Browse content similar to 12/07/2016. Check below for episodes and series from the same categories and more!
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We're not so different, me and you. | 0:00:20 | 0:00:22 | |
We both use people to get what we want. | 0:00:22 | 0:00:24 | |
I don't have what I want. | 0:00:24 | 0:00:25 | |
I'm saying... we're having an affair, Alex. | 0:00:25 | 0:00:28 | |
You either look forward | 0:00:28 | 0:00:30 | |
or you look back. It's your choice, mate. | 0:00:30 | 0:00:32 | |
Do you know what it's like to only know half of who you are? | 0:00:32 | 0:00:35 | |
-You're Drew McLean. You're my son. -I'm not just your son, though! | 0:00:35 | 0:00:38 | |
-You're my dad, aren't you? -I am. | 0:00:38 | 0:00:40 | |
I'd like to dedicate it to my, er... | 0:00:40 | 0:00:43 | |
my son Drew. | 0:00:43 | 0:00:44 | |
-His car isn't there, son. -He'll not have gone far. | 0:00:44 | 0:00:47 | |
Oh... It's gone one. | 0:00:57 | 0:00:59 | |
-I have to go soon. -Just five more minutes. | 0:01:00 | 0:01:03 | |
Leaving's too hard. | 0:01:04 | 0:01:05 | |
I know. | 0:01:05 | 0:01:07 | |
I want to wake up with you. | 0:01:07 | 0:01:08 | |
Go to sleep with you. | 0:01:09 | 0:01:11 | |
Let's at least have that. | 0:01:12 | 0:01:14 | |
If only. | 0:01:15 | 0:01:16 | |
Why not? | 0:01:16 | 0:01:18 | |
No more sneaking about. | 0:01:19 | 0:01:21 | |
I hate this. I want to be with you. | 0:01:23 | 0:01:26 | |
And I hate it, too. | 0:01:27 | 0:01:28 | |
Doctors have weekend courses, don't they? | 0:01:28 | 0:01:30 | |
We've risked so much already... | 0:01:30 | 0:01:32 | |
So, what's one more? | 0:01:34 | 0:01:35 | |
DOOR SLAMS Alex! | 0:01:39 | 0:01:41 | |
Hello? | 0:01:42 | 0:01:43 | |
Oh! I haven't seen you in here for a while. | 0:01:49 | 0:01:51 | |
I thought she must be on a diet. | 0:01:51 | 0:01:53 | |
No, I've been sidetracked. | 0:01:53 | 0:01:55 | |
But, er...now I'm back | 0:01:55 | 0:01:56 | |
and ready to win some major brownie points with my neglected wife. | 0:01:56 | 0:01:59 | |
Lucky girl! | 0:01:59 | 0:02:00 | |
HE KNOCKS ON THE DOOR | 0:02:00 | 0:02:02 | |
She's not here. | 0:02:05 | 0:02:06 | |
-I can see that. -She's on a house call. | 0:02:06 | 0:02:09 | |
She doesn't normally do them in her lunch. | 0:02:09 | 0:02:11 | |
-But this is a special case. -Where? | 0:02:11 | 0:02:14 | |
-I don't know. -How long is she going to be? | 0:02:14 | 0:02:16 | |
I don't know that, either. And if I did, I couldn't tell you. | 0:02:16 | 0:02:19 | |
It's confidential. | 0:02:19 | 0:02:21 | |
You've a phone. Ask her yourself. | 0:02:21 | 0:02:24 | |
Sorry. Yeah. | 0:02:24 | 0:02:26 | |
I have to get out of here. You need to get rid of them. | 0:02:35 | 0:02:37 | |
-They live here, Annie. -Well, you just distract them | 0:02:37 | 0:02:40 | |
-and I'll sneak out. -Why? | 0:02:40 | 0:02:42 | |
-What? -No, I'm serious. | 0:02:43 | 0:02:45 | |
We're adults. You want to be with me. Let's tell them. | 0:02:45 | 0:02:47 | |
There'll never be a good time. | 0:02:47 | 0:02:49 | |
Alex, I can't. Not yet. | 0:02:49 | 0:02:51 | |
I'll take care of it. | 0:02:53 | 0:02:55 | |
Has anybody seen my phone? | 0:03:08 | 0:03:09 | |
Have you tried your coat? | 0:03:09 | 0:03:11 | |
Got it! | 0:03:19 | 0:03:20 | |
Man look... | 0:03:21 | 0:03:23 | |
Can't see what's right in front of him. | 0:03:23 | 0:03:25 | |
There's a guy wanting to get hold of you. Daniel Sperring? | 0:03:26 | 0:03:29 | |
Great. Thanks. | 0:03:30 | 0:03:31 | |
What are you like? Stop your wriggling! | 0:04:22 | 0:04:25 | |
Hey? Hey? | 0:04:26 | 0:04:27 | |
Are you going to let me tuck you in? | 0:04:27 | 0:04:30 | |
OK, that's it. | 0:04:30 | 0:04:31 | |
Morning. | 0:04:35 | 0:04:36 | |
Sleep well? | 0:04:36 | 0:04:38 | |
Yeah. | 0:04:38 | 0:04:39 | |
-That her ready, then? -Yep. | 0:04:42 | 0:04:44 | |
Er...Ellie texted me. | 0:04:47 | 0:04:49 | |
She's going to pop round, to pick up some of her things later. | 0:04:50 | 0:04:53 | |
-OK. -Maybe there should just be one of us here...when she comes. | 0:04:55 | 0:04:58 | |
Well, it's not that I've anything to be ashamed of. | 0:05:00 | 0:05:02 | |
You know...? Have I? | 0:05:02 | 0:05:05 | |
No. | 0:05:05 | 0:05:06 | |
That's fine. Just say to her to come round when she wants. | 0:05:09 | 0:05:11 | |
Cool. | 0:05:11 | 0:05:12 | |
See you. | 0:05:12 | 0:05:14 | |
See you. | 0:05:15 | 0:05:16 | |
OK, I'll get a car to pick you up at the airport and then swing by here. | 0:05:22 | 0:05:25 | |
Yep, I'll have the paperwork ready. | 0:05:25 | 0:05:27 | |
And then we'll see you at the Candle Room this evening. | 0:05:27 | 0:05:29 | |
Perfect. | 0:05:29 | 0:05:31 | |
Daniel Sperring. | 0:05:31 | 0:05:32 | |
A London-based portfolio manager. | 0:05:32 | 0:05:34 | |
"London-based portfolio manager"? | 0:05:34 | 0:05:36 | |
Lah-dee-dah! | 0:05:36 | 0:05:38 | |
Other brokers hear the name Murdoch, dingy me. | 0:05:38 | 0:05:40 | |
It took every one of my connections to score this meeting with Sperring. | 0:05:40 | 0:05:43 | |
If we play our cards right, he'll bypass the start-ups | 0:05:43 | 0:05:46 | |
and sell Murdoch Enterprises to top-end investment projects. | 0:05:46 | 0:05:49 | |
Very good. What projects? | 0:05:49 | 0:05:51 | |
Could be anything. Even government-registered schemes. | 0:05:51 | 0:05:53 | |
You got anything to contribute? | 0:05:54 | 0:05:56 | |
OK, then, you go with him. Ride shotgun. | 0:05:57 | 0:05:59 | |
-Oh, do I have to? -Come on. | 0:05:59 | 0:06:02 | |
You want to be part of Murdoch Enterprises, | 0:06:02 | 0:06:03 | |
you're going to have to earn it. | 0:06:03 | 0:06:05 | |
I want to see you out there, the two of you, in action. | 0:06:05 | 0:06:07 | |
Prove to me you've got what it takes to fight off all-comers, hm? | 0:06:07 | 0:06:10 | |
He's right. You need the experience. | 0:06:11 | 0:06:14 | |
You can't have picked up many networking skills on litter duty. | 0:06:14 | 0:06:17 | |
Sperring will be good practice. | 0:06:17 | 0:06:19 | |
Just smile and laugh at his jokes. | 0:06:20 | 0:06:22 | |
What are you listening to? | 0:06:27 | 0:06:28 | |
Some old musos Dad bigged up. They're not too bad. | 0:06:30 | 0:06:33 | |
Well, do you want to come with us? | 0:06:34 | 0:06:36 | |
-Where are you going? -Shopping. -And Gary's treating us to tea. | 0:06:36 | 0:06:39 | |
-Er, am I? -Of course you are. | 0:06:39 | 0:06:41 | |
-He doesn't need to treat me. He's not my dad. -Oh, come on. -Bye. | 0:06:41 | 0:06:44 | |
MUSIC: Don't Get Fooled Again by The Who | 0:06:54 | 0:06:57 | |
DOORBELL RINGS | 0:07:27 | 0:07:29 | |
The gig went well. We had a few bevvies. | 0:07:34 | 0:07:38 | |
It was wild. | 0:07:38 | 0:07:39 | |
I meant to call you, but, er... | 0:07:40 | 0:07:42 | |
I lost my charger. | 0:07:42 | 0:07:44 | |
Who's that? | 0:07:48 | 0:07:49 | |
# The new generation | 0:07:52 | 0:07:54 | |
# Beat and drums and laughter... # | 0:07:54 | 0:07:56 | |
Not bad. Who is it? | 0:07:56 | 0:07:58 | |
A local band. | 0:07:58 | 0:07:59 | |
Ladies, do you mind if I leave some flyers for the gig tonight? | 0:08:05 | 0:08:07 | |
Oh, of course not, Angus. In you come. | 0:08:07 | 0:08:09 | |
Listen, I meant to say, | 0:08:11 | 0:08:13 | |
I think that's marvellous what you've done with those old arches. | 0:08:13 | 0:08:16 | |
Well, you should come tonight, Liz. You might get a lumber. | 0:08:16 | 0:08:19 | |
A lumbar puncture, more like! | 0:08:19 | 0:08:21 | |
Speak for yourself! | 0:08:21 | 0:08:23 | |
Er, listen, not that it's any of my business, | 0:08:23 | 0:08:26 | |
but I found Alistair the other day. | 0:08:26 | 0:08:28 | |
What do you mean you "found him"? | 0:08:31 | 0:08:34 | |
Was he lost? | 0:08:34 | 0:08:36 | |
