCKS ON DOOR | 0:17:05 | 0:17:07 | |
You all right? | 0:17:07 | 0:17:08 | |
Yeah. Why wouldn't I be? | 0:17:08 | 0:17:10 | |
After the police being here. | 0:17:10 | 0:17:12 | |
Yes, it is a bit upsetting. | 0:17:12 | 0:17:14 | |
Not to mention embarrassing. What, are you ashamed of me? | 0:17:14 | 0:17:18 | |
Let's not do this now, OK? | 0:17:18 | 0:17:19 | |
-Why are you here? -I came to get some change. | 0:17:21 | 0:17:24 | |
HE OPENS SAFE | 0:17:28 | 0:17:29 | |
The money's gone. | 0:17:31 | 0:17:33 | |
All the notes. What...? | 0:17:34 | 0:17:36 | |
I've counted it. For the bank. | 0:17:36 | 0:17:38 | |
Today? You usually do the bank on a Thursday. | 0:17:39 | 0:17:43 | |
What difference does it make? | 0:17:43 | 0:17:44 | |
So where is it? | 0:17:44 | 0:17:46 | |
It's in my bag! Ready for pay-in. | 0:17:46 | 0:17:49 | |
-Why you being so tetchy? -I'm not. | 0:17:49 | 0:17:51 | |
He's taken it, hasn't he? | 0:17:55 | 0:17:56 | |
-Stevie. He's taken the money and done a runner. -No. | 0:17:56 | 0:18:00 | |
-And you're covering for him! Again! -No, of course I'm not. | 0:18:00 | 0:18:03 | |
This is my pub. And it's my money. And you're questioning me? | 0:18:04 | 0:18:08 | |
Harry? | 0:18:08 | 0:18:10 | |
Harry, are you up here? | 0:18:10 | 0:18:12 | |
Annie. | 0:18:12 | 0:18:14 | |
I need to speak with my son. | 0:18:16 | 0:18:18 | |
Mum, please. Not now. | 0:18:18 | 0:18:19 | |
It's fine. On you go. | 0:18:19 | 0:18:21 | |
Look, I'm glad you're here because I need to say something. | 0:18:28 | 0:18:31 | |
Reporting Eileen to the police, that was petty. | 0:18:31 | 0:18:33 | |
I don't want to argue with you. I just want you to hear me out. | 0:18:33 | 0:18:36 | |
-Well, it backfired. -I know. DI Donald came to see me. | 0:18:36 | 0:18:40 | |
More or less accused me of setting out to make trouble. | 0:18:40 | 0:18:43 | |
-Well? Didn't you? -I did it for you. -Oh, please. | 0:18:43 | 0:18:46 | |
I'm looking out for you. Trying to protect you. | 0:18:46 | 0:18:49 | |
No. You're trying to control me. And I don't need it. I'm 22. | 0:18:49 | 0:18:52 | |
I don't care what age you are. I'll always be your mum. | 0:18:52 | 0:18:56 | |
And everything that I have done for you must count for something. | 0:18:58 | 0:19:02 | |
Look, Mum, I'm sorry. | 0:19:04 | 0:19:08 | |
You should never have been dragged into this. | 0:19:08 | 0:19:10 | |
I just want you to see what kind of woman she is. | 0:19:10 | 0:19:13 | |
-Selfish, manipulative... -Stop. | 0:19:13 | 0:19:15 | |
And don't forget she did ask you to lie to the police. | 0:19:15 | 0:19:18 | |
-There's no getting away from that. -I know, but... | 0:19:18 | 0:19:22 | |
What kind of chance did I have against a woman like that? | 0:19:22 | 0:19:26 | |
She fooled the police, all sweetness and light. | 0:19:26 | 0:19:30 | |
And what chance did you have, eh? | 0:19:30 | 0:19:33 | |
Harry, son, just open your eyes. | 0:19:33 | 0:19:35 | |
She has money, and property, and influence. | 0:19:35 | 0:19:39 | |
You were just a bit of fun, that's all. | 0:19:41 | 0:19:43 | |
-You've got her all wrong. -Right, well, ask yourself this. | 0:19:43 | 0:19:46 | |
Which one of us lied to the police | 0:19:46 | 0:19:48 | |
and which one of us did they believe? | 0:19:48 | 0:19:50 | |
DOOR OPENS | 0:19:52 | 0:19:53 | |
Hey, Drew, what are you doing home? | 0:19:56 | 0:19:58 | |
Is Mum in? | 0:19:58 | 0:20:00 | |
No. | 0:20:00 | 0:20:02 | |
Where is she? | 0:20:02 | 0:20:03 | |
She's gone away for a few days. | 0:20:06 | 0:20:07 | |
Where? | 0:20:07 | 0:20:09 | |
Tenerife. | 0:20:09 | 0:20:10 | |
With who? | 0:20:10 | 0:20:12 | |
She never said. | 0:20:12 | 0:20:14 | |
Motherwell Kev? | 0:20:14 | 0:20:16 | |
I don't know. | 0:20:16 | 0:20:18 | |
Is she coming back? | 0:20:18 | 0:20:21 | |
Of course she is. | 0:20:21 | 0:20:22 | |
How you feeling? | 0:20:22 | 0:20:24 | |
Have you been sent home from school? | 0:20:24 | 0:20:26 | |
-I'm skiving, all right? -Drew... | 0:20:26 | 0:20:29 | |
Is there something going on at school? | 0:20:31 | 0:20:33 | |
Tell you what. | 0:20:36 | 0:20:38 | |
Why don't you get your stuff out and we can work together? | 0:20:38 | 0:20:41 | |
HE SCOFFS | 0:20:41 | 0:20:42 | |
Drew? | 0:20:42 | 0:20:44 | |
Drew, get back here. | 0:20:44 | 0:20:46 | |
Hi, it's me. | 0:20:57 | 0:20:59 | |
You need to back up everything I've said. | 0:21:00 | 0:21:02 | |
I will. If he asks. | 0:21:02 | 0:21:04 | |
No. You have to find him. Talk to him. | 0:21:04 | 0:21:06 | |
HE SIGHS | 0:21:06 | 0:21:08 | |
-You owe me. -What?! | 0:21:08 | 0:21:09 | |
You were the one that wanted to go back to your roots. | 0:21:09 | 0:21:12 | |
Now look where that's got us. | 0:21:12 | 0:21:13 | |
Our son's dropped out of uni, | 0:21:13 | 0:21:15 | |
he's in thrall to a much older woman and he's working in a pub. | 0:21:15 | 0:21:19 | |
All right, all right. But don't hold your breath. | 0:21:19 | 0:21:21 | |
No 22-year-old likes being told what to do. | 0:21:21 | 0:21:24 | |
I'm not asking you to lay down the law. | 0:21:24 | 0:21:26 | |
I've already done all the hard work. | 0:21:26 | 0:21:28 | |
You just have to tell him how much we love him | 0:21:28 | 0:21:30 | |
