Browse content similar to 02/08/2016. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I don't want to end up miserable and twisted like the rest of them. | 0:00:20 | 0:00:23 | |
Who needs the real world? So what if it's a dream? | 0:00:23 | 0:00:26 | |
You've got to dream to live the dream. | 0:00:26 | 0:00:29 | |
-I'm serious. I'm skint. -So am I and I don't care. | 0:00:29 | 0:00:31 | |
Get yourself a move on and find somewhere else. | 0:00:31 | 0:00:34 | |
Walk away now. | 0:00:34 | 0:00:36 | |
This isn't over, Brodie. | 0:00:36 | 0:00:37 | |
You're deluded. | 0:00:37 | 0:00:38 | |
You're choosing him again. Over me. | 0:00:38 | 0:00:41 | |
We'll take him on together. | 0:00:41 | 0:00:42 | |
I'm sorry. I can't stick around and watch you destroy yourself. | 0:00:42 | 0:00:46 | |
-And the baby's father? Have you told him? -It's complicated. | 0:00:46 | 0:00:49 | |
It's Gabriel's. | 0:00:49 | 0:00:51 | |
Do you want to grab a seat? | 0:00:51 | 0:00:53 | |
Well, I've no really got time to talk but it's good seeing you. | 0:00:53 | 0:00:56 | |
Gabriel, I know you're probably busy but if you're still around, | 0:00:56 | 0:00:59 | |
I'd really like to see you. | 0:00:59 | 0:01:00 | |
The only reason you're getting to live | 0:01:00 | 0:01:02 | |
is because of that wee boy there. | 0:01:02 | 0:01:04 | |
# Never mind overjoyed | 0:01:17 | 0:01:20 | |
# Just start with happy... # | 0:01:22 | 0:01:25 | |
Sorry I can't take your call right now but I'll get back to you. | 0:01:25 | 0:01:27 | |
Hi, Stella. It's me, pal. | 0:01:27 | 0:01:29 | |
Listen, this is me up nice and early to pick up the rest of your stuff. | 0:01:29 | 0:01:32 | |
There's no point hanging about. | 0:01:32 | 0:01:34 | |
I'll catch you later, pal. | 0:01:34 | 0:01:36 | |
-Have you got all the toys, Mum? -What do you think is in this bag? | 0:01:36 | 0:01:40 | |
Come on. You can't be late for you grandpa. | 0:01:40 | 0:01:43 | |
Come on. Let's take the short cut. | 0:01:43 | 0:01:45 | |
# Between you and your | 0:01:50 | 0:01:51 | |
# Wrong impression | 0:01:53 | 0:01:55 | |
# OK, that's my opinion | 0:01:58 | 0:02:01 | |
# But everybody else | 0:02:03 | 0:02:06 | |
# Agrees | 0:02:06 | 0:02:08 | |
# Hey self defeater | 0:02:10 | 0:02:13 | |
# You're underrated by yourself so quit looking down | 0:02:13 | 0:02:16 | |
# You need attention | 0:02:23 | 0:02:25 | |
# You really do | 0:02:28 | 0:02:30 | |
# And I know that it's yesterday | 0:02:34 | 0:02:36 | |
# That you're blowing away | 0:02:38 | 0:02:41 | |
# Something so... # | 0:02:43 | 0:02:45 | |
-Is he still mad at us? -Looks like it. | 0:02:51 | 0:02:54 | |
OK, come on, wee man. Sit down on the couch. | 0:02:57 | 0:03:00 | |
Read the newspapers with your granda, eh? | 0:03:00 | 0:03:02 | |
There's your special one. | 0:03:02 | 0:03:05 | |
-Morning, Kelly Marie. -Hi. | 0:03:13 | 0:03:15 | |
I made you some coffee. | 0:03:15 | 0:03:18 | |
I'm just staying here for a bit. | 0:03:18 | 0:03:19 | |
You don't need to explain yourself, darling. | 0:03:19 | 0:03:22 | |
-So, how are you feeling? -Why should you care? | 0:03:25 | 0:03:28 | |
I'm still your GP. | 0:03:28 | 0:03:29 | |
-Aye. Right, bye, Callum. -Bye. | 0:03:29 | 0:03:33 | |
Bye. | 0:03:35 | 0:03:36 | |
Cheers, mate. | 0:03:52 | 0:03:53 | |
That's the rest of her stuff. Hope's too. | 0:03:57 | 0:03:59 | |
Look, Stella told me it was you that pushed her to go. | 0:03:59 | 0:04:03 | |
Aye. I just wanted her to, you know... | 0:04:05 | 0:04:08 | |
-To be happy? -Aye. -You're one of the good guys, mate. | 0:04:08 | 0:04:12 | |
Doesnae make me feel any better, though, does it? | 0:04:12 | 0:04:15 | |
-Or miss them any less? -Tell me about it. | 0:04:15 | 0:04:17 | |
I need to head up to my ma's and drop off some washing. | 0:04:17 | 0:04:20 | |
Do you just want to lock up when you're finished, then, all right? | 0:04:20 | 0:04:23 | |
-So when is she due? -Sorry, mate? -Come on. | 0:04:23 | 0:04:27 | |
I saw her. When's Kel due? | 0:04:27 | 0:04:31 | |
A few months. | 0:04:31 | 0:04:33 | |
She's big. | 0:04:33 | 0:04:35 | |
Aye. | 0:04:35 | 0:04:36 | |
-So how does Alex feel about it? -What? | 0:04:36 | 0:04:38 | |
You think... you think it's his? | 0:04:38 | 0:04:41 | |
-Is it not? -No. | 0:04:41 | 0:04:43 | |
But I just saw her... going round to Lenny's. | 0:04:45 | 0:04:47 | |
-You've got the wrong end of the stick. -OK. | 0:04:47 | 0:04:49 | |
So if it is not Alex's, | 0:04:49 | 0:04:51 | |
what mug has fallen under her spell this time? | 0:04:51 | 0:04:53 | |
You need to speak to her. | 0:04:53 | 0:04:56 | |
And why would I want to do that? | 0:04:56 | 0:04:58 | |
Because she told me not to say anything. | 0:04:58 | 0:05:00 | |
So what are you saying? Whether it's mine? | 0:05:00 | 0:05:05 | |
Just talk to her. | 0:05:05 | 0:05:07 | |
-No. You're all right. -Don't be a muppet, eh? | 0:05:07 | 0:05:10 | |
Wait a minute here. | 0:05:10 | 0:05:12 | |
You were the one that told me to tell her how I felt last time. | 0:05:12 | 0:05:15 | |
Remember? Look where that got me. | 0:05:15 | 0:05:17 | |
-Crashed and burned. -Things are different now. | 0:05:17 | 0:05:20 | |
-So why would she no' say anything? -You need to ask her that. | 0:05:20 | 0:05:22 | |
No. You've got it wrong. | 0:05:22 | 0:05:25 | |
It can't be mine. | 0:05:25 | 0:05:27 | |
I was there for the conception, mind? | 0:05:27 | 0:05:29 | |
I've still got the scars to prove it. | 0:05:29 | 0:05:32 | |
She drops Callum with Lenny in the morning. | 0:05:32 | 0:05:34 | |
That's why they were there. | 0:05:34 | 0:05:36 | |
But her and Alex, they hate each other. | 0:05:36 | 0:05:38 | |
It's your baby. | 0:05:38 | 0:05:40 | |
-So... -So what? | 0:05:41 | 0:05:43 | |
She obviously doesn't want me to have anything to do with it. | 0:05:43 | 0:05:46 | |
-Nothing changes. -Come on. | 0:05:46 | 0:05:48 | |
No. She's had her last chance. | 0:05:48 | 0:05:50 | |
She's made her bed. | 0:05:50 | 0:05:51 | |
She'd just lost David. | 0:05:51 | 0:05:53 | |
See rock bottom? Kel was about five foot under that. | 0:05:53 | 0:05:56 | |
You know that. You saw what she did to herself. | 0:05:56 | 0:05:58 | |
She took an overdose. | 0:05:58 | 0:05:59 | |
You have to speak to her, mate. | 0:06:02 | 0:06:04 | |
Because you're one of the good guys too. | 0:06:04 | 0:06:07 | |
Morning. | 0:06:17 | 0:06:18 | |
You see if you can put the mast together, OK? I'll get these guys. | 0:07:05 | 0:07:10 | |
-Are you free for lunch today? -No. | 0:07:17 | 0:07:19 | |
I'm going to take the wee man to the Transport Museum. | 0:07:19 | 0:07:23 | |
-We need to talk. -What about? -You know what about. | 0:07:23 | 0:07:26 | |
-Stop being so... -So what? -You know, annoyed. | 0:07:26 | 0:07:30 | |
I'm not annoyed, Amber. | 0:07:30 | 0:07:33 | |
I'm disappointed. | 0:07:33 | 0:07:34 | |
Look, I'm sorry. I learned my lesson. | 0:07:36 | 0:07:38 | |
Can we move on, please? | 0:07:38 | 0:07:40 | |
You see, the thing is, I don't think you have learned your lesson. | 0:07:40 | 0:07:43 | |
In fact, I don't think you've learned anything at all. | 0:07:43 | 0:07:46 | |
You ready? That's it. | 0:07:48 | 0:07:50 | |
That's it! It can go out to sea now, eh? | 0:07:50 | 0:07:52 | |
-Put them in the kitchen. I'll do it later. -Cheers, Ma. | 0:07:58 | 0:08:01 | |
Haven't you got a washing machine of your own? | 0:08:01 | 0:08:04 | |
-Aye, but... -It's just an excuse to come here, isn't it? -No. | 0:08:04 | 0:08:08 | |
It's a bit sad. | 0:08:08 | 0:08:11 | |
I mean, how old are you? Still getting your mum to do your washing. | 0:08:11 | 0:08:15 | |
Madonna, don't be so cheeky to your brother. | 0:08:15 | 0:08:17 | |
He's just a wee bit down the now. | 0:08:17 | 0:08:19 | |
He can come round any time he wants. | 0:08:19 | 0:08:21 | |
-Ma... -Sad. | 0:08:21 | 0:08:22 | |
