Browse content similar to 21/03/2017. Check below for episodes and series from the same categories and more!
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I've been waiting for 15 years for this. | 0:00:21 | 0:00:23 | |
Tell her that you're choosing a war zone over your family. | 0:00:23 | 0:00:26 | |
-Dad? -What would you say about us all going on holiday? -Yay! | 0:00:26 | 0:00:29 | |
-I'll see you tomorrow. -Cheers, mate. | 0:00:29 | 0:00:30 | |
Let me put out a missing persons. | 0:00:30 | 0:00:32 | |
-I just want her back. -But I saw her just the other night. | 0:00:32 | 0:00:35 | |
-Was she with anyone? -Belinda. | 0:00:35 | 0:00:36 | |
It's going to take me a while to forget how you've betrayed me in the past. | 0:00:36 | 0:00:39 | |
So you can't access Belinda's sealed file. | 0:00:39 | 0:00:41 | |
-She's dangerous. -She's got my daughter. | 0:00:41 | 0:00:44 | |
-We're finished. -Then let me go. -Too late for that. | 0:00:44 | 0:00:46 | |
SHE SCREAMS | 0:00:46 | 0:00:47 | |
Grrr! Come on! | 0:00:48 | 0:00:51 | |
SHE STRAINS AND STRUGGLES | 0:00:53 | 0:00:55 | |
Come on... Come on... | 0:00:55 | 0:00:58 | |
Yes! | 0:01:05 | 0:01:06 | |
METALLIC BANGING | 0:01:22 | 0:01:25 | |
DISTANT BANGING | 0:01:35 | 0:01:37 | |
SCREW CLATTERS TO GROUND | 0:01:39 | 0:01:41 | |
-You OK? -Uh-huh. -Why are you out of breath? -Bad dream. | 0:02:17 | 0:02:22 | |
-I suppose that's my fault, then? -I never said that. | 0:02:22 | 0:02:26 | |
I can see it in your eyes. | 0:02:26 | 0:02:27 | |
Really, you can't. | 0:02:27 | 0:02:28 | |
Well, that's good, because none of this is easy for me either. | 0:02:51 | 0:02:56 | |
-You planning a feast? -Kind of. | 0:02:56 | 0:02:58 | |
I'm aware of that, sir. | 0:03:05 | 0:03:07 | |
Fine, fine, but if there was a media strategy, can I... | 0:03:09 | 0:03:12 | |
Yes, thank you, sir. Yeah, I'll be in touch. | 0:03:14 | 0:03:17 | |
-News? -Not yet. -Not yet? | 0:03:17 | 0:03:18 | |
Come on, Columbo, the trail's getting colder by the second here. | 0:03:18 | 0:03:21 | |
So what's the media strategy? Is there going to be a press conference? | 0:03:21 | 0:03:24 | |
Chief won't authorise one. He doesn't feel there's grounds to consider this an abduction. | 0:03:24 | 0:03:28 | |
Belinda is a murder suspect and an ex-con. | 0:03:28 | 0:03:30 | |
And Amber was her cell mate. | 0:03:30 | 0:03:31 | |
-So officially, this is a Missing Persons case. -So what does that get us? | 0:03:31 | 0:03:34 | |
All units will have photos and descriptions of both the women. | 0:03:34 | 0:03:36 | |
But it does mean a lot less units on the ground. | 0:03:36 | 0:03:38 | |
They're not going to be walking the streets, are they? | 0:03:38 | 0:03:40 | |
She's going to have her stashed away. | 0:03:40 | 0:03:42 | |
Which means a house that's been broken into or signs of life in a disused building. | 0:03:42 | 0:03:45 | |
We will be looking out for that too. | 0:03:45 | 0:03:47 | |
So now we're counting on a polis noticing | 0:03:47 | 0:03:48 | |
a broken window on the way to his next tea break? | 0:03:48 | 0:03:50 | |
It's a start, Lenny. | 0:03:50 | 0:03:52 | |
We're speaking to informants as well - if Amber was sedated then | 0:03:52 | 0:03:55 | |
somebody had to provide the drugs. | 0:03:55 | 0:03:57 | |
They're well known for being chatty, those guys. | 0:03:57 | 0:03:59 | |
-I think I can make it worth their while. -Not good enough. -What are you doing? | 0:03:59 | 0:04:02 | |
Seeing if 50 grand is going to start somebody talking. | 0:04:02 | 0:04:04 | |
Reward money, really? | 0:04:04 | 0:04:06 | |
Sometimes it takes more than civic duty to motivate people. | 0:04:06 | 0:04:09 | |
Those sort of people you're talking about could get Amber killed. | 0:04:09 | 0:04:12 | |
Look. You going by the book, it's getting us nowhere, OK? | 0:04:12 | 0:04:15 | |
So stay out of my road while I get my daughter back. | 0:04:15 | 0:04:18 | |
HE HUMS | 0:04:22 | 0:04:28 | |
Must he do that? | 0:04:29 | 0:04:30 | |
I find it quite pleasant, actually. | 0:04:31 | 0:04:33 | |
Couldn't hold a tune in a bucket, actually. | 0:04:33 | 0:04:36 | |
Gonna let us in and put the kettle on any time soon? | 0:04:36 | 0:04:39 | |
Of course, of course. I'm not one to neglect my duties. | 0:04:39 | 0:04:42 | |
Now, are either of you ladies fans of Puccini? | 0:04:42 | 0:04:45 | |
I'll stick to custard creams, thanks. | 0:04:45 | 0:04:48 | |
He means the composer. | 0:04:48 | 0:04:50 | |
Indeed I do. There's a touring production of Madame Butterfly | 0:04:50 | 0:04:54 | |
in town tonight and I just happen to have a spare ticket. | 0:04:54 | 0:04:57 | |
On you go, doll. Oh, I'll not stand in your way. | 0:04:58 | 0:05:01 | |
Oh, well, yes, I'm sure that would be an experience. | 0:05:01 | 0:05:05 | |
-You'll join me then? -I will. -Splendid. | 0:05:05 | 0:05:08 | |
What? | 0:05:13 | 0:05:14 | |
You've never been to an opera in your life. | 0:05:14 | 0:05:16 | |
Maybe not, but Malcolm and I were regular theatre go-ers. | 0:05:16 | 0:05:21 | |
Francie and Josie don't count as theatre. | 0:05:21 | 0:05:23 | |
You can mock all you like, but I will be enjoying | 0:05:23 | 0:05:26 | |
a cultural evening while you park yourself in front of the idiot box. | 0:05:26 | 0:05:32 | |
Did Andy say where he was going? | 0:05:36 | 0:05:39 | |
I didn't ask. | 0:05:39 | 0:05:40 | |
You've had some breakfast, good. Good. | 0:05:42 | 0:05:44 | |
Uh-huh. | 0:05:44 | 0:05:46 | |
You OK to take Katie into school today? | 0:05:46 | 0:05:48 | |
What, like every other day, do you mean? | 0:05:48 | 0:05:51 | |
It's not like every other day, is it? After last night. | 0:05:51 | 0:05:53 | |
Mum, I'm good. Katie's good. | 0:05:53 | 0:05:57 | |
-Even Andy's good. -Cool. | 0:05:57 | 0:06:01 | |
Don't say cool - you're like a million years old. | 0:06:01 | 0:06:05 | |
Cheers, thanks very much. | 0:06:07 | 0:06:08 | |
Just concentrate on Glasgow initially, | 0:06:21 | 0:06:24 | |
we'll cast the net wider as and when. | 0:06:24 | 0:06:26 | |
Send everything over to me - everything. | 0:06:26 | 0:06:29 | |
-Thank you. -The very best the forces of law and order can offer, eh? | 0:06:29 | 0:06:33 | |
We haven't got time for you two to lock horns. | 0:06:33 | 0:06:35 | |
Listen, what I wanna know is, what it's going to take for your boss | 0:06:35 | 0:06:37 | |
to take it seriously - a ransom note? | 0:06:37 | 0:06:40 | |
Amber's finger in the post? | 0:06:40 | 0:06:41 | |