-He's been living rough in my dad's Portakabin. -What? | 0:08:36 | 0:08:39 | |
He doesn't look a well man. | 0:08:39 | 0:08:40 | |
I just thought you'd want to know. | 0:08:40 | 0:08:42 | |
Oh, yes, thank you, Angus. | 0:08:43 | 0:08:45 | |
Living rough? | 0:08:47 | 0:08:49 | |
Oh, my lord, that's awful! | 0:08:49 | 0:08:51 | |
Nothing of the kind. He brought it all on himself. | 0:08:51 | 0:08:54 | |
But, Molly, if he's ill and got nowhere else to go... | 0:08:55 | 0:08:58 | |
He had no sympathy for those kids. | 0:08:58 | 0:09:01 | |
And I've got none for him. | 0:09:01 | 0:09:02 | |
Look, we don't know the full facts there. | 0:09:04 | 0:09:06 | |
Not really. | 0:09:06 | 0:09:08 | |
Except what that woman said. | 0:09:08 | 0:09:10 | |
And I think there's a touch of the witch hunt about that. | 0:09:10 | 0:09:15 | |
Well, I've heard all I want to. | 0:09:15 | 0:09:17 | |
Right. | 0:09:17 | 0:09:19 | |
What are you doing? | 0:09:19 | 0:09:20 | |
I'm going to find him. | 0:09:21 | 0:09:24 | |
I must. | 0:09:24 | 0:09:25 | |
He doesn't deserve your help. | 0:09:25 | 0:09:27 | |
Look, Molly, I need a lot more information | 0:09:27 | 0:09:31 | |
before I'm ready to condemn him. | 0:09:31 | 0:09:34 | |
Too soft! | 0:09:34 | 0:09:35 | |
Yeah, I know it's frustrating, | 0:09:39 | 0:09:41 | |
But they'll re-schedule your surgery within a month. | 0:09:41 | 0:09:44 | |
And then we can arrange your follow-up appointments. | 0:09:44 | 0:09:47 | |
I understand that you're worried. | 0:09:50 | 0:09:52 | |
No, it's not that. | 0:09:52 | 0:09:54 | |
It's me and Bob. | 0:09:55 | 0:09:57 | |
You and Bob? | 0:09:57 | 0:09:58 | |
What's wrong. | 0:09:58 | 0:10:00 | |
Well... | 0:10:00 | 0:10:01 | |
-..you know that Ellie split up with him? -I'd heard. | 0:10:02 | 0:10:04 | |
It's, kind of, my fault. | 0:10:05 | 0:10:06 | |
It's just with me and Hope living there and that | 0:10:08 | 0:10:11 | |
and him helping us out... | 0:10:11 | 0:10:13 | |
it's got a bit messy. | 0:10:13 | 0:10:15 | |
How messy? | 0:10:16 | 0:10:17 | |
Between me and you... | 0:10:19 | 0:10:21 | |
..we never slept together or anything like that. | 0:10:22 | 0:10:25 | |
Well, we kissed. | 0:10:27 | 0:10:29 | |
And...now, I think he's dead keen. | 0:10:31 | 0:10:33 | |
And you're not? | 0:10:34 | 0:10:35 | |
I don't know. | 0:10:37 | 0:10:38 | |
Some things are meant to be and... | 0:10:40 | 0:10:41 | |
..some things aren't. | 0:10:43 | 0:10:44 | |
Yeah. If I leave Bob, I'll hurt him. | 0:10:44 | 0:10:47 | |
But if I stay, then I'm lying to him. | 0:10:47 | 0:10:49 | |
Why has it got to be this hard? | 0:10:51 | 0:10:53 | |
Whoo. | 0:10:59 | 0:11:00 | |
I'm starting to feel human again. | 0:11:00 | 0:11:02 | |
So, where were you? | 0:11:05 | 0:11:07 | |
I told you, I met some guys. | 0:11:07 | 0:11:09 | |
We started jamming. Ended up in Cowdenbeath. | 0:11:09 | 0:11:12 | |
It was a great night. | 0:11:13 | 0:11:14 | |
Do you not get tired travelling all the time, | 0:11:15 | 0:11:18 | |
-sleeping in your car and that? -Oh, no. | 0:11:18 | 0:11:20 | |
If it was good enough for Johnny Cash, it's good enough for me. | 0:11:20 | 0:11:23 | |
I mean, I get why people think I'm weird. | 0:11:23 | 0:11:27 | |
But that's me. | 0:11:27 | 0:11:28 | |
I can't live under constraints. | 0:11:29 | 0:11:31 | |
-Do you think I'm weird? -No. | 0:11:33 | 0:11:35 | |
I think you're right. | 0:11:35 | 0:11:37 | |
It's just... | 0:11:38 | 0:11:39 | |
..I like it when you hang out here. | 0:11:40 | 0:11:43 | |
Listen...I know I haven't been around for you | 0:11:46 | 0:11:50 | |
and I'm not a perfect dad, like Gary. | 0:11:50 | 0:11:52 | |
I'd try to be like Gary, but I think I'd bore myself to death. | 0:11:54 | 0:11:57 | |
Fair do's to the guy. It must take years of training to be that dull. | 0:11:57 | 0:12:01 | |
He's all right. | 0:12:01 | 0:12:02 | |
I'd love to see you every day. | 0:12:02 | 0:12:04 | |
But living in Shieldinch, being a bar manager at The Ship... | 0:12:04 | 0:12:08 | |
..I'd go mental within a week. | 0:12:10 | 0:12:12 | |
What? | 0:12:28 | 0:12:29 | |
I know I haven't been around for you, but... | 0:12:30 | 0:12:33 | |
But it's your guitar. | 0:12:35 | 0:12:37 | |
And now it's yours. | 0:12:38 | 0:12:40 | |
Welcome to rock and roll. | 0:12:40 | 0:12:41 | |
It was his, you know? | 0:12:43 | 0:12:44 | |
-Who? -The man himself. | 0:12:45 | 0:12:48 | |
Clapton. | 0:12:49 | 0:12:50 | |
Eric Clapton. | 0:12:51 | 0:12:52 | |
You do know who Clapton is, don't you? | 0:12:54 | 0:12:56 | |
Aye. My maw likes him. | 0:12:56 | 0:12:59 | |
That's because I used to hang around with him, when I lived in London. | 0:12:59 | 0:13:02 | |
Really? | 0:13:02 | 0:13:03 | |
It was years ago, though, when he was in The Yardbirds. | 0:13:04 | 0:13:07 | |
He offered me a place in the band. | 0:13:07 | 0:13:09 | |
That's brilliant! | 0:13:09 | 0:13:10 | |
So...every time you strum those strings, | 0:13:12 | 0:13:15 | |
think of your old man. | 0:13:15 | 0:13:17 | |
Every time you play that guitar... | 0:13:19 | 0:13:21 | |
..I'll be with you. | 0:13:22 | 0:13:24 | |
On you go. | 0:13:27 | 0:13:28 | |
Take it for a test drive. | 0:13:28 | 0:13:30 | |
HE PLAYS AN OUT-OF-TUNE CHORD | 0:13:31 | 0:13:34 | |
It's a start. It's a start. Nice. | 0:13:34 | 0:13:36 | |
Bob's loyal and he's kind | 0:13:37 | 0:13:39 | |
-and he loves Hope to bits, but he's... -But he's not Stevie. | 0:13:39 | 0:13:44 | |
He's not that crazy, passionate love of your life. | 0:13:46 | 0:13:50 | |
But Stevie's not here. | 0:13:52 | 0:13:54 | |
And Bob is. | 0:13:55 | 0:13:56 | |
You know, he might be the man to give you and Hope | 0:13:57 | 0:13:59 | |
the stability and security that you need. | 0:13:59 | 0:14:02 | |
Yeah, and I want my wee lassie to have everything that I never had. | 0:14:03 | 0:14:06 | |
A proper home and a family. | 0:14:09 | 0:14:10 | |
But...? | 0:14:11 | 0:14:12 | |
I'm just scared I'm going to hurt him again. | 0:14:12 | 0:14:15 | |
If I tell him I don't love him, then it's going to break his heart. | 0:14:16 | 0:14:19 | |
And then, if he finds out I've been pretending, | 0:14:19 | 0:14:21 | |
then I'm just going to break his heart all over again. | 0:14:21 | 0:14:24 | |
And then, if people find out that I've gone back to him, | 0:14:25 | 0:14:28 | |
God knows what they're going to say about that. | 0:14:28 | 0:14:30 | |
No-one has the right to judge you. | 0:14:30 | 0:14:32 | |
Look, only you know what you're going through. | 0:14:33 | 0:14:36 | |
OK? | 0:14:36 | 0:14:37 | |
So, make a choice... | 0:14:37 | 0:14:39 | |
and to hell with the wagging tongues. | 0:14:39 | 0:14:41 | |
Thank you. | 0:14:43 | 0:14:45 | |
I didn't think you'd understand. | 0:14:46 | 0:14:47 | |
Why wouldn't I? | 0:14:49 | 0:14:50 | |
See you later. | 0:14:52 | 0:14:53 | |
Hi. | 0:15:08 | 0:15:09 | |
'Oh, hi. Listen. | 0:15:09 | 0:15:11 | |
'I'm sorry, I've just found out I've got to go away the week after next.' | 0:15:11 | 0:15:14 | |
What for? | 0:15:14 | 0:15:16 | |
Oh, just some tedious Health Directorate conference, | 0:15:16 | 0:15:19 | |
you know, in some hotel in Inverness. | 0:15:19 | 0:15:21 | |
'Well, I could come with you. We can meet up in the evening.' | 0:15:21 | 0:15:24 | |
What's the point of taking time off work to sit in a hotel room? | 0:15:24 | 0:15:26 | |
The point is, I would see my wife in the evening. | 0:15:26 | 0:15:29 | |
'What?' | 0:15:29 | 0:15:31 | |
In between all the functions and dinners? | 0:15:31 | 0:15:33 | |
I'll talk to you about it later, OK? I've got to go. Bye. | 0:15:34 | 0:15:37 | |
PHONE DINGS | 0:15:50 | 0:15:51 | |
Oh... | 0:15:55 | 0:15:56 | |
You've got it bad. | 0:15:56 | 0:15:57 | |