-Have you not got summer school or something? -No. | 0:08:22 | 0:08:25 | |
Madonna's going to see her wee pals, aren't you? | 0:08:25 | 0:08:27 | |
Yeah, because I've got a life. | 0:08:27 | 0:08:29 | |
Less of your cheek, madam! | 0:08:29 | 0:08:31 | |
The mouth on her. | 0:08:34 | 0:08:36 | |
-Tell me about it. No idea where she gets it from! -All right, Bob? | 0:08:36 | 0:08:39 | |
Aye, fine, great. | 0:08:39 | 0:08:42 | |
What's wrong with you? | 0:08:42 | 0:08:45 | |
-He's back in town. -Who's back in town? | 0:08:45 | 0:08:48 | |
Gabriel. | 0:08:50 | 0:08:51 | |
-What? Really? -Look. | 0:08:51 | 0:08:54 | |
He didn't want to tell you. | 0:08:54 | 0:08:56 | |
-When? -Just this morning. | 0:08:56 | 0:08:58 | |
He came back for the rest of Stella's stuff. | 0:08:58 | 0:09:02 | |
All right. | 0:09:02 | 0:09:03 | |
Kelly, you'll need to go and see him. | 0:09:03 | 0:09:05 | |
Well, I left a voicemail and he never returned it | 0:09:05 | 0:09:08 | |
so he clearly doesn't care, does he? | 0:09:08 | 0:09:10 | |
I need to get ready for my work. | 0:09:10 | 0:09:12 | |
Aye, but he didn't know that you're carrying his wean. | 0:09:12 | 0:09:15 | |
He does now. | 0:09:15 | 0:09:16 | |
He saw you going to Lenny's with Cal. | 0:09:18 | 0:09:20 | |
He thought it was Alex's so I had to set him straight. | 0:09:20 | 0:09:23 | |
You need to go and find him. | 0:09:23 | 0:09:25 | |
-What did he say? -You should speak to him yourself. | 0:09:25 | 0:09:30 | |
Well, if he gave a toss, he'd be here, wouldn't he? | 0:09:30 | 0:09:33 | |
-Just go and speak to him. -What's the point? | 0:09:33 | 0:09:35 | |
HE SIGHS | 0:10:03 | 0:10:05 | |
Hey, partner. | 0:10:09 | 0:10:10 | |
Listen, about that money you said you were going to give me to help out. | 0:10:10 | 0:10:14 | |
-I was just wondering... -I just blew the last of my cash on brekkie. | 0:10:14 | 0:10:17 | |
-Do you want some? -Those rolls are stolen. | 0:10:17 | 0:10:20 | |
-What? -I saw you, outside Scarlett's. | 0:10:20 | 0:10:22 | |
-She won't miss them. -Really? Shall we ask her? -Yes. | 0:10:22 | 0:10:26 | |
Why don't you phone the cops as well, eh? | 0:10:26 | 0:10:29 | |
Help me flush these down the lavvy. Evidence. | 0:10:29 | 0:10:31 | |
-I'm not joking, pal. -Oh, come on. | 0:10:31 | 0:10:34 | |
A pretty face like this? I won't last ten minutes in the jail. | 0:10:34 | 0:10:37 | |
-Fine. -What are you doing? -Calling Scarlett. | 0:10:37 | 0:10:41 | |
Please don't do that, mate. | 0:10:41 | 0:10:43 | |
She's worse than the jail. | 0:10:43 | 0:10:44 | |
I'm skint and I'm hungry, that's all. | 0:10:44 | 0:10:47 | |
I'll pay her back for the rolls. | 0:10:47 | 0:10:49 | |
I'll pay her back. | 0:10:49 | 0:10:50 | |
That's for Scarlett. | 0:10:55 | 0:10:57 | |
Swing by the Oyster later. | 0:10:57 | 0:10:59 | |
I'll fix you up with some lunch but you need to get a job. | 0:10:59 | 0:11:02 | |
I'm looking. | 0:11:02 | 0:11:04 | |
-Don't ask. -I'm asking. | 0:11:11 | 0:11:13 | |
It's my brother. He runs the company. | 0:11:13 | 0:11:16 | |
He offered me a job. | 0:11:16 | 0:11:17 | |
-So why is this on the chair and not on you? -Seriously? | 0:11:17 | 0:11:21 | |
Seriously. | 0:11:21 | 0:11:22 | |
It's an affront to the dream, man. | 0:11:22 | 0:11:24 | |
-I become one of them. -One of who? -Them. | 0:11:24 | 0:11:27 | |
The faceless mugs that slog their guts out every day. | 0:11:27 | 0:11:30 | |
For something they hate, every day, all day. | 0:11:32 | 0:11:34 | |
A slave to the machine, man. | 0:11:34 | 0:11:37 | |
You should get it. | 0:11:37 | 0:11:38 | |
-You give it all up. -But I had to plan to make money. | 0:11:38 | 0:11:41 | |
You need a plan, Pete. | 0:11:41 | 0:11:43 | |
-In the meantime... -It's door-to-door sales. | 0:11:43 | 0:11:46 | |
-Nightmare. -But money. | 0:11:46 | 0:11:48 | |
I'm not that desperate, partner. | 0:11:49 | 0:11:51 | |
When you're having to plunder baked goods and you haven't | 0:11:51 | 0:11:55 | |
paid me a bean, despite me letting you stay here, | 0:11:55 | 0:11:57 | |
then you are that desperate... partner. | 0:11:57 | 0:12:00 | |
I'm sorry... | 0:12:02 | 0:12:04 | |
that you had to find out like this. | 0:12:04 | 0:12:07 | |
So, what? Are you saying it's mine? | 0:12:07 | 0:12:10 | |
100%? I've got the right to ask the question, Kel. | 0:12:10 | 0:12:14 | |
You know, history repeating itself and all that. | 0:12:14 | 0:12:17 | |
-Are you still angry with me? -No. | 0:12:17 | 0:12:20 | |
I mean, do you not remember? In here. | 0:12:21 | 0:12:24 | |
You chose Alex the first time. | 0:12:24 | 0:12:26 | |
Why don't we head to the subway for the sequel? | 0:12:26 | 0:12:28 | |
You know, complete the grand tour down memory lane? | 0:12:28 | 0:12:31 | |
So I'm going to be a dad? | 0:12:36 | 0:12:38 | |
Do you know what... what it is? | 0:12:38 | 0:12:42 | |
Kel... | 0:12:48 | 0:12:50 | |
We don't need you, Gabriel. | 0:12:51 | 0:12:53 | |
I don't need you involved in this and I don't want you involved. | 0:12:53 | 0:12:56 | |
But I'm its dad. | 0:12:56 | 0:12:58 | |
Yes, well. | 0:12:58 | 0:12:59 | |
You weren't that bothered last time when you thought David might be years. | 0:12:59 | 0:13:02 | |
-How can you say that? -I'm doing this alone. | 0:13:02 | 0:13:05 | |
-No. -Yeah. You've not got a choice on it. | 0:13:05 | 0:13:08 | |
Of course I've got a choice. | 0:13:08 | 0:13:10 | |
Get Stella's stuff and you go. | 0:13:10 | 0:13:12 | |
You cannae shut me out, Kel. | 0:13:12 | 0:13:14 | |
I was thinking, maybe... maybe we could be a family. | 0:13:14 | 0:13:18 | |
See, there you are. | 0:13:18 | 0:13:20 | |
Right there. | 0:13:20 | 0:13:21 | |
What, just because I'm pregnant you going to forget everything? | 0:13:21 | 0:13:24 | |
You're going to forgive me? No. | 0:13:24 | 0:13:25 | |
Of course not. You still hate me. | 0:13:25 | 0:13:28 | |
I can see it in you. | 0:13:28 | 0:13:30 | |
-I'll get over it. -Really? How? | 0:13:31 | 0:13:33 | |
I'm late for work. | 0:13:35 | 0:13:37 | |
-Kelly, please. -She's better off without you. | 0:13:37 | 0:13:40 | |
-She? -Why do yo think I didnae tell you? | 0:13:40 | 0:13:43 | |
Because you're not ready to be a dad. | 0:13:43 | 0:13:46 | |
That's not fair. | 0:13:47 | 0:13:48 | |
You walked out on me. | 0:13:48 | 0:13:49 | |
-Because you chose him. -I had taken an overdose. | 0:13:49 | 0:13:52 | |
So that might have been a clue that maybe I wasn't in the right frame of mind. | 0:13:52 | 0:13:56 | |
But did you stay and fight for me? Gabriel, see raising a kid? | 0:13:56 | 0:13:59 | |
It's no bed of roses. | 0:13:59 | 0:14:01 | |
It's tough. It's really tough. | 0:14:01 | 0:14:03 | |
And in five, 10, 15 years, see when she tests you? | 0:14:03 | 0:14:06 | |
When she really puts you through the wringer? | 0:14:06 | 0:14:08 | |
You're just going to quit on her. | 0:14:08 | 0:14:10 | |
You'll just leave her like you did me. | 0:14:10 | 0:14:11 | |
-I won't. I wouldn't do that. -You will, Gabriel. | 0:14:11 | 0:14:14 | |
At some point, you will. | 0:14:14 | 0:14:16 | |
Because that's what's inside you. | 0:14:16 | 0:14:18 | |
That's who you are. | 0:14:18 | 0:14:19 | |
So for the sake of this baby, just do what you're best at doing. | 0:14:19 | 0:14:23 | |
Just leave. | 0:14:23 | 0:14:24 | |
SHE SIGHS | 0:14:34 | 0:14:36 | |
Do you think when the King fell on hard times, he gave up on his dream? | 0:14:50 | 0:14:54 | |
I didn't have a choice, Elvis. | 0:14:54 | 0:14:56 | |
You've always got a choice, man. | 0:14:56 | 0:14:58 | |
I like you, Pete, I like you a lot. | 0:14:58 | 0:15:00 | |
But you give up on your dreamin' you and me, | 0:15:00 | 0:15:02 | |
we'll be having a little less conversation from now on. | 0:15:02 | 0:15:05 | |
-You know what I'm saying? -What choice have I got? I'm skint. | 0:15:05 | 0:15:09 | |
