Browse content similar to 22/06/2016. Check below for episodes and series from the same categories and more!
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Angus is fine on his own. | 0:00:20 | 0:00:22 | |
It's Stella you don't want to leave. | 0:00:22 | 0:00:24 | |
-Stella's moving in with you. -Just for a bit. | 0:00:24 | 0:00:25 | |
Your ex-wife Stella? | 0:00:25 | 0:00:27 | |
She's a pal. | 0:00:27 | 0:00:28 | |
I love the bones of her, don't I? | 0:00:28 | 0:00:30 | |
Stop it, you, you'll set me off. | 0:00:30 | 0:00:32 | |
Come here. | 0:00:32 | 0:00:33 | |
-I like her. -That's up to you. | 0:00:34 | 0:00:36 | |
You want to be with her? I cannae be in your life. | 0:00:36 | 0:00:38 | |
My friend Cassie, she's seen you around | 0:00:38 | 0:00:39 | |
and she'd really like to meet you. | 0:00:39 | 0:00:41 | |
I'm not here because I want a date, I'm here because I want a husband. | 0:00:41 | 0:00:44 | |
-I just spent the last of it on a bird. -What bird's that? -My fiancee. | 0:00:44 | 0:00:46 | |
It's days like this when I am glad that there's gun control here! | 0:00:58 | 0:01:01 | |
Whoa, Charging Buffalo. What's the matter? | 0:01:01 | 0:01:04 | |
You're not going to believe this. | 0:01:04 | 0:01:05 | |
The registry office have only gone and double-booked our wedding. | 0:01:05 | 0:01:08 | |
-We have to move. -Have they offered another day? | 0:01:08 | 0:01:11 | |
Yeah, two months from now. | 0:01:11 | 0:01:12 | |
So, don't panic. We'll do it two months from now. | 0:01:12 | 0:01:14 | |
Angus, I don't have that long left on my visa! | 0:01:14 | 0:01:18 | |
No wedding, and it's bye-bye, Scotland, hello, boring old NYC. | 0:01:18 | 0:01:22 | |
What's so funny? | 0:01:29 | 0:01:31 | |
Well, half of Glasgow's probably dying to get out of here | 0:01:31 | 0:01:33 | |
and move to New York. | 0:01:33 | 0:01:35 | |
Well, I'm not one of them. This is my home now. | 0:01:35 | 0:01:37 | |
Besides, I improve the place just by being here. | 0:01:37 | 0:01:39 | |
Debatable. | 0:01:39 | 0:01:41 | |
Is it? Well, no wedding and this little arrangement is off. | 0:01:41 | 0:01:46 | |
It's not that easy. | 0:01:46 | 0:01:48 | |
I've already spent the money on the bar. | 0:01:48 | 0:01:50 | |
Angus, being American, I know a thing or two about litigation. | 0:01:50 | 0:01:53 | |
It's sort of a second language to us. | 0:01:53 | 0:01:55 | |
Is that like football is for the Scots? | 0:01:55 | 0:01:57 | |
Only more dangerous. | 0:01:57 | 0:01:58 | |
If my visa runs out before I get married, | 0:01:59 | 0:02:02 | |
I'll be suing you for the five grand. | 0:02:02 | 0:02:04 | |
What do you think? Do I look ready for work? | 0:02:15 | 0:02:17 | |
Work? | 0:02:17 | 0:02:19 | |
Aye, behind the bar at the Tall Ship. | 0:02:19 | 0:02:21 | |
Robbie put in a good word with Gary, so I've got a trial shift. | 0:02:21 | 0:02:25 | |
Is that a good idea? | 0:02:25 | 0:02:26 | |
Why wouldn't it be? I've done it before. | 0:02:26 | 0:02:28 | |
Aye, I know, but... Is it not too soon? | 0:02:28 | 0:02:31 | |
Are you sure you're ready? | 0:02:31 | 0:02:33 | |
No. I'm not sure. | 0:02:33 | 0:02:35 | |
But I can't stay in here and jump at my shadow all day, can I? | 0:02:35 | 0:02:37 | |
Aye, well, good for you, hen. | 0:02:37 | 0:02:40 | |
I'm sure you can do it. | 0:02:41 | 0:02:43 | |
I hope so. | 0:02:44 | 0:02:46 | |
Right. | 0:02:46 | 0:02:47 | |
-Right, see you. -Aye. See you. | 0:02:47 | 0:02:50 | |
You'll be fine. There's nothing to it. | 0:02:59 | 0:03:01 | |
Graham's here if it gets too busy. | 0:03:01 | 0:03:03 | |
I just want to do a decent job. | 0:03:03 | 0:03:05 | |
You were good enough to give me a chance. | 0:03:05 | 0:03:07 | |
No problem. Have you had a chance to look at the menu? | 0:03:07 | 0:03:10 | |
Familiar enough? | 0:03:10 | 0:03:11 | |
Aye, I've memorised it. | 0:03:11 | 0:03:12 | |
-NASAL ACCENT: -Oh, cheese and ham sandwich. | 0:03:15 | 0:03:18 | |
'Scuse me, could you tell me... | 0:03:18 | 0:03:20 | |
is that with white or granary bread? | 0:03:20 | 0:03:22 | |
We do both, sir. | 0:03:22 | 0:03:23 | |
And is it cheddar or brie? | 0:03:23 | 0:03:27 | |
Or haloumi. It's your choice. | 0:03:27 | 0:03:29 | |
Oh, well, in that case I'll have everything on the menu, please. | 0:03:29 | 0:03:32 | |
Coming right up, sir. | 0:03:32 | 0:03:33 | |
You'll be fine. | 0:03:33 | 0:03:34 | |
You don't like it? | 0:03:39 | 0:03:40 | |
I have got the hippest new bands in Glasgow lined up to play this bar. | 0:03:43 | 0:03:47 | |
That brings art students, fashion students, media types. | 0:03:47 | 0:03:51 | |
In short, if this place is going to be a success, | 0:03:51 | 0:03:53 | |
it has to attract the likes of me... | 0:03:53 | 0:03:55 | |
not you. | 0:03:55 | 0:03:57 | |
Maybe we've just got a different idea of what's cool. | 0:03:57 | 0:03:59 | |
Clearly. This is all I need. | 0:03:59 | 0:04:02 | |
No venue, no date for the wedding, | 0:04:02 | 0:04:03 | |
now the bar isn't even going to be ready for its launch... | 0:04:03 | 0:04:06 | |
Hold on. Why don't we just combine all three? | 0:04:08 | 0:04:11 | |
What are you talking about? | 0:04:11 | 0:04:13 | |
Oh, you can't mean here? | 0:04:13 | 0:04:15 | |
That would mean getting married tonight. | 0:04:17 | 0:04:19 | |
What an opportunity. It'd definitely get folk talking. | 0:04:19 | 0:04:22 | |
That's actually not a bad idea. | 0:04:22 | 0:04:25 | |
A cool one, you might say? | 0:04:25 | 0:04:26 | |
Don't push it. | 0:04:26 | 0:04:27 | |
OK, I'll see if they can send out a registrar. | 0:04:27 | 0:04:31 | |
-It's short notice... -But they owe us. | 0:04:31 | 0:04:33 | |
Exactly. I know how this is done. | 0:04:33 | 0:04:36 | |
Waterworks... "I can't believe you're putting me in this situation! | 0:04:36 | 0:04:41 | |
"The biggest day of my life!" | 0:04:41 | 0:04:44 | |
Damsel in distress. They'll jump. | 0:04:44 | 0:04:46 | |
Trust me. | 0:04:46 | 0:04:47 | |
Whoa. I am not getting on your wrong side. | 0:04:47 | 0:04:51 | |
I gotta get a wedding dress. | 0:04:51 | 0:04:52 | |
You have got to get your best man on board and make an announcement | 0:04:52 | 0:04:56 | |
and this place is not going to look like this, I can assure you! | 0:04:56 | 0:05:00 | |
OK, my darling sweetheart. | 0:05:00 | 0:05:02 | |
Write all this down. You're a man, you'll forget. Item three... get chairs. | 0:05:02 | 0:05:05 | |
We have got a lot of work to do and not much time to do it in. | 0:05:05 | 0:05:09 | |
Move! | 0:05:09 | 0:05:10 | |
All right. | 0:05:10 | 0:05:11 | |
All right. | 0:05:13 | 0:05:14 | |
All right? | 0:05:22 | 0:05:23 | |
There you go. How's the head on it? | 0:05:23 | 0:05:25 | |
Perfect. Class in a glass. | 0:05:25 | 0:05:27 | |
How long have you got? | 0:05:32 | 0:05:33 | |
-There you are. -Slow down, you'll wear your batteries out. What's the matter? | 0:05:35 | 0:05:39 | |
Your best man duties are about to be brought forward. | 0:05:39 | 0:05:41 | |
-Eh? -BELL RINGS | 0:05:41 | 0:05:43 | |
Hello, everyone, and happy lunchtime! | 0:05:43 | 0:05:46 | |
I've got a wee announcement to make. | 0:05:46 | 0:05:48 | |
You'll all have had your invites to the opening of my new Pop-Up bar | 0:05:48 | 0:05:51 | |
-tonight, so I'm looking forward to seeing you all there with bells on. -Aye, bells on what, though? | 0:05:51 | 0:05:55 | |
But I am also pleased to announce that at 7.30pm, | 0:05:55 | 0:05:59 | |
my good self, Mr Angus Lindsay of Shieldinch, being of sound mind, | 0:05:59 | 0:06:03 | |
will take Miss Cassie Evans to be my lawfully wedded wife. | 0:06:03 | 0:06:06 | |
So get dressed in your best! | 0:06:06 | 0:06:08 | |
You're getting married tonight? | 0:06:13 | 0:06:15 | |
Just feels right. We got a good deal on the venue! | 0:06:15 | 0:06:18 | |
A word. | 0:06:18 | 0:06:20 | |
So this is actually going ahead? | 0:06:22 | 0:06:25 | |
And you're claiming to be "of sound mind"? | 0:06:25 | 0:06:27 | |
Oh, am I meant to take marriage advice | 0:06:27 | 0:06:29 | |
from the guy that's been engaged five times? | 0:06:29 | 0:06:31 | |
At least I was in love. | 0:06:31 | 0:06:32 | |
Five times. | 0:06:32 | 0:06:34 | |
I think you've misunderstood what this is all about. | 0:06:34 | 0:06:36 | |
It's a business transaction, one that allows me | 0:06:36 | 0:06:39 | |
some much-needed start-up capital. | 0:06:39 | 0:06:41 | |
Is there not an easier way? Save up? | 0:06:41 | 0:06:43 | |
-Get a bank loan? -What, rather than someone just give it to me? | 0:06:43 | 0:06:46 | |
-Oh, aye, cos that's much harder. -At least it's honest. | 0:06:46 | 0:06:48 | |
Are you saying I'm dishonest? | 0:06:48 | 0:06:50 | |
Either that or you're a deluded fool. | 0:06:50 | 0:06:52 | |
Aw, cheers for the pep talk. Some best man you are. | 0:06:52 | 0:06:56 | |
Best man? No! The fake proposal was bad enough. | 0:06:56 | 0:07:00 | |
I'm not going along with this sham. | 0:07:00 | 0:07:02 | |
Is that right? | 0:07:02 | 0:07:03 | |
Well, if you'll excuse me, I've got a wedding to organise. | 0:07:04 | 0:07:07 | |