Change of style for you, though. | 0:15:58 | 0:16:00 | |
An upgrade. | 0:16:00 | 0:16:02 | |
Must be a revelation for you. | 0:16:03 | 0:16:05 | |
Are you in love, bruv? | 0:16:07 | 0:16:09 | |
You are! | 0:16:13 | 0:16:14 | |
Why is it such a big deal for you? You jealous? | 0:16:15 | 0:16:19 | |
-CAR HORN TOOTS -That'll be him. | 0:16:20 | 0:16:22 | |
Come on, do what Daddy said. | 0:16:23 | 0:16:25 | |
-Daniel. -Alex. | 0:16:34 | 0:16:35 | |
Good to see you. | 0:16:35 | 0:16:37 | |
Likewise. There you go. | 0:16:37 | 0:16:38 | |
The financial details you needed and our project interests. | 0:16:39 | 0:16:42 | |
-Good flight? -Hello. I'm... -Amber. | 0:16:42 | 0:16:44 | |
Hello. | 0:16:44 | 0:16:46 | |
I've always wanted to meet Jessica Rabbit personified. | 0:16:46 | 0:16:49 | |
-Very pleased to meet you. -Likewise. | 0:16:49 | 0:16:51 | |
First trip to Glasgow? | 0:16:52 | 0:16:54 | |
Passed through a few times on my way north, for the grouse. | 0:16:54 | 0:16:56 | |
Do you shoot? | 0:16:56 | 0:16:58 | |
On occasion. | 0:16:58 | 0:16:59 | |
-Murdoch! -AJ? | 0:17:00 | 0:17:02 | |
Amandeep?! | 0:17:02 | 0:17:04 | |
-Daniel! -What are you doing here? | 0:17:05 | 0:17:07 | |
I live here! What are you doing here? | 0:17:07 | 0:17:09 | |
I'm being audacious. | 0:17:09 | 0:17:11 | |
I'd heard you'd moved back up here. I couldn't quite believe it. | 0:17:12 | 0:17:15 | |
-You two know each other? -Yeah. | 0:17:15 | 0:17:16 | |
I used to do a lot of work with Daniel, back in the day. | 0:17:16 | 0:17:18 | |
So, what brought you back up here? | 0:17:18 | 0:17:20 | |
One of those mid-life reinvention crises? What did you go for? | 0:17:20 | 0:17:22 | |
Usually it's interior decoration or a micro-brewery. | 0:17:22 | 0:17:26 | |
He rents a coffee shop from me. | 0:17:26 | 0:17:28 | |
Really? Well, I have a serious bet | 0:17:29 | 0:17:31 | |
that you'll be back in the City within three years. | 0:17:31 | 0:17:34 | |
Don't let me down. | 0:17:34 | 0:17:36 | |
This guy is the best financial advisor I've ever worked with. | 0:17:36 | 0:17:38 | |
If you need trustworthy analytical advice, he is your man. | 0:17:38 | 0:17:42 | |
Well, I'm impressed. | 0:17:42 | 0:17:43 | |
How's Annie? | 0:17:43 | 0:17:45 | |
Oh, the best wife a man could have. | 0:17:45 | 0:17:47 | |
How long is it now? | 0:17:47 | 0:17:48 | |
20 years and counting. | 0:17:48 | 0:17:50 | |
-She's a keeper. -Count yourself lucky. | 0:17:50 | 0:17:52 | |
-Did you hear what happened to Baxter from Trading? -No, what happened? | 0:17:52 | 0:17:55 | |
His wife caught him with some Colombian bit on the side. | 0:17:55 | 0:17:57 | |
Poor man got taken for everything he's got. | 0:17:57 | 0:17:59 | |
Had to move to Putney, of all places! | 0:17:59 | 0:18:01 | |
Alistair! | 0:18:03 | 0:18:05 | |
Alistair, stop! | 0:18:06 | 0:18:07 | |
Please. | 0:18:07 | 0:18:08 | |
Liz, I don't want to hang about. | 0:18:08 | 0:18:10 | |
You are looking dreadful. | 0:18:10 | 0:18:12 | |
Why on Earth couldn't you tell us you'd nowhere to go? | 0:18:12 | 0:18:15 | |
Pride, Liz. It's all I have left. | 0:18:15 | 0:18:17 | |
Where are you going now? | 0:18:17 | 0:18:19 | |
I don't know. Away from here. | 0:18:19 | 0:18:22 | |
Now, excuse me. Oh... | 0:18:22 | 0:18:24 | |
Oh, no, you are coming home with me. | 0:18:24 | 0:18:28 | |
-No, I can't. -Just for an hour or so. | 0:18:28 | 0:18:30 | |
Molly is at the shop. She won't know anything about it. | 0:18:30 | 0:18:33 | |
Now, I insist. | 0:18:33 | 0:18:35 | |
HE INHALES DEEPLY | 0:18:39 | 0:18:42 | |
So, Alistair... | 0:18:53 | 0:18:55 | |
..although I understand that you may not have known... | 0:18:57 | 0:19:01 | |
all that was going on, | 0:19:01 | 0:19:03 | |
you knew enough. | 0:19:03 | 0:19:04 | |
You could've put a stop to it. But you didn't. | 0:19:06 | 0:19:09 | |
-Because I thought I couldn't. -Why not? | 0:19:09 | 0:19:11 | |
At the time... | 0:19:13 | 0:19:14 | |
..I thought I had no choice but to keep quiet. | 0:19:15 | 0:19:18 | |
I was in a relationship with one of the other teachers. | 0:19:21 | 0:19:25 | |
A great many people meet their partners through work, Alistair. | 0:19:29 | 0:19:33 | |
There's no shame in that. | 0:19:33 | 0:19:34 | |
He was married, Liz. | 0:19:34 | 0:19:36 | |
We both were. | 0:19:36 | 0:19:38 | |
"He"? | 0:19:41 | 0:19:43 | |
-You mean... -For goodness' sake, Liz, | 0:19:45 | 0:19:48 | |
you can't be that naive. | 0:19:48 | 0:19:50 | |
Well, I... | 0:19:50 | 0:19:51 | |
I had my suspicions, but... | 0:19:51 | 0:19:53 | |
..it's not the kind of thing one wants to assume. | 0:19:54 | 0:19:56 | |
I was a gay man | 0:19:58 | 0:19:59 | |
teaching in a boys' boarding school | 0:19:59 | 0:20:02 | |
in less enlightened times. | 0:20:02 | 0:20:04 | |
I feared that, if I went to the authorities, | 0:20:06 | 0:20:09 | |
they would tar me with the same brush. | 0:20:09 | 0:20:11 | |
So... | 0:20:14 | 0:20:15 | |
..you kept quiet. | 0:20:16 | 0:20:18 | |
I resigned. | 0:20:19 | 0:20:20 | |
But it caught up with me, anyway. | 0:20:22 | 0:20:24 | |
Through the trial, the whole affair was revealed. | 0:20:25 | 0:20:28 | |
But I'm glad I stood up and told the court everything I knew. | 0:20:29 | 0:20:33 | |
At least those children got justice. | 0:20:35 | 0:20:37 | |
But I was protecting the wrong people. | 0:20:39 | 0:20:42 | |
My lover, | 0:20:44 | 0:20:46 | |
our wives... | 0:20:46 | 0:20:47 | |
I was a coward! | 0:20:48 | 0:20:50 | |
DOOR CLOSES | 0:20:51 | 0:20:53 | |
What the... | 0:20:55 | 0:20:56 | |
..is he doing here? | 0:20:57 | 0:20:59 | |
By that time, we'd had so much to drink, | 0:21:01 | 0:21:03 | |
there was no way he was going to get his money's worth. | 0:21:03 | 0:21:05 | |
Get rid of him, so we can wind this up. | 0:21:05 | 0:21:08 | |
Sorry? Where'd you get off on issuing the orders? | 0:21:08 | 0:21:11 | |
We're supposed to be a team. | 0:21:11 | 0:21:13 | |
You're here to learn. First lesson, get rid of the distraction. | 0:21:13 | 0:21:16 | |
Unfortunately, I've got to head back to London first thing tomorrow. | 0:21:18 | 0:21:21 | |
What about breakfast? | 0:21:21 | 0:21:23 | |
-No can do breakfasts. -Damn. I'd really like to catch up. | 0:21:23 | 0:21:26 | |
-Why don't you and Annie join us tonight? -Would that be in order? | 0:21:26 | 0:21:29 | |
-Thing is it's a school night. -Ask her. | 0:21:29 | 0:21:32 | |
I'm sure Annie's got better things to do | 0:21:32 | 0:21:34 | |
than listen to us talk business. | 0:21:34 | 0:21:35 | |
She has a mind of her own, you might have noticed. | 0:21:35 | 0:21:38 | |
And if she heard that we'd been invited and I hadn't told her... | 0:21:38 | 0:21:41 | |
Plus, she has had a lot of, er... business engagements recently. | 0:21:41 | 0:21:45 | |
Maybe a social one might be a nice change. | 0:21:45 | 0:21:47 | |
That's that sorted, then. | 0:21:47 | 0:21:49 | |
Great. We'll see you later. | 0:21:49 | 0:21:51 | |
Fantastic! | 0:21:51 | 0:21:52 | |
-Amber, I'll look forward to getting to know you better. -I can't wait. | 0:21:54 | 0:21:58 | |
And I hope the paterfamilias will be joining us? | 0:21:58 | 0:22:00 | |
-He means Dad. -After all, I didn't come all this way | 0:22:00 | 0:22:03 | |
not to get a sit down with The Godfather. | 0:22:03 | 0:22:04 | |
Of course. He'd love to meet you. Wouldn't he? | 0:22:04 | 0:22:07 | |
After all, this is Team Murdoch. | 0:22:07 | 0:22:08 | |
Great. Well, I'll get over to the hotel and start my homework. | 0:22:08 | 0:22:12 | |
Any questions, just phone me. | 0:22:12 | 0:22:14 | |
Ciao! | 0:22:14 | 0:22:15 | |
What a sleaze. | 0:22:25 | 0:22:26 | |
We need him, so suck it up. | 0:22:26 | 0:22:28 | |
Hm, pimping out your little sister. | 0:22:28 | 0:22:30 | |