I've put in a request for Belinda's file to be opened. | 0:06:41 | 0:06:43 | |
So that might let us bring more pressure to bear. | 0:06:43 | 0:06:45 | |
-A request? Why can't you just... -It's complicated. -It's pathetic, that's what it is. | 0:06:45 | 0:06:49 | |
Her case file's been sealed - any offences she committed as a juvenile | 0:06:49 | 0:06:53 | |
aren't available to us without the approval of both the Fiscal's Office | 0:06:53 | 0:06:55 | |
-and a representative of the court that passed the original judgment. -What is this, a joke? | 0:06:55 | 0:06:59 | |
A young woman's been abducted and we're waiting here for you, to what, find out about ticking boxes? | 0:06:59 | 0:07:04 | |
I've set the wheels in motion - it's just gonna take time. | 0:07:04 | 0:07:06 | |
This whole sealed thing. | 0:07:06 | 0:07:07 | |
They wouldn't go to all that trouble for something like shoplifting. | 0:07:07 | 0:07:10 | |
We're dealing with a maniac here, but I don't want you to worry - | 0:07:10 | 0:07:12 | |
because he's set wheels in motion. | 0:07:12 | 0:07:15 | |
It's procedure. | 0:07:17 | 0:07:18 | |
You've cut all kinds of corners down the years, anything to get to him. | 0:07:18 | 0:07:21 | |
You've picked a hell of a time to start doing things by the book. | 0:07:21 | 0:07:25 | |
-There you go. -Thanks. | 0:07:27 | 0:07:30 | |
Here we are. | 0:07:31 | 0:07:33 | |
Thanks. Sorry for being a bit teenage. | 0:07:33 | 0:07:37 | |
Don't worry about it. | 0:07:37 | 0:07:38 | |
I shouldn't really have dragged you away. | 0:07:38 | 0:07:40 | |
There's nothing else I can do. | 0:07:40 | 0:07:42 | |
Is Alex worried? | 0:07:42 | 0:07:45 | |
My stuff feels a bit lame now. | 0:07:45 | 0:07:48 | |
No, I'm sure it's not. | 0:07:48 | 0:07:50 | |
Andy wants us to go on holiday together. | 0:07:50 | 0:07:53 | |
Great, maybe I was a bit hasty. | 0:07:53 | 0:07:54 | |
-I know... -No, no, I'm joking. Well, it's a big deal. | 0:07:54 | 0:07:59 | |
It really is. It means going public, and making a commitment. | 0:07:59 | 0:08:05 | |
Are you ready for that? | 0:08:05 | 0:08:07 | |
I think I am. | 0:08:07 | 0:08:09 | |
Think? | 0:08:09 | 0:08:10 | |
I know I am. | 0:08:10 | 0:08:12 | |
Enjoy, ladies. | 0:08:12 | 0:08:14 | |
I wasn't gonna have a cake. | 0:08:14 | 0:08:15 | |
-It's, literally, what the doctor ordered. -I couldn't resist. | 0:08:15 | 0:08:18 | |
There's your personal philosophy in a nutshell. | 0:08:18 | 0:08:21 | |
See? I'm much more of a scarlet woman than you'll ever be. | 0:08:23 | 0:08:27 | |
At least you won't have your ex still on the scene. | 0:08:27 | 0:08:30 | |
Hmmm, there is that. | 0:08:30 | 0:08:31 | |
-Andy, he makes you happy, doesn't he? -Uh-huh. | 0:08:31 | 0:08:36 | |
And the kids are coming round to the idea? | 0:08:36 | 0:08:39 | |
Pretty much. Even Frankie. | 0:08:39 | 0:08:41 | |
Then there's no-one else to worry about, is there? | 0:08:41 | 0:08:43 | |
So, how bad? | 0:08:47 | 0:08:48 | |
Is it... | 0:08:50 | 0:08:52 | |
-Is it permanent, you mean? -Yeah. | 0:08:52 | 0:08:55 | |
No. No, thankfully not. | 0:08:57 | 0:09:00 | |
They can't put a concrete timeframe on things, but | 0:09:02 | 0:09:05 | |
I'm already better than what I was, so... | 0:09:05 | 0:09:09 | |
Good. | 0:09:09 | 0:09:10 | |
You don't need to look so worried. | 0:09:11 | 0:09:14 | |
I just need you to help me get me of here and then I won't bother you again. | 0:09:14 | 0:09:18 | |
What do you mean, get out? | 0:09:18 | 0:09:20 | |
Well, they won't discharge me unaccompanied. | 0:09:20 | 0:09:23 | |
It's all to do with the insurance and stuff. | 0:09:23 | 0:09:26 | |
What am I meant to do, leave you at a bus stop? | 0:09:26 | 0:09:29 | |
It's all right, I've got everything sorted - a hotel, | 0:09:29 | 0:09:32 | |
nice accessible room, it's got everything on site. | 0:09:32 | 0:09:35 | |
-A hotel? -A restaurant, bar, | 0:09:35 | 0:09:38 | |
there's even a gym I can start working out on my upper body. | 0:09:38 | 0:09:41 | |
Greig, you can't be on your own. | 0:09:41 | 0:09:42 | |
I'll be all right, thanks. | 0:09:43 | 0:09:45 | |
-No, no. -Look, you owe me this. | 0:09:45 | 0:09:48 | |
Just help me out with this one little favour and then you can get back to... | 0:09:49 | 0:09:54 | |
Yeah, well, let's not even go there, eh? | 0:09:57 | 0:09:59 | |
DOOR OPENS | 0:10:21 | 0:10:22 | |
Can you just give me a minute please? Thank you. | 0:10:22 | 0:10:24 | |
What sort of a host am I, eh? | 0:11:12 | 0:11:14 | |
Leaving you like... | 0:11:15 | 0:11:17 | |
Bee, no. | 0:11:26 | 0:11:27 | |
You can't play nice, can you? | 0:11:27 | 0:11:29 | |
You...can't...play...nice! | 0:11:29 | 0:11:31 | |
Where are you going? | 0:11:33 | 0:11:35 | |
I'm not going anywhere, darling. | 0:11:35 | 0:11:37 | |
Wait, how do we get out if... | 0:11:37 | 0:11:38 | |
There is no getting out. | 0:11:38 | 0:11:41 | |
Can't you see it? | 0:11:41 | 0:11:42 | |
Today is the day, Amber. | 0:11:45 | 0:11:46 | |
Inspector? Inspector? | 0:12:06 | 0:12:08 | |
Any news? On Amber? | 0:12:09 | 0:12:11 | |
I think I should probably talk to Lenny first. | 0:12:11 | 0:12:14 | |
Have you found her? Is it bad? | 0:12:14 | 0:12:15 | |
No, no - it's very much an ongoing investigation. | 0:12:15 | 0:12:18 | |
All right. OK, OK, thanks. | 0:12:18 | 0:12:19 | |
Annie, I need to go. | 0:12:23 | 0:12:26 | |
That was Andy, he's with Greig. | 0:12:26 | 0:12:28 | |
Awkward. | 0:12:28 | 0:12:29 | |
No, not like that. He's been injured. | 0:12:29 | 0:12:32 | |
Wounded. | 0:12:32 | 0:12:33 | |
Is it serious? | 0:12:33 | 0:12:34 | |
Oh, Annie, it's bad. I need to go. | 0:12:34 | 0:12:36 | |
Will you come with me, please? | 0:12:36 | 0:12:37 | |
Of course. Of course. | 0:12:37 | 0:12:38 | |
I don't know what I'm gonna do, or even what I'm gonna say... | 0:12:38 | 0:12:41 | |
It's all right. We're going to sort it, OK? | 0:12:41 | 0:12:43 | |
You hear anybody's got a sniff about anything, | 0:12:47 | 0:12:49 | |
you bring them to me, OK? Cash on delivery. | 0:12:49 | 0:12:51 | |
Things might get a little messy. | 0:12:53 | 0:12:55 | |
It doesn't really matter, don't think I'll be a cop much longer. | 0:12:55 | 0:12:58 | |
-What are you talking about? -Don't kid yourself - he'll be a cop till the day he dies. | 0:12:58 | 0:13:02 | |
I accessed that sealed file. Without authorisation. | 0:13:02 | 0:13:05 | |
As soon as my bosses find out, I'm done. | 0:13:05 | 0:13:08 | |
