Browse content similar to 27/12/2016. Check below for episodes and series from the same categories and more!
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Your sister, here. She had a wean in the jail. | 0:00:21 | 0:00:23 | |
Tried to keep it away from me. | 0:00:23 | 0:00:24 | |
She's going to be sitting on her grandad's knee | 0:00:24 | 0:00:26 | |
-before the year's out. -No. | 0:00:26 | 0:00:27 | |
You're right. He's a monster! | 0:00:27 | 0:00:29 | |
And monsters need a stake through the heart. | 0:00:29 | 0:00:30 | |
What do you think you're doing, having a gun around my daughter?! | 0:00:30 | 0:00:33 | |
Put that down afore you hurt yourself. | 0:00:33 | 0:00:35 | |
I'll put the gun to his head and I will pull the trigger! | 0:00:36 | 0:00:38 | |
Your father does not get to destroy another life. | 0:00:38 | 0:00:40 | |
I won't let that happen. | 0:00:40 | 0:00:41 | |
You have turned her against me! | 0:00:41 | 0:00:43 | |
-ALEX: -Do you know what happens when you push people too far? | 0:00:43 | 0:00:45 | |
Everyone's got a breaking point, Lenny. | 0:00:45 | 0:00:47 | |
CHOIR SINGS: # Snow had fallen | 0:00:50 | 0:00:53 | |
# Snow on snow | 0:00:53 | 0:00:56 | |
# Snow on snow | 0:00:56 | 0:01:01 | |
# In the bleak midwinter | 0:01:03 | 0:01:08 | |
# Long... # | 0:01:08 | 0:01:12 | |
Call an ambulance. | 0:01:12 | 0:01:14 | |
Scarlett. | 0:01:14 | 0:01:15 | |
Scarlett, come on! | 0:01:15 | 0:01:16 | |
The police, too. | 0:01:19 | 0:01:20 | |
The polis?! | 0:01:20 | 0:01:21 | |
He's been shot. | 0:01:25 | 0:01:26 | |
Today was good, wasn't it? | 0:01:30 | 0:01:32 | |
Aye. | 0:01:32 | 0:01:34 | |
Mostly, anyway. | 0:01:34 | 0:01:35 | |
Mostly, aye. | 0:01:35 | 0:01:37 | |
Look, you don't need to worry about me, all right? | 0:01:38 | 0:01:41 | |
All right. | 0:01:41 | 0:01:42 | |
My ma's been away for a bit, hasn't she? | 0:01:49 | 0:01:52 | |
Molly would have dragged her in for a cup of tea. | 0:01:52 | 0:01:53 | |
I'll gie her a minute, then I'll go and get her up the road. | 0:01:53 | 0:01:57 | |
You support his head and his shoulders. That's it. | 0:01:57 | 0:01:59 | |
I'm just gonnae apply pressure. | 0:01:59 | 0:02:01 | |
Is he gonnae die? | 0:02:01 | 0:02:02 | |
Everybody dies, Scarlett. | 0:02:02 | 0:02:04 | |
-What's happened? -He's been shot. | 0:02:04 | 0:02:06 | |
-Oh, God! -Who's the guy? | 0:02:06 | 0:02:08 | |
That's Lenny Murdoch. | 0:02:08 | 0:02:09 | |
That's your boyfriend's dad...? | 0:02:09 | 0:02:11 | |
Ex-boyfriend, I mean. | 0:02:11 | 0:02:12 | |
Yeah, can I fill you in on that later, Greig? | 0:02:12 | 0:02:14 | |
Sorry. Is there an exit wound? | 0:02:14 | 0:02:16 | |
-Why? -Well, if the bullet's still in there, | 0:02:16 | 0:02:18 | |
-then it can do all kinds of damage. -Oh, my God! | 0:02:18 | 0:02:20 | |
SIRENS IN DISTANCE | 0:02:20 | 0:02:21 | |
Is... Is he alive? | 0:02:21 | 0:02:23 | |
Yeah, he is. | 0:02:23 | 0:02:24 | |
OK, is there anything I can do to help, or...? | 0:02:24 | 0:02:26 | |
No, look, it's fine. We've got it covered, OK? | 0:02:26 | 0:02:28 | |
It's fine. You're doing well. | 0:02:28 | 0:02:30 | |
I... I can feel his blood on me. | 0:02:30 | 0:02:33 | |
I'm... I'm going to get Alex. | 0:02:33 | 0:02:35 | |
DOOR OPENS | 0:02:49 | 0:02:51 | |
-I've been trying to call you! -Phone's dead. | 0:02:53 | 0:02:55 | |
You've got to... | 0:02:55 | 0:02:57 | |
Alex! | 0:02:57 | 0:02:58 | |
It's Dad. | 0:02:58 | 0:02:59 | |
He's been shot. | 0:03:01 | 0:03:02 | |
Is he...? | 0:03:04 | 0:03:05 | |
I don't think so. But...come on! | 0:03:05 | 0:03:06 | |
Don't, please. | 0:03:17 | 0:03:18 | |
How? She's had a shock. | 0:03:18 | 0:03:19 | |
I don't want any evidence contaminated. | 0:03:19 | 0:03:21 | |
What evidence? What are you talking about? | 0:03:21 | 0:03:23 | |
Scarlett, you're going to have to go down to the police station, OK? | 0:03:23 | 0:03:26 | |
What? How? | 0:03:26 | 0:03:27 | |
This is a crime scene and you're all over it, | 0:03:27 | 0:03:30 | |
and vice versa. | 0:03:30 | 0:03:32 | |
Guys? Can you take care of this lady, please? | 0:03:32 | 0:03:34 | |
This is Mrs Mullen. | 0:03:34 | 0:03:36 | |
What are you talking about? | 0:03:36 | 0:03:37 | |
Just go with them. | 0:03:37 | 0:03:38 | |
I'll give you two a lift down to the hospital. | 0:03:44 | 0:03:47 | |
He won't sell many ice creams going at that speed. | 0:04:00 | 0:04:02 | |
Oh, that joke is older than you. | 0:04:02 | 0:04:05 | |
Eric Morecambe, one of the greats. | 0:04:05 | 0:04:07 | |
Oh, yes. No question! | 0:04:07 | 0:04:09 | |
I wonder if there's any of their Christmas shows on anywhere. | 0:04:09 | 0:04:12 | |
Right, off to my bed. | 0:04:12 | 0:04:14 | |
Aw, don't be a lightweight. | 0:04:14 | 0:04:15 | |
I'm knackered. | 0:04:15 | 0:04:17 | |
C'mon, c'mon. Sit your short, fat, hairy legs down. | 0:04:17 | 0:04:19 | |
As long as you promise not to sing along to Bring Me Sunshine. | 0:04:19 | 0:04:22 | |
You're right. | 0:04:22 | 0:04:23 | |
I should be resting my voice for Hogmanay. | 0:04:23 | 0:04:25 | |
Aye, that's exactly what I meant. | 0:04:25 | 0:04:27 | |
Is that all you need to rest? | 0:04:28 | 0:04:30 | |
How'd you mean? | 0:04:31 | 0:04:32 | |
Well, couldn't help noticing | 0:04:32 | 0:04:33 | |
you getting very cosy with Caitlin AND Scarlett earlier on. | 0:04:33 | 0:04:36 | |
A little thing called magnetism. | 0:04:36 | 0:04:37 | |
It's a cross I have to bear. | 0:04:39 | 0:04:40 | |
Right, well, mind you don't end up getting nailed to it. | 0:04:40 | 0:04:43 | |
Thanks very much. | 0:04:48 | 0:04:49 | |
Can I see him? | 0:04:52 | 0:04:53 | |
He's still in surgery. | 0:04:53 | 0:04:55 | |
How bad? | 0:04:55 | 0:04:56 | |
We'll know more once they open him up. | 0:04:56 | 0:04:58 | |
-Oh, God. -Was it just the one bullet? | 0:04:58 | 0:04:59 | |
As far as I could tell, yeah. | 0:04:59 | 0:05:00 | |
He talked about ruffling a few feathers. | 0:05:00 | 0:05:02 | |
That was a lie, I think. | 0:05:02 | 0:05:03 | |
He was definitely back in the game. | 0:05:03 | 0:05:05 | |
He's been in the game for decades. | 0:05:05 | 0:05:07 | |
A man like that makes enemies. | 0:05:07 | 0:05:08 | |
Undoubtedly. | 0:05:08 | 0:05:09 | |
And is that what you think, though? That the killer might be a rival? | 0:05:09 | 0:05:12 | |
You know, that someone wants to settle a score with him? | 0:05:12 | 0:05:14 | |
What? | 0:05:14 | 0:05:15 | |
I think we'll stick to the term "assailant", for now. | 0:05:15 | 0:05:18 | |
Oh, of course. | 0:05:21 | 0:05:22 | |
I apologise. | 0:05:22 | 0:05:23 | |
You're right, though. Lenny is an underworld figure. | 0:05:23 | 0:05:26 | |
That will have to inform any investigation. | 0:05:26 | 0:05:28 | |
Though the thing about gangland types is | 0:05:28 | 0:05:30 | |
they don't usually restrict themselves to just the one shot. | 0:05:30 | 0:05:32 | |
I'm going to find out what's happening. | 0:05:32 | 0:05:34 | |
I'll need to get a statement from you, Doctor, | 0:05:36 | 0:05:38 | |
and probably most of your clothes. | 0:05:38 | 0:05:39 | |
Are you all right to hang around? | 0:05:39 | 0:05:41 | |
Can't think of anywhere else I'd rather be on Christmas night. | 0:05:41 | 0:05:44 | |
Do you want some help with that? | 0:06:27 | 0:06:28 | |
Right, you just need a second signature on this form, | 0:06:32 | 0:06:36 | |
and then you need to... | 0:06:36 | 0:06:37 | |
Hmm. | 0:06:39 | 0:06:40 | |
What is it? | 0:06:40 | 0:06:42 | |
Lenny's DNR. | 0:06:42 | 0:06:43 | |
What do you mean? | 0:06:43 | 0:06:45 | |
During his last bout of MS, | 0:06:46 | 0:06:48 | |
Lenny requested a Do Not Resuscitate form. | 0:06:48 | 0:06:51 | |
Would that still apply? | 0:06:51 | 0:06:52 | |
If the situation arises, they will want to talk to you about it. | 0:06:52 | 0:06:55 | |
It's a conversation both of you need to be prepared to have. | 0:06:57 | 0:07:00 | |
Well, there is no conversation. This is different. | 0:07:00 | 0:07:03 | |
How? | 0:07:03 | 0:07:04 | |
Having MS isn't the same as being shot. | 0:07:04 | 0:07:07 | |
I can safely assume that your dad | 0:07:07 | 0:07:10 | |
would not want to be kept alive by machines alone. | 0:07:10 | 0:07:12 | |
No. | 0:07:12 | 0:07:14 | |
Well, I'm his next of kin. It'll be up to me. | 0:07:15 | 0:07:17 | |
Whatever you say, sis. | 0:07:17 | 0:07:19 | |
-OK, Doc? -Yes. | 0:07:21 | 0:07:22 | |
You two going to be staying here? | 0:07:22 | 0:07:24 | |
