02/08/2016 River City


02/08/2016

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Transcript


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I don't want to end up miserable and twisted like the rest of them.

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Who needs the real world? So what if it's a dream?

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You've got to dream to live the dream.

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-I'm serious. I'm skint.

-So am I and I don't care.

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Get yourself a move on and find somewhere else.

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Walk away now.

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This isn't over, Brodie.

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You're deluded.

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You're choosing him again. Over me.

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We'll take him on together.

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I'm sorry. I can't stick around and watch you destroy yourself.

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-And the baby's father? Have you told him?

-It's complicated.

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It's Gabriel's.

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Do you want to grab a seat?

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Well, I've no really got time to talk but it's good seeing you.

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Gabriel, I know you're probably busy but if you're still around,

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I'd really like to see you.

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The only reason you're getting to live

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is because of that wee boy there.

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# Never mind overjoyed

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# Just start with happy... #

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Sorry I can't take your call right now but I'll get back to you.

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Hi, Stella. It's me, pal.

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Listen, this is me up nice and early to pick up the rest of your stuff.

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There's no point hanging about.

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I'll catch you later, pal.

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-Have you got all the toys, Mum?

-What do you think is in this bag?

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Come on. You can't be late for you grandpa.

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Come on. Let's take the short cut.

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# Between you and your

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# Wrong impression

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# OK, that's my opinion

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# But everybody else

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# Agrees

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# Hey self defeater

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# You're underrated by yourself so quit looking down

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# You need attention

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# You really do

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# And I know that it's yesterday

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# That you're blowing away

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# Something so... #

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-Is he still mad at us?

-Looks like it.

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OK, come on, wee man. Sit down on the couch.

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Read the newspapers with your granda, eh?

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There's your special one.

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-Morning, Kelly Marie.

-Hi.

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I made you some coffee.

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I'm just staying here for a bit.

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You don't need to explain yourself, darling.

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-So, how are you feeling?

-Why should you care?

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I'm still your GP.

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-Aye. Right, bye, Callum.

-Bye.

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Bye.

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Cheers, mate.

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That's the rest of her stuff. Hope's too.

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Look, Stella told me it was you that pushed her to go.

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Aye. I just wanted her to, you know...

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-To be happy?

-Aye.

-You're one of the good guys, mate.

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Doesnae make me feel any better, though, does it?

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-Or miss them any less?

-Tell me about it.

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I need to head up to my ma's and drop off some washing.

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Do you just want to lock up when you're finished, then, all right?

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-So when is she due?

-Sorry, mate?

-Come on.

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I saw her. When's Kel due?

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A few months.

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She's big.

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Aye.

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-So how does Alex feel about it?

-What?

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You think... you think it's his?

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-Is it not?

-No.

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But I just saw her... going round to Lenny's.

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-You've got the wrong end of the stick.

-OK.

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So if it is not Alex's,

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what mug has fallen under her spell this time?

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You need to speak to her.

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And why would I want to do that?

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Because she told me not to say anything.

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So what are you saying? Whether it's mine?

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Just talk to her.

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-No. You're all right.

-Don't be a muppet, eh?

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Wait a minute here.

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You were the one that told me to tell her how I felt last time.

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Remember? Look where that got me.

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-Crashed and burned.

-Things are different now.

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-So why would she no' say anything?

-You need to ask her that.

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No. You've got it wrong.

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It can't be mine.

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I was there for the conception, mind?

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I've still got the scars to prove it.

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She drops Callum with Lenny in the morning.

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That's why they were there.

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But her and Alex, they hate each other.

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It's your baby.

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-So...

-So what?

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She obviously doesn't want me to have anything to do with it.

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-Nothing changes.

-Come on.

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No. She's had her last chance.

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She's made her bed.

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She'd just lost David.

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See rock bottom? Kel was about five foot under that.

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You know that. You saw what she did to herself.

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She took an overdose.

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You have to speak to her, mate.

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Because you're one of the good guys too.

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Morning.

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You see if you can put the mast together, OK? I'll get these guys.

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-Are you free for lunch today?

-No.

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I'm going to take the wee man to the Transport Museum.

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-We need to talk.

-What about?

-You know what about.

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-Stop being so...

-So what?

-You know, annoyed.

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I'm not annoyed, Amber.

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I'm disappointed.

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Look, I'm sorry. I learned my lesson.

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Can we move on, please?

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You see, the thing is, I don't think you have learned your lesson.

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In fact, I don't think you've learned anything at all.

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You ready? That's it.

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That's it! It can go out to sea now, eh?

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-Put them in the kitchen. I'll do it later.

-Cheers, Ma.

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Haven't you got a washing machine of your own?

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-Aye, but...

-It's just an excuse to come here, isn't it?

-No.

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It's a bit sad.

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I mean, how old are you? Still getting your mum to do your washing.

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Madonna, don't be so cheeky to your brother.

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He's just a wee bit down the now.

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He can come round any time he wants.

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-Ma...

-Sad.

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-Have you not got summer school or something?

-No.

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Madonna's going to see her wee pals, aren't you?

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Yeah, because I've got a life.

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Less of your cheek, madam!

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The mouth on her.

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-Tell me about it. No idea where she gets it from!

-All right, Bob?

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Aye, fine, great.

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What's wrong with you?

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-He's back in town.

-Who's back in town?

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Gabriel.

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-What? Really?

-Look.

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He didn't want to tell you.

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-When?

-Just this morning.

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He came back for the rest of Stella's stuff.

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All right.

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Kelly, you'll need to go and see him.

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Well, I left a voicemail and he never returned it

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so he clearly doesn't care, does he?

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I need to get ready for my work.

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Aye, but he didn't know that you're carrying his wean.

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He does now.

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He saw you going to Lenny's with Cal.

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He thought it was Alex's so I had to set him straight.

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You need to go and find him.

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-What did he say?

-You should speak to him yourself.

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Well, if he gave a toss, he'd be here, wouldn't he?

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-Just go and speak to him.

-What's the point?

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HE SIGHS

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Hey, partner.

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Listen, about that money you said you were going to give me to help out.

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-I was just wondering...

-I just blew the last of my cash on brekkie.

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-Do you want some?

-Those rolls are stolen.

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-What?

-I saw you, outside Scarlett's.

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-She won't miss them.

-Really? Shall we ask her?

-Yes.

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Why don't you phone the cops as well, eh?

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Help me flush these down the lavvy. Evidence.

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-I'm not joking, pal.

-Oh, come on.

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A pretty face like this? I won't last ten minutes in the jail.

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-Fine.

-What are you doing?

-Calling Scarlett.

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Please don't do that, mate.

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She's worse than the jail.

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I'm skint and I'm hungry, that's all.

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I'll pay her back for the rolls.

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I'll pay her back.

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That's for Scarlett.

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Swing by the Oyster later.

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I'll fix you up with some lunch but you need to get a job.

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I'm looking.

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-Don't ask.

-I'm asking.

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It's my brother. He runs the company.

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He offered me a job.

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-So why is this on the chair and not on you?

-Seriously?

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Seriously.

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It's an affront to the dream, man.

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-I become one of them.

-One of who?

-Them.