When she was 14 years old, Belinda Roberts, | 0:13:08 | 0:13:10 | |
real name Jean Marsden, stabbed a boy in her class to death. | 0:13:10 | 0:13:13 | |
He was the boyfriend of some girl that she'd become infatuated with. | 0:13:13 | 0:13:17 | |
"Multiple knife wounds." | 0:13:17 | 0:13:19 | |
A frenzied attack. | 0:13:19 | 0:13:21 | |
And the lassie? | 0:13:22 | 0:13:24 | |
She died too. The file talks about a suicide pact but... | 0:13:24 | 0:13:28 | |
Belinda survived. | 0:13:28 | 0:13:29 | |
She did. She stole a car, drove it into a river. | 0:13:29 | 0:13:33 | |
The girl just never made it out. | 0:13:33 | 0:13:35 | |
Do you reckon that what she's got planned? For Amber? | 0:13:35 | 0:13:37 | |
Quite possibly. | 0:13:37 | 0:13:39 | |
Then please tell me you've got more than two men and a dog on it? | 0:13:39 | 0:13:42 | |
Every possible resource is now being deployed. | 0:13:42 | 0:13:45 | |
Since we don't know how much time we have... | 0:13:45 | 0:13:48 | |
Who's this? | 0:13:48 | 0:13:49 | |
Kyle Williams - he's a low level drug dealer, also the last known | 0:13:49 | 0:13:54 | |
associate of Belinda. | 0:13:54 | 0:13:55 | |
Since we can't find him by legitimate means... | 0:13:55 | 0:13:58 | |
This. This is where it all ends, then? | 0:14:13 | 0:14:18 | |
I'm afraid so, babe. | 0:14:18 | 0:14:19 | |
D'you know what I've always thought is really romantic? | 0:14:28 | 0:14:31 | |
You know when you see a funeral pyre and the widow, she throws | 0:14:33 | 0:14:37 | |
herself onto the flames. | 0:14:37 | 0:14:38 | |
She's overcome with grief, yes, but it's passion too. Love. | 0:14:40 | 0:14:47 | |
You're going to kill us both. | 0:14:51 | 0:14:53 | |
There'll be a blast. | 0:14:55 | 0:14:56 | |
The gas, and the boiler, but it'll be instantaneous. | 0:14:57 | 0:15:03 | |
I'd hate for you to suffer. | 0:15:03 | 0:15:04 | |
This place is going to be demolished. | 0:15:10 | 0:15:13 | |
No-one will ever find me, will they? | 0:15:16 | 0:15:18 | |
They might find our ashes. | 0:15:19 | 0:15:21 | |
My family. | 0:15:23 | 0:15:24 | |
My family won't know. | 0:15:26 | 0:15:27 | |
Craig won't know. | 0:15:29 | 0:15:31 | |
He doesn't care. He doesn't care about you. | 0:15:31 | 0:15:34 | |
He does. He's probably out there, now, looking for me. | 0:15:34 | 0:15:38 | |
He's got no right. | 0:15:38 | 0:15:39 | |
To what? To care about me? To love me? | 0:15:39 | 0:15:43 | |
How are you gonna stop him? | 0:15:46 | 0:15:48 | |
I'm not. You are. | 0:15:49 | 0:15:51 | |
Wow. | 0:16:00 | 0:16:01 | |
-He had to call. You know he did. -Suppose so. | 0:16:03 | 0:16:07 | |
What, are you here to give me a once-over? | 0:16:11 | 0:16:12 | |
-I'm here to support my sister. -I didn't ask for an audience. | 0:16:12 | 0:16:15 | |
I didn't want an audience. | 0:16:15 | 0:16:16 | |
Well, you're gonna need some help. | 0:16:16 | 0:16:19 | |
Not from you. | 0:16:19 | 0:16:20 | |
We'll wait. | 0:16:24 | 0:16:25 | |
It's all right, I've got it. | 0:16:26 | 0:16:28 | |
Free country. | 0:16:32 | 0:16:33 | |
At least let me talk to your doctors? | 0:16:33 | 0:16:36 | |
Please? | 0:16:37 | 0:16:39 | |
If it stops getting me grief. | 0:16:39 | 0:16:41 | |
Fire ahead. | 0:16:41 | 0:16:43 | |
Find out everything you can. | 0:16:46 | 0:16:48 | |
-What now? -I honestly don't know. | 0:16:53 | 0:16:57 | |
Well, this is extremely generous of you. | 0:16:58 | 0:17:01 | |
Most of it was liberated from Robbie's wardrobe. | 0:17:01 | 0:17:04 | |
-Does he know? -Lord, no, but it's for his own good. | 0:17:04 | 0:17:08 | |
The phrase mutton dressed as lamb did spring to mind. | 0:17:08 | 0:17:11 | |
Well, whatever the motivation, I'm sure all this will fly off the racks. | 0:17:11 | 0:17:15 | |
You should see if there's any gladrags in there to suit you, Liz. | 0:17:15 | 0:17:19 | |
My son is a gay man, not a drag queen. | 0:17:19 | 0:17:22 | |
Molly, for a change, was being facetious. | 0:17:22 | 0:17:26 | |
I was just saying to her | 0:17:26 | 0:17:27 | |
I don't know what I'll wear for the opera tonight. | 0:17:27 | 0:17:31 | |
The opera? Hmm, fancy. | 0:17:31 | 0:17:34 | |
Now, that's my problem, actually. Is there a formal dress code? | 0:17:36 | 0:17:41 | |
Well, I shall be giving the old dickie bow an airing. | 0:17:41 | 0:17:44 | |
Oh, help. | 0:17:44 | 0:17:45 | |
I don't know if I've got anything appropriate, | 0:17:45 | 0:17:47 | |
I would hate to show you up. | 0:17:47 | 0:17:49 | |
You're not having second thoughts, are you? | 0:17:49 | 0:17:51 | |
Ooof, it's not that I don't want to go. | 0:17:51 | 0:17:53 | |
Oh, Lord, no. | 0:17:53 | 0:17:55 | |
Is there a ticket going spare then? | 0:17:55 | 0:17:57 | |
It rather sounds as if there might be. | 0:17:57 | 0:17:59 | |
Might be a bit of a strain for you, out so late, a woman of your years. | 0:17:59 | 0:18:05 | |
Are you saying I should be tucked up at home with a mug of cocoa? | 0:18:05 | 0:18:09 | |
Well, if you have nothing to wear. | 0:18:09 | 0:18:12 | |
I'll find a frock from somewhere. | 0:18:12 | 0:18:15 | |
-Alasdair, I wouldn't miss it for the world. -Marvellous. | 0:18:16 | 0:18:21 | |
Are you focusing on places near water? | 0:18:25 | 0:18:28 | |
As best we can. Glasgow's got miles of rivers, canals. | 0:18:28 | 0:18:32 | |
They could be at Loch Lomond in 20 minutes. | 0:18:32 | 0:18:34 | |
And there's no guarantee she'll follow the same pattern anyway. | 0:18:34 | 0:18:37 | |
-That's the boy Kyle on his way. -Your people work fast. | 0:18:37 | 0:18:40 | |
You should try it some time. | 0:18:40 | 0:18:43 | |
PHONE RINGS | 0:18:43 | 0:18:46 | |
Donald. Hello? | 0:18:46 | 0:18:49 | |
-Hello? -'Craig, it's me.' -Amber? -'Yes.' | 0:18:49 | 0:18:53 | |
-Are you OK? -'I'm fine. I'm...' | 0:18:57 | 0:19:00 | |
I'm with the person who is my destiny. | 0:19:00 | 0:19:05 | |
Are you safe? | 0:19:05 | 0:19:06 | |
Belinda loves me. And I love her. | 0:19:08 | 0:19:11 | |
'You have to understand.' | 0:19:11 | 0:19:15 | |
We're like Romeo and Juliet. | 0:19:15 | 0:19:19 | |
'It's important you understand.' | 0:19:19 | 0:19:21 | |
-You could never compete with what we have. -'I do. I understand.' | 0:19:22 | 0:19:26 | |
-She means more to me than you ever did. -'I'm happy for you.' | 0:19:26 | 0:19:29 | |
For both of you. | 0:19:29 | 0:19:31 | |
Look, we don't want anybody getting into trouble here. | 0:19:31 | 0:19:35 | |
Or hurt. People are worried about you. | 0:19:35 | 0:19:38 | |
'Your dad's tearing his hair out.' | 0:19:38 | 0:19:39 | |
