Browse content similar to 07/06/2016. Check below for episodes and series from the same categories and more!
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-What about going back running Chrome? -I like it. | 0:00:20 | 0:00:23 | |
Don't think Kelly-Marie will be as keen, though. | 0:00:23 | 0:00:25 | |
-I'm going to buy you out. -No, you're not. | 0:00:25 | 0:00:27 | |
-Generous offer. Very generous offer. -I'm not interested. | 0:00:27 | 0:00:30 | |
Lenny had her killed? | 0:00:30 | 0:00:32 | |
I've not see her since David's funeral. | 0:00:32 | 0:00:34 | |
-What's going on, is everything OK? -Yeah, I just have to go... | 0:00:34 | 0:00:37 | |
-Annie, wait. -Please. Don't touch me. | 0:00:37 | 0:00:40 | |
Are you worried I'll kiss you again? Right here. | 0:00:40 | 0:00:43 | |
-We're no so different, me and you. We both use people to get what we want. -I don't have what I want. | 0:00:43 | 0:00:47 | |
SNORING | 0:00:53 | 0:00:54 | |
SNORING CONTINUES | 0:01:05 | 0:01:06 | |
# The world was on fire and no-one could save me but you | 0:01:24 | 0:01:29 | |
# It's strange what desire will make foolish people do | 0:01:32 | 0:01:37 | |
# I'd never dreamed that I'd meet somebody like you | 0:01:41 | 0:01:45 | |
# And I'd never dreamed that I'd lose somebody like you | 0:01:49 | 0:01:54 | |
# No, I don't want to fall in love | 0:01:57 | 0:02:02 | |
# This girl is only gonna break your heart | 0:02:02 | 0:02:05 | |
# No, I don't want to fall in love | 0:02:05 | 0:02:11 | |
# This girl is only gonna break your heart | 0:02:11 | 0:02:14 | |
# With you | 0:02:14 | 0:02:15 | |
# With you | 0:02:23 | 0:02:24 | |
# This girl is only gonna break your heart | 0:02:28 | 0:02:30 | |
# What a wicked game you played to make me feel this way... # | 0:02:32 | 0:02:39 | |
And still no invite? | 0:02:48 | 0:02:50 | |
For what? | 0:02:50 | 0:02:51 | |
For the club reopening. | 0:02:51 | 0:02:52 | |
That's tonight, isn't it? | 0:02:52 | 0:02:55 | |
The last place you'd be going anywhere near is Chrome. | 0:02:56 | 0:02:58 | |
-The Candle Room. -I don't care what it's called. Just stay away from it. | 0:02:58 | 0:03:02 | |
Don't worry. You couldn't pay me to be in the same room as Alex. | 0:03:02 | 0:03:06 | |
Still, you'd think I'd get an invite. | 0:03:06 | 0:03:08 | |
-What's wrong? -It's coming up as declined. | 0:03:11 | 0:03:13 | |
It cannae be. Lenny's due to put my allowance in today. | 0:03:13 | 0:03:16 | |
Well, he's no done it, hen. | 0:03:17 | 0:03:19 | |
MUSIC PUMPING | 0:03:22 | 0:03:23 | |
Someone's working off the guilt. | 0:03:29 | 0:03:31 | |
What? | 0:03:31 | 0:03:32 | |
If I lived with AJ, I'd be the size of a house. | 0:03:32 | 0:03:35 | |
Thankfully he's been feeding his customers more than me nowadays. | 0:03:36 | 0:03:41 | |
He's been stressing over those canapes for The Candle Room | 0:03:41 | 0:03:44 | |
launch tonight. | 0:03:44 | 0:03:46 | |
Have you got an outfit picked out? | 0:03:46 | 0:03:47 | |
Oh, no, I'm not going. My Dirty Martini days are long gone. | 0:03:47 | 0:03:52 | |
You? | 0:03:53 | 0:03:54 | |
I thought you'd be the perfect clientele. Business owner. | 0:03:54 | 0:03:59 | |
Young. Attractive. | 0:03:59 | 0:04:00 | |
I think it's safe to say that I am one of a long list | 0:04:00 | 0:04:03 | |
of women that Alex will not be inviting to his grand opening. | 0:04:03 | 0:04:07 | |
Must be awkward, what with him having money in here. | 0:04:08 | 0:04:12 | |
No. He was just a... | 0:04:14 | 0:04:15 | |
It was just sex. | 0:04:17 | 0:04:19 | |
Nothing more. | 0:04:19 | 0:04:21 | |
I don't believe that. | 0:04:22 | 0:04:24 | |
I don't believe anyone can, well, you know, and it not mean anything. | 0:04:24 | 0:04:28 | |
Believe me, you can. | 0:04:29 | 0:04:31 | |
I couldn't. I'm not built that way. | 0:04:34 | 0:04:36 | |
I am. | 0:04:36 | 0:04:37 | |
Was. | 0:04:40 | 0:04:42 | |
And Alex isn't capable of anything else. | 0:04:42 | 0:04:46 | |
Any headaches, dizziness? | 0:05:05 | 0:05:07 | |
No spotting or cramping? | 0:05:07 | 0:05:09 | |
No. I'm fine. | 0:05:09 | 0:05:11 | |
And your blood pressure's all OK. | 0:05:11 | 0:05:14 | |
And your last scan showed up no problems, so...a healthy baby. | 0:05:14 | 0:05:18 | |
Did they tell you the sex? | 0:05:19 | 0:05:21 | |
Yes. | 0:05:21 | 0:05:22 | |
I understand that you're anxious, but babies pick up on anxiety, | 0:05:24 | 0:05:29 | |
even in the womb. | 0:05:29 | 0:05:31 | |
You have to try and look after yourself - relax. | 0:05:31 | 0:05:34 | |
Not till this one's in my arms and maybe no even then... | 0:05:34 | 0:05:37 | |
I can't lose this one. I can't. | 0:05:39 | 0:05:42 | |
Not again. | 0:05:44 | 0:05:45 | |
Have you talked to anyone about your worries? | 0:05:45 | 0:05:47 | |
What if I tell them and... and something happens? | 0:05:47 | 0:05:51 | |
They've had a gut full of my problems. | 0:05:52 | 0:05:56 | |
-I just don't want to put them through it. -I don't think that would be the case. | 0:05:56 | 0:05:59 | |
I don't like to think of you going through this on your own. | 0:05:59 | 0:06:02 | |
And I'd be surprised if they haven't noticed. | 0:06:02 | 0:06:06 | |
You're already showing. | 0:06:06 | 0:06:08 | |
I think my mum suspects something, but we don't really talk about it. | 0:06:08 | 0:06:11 | |
And the baby's father? Have you told him? | 0:06:14 | 0:06:17 | |
It's complicated. | 0:06:19 | 0:06:20 | |
It's Gabriel's. | 0:06:23 | 0:06:25 | |
I've caused him enough pain. | 0:06:29 | 0:06:30 | |
Don't want to bring him back for the wrong reasons. | 0:06:32 | 0:06:35 | |
Look, you're going to need support. | 0:06:35 | 0:06:38 | |
And I have to advise you to talk to your family or someone close. | 0:06:39 | 0:06:43 | |
But...if you don't feel you can, | 0:06:43 | 0:06:46 | |
then, well, I want you to know you can always come and talk to me - OK? | 0:06:46 | 0:06:51 | |
About anything. | 0:06:51 | 0:06:52 | |
Thank you, Doctor. | 0:06:54 | 0:06:55 | |
-..One in there. -Sure. | 0:06:57 | 0:06:58 | |
I still think you're making a mistake not having | 0:07:00 | 0:07:03 | |
a celebrity open the club. | 0:07:03 | 0:07:04 | |
We're not spending ten grand on some Z-lister who once ate | 0:07:04 | 0:07:07 | |
a kangaroo testicle live on TV. | 0:07:07 | 0:07:09 | |
Real classy. | 0:07:09 | 0:07:10 | |
Yeah, and you have a firm hand on class, | 0:07:10 | 0:07:12 | |
what with the chavvy ex-wife and the hookers on speed dial. | 0:07:12 | 0:07:15 | |
And it's a new low blow from the Ginger Whinger. | 0:07:15 | 0:07:18 | |
All am saying is, I'm younger, which means... | 0:07:18 | 0:07:20 | |
-You're less experienced? -Just button it, will you? | 0:07:20 | 0:07:23 | |
Listen, I want you to go and get Cal. Take him into town. | 0:07:23 | 0:07:26 | |
Get him a new pair of football boots. | 0:07:26 | 0:07:28 | |
Miss Trunchbull reporting for baby-sitting duty. | 0:07:28 | 0:07:30 | |
Shut it! | 0:07:30 | 0:07:31 | |