and we just want what's best for him. | 0:21:30 | 0:21:33 | |
That's not too hard, is it? | 0:21:33 | 0:21:35 | |
-KNOCK ON DOOR -Stella, it's me. | 0:21:38 | 0:21:41 | |
Might want to think twice | 0:21:45 | 0:21:46 | |
about shouting my name in the middle of the corridor. | 0:21:46 | 0:21:49 | |
Well, what do you want me to shout? "Bonnie, it's Clyde?" | 0:21:49 | 0:21:52 | |
-Here, got some food an' all. -Ta. | 0:21:55 | 0:21:57 | |
She go down all right? | 0:22:01 | 0:22:03 | |
Aye, a few minutes outside and she was off. | 0:22:03 | 0:22:06 | |
What are you doing? | 0:22:10 | 0:22:12 | |
This isn't exactly how I imagined it, but... | 0:22:12 | 0:22:15 | |
Stella, this is my big romantic moment. | 0:22:17 | 0:22:19 | |
Say something. | 0:22:19 | 0:22:21 | |
I love it. | 0:22:23 | 0:22:25 | |
Whatever happens, I'll always love you. | 0:22:35 | 0:22:38 | |
Stevie, you're pure shaking. | 0:22:38 | 0:22:40 | |
Aye, I know. But I need to say this. | 0:22:40 | 0:22:44 | |
-If I get caught... -You're no' gonnae get caught. | 0:22:44 | 0:22:46 | |
If I get caught, I'm going away for a long time. | 0:22:46 | 0:22:51 | |
But I want you to remember this moment, and how much I love you. | 0:22:52 | 0:22:56 | |
You and Hope. | 0:22:56 | 0:22:58 | |
You deserve more than this... | 0:22:59 | 0:23:01 | |
Stella, if I had the world, I'd gie it to you. | 0:23:01 | 0:23:04 | |
I know you would. | 0:23:04 | 0:23:06 | |
But we've got everything we need right here. | 0:23:06 | 0:23:08 | |
We've got you. | 0:23:10 | 0:23:11 | |
I'm no' doing this to ask you to wait for me... | 0:23:11 | 0:23:14 | |
Don't say stuff like that. | 0:23:14 | 0:23:16 | |
I'll never stop loving you. | 0:23:16 | 0:23:18 | |
But I don't want the mistakes I've made to ruin your whole life. | 0:23:19 | 0:23:22 | |
I've already ruined my maw and dad's. But you two... | 0:23:22 | 0:23:25 | |
Right, come on, enough. Look, look at her. | 0:23:25 | 0:23:29 | |
Look how perfect she is. | 0:23:31 | 0:23:34 | |
We made that. | 0:23:34 | 0:23:36 | |
You and me. | 0:23:37 | 0:23:38 | |
And whatever happens, she's here because we love each other. | 0:23:38 | 0:23:42 | |
Nothing's ever gonnae change that. | 0:23:43 | 0:23:46 | |
So let's focus on her. | 0:23:48 | 0:23:50 | |
And the future. Right? | 0:23:50 | 0:23:52 | |
Is that a yes? | 0:23:56 | 0:23:59 | |
What do you think? | 0:23:59 | 0:24:01 | |
-Ow! -You all right? | 0:24:05 | 0:24:07 | |
Aye, I've just slept on my neck funny. I'll be fine. | 0:24:07 | 0:24:10 | |
-Do you mind if I sit here? -Not at all. | 0:24:13 | 0:24:15 | |
Sorry. | 0:24:17 | 0:24:19 | |
For what? | 0:24:19 | 0:24:20 | |
Hogging the table. | 0:24:20 | 0:24:22 | |
You're fine. Don't worry. | 0:24:22 | 0:24:24 | |
What are you studying? | 0:24:24 | 0:24:26 | |
Right now? The effect of temperature change on rate of reaction. | 0:24:26 | 0:24:30 | |
Cool. | 0:24:30 | 0:24:31 | |
Chemistry? | 0:24:31 | 0:24:33 | |
Yeah, I know, that was my favourite subject when I was a kid. | 0:24:33 | 0:24:36 | |
-You know your mum's been helping me? -So I heard. How's that going? | 0:24:36 | 0:24:39 | |
Pretty good. You're lucky to have her. | 0:24:39 | 0:24:42 | |
You know, she bought me a chemistry set when I was this high. | 0:24:43 | 0:24:47 | |
I was only allowed to use it in the kitchen. | 0:24:47 | 0:24:50 | |
There was this one time I snuck it into my bedroom | 0:24:50 | 0:24:53 | |
and I almost set fire to the curtains with my Bunsen burner. | 0:24:53 | 0:24:57 | |
Oh, really? | 0:24:57 | 0:24:58 | |
So they put a Bunsen burner in a kids' chemistry set? | 0:24:58 | 0:25:01 | |
Yep. | 0:25:01 | 0:25:02 | |
And you had a gas supply in your bedroom? | 0:25:02 | 0:25:05 | |
I'm busted. | 0:25:07 | 0:25:10 | |
Eh, hi. I was hoping for a word. | 0:25:10 | 0:25:14 | |
I'll get out your way. | 0:25:14 | 0:25:16 | |
Stay. You have your coffee. | 0:25:16 | 0:25:17 | |
Sorry, I didn't mean to interrupt. | 0:25:24 | 0:25:25 | |
I was just wondering if you might be free later? | 0:25:25 | 0:25:28 | |
Why? | 0:25:28 | 0:25:29 | |
Thought you could maybe let your old man take you out for a pint. | 0:25:29 | 0:25:33 | |
Come on. Boys' night out. What do you think? | 0:25:33 | 0:25:37 | |
All right. Just the one. | 0:25:37 | 0:25:39 | |
Good lad. I'll see you later. | 0:25:39 | 0:25:41 | |
-I think she's coming down with something. -What makes you say that? | 0:25:47 | 0:25:50 | |
She's got a temperature | 0:25:50 | 0:25:51 | |
and she's sleeping all the time, isn't she? | 0:25:51 | 0:25:53 | |
PHONE RINGS | 0:25:53 | 0:25:55 | |
You used it, didn't you? | 0:25:58 | 0:26:00 | |
Who was it? | 0:26:02 | 0:26:03 | |
-I'm sorry. It's probably Mark. -What?! | 0:26:03 | 0:26:06 | |
Am I no' allowed to speak to my own brother? | 0:26:06 | 0:26:08 | |
Well, what did you tell him? | 0:26:08 | 0:26:09 | |
-Nothing. -You sure about that? | 0:26:09 | 0:26:12 | |
I just wanted to check if the polis were looking for us. | 0:26:12 | 0:26:14 | |
And are they? | 0:26:14 | 0:26:16 | |
But it doesn't matter, because he doesn't know where we are. | 0:26:18 | 0:26:22 | |
I just wanted to hear his voice. | 0:26:22 | 0:26:23 | |