-I have to go now. -'Listen, Amber. Is Belinda there? | 0:19:39 | 0:19:42 | |
-'Can I talk to her?' -She's got nothing to say to you. | 0:19:42 | 0:19:45 | |
'Amber...' | 0:19:45 | 0:19:47 | |
Where are you going? | 0:19:55 | 0:19:56 | |
I need a minute. | 0:19:56 | 0:19:57 | |
What is it? What happened there? | 0:20:02 | 0:20:04 | |
-Has she got her at gunpoint? -Is she drugged? I don't know, maybe both. | 0:20:04 | 0:20:07 | |
-Oh, God. -Listen to me, both of you. We need to go over what she said. | 0:20:07 | 0:20:10 | |
She might have been trying to tell us something. | 0:20:10 | 0:20:12 | |
She kept saying I had to understand, | 0:20:12 | 0:20:14 | |
and then something about Romeo and Juliet. | 0:20:14 | 0:20:16 | |
-She knows. -What do you mean? | 0:20:19 | 0:20:21 | |
She knows how that wee story ends. | 0:20:22 | 0:20:24 | |
She knows what's going to happen. She knows what Belinda's going to... | 0:20:24 | 0:20:27 | |
-She must be terrified. Can you trace the call? -Yeah, yeah, we can try. | 0:20:27 | 0:20:31 | |
Look at me. | 0:20:35 | 0:20:37 | |
Lenny. Dad. | 0:20:38 | 0:20:40 | |
She's still alive. We're going to get her back. | 0:20:42 | 0:20:45 | |
Kyle, my boy, your timing's perfect. | 0:20:45 | 0:20:48 | |
You might be better off out of here. | 0:20:48 | 0:20:50 | |
There's no time to be squeamish. | 0:20:50 | 0:20:53 | |
Listen, listen, let me talk to him. | 0:20:53 | 0:20:55 | |
I've interviewed thousands of guys like that - he'll just tell you | 0:20:55 | 0:20:58 | |
whatever he thinks you want to hear, he'll tell me the truth. | 0:20:58 | 0:21:00 | |
Yeah, can I get a trace on a mobile phone, please? | 0:21:00 | 0:21:02 | |
-He knows what he's doing. -You think so? | 0:21:02 | 0:21:05 | |
What did they say? | 0:21:10 | 0:21:11 | |
Well, you know what doctors are like. | 0:21:12 | 0:21:14 | |
Annie, please. | 0:21:14 | 0:21:16 | |
He had to have surgery to remove the shrapnel. | 0:21:19 | 0:21:23 | |
It had gone into his back and broke a vertebrae, | 0:21:23 | 0:21:27 | |
which compacted his spinal cord. | 0:21:27 | 0:21:30 | |
It's only when the swelling goes down after the operation, | 0:21:30 | 0:21:33 | |
that they'll be able to tell whether there's any permanent nerve damage. | 0:21:33 | 0:21:36 | |
So, are you saying he might never walk again? | 0:21:36 | 0:21:41 | |
Worst case scenario. | 0:21:41 | 0:21:42 | |
What's the best case? | 0:21:44 | 0:21:45 | |
Swelling goes down, he spends some time doing physio, | 0:21:45 | 0:21:48 | |
you know, building his strength back up. | 0:21:48 | 0:21:51 | |
-Then crutches, then a stick, then hopefully... -Back to normal. | 0:21:51 | 0:21:54 | |
Yes. It is going to be a waiting game, Lor. | 0:21:54 | 0:21:57 | |
Thank you. | 0:21:59 | 0:22:00 | |
Well, that's me, officially demobbed, | 0:22:02 | 0:22:04 | |
so if one of you lovely people could call me a cab, that would be great. | 0:22:04 | 0:22:09 | |
Get him out of here. | 0:22:09 | 0:22:10 | |
-So are we getting somewhere now? -It's a start. | 0:22:16 | 0:22:18 | |
So why is he looking more worried than before? | 0:22:18 | 0:22:21 | |
-I don't like that she's stopped covering her tracks. -What do you mean? | 0:22:21 | 0:22:24 | |
She got her tranquillisers from a known associate. | 0:22:24 | 0:22:26 | |
-She's let Amber use her phone. -So? She's getting slack. | 0:22:26 | 0:22:29 | |
Or she thinks it doesn't matter any more because by the time | 0:22:29 | 0:22:32 | |
we find her it'll be too late. | 0:22:32 | 0:22:33 | |
-You got a laptop I can use? -In the car, gimme two seconds. | 0:22:33 | 0:22:36 | |
This is all going to go down today, isn't it? | 0:22:39 | 0:22:41 | |
It is, probably. | 0:22:41 | 0:22:43 | |
-You're gonna get her killed. -No, I'm gonna save her life. | 0:22:46 | 0:22:50 | |
PHONE RINGS | 0:22:50 | 0:22:52 | |
Donald. | 0:22:52 | 0:22:53 | |
Great, stick the coordinates in an e-mail for me, will you? | 0:22:55 | 0:22:57 | |
And thank you, good work. | 0:22:57 | 0:22:59 | |
-We've got a lead on the phone. -Excellent. -Lenny... | 0:22:59 | 0:23:01 | |
You do things your way, OK? I'll do it mine. | 0:23:01 | 0:23:03 | |
You can't possibly function on your own. | 0:23:09 | 0:23:11 | |
Thanks for the vote of confidence, | 0:23:11 | 0:23:13 | |
but I don't remember asking you to come round here, | 0:23:13 | 0:23:15 | |
to tell me what I can and can't do. | 0:23:15 | 0:23:16 | |
For God's sake, man, of course you did. | 0:23:16 | 0:23:18 | |
What do you mean by that? | 0:23:18 | 0:23:20 | |
Well, you've still got family in Belfast. | 0:23:21 | 0:23:23 | |
And you've got loads of other friends in the army. | 0:23:23 | 0:23:27 | |
You called Andy because you knew he'd bring Lorna | 0:23:27 | 0:23:29 | |
so the both of them could see the state you were in. | 0:23:29 | 0:23:32 | |
What is it they call it? Bedside manner, is that it? | 0:23:32 | 0:23:34 | |
Do they hand out awards for that sort of thing? Cos you'd be a frontrunner, Annie. | 0:23:34 | 0:23:38 | |
I didn't plant the bomb by the roadside if that's what you're asking. | 0:23:41 | 0:23:45 | |
I wanted to be near my children. | 0:23:47 | 0:23:49 | |
When the blast went off. | 0:23:51 | 0:23:52 | |
When they were putting me in the chopper. | 0:23:52 | 0:23:55 | |
When they wheeled me into theatre, such as it was, like. | 0:23:55 | 0:23:58 | |
It was my kids that I was thinking about, not any of you three. | 0:24:00 | 0:24:04 | |
So, yeah, I did pick Glasgow. | 0:24:04 | 0:24:07 | |
Now, I'm sorry if that's inconvenient for anyone here, | 0:24:07 | 0:24:09 | |
-but that's just the way it goes.. -He's coming home. | 0:24:09 | 0:24:12 | |
-Home? -Lorna. | 0:24:12 | 0:24:15 | |
-What, do I not get a say in any of this? -No, you don't. | 0:24:15 | 0:24:18 | |
You need to stay with me until you're well enough to... | 0:24:18 | 0:24:21 | |
Until you're well enough. | 0:24:21 | 0:24:23 | |
You don't know what's gonna happen. No-one does. | 0:24:23 | 0:24:25 | |
All the more reason. | 0:24:25 | 0:24:27 | |
I don't need you to be my carer. | 0:24:27 | 0:24:29 | |
No, but I'm still the mother of your children. | 0:24:29 | 0:24:32 | |
For their sake, we both... We all need to do the right thing. | 0:24:32 | 0:24:38 | |
You don't want to come across as desperate. | 0:24:40 | 0:24:43 | |
How is a text going to do that? | 0:24:43 | 0:24:44 | |
A text is fine, another date so soon, a double date? | 0:24:44 | 0:24:49 | |