I don't think that's the best use of my time. | 0:07:31 | 0:07:34 | |
I'm asking you nicely, Amber. | 0:07:34 | 0:07:35 | |
Can Alex not do it? | 0:07:35 | 0:07:37 | |
Alex has got a club to run, remember? | 0:07:37 | 0:07:39 | |
I thought we both had a club to run. | 0:07:39 | 0:07:41 | |
Plus, he's better with Cal, what with him | 0:07:41 | 0:07:44 | |
being the same mental age. | 0:07:44 | 0:07:45 | |
You're doing it. | 0:07:45 | 0:07:47 | |
Oh, I see what this is. The Boys Club. | 0:07:47 | 0:07:51 | |
Just cos I've got ovaries, I'm left in charge of Rain Man Junior. | 0:07:51 | 0:07:53 | |
Just do it, Amber, eh? Now! | 0:07:53 | 0:07:55 | |
Right. OK. | 0:07:58 | 0:08:00 | |
And keep him out all afternoon. Take him to the pictures or something. | 0:08:00 | 0:08:04 | |
Are you joking? | 0:08:04 | 0:08:05 | |
Listen, my wee pain in the neck, | 0:08:05 | 0:08:07 | |
you're going to do your dad this good turn, OK? | 0:08:07 | 0:08:09 | |
I'll send Jimmy over to get him when he's finished. Now shift! | 0:08:09 | 0:08:12 | |
He's definitely out. | 0:08:16 | 0:08:18 | |
I had my mouth open there! | 0:08:26 | 0:08:28 | |
We need more photos to make our relationship look convincing. | 0:08:28 | 0:08:30 | |
Suppose. | 0:08:32 | 0:08:33 | |
Which is why I've been working on our critical path analysis. | 0:08:33 | 0:08:37 | |
Our what? | 0:08:37 | 0:08:38 | |
It's like a checklist, only way cooler. | 0:08:38 | 0:08:41 | |
Looks complicated. | 0:08:46 | 0:08:47 | |
You don't have to worry about any of this. | 0:08:47 | 0:08:50 | |
Just participate fully when and if I tell you is appropriate. | 0:08:50 | 0:08:53 | |
It's colour-coded. | 0:08:53 | 0:08:54 | |
That's what makes it pretty. | 0:08:54 | 0:08:56 | |
Right... | 0:08:58 | 0:08:59 | |
So. Proposal. We've a tight window on this. | 0:08:59 | 0:09:04 | |
I'm thinking Tall Ship tonight. | 0:09:04 | 0:09:06 | |
You on bended knee, with a microphone in front of everyone. | 0:09:06 | 0:09:09 | |
Traditional nonsense. | 0:09:09 | 0:09:10 | |
Eh, that is how I proposed to my last girlfriend. | 0:09:10 | 0:09:13 | |
Zinnie. Car explosion. | 0:09:13 | 0:09:14 | |
Died in Montego Street. | 0:09:14 | 0:09:16 | |
Aye, all right! Bit of tact, please. | 0:09:16 | 0:09:18 | |
She was a real person, not a question on Mastermind. | 0:09:18 | 0:09:20 | |
Oh, God. I'm so sorry. I just... You know that whole sensitivity button? | 0:09:21 | 0:09:27 | |
I think I was born without it. | 0:09:27 | 0:09:30 | |
-Maybe we should just do this another... -No. It's fine. | 0:09:30 | 0:09:32 | |
Just...you know. | 0:09:32 | 0:09:34 | |
So... So this spreadsheet thing, it says that today we need a proposal? | 0:09:37 | 0:09:43 | |
Then a proposal is what you're going to get. | 0:09:44 | 0:09:47 | |
But it needs to be believable. | 0:09:47 | 0:09:49 | |
Absolutely. And public. | 0:09:49 | 0:09:51 | |
There need to be witnesses and it has to be memorable. | 0:09:51 | 0:09:53 | |
I do have a certain reputation to uphold. | 0:09:53 | 0:09:57 | |
Anybody that knows Angus Lindsay knows he is the master of woo, | 0:09:57 | 0:10:01 | |
the doctor of love, the magician of fruition. | 0:10:01 | 0:10:05 | |
That doesn't make sense. | 0:10:05 | 0:10:07 | |
It needs the Lindsay charm. | 0:10:07 | 0:10:09 | |
And does this charm work to a deadline? | 0:10:09 | 0:10:11 | |
Absolutely. What is the deadline? | 0:10:11 | 0:10:13 | |
Tonight. We're getting married in two weeks. | 0:10:13 | 0:10:16 | |
Then I better get started, eh? | 0:10:16 | 0:10:18 | |
Where are you going? | 0:10:19 | 0:10:20 | |
First step. Market research! | 0:10:20 | 0:10:23 | |
Hey, Angus, what is this? | 0:10:24 | 0:10:26 | |
Black pudding. | 0:10:27 | 0:10:28 | |
Hmm. What is in it? | 0:10:28 | 0:10:30 | |
Pigs' blood. | 0:10:30 | 0:10:31 | |
KNOCK ON DOOR | 0:10:42 | 0:10:43 | |
DOOR OPENS | 0:10:43 | 0:10:44 | |
Hi, Liz. Come in. Have a seat. | 0:10:44 | 0:10:47 | |
Thank you. | 0:10:47 | 0:10:49 | |
Right. Thanks for seeing me, Doctor. | 0:10:50 | 0:10:54 | |
No worries. So, what's the problem? | 0:10:54 | 0:10:57 | |
I'm absolutely mortified about being here, but I really had no choice. | 0:10:57 | 0:11:01 | |
Molly is just outside. | 0:11:01 | 0:11:04 | |
You mentioned recurring headaches? | 0:11:05 | 0:11:07 | |
Oh, yes. Thumping, skull-splitting headaches. | 0:11:07 | 0:11:12 | |
But I suppose that comes with living with Molly and Alasdair. | 0:11:12 | 0:11:16 | |
If they're not squabbling about whether ketchup belongs in | 0:11:16 | 0:11:20 | |
the refrigerator, they're sitting there cackling over some inane programme | 0:11:20 | 0:11:25 | |
where highly over-privileged twenty-something-year-olds are drinking | 0:11:25 | 0:11:31 | |
spumante on tap and laughing at their own jokes. | 0:11:31 | 0:11:35 | |
And, oh, the language! | 0:11:35 | 0:11:36 | |
And the rash? | 0:11:39 | 0:11:41 | |
Well, as I said, it's an allergy I would think. | 0:11:41 | 0:11:45 | |
What with Molly scooshing her cheap perfume and Alasdair | 0:11:46 | 0:11:50 | |
and his bloomin' plug-ins. | 0:11:50 | 0:11:52 | |
The place is smelling like a hussy's handbag, as my mother would have said. | 0:11:52 | 0:11:56 | |
Nevertheless, let me give you something for the itching. | 0:11:56 | 0:12:00 | |
Yes, I had just got used to Molly, | 0:12:02 | 0:12:06 | |
and now there's Alasdair and I have to adjust again. | 0:12:06 | 0:12:10 | |
Hey ho. How things have changed. | 0:12:12 | 0:12:16 | |
You must miss Malcolm? | 0:12:19 | 0:12:20 | |
Every day. | 0:12:23 | 0:12:24 | |
A lot of my patients say it does get easier. | 0:12:27 | 0:12:29 | |
No. It doesn't. | 0:12:32 | 0:12:33 | |
But I won't complain. | 0:12:36 | 0:12:37 | |
I was lucky. | 0:12:40 | 0:12:42 | |
I got my second chance. | 0:12:42 | 0:12:44 | |
Second? | 0:12:45 | 0:12:46 | |
At love. | 0:12:46 | 0:12:47 | |
You're off your head. | 0:12:51 | 0:12:52 | |
This coming from the guy who's living with his ex-wife! | 0:12:52 | 0:12:55 | |
Just ignore him, Angus. I think it's kind of romantic. | 0:12:55 | 0:12:58 | |
Thank you, Ellie. Finally somebody that speaks my lingo. | 0:12:58 | 0:13:01 | |
Another few weeks of this and she'll have her green card thing, | 0:13:01 | 0:13:04 | |
I'll get some cash, and hey-ho, pop-up club here we come. | 0:13:04 | 0:13:07 | |
I just need to dream up the perfect proposal. | 0:13:07 | 0:13:09 | |
Aye. You know, I'd love to go up in a hot-air balloon, | 0:13:09 | 0:13:12 | |
imagine, over the River Clyde. | 0:13:12 | 0:13:14 | |
Or...no, on The Orient Express. | 0:13:14 | 0:13:16 | |
Ellie, it has to be done like now. | 0:13:16 | 0:13:18 | |
Oh. Maybe a wee burl on the underground? | 0:13:18 | 0:13:22 | |
I figured, if I was going to propose, | 0:13:22 | 0:13:23 | |
who better to ask than the guy who's done it five times. | 0:13:23 | 0:13:26 | |
You want my advice on proposing? | 0:13:26 | 0:13:28 | |
Aye. What's the best way to do it? | 0:13:28 | 0:13:30 | |