If they check his phone, they'll have this number. | 0:26:23 | 0:26:26 | |
They can trace that. They're probably on their way. | 0:26:26 | 0:26:28 | |
This isnae gonnae work. | 0:26:28 | 0:26:30 | |
Calm down, Stevie. I made one mistake. | 0:26:30 | 0:26:32 | |
We've only been away for a day. | 0:26:32 | 0:26:34 | |
It's too hard for you, Stella, I can't make you give everything up. | 0:26:34 | 0:26:37 | |
Where you going? | 0:26:37 | 0:26:39 | |
I'm going to hand myself in before they catch us. | 0:26:39 | 0:26:41 | |
No, don't you dare. Stevie, get back here right now. | 0:26:41 | 0:26:45 | |
Don't make this any harder, Stella. | 0:26:45 | 0:26:46 | |
You cannae leave us, after everything you said. | 0:26:46 | 0:26:49 | |
Do you think I want to leave you? | 0:26:49 | 0:26:51 | |
Then don't. | 0:26:51 | 0:26:53 | |
Getting caught is one thing, but handing yourself in, | 0:26:54 | 0:26:56 | |
that's just giving up. On me, and on her. | 0:26:56 | 0:26:59 | |
You can't do that. | 0:27:00 | 0:27:02 | |
This was just a wobble. I'm really sorry about the phone thing. | 0:27:04 | 0:27:08 | |
We can get rid of the battery, chuck the SIM card, and get a new one. | 0:27:09 | 0:27:13 | |
I was only speaking to him for a couple of minutes, anyway. | 0:27:13 | 0:27:16 | |
They're never going to be able to trace the phone call. | 0:27:16 | 0:27:18 | |
I'm sorry. | 0:27:20 | 0:27:22 | |
I just want what's best for both of yous. | 0:27:23 | 0:27:26 | |
Then man up. | 0:27:28 | 0:27:29 | |
Whether it's six hours or 60 years, | 0:27:31 | 0:27:34 | |
let's just make the most of the time we've got together, OK? | 0:27:34 | 0:27:37 | |
OK. | 0:27:43 | 0:27:44 | |
No pressure, Annie. | 0:27:55 | 0:27:56 | |
Ah, here we are. | 0:27:59 | 0:28:00 | |
-I thought it would be quieter in here tonight. -Oh, really? | 0:28:03 | 0:28:07 | |
Well, a man died right outside. That kind of thing puts folk off. | 0:28:07 | 0:28:10 | |
Aye, right enough. Especially since he was assaulted. | 0:28:10 | 0:28:13 | |
-Is there any word on Stevie? We heard he'd disappeared. -No. | 0:28:13 | 0:28:16 | |
He's done a runner, then - they both must have. | 0:28:16 | 0:28:19 | |
-Right. That's enough. -It's just speculation. | 0:28:19 | 0:28:21 | |
No, it's not. It's malicious gossip. | 0:28:21 | 0:28:23 | |
So I suggest you change the subject if you want to drink in here. | 0:28:23 | 0:28:27 | |
Right, take a seat. I'll be over in a minute to get your order. | 0:28:29 | 0:28:32 | |
Thank you. | 0:28:32 | 0:28:34 | |
Same again, please. | 0:28:38 | 0:28:40 | |
Steady on. That's your second. | 0:28:40 | 0:28:42 | |
And what are you? The cider police? | 0:28:42 | 0:28:44 | |
And a lager as well, please, Eileen. | 0:28:47 | 0:28:49 | |
Thanks, Dad. | 0:28:49 | 0:28:51 | |
So...here we are. | 0:28:54 | 0:28:57 | |
Yeah. Here we are. | 0:28:57 | 0:29:01 | |
She still doesn't seem right. | 0:29:14 | 0:29:16 | |
A good night's sleep, that's probably all she needs. | 0:29:17 | 0:29:19 | |
Do you think she's just overtired? | 0:29:19 | 0:29:22 | |
I think it's natural to worry about the least wee thing. | 0:29:22 | 0:29:24 | |
We're brand new at this. And you're doing a brilliant job. | 0:29:24 | 0:29:28 | |
I didn't think it would possible to love something this much. | 0:29:29 | 0:29:32 | |
Aw, thanks. | 0:29:32 | 0:29:34 | |
You know what I mean. It's different. | 0:29:34 | 0:29:36 | |
It's like...medieval. | 0:29:36 | 0:29:39 | |
Do you mean primeval? | 0:29:40 | 0:29:42 | |
Primeval, aye. | 0:29:42 | 0:29:43 | |
You know, before she was born, | 0:29:45 | 0:29:46 | |
I used to imagine what it'd feel like to be a da. | 0:29:46 | 0:29:49 | |
I thought it would be like how I feel about wee Stuart, only bigger. | 0:29:50 | 0:29:54 | |
But...it's more than that. | 0:29:55 | 0:29:58 | |
It's more than anything. | 0:29:58 | 0:30:00 | |
And listen, I'm really sorry about earlier. I just... | 0:30:03 | 0:30:06 | |
I just want what's best for the both of you. | 0:30:06 | 0:30:09 | |
I know you do. | 0:30:09 | 0:30:11 | |
I'm going to head out and get some Indian food | 0:30:13 | 0:30:15 | |
and maybe a wee bottle of something. | 0:30:15 | 0:30:18 | |
OK. Don't be long. | 0:30:18 | 0:30:21 | |
You OK, baby? | 0:30:35 | 0:30:36 | |
No, I think it's a great idea. A gap year. | 0:30:37 | 0:30:40 | |
If you want to go backpacking to Thailand, South America, wherever. | 0:30:40 | 0:30:45 | |
-Right. -I'm just saying that's something | 0:30:45 | 0:30:47 | |
that me and your mum could help you with. | 0:30:47 | 0:30:50 | |
Thanks, Dad. I appreciate that. | 0:30:50 | 0:30:52 | |
Good. So where do you fancy going? | 0:30:52 | 0:30:55 | |
Hold on. Who says I was going anywhere? | 0:30:55 | 0:30:58 | |
Vietnam? Oh, Australia? | 0:30:58 | 0:31:01 | |
You're trying to get rid of me? | 0:31:01 | 0:31:03 | |
No. I just don't want you settling for... | 0:31:03 | 0:31:07 | |
But I'm good here for now. | 0:31:07 | 0:31:09 | |
Only because you don't know what's out there. | 0:31:09 | 0:31:12 | |
OK, so, what do you think of her? | 0:31:13 | 0:31:15 | |
Who? | 0:31:15 | 0:31:16 | |
Eileen. That is who we're talking about, isn't it? | 0:31:16 | 0:31:20 | |