Kel, how long are you going to keep this up for? | 0:07:19 | 0:07:21 | |
-Stop giving me the cold shoulder. -Can I get sir anything else? | 0:07:21 | 0:07:24 | |
No. Just forget it. | 0:07:24 | 0:07:27 | |
What's up? Got a text saying you wanted to meet me. | 0:07:30 | 0:07:33 | |
Aye, listen, Angus was in earlier and announced that him | 0:07:33 | 0:07:38 | |
and Cassie are getting married tonight. | 0:07:38 | 0:07:40 | |
You're joking! | 0:07:40 | 0:07:41 | |
That girl does not do things by half. | 0:07:43 | 0:07:45 | |
Well, we were going to the opening of the bar tonight anyway, so... | 0:07:45 | 0:07:49 | |
Don't tell me you forgot. | 0:07:51 | 0:07:52 | |
I reminded you last time I saw you. | 0:07:54 | 0:07:56 | |
You are still taking me, right? | 0:07:58 | 0:08:00 | |
I don't think I fancy it, to be honest with you. | 0:08:02 | 0:08:04 | |
Who doesn't fancy a wedding? | 0:08:04 | 0:08:06 | |
It's just an excuse to get dressed up and have a party. | 0:08:06 | 0:08:08 | |
I'm just not into it. | 0:08:08 | 0:08:10 | |
She'll probably ask me to be a witness, | 0:08:10 | 0:08:12 | |
it'd be really good to have you there beside me. | 0:08:12 | 0:08:14 | |
You've got eyes, can you no witness it yourself? | 0:08:14 | 0:08:17 | |
Why are you being like this? | 0:08:18 | 0:08:20 | |
Is taking me out some kind of imposition? | 0:08:20 | 0:08:22 | |
I'm sorry, but you're not welcome here. | 0:08:22 | 0:08:25 | |
So, you're going to have to leave. | 0:08:25 | 0:08:27 | |
I'm barred? What for? | 0:08:27 | 0:08:29 | |
Kel, keep your nose out. This is between me and Angel. | 0:08:29 | 0:08:32 | |
I warned you about her. This is her trying to push you around already. | 0:08:32 | 0:08:35 | |
That's definitely not what's happening here. | 0:08:35 | 0:08:38 | |
No, I know what you're like. | 0:08:38 | 0:08:39 | |
You just need to have people dancing about for you, like wee puppets, eh? | 0:08:39 | 0:08:43 | |
Kel, stay out of my business, all right? | 0:08:48 | 0:08:51 | |
I have just saved you from being bitten by a snake. | 0:08:51 | 0:08:54 | |
Graham, can you cover the bar? | 0:08:55 | 0:08:57 | |
Angel, wait, stop. Look, I'm sorry. | 0:09:04 | 0:09:08 | |
She's my sister, she gets a bit overprotective when it comes to me. | 0:09:10 | 0:09:14 | |
That wasn't anything to do with you. That was all about me. | 0:09:14 | 0:09:17 | |
Can't blame her if the thought of me and you makes her uncomfortable. | 0:09:17 | 0:09:21 | |
Makes her uncomfortable, or makes YOU uncomfortable? | 0:09:23 | 0:09:26 | |
Oh! Congratulations! | 0:09:38 | 0:09:41 | |
When it's right, it's right, eh? | 0:09:41 | 0:09:43 | |
What? | 0:09:43 | 0:09:44 | |
Your wedding. Tonight. | 0:09:44 | 0:09:45 | |
You've both heard already? | 0:09:45 | 0:09:47 | |
Oh, I've been spreading the good news! | 0:09:47 | 0:09:50 | |
Well, I need an entire outfit. Mainly a dress. | 0:09:50 | 0:09:54 | |
Like, immediately. | 0:09:54 | 0:09:56 | |
You just may have come to the right place. | 0:09:56 | 0:09:59 | |
Of course! | 0:09:59 | 0:10:00 | |
Handed in yesterday. | 0:10:01 | 0:10:03 | |
The day before your wedding. | 0:10:03 | 0:10:05 | |
Written in the stars, dear! | 0:10:05 | 0:10:08 | |
We must be reading different horoscopes. | 0:10:10 | 0:10:12 | |
Isn't it gorgeous? It's vintage. | 0:10:12 | 0:10:15 | |
Do you not just love the old designs? | 0:10:15 | 0:10:17 | |
Depends on how old. | 0:10:18 | 0:10:19 | |
Well, listen, I tell you what, take it home. Try it on. | 0:10:19 | 0:10:23 | |
If you don't want to wear it, fine, just hand it back in. | 0:10:23 | 0:10:27 | |
But if you do... | 0:10:27 | 0:10:28 | |
It's fate? | 0:10:28 | 0:10:30 | |
Exactly. | 0:10:30 | 0:10:31 | |
Thanks. I'll try not to, uh, lose it on my way home. | 0:10:31 | 0:10:36 | |
I don't care what her history with Angel is. | 0:10:37 | 0:10:39 | |
-She shouldn't be bringing it into the workplace. -Excuse me? | 0:10:39 | 0:10:41 | |
I know, I know. She has had a really tough time recently. | 0:10:41 | 0:10:45 | |
I'm standing right here. | 0:10:45 | 0:10:46 | |
-This was a trial shift. And I'm afraid you failed. -Aye, I'm getting that. | 0:10:46 | 0:10:49 | |
Can you not just give her another go? | 0:10:49 | 0:10:51 | |
She barred a paying customer who'd done nothing wrong. | 0:10:51 | 0:10:54 | |
-I'm sorry. -That's all right. | 0:10:54 | 0:10:56 | |
Clearly Angel's feelings are higher priority than mine. | 0:10:56 | 0:10:58 | |
Ah, Kelly! | 0:10:58 | 0:11:00 | |
As if I don't have enough on my plate, | 0:11:00 | 0:11:03 | |
I've this meeting at the school for Jenny today. | 0:11:03 | 0:11:06 | |
We're pleading mitigating circumstances? | 0:11:07 | 0:11:09 | |
Because of the eviction? | 0:11:10 | 0:11:12 | |
And we need the school to argue our case to the exam board? | 0:11:12 | 0:11:16 | |
Is any of this ringing a bell? | 0:11:16 | 0:11:17 | |
Oh, aye! | 0:11:17 | 0:11:19 | |
Graham's got to leave early | 0:11:19 | 0:11:20 | |
so I'll need you to cover the bar while I'm there. | 0:11:20 | 0:11:22 | |
Aye, sure, no bother. | 0:11:22 | 0:11:24 | |
Where are you going? | 0:11:24 | 0:11:25 | |
I've got to make sure Kelly-Marie's OK. | 0:11:25 | 0:11:27 | |
Stop chasing after her, Robbie! | 0:11:27 | 0:11:29 | |
She is my best friend. | 0:11:29 | 0:11:30 | |
Aargh! | 0:11:30 | 0:11:31 | |
I mean, can you believe it? | 0:11:33 | 0:11:35 | |
Springing this wedding on everybody tonight. | 0:11:35 | 0:11:37 | |
You saw the proposal. | 0:11:37 | 0:11:38 | |
It was hardly going to be a five-year engagement. | 0:11:38 | 0:11:40 | |
How can a sham marriage make somebody happy? | 0:11:40 | 0:11:43 | |
Angus hasn't stopped smiling since. So surely that counts for something. | 0:11:43 | 0:11:46 | |
A "business decision". That's what he called it. | 0:11:46 | 0:11:48 | |
Marriage is for two people who love each other. | 0:11:48 | 0:11:51 | |
What? | 0:11:51 | 0:11:53 | |
No. I wasn't talking about you and me. | 0:11:53 | 0:11:55 | |
I never mentioned you and me. You did. | 0:11:55 | 0:11:57 | |
This is about Angus, not us. | 0:11:57 | 0:11:59 | |
-Aye, well, maybe that's the problem. -What? | 0:11:59 | 0:12:02 | |
It's never about us. | 0:12:02 | 0:12:03 | |
-What are you getting at? -You tell me. | 0:12:03 | 0:12:05 | |
You're the one who got hitched to a wrestler | 0:12:05 | 0:12:07 | |
when you were drunk in Las Vegas. | 0:12:07 | 0:12:08 | |
-Or have you forgotten that? -No, Bob, I haven't forgotten. | 0:12:08 | 0:12:11 | |
And clearly, neither have you. | 0:12:11 | 0:12:12 | |
So, I bawled my eyes out, | 0:12:16 | 0:12:18 | |
demanded they send a registrar out tonight, and hey presto! | 0:12:18 | 0:12:23 | |
Instant wedding. | 0:12:23 | 0:12:24 | |
No messing around, eh? And is that the dress? | 0:12:24 | 0:12:27 | |
Yeah. I'm like stuck with it. | 0:12:27 | 0:12:29 | |
Oh, it's lovely. Where did that come from? | 0:12:29 | 0:12:33 | |
Molly was practically insistent I wear it. | 0:12:33 | 0:12:37 | |
Maybe I'll add like a gun-belt and a six-shooter. | 0:12:37 | 0:12:39 | |
You don't like it? | 0:12:39 | 0:12:40 | |
I dunno. I think it's elegant. | 0:12:41 | 0:12:44 | |
Classy. | 0:12:44 | 0:12:46 | |
Listen, I'm taking an hour off this afternoon, all right? | 0:12:46 | 0:12:49 | |
What for? | 0:12:49 | 0:12:50 | |
Alasdair. | 0:12:50 | 0:12:52 | |
I just want to pop round and see how he's getting on. | 0:12:52 | 0:12:54 | |
-I feel a wee bit responsible for him. -Suppose so. | 0:12:54 | 0:12:58 | |
Thanks. | 0:12:58 | 0:12:59 | |
Aren't you going to say the dress looks beautiful on her? | 0:13:01 | 0:13:04 | |
I'll see you later. | 0:13:06 | 0:13:07 | |
Don't. Just don't. | 0:13:10 | 0:13:13 | |
I wasn't going to say a word. | 0:13:13 | 0:13:14 | |
Exactly. You've got bigger things to worry about. | 0:13:14 | 0:13:17 | |
Like, is the bar even going to be ready? | 0:13:17 | 0:13:20 | |
Yeah, I've got my top man on it. | 0:13:20 | 0:13:22 | |
PHONE DIALS | 0:13:40 | 0:13:41 | |
'Please leave your message after the tone.' | 0:13:41 | 0:13:45 | |
Bob? I know that you're not answering cos it's me, | 0:13:45 | 0:13:48 | |
but are you going to just stop being a tubular bell? | 0:13:48 | 0:13:51 | |
This bar is nowhere near ready for tonight, and I really | 0:13:51 | 0:13:54 | |
need your help, so stop being the Incredible Sulk and get down here. | 0:13:54 | 0:13:57 | |
My first shift and he fired me at the drop of a hat. | 0:14:01 | 0:14:03 | |
Is there no some employment law against it? | 0:14:03 | 0:14:05 | |
It was a trial shift. He did explain that to you beforehand. | 0:14:05 | 0:14:08 | |
But I was doing really well. | 0:14:08 | 0:14:09 | |
-If Angel hadn't walked in, I'd have been fine. -Kelly-Marie, she does live here. | 0:14:09 | 0:14:13 | |
She was always going to come in at some point. | 0:14:13 | 0:14:15 | |
-Can't believe that cow. First she took my husband... -Done you a favour there. | 0:14:15 | 0:14:19 | |
Then she took my brother and now she's taken my job. | 0:14:19 | 0:14:21 | |
