Browse content similar to 24/10/2017. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Your MS, Callum, work... something's got to give. | 0:00:21 | 0:00:24 | |
Lenny's a baddie. Baddies can't be Superman. | 0:00:24 | 0:00:28 | |
Maggie McLean's file has gone missing | 0:00:28 | 0:00:29 | |
-and you were the last person to have it. -She's collapsed. | 0:00:29 | 0:00:32 | |
I think she might have had some kind of allergic reaction to something. | 0:00:32 | 0:00:35 | |
This is tampering with evidence. | 0:00:35 | 0:00:36 | |
We can't be held accountable if we didn't have the information. | 0:00:36 | 0:00:39 | |
I don't care if the record was missing or no', | 0:00:39 | 0:00:41 | |
I'm still making a complaint. | 0:00:41 | 0:00:43 | |
You're fired. | 0:00:43 | 0:00:45 | |
No way! It says you need a drill. I don't do drills. | 0:00:47 | 0:00:50 | |
It's just like a hand mixer except with a different | 0:00:50 | 0:00:53 | |
-bit on the end of it. -I don't do baking either! | 0:00:53 | 0:00:55 | |
What am I going to do with this stuff? | 0:00:55 | 0:00:57 | |
I'll be looking at it to midnight. Where am I going to put it? | 0:00:57 | 0:00:59 | |
I have got a life as well, you know. | 0:00:59 | 0:01:01 | |
Oh, what, you and Madonna sitting in your onesies, | 0:01:01 | 0:01:03 | |
fighting over the wordsearch? | 0:01:03 | 0:01:05 | |
Hi, what's all this, then? | 0:01:05 | 0:01:07 | |
It's a wee project for my mother, | 0:01:07 | 0:01:09 | |
to keep her stimulated in her twilight years. | 0:01:09 | 0:01:12 | |
I'll twilight you! I'm in my prime. | 0:01:12 | 0:01:14 | |
-Like Miss Jean Brodie. -Eh? | 0:01:14 | 0:01:17 | |
-Miss Jean Brodie! -Was she no' an old spinster that didnae have a life? | 0:01:17 | 0:01:20 | |
No, she was a free spirit that embraced life. | 0:01:20 | 0:01:24 | |
Had all her lovers dangling on a string. | 0:01:26 | 0:01:27 | |
Oh, did she, now?! | 0:01:27 | 0:01:29 | |
-Catch you later. -No' if I catch you first. | 0:01:29 | 0:01:32 | |
What? | 0:01:33 | 0:01:34 | |
Charlotte, come and eat your breakfast. | 0:01:37 | 0:01:39 | |
It's all right, I gave her some flakes while you were in the shower. | 0:01:41 | 0:01:44 | |
Did she actually eat any? | 0:01:44 | 0:01:46 | |
Oh, look at you, sweetheart. All up and dressed before me. | 0:01:47 | 0:01:51 | |
I'm Charlotte, Grandad, not sweetheart. | 0:01:51 | 0:01:53 | |
Nearly forgot someone. | 0:01:53 | 0:01:55 | |
-Your wee pal. -He's a blue stegosaurus. | 0:01:55 | 0:01:58 | |
Yeah, of course he is. Right, you and Stegosaurus need to get going. | 0:02:00 | 0:02:03 | |
Come on, Grandad, you need to get dressed. | 0:02:03 | 0:02:05 | |
Ah, but I'm already dressed. | 0:02:05 | 0:02:08 | |
It's fine, I'll take her today. | 0:02:08 | 0:02:10 | |
What, at this time? I always take her to school. | 0:02:10 | 0:02:12 | |
Yeah, and this morning, I want to take her. | 0:02:12 | 0:02:15 | |
Tell you what, I'll come and pick you up, eh? | 0:02:15 | 0:02:17 | |
You can't, me and Mummy will be on our special trip. | 0:02:17 | 0:02:21 | |
What special trip? | 0:02:21 | 0:02:22 | |