She's...eh... | 0:31:20 | 0:31:23 | |
Please, I want you to be honest with me. | 0:31:23 | 0:31:25 | |
Really? | 0:31:25 | 0:31:27 | |
Yeah. | 0:31:27 | 0:31:29 | |
OK. You asked for it. | 0:31:29 | 0:31:30 | |
She's all wrong for you. She's too old for a start. | 0:31:33 | 0:31:36 | |
She's got a kid. She's got baggage. | 0:31:36 | 0:31:38 | |
It was never going to work out, son, you're well out of it. | 0:31:38 | 0:31:41 | |
I didn't ask about me and Eileen. | 0:31:41 | 0:31:43 | |
I asked what YOU think of her. Just Eileen. | 0:31:43 | 0:31:47 | |
Oh. | 0:31:47 | 0:31:48 | |
Eileen's all right. | 0:31:49 | 0:31:50 | |
You don't think she's a flirt? | 0:31:52 | 0:31:54 | |
Her heart's in the right place. | 0:31:54 | 0:31:56 | |
I'm sure Stevie's stolen from her. | 0:31:57 | 0:32:00 | |
What? | 0:32:00 | 0:32:01 | |
All the takings are gone. | 0:32:03 | 0:32:05 | |
And she snapped my head off just for asking about it. | 0:32:05 | 0:32:09 | |
I think she's covering for him. | 0:32:09 | 0:32:11 | |
Well, it's a terrible business altogether. Stay well out of it. | 0:32:11 | 0:32:15 | |
-Do you want a...? -No, not for me. | 0:32:15 | 0:32:17 | |
I don't think you should, either, you're not used to it. | 0:32:17 | 0:32:21 | |
One for the road. | 0:32:21 | 0:32:22 | |
Maybe not. Let's get you home. | 0:32:22 | 0:32:25 | |
CLATTER | 0:32:30 | 0:32:31 | |
GLASS SHATTERS | 0:32:31 | 0:32:33 | |
THEY CHUCKLE | 0:32:36 | 0:32:38 | |
-DOOR SLAMS -Mum? | 0:32:38 | 0:32:40 | |
In here. | 0:32:40 | 0:32:41 | |
Hi, gorgeous. | 0:32:47 | 0:32:48 | |
Oh, for goodness' sake. | 0:32:48 | 0:32:50 | |
How many has he had? | 0:32:51 | 0:32:53 | |
That many? | 0:32:53 | 0:32:55 | |
Sorry, Mum. | 0:32:55 | 0:32:56 | |
We had a great time. Me and the boy. The guys. | 0:32:56 | 0:32:58 | |
Yeah, we did. | 0:32:58 | 0:33:00 | |
Come on, let's sit you down here. | 0:33:00 | 0:33:05 | |
Right, I'll sort him out. You go to bed. | 0:33:05 | 0:33:07 | |
Don't be too hard on him. | 0:33:07 | 0:33:09 | |
Me? | 0:33:09 | 0:33:10 | |
Let me get you a coffee, try and sober you up. | 0:33:10 | 0:33:14 | |
-How did it go? -Well, it was good. | 0:33:16 | 0:33:19 | |
Bit of father-and-son time. | 0:33:19 | 0:33:21 | |
You're beautiful, by the way. | 0:33:23 | 0:33:25 | |
No, no. I want to know what he said. | 0:33:25 | 0:33:28 | |
Eh, right, we talked about university and how we'd support him. | 0:33:28 | 0:33:35 | |
I think. | 0:33:35 | 0:33:37 | |
You think? | 0:33:37 | 0:33:38 | |
No, I did. I remember that bit. | 0:33:38 | 0:33:40 | |
And did you talk about Eileen? | 0:33:40 | 0:33:42 | |
How she's a conniving, manipulative temptress | 0:33:42 | 0:33:44 | |
who cares about nobody else but herself? | 0:33:44 | 0:33:46 | |
Not exactly. | 0:33:46 | 0:33:47 | |
What did you say, "exactly"? | 0:33:47 | 0:33:49 | |
I said... | 0:33:49 | 0:33:51 | |
I said that she was too old for him and that he's better off out of it. | 0:33:51 | 0:33:56 | |
Did I do well? | 0:33:56 | 0:33:58 | |
Yeah, and what did he say? | 0:33:58 | 0:33:59 | |
I can't remember. | 0:33:59 | 0:34:01 | |
Think, AJ. | 0:34:01 | 0:34:02 | |
Do not shout. | 0:34:02 | 0:34:04 | |
Don't look at me, right? This was your idea. | 0:34:04 | 0:34:06 | |
SHE SIGHS | 0:34:06 | 0:34:07 | |
You know, I didn't expect much. | 0:34:07 | 0:34:09 | |
But, at the least, I'd expected you to remember. | 0:34:09 | 0:34:12 | |
Leave him alone. | 0:34:12 | 0:34:13 | |
He'll get fed up mooning after someone he can't have | 0:34:13 | 0:34:16 | |
and he'll meet a nice wee lassie his own age. | 0:34:16 | 0:34:19 | |
Like that Jenny. I saw them in the cafe, joking away. | 0:34:22 | 0:34:26 | |
When? | 0:34:26 | 0:34:28 | |
When? | 0:34:28 | 0:34:30 | |
HE SNORES | 0:34:30 | 0:34:32 | |
He is believed to be travelling with his partner, Stella Walker, | 0:34:35 | 0:34:38 | |
and their newborn baby. | 0:34:38 | 0:34:40 | |
Police are concerned for the welfare of the child, | 0:34:40 | 0:34:42 | |
and are appealing for anyone with any information | 0:34:42 | 0:34:45 | |
on the whereabouts of Steven Burns to come forward. | 0:34:45 | 0:34:48 | |
"Concerned for the welfare of the child." What? | 0:34:51 | 0:34:54 | |
-Do they think I'm gonnae hurt her? -You're gonnae wake her up. | 0:34:54 | 0:34:57 | |
That I cannae look after her? I'm gonnae put her in danger? | 0:34:57 | 0:35:00 | |
Nothing's changed! We knew the polis were looking for us anyway. | 0:35:00 | 0:35:03 | |
Aye, but now everybody else is. We've been seen on the street. | 0:35:03 | 0:35:05 | |
Checking in here. | 0:35:05 | 0:35:06 | |
For all we know, somebody's already reported us to the polis. | 0:35:06 | 0:35:09 | |
She's burning up. Something's wrong. | 0:35:09 | 0:35:11 | |
What? | 0:35:11 | 0:35:12 | |
-She's roasting. -I knew it. | 0:35:16 | 0:35:17 | |
I telt you last night that she was coming down with something. | 0:35:17 | 0:35:20 | |
What does that mean? | 0:35:20 | 0:35:21 | |
What do you mean, what does it mean? She's no' well. | 0:35:21 | 0:35:23 | |
Right, all right, let's think about it, then. | 0:35:23 | 0:35:25 | |
If we were at home, what would we do? | 0:35:25 | 0:35:27 | |
SHE SIGHS | 0:35:27 | 0:35:28 | |
