Browse content similar to 05/07/2016. Check below for episodes and series from the same categories and more!
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Do you know what it's like to only know half of who you are? | 0:00:20 | 0:00:23 | |
You're Drew McLean, you're my son! | 0:00:23 | 0:00:25 | |
I'm not just YOUR son, though! | 0:00:25 | 0:00:27 | |
I don't even know anything about him! | 0:00:27 | 0:00:29 | |
It doesn't matter, Drew, he doesn't matter. | 0:00:29 | 0:00:31 | |
It matters to me! | 0:00:31 | 0:00:32 | |
I'm going to find his dad. | 0:00:32 | 0:00:34 | |
Oh, my God! Are you kidding on? | 0:00:34 | 0:00:36 | |
Drew needs to know what happened to him, I do too. | 0:00:36 | 0:00:38 | |
Is that.... | 0:00:38 | 0:00:40 | |
Aye. That's what you would look like with a moustache. | 0:00:40 | 0:00:43 | |
-I can explain. -I think you'd better! | 0:00:43 | 0:00:45 | |
I was exonerated. | 0:00:45 | 0:00:47 | |
So you were investigated and cleared. | 0:00:47 | 0:00:51 | |
You might not have abused those boys. | 0:00:51 | 0:00:53 | |
But you abused your position. | 0:00:53 | 0:00:55 | |
You had a duty of care to those children and you violated that! | 0:00:55 | 0:00:59 | |
As if I would ever do such a thing. | 0:00:59 | 0:01:01 | |
Interfere with little boys like that. | 0:01:01 | 0:01:03 | |
You sit there, playing the victim, like some doddering old man, | 0:01:03 | 0:01:07 | |
talking about suffering, but you've got no idea! | 0:01:07 | 0:01:09 | |
Do you want to know what suffering is? Do you?! | 0:01:09 | 0:01:12 | |
# Left a good job in the city | 0:01:15 | 0:01:17 | |
# Working for the man every night and day | 0:01:18 | 0:01:22 | |
# And I never lost one minute of sleeping | 0:01:22 | 0:01:26 | |
# Worrying about the way things might have been | 0:01:26 | 0:01:30 | |
# Big wheel keep on turning | 0:01:30 | 0:01:34 | |
# Proud Mary keep on burning | 0:01:34 | 0:01:37 | |
# Rolling | 0:01:38 | 0:01:40 | |
# Rolling | 0:01:40 | 0:01:42 | |
# Rolling on the river | 0:01:42 | 0:01:45 | |
# Cleaned a lot of plates in Memphis | 0:01:46 | 0:01:49 | |
# Pumped a lot of 'pane down in New Orleans | 0:01:50 | 0:01:54 | |
# But I never saw the good side of the city | 0:01:54 | 0:01:58 | |
# Till I hitched a ride on a riverboat queen | 0:01:58 | 0:02:02 | |
# Big wheel keep on turning | 0:02:02 | 0:02:05 | |
# Proud Mary keep on burning | 0:02:06 | 0:02:10 | |
# Rolling | 0:02:10 | 0:02:11 | |
# Rolling | 0:02:12 | 0:02:13 | |
# Rolling on the river... # | 0:02:14 | 0:02:15 | |
We should have got the flyers out long before this. | 0:02:31 | 0:02:33 | |
Relax, there's plenty of time. | 0:02:33 | 0:02:35 | |
It's tonight, Cassie, not next week. I've got press coming, the lot. | 0:02:35 | 0:02:38 | |
Chill. I will give it the hard sell. | 0:02:38 | 0:02:41 | |
There's never been an indie music night in Shieldinch. | 0:02:41 | 0:02:44 | |
People round here need gentle persuasion. | 0:02:44 | 0:02:46 | |
Did you lock this when you left the flyers? | 0:02:48 | 0:02:50 | |
Yeah, pretty sure I did. | 0:02:50 | 0:02:52 | |
They're on the shelf. | 0:02:52 | 0:02:53 | |
You take these and I'll... | 0:02:55 | 0:02:57 | |
-Shh... -What? | 0:02:57 | 0:02:59 | |
There's something in there. | 0:03:00 | 0:03:02 | |
-Stop creeping me out. -I'm serious. | 0:03:02 | 0:03:04 | |
SNORING | 0:03:04 | 0:03:06 | |
Did you hear that? | 0:03:06 | 0:03:07 | |
What is that? | 0:03:07 | 0:03:09 | |
Where's the light switch? | 0:03:09 | 0:03:10 | |
It's not working. | 0:03:10 | 0:03:11 | |
It's moving! | 0:03:11 | 0:03:13 | |
Oh, my God, is it a fox? | 0:03:13 | 0:03:14 | |
Go find out... | 0:03:14 | 0:03:16 | |
-No way! You go! -No! You're the man! The big husband. | 0:03:16 | 0:03:19 | |
Yeah, when it suits you! | 0:03:19 | 0:03:20 | |
Yes. When there is vermin involved, definitely! | 0:03:20 | 0:03:23 | |
Take this - just in case it bites. | 0:03:24 | 0:03:26 | |
Come out, come out, whatever you are... | 0:03:29 | 0:03:31 | |
SHE SQUEALS | 0:03:31 | 0:03:33 | |
I'm so terribly sorry. | 0:03:34 | 0:03:36 | |
THEY SIGH | 0:03:36 | 0:03:39 | |
Morning. | 0:03:46 | 0:03:48 | |
-Hoh! -I'm sorry, but I had... | 0:04:30 | 0:04:32 | |
You get out of here! You hear me? GET OUT! | 0:04:32 | 0:04:34 | |
-Patrick, what's wrong? -Have you been hiding him? | 0:04:34 | 0:04:37 | |
-What's it to you? -Leave it, Angus. | 0:04:37 | 0:04:38 | |
-I warned you - get out of here now! -All right, Patrick, let's just head! | 0:04:38 | 0:04:41 | |
Get your hands off me! | 0:04:41 | 0:04:42 | |
Patrick, please! | 0:04:42 | 0:04:44 | |
Back off, Patrick! I've told you I'll deal with it! Right? | 0:04:44 | 0:04:47 | |
Patrick... PATRICK! | 0:04:50 | 0:04:53 | |
Cassie, you want to take care of Angel? I'll see to Alasdair. | 0:04:53 | 0:04:56 | |
Bob, you want to get him sorted out, mate. | 0:04:56 | 0:04:58 | |
I'm trying my best, believe me. | 0:04:58 | 0:05:00 | |
It's got nothing to do with Angus. What you giving him a hard time for? | 0:05:00 | 0:05:04 | |
Alasdair's been staying in his dad's cabin! | 0:05:04 | 0:05:06 | |
Aye, maybe he has. Just relax, nothing's going to happen! | 0:05:06 | 0:05:10 | |
I want that beast out of there now! | 0:05:10 | 0:05:12 | |
I get that! But you're not going to do it by winding Angus up | 0:05:12 | 0:05:15 | |
or shoving Angel about. | 0:05:15 | 0:05:16 | |
-I didn't! -You did! She was shaking, man! | 0:05:16 | 0:05:20 | |
You can't behave like that towards a lassie... | 0:05:20 | 0:05:22 | |
So you're an expert on how to treat a woman? | 0:05:22 | 0:05:24 | |
I'm not an expert on nothing, Patrick. | 0:05:24 | 0:05:27 | |
But I know when you're in a hole, you stop digging. | 0:05:27 | 0:05:29 | |
You've got no idea, do you? | 0:05:29 | 0:05:31 | |
Look, I know! My head's been bursting ever since you told me. | 0:05:31 | 0:05:35 | |
I can't stop thinking about it. All week! | 0:05:35 | 0:05:37 | |
A week? My head's been bursting my head for 15 years! | 0:05:37 | 0:05:41 | |
Patrick. | 0:05:41 | 0:05:42 | |
Don't, man... | 0:05:42 | 0:05:43 | |
Look, Patrick, don't do anything stupid! | 0:05:47 | 0:05:49 | |
HE SIGHS | 0:05:52 | 0:05:53 | |
THUMP! | 0:05:53 | 0:05:55 | |
How are you doing, gorgeous? | 0:06:02 | 0:06:04 | |
Have you got eye trouble? | 0:06:04 | 0:06:06 | |
Sassy! Like it. | 0:06:06 | 0:06:08 | |
That's not the only reason you'll be glad I came in today. | 0:06:08 | 0:06:11 | |
-D'you think? -What do you know about the Rolling Stones? | 0:06:11 | 0:06:14 | |
They gather no moss? | 0:06:14 | 0:06:16 | |
This is a genuine pirate headscarf, as worn by Keith Richards | 0:06:17 | 0:06:23 | |
in Havana, Cuba. | 0:06:23 | 0:06:24 | |
What do you want me to do with it - wash the windows? | 0:06:24 | 0:06:27 | |
I'm giving you first offer. 20 quid. | 0:06:27 | 0:06:30 | |
It's worth three times that much. | 0:06:30 | 0:06:31 | |
Sweetheart... | 0:06:31 | 0:06:33 | |
we do donations, not transactions. | 0:06:33 | 0:06:37 | |
15, then. And that's pushing me to my limit. | 0:06:38 | 0:06:41 | |
Are you touched, sonny? | 0:06:41 | 0:06:44 | |
Here, we don't buy stuff, we sell it! | 0:06:44 | 0:06:47 | |
So live a little! | 0:06:47 | 0:06:50 | |
A tenner, and that's the lowest I can go. | 0:06:50 | 0:06:52 | |