We're his pals, what's wrong with hanging out together? | 0:24:49 | 0:24:52 | |
All I'm gonna do is say I had a nice time last night. | 0:24:52 | 0:24:55 | |
You're not going to say "nice", but? | 0:24:55 | 0:24:59 | |
What do you want me to say? Epic? Sick? Rad? | 0:24:59 | 0:25:03 | |
You need to put some oomph into it, man. | 0:25:03 | 0:25:05 | |
AJ, you tell him, you're a man of the world. | 0:25:05 | 0:25:07 | |
I don't need anybody to tell me anything, all right? | 0:25:07 | 0:25:10 | |
Look, just be honest and be yourself. | 0:25:10 | 0:25:13 | |
Did you not say the exact opposite the other day? | 0:25:13 | 0:25:16 | |
Hey, if the coffee's bad you get to complain - the rest of the stuff | 0:25:16 | 0:25:19 | |
I'm making up as I go along. | 0:25:19 | 0:25:20 | |
Fine. But at least let me read the text before you send it, eh? | 0:25:20 | 0:25:24 | |
So we know where Belinda bought the drugs, we know the call came | 0:25:27 | 0:25:30 | |
from this mobile phone tower, here, coverage radius is 4.8 miles. | 0:25:30 | 0:25:34 | |
Put in the two postcodes, see what it gives us. | 0:25:34 | 0:25:37 | |
That's some distance apart. | 0:25:38 | 0:25:40 | |
That's because there's only two points on the map, | 0:25:40 | 0:25:43 | |
we need a third for triangulation. | 0:25:43 | 0:25:44 | |
-Gimme the areas anyway, right, I want my boys out there. -No guns. No rescue attempts. | 0:25:44 | 0:25:48 | |
They see anything, they call me. Deal? | 0:25:48 | 0:25:50 | |
-Whatever. -They're looking for derelict buildings, derelict shops, lock ups, | 0:25:50 | 0:25:55 | |
sheds - anywhere you could feasibly hold a person against their will. | 0:25:55 | 0:25:58 | |
We'll start here. By the river. | 0:25:58 | 0:26:01 | |
You need to trust him. | 0:26:05 | 0:26:07 | |
That'll be the day. | 0:26:07 | 0:26:08 | |
The guy's just committed career suicide for the chance to get Amber back. | 0:26:08 | 0:26:11 | |
What do I care? | 0:26:11 | 0:26:13 | |
This is Detective Inspector Donald. | 0:26:15 | 0:26:18 | |
You need to focus CCTV analysis on the area where we've got the | 0:26:18 | 0:26:22 | |
confirmed sighting of Belinda Roberts. | 0:26:22 | 0:26:25 | |
Re-direct Air Support and patrol units too. Good. | 0:26:25 | 0:26:28 | |
Keep me in the loop. | 0:26:28 | 0:26:30 | |
I thought you were gonna wriggle out of it when Suzie was fishing | 0:26:32 | 0:26:35 | |
for that ticket. | 0:26:35 | 0:26:36 | |
Oh, no. | 0:26:36 | 0:26:39 | |
Don't kid a kidder. C'mon, tell me, what is it? | 0:26:39 | 0:26:42 | |
Well, I suppose it's silly, but I did not like how | 0:26:44 | 0:26:51 | |
eager Alasdair seemed to jettison me in favour of a younger, | 0:26:51 | 0:26:56 | |
more glamorous option. | 0:26:56 | 0:26:59 | |
You're not jealous? | 0:27:00 | 0:27:02 | |
No! | 0:27:02 | 0:27:03 | |
Not in the traditional sense. | 0:27:03 | 0:27:06 | |
What does that mean? | 0:27:06 | 0:27:08 | |
I don't know how many more chances I'll get | 0:27:08 | 0:27:12 | |
to be the lady on a gentleman's arm. | 0:27:12 | 0:27:15 | |
I'd be a fool to pass this one up, wouldn't I? | 0:27:15 | 0:27:19 | |
For goodness' sake, you've got plenty more nights ahead of you, woman. | 0:27:19 | 0:27:24 | |
With the best will in the world, Molly, I think we both know that's not exactly true. | 0:27:24 | 0:27:29 | |
You go and have a lovely time tonight, | 0:27:29 | 0:27:32 | |
and Alasdair should count himself lucky that you're on his arm. | 0:27:32 | 0:27:35 | |
-You'll be off home to get changed soon, I expect. -You expect correctly. | 0:27:35 | 0:27:41 | |
Good, good. Don't get me wrong, a cardigan is a wardrobe essential, | 0:27:41 | 0:27:47 | |
but for an evening of high culture... | 0:27:47 | 0:27:51 | |
This one could put Grace Kelly in the shade, don't you worry. | 0:27:51 | 0:27:56 | |
In my younger days folk told me I had a look of Shirley MacLaine. | 0:27:56 | 0:28:02 | |
-Aye, aye, uh-huh, I can see that now that you mention it. -Really? | 0:28:02 | 0:28:07 | |
You must have better eyesight than me. | 0:28:07 | 0:28:10 | |
Hey, you. | 0:28:23 | 0:28:24 | |
Dad... | 0:28:26 | 0:28:27 | |
It's OK. Everything's gonna be fine. I promise. | 0:28:27 | 0:28:32 | |
Let's get you inside, shall we? | 0:28:32 | 0:28:33 | |
Wait til you see this. Andy is gonna carry me across the threshold in a second. | 0:28:33 | 0:28:38 | |
-No, no, not like that. -Don't spoil his fun. | 0:28:38 | 0:28:42 | |
Your best bet is just to get him up in the chair, OK? | 0:28:42 | 0:28:44 | |
Are you sure about this? | 0:28:56 | 0:28:57 | |
My lover's helping my crippled husband into the home that we | 0:28:59 | 0:29:01 | |
planned to share - what could possibly go wrong? | 0:29:01 | 0:29:05 | |
Have you seen my green shirt? | 0:29:10 | 0:29:12 | |
-The one with the purple cuffs? -Yeah. | 0:29:12 | 0:29:15 | |
Can't say I have, no. | 0:29:15 | 0:29:16 | |
Well, it's vanished. | 0:29:16 | 0:29:17 | |
You'll cope. | 0:29:17 | 0:29:19 | |
Who's peed on your chips? | 0:29:20 | 0:29:22 | |
Oh, I'm being ridiculous. | 0:29:23 | 0:29:26 | |
Sorry, you're going to have to be a wee bit more specific. | 0:29:26 | 0:29:29 | |
It's just Alasdair mentioned the opera earlier on... | 0:29:29 | 0:29:31 | |
The opera? You? | 0:29:31 | 0:29:34 | |
That is exactly what I mean. | 0:29:34 | 0:29:37 | |
Sorry? | 0:29:37 | 0:29:38 | |
I am very open-minded, very willing to broaden my horizons. | 0:29:38 | 0:29:44 | |
OK, so, go. | 0:29:44 | 0:29:46 | |
We can catch up on the Housewives another night. | 0:29:46 | 0:29:49 | |
Oh, I wasn't even properly invited. | 0:29:49 | 0:29:51 | |
Then why are you so worked up about it? | 0:29:51 | 0:29:52 | |
Because it was a fleeting glimpse of a more cosmopolitan life. | 0:29:52 | 0:29:59 | |
As I said, ridiculous. | 0:29:59 | 0:30:01 | |
Actually I don't think it is. | 0:30:01 | 0:30:04 | |
It's good that you're open to new things. | 0:30:04 | 0:30:06 | |
That you don't want to pigeonhole yourself - you've got more to | 0:30:06 | 0:30:09 | |
you than that, Mum. | 0:30:09 | 0:30:11 | |
That's sweet of you to say but I think the moment's passed. | 0:30:11 | 0:30:16 | |
Alasdair already has his companion for the evening. | 0:30:16 | 0:30:19 | |
Oh, let me. | 0:30:32 | 0:30:34 | |
It's all right, mate, you've done enough as it is. | 0:30:34 | 0:30:36 | |
And anyway, it's not like you're gonna be around 24/7, is it? | 0:30:36 | 0:30:39 | |
Piece of cake. | 0:30:57 | 0:30:59 | |
Daddy! | 0:30:59 | 0:31:01 | |