-Don't. We've been here before. -Be serious. | 0:13:30 | 0:13:33 | |
I'm being serious! It only ever ends badly. | 0:13:33 | 0:13:36 | |
Come on, Angus. Let's find someone less cynical. | 0:13:37 | 0:13:40 | |
Are you joking? You're going to help him? | 0:13:40 | 0:13:42 | |
Ellie. You are a star. | 0:13:43 | 0:13:45 | |
-It's no a request... -DOOR OPENS | 0:13:51 | 0:13:53 | |
Not now, Jimmy, I'm up to my oxters in it. | 0:13:53 | 0:13:56 | |
Kelly-Marie's here to see you. | 0:13:57 | 0:14:00 | |
Is she now? | 0:14:00 | 0:14:01 | |
There's been a mix-up at the bank. | 0:14:01 | 0:14:03 | |
Cal's money's not in. | 0:14:03 | 0:14:05 | |
No mix-up. I cancelled it. | 0:14:05 | 0:14:07 | |
Oh. Right. Well, maybe you could explain it to her. | 0:14:07 | 0:14:11 | |
-Why would I do that when I've got you to do it for me? -She's up to high doe! | 0:14:11 | 0:14:14 | |
Maybe that's where I want her. | 0:14:14 | 0:14:15 | |
Tell Kelly-Marie I'll be over to see her shortly. | 0:14:20 | 0:14:23 | |
And Jimmy? | 0:14:25 | 0:14:27 | |
The next time I say no interruptions, you listen. | 0:14:28 | 0:14:31 | |
Understand? | 0:14:31 | 0:14:32 | |
-What've you done? -I haven't done anything! | 0:14:38 | 0:14:40 | |
You must have done something. He's spitting nails in there. | 0:14:40 | 0:14:43 | |
It wasn't a mistake. He's cancelled your money. | 0:14:43 | 0:14:46 | |
I... I have nae. This is humiliating. | 0:14:46 | 0:14:50 | |
Having to come round here with my begging bowl. | 0:14:50 | 0:14:53 | |
That's exactly what Alex wants. | 0:14:53 | 0:14:55 | |
You shouldn't feel humiliated. | 0:14:55 | 0:14:57 | |
No, this is Alex. Twisting things with Lenny, turning him against me. | 0:14:57 | 0:15:00 | |
I know it is. Let me speak to him. | 0:15:00 | 0:15:02 | |
No, no, now's not the time. Come on. | 0:15:02 | 0:15:05 | |
-He says he'll talk to you later. -Really? -Aye. | 0:15:05 | 0:15:08 | |
Another wee sample for you. | 0:15:25 | 0:15:27 | |
-So what's this? -Oysters. | 0:15:30 | 0:15:32 | |
I had a pen-pal on death row that liked oysters. | 0:15:32 | 0:15:36 | |
What happened to him? | 0:15:36 | 0:15:37 | |
He died. | 0:15:37 | 0:15:38 | |
What, from eating oysters? | 0:15:38 | 0:15:40 | |
No, lethal injection. | 0:15:40 | 0:15:41 | |
-How did you meet him? -Online. | 0:15:41 | 0:15:43 | |
I never actually met him face-to-face what with him | 0:15:43 | 0:15:45 | |
being in Texas, but he'd mail some photos. | 0:15:45 | 0:15:48 | |
Kind eyes. You know, considering what they said he'd done. | 0:15:48 | 0:15:51 | |
Delicious(!) | 0:15:58 | 0:15:59 | |
This is costing more than we agreed, AJ. | 0:16:01 | 0:16:03 | |
First class food, first class prices. | 0:16:03 | 0:16:05 | |
Well, the prices certainly are. As for the quality, that remains to be seen. | 0:16:05 | 0:16:08 | |
Look, there'll be samples of everything else ready for you to taste later, no worries. | 0:16:08 | 0:16:12 | |
So, this man of yours. What had he done? | 0:16:13 | 0:16:16 | |
He went down for a crime he didn't commit. | 0:16:16 | 0:16:18 | |
It was a miscarriage of the American justice system. | 0:16:18 | 0:16:21 | |
Like OJ, only he never got off with it. | 0:16:21 | 0:16:23 | |
What was he meant to have done? | 0:16:23 | 0:16:25 | |
Something about bodies getting put in a mincemeat grinder. | 0:16:25 | 0:16:28 | |
Which is ridiculous, cos he told me he was a vegan. | 0:16:28 | 0:16:31 | |
Death row, eh? Can't imagine anything worse. | 0:16:31 | 0:16:33 | |
I can. | 0:16:33 | 0:16:34 | |
What would be your last meal on the death row, AJ? | 0:16:36 | 0:16:39 | |
Mine would be fajitas. Mainly cos I like saying the word. | 0:16:39 | 0:16:43 | |
Fa-ji-ta. | 0:16:43 | 0:16:45 | |
It'd cheer you up just ordering it, wouldn't it? | 0:16:45 | 0:16:48 | |
My last meal would be what I'm serving tonight. | 0:16:48 | 0:16:51 | |
You're serving eel! | 0:16:52 | 0:16:54 | |
Smoked eel. And it tastes like a dream. | 0:16:54 | 0:16:56 | |
Sounds like a nightmare. | 0:16:57 | 0:16:59 | |
I'd be plugging in the electric chair myself | 0:16:59 | 0:17:00 | |
if I was having to scoff that. | 0:17:00 | 0:17:02 | |
Trust me. It will be unforgettable. | 0:17:02 | 0:17:04 | |
Sure you don't mean inedible? Ha! | 0:17:04 | 0:17:07 | |
Oh, there she is. | 0:17:07 | 0:17:08 | |
-I just need you to try something. -I just... -It will take five minutes. | 0:17:14 | 0:17:17 | |
Come on, come on. | 0:17:17 | 0:17:18 | |
Right, get your jaws around these. | 0:17:20 | 0:17:24 | |
We're just talking about death row. | 0:17:25 | 0:17:27 | |
Cheery stuff. | 0:17:27 | 0:17:29 | |
She had a friend on death row she used to write to. | 0:17:29 | 0:17:32 | |
Eh, e-mail. I'm not a saddo. | 0:17:32 | 0:17:35 | |
I don't spend money on stamps and that. | 0:17:35 | 0:17:37 | |
It's just a bit of fun. | 0:17:37 | 0:17:39 | |
It's anything but a bit of fun. It's called hybristophilia. | 0:17:39 | 0:17:42 | |
Being drawn to dangerous and uncontrollable men. | 0:17:42 | 0:17:47 | |
It's bad for you. | 0:17:48 | 0:17:49 | |
Ach, so's fizzy drinks if we're to believe everything in the papers. | 0:17:49 | 0:17:52 | |
Men like that... | 0:17:52 | 0:17:54 | |
they seduce you and charm you, knowing that it's not going to go anywhere. | 0:17:54 | 0:17:57 | |
I suppose once they get you, | 0:17:57 | 0:17:59 | |
before you know it, they've corrupted your own moral code. | 0:17:59 | 0:18:03 | |
It's not their moral code I'm interested in. | 0:18:03 | 0:18:06 | |
What's the verdict on that then, Doctor? | 0:18:09 | 0:18:11 | |
Hmm. | 0:18:11 | 0:18:13 | |
He might not be a bad boy but that fella of yours knows how to tickle a lassie's taste buds. | 0:18:13 | 0:18:18 | |
It's delicious, AJ. | 0:18:18 | 0:18:19 | |
That's just the dress rehearsal. Even better tonight. | 0:18:19 | 0:18:22 | |
What's happening tonight? | 0:18:22 | 0:18:24 | |
I'm not going. | 0:18:24 | 0:18:25 | |
It's not my scene. | 0:18:25 | 0:18:27 | |
Going where? | 0:18:27 | 0:18:28 | |
The opening of Alex's new bar. What did you think all the canapes were for? | 0:18:28 | 0:18:31 | |
-I didn't even get an invite. -Neither did I. | 0:18:33 | 0:18:35 | |
Luckily, you know someone who can get you on the guest list. | 0:18:35 | 0:18:38 | |
-Can I get on the guest list? -No. | 0:18:38 | 0:18:40 | |
Ach well, I'll just sit in front of the gogglebox | 0:18:41 | 0:18:44 | |
and scrape the hard skin off my heels. | 0:18:44 | 0:18:47 | |
Er... There's people trying to eat here. | 0:18:47 | 0:18:49 | |
I know. Me. Give us something else to taste. | 0:18:49 | 0:18:52 | |
Oh, what's this? | 0:18:52 | 0:18:53 | |
Looks like something you'd pull out the drain of your shower. | 0:18:54 | 0:18:57 | |
It's caramelised onion. | 0:18:57 | 0:18:59 | |
Don't come tonight. | 0:18:59 | 0:19:00 | |
What? | 0:19:00 | 0:19:02 | |
I've a lot on my plate. I don't want you there. | 0:19:02 | 0:19:05 | |
Alex, the last place I'd want to be is there. | 0:19:05 | 0:19:08 | |