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The faceless mugs that slog their guts out every day.

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For something they hate, every day, all day.

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A slave to the machine, man.

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You should get it.

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-You give it all up.

-But I had to plan to make money.

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You need a plan, Pete.

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-In the meantime...

-It's door-to-door sales.

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-Nightmare.

-But money.

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I'm not that desperate, partner.

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When you're having to plunder baked goods and you haven't

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paid me a bean, despite me letting you stay here,

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then you are that desperate... partner.

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I'm sorry...

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that you had to find out like this.

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So, what? Are you saying it's mine?

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100%? I've got the right to ask the question, Kel.

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You know, history repeating itself and all that.

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-Are you still angry with me?

-No.

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I mean, do you not remember? In here.

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You chose Alex the first time.

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Why don't we head to the subway for the sequel?

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You know, complete the grand tour down memory lane?

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So I'm going to be a dad?

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Do you know what... what it is?

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Kel...

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We don't need you, Gabriel.

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I don't need you involved in this and I don't want you involved.

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But I'm its dad.

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Yes, well.

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You weren't that bothered last time when you thought David might be years.

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-How can you say that?

-I'm doing this alone.

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-No.

-Yeah. You've not got a choice on it.

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Of course I've got a choice.

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Get Stella's stuff and you go.

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You cannae shut me out, Kel.

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I was thinking, maybe... maybe we could be a family.

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See, there you are.

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Right there.

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What, just because I'm pregnant you going to forget everything?

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You're going to forgive me? No.

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Of course not. You still hate me.

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I can see it in you.

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-I'll get over it.

-Really? How?

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I'm late for work.

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-Kelly, please.

-She's better off without you.

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-She?

-Why do yo think I didnae tell you?

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Because you're not ready to be a dad.

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That's not fair.

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You walked out on me.

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-Because you chose him.

-I had taken an overdose.

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So that might have been a clue that maybe I wasn't in the right frame of mind.

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But did you stay and fight for me? Gabriel, see raising a kid?

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It's no bed of roses.

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It's tough. It's really tough.

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And in five, 10, 15 years, see when she tests you?

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When she really puts you through the wringer?

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You're just going to quit on her.

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You'll just leave her like you did me.

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-I won't. I wouldn't do that.

-You will, Gabriel.

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At some point, you will.

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Because that's what's inside you.

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That's who you are.

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So for the sake of this baby, just do what you're best at doing.

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Just leave.

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SHE SIGHS

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Do you think when the King fell on hard times, he gave up on his dream?

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I didn't have a choice, Elvis.

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You've always got a choice, man.

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I like you, Pete, I like you a lot.

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But you give up on your dreamin' you and me,

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we'll be having a little less conversation from now on.

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-You know what I'm saying?

-What choice have I got? I'm skint.

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See Jailhouse Rock? Look at me, Pete.

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I'm mean, I'm angry, I'm nasty.

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I don't care nothin' about the rockin' 'n' rollin',

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livin' fast, dyin' young.

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Do you think I would have settled for selling solar panels, man? Hmm?

0:15:240:15:28

Do you think the King would have settled for selling solar panels?

0:15:280:15:31

-No, you wouldn't.

-Damn straight he wouldn't.

-What else can I do?

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Follow your dream, man. It's do or die.

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Go big, go home, what's your dream, Pete?

0:15:390:15:42

# Of our love and all its glory

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# Let us take this night of magic

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# And make it a night of love... #

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AJ, come up to the flat. It's urgent.

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What's wrong with you?

0:15:590:16:01

-This is good news, in't it?

-Gabriel Brodie being back in town?

0:16:010:16:04

-That's never good news?

-How?

-Well, look what happened the last time.

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-She almost killed herself.

-Well, that was down to Alex.

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Gabriel was the one that tried to help her.

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Well, it didnae work, did it?

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Don't you want her to be happy or something?

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Don't you think she deserves it after everything she's been through?

0:16:150:16:18

Aye, of course, but I just don't want to see her going backwards.

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Oh, and being a single parent with two weans,

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-that's going forwards, is it?

-Well, she's got us.

-Jimmy, she loves him.

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And she made a mistake in letting him go and now she's got

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a chance to get him back. Can you not just be happy for her?

0:16:300:16:34

All right? Oh, finally she's got some light at the end of the tunnel.

0:16:340:16:39

Aye, well, let's hope it's not a train, eh?

0:16:400:16:42

-Right, a yum-yum?

-Yeah.

-And a coffee.

0:16:510:16:55

-Hey, wee man.

-Hey, Gabriel!

0:16:550:16:57

Hey, give me a hug.

0:16:570:16:59

Well, well. The return of the lapdog. What happened?

0:16:590:17:04

Kelly Marie whistle on you?

0:17:040:17:05

You ran along like the obedient wee puppy you are?

0:17:050:17:08

It's good to see you, pal.

0:17:080:17:09

You, not so much.

0:17:100:17:12

-Why are you back?

-Don't worry. I'm not staying. There's nae reason to.

0:17:140:17:18

Sit in there the now, pal.

0:17:180:17:20

What is it? You get her knocked up, she still doesnae want you?

0:17:220:17:24

That's hilarious, I mean, really.

0:17:240:17:26

-AJ:

-Pete!

0:17:410:17:43

Pete?

0:17:450:17:46

Right, what is it? What's the emergency?

0:17:460:17:49

Elvis Has Landed.

0:17:490:17:51

-Sorry, what?

-Sit.

-No.

-It's better if you sit.

-What is?

-My show.

0:17:530:17:57

What show? Look, I thought you'd burnt the place down or something.

0:17:570:18:00

-I need to get back to work.

-Please, just give me two minutes.

0:18:000:18:03

-That's all I'm asking.

-What are you talking about?

0:18:030:18:06

I have conceived a show.

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It all takes place November 2nd, 1960,

0:18:090:18:12

Elvis Presley has landed in Ayrshire and we use the King's visit

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as a backdrop to an all-singing, all-dancing story of his life

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seen through Scottish eyes.

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It's never been done before.

0:18:220:18:24

-Starring me.

-You're going to play Elvis?

-Uh-huh. What do you think?

0:18:240:18:28

-AS ELVIS:

-Uh-huh! What do you think?

0:18:310:18:33

You know...

0:18:340:18:36

..it actually sounds fairly plausible.

0:18:370:18:39

It's going to need a better quote than that for the poster.

0:18:390:18:41

Well, it needs work out, though.

0:18:410:18:43

-I mean, it's all a bit bare bones at the minute.

-Yeah, I know.

0:18:430:18:45

It's getting a producer, that's the problem.

0:18:450:18:47

But do you think it's got legs?

0:18:470:18:49

I mean, us Scots, we love all that stuff.

0:18:490:18:51

Take the Grand Ole Opry, for instance.

0:18:510:18:53

It's a homage to our passion for Southern music.

0:18:530:18:56

It could be a winner.

0:18:560:18:57

I've got a mate who runs one of the big theatres in town.

0:18:590:19:02

-I could speak to him.

-Seriously?

-Yeah.

-Oh, AJ, thank you, I...

0:19:020:19:07

-I'd be forever in your debt.

-Well, you wouldn't have to be in my debt.