Phone somebody. Take her to the baby clinic. | 0:35:28 | 0:35:32 | |
Get the doctor out, I don't know. | 0:35:32 | 0:35:33 | |
All those places are going to want a name. | 0:35:33 | 0:35:35 | |
We need to do something. | 0:35:35 | 0:35:36 | |
She's no' feeding and her temperature's really high. | 0:35:39 | 0:35:42 | |
She's sleeping all the time. I'm just really worried about her. | 0:35:42 | 0:35:45 | |
OK, what's your name? | 0:35:45 | 0:35:46 | |
Henderson... | 0:35:46 | 0:35:48 | |
Mrs Henderson. | 0:35:48 | 0:35:49 | |
OK, if you take a seat, somebody will give you a shout, OK? | 0:35:49 | 0:35:52 | |
Thanks. | 0:35:52 | 0:35:53 | |
No' next to me. | 0:35:58 | 0:36:00 | |
Nice to see those school fees aren't going to waste. | 0:36:23 | 0:36:26 | |
Don't start. | 0:36:26 | 0:36:27 | |
I'm just teasing. | 0:36:27 | 0:36:29 | |
How's Dad this morning? | 0:36:29 | 0:36:31 | |
Exactly how he deserves to be. | 0:36:31 | 0:36:33 | |
And as for you, | 0:36:33 | 0:36:35 | |
you should've had more sense, even if he didn't. | 0:36:35 | 0:36:37 | |
Hey, he's a grown man. | 0:36:37 | 0:36:38 | |
Listen, I've got a bit of a problem. | 0:36:38 | 0:36:41 | |
-What? -Jenny McLean. | 0:36:41 | 0:36:43 | |
-She's a problem? -No, no, not at all. | 0:36:43 | 0:36:45 | |
-But you know I've been helping her with her chemistry. -Yeah? | 0:36:45 | 0:36:49 | |
Well, I'm meant to be giving her a lesson tonight, | 0:36:49 | 0:36:51 | |
but I've got so swamped with paperwork. | 0:36:51 | 0:36:54 | |
I'm sure she'll understand. | 0:36:54 | 0:36:55 | |
You couldn't do it, could you? | 0:36:55 | 0:36:57 | |
Tutor her, I mean. Not the paperwork. | 0:36:57 | 0:37:00 | |
Come on. You owe me one. | 0:37:00 | 0:37:01 | |
How do you make that out? | 0:37:01 | 0:37:03 | |
For getting Dad so drunk. | 0:37:03 | 0:37:06 | |
Please say you'll do it. | 0:37:06 | 0:37:08 | |
OK, yeah, all right, just this once. | 0:37:11 | 0:37:13 | |
Thank you, you're really helping me out. | 0:37:13 | 0:37:15 | |
(Look at the telly.) | 0:37:26 | 0:37:28 | |
INAUDIBLE | 0:37:36 | 0:37:38 | |
SHE SIGHS | 0:37:48 | 0:37:50 | |
Stevie, we need to get out of here. | 0:37:55 | 0:37:57 | |
(What about the wean?) | 0:37:59 | 0:38:01 | |
Mrs Henderson? | 0:38:03 | 0:38:05 | |
Just go. | 0:38:06 | 0:38:08 | |
Go! | 0:38:08 | 0:38:10 | |
-I can't thank you enough. -You're welcome. | 0:38:30 | 0:38:33 | |
-Great, thanks, bye. -Bye. | 0:38:33 | 0:38:36 | |
Dr Jandhu, we've got all that data back. And the charts. | 0:38:36 | 0:38:39 | |
So I can do the analysis when I get time. | 0:38:39 | 0:38:41 | |
Good work. | 0:38:41 | 0:38:43 | |
Listen, I know we were meant to have a lesson tonight | 0:38:43 | 0:38:45 | |
but I'm afraid I can't make it. | 0:38:45 | 0:38:46 | |
-Oh, that's OK. -No, wait. Harry said he'd do it. | 0:38:46 | 0:38:49 | |
Harry? | 0:38:49 | 0:38:51 | |
You don't mind, do you? | 0:38:51 | 0:38:52 | |
Not so long as he doesn't. | 0:38:52 | 0:38:54 | |
Not at all. He seemed pleased to step in. | 0:38:54 | 0:38:57 | |
It's all right, they weren't looking for me. | 0:39:22 | 0:39:25 | |
-She all right? -Aye. She's fine, it was nothing. | 0:39:25 | 0:39:28 | |
-Right, come on, let's get out of here. -OK. -Come on. | 0:39:28 | 0:39:31 | |
-Hey! -Upstairs. | 0:39:55 | 0:39:57 | |
Please, Ruby. I need you to stay out the way tonight. | 0:39:58 | 0:40:02 | |
What's it worth? | 0:40:02 | 0:40:04 | |
-I'll do your homework for a week. -Deal! | 0:40:04 | 0:40:07 | |
Can you do me a favour? Make yourself scarce. | 0:40:12 | 0:40:15 | |
I need this room for my chemistry lesson. | 0:40:15 | 0:40:17 | |
-Is that wine? -Please, Drew. | 0:40:17 | 0:40:20 | |
Where'd you get that? | 0:40:20 | 0:40:21 | |
It was cheap. And I didn't use the money Mum gave us. | 0:40:21 | 0:40:24 | |
Mum left money? | 0:40:24 | 0:40:26 | |
Yes. | 0:40:26 | 0:40:27 | |
Can I get a pizza, then? | 0:40:27 | 0:40:28 | |
-You'll stay out the way the whole night? -Aye. | 0:40:30 | 0:40:32 | |
-Hello? -Oh. It's you. | 0:40:44 | 0:40:48 | |
Drew let me in. | 0:40:48 | 0:40:50 | |
I really appreciate you helping me. I mean really, like, | 0:40:50 | 0:40:53 | |
giving up your time and everything. | 0:40:53 | 0:40:55 | |
I've only got an hour or so, so we better get started. | 0:40:55 | 0:40:58 | |
OK. Would you like a glass of wine? | 0:40:58 | 0:41:02 | |
On a school night? | 0:41:02 | 0:41:03 | |
You know what? That sounds like a great idea. | 0:41:06 | 0:41:09 | |
-It'll never work. -Why not? | 0:41:12 | 0:41:14 | |
Well, number one - he's not over his last mistake yet. | 0:41:14 | 0:41:17 | |
And number two - if he gets wind that you're setting him up... | 0:41:17 | 0:41:19 | |
Well, he won't. | 0:41:19 | 0:41:20 | |
If it goes wrong, this'll backfire on you. | 0:41:20 | 0:41:23 | |
Oh, lighten up. | 0:41:23 | 0:41:24 | |
They are two young, attractive, decent people, | 0:41:24 | 0:41:28 | |
having a nice time together. | 0:41:28 | 0:41:30 | |
What could go wrong? | 0:41:30 | 0:41:32 | |
Thank you, Harry. You've been brilliant. | 0:41:38 | 0:41:41 | |
You ever thought of being a teacher? | 0:41:41 | 0:41:43 | |
No, not really. I've not thought that far ahead. | 0:41:43 | 0:41:47 | |