You've got to get over her. | 0:14:21 | 0:14:22 | |
You're letting her eat you up inside. | 0:14:22 | 0:14:24 | |
-And look what it's just cost you. -Are you saying it's my fault now? | 0:14:24 | 0:14:27 | |
Aye, it is. You left Gary with no other choice. | 0:14:27 | 0:14:30 | |
Aye, it's clear whose side you're on, anyway. | 0:14:30 | 0:14:32 | |
-I'm just trying to see it from both sides. -Doesn't look like that from where I'm sitting. | 0:14:32 | 0:14:35 | |
What do you want to make me feel bad about now? | 0:14:41 | 0:14:43 | |
It's not that. I just wanted to explain about the wedding. | 0:14:43 | 0:14:47 | |
The one you're not taking me to? | 0:14:47 | 0:14:49 | |
I'm not trying to mess you around, I just... | 0:14:49 | 0:14:53 | |
Just not taking me to it. | 0:14:55 | 0:14:57 | |
It's complicated. | 0:15:02 | 0:15:03 | |
It really isn't. | 0:15:03 | 0:15:04 | |
Look, I just don't want to rub it in Kelly-Marie's face, all right. | 0:15:05 | 0:15:09 | |
I'm just going to be your dirty wee secret, is that it? | 0:15:09 | 0:15:11 | |
Don't use words like that! You don't know what you're talking about! | 0:15:11 | 0:15:14 | |
You were being weird before Kelly-Marie found out about us. | 0:15:14 | 0:15:17 | |
So using your sister as an excuse is weak. | 0:15:17 | 0:15:20 | |
Weak? | 0:15:20 | 0:15:21 | |
You're a grown man. Never mind what your sister thinks. | 0:15:21 | 0:15:24 | |
Make your own decisions. | 0:15:24 | 0:15:26 | |
Right, fine. I've decided. I'm not going. | 0:15:26 | 0:15:28 | |
Oh, aye, here he comes. Casanova. | 0:15:32 | 0:15:35 | |
Aye, well you weren't answering my calls, | 0:15:35 | 0:15:37 | |
so I've had to come in person. | 0:15:37 | 0:15:39 | |
Mate, I really need your help to get the bar ready. | 0:15:39 | 0:15:41 | |
I'm up to my eyes in it here, mate. | 0:15:41 | 0:15:43 | |
You've no been in, so I'm way behind. | 0:15:43 | 0:15:45 | |
Don't give me that. Come on, spit out the real reason. | 0:15:45 | 0:15:48 | |
You know my feelings. | 0:15:48 | 0:15:49 | |
Marriage should be for ever, not for a quick buck. | 0:15:49 | 0:15:52 | |
"For ever." Talk about amateur dramatics. | 0:15:52 | 0:15:54 | |
The only thing that's amateur here is this wedding. | 0:15:54 | 0:15:56 | |
Can you imagine marrying Zinnie this way? | 0:15:56 | 0:15:58 | |
Hey. Leave Zinnie out of it. | 0:15:58 | 0:16:00 | |
Oh, did that sting? I wonder why. | 0:16:01 | 0:16:03 | |
Mate, for the first time in months I've got something to believe in. | 0:16:03 | 0:16:08 | |
Aye, money. | 0:16:08 | 0:16:09 | |
It's not about money. | 0:16:09 | 0:16:11 | |
"Start-up capital", that's what you called it earlier. | 0:16:11 | 0:16:13 | |
Aye, for the bar! It's given me a purpose. | 0:16:13 | 0:16:17 | |
I get the bar, Cassie gets her visa. Everybody's happy. | 0:16:17 | 0:16:20 | |
Wrong. I'm not happy and Ellie's not happy. | 0:16:20 | 0:16:23 | |
Ah, right, so that's what this is about. Sham recognises sham. | 0:16:25 | 0:16:28 | |
Watch it. | 0:16:28 | 0:16:30 | |
Are you the only one allowed to throw that stone? | 0:16:30 | 0:16:34 | |
-So we're meant to talk about my fake relationship, but not yours. -I'm warning you... | 0:16:34 | 0:16:38 | |
Oh, did that sting? I wonder why. | 0:16:38 | 0:16:40 | |
Face it, mate, you don't want to see me happy because that'd be proof | 0:16:40 | 0:16:43 | |
of how utterly miserable you are stuck with Ellie. | 0:16:43 | 0:16:45 | |
What?! | 0:16:45 | 0:16:47 | |
I think it's time for me to find another best man. | 0:16:52 | 0:16:55 | |
Houston, we have a problem. | 0:17:01 | 0:17:03 | |
Yeah, this dress needs taking in. | 0:17:03 | 0:17:04 | |
No. | 0:17:04 | 0:17:06 | |
The chairs? | 0:17:06 | 0:17:07 | |
No, Bob. He's not coming. | 0:17:07 | 0:17:09 | |
But he's the best man. | 0:17:09 | 0:17:11 | |
He doesn't approve. | 0:17:11 | 0:17:13 | |
Look, you and Bob can throw harpoons at each other for all I care, | 0:17:13 | 0:17:15 | |
just as long as it takes place after the wedding at which he is | 0:17:15 | 0:17:19 | |
fulfilling his legal duty. | 0:17:19 | 0:17:20 | |
Might be a bit late for that. | 0:17:20 | 0:17:22 | |
He'll be away greeting to anybody that'll listen that it's all a sham. | 0:17:22 | 0:17:25 | |
Are you serious? | 0:17:25 | 0:17:27 | |
Angus, if the Home Office get one hint | 0:17:27 | 0:17:29 | |
that this isn't a real relationship, we could be looking at jail time. | 0:17:29 | 0:17:33 | |
Do you understand? | 0:17:33 | 0:17:34 | |
-Jail? -Yes, jail! | 0:17:34 | 0:17:36 | |
As in, a cell, bars on the windows, cigarettes for currency. | 0:17:36 | 0:17:40 | |
But I'm too pretty to go to jail. | 0:17:40 | 0:17:42 | |
PHONE CHIMES | 0:17:42 | 0:17:44 | |
Angus. | 0:17:44 | 0:17:45 | |
Right, I'd better go and find a best man. | 0:17:47 | 0:17:49 | |
And the chairs. | 0:17:49 | 0:17:50 | |
Chairs... | 0:17:50 | 0:17:52 | |
I would have phoned earlier | 0:17:55 | 0:17:56 | |
but I just got the voicemail about some chairs you failed to deliver. | 0:17:56 | 0:18:00 | |
Well, they were supposed to be here an hour ago, y'know, | 0:18:01 | 0:18:04 | |
when I was waiting in? | 0:18:04 | 0:18:06 | |
Listen, I'm getting married tonight and I need the chairs. | 0:18:08 | 0:18:11 | |
No, I can't send my best man to pick them up. | 0:18:12 | 0:18:15 | |
Because I'm still waiting for him to be delivered as well, all right? | 0:18:15 | 0:18:19 | |
Chairs, I need chairs! | 0:18:23 | 0:18:26 | |
Calm down, what's the matter? | 0:18:26 | 0:18:28 | |
The Community Centre's shut | 0:18:28 | 0:18:30 | |
and I've got an immediate chair deficiency for the wedding. | 0:18:30 | 0:18:33 | |
Oh, so what sort of style are you looking for? | 0:18:33 | 0:18:36 | |
Any style. It doesn't matter. | 0:18:36 | 0:18:37 | |
Well, there's this one. | 0:18:37 | 0:18:39 | |
Aw, you're kidding. | 0:18:39 | 0:18:41 | |
This is the only chair we've got at the moment. | 0:18:41 | 0:18:43 | |
Well, in that case, is there any chance you could | 0:18:43 | 0:18:45 | |
ring your pals in the other charity shops? | 0:18:45 | 0:18:47 | |
They're not our pals. | 0:18:47 | 0:18:49 | |
Half of them wouldn't even know how to spell charity. | 0:18:49 | 0:18:52 | |
In it just to cherry-pick the best items. | 0:18:52 | 0:18:56 | |
I could tell you stories... | 0:18:56 | 0:18:58 | |
Look, it's for the bride. | 0:18:58 | 0:19:00 | |
She's really under pressure, she's really stressed | 0:19:00 | 0:19:02 | |
and she can't take much more today. | 0:19:02 | 0:19:04 | |
Right. Say no more. | 0:19:04 | 0:19:06 | |
Not long now. | 0:19:08 | 0:19:09 | |
I hope you've given Bob enough time to write his speech? | 0:19:11 | 0:19:14 | |
Look, I know it's a sham, you know it's a sham, and so do they. | 0:19:17 | 0:19:21 | |
But sometimes you need to let people make their own mistakes. | 0:19:23 | 0:19:26 | |
Look at the reactions we got when we said we were getting married. | 0:19:26 | 0:19:29 | |
At least we were a real couple. | 0:19:29 | 0:19:31 | |
Aye, and it didn't work out. So marriage isn't a guarantee. | 0:19:31 | 0:19:34 | |
I'm trying to be a mate and help him, | 0:19:35 | 0:19:37 | |
but he just keeps pushing me away. | 0:19:37 | 0:19:40 | |
Well, maybe he thinks he doesn't need the help. | 0:19:40 | 0:19:43 | |
I spent months trying to put him | 0:19:43 | 0:19:44 | |
back together after Zinnie died. | 0:19:44 | 0:19:47 | |
Now he's putting a torch to it. | 0:19:47 | 0:19:49 | |
I just don't want to see him getting hurt. | 0:19:50 | 0:19:52 | |
Well, if it's not real, then he cannae get hurt, can he? | 0:19:52 | 0:19:55 | |
I mean, how can they be a real couple | 0:19:55 | 0:19:57 | |
when they don't even stay together! | 0:19:57 | 0:19:59 | |
What, like you and Ellie? | 0:19:59 | 0:20:01 | |
What? No. That's different. I mean, me and Ellie, we're... | 0:20:01 | 0:20:07 | |
amazing right now. | 0:20:07 | 0:20:09 | |
Well, we will be. | 0:20:10 | 0:20:11 | |
We had an argument this morning. | 0:20:15 | 0:20:17 | |
Right. | 0:20:17 | 0:20:18 | |
Don't start. | 0:20:18 | 0:20:20 | |
No... | 0:20:20 | 0:20:21 | |
I just think maybe you need to speak to Ellie more than Angus. | 0:20:22 | 0:20:25 | |
I do, don't I? | 0:20:26 | 0:20:28 | |
Uh-huh. | 0:20:28 | 0:20:28 | |
But don't go in like a bull in a china shop. | 0:20:30 | 0:20:32 | |
She breaks easily. | 0:20:32 | 0:20:33 | |
Gently does it. You know me. | 0:20:34 | 0:20:36 | |
Aye, unfortunately I do know you. | 0:20:36 | 0:20:39 | |
THEY LAUGH | 0:20:39 | 0:20:40 | |
He's just being really weird about Angus's wedding. | 0:20:45 | 0:20:49 | |
Maybe I overreacted... | 0:20:49 | 0:20:51 | |
I'm not the best person to ask. | 0:20:51 | 0:20:52 | |
You could string a man up and set him on fire | 0:20:52 | 0:20:54 | |
and I wouldn't call it an overreaction. | 0:20:54 | 0:20:56 | |
I should apologise. Clear the air. | 0:20:56 | 0:20:59 | |
Usually, I'd say let him come to you, | 0:20:59 | 0:21:01 | |
but you're sitting here worrying yourself sick. | 0:21:01 | 0:21:04 | |