Wait till I tell Dad. | 0:22:32 | 0:22:33 | |
Itchy feet? | 0:22:42 | 0:22:44 | |
What? | 0:22:44 | 0:22:46 | |
It means you want to go somewhere, get out of a rut. | 0:22:46 | 0:22:49 | |
Ah... Well, that's true. | 0:22:49 | 0:22:51 | |
-You bored with Shieldinch already? -No. | 0:22:52 | 0:22:55 | |
But, erm... | 0:22:55 | 0:22:56 | |
..Amsterdam. | 0:22:58 | 0:22:59 | |
Ever been? | 0:22:59 | 0:23:01 | |
No. It's supposed to be brilliant, though. | 0:23:01 | 0:23:04 | |
We should go. | 0:23:04 | 0:23:05 | |
Well, we've had a sham wedding. | 0:23:06 | 0:23:08 | |
Now we back it up for Immigration with a sham honeymoon. | 0:23:08 | 0:23:10 | |
Hm... I like your thinking. | 0:23:10 | 0:23:13 | |
And flights are cheap. It's only an hour away. | 0:23:13 | 0:23:15 | |
Good idea. | 0:23:15 | 0:23:17 | |
All right, I'll get on it, erm... | 0:23:18 | 0:23:20 | |
-RAISES VOICE: -..as soon as Stella stops hogging the laptop! | 0:23:20 | 0:23:24 | |
CHATTER AND LAUGHTER | 0:23:37 | 0:23:40 | |
Right, come on. ZZ Top. | 0:23:43 | 0:23:45 | |
The Quo. Come on, play it. Let me hear it. Let me hear it. | 0:23:45 | 0:23:48 | |
And there was me hoping we'd seen the last of you. | 0:23:51 | 0:23:54 | |
He's teaching me to play guitar. | 0:23:54 | 0:23:55 | |
I can see that. | 0:23:55 | 0:23:57 | |
He's doing brilliant. | 0:23:58 | 0:23:59 | |
I can't believe he's never even held a guitar. | 0:23:59 | 0:24:01 | |
But I'm rubbish. | 0:24:01 | 0:24:03 | |
Of course not! | 0:24:03 | 0:24:04 | |
What's wrong with you? | 0:24:04 | 0:24:06 | |
Do you think people are born playing guitar | 0:24:06 | 0:24:08 | |
or singing or telling jokes? | 0:24:08 | 0:24:10 | |
-Obviously not. -Why do some of us make it as rock stars | 0:24:10 | 0:24:13 | |
and others don't? | 0:24:13 | 0:24:15 | |
Luck? | 0:24:15 | 0:24:16 | |
Hm, which is hard work meeting opportunity. | 0:24:16 | 0:24:19 | |
Everyone has to learn, everyone has to practise, | 0:24:19 | 0:24:21 | |
everyone has to make mistakes. | 0:24:21 | 0:24:23 | |
And your dad knows a bit about the mistakes bit. | 0:24:23 | 0:24:27 | |
He's made a few of them in his time. | 0:24:27 | 0:24:29 | |
Pete gave me his guitar. | 0:24:31 | 0:24:32 | |
Brilliant. | 0:24:32 | 0:24:33 | |
Did you know Pete's dad used to travel all round Scotland | 0:24:33 | 0:24:36 | |
-with his band? -Of course I did. | 0:24:36 | 0:24:38 | |
The ceilidh band. | 0:24:38 | 0:24:39 | |
Your mum came up north with us one summer. Didn't you? | 0:24:39 | 0:24:43 | |
Are you thinking of that night in Ullapool? | 0:24:44 | 0:24:46 | |
Down on the beach? | 0:24:46 | 0:24:48 | |
As a matter of fact, I am. | 0:24:49 | 0:24:51 | |
They were magic times, right enough. | 0:24:53 | 0:24:54 | |
But there's been a lot of water under the bridge since then. | 0:24:55 | 0:24:58 | |
Yeah, well... | 0:25:02 | 0:25:03 | |
I've got to go. | 0:25:03 | 0:25:05 | |
I've got a rehearsal at the Pop Up. | 0:25:05 | 0:25:06 | |
Why don't you come with me? You could be my practice audience. | 0:25:08 | 0:25:11 | |
Aye. That'd be dynamite. | 0:25:11 | 0:25:13 | |
No heckling, mind. | 0:25:13 | 0:25:14 | |
I promise. | 0:25:14 | 0:25:16 | |
Right come on. | 0:25:16 | 0:25:17 | |
Let's hang out together. Bring the strings. | 0:25:17 | 0:25:19 | |
Drew, what about your tea? | 0:25:23 | 0:25:25 | |
-Of course I knew he was gay! -Oh, you did, did you? | 0:25:26 | 0:25:30 | |
Robbie told me I have excellent gaydar. | 0:25:30 | 0:25:33 | |
Anyway, what difference does that make? | 0:25:33 | 0:25:35 | |
I mean, he's a self-confessed coward. | 0:25:35 | 0:25:37 | |
Yes, but... | 0:25:37 | 0:25:39 | |
..he was living in fear, Molly, you know? | 0:25:40 | 0:25:43 | |
Less enlightened times. | 0:25:43 | 0:25:45 | |
It's easy to judge with modern eyes. | 0:25:46 | 0:25:49 | |
I'll judge how and who I like. | 0:25:49 | 0:25:52 | |
And in my book, it's unforgivable. | 0:25:52 | 0:25:54 | |
Well, he did the right thing, in the end. | 0:25:56 | 0:25:58 | |
That must count for something. | 0:25:58 | 0:26:00 | |
ALISTAIR COUGHS IN THE NEXT ROOM | 0:26:00 | 0:26:02 | |
And the man is clearly not well. | 0:26:02 | 0:26:05 | |
I mean, if we throw him out in the street, | 0:26:06 | 0:26:08 | |
what does that say about us? | 0:26:08 | 0:26:10 | |
There but for the grace of God, Molly O'Hara. | 0:26:10 | 0:26:13 | |
COUGHING CONTINUES | 0:26:13 | 0:26:15 | |
He can stay till he's better, but that's it. | 0:26:17 | 0:26:19 | |
And then, he's out on his ear. | 0:26:19 | 0:26:21 | |
You should never have put us in this position! | 0:26:28 | 0:26:29 | |
It was Amber's idea of a joke. | 0:26:29 | 0:26:32 | |
What's Amber got to do with it? | 0:26:32 | 0:26:33 | |
Well, she saw you sneak out and she's having fun with it. | 0:26:33 | 0:26:36 | |
She saw me? | 0:26:36 | 0:26:37 | |
SHE SIGHS HEAVILY | 0:26:38 | 0:26:40 | |
She knows. | 0:26:41 | 0:26:42 | |
And you expect me to sit there in between you and AJ? | 0:26:44 | 0:26:48 | |
We've been to places together before. It didn't bother you. | 0:26:48 | 0:26:50 | |
But Amber's going to be there now | 0:26:50 | 0:26:52 | |
and she's just going to be laughing at us, | 0:26:52 | 0:26:54 | |
like we're some sick comedy act! | 0:26:54 | 0:26:57 | |
Well, if the truth came out, we wouldn't have a problem, would we? | 0:26:57 | 0:27:00 | |
I am still married, Alex. | 0:27:00 | 0:27:02 | |
You know, I haven't got round to saying to AJ. | 0:27:02 | 0:27:04 | |
It's not all about you! | 0:27:04 | 0:27:06 | |
Well, this is 23 years of my life that you're about to blow up! | 0:27:06 | 0:27:09 | |
So, yes, actually, it is all about me! | 0:27:09 | 0:27:12 | |
You've got nothing to lose. | 0:27:12 | 0:27:14 | |
I could lose you. | 0:27:14 | 0:27:15 | |
If you were honest with yourself, | 0:27:17 | 0:27:19 | |
it would be me you'd fall asleep with and wake up beside. | 0:27:19 | 0:27:21 | |
-Does he make your skin crawl when he touches you? -I made vows. | 0:27:24 | 0:27:27 | |
Which you've broken. | 0:27:27 | 0:27:28 | |
Who are you kidding? Your marriage is over. | 0:27:29 | 0:27:31 | |
Don't make me choose. | 0:27:32 | 0:27:34 | |
One of us has to. | 0:27:34 | 0:27:35 | |
Don't walk away from me! | 0:27:36 | 0:27:38 | |
DOORBELL RINGS | 0:27:43 | 0:27:45 | |
Oh, come on in, why don't you? | 0:27:50 | 0:27:52 | |
I texted Bob this morning about coming to collect my stuff. | 0:27:52 | 0:27:54 | |
It's in the hall. | 0:27:54 | 0:27:56 | |
How's the flat hunting going? | 0:27:57 | 0:27:59 | |
Oh, I thought so. I guess there's not many places out there | 0:28:00 | 0:28:03 | |
that come with a built-in daddy. | 0:28:03 | 0:28:04 | |
-You should go, Ellie. -Aye, so should you. | 0:28:04 | 0:28:06 | |
You're not even embarrassed that you're using him. | 0:28:06 | 0:28:08 | |
I think you should give Bob a wee bit more credit. | 0:28:08 | 0:28:10 | |
-He's not an idiot. -Maybe he is where you're concerned. | 0:28:10 | 0:28:13 | |
Who do you are coming in here and having a go at me? | 0:28:13 | 0:28:15 | |
-If I remember correctly, you're the one that dumped him. -Aye, I did. | 0:28:15 | 0:28:18 | |
Cos I couldn't compete with you and your baby. | 0:28:18 | 0:28:20 | |
But I still care about him. He's just a meal ticket to you. | 0:28:20 | 0:28:22 | |
-You've no idea what he is to me. -I know what you are. | 0:28:22 | 0:28:25 | |
Aye, a single mum, with a baby to look after. | 0:28:25 | 0:28:27 | |
I've been through cancer, a double mastectomy | 0:28:27 | 0:28:29 | |
-and I've lost the man that I love, so... -I know that. | 0:28:29 | 0:28:32 | |
But you said yourself, the man that you loved has gone. | 0:28:32 | 0:28:34 | |
And I have to watch you use the man that I love. | 0:28:34 | 0:28:37 | |