Well, I can't get over you giving up your time to help me. | 0:41:47 | 0:41:50 | |
You know what? I enjoyed it. | 0:41:50 | 0:41:52 | |
-Really? -Yeah. | 0:41:52 | 0:41:54 | |
It's good to get a night away from... | 0:41:54 | 0:41:56 | |
From...? | 0:41:56 | 0:41:58 | |
Oh, you know. The usual stuff. | 0:41:58 | 0:41:59 | |
My...boss. My mum being a control freak. | 0:41:59 | 0:42:03 | |
Don't be hard on your mum. | 0:42:03 | 0:42:05 | |
I just wish she'd back off out my life. | 0:42:05 | 0:42:07 | |
Well, you think that, but... | 0:42:07 | 0:42:10 | |
Well, I should know. | 0:42:10 | 0:42:11 | |
My mum couldn't tell you the first thing about my life. | 0:42:11 | 0:42:15 | |
Then she's missing out. | 0:42:15 | 0:42:17 | |
Because I think you're quite special. | 0:42:17 | 0:42:19 | |
Well, I think that you're... | 0:42:19 | 0:42:22 | |
Yeah? | 0:42:22 | 0:42:24 | |
I forgot what I was going to say. | 0:42:24 | 0:42:27 | |
How about some coffee? | 0:42:27 | 0:42:29 | |
Coffee. Yeah, we have some of that, I think. | 0:42:29 | 0:42:32 | |
You're OK. I've got you. | 0:42:34 | 0:42:36 | |
Sorry. I'm sorry... I... | 0:42:40 | 0:42:43 | |
Sorry... | 0:42:43 | 0:42:44 | |
SHE RETCHES | 0:42:46 | 0:42:48 | |
It's OK. That's it, get it all up. | 0:42:48 | 0:42:51 | |
That's it. | 0:42:51 | 0:42:52 | |
Who gave their mummy and daddy a big fright last night? | 0:43:00 | 0:43:06 | |
Now look at you. | 0:43:06 | 0:43:08 | |
You're going to have a great life, Hope. | 0:43:09 | 0:43:12 | |
You're going to do really well at school. | 0:43:12 | 0:43:14 | |
And we're always gonnae be there for you. Always. | 0:43:14 | 0:43:16 | |
Stevie, I'm just gonnae jump out and get some more formula, | 0:43:16 | 0:43:18 | |
-we've ran out. -On you go. We're fine here. | 0:43:18 | 0:43:22 | |
Your head teacher was called Mr Tickle? | 0:43:37 | 0:43:39 | |
Yeah, if you were in trouble, | 0:43:39 | 0:43:41 | |
you got sent to Tickle, the head teacher. | 0:43:41 | 0:43:44 | |
THEY CHUCKLE | 0:43:44 | 0:43:46 | |
Morning. | 0:43:46 | 0:43:48 | |
You stayed here all night? | 0:43:59 | 0:44:01 | |
Yeah, I slept in the chair, to make sure you were OK. | 0:44:01 | 0:44:06 | |
How you feeling? | 0:44:06 | 0:44:08 | |
You've been to the shop? | 0:44:08 | 0:44:09 | |
Yeah. | 0:44:09 | 0:44:11 | |
Listen, thanks again. For all your help last night. | 0:44:13 | 0:44:16 | |
I enjoyed it. | 0:44:16 | 0:44:17 | |
I'm sorry for getting carried away. | 0:44:17 | 0:44:21 | |
Come here. | 0:44:21 | 0:44:22 | |
-Did you hear Harry come in last night? -No. Why? | 0:44:33 | 0:44:36 | |
Well, his bed looks as if it's not been slept in. | 0:44:36 | 0:44:39 | |
Maybe he got lucky. | 0:44:39 | 0:44:40 | |
Don't say that. | 0:44:40 | 0:44:41 | |
It was you that pushed them together. | 0:44:41 | 0:44:43 | |
But I don't want him taking advantage of her. | 0:44:43 | 0:44:45 | |
He wouldn't do that. | 0:44:45 | 0:44:47 | |
-He went out of his way to help her, didn't he? -Yeah, he did. I know. | 0:44:47 | 0:44:49 | |
Aye, he's a decent, caring young man. | 0:44:49 | 0:44:52 | |
-I think that's why he's still hung up on Eileen. -Sorry? | 0:44:52 | 0:44:56 | |
He's looking out for her. I think he's worried that | 0:44:56 | 0:44:58 | |
she's mixed up in the whole Stevie business. | 0:44:58 | 0:45:01 | |
Some money went missing from the pub. | 0:45:01 | 0:45:03 | |
MOBILE RINGS | 0:45:03 | 0:45:04 | |
And you're just remembering this NOW? | 0:45:04 | 0:45:07 | |
Hello? | 0:45:07 | 0:45:09 | |
Hello... | 0:45:09 | 0:45:11 | |
Who's this? | 0:45:11 | 0:45:13 | |
-'Dr Jandhu?' -Yes. | 0:45:13 | 0:45:15 | |
It's Stella Walker. | 0:45:15 | 0:45:17 | |
'Stella?!' | 0:45:17 | 0:45:19 | |
Where are you? Are you all right? | 0:45:19 | 0:45:21 | |
Listen, I really need your help. | 0:45:21 | 0:45:23 | |
But you cannae go to the polis, OK? I'm begging you. | 0:45:23 | 0:45:26 | |
-Tell me what's wrong. -'I've got a pain.' | 0:45:26 | 0:45:29 | |
It's kinda hard to explain, it's... | 0:45:30 | 0:45:32 | |
'..it's like...it's in my chest. And it...' | 0:45:33 | 0:45:36 | |
..it's just really sore. | 0:45:37 | 0:45:39 | |
It's impossible to say without seeing you, | 0:45:39 | 0:45:41 | |
'but it sounds like phantom breast pain. | 0:45:41 | 0:45:44 | |
'It's very common, | 0:45:44 | 0:45:46 | |
'and the brain still sends signals to the nerve ends.' | 0:45:46 | 0:45:49 | |
Will it go away? | 0:45:49 | 0:45:51 | |
'In time.' | 0:45:51 | 0:45:52 | |
If that's what it is. | 0:45:52 | 0:45:54 | |
You need to see a doctor. | 0:45:54 | 0:45:56 | |
Yeah, well, I cannae dae that. | 0:45:56 | 0:45:57 | |
Are you near a chemist? | 0:45:59 | 0:46:00 | |
Aye. | 0:46:00 | 0:46:02 | |
'Right, get yourself some analgesic painkillers. | 0:46:02 | 0:46:04 | |
'Ibuprofen, just something like that.' | 0:46:04 | 0:46:06 | |
Right. Thanks. | 0:46:06 | 0:46:08 | |
No, Stella - wait. | 0:46:08 | 0:46:10 | |
Listen to me. | 0:46:10 | 0:46:12 | |
You're in trouble, you're going to have to see a doctor sometime. | 0:46:12 | 0:46:15 | |
'What with the baby and the cancer, | 0:46:15 | 0:46:18 | |
'you need to have check-ups.' | 0:46:18 | 0:46:19 | |
Listen, I'm absolutely fine. | 0:46:19 | 0:46:21 | |