Right. I'll see if I can talk him into going to the wedding. | 0:21:04 | 0:21:07 | |
Maybe we both just need a good night. | 0:21:07 | 0:21:09 | |
That'll sort you out. | 0:21:09 | 0:21:11 | |
Aye, right. | 0:21:11 | 0:21:12 | |
Is Bob in? | 0:21:20 | 0:21:21 | |
Naw. He's at work. I think he's coming to see you. | 0:21:21 | 0:21:24 | |
Oh, is he? Funny how he hasn't phoned me or anything. | 0:21:24 | 0:21:27 | |
I'm sure he will. | 0:21:27 | 0:21:28 | |
-Sounds like you've got a lot to talk about. -What's he said? | 0:21:28 | 0:21:31 | |
Look, Ellie, it's probably none of my business, right, | 0:21:31 | 0:21:34 | |
but you need to be patient with him. | 0:21:34 | 0:21:36 | |
-He's a bit confused about stuff the now. -What, HE's the confused one? | 0:21:36 | 0:21:39 | |
-I'm just saying... -Well, don't. You were right. It's none of your business. | 0:21:39 | 0:21:42 | |
Look, I know Bob. I know how his mind works. | 0:21:42 | 0:21:45 | |
Are you trying to say I don't? | 0:21:45 | 0:21:46 | |
I understand Bob just fine, Stella. He's with me now. | 0:21:46 | 0:21:49 | |
I'm well aware of that. I'm just trying to help. | 0:21:49 | 0:21:51 | |
I don't need your help. And quite frankly, neither does Bob. So just back off, all right? | 0:21:51 | 0:21:55 | |
How's my Angel? | 0:22:03 | 0:22:04 | |
She's had better days. | 0:22:04 | 0:22:06 | |
I really need that drink tonight. | 0:22:06 | 0:22:08 | |
Do you know Kelly-Marie ripped into me again earlier? | 0:22:08 | 0:22:11 | |
Yeah... On that note... | 0:22:11 | 0:22:14 | |
I was wondering if you'd consider giving her a job? | 0:22:14 | 0:22:16 | |
Are you serious? | 0:22:16 | 0:22:18 | |
You're opening that treatment room and she really needs this. | 0:22:18 | 0:22:21 | |
-Come on, do it for me, not for her. -No, I'm sorry. | 0:22:21 | 0:22:24 | |
I have tried I don't know how many times with that woman. | 0:22:24 | 0:22:26 | |
I'm tired of it. She hates me. | 0:22:26 | 0:22:28 | |
She doesn't hate you. She just... | 0:22:28 | 0:22:31 | |
doesn't like you. | 0:22:31 | 0:22:32 | |
Yeah. So you can imagine how tense it would be around here. No, thanks. | 0:22:32 | 0:22:35 | |
She'd be a real asset to you. | 0:22:35 | 0:22:37 | |
She was the best beautician in Shieldinch, in her day. | 0:22:37 | 0:22:40 | |
Yeah, well, this isn't her day. | 0:22:40 | 0:22:42 | |
Come on, Angel, Kelly-Marie is a really good worker. | 0:22:47 | 0:22:50 | |
That's not the issue and you know it. | 0:22:50 | 0:22:53 | |
Robbie's right, she is a good worker. | 0:22:54 | 0:22:57 | |
And it might help build some bridges. | 0:22:57 | 0:23:00 | |
Look, how about this... | 0:23:00 | 0:23:01 | |
if I can get her in here to try and help smooth things over, | 0:23:01 | 0:23:03 | |
would that make a difference? | 0:23:03 | 0:23:05 | |
Right, I'll consider it. But it depends on how sincere she is. | 0:23:06 | 0:23:10 | |
Let me go and talk to her. | 0:23:10 | 0:23:12 | |
Thanks, I really appreciate it. | 0:23:15 | 0:23:18 | |
I'm not sure Kelly-Marie will. | 0:23:20 | 0:23:22 | |
SHE EXCLAIMS | 0:23:27 | 0:23:28 | |
Hey, watch out! | 0:23:28 | 0:23:30 | |
Oh, I'm sorry, did you drop the costume | 0:23:30 | 0:23:32 | |
you're wearing for your pantomime tonight? | 0:23:32 | 0:23:34 | |
Hey, you! | 0:23:34 | 0:23:35 | |
What is your problem? | 0:23:36 | 0:23:38 | |
All right, I'll tell you what my problem is. | 0:23:38 | 0:23:40 | |
You appear in a puff of smoke and rope Angus into marrying you. | 0:23:40 | 0:23:43 | |
Whoa, a couple of weeks ago, you were all about the proposal. | 0:23:43 | 0:23:46 | |
If I'm not mistaken, you even shed a tear. | 0:23:46 | 0:23:48 | |
Yeah, well, now Bob's being all weird with me | 0:23:48 | 0:23:50 | |
and it's all cos of your stupid wedding. | 0:23:50 | 0:23:52 | |
What kind of fantasy world are you living in? | 0:23:52 | 0:23:54 | |
He's been greeting his heart out to Stella | 0:23:54 | 0:23:56 | |
-about how he can't commit to me. -And that's my fault? | 0:23:56 | 0:23:58 | |
You know, in New York we have a saying | 0:23:58 | 0:24:00 | |
whenever a girl is getting all upside her head about some dumbass. | 0:24:00 | 0:24:03 | |
And what's that? | 0:24:03 | 0:24:04 | |
"Maybe he's not that into you." | 0:24:04 | 0:24:06 | |
How dare you?! | 0:24:06 | 0:24:08 | |
Sitting around waiting for some dude to propose? Get a grip! | 0:24:08 | 0:24:10 | |
Oh, that's rich. Didn't you proposition Angus? | 0:24:10 | 0:24:13 | |
Well, here's a proposition for you - | 0:24:13 | 0:24:15 | |
why can Bob be honest with some fruitcake like Stella, | 0:24:15 | 0:24:18 | |
but he can't with you? | 0:24:18 | 0:24:20 | |
Because he is not...that...into you. | 0:24:20 | 0:24:23 | |
I hope your joke of a wedding falls apart. | 0:24:23 | 0:24:26 | |
Y-you never know! | 0:24:26 | 0:24:27 | |
Listen, Drew, it's really good of you to help me out like this. | 0:24:34 | 0:24:38 | |
I'd have had no chance of getting it ready in time. | 0:24:38 | 0:24:40 | |
Nae worries. | 0:24:40 | 0:24:42 | |
Sort of thing a best man should be doing, eh? | 0:24:42 | 0:24:45 | |
-Looks good, though. -Cheers, man. | 0:24:45 | 0:24:47 | |
So, eh... | 0:24:49 | 0:24:50 | |
-So what age are you? -16. How? -Nae reason. | 0:24:51 | 0:24:54 | |
And, erm, how are you at speaking in front of crowds? | 0:24:56 | 0:24:59 | |
I done a talk for the book review in school once. | 0:25:00 | 0:25:03 | |
James And The Giant Peach. | 0:25:03 | 0:25:05 | |
Know what? Don't worry about it. | 0:25:05 | 0:25:08 | |
-Ah, just the man I wanted to see. -AJ, what can I do for you? | 0:25:08 | 0:25:11 | |
It's more what I can do for you. | 0:25:11 | 0:25:12 | |
How would you like a free tray of tasty pork pies | 0:25:12 | 0:25:15 | |
-for consumption at your festivities? -Aye, cheers! | 0:25:15 | 0:25:18 | |
-What's the catch? -No catch. Just simple generosity. | 0:25:18 | 0:25:20 | |
Well, that and they're left over after an order fell through. | 0:25:20 | 0:25:23 | |
Sure, just stick them behind the bar. | 0:25:23 | 0:25:25 | |
Cheers, AJ, you're a good man. | 0:25:26 | 0:25:28 | |
Actually... | 0:25:29 | 0:25:30 | |
you're great in front of a crowd, aren't you? | 0:25:30 | 0:25:32 | |
I've seen you rock an open mic night. | 0:25:32 | 0:25:34 | |
Are you kidding me? Public speaking's my natural forte. | 0:25:34 | 0:25:37 | |
I can do Shakespeare... | 0:25:37 | 0:25:39 | |
-PLUMMY ENGLISH ACCENT: -"Shall I compare thee to a summer's day? | 0:25:39 | 0:25:42 | |
"Thou art more lovely and more temperate..." | 0:25:42 | 0:25:44 | |
-What does that mean? -Actually, I was more thinking... | 0:25:44 | 0:25:46 | |
I can do a really good Billy Connolly as well. | 0:25:46 | 0:25:48 | |
-AS BILLY CONNOLLY: -"Brilliant! I just stepped in a JOBBY!" | 0:25:48 | 0:25:52 | |
I'm, er... I'm looking for a best man. | 0:25:54 | 0:25:56 | |
Angus... | 0:25:58 | 0:26:00 | |
I'd be honoured. | 0:26:00 | 0:26:01 | |
Thank you. | 0:26:02 | 0:26:04 | |
I don't know why you're making such a fuss. | 0:26:07 | 0:26:08 | |
And that, right there, is the problem. | 0:26:08 | 0:26:10 | |
But never mind, I'm sure Stella will be able to tell you. | 0:26:10 | 0:26:13 | |
-What's Stella got to dae with this? -Nothing. | 0:26:13 | 0:26:15 | |
That's why I get put out and you keep rushing round to her. | 0:26:15 | 0:26:17 | |
So you've spoken to her, then? | 0:26:17 | 0:26:19 | |
No, you've spoken to her. That's my point. | 0:26:19 | 0:26:21 | |
But Stella's just... She's just a mate. | 0:26:21 | 0:26:24 | |
Aye, a mate you used to be married tae! | 0:26:24 | 0:26:25 | |
I feel like the one on the outside of your relationship to her, | 0:26:25 | 0:26:28 | |
not the other way around. | 0:26:28 | 0:26:29 | |
Why are you giving me so much aggro the day? | 0:26:29 | 0:26:31 | |
-You know what I'm going through! -What YOU'RE going through? | 0:26:31 | 0:26:34 | |
So this isn't something that's happening to both of us? | 0:26:34 | 0:26:36 | |
Look, your problem with Stella is exactly that - YOUR problem. | 0:26:36 | 0:26:39 | |
She's done nothing wrong. | 0:26:39 | 0:26:41 | |
Bob, do you understand how it makes me feel | 0:26:41 | 0:26:43 | |
hearing you defend her all the time? | 0:26:43 | 0:26:45 | |
I'll defend whoever's in the right. | 0:26:45 | 0:26:46 | |
-Meaning I'm in the wrong? -That's not what I meant! | 0:26:46 | 0:26:48 | |
Do you know, Cassie got it spot-on. | 0:26:48 | 0:26:50 | |
Maybe you're not that into me. | 0:26:50 | 0:26:51 | |
Cassie? | 0:26:51 | 0:26:53 | |
What are you talking to her about it for? | 0:26:53 | 0:26:55 | |
Actually, do you know what? I don't even want to talk to you any more. | 0:26:55 | 0:26:58 | |
-Ellie, listen... -Save it. | 0:26:58 | 0:26:59 | |
HE EXHALES | 0:26:59 | 0:27:02 | |
No way! What, are you taking the mick? | 0:27:02 | 0:27:04 | |
Look, you said it yourself, there's not much out there. | 0:27:04 | 0:27:07 | |
You just want me and Angel to play happy in the sandbox, | 0:27:07 | 0:27:09 | |
cos it suits you to be pals with everybody. | 0:27:09 | 0:27:11 | |