-Look, I'm sorry you got hurt. -You lost Stevie, | 0:28:37 | 0:28:39 | |
so you've found yourself a substitute. | 0:28:39 | 0:28:41 | |
You don't love Bob. But he'll pay the bills, eh? | 0:28:41 | 0:28:44 | |
He'll put a roof over your head. | 0:28:44 | 0:28:45 | |
You're going to be a great role model to your wee girl. | 0:28:47 | 0:28:49 | |
I'll see myself out. | 0:28:49 | 0:28:50 | |
I know what betrayal feels like... | 0:28:54 | 0:28:57 | |
..and I can't hurt him. I would never forgive myself. | 0:28:58 | 0:29:00 | |
Yes, you can. I am done with him pulling your strings. | 0:29:00 | 0:29:03 | |
He needs me. | 0:29:03 | 0:29:04 | |
Don't you get it? | 0:29:04 | 0:29:05 | |
The last thing I need is this thing hanging over us tonight. | 0:29:05 | 0:29:08 | |
This could be a game-changer for me. | 0:29:08 | 0:29:11 | |
Daniel is a top broker and I've got serious money to play with. | 0:29:11 | 0:29:14 | |
It's my future. | 0:29:14 | 0:29:15 | |
Your future, if you want it. | 0:29:15 | 0:29:17 | |
Are you saying that the Murdochs are going legit? | 0:29:20 | 0:29:23 | |
No. | 0:29:23 | 0:29:24 | |
I'm saying Murdoch Enterprises | 0:29:24 | 0:29:25 | |
will be a force to be reckoned with, no matter what. | 0:29:25 | 0:29:28 | |
Are you with me or not? | 0:29:29 | 0:29:30 | |
Is that you? | 0:29:45 | 0:29:46 | |
Yeah, it's me. | 0:29:48 | 0:29:49 | |
Hey. | 0:29:59 | 0:30:00 | |
Have a good day? | 0:30:00 | 0:30:02 | |
Busy. How was yours? | 0:30:02 | 0:30:04 | |
You'll never guess who I bumped into. | 0:30:04 | 0:30:06 | |
Daniel Sperring. | 0:30:06 | 0:30:08 | |
What's he doing up here? | 0:30:08 | 0:30:10 | |
He's here on business. | 0:30:10 | 0:30:11 | |
Hm... Daniel Sperring in Glasgow, eh? | 0:30:11 | 0:30:14 | |
I thought it would be too rough for his taste? | 0:30:15 | 0:30:18 | |
Yeah, well, he thinks he's living life on the edge. | 0:30:18 | 0:30:20 | |
He'll be dining out on his experiences for the next month. | 0:30:20 | 0:30:23 | |
Actually, he was asking after you. | 0:30:24 | 0:30:27 | |
Aw, that's sweet. | 0:30:27 | 0:30:28 | |
So, we're meeting him later. | 0:30:28 | 0:30:30 | |
Fantastic. | 0:30:31 | 0:30:32 | |
At the Candle Room. | 0:30:32 | 0:30:33 | |
So, why there? | 0:30:35 | 0:30:36 | |
We could have gone somewhere in the West End. | 0:30:36 | 0:30:38 | |
Oh, he's got a meeting with the Murdochs. | 0:30:38 | 0:30:41 | |
So that's the downside. The Murdochs will be there. Is that OK? | 0:30:41 | 0:30:44 | |
Well, you should have checked. | 0:30:44 | 0:30:46 | |
Socialising with patients could be seen as professionally dodgy. | 0:30:46 | 0:30:49 | |
-We're not socialising with patients. We're there to back up Daniel. -True. | 0:30:49 | 0:30:52 | |
But for future reference, you should check with me, before accepting. | 0:30:54 | 0:30:58 | |
It'll be fun. Like a trip to the zoo. | 0:30:58 | 0:31:01 | |
Watching the Murdoch pack in action. | 0:31:01 | 0:31:03 | |
Wine? | 0:31:04 | 0:31:05 | |
Right, so 750 for the deposit. | 0:31:07 | 0:31:09 | |
And then, what's one month's rent? | 0:31:09 | 0:31:11 | |
Aye, well, it's just a wee bit more than I can afford the now. | 0:31:12 | 0:31:14 | |
What if I was to move in the now | 0:31:14 | 0:31:16 | |
and you'd have somebody in it straight away? | 0:31:16 | 0:31:18 | |
Just if the rent was a wee bit lower. | 0:31:18 | 0:31:20 | |
I could e-mail my reference over to you. | 0:31:22 | 0:31:24 | |
Right, OK. | 0:31:27 | 0:31:28 | |
OK. Right, thanks, anyway. | 0:31:29 | 0:31:31 | |
Right. | 0:31:31 | 0:31:32 | |
BEEPING | 0:31:45 | 0:31:47 | |
'The number you have dialled has not been recognised.' | 0:31:47 | 0:31:49 | |
I thought you were going to get a rest. | 0:31:56 | 0:31:59 | |
Yeah, that didn't work out. | 0:31:59 | 0:32:01 | |
I'll just put Hope in her cot. Do you want a cuppa? | 0:32:02 | 0:32:04 | |
Yeah, that'd be nice. | 0:32:05 | 0:32:06 | |
Er... | 0:32:09 | 0:32:10 | |
Angus and Cassie are going out tonight, | 0:32:10 | 0:32:12 | |
so I thought I'd cook dinner. | 0:32:12 | 0:32:14 | |
And once the wee one's down, we could watch a film. | 0:32:14 | 0:32:17 | |
-Make a night of it. -Yeah, OK. | 0:32:17 | 0:32:19 | |
BABY GURGLES | 0:32:24 | 0:32:26 | |
It's a mix of the guitar greats - | 0:32:31 | 0:32:33 | |
Hendrix, Clapton, Knopfler. | 0:32:33 | 0:32:36 | |
You should listen and start to play along. | 0:32:37 | 0:32:39 | |
See, once I think I've got the tune, will you give it a listen? | 0:32:41 | 0:32:44 | |
Of course I will. That's why I'm here. | 0:32:44 | 0:32:47 | |
Won't it be brilliant one day, when we're on stage together? | 0:32:48 | 0:32:50 | |
-Aye. -You should come along tonight. | 0:32:50 | 0:32:53 | |
See the gig. | 0:32:53 | 0:32:54 | |
What if it takes me a while to learn? | 0:32:58 | 0:33:00 | |
So? It takes what it takes. Just hang on in there. | 0:33:00 | 0:33:03 | |
Two things... | 0:33:03 | 0:33:04 | |
Work at it and don't listen to anyone dissing your dream, | 0:33:05 | 0:33:09 | |
just because they don't have the guts to try. | 0:33:09 | 0:33:11 | |
Anyone starts with me, I walk away. | 0:33:11 | 0:33:14 | |
Seriously, mid-conversation. | 0:33:14 | 0:33:16 | |
I head off in the opposite direction. | 0:33:16 | 0:33:18 | |
See, you've only got one life, son. | 0:33:20 | 0:33:22 | |
You've got to grab it with both hands. | 0:33:22 | 0:33:25 | |
You don't want to end up miserable and twisted like the rest of them. | 0:33:27 | 0:33:30 | |
Who needs the real world? | 0:33:30 | 0:33:32 | |
So what if it's a dream? | 0:33:34 | 0:33:36 | |
You've got to dream, to live the dream. | 0:33:36 | 0:33:39 | |
Talking of which... | 0:33:41 | 0:33:43 | |
it's time to rehearse. | 0:33:43 | 0:33:45 | |
If that barman doesn't hurry up, | 0:33:54 | 0:33:56 | |
it's going to be more than his job he loses. | 0:33:56 | 0:33:57 | |
I'd heard you were the kind of man who takes no prisoners. | 0:33:57 | 0:34:00 | |
At least, they're not alive for long if he does. Right, Lenny? | 0:34:00 | 0:34:03 | |
So, you've met Murdoch Senior... | 0:34:03 | 0:34:04 | |
Yes, indeed. And he does not disappoint. | 0:34:04 | 0:34:07 | |
Didn't realise I was the entertainment. | 0:34:07 | 0:34:09 | |
Well, I hope any concerns you had about us have been put to bed. | 0:34:09 | 0:34:12 | |
To bed? | 0:34:12 | 0:34:14 | |
Maybe. | 0:34:14 | 0:34:15 | |
But with all due respect, you are an unknown quantity | 0:34:15 | 0:34:18 | |
and I have a reputation to uphold. | 0:34:18 | 0:34:20 | |
-Of course. -So, if I do agree to represent the Murdoch clan, | 0:34:20 | 0:34:23 | |
no offence, but it's me putting my neck on the line. | 0:34:23 | 0:34:26 | |
I'll need to see that acknowledged in my commission. | 0:34:26 | 0:34:28 | |
-That won't be a problem. -When the work's done and not a day before. | 0:34:28 | 0:34:31 | |
Our money's good. We're solid. | 0:34:31 | 0:34:32 | |
Well, that's what I'm here to decide. | 0:34:32 | 0:34:34 | |
You can't be too careful with government registered projects. | 0:34:34 | 0:34:37 | |
One is a care home consortium, right? | 0:34:37 | 0:34:38 | |
-That's the one we're wanting to invest in. -Yes. | 0:34:38 | 0:34:40 | |
A dependable growth industry. | 0:34:40 | 0:34:42 | |
The one that makes the most cash in the shortest possible time. | 0:34:42 | 0:34:45 | |
He means, which is the most lucrative. | 0:34:45 | 0:34:47 | |
He understands what I mean. You get me loud and clear, yeah? | 0:34:47 | 0:34:50 | |
Oh, they've arrived. | 0:34:50 | 0:34:51 | |
AJ, you are late! | 0:34:51 | 0:34:53 | |
Ah, but worth the wait, though, yeah? | 0:34:53 | 0:34:56 | |
Annie, you look gorgeous, as ever. | 0:34:56 | 0:34:58 | |
Danny, lovely to see you again. | 0:34:58 | 0:35:00 | |