She's just confused. Might be a school trip. | 0:02:22 | 0:02:25 | |
It's nothing to do with the school trip. | 0:02:25 | 0:02:28 | |
Can your granda no' come? | 0:02:28 | 0:02:29 | |
Granda needs to clear this mess up, eh? | 0:02:29 | 0:02:33 | |
You've not got anything else to do, have you? | 0:02:33 | 0:02:35 | |
Right, Charlotte, we're going to be late. | 0:02:35 | 0:02:37 | |
I can't be late, Ma! | 0:02:37 | 0:02:38 | |
DRILL WHINES You are pure doing my nut in! | 0:02:44 | 0:02:48 | |
Get in! | 0:02:48 | 0:02:50 | |
-Are you serving the day or what? -I says gie us a minute! | 0:02:50 | 0:02:53 | |
Scarlett, that was ages ago. I'm starvin'. | 0:02:53 | 0:02:55 | |
Angus, would you say it was acceptable for a woman my age | 0:02:56 | 0:03:00 | |
-to get back on the randan? -What? | 0:03:00 | 0:03:02 | |
You know, the randan. The scene. | 0:03:02 | 0:03:06 | |
The whoo bus. The push and pull. | 0:03:06 | 0:03:08 | |
-I suppose. -And if I was to get back on that bus... | 0:03:10 | 0:03:12 | |
-The whoo bus. -Aye. | 0:03:12 | 0:03:14 | |
..and you seen me on it, would you think to yourself, | 0:03:14 | 0:03:17 | |
"Oh, she's a fine-looking woman for her age"? | 0:03:17 | 0:03:20 | |
-Scarlett, I'm your son's best pal! -Just tell me. | 0:03:20 | 0:03:23 | |
Aye. Aye, you're all right, I suppose. | 0:03:24 | 0:03:26 | |
All right, aye, or all right, I'm no'? | 0:03:26 | 0:03:29 | |
Erm, you've got a nice...forehead. | 0:03:29 | 0:03:31 | |
-Is that all? -And good... | 0:03:32 | 0:03:34 | |
..good hair. Good, strong... | 0:03:37 | 0:03:39 | |
-..follicles. -I mean this! -Aye, it's pleasant. -Pleasant? | 0:03:40 | 0:03:43 | |
Pleasant is for budgies or meal deals, no' a woman's face. | 0:03:43 | 0:03:47 | |
You know your trouble, Angus? | 0:03:47 | 0:03:49 | |
You don't eat a good enough breakfast here. | 0:03:49 | 0:03:51 | |
Have one of them on the house, they're full of goodness. | 0:03:51 | 0:03:53 | |
Everything in that basket of his is beige. No, you're all right. | 0:03:53 | 0:03:57 | |
The young ones these days! | 0:03:57 | 0:03:58 | |
It's amazing they've no' all got rickets. | 0:03:58 | 0:04:00 | |
SHE CHUCKLES | 0:04:00 | 0:04:01 | |
-What can I get you? -A good lawyer, by the looks of it. | 0:04:01 | 0:04:04 | |
This pineapple stand, it's doing my dome in. Honestly! | 0:04:04 | 0:04:08 | |
I just don't have a scooby how to screw anything. | 0:04:09 | 0:04:12 | |
I mean... The shelf, I mean, no' me personally. | 0:04:12 | 0:04:15 | |
Do you want me to have a go? | 0:04:15 | 0:04:16 | |
SHE GIGGLES | 0:04:17 | 0:04:19 | |
The shelf, I mean, no' you personally. | 0:04:19 | 0:04:22 | |
Aye, be my guest. | 0:04:22 | 0:04:24 | |
DRILL WHINES Oh! | 0:04:25 | 0:04:27 | |
Can't be hanging around outside my house, we agreed. | 0:04:28 | 0:04:30 | |
Hey, when it comes to 30K, I can be wherever I want, trust me. | 0:04:30 | 0:04:34 | |
He said he'll get your money, so he will. | 0:04:34 | 0:04:36 | |
Oh, he will, but that's no' what I'm worried about. | 0:04:36 | 0:04:38 | |