Yeah, of course. | 0:07:24 | 0:07:25 | |
For the time being. | 0:07:25 | 0:07:26 | |
Good. | 0:07:26 | 0:07:27 | |
Are we suspects? | 0:07:29 | 0:07:30 | |
As the doctor here pointed out, your father has a lot of enemies. | 0:07:32 | 0:07:36 | |
And you're one of them. | 0:07:36 | 0:07:37 | |
Excuse us. | 0:07:38 | 0:07:40 | |
-I thought she'd be well back by now. -Aye. | 0:07:50 | 0:07:52 | |
Look, I'm just going to go down to the station. | 0:07:52 | 0:07:54 | |
You cannae, you'll be over the limit. | 0:07:54 | 0:07:56 | |
Aye. Aye, you're right. | 0:07:56 | 0:07:58 | |
Here, do you think the doctor working on Lenny's had a few festive swallies himself? | 0:08:01 | 0:08:06 | |
Naw, these are dedicated professionals, mate. | 0:08:07 | 0:08:10 | |
Aye, it'd be a right shame | 0:08:10 | 0:08:11 | |
if the scalpel slipped at that vital moment. | 0:08:11 | 0:08:14 | |
Aye, would be a tragedy. | 0:08:14 | 0:08:16 | |
Miracle-workers, the NHS. | 0:08:16 | 0:08:17 | |
-Still, even miracle-workers have a day aff, right? -Aye. | 0:08:17 | 0:08:21 | |
I'm sorry this has all taken so long. | 0:08:27 | 0:08:29 | |
I'm sure you'll be anxious to get back to your family. | 0:08:29 | 0:08:31 | |
You're only doing your job. | 0:08:33 | 0:08:34 | |
Well, I'll try and do it quickly. | 0:08:34 | 0:08:37 | |
All I need you to do is, in your own words, | 0:08:37 | 0:08:40 | |
describe exactly what happened. | 0:08:40 | 0:08:42 | |
Well, I was on my way back to my house. | 0:08:43 | 0:08:45 | |
From where? | 0:08:45 | 0:08:47 | |
I'd been at my ma's flat. | 0:08:47 | 0:08:49 | |
I was chumming her along the road, | 0:08:49 | 0:08:52 | |
cos it was late and... | 0:08:52 | 0:08:54 | |
she's ancient. | 0:08:54 | 0:08:55 | |
I didnae hang about, | 0:08:57 | 0:08:58 | |
I just went to leave, | 0:08:58 | 0:09:01 | |
and then I seen Annie... | 0:09:01 | 0:09:04 | |
Doctor Jandhu... | 0:09:04 | 0:09:05 | |
..standing, looking down at him. | 0:09:07 | 0:09:09 | |
She was already there? | 0:09:09 | 0:09:11 | |
And did you recognise immediately | 0:09:13 | 0:09:15 | |
the person who was lying on the ground? | 0:09:15 | 0:09:17 | |
There's nae mistaking that yin. | 0:09:19 | 0:09:20 | |
I suppose not. | 0:09:20 | 0:09:22 | |
You didn't see anybody else? | 0:09:23 | 0:09:25 | |
No. | 0:09:26 | 0:09:27 | |
Did you hear anything? | 0:09:27 | 0:09:28 | |
No. | 0:09:29 | 0:09:30 | |
No gunshot? | 0:09:30 | 0:09:32 | |
From a distance, I mean. | 0:09:32 | 0:09:34 | |
Nothing. Sorry. | 0:09:35 | 0:09:36 | |
Did you see anybody coming out of Amber Cabs? | 0:09:37 | 0:09:39 | |
Amber Cabs? | 0:09:39 | 0:09:41 | |
We believe the attempt on Mr Murdoch's life | 0:09:41 | 0:09:43 | |
took place in his office. | 0:09:43 | 0:09:45 | |
Are you...? | 0:09:47 | 0:09:49 | |
Are you joking? | 0:09:49 | 0:09:50 | |
Well, we're waiting for the Scene of Crime Officers to confirm, | 0:09:50 | 0:09:53 | |
but our initial investigation points at that, yes. | 0:09:53 | 0:09:55 | |
Right. | 0:09:57 | 0:09:58 | |
Right. | 0:10:00 | 0:10:01 | |
Why does that surprise you? | 0:10:04 | 0:10:05 | |
What do you mean? | 0:10:06 | 0:10:07 | |
Well, if you didn't see or hear anything on the street itself, | 0:10:08 | 0:10:12 | |
why assume that's where it happened? | 0:10:12 | 0:10:14 | |
I don't know. | 0:10:15 | 0:10:16 | |
I mean, you don't expect a guy to... | 0:10:18 | 0:10:20 | |
..take a wee stroll with a bullet in him, do you? I mean... | 0:10:21 | 0:10:24 | |
I suppose not. | 0:10:29 | 0:10:31 | |
MACHINES BEEP | 0:10:34 | 0:10:36 | |
How long are you going to stay? | 0:10:42 | 0:10:44 | |
I don't know. | 0:10:44 | 0:10:45 | |
What if he doesn't regain consciousness? | 0:10:48 | 0:10:50 | |
What, you mean if he's comatose? | 0:10:50 | 0:10:52 | |
I mean if he dies. | 0:10:53 | 0:10:54 | |
Part of me is standing here, willing that line to go flat. | 0:10:58 | 0:11:01 | |
Beeeeep. | 0:11:03 | 0:11:07 | |
Only part of you? | 0:11:07 | 0:11:08 | |
A substantial amount. | 0:11:08 | 0:11:10 | |
Do you no' feel the same? | 0:11:11 | 0:11:13 | |
I don't know. | 0:11:15 | 0:11:16 | |
I mean, I know you and the nice doctor lady would toss a coin | 0:11:17 | 0:11:21 | |
and let the winner pull the plug, but... | 0:11:21 | 0:11:23 | |
That's not what she said. | 0:11:23 | 0:11:25 | |
Sounded a bit like it. | 0:11:25 | 0:11:26 | |
You must have the same kind of thoughts. | 0:11:28 | 0:11:30 | |
If he wasn't here, your daughter would be safe. | 0:11:31 | 0:11:33 | |
Can we not talk about her? | 0:11:33 | 0:11:35 | |
If that's what you want, but... | 0:11:35 | 0:11:37 | |
It is. | 0:11:37 | 0:11:38 | |
I saw Lenny lying on the ground, | 0:11:41 | 0:11:44 | |
and I hurried over, | 0:11:44 | 0:11:45 | |
checked his vital signs, and I asked Scarlett to call an ambulance. | 0:11:45 | 0:11:49 | |
Where were you headed? | 0:11:49 | 0:11:51 | |
Home. | 0:11:51 | 0:11:52 | |
From? | 0:11:52 | 0:11:54 | |
The pub. | 0:11:54 | 0:11:55 | |
It's the Tall Ship Public House. | 0:11:57 | 0:11:59 | |
You didn't see or hear anything or anyone? | 0:12:02 | 0:12:05 | |
Nothing. | 0:12:05 | 0:12:06 | |
Prior to finding him in the street, | 0:12:06 | 0:12:08 | |
when was the last time you saw Mr Murdoch? | 0:12:08 | 0:12:10 | |
Earlier today. | 0:12:10 | 0:12:11 | |
Where was that? | 0:12:11 | 0:12:13 | |
At his flat. | 0:12:13 | 0:12:14 | |
You were at his flat? | 0:12:14 | 0:12:16 | |
I was. | 0:12:16 | 0:12:17 | |
Social call? | 0:12:17 | 0:12:19 | |
Not...exactly. | 0:12:21 | 0:12:22 | |
"Exactly" is what we require, so... | 0:12:22 | 0:12:25 | |
It was a business matter. | 0:12:26 | 0:12:27 | |
Unfortunately, we're partners in the same company. | 0:12:27 | 0:12:30 | |
"Unfortunately"? | 0:12:30 | 0:12:32 | |
Did you argue? | 0:12:32 | 0:12:33 | |
Absolutely. | 0:12:34 | 0:12:35 | |
I didn't shoot him, if that's what you're asking. | 0:12:37 | 0:12:39 | |
It's not. | 0:12:39 | 0:12:40 | |
Good to have that on record, though, eh? | 0:12:42 | 0:12:43 | |
I just wonder about your response to finding Mr Murdoch wounded? | 0:12:47 | 0:12:51 | |
I don't understand. | 0:12:51 | 0:12:53 | |
Well, you treated him, you engaged Mrs Mullen's help, | 0:12:53 | 0:12:57 | |
you continued to provide treatment | 0:12:57 | 0:12:58 | |
even after the paramedics had arrived. | 0:12:58 | 0:13:00 | |
Well, I felt confident in what I was dealing with. | 0:13:00 | 0:13:03 | |
I knew we were dealing with a single gunshot wound. | 0:13:03 | 0:13:05 | |
Well, that proved to be correct. | 0:13:05 | 0:13:07 | |
The surgeons have successfully removed the bullet, by the way. | 0:13:07 | 0:13:11 | |
Good. | 0:13:11 | 0:13:12 | |
That'll give him a fighting chance, then. | 0:13:12 | 0:13:14 | |
That remains to be seen. | 0:13:14 | 0:13:16 | |
Hey, you OK? You were ages. | 0:13:47 | 0:13:49 | |
I know, sorry. I didn't mean to wake you. | 0:13:49 | 0:13:51 | |
Never worry. | 0:13:51 | 0:13:53 | |
Did they take your clothes? | 0:13:53 | 0:13:55 | |
Forensics. | 0:13:55 | 0:13:57 | |
What's happening? Is Alex's dad going to be OK? | 0:13:57 | 0:13:59 | |
Don't know. | 0:13:59 | 0:14:00 | |
Don't particularly care. | 0:14:00 | 0:14:02 | |
You don't mean that. | 0:14:02 | 0:14:03 | |
-Don't I? -Well, you're a doctor. | 0:14:03 | 0:14:05 | |
Well, he's somebody else's problem now. | 0:14:05 | 0:14:07 | |
I mean, but feel free to lecture me on medical ethics. | 0:14:07 | 0:14:09 | |
Sorry(!) | 0:14:09 | 0:14:10 | |
Hey, it's all right, everybody's tired. | 0:14:10 | 0:14:12 | |
It'll be fine in the morning. | 0:14:12 | 0:14:14 | |
I'm sorry. I just really need to get some sleep, OK? | 0:14:15 | 0:14:18 | |
You...enjoy what's left of Christmas. | 0:14:20 | 0:14:23 | |
Goodnight, Annie. | 0:14:24 | 0:14:25 | |
Goodnight. | 0:14:25 | 0:14:27 | |
Welcome home. | 0:14:27 | 0:14:28 | |
She's a tough cookie, your sister. | 0:14:30 | 0:14:33 | |
She'll be all right. | 0:14:33 | 0:14:34 | |
Shall we go back to bed? | 0:14:34 | 0:14:36 | |
We could do that. | 0:14:36 | 0:14:37 | |
Or... | 0:14:39 | 0:14:40 | |
we could stay right here. | 0:14:40 | 0:14:42 | |
Greig Roth, I'm shocked! | 0:14:42 | 0:14:45 | |
You better get used to it. | 0:14:45 | 0:14:46 | |
You know what word pops into my head, looking at you? | 0:15:04 | 0:15:06 | |
Stalwart. | 0:15:08 | 0:15:09 | |
Full-on Christmas, and yet here you are, | 0:15:09 | 0:15:11 | |
crack of dawn Boxing Day, | 0:15:11 | 0:15:13 | |