Nice you could make it. | 0:35:00 | 0:35:01 | |
Hm, champagne and everything. | 0:35:01 | 0:35:03 | |
Oh, yeah. | 0:35:03 | 0:35:04 | |
And everything. | 0:35:04 | 0:35:06 | |
I love this place. | 0:35:15 | 0:35:17 | |
The bricks, the stones... | 0:35:17 | 0:35:18 | |
You can literally smell the history. | 0:35:18 | 0:35:20 | |
If they could talk, eh, Drew? | 0:35:22 | 0:35:24 | |
Never really thought about it before. | 0:35:25 | 0:35:27 | |
Last time I saw a place like this | 0:35:27 | 0:35:29 | |
was the Cavern Club in Liverpool. | 0:35:29 | 0:35:31 | |
-Where the Beatles played? -Amongst others. | 0:35:33 | 0:35:35 | |
-You played The Cavern? -Aye, it was on the circuit. | 0:35:36 | 0:35:39 | |
I never really thought about it at the time. | 0:35:40 | 0:35:42 | |
The Cavern, Hacienda, Wigan Casino. They all sort of merge into one. | 0:35:42 | 0:35:46 | |
It's only when you look back, you realise. | 0:35:46 | 0:35:48 | |
-How old were you? -We had a Transit we called Gloria. | 0:35:50 | 0:35:53 | |
She was always breaking down, hence the name. | 0:35:53 | 0:35:56 | |
"Sic Transit Gloria." | 0:35:56 | 0:35:58 | |
-Would you not have been a bit young? -No, that's what I'm saying. | 0:35:58 | 0:36:01 | |
That's what I'm telling you. | 0:36:01 | 0:36:02 | |
You're never too young. | 0:36:02 | 0:36:04 | |
-Aye, but... -Just practise your chords, eh? | 0:36:04 | 0:36:07 | |
PHONE RINGS | 0:36:07 | 0:36:08 | |
Oh! | 0:36:08 | 0:36:09 | |
Oh... Got to take this. | 0:36:11 | 0:36:13 | |
Hello! | 0:36:15 | 0:36:16 | |
What? | 0:36:20 | 0:36:21 | |
The gig's cancelled? | 0:36:21 | 0:36:23 | |
Why? | 0:36:23 | 0:36:24 | |
But that's daft! There'll be hordes turning up at the door. | 0:36:26 | 0:36:29 | |
Listen, I know for a fact I could have packed out your dive tonight. | 0:36:30 | 0:36:34 | |
You were brilliant, by the way. | 0:36:44 | 0:36:47 | |
What? | 0:36:47 | 0:36:48 | |
You told me to let you know what I thought and... | 0:36:49 | 0:36:51 | |
I thought you were brilliant. | 0:36:51 | 0:36:52 | |
-I'll need to text my ma and tell her I'm coming to your gig and... -No. | 0:36:54 | 0:36:57 | |
You can't. | 0:36:58 | 0:36:59 | |
I checked. You're too young. | 0:36:59 | 0:37:01 | |
Licence and all that. | 0:37:01 | 0:37:02 | |
That's not fair. | 0:37:02 | 0:37:04 | |
I know. | 0:37:05 | 0:37:07 | |
See you later. | 0:37:10 | 0:37:12 | |
-So, any luck? -No. Nothing. | 0:37:14 | 0:37:16 | |
You hardly looked. | 0:37:20 | 0:37:21 | |
-A sham honeymoon might be pushing your luck, don't you think? -My luck? | 0:37:21 | 0:37:24 | |
-With Immigration? -Yeah. | 0:37:25 | 0:37:27 | |
If they ask, we went to Oban. | 0:37:27 | 0:37:29 | |
My track record speaks for itself. | 0:37:35 | 0:37:37 | |
-You've done well. -The business community trust me to deliver. | 0:37:37 | 0:37:40 | |
Hey, darling, come... | 0:37:40 | 0:37:42 | |
MUSIC: In-A-Gadda-Da-Vida By Iron Butterfly | 0:37:42 | 0:37:44 | |
Don't get me started on local government. | 0:37:54 | 0:37:56 | |
It's like Toy Town round here. | 0:37:56 | 0:37:58 | |
# In a gadda da vida, honey | 0:37:58 | 0:38:02 | |
# Don't you know that I love you? | 0:38:03 | 0:38:06 | |
# In a gadda da vida, baby... # | 0:38:07 | 0:38:10 | |
As a team, we've a lot to offer. | 0:38:11 | 0:38:13 | |
Don't let the local folklore put you off. | 0:38:13 | 0:38:16 | |
We know the area, we have influence | 0:38:16 | 0:38:19 | |
and we command respect. | 0:38:19 | 0:38:20 | |
Murdoch Enterprises has real capital. | 0:38:24 | 0:38:27 | |
We want to ensure that it's used to maximum effect. | 0:38:27 | 0:38:29 | |
We've chosen you to broker it. | 0:38:29 | 0:38:31 | |
You'd be a fool to turn us down. | 0:38:31 | 0:38:33 | |
# Please take my hand... # | 0:38:37 | 0:38:43 | |
-Are you not coming in for your dinner? -No, I'm sorry. No time. | 0:39:07 | 0:39:09 | |
I need to check everything's ready. | 0:39:09 | 0:39:11 | |
-I could help you do that. -No. | 0:39:11 | 0:39:13 | |
You can't. I'll see you later. | 0:39:13 | 0:39:15 | |
-Is everything all right? -Aye. Why? | 0:39:15 | 0:39:16 | |
It's just... | 0:39:18 | 0:39:19 | |
Did I mess up? | 0:39:19 | 0:39:20 | |
I just need to get everything ready in my head. | 0:39:20 | 0:39:24 | |
You know, I need to focus. | 0:39:24 | 0:39:26 | |
Aye. Right, of course. | 0:39:26 | 0:39:27 | |
-Do you need the guitar back? -No. | 0:39:29 | 0:39:31 | |
-I said, it's yours. -Right. | 0:39:31 | 0:39:33 | |
Good luck with tonight. | 0:39:33 | 0:39:35 | |
Hey, just the one. I'm making tea tonight. | 0:39:53 | 0:39:55 | |
Don't tell me you have fake rows in your fake marriage. | 0:39:58 | 0:40:02 | |
She's doing my head in. | 0:40:02 | 0:40:03 | |
She suggested a trip to Amsterdam. | 0:40:05 | 0:40:07 | |
She even offered to check out the tickets. | 0:40:07 | 0:40:09 | |
Then, when I ask how she's doing, she turns on me | 0:40:09 | 0:40:11 | |
-with the psychic message "shove it". -So? Go and ask her what's wrong. | 0:40:11 | 0:40:14 | |
I don't want to rattle her cage. | 0:40:14 | 0:40:16 | |
If she takes a moody and bottles it, then I could get jail time. | 0:40:16 | 0:40:19 | |
All she gets is a flight back to the US of A. | 0:40:19 | 0:40:21 | |
What you doing? | 0:40:24 | 0:40:25 | |
All right? | 0:40:26 | 0:40:27 | |
Look, what's wrong with you and Angus? | 0:40:29 | 0:40:31 | |
-Ask him. -He doesn't know. | 0:40:31 | 0:40:33 | |
He says you're being weird. | 0:40:33 | 0:40:34 | |
I'm being weird? | 0:40:36 | 0:40:37 | |
I suggest a trip to Amsterdam | 0:40:39 | 0:40:41 | |
and then I find out that he's been on his laptop | 0:40:41 | 0:40:43 | |
and is going to romantically surprise me | 0:40:43 | 0:40:45 | |
with a one-bedroom flat when we get back. | 0:40:45 | 0:40:47 | |
-What? -It's make-believe, remember? | 0:40:48 | 0:40:51 | |
We're not really married. | 0:40:51 | 0:40:52 | |
You're expecting a sham shag on our sham honeymoon? | 0:40:52 | 0:40:55 | |
Don't flatter yourself! | 0:40:55 | 0:40:57 | |
Amsterdam was your idea, anyway. What, were you going to jump me? | 0:40:58 | 0:41:01 | |
Huh! Yeah, you should be so lucky. | 0:41:01 | 0:41:02 | |
No, Stella was using the laptop earlier | 0:41:02 | 0:41:05 | |
to look for a place for her and Hope. | 0:41:05 | 0:41:08 | |
Ah, see! Do you think I'm desperate? | 0:41:10 | 0:41:13 | |
Two lager, buddy. And whatever Sham-sterdam's having. | 0:41:14 | 0:41:18 | |
This guitar belonged to a rock star legend. | 0:41:20 | 0:41:24 | |
Eric Clapton. | 0:41:25 | 0:41:27 | |
He was dead famous in the old days. | 0:41:29 | 0:41:30 | |
He probably found it in a skip, or nicked it. | 0:41:31 | 0:41:34 | |
He's had a great day with his dad. | 0:41:34 | 0:41:36 | |
Don't spoil it for him. | 0:41:36 | 0:41:37 | |
His nights were great. | 0:41:37 | 0:41:39 | |
I can't go yet, cos they're in a pub. He's brilliant. | 0:41:39 | 0:41:42 | |
I'm not just saying that cos he's my dad. | 0:41:42 | 0:41:44 | |
No, of course you're not. | 0:41:44 | 0:41:46 | |
Once I can play along with a few tunes, | 0:41:46 | 0:41:48 | |
I'm going play with him live. | 0:41:48 | 0:41:50 | |
Just like an intro. | 0:41:50 | 0:41:52 | |
You better get practising, then. | 0:41:52 | 0:41:54 | |
He gave me this. | 0:41:58 | 0:42:00 | |
He says I've to listen and play along to it. | 0:42:00 | 0:42:02 | |
How do I download it? | 0:42:03 | 0:42:05 | |
Is she sleeping now? | 0:42:29 | 0:42:30 | |
Be about half an hour. Is that all right? | 0:42:32 | 0:42:35 | |
Have you got something on your mind? | 0:42:36 | 0:42:38 | |
HE SIGHS | 0:42:39 | 0:42:40 | |
-Are you still looking for a flat? -Mm-hm. | 0:42:43 | 0:42:45 | |
I've just not had any luck yet. | 0:42:45 | 0:42:47 | |
But... | 0:42:47 | 0:42:48 | |