-So what's the problem, then? -Him and Lenny in cahoots! | 0:04:38 | 0:04:42 | |
-That's my problem. -What are you talking about? -Look... | 0:04:42 | 0:04:44 | |
I don't want to blow my own trumpet, | 0:04:46 | 0:04:48 | |
but when I ask somebody for what's mine, they cough it up pronto. | 0:04:48 | 0:04:51 | |
It's been three weeks and it tells me | 0:04:51 | 0:04:53 | |
he's doing someone else with my money. | 0:04:53 | 0:04:55 | |
Think about it, gives the 30K to Lenny, Lenny invests it | 0:04:55 | 0:04:59 | |
in a few deals, Stevie could double his money in a few weeks. | 0:04:59 | 0:05:02 | |
-Lenny is retired. -What do you think he's doing? | 0:05:02 | 0:05:05 | |
Playing carpet bowls? | 0:05:07 | 0:05:08 | |
Making miniature windmills for his pals? | 0:05:09 | 0:05:11 | |
-Folk like Lenny never retire. -Stevie wouldn't risk it. | 0:05:11 | 0:05:14 | |
You inherited him from Lenny, Lenny is his first port of call. | 0:05:14 | 0:05:17 | |
Risk has got nothing to do with it. | 0:05:17 | 0:05:19 | |
Watch him. | 0:05:21 | 0:05:23 | |
Keep him close. | 0:05:23 | 0:05:24 | |
-Right, put part A... -Uh-huh. | 0:05:29 | 0:05:32 | |
-..in part C... -Uh-huh. | 0:05:32 | 0:05:34 | |
..then click part D into the perforated area. | 0:05:34 | 0:05:39 | |
But I've done that. | 0:05:39 | 0:05:41 | |
We're like Haudit and Daudit here. I mean, how hard can this be?! | 0:05:41 | 0:05:45 | |
Oh! THEY LAUGH | 0:05:45 | 0:05:48 | |
I'm sorry. | 0:05:49 | 0:05:50 | |
BOTH: So, do you...? | 0:05:52 | 0:05:54 | |
-You go first. -No, you go first. | 0:05:54 | 0:05:56 | |
Well, do you ever... | 0:05:57 | 0:05:58 | |
..get out and about much? | 0:06:00 | 0:06:01 | |
-Out-out? -Aye. | 0:06:02 | 0:06:04 | |
Aye, well, I've got weans, so it's... | 0:06:04 | 0:06:07 | |
Oh, but I mean, I can get out-out if I really needed to, aye. | 0:06:07 | 0:06:11 | |
Well... | 0:06:11 | 0:06:13 | |
Where is it? | 0:06:13 | 0:06:14 | |
Ah, I've heard it can make you ten years younger | 0:06:14 | 0:06:16 | |
and gie you the energy of a whippet. | 0:06:16 | 0:06:19 | |
-You should try it. -What's that meant to mean? | 0:06:19 | 0:06:22 | |
You're looking awfy... | 0:06:22 | 0:06:24 | |
-Awfy what? -Awfy peely-wally. | 0:06:24 | 0:06:27 | |
Scarlett, have you got a screwdriver? | 0:06:27 | 0:06:29 | |
In the back shop. | 0:06:29 | 0:06:30 | |
-Do you know what you need, hen? -What? -Some fun. | 0:06:32 | 0:06:35 | |
Something to bring the rosiness back into they cheeks of yours. | 0:06:35 | 0:06:37 | |
Aye, well, I was just trying to get some fun when you barged in there. | 0:06:37 | 0:06:40 | |
Aye, well, the trouble with you is, Scarlett, | 0:06:40 | 0:06:42 | |
you're too feart to let they weans go. | 0:06:42 | 0:06:45 | |
They can look after themselves | 0:06:45 | 0:06:46 | |
and it's about time you started looking after number one. | 0:06:46 | 0:06:50 | |
You'll be a long time deid. | 0:06:50 | 0:06:52 | |
Oh, listen, I don't suppose you fancy coming to | 0:06:52 | 0:06:55 | |
my jive class the night? | 0:06:55 | 0:06:57 | |
-We're a wee bit short on big handsome men. -Ma! | 0:06:57 | 0:07:00 | |