I've got bigger things to be thinking about | 0:27:11 | 0:27:13 | |
-than making your life easier. -That's not what's going on! | 0:27:13 | 0:27:16 | |
I hate seeing you like this! | 0:27:16 | 0:27:18 | |
You've got to have a... | 0:27:19 | 0:27:21 | |
a purpose, a reason to get up in the morning. | 0:27:21 | 0:27:23 | |
Is a new baby a good reason enough for you? | 0:27:23 | 0:27:25 | |
-Kelly, David isn't here any more. -I'm no' talking about David. | 0:27:25 | 0:27:29 | |
Hang on. Are you...? | 0:27:29 | 0:27:30 | |
Oh, my God, Kelly! | 0:27:32 | 0:27:33 | |
H-how? | 0:27:33 | 0:27:36 | |
W-who?! | 0:27:36 | 0:27:38 | |
-It's not Alex, is it? -Of course it's not Alex. | 0:27:38 | 0:27:40 | |
It's Gabriel's. HE GASPS | 0:27:42 | 0:27:44 | |
Wow. | 0:27:44 | 0:27:46 | |
-Does Gabriel know? -No, no-one does. | 0:27:47 | 0:27:48 | |
And I want it to stay that way. | 0:27:48 | 0:27:50 | |
What about your mum? She'll figure it out. She's no daft. | 0:27:50 | 0:27:52 | |
I'll just deal with that closer to the time. | 0:27:52 | 0:27:56 | |
I'm still trying to get my head round all this. I mean... | 0:27:56 | 0:27:59 | |
It's so soon after David. | 0:27:59 | 0:28:00 | |
What you need is something to take your mind off all of this | 0:28:03 | 0:28:06 | |
and, luckily for you, I know just the guy for the job. | 0:28:06 | 0:28:09 | |
Have we come to the right place? | 0:28:13 | 0:28:14 | |
Aw, Liz. HE CHUCKLES | 0:28:16 | 0:28:19 | |
-See if this falls through tonight, I will happily marry you. -Oh! | 0:28:20 | 0:28:24 | |
Away ye go! | 0:28:24 | 0:28:25 | |
Cheers, lads. | 0:28:26 | 0:28:28 | |
AJ, your first duty as best man... | 0:28:28 | 0:28:31 | |
is to help me organise these chairs. | 0:28:31 | 0:28:34 | |
So what's next on the list? | 0:28:34 | 0:28:36 | |
If the Home Office come calling, throw them a dummy. | 0:28:36 | 0:28:39 | |
Home Office? Wait a minute. Is this wedding totally legit? | 0:28:39 | 0:28:44 | |
Well, kind of. | 0:28:44 | 0:28:45 | |
Me and Cassie have come to a wee arrangement | 0:28:45 | 0:28:47 | |
-so that she can stay in the country. -Right. | 0:28:47 | 0:28:49 | |
See, it's not really my style to aid and assist people | 0:28:49 | 0:28:52 | |
-in breaking the law. -We're not breaking it. | 0:28:52 | 0:28:55 | |
We're refurbishing it. | 0:28:55 | 0:28:56 | |
All the same, I'd rather comport my best man at a genuine wedding, | 0:28:56 | 0:28:59 | |
so if you don't mind... | 0:28:59 | 0:29:00 | |
-So you're not coming? -Certainly not. | 0:29:02 | 0:29:04 | |
-There's a free bar. -Well, only the first drink's free. | 0:29:04 | 0:29:08 | |
Then no. | 0:29:08 | 0:29:09 | |
HE SIGHS | 0:29:09 | 0:29:11 | |
Dad, can we go? Please? | 0:29:18 | 0:29:21 | |
You said you'd cover the bar, | 0:29:21 | 0:29:22 | |
so if you get this, will you call me immediately? | 0:29:22 | 0:29:25 | |
If not, then... | 0:29:25 | 0:29:27 | |
..thanks for letting us down. | 0:29:28 | 0:29:30 | |
Erm, same again? | 0:29:31 | 0:29:33 | |
Dad, the meeting starts in half an hour. | 0:29:33 | 0:29:35 | |
I know, I know. I'll...I'll find someone else. | 0:29:35 | 0:29:38 | |
Hi, it's me. | 0:29:45 | 0:29:47 | |
I need a really big favour. | 0:29:49 | 0:29:51 | |
Now. | 0:29:51 | 0:29:52 | |
Is this more to your taste? | 0:30:08 | 0:30:10 | |
It's attracting me. | 0:30:10 | 0:30:12 | |
Thank God something is. | 0:30:12 | 0:30:14 | |
Do we have a best man? | 0:30:14 | 0:30:15 | |
We did, then we didn't, so we don't. | 0:30:15 | 0:30:17 | |
So it is bad luck for the bride and groom to see each other on the day. | 0:30:18 | 0:30:22 | |
You never know, Bob might still show. | 0:30:22 | 0:30:24 | |
I don't think that's very likely. | 0:30:24 | 0:30:26 | |
Not after I laid it out to that dumb blonde Ellie. | 0:30:27 | 0:30:31 | |
"He's not that into you." | 0:30:33 | 0:30:35 | |
Aw, man, you shouldn't have got involved! | 0:30:35 | 0:30:37 | |
You need to apologise to him. | 0:30:37 | 0:30:39 | |
Yeah, I probably do, don't I? | 0:30:39 | 0:30:41 | |
Which is why you're going to do it. | 0:30:43 | 0:30:46 | |
-Me? -You're his friend. | 0:30:46 | 0:30:47 | |
You know how to speak that grunt language of his. | 0:30:47 | 0:30:49 | |
So it's bad enough that I have to clean up this mess - | 0:30:49 | 0:30:52 | |
now I have to clean up yours? | 0:30:52 | 0:30:53 | |
Just get him here. | 0:30:53 | 0:30:54 | |
HE SIGHS | 0:30:56 | 0:30:57 | |
Don't speak to anybody else while I'm gone! | 0:30:57 | 0:31:00 | |
See? I told you. Everybody feels better once they've had their hair done. | 0:31:12 | 0:31:15 | |
Thanks, Robbie. You're a wizard. | 0:31:15 | 0:31:17 | |
-IN CALIFORNIAN ACCENT: -"Because you're worth it." | 0:31:17 | 0:31:19 | |
I do look like I could be going to a premiere, don't I? | 0:31:19 | 0:31:21 | |
Well, there is that wedding at the pop-up bar tonight. | 0:31:21 | 0:31:24 | |
Want to be my plus one? And a half. | 0:31:24 | 0:31:26 | |
I'm not sure if I'm ready for all that yet. | 0:31:26 | 0:31:28 | |
-And I'm getting pretty tired these days. -No wonder. | 0:31:28 | 0:31:31 | |
Building a wean fair takes it out you, | 0:31:31 | 0:31:33 | |
-or so I'm told. -DOOR OPENS | 0:31:33 | 0:31:34 | |
Listen, promise me you won't tell anyone, no' yet. | 0:31:34 | 0:31:36 | |
Mum's the word. Or not. | 0:31:36 | 0:31:38 | |
Did somebody say "Mum"? | 0:31:38 | 0:31:40 | |
Taking my name in vain. | 0:31:40 | 0:31:41 | |
Robbie, you never telt me Katy Perry was coming round! | 0:31:42 | 0:31:45 | |
-Aw, behave yourself. -Aye, you're right. | 0:31:45 | 0:31:47 | |
She's no' got nothing on you. | 0:31:47 | 0:31:49 | |
-You look lovely. Are you going to this wedding tonight? -Naw! | 0:31:49 | 0:31:52 | |
You look gorgeous. | 0:31:52 | 0:31:54 | |
You cannae waste it on a night in with me. | 0:31:54 | 0:31:55 | |
I'll watch Callum. You go out and enjoy yourself. | 0:31:55 | 0:31:58 | |
-You deserve it. -Amen to that. | 0:31:58 | 0:32:00 | |
Right, I'll think about it. | 0:32:00 | 0:32:02 | |
I do scrub up all right, don't I? | 0:32:03 | 0:32:05 | |
-You're a good man, Robbie. -One tries! | 0:32:05 | 0:32:08 | |
Gary's very lucky. | 0:32:08 | 0:32:09 | |
Aye, he certainly is. Oh, my God! | 0:32:09 | 0:32:11 | |
-Five missed calls. -What is it? What's happened? | 0:32:14 | 0:32:16 | |
I was meant to be looking after the bar for him. | 0:32:16 | 0:32:18 | |
-You'd better go! -He's going to kill me. | 0:32:18 | 0:32:19 | |
A peach schnapps and lemonade? That to drink with your play-piece? | 0:32:23 | 0:32:26 | |
Come back to me when you've got some hair on your face. | 0:32:26 | 0:32:29 | |
How long were you in that toilet for, missus? | 0:32:32 | 0:32:35 | |
Vindaloo last night? | 0:32:35 | 0:32:37 | |
Well, as long as you washed your hands. | 0:32:37 | 0:32:39 | |
-Is Gary...? -Aye, he's just back from the school with Jenny. | 0:32:42 | 0:32:45 | |
Where were you skiving off to? | 0:32:45 | 0:32:46 | |
Hurricane Adams pure blew me down the street. Is he mad? | 0:32:46 | 0:32:50 | |
You know Gary. He doesnae get mad. | 0:32:50 | 0:32:51 | |
He just goes silent and lets you know how disappointed in you he is. | 0:32:51 | 0:32:55 | |
That's even worse. | 0:32:55 | 0:32:56 | |
-He's going to make curtains out of your skin. -Oh, God! | 0:32:56 | 0:32:59 | |
Hi! Did everything go all right today? | 0:33:01 | 0:33:04 | |
Oh, no, what happened? | 0:33:07 | 0:33:08 | |
It turned out fine. | 0:33:08 | 0:33:09 | |
The school says they'll represent me to the exam board. | 0:33:09 | 0:33:12 | |
That's great! | 0:33:12 | 0:33:14 | |
-Well done. -Thank you. | 0:33:14 | 0:33:16 | |
No, don't thank him. | 0:33:16 | 0:33:18 | |
I really needed you today, Robbie. So did Jenny and... | 0:33:19 | 0:33:22 | |
..you let us both down. | 0:33:23 | 0:33:24 | |
I know, I just got caught up with Kelly-Marie. | 0:33:24 | 0:33:27 | |
She's a bit fragile since she lost her job here. | 0:33:27 | 0:33:30 | |
Well, it's clear where your priorities are. | 0:33:30 | 0:33:33 | |
-Sorry. -It's not me you should be apologising to. | 0:33:33 | 0:33:36 | |
Sorry, Jenny. | 0:33:36 | 0:33:37 | |
The more you give, Robbie, the more she'll take. | 0:33:42 | 0:33:45 | |
It won't happen again! | 0:33:45 | 0:33:47 | |
I'll...put Kelly-Marie on the back burner for a while. | 0:33:47 | 0:33:50 | |
How's that? | 0:33:50 | 0:33:52 | |
BOB SIGHS | 0:34:01 | 0:34:03 | |
Listen, things have got way out of hand and I just... | 0:34:03 | 0:34:07 | |
I just want you there the night, all right? | 0:34:07 | 0:34:09 | |
A bit late for that. Not after Cassie poisoned Ellie against me. | 0:34:09 | 0:34:12 | |
Aye, cos you two were getting on just fine up till then. | 0:34:12 | 0:34:14 | |
It's nothing I couldn't have sorted out, | 0:34:14 | 0:34:16 | |
but Cassie had to open her big mouth. | 0:34:16 | 0:34:18 | |
-But that's what she does, isn't it? -Right, that is enough. | 0:34:18 | 0:34:20 | |
She's making you dance about like a daftie. | 0:34:20 | 0:34:23 | |