I thought that you and me... | 0:42:48 | 0:42:50 | |
I thought we were going to see... | 0:42:53 | 0:42:54 | |
..how things go between us. | 0:42:55 | 0:42:57 | |
Or did I get that wrong? | 0:42:58 | 0:43:00 | |
-No. It's just... -I don't want to pressurise you. | 0:43:00 | 0:43:03 | |
I know it's not easy for you and your head must be spinning, but... | 0:43:03 | 0:43:06 | |
I just don't want people to think I'm using you. | 0:43:09 | 0:43:11 | |
How can you be using me if I want you here? | 0:43:13 | 0:43:15 | |
And I do. | 0:43:15 | 0:43:17 | |
I want you. | 0:43:19 | 0:43:21 | |
But... | 0:43:26 | 0:43:27 | |
..what do you want? | 0:43:29 | 0:43:30 | |
You. | 0:43:34 | 0:43:35 | |
Right, come on, let's make the most of her sleeping. | 0:43:49 | 0:43:51 | |
I'll be through in a minute. | 0:43:51 | 0:43:53 | |
HE STRUMS A SIMPLE TUNE | 0:44:13 | 0:44:16 | |
Where's your hat? | 0:44:23 | 0:44:24 | |
You won't make much money without a suitable chapeau. | 0:44:24 | 0:44:27 | |
Or is it Name That Tune? | 0:44:27 | 0:44:29 | |
Go on, then. Name it. | 0:44:29 | 0:44:31 | |
HE PLAYS TUNELESSLY | 0:44:34 | 0:44:37 | |
I'll give you a clue. It's Clapton. | 0:44:43 | 0:44:46 | |
Layla? | 0:44:47 | 0:44:48 | |
This was Clapton's guitar. | 0:44:48 | 0:44:50 | |
-I think not. -Aye. It's an old one, but... | 0:44:50 | 0:44:52 | |
That guitar is about ten years old. | 0:44:52 | 0:44:55 | |
I remember that model well. It's excellent to learn on. | 0:44:55 | 0:44:58 | |
Only cost about £50, so no great outlay, | 0:44:58 | 0:45:01 | |
as most guitars are chucked out within a year. | 0:45:01 | 0:45:04 | |
But even ten years ago, Eric could still afford a decent guitar. | 0:45:04 | 0:45:07 | |
Eric asked my dad to play with the Yardbirds. | 0:45:07 | 0:45:09 | |
What? When your dad was a toddler? | 0:45:10 | 0:45:12 | |
The Yardbirds got together over 50 years ago. | 0:45:12 | 0:45:16 | |
-Did anyone ask for your opinion? -No, I was just saying... | 0:45:16 | 0:45:18 | |
Well, clear off and say it to someone sad enough to listen. | 0:45:18 | 0:45:21 | |
I'm sorry if I implicated someone in a deceit. | 0:45:21 | 0:45:25 | |
I'm sure it was meant in jest. | 0:45:25 | 0:45:27 | |
Sorry, son, you shouldnae ha' heard that from him. | 0:45:31 | 0:45:35 | |
Your dad doesnae mean it. | 0:45:35 | 0:45:37 | |
I think half the time he believes it himself, but... | 0:45:37 | 0:45:41 | |
he's full of bull. | 0:45:41 | 0:45:42 | |
Didn't think it was Eric Clapton's guitar anyway. I'm not an eejit. | 0:45:42 | 0:45:47 | |
You have to dream to live the dream, eh? | 0:45:47 | 0:45:49 | |
Right enough. | 0:45:49 | 0:45:51 | |
Who needs the real world? | 0:45:56 | 0:45:58 | |
Obviously, as I mentioned, | 0:45:59 | 0:46:01 | |
-we're very interested in the Care Home Project. -Ha! | 0:46:01 | 0:46:04 | |
You don't strike me as someone that cares for the elderly. | 0:46:04 | 0:46:07 | |
Well, actually, I've been advising Alex on this, | 0:46:07 | 0:46:10 | |
and I think it's a good idea. | 0:46:10 | 0:46:11 | |
Local authorities are desperate for new private care homes, | 0:46:11 | 0:46:14 | |
and they could benefit from a substantial private investment. | 0:46:14 | 0:46:18 | |
Something you'd like to add, Amber? | 0:46:18 | 0:46:20 | |
Well, thank you, Daniel. | 0:46:20 | 0:46:22 | |
Nice of you to ask, but it seems I'm not the expert. | 0:46:22 | 0:46:25 | |
Look, Annie knows about that side of the business. | 0:46:25 | 0:46:27 | |
Your expertise lies in a different line of institutional living. | 0:46:27 | 0:46:30 | |
Hey. | 0:46:30 | 0:46:31 | |
Is that cheating? | 0:46:31 | 0:46:33 | |
Getting insider medical advice? | 0:46:36 | 0:46:38 | |
Keep focused, you two. | 0:46:38 | 0:46:39 | |
Yeah, I'd listen to your dad. | 0:46:39 | 0:46:41 | |
We don't want him getting out his knuckle-duster. | 0:46:41 | 0:46:43 | |
I just might if you're not careful. | 0:46:43 | 0:46:45 | |
What Alex and I are talking about is a long-term approach, | 0:46:45 | 0:46:48 | |
with a close, community-based support system. | 0:46:48 | 0:46:51 | |
Well, I'm not sure that's what you're concerned about, | 0:46:51 | 0:46:54 | |
is it, Daniel? | 0:46:54 | 0:46:55 | |
And what are my concerns, again? | 0:46:55 | 0:46:58 | |
Ah, you're worried us Glasgae bams | 0:46:58 | 0:47:00 | |
are going to make you an offer you can't refuse. | 0:47:00 | 0:47:02 | |
Then you'd have to do business with us. | 0:47:02 | 0:47:04 | |
Well, I don't think I could refuse anything you might offer, Amber. | 0:47:04 | 0:47:08 | |
I know you couldn't. | 0:47:09 | 0:47:11 | |
It's not a race. Calm down. | 0:47:12 | 0:47:14 | |
Excuse me, I've got a call to make. | 0:47:18 | 0:47:20 | |
I've heard of reinvention, but pies and Glasgow? Really? | 0:47:51 | 0:47:55 | |
I'd had enough of success. | 0:47:55 | 0:47:57 | |
Thought I'd try complete and utter failure. | 0:47:57 | 0:47:59 | |
See if that would make her happy. | 0:47:59 | 0:48:01 | |
Hey. | 0:48:01 | 0:48:02 | |
Have fun? | 0:48:02 | 0:48:03 | |
Sorry? | 0:48:03 | 0:48:05 | |
We were having fun. Just wondering if you were? | 0:48:05 | 0:48:08 | |
This was meant to be a team effort. | 0:48:08 | 0:48:10 | |
He won't let me talk. | 0:48:10 | 0:48:11 | |
Just think of the money. | 0:48:11 | 0:48:13 | |
-I feel practically pimped out to that slavering eejit. -Don't! | 0:48:13 | 0:48:16 | |
I'm ready to give him a skelp. | 0:48:16 | 0:48:17 | |
Sorry about that. | 0:48:21 | 0:48:23 | |
Beautiful dress, Annie. | 0:48:27 | 0:48:29 | |
Not many women your age could carry it off. | 0:48:29 | 0:48:32 | |
Just shows you - pays to be daring. | 0:48:32 | 0:48:35 | |
Thanks. | 0:48:35 | 0:48:36 | |
I think. | 0:48:36 | 0:48:37 | |
You just let me know when you're ready for some advice on style. | 0:48:37 | 0:48:40 | |
Well, this is interesting. | 0:48:40 | 0:48:42 | |
Annie's done a great job selling the Murdochs. | 0:48:42 | 0:48:45 | |
But now I'd like to hear from my expert. | 0:48:45 | 0:48:47 | |
-Amandeep? -You know many of my investors. | 0:48:47 | 0:48:50 | |
What would they make of Murdoch Enterprises? | 0:48:50 | 0:48:52 | |
Amber, Lenny - what you see is what you get. | 0:49:04 | 0:49:07 | |
But Alex? | 0:49:09 | 0:49:11 | |
Now there's one manipulative, ruthless psycho... | 0:49:11 | 0:49:15 | |
-AJ! -You want a character reference, call the police, not my wife. | 0:49:15 | 0:49:19 | |
Like so many demented women before her, and, er... | 0:49:21 | 0:49:24 | |
despite her intellect... | 0:49:24 | 0:49:25 | |
..she's the latest to fall for the Alex Murdoch bull. | 0:49:27 | 0:49:30 | |
-Whoa! -That's my brother! | 0:49:30 | 0:49:32 | |
No wonder you enjoyed giving him medical advice. | 0:49:32 | 0:49:34 | |
We need to go. | 0:49:34 | 0:49:35 | |
You just need to be careful what you say | 0:49:35 | 0:49:37 | |
when you next open your mouth, pal. | 0:49:37 | 0:49:39 | |
Or what? | 0:49:39 | 0:49:40 | |
I'll be up to my neck in cement? Hm? | 0:49:40 | 0:49:43 | |
Planted in the foundations of the Murdoch Sunshine Home | 0:49:43 | 0:49:46 | |
for Retired Gangsters? | 0:49:46 | 0:49:47 | |
I rest my case. | 0:49:49 | 0:49:50 | |
You're drunk. We'll talk about this at home. | 0:49:50 | 0:49:52 | |
Enough! | 0:49:52 | 0:49:54 | |
I know! OK? | 0:49:54 | 0:49:57 | |
I know about you two! | 0:49:57 | 0:49:58 | |
I'm sorry, Danny, I'd better go. But you want my advice? | 0:50:05 | 0:50:09 | |
Stay away from that piece of dirt. | 0:50:09 | 0:50:11 | |
-Annie... -No, don't! Don't. | 0:50:14 | 0:50:17 | |
I think I should go. | 0:50:20 | 0:50:21 | |
Yeah, well - that's the best advice you've had all night. | 0:50:21 | 0:50:24 | |
What is it? | 0:50:25 | 0:50:27 | |