Careful, Katie. | 0:31:01 | 0:31:02 | |
Ah, it's all right. Leave her be, it's what I want. | 0:31:02 | 0:31:05 | |
It's what I need. | 0:31:07 | 0:31:08 | |
-I made you a card. -Thank you. | 0:31:08 | 0:31:11 | |
Dad. | 0:31:14 | 0:31:16 | |
-Welcome home. -Thanks. | 0:31:20 | 0:31:23 | |
Alasdair, the very man. What are you having - my shout? | 0:31:36 | 0:31:41 | |
That's very hospitable of you - I'll have a lime and soda, please. | 0:31:41 | 0:31:44 | |
Keeping a clear head for the opera, eh? | 0:31:44 | 0:31:45 | |
Bad form to snooze. | 0:31:45 | 0:31:47 | |
Mmmm. I wanted to pick your brains. | 0:31:47 | 0:31:50 | |
My mum's mad keen on going, y'know. | 0:31:50 | 0:31:52 | |
-Really? -Do you think it's important to try new things? | 0:31:52 | 0:31:54 | |
Even, I mean, she'll kill me for saying this, later in life? | 0:31:54 | 0:31:57 | |
Certainly I do. | 0:31:57 | 0:31:58 | |
I'm starting to feel the same. | 0:31:58 | 0:32:00 | |
An open mind is a healthy mind. | 0:32:00 | 0:32:02 | |
Totes. | 0:32:02 | 0:32:03 | |
A lime and soda coming up. | 0:32:03 | 0:32:05 | |
Whatever you're drinking it's on me. | 0:32:05 | 0:32:08 | |
Why am I so popular this evening? | 0:32:08 | 0:32:11 | |
Oh, it's the least I can do. You've made Liz's day. | 0:32:11 | 0:32:13 | |
You've made Liz's week. | 0:32:13 | 0:32:14 | |
Have I really? I had no idea she was such a buff. | 0:32:14 | 0:32:17 | |
Oh, definitely. A connoisseur. | 0:32:17 | 0:32:20 | |
Do you go regularly then? | 0:32:21 | 0:32:24 | |
Not as often as I'd like. | 0:32:24 | 0:32:28 | |
What's your favourite? | 0:32:28 | 0:32:29 | |
My, my, my favourite aria, you mean? | 0:32:29 | 0:32:32 | |
-Yeah. -Well... | 0:32:34 | 0:32:36 | |
..the one from the football. | 0:32:38 | 0:32:41 | |
Ah, oh, yes. | 0:32:41 | 0:32:43 | |
And yourself? | 0:32:43 | 0:32:45 | |
Yes... Well, I like the one... | 0:32:45 | 0:32:51 | |
from the ice cream advert. | 0:32:51 | 0:32:53 | |
Ladies, I've been a fool. | 0:32:56 | 0:32:59 | |
I doubt that very much. | 0:32:59 | 0:33:02 | |
It never occurred to me that I should give up both my tickets. | 0:33:02 | 0:33:04 | |
Oh, no, that wouldn't be fair. | 0:33:04 | 0:33:07 | |
Who am I to stand in the way of two such enthusiasts? | 0:33:07 | 0:33:11 | |
I insist. | 0:33:11 | 0:33:12 | |
Looks like you two ladies have a date. | 0:33:12 | 0:33:14 | |
-Lovely. -Splendid. | 0:33:14 | 0:33:16 | |
Oh, one thing. I got my touring dates muddled up. | 0:33:19 | 0:33:23 | |
It's not Puccini this month, it's Wagner. | 0:33:23 | 0:33:26 | |
I don't think I'm familiar with... | 0:33:27 | 0:33:30 | |
Tannhauser. It's a fascinating piece. | 0:33:30 | 0:33:33 | |
You can really see him beginning to get into his Gesamtkunstwerk period. | 0:33:33 | 0:33:38 | |
PHONE RINGS | 0:33:41 | 0:33:44 | |
Donald. | 0:33:44 | 0:33:45 | |
Yeah, just give me a second. | 0:33:45 | 0:33:46 | |
That's her. | 0:33:49 | 0:33:50 | |
Taken this morning outside Wild Life Outdoor Supplies. | 0:33:50 | 0:33:54 | |
Said she's been in several times, bought sleeping bags, | 0:33:54 | 0:33:57 | |
a camping stove, gas cylinders. | 0:33:57 | 0:33:59 | |
-She's got Amber holed up somewhere. -Sounds like it. | 0:33:59 | 0:34:01 | |
OK, we're looking for a deserted building, probably no power, | 0:34:01 | 0:34:04 | |
we need to refocus the search on... | 0:34:04 | 0:34:07 | |
Right no, no, no, I understand perfectly. Thank you. | 0:34:07 | 0:34:13 | |
For everything. Bye. | 0:34:13 | 0:34:15 | |
Well, you feel like sharing? | 0:34:16 | 0:34:17 | |
What's next? Can we concentrate... | 0:34:17 | 0:34:19 | |
I can't do anything now. | 0:34:19 | 0:34:20 | |
Even that was a favour from someone who was risking their job. | 0:34:20 | 0:34:23 | |
The bosses know that I've accessed that file, I'm out. | 0:34:23 | 0:34:26 | |
-With immediate effect. -Where does that leave us? | 0:34:26 | 0:34:28 | |
Three guys standing by the river. We should have brought a picnic. | 0:34:28 | 0:34:31 | |
Let me try the triangulation thing. | 0:34:31 | 0:34:32 | |
We've got Kyle, we've got the phone, we've got the camping shop. | 0:34:32 | 0:34:35 | |
There's more to that call - Amber was trying to tell us something. | 0:34:35 | 0:34:38 | |
She mentioned Romeo and Juliet. Did she ever see the play somewhere specific? | 0:34:38 | 0:34:41 | |
-The film maybe? -I don't know. | 0:34:41 | 0:34:42 | |
-Think! -I'm thinking. | 0:34:42 | 0:34:44 | |
Maybe she got it at school at some point, | 0:34:44 | 0:34:46 | |
-she got expelled halfway through her exams. -Why? | 0:34:46 | 0:34:49 | |
Some carry on with a boy, it doesn't matter. | 0:34:49 | 0:34:51 | |
-Search for schools on that grid. -And now we're clutching at straws. -It's the best I can do. | 0:34:51 | 0:34:54 | |
There's a couple. | 0:34:56 | 0:34:59 | |
This one. It's closed. | 0:34:59 | 0:35:01 | |
Scheduled for demolition. | 0:35:01 | 0:35:03 | |
It's the perfect place to hide out, | 0:35:03 | 0:35:04 | |
no way to cook anything, you'd need camping supplies. | 0:35:04 | 0:35:07 | |
-Is it near? -Close enough. -Let's go! | 0:35:07 | 0:35:09 | |
-There you go. -Cheers. | 0:35:09 | 0:35:11 | |
-Evening. -Hiya. -Evening, you're looking sharp. | 0:35:14 | 0:35:19 | |
Fancy seeing you here. | 0:35:19 | 0:35:21 | |
Wouldn't miss it for the world. | 0:35:21 | 0:35:22 | |
Miss what? I thought we were just having a quick drink. | 0:35:22 | 0:35:24 | |
We are - but so are Bob and Kim. | 0:35:24 | 0:35:27 | |
I knew it. I am practically a mind-reader. | 0:35:27 | 0:35:30 | |
Can you tell what I'm thinking the now, aye? | 0:35:30 | 0:35:33 | |
You know I wasn't interested in some lame double date thing. | 0:35:33 | 0:35:35 | |
I'm helping my mate in the early stages of | 0:35:35 | 0:35:37 | |
a potentially life-changing relationship. | 0:35:37 | 0:35:39 | |
Geez, overstate your case much? | 0:35:39 | 0:35:41 | |
Please, keep arguing, guys, it's ideal. | 0:35:41 | 0:35:43 | |
See, you've shattered his fragile confidence. | 0:35:43 | 0:35:47 | |
You look nice, Bob. | 0:35:47 | 0:35:50 | |
Thanks, Liz. | 0:35:50 | 0:35:52 | |
Yous wanting a drink? | 0:35:52 | 0:35:54 | |
Nothing for them, they're going to the opera, all of them. | 0:35:54 | 0:35:57 | |
And that includes you, Cinders, you shall go to the ball. | 0:35:57 | 0:36:01 | |
How did you know? | 0:36:01 | 0:36:02 | |
He's psychic now, have you not heard? | 0:36:02 | 0:36:04 | |