See Jailhouse Rock? Look at me, Pete. | 0:15:09 | 0:15:12 | |
I'm mean, I'm angry, I'm nasty. | 0:15:15 | 0:15:17 | |
I don't care nothin' about the rockin' 'n' rollin', | 0:15:17 | 0:15:20 | |
livin' fast, dyin' young. | 0:15:20 | 0:15:24 | |
Do you think I would have settled for selling solar panels, man? Hmm? | 0:15:24 | 0:15:28 | |
Do you think the King would have settled for selling solar panels? | 0:15:28 | 0:15:31 | |
-No, you wouldn't. -Damn straight he wouldn't. -What else can I do? | 0:15:31 | 0:15:36 | |
Follow your dream, man. It's do or die. | 0:15:36 | 0:15:39 | |
Go big, go home, what's your dream, Pete? | 0:15:39 | 0:15:42 | |
# Of our love and all its glory | 0:15:44 | 0:15:48 | |
# Let us take this night of magic | 0:15:49 | 0:15:54 | |
# And make it a night of love... # | 0:15:55 | 0:15:57 | |
AJ, come up to the flat. It's urgent. | 0:15:57 | 0:15:59 | |
What's wrong with you? | 0:15:59 | 0:16:01 | |
-This is good news, in't it? -Gabriel Brodie being back in town? | 0:16:01 | 0:16:04 | |
-That's never good news? -How? -Well, look what happened the last time. | 0:16:04 | 0:16:07 | |
-She almost killed herself. -Well, that was down to Alex. | 0:16:07 | 0:16:10 | |
Gabriel was the one that tried to help her. | 0:16:10 | 0:16:12 | |
Well, it didnae work, did it? | 0:16:12 | 0:16:13 | |
Don't you want her to be happy or something? | 0:16:13 | 0:16:15 | |
Don't you think she deserves it after everything she's been through? | 0:16:15 | 0:16:18 | |
Aye, of course, but I just don't want to see her going backwards. | 0:16:18 | 0:16:21 | |
Oh, and being a single parent with two weans, | 0:16:21 | 0:16:23 | |
-that's going forwards, is it? -Well, she's got us. -Jimmy, she loves him. | 0:16:23 | 0:16:27 | |
And she made a mistake in letting him go and now she's got | 0:16:27 | 0:16:30 | |
a chance to get him back. Can you not just be happy for her? | 0:16:30 | 0:16:34 | |
All right? Oh, finally she's got some light at the end of the tunnel. | 0:16:34 | 0:16:39 | |
Aye, well, let's hope it's not a train, eh? | 0:16:40 | 0:16:42 | |
-Right, a yum-yum? -Yeah. -And a coffee. | 0:16:51 | 0:16:55 | |
-Hey, wee man. -Hey, Gabriel! | 0:16:55 | 0:16:57 | |
Hey, give me a hug. | 0:16:57 | 0:16:59 | |
Well, well. The return of the lapdog. What happened? | 0:16:59 | 0:17:04 | |
Kelly Marie whistle on you? | 0:17:04 | 0:17:05 | |
You ran along like the obedient wee puppy you are? | 0:17:05 | 0:17:08 | |
It's good to see you, pal. | 0:17:08 | 0:17:09 | |
You, not so much. | 0:17:10 | 0:17:12 | |
-Why are you back? -Don't worry. I'm not staying. There's nae reason to. | 0:17:14 | 0:17:18 | |
Sit in there the now, pal. | 0:17:18 | 0:17:20 | |
What is it? You get her knocked up, she still doesnae want you? | 0:17:22 | 0:17:24 | |
That's hilarious, I mean, really. | 0:17:24 | 0:17:26 | |
-AJ: -Pete! | 0:17:41 | 0:17:43 | |
Pete? | 0:17:45 | 0:17:46 | |
Right, what is it? What's the emergency? | 0:17:46 | 0:17:49 | |
Elvis Has Landed. | 0:17:49 | 0:17:51 | |
-Sorry, what? -Sit. -No. -It's better if you sit. -What is? -My show. | 0:17:53 | 0:17:57 | |
What show? Look, I thought you'd burnt the place down or something. | 0:17:57 | 0:18:00 | |
-I need to get back to work. -Please, just give me two minutes. | 0:18:00 | 0:18:03 | |
-That's all I'm asking. -What are you talking about? | 0:18:03 | 0:18:06 | |
I have conceived a show. | 0:18:07 | 0:18:09 | |
It all takes place November 2nd, 1960, | 0:18:09 | 0:18:12 | |
Elvis Presley has landed in Ayrshire and we use the King's visit | 0:18:12 | 0:18:17 | |
as a backdrop to an all-singing, all-dancing story of his life | 0:18:17 | 0:18:20 | |
seen through Scottish eyes. | 0:18:20 | 0:18:22 | |
It's never been done before. | 0:18:22 | 0:18:24 | |
-Starring me. -You're going to play Elvis? -Uh-huh. What do you think? | 0:18:24 | 0:18:28 | |
-AS ELVIS: -Uh-huh! What do you think? | 0:18:31 | 0:18:33 | |
You know... | 0:18:34 | 0:18:36 | |
..it actually sounds fairly plausible. | 0:18:37 | 0:18:39 | |
It's going to need a better quote than that for the poster. | 0:18:39 | 0:18:41 | |
Well, it needs work out, though. | 0:18:41 | 0:18:43 | |
-I mean, it's all a bit bare bones at the minute. -Yeah, I know. | 0:18:43 | 0:18:45 | |
It's getting a producer, that's the problem. | 0:18:45 | 0:18:47 | |
But do you think it's got legs? | 0:18:47 | 0:18:49 | |
I mean, us Scots, we love all that stuff. | 0:18:49 | 0:18:51 | |
Take the Grand Ole Opry, for instance. | 0:18:51 | 0:18:53 | |
It's a homage to our passion for Southern music. | 0:18:53 | 0:18:56 | |
It could be a winner. | 0:18:56 | 0:18:57 | |
I've got a mate who runs one of the big theatres in town. | 0:18:59 | 0:19:02 | |
-I could speak to him. -Seriously? -Yeah. -Oh, AJ, thank you, I... | 0:19:02 | 0:19:07 | |
-I'd be forever in your debt. -Well, you wouldn't have to be in my debt. | 0:19:07 | 0:19:12 | |
-What? -I want a cut. -Hey? -As exec producer. | 0:19:14 | 0:19:19 | |
I would stump up some of the cash upfront and go 50-50 on the profits. | 0:19:20 | 0:19:24 | |
Hmm? | 0:19:24 | 0:19:26 | |
-AS ELVIS: -Uh-huh! | 0:19:31 | 0:19:32 | |
-You're doing the right thing. -Eh? | 0:19:40 | 0:19:42 | |
Leaving. | 0:19:42 | 0:19:44 | |
What, right thing to her, you mean? Oh, I'll be back. | 0:19:45 | 0:19:48 | |
There's no way I'm giving up on my own kid. | 0:19:48 | 0:19:50 | |
Och, you two were never meant to be | 0:19:50 | 0:19:51 | |
and a kid's not going to change that. | 0:19:51 | 0:19:53 | |
You know you're starting to sound like her, like Kelly Marie. | 0:19:53 | 0:19:56 | |
-Desperate to see the back of me. -Yeah, well, anyway. | 0:19:56 | 0:19:58 | |
-It's for the best. -And why is that exactly? -Just because. | 0:19:58 | 0:20:02 | |
-I'll catch you later, Gabriel. -You know what? | 0:20:02 | 0:20:05 | |
Maybe I'll hang about for a bit. | 0:20:05 | 0:20:07 | |
-What's going on, Jimmy? -Nothing's going on. | 0:20:09 | 0:20:11 | |
-Come on. You've nothing to offer her. -You know, that's exactly what | 0:20:13 | 0:20:17 | |
she said. It like there's some sort of plan or something like that. | 0:20:17 | 0:20:20 | |
No, no, there's nae plan. | 0:20:20 | 0:20:22 | |
Is it Alex? | 0:20:22 | 0:20:24 | |
-What? -Has Alex got anything to do with this? | 0:20:25 | 0:20:28 | |
-Look, just leave, eh, for her sake? -It's Lenny. -No, it's no' Lenny. | 0:20:28 | 0:20:33 | |
Of course it is. | 0:20:33 | 0:20:35 | |
You realise the trouble you're causing coming back here. | 0:20:36 | 0:20:38 | |
Opened up a can of worms. Look, leave, just leave! | 0:20:38 | 0:20:42 | |
Why are you doing his bidding for him, Jimmy? | 0:20:42 | 0:20:45 | |
Listen, and listen good. | 0:20:46 | 0:20:48 | |
That lassie is on thin ice and if that ice cracks, | 0:20:48 | 0:20:52 | |
there'll be naebody there to save her this time - | 0:20:52 | 0:20:54 | |
no' you, no' me, nobody. | 0:20:54 | 0:20:55 | |
You want to tell me what's happening here? | 0:20:57 | 0:21:00 | |
Look, I... I know you would do anything for Kelly Marie... | 0:21:00 | 0:21:04 | |
..but... | 0:21:06 | 0:21:08 | |
well, if you love her, if you love that baby... | 0:21:08 | 0:21:13 | |
..you'll walk away right now and never ever come back. | 0:21:14 | 0:21:19 | |
Understand, son? | 0:21:20 | 0:21:21 | |
HE DIALS | 0:21:29 | 0:21:30 | |
All right, Stella? | 0:21:32 | 0:21:34 | |
Listen, is there any chance you can wait | 0:21:34 | 0:21:36 | |
a couple of days for that stuff? | 0:21:36 | 0:21:37 | |
PHONE RINGS | 0:21:54 | 0:21:56 | |
-Alex, what is it? -'How much longer are you going to be? | 0:21:59 | 0:22:01 | |
'I'm not a babysitting service.' | 0:22:01 | 0:22:03 | |
Yeah, well, I'll be as long as I'm going to be, OK? | 0:22:03 | 0:22:05 | |
You just sit tight with Cal till I get back. All right? | 0:22:05 | 0:22:07 | |
