Browse content similar to 28/03/2017. Check below for episodes and series from the same categories and more!
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Bob's date? Who's the lucky lassie? | 0:00:21 | 0:00:24 | |
-So, what's your story, then? -Nothing, really. | 0:00:24 | 0:00:26 | |
-Go on, don't be shy. -No, maybe another time. | 0:00:26 | 0:00:28 | |
I'm your buyer. | 0:00:28 | 0:00:30 | |
He owns all of it, everything. We've got nothing. | 0:00:30 | 0:00:32 | |
-No, Alex, no! -He's dangerous. She's got my daughter. | 0:00:32 | 0:00:35 | |
It's going to take me a while to forget how you betrayed me. | 0:00:35 | 0:00:38 | |
-Scheduled for demolition. -Perfect place to hide out. | 0:00:38 | 0:00:40 | |
Get out. Tell Amber! | 0:00:40 | 0:00:41 | |
-He loved you. -You really think so? -He told me. | 0:00:44 | 0:00:47 | |
Aye, but Donald's no' around any more, is he? | 0:02:19 | 0:02:21 | |
Yeah, they're all over my back, as well. | 0:02:25 | 0:02:28 | |
Well, just don't fret about it, all right? | 0:02:30 | 0:02:32 | |
We'll just need to work around it, OK? I'll call you back. | 0:02:35 | 0:02:38 | |
You don't look good. | 0:02:49 | 0:02:51 | |
Yeah, well, you're no George Clooney yourself. | 0:02:51 | 0:02:54 | |
I heard you up again. What's that, every night since... | 0:02:54 | 0:02:56 | |
-I'm sorry I woke you. -I didn't mean it that way. | 0:02:56 | 0:03:00 | |
Actually, do you know what? We need to talk. | 0:03:02 | 0:03:05 | |
About...? | 0:03:05 | 0:03:07 | |
The elephant in the room. | 0:03:08 | 0:03:09 | |
You took me back in when Donald died. | 0:03:15 | 0:03:18 | |
And I'm grateful. | 0:03:18 | 0:03:20 | |
But I know it's only temporary. | 0:03:22 | 0:03:24 | |
Let's not get into this right now, eh? | 0:03:26 | 0:03:28 | |
-You were sending me away, Dad, because... -Not now. | 0:03:28 | 0:03:31 | |
-I know how this world works. People who betray you... -Amber! | 0:03:31 | 0:03:37 | |
-I said, not now! -Then, when? | 0:03:37 | 0:03:39 | |
-When you get better. -I'm fine. -Oh, no. You're no fine. | 0:03:42 | 0:03:44 | |
You're no' anywhere fine. | 0:03:46 | 0:03:47 | |
Thanks for that Pound Shop therapy session. | 0:03:47 | 0:03:50 | |
You should think about a career change. Seriously. | 0:03:50 | 0:03:52 | |
Why don't you go and see the doctor? | 0:03:55 | 0:03:57 | |
-I'm busy. -Doing what? | 0:03:57 | 0:04:00 | |
It's the funeral today. | 0:04:01 | 0:04:03 | |
A cop's funeral. You'll no' be welcome. | 0:04:03 | 0:04:07 | |
Don't go kicking the hornet's nest, Amber. I mean it. | 0:04:07 | 0:04:10 | |
Another rejection? | 0:04:28 | 0:04:30 | |
And as today is my last day of Lenny's notice to quit, | 0:04:30 | 0:04:34 | |
I'll be officially unemployed. | 0:04:34 | 0:04:36 | |
Maybe I should sign on. | 0:04:38 | 0:04:39 | |
You'll get something. | 0:04:39 | 0:04:41 | |
Yeah, but I just don't want "something". | 0:04:41 | 0:04:43 | |
You know, every day I'm going to walk past there | 0:04:45 | 0:04:47 | |
and I'm going to be reminded of...of... | 0:04:47 | 0:04:50 | |
what I had, what I lost. | 0:04:50 | 0:04:52 | |
-What he took. -Annie... -I want to move. | 0:04:54 | 0:04:58 | |
Away from here. Away from Shieldinch. | 0:04:58 | 0:05:01 | |
We've just got set up here. | 0:05:01 | 0:05:03 | |
New place. New start. Things are going to change. | 0:05:03 | 0:05:06 | |
-Please... -Just trust me. | 0:05:06 | 0:05:09 | |
Yeah, well, look where that's got me so far. | 0:05:10 | 0:05:13 | |
# It's not unusual To be mad with anyone | 0:05:21 | 0:05:26 | |
# It's not unusual To be sad with anyone | 0:05:27 | 0:05:31 | |
# But if I ever find That you've changed at any time | 0:05:32 | 0:05:36 | |
# It's not unusual to find out that I'm in love with you | 0:05:37 | 0:05:41 | |
# Oh-oh-oh-oh. # | 0:05:41 | 0:05:43 | |
That is really, really...sad. | 0:05:46 | 0:05:50 | |
-I think it's really, really sweet. -Cheers. -Thank you. | 0:05:50 | 0:05:55 | |
-Would you like a cup of tea, Scarlett? -Naw. | 0:05:57 | 0:06:01 | |
PHONE CHIMES | 0:06:01 | 0:06:04 | |
I'm just going to go for a shower, if that's OK? | 0:06:09 | 0:06:11 | |
Aye, you don't need to ask. | 0:06:11 | 0:06:13 | |
Seven nights out of seven nights. | 0:06:16 | 0:06:17 | |
I'll need to start charging her digs. | 0:06:17 | 0:06:19 | |
-She had a flood in her flat. I told you. -Aye, last week. -And? | 0:06:19 | 0:06:23 | |
And are you sure her flat's really getting done up? | 0:06:23 | 0:06:26 | |
I mean, you hardly know the lassie. She could be taking you for a ride. | 0:06:26 | 0:06:29 | |
She's no'. I know enough, all right? | 0:06:29 | 0:06:32 | |
I like Kim being here. She's fun. | 0:06:32 | 0:06:35 | |
Please, don't spoil this, eh? | 0:06:37 | 0:06:39 | |
-Problem? -No. | 0:06:45 | 0:06:47 | |
I'll get a shower first, then. You snooze, you lose! | 0:06:47 | 0:06:50 | |
-Unless you want to join me? -Nice try. | 0:06:50 | 0:06:52 | |
'You have one new voicemail. | 0:06:55 | 0:06:58 | |
'First voicemail.' | 0:06:58 | 0:06:59 | |
'You could claim PPI now. To find out...' | 0:07:01 | 0:07:05 | |
Amber Cabs accounts. They were here. You seen them? | 0:07:17 | 0:07:21 | |
I don't want you to go. | 0:07:23 | 0:07:25 | |
-He saved my life. -DOOR BUZZER | 0:07:26 | 0:07:28 | |
I'm no' even going to talk about this. | 0:07:28 | 0:07:30 | |
-Yeah? -You're going to want to come down and see this. | 0:07:38 | 0:07:41 | |
-They can't even spell. -Probably just kids. | 0:07:51 | 0:07:54 | |
GLASS SMASHES, ALARM WAILS | 0:07:54 | 0:07:56 | |
-Go on, then! -'Mon, then! -It's your business, pal. | 0:07:59 | 0:08:03 | |
What he said. | 0:08:03 | 0:08:05 | |
You in a hurry, wee man? | 0:08:08 | 0:08:10 | |
Get aff me! | 0:08:14 | 0:08:15 | |
Here. | 0:08:19 | 0:08:20 | |
My wee nephew. Just having a laugh, you know? | 0:08:24 | 0:08:27 | |
Thanks for being so quick off the mark, though. | 0:08:29 | 0:08:31 | |
Right you, in there. | 0:08:31 | 0:08:33 | |
What, nae reward? No' even a thank you?! | 0:08:33 | 0:08:36 | |
I don't appreciate tardiness, Caitlin. | 0:08:42 | 0:08:44 | |
I was busy fighting crime, you know. | 0:08:44 | 0:08:46 | |
Saving the streets of Shieldinch from the dark underbelly of society. | 0:08:46 | 0:08:49 | |
-What? -Huckled a wee bam that tanned an Amber cab. -Seriously? | 0:08:49 | 0:08:52 | |
Aye, I was pure fearless, so I was. | 0:08:52 | 0:08:54 | |