for the folk with a fridge full of leftover chipolatas | 0:15:13 | 0:15:16 | |
and no milk for a brew. | 0:15:16 | 0:15:17 | |
Well, we've got to keep things ticking along, eh? | 0:15:17 | 0:15:20 | |
Speaking of which, | 0:15:20 | 0:15:21 | |
got a text from a regular customer, | 0:15:21 | 0:15:23 | |
big fan of the old herbal tea. | 0:15:23 | 0:15:25 | |
Tell them we're closed for now, eh? | 0:15:25 | 0:15:27 | |
Aye? | 0:15:27 | 0:15:29 | |
Aye. I cannae handle it the now. | 0:15:29 | 0:15:31 | |
Probably wise anyway. | 0:15:31 | 0:15:32 | |
Neighbourhood's full of coppers. | 0:15:32 | 0:15:34 | |
Think there's been a break-in at the cab office. | 0:15:34 | 0:15:36 | |
Don't you know? | 0:15:36 | 0:15:38 | |
Haven't you heard? | 0:15:38 | 0:15:39 | |
Heard what? | 0:15:39 | 0:15:40 | |
Lenny's been shot. | 0:15:40 | 0:15:42 | |
No way. | 0:15:42 | 0:15:44 | |
Is he dead? | 0:15:44 | 0:15:45 | |
No. No' yet, anyway. | 0:15:45 | 0:15:48 | |
I mean, I think it's touch-and-go. | 0:15:48 | 0:15:50 | |
I hope the cabs are back running by Hogmanay. | 0:15:50 | 0:15:52 | |
Is that all you're worried about? | 0:15:53 | 0:15:55 | |
I'm not worried at all, doll. | 0:15:55 | 0:15:56 | |
It's going to be epic. | 0:15:56 | 0:15:58 | |
DOOR OPENS | 0:16:11 | 0:16:13 | |
Can you tell this nice officer I'm practically family? | 0:16:13 | 0:16:16 | |
He's got more lives than a cat, this one. | 0:16:22 | 0:16:24 | |
What are you doing here? | 0:16:26 | 0:16:27 | |
I've come to see you, of course. | 0:16:28 | 0:16:30 | |
What should I do, Red? | 0:16:31 | 0:16:33 | |
I don't know. | 0:16:33 | 0:16:35 | |
What do you mean? | 0:16:35 | 0:16:36 | |
Should I talk to the police? | 0:16:36 | 0:16:37 | |
Are there things you need to tell them? | 0:16:37 | 0:16:39 | |
I mean, after our little... altercation in the pub, | 0:16:39 | 0:16:42 | |
I didn't know where to go. | 0:16:42 | 0:16:43 | |
So I just wandered. | 0:16:43 | 0:16:45 | |
Wandered? | 0:16:45 | 0:16:46 | |
Mm. It was freezing. | 0:16:46 | 0:16:47 | |
I don't know how long I was out there. | 0:16:47 | 0:16:50 | |
Finally, I went back to the flat, | 0:16:50 | 0:16:51 | |
and just sat and thought about the day we'd had planned | 0:16:51 | 0:16:53 | |
and how none of it had gone how we wanted. | 0:16:53 | 0:16:56 | |
No. | 0:16:56 | 0:16:57 | |
There'll be other Christmases, I suppose. | 0:16:57 | 0:16:59 | |
But life goes on, no matter what. | 0:17:01 | 0:17:03 | |
We're living proof of that. | 0:17:03 | 0:17:04 | |
Maybe you should... | 0:17:06 | 0:17:07 | |
Should what? | 0:17:07 | 0:17:08 | |
Maybe you should keep your head down. | 0:17:10 | 0:17:12 | |
Stay away from the police, you mean? | 0:17:12 | 0:17:14 | |
Maybe. | 0:17:15 | 0:17:16 | |
You might be right. | 0:17:16 | 0:17:17 | |
Ex-con and all that. | 0:17:17 | 0:17:19 | |
They could just pin it on me to have a quiet life. | 0:17:19 | 0:17:21 | |
Donald's not like that. | 0:17:21 | 0:17:23 | |
Oh, your hero's in charge, is he? | 0:17:23 | 0:17:24 | |
Well, everything should be fine, then. | 0:17:24 | 0:17:26 | |
Yes. | 0:17:26 | 0:17:28 | |
Then again, no-one could pin anything on me | 0:17:28 | 0:17:30 | |
if daddy darling regains consciousness | 0:17:30 | 0:17:32 | |
and tells us who pulled the trigger. | 0:17:32 | 0:17:34 | |
Yeah. | 0:17:36 | 0:17:37 | |
Me and you. | 0:17:37 | 0:17:38 | |
Wanting Lenny to live. | 0:17:40 | 0:17:41 | |
Life's cruel, isn't it? | 0:17:41 | 0:17:42 | |
Oh, it can be. | 0:17:42 | 0:17:44 | |
No question. | 0:17:45 | 0:17:46 | |
I should get showered and changed. | 0:17:48 | 0:17:50 | |
Shall I call us a cab? | 0:17:50 | 0:17:52 | |
No, no, I'm going to go... | 0:17:52 | 0:17:54 | |
What, home? | 0:17:54 | 0:17:55 | |
As in, not with me? | 0:17:55 | 0:17:56 | |
Well, I should see Alex. | 0:17:56 | 0:17:58 | |
Family's very important. | 0:18:00 | 0:18:02 | |
Stay strong. | 0:18:05 | 0:18:07 | |
Lovely morning(!) | 0:18:24 | 0:18:25 | |
Guys, can you just clear the room for a second? | 0:18:46 | 0:18:48 | |
I just want to clear my head. | 0:18:48 | 0:18:50 | |
That's me all done. | 0:19:32 | 0:19:33 | |
You guys can get back to work. | 0:19:33 | 0:19:35 | |
You OK? | 0:19:43 | 0:19:45 | |
Splitting headache. | 0:19:45 | 0:19:47 | |
You should get some sleep. | 0:19:47 | 0:19:48 | |
No, I'm going straight back. | 0:19:48 | 0:19:50 | |
Why? If anything changes, they'll call us. | 0:19:50 | 0:19:52 | |
You're being very calm about this. | 0:19:52 | 0:19:54 | |
DOOR BUZZER | 0:19:54 | 0:19:55 | |
I'm a Murdoch, remember? | 0:19:57 | 0:19:58 | |
We don't let a little thing like attempted murder get under our skin. | 0:19:58 | 0:20:01 | |
-INTERCOM: -'It's DI Donald. I need a few words.' | 0:20:04 | 0:20:06 | |
Come up. | 0:20:06 | 0:20:07 | |
Friendly neighbourhood policeman's here. | 0:20:10 | 0:20:12 | |
You don't think he's...? | 0:20:14 | 0:20:16 | |
What? | 0:20:16 | 0:20:17 | |
The hospital would ring us first, if he was...? | 0:20:17 | 0:20:19 | |
Well, there's your answer. | 0:20:19 | 0:20:21 | |
If Lenny was dead, he'd come skipping in. | 0:20:21 | 0:20:23 | |
Isn't that right, Inspector? | 0:20:23 | 0:20:24 | |
I see you've inherited your father's sense of humour. | 0:20:24 | 0:20:26 | |
Mm-hm. And my mother's eyes. | 0:20:26 | 0:20:28 | |
What's happening? | 0:20:29 | 0:20:31 | |
I'm still trying to piece together the chain of events from last night. | 0:20:31 | 0:20:34 | |
No offence, but are you the best man for the job? | 0:20:34 | 0:20:37 | |
Alex, can you be serious for five minutes? | 0:20:37 | 0:20:39 | |
I'm being completely serious! | 0:20:39 | 0:20:41 | |
It's not exactly ideal, is it? | 0:20:41 | 0:20:42 | |
Having an investigating officer | 0:20:42 | 0:20:44 | |
who'd happily pull the trigger himself. | 0:20:44 | 0:20:46 | |
Sergeant. Over here. | 0:21:06 | 0:21:07 | |
Isn't everything covered by CCTV, these days? | 0:21:15 | 0:21:18 | |
We will go through a lot of footage, | 0:21:18 | 0:21:19 | |
but there's nothing for Amber Cabs itself. | 0:21:19 | 0:21:22 | |
The closest cameras were vandalised a month or so ago. | 0:21:22 | 0:21:24 | |
Right when Lenny became bored with being a civilian. | 0:21:24 | 0:21:27 | |
Very possibly. | 0:21:27 | 0:21:29 | |
Anyway, we've narrowed down the time of the shooting | 0:21:30 | 0:21:33 | |
to between 7pm and when we found your father at 7:45pm. | 0:21:33 | 0:21:37 | |
Can you account for your whereabouts during that period? | 0:21:37 | 0:21:39 | |
Me? | 0:21:39 | 0:21:40 | |
You. | 0:21:41 | 0:21:42 | |
I left the pub, came back here, | 0:21:44 | 0:21:46 | |
had another drink. | 0:21:46 | 0:21:47 | |
Alone? | 0:21:48 | 0:21:50 | |
Entirely. | 0:21:50 | 0:21:51 | |
Am I a suspect? | 0:21:51 | 0:21:52 | |
You and your father have a fairly combustible relationship. | 0:21:53 | 0:21:56 | |
Had you argued that day? | 0:21:56 | 0:21:58 | |
Well, there was some tension over whose turn it was to say grace. | 0:21:58 | 0:22:01 | |
Don't waste my time. | 0:22:01 | 0:22:03 | |
Well, what do you want me to say? | 0:22:03 | 0:22:05 | |
We argued, yes. | 0:22:05 | 0:22:06 | |
He was bitter and twisted and manipulative, | 0:22:06 | 0:22:08 | |
because that's who he is. | 0:22:08 | 0:22:09 | |
Doesn't there come a point where a person... | 0:22:10 | 0:22:13 | |
can't take any more? | 0:22:13 | 0:22:14 | |
Definitely. | 0:22:15 | 0:22:16 | |
Which is why you should probably try talking to the person | 0:22:16 | 0:22:19 | |
who physically assaulted him an hour before he was shot. | 0:22:19 | 0:22:22 | |
He means Belinda. | 0:22:24 | 0:22:25 | |
She scratched his face in the pub. | 0:22:26 | 0:22:28 | |
She was...hysterical. | 0:22:28 | 0:22:30 | |
I'm going to get dressed. | 0:22:30 | 0:22:31 | |
Maybe you could look in on the local psycho? | 0:22:33 | 0:22:36 | |
In due course. | 0:22:36 | 0:22:37 | |
I, er... | 0:22:44 | 0:22:46 | |
checked Amber Cabs. | 0:22:46 | 0:22:47 | |
For what? | 0:22:47 | 0:22:48 | |
For any links to you and me. | 0:22:48 | 0:22:50 | |
We don't want this investigation leading to any other...matters. | 0:22:50 | 0:22:55 | |
God, no. | 0:22:55 | 0:22:56 | |
I still need to question you. | 0:22:56 | 0:22:58 | |
Officially, you know, take a statement. | 0:22:58 | 0:23:00 | |
-Yeah, of course. -Yeah. | 0:23:00 | 0:23:02 | |
Wait. | 0:23:04 | 0:23:05 | |
I'll need to go officially go on record. | 0:23:05 | 0:23:08 | |