I will not tell you again! | 0:06:52 | 0:06:54 | |
-A fiver, and it's done. -Out! | 0:06:54 | 0:06:56 | |
Chancer! | 0:06:57 | 0:06:59 | |
What are you doing, Serge? The Stars and Stripes are backwards! | 0:07:04 | 0:07:07 | |
Do I have to do everything myself? | 0:07:07 | 0:07:08 | |
Away and get the table cleared. | 0:07:08 | 0:07:10 | |
Er, could I get the check, please? | 0:07:10 | 0:07:12 | |
Sure. | 0:07:12 | 0:07:13 | |
I knew it was bad. | 0:07:16 | 0:07:18 | |
I did not think it was that bad. | 0:07:18 | 0:07:19 | |
It'll be OK. | 0:07:19 | 0:07:21 | |
He laid a hand on you. That's it - crossed lines. | 0:07:21 | 0:07:23 | |
Zero tolerance. You have to confront this behaviour. Challenge him. | 0:07:23 | 0:07:27 | |
He says he doesn't want to talk about it. | 0:07:27 | 0:07:30 | |
What is this British thing in not talking?! It's crazy! | 0:07:30 | 0:07:34 | |
So... What, he says nothing, and you just let him get away with it? | 0:07:36 | 0:07:40 | |
You're scared, aren't you? | 0:07:45 | 0:07:47 | |
Oh... I can see it in your eyes. | 0:07:47 | 0:07:50 | |
I just don't want to make it any worse. | 0:07:51 | 0:07:54 | |
How can you make it worse? | 0:07:54 | 0:07:56 | |
This guy is a car crash waiting to happen! | 0:07:56 | 0:07:58 | |
You do not want to be around for it when it does. | 0:07:58 | 0:08:01 | |
He needs help. | 0:08:01 | 0:08:02 | |
Not from you, he doesn't! He needs a shrink, not a girlfriend. | 0:08:02 | 0:08:06 | |
Promise me you won't let him treat you like that again. | 0:08:09 | 0:08:12 | |
Promise. | 0:08:12 | 0:08:13 | |
AJ CLEARS HIS THROAT | 0:08:13 | 0:08:15 | |
How's Alasdair? | 0:08:15 | 0:08:17 | |
Recovering. Poor guy, he's been living there for days. | 0:08:17 | 0:08:20 | |
You never know what's going on in people's lives, do you? | 0:08:20 | 0:08:23 | |
No, you don't, do you? | 0:08:23 | 0:08:25 | |
Serge, I'm just off to... get some air. | 0:08:28 | 0:08:32 | |
Well, I don't see why prosecco doesn't count as one of your five a day. It's got fruit in it! | 0:09:04 | 0:09:08 | |
Ah... I've been away too long on that lonely country road. | 0:09:10 | 0:09:15 | |
HE CHUCKLES | 0:09:15 | 0:09:17 | |
Shop! | 0:09:18 | 0:09:19 | |
BOTH: He's changing the barrels. | 0:09:19 | 0:09:21 | |
Send reinforcements. There's a camel up here waving a white flag. | 0:09:21 | 0:09:24 | |
Could do with some better music in here, eh? | 0:09:26 | 0:09:29 | |
Some golden oldies. | 0:09:29 | 0:09:30 | |
# I've been the wanderer Oh, a wanderer | 0:09:30 | 0:09:33 | |
# I've been around Around, around, around... # | 0:09:33 | 0:09:36 | |
Do they ever do gigs in here? | 0:09:36 | 0:09:38 | |
Not unless you include singing drunks. | 0:09:38 | 0:09:40 | |
There's a distinct shortage of them! | 0:09:40 | 0:09:42 | |
Hey! There's a customer here wants to get drunk, PDQ! | 0:09:42 | 0:09:46 | |
Ha-ha! PDQ! | 0:09:46 | 0:09:48 | |
What's your poison? | 0:09:49 | 0:09:50 | |
Are they cloning you, or what? | 0:09:50 | 0:09:52 | |
Twice as nice! | 0:09:52 | 0:09:54 | |
Pint of Mick Jagger, and whatever my friend here's having. | 0:09:54 | 0:09:57 | |
No, no, I'm all right, thanks. | 0:09:57 | 0:09:59 | |
Fine. Why the Celine Dion? | 0:09:59 | 0:10:03 | |
What? | 0:10:03 | 0:10:04 | |
Long face. You look like you lost a dollar and found a dime. | 0:10:04 | 0:10:07 | |
Go on. Take a drink. | 0:10:07 | 0:10:09 | |
Aye, go on, then. | 0:10:09 | 0:10:11 | |
Pete. | 0:10:11 | 0:10:12 | |
AJ. | 0:10:12 | 0:10:14 | |
That's the game. | 0:10:14 | 0:10:15 | |
Whatever he wants - intravenously if necessary. | 0:10:15 | 0:10:19 | |
So, are you from round here? | 0:10:21 | 0:10:22 | |
You could say I've got... connections. | 0:10:22 | 0:10:25 | |
Right. | 0:10:26 | 0:10:28 | |
So, AJ, what is it? Money or women? | 0:10:28 | 0:10:32 | |
You don't want to know. | 0:10:32 | 0:10:34 | |
Ah... Women! Can't live with them, | 0:10:34 | 0:10:36 | |
can't live with them. | 0:10:36 | 0:10:38 | |
Can't shoot them either, but that's another story. | 0:10:38 | 0:10:42 | |
Oh! Liquid gold. | 0:10:42 | 0:10:45 | |
What do I owe you, brother? | 0:10:48 | 0:10:50 | |
That's 6.20, please. | 0:10:50 | 0:10:51 | |
I'm sorry, we don't take cards. | 0:10:53 | 0:10:55 | |
I've got no cash. Can I pay you later? | 0:10:55 | 0:10:58 | |
No offence, but you could walk out that door | 0:10:58 | 0:11:01 | |
and I might never see you again. | 0:11:01 | 0:11:03 | |
No, seriously, do I look like the kind of guy you can't trust? | 0:11:03 | 0:11:07 | |
It's all right, I'll get these. | 0:11:07 | 0:11:09 | |
No, no. I'd feel bad after saying I'd get you one. | 0:11:09 | 0:11:12 | |
-Have you got an empty glass there? -Hello? It's a pub. | 0:11:12 | 0:11:15 | |
Can I borrow one a minute? Right, now... | 0:11:15 | 0:11:18 | |
if I can pass this coin through that glass without breaking it, | 0:11:18 | 0:11:24 | |
can I pay you later? | 0:11:24 | 0:11:26 | |
I'll do you one better - if you can do that, I'll buy the drinks myself. | 0:11:26 | 0:11:30 | |
You're on! | 0:11:30 | 0:11:31 | |
I'll have a G & T, and make it a loud one! | 0:11:36 | 0:11:38 | |
How did you do that? | 0:11:38 | 0:11:40 | |
If I told you, I'd have to kill you. | 0:11:40 | 0:11:42 | |
Hasta la vista, baby! | 0:11:43 | 0:11:46 | |
Cheers! | 0:11:46 | 0:11:47 | |
Angus? | 0:11:57 | 0:11:58 | |
I'm sorry. Angus said I could use the... | 0:12:01 | 0:12:04 | |
The dressing gown was hanging up. | 0:12:05 | 0:12:08 | |
Can I make you a cup of tea? | 0:12:08 | 0:12:10 | |
No...no. | 0:12:10 | 0:12:11 | |
Look, I don't know what the score is with you and Patrick, | 0:12:13 | 0:12:16 | |
but I think it's best you get gone. | 0:12:16 | 0:12:19 | |
Yes. I'll leave. I won't trouble you. | 0:12:19 | 0:12:21 | |
I'm afraid I'm experiencing | 0:12:21 | 0:12:23 | |
something of a short-term accommodation crisis. | 0:12:23 | 0:12:26 | |
Aye, well, I've got a mother and a wean living here, | 0:12:26 | 0:12:28 | |
so I really don't need this at the moment, know what I mean? | 0:12:28 | 0:12:31 | |
Yes, I'm sorry. | 0:12:31 | 0:12:33 | |
Erm, I'll get changed and leave. I'm used to this. | 0:12:33 | 0:12:36 | |
Look, erm... | 0:12:39 | 0:12:41 | |
Take your time. I'm going back to work, Stella's out with Hope. | 0:12:41 | 0:12:45 | |
Just...don't be around when they get back, eh? | 0:12:45 | 0:12:48 | |
Thank you, Bob. | 0:12:48 | 0:12:50 | |
Don't thank me. Just be gone. | 0:12:50 | 0:12:52 | |
-So what do you mean, exactly, connections? -Family ties. | 0:13:00 | 0:13:04 | |
Ah. | 0:13:06 | 0:13:07 | |
Right, now... | 0:13:07 | 0:13:09 | |
Pick a card, any card. | 0:13:11 | 0:13:15 | |
And then when you've picked it, put it back in the deck. | 0:13:15 | 0:13:18 | |
And now shuffle, shuffle the deck, that's it. | 0:13:18 | 0:13:21 | |
Think about your card, now really concentrate. | 0:13:22 | 0:13:25 | |
Right, eh, it's black. | 0:13:26 | 0:13:28 | |
No, no, no... It's red. | 0:13:29 | 0:13:32 | |
It's a... | 0:13:32 | 0:13:33 | |
It's diamonds! | 0:13:33 | 0:13:35 | |
No hold on, it's hearts. | 0:13:36 | 0:13:39 | |
Definitely. Be still my beating heart. | 0:13:39 | 0:13:42 | |
It's a low one... | 0:13:42 | 0:13:45 | |
It's the four of hearts. | 0:13:45 | 0:13:46 | |
Ha-ha-ha! Totally wrong. | 0:13:46 | 0:13:48 | |