-Two left feet, I'm afraid. -Do you hear that, hen? | 0:07:00 | 0:07:03 | |
Yous two were made for each other! | 0:07:03 | 0:07:07 | |
Get his number. | 0:07:07 | 0:07:09 | |
Right, erm, part A... | 0:07:10 | 0:07:13 | |
Checking up on me? | 0:07:21 | 0:07:22 | |
-Just passing. -Were you just passing earlier as well, I take it? | 0:07:23 | 0:07:26 | |
Too many drivers. | 0:07:29 | 0:07:30 | |
You expand too fast, a sure way to bankruptcy. | 0:07:30 | 0:07:33 | |
I need to expand to keep up with the demand. | 0:07:33 | 0:07:36 | |
You can't just be dropping by here whenever you feel like it. | 0:07:40 | 0:07:42 | |
That right? | 0:07:42 | 0:07:44 | |
As long as you're here, they'll look to you and not me. | 0:07:44 | 0:07:47 | |
So if I'm going to run this place the way I want, | 0:07:47 | 0:07:49 | |
I need their full attention, | 0:07:49 | 0:07:51 | |
and I need you to not be dropping in here whenever the mood takes you. | 0:07:51 | 0:07:54 | |
I'm the boss and I set the rules. | 0:07:56 | 0:07:59 | |
Is that clear? | 0:07:59 | 0:08:00 | |
Howfoot, bad payers. | 0:08:05 | 0:08:07 | |
Wouldnae touch it with a barge pole. | 0:08:07 | 0:08:09 | |
Oh, your sister, if you see her, | 0:08:09 | 0:08:12 | |
tell her to call me. | 0:08:12 | 0:08:14 | |
Hi. We're not open yet but feel free to take a pew. | 0:08:27 | 0:08:30 | |
-You look lost. -No, just chilling, checking out the vibe. | 0:08:35 | 0:08:38 | |
Ah, shooting the breeze from one cosmic hamlet to another. | 0:08:38 | 0:08:42 | |
Something like that. | 0:08:42 | 0:08:43 | |
I used to be you. | 0:08:44 | 0:08:46 | |
-Did you? -Yeah. | 0:08:46 | 0:08:48 | |
Writing poems on fag papers, | 0:08:48 | 0:08:50 | |
-dancing in a loincloth under a new moon. -You travelled a lot? | 0:08:50 | 0:08:53 | |
I've been around in my time. America, Europe, Milton Keynes. | 0:08:53 | 0:08:57 | |
Oh, here, here. | 0:08:59 | 0:09:00 | |
If the wife asks, say it was the postman what did it. | 0:09:02 | 0:09:05 | |
-I don't want to get you in trouble. -Och! | 0:09:06 | 0:09:08 | |
-I'm actually looking for a room to rent. -Oh. | 0:09:08 | 0:09:11 | |
What about here? | 0:09:11 | 0:09:13 | |
The Ship used to rent rooms but we're full to the gunwales now. | 0:09:13 | 0:09:16 | |
You don't ask, you don't get. | 0:09:16 | 0:09:17 | |
We've taken in a lot of waifs and strays. | 0:09:17 | 0:09:20 | |
Oh, thanks very much! | 0:09:20 | 0:09:21 | |
No, I didn't been like that, it's just that we seem to accrue folk. | 0:09:21 | 0:09:25 | |
We've got Suzie, Danny, Jules... | 0:09:25 | 0:09:27 | |
-Jules? -Yeah. | 0:09:27 | 0:09:30 | |
Don't know where we found Jules. | 0:09:30 | 0:09:31 | |
She's away on a field trip with the uni. | 0:09:31 | 0:09:33 | |
Lucky for some. Doing what? | 0:09:33 | 0:09:36 | |
Engineering. | 0:09:36 | 0:09:37 | |
Hope you're going to give me the £1.50 for that can | 0:09:37 | 0:09:40 | |
you've just gave away. | 0:09:40 | 0:09:41 | |
This isnae the '60s, doll, there's nothing free going about here. | 0:09:41 | 0:09:44 | |