-Now she's set Ellie on a crusade against me. -Exactly. | 0:34:23 | 0:34:26 | |
Your problem is with Ellie, not me. | 0:34:26 | 0:34:29 | |
Cassie's a decent person that just wants to stay in this country. | 0:34:29 | 0:34:31 | |
You're letting her come between us. | 0:34:31 | 0:34:33 | |
You've just met her and suddenly it's like I don't matter. | 0:34:33 | 0:34:36 | |
All I'm hearing from you is jealousy and spite. | 0:34:36 | 0:34:38 | |
Oh, is that what you think of me, then, aye? | 0:34:38 | 0:34:40 | |
No. | 0:34:40 | 0:34:42 | |
Here's what I think of you - you're petty and small. | 0:34:42 | 0:34:46 | |
You're an angry wee man that gets eaten up inside | 0:34:46 | 0:34:48 | |
-at other people's happiness. -Is that so? | 0:34:48 | 0:34:51 | |
Well, if you think that little of me, | 0:34:51 | 0:34:53 | |
maybe I'll just give the Home Office a wee phone. | 0:34:53 | 0:34:55 | |
-You wouldn't dae that. -Somebody has to stop her. | 0:34:55 | 0:34:57 | |
-Go, then. -What? -Go. Phone them. | 0:34:58 | 0:35:01 | |
I want to see you dae it. | 0:35:02 | 0:35:03 | |
I want to see what kind of man you are. | 0:35:03 | 0:35:05 | |
All right, then, I will. | 0:35:07 | 0:35:09 | |
HE DIALS | 0:35:09 | 0:35:11 | |
Hello, can I have the number for the UK Home Office, please? | 0:35:16 | 0:35:19 | |
Aye, just put me straight through. | 0:35:21 | 0:35:25 | |
Department of Immigration, please. | 0:35:25 | 0:35:27 | |
Aye, hello, I just want to report a fake wedding. | 0:35:29 | 0:35:33 | |
Unbelievable. | 0:35:33 | 0:35:34 | |
Aye, it's taking place in Glasgow this evening. | 0:35:35 | 0:35:39 | |
Aye, I'll hold. | 0:35:39 | 0:35:40 | |
You know what? | 0:35:41 | 0:35:43 | |
I'll sue you for the five grand. | 0:35:43 | 0:35:45 | |
-BOB SCOFFS -How American. | 0:35:45 | 0:35:46 | |
I don't know if I want to do this pre-wedding drinks thing | 0:35:55 | 0:35:57 | |
with you and Angel. | 0:35:57 | 0:35:59 | |
I mean, what if you don't show up? | 0:35:59 | 0:36:01 | |
Ha-ha(!) | 0:36:01 | 0:36:02 | |
-SHE KNOCKS -Hiya. | 0:36:02 | 0:36:04 | |
Hey. Jenny said I could come straight up. Is that all right? | 0:36:04 | 0:36:07 | |
Aye, you're here now, so I suppose it'll need to be. | 0:36:07 | 0:36:10 | |
Look, Gary, don't blame Robbie for what happened - it was my fault. | 0:36:10 | 0:36:14 | |
I needed him. | 0:36:15 | 0:36:17 | |
What did you need him for? | 0:36:17 | 0:36:18 | |
To shake the can of hairspray? | 0:36:18 | 0:36:21 | |
He was just being a friend. | 0:36:21 | 0:36:23 | |
It's me, I just... | 0:36:23 | 0:36:24 | |
..need looking after. | 0:36:25 | 0:36:26 | |
It's been a trying day for us all, let's just put it down to that. | 0:36:28 | 0:36:32 | |
Do you know what would make this situation 100 times better? | 0:36:33 | 0:36:36 | |
A wedding! | 0:36:36 | 0:36:37 | |
-I'm still not sure about that. -Come on! | 0:36:37 | 0:36:40 | |
Me and Gary are going to go for pre-wedding drinks at Angel's flat. | 0:36:40 | 0:36:43 | |
-Don't you mean your flat? -No. | 0:36:43 | 0:36:45 | |
I've, erm... | 0:36:45 | 0:36:47 | |
I moved in here with Gary. | 0:36:47 | 0:36:48 | |
-I was going to tell you... -But you didnae. | 0:36:48 | 0:36:52 | |
So, I don't really feel like going to "Angel's" flat. | 0:36:52 | 0:36:56 | |
Look, you're my friend, she's my friend. | 0:36:56 | 0:36:59 | |
I cannae be exclusive to any one of you, that's not fair. | 0:36:59 | 0:37:02 | |
-Don't make me choose again. -I think you already have. -Kelly! | 0:37:02 | 0:37:06 | |
Ooft! Watch yourself, that rain cloud over your heid | 0:37:11 | 0:37:13 | |
is going to get the wean wet. | 0:37:13 | 0:37:14 | |
I'm scunnered with all this nonsense with Angus. | 0:37:14 | 0:37:17 | |
He thinks he's "turning a corner". Aye, straight into a bus lane. | 0:37:17 | 0:37:19 | |
Are yous two still arguing about this? | 0:37:19 | 0:37:21 | |
It's went a bit beyond an argument. | 0:37:21 | 0:37:23 | |
How, what happened? | 0:37:23 | 0:37:25 | |
He's raging because I phoned the Home Office. | 0:37:25 | 0:37:28 | |
-You did whit?! -Don't you start, eh? | 0:37:28 | 0:37:30 | |
He's the one that's screwing everything up, no' me! | 0:37:30 | 0:37:33 | |
I thought he said he'd always be there for me. | 0:37:34 | 0:37:36 | |
-Aye, but... -No, but Angel rings the bell and he goes running to her. | 0:37:36 | 0:37:39 | |
After me going over there to bail him out an' all! | 0:37:39 | 0:37:41 | |
Maybe he was just thinking... | 0:37:41 | 0:37:42 | |
Do you know, Gary would still no' be talking to him, | 0:37:42 | 0:37:45 | |
-but I ask him to skip drinks with Angel... -Kelly-Marie! | 0:37:45 | 0:37:47 | |
Every time that woman's name comes up, | 0:37:47 | 0:37:49 | |
a Tasmanian devil comes out of you. | 0:37:49 | 0:37:51 | |
So you're taking her side now? | 0:37:51 | 0:37:52 | |
Of course not, but she made a mistake. | 0:37:52 | 0:37:54 | |
-Folk deserve a second chance. -A second chance? | 0:37:54 | 0:37:57 | |
That's what I gave Alex, | 0:37:57 | 0:37:58 | |
and then when my back's turned, he jumps into bed with that tramp. | 0:37:58 | 0:38:01 | |
Alex uses folk. | 0:38:01 | 0:38:03 | |
He did it to you and, for all we know, he did it to her. | 0:38:03 | 0:38:05 | |
If you want Robbie in your life, | 0:38:05 | 0:38:07 | |
you're going to have to forgive Angel. | 0:38:07 | 0:38:09 | |
I don't know if I can. | 0:38:09 | 0:38:10 | |
For so long, hating her is the only thing I've been able to feel. | 0:38:11 | 0:38:15 | |
See without that, I've nothing. | 0:38:16 | 0:38:18 | |
-I'm just empty. -Kelly... | 0:38:19 | 0:38:21 | |
..you've got me, you've got Callum, you've got the whole family. | 0:38:22 | 0:38:26 | |
And soon enough, you're going to have another wee one to think about. | 0:38:27 | 0:38:31 | |
How did you know? | 0:38:31 | 0:38:32 | |
Did Robbie say something? | 0:38:32 | 0:38:34 | |
I guessed a few weeks ago, darling. | 0:38:34 | 0:38:36 | |
Mammies know they things. | 0:38:36 | 0:38:37 | |
Oh, Mum, what am I going to dae? | 0:38:39 | 0:38:41 | |
After David, I-I don't know if I can handle this. | 0:38:44 | 0:38:47 | |
Of course you can. | 0:38:47 | 0:38:48 | |
I'll be with you every step of the way. | 0:38:48 | 0:38:51 | |
Now, this wee baby needs you to be strong, | 0:38:51 | 0:38:54 | |
so you need to sort your heid out. | 0:38:54 | 0:38:56 | |
Don't be wasting your time on stuff that just doesnae matter. | 0:38:56 | 0:38:59 | |
You can't have any bad blood hanging over you, Kelly. | 0:38:59 | 0:39:02 | |
Robbie is your best pal and you're going to need him, | 0:39:02 | 0:39:06 | |
so you need to bury the hatchet with Angel. | 0:39:06 | 0:39:08 | |
And I don't mean in her skull. | 0:39:08 | 0:39:10 | |
Everything's going to be all right, darling. I promise you. | 0:39:12 | 0:39:16 | |
"It's great that you are all here today, | 0:39:22 | 0:39:25 | |
"which is why it is especially sad that..." | 0:39:25 | 0:39:27 | |
HE SIGHS | 0:39:29 | 0:39:30 | |
"It is with immense sorrow and deep regret that I announce..." | 0:39:32 | 0:39:35 | |
"All right, everybody, the wedding's off. | 0:39:42 | 0:39:45 | |
"Beat it." | 0:39:45 | 0:39:46 | |
HE SIGHS | 0:39:50 | 0:39:51 | |
Ta-da! | 0:39:51 | 0:39:53 | |
Awww! | 0:39:53 | 0:39:55 | |
It's weird, it's almost like it could actually happen. | 0:39:56 | 0:40:00 | |
You'd better hope it happens! | 0:40:00 | 0:40:02 | |
Yeah, it is what it is, right? It's an arrangement, whatever, | 0:40:02 | 0:40:04 | |
but still, as soon as you're into that wedding dress... | 0:40:04 | 0:40:08 | |
it's serious. | 0:40:08 | 0:40:09 | |
-You look amazing. -Thank you! | 0:40:10 | 0:40:12 | |
Are you crying? | 0:40:14 | 0:40:15 | |
-No, I'm fine, don't be daft. -What's wrong? | 0:40:15 | 0:40:17 | |
It's Patrick. | 0:40:19 | 0:40:21 | |
One minute, I think we're fine, | 0:40:24 | 0:40:25 | |
the next, he's refusing to be near me. | 0:40:25 | 0:40:28 | |
"Want to hang out?" "No." "OK, see ya." | 0:40:28 | 0:40:31 | |
That's how you deal with it. | 0:40:31 | 0:40:32 | |
But I really like him. | 0:40:32 | 0:40:34 | |
What is it with Scottish women? | 0:40:34 | 0:40:36 | |
You just don't get it. | 0:40:36 | 0:40:38 | |
Dump his ass. | 0:40:38 | 0:40:39 | |
Then you'll find out how committed he is. | 0:40:39 | 0:40:41 | |
I don't want to dump him. | 0:40:41 | 0:40:42 | |
Well, then, shut up about it. | 0:40:42 | 0:40:44 | |
SHE CHUCKLES | 0:40:45 | 0:40:47 | |
Am I too blunt? Sometimes I feel like maybe I'm too blunt. | 0:40:50 | 0:40:54 | |
You are. | 0:40:54 | 0:40:55 | |
But you're also right. | 0:40:55 | 0:40:57 | |
You know it. | 0:40:57 | 0:40:58 | |
Mmm-hmm! | 0:40:58 | 0:41:00 | |
So, you're feeling better? | 0:41:02 | 0:41:03 | |
I have good days and bad days. | 0:41:03 | 0:41:05 | |
On the good days, I think I'm lucky to be alive. | 0:41:06 | 0:41:09 | |
On the bad ones... | 0:41:10 | 0:41:12 | |
I wish I wasn't. | 0:41:12 | 0:41:13 | |
Oh, never mind old misery guts and his ailments. | 0:41:16 | 0:41:20 | |
At your age, I'd have been rolling my eyes. | 0:41:20 | 0:41:23 | |