-Sorry I'm late. -That's fine, darling. Take a seat. | 0:08:54 | 0:08:57 | |
So, I'm afraid to report that, after reviewing the pub accounts | 0:08:59 | 0:09:03 | |
last night, it looks as if we'll need to enter a period of austerity. | 0:09:03 | 0:09:07 | |
Get Theresa May, over there. | 0:09:07 | 0:09:10 | |
Unfortunately, one of you will have to be made redundant. | 0:09:10 | 0:09:14 | |
In order to determine whom, over the next two hours I've set | 0:09:15 | 0:09:19 | |
a series of tasks that will demonstrate your skills | 0:09:19 | 0:09:23 | |
-in leadership, business acumen, and sales tech... -Eh! | 0:09:23 | 0:09:27 | |
This is a boozer, doll. It's no' Wall Street. | 0:09:27 | 0:09:30 | |
And, besides, you cannae sack me. I'm a hero round these parts. | 0:09:30 | 0:09:32 | |
-I'll probably be in the papers soon. -However... | 0:09:32 | 0:09:35 | |
I have come to an early decision. | 0:09:37 | 0:09:40 | |
Obviously, Robbie stays, as he is the bar manager. | 0:09:40 | 0:09:44 | |
Hold on, you're putting me up | 0:09:46 | 0:09:48 | |
against my own sister for the same job? | 0:09:48 | 0:09:50 | |
It's like The Hunger Games, eh? | 0:09:50 | 0:09:51 | |
"May the odds be ever in your favour." | 0:09:51 | 0:09:55 | |
That piece of art on my gym windows, | 0:10:00 | 0:10:03 | |
that your handiwork, as well, is it? | 0:10:03 | 0:10:05 | |
Who sent you? | 0:10:07 | 0:10:09 | |
-Cannae mind. -"Cannae mind." | 0:10:09 | 0:10:12 | |
Let me tell you how this is going to work out, son. | 0:10:16 | 0:10:18 | |
You tanned three of my windows. | 0:10:18 | 0:10:21 | |
I'm going to break three of your fingers. | 0:10:21 | 0:10:24 | |
But you know what? I'm going to let you choose which ones. | 0:10:24 | 0:10:28 | |
I can't be more reasonable than that, can I? | 0:10:28 | 0:10:31 | |
-This one, start with the wee one? -No, no, there was this guy. -Who? | 0:10:31 | 0:10:36 | |
I didn't get a name. | 0:10:36 | 0:10:37 | |
I swear down, I swear down. | 0:10:39 | 0:10:40 | |
He gave me the cash, told me what to do. That's it. | 0:10:40 | 0:10:43 | |
Well, you're going to take him a wee message from me. | 0:10:45 | 0:10:47 | |
That pub out there, Tall Ship, | 0:10:47 | 0:10:50 | |
you've got two hours. | 0:10:50 | 0:10:51 | |
Boost. | 0:10:51 | 0:10:53 | |
Two Americanos, please, A to the J. | 0:11:01 | 0:11:03 | |
So...has he done it? | 0:11:04 | 0:11:07 | |
Nope. | 0:11:08 | 0:11:10 | |
Done what? | 0:11:10 | 0:11:12 | |
AJ, being the mate that he is, just wants to know | 0:11:12 | 0:11:14 | |
if you've sealed the deal with Kim. Popped the big question. | 0:11:14 | 0:11:17 | |
-We've only just got together. -Aye, but you've moved her in. | 0:11:17 | 0:11:20 | |
Are you sure there's nothing you don't want to tell us? | 0:11:20 | 0:11:22 | |
-We're no engaged, AJ! -Are you sure? -Aye, SURE! | 0:11:22 | 0:11:26 | |
Wait, wait. Yous two had a wager? | 0:11:33 | 0:11:36 | |
Aye, I had faith in you. I bet six weeks. | 0:11:36 | 0:11:39 | |
Your gran said it would only take a month. | 0:11:39 | 0:11:42 | |
-My gran bet on Kob? -Kob? | 0:11:42 | 0:11:44 | |
Aye, Kim and Bob. | 0:11:44 | 0:11:46 | |
We've all been calling you Bimberly. | 0:11:46 | 0:11:49 | |
You're doing it again. It's not a sprint. | 0:11:49 | 0:11:52 | |
I'm not sprinting. I'm jogging. All right? | 0:11:52 | 0:11:55 | |
Look. Jogging! | 0:11:55 | 0:11:58 | |
Three pints of lager, two white wine, | 0:12:01 | 0:12:03 | |
one gin and tonic and two vodka oranges. | 0:12:03 | 0:12:06 | |
-Or what I like to call breakfast! -Robbie! | 0:12:06 | 0:12:09 | |
PHONE RINGS Delivery company. | 0:12:09 | 0:12:12 | |
Suzie Fraser. | 0:12:12 | 0:12:14 | |
Well, how late...? | 0:12:14 | 0:12:15 | |
Three pints of lager, two white wines, | 0:12:15 | 0:12:17 | |
-a gin and tonic and two vodka oranges. -I know! | 0:12:17 | 0:12:20 | |
Amateurs. | 0:12:20 | 0:12:22 | |
Two double vodkas, one with tonic and a dash of lime, one with cola. | 0:12:24 | 0:12:28 | |
One bourbon whisky, straight up. A glass of white wine. | 0:12:28 | 0:12:33 | |
Two lager tops. One gin and Dubonnet served with a slice of lemon, | 0:12:33 | 0:12:37 | |
two blocks of ice and every last pip taken out. | 0:12:37 | 0:12:42 | |
-You want me to take the pips out the lemon? -Is that a problem? | 0:12:42 | 0:12:45 | |
It's also twice as many drinks to remember as Ellie. | 0:12:45 | 0:12:48 | |
Are you not up to the task, Caitlin? | 0:12:48 | 0:12:51 | |
From that guy through there. | 0:13:02 | 0:13:05 | |
He wanted the cheapest Scotch we had. For you. | 0:13:05 | 0:13:09 | |
-I'm sorry. -No, you're all right, hen. | 0:13:18 | 0:13:21 | |
You're our guest, aren't you? | 0:13:21 | 0:13:24 | |
Sorry. | 0:13:24 | 0:13:25 | |
-Stop apologising, hen. -Sor... | 0:13:25 | 0:13:27 | |
So, what happened, then? With this flood. | 0:13:29 | 0:13:32 | |
Must have been pretty bad to take this long. | 0:13:32 | 0:13:34 | |
Was just a burst pipe. But it went through downstairs. | 0:13:34 | 0:13:38 | |
Where is it you stay again? | 0:13:38 | 0:13:40 | |
So... I was going to take Bob some sandwiches for his lunch. | 0:13:40 | 0:13:44 | |
-Sweet. -What does he like? | 0:13:44 | 0:13:46 | |
You don't know what he likes in his pieces? | 0:13:46 | 0:13:49 | |
You don't know much do you, hen? | 0:13:49 | 0:13:51 | |
Chicken? Mayonnaise? | 0:13:51 | 0:13:54 | |
Mayonnaise? That's a great idea. | 0:13:54 | 0:13:55 | |
-Thanks, Scarlett, I really appreciate it. -Nae bother. | 0:13:58 | 0:14:01 | |
-Can I make you one up at the same time? -No, I'm fine. | 0:14:01 | 0:14:04 | |
You've got about five seconds to tell me who you are | 0:14:18 | 0:14:21 | |
and how you're going to pay for the damage you caused. | 0:14:21 | 0:14:24 | |
Then, I'll decide if I'm going to let you walk out of here or not. | 0:14:24 | 0:14:27 | |
You hungry, Lenny? | 0:14:28 | 0:14:30 | |
You should get some fruit in your diet. | 0:14:31 | 0:14:33 | |
Keeps you fit. On the ball. | 0:14:34 | 0:14:38 | |
Maybe stop your own people from trying to take you out. | 0:14:39 | 0:14:42 | |
Someone been telling you stories? | 0:14:42 | 0:14:44 | |
Word on the street is your own daughter put a bullet in your back. | 0:14:44 | 0:14:48 | |
That means your family's fractured. | 0:14:48 | 0:14:50 | |
And a fractured family's a vulnerable one. So now, it's time... | 0:14:50 | 0:14:54 | |