Something important's come up. It needs my attention. | 0:22:07 | 0:22:11 | |
'I've got stuff to do...' | 0:22:11 | 0:22:12 | |
PHONE BEEPS So do I. | 0:22:12 | 0:22:14 | |
-All right? What happened? -Took your advice, I talked to her. | 0:22:28 | 0:22:32 | |
Doesnae want me to be involved. Doesnae want me to be a part of it. | 0:22:32 | 0:22:36 | |
-Kel said that? -No, I'm making up, Bob. -I don't get it. | 0:22:36 | 0:22:39 | |
Reckons I'm not fit to be a da. | 0:22:39 | 0:22:41 | |
-Doesnae sound like Kel. -Ah, well, should have known better. | 0:22:42 | 0:22:45 | |
-Look, do you want me to talk to her? -I think we're past that now. -So... | 0:22:45 | 0:22:49 | |
I'm going to fight her, Bob, every step of the way. | 0:22:49 | 0:22:53 | |
She's no' keeping me from my own kid. | 0:22:53 | 0:22:55 | |
No chance. | 0:22:55 | 0:22:57 | |
HE SIGHS | 0:23:00 | 0:23:01 | |
Gabriel! It's been a while. | 0:23:06 | 0:23:08 | |
Amber Murdoch - back to complete the dynasty, eh? | 0:23:10 | 0:23:14 | |
-So how long's it been, since we... -Five years exactly. -Tough stretch. | 0:23:14 | 0:23:19 | |
Yeah, you could say that. | 0:23:19 | 0:23:21 | |
Well, Lenny will be delighted to have his wee girl home. | 0:23:21 | 0:23:24 | |
-Not so wee any more. -You know, I'm surprised you come home at all. | 0:23:24 | 0:23:28 | |
-You hated your dad's guts. -Things change. -Clearly. | 0:23:28 | 0:23:31 | |
And the Force with Lenny, it must've been strong. | 0:23:32 | 0:23:35 | |
Transition to the dark side is now complete. You know, it's a shame. | 0:23:35 | 0:23:39 | |
-I always liked you. -You're going to be a daddy? | 0:23:40 | 0:23:43 | |
-Looks like it. -What, so is that you be sticking around? -Why? | 0:23:45 | 0:23:49 | |
-Did you miss me? -Well, that was a long time ago. | 0:23:49 | 0:23:52 | |
Like I said, wee girl, so... | 0:23:52 | 0:23:56 | |
You know, it's funny, your da was asking me the same thing earlier. | 0:23:56 | 0:23:59 | |
For some reason, people want rid of me. That's strange. | 0:23:59 | 0:24:04 | |
Maybe I should change my aftershave. | 0:24:04 | 0:24:05 | |
-Well... -I don't know. | 0:24:05 | 0:24:08 | |
I've not decided yet. | 0:24:09 | 0:24:10 | |
FIGHTING ON VIDEO GAME | 0:24:13 | 0:24:15 | |
-What's all that? -Some documents need signing. | 0:24:22 | 0:24:25 | |
-Anything I can help with? -No, my stuff. -Like what? | 0:24:25 | 0:24:29 | |
Like, my business. You want papers to sign, build up your own business. | 0:24:30 | 0:24:35 | |
As you constantly remind me. | 0:24:35 | 0:24:37 | |
Five years inside has hindered my networking somewhat. | 0:24:38 | 0:24:42 | |
Where's Dad? | 0:24:43 | 0:24:45 | |
Something urgent came up apparently, so I'm on babysitting duty, | 0:24:46 | 0:24:50 | |
or, I was, but now you're here, I can go and meet Annie for a coffee. | 0:24:50 | 0:24:54 | |
-I should have known it would be like this. -What would? -Life with Dad. | 0:24:55 | 0:25:00 | |
All those promises he made when I came out, | 0:25:00 | 0:25:02 | |
any business you want and now look at me. | 0:25:02 | 0:25:05 | |
-He won't always be mad at you. -Us. | 0:25:05 | 0:25:07 | |
Whatever. He'll come round soon enough. | 0:25:07 | 0:25:09 | |
Why am I so desperate to get in his good books? | 0:25:09 | 0:25:12 | |
-I couldn't give a damn before. -I don't know. | 0:25:14 | 0:25:16 | |
-Maybe it's all that money. -Like, I'll see any of it. | 0:25:16 | 0:25:19 | |
He'll probably leave it all to the golden child in there. | 0:25:19 | 0:25:23 | |
-Said as much this morning. -He doesn't mean it. -No? -No. | 0:25:23 | 0:25:27 | |
Well... | 0:25:28 | 0:25:30 | |
-he might change his tune once we're the only family he has left. -What? | 0:25:30 | 0:25:36 | |
Gabriel's back. Just met him. | 0:25:36 | 0:25:37 | |
-Maybe he's here to take away Damien and his mum. -I wish. | 0:25:39 | 0:25:45 | |
Me too. | 0:25:47 | 0:25:48 | |
Lenny, here for a workout? | 0:25:55 | 0:25:57 | |
Aye, to work out whether to raise your rent or not. | 0:25:57 | 0:26:00 | |
Kelly Marie, can I have a word? | 0:26:00 | 0:26:02 | |
-Is Callum all right? -Aye, aye, aye. -So what... | 0:26:06 | 0:26:08 | |
Just to let you know I bumped into Gabriel Brodie in the Oyster. | 0:26:08 | 0:26:11 | |
Yeah, I only found out about that this morning. | 0:26:11 | 0:26:14 | |
-Oh, you knew he was back? You might have said something. -Why? | 0:26:14 | 0:26:16 | |
He's only here to pick up Stella's stuff. | 0:26:16 | 0:26:18 | |
So he's no' here to stock up on baby wipes and nappies? | 0:26:18 | 0:26:21 | |
-No, he's not staying. -What about you? -What about me? | 0:26:21 | 0:26:24 | |
Are you not looking for a white knight to come and whisk you away? | 0:26:24 | 0:26:28 | |
He hates my guts. | 0:26:28 | 0:26:29 | |
Yeah, well, there's a baby coming now, things change. | 0:26:29 | 0:26:32 | |
I mean, he's got a good gig going there. | 0:26:32 | 0:26:34 | |
Working out on the rigs, good wages, nice wee house. | 0:26:34 | 0:26:36 | |
Must be better than your maw's place. | 0:26:36 | 0:26:39 | |
-You don't find that appealing? -We're not going anywhere so you can relax. | 0:26:39 | 0:26:43 | |
I'll see you later. | 0:26:43 | 0:26:44 | |
Cos that's the last thing me and you need right now, | 0:26:44 | 0:26:47 | |
him swanning back into town, | 0:26:47 | 0:26:49 | |
especially when things are going OK with us, hmm? | 0:26:49 | 0:26:52 | |
Or as well as they can, considering all things. | 0:26:52 | 0:26:55 | |
I swear to you, Lenny, there's not going to be any problem. | 0:26:55 | 0:26:58 | |
OK. | 0:26:58 | 0:27:00 | |
-But I think Callum should stay with me for now. -What?! | 0:27:01 | 0:27:04 | |
You see, Brodie, he's like a feral dog. He goes on instinct. | 0:27:04 | 0:27:09 | |
He doesn't think things through properly before he acts | 0:27:09 | 0:27:12 | |
and now there's a baby at stake. Who knows what he might do? | 0:27:12 | 0:27:15 | |
The point is, I don't trust him. And I don't trust you. | 0:27:15 | 0:27:20 | |
You're not taking my son. | 0:27:20 | 0:27:21 | |
As soon as he leaves town, things will go back to normal. | 0:27:21 | 0:27:24 | |
-Normal? -Aye. We'll see about setting up your allowance again, | 0:27:24 | 0:27:27 | |
get you a wee flat of your own. | 0:27:27 | 0:27:28 | |
Lenny, I'm begging you, please, don't take him. | 0:27:28 | 0:27:31 | |
As soon as I'm satisfied that Brodie isn't going to cause any trouble... | 0:27:31 | 0:27:34 | |
and I'm sure that you're staying, | 0:27:34 | 0:27:37 | |
Callum will be sent right back over to you. | 0:27:37 | 0:27:40 | |
Come on. | 0:27:40 | 0:27:42 | |
Hmm? | 0:27:42 | 0:27:43 | |
I give you my word on this. | 0:27:44 | 0:27:46 | |
DOOR CLOSES | 0:27:55 | 0:27:56 | |
Aye, Well done. | 0:27:56 | 0:27:58 | |
Oh, aye! Cosy. | 0:27:59 | 0:28:01 | |
-Gabriel, you're back. -Looks like it, Doc. So, how's AJ? | 0:28:02 | 0:28:08 | |
-Nothing to do with you, Brodie. -Then what? | 0:28:08 | 0:28:11 | |
-What, you're destroying another woman again? -You're so pathetic. | 0:28:11 | 0:28:14 | |
You hanging about again to pick up my leftovers? | 0:28:14 | 0:28:17 | |
Right, you two, pack it in. You're like kids. Alex, you this way. | 0:28:17 | 0:28:21 | |
You that way. Honestly. | 0:28:21 | 0:28:23 | |
-How do you even know it's your kid she's carrying? -Alex! | 0:28:23 | 0:28:25 | |
I mean, it's definitely not mine cos I wouldn't have gone there again. | 0:28:25 | 0:28:28 | |
-Shut up! -Well, come on, you must have had your doubts, right? | 0:28:28 | 0:28:31 | |
You should go on one of those trailer trash talk shows, | 0:28:31 | 0:28:34 | |
do a paternity test live on air. | 0:28:34 | 0:28:35 | |
Might even earn a few quid too. | 0:28:35 | 0:28:37 | |
You know, you seem like a good person - | 0:28:39 | 0:28:41 | |
a kind, compassionate person. | 0:28:41 | 0:28:42 | |
Now, what are you doing with that, | 0:28:42 | 0:28:44 | |