0:19:070:19:12

-What?

-I want a cut.

-Hey?

-As exec producer.

0:19:140:19:19

I would stump up some of the cash upfront and go 50-50 on the profits.

0:19:200:19:24

Hmm?

0:19:240:19:26

-AS ELVIS:

-Uh-huh!

0:19:310:19:32

-You're doing the right thing.

-Eh?

0:19:400:19:42

Leaving.

0:19:420:19:44

What, right thing to her, you mean? Oh, I'll be back.

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There's no way I'm giving up on my own kid.

0:19:480:19:50

Och, you two were never meant to be

0:19:500:19:51

and a kid's not going to change that.

0:19:510:19:53

You know you're starting to sound like her, like Kelly Marie.

0:19:530:19:56

-Desperate to see the back of me.

-Yeah, well, anyway.

0:19:560:19:58

-It's for the best.

-And why is that exactly?

-Just because.

0:19:580:20:02

-I'll catch you later, Gabriel.

-You know what?

0:20:020:20:05

Maybe I'll hang about for a bit.

0:20:050:20:07

-What's going on, Jimmy?

-Nothing's going on.

0:20:090:20:11

-Come on. You've nothing to offer her.

-You know, that's exactly what

0:20:130:20:17

she said. It like there's some sort of plan or something like that.

0:20:170:20:20

No, no, there's nae plan.

0:20:200:20:22

Is it Alex?

0:20:220:20:24

-What?

-Has Alex got anything to do with this?

0:20:250:20:28

-Look, just leave, eh, for her sake?

-It's Lenny.

-No, it's no' Lenny.

0:20:280:20:33

Of course it is.

0:20:330:20:35

You realise the trouble you're causing coming back here.

0:20:360:20:38

Opened up a can of worms. Look, leave, just leave!

0:20:380:20:42

Why are you doing his bidding for him, Jimmy?

0:20:420:20:45

Listen, and listen good.

0:20:460:20:48

That lassie is on thin ice and if that ice cracks,

0:20:480:20:52

there'll be naebody there to save her this time -

0:20:520:20:54

no' you, no' me, nobody.

0:20:540:20:55

You want to tell me what's happening here?

0:20:570:21:00

Look, I... I know you would do anything for Kelly Marie...

0:21:000:21:04

..but...

0:21:060:21:08

well, if you love her, if you love that baby...

0:21:080:21:13

..you'll walk away right now and never ever come back.

0:21:140:21:19

Understand, son?

0:21:200:21:21

HE DIALS

0:21:290:21:30

All right, Stella?

0:21:320:21:34

Listen, is there any chance you can wait

0:21:340:21:36

a couple of days for that stuff?

0:21:360:21:37

PHONE RINGS

0:21:540:21:56

-Alex, what is it?

-'How much longer are you going to be?

0:21:590:22:01

'I'm not a babysitting service.'

0:22:010:22:03

Yeah, well, I'll be as long as I'm going to be, OK?

0:22:030:22:05

You just sit tight with Cal till I get back. All right?

0:22:050:22:07

Something important's come up. It needs my attention.

0:22:070:22:11

'I've got stuff to do...'

0:22:110:22:12

PHONE BEEPS So do I.

0:22:120:22:14

-All right? What happened?

-Took your advice, I talked to her.

0:22:280:22:32

Doesnae want me to be involved. Doesnae want me to be a part of it.

0:22:320:22:36

-Kel said that?

-No, I'm making up, Bob.

-I don't get it.

0:22:360:22:39

Reckons I'm not fit to be a da.

0:22:390:22:41

-Doesnae sound like Kel.

-Ah, well, should have known better.

0:22:420:22:45

-Look, do you want me to talk to her?

-I think we're past that now.

-So...

0:22:450:22:49

I'm going to fight her, Bob, every step of the way.

0:22:490:22:53

She's no' keeping me from my own kid.

0:22:530:22:55

No chance.

0:22:550:22:57

HE SIGHS

0:23:000:23:01

Gabriel! It's been a while.

0:23:060:23:08

Amber Murdoch - back to complete the dynasty, eh?

0:23:100:23:14

-So how long's it been, since we...

-Five years exactly.

-Tough stretch.

0:23:140:23:19

Yeah, you could say that.

0:23:190:23:21

Well, Lenny will be delighted to have his wee girl home.

0:23:210:23:24

-Not so wee any more.

-You know, I'm surprised you come home at all.

0:23:240:23:28

-You hated your dad's guts.

-Things change.

-Clearly.

0:23:280:23:31

And the Force with Lenny, it must've been strong.

0:23:320:23:35

Transition to the dark side is now complete. You know, it's a shame.

0:23:350:23:39

-I always liked you.

-You're going to be a daddy?

0:23:400:23:43

-Looks like it.

-What, so is that you be sticking around?

-Why?

0:23:450:23:49

-Did you miss me?

-Well, that was a long time ago.

0:23:490:23:52

Like I said, wee girl, so...

0:23:520:23:56

You know, it's funny, your da was asking me the same thing earlier.

0:23:560:23:59

For some reason, people want rid of me. That's strange.

0:23:590:24:04

Maybe I should change my aftershave.

0:24:040:24:05

-Well...

-I don't know.

0:24:050:24:08

I've not decided yet.

0:24:090:24:10

FIGHTING ON VIDEO GAME

0:24:130:24:15

-What's all that?

-Some documents need signing.

0:24:220:24:25

-Anything I can help with?

-No, my stuff.

-Like what?

0:24:250:24:29

Like, my business. You want papers to sign, build up your own business.

0:24:300:24:35

As you constantly remind me.

0:24:350:24:37

Five years inside has hindered my networking somewhat.

0:24:380:24:42

Where's Dad?

0:24:430:24:45

Something urgent came up apparently, so I'm on babysitting duty,

0:24:460:24:50

or, I was, but now you're here, I can go and meet Annie for a coffee.

0:24:500:24:54

-I should have known it would be like this.

-What would?

-Life with Dad.

0:24:550:25:00

All those promises he made when I came out,

0:25:000:25:02

any business you want and now look at me.

0:25:020:25:05

-He won't always be mad at you.

-Us.

0:25:050:25:07

Whatever. He'll come round soon enough.

0:25:070:25:09

Why am I so desperate to get in his good books?

0:25:090:25:12

-I couldn't give a damn before.

-I don't know.

0:25:140:25:16

-Maybe it's all that money.

-Like, I'll see any of it.

0:25:160:25:19

He'll probably leave it all to the golden child in there.

0:25:190:25:23

-Said as much this morning.

-He doesn't mean it.

-No?

-No.

0:25:230:25:27

Well...

0:25:280:25:30

-he might change his tune once we're the only family he has left.

-What?

0:25:300:25:36

Gabriel's back. Just met him.

0:25:360:25:37

-Maybe he's here to take away Damien and his mum.

-I wish.

0:25:390:25:45

Me too.

0:25:470:25:48

Lenny, here for a workout?

0:25:550:25:57

Aye, to work out whether to raise your rent or not.

0:25:570:26:00

Kelly Marie, can I have a word?

0:26:000:26:02

-Is Callum all right?