-Eyes like a hawk. -And arms like Godzilla if you don't | 0:09:44 | 0:09:46 | |
get a move on with they tables. | 0:09:46 | 0:09:48 | |
Mind, we need to be at the hospital for lunchtime | 0:09:48 | 0:09:50 | |
because we're picking up my maw an' all. | 0:09:50 | 0:09:53 | |
-Hospital? -Aye, her mum, she gets out today. | 0:09:53 | 0:09:55 | |
I need to get a job. | 0:09:57 | 0:09:59 | |
-You're not looking for any extra bar staff here, are you? -I'm sorry. | 0:09:59 | 0:10:02 | |
There's a new restaurant, The Two Jailbirds. | 0:10:04 | 0:10:07 | |
-They might be looking. -Thanks, erm... | 0:10:07 | 0:10:09 | |
-Pete. -Rock. -And roll. | 0:10:09 | 0:10:12 | |
No, Pete means "rock" in Greek. | 0:10:12 | 0:10:14 | |
That's me, The Rock. | 0:10:14 | 0:10:17 | |
I didn't catch your name. | 0:10:19 | 0:10:22 | |
Shelley. It's French for "gift from God". | 0:10:22 | 0:10:25 | |
-Oh, really? -No. | 0:10:25 | 0:10:27 | |
Pete! | 0:10:28 | 0:10:30 | |
PHONE RINGS | 0:10:32 | 0:10:34 | |
I'm afraid Dr Murdoch's on leave at the moment | 0:10:34 | 0:10:36 | |
but the locum shouldn't be long, so just wait here. | 0:10:36 | 0:10:39 | |
Sorry, it's been manic all morning. | 0:10:39 | 0:10:41 | |
SHE SIGHS | 0:10:42 | 0:10:44 | |
I just wondered if you have anything for today. | 0:10:46 | 0:10:49 | |
With the new doctor, if at all possible. | 0:10:49 | 0:10:51 | |
Let me see if I've had any cancellations. | 0:10:51 | 0:10:53 | |
Annie? | 0:10:56 | 0:10:57 | |
I thought I fired you. | 0:10:57 | 0:10:59 | |
I'll rearrange for another time, Kim. Thanks anyway. | 0:10:59 | 0:11:02 | |
You can't be here. | 0:11:04 | 0:11:06 | |
And neither should you be. | 0:11:06 | 0:11:07 | |
If we're being pedantic about it. | 0:11:07 | 0:11:10 | |
I was reinstated. | 0:11:10 | 0:11:12 | |
You can send the next patient in, then, can't you? | 0:11:12 | 0:11:14 | |
Aw, oh! SCARLETT LAUGHS | 0:11:19 | 0:11:21 | |
It's dead awkward, this, isn't it? | 0:11:21 | 0:11:23 | |
Put it against there, they'll no' know. | 0:11:23 | 0:11:26 | |
There you go. | 0:11:26 | 0:11:27 | |
Do you think the gaffer tape will hold it? | 0:11:27 | 0:11:29 | |
We've used the full roll. I mean, that display is no' for shifting. | 0:11:29 | 0:11:33 | |
-Good thinking, Batman! -No' the first time. | 0:11:33 | 0:11:35 | |
My daughter's Wendy house, Christmas Eve, 2000... Oh! | 0:11:35 | 0:11:39 | |
Oh, right, you've got weans? | 0:11:39 | 0:11:41 | |
-Two girls. -Aww! | 0:11:41 | 0:11:44 | |
I don't see them near as much as I'd like to. | 0:11:44 | 0:11:47 | |
-They're lovely. -Aye. | 0:11:48 | 0:11:50 | |
And then when you do see them, | 0:11:50 | 0:11:52 | |
you worry about what you might have missed. | 0:11:52 | 0:11:54 | |
Keep busy, that's my motto. | 0:11:55 | 0:11:58 | |
What about you? You separated? Divorced? | 0:11:58 | 0:12:01 | |
Separated. It's a long story, but. | 0:12:01 | 0:12:04 | |
I've got all day. | 0:12:04 | 0:12:05 | |
Aye, have you got a whole weekend with nae interruptions, | 0:12:05 | 0:12:08 | |
me going at it like the clappers? | 0:12:08 | 0:12:09 | |
Oh! | 0:12:10 | 0:12:11 | |