-after everything that happened? -Look, I... | 0:28:44 | 0:28:46 | |
Remember when Kelly took her overdose, | 0:28:46 | 0:28:48 | |
you were the first person I brought her to, cos she trusted you, | 0:28:48 | 0:28:51 | |
and so did I, to take care of her, and what did you do? | 0:28:51 | 0:28:56 | |
You jumped into bed with her ex-husband, | 0:28:56 | 0:28:58 | |
that she lost a baby with. I mean, what kind of doctor does that, eh? | 0:28:58 | 0:29:02 | |
-I still care about her. -Really? | 0:29:02 | 0:29:06 | |
Cos from my I'm standing, it doesnae feel like it. | 0:29:06 | 0:29:09 | |
-Annie... -I've got patients. | 0:29:16 | 0:29:19 | |
DOOR CLOSES | 0:29:21 | 0:29:22 | |
DOORBELL RINGS | 0:29:22 | 0:29:24 | |
All right, keep your knickers on, I'm coming. | 0:29:27 | 0:29:30 | |
-Drew in? -Aye. | 0:29:30 | 0:29:32 | |
Thank you. | 0:29:32 | 0:29:34 | |
Come on in, then(!) | 0:29:35 | 0:29:37 | |
-Gonnae make some money, honey. Drew, come here, son. -What's going on? | 0:29:37 | 0:29:42 | |
-Are you drunk? -Only on success. I've got a meeting. -A meeting? | 0:29:42 | 0:29:47 | |
-Oh, good for you. What about? -A show...about the King. | 0:29:47 | 0:29:52 | |
-What, like a musical? -Exactly, son, a musical. | 0:29:52 | 0:29:56 | |
-And are you gonnae star in it? -Of course. It's my show. | 0:29:57 | 0:30:01 | |
The tune's already there, the story takes care of itself | 0:30:01 | 0:30:03 | |
-and AJ's got a producer mate who's dead interested in the idea. -Really? | 0:30:03 | 0:30:09 | |
That's great, Pete. | 0:30:09 | 0:30:10 | |
Let's just say, if this is a hit, | 0:30:10 | 0:30:13 | |
we're talking tours, merchandise, the big time, son. | 0:30:13 | 0:30:18 | |
Oh, come on - an Elvis show(!) | 0:30:18 | 0:30:20 | |
-He's agreed to meet me in my office. -Your office? | 0:30:20 | 0:30:24 | |
Gary said I could use the pool room in the pub. | 0:30:24 | 0:30:27 | |
-The merchandise, tours. -Uh-huh. | 0:30:29 | 0:30:31 | |
I mean, these producer guys, they don't have time to mess about, | 0:30:31 | 0:30:35 | |
this is real. This could happen. | 0:30:35 | 0:30:38 | |
And Drew, I was thinking, you could stage-manage or be the sound guy, | 0:30:38 | 0:30:42 | |
cos you're good with them computers, aren't you? | 0:30:42 | 0:30:44 | |
Aye. | 0:30:44 | 0:30:45 | |
-I'll put in a good word. -Er, what about me? I want a part. | 0:30:45 | 0:30:49 | |
Can you do a Southern American accent? | 0:30:49 | 0:30:50 | |
-SOUTHERN AMERICAN ACCENT: -Sure can, cowboy. | 0:30:50 | 0:30:53 | |
-Then I'll get you an audition for Priscilla Beaulieu. -OK. Cool. | 0:30:53 | 0:30:57 | |
-Who's that? -Oh, come on, Caitlin. | 0:30:57 | 0:30:59 | |
She's the young, shy, Air Force colonel's daughter | 0:30:59 | 0:31:02 | |
that Elvis wooed and won. | 0:31:02 | 0:31:04 | |
-Priscilla. -Oh! Always knew I was going to be famous. | 0:31:06 | 0:31:10 | |
-I want to work out my pitch, you'll be my sounding board. -Sure. | 0:31:10 | 0:31:15 | |
Upstairs, then. I don't want to expose my creative process. | 0:31:15 | 0:31:20 | |
-You shouldn't wind him up like that. -Och, I'm no'. | 0:31:23 | 0:31:25 | |
But come on, like it's gonnae happen. | 0:31:25 | 0:31:27 | |
What, do you think he's lying? | 0:31:27 | 0:31:29 | |
No, he's no lying, just getting ahead of himself as usual. | 0:31:29 | 0:31:32 | |
But you never know, as long as Drew's happy | 0:31:32 | 0:31:35 | |
spending time with his da, well, where's the harm, eh? | 0:31:35 | 0:31:38 | |
# Well, I'm working on a building | 0:31:38 | 0:31:40 | |
# It's a true foundation... # | 0:31:40 | 0:31:43 | |
And here's the final act, we see his Graceland retreat, | 0:31:43 | 0:31:46 | |
every brick brought over and rebuilt | 0:31:46 | 0:31:48 | |
on the bonny, bonny banks of Loch Lomond | 0:31:48 | 0:31:51 | |
where he settles with his sweetheart, Priscilla. | 0:31:51 | 0:31:54 | |
It's a wee creative twist, but it's a glorious, triumphant ending. | 0:31:54 | 0:31:59 | |
Then the crowd are on their feet, | 0:31:59 | 0:32:02 | |
they join the King in a rendition of Viva Las Vegas. | 0:32:02 | 0:32:05 | |
The whole place goes mad. The band in full swing. | 0:32:05 | 0:32:09 | |
Ladies and gentlemen, I give you Elvis Has Landed. | 0:32:09 | 0:32:14 | |
Thank you very much. | 0:32:15 | 0:32:17 | |
# Well, I'm working on a building... # | 0:32:21 | 0:32:23 | |
-See you later. -Thank you, doctor. | 0:32:25 | 0:32:26 | |
I'm not going anywhere until you talk to me, Annie. | 0:32:37 | 0:32:39 | |
Look, don't let the village idiot get to you. | 0:32:48 | 0:32:51 | |
It's like being in the playground out there. | 0:32:51 | 0:32:53 | |
You're both behaving like kids, it's mortifying, Alex. | 0:32:53 | 0:32:56 | |
Well, he started it. Right, talk to me. Please just talk to me. | 0:32:56 | 0:33:01 | |
-You worried about Kelly Marie? -Well, what if he's right? She trusted me. | 0:33:03 | 0:33:08 | |
-You've done nothing wrong, though. -Then why do I feel so bad? | 0:33:08 | 0:33:11 | |
-Maybe you care too much. -Do you know me at all? | 0:33:11 | 0:33:16 | |
I'm a GP, how can I care too much? | 0:33:17 | 0:33:19 | |
-Exactly, you're a doctor, not a psychiatrist. -Oh, please. -I'm sorry. | 0:33:19 | 0:33:24 | |
-Come here. -No, I... I think you should go, please. -What? -Just go. | 0:33:25 | 0:33:30 | |
Annie... | 0:33:30 | 0:33:31 | |
I'll see you later. | 0:33:32 | 0:33:34 | |
I don't know. I just need some space, OK? | 0:33:36 | 0:33:38 | |
Whatever. | 0:33:41 | 0:33:43 | |
Can't believe it. | 0:33:52 | 0:33:53 | |
It's happening. It's really happening! | 0:33:55 | 0:33:59 | |
I'll need to scale things back at the Oyster. This is massive. | 0:34:01 | 0:34:04 | |
-Let's get a pint, celebrate in style. -Later, I need to get back. | 0:34:04 | 0:34:07 | |
OK, OK, but leave your phone on. | 0:34:07 | 0:34:09 | |
-You don't want to miss the call about contracts. -Will do, partner. | 0:34:09 | 0:34:12 | |
Partner! | 0:34:12 | 0:34:14 | |
Thank you, Elvis. | 0:34:17 | 0:34:18 | |
Just go home. Are you sure you're all right? | 0:34:23 | 0:34:26 | |
Aye, it's fine. It's nothing. | 0:34:26 | 0:34:28 | |
-We need to talk. -There's nothing to discuss. | 0:34:28 | 0:34:31 | |
I'm not asking, Kel. | 0:34:31 | 0:34:32 | |
What, you really just expect me to give up? | 0:34:39 | 0:34:41 | |
You seriously think I would just walk away? | 0:34:41 | 0:34:43 | |
I mean, that wasn't you talking earlier. | 0:34:43 | 0:34:46 | |
See, Kel, from personal experience, I know you can be cruel. | 0:34:47 | 0:34:51 | |
-But not this cruel. -Gabriel, please just leave. Gonnae just go? -Why? | 0:34:52 | 0:34:59 | |
Why are you so desperate to see me going and why is Jimmy? | 0:35:00 | 0:35:04 | |
-It's Lenny... isn't it? -No. -I mean, what? | 0:35:06 | 0:35:12 | |
-What, is it his kid or something? -What?! | 0:35:12 | 0:35:14 | |
Well, you've done the rest of the Murdochs, | 0:35:14 | 0:35:17 | |
why not go for the hat-trick? | 0:35:17 | 0:35:19 | |
Whoa, hey, whoa, I'm sorry. Right? That was low. | 0:35:19 | 0:35:23 | |
Just sit down, please. | 0:35:24 | 0:35:26 | |
Look, I know before I was a bit of a joke around here, you know. | 0:35:34 | 0:35:37 | |
But things are different up there. | 0:35:37 | 0:35:39 | |
You know, I've got a nice big pad, bit of money in the bank... | 0:35:39 | 0:35:42 | |
Wait. Hang on a second. Slow down. What are you saying here? | 0:35:42 | 0:35:45 | |
What does it sound like? | 0:35:45 | 0:35:47 | |
-You want me to move to Aberdeen? -Why not? -Er, cos you detest me. | 0:35:48 | 0:35:54 | |
So, what, just because I'm having your kid, | 0:35:54 | 0:35:56 | |
suddenly everything's forgiven? | 0:35:56 | 0:35:57 | |
I'm not talking wedding bells and joint bank accounts, Kel. | 0:35:57 | 0:36:00 | |
Well, what are you talking, then? | 0:36:00 | 0:36:01 | |