About the reason why I argued with my dad. | 0:23:08 | 0:23:11 | |
Yes. | 0:23:11 | 0:23:12 | |
If there's any way, any way at all, | 0:23:12 | 0:23:14 | |
that that could be kept out of public knowledge... | 0:23:14 | 0:23:17 | |
Amber? | 0:23:17 | 0:23:18 | |
When the time comes, just follow my lead. OK? | 0:23:18 | 0:23:21 | |
PHONE RINGS | 0:23:21 | 0:23:22 | |
Sorry. | 0:23:22 | 0:23:23 | |
Donald. | 0:23:24 | 0:23:25 | |
Where? | 0:23:26 | 0:23:28 | |
ROCK MUSIC PLAYS | 0:23:33 | 0:23:35 | |
Thank God you're here, doll. | 0:23:38 | 0:23:39 | |
Maybe you can get him to shut this rubbish aff. | 0:23:39 | 0:23:42 | |
It's no' rubbish, it's amazing. | 0:23:42 | 0:23:43 | |
I'm a bag of nerves as it is! | 0:23:43 | 0:23:45 | |
MUSIC STOPS | 0:23:47 | 0:23:48 | |
OK, OK. | 0:23:48 | 0:23:49 | |
-Hi. -How's it going? | 0:23:50 | 0:23:52 | |
Folk are getting blown away on our doorstep, that's how it's going! | 0:23:52 | 0:23:54 | |
My maw's no' handling it all very well. | 0:23:54 | 0:23:56 | |
It's scary stuff. | 0:23:56 | 0:23:58 | |
I'm no' setting foot outside until they catch whoever did it. | 0:23:58 | 0:24:00 | |
You no' going out for a drink, see what the gossip is? | 0:24:05 | 0:24:08 | |
Well... | 0:24:08 | 0:24:10 | |
I could babysit. | 0:24:10 | 0:24:11 | |
Babysitting's no' an issue, | 0:24:11 | 0:24:12 | |
cos Ruby's at the pictures with her pal, so... | 0:24:12 | 0:24:14 | |
As you well know! | 0:24:16 | 0:24:17 | |
What? | 0:24:17 | 0:24:19 | |
What you want is this place to yourself | 0:24:19 | 0:24:21 | |
-so you can get up to your shenanigans. -Mum! | 0:24:21 | 0:24:23 | |
I was young once and all, you know. | 0:24:23 | 0:24:26 | |
We were just going to chill. | 0:24:26 | 0:24:27 | |
Well, we can "chill" here together, then, can't we? | 0:24:27 | 0:24:30 | |
Could you tell us what you believe caused this fight in The Tall Ship? | 0:24:33 | 0:24:37 | |
Belinda and I were... | 0:24:37 | 0:24:39 | |
Well, we had a friendship in prison. | 0:24:40 | 0:24:42 | |
My father didn't approve, | 0:24:44 | 0:24:46 | |
and he made no secret of the fact that he wanted her gone. | 0:24:46 | 0:24:49 | |
So, they were...enemies? | 0:24:50 | 0:24:52 | |
Yes. | 0:24:52 | 0:24:53 | |
Enemies. | 0:24:53 | 0:24:55 | |
And as far as you know, | 0:24:57 | 0:24:58 | |
she had no further contact with your father | 0:24:58 | 0:25:00 | |
after the altercation in the pub? | 0:25:00 | 0:25:01 | |
As far as I know, but... | 0:25:01 | 0:25:03 | |
Go on. | 0:25:05 | 0:25:06 | |
Look, I don't think she... | 0:25:08 | 0:25:09 | |
I mean, people say things all the time, don't they? | 0:25:10 | 0:25:13 | |
In the heat of the moment. | 0:25:13 | 0:25:15 | |
I don't think she meant it. | 0:25:15 | 0:25:16 | |
Meant what? | 0:25:16 | 0:25:17 | |
Amber, this is a statement. | 0:25:20 | 0:25:22 | |
You don't need to worry about who meant what. | 0:25:22 | 0:25:24 | |
All we care about are the facts. | 0:25:24 | 0:25:26 | |
Please. | 0:25:27 | 0:25:28 | |
Earlier... | 0:25:31 | 0:25:33 | |
..she told me... | 0:25:35 | 0:25:36 | |
She said she wanted to put his gun to his head | 0:25:39 | 0:25:42 | |
and pull the trigger. | 0:25:42 | 0:25:44 | |
Was I OK? | 0:25:58 | 0:25:59 | |
Fine. | 0:25:59 | 0:26:00 | |
Though I must admit, | 0:26:00 | 0:26:02 | |
Belinda making such a direct threat took me by surprise. | 0:26:02 | 0:26:05 | |
Sorry, I should've said something before now. | 0:26:05 | 0:26:07 | |
I wasn't thinking straight. | 0:26:07 | 0:26:08 | |
Is it any wonder? You were probably in shock. | 0:26:08 | 0:26:11 | |
Thanks for... | 0:26:11 | 0:26:12 | |
For looking after me, and... You know. | 0:26:12 | 0:26:15 | |
Amber, did you shoot your father? | 0:26:15 | 0:26:18 | |
No. | 0:26:18 | 0:26:19 | |
Then you don't need to thank me. | 0:26:19 | 0:26:21 | |
There's no reason for you, | 0:26:22 | 0:26:23 | |
or your daughter, | 0:26:23 | 0:26:25 | |
to be collateral damage in all this. | 0:26:25 | 0:26:27 | |
Belinda knows about Charlotte. | 0:26:28 | 0:26:30 | |
So if you question her... | 0:26:30 | 0:26:31 | |
I will tread carefully. | 0:26:31 | 0:26:33 | |
I'll arrange a lift...home? | 0:26:35 | 0:26:38 | |
No. Hospital. | 0:26:38 | 0:26:39 | |
You should get some sleep. | 0:26:39 | 0:26:41 | |
Not much chance of that. | 0:26:41 | 0:26:43 | |
-Another busy day. -Yeah? | 0:26:48 | 0:26:50 | |
I thought it'd be dead between Christmas and New Year, | 0:26:50 | 0:26:52 | |
but we've had the police, we've had journalists... | 0:26:52 | 0:26:54 | |
You trying to be funny? | 0:26:54 | 0:26:55 | |
I'm just saying, every cloud. | 0:26:55 | 0:26:57 | |
Have a nice day, AJ. | 0:26:57 | 0:26:58 | |
So is he going to live? | 0:26:59 | 0:27:00 | |
That's a very blunt question. | 0:27:02 | 0:27:03 | |
Well, you had your coffee to go, | 0:27:03 | 0:27:04 | |
I didn't think I had time for subtlety. | 0:27:04 | 0:27:06 | |
Well, you should show a little respect. | 0:27:06 | 0:27:08 | |
Oh, I apologise, Don Alessandro(!) | 0:27:08 | 0:27:10 | |
Do you want me to kiss your ring, as well(?) | 0:27:10 | 0:27:12 | |
Actually, AJ, I think he'll pull through, | 0:27:12 | 0:27:14 | |
thanks to Annie. | 0:27:14 | 0:27:16 | |
-Annie? -Uh-huh. | 0:27:16 | 0:27:18 | |
She probably saved my father's life. | 0:27:18 | 0:27:19 | |
Alex. How you getting on? | 0:27:22 | 0:27:25 | |
Pretty good, all things considered. | 0:27:25 | 0:27:27 | |
Gunplay, eh? | 0:27:27 | 0:27:28 | |
Folk getting shot in the street. | 0:27:28 | 0:27:30 | |
Season of goodwill to all men, eh? | 0:27:30 | 0:27:31 | |
I'm sure the police will apprehend the culprit in no time. | 0:27:31 | 0:27:34 | |
Lenny will be out of hospital, and we can all get back to normal. | 0:27:34 | 0:27:36 | |
Aye, for you, maybe. That's the kind of world that you move in. | 0:27:36 | 0:27:39 | |
See the rest of us, though? Don't fancy living in a war zone. | 0:27:39 | 0:27:41 | |
Tell you what, if and when my father gets back on his feet, | 0:27:41 | 0:27:44 | |
take it up with him. | 0:27:44 | 0:27:45 | |
This is not good, my friend. | 0:27:52 | 0:27:54 | |
Not good at all. | 0:27:56 | 0:27:57 | |
No. It's grim. | 0:27:57 | 0:27:59 | |
It's going to need something special to reunite this community. | 0:28:00 | 0:28:03 | |
Yeah. | 0:28:03 | 0:28:04 | |
Sorry, what? | 0:28:05 | 0:28:06 | |
The show. Hogmanay. | 0:28:06 | 0:28:08 | |
I'll have to up my game. | 0:28:09 | 0:28:12 | |
Considerably. | 0:28:12 | 0:28:13 | |
Thought you'd be here sooner. | 0:28:15 | 0:28:17 | |
I'm pursuing all avenues of inquiry. | 0:28:17 | 0:28:20 | |
And you're pursuing me alone? | 0:28:20 | 0:28:21 | |
I didn't think I needed backup. | 0:28:21 | 0:28:23 | |
What you don't need is witnesses. | 0:28:23 | 0:28:25 | |
No? | 0:28:25 | 0:28:26 | |
Not until you know what I know, what I'm going to say. | 0:28:26 | 0:28:29 | |
You're covering for yourself. | 0:28:29 | 0:28:30 | |
It's a preliminary conversation. | 0:28:30 | 0:28:32 | |
Well, it's over. | 0:28:32 | 0:28:33 | |
I'm not saying another word to you. | 0:28:33 | 0:28:35 | |
Not without assurances. | 0:28:35 | 0:28:37 | |
I've got witnesses that saw you attack Lenny in the pub. | 0:28:37 | 0:28:39 | |
That alone's enough to put you back behind bars. | 0:28:39 | 0:28:41 | |
Not if I make a deal. | 0:28:41 | 0:28:43 | |
What have you got to bargain with? | 0:28:43 | 0:28:45 | |
Information. | 0:28:45 | 0:28:46 | |
You saw something? | 0:28:46 | 0:28:48 | |
I saw someone. | 0:28:48 | 0:28:49 | |
Who? | 0:28:49 | 0:28:50 | |
I need to know where I stand, before I say any more. | 0:28:52 | 0:28:54 | |
We can work something out, I'm sure. | 0:28:56 | 0:28:57 | |
I'm sure, too. | 0:28:57 | 0:28:58 | |
But I want to make it official. | 0:28:58 | 0:29:00 | |
I want it down in writing. | 0:29:00 | 0:29:01 | |
And I want people present when I make my statement. | 0:29:01 | 0:29:04 | |
Anyone would think you didn't trust me, Belinda. | 0:29:07 | 0:29:09 | |
I've learned not to trust anybody, Inspector. | 0:29:09 | 0:29:12 | |
You're slowing the process down now. | 0:29:13 | 0:29:15 | |
-Well, let's get down to the station, then. -Fine. | 0:29:15 | 0:29:17 | |
You'll be needing that. | 0:29:19 | 0:29:20 | |
Why? | 0:29:20 | 0:29:21 | |
I was wearing it Christmas day. You saw me. | 0:29:21 | 0:29:24 | |
You'll want to analyse that for gunshot residue. | 0:29:24 | 0:29:26 | |
Are you telling me how to do my job? | 0:29:27 | 0:29:29 | |