Lydia! | 0:12:14 | 0:12:15 | |
-Your magazine came in the day. -Magazine? -Aye. | 0:12:15 | 0:12:19 | |
You know, the one about... catering and the Costa Del Sol. | 0:12:19 | 0:12:24 | |
Oh, good. I look forward to reading that. | 0:12:25 | 0:12:28 | |
Aye, there's some really nice recipes in it. | 0:12:28 | 0:12:30 | |
We could chat through them right now, this second. | 0:12:30 | 0:12:33 | |
-Will I just go the now? -Aye. -No. | 0:12:33 | 0:12:35 | |
I mean, well, we're just going to be discussing herbs and spices | 0:12:36 | 0:12:41 | |
and stuff about tomatoes. | 0:12:41 | 0:12:44 | |
I'll leave you to your tomatoes and that. | 0:12:46 | 0:12:49 | |
Aye, see you. | 0:12:49 | 0:12:50 | |
Don't say a word. | 0:12:54 | 0:12:56 | |
SHE CHUCKLES | 0:12:58 | 0:13:00 | |
I'm needing some cover for today, possibly tomorrow. | 0:13:03 | 0:13:07 | |
No, don't put me on hold. | 0:13:07 | 0:13:09 | |
I'm from the agency. | 0:13:11 | 0:13:14 | |
Well, that was quick, | 0:13:14 | 0:13:15 | |
considering I didn't actually get through to anyone. | 0:13:15 | 0:13:17 | |
Can't say I don't get brownie points for trying. | 0:13:17 | 0:13:20 | |
How do I know you're legit? | 0:13:20 | 0:13:22 | |
Passport, national insurance number, bank card - | 0:13:22 | 0:13:24 | |
all here. | 0:13:24 | 0:13:25 | |
References, work experience? | 0:13:25 | 0:13:27 | |
Phone numbers from every bar, cafe, hotel I've worked in over | 0:13:28 | 0:13:31 | |
the past few years in and around Southeast Asia. Just ask for Jimmy. | 0:13:31 | 0:13:35 | |
And they're all called Jimmy? | 0:13:35 | 0:13:37 | |
Saves any confusion. | 0:13:37 | 0:13:39 | |
Look, I know it's not the best CV in the world, | 0:13:41 | 0:13:43 | |
but I've been out there, | 0:13:43 | 0:13:45 | |
travelling the big bad world, surviving on my own for years. | 0:13:45 | 0:13:49 | |
Surely that's the best training anyone can have. | 0:13:49 | 0:13:51 | |
Please. | 0:13:52 | 0:13:54 | |
I need a break. | 0:13:54 | 0:13:55 | |
And what would you say is the golden rule of being a waiter? | 0:13:55 | 0:13:58 | |
Never serve anything or anyone that looks creepy, runny or wrong. | 0:13:58 | 0:14:02 | |
When can you start? | 0:14:05 | 0:14:07 | |
After you buy me breakfast. I'm starving. | 0:14:07 | 0:14:10 | |
Come on. | 0:14:10 | 0:14:11 | |
Through here. | 0:14:14 | 0:14:15 | |
-I can't ask him out. -Why not? | 0:14:19 | 0:14:22 | |
You said he was about to ask you. | 0:14:22 | 0:14:24 | |
Maybe I imagined it. And I don't even know him. | 0:14:24 | 0:14:27 | |
Well, that's the nice bit, the getting to know you bit. | 0:14:27 | 0:14:30 | |
Oh, I feel all sick when I'm around him, but. Hot flushes. | 0:14:30 | 0:14:34 | |
I start talking rubbish. | 0:14:34 | 0:14:36 | |
I couldn't even finish my egg roll this morning and that's no' me. | 0:14:36 | 0:14:38 | |
-Well, that's called attraction. -It's called stupidity. | 0:14:38 | 0:14:41 | |
At my age? What am I thinking? | 0:14:41 | 0:14:43 | |
There is no age limit to falling for someone. | 0:14:43 | 0:14:46 | |
Well, at least I hope not. | 0:14:46 | 0:14:49 | |