Damn it! That's never happened to me before. | 0:13:48 | 0:13:51 | |
That wasn't there - how did you do that?! | 0:13:54 | 0:13:57 | |
Ha-ha! Thanks for the drinks, boys. Most generous of you all. | 0:13:57 | 0:14:02 | |
Day drinking? | 0:14:06 | 0:14:07 | |
What are you, my wife? | 0:14:07 | 0:14:08 | |
No, no. I'm just handing out flyers for this gig tonight. | 0:14:08 | 0:14:11 | |
Can I give you some for the Oyster? | 0:14:11 | 0:14:13 | |
Sure. No worries. | 0:14:13 | 0:14:14 | |
You should come along. Cheer yourself up. | 0:14:14 | 0:14:16 | |
Some great new bands on. Bring Annie. | 0:14:16 | 0:14:18 | |
I might do that, yeah. | 0:14:18 | 0:14:20 | |
You putting on a gig tonight? | 0:14:20 | 0:14:22 | |
Oh. This is Pete. He has, er, connections. | 0:14:22 | 0:14:25 | |
-Angus. How are you doing? -Got room for another act? | 0:14:25 | 0:14:28 | |
I'm all sorted, thanks. | 0:14:28 | 0:14:30 | |
Cut to the chase, son. | 0:14:30 | 0:14:31 | |
I'd be doing you a favour. | 0:14:31 | 0:14:33 | |
I've been in the business nearly 40 years. | 0:14:33 | 0:14:35 | |
And, eh, what business would that be? | 0:14:35 | 0:14:37 | |
Would you listen to this guy? A comedian! | 0:14:37 | 0:14:40 | |
Well, what exactly is it you do? | 0:14:40 | 0:14:42 | |
You name it. Stand-up, magic. | 0:14:42 | 0:14:45 | |
Singing is my bread and butter, though. | 0:14:45 | 0:14:48 | |
# Start spreading the news | 0:14:48 | 0:14:50 | |
# I'm leaving today... # | 0:14:50 | 0:14:53 | |
Sinatra's not really what I'm after. | 0:14:53 | 0:14:55 | |
Well, I can do all the greats. | 0:14:55 | 0:14:56 | |
Johnny Cash, Bobby Darin, Roy Orbison... | 0:14:56 | 0:14:59 | |
I was thinking more The Orb than Orbison. | 0:14:59 | 0:15:01 | |
# In dreams I'll walk with you | 0:15:01 | 0:15:06 | |
# In dreams I'll talk with you... # | 0:15:06 | 0:15:10 | |
Sounds...cool. | 0:15:10 | 0:15:12 | |
But of course, there is only one King. | 0:15:12 | 0:15:16 | |
MUSIC PLAYS | 0:15:20 | 0:15:22 | |
-Hello? -Hi. | 0:15:30 | 0:15:32 | |
No, I didn't mean hello. I meant, where the hell have you been? | 0:15:33 | 0:15:36 | |
-Running. -Well, you've missed two personal training sessions. | 0:15:36 | 0:15:40 | |
-Sorry. -Scarlett's been in looking for you, too. | 0:15:40 | 0:15:44 | |
I think she's still upset about what happened. | 0:15:44 | 0:15:46 | |
-I don't care. -It's her way of showing she cares. | 0:15:46 | 0:15:50 | |
It's her way of showing that I should be grateful. | 0:15:50 | 0:15:53 | |
MUSIC BLARES | 0:15:54 | 0:15:57 | |
Patrick... | 0:15:57 | 0:15:58 | |
Patrick! | 0:15:58 | 0:16:00 | |
MUSIC STOPS | 0:16:04 | 0:16:07 | |
If this carries on, I'm going to have to let you go. | 0:16:07 | 0:16:10 | |
What do you mean? | 0:16:10 | 0:16:11 | |
Two missed sessions costs me 40 quid. | 0:16:11 | 0:16:14 | |
I can't accept that from my staff. | 0:16:14 | 0:16:16 | |
So, is that what I am? Staff? | 0:16:16 | 0:16:18 | |
I don't know. I don't know what you are. | 0:16:19 | 0:16:22 | |
I don't know what WE are. | 0:16:22 | 0:16:23 | |
What is going on? | 0:16:25 | 0:16:27 | |
Nothing. | 0:16:28 | 0:16:29 | |
Something happened with Alasdair. He looked terrified this morning. | 0:16:29 | 0:16:33 | |
-You went crazy. -Well, that'll be it - obviously, I'm crazy. | 0:16:33 | 0:16:37 | |
You need help. Professional help. | 0:16:37 | 0:16:41 | |
I can't cope with this on my own. I don't think you can either. | 0:16:42 | 0:16:45 | |
Oh, there you go again - running away! You can't run for ever. | 0:16:45 | 0:16:49 | |
What do you want from me, Angel? Do you want me to go? | 0:16:49 | 0:16:52 | |
I just know I can't carry on like this. | 0:16:52 | 0:16:54 | |
Fire me, then! | 0:16:54 | 0:16:56 | |
I could fill this place seven nights a week. | 0:17:04 | 0:17:08 | |
I dare say you could, but I'm not the person you'd need to speak to. | 0:17:08 | 0:17:11 | |
Who is? | 0:17:11 | 0:17:12 | |
That would be me. | 0:17:12 | 0:17:14 | |
Sorry, what was your name? | 0:17:14 | 0:17:16 | |
Here is my card. | 0:17:16 | 0:17:18 | |
Wakes. Masonics. Barmitzvahs - you name it, I'll do it. | 0:17:18 | 0:17:22 | |
-Galloway? -Once heard, never forgotten. | 0:17:23 | 0:17:26 | |
Gary, this guy's great - give him a gig. | 0:17:26 | 0:17:29 | |
He made me smile - and that's not an easy task these days. | 0:17:29 | 0:17:32 | |
I'm just going to play some pool. | 0:17:35 | 0:17:37 | |
-Thank you. -Thanks. | 0:17:42 | 0:17:43 | |
See you tonight! | 0:17:45 | 0:17:46 | |
So, tell me, what kind of music are you into? | 0:17:47 | 0:17:52 | |
Country and western, right? | 0:17:52 | 0:17:54 | |
Aye, Tammy Wynette, Patsy Cline. | 0:17:54 | 0:17:56 | |
Anything with a nice tune you can have a good greet to. | 0:17:56 | 0:17:58 | |
That all sounds very nice, but could I interest you in something a little more modern? | 0:17:58 | 0:18:02 | |
Oh, indie music? Naw? You kidding? | 0:18:02 | 0:18:04 | |
You're never too old to get young, Scarlett. | 0:18:04 | 0:18:06 | |
Are you calling me old? | 0:18:06 | 0:18:07 | |
I'm calling you out of date, that's all. | 0:18:07 | 0:18:09 | |
And I'm calling you a cheeky wee... | 0:18:09 | 0:18:11 | |
Hey, sisters! How's things? | 0:18:15 | 0:18:17 | |
-We're on top of the world! -Speak for yourself. | 0:18:17 | 0:18:20 | |
So why don't you come to the pop-up club tonight? You never know. | 0:18:20 | 0:18:24 | |
You never know what? | 0:18:24 | 0:18:25 | |
You've a lovely face... | 0:18:25 | 0:18:27 | |
I mean, you could drop a dress size - couldn't we all? - | 0:18:27 | 0:18:30 | |
but you could be beating the men off. | 0:18:30 | 0:18:33 | |
I'm watching you, doll. You're a guest here, you need to mind your manners. | 0:18:33 | 0:18:37 | |
You are lecturing me on manners?! | 0:18:37 | 0:18:39 | |
You need to put a muzzle on her! | 0:18:39 | 0:18:41 | |
I'm just trying to do my job here. | 0:18:42 | 0:18:44 | |
I appreciate that, but you need to be aware of people's sensibilities. | 0:18:44 | 0:18:48 | |
Oh, I see, so it's my fault? | 0:18:48 | 0:18:51 | |
Cassie... Cassie...wait. | 0:18:51 | 0:18:54 | |
-Cheeky cow. She needs a right telling. -Forget it, Caitlin. | 0:18:56 | 0:18:59 | |
Robbie, this woman needs a drink. | 0:19:00 | 0:19:02 | |
Sure, doll. What can I get you? | 0:19:02 | 0:19:04 | |
Two voddies and Cokes. Why's this place jumping so early? | 0:19:04 | 0:19:07 | |
Oh, we've been getting entertained royally. | 0:19:07 | 0:19:09 | |
Oh, aye? By who? | 0:19:09 | 0:19:11 | |
CHEERING | 0:19:11 | 0:19:13 | |
There she is. | 0:19:13 | 0:19:14 | |
What the... | 0:19:14 | 0:19:15 | |
The woman that ruined me for all the others. | 0:19:15 | 0:19:18 | |
-What are you doing here? -I want to see my son. | 0:19:18 | 0:19:20 | |
Over my dead body! | 0:19:20 | 0:19:22 | |
-Sweetheart.... -Don't you "sweetheart" me! | 0:19:22 | 0:19:24 | |
-Back off, Pete. -Pete? | 0:19:24 | 0:19:26 | |
That's it. | 0:19:27 | 0:19:29 | |
Pete Galloway! | 0:19:29 | 0:19:30 | |
Look, babe, I know we've had our ups and downs, | 0:19:30 | 0:19:33 | |
but I want to put things right. | 0:19:33 | 0:19:35 | |
Get out of here! GET OUT! | 0:19:35 | 0:19:38 | |
-Caitlin, calm down! -I'll calm down when he's in a box! | 0:19:38 | 0:19:40 | |
-Caitlin! -Come on, sweetheart, be reasonable. | 0:19:40 | 0:19:43 | |