for what's known as a hostile takeover. | 0:14:54 | 0:14:57 | |
Oh, I'm hostile. | 0:14:57 | 0:14:58 | |
-I'm very hostile. -Starting with Amber Cabs. | 0:14:58 | 0:15:02 | |
See, I like this patch, Lenny, and I want it. | 0:15:02 | 0:15:05 | |
That should just about cover the cost of the mess that you made. | 0:15:16 | 0:15:20 | |
-Or... -Or what? | 0:15:20 | 0:15:22 | |
You'll get your wee princess to put a bullet in me, too? | 0:15:22 | 0:15:24 | |
Don't push me, pal. | 0:15:30 | 0:15:32 | |
By tonight. | 0:15:38 | 0:15:39 | |
Forget it, he's no' worth it. | 0:15:41 | 0:15:43 | |
It's me. You're on. | 0:15:48 | 0:15:51 | |
This one is an unusual colour. | 0:15:55 | 0:15:58 | |
Gah! | 0:16:01 | 0:16:03 | |
Every pip removed. | 0:16:03 | 0:16:05 | |
Oh! | 0:16:08 | 0:16:10 | |
No-one likes a gloater. | 0:16:10 | 0:16:12 | |
-I wasnae... -Are you arguing with me, Caitlin? | 0:16:12 | 0:16:15 | |
Ten-minute break. Then, on to your second task, ladies. | 0:16:16 | 0:16:21 | |
So, does everybody think it? That I move too fast? | 0:16:24 | 0:16:28 | |
-Well, not everybody. -Good. | 0:16:28 | 0:16:31 | |
Just me...AJ... | 0:16:31 | 0:16:35 | |
-your gran...Liz... -Liz? | 0:16:35 | 0:16:39 | |
..your mam, Graeme. | 0:16:39 | 0:16:41 | |
-Who? -The barman in The Tall Ship. | 0:16:41 | 0:16:45 | |
Right. | 0:16:45 | 0:16:46 | |
A pig and a chicken are walking down the street. | 0:16:55 | 0:16:57 | |
And the chicken says to the pig, | 0:16:57 | 0:16:59 | |
"I was thinking we should open a restaurant. | 0:16:59 | 0:17:01 | |
"We'll call it Bacon And Eggs." | 0:17:01 | 0:17:02 | |
The Pig shakes his head, "Naw, mate. | 0:17:02 | 0:17:04 | |
"Because I'd always be committed and you'd only be involved." | 0:17:04 | 0:17:09 | |
You, Bob - always committed. | 0:17:09 | 0:17:13 | |
But you can't change that, it's who you are. You're the pig. | 0:17:13 | 0:17:16 | |
-I brought you lunch. -Aw, thanks! | 0:17:17 | 0:17:21 | |
Cheers, pal. | 0:17:21 | 0:17:22 | |
-Aw, whit, man? -Bob?! | 0:17:31 | 0:17:33 | |
-No mayonnaise?! -The devil! | 0:17:33 | 0:17:35 | |
-I didn't know. -You never put mayonnaise on Bob's piece. | 0:17:35 | 0:17:39 | |
But Scarlett.... | 0:17:39 | 0:17:40 | |
-I'm so, so sorry. -It's all right. | 0:17:40 | 0:17:43 | |
-I'll get you another one. Wait there. -No...Kim... | 0:17:43 | 0:17:46 | |
-What would you prefer? Ham? Do you like ham? -I like ham. | 0:17:46 | 0:17:50 | |
Kim, look it's just a piece. It doesn't matter. | 0:17:50 | 0:17:53 | |
I just wanted to make you happy. | 0:17:53 | 0:17:54 | |
The fact that you made it makes me so happy. | 0:17:54 | 0:17:57 | |
-I mean, I don't even know what you like in your sandwiches. -Tuna. | 0:17:57 | 0:18:00 | |
See? We're learning about each other every day. | 0:18:00 | 0:18:04 | |
All right? | 0:18:04 | 0:18:06 | |
I'll see you at the house. | 0:18:06 | 0:18:07 | |
Love you. | 0:18:09 | 0:18:10 | |
Thank you. | 0:18:15 | 0:18:17 | |
Still jogging? | 0:18:22 | 0:18:24 | |
OK, ladies. Your second task. | 0:18:26 | 0:18:30 | |
Robbie and I will each play the part of an inebriated customer. | 0:18:30 | 0:18:33 | |
I'd like to see how each of you deal with us. | 0:18:33 | 0:18:36 | |
Robbie! | 0:18:38 | 0:18:40 | |
Method acting, isn't it? Right, let's get this party started! | 0:18:40 | 0:18:44 | |
-Right you, out! That's an assault to the senses! -Ah! -Robbie! | 0:18:44 | 0:18:48 | |
-Look what you've done! -I didn't touch him. -No, she never. | 0:18:48 | 0:18:51 | |
-Well, it's not my fault. -It never is, is it? | 0:18:51 | 0:18:54 | |
-What's that supposed to mean? -Caitlin, Robbie is a customer. | 0:18:54 | 0:18:56 | |
-You're supposed to treat him with respect! -What would you know? | 0:18:56 | 0:18:59 | |
Eh, more than you! You've only been in here five minutes, pal. | 0:18:59 | 0:19:01 | |
And I still had to help you with your drinks order, pal! | 0:19:01 | 0:19:04 | |
-"Ooh, did I put enough Vodka in that?" -You've got a cheek! | 0:19:04 | 0:19:07 | |
-And what you going to do about it? -Outside! -Let's go! -Right, enough! | 0:19:07 | 0:19:11 | |
I'm in actual pain here and does nobody care?! | 0:19:11 | 0:19:14 | |
Robbie's right. I'll see you both in the boardroom. | 0:19:14 | 0:19:17 | |
And you can pack it in, as well. | 0:19:17 | 0:19:19 | |
Drop the Alan Sugar act. Tell them now. | 0:19:19 | 0:19:22 | |
Caitlin, you performed well. There's no denying that. | 0:19:26 | 0:19:30 | |
But, quite frankly, your confidence borders on arrogance. | 0:19:30 | 0:19:35 | |
Ellie, you have a sweet bubbly demeanour that the punters adore. | 0:19:35 | 0:19:41 | |
But at times, you are a little incompetent | 0:19:41 | 0:19:43 | |
and you made a dog's dinner of the simplest of orders. | 0:19:43 | 0:19:46 | |
Ellie... | 0:19:48 | 0:19:50 | |
clean this place up. | 0:19:50 | 0:19:51 | |
Caitlin - YOU'RE FIRED. | 0:19:51 | 0:19:53 | |
-Yes! -What did you just say? | 0:19:53 | 0:19:55 | |
-I just said you're... -This is victimisation! -Excuse me? | 0:19:55 | 0:19:58 | |
You don't like me. That's it, isn't it? | 0:19:58 | 0:20:00 | |
That's why you're sacking me. | 0:20:00 | 0:20:02 | |
Well, I tell you something, you've no' heard the last of this. | 0:20:02 | 0:20:05 | |
Well, come on, then. | 0:20:05 | 0:20:07 | |
Eh? I won fair and square. | 0:20:07 | 0:20:09 | |
-Fair and square my ar-... -You always were a sore loser. | 0:20:09 | 0:20:12 | |
-Even when we were kids. -Oh, aye? Well, you suck as a barmaid. | 0:20:12 | 0:20:16 | |
Oh, really, how bad does that make you, then? | 0:20:16 | 0:20:18 | |
"Thank you." Who says thank you?! | 0:20:27 | 0:20:29 | |
It was just a reaction. | 0:20:29 | 0:20:31 | |
-I've freaked her out. -Aye. | 0:20:31 | 0:20:33 | |
So, what am I going to do? | 0:20:35 | 0:20:37 | |
There's nothing you can do. | 0:20:37 | 0:20:39 | |
Cheers, mate(!) | 0:20:39 | 0:20:41 | |
L-bomb dropped. | 0:20:41 | 0:20:43 | |
HE WHISTLES | 0:20:44 | 0:20:47 | |
HE IMITATES EXPLOSION | 0:20:47 | 0:20:49 | |
Carnage. | 0:20:49 | 0:20:51 | |
Best you can do is damage limitation. | 0:20:51 | 0:20:54 | |
-How was the funeral? -Don't start. | 0:21:17 | 0:21:19 | |
The years haven't been kind to you, Lenny. | 0:21:20 | 0:21:23 | |
Whoa, right back at you, Inspector. | 0:21:23 | 0:21:27 | |
And they say blondes have more fun, eh? | 0:21:27 | 0:21:29 | |
Ouch. | 0:21:29 | 0:21:30 | |