You can't go on like this, love. | 0:46:22 | 0:46:24 | |
'Not with a tiny baby and no money.' | 0:46:24 | 0:46:27 | |
Yeah, well, I've GOT money. | 0:46:27 | 0:46:29 | |
Well, I've got enough, anyway. | 0:46:29 | 0:46:31 | |
'I'm fine. OK?' | 0:46:31 | 0:46:33 | |
-Thanks very much for your help. -'Stella... | 0:46:33 | 0:46:36 | |
'Stella!' STELLA TERMINATES THE CALL | 0:46:36 | 0:46:37 | |
SHE SIGHS | 0:46:40 | 0:46:42 | |
SHE SIGHS | 0:46:47 | 0:46:49 | |
Right, you get a lie down. I'll make up her bottles. | 0:46:50 | 0:46:53 | |
No, it's fine, I'll do it. | 0:46:53 | 0:46:54 | |
What, are you scared I'll mess it up? | 0:46:54 | 0:46:56 | |
What's this? | 0:47:00 | 0:47:01 | |
Just some painkillers. | 0:47:01 | 0:47:02 | |
Maximum strength? | 0:47:03 | 0:47:05 | |
Aye, they'll probably knock me out. | 0:47:05 | 0:47:07 | |
What's it for? | 0:47:07 | 0:47:09 | |
Stella, what's it for? | 0:47:10 | 0:47:12 | |
It's just for a wee bit of pain that I've got here, | 0:47:15 | 0:47:17 | |
but it's no big deal. | 0:47:17 | 0:47:18 | |
And why did you no' tell me? | 0:47:18 | 0:47:20 | |
Cos I knew you'd start worrying. | 0:47:20 | 0:47:22 | |
How bad is it? | 0:47:22 | 0:47:23 | |
No' that bad. | 0:47:24 | 0:47:26 | |
I had nae right bringing you here. | 0:47:29 | 0:47:31 | |
Oh, come on. We're not doing this again. I'm fine. | 0:47:31 | 0:47:34 | |
I can live like this. | 0:47:34 | 0:47:36 | |
But you cannae. You need support, you need help. | 0:47:36 | 0:47:39 | |
I need you! | 0:47:39 | 0:47:41 | |
We need to be a family and stick together. | 0:47:42 | 0:47:44 | |
But you're no' well. | 0:47:44 | 0:47:45 | |
It'll go away. | 0:47:47 | 0:47:48 | |
Well, even if it does... | 0:47:48 | 0:47:50 | |
..what if... | 0:47:51 | 0:47:53 | |
What if what? | 0:47:54 | 0:47:56 | |
What if my cancer comes back? | 0:47:57 | 0:47:59 | |
If it does come back... | 0:48:01 | 0:48:03 | |
you cannae take a couple of painkillers and hope for the best. | 0:48:03 | 0:48:05 | |
Well, you're worrying about | 0:48:19 | 0:48:20 | |
something that's no' even happened yet. | 0:48:20 | 0:48:22 | |
That might never happen. | 0:48:23 | 0:48:25 | |
You're right. | 0:48:26 | 0:48:28 | |
You got the all-clear. | 0:48:29 | 0:48:30 | |
First thing tomorrow, we're out of here. | 0:48:35 | 0:48:38 | |
We'll drive further south. | 0:48:40 | 0:48:42 | |
We'll find a caravan park, | 0:48:43 | 0:48:45 | |
we'll get a wee van | 0:48:45 | 0:48:46 | |
and we'll make it all nice and cosy. Would you like that? | 0:48:46 | 0:48:49 | |
Yep. | 0:48:51 | 0:48:53 | |
And then maybe in a year or so we can... | 0:48:55 | 0:48:58 | |
tow it up to Mark's. | 0:48:58 | 0:49:00 | |
He can get me work on the farm. | 0:49:04 | 0:49:05 | |
Can you imagine Hope | 0:49:07 | 0:49:09 | |
running about with the wee hens and the ducks and a' that? | 0:49:09 | 0:49:11 | |
Yeah, wee pink wellies on. | 0:49:14 | 0:49:16 | |
All of us together... | 0:49:18 | 0:49:20 | |
..all the time. | 0:49:22 | 0:49:23 | |
That's all I want. | 0:49:28 | 0:49:29 | |
FOOTSTEPS APPROACHING | 0:49:40 | 0:49:42 | |
HE SIGHS | 0:49:42 | 0:49:44 | |
Morning. | 0:49:46 | 0:49:48 | |
I spent the night at Jenny McLean's. | 0:49:50 | 0:49:52 | |
I'm glad for you. | 0:49:53 | 0:49:54 | |
Jenny's a lovely girl. | 0:49:55 | 0:49:57 | |
She's pretty, and... and she's bright. | 0:49:58 | 0:50:01 | |
And she's the right age. | 0:50:02 | 0:50:04 | |
I know. | 0:50:05 | 0:50:07 | |
Nothing happened. | 0:50:08 | 0:50:10 | |
She's not for me. | 0:50:12 | 0:50:13 | |
Because of me? | 0:50:15 | 0:50:16 | |
-SHE SIGHS -You have to accept that it's over, | 0:50:17 | 0:50:21 | |
it should never have happened. | 0:50:21 | 0:50:23 | |
Don't say that. | 0:50:23 | 0:50:24 | |
-Harry, listen... -No, you listen. | 0:50:24 | 0:50:27 | |
It wasn't right for either of us. | 0:50:27 | 0:50:29 | |
But...you and me, I'm... | 0:50:31 | 0:50:33 | |
..I'm not sorry it happened. | 0:50:35 | 0:50:37 | |
You are a very special young man. | 0:50:42 | 0:50:44 | |
HE SIGHS | 0:50:48 | 0:50:50 | |
Do you mind if I don't work here any more? | 0:50:51 | 0:50:54 | |
Not at all. | 0:50:54 | 0:50:55 | |
Bye, Eileen. | 0:50:57 | 0:50:58 | |
HOPE GURGLES | 0:51:24 | 0:51:26 | |
DOOR OPENS AND CLOSES QUIETLY | 0:51:53 | 0:51:54 | |
Harry...? | 0:52:02 | 0:52:03 | |
Where you going, son? | 0:52:05 | 0:52:06 | |
Please don't say you're moving in with Eileen. | 0:52:06 | 0:52:10 | |
I'm going to London. | 0:52:10 | 0:52:11 | |
Back to university? | 0:52:11 | 0:52:13 | |
Yep. | 0:52:13 | 0:52:14 | |
Well, you can work hard, | 0:52:14 | 0:52:16 | |
he can make up for what you he missed... DOORBELL RINGS | 0:52:16 | 0:52:19 | |
I know. I've got an appointment tomorrow | 0:52:19 | 0:52:21 | |
with my advisor of studies. | 0:52:21 | 0:52:23 | |
Good for you. | 0:52:23 | 0:52:25 | |
I just want what's best for you. | 0:52:25 | 0:52:26 | |
I know, Mum. | 0:52:26 | 0:52:28 | |
Oh, come here. | 0:52:28 | 0:52:29 | |
AJ CLEARS HIS THROAT | 0:52:31 | 0:52:33 | |
-Hi, Jenny. -Hi. Erm... | 0:52:33 | 0:52:35 | |
I just wanted to say thanks again for your help last night. | 0:52:35 | 0:52:38 | |