Right, Caitlin, out! | 0:19:46 | 0:19:48 | |
Stay away from my family! I'm warning you! | 0:19:48 | 0:19:50 | |
Stay away from us! | 0:19:50 | 0:19:52 | |
She'll come round. | 0:19:55 | 0:19:56 | |
Excuse me, are you mental? | 0:19:56 | 0:19:58 | |
Why are you here, Pete? | 0:19:58 | 0:19:59 | |
To see my family. | 0:19:59 | 0:20:00 | |
Wait a minute. You're her first one, aren't you? | 0:20:01 | 0:20:05 | |
I think it might be a good idea if you let things calm down first. | 0:20:05 | 0:20:09 | |
You don't know much about women, do you, pal? With respect. | 0:20:09 | 0:20:12 | |
Do you mind? | 0:20:12 | 0:20:14 | |
A woman needs to think she's the most important thing in the world. | 0:20:14 | 0:20:17 | |
Is this before or after she glasses you? | 0:20:17 | 0:20:20 | |
Nothing wrong with a bit of passion, mate. Could have been worse. | 0:20:20 | 0:20:23 | |
She could have ignored me. | 0:20:23 | 0:20:25 | |
Let me give you a bit of advice, Pete. | 0:20:25 | 0:20:28 | |
Here we go. The gay absent dad lectures me on fatherhood. | 0:20:28 | 0:20:32 | |
Just once, please try and imagine a world | 0:20:32 | 0:20:35 | |
that doesn't revolve around you! | 0:20:35 | 0:20:37 | |
Is that the best you've got? | 0:20:37 | 0:20:39 | |
You sound like Copernicus arguing with the Pope. | 0:20:39 | 0:20:42 | |
Hey, have you heard the one about the Catholic Jew? | 0:20:42 | 0:20:45 | |
HE LAUGHS | 0:20:45 | 0:20:46 | |
-I can't help you, Pete. -Any chance of a pint on the slate? | 0:20:46 | 0:20:49 | |
Out! | 0:20:49 | 0:20:51 | |
Thank you. Good night, you've been a lovely audience. | 0:20:56 | 0:21:01 | |
No school today, darling? | 0:21:15 | 0:21:16 | |
Ha-ha, I wish! | 0:21:16 | 0:21:18 | |
That looks good. Were you thinking about going? | 0:21:18 | 0:21:20 | |
If she is going, it'll be with me, all right? | 0:21:20 | 0:21:22 | |
I'll be back in about an hour, Scarlett. | 0:21:22 | 0:21:25 | |
-I think I've upset your da. -Don't let him hear you say that! | 0:21:26 | 0:21:29 | |
You're not going to ruin my day and tell me he's your man, are you? | 0:21:29 | 0:21:32 | |
-I'm afraid so. -Scarlett, eh? I'm the only man over 16 | 0:21:32 | 0:21:36 | |
and under 60 who's around to show you a good time. | 0:21:36 | 0:21:39 | |
Frankly, my dear, I don't give a damn! | 0:21:39 | 0:21:42 | |
-Stop it. -Scarlett, why are all the good ones always taken, eh? | 0:21:42 | 0:21:46 | |
Look, all I'm saying is, you need to modify your marketing technique. | 0:22:18 | 0:22:22 | |
Why can't Brits just ever say what they mean? | 0:22:23 | 0:22:26 | |
It's just the way we are. | 0:22:26 | 0:22:28 | |
I'm sick of it. | 0:22:29 | 0:22:30 | |
And I'm sick of having to take the fall for the behaviour of my "wife". | 0:22:30 | 0:22:34 | |
This wasn't part of the plan. | 0:22:34 | 0:22:36 | |
Yeah, well, maybe it was a stupid plan to begin with. | 0:22:36 | 0:22:39 | |
I never should have thought I'd be accepted here at all. | 0:22:39 | 0:22:43 | |
They treat me like a foreigner. | 0:22:43 | 0:22:45 | |
I thought this would be fun. | 0:22:51 | 0:22:53 | |
Well, it's not much fun for me, being here on the Fourth of July, | 0:22:53 | 0:22:57 | |
handing out flyers for your indie night. | 0:22:57 | 0:23:00 | |
4th of July? | 0:23:00 | 0:23:02 | |
Yeah! The Fourth of July! | 0:23:02 | 0:23:04 | |
It's not your birthday, is it? | 0:23:06 | 0:23:08 | |
Independence Day! | 0:23:08 | 0:23:11 | |
Oh, right. | 0:23:11 | 0:23:13 | |
So, is that... | 0:23:13 | 0:23:15 | |
..is that, like, important? | 0:23:18 | 0:23:19 | |
Unbelievable. | 0:23:21 | 0:23:22 | |
This country! | 0:23:25 | 0:23:26 | |
What's wrong? | 0:23:26 | 0:23:28 | |
I don't know. I guess I'm just homesick, or something. | 0:23:28 | 0:23:31 | |
Oh, no. No, please don't cry. It's bad enough being married. | 0:23:31 | 0:23:35 | |
I can't cope with the emotional stuff as well. | 0:23:35 | 0:23:37 | |
Do you know what I would be doing if I were home? | 0:23:37 | 0:23:40 | |
Saving the planet from an alien invasion? | 0:23:40 | 0:23:43 | |
With a wee bit of help from Will Smith, obviously. | 0:23:43 | 0:23:46 | |
Sorry. | 0:23:46 | 0:23:47 | |
I would be partying. | 0:23:47 | 0:23:49 | |
Cheeseburgers, hot dogs, that kind of thing, | 0:23:49 | 0:23:52 | |
with a ton of beer to wash it down. | 0:23:52 | 0:23:56 | |
Instead, I'm here with, like, a bunch of over-sensitive Brits | 0:23:56 | 0:23:59 | |
and a fake husband who doesn't even understand me. | 0:23:59 | 0:24:02 | |
Well, why don't we just bring America here? | 0:24:04 | 0:24:07 | |
What are you talking about? | 0:24:07 | 0:24:09 | |
-Trust me. -Angus, talk to me. | 0:24:12 | 0:24:15 | |
Angus! | 0:24:17 | 0:24:18 | |
I can't get involved between you and Patrick. | 0:24:24 | 0:24:26 | |
Do you know how badly this could end? | 0:24:26 | 0:24:29 | |
I'm scared for him. For me! | 0:24:29 | 0:24:32 | |
So what do you want me to do about it? | 0:24:33 | 0:24:36 | |
Help me. I know you know what's going on with him. | 0:24:36 | 0:24:40 | |
Is he bipolar? Is he schizophrenic? | 0:24:40 | 0:24:43 | |
-No. -Then what? Why won't you tell me? | 0:24:43 | 0:24:46 | |
Cos it's not my place to! | 0:24:46 | 0:24:48 | |
What isn't? | 0:24:48 | 0:24:50 | |
I don't know, Angel. You'll have to ask him yourself. | 0:24:50 | 0:24:52 | |
I've tried. He won't talk. | 0:24:52 | 0:24:55 | |
-I don't know what you want me to say! -The truth. | 0:25:00 | 0:25:03 | |
I can't do this, right? I can't! | 0:25:06 | 0:25:08 | |
-What do you mean? Why can't you? -Because I cannae, all right? | 0:25:08 | 0:25:11 | |
Bob... | 0:25:11 | 0:25:13 | |
Look gonnae just leave me alone? | 0:25:13 | 0:25:15 | |
Angel, I'm sorry, but... | 0:25:18 | 0:25:20 | |
Did I not make myself clear? | 0:25:25 | 0:25:27 | |
No, no. I'm not stopping. | 0:25:27 | 0:25:29 | |
I just wanted to leave this for Drew. You can give it to him for his birthday or something. | 0:25:29 | 0:25:32 | |
-What are you on? -You don't have to say it's from me. | 0:25:32 | 0:25:35 | |
I just want him to have something that belonged to me. | 0:25:35 | 0:25:38 | |
Just go, will you? Please. And take your clapped-out guitar with you. | 0:25:38 | 0:25:41 | |
-I've changed, you know. -Changed, my bahoochie! | 0:25:41 | 0:25:43 | |
The first thing you did when you got here was head for that pub. | 0:25:43 | 0:25:46 | |
Dutch courage. This is a big thing for me. | 0:25:46 | 0:25:48 | |
It's too little, too late, Pete. | 0:25:48 | 0:25:50 | |
Then why did you come and see me in Birmingham? | 0:25:50 | 0:25:52 | |
Because I was desperate. | 0:25:52 | 0:25:53 | |
I went down to there to plead with you on my knees for help. We needed you! | 0:25:53 | 0:25:56 | |
Well, good. | 0:25:56 | 0:25:58 | |
But what did you do? | 0:25:58 | 0:26:00 | |
Got drunk and ended up lying in the gutter in your own mess. | 0:26:00 | 0:26:02 | |
I'd had a difficult day. | 0:26:02 | 0:26:04 | |
-You were unconscious! -I'm A-1 now and I need to know my boy! | 0:26:04 | 0:26:08 | |
You "need"? That's typical. | 0:26:08 | 0:26:10 | |
That boy's been through enough recently without you messing with his head. | 0:26:10 | 0:26:13 | |
Do the right thing for once in your life and leave us in peace. | 0:26:13 | 0:26:16 | |