So, you here to join your pals, eh? | 0:21:30 | 0:21:33 | |
Saw you at the funeral. | 0:21:33 | 0:21:35 | |
I wanted to say goodbye. | 0:21:35 | 0:21:37 | |
Anyway, what are you doing in Shieldinch? | 0:21:38 | 0:21:41 | |
DI Donald. | 0:21:41 | 0:21:43 | |
Case is closed, as far as I've heard. | 0:21:43 | 0:21:45 | |
Yeah, I've read your interviews. | 0:21:45 | 0:21:47 | |
All tied up rather nicely, with a nice wee bow. | 0:21:47 | 0:21:51 | |
I mean, Belinda Roberts takes Amber hostage. Craig dies. | 0:21:51 | 0:21:56 | |
Then, you suddenly remember who shot you and Belinda's to blame | 0:21:56 | 0:21:59 | |
-for everything. -Amnesia's like that. | 0:21:59 | 0:22:02 | |
Takes something traumatic to bring it all back. | 0:22:02 | 0:22:04 | |
See, what I find strange is - one, we never found Belinda's body. | 0:22:04 | 0:22:10 | |
And two, Craig committed career suicide to help you, Amber. | 0:22:10 | 0:22:15 | |
That job was his life, meant more to him than anything. | 0:22:16 | 0:22:20 | |
So, why would he want to do that? | 0:22:20 | 0:22:22 | |
Pity you can't ask him. | 0:22:22 | 0:22:24 | |
Maybe I should look into who pulled that trigger. | 0:22:24 | 0:22:27 | |
We've all given statements. | 0:22:27 | 0:22:29 | |
And I don't think they're worth the paper they're written on. | 0:22:29 | 0:22:31 | |
So, are you saying we lied? | 0:22:31 | 0:22:33 | |
-Is something funny? -Just dawned on me. | 0:22:38 | 0:22:40 | |
You're no' here in any official capacity, are you? | 0:22:40 | 0:22:44 | |
What is it? A personal crusade. | 0:22:44 | 0:22:47 | |
-I can't believe they were... -You need to leave. -No. | 0:22:54 | 0:22:58 | |
You want her to start digging? | 0:22:58 | 0:23:00 | |
-Alex and I both backed your story. -Yeah? | 0:23:00 | 0:23:02 | |
Well, they're no' convinced are they? And people are talking. | 0:23:02 | 0:23:06 | |
You need to vanish. Today. | 0:23:06 | 0:23:09 | |
-Dad... -What is it, you liked jail that much you want to go back? | 0:23:10 | 0:23:13 | |
Who did this? | 0:23:19 | 0:23:21 | |
A few guys with baseball bats. They were trashing the Candle Rooms. | 0:23:21 | 0:23:24 | |
What were you doing there? | 0:23:24 | 0:23:26 | |
You haven't taken me off the emergency contact list. | 0:23:26 | 0:23:28 | |
One of them gave me this. | 0:23:28 | 0:23:30 | |
Told me to give it to "Daddy." Tell him to add it to his bill. | 0:23:30 | 0:23:33 | |
-Should I get Annie? -No, I'm fine. | 0:23:33 | 0:23:36 | |
TDLC, the cabs, now Alex. | 0:23:36 | 0:23:40 | |
Who's next? Me? You? | 0:23:40 | 0:23:43 | |
-He thinks we're weak. -Who? -This clown with the fruit. | 0:23:45 | 0:23:49 | |
This family's a mess. He senses an opening here. | 0:23:52 | 0:23:55 | |
-An opportunity. -Like that's ever bothered you before. | 0:23:55 | 0:23:58 | |
He knows about you. | 0:23:58 | 0:24:00 | |
-And your itchy trigger finger. -How? | 0:24:00 | 0:24:02 | |
And now I've got that Detective Grant on my back about it an' all. | 0:24:02 | 0:24:05 | |
Well, nobody else knows, so we stick to the story. | 0:24:05 | 0:24:07 | |
Aye, they do. | 0:24:09 | 0:24:11 | |
Go get Annie. | 0:24:12 | 0:24:14 | |
-Aw, come on, haven't we done this dance? She's not a grass. -Maybe. | 0:24:14 | 0:24:17 | |
-Lenny... -Hey, I just want to make sure that she's singing | 0:24:17 | 0:24:20 | |
fae the same hymn sheet, for when the inspector calls. | 0:24:20 | 0:24:23 | |
-Cos, believe me, she will. -After everything you've done to her, | 0:24:23 | 0:24:26 | |
you really expect her to set foot in this place again? | 0:24:26 | 0:24:28 | |
Tell her the Tall Ship. Nice and neutral. | 0:24:28 | 0:24:30 | |
-You're not getting this, are you? -We're all in this, Alex. | 0:24:30 | 0:24:32 | |
Annie wouldn't spit on you if you were on fire. | 0:24:32 | 0:24:34 | |
This family screwed her big time. She won't give you the time of day. | 0:24:34 | 0:24:37 | |
-Just get her there. -She won't come. | 0:24:37 | 0:24:40 | |
Hey. | 0:24:41 | 0:24:42 | |
Why don't you tell her I'll gie her her precious wee surgery back? | 0:24:47 | 0:24:51 | |
You think that'll sweeten the deal? | 0:24:51 | 0:24:53 | |
-I... -About earlier... | 0:25:04 | 0:25:06 | |
It's like sometimes when you go to hang up the phone and blurt out | 0:25:08 | 0:25:10 | |
-"love you" by accident. Do you know what I mean? -By accident? -Aye. | 0:25:10 | 0:25:15 | |
Right. | 0:25:18 | 0:25:19 | |
So, eh, how's your flat? | 0:25:24 | 0:25:26 | |
Plumbers nearly done? | 0:25:26 | 0:25:29 | |
Eh, yeah. Nearly. | 0:25:29 | 0:25:31 | |
That's good. | 0:25:31 | 0:25:33 | |
Yeah, it is. | 0:25:33 | 0:25:35 | |
You're probably dying to get back there, eh? Get a bit of space. | 0:25:37 | 0:25:42 | |
Space, yeah. Space is good. | 0:25:42 | 0:25:46 | |
People need space. | 0:25:46 | 0:25:48 | |
Aye, they do. There's nothing worse than feeling crowded. | 0:25:48 | 0:25:53 | |
I mean, it's a bit cramped round here, isn't it? | 0:25:55 | 0:25:59 | |
You'll be dying to see the back of us. | 0:25:59 | 0:26:02 | |
-I wouldn't put it like that. -I'm just saying, like... | 0:26:02 | 0:26:05 | |
If you want to spend a bit more time at your place once it's done, | 0:26:05 | 0:26:08 | |
then I'm cool with that. | 0:26:08 | 0:26:10 | |
I can stay at my mate Gemma's until my flat's finished. | 0:26:11 | 0:26:15 | |
If that's what you want. | 0:26:16 | 0:26:19 | |
I'll just go and pack, right now. | 0:26:19 | 0:26:22 | |
-Today? -No time like the present. | 0:26:22 | 0:26:25 | |
Great. All right. | 0:26:26 | 0:26:30 | |
Cool? | 0:26:30 | 0:26:31 | |
Cool. | 0:26:31 | 0:26:33 | |
(What was that, man?) | 0:26:43 | 0:26:44 | |
-What, and Lenny had nothing to do with this? -I told you, | 0:26:46 | 0:26:48 | |
I walked in on a break-in. | 0:26:48 | 0:26:50 | |
Look, forget about all that. I'm serious about what Lenny said. | 0:26:50 | 0:26:52 | |
-What's the catch? -No catch. The surgery's yours. | 0:26:52 | 0:26:56 | |
-All you have to do is show face. -Any blurred vision? -No. | 0:26:56 | 0:26:59 | |
-So, what do you think? -Right, follow my finger. | 0:26:59 | 0:27:01 | |
Just come to the pub for one drink. | 0:27:01 | 0:27:03 | |
The surgery's yours, the contracts will be there. | 0:27:03 | 0:27:05 | |
-How many fingers? -You only have to stay for one drink. | 0:27:05 | 0:27:08 | |
So, you'll come, then? | 0:27:10 | 0:27:12 | |
Mum! | 0:27:14 | 0:27:16 | |