You wanted to get down and dirty with the gangsters, did you? | 0:50:27 | 0:50:29 | |
Well, you have. | 0:50:29 | 0:50:30 | |
And if my investment doesn't come through, just remember... | 0:50:30 | 0:50:34 | |
I take no prisoners. | 0:50:34 | 0:50:35 | |
Yous two - home. | 0:50:41 | 0:50:42 | |
You, son. | 0:50:47 | 0:50:49 | |
Every time you screw around, you screw up my business! | 0:50:49 | 0:50:52 | |
It's not me, it's her! She set it up. | 0:50:52 | 0:50:54 | |
She invited AJ, knowing full well about me and Annie! | 0:50:54 | 0:50:57 | |
What's she ever done to you? | 0:50:57 | 0:50:58 | |
Where do you get off bringing her into this business? | 0:50:58 | 0:51:00 | |
And, for the record, I had no idea AJ knew. | 0:51:00 | 0:51:02 | |
Well, you were making damn sure he did tonight! | 0:51:02 | 0:51:04 | |
Yeah? Well, at least that part was entertaining. | 0:51:04 | 0:51:07 | |
You dragged me along to see that stuck-up city brat for nothing. | 0:51:07 | 0:51:09 | |
You've no idea what you've cost us. | 0:51:09 | 0:51:11 | |
He wasnae interested in us. | 0:51:11 | 0:51:13 | |
Course he was! He was serious. | 0:51:13 | 0:51:14 | |
He'd have been as well sitting on a tour bus. | 0:51:14 | 0:51:16 | |
-"Come and see the monkeys." -He was interested | 0:51:16 | 0:51:18 | |
and I should know - it took me months to set this up! | 0:51:18 | 0:51:20 | |
To think I was just about to hand over the reins to yous two. | 0:51:20 | 0:51:23 | |
-It was your idea to bring her into it. -What is it, do you not get it? | 0:51:23 | 0:51:26 | |
It's a shark-pool out there - | 0:51:26 | 0:51:27 | |
yous two are that busy fighting each other, | 0:51:27 | 0:51:29 | |
-you don't know who the real predators are. -That's not true. | 0:51:29 | 0:51:32 | |
Yeah? Well, what's your contribution been? | 0:51:32 | 0:51:34 | |
You know, humiliating your brother in public doesn't put money in the bank, darlin'... | 0:51:34 | 0:51:37 | |
No... No, from now on, you look after Candle Room business | 0:51:37 | 0:51:41 | |
and nothing else, cos you cannae be trusted. | 0:51:41 | 0:51:43 | |
That's not fair. This is his mess! | 0:51:43 | 0:51:44 | |
Let me tell you what isnae fair. | 0:51:44 | 0:51:46 | |
Just when I need somebody to step up to the plate, | 0:51:46 | 0:51:48 | |
I'm left with Tweedledum and Tweedledumber! | 0:51:48 | 0:51:51 | |
So you work with him or you don't work at all. | 0:51:51 | 0:51:54 | |
And you stay away from that doctor. | 0:51:54 | 0:51:56 | |
No way. | 0:51:56 | 0:51:57 | |
-I mean it - this fling is over. -It's not a fling. | 0:51:57 | 0:52:00 | |
Really? That surprises me. | 0:52:00 | 0:52:01 | |
Since she's sitting over there with him and you're standing here, | 0:52:01 | 0:52:04 | |
I would take a guess that whatever you think you had between yous... | 0:52:04 | 0:52:07 | |
it's well and truly over, so end it. Now. | 0:52:07 | 0:52:09 | |
HE EXHALES SHAKILY | 0:52:14 | 0:52:16 | |
I'm so sorry. | 0:52:17 | 0:52:19 | |
For what? | 0:52:21 | 0:52:22 | |
Cheating on me, or getting caught? | 0:52:22 | 0:52:24 | |
For subjecting you to that. | 0:52:25 | 0:52:27 | |
I never meant it to come out that way. | 0:52:29 | 0:52:31 | |
You and Alex? | 0:52:31 | 0:52:33 | |
It's truly incredible. | 0:52:33 | 0:52:34 | |
Fancied a bit of rough, did you? | 0:52:36 | 0:52:38 | |
Well, if your aim was to mortify me, then well done. | 0:52:38 | 0:52:42 | |
I am well and truly chastened. | 0:52:44 | 0:52:46 | |
How long have you known? | 0:52:49 | 0:52:51 | |
Couple of weeks. | 0:52:59 | 0:53:00 | |
I was in the Charity Shop, saw you kissing him in the car. | 0:53:00 | 0:53:04 | |
You didn't say anything? | 0:53:05 | 0:53:06 | |
Because I wanted it to pass. | 0:53:06 | 0:53:08 | |
So I ignored all the lies - | 0:53:09 | 0:53:11 | |
the "counselling courses", the "house calls". | 0:53:11 | 0:53:14 | |
You obviously wanted me to find out. | 0:53:16 | 0:53:18 | |
SHAKILY: No! | 0:53:18 | 0:53:19 | |
Of course I didn't. I didn't...want to hurt you! | 0:53:19 | 0:53:23 | |
I wanted to tell you when I was ready. | 0:53:25 | 0:53:27 | |
So... | 0:53:30 | 0:53:31 | |
..you got your revenge. | 0:53:32 | 0:53:34 | |
This is not about you and Chloe. | 0:53:34 | 0:53:36 | |
I can't even blame you for what you've done. | 0:53:36 | 0:53:39 | |
We were fine before Chloe. | 0:53:39 | 0:53:40 | |
I pushed you to it. | 0:53:42 | 0:53:43 | |
AJ, no-one pushed me into anything. | 0:53:43 | 0:53:46 | |
So now we're evens. | 0:53:46 | 0:53:47 | |
We can put all of this behind us and really move on. | 0:53:49 | 0:53:53 | |
I know I hurt you first. | 0:53:54 | 0:53:57 | |
I deserve this. | 0:53:57 | 0:53:59 | |
You don't. | 0:53:59 | 0:54:00 | |
No-one deserves to be cheated on. | 0:54:01 | 0:54:04 | |
Every couple has a bad patch. Hm? | 0:54:04 | 0:54:05 | |
You forgave me. | 0:54:07 | 0:54:09 | |
I forgive you. | 0:54:11 | 0:54:12 | |
Hm? | 0:54:13 | 0:54:14 | |
There. I've said it. | 0:54:14 | 0:54:16 | |
We can start again - anything you want. | 0:54:18 | 0:54:21 | |
AJ, please... | 0:54:21 | 0:54:23 | |
..you have to listen to me. | 0:54:24 | 0:54:26 | |
I want to be with Alex. | 0:54:28 | 0:54:31 | |
And I can't explain it. | 0:54:32 | 0:54:34 | |
But it's like... | 0:54:36 | 0:54:37 | |
..I can be myself when I'm with him. | 0:54:39 | 0:54:41 | |
I'm not a doctor or a mother or a wife, I'm... | 0:54:43 | 0:54:46 | |
I'm just me. | 0:54:49 | 0:54:50 | |
And you're not with me? | 0:54:53 | 0:54:54 | |
Be honest! | 0:54:54 | 0:54:56 | |
We settled for each other because I got pregnant. | 0:54:57 | 0:55:00 | |
And that's why you had the affair with Chloe, to fill that void. | 0:55:00 | 0:55:04 | |
We were never really happy. | 0:55:06 | 0:55:09 | |
And I wanted to stick with it, because... | 0:55:11 | 0:55:14 | |
Well, you know me - | 0:55:14 | 0:55:16 | |
failure is not an option. | 0:55:16 | 0:55:18 | |
But it's not worth it... | 0:55:20 | 0:55:22 | |
for how miserable we make each other. | 0:55:22 | 0:55:25 | |
Stay away from him! | 0:55:25 | 0:55:27 | |
Please don't do this! | 0:55:27 | 0:55:29 | |
We can't give up now. | 0:55:29 | 0:55:31 | |
I can't. | 0:55:31 | 0:55:32 | |
I'm in love with him. | 0:55:35 | 0:55:36 | |
SHE GASPS | 0:55:40 | 0:55:41 | |
# Some say love is a burning thing | 0:55:45 | 0:55:51 | |
# That it makes a fiery ring | 0:55:51 | 0:55:55 | |
# Oh, but I know love as a fading thing | 0:55:56 | 0:56:01 | |
# Just as fickle as a feather in a stream | 0:56:02 | 0:56:07 | |
# See, honey, I saw love | 0:56:07 | 0:56:10 | |
# You see, it came to me | 0:56:10 | 0:56:12 | |
# It put its face up to my face so I could see... # | 0:56:13 | 0:56:17 | |
I love you. | 0:56:17 | 0:56:18 | |
Good. | 0:56:20 | 0:56:21 | |
Because I love you, too. | 0:56:22 | 0:56:24 | |
# Into something I am not recognising. # | 0:56:25 | 0:56:29 | |
Want to pick on somebody? Try me. I'm ready to go when you are. | 0:56:36 | 0:56:39 | |
Are you going to tell EVERYONE here | 0:56:39 | 0:56:40 | |
how you've been screwing Alex behind my back? | 0:56:40 | 0:56:43 | |
Time to shut your mouth before somebody shuts it for you. | 0:56:43 | 0:56:46 | |
-Gabriel. -He's back? And you didnae tell him?! | 0:56:46 | 0:56:48 | |
No, I didnae tell him. | 0:56:48 | 0:56:49 | |
Stella. There's a ferry leaving from Newcastle to Amsterdam, | 0:56:49 | 0:56:52 | |
-and I want you to come with me. -No. | 0:56:52 | 0:56:54 | |
What did you expect after you abandoned your own daughter? | 0:56:54 | 0:56:56 | |
Don't! Will the two of you just calm down?! | 0:56:56 | 0:56:58 | |
If you can honestly tell me you're in love with Bob, | 0:56:58 | 0:57:00 | |
I'll leave right now. | 0:57:00 | 0:57:01 | |
-What did you do? -I phoned the polis. | 0:57:01 | 0:57:03 |