Good. I'm glad we understand each other. | 0:19:08 | 0:19:10 | |
So, how would you want it done? | 0:19:15 | 0:19:16 | |
I wouldn't. | 0:19:16 | 0:19:18 | |
If you proposed to me after, what, four weeks, | 0:19:18 | 0:19:20 | |
-I'd think you were a bunny boiler. -But if you had to. | 0:19:20 | 0:19:22 | |
Had to? | 0:19:24 | 0:19:26 | |
I dunno. | 0:19:26 | 0:19:27 | |
A trip to New York, diamond ring in a glass of champagne. | 0:19:27 | 0:19:32 | |
-Sounds smashing! -Not to mention expensive! | 0:19:32 | 0:19:34 | |
You can do it on the cheap. | 0:19:34 | 0:19:36 | |
Yeah, cos that's romantic. | 0:19:36 | 0:19:37 | |
No. Cheap is good. Cheap is very good. | 0:19:37 | 0:19:40 | |
I've got it! | 0:19:44 | 0:19:46 | |
Brilliant! | 0:19:46 | 0:19:47 | |
Beer garden. Glass of wine. | 0:19:47 | 0:19:50 | |
Fizzy wine. | 0:19:50 | 0:19:51 | |
Obviously. And the ring-pull of a can of ginger. Romantic, eh? | 0:19:51 | 0:19:56 | |
No? | 0:19:57 | 0:19:58 | |
-No. -No. | 0:20:00 | 0:20:01 | |
How's your day with Auntie Amber going? | 0:20:09 | 0:20:10 | |
She told me not to say that word. | 0:20:10 | 0:20:12 | |
What, auntie? | 0:20:12 | 0:20:14 | |
She's just kidding, that's what she likes to be called. | 0:20:14 | 0:20:16 | |
Now drink your fizzy juice and eat your sweeties. | 0:20:16 | 0:20:18 | |
Toasties? Really? | 0:20:18 | 0:20:20 | |
They're not toasties. That's your Brie and cranberry croque monsieur. | 0:20:20 | 0:20:23 | |
Looks like a toastie. Tastes like a toastie. | 0:20:25 | 0:20:28 | |
So, must be a toastie! | 0:20:28 | 0:20:29 | |
So? | 0:20:29 | 0:20:31 | |
We're not having these. I knew this was a mistake. | 0:20:31 | 0:20:34 | |
We could have got a Michelin-starred chef but, no, | 0:20:34 | 0:20:37 | |
Steve Jobs had to get the local pieman in. | 0:20:37 | 0:20:39 | |
It's called community engagement, Amber. You should try it some time. Might make people warm to you. | 0:20:39 | 0:20:43 | |
Enjoy. | 0:20:47 | 0:20:48 | |
I think you're underestimating your punters, Amber. | 0:20:48 | 0:20:50 | |
Couldn't agree more, AJ. | 0:20:50 | 0:20:52 | |
We're not paying you to think, AJ. | 0:20:52 | 0:20:53 | |
We're paying you to cook. And these are out. End of. | 0:20:53 | 0:20:56 | |
Not a problem, boss. Plenty of time to change it up. | 0:20:56 | 0:20:58 | |
But everything else is fine? | 0:20:58 | 0:21:00 | |
Smashing. | 0:21:00 | 0:21:01 | |
Has Auntie Amber seen your impression of her yet? | 0:21:01 | 0:21:03 | |
Don't like it! Don't like it! | 0:21:03 | 0:21:06 | |
Don't like it! Don't like it! | 0:21:06 | 0:21:08 | |
She did like the smoked eel. | 0:21:08 | 0:21:10 | |
Eel? | 0:21:12 | 0:21:13 | |
Animal! | 0:21:15 | 0:21:17 | |
I think your auntie would like to play lots of games this afternoon. | 0:21:17 | 0:21:20 | |
Aeroplanes. Painting. And the jumping game. | 0:21:20 | 0:21:23 | |
She loves that game. | 0:21:23 | 0:21:24 | |
Remember, there's a lot riding on tonight. | 0:21:28 | 0:21:30 | |
I know. | 0:21:30 | 0:21:32 | |
I hope you do. | 0:21:32 | 0:21:33 | |
Because if you mess up there's going to be a lot of upset people. | 0:21:33 | 0:21:36 | |
And if they're upset, AJ, I'm upset. | 0:21:36 | 0:21:40 | |
And my dad hates to see his princess being let down. | 0:21:40 | 0:21:44 | |
He's very protective. Do you know what I mean? | 0:21:44 | 0:21:47 | |
Absolutely. | 0:21:47 | 0:21:48 | |
Moreish these, aren't they? | 0:21:50 | 0:21:51 | |
Damien, you coming? | 0:21:55 | 0:21:57 | |
Hurry up. | 0:21:58 | 0:21:59 | |
Don't want to! | 0:21:59 | 0:22:01 | |
If you move, I'll get you a can of juice and a packet of sweeties. | 0:22:01 | 0:22:04 | |
HE IMPERSONATES AN AEROPLANE | 0:22:04 | 0:22:06 | |
Good boy. | 0:22:10 | 0:22:11 | |
KNOCK ON DOOR | 0:22:21 | 0:22:22 | |
Lenny! | 0:22:29 | 0:22:30 | |
Hello, stranger. | 0:22:30 | 0:22:31 | |
I thought I'd just pop over. | 0:22:37 | 0:22:39 | |
See how you're doing. | 0:22:39 | 0:22:40 | |
Aye, I'm good. | 0:22:40 | 0:22:42 | |
I'm good. I...tried to see you earlier. | 0:22:42 | 0:22:45 | |
I thought you might be in a bit of a state, you know, with the club reopening. | 0:22:45 | 0:22:49 | |
Fresh start for all of us, isn't it? | 0:22:50 | 0:22:52 | |
Lenny... Listen, I was on the phone to the bank earlier and I think there's been a mistake... | 0:22:52 | 0:22:56 | |
Betrayed. That's how I'd feel. | 0:22:56 | 0:22:58 | |
Well, it's best for everyone if... | 0:22:58 | 0:23:00 | |
I thought to myself, Kelly, she's very vulnerable just now, | 0:23:00 | 0:23:03 | |
get over, check out how she is. | 0:23:03 | 0:23:05 | |
Look, Cal should be back soon. | 0:23:06 | 0:23:08 | |
Don't worry about that, I told Amber to keep him away from this. | 0:23:08 | 0:23:11 | |
-This? -Aye, I want him looked after, safe. | 0:23:11 | 0:23:14 | |
Safe? | 0:23:14 | 0:23:15 | |
So me and you can have a private wee chat. | 0:23:17 | 0:23:20 | |
Lenny, have I done something to upset you? | 0:23:30 | 0:23:32 | |
Have you? | 0:23:32 | 0:23:33 | |
What the... | 0:23:58 | 0:23:59 | |
What's this? My summons? | 0:24:03 | 0:24:05 | |
What? | 0:24:05 | 0:24:07 | |
This. The invite. | 0:24:07 | 0:24:08 | |
It was just left on my desk and I told you I'm not coming tonight. | 0:24:08 | 0:24:11 | |
And I told you I don't want you there. | 0:24:11 | 0:24:13 | |
You do not get to treat me like one of your hareem. | 0:24:13 | 0:24:15 | |
You don't get to mess with my head like you did with Angel | 0:24:15 | 0:24:18 | |
and Kelly-Marie... | 0:24:18 | 0:24:20 | |
Enough. I have never gone there with you. Never. | 0:24:20 | 0:24:23 | |
So what is this? | 0:24:23 | 0:24:24 | |
It's not from me. Must be from AJ. | 0:24:24 | 0:24:26 | |
-Sit down. -Don't tell me to... | 0:24:29 | 0:24:30 | |
If we're going to have a conversation, Annie, we're going to do it like grown ups. | 0:24:30 | 0:24:34 | |
-Sit down. -I'll stand. | 0:24:34 | 0:24:35 | |
OK. I'll stand too. | 0:24:37 | 0:24:39 | |
SHE LAUGHS | 0:24:41 | 0:24:42 | |
Look. This is a small place. | 0:24:46 | 0:24:49 | |
There's no point in us trying to avoid each other. | 0:24:51 | 0:24:53 | |
Whatever we...this is, it's over, and that is your decision. | 0:24:54 | 0:24:59 | |
And as long as that's what you want I'll respect it. | 0:24:59 | 0:25:01 | |
No games. | 0:25:01 | 0:25:03 | |
Which means we don't have to hide in doorways from each other. | 0:25:03 | 0:25:06 | |
Yeah, I mean, that's... You saw me? | 0:25:06 | 0:25:09 | |
That's mortifying. | 0:25:09 | 0:25:11 | |
I thought it was kind of sweet. | 0:25:11 | 0:25:13 | |
I do like you, Alex. | 0:25:16 | 0:25:17 | |
I know you do. | 0:25:17 | 0:25:18 | |
-OK... -I like you, too. | 0:25:20 | 0:25:22 | |
But it's better like this. | 0:25:25 | 0:25:26 | |
Better or easier? | 0:25:26 | 0:25:28 | |
Both. | 0:25:28 | 0:25:29 | |
We're grown up, sensible people. | 0:25:31 | 0:25:34 | |
We can be friends. Can't we? | 0:25:34 | 0:25:36 | |
That's never really worked out for me much in the past. | 0:25:36 | 0:25:38 | |