Do you know what she's just done?! | 0:27:16 | 0:27:17 | |
Everything I've done for her! | 0:27:17 | 0:27:19 | |
Could be worse. This woman married her own stepson. | 0:27:19 | 0:27:22 | |
-She stabbed me in the back. And I swear... -Good-looking, mind. | 0:27:22 | 0:27:25 | |
-The step-son. -Do you know what? | 0:27:25 | 0:27:28 | |
She can find somewhere else to live! | 0:27:28 | 0:27:30 | |
Shooting yourself in the foot, aren't you? | 0:27:30 | 0:27:32 | |
You've lost your job and now you'll be losing your rent. | 0:27:32 | 0:27:35 | |
That's a bit stupid, even by your low standards. | 0:27:35 | 0:27:39 | |
Here, we should flog our family story to one of these. | 0:27:39 | 0:27:43 | |
They pay cash. Now you're out a job, like. | 0:27:43 | 0:27:46 | |
-Is that you packed, then? -Yip. | 0:27:56 | 0:27:59 | |
-I just have to get my..... -Oh, aye, it's there. | 0:28:00 | 0:28:03 | |
Oh... | 0:28:16 | 0:28:17 | |
Oh, cheers. | 0:28:19 | 0:28:22 | |
Do you want a lift to your pal's? | 0:28:22 | 0:28:25 | |
Sarah's going to pick me up. | 0:28:25 | 0:28:27 | |
-I thought it was Gemma. -Always get those two mixed up. -Right. | 0:28:28 | 0:28:32 | |
-I found this. -How did that...? | 0:28:35 | 0:28:38 | |
Must have fell off, when we were... | 0:28:38 | 0:28:40 | |
Yeah. | 0:28:43 | 0:28:45 | |
See you, then. | 0:28:47 | 0:28:49 | |
Bye, Bob. | 0:28:50 | 0:28:51 | |
Mayonnaise. | 0:29:04 | 0:29:05 | |
It all started with mayonnaise. | 0:29:05 | 0:29:07 | |
Maybe it's for the best, son. | 0:29:08 | 0:29:11 | |
If you were that solid a couple, it wouldn't have come between yous. | 0:29:11 | 0:29:14 | |
White wine, large. | 0:29:28 | 0:29:30 | |
Thanks. | 0:29:37 | 0:29:38 | |
-Rachel. -Robbie, how are you? | 0:29:39 | 0:29:43 | |
Yeah, good. | 0:29:43 | 0:29:45 | |
Have you heard...? | 0:29:46 | 0:29:48 | |
Oh, I haven't spoken to Will in a long time. | 0:29:48 | 0:29:50 | |
I'm sorry for your loss. | 0:29:52 | 0:29:54 | |
Craig was a great guy. I really liked him. | 0:29:54 | 0:29:57 | |
Can I get you something, on the house? | 0:29:58 | 0:30:00 | |
No, I'm not staying. | 0:30:00 | 0:30:02 | |
You're knocking it back. | 0:30:17 | 0:30:20 | |
Not against the law, last time I checked. | 0:30:20 | 0:30:22 | |
That look, earlier. When you found out about me and Craig. | 0:30:22 | 0:30:26 | |
What look? | 0:30:26 | 0:30:28 | |
Jealousy. | 0:30:28 | 0:30:30 | |
Makes perfect sense now, why he hacked that file. | 0:30:30 | 0:30:34 | |
-If you say so. -So, that's one thing you Murdochs failed to disclose | 0:30:35 | 0:30:40 | |
in your interviews. | 0:30:40 | 0:30:42 | |
What else are you all hiding? | 0:30:42 | 0:30:44 | |
Survivor's guilt. | 0:30:46 | 0:30:47 | |
You should see somebody. To talk. | 0:30:50 | 0:30:53 | |
You're like a shadow today, eh? | 0:30:57 | 0:30:58 | |
Just having a friendly chat. | 0:30:58 | 0:31:01 | |
Sharing memories of our departed friend. | 0:31:01 | 0:31:05 | |
If you want to talk, off the record. | 0:31:06 | 0:31:08 | |
Do you know what? I will have that drink. | 0:31:21 | 0:31:26 | |
Tomato juice, please. | 0:31:26 | 0:31:28 | |
What can I get you? | 0:31:40 | 0:31:42 | |
Double hot chocolate, with extra chocolate sprinkles, | 0:31:42 | 0:31:44 | |
-and that muffin. -The chocolate one? | 0:31:44 | 0:31:47 | |
Is everything OK? | 0:31:47 | 0:31:48 | |
Can I get it now, please? | 0:31:48 | 0:31:50 | |
(Can you have a word?) | 0:32:00 | 0:32:01 | |
Hey, are you OK? | 0:32:07 | 0:32:10 | |
I'll just take a seat. | 0:32:12 | 0:32:14 | |
I don't want to talk about it! | 0:32:25 | 0:32:27 | |
OK, what can I get you? | 0:32:27 | 0:32:29 | |
-AJ! -What? -Of course I want to talk about it! -Right. | 0:32:29 | 0:32:33 | |
Caitlin's been sacked. It should've been me. | 0:32:33 | 0:32:36 | |
And you feel bad about that? | 0:32:36 | 0:32:38 | |
Well, yeah. She's my sister. | 0:32:38 | 0:32:40 | |
-Say sorry, then. -No, she's being a pure cowbag about it. | 0:32:40 | 0:32:44 | |
Look, is a bar job worth falling out with family over? | 0:32:45 | 0:32:49 | |
Well...I, kind of, need the work. | 0:32:49 | 0:32:52 | |
-Where did you work before The Tall Ship? -Care home. | 0:32:52 | 0:32:55 | |
-There you go... -Oh, no, I couldn't. It's been so long... | 0:32:55 | 0:32:59 | |
Don't be silly. See when I get old... | 0:32:59 | 0:33:02 | |
"When"? | 0:33:02 | 0:33:04 | |
Hilarious(!) | 0:33:04 | 0:33:06 | |
When I get old and wrinkly, well, I'd want someone like you. | 0:33:06 | 0:33:09 | |
Kind, compassionate - that's you, Ellie. | 0:33:09 | 0:33:13 | |
Which is why you'll do the right thing. | 0:33:15 | 0:33:17 | |
Do you know what to say? | 0:33:27 | 0:33:29 | |
I won't throw your wee girl into the fire. | 0:33:31 | 0:33:34 | |
You're not even going to say thank you? | 0:33:34 | 0:33:37 | |
-For giving me back what was mine? -Annie... -What? | 0:33:37 | 0:33:40 | |
Am I meant to be grateful? Really? | 0:33:40 | 0:33:43 | |
And you're left with nothing, Alex. | 0:33:43 | 0:33:45 | |
Anyhoo, more drinks, anybody? | 0:33:45 | 0:33:48 | |
Yep. | 0:33:48 | 0:33:50 | |
Aw, very cosy. | 0:33:55 | 0:33:57 | |
Makes you feel all warm and fuzzy inside. | 0:33:57 | 0:33:59 | |
Yeah, well you know me, Inspector. I love my family. | 0:33:59 | 0:34:02 | |
Same again, eh? | 0:34:02 | 0:34:04 | |
I heard about the damage to your property earlier. | 0:34:04 | 0:34:07 | |
Yeah. The whole community's going to hell in a handcart. Need to get | 0:34:07 | 0:34:10 | |
some new polis round here. Ones that know what they're doing. | 0:34:10 | 0:34:13 | |
I just want you to know... | 0:34:16 | 0:34:17 | |
..I'll be picking up exactly where Craig left off. | 0:34:18 | 0:34:21 | |
So? | 0:34:25 | 0:34:26 | |
He dumped me. Well, I think he did. | 0:34:26 | 0:34:31 | |
-What happened? -He told me he loved me. | 0:34:31 | 0:34:34 | |
Hold on, you went from there to breaking up...in one morning? | 0:34:35 | 0:34:39 | |
In two hours. Biggest U-turn in history. | 0:34:39 | 0:34:42 | |
Must be crossed wires or something. That's not Bob. | 0:34:42 | 0:34:46 | |
Talk to him. | 0:34:46 | 0:34:48 | |
I don't want to play games. I've been there and got that T-shirt. | 0:34:48 | 0:34:52 | |
Got a wardrobe full of T-shirts. | 0:34:52 | 0:34:54 | |
He's one of the good ones, Kim. I promise you that. | 0:34:54 | 0:34:57 | |
I can't get hurt - not again. | 0:34:57 | 0:34:59 | |