I was in prison a long time. | 0:29:29 | 0:29:30 | |
You pick up all sorts of information about police procedure, | 0:29:30 | 0:29:32 | |
and that's why I know you're not playing this straight. | 0:29:32 | 0:29:35 | |
We can go now. | 0:29:37 | 0:29:38 | |
Touchy much? | 0:29:38 | 0:29:39 | |
Maybe your clothes need analysing, too. | 0:29:39 | 0:29:41 | |
I'd have got you something if I'd known you were here. | 0:29:45 | 0:29:48 | |
I'm not staying. | 0:29:48 | 0:29:49 | |
You're practically living at the hospital. | 0:29:49 | 0:29:51 | |
There's nowhere else I'd rather be. | 0:29:51 | 0:29:53 | |
You're not exactly letting the grass grow. | 0:29:53 | 0:29:55 | |
Do you know how long Lenny will be out of commission? | 0:29:55 | 0:29:57 | |
-No. -He could be comatose for months. | 0:29:57 | 0:29:59 | |
OK, OK. | 0:29:59 | 0:30:00 | |
I'm just saying, the world still turns. | 0:30:00 | 0:30:02 | |
The Candle Rooms needs to open. | 0:30:02 | 0:30:04 | |
The cab firm needs to get back in business. | 0:30:04 | 0:30:05 | |
The care-home deal is a mess. | 0:30:05 | 0:30:07 | |
All this uncertainty is not good for anybody. | 0:30:07 | 0:30:10 | |
Everything's uncertain. | 0:30:10 | 0:30:12 | |
Everything. | 0:30:12 | 0:30:13 | |
Well, I won't live in that limbo. | 0:30:15 | 0:30:17 | |
Neither should you. | 0:30:17 | 0:30:19 | |
Are you satisfied that this statement | 0:30:24 | 0:30:26 | |
represents a truthful account of your movements | 0:30:26 | 0:30:28 | |
on the night of December 25th, 2016? | 0:30:28 | 0:30:30 | |
Yep, I am. | 0:30:30 | 0:30:33 | |
100%. | 0:30:33 | 0:30:34 | |
Great. | 0:30:36 | 0:30:37 | |
Well, I'll have this typed up for your signature and then... | 0:30:39 | 0:30:41 | |
-I'll be free to go. -I imagine so, yeah. | 0:30:41 | 0:30:44 | |
Yeah, those clothes I sent over - | 0:31:02 | 0:31:04 | |
I'm going to need a GSR analysis done on them, too. | 0:31:04 | 0:31:06 | |
Yeah, I know what day it is. | 0:31:07 | 0:31:09 | |
-Makes your blood run cold, eh? -Hmm? | 0:31:15 | 0:31:19 | |
I mean, it was only last week, what happened. | 0:31:19 | 0:31:21 | |
I mean, he's no' even a relation of mine, but for you... | 0:31:21 | 0:31:24 | |
Yeah, well... | 0:31:24 | 0:31:25 | |
-Are you going in there? -What? | 0:31:26 | 0:31:28 | |
Can you bring yourself to cross the threshold | 0:31:30 | 0:31:32 | |
of the actual scene of the actual crime? | 0:31:32 | 0:31:34 | |
-I don't know. -I don't blame you. | 0:31:34 | 0:31:37 | |
Was there blood on the floor in there? | 0:31:37 | 0:31:39 | |
Please, will you just leave me be? | 0:31:39 | 0:31:41 | |
Pardon me for being community-spirited! | 0:31:41 | 0:31:43 | |
-What sort of time are you thinking? -Well, eight till late, I imagine. | 0:31:51 | 0:31:55 | |
-Certainly till the bells. -Cool. | 0:31:55 | 0:31:57 | |
I'm not sure I can promise cool, but I'm hoping it'll be fun. | 0:31:57 | 0:32:02 | |
Ah, good, I'm glad I didn't miss you. | 0:32:02 | 0:32:04 | |
-Big Al, how you doing? -Splendid, splendid. | 0:32:04 | 0:32:07 | |
-I wanted to drop off a somewhat overdue Christmas present. -Oh! | 0:32:07 | 0:32:11 | |
-A book? -By the mistress of the genre. | 0:32:14 | 0:32:17 | |
-Aw, nobody's ever bought me a book. -Then I hope you take pleasure in it. | 0:32:17 | 0:32:21 | |
Though I did wonder if a murder-mystery novel | 0:32:21 | 0:32:24 | |
might be a tad distasteful, given last week's events. | 0:32:24 | 0:32:27 | |
Och, I've just seen Amber there. | 0:32:27 | 0:32:29 | |
She's in too much of a daze to be offended by anything. | 0:32:29 | 0:32:32 | |
-Ah. -Aye. -Alasdair's invited us over to his tomorrow night. | 0:32:32 | 0:32:36 | |
Aw, I'd love that, but I promised Pete I'd go to his Hogmanay gig. | 0:32:36 | 0:32:39 | |
-Oh, that's a shame. -Could me and Ruby go? | 0:32:39 | 0:32:42 | |
Absolutely you can, if your mother has no objections. | 0:32:42 | 0:32:45 | |
-I don't. -Then I shall see you tomorrow. | 0:32:45 | 0:32:48 | |
And I shall see you next year. Cheerio. | 0:32:48 | 0:32:52 | |
Let me get this straight. | 0:32:54 | 0:32:56 | |
My teenage son is taking his wee sister out for Hogmanay | 0:32:56 | 0:33:00 | |
with a load of coffin-dodgers while I go to a boozer? | 0:33:00 | 0:33:03 | |
Basically, aye. | 0:33:03 | 0:33:04 | |
Result! | 0:33:05 | 0:33:07 | |
-Is that straight? -It'll dae. | 0:33:10 | 0:33:12 | |
Well, you're no' exactly a perfectionist, are you? | 0:33:12 | 0:33:14 | |
A mug is what I am. I'm trying to keep the garage going | 0:33:14 | 0:33:17 | |
and Angus is getting me to run this place an' all. | 0:33:17 | 0:33:19 | |
Phone calls, e-mails, and he forgets about the time difference. | 0:33:19 | 0:33:23 | |
-Did he organise all this? -Oh, aye, chuffed wi' his wee self. | 0:33:23 | 0:33:27 | |
"Do you get it, Bob? 16 going on 17, like The Sound Of Music." | 0:33:27 | 0:33:30 | |
Fair play to him. I take it he ordered this | 0:33:30 | 0:33:33 | |
before things went a bit Tarantino round here. | 0:33:33 | 0:33:35 | |
He knows all about that. | 0:33:35 | 0:33:37 | |
"Is it going to stop folk coming in?" | 0:33:37 | 0:33:38 | |
Cannae see Lenny coming in, right enough. | 0:33:38 | 0:33:41 | |
-I wish they'd get somebody for that. -Aye. | 0:33:41 | 0:33:45 | |
Aye. | 0:33:45 | 0:33:46 | |
I mean, I don't know if I'd want them getting banged up | 0:33:46 | 0:33:48 | |
or getting a medal, | 0:33:48 | 0:33:50 | |
but I don't like the thought of some guy walking about | 0:33:50 | 0:33:53 | |
-that could dae something like that. -Aye. | 0:33:53 | 0:33:56 | |
-What is it? -That's no' straight. | 0:33:58 | 0:34:01 | |
I thought the surgery would be shut today. | 0:34:59 | 0:35:01 | |
Yeah, it is. Means I can get some work done this afternoon. | 0:35:01 | 0:35:04 | |
Oh, so you're keeping that, then? | 0:35:04 | 0:35:06 | |
Well, I'm hardly going to find another Dr A Sheldon | 0:35:06 | 0:35:09 | |
to flog it to, am I? | 0:35:09 | 0:35:10 | |
Is that the only reason? | 0:35:10 | 0:35:11 | |
Or is it that the dishy doc | 0:35:11 | 0:35:14 | |
isn't willing to give up on the local bad boy? | 0:35:14 | 0:35:16 | |
Frankie, get a plate! | 0:35:16 | 0:35:19 | |
Look at the crumbs everywhere! | 0:35:19 | 0:35:20 | |
-All right, ladies. -What a vision(!) | 0:35:21 | 0:35:24 | |
Oh, I'm just the luckiest girl in the world, aren't I? | 0:35:25 | 0:35:28 | |
All right, all right. No more mocking till I've had my breakfast. | 0:35:28 | 0:35:32 | |
-Feeling a bit tender, are we? -Hmm. | 0:35:32 | 0:35:34 | |
-Were you out with Andy? -Aye, who else? | 0:35:34 | 0:35:37 | |
He's coming out tonight, too, to that wine-bar thing. | 0:35:37 | 0:35:39 | |
-The Pop-Up, you mean? -Aye, whatever. | 0:35:39 | 0:35:41 | |
-Oh, here, Annie, maybe you should come, too. -Why, exactly? | 0:35:41 | 0:35:44 | |
Well, so that Andy doesn't feel like a spare part. | 0:35:44 | 0:35:47 | |
I'm sure he doesn't need setting up. | 0:35:47 | 0:35:49 | |
No. Neither do I, thank you very much. | 0:35:49 | 0:35:52 | |
She always was a bit touchy. | 0:35:55 | 0:35:56 | |
Frankie, love, get the kettle on. | 0:35:57 | 0:35:59 | |
When would be a good time to do a sound check, Boss? | 0:36:03 | 0:36:06 | |
-Sound check? IMITATES ELVIS: -Uh-huh! | 0:36:06 | 0:36:08 | |
-I mean, uh-huh. -But you're only doing ten minutes. | 0:36:08 | 0:36:11 | |
You know what they say - fail to prepare, prepare to fail. | 0:36:11 | 0:36:14 | |
Fine. Right, how about now? Are you ready? | 0:36:14 | 0:36:16 | |
-I was born ready. -Right, on you go, then, | 0:36:16 | 0:36:19 | |
cos I need to sort out this delivery | 0:36:19 | 0:36:20 | |
or your adoring public will have nothing to drink. | 0:36:20 | 0:36:22 | |
Don't let me stop you. | 0:36:22 | 0:36:23 | |
After all, you know what they said - | 0:36:25 | 0:36:27 | |
even the all-time greats needed a well-lubricated audience. | 0:36:27 | 0:36:30 | |
-Bob? -We're closed, sorry. | 0:36:32 | 0:36:35 | |
Don't be sorry. I was hoping for a bit of privacy. | 0:36:35 | 0:36:38 | |
-Something wrong? -I just want to go over Christmas night. | 0:36:39 | 0:36:43 | |
-Again? -It's an ongoing investigation. | 0:36:43 | 0:36:45 | |
-But I told you everything the other day. -Indulge me. | 0:36:45 | 0:36:48 | |
-Do I have a choice? -Not remotely. | 0:36:50 | 0:36:52 | |
-OVER MIC: -'One, two, one, two.' -FEEDBACK | 0:36:52 | 0:36:54 | |
-Pete! -'Thank you very much.' | 0:36:54 | 0:36:55 | |