Don't be daft, I'm just glad you're all right. | 0:41:23 | 0:41:25 | |
That's very kind of you, Patrick, | 0:41:25 | 0:41:27 | |
but I'm sure you must have better things to do with your time. | 0:41:27 | 0:41:30 | |
Not at all. | 0:41:30 | 0:41:31 | |
I've got nothing on, I'm free all night. | 0:41:33 | 0:41:35 | |
Right, | 0:41:39 | 0:41:40 | |
let's take a look at these photies, | 0:41:40 | 0:41:42 | |
just to see how dull my life is in comparison. | 0:41:42 | 0:41:45 | |
Ah, that was me with an old friend of mine. | 0:41:46 | 0:41:50 | |
Haven't spoken to him in 30 years. | 0:41:50 | 0:41:52 | |
My God, he might even be dead by now. | 0:41:52 | 0:41:54 | |
Just think, before photos... people just... | 0:41:55 | 0:41:59 | |
forgot things that happened to them. | 0:41:59 | 0:42:01 | |
Memories just... | 0:42:01 | 0:42:03 | |
..disappeared, like the past never happened. | 0:42:04 | 0:42:06 | |
-Sometimes I think that's better. -Something on your mind, Patrick? | 0:42:09 | 0:42:13 | |
Ach, just... | 0:42:15 | 0:42:16 | |
..the time I spent in care. | 0:42:18 | 0:42:20 | |
It never leaves you. | 0:42:22 | 0:42:23 | |
I wish I could just... | 0:42:26 | 0:42:27 | |
-..erase everything up here. -But things are better for you now. | 0:42:28 | 0:42:32 | |
I've seen you stepping out with Angel. | 0:42:32 | 0:42:35 | |
-Aye, she's something. -She's more than something. | 0:42:35 | 0:42:38 | |
Listen, I've been a selfish man all my life, Patrick. | 0:42:39 | 0:42:43 | |
Always out for myself. | 0:42:43 | 0:42:46 | |
But that heart attack was karma, divine justice. | 0:42:46 | 0:42:49 | |
Don't be daft. | 0:42:49 | 0:42:51 | |
It's because I left you on your own in the gym. | 0:42:51 | 0:42:53 | |
No other reason. | 0:42:53 | 0:42:54 | |
I woke up having touched the face of death. | 0:42:54 | 0:42:57 | |
Every mistake I've ever made is now clear to me. | 0:42:59 | 0:43:02 | |
-I know how that feels. -Then listen to me, son. | 0:43:04 | 0:43:07 | |
Life needs to be about other people. | 0:43:08 | 0:43:12 | |
That's what counts. | 0:43:12 | 0:43:13 | |
-Ooh, that hits the spot. -SHE CHUCKLES | 0:43:18 | 0:43:20 | |
Is Patrick coming round or are we just going to meet him there? | 0:43:20 | 0:43:23 | |
He's probably just finishing up getting ready. | 0:43:23 | 0:43:25 | |
Just...maybe we give him five minutes? | 0:43:25 | 0:43:28 | |
Och, I'm sure he'll be here soon. | 0:43:28 | 0:43:30 | |
Well, if he isn't, I'll wait. | 0:43:30 | 0:43:34 | |
No sense in all of us turning up to a wedding fashionably late. | 0:43:34 | 0:43:37 | |
-KNOCK AT DOOR -As if by magic! | 0:43:37 | 0:43:39 | |
HE MOUTHS SILENTLY | 0:43:43 | 0:43:44 | |
-Oh, it's you. -Can I come in? | 0:43:48 | 0:43:50 | |
Please? | 0:43:52 | 0:43:53 | |
Right. | 0:43:58 | 0:43:59 | |
Hey. | 0:44:02 | 0:44:04 | |
Erm, I was just wondering if I could join yous. | 0:44:04 | 0:44:07 | |
Of course you can. | 0:44:07 | 0:44:09 | |
I knew you wouldn't let that hairdo go to waste. | 0:44:09 | 0:44:12 | |
I'll get you a drink. What are you having? | 0:44:12 | 0:44:15 | |
Orange juice, please. | 0:44:15 | 0:44:16 | |
I'm pacing myself. | 0:44:16 | 0:44:18 | |
Very wise. I should be doing the same but I'm no'. | 0:44:18 | 0:44:22 | |
More wine, please! Ha-ha! | 0:44:22 | 0:44:24 | |
I'll go and...help him pour that wine. | 0:44:26 | 0:44:28 | |
So, is-is Patrick coming? | 0:44:33 | 0:44:34 | |
You'd think. | 0:44:37 | 0:44:38 | |
Well, I'm sure he's on his way. | 0:44:38 | 0:44:40 | |
Yeah. | 0:44:41 | 0:44:42 | |
-Listen, Angel... -Save it. | 0:44:46 | 0:44:48 | |
You can chuck me out of the Tall Ship, but not out of my own flat. | 0:44:49 | 0:44:52 | |
ROMANTIC MUSIC | 0:44:57 | 0:44:59 | |
-GUESTS: -Aww! -APPLAUSE | 0:45:00 | 0:45:02 | |
You look amazing. | 0:45:12 | 0:45:14 | |
That's the first time you've said something romantic to me | 0:45:14 | 0:45:16 | |
as though you meant it. | 0:45:16 | 0:45:18 | |
That's because I do mean it. | 0:45:18 | 0:45:19 | |
Well, we've got the bride, the groom, the guests, the venue, | 0:45:22 | 0:45:25 | |
the registrar. | 0:45:25 | 0:45:26 | |
The dress. | 0:45:26 | 0:45:27 | |
There's a "but" coming, isn't there? | 0:45:29 | 0:45:31 | |
But we don't have the best man. | 0:45:31 | 0:45:34 | |
It's worse than that. | 0:45:34 | 0:45:35 | |
Bob phoned the Home Office. | 0:45:36 | 0:45:38 | |
(He did what?!) | 0:45:39 | 0:45:41 | |
(Are they coming here?) | 0:45:41 | 0:45:43 | |
I would imagine so. | 0:45:43 | 0:45:44 | |
Who's that dude? | 0:45:46 | 0:45:48 | |
Who? | 0:45:48 | 0:45:49 | |
I don't recognise him. | 0:45:54 | 0:45:55 | |
He sure is asking plenty of questions. | 0:45:55 | 0:45:58 | |
What if that's them? | 0:45:58 | 0:45:59 | |
-Maybe one of the guests brought him along? -Aye, maybe. | 0:46:00 | 0:46:03 | |
It was a fairly open invite. | 0:46:03 | 0:46:04 | |
There's nothing we can do now. | 0:46:06 | 0:46:08 | |
-We've just got to put our game faces on and get married. -No. | 0:46:08 | 0:46:11 | |
We can't go through with this. | 0:46:13 | 0:46:15 | |
Hi, Robbie. | 0:46:17 | 0:46:18 | |
Yeah, that's me on my way. | 0:46:18 | 0:46:20 | |
No...just me. | 0:46:20 | 0:46:22 | |
Shall we? | 0:46:33 | 0:46:34 | |
I thought you'd never ask. | 0:46:36 | 0:46:37 | |
-This is great! -Hiya! | 0:46:48 | 0:46:51 | |
Thanks for coming. | 0:46:51 | 0:46:52 | |
Ooh, very chic. I like it. | 0:46:52 | 0:46:55 | |
-I've got an eye for good design. -Angus, you look so smart. | 0:46:55 | 0:46:58 | |
-I might have a tear in my eye later. -So will I, when I get the bill! | 0:46:58 | 0:47:02 | |
My brother being fashionably late, as usual? | 0:47:02 | 0:47:04 | |
That's one way to put it, aye. | 0:47:04 | 0:47:06 | |
Just what you need from your best man, eh? | 0:47:06 | 0:47:08 | |
-Shall we get a drink? -Aye. | 0:47:08 | 0:47:09 | |
I don't care what you say, we are going through with this. | 0:47:16 | 0:47:19 | |
I am not letting some government bureaucrat spoil my big day. | 0:47:19 | 0:47:22 | |
And I'm not ending up in the slammer | 0:47:22 | 0:47:23 | |
so you can twirl about in your frock. | 0:47:23 | 0:47:26 | |
Hey, we had a deal. | 0:47:26 | 0:47:28 | |
-A wedding was part of that deal. -I'm sorry... | 0:47:28 | 0:47:30 | |
..it's not happening. | 0:47:32 | 0:47:33 | |
Can I have everyone's attention, please? | 0:47:38 | 0:47:40 | |
Thank you all so much for coming out at such short notice today. | 0:47:42 | 0:47:45 | |
It really means a lot to Cassie and myself. | 0:47:45 | 0:47:48 | |
-And doesn't she look gorgeous? -Yes. -She certainly does. | 0:47:48 | 0:47:52 | |
Now, it really was important to us | 0:47:52 | 0:47:55 | |
that we had a really great turnout for today, | 0:47:55 | 0:47:57 | |
of all the best people, | 0:47:57 | 0:47:59 | |
for the opening of this new pop-up bar. | 0:47:59 | 0:48:01 | |
I wanted it to be really special. | 0:48:02 | 0:48:04 | |
We both did. | 0:48:04 | 0:48:06 | |
So that's why we decided to have our "pop-up" wedding here as well. | 0:48:07 | 0:48:10 | |
But...unfortunately, | 0:48:12 | 0:48:15 | |
I'm afraid I'm going to have to... | 0:48:15 | 0:48:16 | |
Call this a wedding? | 0:48:16 | 0:48:18 | |
It's not a wedding till the best man's here. | 0:48:18 | 0:48:21 | |
GUESTS MUTTER | 0:48:21 | 0:48:23 | |
-You've got some nerve showing up here. -Listen, mate, | 0:48:25 | 0:48:27 | |
all this with Ellie, it's been eating away at me. | 0:48:27 | 0:48:29 | |
I couldn't think straight. | 0:48:29 | 0:48:31 | |
That's all well and good, but what about the Home Office coming down? | 0:48:31 | 0:48:33 | |
I couldn't do it, mate. | 0:48:33 | 0:48:35 | |
They tried to phone me back to get the details, | 0:48:35 | 0:48:37 | |
but I just never lifted the phone. | 0:48:37 | 0:48:40 | |
What do you want, the Victoria Cross? | 0:48:40 | 0:48:42 | |
-I needed you the day and you put me through hell. -I know. | 0:48:42 | 0:48:45 | |
-I was just angry at you. -For what? | 0:48:45 | 0:48:47 | |
Following my dreams or trying to be happy? | 0:48:48 | 0:48:51 | |
To be honest, aye. | 0:48:51 | 0:48:53 | |
I don't need to agree with your decision, but I need to respect it. | 0:48:53 | 0:48:56 | |
Forget about Ellie, forget about Cassie. | 0:48:56 | 0:48:58 | |
I just couldnae bear the thought of losing you. | 0:48:59 | 0:49:01 | |
Aye, don't break into song. | 0:49:01 | 0:49:03 | |
I'll tell you, Bob, you are really hard work at times. | 0:49:05 | 0:49:08 | |
But you're still my pal. | 0:49:12 | 0:49:14 | |
-So, if you don't mind, can I get married now? -Aye. | 0:49:14 | 0:49:17 | |
We are gathered together | 0:49:21 | 0:49:22 | |
to witness the formal joining of Cassie and Angus. | 0:49:22 | 0:49:25 | |
I, Angus Peter Lindsay... | 0:49:34 | 0:49:37 | |
..take you, Cassie Andrea Evans, to be my lawfully-wedded wife. | 0:49:38 | 0:49:43 | |
I, Cassie Andrea Evans, | 0:49:51 | 0:49:54 | |
take you, Angus Peter Lindsay, to be my lawfully-wedded husband. | 0:49:54 | 0:50:01 | |