Did you say it back? | 0:35:02 | 0:35:05 | |
I said "Thank you." | 0:35:05 | 0:35:07 | |
I'm just not good with words. | 0:35:07 | 0:35:09 | |
But do you, you know...luurve him? | 0:35:09 | 0:35:14 | |
Cassie! | 0:35:14 | 0:35:15 | |
You do. I can see you do. | 0:35:15 | 0:35:17 | |
-Like I said, I'm just really bad with... -Words. Yeah, I get that. | 0:35:19 | 0:35:23 | |
Come on. We're going to my place. | 0:35:27 | 0:35:30 | |
Sometimes, Kim, you just got to put yourself out there. | 0:35:30 | 0:35:33 | |
-And if they won't listen? -Well, then, you make 'em. | 0:35:33 | 0:35:37 | |
OK, aye, I'll ask him. | 0:35:43 | 0:35:46 | |
Right. Bye. | 0:35:46 | 0:35:48 | |
You chucked her out? | 0:35:50 | 0:35:52 | |
She wanted to leave. | 0:35:52 | 0:35:55 | |
Right, we can fix this. | 0:35:55 | 0:35:56 | |
All is not lost, my friend, for I am the bearer of good news. | 0:35:56 | 0:35:59 | |
Kim's coming to ours for dinner tonight. You should come. | 0:35:59 | 0:36:02 | |
Like a blind date. | 0:36:02 | 0:36:04 | |
But we've already seen each other. | 0:36:04 | 0:36:06 | |
The opposite of a blind date. | 0:36:06 | 0:36:07 | |
-A date. -Aye. | 0:36:07 | 0:36:11 | |
Look, come for your dinner. Have a few beers. | 0:36:11 | 0:36:15 | |
-What could possibly go wrong? -She said "Thank you." | 0:36:15 | 0:36:18 | |
-Aye, apart from that. -Sorry, Cupid, it's no' happening. | 0:36:18 | 0:36:21 | |
ENGINE STARTS | 0:36:21 | 0:36:22 | |
So, what now? | 0:36:22 | 0:36:25 | |
-How are we going to deal with this guy? -He'll come to us. | 0:36:25 | 0:36:28 | |
I'll leave you to talk "business." | 0:36:28 | 0:36:31 | |
I've got a surgery to sort out. | 0:36:32 | 0:36:34 | |
Look, why don't you come see me later? | 0:36:37 | 0:36:39 | |
-And why would I want to do that? -Because I don't think you're coping. | 0:36:39 | 0:36:43 | |
I'm fine. | 0:36:43 | 0:36:44 | |
EXPLOSION | 0:36:45 | 0:36:47 | |
What the hell was that?! | 0:36:47 | 0:36:49 | |
SHE GROANS | 0:36:51 | 0:36:53 | |
It's OK, it's OK. I've got her. | 0:36:53 | 0:36:55 | |
Amber, Amber, look at me. | 0:36:58 | 0:37:01 | |
You're all right. | 0:37:01 | 0:37:03 | |
A broken fuel line, obviously. | 0:37:06 | 0:37:08 | |
Yeah, DCI Grant, calling in a burning vehicle | 0:37:10 | 0:37:13 | |
on Montego Street, Shieldinch. | 0:37:13 | 0:37:15 | |
Yeah. Definitely arson. | 0:37:15 | 0:37:18 | |
Looks like everyone's OK. | 0:37:26 | 0:37:28 | |
Aye, this time. | 0:37:28 | 0:37:30 | |
My office. Now. | 0:37:41 | 0:37:43 | |
Hey. Where's the polis now, eh? When they're needed. | 0:37:43 | 0:37:46 | |
Folks, if you could just step back off the road. Please, step back. | 0:37:52 | 0:37:55 | |
Emergency services are on their way. | 0:37:55 | 0:37:57 | |
-Beat it! -Caitlin! -Beat it!! -Caitlin! | 0:38:22 | 0:38:25 | |
Beat it, job thief! | 0:38:25 | 0:38:26 | |
Did you no' see what just happened out there? Life's too short. | 0:38:26 | 0:38:29 | |
-We need to talk. -I've got hee-haw to say. -Makes a change. | 0:38:29 | 0:38:33 | |
Right, we're going out. | 0:38:33 | 0:38:36 | |
Out with you? Nae chance. No' in a month of Sundays. Never again. | 0:38:36 | 0:38:40 | |
To get wasted? | 0:38:40 | 0:38:42 | |
Are you paying? | 0:38:42 | 0:38:43 | |
Well, how did you no' say so? I'll go and get ready. | 0:38:45 | 0:38:47 | |
I don't need that. Lamb madras, Vindaloo for me. | 0:38:51 | 0:38:54 | |
Eat that and you're on the couch. | 0:38:54 | 0:38:56 | |
What about Kim? | 0:38:56 | 0:38:58 | |
I think she might be vegan. | 0:38:58 | 0:39:00 | |
Why would you think that? | 0:39:00 | 0:39:02 | |
She looks it. | 0:39:02 | 0:39:04 | |
How do you look vegan? | 0:39:04 | 0:39:06 | |
The eyes. | 0:39:06 | 0:39:08 | |
Hi, Kim! | 0:39:08 | 0:39:09 | |
I don't think this is going to work, Cassie. | 0:39:09 | 0:39:11 | |
Trust me. Come on, let's get you ready. Come, come, come, come. | 0:39:11 | 0:39:14 | |
(You've got to get Bob here...now!) | 0:39:16 | 0:39:18 | |
He's very stubborn is Bob. | 0:39:18 | 0:39:20 | |
(Try harder!) | 0:39:20 | 0:39:22 | |
Take a seat. | 0:39:37 | 0:39:38 | |
I just need something to help me sleep, that's all. | 0:39:38 | 0:39:41 | |
Sure. | 0:39:45 | 0:39:46 | |
Look, what you witnessed, it was...horrific. | 0:39:55 | 0:39:59 | |
Can I just get that prescription, please? | 0:39:59 | 0:40:01 | |
Thanks. | 0:40:09 | 0:40:10 | |
Amber... | 0:40:10 | 0:40:12 | |
you just buried the man that you loved. | 0:40:12 | 0:40:15 | |
Here, you're allowed to grieve. | 0:40:16 | 0:40:17 | |
You need to grieve... | 0:40:18 | 0:40:21 | |
..to move on. | 0:40:22 | 0:40:23 | |
Move! | 0:40:25 | 0:40:26 | |
Would you please move? | 0:40:29 | 0:40:31 | |
It's OK. It's OK. | 0:40:33 | 0:40:35 | |
I just want to tell him I'm sorry... | 0:40:36 | 0:40:38 | |
..that I'm so, so sorry. | 0:40:41 | 0:40:44 | |
Come on. | 0:40:44 | 0:40:45 | |
AMBER SOBS | 0:40:48 | 0:40:49 | |
Appropriate force. | 0:40:51 | 0:40:52 | |
-Sorry? -You round up some of the guys, | 0:40:52 | 0:40:54 | |
you find out where this clown is | 0:40:54 | 0:40:56 | |
and we go and get him now. | 0:40:56 | 0:40:57 | |
We? You're on your own, Lenny. I've got stuff to do. | 0:40:57 | 0:41:00 | |
Fine. I'll deal with it myself, as usual. | 0:41:00 | 0:41:03 | |
-The Candle Room. -What? | 0:41:08 | 0:41:11 | |
That's my price for helping you out. You hate the place anyway. | 0:41:11 | 0:41:14 | |
-And it's wrecked. -No chance. | 0:41:14 | 0:41:16 | |
HE DIALS | 0:41:17 | 0:41:18 | |
-Lenny... -I said no deal, Alex. | 0:41:26 | 0:41:28 | |
You need to see this. | 0:41:28 | 0:41:30 | |
You all right, boys? | 0:41:38 | 0:41:40 | |
Saw there was a wee fire. | 0:41:41 | 0:41:43 | |
I've told you, I'm never drinking in this dive again. | 0:41:47 | 0:41:50 | |
You are supposed to be on shift. | 0:41:51 | 0:41:54 | |
-I quit. -OTHERS: What? | 0:41:54 | 0:41:56 | |
You cannot just "quit". | 0:41:57 | 0:41:58 | |
Well, I can and I am. | 0:41:58 | 0:42:00 | |
Is this because of "her"? | 0:42:00 | 0:42:02 | |
Call me "her" again and see what happens. | 0:42:02 | 0:42:04 | |
Caitlin, will you shut up? | 0:42:04 | 0:42:06 | |
-Can you not see why she gave you the bullet? -Naw. | 0:42:06 | 0:42:09 | |
Suzie, Caitlin beat me today hands down. She was better. | 0:42:09 | 0:42:13 | |
I know it, and you know it too. | 0:42:13 | 0:42:14 | |
The only reason you don't want her working here | 0:42:14 | 0:42:16 | |