What if he turns out to be a nutter? | 0:14:49 | 0:14:51 | |
I mean, they all start off as nice as pie and then they turn on you. | 0:14:51 | 0:14:54 | |
-I mean, what if that happens again? -But you're a different woman now. | 0:14:54 | 0:14:57 | |
And wiser. | 0:14:57 | 0:14:58 | |
And think of what you've learned. | 0:14:58 | 0:15:00 | |
Aye, that you're better off on your ain. Naebody gets hurt that way. | 0:15:00 | 0:15:03 | |
So is that it, then? Conversation over? | 0:15:03 | 0:15:06 | |
Well, I've got wee Madonna to think about. | 0:15:07 | 0:15:09 | |
I mean, it's no' just me. | 0:15:09 | 0:15:10 | |
But having Madonna and having a life don't cancel each other out. | 0:15:10 | 0:15:13 | |
You can have both, you know. | 0:15:13 | 0:15:15 | |
-What if I ask him and he says no? -He might say yes. | 0:15:15 | 0:15:18 | |
Right, well, what if he says aye and then I fall in love with him | 0:15:18 | 0:15:21 | |
and then he turns into a nutter and then he breaks my heart? | 0:15:21 | 0:15:24 | |
Well, you won't know that until you get to know him. | 0:15:24 | 0:15:27 | |
-And you won't get to know him unless... -I ask him out. | 0:15:27 | 0:15:30 | |
So if you don't take a chance, you don't stand a chance. | 0:15:30 | 0:15:33 | |
-You can't be here. -As you can see, I am, so... | 0:15:41 | 0:15:44 | |
Annie, it doesn't look good. KNOCKING | 0:15:44 | 0:15:47 | |
-The locum's here. What do I do? -Annie, please. | 0:15:47 | 0:15:50 | |
I'm surprised Kim hasn't called the police already. | 0:15:50 | 0:15:52 | |
-I wouldn't do that. -I trusted you. | 0:15:52 | 0:15:54 | |
She was the one that called me to come and get you. | 0:15:54 | 0:15:56 | |
You have to give her that. | 0:15:56 | 0:15:57 | |
I don't have to give her anything, she cost me my career! | 0:15:57 | 0:16:00 | |
Do you know how much this place means to me? Do you? | 0:16:00 | 0:16:03 | |
You need to calm down and come home with me now. | 0:16:03 | 0:16:05 | |
Do not patronise me. | 0:16:05 | 0:16:07 | |
PHONE RINGS | 0:16:07 | 0:16:09 | |
How are you getting away scot-free when I'm about to lose everything? | 0:16:10 | 0:16:14 | |
I did that for you. | 0:16:14 | 0:16:15 | |
No, you did it to prove to Lenny that you can match him. | 0:16:15 | 0:16:18 | |
-It's got nothing to do with me. -I had to sort things out. | 0:16:18 | 0:16:20 | |
Then sort this out. | 0:16:20 | 0:16:22 | |
That complaint, it has to disappear. | 0:16:23 | 0:16:27 | |
And fast. | 0:16:28 | 0:16:29 | |
Who will I say is asking? Sorry, demanding. | 0:16:34 | 0:16:37 | |
Oh, aye, where did they find you, then? | 0:16:37 | 0:16:40 | |
A little boutique agency called takes-no-gyp.com. Ever heard of it? | 0:16:40 | 0:16:44 | |
Yeah. That's next door to less-of-your-cheek-doll.com. | 0:16:44 | 0:16:48 | |
Heard of that? | 0:16:48 | 0:16:49 | |
Just tell Amber Lenny dropped by. | 0:16:50 | 0:16:52 | |
Lenny Henry? Lenny Bruce? Lenny Kravitz? | 0:16:54 | 0:16:59 | |
-Her da. -Her D-A... | 0:16:59 | 0:17:02 | |
-Just tell my daughter to call me. -Sure. | 0:17:04 | 0:17:06 | |