That's OK. | 0:52:38 | 0:52:40 | |
I'm glad you're here. | 0:52:41 | 0:52:43 | |
I'd hate to leave without saying goodbye. | 0:52:43 | 0:52:46 | |
You're leaving? | 0:52:46 | 0:52:48 | |
I'm going back to London. | 0:52:48 | 0:52:50 | |
You're leaving now? | 0:52:51 | 0:52:53 | |
Yeah, my train's at half past, so... | 0:52:53 | 0:52:55 | |
But you'll be back? | 0:52:57 | 0:52:58 | |
Probably not. | 0:52:58 | 0:53:01 | |
Expect I'll be going travelling in the summer. | 0:53:01 | 0:53:03 | |
So... | 0:53:05 | 0:53:07 | |
bye, Jenny. | 0:53:07 | 0:53:08 | |
FOOTSTEPS APPROACHING | 0:53:10 | 0:53:12 | |
Harry's not here. | 0:53:17 | 0:53:18 | |
I know. | 0:53:18 | 0:53:20 | |
But it's not him I came to see. | 0:53:20 | 0:53:21 | |
Can we make it quick, then? Cos I've got a pub to run. | 0:53:23 | 0:53:26 | |
I know you helped Stevie Burns escape from the police. | 0:53:27 | 0:53:29 | |
-Excuse me? -Don't bother denying it. | 0:53:31 | 0:53:33 | |
You gave him money to go on the run. | 0:53:33 | 0:53:36 | |
I don't know what gave you that idea... | 0:53:36 | 0:53:38 | |
The money that's missing from the safe...? | 0:53:38 | 0:53:40 | |
Harry told his dad. | 0:53:44 | 0:53:46 | |
Harry... | 0:53:46 | 0:53:48 | |
Money leaves a trail. | 0:53:49 | 0:53:52 | |
If the police look at your till rolls | 0:53:52 | 0:53:54 | |
and your pay-ins, | 0:53:54 | 0:53:56 | |
they're going to wonder where that went. | 0:53:56 | 0:53:58 | |
Why are you doing this? | 0:53:59 | 0:54:00 | |
Why do you think? | 0:54:00 | 0:54:02 | |
Do you hate me SO much? | 0:54:04 | 0:54:06 | |
I don't hate you, Eileen. | 0:54:07 | 0:54:09 | |
I've got better things to be doing with my time. | 0:54:09 | 0:54:12 | |
I just want to...make sure we understand each other. | 0:54:12 | 0:54:14 | |
-Meaning? -Harry's gone. | 0:54:14 | 0:54:17 | |
He's on his way back to London as we speak. Back to his studies. | 0:54:17 | 0:54:21 | |
Well, I... | 0:54:21 | 0:54:22 | |
I'm pleased about that. | 0:54:22 | 0:54:24 | |
You will not contact him. | 0:54:24 | 0:54:26 | |
You will not respond if he contacts you. | 0:54:27 | 0:54:31 | |
You will have nothing to do with him ever again. | 0:54:31 | 0:54:34 | |
I want my son | 0:54:35 | 0:54:36 | |
to get on with the rest of his life like you don't exist. | 0:54:36 | 0:54:39 | |
-Well, I can assure you that won't be... -In addition... | 0:54:39 | 0:54:42 | |
AJ will not be needing your kitchen facilities any more. | 0:54:42 | 0:54:47 | |
His tenure here is over, | 0:54:47 | 0:54:49 | |
with immediate effect. | 0:54:49 | 0:54:50 | |
I want you to stay away from my family, | 0:54:53 | 0:54:56 | |
or I will go to the police and I will tell them what I know. | 0:54:56 | 0:55:00 | |
Are we clear? | 0:55:00 | 0:55:02 | |
TV ON | 0:55:14 | 0:55:15 | |
Is Harry coming over? | 0:55:15 | 0:55:17 | |
No. | 0:55:17 | 0:55:18 | |
-How no'? -He's just not, OK? | 0:55:18 | 0:55:20 | |
Like, cos you spewed your guts out? | 0:55:20 | 0:55:22 | |
"Oh, Harry..." BOTH: Blearrrgh... | 0:55:22 | 0:55:24 | |
-Oh, pack it in. -DOOR OPENS AND CLOSES | 0:55:24 | 0:55:27 | |
Hi! | 0:55:27 | 0:55:28 | |
Mum... | 0:55:31 | 0:55:33 | |
-Aww... -You're supposed to be in Tenerife. | 0:55:33 | 0:55:36 | |
Nah! Missed you lot too much, didn't I? | 0:55:36 | 0:55:37 | |
Hello... Mwah. | 0:55:39 | 0:55:42 | |
Let me in. | 0:55:42 | 0:55:44 | |
-Did you bring anything for dinner? -My purse is over there. | 0:55:45 | 0:55:48 | |
Go get some money out of it and go get us a' some chips. | 0:55:48 | 0:55:50 | |
Nae danger. | 0:55:50 | 0:55:51 | |
-Yous OK...? -Yeah, we're fine. | 0:55:57 | 0:56:00 | |
-You glad I'm back? -Yeah! | 0:56:00 | 0:56:02 | |
-You glad I'm back? -Yeah. -Did you miss me? | 0:56:02 | 0:56:04 | |
Ma... | 0:56:05 | 0:56:07 | |
What? | 0:56:07 | 0:56:09 | |
How was your flight? | 0:56:09 | 0:56:10 | |
Duty free kept me going. Why? | 0:56:11 | 0:56:13 | |
Nothing, just wondering. | 0:56:14 | 0:56:16 | |
How was Tenerife? | 0:56:17 | 0:56:19 | |
'I'm sorry for leaving when you were sleeping. | 0:56:30 | 0:56:33 | |
'It's the hardest thing I've ever done. | 0:56:34 | 0:56:37 | |
'But it's right for you. | 0:56:38 | 0:56:40 | |
'I know that one word and a look from you... | 0:56:42 | 0:56:45 | |
'..that I won't be able to go. | 0:56:46 | 0:56:48 | |
'In my heart... | 0:56:49 | 0:56:51 | |
-BOTH: -'..we'll be sitting on the steps of that caravan - | 0:56:51 | 0:56:56 | |
'me, you, and wee Hope. | 0:56:56 | 0:56:59 | |
'Looking at the stars.' | 0:57:00 | 0:57:03 | |
Elizabeth Hamilton speaking. | 0:57:18 | 0:57:21 | |
Malcolm has taken a turn. | 0:57:21 | 0:57:22 | |
Whatever happens, my dad doesn't have much longer. | 0:57:22 | 0:57:25 | |
Why is my dad not in the hospital? | 0:57:25 | 0:57:27 | |
'I'm not going to let you do this.' | 0:57:27 | 0:57:29 | |
It's not my fault that you let him down at the end. | 0:57:29 | 0:57:31 | |
You're heartless. | 0:57:31 | 0:57:33 | |
Dr McLean...! | 0:57:33 | 0:57:34 | |
Ssh. I haven't found the right moment to tell... | 0:57:34 | 0:57:38 | |
What are you doing? What have you done? | 0:57:38 | 0:57:41 | |
-What's wrong with Drew? -I'm fine. -He's hurting himself! | 0:57:41 | 0:57:45 |