-Aye, aye, aye.

-So what...

0:26:060:26:08

Just to let you know I bumped into Gabriel Brodie in the Oyster.

0:26:080:26:11

Yeah, I only found out about that this morning.

0:26:110:26:14

-Oh, you knew he was back? You might have said something.

-Why?

0:26:140:26:16

He's only here to pick up Stella's stuff.

0:26:160:26:18

So he's no' here to stock up on baby wipes and nappies?

0:26:180:26:21

-No, he's not staying.

-What about you?

-What about me?

0:26:210:26:24

Are you not looking for a white knight to come and whisk you away?

0:26:240:26:28

He hates my guts.

0:26:280:26:29

Yeah, well, there's a baby coming now, things change.

0:26:290:26:32

I mean, he's got a good gig going there.

0:26:320:26:34

Working out on the rigs, good wages, nice wee house.

0:26:340:26:36

Must be better than your maw's place.

0:26:360:26:39

-You don't find that appealing?

-We're not going anywhere so you can relax.

0:26:390:26:43

I'll see you later.

0:26:430:26:44

Cos that's the last thing me and you need right now,

0:26:440:26:47

him swanning back into town,

0:26:470:26:49

especially when things are going OK with us, hmm?

0:26:490:26:52

Or as well as they can, considering all things.

0:26:520:26:55

I swear to you, Lenny, there's not going to be any problem.

0:26:550:26:58

OK.

0:26:580:27:00

-But I think Callum should stay with me for now.

-What?!

0:27:010:27:04

You see, Brodie, he's like a feral dog. He goes on instinct.

0:27:040:27:09

He doesn't think things through properly before he acts

0:27:090:27:12

and now there's a baby at stake. Who knows what he might do?

0:27:120:27:15

The point is, I don't trust him. And I don't trust you.

0:27:150:27:20

You're not taking my son.

0:27:200:27:21

As soon as he leaves town, things will go back to normal.

0:27:210:27:24

-Normal?

-Aye. We'll see about setting up your allowance again,

0:27:240:27:27

get you a wee flat of your own.

0:27:270:27:28

Lenny, I'm begging you, please, don't take him.

0:27:280:27:31

As soon as I'm satisfied that Brodie isn't going to cause any trouble...

0:27:310:27:34

and I'm sure that you're staying,

0:27:340:27:37

Callum will be sent right back over to you.

0:27:370:27:40

Come on.

0:27:400:27:42

Hmm?

0:27:420:27:43

I give you my word on this.

0:27:440:27:46

DOOR CLOSES

0:27:550:27:56

Aye, Well done.

0:27:560:27:58

Oh, aye! Cosy.

0:27:590:28:01

-Gabriel, you're back.

-Looks like it, Doc. So, how's AJ?

0:28:020:28:08

-Nothing to do with you, Brodie.

-Then what?

0:28:080:28:11

-What, you're destroying another woman again?

-You're so pathetic.

0:28:110:28:14

You hanging about again to pick up my leftovers?

0:28:140:28:17

Right, you two, pack it in. You're like kids. Alex, you this way.

0:28:170:28:21

You that way. Honestly.

0:28:210:28:23

-How do you even know it's your kid she's carrying?

-Alex!

0:28:230:28:25

I mean, it's definitely not mine cos I wouldn't have gone there again.

0:28:250:28:28

-Shut up!

-Well, come on, you must have had your doubts, right?

0:28:280:28:31

You should go on one of those trailer trash talk shows,

0:28:310:28:34

do a paternity test live on air.

0:28:340:28:35

Might even earn a few quid too.

0:28:350:28:37

You know, you seem like a good person -

0:28:390:28:41

a kind, compassionate person.

0:28:410:28:42

Now, what are you doing with that,

0:28:420:28:44

-after everything that happened?

-Look, I...

0:28:440:28:46

Remember when Kelly took her overdose,

0:28:460:28:48

you were the first person I brought her to, cos she trusted you,

0:28:480:28:51

and so did I, to take care of her, and what did you do?

0:28:510:28:56

You jumped into bed with her ex-husband,

0:28:560:28:58

that she lost a baby with. I mean, what kind of doctor does that, eh?

0:28:580:29:02

-I still care about her.

-Really?

0:29:020:29:06

Cos from my I'm standing, it doesnae feel like it.

0:29:060:29:09

-Annie...

-I've got patients.

0:29:160:29:19

DOOR CLOSES

0:29:210:29:22

DOORBELL RINGS

0:29:220:29:24

All right, keep your knickers on, I'm coming.

0:29:270:29:30

-Drew in?

-Aye.

0:29:300:29:32

Thank you.

0:29:320:29:34

Come on in, then(!)

0:29:350:29:37

-Gonnae make some money, honey. Drew, come here, son.

-What's going on?

0:29:370:29:42

-Are you drunk?

-Only on success. I've got a meeting.

-A meeting?

0:29:420:29:47

-Oh, good for you. What about?

-A show...about the King.

0:29:470:29:52

-What, like a musical?

-Exactly, son, a musical.

0:29:520:29:56

-And are you gonnae star in it?

-Of course. It's my show.

0:29:570:30:01

The tune's already there, the story takes care of itself

0:30:010:30:03

-and AJ's got a producer mate who's dead interested in the idea.

-Really?

0:30:030:30:09

That's great, Pete.

0:30:090:30:10

Let's just say, if this is a hit,

0:30:100:30:13

we're talking tours, merchandise, the big time, son.

0:30:130:30:18

Oh, come on - an Elvis show(!)

0:30:180:30:20

-He's agreed to meet me in my office.

-Your office?

0:30:200:30:24

Gary said I could use the pool room in the pub.

0:30:240:30:27

-The merchandise, tours.

-Uh-huh.

0:30:290:30:31

I mean, these producer guys, they don't have time to mess about,

0:30:310:30:35

this is real. This could happen.

0:30:350:30:38

And Drew, I was thinking, you could stage-manage or be the sound guy,

0:30:380:30:42

cos you're good with them computers, aren't you?

0:30:420:30:44

Aye.

0:30:440:30:45

-I'll put in a good word.

-Er, what about me? I want a part.

0:30:450:30:49

Can you do a Southern American accent?

0:30:490:30:50

-SOUTHERN AMERICAN ACCENT:

-Sure can, cowboy.

0:30:500:30:53

-Then I'll get you an audition for Priscilla Beaulieu.

-OK. Cool.

0:30:530:30:57

-Who's that?

-Oh, come on, Caitlin.

0:30:570:30:59

She's the young, shy, Air Force colonel's daughter

0:30:590:31:02

that Elvis wooed and won.

0:31:020:31:04

-Priscilla.

-Oh! Always knew I was going to be famous.

0:31:060:31:10

-I want to work out my pitch, you'll be my sounding board.

-Sure.

0:31:100:31:15

Upstairs, then. I don't want to expose my creative process.

0:31:150:31:20

-You shouldn't wind him up like that.

-Och, I'm no'.

0:31:230:31:25

But come on, like it's gonnae happen.

0:31:250:31:27

What, do you think he's lying?

0:31:270:31:29

No, he's no lying, just getting ahead of himself as usual.