My bad. My bad. | 0:36:57 | 0:36:59 | |
Look, you'll need to give us a wee while, mate. | 0:37:01 | 0:37:04 | |
Inspector, I don't know what time you finish work, | 0:37:04 | 0:37:06 | |
but if you're at a loose end tonight... | 0:37:06 | 0:37:09 | |
-I think I might be busy. Thanks, anyway. -No problemo. | 0:37:09 | 0:37:12 | |
-Am I a genius or am I genius? -That's not the word I was getting. | 0:37:20 | 0:37:24 | |
Look, we turn up, say hello, hang about for a bit. | 0:37:24 | 0:37:27 | |
Not thrilling so far. | 0:37:27 | 0:37:29 | |
Then, when Ruby's digging into a big bowl of trifle, | 0:37:29 | 0:37:32 | |
or whatever it is old people dish up, | 0:37:32 | 0:37:34 | |
I say I need to walk you home. | 0:37:34 | 0:37:36 | |
They watch Ruby. | 0:37:36 | 0:37:38 | |
And we get the house to ourselves for some alone time. | 0:37:38 | 0:37:41 | |
Maybe genius IS the word. | 0:37:41 | 0:37:43 | |
How...? | 0:37:44 | 0:37:46 | |
Oh, these? | 0:37:46 | 0:37:49 | |
I'm not listening to anything. | 0:37:49 | 0:37:51 | |
I just keep them in when I don't want people bothering me. | 0:37:51 | 0:37:53 | |
-Get that a lot, do you? -Why, don't you? | 0:37:53 | 0:37:55 | |
-Listen... -Look, relax. I'm not going to blab. | 0:37:55 | 0:37:58 | |
I've got a little sister of my own I need to ditch. | 0:37:58 | 0:38:00 | |
We're all on the same side. | 0:38:00 | 0:38:02 | |
-Annie, have you got a second? -I don't think that's a good idea. | 0:38:10 | 0:38:14 | |
-I want to talk business. -Well, I know that's not a good idea. | 0:38:14 | 0:38:17 | |
We can't just avoid the reality of the situation. | 0:38:17 | 0:38:19 | |
We can't just avoid each other. | 0:38:19 | 0:38:21 | |
Five minutes. | 0:38:23 | 0:38:24 | |
-Bag looks good. -Don't push your luck. | 0:38:24 | 0:38:26 | |
You can leave that open. | 0:38:32 | 0:38:34 | |
Force of habit. | 0:38:34 | 0:38:36 | |
I thought we had serious things to discuss. | 0:38:38 | 0:38:40 | |
I think that we can block the care-home deal. | 0:38:40 | 0:38:43 | |
-Go on. -The offer to buy includes a standard cooling-off period - | 0:38:44 | 0:38:48 | |
28 days from the date of signature where either party can withdraw. | 0:38:48 | 0:38:51 | |
The buyer would never do that. | 0:38:51 | 0:38:52 | |
I'm not talking about the buyers. I'm talking about Lenny. | 0:38:52 | 0:38:56 | |
-Well, he's in no fit state, I mean, even if he wanted to. -Exactly. | 0:38:56 | 0:38:59 | |
We apply for an injunction to extend the cooling-off period indefinitely | 0:38:59 | 0:39:02 | |
until such time as our partner can make a decision. | 0:39:02 | 0:39:05 | |
-And you think that'll work? -It might muddy the waters enough | 0:39:05 | 0:39:07 | |
to make our little enterprise a less appealing project. | 0:39:07 | 0:39:09 | |
They're not going to want to be tied up in court. | 0:39:09 | 0:39:12 | |
And if he dies? | 0:39:14 | 0:39:16 | |
Well, if he dies, then we can definitely block the sale. | 0:39:16 | 0:39:19 | |
You know, anyone listening to this discussion | 0:39:20 | 0:39:22 | |
would think that we both have a motive to commit murder. | 0:39:22 | 0:39:25 | |
Then it's probably best we're having it in private, then. | 0:39:25 | 0:39:29 | |
Yeah. | 0:39:29 | 0:39:30 | |
If DI Donald could hear us now... | 0:39:31 | 0:39:33 | |
He'd probably pin a medal on you. | 0:39:34 | 0:39:36 | |
Or you. | 0:39:37 | 0:39:39 | |
Or me. | 0:39:40 | 0:39:42 | |
I'm sorry I called you weak on Christmas Day. | 0:39:44 | 0:39:46 | |
I was weak. | 0:39:46 | 0:39:48 | |
That won't happen again. Believe me. | 0:39:48 | 0:39:50 | |
Somehow I do - believe you. | 0:39:50 | 0:39:53 | |
Good. | 0:39:53 | 0:39:54 | |
Cos we're in this together. | 0:39:54 | 0:39:56 | |
I'm beginning to realise that more and more. | 0:39:58 | 0:40:00 | |
What's so funny? | 0:40:04 | 0:40:06 | |
This room. You and me. | 0:40:06 | 0:40:07 | |
We've got a history of secret meetings, haven't we? | 0:40:07 | 0:40:10 | |
Yes, but as you said, this is a serious business discussion. | 0:40:10 | 0:40:14 | |
That's right. | 0:40:14 | 0:40:15 | |
And I think we've said all we need to say. | 0:40:15 | 0:40:18 | |
We can talk more later. | 0:40:18 | 0:40:19 | |
Amber's spending a lot of time at the hospital, | 0:40:19 | 0:40:21 | |
dutiful daughter, so... | 0:40:21 | 0:40:22 | |
I've got plans. | 0:40:22 | 0:40:23 | |
Oh? | 0:40:24 | 0:40:26 | |
Uh-huh. | 0:40:26 | 0:40:28 | |
Well, then. Happy New Year. | 0:40:30 | 0:40:32 | |
Happy New Year. | 0:40:34 | 0:40:35 | |
Oh, she was raging. I mean, not losing it. | 0:40:38 | 0:40:40 | |
More like a cold fury. | 0:40:40 | 0:40:42 | |
Sorry, can we just go back a second. | 0:40:43 | 0:40:46 | |
What got Scarlett so wound up? | 0:40:46 | 0:40:48 | |
Madonna seeing the gun in Lenny's office. Are you not listening to me? | 0:40:48 | 0:40:52 | |
I'm just trying to build a timeline of events in my head. | 0:40:52 | 0:40:56 | |
So this would have been about 5pm Christmas Day? | 0:40:56 | 0:41:00 | |
Thereabouts. I can't say for definite | 0:41:00 | 0:41:03 | |
cos we'd all had a good swally by then, right enough. | 0:41:03 | 0:41:05 | |
You were drunk? | 0:41:05 | 0:41:07 | |
Merry anyhow. | 0:41:07 | 0:41:08 | |
Everyone? | 0:41:09 | 0:41:10 | |
Everyone. | 0:41:10 | 0:41:11 | |
So you can't be certain of... | 0:41:13 | 0:41:15 | |
Why the sudden interest in Scarlett anyhow? | 0:41:15 | 0:41:18 | |
Is she the prime suspect? | 0:41:18 | 0:41:20 | |
Well, she hates Lenny. | 0:41:20 | 0:41:21 | |
Mind you, throw a stick about here anywhere | 0:41:21 | 0:41:23 | |
and you'd find somebody that hates Lenny. | 0:41:23 | 0:41:25 | |
He wouldn't win many popularity contests, that's for sure. | 0:41:25 | 0:41:28 | |
She called him vermin. | 0:41:28 | 0:41:29 | |
Sorry. | 0:41:31 | 0:41:32 | |
Go on, you can speak freely, son. | 0:41:33 | 0:41:36 | |
On Christmas Day, Mrs Mullen said... | 0:41:36 | 0:41:38 | |
.."He's not even human, he's vermin." | 0:41:40 | 0:41:42 | |
That's what she said. | 0:41:44 | 0:41:45 | |
-Here. -Oh, thanks, sweetheart. | 0:41:50 | 0:41:52 | |
You're a wee star, but you don't need to be babysitting me. | 0:41:52 | 0:41:55 | |
I'm just going to hang out with you for a bit. | 0:41:55 | 0:41:57 | |
You helped Bubba this morning, now me. What about your own job? | 0:41:58 | 0:42:02 | |
I'll need to speak to Amber, | 0:42:02 | 0:42:03 | |
but I think she's got other things on her mind. | 0:42:03 | 0:42:06 | |
You should go in as normal, see if she notices. | 0:42:06 | 0:42:09 | |
Maybe. | 0:42:09 | 0:42:10 | |
If you're not up to it, I mean... | 0:42:12 | 0:42:15 | |
Maybe folk just don't want to see the local weirdo hanging about | 0:42:15 | 0:42:18 | |
when they're doing a spin class. | 0:42:18 | 0:42:19 | |
I thought you'd stopped thinking like that. | 0:42:19 | 0:42:21 | |
Mrs Mullen, I'd like a word. | 0:42:23 | 0:42:25 | |
Can I get a minute, please? | 0:42:26 | 0:42:29 | |
Actually, no. | 0:42:29 | 0:42:30 | |
What's going on? | 0:42:33 | 0:42:35 | |
I have more questions. | 0:42:35 | 0:42:36 | |
Well, ask them then. | 0:42:36 | 0:42:37 | |
Patrick, it's all right. | 0:42:37 | 0:42:39 | |
Scarlett Mullen, I'm hereby giving you due notice | 0:42:40 | 0:42:42 | |
that you will be taken to Mossgreen Police Station, | 0:42:42 | 0:42:44 | |
where you will be questioned under caution | 0:42:44 | 0:42:46 | |
regarding the attempted murder of Lenny Murdoch. | 0:42:46 | 0:42:48 | |
Thank you for the coffee, my man. Delicious as always. | 0:42:50 | 0:42:52 | |
Aye, well, I didn't see that you needed it today. | 0:42:52 | 0:42:54 | |
Oh, I need as much vim and vigour as I can muster, believe you me. | 0:42:54 | 0:42:58 | |
This doesn't look good. | 0:43:01 | 0:43:03 | |
What are you doing? You cannae just take her. | 0:43:03 | 0:43:05 | |
Step away from the car, Mr Adams. | 0:43:05 | 0:43:06 | |
Bubba, do what he says, all right? | 0:43:06 | 0:43:08 | |
It's a misunderstanding, that's all it is. | 0:43:08 | 0:43:10 | |
You can't take her away, she's top of my guest list! | 0:43:10 | 0:43:12 | |
Nobody cares about your stupid wee Elvis show, mate. | 0:43:13 | 0:43:16 | |
I'm just giving your mother something to look forward to. | 0:43:16 | 0:43:18 | |
Positive visualisation, it's called. | 0:43:18 | 0:43:20 | |
Pete, maybe give the guys a bit of space? | 0:43:20 | 0:43:22 | |
Look at this. Look! | 0:43:28 | 0:43:29 | |