I know because I've bought two tickets and I'm going to take you. | 0:36:04 | 0:36:06 | |
I've already got a ticket. Alasdair very kindly gave up his. | 0:36:06 | 0:36:11 | |
What? What am I supposed to do now? | 0:36:11 | 0:36:13 | |
-You can take me. -Yes! | 0:36:13 | 0:36:15 | |
No, you can't. | 0:36:15 | 0:36:16 | |
Oh, can't he? | 0:36:16 | 0:36:18 | |
Because you're supposed to be making amends | 0:36:18 | 0:36:19 | |
for standing me up last night, only we're here to spy on Bob's date. | 0:36:19 | 0:36:22 | |
If you go I'm going to look like a right third wheel. | 0:36:22 | 0:36:25 | |
Bob's date? Who's the lucky lassie? | 0:36:25 | 0:36:28 | |
She is. | 0:36:28 | 0:36:29 | |
All right? | 0:36:33 | 0:36:35 | |
Place is huge. We should split up, make more ground. | 0:36:40 | 0:36:43 | |
You try around the back. You see anything, you call me, then you call 999. | 0:36:43 | 0:36:47 | |
Try that door there. I'm going to go this way. | 0:36:47 | 0:36:49 | |
No. You can't take a gun in there. | 0:36:49 | 0:36:51 | |
-Why should I listen to you? -We know she's got gas canisters. | 0:36:51 | 0:36:54 | |
Do you really want to be blazing away in a confined space? | 0:36:54 | 0:36:56 | |
-What do you think I am? It's my daughter we're talking about. -Yeah, and... | 0:36:56 | 0:37:00 | |
What? What are you going to tell me? She's the love of your life? | 0:37:00 | 0:37:04 | |
Yeah, she is. That's exactly what she is. | 0:37:04 | 0:37:06 | |
And when this is over I'm taking Amber away from this. | 0:37:06 | 0:37:09 | |
From you. We're gonna have a life together. | 0:37:09 | 0:37:11 | |
Tell you what, you find her, you get her out safe? | 0:37:11 | 0:37:13 | |
I'll wave you off. | 0:37:13 | 0:37:15 | |
I don't need your blessing. | 0:37:15 | 0:37:17 | |
I wasn't expecting the full audience thing, y'know. | 0:37:25 | 0:37:29 | |
I believe you. Just act natural. | 0:37:29 | 0:37:32 | |
Right. | 0:37:32 | 0:37:34 | |
Ach, I don't even know what to say to you now. | 0:37:34 | 0:37:37 | |
"How was your day?" is usually a good ice breaker. | 0:37:37 | 0:37:39 | |
Right. Aye. How was your day? | 0:37:39 | 0:37:42 | |
Boring - till just now. | 0:37:42 | 0:37:45 | |
-You hungry? -Starving. | 0:37:54 | 0:37:56 | |
Bye, guys. | 0:37:58 | 0:38:00 | |
Lovely meeting you. | 0:38:00 | 0:38:01 | |
They look good together. | 0:38:06 | 0:38:08 | |
Course you just look like a sad guy facing a night in the pub on | 0:38:09 | 0:38:12 | |
his own, but sometimes that's just the way the cookie crumbles. | 0:38:12 | 0:38:15 | |
Did you get everything out of the bathroom? | 0:38:21 | 0:38:24 | |
I think so. | 0:38:24 | 0:38:25 | |
You think? | 0:38:25 | 0:38:26 | |
I got everything. | 0:38:26 | 0:38:27 | |
OK, good. | 0:38:27 | 0:38:29 | |
So, what, we just pretend? | 0:38:29 | 0:38:31 | |
We just pretend. All of us. | 0:38:31 | 0:38:33 | |
Look, I'm not willing to give you up. Not for him. | 0:38:33 | 0:38:36 | |
Andy... | 0:38:36 | 0:38:37 | |
He's got nurses. Therapists. | 0:38:37 | 0:38:40 | |
Professionals who could visit him every day. | 0:38:40 | 0:38:42 | |
No. | 0:38:42 | 0:38:43 | |
He could cope without you. | 0:38:43 | 0:38:46 | |
And I wouldn't be able to look at myself in the mirror. | 0:38:46 | 0:38:49 | |
He doesn't need you. I do. | 0:38:49 | 0:38:52 | |
I'm sorry. | 0:38:57 | 0:38:58 | |
I don't believe in God. I don't believe in an afterlife. | 0:39:19 | 0:39:25 | |
Sshhh. | 0:39:25 | 0:39:26 | |
Whatever happens here, that's the end of us. | 0:39:27 | 0:39:31 | |
We won't be reunited in the great beyond. | 0:39:32 | 0:39:35 | |
You don't know that. | 0:39:35 | 0:39:36 | |
I know I'll never see my daughter. | 0:39:38 | 0:39:41 | |
Don't play the sympathy card. You gave her up. | 0:39:41 | 0:39:44 | |
I don't want to die. | 0:39:47 | 0:39:49 | |
Why not? | 0:39:49 | 0:39:50 | |
Has life been so wonderful? Has it? | 0:39:52 | 0:39:57 | |
I've been in pain as long as I can remember. | 0:40:01 | 0:40:04 | |
I want to live. I want to live, Belinda. | 0:40:06 | 0:40:11 | |
Stop it. | 0:40:11 | 0:40:13 | |
This isn't some grand romantic gesture. This is you killing me. | 0:40:13 | 0:40:18 | |
This is murder. | 0:40:19 | 0:40:21 | |
Shut up! Shut up! | 0:40:21 | 0:40:22 | |
Stop it! | 0:40:22 | 0:40:24 | |
I really shouldn't let you get to me. I really shouldn't. | 0:40:32 | 0:40:37 | |
-SHOUTING: -Amber! Amber! Amber! | 0:40:37 | 0:40:39 | |
Amber! | 0:40:39 | 0:40:40 | |
Shut up! | 0:40:42 | 0:40:43 | |
Amber! | 0:40:43 | 0:40:45 | |
BANGING | 0:40:45 | 0:40:47 | |
Amber! | 0:40:47 | 0:40:49 | |
So, you not gonna shake my hand? | 0:41:16 | 0:41:18 | |
No sense in being petty, I suppose. | 0:41:21 | 0:41:23 | |
It's over, between you and her. | 0:41:26 | 0:41:29 | |
You know, maybe this was the price I had to pay for us all | 0:41:32 | 0:41:35 | |
to realise what matters. | 0:41:35 | 0:41:37 | |
Marriage. Children. | 0:41:38 | 0:41:41 | |
You were never going to be able to compete, | 0:41:43 | 0:41:45 | |
no matter how many holidays you were planning. | 0:41:45 | 0:41:47 | |
Do you think I was trying to buy your kids' affection? | 0:41:47 | 0:41:49 | |
To keep their mother sweet, yeah. | 0:41:49 | 0:41:51 | |
You don't get it. You don't get me. | 0:41:51 | 0:41:53 | |
Oh, I do, I realised as soon as you slept with my wife. | 0:41:53 | 0:41:56 | |
Shame it didn't work out for you. | 0:41:58 | 0:42:00 | |
Andy, I was gonna make some tea, would you...? | 0:42:03 | 0:42:07 | |
I'm good. Thanks. | 0:42:07 | 0:42:09 | |
Oh. OK. | 0:42:11 | 0:42:14 | |
See you then. | 0:42:16 | 0:42:17 | |
Just look after your mother. | 0:42:22 | 0:42:24 | |
Yeah, we will. | 0:42:24 | 0:42:26 | |
HE RATTLES DOOR | 0:42:56 | 0:42:57 | |
THUD, HE YELLS | 0:43:54 | 0:43:56 | |
HISSING | 0:44:04 | 0:44:07 | |
HE GRUNTS | 0:44:11 | 0:44:13 | |
Craig, look out! | 0:44:17 | 0:44:19 | |
Get out! | 0:44:19 | 0:44:22 | |
Amber! | 0:44:24 | 0:44:26 | |
Oh, Craig, thank God. | 0:44:26 | 0:44:30 | |
There's gas. She was gonna kill us both, blow us up. | 0:44:49 | 0:44:54 | |
It's not gonna happen. I'm here, come on, can you get up? | 0:44:54 | 0:44:57 | |
-Can you walk? -Yeah. -Come on. | 0:45:04 | 0:45:06 | |
-I've got you. -Is she hurt? -I'm fine. | 0:45:09 | 0:45:13 | |
Come on. Are you ready? One, two, three... | 0:45:13 | 0:45:16 | |
Right, I've got her. Come on. | 0:45:16 | 0:45:20 | |
-We can't leave him in there alone. -He wants you safe. | 0:45:34 | 0:45:36 | |
And anyway - he's not alone. | 0:45:36 | 0:45:38 | |