Most of my exes want me dead or at the very least facially disfigured. | 0:25:38 | 0:25:42 | |
-Friends. -Friends. | 0:25:46 | 0:25:49 | |
Right, friends it is, then. | 0:25:49 | 0:25:51 | |
Now, I'm pretty busy here, so, if you don't mind. | 0:25:51 | 0:25:54 | |
They talk about you like you're evil. | 0:25:56 | 0:25:59 | |
Well, they say you're an ice maiden. | 0:26:00 | 0:26:02 | |
-Thanks, Alex. -For? | 0:26:05 | 0:26:07 | |
For understanding. | 0:26:09 | 0:26:10 | |
Are you still here? | 0:26:10 | 0:26:11 | |
If things were different... but I'm with AJ and that's... | 0:26:13 | 0:26:16 | |
That's your role. | 0:26:16 | 0:26:17 | |
Yeah. It is. And I've been playing it for the last 20 years... | 0:26:17 | 0:26:21 | |
Playing? | 0:26:21 | 0:26:22 | |
This, is better than nothing, isn't it? | 0:26:22 | 0:26:26 | |
Yep. Better than nothing. | 0:26:27 | 0:26:29 | |
-HE SCOFFS -Seriously? | 0:26:32 | 0:26:34 | |
SHE GIGGLES | 0:26:34 | 0:26:35 | |
Seriously. | 0:26:35 | 0:26:36 | |
Want a cup of tea? | 0:26:52 | 0:26:54 | |
-Oh, let me... -No, no, no. I'll get it. | 0:26:54 | 0:26:56 | |
Doesn't half take some getting used to, you know. | 0:26:57 | 0:27:01 | |
Having your brood round you again. | 0:27:02 | 0:27:04 | |
Sometimes you just, well, you forget the joy of having a family, | 0:27:05 | 0:27:09 | |
you know. | 0:27:09 | 0:27:10 | |
I'd watch yourself from them. | 0:27:10 | 0:27:12 | |
-Who? -Amber and Alex. | 0:27:12 | 0:27:14 | |
I know they're your flesh and blood | 0:27:14 | 0:27:17 | |
but I just don't think they've got your best interest at heart. | 0:27:17 | 0:27:21 | |
-What you mean, Kel? -I don't trust them. | 0:27:21 | 0:27:24 | |
Why not? | 0:27:24 | 0:27:26 | |
Alex is diseased. You know, just like his mother. | 0:27:26 | 0:27:29 | |
You know, I tried to warn you off him when you first went out. | 0:27:29 | 0:27:32 | |
But you knew better. I was ignored. | 0:27:32 | 0:27:33 | |
What are you doing? | 0:27:33 | 0:27:35 | |
-Where's the teabags? -Just there. | 0:27:35 | 0:27:37 | |
Amber, though. She's a good girl. | 0:27:39 | 0:27:43 | |
Done time for me. | 0:27:44 | 0:27:45 | |
I don't think she's wired right. | 0:27:45 | 0:27:47 | |
Have you seen the way she looks at Callum? It's no natural. | 0:27:47 | 0:27:50 | |
-You think? -Aye, I do. | 0:27:52 | 0:27:53 | |
Five years in prison, that's got to do some damage. | 0:27:53 | 0:27:56 | |
Aye. Just as well I've got you, then, Kelly. | 0:27:56 | 0:28:00 | |
And, you know, I owe you a apology, Kel. | 0:28:01 | 0:28:06 | |
You've nothing to be sorry about. | 0:28:06 | 0:28:07 | |
Oh, no, I mean all that carry on. | 0:28:07 | 0:28:09 | |
Handing the club back over to Alex. It's nothing personal. | 0:28:09 | 0:28:12 | |
Just looking after my kids. | 0:28:12 | 0:28:13 | |
Of course. | 0:28:14 | 0:28:16 | |
Did hurt me at the time, though. | 0:28:16 | 0:28:18 | |
Did it? | 0:28:18 | 0:28:19 | |
Aye, it did. You took Alex in after everything he put me through. | 0:28:20 | 0:28:25 | |
I didn't really have any option, did I? He is my son. | 0:28:25 | 0:28:27 | |
And then Amber comes back and I'm out of Chrome. | 0:28:27 | 0:28:30 | |
You must have thought I forgot about you. | 0:28:30 | 0:28:32 | |
You said Chrome was just short-term. Next thing I know you're buying me out. | 0:28:32 | 0:28:35 | |
Did it hurt you, Kel? | 0:28:35 | 0:28:36 | |
Aye, it did, Lenny. It really hurt. | 0:28:36 | 0:28:41 | |
See, I knew I should have come straight over and squared that. | 0:28:46 | 0:28:48 | |
All that carry on with DI Donald, I just haven't had the time. | 0:28:48 | 0:28:52 | |
I'm sure you were busy. | 0:28:52 | 0:28:54 | |
Of course, you do know it was Eileen Donachie that grassed me up. | 0:28:54 | 0:28:57 | |
-Right. -You don't seem surprised. | 0:28:58 | 0:29:00 | |
What? No, I am, but... | 0:29:02 | 0:29:05 | |
Guess you're just a better judge of character than I am. | 0:29:05 | 0:29:07 | |
I'm sure she didn't mean it. | 0:29:07 | 0:29:09 | |
The thing that shocked me, she knew about Billy and Martina. | 0:29:09 | 0:29:14 | |
And that was strictly family-only business. | 0:29:14 | 0:29:17 | |
Maybe you're right. | 0:29:21 | 0:29:22 | |
Maybe I shouldn't trust Alex after all. | 0:29:24 | 0:29:27 | |
And Amber... Yeah, she could just be in it for the inheritance. | 0:29:27 | 0:29:33 | |
What do you think? | 0:29:35 | 0:29:36 | |
KETTLE WHISTLES | 0:29:36 | 0:29:37 | |
Maybe. | 0:29:39 | 0:29:40 | |
KETTLE CLICKS | 0:29:40 | 0:29:41 | |
Oh, there's the kettle. | 0:29:41 | 0:29:43 | |
There we go. | 0:30:22 | 0:30:23 | |
Drink up. It'll go cold. | 0:30:26 | 0:30:27 | |
I said drink. | 0:30:31 | 0:30:32 | |
So, is that it, is it? | 0:30:46 | 0:30:48 | |
You've nothing to say. | 0:30:49 | 0:30:51 | |
Nothing. To even justify what you've done. | 0:30:52 | 0:30:55 | |
I haven't done anything. | 0:30:57 | 0:30:58 | |
I've sat here listening to you whining, now it's my turn. | 0:30:58 | 0:31:02 | |
Alex. Yeah, I took him in, you know why? Because he's my boy. He's my son! | 0:31:02 | 0:31:06 | |
Amber, she's my baby, and she killed somebody for me. | 0:31:07 | 0:31:10 | |
And as far as the club goes... | 0:31:10 | 0:31:12 | |
I bought you out, Kelly. | 0:31:14 | 0:31:15 | |
I didnae take it! | 0:31:15 | 0:31:17 | |
-I gave you a good price for it. -I know, but... | 0:31:17 | 0:31:19 | |
I gave you the chance to tell the truth. | 0:31:22 | 0:31:25 | |
But you didn't. | 0:31:28 | 0:31:29 | |
I know it was you who betrayed me to that bitch Donachie and Donald. | 0:31:32 | 0:31:37 | |
Eileen came to me. She used me, no, in fact, she tricked me. | 0:31:43 | 0:31:49 | |
Cos I was... | 0:31:51 | 0:31:52 | |
I was, I was out of my mind, you know, with the fall and what happened to David and... | 0:31:54 | 0:31:59 | |
Aye. I admit it. I messed up. I did. But it was just that one time. | 0:32:01 | 0:32:06 | |
I have always been there for you, Lenny. | 0:32:06 | 0:32:09 | |
I have been nothing but loyal to you. | 0:32:09 | 0:32:10 | |
Loyal?! | 0:32:10 | 0:32:12 | |
You don't even know what the word loyalty means! | 0:32:12 | 0:32:15 | |
I gave you a club. I gave you a career. | 0:32:16 | 0:32:17 | |
I gave you a shot at the good life. | 0:32:17 | 0:32:19 | |
I came back here for you. | 0:32:20 | 0:32:22 | |
I sorted out Billy, I sorted out Martina. For you! | 0:32:23 | 0:32:26 | |
I didn't think it was going to come to that... | 0:32:26 | 0:32:28 | |
I didnae! You know, I stood up at the funeral and asked you, | 0:32:28 | 0:32:34 | |
I asked you in front of everybody to stop the fighting. | 0:32:34 | 0:32:38 | |
-To end the war with Martina. I never wanted it to come to all this bloodshed. -I was protecting you! | 0:32:38 | 0:32:42 | |
Did you think that she wasnae gonna come and kill you? | 0:32:42 | 0:32:45 | |
When she knew that any second you could tell Alex what she'd done to you? | 0:32:45 | 0:32:49 | |