-is cos she's too much like you. -OTHERS: What? | 0:42:16 | 0:42:18 | |
She is. | 0:42:18 | 0:42:19 | |
She's a strong, independent woman, | 0:42:19 | 0:42:21 | |
she's intelligent, passionate about her work. | 0:42:21 | 0:42:25 | |
You two are cut from the same cloth | 0:42:25 | 0:42:27 | |
and if you don't hire her back, then, well, Suzie, | 0:42:27 | 0:42:29 | |
-you really are pretty stupid. -Ellie's right. | 0:42:29 | 0:42:32 | |
Well, I disagree. | 0:42:33 | 0:42:35 | |
Well, then you'll have no barmaids as of today | 0:42:35 | 0:42:38 | |
and two less customers for life. | 0:42:38 | 0:42:40 | |
And you'll be a bar manager down as well, my back is killing me. | 0:42:40 | 0:42:43 | |
I need to go and lie down. | 0:42:43 | 0:42:44 | |
Fine. | 0:42:48 | 0:42:49 | |
-Maybes I don't want to... -Caitlin McLean. | 0:42:51 | 0:42:54 | |
All right, all right. | 0:42:55 | 0:42:57 | |
Well, go on, customers need serving. | 0:42:57 | 0:43:01 | |
Hey, are you going to buy me a drink, then, cos I cannae afford to? | 0:43:06 | 0:43:10 | |
Nice dram. | 0:43:28 | 0:43:29 | |
Better than the Tall Ship, anyway. | 0:43:30 | 0:43:32 | |
Lock the door. | 0:43:35 | 0:43:36 | |
You and your wee games, they're finished now. | 0:43:45 | 0:43:48 | |
That's a pity. | 0:43:50 | 0:43:51 | |
We were just getting started. | 0:43:52 | 0:43:53 | |
Lenny... | 0:44:06 | 0:44:07 | |
You were in my house. | 0:44:09 | 0:44:10 | |
Murdoch! I need a statement about the car. | 0:44:15 | 0:44:17 | |
Lenny? | 0:44:20 | 0:44:21 | |
I need to deal with this. Keep an eye on him. | 0:44:29 | 0:44:32 | |
I need to take a statement from you. | 0:44:36 | 0:44:38 | |
Yeah, well, I'll put it on my To Do list. | 0:44:38 | 0:44:40 | |
I'm going to need you to come down the station now. | 0:44:40 | 0:44:42 | |
You called in the cavalry for what? A dodgy fuel line? | 0:44:42 | 0:44:46 | |
Well, I like to be thorough. | 0:44:46 | 0:44:48 | |
We could do it in your office if you like? | 0:44:48 | 0:44:50 | |
I'll meet you outside. | 0:44:50 | 0:44:51 | |
SIREN WAILS | 0:44:51 | 0:44:52 | |
-What's happening? -I've got to go. | 0:45:01 | 0:45:03 | |
You deal with him. | 0:45:04 | 0:45:05 | |
Me?! | 0:45:05 | 0:45:06 | |
It's not a request. I've got to go see the DCI. | 0:45:06 | 0:45:10 | |
I named my price. That hasn't changed. | 0:45:11 | 0:45:13 | |
Fine, but you take him away from here. | 0:45:18 | 0:45:22 | |
The polis have seen enough. | 0:45:22 | 0:45:23 | |
But if she did love me, she'd say it back, right? | 0:45:31 | 0:45:33 | |
I mean, it's no' hard. "I love you." There you go. Easy. | 0:45:33 | 0:45:37 | |
But then maybe it was my fault | 0:45:37 | 0:45:39 | |
for freaking her out by coming on too strong. | 0:45:39 | 0:45:41 | |
What do you think? | 0:45:41 | 0:45:43 | |
You're punching above your weight, Bob. | 0:45:43 | 0:45:45 | |
Say what you really think, Madonna. | 0:45:45 | 0:45:47 | |
That's not what I think, that's what Gran said. | 0:45:47 | 0:45:49 | |
I've been looking for you everywhere. What's happening? | 0:45:50 | 0:45:53 | |
We were just saying that if Kim did love me, then maybe... | 0:45:54 | 0:45:56 | |
I can't take this any more! He's your problem. | 0:45:56 | 0:45:59 | |
Right, listen. Kim's round at ours. She really wants to see you, mate. | 0:46:05 | 0:46:09 | |
All right. | 0:46:12 | 0:46:13 | |
Aye? | 0:46:14 | 0:46:15 | |
Aye. | 0:46:15 | 0:46:17 | |
So, what are you going to say? | 0:46:17 | 0:46:18 | |
That we're over. | 0:46:18 | 0:46:20 | |
Hold on, what? | 0:46:20 | 0:46:21 | |
Look, mate, you really don't want to do this. | 0:46:21 | 0:46:23 | |
-Madonna's right. -She's ten! | 0:46:23 | 0:46:25 | |
I always punch above my weight and I always get hurt, every time. | 0:46:25 | 0:46:27 | |
-Bob... -It's just a matter of time, before she ends it anyway, | 0:46:27 | 0:46:30 | |
-so, for once, I'm calling the shots. -But... | 0:46:30 | 0:46:32 | |
Look, if I get out now, then I cannae get hurt any more, can I? | 0:46:32 | 0:46:35 | |
RICK GROANS | 0:46:40 | 0:46:41 | |
It's all right. I'll take it from here, boys. | 0:46:45 | 0:46:47 | |
RICK COUGHS | 0:46:50 | 0:46:51 | |
Drink? | 0:46:56 | 0:46:57 | |
RICK CLEARS HIS THROAT | 0:47:01 | 0:47:02 | |
Sorry about the... | 0:47:06 | 0:47:07 | |
Lucky punch. | 0:47:09 | 0:47:10 | |
How's the eye? | 0:47:13 | 0:47:14 | |
Lucky punch. | 0:47:14 | 0:47:16 | |
That was a nice touch, by the way, the car bomb. | 0:47:23 | 0:47:26 | |
Really tipped him over the edge. | 0:47:27 | 0:47:29 | |
Well, you wanted fireworks. | 0:47:29 | 0:47:30 | |
But coming into his office? That was too close. | 0:47:32 | 0:47:34 | |
That was stupid, Rick. I wouldn't have been able to stop that. | 0:47:34 | 0:47:38 | |
You get what you were looking for? | 0:47:42 | 0:47:44 | |
It's been a good day. | 0:47:46 | 0:47:47 | |
Oh, what, you don't trust your own flesh and blood? | 0:47:58 | 0:48:01 | |
What time's your flight? | 0:48:12 | 0:48:13 | |
Plenty of time. | 0:48:13 | 0:48:14 | |
Cheers, cuz. | 0:48:18 | 0:48:19 | |
-Bob, wait. Stop. -No, I'm doing it. | 0:48:24 | 0:48:26 | |
-Just wait! -Move it. | 0:48:26 | 0:48:27 | |
Wait! | 0:48:27 | 0:48:29 | |
Angus, what are you doing, man? | 0:48:29 | 0:48:31 | |
Cool. | 0:48:38 | 0:48:39 | |
Angus! | 0:48:39 | 0:48:41 | |
Kim... | 0:48:44 | 0:48:45 | |
Actually, sorry, can I go first? | 0:48:45 | 0:48:48 | |
This is stupid. Why did I let her talk me into this? | 0:48:59 | 0:49:02 | |
What? | 0:49:02 | 0:49:03 | |
Kim... | 0:49:03 | 0:49:04 | |
I was just trying to find a way... | 0:49:04 | 0:49:07 | |
a way to say... | 0:49:07 | 0:49:09 | |
Why do you hate mayonnaise? | 0:49:13 | 0:49:14 | |
I love you, Bob Adams. | 0:49:20 | 0:49:22 | |
Thank you. | 0:49:24 | 0:49:25 | |
This isn't funny! | 0:49:27 | 0:49:28 | |
I'm sorry. | 0:49:28 | 0:49:30 | |
So, do you still want to end this? | 0:49:30 | 0:49:34 | |
Because that's OK. I get it. | 0:49:34 | 0:49:35 | |
Kim... | 0:49:37 | 0:49:38 | |
I never wanted to end this. | 0:49:38 | 0:49:40 | |
Are you sure? | 0:49:40 | 0:49:41 | |
Just please don't hurt me, Bob. Please don't... | 0:49:43 | 0:49:46 | |
I promise. | 0:49:46 | 0:49:47 | |
And I don't care what anybody else thinks, if I'm moving too fast... | 0:49:49 | 0:49:52 | |
..because I love you, too. | 0:49:54 | 0:49:55 | |
Yeah? | 0:49:56 | 0:49:57 | |