0:31:290:31:32

But you never know, as long as Drew's happy

0:31:320:31:35

spending time with his da, well, where's the harm, eh?

0:31:350:31:38

# Well, I'm working on a building

0:31:380:31:40

# It's a true foundation... #

0:31:400:31:43

And here's the final act, we see his Graceland retreat,

0:31:430:31:46

every brick brought over and rebuilt

0:31:460:31:48

on the bonny, bonny banks of Loch Lomond

0:31:480:31:51

where he settles with his sweetheart, Priscilla.

0:31:510:31:54

It's a wee creative twist, but it's a glorious, triumphant ending.

0:31:540:31:59

Then the crowd are on their feet,

0:31:590:32:02

they join the King in a rendition of Viva Las Vegas.

0:32:020:32:05

The whole place goes mad. The band in full swing.

0:32:050:32:09

Ladies and gentlemen, I give you Elvis Has Landed.

0:32:090:32:14

Thank you very much.

0:32:150:32:17

# Well, I'm working on a building... #

0:32:210:32:23

-See you later.

-Thank you, doctor.

0:32:250:32:26

I'm not going anywhere until you talk to me, Annie.

0:32:370:32:39

Look, don't let the village idiot get to you.

0:32:480:32:51

It's like being in the playground out there.

0:32:510:32:53

You're both behaving like kids, it's mortifying, Alex.

0:32:530:32:56

Well, he started it. Right, talk to me. Please just talk to me.

0:32:560:33:01

-You worried about Kelly Marie?

-Well, what if he's right? She trusted me.

0:33:030:33:08

-You've done nothing wrong, though.

-Then why do I feel so bad?

0:33:080:33:11

-Maybe you care too much.

-Do you know me at all?

0:33:110:33:16

I'm a GP, how can I care too much?

0:33:170:33:19

-Exactly, you're a doctor, not a psychiatrist.

-Oh, please.

-I'm sorry.

0:33:190:33:24

-Come here.

-No, I... I think you should go, please.

-What?

-Just go.

0:33:250:33:30

Annie...

0:33:300:33:31

I'll see you later.

0:33:320:33:34

I don't know. I just need some space, OK?

0:33:360:33:38

Whatever.

0:33:410:33:43

Can't believe it.

0:33:520:33:53

It's happening. It's really happening!

0:33:550:33:59

I'll need to scale things back at the Oyster. This is massive.

0:34:010:34:04

-Let's get a pint, celebrate in style.

-Later, I need to get back.

0:34:040:34:07

OK, OK, but leave your phone on.

0:34:070:34:09

-You don't want to miss the call about contracts.

-Will do, partner.

0:34:090:34:12

Partner!

0:34:120:34:14

Thank you, Elvis.

0:34:170:34:18

Just go home. Are you sure you're all right?

0:34:230:34:26

Aye, it's fine. It's nothing.

0:34:260:34:28

-We need to talk.

-There's nothing to discuss.

0:34:280:34:31

I'm not asking, Kel.

0:34:310:34:32

What, you really just expect me to give up?

0:34:390:34:41

You seriously think I would just walk away?

0:34:410:34:43

I mean, that wasn't you talking earlier.

0:34:430:34:46

See, Kel, from personal experience, I know you can be cruel.

0:34:470:34:51

-But not this cruel.

-Gabriel, please just leave. Gonnae just go?

-Why?

0:34:520:34:59

Why are you so desperate to see me going and why is Jimmy?

0:35:000:35:04

-It's Lenny... isn't it?

-No.

-I mean, what?

0:35:060:35:12

-What, is it his kid or something?

-What?!

0:35:120:35:14

Well, you've done the rest of the Murdochs,

0:35:140:35:17

why not go for the hat-trick?

0:35:170:35:19

Whoa, hey, whoa, I'm sorry. Right? That was low.

0:35:190:35:23

Just sit down, please.

0:35:240:35:26

Look, I know before I was a bit of a joke around here, you know.

0:35:340:35:37

But things are different up there.

0:35:370:35:39

You know, I've got a nice big pad, bit of money in the bank...

0:35:390:35:42

Wait. Hang on a second. Slow down. What are you saying here?

0:35:420:35:45

What does it sound like?

0:35:450:35:47

-You want me to move to Aberdeen?

-Why not?

-Er, cos you detest me.

0:35:480:35:54

So, what, just because I'm having your kid,

0:35:540:35:56

suddenly everything's forgiven?

0:35:560:35:57

I'm not talking wedding bells and joint bank accounts, Kel.

0:35:570:36:00

Well, what are you talking, then?

0:36:000:36:01

I'm talking about me being a dad, you know, providing.

0:36:010:36:05

You know, you wouldnae need to work in some stupid gym

0:36:050:36:07

-or live at your ma's any more.

-Gabriel, me and you...

0:36:070:36:10

It's not just about us.

0:36:120:36:13

-No, it's always about us.

-Right, OK.

0:36:130:36:16

Maybe at some point, things can move on, progress, I don't know.

0:36:170:36:22

But right now, I just want to be there for my daughter...

0:36:230:36:26

..more than anything.

0:36:280:36:29

-Please just leave.

-I'm not doing that.

-You have to.

0:36:330:36:38

-What, you hate me this much?

-No, I don't hate you at all.

0:36:400:36:45

Then tell me, Kel. Because you're destroying me here.

0:36:450:36:48

All I want is to be part of her life.

0:36:490:36:51

It is Lenny.

0:36:560:36:57

-No.

-I know when you're lying.

-Gabriel, don't...

0:36:590:37:03

-Where are you going?

-To speak to Murdoch.

0:37:030:37:05

No, don't do that, don't do that, please. I'm begging you.

0:37:050:37:09

Why are you so scared of him?

0:37:090:37:11

I mean, look at you, you're practically shaking.

0:37:110:37:13

-What's he done to you?

-Gonnae just leave it?

0:37:130:37:15

I'm sorry.

0:37:170:37:18

I betrayed Lenny.

0:37:180:37:20

FIGHTING ON VIDEO GAME

0:37:360:37:37

-All right, Cal?

-Hi.

0:37:400:37:43

Er, Kelly, she's banned him from them.

0:37:430:37:46

-What for?

-Thinks they're too violent.

0:37:460:37:49

Och, they're soldiers, no' serial killers.

0:37:490:37:52

So, um, you called, boss.

0:37:520:37:55

-Brodie. Is he back for her?

-Well, I don't know.

0:37:550:37:59

I mean, after the way she treated him the last time,

0:37:590:38:02

the way she trashed him before.

0:38:020:38:03

Well, this time there's a kid involved, so it changes things.

0:38:030:38:06

-Get rid of him, Jimmy.

-It's taken care of.

0:38:070:38:11

-He'll not be sticking around.

-Good. That's good.

0:38:120:38:16

Right, we go, we leave, there's no other option now. No other choice.

0:38:330:38:39

-He won't let me.

-We get Cal, and we leave.

-Are you serious?

0:38:390:38:44

I've never been more serious about anything in my life.

0:38:440:38:47

I can't, Gabriel.

0:38:500:38:51

What, you really think I'm leaving my unborn daughter

0:38:510:38:54

with that threat from Lenny hanging over her? Not a chance.