Did you really, really think that she wouldnae come for you? | 0:32:49 | 0:32:52 | |
I stopped her. | 0:32:57 | 0:32:59 | |
I stopped her. | 0:33:06 | 0:33:07 | |
You... | 0:33:11 | 0:33:12 | |
Sit down. | 0:33:13 | 0:33:14 | |
-I made a mistake. -No. You knew what you were doing. | 0:33:20 | 0:33:22 | |
-No, I didn't. -You were jealous - of Alex, of Amber, | 0:33:22 | 0:33:26 | |
of the club, of me having my family around me again. | 0:33:26 | 0:33:28 | |
So you stabbed me in the back! | 0:33:28 | 0:33:30 | |
And now... | 0:33:37 | 0:33:39 | |
I have to deal with it. | 0:33:41 | 0:33:42 | |
Lenny, you don't want to do this. | 0:33:44 | 0:33:46 | |
There's been enough murders round here to last a lifetime. | 0:33:47 | 0:33:51 | |
Oh, Kel. | 0:33:51 | 0:33:52 | |
I'm not going to murder you. | 0:33:52 | 0:33:54 | |
You're going to do it yourself. | 0:33:57 | 0:33:59 | |
CALLUM SINGS TO HIMSELF | 0:34:05 | 0:34:07 | |
Get rid of him, pronto! This little monster's tuned to the moon. | 0:34:07 | 0:34:10 | |
Ach, he's harmless. | 0:34:10 | 0:34:12 | |
Harmless? | 0:34:12 | 0:34:13 | |
Jimmy, three hours in his company and I'm wishing I was back inside. | 0:34:13 | 0:34:17 | |
Listen, Amber, I've still an hour of my shift to do. | 0:34:17 | 0:34:19 | |
Consider this permission to finish early. | 0:34:19 | 0:34:22 | |
All right. | 0:34:22 | 0:34:23 | |
-Did you give him any sugar? -Look, Jimmy, just take him! NOW! | 0:34:24 | 0:34:28 | |
Cal! | 0:34:28 | 0:34:29 | |
SINGING STOPS | 0:34:29 | 0:34:31 | |
Right, wee one, let's go see Mammy. There we are. | 0:34:31 | 0:34:33 | |
Lenny, please. After everything we've been through, you can't force me to... | 0:34:37 | 0:34:42 | |
I can, Kel. | 0:34:42 | 0:34:44 | |
So, come on. Your pick. | 0:34:44 | 0:34:47 | |
I mean, I don't know what that'll do to your insides. | 0:34:50 | 0:34:53 | |
Maybe you want to go classy. | 0:34:53 | 0:34:55 | |
Have some of these washed down with some of that, | 0:34:55 | 0:34:58 | |
I'll run you a bath - you can do it rock and roll style. | 0:34:58 | 0:35:01 | |
-Lenny, please, I need you to understand that I... -Sh. | 0:35:01 | 0:35:04 | |
Now, of course, before you make your choice... | 0:35:09 | 0:35:11 | |
..you have to write a note. | 0:35:15 | 0:35:17 | |
Lenny, just let me explain myself. | 0:35:19 | 0:35:21 | |
Too late. | 0:35:21 | 0:35:22 | |
"I'm so sorry." Full stop. | 0:35:30 | 0:35:32 | |
"I can't think of any other way." Full stop. | 0:35:34 | 0:35:37 | |
"Tell Cal I'll always love him." Full stop. | 0:35:38 | 0:35:42 | |
"Forgive me," comma, "Kelly-Marie." Full stop. | 0:35:44 | 0:35:49 | |
"Forgive me, Kelly-Marie." | 0:35:54 | 0:35:56 | |
No. Lenny, no, I... | 0:35:58 | 0:36:01 | |
No, you're right. Let's change it. | 0:36:01 | 0:36:03 | |
"Love, Kelly Marie." Now write it! | 0:36:03 | 0:36:07 | |
Don't do this. | 0:36:14 | 0:36:15 | |
Look... Not for me, forget me. | 0:36:16 | 0:36:21 | |
I'm nobody, I'm nothing. Think about Callum? | 0:36:21 | 0:36:24 | |
He's been through so much already. | 0:36:24 | 0:36:27 | |
He's lost his dad, his wee brother, Alex. | 0:36:27 | 0:36:30 | |
He can't lose me, I'm his mum. | 0:36:30 | 0:36:31 | |
He's got me. | 0:36:31 | 0:36:33 | |
I'm his family. | 0:36:35 | 0:36:37 | |
I'm his blood. | 0:36:38 | 0:36:39 | |
Lenny... I'm pregnant. | 0:36:40 | 0:36:43 | |
Lenny, please, I'm begging you. | 0:36:45 | 0:36:47 | |
You're no, though, are you? | 0:36:49 | 0:36:51 | |
What? | 0:36:51 | 0:36:52 | |
Begging me. | 0:36:52 | 0:36:54 | |
Don't do this. | 0:36:57 | 0:36:59 | |
Lenny, please. You can't come back from this. | 0:37:00 | 0:37:03 | |
Come on, Kel. | 0:37:05 | 0:37:06 | |
Make your choice. | 0:37:08 | 0:37:09 | |
Please, Lenny. | 0:37:14 | 0:37:16 | |
How can you do this? | 0:37:19 | 0:37:21 | |
You've been like a dad to me. | 0:37:21 | 0:37:23 | |
Yeah. | 0:37:23 | 0:37:24 | |
Don't worry. I'll stay with you. | 0:37:28 | 0:37:31 | |
You'll no die alone. | 0:37:33 | 0:37:34 | |
Come on. I'm not a monster. | 0:37:35 | 0:37:38 | |
Please don't let Callum find me. He's just a wee boy. | 0:37:41 | 0:37:44 | |
Amber's under strict instructions not to bring the wee fella | 0:37:44 | 0:37:47 | |
back here until much later. | 0:37:47 | 0:37:49 | |
It'll be Jimmy that'll discover you. | 0:37:49 | 0:37:51 | |
He'll be finished his work in about am hour. | 0:37:51 | 0:37:54 | |
He'll find you, with your note. | 0:37:54 | 0:37:56 | |
He'll be sad, angry, but surprised? | 0:37:56 | 0:37:59 | |
No, not with how unstable you've been lately. | 0:38:00 | 0:38:04 | |
Lenny. Let me try to make it up to you. | 0:38:07 | 0:38:10 | |
Please. Just let me. I didn't mean to hurt you. | 0:38:10 | 0:38:13 | |
I've been let down many times in my life. | 0:38:15 | 0:38:17 | |
But you, you hurt me more than anything. | 0:38:19 | 0:38:23 | |
I'm so sorry. | 0:38:24 | 0:38:26 | |
DOOR OPENS AND SHUTS | 0:38:26 | 0:38:27 | |
Kel? You in? | 0:38:27 | 0:38:29 | |
Mum! | 0:38:29 | 0:38:30 | |
What you doing back, wee man? | 0:38:31 | 0:38:33 | |
Amber demanded I brought him back. | 0:38:33 | 0:38:35 | |
Oh, she did, did she? | 0:38:35 | 0:38:36 | |
So, what's going on here? | 0:38:36 | 0:38:38 | |
We're just having a chat, Jimmy. | 0:38:38 | 0:38:40 | |
Right. You right, Kel? | 0:38:40 | 0:38:42 | |
Yeah, I'm fine. | 0:38:42 | 0:38:43 | |
Callum, is that your new football boots? | 0:38:44 | 0:38:46 | |
-Why don't you try them on for me, eh? -Aye, in your bedroom, eh? | 0:38:48 | 0:38:51 | |
So, what's going on? | 0:38:53 | 0:38:56 | |
This is the wee piggy that just ran, "Me! Me! Me!" | 0:38:56 | 0:39:00 | |
All the way to DI Donald. Eh? | 0:39:00 | 0:39:02 | |
Tell him you're not a grass, Kel. Tell him. Tell him. | 0:39:04 | 0:39:06 | |
Look me in the eyes... | 0:39:06 | 0:39:10 | |
are you a grass? | 0:39:10 | 0:39:12 | |
How could you! | 0:39:13 | 0:39:14 | |
It was you that begged for Lenny to come back | 0:39:14 | 0:39:16 | |
and sort out the Kennedys. | 0:39:16 | 0:39:18 | |
What were you thinking about? | 0:39:18 | 0:39:20 | |
What're we going to do? | 0:39:22 | 0:39:23 | |
What needs to be done. | 0:39:23 | 0:39:25 | |
Lenny, she's no thinking straight. | 0:39:28 | 0:39:30 | |
You cannae do this. | 0:39:33 | 0:39:34 | |
Look, Grandad! Look! | 0:39:36 | 0:39:38 | |
-They're smashing. -Let me see them. | 0:39:38 | 0:39:41 | |
Got to think of the wee man. | 0:39:45 | 0:39:46 | |
I've got no choice, Jimmy. | 0:39:46 | 0:39:48 | |
Listen, trust me. I'll keep an eye on her. All right? | 0:39:51 | 0:39:55 | |
For the wee man. | 0:39:55 | 0:39:56 | |
Get your coat. | 0:39:58 | 0:39:59 | |
Right, why don't you go with Jimmy? | 0:39:59 | 0:40:01 | |
Me and your grandpa, we're going to go for a wee walk. | 0:40:01 | 0:40:05 | |
Go to Jimmy. And listen, I'll be... | 0:40:08 | 0:40:11 | |
Why don't you go and say bye to your Grandpa Lenny? | 0:40:14 | 0:40:17 | |
And Callum. | 0:40:21 | 0:40:22 | |
I love you so much. OK? Do you hear me? | 0:40:24 | 0:40:28 | |