I'm talking about me being a dad, you know, providing. | 0:36:01 | 0:36:05 | |
You know, you wouldnae need to work in some stupid gym | 0:36:05 | 0:36:07 | |
-or live at your ma's any more. -Gabriel, me and you... | 0:36:07 | 0:36:10 | |
It's not just about us. | 0:36:12 | 0:36:13 | |
-No, it's always about us. -Right, OK. | 0:36:13 | 0:36:16 | |
Maybe at some point, things can move on, progress, I don't know. | 0:36:17 | 0:36:22 | |
But right now, I just want to be there for my daughter... | 0:36:23 | 0:36:26 | |
..more than anything. | 0:36:28 | 0:36:29 | |
-Please just leave. -I'm not doing that. -You have to. | 0:36:33 | 0:36:38 | |
-What, you hate me this much? -No, I don't hate you at all. | 0:36:40 | 0:36:45 | |
Then tell me, Kel. Because you're destroying me here. | 0:36:45 | 0:36:48 | |
All I want is to be part of her life. | 0:36:49 | 0:36:51 | |
It is Lenny. | 0:36:56 | 0:36:57 | |
-No. -I know when you're lying. -Gabriel, don't... | 0:36:59 | 0:37:03 | |
-Where are you going? -To speak to Murdoch. | 0:37:03 | 0:37:05 | |
No, don't do that, don't do that, please. I'm begging you. | 0:37:05 | 0:37:09 | |
Why are you so scared of him? | 0:37:09 | 0:37:11 | |
I mean, look at you, you're practically shaking. | 0:37:11 | 0:37:13 | |
-What's he done to you? -Gonnae just leave it? | 0:37:13 | 0:37:15 | |
I'm sorry. | 0:37:17 | 0:37:18 | |
I betrayed Lenny. | 0:37:18 | 0:37:20 | |
FIGHTING ON VIDEO GAME | 0:37:36 | 0:37:37 | |
-All right, Cal? -Hi. | 0:37:40 | 0:37:43 | |
Er, Kelly, she's banned him from them. | 0:37:43 | 0:37:46 | |
-What for? -Thinks they're too violent. | 0:37:46 | 0:37:49 | |
Och, they're soldiers, no' serial killers. | 0:37:49 | 0:37:52 | |
So, um, you called, boss. | 0:37:52 | 0:37:55 | |
-Brodie. Is he back for her? -Well, I don't know. | 0:37:55 | 0:37:59 | |
I mean, after the way she treated him the last time, | 0:37:59 | 0:38:02 | |
the way she trashed him before. | 0:38:02 | 0:38:03 | |
Well, this time there's a kid involved, so it changes things. | 0:38:03 | 0:38:06 | |
-Get rid of him, Jimmy. -It's taken care of. | 0:38:07 | 0:38:11 | |
-He'll not be sticking around. -Good. That's good. | 0:38:12 | 0:38:16 | |
Right, we go, we leave, there's no other option now. No other choice. | 0:38:33 | 0:38:39 | |
-He won't let me. -We get Cal, and we leave. -Are you serious? | 0:38:39 | 0:38:44 | |
I've never been more serious about anything in my life. | 0:38:44 | 0:38:47 | |
I can't, Gabriel. | 0:38:50 | 0:38:51 | |
What, you really think I'm leaving my unborn daughter | 0:38:51 | 0:38:54 | |
with that threat from Lenny hanging over her? Not a chance. | 0:38:54 | 0:38:57 | |
-Right, what would I tell everyone? -Well, nothing. We just go. | 0:38:58 | 0:39:02 | |
But my ma. It'll break her heart. I mean, she's so fragile the now. | 0:39:03 | 0:39:06 | |
What about everything that's happened with Patrick? | 0:39:06 | 0:39:09 | |
Right, OK, fine. | 0:39:09 | 0:39:11 | |
Well, you go home, start getting your stuff together. | 0:39:11 | 0:39:14 | |
I'll get the car, we'll tell her together, right? | 0:39:14 | 0:39:17 | |
We'll do this together. | 0:39:17 | 0:39:19 | |
And I swear to you, Lenny Murdoch will never darken your door again. | 0:39:19 | 0:39:23 | |
You're not living your life like this, Kel. | 0:39:23 | 0:39:25 | |
You know, this hold he has on you, it's over. | 0:39:25 | 0:39:28 | |
So go home, pack your stuff, because we're leaving tonight. | 0:39:28 | 0:39:34 | |
All right. | 0:39:35 | 0:39:36 | |
Murdoch! | 0:39:52 | 0:39:53 | |
Murdoch! | 0:39:56 | 0:39:58 | |
She's free now. | 0:40:01 | 0:40:03 | |
You understand me? | 0:40:03 | 0:40:05 | |
Free! | 0:40:05 | 0:40:06 | |
Of course, when your granda was your age, | 0:40:10 | 0:40:11 | |
you used to be able to look through the windows | 0:40:11 | 0:40:14 | |
of all the motors. They've got them all up on the wall now. | 0:40:14 | 0:40:16 | |
Hey! | 0:40:16 | 0:40:18 | |
I know, Lenny. | 0:40:18 | 0:40:20 | |
Enlighten me. | 0:40:20 | 0:40:21 | |
You don't get to control Kelly Marie any more. | 0:40:21 | 0:40:23 | |
-It's over. -That right? | 0:40:23 | 0:40:25 | |
Aye, that's right. | 0:40:25 | 0:40:26 | |
See noo, noo it's no' just Kelly Marie you're | 0:40:26 | 0:40:29 | |
gonnae be hurting. It's my flesh and blood. | 0:40:29 | 0:40:31 | |
Cos, see before, I had nothing to lose. | 0:40:31 | 0:40:34 | |
But noo, I've got everything. | 0:40:34 | 0:40:36 | |
So, trust me, you don't want to find out what I'm really capable of. | 0:40:36 | 0:40:41 | |
And you want to do this now? | 0:40:41 | 0:40:43 | |
In front of the boy? | 0:40:43 | 0:40:45 | |
We're going to the Transport Museum, aren't we, hey? | 0:40:45 | 0:40:47 | |
See the buses. Might even take the train. | 0:40:47 | 0:40:50 | |
You want to spoil his day? | 0:40:50 | 0:40:52 | |
We're no' done. | 0:40:54 | 0:40:55 | |
You're telling me. | 0:40:55 | 0:40:56 | |
To the King. | 0:41:05 | 0:41:06 | |
-BOTH: -The King. | 0:41:06 | 0:41:08 | |
-Did you ask about me? -Yeah, told them it was a dealbreaker. | 0:41:10 | 0:41:12 | |
They said they'd find you something. | 0:41:12 | 0:41:14 | |
And? | 0:41:14 | 0:41:16 | |
Well, they'd have to audition for a part like Priscilla. | 0:41:16 | 0:41:19 | |
You could be one of the dancing stewardesses. | 0:41:19 | 0:41:21 | |
She's winding you up, Da. | 0:41:21 | 0:41:23 | |
No, I could totally be a dancing stewardess. | 0:41:23 | 0:41:25 | |
DOORBELL RINGS | 0:41:25 | 0:41:27 | |
I'll go. | 0:41:27 | 0:41:28 | |
So, when's it start? | 0:41:30 | 0:41:31 | |
Not till after the panto season. | 0:41:31 | 0:41:33 | |
But next spring, we'll be flying. | 0:41:33 | 0:41:35 | |
These folk don't mess about. | 0:41:35 | 0:41:36 | |
AJ's dealing with the paperwork as we speak. | 0:41:36 | 0:41:39 | |
Aha, talk of the devil and he shall appear. | 0:41:40 | 0:41:44 | |
Take a drink, AJ. | 0:41:44 | 0:41:45 | |
What is it? | 0:41:46 | 0:41:48 | |
They've pulled the plug, haven't they? | 0:41:48 | 0:41:50 | |
No, no, they're still dead keen. | 0:41:50 | 0:41:51 | |
Oh, you had me there. | 0:41:51 | 0:41:53 | |
The problem is... | 0:41:53 | 0:41:54 | |
It's you, Pete. | 0:41:56 | 0:41:58 | |
They don't think you're a big enough name. | 0:41:58 | 0:42:00 | |
You know, like the Krankies. | 0:42:00 | 0:42:02 | |
The Krankies? | 0:42:03 | 0:42:04 | |
They can't play Elvis. They're not tall enough. | 0:42:04 | 0:42:06 | |
And there's two of them. | 0:42:06 | 0:42:08 | |
They still want to buy the concept off you, | 0:42:08 | 0:42:10 | |
but they want to bring in a professional scriptwriter | 0:42:10 | 0:42:12 | |
to work on it. | 0:42:12 | 0:42:13 | |
-How much? -500. | 0:42:13 | 0:42:15 | |
-500 quid? -Well, 250 each, but, well, I said I'd give you 400 | 0:42:15 | 0:42:19 | |
-seeing as it was your idea in the first place. -Great. | 0:42:19 | 0:42:21 | |
Thanks, partner. | 0:42:21 | 0:42:23 | |
400's better than nothing. | 0:42:23 | 0:42:26 | |
See when Sly Stallone wrote the script for Rocky? | 0:42:26 | 0:42:29 | |
They didn't want him either for the lead because | 0:42:29 | 0:42:31 | |
he wasn't a big name. | 0:42:31 | 0:42:33 | |
Are you comparing yourself to Sylvester Stallone? | 0:42:33 | 0:42:35 | |
He was skint. | 0:42:35 | 0:42:36 | |
The studio offered him hundreds of thousands of dollars for the script. | 0:42:36 | 0:42:40 | |
He kept saying no. | 0:42:40 | 0:42:42 | |
He was Rocky, the role was his. | 0:42:42 | 0:42:43 | |
And me... | 0:42:45 | 0:42:46 | |
-..I'm the King. -It's the final offer. | 0:42:48 | 0:42:50 | |
They won't come back again. | 0:42:50 | 0:42:52 | |
It's their loss. | 0:42:54 | 0:42:55 | |
Do you think that was a no? | 0:42:59 | 0:43:01 | |
It looks like Elvis has left the building. | 0:43:01 | 0:43:03 | |
HE SIGHS | 0:43:09 | 0:43:10 | |