0:38:540:38:57

-Right, what would I tell everyone?

-Well, nothing. We just go.

0:38:580:39:02

But my ma. It'll break her heart. I mean, she's so fragile the now.

0:39:030:39:06

What about everything that's happened with Patrick?

0:39:060:39:09

Right, OK, fine.

0:39:090:39:11

Well, you go home, start getting your stuff together.

0:39:110:39:14

I'll get the car, we'll tell her together, right?

0:39:140:39:17

We'll do this together.

0:39:170:39:19

And I swear to you, Lenny Murdoch will never darken your door again.

0:39:190:39:23

You're not living your life like this, Kel.

0:39:230:39:25

You know, this hold he has on you, it's over.

0:39:250:39:28

So go home, pack your stuff, because we're leaving tonight.

0:39:280:39:34

All right.

0:39:350:39:36

Murdoch!

0:39:520:39:53

Murdoch!

0:39:560:39:58

She's free now.

0:40:010:40:03

You understand me?

0:40:030:40:05

Free!

0:40:050:40:06

Of course, when your granda was your age,

0:40:100:40:11

you used to be able to look through the windows

0:40:110:40:14

of all the motors. They've got them all up on the wall now.

0:40:140:40:16

Hey!

0:40:160:40:18

I know, Lenny.

0:40:180:40:20

Enlighten me.

0:40:200:40:21

You don't get to control Kelly Marie any more.

0:40:210:40:23

-It's over.

-That right?

0:40:230:40:25

Aye, that's right.

0:40:250:40:26

See noo, noo it's no' just Kelly Marie you're

0:40:260:40:29

gonnae be hurting. It's my flesh and blood.

0:40:290:40:31

Cos, see before, I had nothing to lose.

0:40:310:40:34

But noo, I've got everything.

0:40:340:40:36

So, trust me, you don't want to find out what I'm really capable of.

0:40:360:40:41

And you want to do this now?

0:40:410:40:43

In front of the boy?

0:40:430:40:45

We're going to the Transport Museum, aren't we, hey?

0:40:450:40:47

See the buses. Might even take the train.

0:40:470:40:50

You want to spoil his day?

0:40:500:40:52

We're no' done.

0:40:540:40:55

You're telling me.

0:40:550:40:56

To the King.

0:41:050:41:06

-BOTH:

-The King.

0:41:060:41:08

-Did you ask about me?

-Yeah, told them it was a dealbreaker.

0:41:100:41:12

They said they'd find you something.

0:41:120:41:14

And?

0:41:140:41:16

Well, they'd have to audition for a part like Priscilla.

0:41:160:41:19

You could be one of the dancing stewardesses.

0:41:190:41:21

She's winding you up, Da.

0:41:210:41:23

No, I could totally be a dancing stewardess.

0:41:230:41:25

DOORBELL RINGS

0:41:250:41:27

I'll go.

0:41:270:41:28

So, when's it start?

0:41:300:41:31

Not till after the panto season.

0:41:310:41:33

But next spring, we'll be flying.

0:41:330:41:35

These folk don't mess about.

0:41:350:41:36

AJ's dealing with the paperwork as we speak.

0:41:360:41:39

Aha, talk of the devil and he shall appear.

0:41:400:41:44

Take a drink, AJ.

0:41:440:41:45

What is it?

0:41:460:41:48

They've pulled the plug, haven't they?

0:41:480:41:50

No, no, they're still dead keen.

0:41:500:41:51

Oh, you had me there.

0:41:510:41:53

The problem is...

0:41:530:41:54

It's you, Pete.

0:41:560:41:58

They don't think you're a big enough name.

0:41:580:42:00

You know, like the Krankies.

0:42:000:42:02

The Krankies?

0:42:030:42:04

They can't play Elvis. They're not tall enough.

0:42:040:42:06

And there's two of them.

0:42:060:42:08

They still want to buy the concept off you,

0:42:080:42:10

but they want to bring in a professional scriptwriter

0:42:100:42:12

to work on it.

0:42:120:42:13

-How much?

-500.

0:42:130:42:15

-500 quid?

-Well, 250 each, but, well, I said I'd give you 400

0:42:150:42:19

-seeing as it was your idea in the first place.

-Great.

0:42:190:42:21

Thanks, partner.

0:42:210:42:23

400's better than nothing.

0:42:230:42:26

See when Sly Stallone wrote the script for Rocky?

0:42:260:42:29

They didn't want him either for the lead because

0:42:290:42:31

he wasn't a big name.

0:42:310:42:33

Are you comparing yourself to Sylvester Stallone?

0:42:330:42:35

He was skint.

0:42:350:42:36

The studio offered him hundreds of thousands of dollars for the script.

0:42:360:42:40

He kept saying no.

0:42:400:42:42

He was Rocky, the role was his.

0:42:420:42:43

And me...

0:42:450:42:46

-..I'm the King.

-It's the final offer.

0:42:480:42:50

They won't come back again.

0:42:500:42:52

It's their loss.

0:42:540:42:55

Do you think that was a no?

0:42:590:43:01

It looks like Elvis has left the building.

0:43:010:43:03

HE SIGHS

0:43:090:43:10

Don't give up, man.

0:43:120:43:14

It's over, Elvis.

0:43:180:43:19

It's all over.

0:43:210:43:23

Scarlett...

0:43:290:43:31

Oh!

0:43:310:43:33

Am I glad to see you!

0:43:330:43:34

Oh, Gabriel, I'm so glad you're back!

0:43:340:43:37

-Aye.

-Gonnae be a daddy!

0:43:370:43:39

-Looks like it.

-See, I told Kelly Marie to tell you,

0:43:390:43:42

but would she listen to me?

0:43:420:43:43

-Look, don't worry about all that.

-So, are you sticking about?

0:43:430:43:46

Family man noo, responsibilities and all that?

0:43:460:43:48

Actually, do you think we could all have a chat back at the house?

0:43:480:43:51

-Tonight?

-Before then.

0:43:510:43:53

-Something wrong?

-No, no, nothing's wrong.

0:43:530:43:55

I just want us to get together, you know,

0:43:550:43:57

-talk things through.

-Oh, right, well, we'll need to get some cover.

0:43:570:44:00

-So, give me half an hour?

-Brilliant. See you in a bit, darling.

-See you.

0:44:000:44:04

PHONE RINGS

0:44:060:44:08

PHONE STOPS RINGING

0:44:110:44:12

PHONE RINGS

0:44:170:44:21

-Dr Jandhu?

-It's me.

0:44:210:44:23

Sorry about earlier.

0:44:240:44:26

I was out of order.

0:44:260:44:28

Can't argue with that.

0:44:280:44:30

-He just brings out the worst in me.

-Really?

0:44:300:44:32

Because I'm beginning to think that is the real you.

0:44:320:44:34

Well, it's not. Come on, you know that.

0:44:340:44:37

Do I?

0:44:380:44:39

Do I really, Alex?

0:44:390:44:41

Come over tonight. We'll make dinner.

0:44:410:44:44

What, with your dad and Amber?

0:44:440:44:45

My biggest fans.

0:44:450:44:47

-I'll get them to go out, OK?