Don't you forget that. | 0:40:28 | 0:40:30 | |
I'm going to love you for ever. And ever. | 0:40:30 | 0:40:32 | |
So don't you forget that, OK? | 0:40:32 | 0:40:34 | |
Love you too, Mom. | 0:40:34 | 0:40:36 | |
Jimmy. | 0:40:37 | 0:40:38 | |
Now go. | 0:40:43 | 0:40:44 | |
DOOR SHUTS | 0:41:00 | 0:41:01 | |
You keep your head down, you don't say another word to anybody. | 0:41:03 | 0:41:07 | |
As far as I'm concerned, you don't exist any more. | 0:41:08 | 0:41:12 | |
If I hear you laugh, I'll rip your throat out. | 0:41:12 | 0:41:14 | |
The only reason you're getting to live, | 0:41:16 | 0:41:19 | |
one reason only, that wee boy there. | 0:41:19 | 0:41:22 | |
You remember every morning you wake up, | 0:41:24 | 0:41:27 | |
you're alive on my good grace. | 0:41:27 | 0:41:29 | |
If I hear one more wrong word... | 0:41:33 | 0:41:36 | |
..all my kindness will disappear. | 0:41:37 | 0:41:39 | |
Sorry. | 0:42:13 | 0:42:14 | |
HE PLAYS THE IMPERIAL MARCH FROM STAR WARS | 0:42:15 | 0:42:18 | |
HE TAILS OFF | 0:42:19 | 0:42:20 | |
Just tuning up. | 0:42:20 | 0:42:22 | |
HE TUNES HIS GUITAR | 0:42:23 | 0:42:25 | |
HE SIGHS | 0:42:28 | 0:42:29 | |
Cassie. | 0:42:38 | 0:42:40 | |
Cassie. | 0:42:42 | 0:42:43 | |
Cassie! | 0:42:44 | 0:42:46 | |
DOOR OPENS | 0:42:46 | 0:42:47 | |
You can come out now. | 0:42:49 | 0:42:51 | |
What is this? | 0:42:51 | 0:42:52 | |
Cassie Andrea Edmonds, | 0:42:53 | 0:42:57 | |
I know we've only been together a matter of weeks but in that time, | 0:42:57 | 0:43:00 | |
you have made me happier than I've been in a long while. | 0:43:00 | 0:43:03 | |
So, I just wanted to, er, | 0:43:05 | 0:43:07 | |
make a promise to you in front of... | 0:43:07 | 0:43:09 | |
..well, more people than I imagined, actually, but, erm... | 0:43:10 | 0:43:14 | |
A promise for you. | 0:43:14 | 0:43:15 | |
# We've been going together | 0:43:24 | 0:43:29 | |
# Too long to be vague | 0:43:31 | 0:43:35 | |
# When there's something to say | 0:43:35 | 0:43:38 | |
# If it's not now | 0:43:40 | 0:43:41 | |
# Then it's never | 0:43:43 | 0:43:46 | |
# So I'll say it straight out | 0:43:47 | 0:43:51 | |
# For I have no doubt | 0:43:51 | 0:43:55 | |
# No doubt | 0:43:55 | 0:43:58 | |
# Let's get married | 0:43:59 | 0:44:01 | |
# I love you | 0:44:01 | 0:44:03 | |
# And I want to stay with you | 0:44:03 | 0:44:06 | |
# Let's get married | 0:44:06 | 0:44:08 | |
# Have kids | 0:44:08 | 0:44:10 | |
# Grow old and grey with you | 0:44:10 | 0:44:13 | |
# Let's get married | 0:44:13 | 0:44:16 | |
# Hold hands Walk in the park | 0:44:16 | 0:44:19 | |
# Let's get married | 0:44:20 | 0:44:24 | |
# Let's get married | 0:44:24 | 0:44:27 | |
# For the days when we can do no wrong | 0:44:27 | 0:44:32 | |
# For the bad times | 0:44:32 | 0:44:34 | |
# For the moments when we think we can't go on | 0:44:34 | 0:44:39 | |
# For the family | 0:44:39 | 0:44:40 | |
# For the lives of the children that we've planned | 0:44:40 | 0:44:45 | |
# Let's get married | 0:44:45 | 0:44:47 | |
# C'mon darling Please take my hand | 0:44:47 | 0:44:50 | |
# Come on darling Please take my hand. # | 0:44:50 | 0:44:54 | |
LAUGHTER AND CHEERING | 0:45:00 | 0:45:02 | |
They're waiting for us to kiss now. | 0:45:06 | 0:45:08 | |
Prepare yourself, I'm pretty good. | 0:45:08 | 0:45:12 | |
Aced it, didn't I? | 0:45:21 | 0:45:22 | |
You should know, my surname is Evans. | 0:45:22 | 0:45:25 | |
It's perfection! | 0:45:26 | 0:45:27 | |
Yeah, yeah, maybe with a lot of editing. | 0:45:27 | 0:45:32 | |
-God! -THEY LAUGH | 0:45:32 | 0:45:34 | |
MUSIC: West Coast by Lana Del Rey | 0:45:39 | 0:45:42 | |
# Down on the west coast They got a sayin' | 0:45:50 | 0:45:54 | |
# If you're not drinkin' then you're not playin' | 0:45:54 | 0:45:58 | |
# But you've got the music You've got the music in you | 0:45:58 | 0:46:02 | |
# Don't you? | 0:46:04 | 0:46:05 | |
# Down on the west coast I get this feeling like | 0:46:06 | 0:46:10 | |
# It all could happen | 0:46:10 | 0:46:12 | |
# That's why I'm leavin' you For the moment | 0:46:12 | 0:46:15 | |
# You for the moment boy blue | 0:46:15 | 0:46:18 | |
# Yeah you | 0:46:19 | 0:46:21 | |
# You're flying high at the show I'm feeling hot to the touch | 0:46:21 | 0:46:25 | |
# You say you'll miss me the most I say I'll miss you so much | 0:46:25 | 0:46:29 | |
# Something keeps me really quiet I'm alive I'm a-lush | 0:46:29 | 0:46:33 | |
# Your love, your love My love. # | 0:46:33 | 0:46:36 | |
I swear to God, it's not funny. | 0:46:37 | 0:46:39 | |
-Sounds hysterical. -SHE SIGHS | 0:46:39 | 0:46:41 | |
He's definitely on the spectrum. | 0:46:41 | 0:46:43 | |
Attention deficit or something. | 0:46:43 | 0:46:45 | |
He's a kid. | 0:46:45 | 0:46:46 | |
Yeah, so was Bible John once. | 0:46:46 | 0:46:47 | |
I can't believe you managed to live with that for so long. | 0:46:47 | 0:46:51 | |
Well, I manage to live with you, so... | 0:46:51 | 0:46:53 | |
Well, I'd definitely do us. | 0:47:00 | 0:47:04 | |
-At least twice. -Hmm. | 0:47:04 | 0:47:05 | |
INDISTINCT PARTY CHATTER | 0:47:25 | 0:47:31 | |
-You look stunning. -Thanks. | 0:47:56 | 0:47:57 | |
So do you. | 0:47:57 | 0:47:59 | |
MUSIC DROWNS SPEECH | 0:48:03 | 0:48:06 | |
Kelly, are you sure you're not wanting any cheese on toast? | 0:48:31 | 0:48:34 | |
-I said no! -All right! No need to rip my head off. | 0:48:34 | 0:48:36 | |
Sorry. I'm just not hungry, right? | 0:48:36 | 0:48:39 | |
-That's all you had to say. -SHE TUTS | 0:48:39 | 0:48:41 | |
Listen, thanks for earlier. | 0:48:44 | 0:48:47 | |
You'll not say anything to Ma, will you? | 0:48:49 | 0:48:51 | |
Cos she'll just worry and I don't want that. | 0:48:51 | 0:48:53 | |
Jimmy, can you please talk to me? | 0:48:55 | 0:48:56 | |
Don't worry, I won't tell a soul. | 0:48:58 | 0:49:01 | |
Thanks. | 0:49:01 | 0:49:03 | |
I won't tell anyone you're a grass. | 0:49:03 | 0:49:05 | |
A grass! | 0:49:05 | 0:49:06 | |
You should know better. | 0:49:08 | 0:49:09 | |
Don't. I know what I did was wrong, but I was pressurised into it. | 0:49:09 | 0:49:13 | |
I'll tell no-one, cos I'm ashamed of you. | 0:49:13 | 0:49:15 | |
You hear me? | 0:49:15 | 0:49:17 | |
Ashamed. | 0:49:17 | 0:49:18 | |
I thought of all people, you would understand. | 0:49:19 | 0:49:22 | |
I can't even look at you. | 0:49:23 | 0:49:24 | |
-I think I nailed it. -Ah, well done. | 0:50:04 | 0:50:06 | |
You did a great job. | 0:50:06 | 0:50:08 | |
Hey? All that worry for nothing. | 0:50:08 | 0:50:10 | |
-I didn't see you eating anything. -I did! -What? | 0:50:10 | 0:50:13 | |
Well, I had an oyster. | 0:50:13 | 0:50:14 | |
MUSIC: Time by Jungle | 0:50:15 | 0:50:17 | |
# I know You know | 0:50:20 | 0:50:23 | |
# Time and time again... # | 0:50:26 | 0:50:27 | |
So, ready to hit the road, Mrs J? | 0:50:31 | 0:50:34 | |
Well, we should stay and listen to the speeches. | 0:50:35 | 0:50:39 | |
Be rude otherwise. | 0:50:39 | 0:50:40 | |