It wasn't like that in the old days. We had some great times. | 0:26:16 | 0:26:19 | |
The music, the gigs, the laughs... | 0:26:19 | 0:26:22 | |
The tears? Are you forgetting what you did to that boy? | 0:26:22 | 0:26:25 | |
Disappeared with him strapped into a car seat! | 0:26:25 | 0:26:28 | |
Left him in there for two days! Anything could've happened to him! | 0:26:28 | 0:26:31 | |
Aye, but it didn't. | 0:26:31 | 0:26:33 | |
Pete, you left him there! | 0:26:33 | 0:26:35 | |
An 18-month-old in a car in the woods?! He was dehydrated! | 0:26:35 | 0:26:38 | |
Speaking of dehydration, a wee cup of tea wouldn't go amiss! | 0:26:38 | 0:26:41 | |
-He nearly died! -OK, OK! | 0:26:41 | 0:26:43 | |
And we thought you'd gone off the Erskine Bridge. | 0:26:43 | 0:26:46 | |
We never heard from you for five years. | 0:26:46 | 0:26:49 | |
-I sent a postcard from Nashville. -Just go, will you? Go! | 0:26:49 | 0:26:52 | |
Or so help me, I'll throw something bigger at you. Go! | 0:26:52 | 0:26:55 | |
What's going on? | 0:26:56 | 0:26:58 | |
-Is this him? -Get in. Get in! | 0:26:59 | 0:27:02 | |
How was football practice? | 0:27:12 | 0:27:13 | |
Good. What did he mean by, "Is this him"? | 0:27:13 | 0:27:16 | |
I don't know, I must have been talking about you. | 0:27:16 | 0:27:20 | |
Who is he, then? | 0:27:20 | 0:27:21 | |
Why will you not tell me? | 0:27:21 | 0:27:23 | |
He's just some guy I met a while back. | 0:27:23 | 0:27:26 | |
He keeps asking me out even though I've told him I'm not interested. | 0:27:26 | 0:27:29 | |
He'll no take no for an answer, right? | 0:27:29 | 0:27:31 | |
You must be starving after practice. | 0:27:35 | 0:27:37 | |
How about beans and sausage? | 0:27:37 | 0:27:39 | |
You've got to be kidding! | 0:28:01 | 0:28:03 | |
Can you do Elvis? | 0:28:24 | 0:28:26 | |
# A little less conversation A little more action, please... # | 0:28:28 | 0:28:31 | |
I've been looking for you. | 0:28:40 | 0:28:43 | |
Well, you found me now. | 0:28:43 | 0:28:45 | |
We need to talk. | 0:28:50 | 0:28:52 | |
-Oh, aye? What about? -You know what about. | 0:28:52 | 0:28:54 | |
Are you my counsellor now? My social worker? | 0:28:54 | 0:28:56 | |
You can't tell me something like this | 0:28:56 | 0:28:58 | |
and then expect everything to carry on as normal. | 0:28:58 | 0:29:00 | |
Oh, I'm sorry. Am I meant to act differently now? | 0:29:00 | 0:29:02 | |
Wear a "damaged goods" sign round my neck? Would that help? | 0:29:02 | 0:29:05 | |
You've got to do something about this, Patrick. Speak to somebody. | 0:29:05 | 0:29:08 | |
I did - you! I'm beginning to regret it. | 0:29:08 | 0:29:11 | |
No, somebody professional. A psychologist or something. | 0:29:11 | 0:29:14 | |
You sound like Angel. | 0:29:14 | 0:29:16 | |
She's only worried about you. She doesn't know what to think. | 0:29:16 | 0:29:20 | |
Have you spoken to her? | 0:29:20 | 0:29:22 | |
She came into the garage. The lassie's worried sick about you. | 0:29:22 | 0:29:26 | |
-You didn't tell her anything, did you? -No, I didn't tell her nothing. | 0:29:26 | 0:29:29 | |
Please, let us get help for you. | 0:29:33 | 0:29:36 | |
Cos you need it, mate. | 0:29:36 | 0:29:38 | |
What is this? Am I the family freak now? | 0:29:38 | 0:29:41 | |
You going to bundle me into some loony bin? | 0:29:41 | 0:29:43 | |
Of course not. We just care about you. | 0:29:43 | 0:29:46 | |
Who's "we"? | 0:29:46 | 0:29:47 | |
My ma, me - the family. | 0:29:47 | 0:29:50 | |
Some family. | 0:29:50 | 0:29:51 | |
-I know you don't mean that. -Do I not, no? | 0:29:51 | 0:29:54 | |
Independence Day at the pop-up club. Take a flyer, ma'am. | 0:30:06 | 0:30:09 | |
Independence Day at the pop-up club. Take a flyer, ma'am, thank you. | 0:30:09 | 0:30:12 | |
You'll enjoy it. Independence Day at the pop-up, sir... Sir! | 0:30:12 | 0:30:16 | |
I've been looking for you. | 0:30:17 | 0:30:20 | |
Oh? | 0:30:20 | 0:30:21 | |
Want one? | 0:30:21 | 0:30:22 | |
You're, uh, Caitlin's boy? | 0:30:24 | 0:30:26 | |
Hm? Drew, isn't it? | 0:30:26 | 0:30:28 | |
I was talking to your mother earlier. | 0:30:28 | 0:30:31 | |
You're my da, aren't you? | 0:30:33 | 0:30:35 | |
Who does your mother say I am? | 0:30:37 | 0:30:39 | |
Are you? | 0:30:39 | 0:30:41 | |
I am. | 0:30:42 | 0:30:43 | |
Hey, hey.... | 0:30:45 | 0:30:48 | |
So, marks out of ten? | 0:30:48 | 0:30:50 | |
My maw said you looked like Sean Connery. | 0:30:51 | 0:30:54 | |
-AS CONNERY: -Surely you see the resemblance? | 0:30:54 | 0:30:56 | |
I've got a photo. | 0:30:56 | 0:30:58 | |
Good God. Tache is good, though, don't you think? | 0:30:59 | 0:31:03 | |
What say you and me get to know each other, eh? | 0:31:05 | 0:31:09 | |
-How? -A picnic. | 0:31:09 | 0:31:11 | |
I'm starving. | 0:31:11 | 0:31:12 | |
-You got any money? -A wee bit. | 0:31:13 | 0:31:16 | |
Come on, then. | 0:31:16 | 0:31:17 | |
Quality time. | 0:31:18 | 0:31:20 | |
Mano a mano... | 0:31:20 | 0:31:22 | |
I knew it was you as soon as you opened your mouth. | 0:31:22 | 0:31:24 | |
Oh, aye, how's that? | 0:31:24 | 0:31:26 | |
Cos my maw says you're full of bull. | 0:31:26 | 0:31:29 | |
Bring your arms over your head, interlocking all ten fingers. | 0:31:29 | 0:31:33 | |
And release the index fingers... | 0:31:33 | 0:31:35 | |
Now we're going to move to the right and left, | 0:31:35 | 0:31:38 | |
-just loosening up the body. -I want a word with you. | 0:31:38 | 0:31:41 | |
-I'm in the middle of a class. -I'm not blind. | 0:31:41 | 0:31:43 | |
Sorry, could you excuse me for one minute? | 0:31:46 | 0:31:49 | |
Just lie down and shavasana - meditate. | 0:31:49 | 0:31:51 | |
-What do you want? -Did you talk to Bob about me? | 0:31:54 | 0:31:57 | |
-So what if I did? -Don't EVER do that again. | 0:31:57 | 0:32:00 | |
Why? Scared I'll actually find something out? | 0:32:00 | 0:32:03 | |
-What did he say? -Nothing. | 0:32:03 | 0:32:05 | |
Just like you. | 0:32:07 | 0:32:08 | |
Like I don't even matter. | 0:32:08 | 0:32:10 | |
Please... | 0:32:12 | 0:32:13 | |
You can talk to me about anything, I won't judge, | 0:32:13 | 0:32:17 | |
I won't tell anyone. | 0:32:17 | 0:32:19 | |
There's nothing to tell. | 0:32:19 | 0:32:20 | |
If you would just open up to me, I could help... | 0:32:20 | 0:32:23 | |
Why would telling you help? | 0:32:23 | 0:32:24 | |
Because that is what girlfriends do. | 0:32:24 | 0:32:26 | |
We are supposed to be in this together. | 0:32:26 | 0:32:28 | |
Why do I need to tell you everything? | 0:32:28 | 0:32:31 | |
What if I don't want you "in this"? | 0:32:31 | 0:32:32 | |
Then if you can't open up to me, what is the point in "us"? | 0:32:34 | 0:32:37 | |
So if I don't tell you, that's us? | 0:32:37 | 0:32:41 | |
I just... | 0:32:41 | 0:32:42 | |
I can't take this any more, Patrick. It's too much. | 0:32:44 | 0:32:47 | |
Maybe you're right - maybe there is no point in us. | 0:32:47 | 0:32:50 | |
So, have you got a girlfriend? | 0:32:59 | 0:33:01 | |
-I think so. -Well, you either have or you haven't. | 0:33:01 | 0:33:05 | |
Her name's Jules. | 0:33:05 | 0:33:06 | |
Very good. Where's she from? | 0:33:06 | 0:33:08 | |
Bearsden. | 0:33:08 | 0:33:10 | |
Oh! Classy! | 0:33:10 | 0:33:12 | |
What sort of music do you like? | 0:33:12 | 0:33:14 | |
-I like all sorts... -Perfect. | 0:33:14 | 0:33:16 | |
Rites Of Spring, rap. | 0:33:18 | 0:33:20 | |