-No, look, don't.

0:44:470:44:49

I just...

0:44:490:44:51

I'll find a hotel or something.

0:44:510:44:54

Like I said, I just need some space.

0:44:540:44:56

Space?

0:44:560:44:57

How much space?

0:44:570:44:58

I don't know.

0:44:580:45:00

Like, "this is the end" type space?

0:45:000:45:02

I just need time to think.

0:45:020:45:04

Do you know what? Do what you want.

0:45:040:45:05

If you're willing to ruin all this, ruin everything

0:45:050:45:07

because of Brodie, then that's fine by me.

0:45:070:45:10

Alex?

0:45:120:45:13

Brodie needs to go.

0:45:180:45:20

Whatever it takes.

0:45:210:45:22

MUSIC: Crying In The Chapel by Elvis Presley

0:45:250:45:29

OK, man?

0:45:290:45:30

I'm sorry, Elvis, I didn't mean to snap.

0:45:320:45:34

I like you, man.

0:45:340:45:36

-Why?

-Because you're rock 'n' roll.

0:45:360:45:38

You dare to dream.

0:45:380:45:40

-I always fail.

-You haven't failed, Pete.

0:45:400:45:42

Those fools at that theatre, they wouldn't know

0:45:420:45:45

a good Elvis if you punched them in the face.

0:45:450:45:48

That's what you should do, man.

0:45:480:45:50

Punch them in the face.

0:45:500:45:51

I can't do that.

0:45:510:45:53

-I've got soft hands.

-You got to do something, man.

0:45:530:45:56

Selling solar panels, that ain't cool.

0:45:560:45:58

What about that?

0:45:590:46:00

Why is driving cabs cool?

0:46:040:46:06

Before I was a singer, I drove trucks.

0:46:060:46:08

It was flexible, I worked when I wanted.

0:46:080:46:11

I listened to music all night long on the open road.

0:46:110:46:14

-Can I help you?

-No, you're all right.

0:46:180:46:20

Is Jimmy in?

0:46:220:46:24

No' seen him.

0:46:240:46:25

OK, I'll catch him later.

0:46:250:46:26

Aberdeen?!

0:46:300:46:31

Aye.

0:46:310:46:32

When?

0:46:340:46:35

Soon.

0:46:350:46:36

How soon?

0:46:360:46:38

-Today.

-Today?!

0:46:390:46:40

Gabriel's got a hoose.

0:46:400:46:42

-But it's got a nice wee garden.

-Oh!

0:46:420:46:45

-But it's hours away!

-It's no' that far.

0:46:450:46:47

Aye, it's far enough.

0:46:470:46:49

I don't understand. This morning, you didn't even

0:46:490:46:51

want to tell him you were having his wean.

0:46:510:46:53

-But now I know.

-Oh, so now you're gonnae take them away from me?

0:46:530:46:56

-It's for the best.

-What, for you or them?

0:46:580:47:01

No, for all of us.

0:47:010:47:02

So, are you's two back together?

0:47:050:47:09

Well, it...

0:47:090:47:10

-We're gonnae take our time.

-Aye.

-Look, I promise you, Scarlett,

0:47:100:47:13

I'll take care and protect them all. I swear to you.

0:47:130:47:16

Well, can you no' just stay here and get a job?

0:47:160:47:19

-It's no' an option.

-How no'?

0:47:200:47:22

It just isnae, Ma.

0:47:220:47:23

Is this what you really want, Kelly?

0:47:250:47:27

Aye.

0:47:280:47:30

It is, Ma.

0:47:300:47:31

But I need you to be OK with it.

0:47:310:47:33

Right.

0:47:350:47:36

Right.

0:47:420:47:43

Well...

0:47:430:47:44

..it better be a big house...

0:47:460:47:48

cos me and Jimmy will be coming up all the time.

0:47:480:47:51

Come here, you.

0:47:520:47:53

Pint of the usual, Gary.

0:47:580:48:00

Stick it on my tab, please, mate.

0:48:000:48:02

Sorry, Pete, you'll need to settle your tab first. 60 quid.

0:48:020:48:06

I'll just, er...

0:48:060:48:08

HE SIGHS

0:48:080:48:10

-I'll just pay for the pint, then.

-55 quid, now.

0:48:100:48:13

Kick a man while he's down, why don't you?

0:48:130:48:15

It's a business, Pete, not a charity. Sorry.

0:48:150:48:18

Hi, what can I get you?

0:48:180:48:20

-Jimmy.

-I'm not in the mood.

0:48:290:48:31

Well, I-I saw your sign for drivers.

0:48:340:48:37

Please, man, I'm...I'm desperado here.

0:48:370:48:39

-Fine, you can start tomorrow.

-Seriously? Thank you.

0:48:390:48:43

-Thank you so much.

-You're fine.

0:48:430:48:45

If a gig came up, would I get cover?

0:48:450:48:47

-Whatever, Pete.

-Cheers, Jimmy.

0:48:480:48:51

I don't suppose there's...any chance of a wee advance, is there?

0:48:510:48:55

Aye, darling. We'll be hitting the road in a bit.

0:49:060:49:08

Hopefully get up there before dark.

0:49:100:49:12

Right, OK. See you soon, Nicole. Bye.

0:49:120:49:15

-What's going on?

-We're leaving, Jimmy.

0:49:170:49:19

What?! Scarlett?

0:49:190:49:22

Right, we're good to go.

0:49:220:49:23

Aye. I'll just double-check I've got everything for Callum.

0:49:230:49:26

Right, I'll give you a hand, darling.

0:49:260:49:29

-What the hell are you playing at?

-Oh, I know, Jimmy.

0:49:290:49:31

I know everything -

0:49:310:49:33

what your pal Lenny Murdoch's been doing to Kelly Marie.

0:49:330:49:37

She's supposed to be your daughter.

0:49:370:49:39

So I'll get her out.

0:49:400:49:41

-I'll get her out of this hell.

-He'll find you.

0:49:410:49:44

-What, you think I'm scared of Lenny Murdoch?

-Ha, you should be!

0:49:440:49:47

See, I'm doing something about it, Jimmy.

0:49:470:49:49

I'm standing up for Kel,

0:49:490:49:51

-something you should have done a long time ago.

-Don't push it, son.

0:49:510:49:54

-How? What are you going to do? Run to Lenny?

-What's going on?

0:49:540:49:56

I'll let Jimmy explain.

0:49:560:49:57

Right, come on. Let's go get Callum.

0:49:570:50:00

What?

0:50:040:50:05

HE CHUCKLES

0:50:080:50:09

All right, compadre?

0:50:130:50:15

Drew!

0:50:180:50:19

See that?

0:50:260:50:27

What?

0:50:270:50:28

-The taxi.

-Aye, what about it?

0:50:280:50:31

The key, son. The key.

0:50:310:50:33

What are you talking about?

0:50:330:50:35

You're looking at the latest recruit to Amber Cabs.

0:50:350:50:38

-You're going to be a driver?

-It's perfect. Life on the open road.

0:50:380:50:41

We can go cruising.

0:50:410:50:43

Is that not illegal?

0:50:430:50:44

Eh? No, no, a spin, a drive, whatever you want to call it.