Your family making our lives hell again. | 0:43:29 | 0:43:32 | |
They think...? They think Scarlett shot Lenny? | 0:43:32 | 0:43:35 | |
-Oh, you look nice? -What, this old thing? | 0:43:43 | 0:43:44 | |
-What, you mean you bought it this afternoon, right? -Right. | 0:43:44 | 0:43:48 | |
Hey, don't smudge my lipstick. | 0:43:48 | 0:43:49 | |
Do you know what I was just thinking? | 0:43:54 | 0:43:56 | |
"My wife's a total hottie"? | 0:43:56 | 0:43:58 | |
Yeah, obviously. | 0:43:58 | 0:43:59 | |
But apart from that, this place is like of a bit of a TARDIS, isn't it? | 0:43:59 | 0:44:02 | |
Yeah, I do feel like I'm going back in time when I look at the wallpaper. | 0:44:02 | 0:44:05 | |
Yeah, but it's big, deceptively big. | 0:44:05 | 0:44:07 | |
I reckon we could have an en suite on our room, | 0:44:07 | 0:44:09 | |
if we took away that hall cupboard there. | 0:44:09 | 0:44:10 | |
And when Auntie Annie moves out, | 0:44:10 | 0:44:12 | |
it could be a home office, study, whatever. | 0:44:12 | 0:44:15 | |
I like her thinking. | 0:44:15 | 0:44:16 | |
Well, think away. | 0:44:16 | 0:44:17 | |
But we're renting, so we can't even hang a picture | 0:44:17 | 0:44:20 | |
without getting the landlord's permission. | 0:44:20 | 0:44:22 | |
-Come on, we'll get permission. -It's an awful lot of work. | 0:44:22 | 0:44:24 | |
I can turn my hand to almost anything. | 0:44:24 | 0:44:27 | |
Can we just slow down and have a think about it? | 0:44:27 | 0:44:29 | |
I don't want to kick Annie out. | 0:44:29 | 0:44:31 | |
Come on. It's not like we're kicking her out. | 0:44:31 | 0:44:32 | |
You know, what happens if her and Andy hit it off, | 0:44:32 | 0:44:34 | |
she could shack up with him. | 0:44:34 | 0:44:36 | |
Speak of the devil. | 0:44:36 | 0:44:37 | |
What? | 0:44:38 | 0:44:39 | |
Just ignore him, he's being juvenile. | 0:44:39 | 0:44:41 | |
Come on, it's hardly my fault I'm a hopeless romantic, eh? | 0:44:41 | 0:44:43 | |
Scarlett's been arrested. | 0:44:44 | 0:44:46 | |
What, Scarlett from the shop? For Lenny? | 0:44:47 | 0:44:50 | |
For Lenny. | 0:44:51 | 0:44:52 | |
Wow. I guess it's not always the quiet ones then, eh? | 0:44:52 | 0:44:56 | |
Disaster. | 0:44:59 | 0:45:00 | |
Disaster, disaster. | 0:45:00 | 0:45:03 | |
-What is? -Calamity. | 0:45:03 | 0:45:05 | |
-Pete. -I went to pick up my suit from the dry-cleaner's | 0:45:05 | 0:45:08 | |
right before they shut. | 0:45:08 | 0:45:09 | |
What, and they couldn't get the ketchup out? | 0:45:09 | 0:45:11 | |
They've given me the wrong thing. | 0:45:11 | 0:45:14 | |
Oh, ho, ho, ho, ho! | 0:45:14 | 0:45:17 | |
-Oh, that is bad. -You're telling me. | 0:45:17 | 0:45:19 | |
I've worn that suit every gig since the first time in Vegas, '99. | 0:45:19 | 0:45:24 | |
I didn't know you'd played Vegas. | 0:45:24 | 0:45:25 | |
Aye, cracking wee club on the outskirts of Carnoustie. | 0:45:25 | 0:45:27 | |
Lap-dancing place, last I heard. | 0:45:27 | 0:45:29 | |
AJ, what am I going to do? | 0:45:29 | 0:45:31 | |
You could try a drag act? | 0:45:33 | 0:45:34 | |
Look, I'm kidding. Be yourself. | 0:45:35 | 0:45:37 | |
My... Myself? | 0:45:39 | 0:45:40 | |
The suit's just a suit. | 0:45:40 | 0:45:42 | |
It's all about personality - | 0:45:42 | 0:45:43 | |
and, God knows, you've got that in spades. | 0:45:43 | 0:45:45 | |
Thank you. | 0:45:55 | 0:45:56 | |
The cheese puffs were enough of a treat, thank you. | 0:45:57 | 0:46:00 | |
Well, it certainly is wonderful having a house full of young people. | 0:46:00 | 0:46:04 | |
-If it's getting a bit crowded, me and Jules could... -Far from it. | 0:46:04 | 0:46:07 | |
You've absolutely made Liz's day. | 0:46:07 | 0:46:09 | |
We have? | 0:46:09 | 0:46:11 | |
Well, Molly is so worried about Scarlett, naturally, | 0:46:11 | 0:46:14 | |
and Liz is worried for her friend, | 0:46:14 | 0:46:16 | |
so having company is working wonders. | 0:46:16 | 0:46:19 | |
I found the barley water. | 0:46:19 | 0:46:20 | |
-See? -Yeah, wonders. | 0:46:20 | 0:46:22 | |
No? | 0:46:23 | 0:46:24 | |
You know what we should do? | 0:46:25 | 0:46:27 | |
Risk the drop from the window? | 0:46:27 | 0:46:29 | |
Play a game. | 0:46:29 | 0:46:31 | |
Are you out of your mind? | 0:46:31 | 0:46:32 | |
They've gone to so much trouble. | 0:46:32 | 0:46:33 | |
It's no big deal to play a game first. | 0:46:33 | 0:46:35 | |
Well, of course! It wouldn't be a party without a game. | 0:46:35 | 0:46:39 | |
I'm guessing that Cluedo... is not an option? | 0:46:39 | 0:46:42 | |
-Do you recognise this document? -Aye. | 0:46:45 | 0:46:48 | |
It's the statement you gave | 0:46:48 | 0:46:49 | |
regarding the events of Christmas night, 2016. | 0:46:49 | 0:46:52 | |
Aye. | 0:46:52 | 0:46:53 | |
Is that your signature? | 0:46:53 | 0:46:55 | |
-It is. -You remember putting your name to these words? | 0:46:55 | 0:46:58 | |
I do. | 0:46:58 | 0:46:59 | |
You remember we took your prints and DNA | 0:47:01 | 0:47:04 | |
when you were here previously? | 0:47:04 | 0:47:07 | |
Of course. | 0:47:07 | 0:47:08 | |
We also kept some of your clothes. | 0:47:08 | 0:47:10 | |
I haven't had them back, by the way. | 0:47:10 | 0:47:12 | |
Yeah, well, sorry about that. | 0:47:12 | 0:47:13 | |
With the best will in the world, | 0:47:13 | 0:47:15 | |
the labs aren't as efficient as they might be, at this time of year. | 0:47:15 | 0:47:17 | |
Anyway, that's why the results have been so slow in arriving. | 0:47:19 | 0:47:24 | |
Now, we took your DNA and your prints | 0:47:24 | 0:47:26 | |
cos you'd been in contact with Lenny as he lay bleeding. | 0:47:26 | 0:47:29 | |
Aye. | 0:47:29 | 0:47:31 | |
So can you tell me why the same DNA and prints were found | 0:47:31 | 0:47:33 | |
in the Amber Cabs office too? | 0:47:33 | 0:47:35 | |
You were there Christmas night. | 0:47:38 | 0:47:39 | |
Mrs Mullen. | 0:47:42 | 0:47:43 | |
Aye, I was there. | 0:47:43 | 0:47:44 | |
Why didn't you mention that in your previous statement? | 0:47:46 | 0:47:49 | |
I didn't think it mattered. | 0:47:49 | 0:47:51 | |
Please don't lie to me. | 0:47:51 | 0:47:52 | |
All right, I just thought it would look bad. | 0:47:52 | 0:47:55 | |
It does look bad, you're right about that. | 0:47:55 | 0:47:58 | |
I was there for two minutes, | 0:47:58 | 0:48:00 | |
I gave him a piece of my mind and then I left. | 0:48:00 | 0:48:02 | |
-You argued? -Aye. | 0:48:02 | 0:48:05 | |
About? | 0:48:05 | 0:48:06 | |
Scarlett, you're not doing yourself any favours here. | 0:48:09 | 0:48:12 | |
All right, we argued. We've argued a million times. | 0:48:12 | 0:48:15 | |
You hold Lenny responsible for your husband's incarceration. | 0:48:17 | 0:48:20 | |
What? Aye, I do, but I wouldn't... | 0:48:20 | 0:48:23 | |
That's not what you argued about this time? | 0:48:23 | 0:48:25 | |
No. | 0:48:25 | 0:48:27 | |
No, Madonna had seen a gun, right inside his office. | 0:48:27 | 0:48:30 | |
So I told him I didn't want her anywhere near him from now on. | 0:48:30 | 0:48:33 | |
And did he respect your wishes? | 0:48:33 | 0:48:35 | |
He doesn't respect anybody. | 0:48:35 | 0:48:36 | |
Is that why you shot him? | 0:48:38 | 0:48:39 | |
I did no such thing! | 0:48:39 | 0:48:41 | |
Then can you offer an explanation | 0:48:42 | 0:48:44 | |
as to why we found gunshot residue on your clothing? | 0:48:44 | 0:48:47 | |
I made the labs double-check, but there is no doubt. | 0:48:47 | 0:48:50 | |
You discharged a firearm on Christmas night, Scarlett. | 0:48:51 | 0:48:53 | |
You pulled the trigger. | 0:48:56 | 0:48:57 | |
Here, do you know what we need? | 0:49:03 | 0:49:06 | |
-What? -We need Murdoch to wake up. | 0:49:06 | 0:49:08 | |
Aye. | 0:49:08 | 0:49:10 | |
So that way he can set the polis straight. | 0:49:10 | 0:49:12 | |
Aye. | 0:49:12 | 0:49:13 | |
-Unless... -Don't, right? | 0:49:16 | 0:49:18 | |
Don't even think about that. | 0:49:18 | 0:49:20 | |
I was holding the gun, and he was winding me up, and it went off. | 0:49:22 | 0:49:26 | |
Scarlett, if you point a gun at a person and it goes off, | 0:49:26 | 0:49:28 | |
that counts as shooting someone. | 0:49:28 | 0:49:30 | |
Aye, but I missed. | 0:49:30 | 0:49:32 | |
No, not missed, cos I wasn't trying to hit him. | 0:49:32 | 0:49:34 | |
But it went through the wall. | 0:49:34 | 0:49:35 | |
Yeah, we found that bullet. | 0:49:35 | 0:49:37 | |
Aye. OK, then. | 0:49:37 | 0:49:38 | |
The first bullet. | 0:49:38 | 0:49:39 | |
-There was only one. -No. | 0:49:39 | 0:49:41 | |