So...what now? | 0:50:00 | 0:50:02 | |
On the house. | 0:50:13 | 0:50:14 | |
Caitlin, you'll get fired again. | 0:50:14 | 0:50:15 | |
The old battle-axe'll never know. | 0:50:15 | 0:50:17 | |
Hey! | 0:50:17 | 0:50:18 | |
That's better. Here, do you think I should ask for a raise? | 0:50:22 | 0:50:24 | |
Er, no. | 0:50:24 | 0:50:25 | |
Maybe the morrow, eh? | 0:50:25 | 0:50:27 | |
Caitlin, service! | 0:50:27 | 0:50:30 | |
Talk about slave driver! | 0:50:30 | 0:50:31 | |
Don't know why I bother? | 0:50:31 | 0:50:33 | |
You did the right thing. | 0:50:33 | 0:50:34 | |
Aye, tell that to my bank manager. | 0:50:34 | 0:50:37 | |
So, what about the caring? | 0:50:38 | 0:50:40 | |
You can't just click your fingers, AJ. | 0:50:40 | 0:50:41 | |
Are you any good at making toasties? | 0:50:45 | 0:50:47 | |
Nah, I always put too much cheese on them | 0:50:47 | 0:50:49 | |
and it spills out over the edges or not enough cheese | 0:50:49 | 0:50:52 | |
and it just tastes like two bits of bread with air in the middle. | 0:50:52 | 0:50:55 | |
You're not really selling yourself, are you? | 0:50:55 | 0:50:57 | |
Are you offering me a job? | 0:50:58 | 0:51:00 | |
Part-time. | 0:51:00 | 0:51:02 | |
During the busy periods...but it comes with one strict condition. | 0:51:02 | 0:51:05 | |
Well, two actually. | 0:51:05 | 0:51:07 | |
One, learn how to make toasties. It's not that hard. | 0:51:07 | 0:51:11 | |
And second, it's temporary. | 0:51:11 | 0:51:13 | |
You phone round every care home in the area | 0:51:13 | 0:51:15 | |
in the next few weeks, all right? | 0:51:15 | 0:51:17 | |
Sell yourself - get back to what you trained for, | 0:51:17 | 0:51:20 | |
what you love doing. | 0:51:20 | 0:51:21 | |
You all right, darlin'? | 0:51:32 | 0:51:34 | |
The car... | 0:51:36 | 0:51:37 | |
Yeah, I know. | 0:51:41 | 0:51:42 | |
Business class. Five-star hotel. | 0:51:53 | 0:51:55 | |
On the beach. | 0:51:57 | 0:51:58 | |
Return flight. | 0:52:00 | 0:52:02 | |
So you're not sending me away, then? | 0:52:03 | 0:52:05 | |
Two weeks. Then you come home. | 0:52:05 | 0:52:08 | |
We still haven't talked properly about... | 0:52:14 | 0:52:16 | |
How you put a bullet in me? | 0:52:16 | 0:52:17 | |
I'm sorry. | 0:52:21 | 0:52:22 | |
Nothing more to say. | 0:52:26 | 0:52:27 | |
Really? | 0:52:29 | 0:52:30 | |
Oh, remember and take your suntan lotion. | 0:52:34 | 0:52:37 | |
Your mother used to have to put factor 50 on you | 0:52:37 | 0:52:39 | |
when you were a wean. | 0:52:39 | 0:52:41 | |
Well, still need it. | 0:52:41 | 0:52:42 | |
-Send me a postcard. -Oh, do people even do that any more? | 0:52:48 | 0:52:50 | |
Thanks, Dad. | 0:52:53 | 0:52:54 | |
HE DIALS | 0:53:15 | 0:53:16 | |
RINGING TONE | 0:53:17 | 0:53:19 | |
Is it done? | 0:53:22 | 0:53:23 | |
'It's done.' | 0:53:23 | 0:53:24 | |
You look very pleased with yourself. | 0:53:31 | 0:53:33 | |
Well, you've got this place back, I've got the Candle Rooms back... | 0:53:33 | 0:53:38 | |
..and we got to christen your reclaimed office. | 0:53:39 | 0:53:42 | |
Good day all round. | 0:53:42 | 0:53:43 | |
You know, it's like you masterminded the whole thing. | 0:53:45 | 0:53:48 | |
I'm not that clever. | 0:53:48 | 0:53:50 | |
If you say so. | 0:53:51 | 0:53:53 | |
You know, it's funny how they managed | 0:53:55 | 0:53:57 | |
to get your face, but, um... | 0:53:57 | 0:54:00 | |
..there's not a mark on the rest of your body. | 0:54:01 | 0:54:03 | |
Well, my face is my best feature. | 0:54:05 | 0:54:06 | |
I beg to differ. | 0:54:08 | 0:54:09 | |
I love you. | 0:54:16 | 0:54:18 | |
You're drunk. | 0:54:18 | 0:54:19 | |
Marry me. | 0:54:21 | 0:54:22 | |
You are really drunk. | 0:54:23 | 0:54:25 | |
I mean it. | 0:54:26 | 0:54:28 | |
Oh, yeah, yeah, OK, then(!) | 0:54:28 | 0:54:29 | |
Come on, why not? Let's do it. | 0:54:29 | 0:54:32 | |
Let's get hitched. | 0:54:32 | 0:54:33 | |
Are you serious? | 0:54:35 | 0:54:36 | |
What do you say? | 0:54:39 | 0:54:40 | |
Yeah? | 0:54:42 | 0:54:44 | |
Yes! | 0:54:45 | 0:54:46 | |
We're out. | 0:54:55 | 0:54:57 | |
I'll just go up and check on Robbie. | 0:55:01 | 0:55:03 | |
Take your time, I'll manage. | 0:55:03 | 0:55:05 | |
All right, Rocky. | 0:55:06 | 0:55:08 | |
Champagne. Your best bottle. | 0:55:08 | 0:55:10 | |
Keep the change. | 0:55:10 | 0:55:11 | |
Splashing the cash, eh? | 0:55:15 | 0:55:16 | |
Rick? What are you playing at? | 0:55:18 | 0:55:19 | |
I thought I'd hang around for a while. | 0:55:19 | 0:55:22 | |
Take in some of the sights, you know. | 0:55:22 | 0:55:24 | |
That wasn't the deal. | 0:55:25 | 0:55:27 | |
I'm not asking for your permission. | 0:55:27 | 0:55:29 | |
I'll see you around, cuz. | 0:55:32 | 0:55:34 | |
Your bubbles. So, what we celebrating? | 0:55:39 | 0:55:43 | |
The Fury?! | 0:55:45 | 0:55:47 | |
I don't know anything about this. | 0:55:47 | 0:55:48 | |
Aw, mate, mate, do the voice. | 0:55:48 | 0:55:50 | |
HE GROANS | 0:55:50 | 0:55:51 | |
Wait till you hear this. | 0:55:51 | 0:55:52 | |
HE CLEARS HIS THROAT | 0:55:52 | 0:55:53 | |
Huh, huh, huh - you are through to The Fury. | 0:55:56 | 0:56:01 | |
Ready and waiting. So tell me your deepest, darkest fantasies... | 0:56:01 | 0:56:09 | |
Oh, that's awful. | 0:56:09 | 0:56:11 | |
I needed the money! And Hilda loved it. | 0:56:11 | 0:56:13 | |
She did. | 0:56:13 | 0:56:15 | |
More wine, Mr Fury? | 0:56:15 | 0:56:17 | |
Yes, please. | 0:56:17 | 0:56:18 | |
I'll get it. | 0:56:18 | 0:56:19 | |
Who's Hilda? | 0:56:21 | 0:56:22 | |
TEXT ALERT | 0:56:23 | 0:56:24 | |
LAUGHTER IN BACKGROUND | 0:56:29 | 0:56:31 | |
The thing about illness, it really sorts out the sheep from the goats. | 0:56:37 | 0:56:41 | |
I only drink with my mates. | 0:56:41 | 0:56:43 | |
My name is Amandeep Jandhu and I'm a terrible friend. | 0:56:43 | 0:56:46 | |
I need your help. It's Dad. | 0:56:46 | 0:56:48 | |
He's sacked another carer. | 0:56:48 | 0:56:49 | |
He's super grumpy and he won't let me do anything for him. | 0:56:49 | 0:56:51 | |
We have a proposition for you. | 0:56:51 | 0:56:53 | |
I'm Ellie. I'm your new cleaner. | 0:56:53 | 0:56:54 | |
I can't find my phone. | 0:56:54 | 0:56:55 | |
-You looked at her tests. -I couldnae help it, they kept popping up. | 0:56:55 | 0:56:58 | |
Do you think she's cheating on you? | 0:56:58 | 0:56:59 | |
No. There's just stuff I don't know about her. | 0:56:59 | 0:57:02 | |
Bob. | 0:57:02 | 0:57:03 |