# Come sail your ships around me | 0:50:01 | 0:50:05 | |
# And burn your bridges down | 0:50:07 | 0:50:11 | |
# We make a little history, baby | 0:50:14 | 0:50:18 | |
# Every time you come around | 0:50:20 | 0:50:24 | |
# Come loose your dogs upon me | 0:50:28 | 0:50:32 | |
# And let your hair hang down WHOOPING | 0:50:35 | 0:50:38 | |
# You are a little mystery to me... # | 0:50:41 | 0:50:46 | |
DANCE MUSIC, CHATTER | 0:50:48 | 0:50:50 | |
INDISTINCT CHATTER | 0:51:00 | 0:51:03 | |
I'll get it. | 0:51:05 | 0:51:07 | |
Excuse me, mate, can I have another glass of champagne? | 0:51:07 | 0:51:09 | |
Turned out all right, didn't it? | 0:51:09 | 0:51:11 | |
For a sham wedding you were boycotting. | 0:51:11 | 0:51:13 | |
I'm glad I came. | 0:51:14 | 0:51:16 | |
I'm glad you did too. | 0:51:16 | 0:51:17 | |
-Do you want a drink? -Yeah. | 0:51:19 | 0:51:22 | |
What do you want? | 0:51:22 | 0:51:24 | |
You decide. | 0:51:24 | 0:51:25 | |
Pint of heavy it is, then. | 0:51:26 | 0:51:28 | |
Look, if you're going to give me | 0:51:50 | 0:51:52 | |
the big speech about how I'd better not hurt your brother, just save it. | 0:51:52 | 0:51:55 | |
Naw, I wisnae going to say that. | 0:51:55 | 0:51:58 | |
What I was going to say is that it's good to see him smiling | 0:51:58 | 0:52:01 | |
and happy for once. | 0:52:01 | 0:52:03 | |
Right. | 0:52:03 | 0:52:04 | |
Sorry. | 0:52:06 | 0:52:07 | |
You really like him, don't you? | 0:52:09 | 0:52:11 | |
I really do. | 0:52:13 | 0:52:15 | |
Kelly-Marie, if I could change everything | 0:52:18 | 0:52:20 | |
that happened between Alex and me, I would, | 0:52:20 | 0:52:21 | |
-but I can't... -Angel, listen, | 0:52:21 | 0:52:24 | |
we're never going to be close friends. | 0:52:24 | 0:52:26 | |
But I need to be able to wake up in the morning | 0:52:26 | 0:52:28 | |
and not hate you, or else I'm finished. | 0:52:28 | 0:52:30 | |
So... | 0:52:32 | 0:52:33 | |
..forgive me for not forgiving you. | 0:52:36 | 0:52:38 | |
Please. | 0:52:41 | 0:52:42 | |
-CHUCKLING: -I've been waiting a long time for you to say that. | 0:52:46 | 0:52:49 | |
And the job in the treatment room is yours. | 0:52:52 | 0:52:55 | |
If you want it. | 0:52:55 | 0:52:56 | |
Oh, aye, what's going on here? | 0:52:59 | 0:53:01 | |
The Berlin Wall come down again? | 0:53:01 | 0:53:03 | |
Come here, you. | 0:53:04 | 0:53:05 | |
Right, you better not hurt him! | 0:53:10 | 0:53:12 | |
MUSIC: Over And Over by Hot Chip | 0:53:16 | 0:53:19 | |
Ah, Mrs Lindsay. | 0:53:25 | 0:53:28 | |
How are you this evening? | 0:53:28 | 0:53:30 | |
Mrs Lindsay? | 0:53:30 | 0:53:32 | |
I'll tell you what, | 0:53:32 | 0:53:33 | |
you can call me that if the Home Office is around, but only then. | 0:53:33 | 0:53:37 | |
Fair enough. | 0:53:37 | 0:53:38 | |
How about "my darling cherry blossom"? | 0:53:38 | 0:53:42 | |
-Yuck! -Mmm! | 0:53:42 | 0:53:44 | |
Well, I wouldn't exactly say it went off without a hitch, | 0:53:45 | 0:53:50 | |
but it went off. | 0:53:50 | 0:53:51 | |
Oh, there was a hitch. | 0:53:51 | 0:53:53 | |
We got married! | 0:53:53 | 0:53:55 | |
And opened a bar! | 0:53:55 | 0:53:57 | |
Well, it might have opened, but it's still got to launch. | 0:53:58 | 0:54:01 | |
This is going to be a long night. | 0:54:03 | 0:54:05 | |
Yeah, our idea worked. | 0:54:05 | 0:54:07 | |
-Oh, so it's OUR idea now, is it? -Exactly. | 0:54:07 | 0:54:10 | |
When it works, it's our idea, | 0:54:10 | 0:54:11 | |
and, if it doesn't work, it's your idea. | 0:54:11 | 0:54:14 | |
So here's another idea. | 0:54:14 | 0:54:16 | |
How about we kiss again in front of all these people? | 0:54:16 | 0:54:18 | |
For the Home Office? | 0:54:18 | 0:54:20 | |
Just to keep up appearances. | 0:54:20 | 0:54:21 | |
-GUESTS: -Whoo-hoo-hoo! | 0:54:25 | 0:54:28 | |
So was that my idea, or our idea? | 0:54:33 | 0:54:37 | |
I can't remember. | 0:54:37 | 0:54:38 | |
I've been thinking... | 0:54:41 | 0:54:42 | |
wouldn't it look weird if we left here and went to different beds? | 0:54:42 | 0:54:45 | |
SHE CHORTLES | 0:54:45 | 0:54:47 | |
Don't push it. | 0:54:47 | 0:54:48 | |
-A dance instead? -A dance is fine. | 0:54:49 | 0:54:52 | |
I'll pretend like I'm enjoying it. | 0:54:52 | 0:54:54 | |
MUSIC: Galvanize by The Chemical Brothers | 0:54:57 | 0:55:00 | |
-Tune! -Hee-hee! | 0:55:01 | 0:55:04 | |
Listen, I'm really sorry the way I've been recently. | 0:55:06 | 0:55:09 | |
It's forgotten. Don't worry about it. | 0:55:09 | 0:55:11 | |
Do you know what? | 0:55:12 | 0:55:14 | |
I think this could be a fresh start for me. | 0:55:14 | 0:55:16 | |
In mair ways than one. | 0:55:16 | 0:55:18 | |
If you need anything, I'm here. | 0:55:18 | 0:55:20 | |
Just fire up the Bat-Signal and I'll come running in my cape. | 0:55:20 | 0:55:23 | |
I'm so proud of you. | 0:55:23 | 0:55:24 | |
I couldn't have done it without you. | 0:55:24 | 0:55:26 | |
-Know what else you couldn't do without me? -Whit? | 0:55:26 | 0:55:28 | |
This! Whoo! | 0:55:28 | 0:55:30 | |
Whoohoo! | 0:55:30 | 0:55:31 | |
Do you know what? It was actually quite romantic, wasn't it? | 0:55:35 | 0:55:38 | |
See? I telt ye, you don't know what's real and what's no'. | 0:55:38 | 0:55:41 | |
Still trying to work it out. | 0:55:41 | 0:55:42 | |
I'm gonnae get another drink. Ye want anything? | 0:55:42 | 0:55:44 | |
Eh, just a glass of water. | 0:55:44 | 0:55:46 | |
-Cheap date. -Mm-hm. | 0:55:46 | 0:55:47 | |
Can I have a word? | 0:55:55 | 0:55:57 | |
Aye, of course you can. | 0:55:57 | 0:55:58 | |
-What's up? -Look, you know exactly what you're doing, don't you? | 0:56:02 | 0:56:06 | |
Excuse me? | 0:56:06 | 0:56:07 | |
You can't just pick Bob up and put him back down again like a toy. | 0:56:07 | 0:56:10 | |
What you're doing to him isn't fair. | 0:56:10 | 0:56:13 | |
Ellie, Bob's a grown man, he can talk to who he wants. | 0:56:13 | 0:56:16 | |
Bob's a nice guy. He's letting you live in his flat. | 0:56:16 | 0:56:19 | |
He'd never see you and the baby out in the street. | 0:56:19 | 0:56:21 | |
That's why, if you're not actually in love with him, | 0:56:21 | 0:56:23 | |
-you need to back away. -Do you actually realise | 0:56:23 | 0:56:26 | |
how paranoid and insecure you sound? | 0:56:26 | 0:56:28 | |
Maybe if you got your heid together, | 0:56:28 | 0:56:30 | |
then he wouldn't need to come to me for advice. | 0:56:30 | 0:56:32 | |
-Oh, here he is! Hugh Hefner. -What's going on? -Do you know, Bob, | 0:56:32 | 0:56:35 | |
I've been asking myself exactly the same thing. | 0:56:35 | 0:56:37 | |
She's got it into her head that I'm leading you on. | 0:56:37 | 0:56:39 | |
-Whoa. Ellie, you've got it all wrong. -Really? | 0:56:39 | 0:56:41 | |
And yet here you are with her, and not with me. | 0:56:41 | 0:56:44 | |
You wouldnae talk to me! | 0:56:44 | 0:56:45 | |
All I was trying to do was get you to see things more clearly. | 0:56:45 | 0:56:48 | |
Oh, I can see clearly enough. | 0:56:48 | 0:56:49 | |
In fact, my eyes are wide open. | 0:56:49 | 0:56:51 | |
See seeing as you're the one he keeps coming to for advice, | 0:56:51 | 0:56:54 | |
he's your responsibility. | 0:56:54 | 0:56:55 | |
Wait a wee minute, Ellie. What exactly are you saying? | 0:56:55 | 0:56:57 | |
I'm saying if you want a wee dog, Stella, you can feed him | 0:56:57 | 0:56:59 | |
-and take him out for walks. -STELLA GUFFAWS | 0:56:59 | 0:57:01 | |
I'm done. | 0:57:01 | 0:57:02 | |
Ellie! | 0:57:02 | 0:57:05 | |
STELLA SIGHS | 0:57:05 | 0:57:06 | |
Well... | 0:57:06 | 0:57:07 | |
..that's that, then. | 0:57:09 | 0:57:10 | |
Is she actually for real? | 0:57:10 | 0:57:12 | |
She actually thinks that we're up to something. | 0:57:12 | 0:57:15 | |
I know! It's ridiculous. | 0:57:15 | 0:57:16 | |
It's not like we even got on that well half the time | 0:57:17 | 0:57:19 | |
when we were together. | 0:57:19 | 0:57:22 | |
I know. All that arguing. | 0:57:22 | 0:57:23 | |
All that fighting. | 0:57:23 | 0:57:25 | |
-Where did that leave us, eh? -Exactly. | 0:57:28 | 0:57:31 | |
We're baith still miserable. | 0:57:31 | 0:57:33 | |
And alone. | 0:57:35 | 0:57:36 | |
MUSIC: Blame It On Me by George Ezra | 0:57:36 | 0:57:39 | |
# What you waiting for | 0:57:42 | 0:57:44 | |
# Now, what you waiting for? | 0:57:44 | 0:57:47 | |
# What you waiting for | 0:57:48 | 0:57:51 | |
# Now, what you waiting for? # | 0:57:51 | 0:57:54 | |
-I can explain. -I think you'd better. | 0:57:56 | 0:57:59 | |
It's not true, I wasn't involved. | 0:57:59 | 0:58:02 | |
So why does she keep persecuting you, then? | 0:58:02 | 0:58:05 | |
As if I would ever do such a thing. | 0:58:05 | 0:58:07 | |
If I was guilty of anything, it was of turning a blind eye. | 0:58:07 | 0:58:09 | |
Why don't you just do what you did the last time and kick me out, | 0:58:09 | 0:58:12 | |
you heartless cow? This is all your fault. ALL OF IT! | 0:58:12 | 0:58:14 | |
You sit there, playing the victim like some doddering old man! | 0:58:14 | 0:58:17 | |
Talking about suffering, but you've got nae idea! | 0:58:17 | 0:58:20 | |
Do you want know what suffering is, dae ye?! | 0:58:20 | 0:58:22 |