0:50:440:50:48

We might pick up some hot chicks.

0:50:480:50:50

And tomorrow, I'm going to ring round the other theatres.

0:50:510:50:54

That mob will be kicking themselves when our show's finally picked up.

0:50:540:50:58

Trust me.

0:50:580:50:59

Jimmy...

0:51:030:51:04

Jimmy, talk to me!

0:51:060:51:08

-I can't, Scarlett.

-What's going on?

0:51:080:51:11

Please, trust me - you're better off not knowing.

0:51:120:51:16

What's Gabriel done?

0:51:160:51:18

-He can't take her, I've got to stop them.

-But he's a good guy.

0:51:180:51:22

-He'll look after them.

-Och, it's nothing to do with that.

0:51:220:51:24

-Well, what's it to do with?!

-HE SIGHS

0:51:240:51:27

Scarlett, just for once, will you listen to me?

0:51:270:51:29

I can't say why, but we've got to stop them, Cal and Kelly Marie.

0:51:290:51:33

They can't leave Shieldinch.

0:51:330:51:35

Oh, I know what this is about.

0:51:350:51:38

It's about Callum and Lenny.

0:51:380:51:40

You're worried about what Lenny will do if he loses wee Callum.

0:51:400:51:44

I'm not worried. I know.

0:51:450:51:47

Jimmy, they're going to Aberdeen, they're not going to Australia.

0:51:470:51:50

-You'll be able to visit him.

-HE SIGHS

0:51:500:51:52

She cannae leave, OK?! Kelly Marie, she cannot leave!

0:51:520:51:56

'You've reached the voicemail of Alex Murdoch.

0:52:190:52:22

'Please leave a message.'

0:52:220:52:23

Hi, it's me.

0:52:230:52:25

I'm sorry...about earlier.

0:52:260:52:28

Why don't we go for a drink or something? I...

0:52:300:52:34

I hate fighting with you.

0:52:340:52:35

I'll come round and see if you're home. Bye.

0:52:370:52:40

TENSE MUSIC BUILDS

0:52:470:52:49

Look, maybe they didn't go. They could still be inside.

0:53:000:53:03

They definitely went.

0:53:030:53:05

-I really don't know about this, Gabriel.

-Well, it's the only way.

0:53:060:53:10

-Oh, no.

-What?

0:53:160:53:17

That's Alex's car.

0:53:190:53:20

Is that Gabriel?

0:53:260:53:28

What are they playing at?

0:53:300:53:32

-Oh, my God, there they are. Babe, what are we going to do?

-We go.

0:53:330:53:36

-W-What about them?

-This is the only chance we're going to get.

0:53:360:53:40

This is it. Go.

0:53:400:53:41

Callum, come with me.

0:53:450:53:47

Just get the wee man in the car.

0:53:470:53:49

Don't dare put him in that car.

0:53:490:53:50

Hey, you don't control Kelly Marie any more. Have you got that?

0:53:500:53:53

That right? You know who I feel sorry for? That wean that's coming.

0:53:530:53:56

Going to grow up without a dad.

0:53:560:53:57

Gabriel! Gabriel, look at me! Gabriel, are you all right?

0:54:130:54:16

-Gabriel, put your head up for me.

-Gabriel, look at me!

0:54:160:54:18

-It's all right, I'm fine.

-No, look at me, Gabriel.

0:54:180:54:20

(Oh, my God...)

0:54:220:54:23

-Oh, my God!

-We need to call an ambulance.

0:54:230:54:25

-Call an ambulance, Kelly Marie!

-OK!

0:54:250:54:27

Gabriel?

0:54:270:54:29

Right, squeeze my hand, Gabriel.

0:54:290:54:30

Hello, can I have an ambulance, please?

0:54:300:54:33

It'll be OK... M-M-M-Montego Street, Shieldinch.

0:54:330:54:36

Gabriel! Please don't die, do you hear me? Don't leave me!

0:54:450:54:48

Please don't leave me...

0:54:480:54:49

-He looked dead.

-They're going to send me back.

0:54:520:54:55

-Hey, nobody's going to jail, all right?

-If he dies, it's murder!

0:54:550:54:58

You need to calm down, OK? We've got to stick together.

0:54:580:55:02

Sing from the same hymn sheet. Get your story straight, all right?

0:55:020:55:06

He's not going to make it, is he?

0:55:080:55:10

Don't think like that, Kelly.

0:55:120:55:13

We can't lose him.

0:55:150:55:16

-I just got him back.

-Aw, darling.

0:55:170:55:20

Er, Gabriel Brodie, any update?

0:55:240:55:26

-Hrm-hrm, Kelly Marie.

-Now's not the time.

0:55:280:55:32

I'm sorry, I know it's tough, but we need to find out what happened.

0:55:320:55:35

She's not in any state to talk to you right now.

0:55:350:55:37

Show some respect, eh?

0:55:370:55:39

Kelly Marie, I know it was the Murdochs behind this -

0:55:390:55:42

-Alex and Amber, Lenny.

-Stop putting words in her mouth, eh?

0:55:420:55:45

-We need to act fast.

-How many times? She's not ready to talk.

0:55:450:55:49

What do you think, Kelly? How do you feel?

0:55:490:55:51

-I mean, I'll come with you.

-I can't think straight.

-Maybe later.

0:55:510:55:56

Kelly Marie, how much more are you going to take from them?

0:55:560:55:59

-Why protect them any longer?

-She's not up for talking, right?

0:55:590:56:03

You are the prime witness. You can get them now. We can finish this.

0:56:030:56:06

But I need you. I need your statement about what happened.

0:56:060:56:09

-You need to leave.

-Kelly Marie...

0:56:090:56:12

I don't know.

0:56:120:56:13

This is the strongest hand you'll ever have had against them.

0:56:140:56:17

Don't say anything, right? Lenny will kill you.

0:56:190:56:22

Aye, but he hasn't yet, has he?

0:56:220:56:23

-I was thinking if there was a more credible witness.

-Lenny...

0:56:230:56:26

-Somebody that had a clearer version of the events.

-Lie, you mean.

0:56:260:56:28

I thought you cared for him.

0:56:280:56:30

Are you going to take the fall for something you didn't start? Five years for your brother this time?

0:56:300:56:34

When are you due? I bet you'd do anything to protect your child. I'm the same.

0:56:340:56:37

Phone Donald, tell him you've changed your story.

0:56:370:56:39

Lenny made me write my own suicide note. The only thing that stopped me was Callum and Jimmy coming home.

0:56:390:56:44

You knew this?

0:56:440:56:45

He was just hanging on last time I checked. He might even be dead now.

0:56:450:56:48

That takes things up a notch, doesn't it? Potential murder charge?

0:56:480:56:51

I'm done. I've got nothing, Lenny. Cannae fight you any more.

0:56:510:56:53

All that hard work, all that time to get to where you are now.

0:56:530:56:56

You're really going to risk it all to protect that mob?

0:56:560:56:58

She's forcing my hand here! There's no way back from this.

0:56:580:57:01

-Not for any of us.

-Just go, Jimmy.

-I'm so sorry.

0:57:010:57:03

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