Don't give up, man. | 0:43:12 | 0:43:14 | |
It's over, Elvis. | 0:43:18 | 0:43:19 | |
It's all over. | 0:43:21 | 0:43:23 | |
Scarlett... | 0:43:29 | 0:43:31 | |
Oh! | 0:43:31 | 0:43:33 | |
Am I glad to see you! | 0:43:33 | 0:43:34 | |
Oh, Gabriel, I'm so glad you're back! | 0:43:34 | 0:43:37 | |
-Aye. -Gonnae be a daddy! | 0:43:37 | 0:43:39 | |
-Looks like it. -See, I told Kelly Marie to tell you, | 0:43:39 | 0:43:42 | |
but would she listen to me? | 0:43:42 | 0:43:43 | |
-Look, don't worry about all that. -So, are you sticking about? | 0:43:43 | 0:43:46 | |
Family man noo, responsibilities and all that? | 0:43:46 | 0:43:48 | |
Actually, do you think we could all have a chat back at the house? | 0:43:48 | 0:43:51 | |
-Tonight? -Before then. | 0:43:51 | 0:43:53 | |
-Something wrong? -No, no, nothing's wrong. | 0:43:53 | 0:43:55 | |
I just want us to get together, you know, | 0:43:55 | 0:43:57 | |
-talk things through. -Oh, right, well, we'll need to get some cover. | 0:43:57 | 0:44:00 | |
-So, give me half an hour? -Brilliant. See you in a bit, darling. -See you. | 0:44:00 | 0:44:04 | |
PHONE RINGS | 0:44:06 | 0:44:08 | |
PHONE STOPS RINGING | 0:44:11 | 0:44:12 | |
PHONE RINGS | 0:44:17 | 0:44:21 | |
-Dr Jandhu? -It's me. | 0:44:21 | 0:44:23 | |
Sorry about earlier. | 0:44:24 | 0:44:26 | |
I was out of order. | 0:44:26 | 0:44:28 | |
Can't argue with that. | 0:44:28 | 0:44:30 | |
-He just brings out the worst in me. -Really? | 0:44:30 | 0:44:32 | |
Because I'm beginning to think that is the real you. | 0:44:32 | 0:44:34 | |
Well, it's not. Come on, you know that. | 0:44:34 | 0:44:37 | |
Do I? | 0:44:38 | 0:44:39 | |
Do I really, Alex? | 0:44:39 | 0:44:41 | |
Come over tonight. We'll make dinner. | 0:44:41 | 0:44:44 | |
What, with your dad and Amber? | 0:44:44 | 0:44:45 | |
My biggest fans. | 0:44:45 | 0:44:47 | |
-I'll get them to go out, OK? -No, look, don't. | 0:44:47 | 0:44:49 | |
I just... | 0:44:49 | 0:44:51 | |
I'll find a hotel or something. | 0:44:51 | 0:44:54 | |
Like I said, I just need some space. | 0:44:54 | 0:44:56 | |
Space? | 0:44:56 | 0:44:57 | |
How much space? | 0:44:57 | 0:44:58 | |
I don't know. | 0:44:58 | 0:45:00 | |
Like, "this is the end" type space? | 0:45:00 | 0:45:02 | |
I just need time to think. | 0:45:02 | 0:45:04 | |
Do you know what? Do what you want. | 0:45:04 | 0:45:05 | |
If you're willing to ruin all this, ruin everything | 0:45:05 | 0:45:07 | |
because of Brodie, then that's fine by me. | 0:45:07 | 0:45:10 | |
Alex? | 0:45:12 | 0:45:13 | |
Brodie needs to go. | 0:45:18 | 0:45:20 | |
Whatever it takes. | 0:45:21 | 0:45:22 | |
MUSIC: Crying In The Chapel by Elvis Presley | 0:45:25 | 0:45:29 | |
OK, man? | 0:45:29 | 0:45:30 | |
I'm sorry, Elvis, I didn't mean to snap. | 0:45:32 | 0:45:34 | |
I like you, man. | 0:45:34 | 0:45:36 | |
-Why? -Because you're rock 'n' roll. | 0:45:36 | 0:45:38 | |
You dare to dream. | 0:45:38 | 0:45:40 | |
-I always fail. -You haven't failed, Pete. | 0:45:40 | 0:45:42 | |
Those fools at that theatre, they wouldn't know | 0:45:42 | 0:45:45 | |
a good Elvis if you punched them in the face. | 0:45:45 | 0:45:48 | |
That's what you should do, man. | 0:45:48 | 0:45:50 | |
Punch them in the face. | 0:45:50 | 0:45:51 | |
I can't do that. | 0:45:51 | 0:45:53 | |
-I've got soft hands. -You got to do something, man. | 0:45:53 | 0:45:56 | |
Selling solar panels, that ain't cool. | 0:45:56 | 0:45:58 | |
What about that? | 0:45:59 | 0:46:00 | |
Why is driving cabs cool? | 0:46:04 | 0:46:06 | |
Before I was a singer, I drove trucks. | 0:46:06 | 0:46:08 | |
It was flexible, I worked when I wanted. | 0:46:08 | 0:46:11 | |
I listened to music all night long on the open road. | 0:46:11 | 0:46:14 | |
-Can I help you? -No, you're all right. | 0:46:18 | 0:46:20 | |
Is Jimmy in? | 0:46:22 | 0:46:24 | |
No' seen him. | 0:46:24 | 0:46:25 | |
OK, I'll catch him later. | 0:46:25 | 0:46:26 | |
Aberdeen?! | 0:46:30 | 0:46:31 | |
Aye. | 0:46:31 | 0:46:32 | |
When? | 0:46:34 | 0:46:35 | |
Soon. | 0:46:35 | 0:46:36 | |
How soon? | 0:46:36 | 0:46:38 | |
-Today. -Today?! | 0:46:39 | 0:46:40 | |
Gabriel's got a hoose. | 0:46:40 | 0:46:42 | |
-But it's got a nice wee garden. -Oh! | 0:46:42 | 0:46:45 | |
-But it's hours away! -It's no' that far. | 0:46:45 | 0:46:47 | |
Aye, it's far enough. | 0:46:47 | 0:46:49 | |
I don't understand. This morning, you didn't even | 0:46:49 | 0:46:51 | |
want to tell him you were having his wean. | 0:46:51 | 0:46:53 | |
-But now I know. -Oh, so now you're gonnae take them away from me? | 0:46:53 | 0:46:56 | |
-It's for the best. -What, for you or them? | 0:46:58 | 0:47:01 | |
No, for all of us. | 0:47:01 | 0:47:02 | |
So, are you's two back together? | 0:47:05 | 0:47:09 | |
Well, it... | 0:47:09 | 0:47:10 | |
-We're gonnae take our time. -Aye. -Look, I promise you, Scarlett, | 0:47:10 | 0:47:13 | |
I'll take care and protect them all. I swear to you. | 0:47:13 | 0:47:16 | |
Well, can you no' just stay here and get a job? | 0:47:16 | 0:47:19 | |
-It's no' an option. -How no'? | 0:47:20 | 0:47:22 | |
It just isnae, Ma. | 0:47:22 | 0:47:23 | |
Is this what you really want, Kelly? | 0:47:25 | 0:47:27 | |
Aye. | 0:47:28 | 0:47:30 | |
It is, Ma. | 0:47:30 | 0:47:31 | |
But I need you to be OK with it. | 0:47:31 | 0:47:33 | |
Right. | 0:47:35 | 0:47:36 | |
Right. | 0:47:42 | 0:47:43 | |
Well... | 0:47:43 | 0:47:44 | |
..it better be a big house... | 0:47:46 | 0:47:48 | |
cos me and Jimmy will be coming up all the time. | 0:47:48 | 0:47:51 | |
Come here, you. | 0:47:52 | 0:47:53 | |
Pint of the usual, Gary. | 0:47:58 | 0:48:00 | |
Stick it on my tab, please, mate. | 0:48:00 | 0:48:02 | |
Sorry, Pete, you'll need to settle your tab first. 60 quid. | 0:48:02 | 0:48:06 | |
I'll just, er... | 0:48:06 | 0:48:08 | |
HE SIGHS | 0:48:08 | 0:48:10 | |
-I'll just pay for the pint, then. -55 quid, now. | 0:48:10 | 0:48:13 | |
Kick a man while he's down, why don't you? | 0:48:13 | 0:48:15 | |
It's a business, Pete, not a charity. Sorry. | 0:48:15 | 0:48:18 | |
Hi, what can I get you? | 0:48:18 | 0:48:20 | |
-Jimmy. -I'm not in the mood. | 0:48:29 | 0:48:31 | |
Well, I-I saw your sign for drivers. | 0:48:34 | 0:48:37 | |
Please, man, I'm...I'm desperado here. | 0:48:37 | 0:48:39 | |
-Fine, you can start tomorrow. -Seriously? Thank you. | 0:48:39 | 0:48:43 | |
-Thank you so much. -You're fine. | 0:48:43 | 0:48:45 | |
If a gig came up, would I get cover? | 0:48:45 | 0:48:47 | |
-Whatever, Pete. -Cheers, Jimmy. | 0:48:48 | 0:48:51 | |
I don't suppose there's...any chance of a wee advance, is there? | 0:48:51 | 0:48:55 | |
Aye, darling. We'll be hitting the road in a bit. | 0:49:06 | 0:49:08 | |
Hopefully get up there before dark. | 0:49:10 | 0:49:12 | |
Right, OK. See you soon, Nicole. Bye. | 0:49:12 | 0:49:15 | |
-What's going on? -We're leaving, Jimmy. | 0:49:17 | 0:49:19 | |
What?! Scarlett? | 0:49:19 | 0:49:22 | |
Right, we're good to go. | 0:49:22 | 0:49:23 | |
Aye. I'll just double-check I've got everything for Callum. | 0:49:23 | 0:49:26 | |
Right, I'll give you a hand, darling. | 0:49:26 | 0:49:29 | |
-What the hell are you playing at? -Oh, I know, Jimmy. | 0:49:29 | 0:49:31 | |
I know everything - | 0:49:31 | 0:49:33 | |
what your pal Lenny Murdoch's been doing to Kelly Marie. | 0:49:33 | 0:49:37 | |
She's supposed to be your daughter. | 0:49:37 | 0:49:39 | |
So I'll get her out. | 0:49:40 | 0:49:41 | |
-I'll get her out of this hell. -He'll find you. | 0:49:41 | 0:49:44 | |
-What, you think I'm scared of Lenny Murdoch? -Ha, you should be! | 0:49:44 | 0:49:47 | |
See, I'm doing something about it, Jimmy. | 0:49:47 | 0:49:49 | |
I'm standing up for Kel, | 0:49:49 | 0:49:51 | |
-something you should have done a long time ago. -Don't push it, son. | 0:49:51 | 0:49:54 | |