Old indie too - The Smiths... | 0:33:20 | 0:33:23 | |
The Smiths? Don't talk to me about The Smiths... | 0:33:23 | 0:33:26 | |
Johnny Marr borrowed a capo from me once - I never got it back. | 0:33:26 | 0:33:29 | |
I quite like blues and jazz... | 0:33:30 | 0:33:32 | |
And see that Morrissey? | 0:33:32 | 0:33:34 | |
He still owes me 50 quid for a mic stand. | 0:33:34 | 0:33:36 | |
Did your mother tell you that I met her at one of my concerts? | 0:33:39 | 0:33:42 | |
December 1999. | 0:33:42 | 0:33:43 | |
She was a stunner back then. | 0:33:44 | 0:33:46 | |
I told her she looked like Carol Decker. | 0:33:46 | 0:33:50 | |
Who? | 0:33:50 | 0:33:51 | |
Forget it. | 0:33:52 | 0:33:53 | |
I saw Alex Kapranos from the bus once. | 0:33:55 | 0:33:58 | |
Who? | 0:33:58 | 0:34:00 | |
Forget it. | 0:34:00 | 0:34:02 | |
Know Tom Jones? Good pal of mine. | 0:34:02 | 0:34:05 | |
Slept on his couch many a night. | 0:34:05 | 0:34:07 | |
Did you really? | 0:34:10 | 0:34:11 | |
Eat your crisps. | 0:34:13 | 0:34:14 | |
Surely just one day wouldn't have done any harm. | 0:34:21 | 0:34:23 | |
He's been doing that boy harm his entire life. | 0:34:23 | 0:34:26 | |
Well, he says he's changed. | 0:34:26 | 0:34:28 | |
Men like Pete never change. | 0:34:28 | 0:34:30 | |
Ellie, look me in the eye and remember this. | 0:34:30 | 0:34:32 | |
If there's one lesson in life you need to learn, it's that. | 0:34:32 | 0:34:35 | |
They never, ever change. | 0:34:35 | 0:34:36 | |
Come on. | 0:34:37 | 0:34:38 | |
Guess who else is on? | 0:34:40 | 0:34:42 | |
Yours truly. | 0:34:42 | 0:34:43 | |
Really? | 0:34:43 | 0:34:45 | |
Yeah, Angus heard I was in town. He begged me. | 0:34:45 | 0:34:48 | |
And I owe it to my audience. | 0:34:48 | 0:34:49 | |
Teach these youngsters a thing or two. | 0:34:49 | 0:34:51 | |
Standing at the mic, staring at their shoes. | 0:34:51 | 0:34:54 | |
Look like they'd rather be somewhere else! | 0:34:54 | 0:34:57 | |
Maybe their lyrics are more important than their act... | 0:34:57 | 0:34:59 | |
-I write lyrics. -No way? | 0:35:01 | 0:35:03 | |
My boy, the songwriter. | 0:35:03 | 0:35:05 | |
Ach, they could be lyrics... might be poems. | 0:35:07 | 0:35:10 | |
Never mind the Moon In June, son. | 0:35:10 | 0:35:12 | |
It's either a song or it's not, know what I mean? | 0:35:12 | 0:35:15 | |
The minute you write a lyric, you know which chords to play. | 0:35:15 | 0:35:18 | |
It's sort of...divine intervention. | 0:35:18 | 0:35:20 | |
So, are you going to come along and see your old man in action tonight? | 0:35:22 | 0:35:27 | |
-I don't know. -Come on. What do you say? | 0:35:27 | 0:35:29 | |
Aye, OK, then. | 0:35:32 | 0:35:33 | |
Good man! | 0:35:33 | 0:35:34 | |
I think that deserves a drink, don't you? | 0:35:34 | 0:35:37 | |
You couldn't stay away, could you? | 0:35:39 | 0:35:41 | |
Get off me! I'm staying here. | 0:35:41 | 0:35:43 | |
-Move! I'm not going to tell you again. -You lied to me again. | 0:35:43 | 0:35:46 | |
-I don't have to do anything you say! -It's for your own good, believe you me. | 0:35:46 | 0:35:49 | |
At least you could be honest with the kid, Caitlin. | 0:35:49 | 0:35:52 | |
Aye. I'll give you honesty. | 0:35:52 | 0:35:54 | |
Hang about with this washed-up loser and you'll end up... | 0:35:54 | 0:35:57 | |
You'll end up really hurting yourself. | 0:35:59 | 0:36:01 | |
What does that mean? | 0:36:01 | 0:36:03 | |
While you were away gathering no moss, | 0:36:03 | 0:36:04 | |
the wean you abandoned was going through hell. | 0:36:04 | 0:36:07 | |
-Now, wait a minute. -It had nothing to do with him! | 0:36:07 | 0:36:09 | |
You should be glad I never told him the truth. | 0:36:11 | 0:36:14 | |
Listen, son, maybe you should go with your mum. | 0:36:17 | 0:36:20 | |
I hate you. | 0:36:22 | 0:36:23 | |
I really HATE you. | 0:36:23 | 0:36:26 | |
Are you pleased with yourself? | 0:36:30 | 0:36:31 | |
Me? ME?! | 0:36:31 | 0:36:33 | |
What have I done wrong? | 0:36:33 | 0:36:34 | |
Setting a boy against his father. | 0:36:34 | 0:36:36 | |
You make me SICK! | 0:36:36 | 0:36:38 | |
-Give me some hope. -Well, can you blame her? | 0:36:40 | 0:36:43 | |
-What have I done? -What have you NOT done? | 0:36:43 | 0:36:45 | |
The boy needs me in his life - | 0:36:45 | 0:36:47 | |
you know he does - maybe you could speak to her? | 0:36:47 | 0:36:50 | |
She might listen to you. | 0:36:51 | 0:36:53 | |
I'll try. | 0:36:53 | 0:36:54 | |
-Thanks, Doll! -I'm not doing it for you, Pete. | 0:36:55 | 0:36:57 | |
I'm doing it for Drew, all right? | 0:36:57 | 0:36:59 | |
Over my dead body. | 0:37:09 | 0:37:10 | |
-I'm going to see him. You can't stop me! -Yes, I can! | 0:37:10 | 0:37:12 | |
No. You can't! You can't. I'm 16. | 0:37:12 | 0:37:14 | |
I can do what I want, I could move out if I wanted. | 0:37:14 | 0:37:16 | |
-Well, do it, then! -No wonder he left you! | 0:37:16 | 0:37:18 | |
No wonder they ALL leave you. | 0:37:20 | 0:37:23 | |
I didn't deserve that. | 0:37:31 | 0:37:32 | |
I'm not saying I'm perfect, | 0:37:35 | 0:37:36 | |
but I've always done the best I could for my kids. | 0:37:36 | 0:37:40 | |
-You can't stop him going. -Whose side are you on? | 0:37:40 | 0:37:42 | |
I'm on Drew's side. A boy needs a father. | 0:37:42 | 0:37:45 | |
He needs a father, not a feckless, lying, cheating drunk. | 0:37:45 | 0:37:48 | |
Well, he's the only one he's got. | 0:37:48 | 0:37:50 | |
He knows Pete's his dad now, so if you try and keep them apart, | 0:37:50 | 0:37:54 | |
you're just going to make things worse. | 0:37:54 | 0:37:56 | |
It's all right saying that, Ellie, but if Pete lets him down... | 0:37:56 | 0:37:59 | |
WHEN Pete lets him down, | 0:37:59 | 0:38:02 | |
I'm the one that has to pick up the pieces. | 0:38:02 | 0:38:04 | |
Why don't you just...cross that bridge when you come to it? | 0:38:05 | 0:38:09 | |
I've been hurt too many times. | 0:38:11 | 0:38:12 | |
Well, what about a compromise? | 0:38:13 | 0:38:15 | |
Let him go to the pop-up, but only if you're there too. | 0:38:15 | 0:38:17 | |
I'd rather stick needles in my eyes than sit through another one of his shows. | 0:38:17 | 0:38:21 | |
Drew needs you there. For him. | 0:38:21 | 0:38:23 | |
I'll come too, if you want. I'll be there for YOU. | 0:38:25 | 0:38:28 | |
Did you not used to say that was mindless trash | 0:38:38 | 0:38:40 | |
that objectified women? | 0:38:40 | 0:38:42 | |
I thought I better try before I judge. New motto. | 0:38:42 | 0:38:45 | |
Where are you off to? | 0:38:45 | 0:38:47 | |
I'm taking some hot dogs over to the pop-up. | 0:38:47 | 0:38:49 | |
Might stop a while. You up for it? | 0:38:49 | 0:38:51 | |
No, I'd have to get showered and changed. I can't be bothered. | 0:38:51 | 0:38:54 | |
I don't mind waiting. | 0:38:54 | 0:38:56 | |
I'm pretty tired. | 0:38:56 | 0:38:58 | |
You used to enjoy watching a band. | 0:38:58 | 0:39:00 | |
Well, now I'd rather stay in and read my book. | 0:39:00 | 0:39:02 | |
Is that OK? | 0:39:02 | 0:39:04 | |
Well, I can't bind you with a cable tie and force you to come along. | 0:39:04 | 0:39:08 | |
Unless that's changed as well? | 0:39:08 | 0:39:10 | |
No, I still wouldn't like that. | 0:39:10 | 0:39:13 | |
Well, if any of your other preferences change, do let me know. | 0:39:13 | 0:39:16 | |