-OK, well, you finish your drink and I'll load up the car. -Yeah. | 0:50:40 | 0:50:45 | |
# Just hold on tight Don't let in, yeah | 0:50:45 | 0:50:49 | |
# I'll run all right Don't let me | 0:50:49 | 0:50:52 | |
# Just let it out | 0:50:53 | 0:50:55 | |
# Time and time and time and time and time again... # | 0:50:55 | 0:51:00 | |
Can I have a word? | 0:51:00 | 0:51:01 | |
-Sure. -In private. | 0:51:02 | 0:51:04 | |
# Time and time and time and time and time again. # | 0:51:04 | 0:51:07 | |
Who is she? | 0:51:12 | 0:51:14 | |
-What are you playing at? -Me?! | 0:51:14 | 0:51:16 | |
Go play house with AJ. I've things to do. | 0:51:16 | 0:51:18 | |
Oh, right, and by that you mean "other women to do." | 0:51:18 | 0:51:21 | |
You're jealous! | 0:51:21 | 0:51:22 | |
Annie, I'm single. | 0:51:22 | 0:51:24 | |
If I want to go with every girl in there, then I will | 0:51:24 | 0:51:26 | |
and you don't get to have an opinion on it, friend. | 0:51:26 | 0:51:29 | |
Well, how do you think that makes me feel, Alex? | 0:51:29 | 0:51:31 | |
-To see you with... -I don't care. | 0:51:31 | 0:51:33 | |
Do you think it's enjoyable for me to watch you with him? | 0:51:33 | 0:51:36 | |
Suck it up. I told you I had a duty. | 0:51:36 | 0:51:38 | |
Go and do it, then, because I'm not your late night plaything. | 0:51:38 | 0:51:41 | |
-Don't be like that. -Oh, come on, honey, | 0:51:41 | 0:51:43 | |
I'm trying my hardest here. | 0:51:43 | 0:51:45 | |
I'm holding it together. | 0:51:45 | 0:51:46 | |
I hear what you're saying, | 0:51:46 | 0:51:48 | |
that this isn't happening, that people will get hurt. | 0:51:48 | 0:51:50 | |
I hear you, but don't make me pretend that I agree with you. | 0:51:50 | 0:51:54 | |
We're done here. | 0:51:54 | 0:51:55 | |
No, please, just... | 0:51:55 | 0:51:56 | |
Just listen to me. | 0:51:57 | 0:51:58 | |
OK. | 0:52:04 | 0:52:05 | |
This afternoon, leaving your house, | 0:52:07 | 0:52:11 | |
walking the length and breadth of the street, | 0:52:11 | 0:52:15 | |
people were looking at me. | 0:52:15 | 0:52:16 | |
I thought they were all looking at me like... | 0:52:18 | 0:52:20 | |
You know, like they hated me, | 0:52:20 | 0:52:21 | |
like they could see what I'd done. | 0:52:21 | 0:52:23 | |
And then I realised it wasn't that at all. | 0:52:25 | 0:52:28 | |
They weren't looking at me at all. | 0:52:28 | 0:52:31 | |
I mean, not really. | 0:52:31 | 0:52:32 | |
All they could see was Harry's mother or AJ's wife, or a doctor. | 0:52:33 | 0:52:37 | |
I mean, it's always a doctor. | 0:52:37 | 0:52:39 | |
Even AJ doesn't notice. | 0:52:42 | 0:52:44 | |
I mean there was a part of me that hoped that he might. | 0:52:45 | 0:52:48 | |
I've been the one that's been cheated on | 0:52:50 | 0:52:52 | |
and I know what it feels like - | 0:52:52 | 0:52:55 | |
that you're worthless, that you're not good enough. | 0:52:55 | 0:52:57 | |
So, what? Is this your revenge on him? | 0:53:00 | 0:53:02 | |
How horrible and hellish that feels - | 0:53:02 | 0:53:05 | |
felt... | 0:53:05 | 0:53:06 | |
None of that, | 0:53:07 | 0:53:08 | |
none of that comes close to how miserable I've been | 0:53:08 | 0:53:11 | |
not being able to be with you. | 0:53:11 | 0:53:13 | |
I'm lonely. | 0:53:17 | 0:53:18 | |
And I have been for a long time. | 0:53:21 | 0:53:22 | |
And these past few weeks with you, | 0:53:25 | 0:53:28 | |
I wasn't. | 0:53:28 | 0:53:29 | |
And now? I mean, now, it's even worse. | 0:53:32 | 0:53:34 | |
Now I'm doing everything I can to not to call you in my lunch hour. | 0:53:34 | 0:53:37 | |
Not to find some pathetic excuse to see you and I'm... | 0:53:37 | 0:53:41 | |
SHE SIGHS | 0:53:41 | 0:53:43 | |
I'm tired of it, Alex. | 0:53:43 | 0:53:45 | |
I'm tired of being all these things to everybody else. | 0:53:49 | 0:53:52 | |
I just want to be me. | 0:53:54 | 0:53:56 | |
I just want to be... | 0:53:57 | 0:53:59 | |
Annie. | 0:53:59 | 0:54:00 | |
I've tried ignoring you | 0:54:00 | 0:54:04 | |
and I've tried being your friend | 0:54:04 | 0:54:05 | |
but that doesn't work. | 0:54:05 | 0:54:06 | |
So what does that leave us with, then? | 0:54:15 | 0:54:17 | |
I'm sick of trying to fight against what I want to do... | 0:54:19 | 0:54:25 | |
..fighting against what I really am. | 0:54:27 | 0:54:31 | |
Who I really need. | 0:54:34 | 0:54:36 | |
Who? | 0:54:37 | 0:54:38 | |
I'm going to go out there... | 0:54:41 | 0:54:43 | |
..and persuade my husband to leave the car... | 0:54:45 | 0:54:47 | |
..and I'll expect you to give us some free shots. | 0:54:49 | 0:54:51 | |
OK. | 0:54:53 | 0:54:55 | |
And I want you to stand at the other side of the room where I can see you. | 0:54:55 | 0:54:59 | |
You can flirt with that blonde thing if you want. | 0:55:00 | 0:55:03 | |
I'll need to make it look real. | 0:55:04 | 0:55:06 | |
Hand on her back, | 0:55:10 | 0:55:11 | |
her waist... | 0:55:11 | 0:55:13 | |
You might need to kiss her. | 0:55:16 | 0:55:18 | |
I won't mind. | 0:55:18 | 0:55:19 | |
Good. | 0:55:21 | 0:55:22 | |
And then AJ and I will leave early. | 0:55:23 | 0:55:26 | |
You must have dropped these at the bar. | 0:55:32 | 0:55:35 | |
Stupid of me. | 0:55:35 | 0:55:36 | |
These are the keys to the surgery. | 0:55:36 | 0:55:38 | |
I'll need them. | 0:55:38 | 0:55:39 | |
You'll have to come back for them. | 0:55:39 | 0:55:41 | |
I won't realise they're gone until I get back to the flat. | 0:55:41 | 0:55:45 | |
AJ can't drive though. | 0:55:45 | 0:55:47 | |
He shouldn't have had those shots. | 0:55:47 | 0:55:49 | |
And then I'll nip back in a taxi to get them. | 0:55:51 | 0:55:53 | |
And then..? | 0:55:55 | 0:55:56 | |
Well... | 0:55:57 | 0:55:58 | |
Well, that's the fun bit. | 0:56:02 | 0:56:03 | |
Then... | 0:56:04 | 0:56:06 | |
who knows what will happen. | 0:56:06 | 0:56:07 | |
Annie, what are you saying? | 0:56:09 | 0:56:11 | |
I'm saying... | 0:56:15 | 0:56:16 | |
..that we're having an affair, Alex. | 0:56:23 | 0:56:26 | |
MUSIC: Wicked Games by Parra for Cuva ft. Anna Naklab | 0:56:35 | 0:56:39 | |
# And I wanna fall in love | 0:56:39 | 0:56:44 | |
# No I'm gonna fall in love | 0:56:46 | 0:56:52 | |
# With you | 0:56:54 | 0:56:57 | |
# With you. # | 0:56:58 | 0:57:00 | |
Do you know how embarrassing that is? | 0:57:12 | 0:57:13 | |
You manhandling her knickers right in front of my face? | 0:57:13 | 0:57:16 | |
All I'm saying is back off. | 0:57:16 | 0:57:18 | |
-Ellie's my bub. -I know. We're just pals. | 0:57:18 | 0:57:20 | |
I've booked us a hotel. | 0:57:20 | 0:57:22 | |
Can check in any time after two. | 0:57:22 | 0:57:24 | |
This doesn't feel right. | 0:57:24 | 0:57:25 | |
It feels seedy, like we shouldn't be doing this. | 0:57:25 | 0:57:28 | |
I've got to stuff my whole life into a bag before tonight. | 0:57:28 | 0:57:30 | |
Molly says I'm running away. | 0:57:30 | 0:57:31 | |
She says I've got everything I need here. | 0:57:31 | 0:57:33 | |
It's not going to be the same without you here, son. | 0:57:33 | 0:57:36 | |
I'm glad I met you. | 0:57:36 | 0:57:37 |