-How? What are you going to do? Run to Lenny? -What's going on? | 0:49:54 | 0:49:56 | |
I'll let Jimmy explain. | 0:49:56 | 0:49:57 | |
Right, come on. Let's go get Callum. | 0:49:57 | 0:50:00 | |
What? | 0:50:04 | 0:50:05 | |
HE CHUCKLES | 0:50:08 | 0:50:09 | |
All right, compadre? | 0:50:13 | 0:50:15 | |
Drew! | 0:50:18 | 0:50:19 | |
See that? | 0:50:26 | 0:50:27 | |
What? | 0:50:27 | 0:50:28 | |
-The taxi. -Aye, what about it? | 0:50:28 | 0:50:31 | |
The key, son. The key. | 0:50:31 | 0:50:33 | |
What are you talking about? | 0:50:33 | 0:50:35 | |
You're looking at the latest recruit to Amber Cabs. | 0:50:35 | 0:50:38 | |
-You're going to be a driver? -It's perfect. Life on the open road. | 0:50:38 | 0:50:41 | |
We can go cruising. | 0:50:41 | 0:50:43 | |
Is that not illegal? | 0:50:43 | 0:50:44 | |
Eh? No, no, a spin, a drive, whatever you want to call it. | 0:50:44 | 0:50:48 | |
We might pick up some hot chicks. | 0:50:48 | 0:50:50 | |
And tomorrow, I'm going to ring round the other theatres. | 0:50:51 | 0:50:54 | |
That mob will be kicking themselves when our show's finally picked up. | 0:50:54 | 0:50:58 | |
Trust me. | 0:50:58 | 0:50:59 | |
Jimmy... | 0:51:03 | 0:51:04 | |
Jimmy, talk to me! | 0:51:06 | 0:51:08 | |
-I can't, Scarlett. -What's going on? | 0:51:08 | 0:51:11 | |
Please, trust me - you're better off not knowing. | 0:51:12 | 0:51:16 | |
What's Gabriel done? | 0:51:16 | 0:51:18 | |
-He can't take her, I've got to stop them. -But he's a good guy. | 0:51:18 | 0:51:22 | |
-He'll look after them. -Och, it's nothing to do with that. | 0:51:22 | 0:51:24 | |
-Well, what's it to do with?! -HE SIGHS | 0:51:24 | 0:51:27 | |
Scarlett, just for once, will you listen to me? | 0:51:27 | 0:51:29 | |
I can't say why, but we've got to stop them, Cal and Kelly Marie. | 0:51:29 | 0:51:33 | |
They can't leave Shieldinch. | 0:51:33 | 0:51:35 | |
Oh, I know what this is about. | 0:51:35 | 0:51:38 | |
It's about Callum and Lenny. | 0:51:38 | 0:51:40 | |
You're worried about what Lenny will do if he loses wee Callum. | 0:51:40 | 0:51:44 | |
I'm not worried. I know. | 0:51:45 | 0:51:47 | |
Jimmy, they're going to Aberdeen, they're not going to Australia. | 0:51:47 | 0:51:50 | |
-You'll be able to visit him. -HE SIGHS | 0:51:50 | 0:51:52 | |
She cannae leave, OK?! Kelly Marie, she cannot leave! | 0:51:52 | 0:51:56 | |
'You've reached the voicemail of Alex Murdoch. | 0:52:19 | 0:52:22 | |
'Please leave a message.' | 0:52:22 | 0:52:23 | |
Hi, it's me. | 0:52:23 | 0:52:25 | |
I'm sorry...about earlier. | 0:52:26 | 0:52:28 | |
Why don't we go for a drink or something? I... | 0:52:30 | 0:52:34 | |
I hate fighting with you. | 0:52:34 | 0:52:35 | |
I'll come round and see if you're home. Bye. | 0:52:37 | 0:52:40 | |
TENSE MUSIC BUILDS | 0:52:47 | 0:52:49 | |
Look, maybe they didn't go. They could still be inside. | 0:53:00 | 0:53:03 | |
They definitely went. | 0:53:03 | 0:53:05 | |
-I really don't know about this, Gabriel. -Well, it's the only way. | 0:53:06 | 0:53:10 | |
-Oh, no. -What? | 0:53:16 | 0:53:17 | |
That's Alex's car. | 0:53:19 | 0:53:20 | |
Is that Gabriel? | 0:53:26 | 0:53:28 | |
What are they playing at? | 0:53:30 | 0:53:32 | |
-Oh, my God, there they are. Babe, what are we going to do? -We go. | 0:53:33 | 0:53:36 | |
-W-What about them? -This is the only chance we're going to get. | 0:53:36 | 0:53:40 | |
This is it. Go. | 0:53:40 | 0:53:41 | |
Callum, come with me. | 0:53:45 | 0:53:47 | |
Just get the wee man in the car. | 0:53:47 | 0:53:49 | |
Don't dare put him in that car. | 0:53:49 | 0:53:50 | |
Hey, you don't control Kelly Marie any more. Have you got that? | 0:53:50 | 0:53:53 | |
That right? You know who I feel sorry for? That wean that's coming. | 0:53:53 | 0:53:56 | |
Going to grow up without a dad. | 0:53:56 | 0:53:57 | |
Gabriel! Gabriel, look at me! Gabriel, are you all right? | 0:54:13 | 0:54:16 | |
-Gabriel, put your head up for me. -Gabriel, look at me! | 0:54:16 | 0:54:18 | |
-It's all right, I'm fine. -No, look at me, Gabriel. | 0:54:18 | 0:54:20 | |
(Oh, my God...) | 0:54:22 | 0:54:23 | |
-Oh, my God! -We need to call an ambulance. | 0:54:23 | 0:54:25 | |
-Call an ambulance, Kelly Marie! -OK! | 0:54:25 | 0:54:27 | |
Gabriel? | 0:54:27 | 0:54:29 | |
Right, squeeze my hand, Gabriel. | 0:54:29 | 0:54:30 | |
Hello, can I have an ambulance, please? | 0:54:30 | 0:54:33 | |
It'll be OK... M-M-M-Montego Street, Shieldinch. | 0:54:33 | 0:54:36 | |
Gabriel! Please don't die, do you hear me? Don't leave me! | 0:54:45 | 0:54:48 | |
Please don't leave me... | 0:54:48 | 0:54:49 | |
-He looked dead. -They're going to send me back. | 0:54:52 | 0:54:55 | |
-Hey, nobody's going to jail, all right? -If he dies, it's murder! | 0:54:55 | 0:54:58 | |
You need to calm down, OK? We've got to stick together. | 0:54:58 | 0:55:02 | |
Sing from the same hymn sheet. Get your story straight, all right? | 0:55:02 | 0:55:06 | |
He's not going to make it, is he? | 0:55:08 | 0:55:10 | |
Don't think like that, Kelly. | 0:55:12 | 0:55:13 | |
We can't lose him. | 0:55:15 | 0:55:16 | |
-I just got him back. -Aw, darling. | 0:55:17 | 0:55:20 | |
Er, Gabriel Brodie, any update? | 0:55:24 | 0:55:26 | |
-Hrm-hrm, Kelly Marie. -Now's not the time. | 0:55:28 | 0:55:32 | |
I'm sorry, I know it's tough, but we need to find out what happened. | 0:55:32 | 0:55:35 | |
She's not in any state to talk to you right now. | 0:55:35 | 0:55:37 | |
Show some respect, eh? | 0:55:37 | 0:55:39 | |
Kelly Marie, I know it was the Murdochs behind this - | 0:55:39 | 0:55:42 | |
-Alex and Amber, Lenny. -Stop putting words in her mouth, eh? | 0:55:42 | 0:55:45 | |
-We need to act fast. -How many times? She's not ready to talk. | 0:55:45 | 0:55:49 | |
What do you think, Kelly? How do you feel? | 0:55:49 | 0:55:51 | |
-I mean, I'll come with you. -I can't think straight. -Maybe later. | 0:55:51 | 0:55:56 | |
Kelly Marie, how much more are you going to take from them? | 0:55:56 | 0:55:59 | |
-Why protect them any longer? -She's not up for talking, right? | 0:55:59 | 0:56:03 | |
You are the prime witness. You can get them now. We can finish this. | 0:56:03 | 0:56:06 | |
But I need you. I need your statement about what happened. | 0:56:06 | 0:56:09 | |
-You need to leave. -Kelly Marie... | 0:56:09 | 0:56:12 | |
I don't know. | 0:56:12 | 0:56:13 | |
This is the strongest hand you'll ever have had against them. | 0:56:14 | 0:56:17 | |
Don't say anything, right? Lenny will kill you. | 0:56:19 | 0:56:22 | |
Aye, but he hasn't yet, has he? | 0:56:22 | 0:56:23 | |
-I was thinking if there was a more credible witness. -Lenny... | 0:56:23 | 0:56:26 | |
-Somebody that had a clearer version of the events. -Lie, you mean. | 0:56:26 | 0:56:28 | |
I thought you cared for him. | 0:56:28 | 0:56:30 | |
Are you going to take the fall for something you didn't start? Five years for your brother this time? | 0:56:30 | 0:56:34 | |
When are you due? I bet you'd do anything to protect your child. I'm the same. | 0:56:34 | 0:56:37 | |
Phone Donald, tell him you've changed your story. | 0:56:37 | 0:56:39 | |
Lenny made me write my own suicide note. The only thing that stopped me was Callum and Jimmy coming home. | 0:56:39 | 0:56:44 | |
You knew this? | 0:56:44 | 0:56:45 | |
He was just hanging on last time I checked. He might even be dead now. | 0:56:45 | 0:56:48 | |
That takes things up a notch, doesn't it? Potential murder charge? | 0:56:48 | 0:56:51 | |
I'm done. I've got nothing, Lenny. Cannae fight you any more. | 0:56:51 | 0:56:53 | |
All that hard work, all that time to get to where you are now. | 0:56:53 | 0:56:56 | |
You're really going to risk it all to protect that mob? | 0:56:56 | 0:56:58 | |
She's forcing my hand here! There's no way back from this. | 0:56:58 | 0:57:01 | |
-Not for any of us. -Just go, Jimmy. -I'm so sorry. | 0:57:01 | 0:57:03 |