MUSIC: Take It Easy by The Eagles | 0:39:23 | 0:39:25 | |
# Don't even try to understand | 0:39:27 | 0:39:29 | |
# Just find a place to make your stand | 0:39:30 | 0:39:33 | |
# And take it easy | 0:39:33 | 0:39:36 | |
# Well, I'm a standing on a corner in Winslow, Arizona | 0:39:40 | 0:39:44 | |
# And such a fine sight to see... # | 0:39:44 | 0:39:47 | |
MUSIC FADES | 0:39:47 | 0:39:49 | |
SHE GIGGLES | 0:40:02 | 0:40:04 | |
Watch your step here. | 0:40:04 | 0:40:06 | |
That's it. | 0:40:06 | 0:40:07 | |
Now just... | 0:40:11 | 0:40:12 | |
Here. | 0:40:13 | 0:40:15 | |
-OK. -Keep your eyes closed. -Mm-hm. | 0:40:15 | 0:40:17 | |
-Are you ready? -Yeah. | 0:40:22 | 0:40:24 | |
Open them now. | 0:40:24 | 0:40:25 | |
Happy Fourth of July! | 0:40:34 | 0:40:35 | |
You did all this for me? | 0:40:38 | 0:40:39 | |
Well, I had a bit of help. | 0:40:39 | 0:40:41 | |
Aye. He phoned up Will Smith. | 0:40:43 | 0:40:45 | |
See you later, alligator. | 0:40:46 | 0:40:48 | |
No-one's ever done anything like this for me before. | 0:40:49 | 0:40:52 | |
I've never even had a party thrown for me! | 0:40:52 | 0:40:54 | |
# Tell me why | 0:41:00 | 0:41:02 | |
# Oh, why | 0:41:02 | 0:41:03 | |
# Oh, why can't my dream come true? # | 0:41:03 | 0:41:09 | |
What is it? | 0:41:10 | 0:41:12 | |
Nothing. | 0:41:12 | 0:41:13 | |
Better left unsaid... | 0:41:15 | 0:41:16 | |
Listen, can you take over? I've got something I need to do. | 0:41:18 | 0:41:21 | |
OK! | 0:41:21 | 0:41:22 | |
Hey... Um... | 0:41:25 | 0:41:27 | |
I just wanted to apologise for what I said earlier. | 0:41:27 | 0:41:30 | |
It's the least of our worries, hen! | 0:41:30 | 0:41:32 | |
Honestly, I did not mean it the way it came out. | 0:41:32 | 0:41:35 | |
I've heard worse. | 0:41:35 | 0:41:37 | |
Sometimes I'm a little too blunt for folk around here. | 0:41:37 | 0:41:39 | |
-You can say that again. -Er, it takes one to know one. | 0:41:39 | 0:41:42 | |
Apology accepted. | 0:41:42 | 0:41:43 | |
Thanks. | 0:41:43 | 0:41:45 | |
Is that it? | 0:41:45 | 0:41:46 | |
-You not going to offer to buy us a drink? -You're a pure brass neck! | 0:41:46 | 0:41:49 | |
No, she's right. What can I get you? | 0:41:49 | 0:41:51 | |
BOTH: Voddy and coke. | 0:41:51 | 0:41:53 | |
# We're gonna rock around the clock tonight | 0:41:53 | 0:41:55 | |
# Put your glad rags on and join me, hon... # | 0:41:55 | 0:41:58 | |
AMIABLE BANTER | 0:41:58 | 0:42:00 | |
MUSIC AND CHATTER | 0:42:00 | 0:42:05 | |
Oh, no! | 0:42:07 | 0:42:08 | |
LAUGHTER | 0:42:08 | 0:42:09 | |
Hup! Hup! | 0:42:15 | 0:42:16 | |
Don't be surprised if he doesn't show up, son. | 0:42:23 | 0:42:25 | |
He'll be here! | 0:42:25 | 0:42:26 | |
Course he will. | 0:42:26 | 0:42:28 | |
Ladies and gentlemen - | 0:42:28 | 0:42:29 | |
all the way from Tupelo, Mississippi | 0:42:29 | 0:42:33 | |
by way of Las Vegas, | 0:42:33 | 0:42:35 | |
please welcome - the man with the plan - the King of Rock and Roll... | 0:42:35 | 0:42:41 | |
Mr Elvis Aaron Presley! | 0:42:41 | 0:42:46 | |
Thank you very much, thank you very much, ladies and gentlemen. | 0:42:57 | 0:43:01 | |
I'd like to dedicate this first number to | 0:43:01 | 0:43:04 | |
Ms Caitlin McLean... | 0:43:04 | 0:43:06 | |
MUSIC INTRO | 0:43:08 | 0:43:10 | |
# We're caught in a trap | 0:43:13 | 0:43:14 | |
# Who-ooh-ooh | 0:43:14 | 0:43:17 | |
# We can't walk out | 0:43:17 | 0:43:18 | |
# Because I love you too much, baby | 0:43:21 | 0:43:26 | |
# Why can't you see | 0:43:29 | 0:43:31 | |
# Whoa-oh-oh | 0:43:31 | 0:43:33 | |
# What you're doing to me | 0:43:33 | 0:43:35 | |
# When you don't believe a word a say? | 0:43:37 | 0:43:43 | |
# We can't go on together | 0:43:46 | 0:43:50 | |
# With suspicious minds. # | 0:43:50 | 0:43:52 | |
# It's now or never | 0:44:12 | 0:44:14 | |
# My love won't wait | 0:44:15 | 0:44:18 | |
# It's now or never | 0:44:19 | 0:44:24 | |
# My love won't wait | 0:44:25 | 0:44:32 | |
# Now or never - my love won't wait! # | 0:44:33 | 0:44:39 | |
APPLAUSE AND CHEERING | 0:44:40 | 0:44:41 | |
Ladies and gentleman, this, uh... | 0:44:59 | 0:45:01 | |
This is my last song of the night here. | 0:45:01 | 0:45:03 | |
-ALL: -Aww! | 0:45:03 | 0:45:05 | |
I'd like to dedicate it to my son, Drew, | 0:45:05 | 0:45:09 | |
who's in the audience tonight... | 0:45:09 | 0:45:12 | |
That's Drew. | 0:45:12 | 0:45:13 | |
# And I love you so | 0:45:27 | 0:45:30 | |
# The people ask me how | 0:45:32 | 0:45:35 | |
# How I've lived till now | 0:45:39 | 0:45:41 | |
# I tell them I don't know | 0:45:44 | 0:45:47 | |
# I guess they'll understand | 0:45:50 | 0:45:53 | |
# How lonely life has been | 0:45:56 | 0:45:59 | |
# But life began again | 0:46:02 | 0:46:04 | |
# The day you took my hand | 0:46:08 | 0:46:12 | |
# And, yes, I know | 0:46:16 | 0:46:20 | |
# How lonely life has been | 0:46:21 | 0:46:26 | |
# But shadows follow me | 0:46:28 | 0:46:31 | |
# And the night won't set me free | 0:46:33 | 0:46:37 | |
# But I, I won't let | 0:46:40 | 0:46:45 | |
# The evening get me down | 0:46:46 | 0:46:50 | |
# Now that you're around | 0:46:52 | 0:46:55 | |
# Me. # | 0:46:58 | 0:47:00 | |
Oh, yeah, Drew. | 0:47:02 | 0:47:04 | |
APPLAUSE | 0:47:09 | 0:47:11 | |
Ooh-ooh! | 0:47:25 | 0:47:27 | |
See you left your dad at home, then, eh? | 0:47:27 | 0:47:29 | |
I thought Elvis might be his thing. | 0:47:29 | 0:47:31 | |
It would be if he wasn't working. | 0:47:31 | 0:47:33 | |
And I'm not hanging up my dancing shoes just yet! | 0:47:33 | 0:47:35 | |
-Nailed it, bro - I mean, totally nailed it. -Thank you very much! | 0:47:39 | 0:47:43 | |
-Hey, Pete - there's your fee. -Oh, brilliant. | 0:47:46 | 0:47:48 | |
I told you I'd do the business for you. So, what do you think, | 0:47:48 | 0:47:51 | |
make it a regular thing? | 0:47:51 | 0:47:53 | |
Let me think about it. | 0:47:53 | 0:47:55 | |
Don't take too long, now - I might get a better offer. | 0:47:55 | 0:47:58 | |
Stick that behind the bar. | 0:47:58 | 0:47:59 | |
Hey, girls - does Cinderella know you're out tonight? | 0:48:01 | 0:48:04 | |
Mum... Could Pete stay the night? | 0:48:06 | 0:48:09 | |
Could sleep on the sofa. | 0:48:09 | 0:48:11 | |
It's up to him. | 0:48:13 | 0:48:14 | |
Right, girls - let's party like it's 1999! | 0:48:18 | 0:48:21 | |
-Mum said you could stay at ours if you want. -It's a kind offer, but... | 0:48:23 | 0:48:27 | |
I've got a hotel. | 0:48:27 | 0:48:29 | |
Besides... | 0:48:29 | 0:48:30 | |
The night is young! | 0:48:30 | 0:48:31 | |
Tell you what, there's a match at Thistle tomorrow - just a friendly. | 0:48:33 | 0:48:37 | |
-Fancy going? -OK. | 0:48:37 | 0:48:39 | |
He's got a hotel booked, | 0:48:43 | 0:48:45 | |
but he's going to take me to football tomorrow. | 0:48:45 | 0:48:47 | |
Is that right? Very good. | 0:48:47 | 0:48:49 | |
-Right, we'd better get going. -Come on, then. | 0:48:49 | 0:48:53 | |
See you later, Dad. | 0:48:53 | 0:48:54 | |
So, what did you think of the show? | 0:48:56 | 0:48:59 | |
What a fantastic night! | 0:48:59 | 0:49:01 | |
I was pure greeting when he brought that wee boy up on stage... | 0:49:01 | 0:49:04 | |
-Oh, hullo, stranger. Jimmy no' home yet? -I don't know. | 0:49:05 | 0:49:08 | |
It's good to see you. | 0:49:10 | 0:49:12 | |
I was beginning to think you'd abandoned us. | 0:49:12 | 0:49:15 | |