Give me your hand. | 0:45:42 | 0:45:43 | |
THEY GRUNT | 0:45:47 | 0:45:50 | |
Come on, suck it up, man. | 0:45:50 | 0:45:52 | |
No, no, go! Get out of here! | 0:46:12 | 0:46:15 | |
Get out. Tell Amber... | 0:46:15 | 0:46:17 | |
No! You can't go in there! | 0:46:23 | 0:46:27 | |
ALARM BLARES | 0:46:27 | 0:46:29 | |
Donald? | 0:46:49 | 0:46:51 | |
No! | 0:46:57 | 0:46:59 | |
SHE SOBS | 0:46:59 | 0:47:01 | |
SIRENS | 0:47:01 | 0:47:03 | |
You're still weak, you need to get back to the ward. | 0:47:03 | 0:47:06 | |
No, no, I need to see him and I'm not going anywhere until I do! | 0:47:06 | 0:47:09 | |
Get out of my way! | 0:47:09 | 0:47:10 | |
Hey, hey, hey. | 0:47:10 | 0:47:12 | |
I'll take her. | 0:47:12 | 0:47:13 | |
I'm fine. | 0:47:13 | 0:47:14 | |
What do you want to do, fall down in the corridor? | 0:47:14 | 0:47:17 | |
Lean on your Da. | 0:47:17 | 0:47:18 | |
SHE WHIMPERS | 0:47:35 | 0:47:38 | |
OK, darling. | 0:47:40 | 0:47:42 | |
Wait, come on now, here we go. | 0:47:42 | 0:47:44 | |
How... How bad is he? | 0:47:50 | 0:47:52 | |
He's already gone, darling. | 0:47:54 | 0:47:56 | |
No, there must be something they can do. | 0:47:58 | 0:48:00 | |
The blast done for his lungs. Brain starved of oxygen. | 0:48:00 | 0:48:04 | |
But he looks so... | 0:48:07 | 0:48:08 | |
It's the machines. | 0:48:08 | 0:48:11 | |
It's an illusion. | 0:48:11 | 0:48:12 | |
Oh, God. | 0:48:19 | 0:48:20 | |
Aye. | 0:48:20 | 0:48:21 | |
He has a sister. | 0:48:26 | 0:48:28 | |
In Canada apparently. | 0:48:28 | 0:48:30 | |
She gave consent. | 0:48:36 | 0:48:38 | |
Consent? | 0:48:39 | 0:48:40 | |
He saved me. | 0:48:55 | 0:48:56 | |
Yeah, yeah, he did. | 0:48:58 | 0:48:59 | |
He was doing his duty to the end. | 0:49:03 | 0:49:04 | |
He said it wasn't duty. | 0:49:07 | 0:49:09 | |
He wasn't a cop any more. | 0:49:09 | 0:49:11 | |
He threw that all away for a chance to save you. | 0:49:12 | 0:49:14 | |
He loved you. | 0:49:20 | 0:49:21 | |
Do you really think so? | 0:49:22 | 0:49:24 | |
That's what he told me. | 0:49:24 | 0:49:27 | |
He had his plans for you. | 0:49:27 | 0:49:29 | |
A future. | 0:49:29 | 0:49:30 | |
-You all right? -Uh-huh. | 0:49:41 | 0:49:43 | |
Do you want anything? Glass of water? | 0:49:44 | 0:49:47 | |
No. | 0:49:47 | 0:49:49 | |
I don't want to be running to the toilet in the middle of the night. | 0:49:49 | 0:49:53 | |
Not that it would be running, right enough. | 0:49:53 | 0:49:55 | |
No. | 0:49:55 | 0:49:56 | |
You know. Me being here in this bed. | 0:49:59 | 0:50:02 | |
It's not like it's the marital bed, or whatever. | 0:50:04 | 0:50:08 | |
No. | 0:50:08 | 0:50:09 | |
I mean, I wouldn't, even if... | 0:50:10 | 0:50:15 | |
Greig, I understand. | 0:50:15 | 0:50:18 | |
-This is just you helping me out, right? -Yes. | 0:50:20 | 0:50:23 | |
I'm not gonna lie to you, Lorna. | 0:50:26 | 0:50:28 | |
I hope that one day we can find a way to get back to the way | 0:50:30 | 0:50:34 | |
that we used to be. | 0:50:34 | 0:50:35 | |
I can't make that commitment. | 0:50:36 | 0:50:39 | |
Fair enough. | 0:50:39 | 0:50:40 | |
I don't think you can either. | 0:50:41 | 0:50:43 | |
I think best thing for us both is just to take one day at a time. | 0:50:43 | 0:50:47 | |
You're right. 100%. | 0:50:49 | 0:50:53 | |
I'm tired, OK, why don't we just go to sleep? | 0:50:53 | 0:50:56 | |
Of course, I'm sorry. | 0:50:58 | 0:51:00 | |
No need to apologise. | 0:51:01 | 0:51:03 | |
I should've got Donald out but all I could think about was Amber. | 0:51:19 | 0:51:22 | |
He would've done the same. | 0:51:22 | 0:51:24 | |
He just wanted her safe. | 0:51:24 | 0:51:27 | |
Aye. He did. | 0:51:27 | 0:51:28 | |
It's funny. | 0:51:28 | 0:51:30 | |
I think today was the first time | 0:51:30 | 0:51:31 | |
she felt like a real sister to me, you know? | 0:51:31 | 0:51:33 | |
Does that sound strange? | 0:51:33 | 0:51:34 | |
No. No. Not at all. | 0:51:34 | 0:51:37 | |
Is he... Is it over? | 0:51:45 | 0:51:48 | |
-She didn't want me there at the end. -God. | 0:51:49 | 0:51:52 | |
God? I doubt if he had anything to do with this. | 0:51:52 | 0:51:55 | |
OPERATIC MUSIC PLAYS | 0:52:00 | 0:52:03 | |
RUSTLING | 0:52:14 | 0:52:18 | |
Shh! | 0:52:18 | 0:52:19 | |
You know, I was just thinking about when we first got together. | 0:52:44 | 0:52:51 | |
It was like a little game, wasn't it? | 0:52:54 | 0:52:57 | |
A little bit strange. | 0:52:59 | 0:53:01 | |
A little bit twisted. | 0:53:02 | 0:53:06 | |
But definitely a game. | 0:53:07 | 0:53:08 | |
Pushing each other's buttons. | 0:53:11 | 0:53:13 | |
I never thought it would turn into something. | 0:53:19 | 0:53:22 | |
I never thought I'd have real feelings. | 0:53:27 | 0:53:32 | |
For you. | 0:53:32 | 0:53:33 | |
We worked, you and me. | 0:53:41 | 0:53:44 | |
And I think I understand why. | 0:53:48 | 0:53:50 | |
See, I don't like myself very much. | 0:53:53 | 0:53:57 | |
And I don't think you like yourself very much. | 0:54:00 | 0:54:02 | |
But we saw something in each other. | 0:54:06 | 0:54:09 | |
Something good. | 0:54:13 | 0:54:15 | |
Something precious even, maybe. | 0:54:18 | 0:54:22 | |
I'm gonna try and find that again. | 0:54:30 | 0:54:32 | |
That part of me that you... | 0:54:37 | 0:54:38 | |
Unfortunately, one of you will need to be made redundant. | 0:55:17 | 0:55:20 | |
You're putting me up against my own sister for the same job. | 0:55:20 | 0:55:23 | |
You've only been in here five minutes, pal. | 0:55:23 | 0:55:24 | |
Aye, and I still had to help you with your drinks order, pal. | 0:55:24 | 0:55:27 | |
-OUTSIDE! -LET'S GO! -You're fired! | 0:55:27 | 0:55:29 | |
You hardly know the lassie. She could be taking you for a ride. | 0:55:29 | 0:55:32 | |
Please. Don't spoil this, eh? | 0:55:32 | 0:55:33 | |
You went from there to breaking up in one morning. | 0:55:33 | 0:55:37 | |
In two hours. | 0:55:37 | 0:55:38 | |
You maybe want to come down and see this. | 0:55:38 | 0:55:41 | |
-There's this guy. -Who? | 0:55:42 | 0:55:44 | |
I didn't get a name. | 0:55:44 | 0:55:45 | |
This family's a mess. He senses an opening here, an opportunity. | 0:55:45 | 0:55:48 | |
BANG | 0:55:48 | 0:55:50 | |
What the hell was that? | 0:55:50 | 0:55:52 | |
You round up some of the guys. | 0:55:52 | 0:55:53 | |
You find out who this clown is. | 0:55:53 | 0:55:54 | |
You go and get him now. | 0:55:54 | 0:55:55 | |
Lenny. You need to see this. | 0:55:55 | 0:55:58 | |
You all right, boys? | 0:55:58 | 0:55:59 |