The second one required a surgeon to remove it from Lenny's lung. | 0:49:41 | 0:49:44 | |
No, but that wasn't... | 0:49:44 | 0:49:45 | |
He grabbed it off me and I got out of there. | 0:49:45 | 0:49:47 | |
Leaving him alive and well? | 0:49:47 | 0:49:49 | |
That's what I've been saying all along. | 0:49:49 | 0:49:50 | |
Not all along, you didn't say it in here. | 0:49:50 | 0:49:52 | |
That gun was found less than 100 yards from where you were seen | 0:49:53 | 0:49:56 | |
standing over Lenny in the street. | 0:49:56 | 0:49:58 | |
I didn't put it there. | 0:49:58 | 0:49:59 | |
That was the gun used against Lenny. | 0:50:01 | 0:50:03 | |
You've just admitted firing it. | 0:50:03 | 0:50:05 | |
Firing, aye. Shooting, no. | 0:50:05 | 0:50:07 | |
One gun. Two bullets. | 0:50:08 | 0:50:10 | |
You were there, you had motive, you had opportunity. | 0:50:10 | 0:50:13 | |
You lied in your original statement. | 0:50:13 | 0:50:15 | |
But I was scared. | 0:50:15 | 0:50:16 | |
We have DNA. We have prints. | 0:50:16 | 0:50:18 | |
We have the gunshot residue, Scarlett. Come on. | 0:50:18 | 0:50:20 | |
No! | 0:50:20 | 0:50:22 | |
Fine. Scarlett Mullen, I am hereby arresting you | 0:50:24 | 0:50:27 | |
for the attempted murder of Leonard Murdoch on 25th of December, 2016. | 0:50:27 | 0:50:31 | |
You do not have to say anything, | 0:50:31 | 0:50:32 | |
but it may harm your defence if you fail to mention, when questioned, | 0:50:32 | 0:50:35 | |
something you later rely on in court. | 0:50:35 | 0:50:37 | |
Anything you do say may be used in evidence. | 0:50:37 | 0:50:39 | |
DANCE MUSIC PLAYS | 0:50:42 | 0:50:45 | |
Welcome, folks. Welcome, one and all. | 0:50:50 | 0:50:52 | |
Evening, guys. | 0:50:53 | 0:50:54 | |
AJ. | 0:50:54 | 0:50:56 | |
Nearly didn't see you there, in the hordes of people(!) | 0:50:56 | 0:50:59 | |
I forgot all about your sense of humour. | 0:50:59 | 0:51:01 | |
It's a gift. | 0:51:01 | 0:51:02 | |
Well, that's one word for it. | 0:51:02 | 0:51:04 | |
Drinks? | 0:51:04 | 0:51:05 | |
Absolutely. | 0:51:05 | 0:51:06 | |
-Feeling good? -Sensational. | 0:51:10 | 0:51:12 | |
So when are you on? | 0:51:12 | 0:51:13 | |
Midnight, of course. Top of the bill. | 0:51:13 | 0:51:15 | |
-Wow. -What? | 0:51:15 | 0:51:16 | |
Well, that's...bold. | 0:51:16 | 0:51:18 | |
-That's the way I roll, man. I've got something special planned. -Good. I haven't missed you. | 0:51:18 | 0:51:22 | |
Bags of time yet, doll. | 0:51:22 | 0:51:23 | |
Colonel Tom, get the lady a beverage, | 0:51:23 | 0:51:25 | |
I'll have a word with the support. | 0:51:25 | 0:51:26 | |
Pop star. | 0:51:28 | 0:51:29 | |
Rapped with Jay-Z. | 0:51:31 | 0:51:32 | |
Oh, yeah, that'll help(!) | 0:51:32 | 0:51:33 | |
Mention the Frank Ocean collaboration | 0:51:33 | 0:51:36 | |
to really seal the deal. | 0:51:36 | 0:51:37 | |
Gold digger. | 0:51:37 | 0:51:39 | |
I'm not entirely up to speed with the hit parade. | 0:51:39 | 0:51:42 | |
Married to Kim Kardashian. | 0:51:42 | 0:51:44 | |
-Kim, who? -Oh, now, I know her! | 0:51:44 | 0:51:48 | |
Pretty girl. | 0:51:48 | 0:51:50 | |
Voluptuous. | 0:51:50 | 0:51:51 | |
-Admit it, it was worth staying just to see Liz do that. -Aye. | 0:51:52 | 0:51:56 | |
Is it the chap with the trousers? | 0:51:58 | 0:52:00 | |
MC Hammer? | 0:52:00 | 0:52:02 | |
THEY LAUGH | 0:52:03 | 0:52:06 | |
MACHINES BEEP | 0:52:08 | 0:52:12 | |
Did you...? | 0:52:23 | 0:52:24 | |
-Have you...? -Scarlett's under arrest. | 0:52:27 | 0:52:28 | |
DANCE MUSIC PLAYS | 0:52:34 | 0:52:37 | |
-I wish Scarlett was here. -How? | 0:52:41 | 0:52:44 | |
She's a pal, doll. | 0:52:44 | 0:52:45 | |
I hate to think of a pal in the clink. | 0:52:45 | 0:52:47 | |
I wouldn't worry about it. I'm sure she'll be out by now. | 0:52:47 | 0:52:49 | |
No, I just got a text from Bob asking me to lock up and pay the DJ. | 0:52:49 | 0:52:53 | |
He's at the station waiting for a lawyer. | 0:52:53 | 0:52:55 | |
Shut the front door. | 0:52:55 | 0:52:56 | |
-They're... They're going to charge her? -Looks like they have already. | 0:52:56 | 0:53:00 | |
Right, here we go. | 0:53:00 | 0:53:01 | |
I can't get hold of Andy at all. | 0:53:02 | 0:53:05 | |
Must've got a better offer. | 0:53:05 | 0:53:06 | |
Better than who? | 0:53:06 | 0:53:07 | |
Oh, her. | 0:53:08 | 0:53:10 | |
I was not, in any way, on offer. | 0:53:10 | 0:53:12 | |
-It was no skin off my nose either way. -No, and it shouldn't be. | 0:53:12 | 0:53:15 | |
All right, calm down, you two. It's nearly midnight. | 0:53:15 | 0:53:17 | |
-BELLS CHIME -Your big moment. | 0:53:18 | 0:53:20 | |
I thought he was only on for ten minutes. | 0:53:20 | 0:53:22 | |
The world's been changed in less time. | 0:53:22 | 0:53:23 | |
I wish everybody would stop saying "only". | 0:53:23 | 0:53:25 | |
All right, calm down, I'm sure you'll knock 'em dead. | 0:53:25 | 0:53:27 | |
-Damn right I will. -Ten, nine, eight... | 0:53:27 | 0:53:31 | |
Folks, can I maybe make a small toast | 0:53:31 | 0:53:33 | |
before Mr Showbiz struts his stuff? | 0:53:33 | 0:53:34 | |
Only if you don't embarrass anybody. | 0:53:34 | 0:53:36 | |
-No, I was just going to say... -BELL CHIMES | 0:53:36 | 0:53:39 | |
-..here's to the future, to all of us. -Cheers. -Cheers | 0:53:39 | 0:53:42 | |
Ten past midnight, you can play all the ironic hipster garbage you like, | 0:53:42 | 0:53:46 | |
but the bells belong to me, right? | 0:53:46 | 0:53:48 | |
Easy, Pete, easy. | 0:53:48 | 0:53:50 | |
This numpty needs telling. I do the bells. | 0:53:50 | 0:53:53 | |
Nobody else. | 0:53:53 | 0:53:55 | |
-You're all right, just go do your stuff. -Who cares, anyway. | 0:53:55 | 0:53:57 | |
There's no Scarlett. Who am I kidding? | 0:53:57 | 0:54:01 | |
Ten minutes. | 0:54:01 | 0:54:02 | |
Pathetic joke of a man. Who am I trying to kid? | 0:54:02 | 0:54:05 | |
What is this? You'll be brilliant. | 0:54:05 | 0:54:07 | |
Go on, go on. | 0:54:07 | 0:54:09 | |
BELLS CONTINUE TO CHIME | 0:54:09 | 0:54:12 | |
APPLAUSE AND CHEERING Come on, Pete. Come on. | 0:54:13 | 0:54:18 | |
Ladies and gents, friends... | 0:54:22 | 0:54:27 | |
Hello. | 0:54:27 | 0:54:29 | |
-Is he all right? -He just gets like this sometimes. | 0:54:29 | 0:54:32 | |
On yerself, big man! | 0:54:32 | 0:54:33 | |
SCATTERED APPLAUSE | 0:54:33 | 0:54:36 | |
Er... | 0:54:36 | 0:54:38 | |
A lot of you know my work. | 0:54:39 | 0:54:42 | |
And you've seen me pay tribute to the King. | 0:54:42 | 0:54:45 | |
Er... But... | 0:54:45 | 0:54:46 | |
But tonight, it's the end of a long year, | 0:54:47 | 0:54:51 | |
a hard, hard few days, | 0:54:51 | 0:54:53 | |
so I'd like to... | 0:54:53 | 0:54:55 | |
I'm going to turn to the Bard. | 0:54:57 | 0:54:58 | |
HE CLEARS HIS THROAT | 0:54:58 | 0:55:00 | |
# Should auld acquaintance be forgot | 0:55:10 | 0:55:15 | |
# And never brought to mind? | 0:55:15 | 0:55:18 | |
# Should auld acquaintance be forgot | 0:55:18 | 0:55:22 | |
# For the sake of auld lang syne | 0:55:22 | 0:55:27 | |
# For auld lang syne, my dear | 0:55:27 | 0:55:33 | |
# For auld lang syne | 0:55:33 | 0:55:38 | |
# We'll tak a cup o' kindness yet | 0:55:38 | 0:55:42 | |
# For auld lang syne | 0:55:42 | 0:55:47 | |
# Now here's a hand, my trusty fere! | 0:55:47 | 0:55:51 | |
# And gie's a hand o' thine! | 0:55:51 | 0:55:56 | |
# We'll tak a right gude-willie waught | 0:55:56 | 0:56:00 | |
# For the sake of auld lang syne | 0:56:00 | 0:56:05 | |
# For auld lang syne, my dear | 0:56:05 | 0:56:10 | |
# For auld lang syne | 0:56:10 | 0:56:15 | |
# We'll tak a cup o' kindness yet | 0:56:15 | 0:56:19 | |
# For the sake of auld lang syne. # | 0:56:19 | 0:56:23 | |
MACHINES FLATLINE | 0:56:23 | 0:56:27 | |
It's a fragile thing, life. | 0:56:29 | 0:56:31 | |
Especially for those who make enough enemies along the way. | 0:56:31 | 0:56:33 | |
-Scarlett's been refused bail. -What? | 0:56:33 | 0:56:35 | |
You sure that's a good idea? | 0:56:35 | 0:56:36 | |
Giving a fake alibi is a serious crime. | 0:56:36 | 0:56:39 | |
Me and Patrick were just talking about Christmas. | 0:56:39 | 0:56:41 | |
Christmas? | 0:56:41 | 0:56:42 | |
I got a message this morning, from Will. | 0:56:42 | 0:56:44 | |
We need to go and get tested. | 0:56:44 | 0:56:46 | |
Party at mine. | 0:56:46 | 0:56:47 | |
You really want a bunch of strangers at your parents' flat? | 0:56:47 | 0:56:49 | |
When did you turn into such a conniving little tart? | 0:56:49 | 0:56:52 | |
Just GET OUT! | 0:56:52 | 0:56:53 |