We've got some birthday cake left. | 0:49:20 | 0:49:22 | |
-Have you seen my phone charger? -It'll be wherever you left it. | 0:49:24 | 0:49:27 | |
That's good. That's really helpful. | 0:49:27 | 0:49:29 | |
-Cheers. -Oh, I see your mood's improved. | 0:49:29 | 0:49:31 | |
Here, you'll never guess who the turn was. | 0:49:33 | 0:49:35 | |
-You're right. I'll never guess. -Young Drew's father. | 0:49:35 | 0:49:37 | |
He invited the wee boy up on stage and he dedicated a wee song to him. | 0:49:37 | 0:49:40 | |
I'm telling you, it would've brought a tear to a glass eye. | 0:49:40 | 0:49:43 | |
I'm not interested. | 0:49:43 | 0:49:44 | |
I'm just saying... | 0:49:44 | 0:49:46 | |
Aye, and I'm just saying I'm not interested in your stupid wee stories! | 0:49:46 | 0:49:49 | |
Patrick, do you know what? Why don't you just get out? | 0:49:49 | 0:49:51 | |
-What's this? -I'm off. | 0:49:51 | 0:49:54 | |
I've had it with people round here telling me what to think, do... | 0:49:54 | 0:49:56 | |
-Maybe we're done with you and all. -Scarlett, please. | 0:49:56 | 0:49:59 | |
-Yeah? Well, don't worry - I'm going. -Don't come crawling back. | 0:49:59 | 0:50:02 | |
Why would I? I know you don't care... | 0:50:02 | 0:50:03 | |
Oh, I care, all right. Too much - that's my problem! | 0:50:03 | 0:50:06 | |
You didn't care when I was young, and you don't care now. | 0:50:06 | 0:50:08 | |
-Oh, just get out! -What was that about? What did you say to him? | 0:50:08 | 0:50:12 | |
I never said anything to him. | 0:50:12 | 0:50:13 | |
Nothing! I cannae get anything right! | 0:50:13 | 0:50:15 | |
THEY SING DRUNKENLY | 0:50:16 | 0:50:20 | |
-Hound dog! -I was going to do that! | 0:50:21 | 0:50:23 | |
# Because I love you too much, baby | 0:50:25 | 0:50:27 | |
# Why can't you see What you're doing to me | 0:50:28 | 0:50:32 | |
# When you don't believe a word I say? | 0:50:32 | 0:50:35 | |
# We can't go on together | 0:50:36 | 0:50:38 | |
# With suspicious minds | 0:50:38 | 0:50:40 | |
# We can't build our dream on suspicious minds... # | 0:50:40 | 0:50:46 | |
Right, then, Elvis - this is me. | 0:50:46 | 0:50:48 | |
OK, OK... | 0:50:48 | 0:50:50 | |
-You all right now? -Aye, aye... I've got the Hilton. | 0:50:50 | 0:50:53 | |
Executive suite. Got an upgrade. | 0:50:53 | 0:50:55 | |
Can I just say something? | 0:50:56 | 0:50:58 | |
No, no, no - can I just say... | 0:50:58 | 0:51:00 | |
-I love you! -I love you! | 0:51:00 | 0:51:02 | |
-Right, best, uh... -Aye. | 0:51:05 | 0:51:07 | |
Lovely. Lovely. | 0:51:07 | 0:51:09 | |
-Wahey! -See you! | 0:51:16 | 0:51:19 | |
Why are you sleeping in your motor? | 0:52:47 | 0:52:49 | |
Erm...a flat. I didn't make it to the hotel. | 0:52:49 | 0:52:52 | |
I can fix that for you. | 0:52:52 | 0:52:54 | |
Oh... That'd be great. | 0:52:54 | 0:52:56 | |
Don't want you walking to the match, do we? | 0:52:56 | 0:52:58 | |
Is that the local paper? | 0:52:58 | 0:53:00 | |
Let me look. | 0:53:00 | 0:53:02 | |
Angus said there'd be a review of the gig last night. | 0:53:02 | 0:53:04 | |
Scarlett... | 0:53:16 | 0:53:17 | |
Have you seen Patrick this morning? | 0:53:19 | 0:53:21 | |
I thought he was with you. He stormed out last night. | 0:53:21 | 0:53:24 | |
I'm worried sick. | 0:53:24 | 0:53:25 | |
He'll be fine. | 0:53:25 | 0:53:26 | |
Oh, will he? | 0:53:26 | 0:53:28 | |
Shut it, Jimmy. Don't you worry, hen. | 0:53:28 | 0:53:30 | |
Are you sure? | 0:53:30 | 0:53:32 | |
He just needs time to get whatever's bothering him out of his system. | 0:53:32 | 0:53:35 | |
If you hear from him, can you get him to call me, please? | 0:53:35 | 0:53:38 | |
Aye, and if you see him first, gonnae tell him to call me? | 0:53:38 | 0:53:41 | |
I will. Thanks, Scarlett. | 0:53:41 | 0:53:43 | |
'..If Elvis wasn't already dead, | 0:53:49 | 0:53:51 | |
"he would surely be wishing he was after witnessing this.' | 0:53:51 | 0:53:55 | |
What the hell do they know? | 0:53:59 | 0:54:00 | |
-Shall I put it on now, then? -Aye. | 0:54:02 | 0:54:05 | |
Oh, and my ma says, what do you want for breakfast, | 0:54:05 | 0:54:07 | |
-boiled or scrambled? -Both. | 0:54:07 | 0:54:10 | |
LIGHT KNOCK | 0:54:18 | 0:54:19 | |
HE GROANS | 0:54:19 | 0:54:21 | |
What time did you get in? | 0:54:22 | 0:54:25 | |
Late...early. I don't know. | 0:54:25 | 0:54:27 | |
It was gone one by the time I went to bed - | 0:54:27 | 0:54:29 | |
it must have been some time after that. | 0:54:29 | 0:54:32 | |
I'll take your word for that. | 0:54:32 | 0:54:34 | |
Where did you go? | 0:54:34 | 0:54:35 | |
Who were you with all that time? | 0:54:35 | 0:54:38 | |
Elvis. | 0:54:38 | 0:54:39 | |
-Elvis? -Yeah! | 0:54:39 | 0:54:41 | |
We were caught in a trap. | 0:54:41 | 0:54:42 | |
How was your night in? I can guess who you were with. | 0:54:47 | 0:54:51 | |
Christian Grey. | 0:54:52 | 0:54:54 | |
Very funny... | 0:54:55 | 0:54:56 | |
# There must be lights burning brighter | 0:55:02 | 0:55:05 | |
# Somewhere | 0:55:05 | 0:55:07 | |
# Got to be birds flying higher | 0:55:09 | 0:55:13 | |
# In a sky more blue | 0:55:13 | 0:55:16 | |
# If I can dream of a better land | 0:55:16 | 0:55:21 | |
# Where all my brothers walk hand in hand | 0:55:21 | 0:55:24 | |
# Tell me why, oh, why | 0:55:24 | 0:55:28 | |
# Oh, why can't my dream come true? | 0:55:28 | 0:55:33 | |
# Oh, why? | 0:55:35 | 0:55:38 | |
# There must be peace and understanding | 0:55:39 | 0:55:43 | |
# Sometime. # | 0:55:43 | 0:55:45 | |
His car isn't there, son. | 0:55:47 | 0:55:49 | |
He'll not have gone far. | 0:55:49 | 0:55:51 | |
Maybe he went for petrol, or something. | 0:55:52 | 0:55:55 | |
# If I can dream of a warmer sun | 0:55:55 | 0:55:59 | |
# Where hope keeps shining on everyone | 0:55:59 | 0:56:03 | |
# Tell me why, oh, why... # | 0:56:03 | 0:56:06 | |
Maybe that's what's happened, right enough. | 0:56:07 | 0:56:10 | |
-It's me and Bob. -You and Bob? What's wrong? | 0:56:14 | 0:56:17 | |
It's got a bit messy. Now I think he's dead keen. | 0:56:17 | 0:56:19 | |
So make a choice, and to hell with the wagging tongues. | 0:56:19 | 0:56:23 | |
You don't love Bob, but he'll pay the bills, eh? | 0:56:23 | 0:56:25 | |
Put a roof over your head. | 0:56:25 | 0:56:26 | |
You're going to be a great role model for your wee girl. | 0:56:26 | 0:56:29 | |
I want you. But what do you want? | 0:56:29 | 0:56:31 | |
And there was me hoping we'd seen the last of you. | 0:56:31 | 0:56:33 | |
He's teaching me to play guitar. | 0:56:33 | 0:56:35 | |
You don't want to end up miserable and twisted like the rest of them. | 0:56:35 | 0:56:39 | |
Who needs the real world? | 0:56:39 | 0:56:40 | |
So what if it's a dream? | 0:56:40 | 0:56:43 | |
You've gotta dream to live the dream. | 0:56:43 | 0:56:46 | |
We're adults, you want to be with me. | 0:56:46 | 0:56:48 | |
Let's tell them - there'll never be a good time. | 0:56:48 | 0:56:50 | |
-Don't make me choose. -One of us has to. | 0:56:50 | 0:56:52 | |
Amber, Lenny, what you see is what you get, but Alex... | 0:56:52 | 0:56:56 | |
Now there is one manipulative, ruthless psycho. | 0:56:56 | 0:56:59 | |
-AJ! -You just need to be careful | 0:56:59 | 0:57:01 | |
what you say when you next open your mouth, pal. | 0:57:01 | 0:57:03 | |
Or what? I'll be up to my neck in cement? | 0:57:03 | 0:57:06 |