-Where's Amber? -How should I know? | 0:17:08 | 0:17:11 | |
You're business partners, you work together. Where is she? | 0:17:11 | 0:17:15 | |
Well, she asked me not to... | 0:17:15 | 0:17:16 | |
I don't give a monkey's what she asked you. Tell me. | 0:17:16 | 0:17:19 | |
She's up the hospital with Charlotte, getting some tests. | 0:17:20 | 0:17:24 | |
What hospital? | 0:17:24 | 0:17:26 | |
She didnae say. | 0:17:26 | 0:17:27 | |
Hiya! Fancy coming out for a voddy with me the night? | 0:17:35 | 0:17:39 | |
No, it's too common. | 0:17:39 | 0:17:40 | |
Douglas... No, Dougie. | 0:17:40 | 0:17:43 | |
Do you fancy coming out on a date with me tonight, aye or naw? | 0:17:44 | 0:17:48 | |
-Seven? -Well, you have to have bridesmaids! | 0:17:53 | 0:17:56 | |
-Aye, but no' half of Shieldinch. -Well, just the six, then. | 0:17:56 | 0:17:59 | |
-Did you get a hold of Amber? -No. | 0:18:07 | 0:18:09 | |
-If she turns up, tell her I'm looking for her. -Aye. | 0:18:09 | 0:18:11 | |
Oh, by the way... | 0:18:11 | 0:18:13 | |
-Up to anything later? -No. How? | 0:18:13 | 0:18:16 | |
I want a complete update on everything they two are brewing. | 0:18:17 | 0:18:20 | |
Dougie! | 0:18:29 | 0:18:30 | |
-All right? -Aye, you? -Aye. | 0:18:32 | 0:18:34 | |
-Are you wanting something? -No, aye, no. | 0:18:36 | 0:18:40 | |
Actually, erm... | 0:18:40 | 0:18:41 | |
Would you like to go out on a date with me the night? | 0:18:43 | 0:18:46 | |
-Oh, I don't know if... -Don't worry about it, it's fine. | 0:18:46 | 0:18:49 | |
It's fine. | 0:18:49 | 0:18:50 | |
Gloria! | 0:18:52 | 0:18:54 | |
Hi! | 0:18:55 | 0:18:56 | |
Knock, knock. | 0:19:07 | 0:19:09 | |
Pete. Sit down. | 0:19:09 | 0:19:11 | |
How's Maggie doing? I heard she's getting out today. | 0:19:15 | 0:19:17 | |
Aye, she's fine. She gets out this afternoon. | 0:19:17 | 0:19:20 | |
Well, get a cab to collect her. Put it on my account. | 0:19:20 | 0:19:22 | |
-There's no need to do that. -I'd like to. | 0:19:22 | 0:19:24 | |
-Is everything all right? -Yeah, it's a lovely gesture, boss, it's just... | 0:19:27 | 0:19:31 | |
Just Caitlin, you know, she's still a bit, you know... | 0:19:31 | 0:19:34 | |
-We're in the middle of a meeting here. -Shift. | 0:19:36 | 0:19:38 | |
-As director of field operations within this establishment... -Shift! | 0:19:38 | 0:19:42 | |
I was right. | 0:19:48 | 0:19:50 | |
-About what? -I just saw Stevie talking to Lenny. | 0:19:50 | 0:19:53 | |
It means nothing. | 0:19:53 | 0:19:54 | |
What do you mean, it means nothing? He's a grass! | 0:19:54 | 0:19:57 | |
I'm no' starting wars because you saw two folk talking in the street. | 0:19:57 | 0:20:00 | |
-I don't want to tell you how to run your business... -Then don't. | 0:20:05 | 0:20:08 | |
..but if I was you, I'd be having a quiet word with Stevie O'Hara. | 0:20:08 | 0:20:12 | |
Find out where his loyalties lie. | 0:20:12 | 0:20:13 | |
If you don't, I can definitely prize it out of him. | 0:20:13 | 0:20:17 | |
Fine. | 0:20:17 | 0:20:19 | |
If it makes you sleep easier at night, I'll have a word. | 0:20:19 | 0:20:22 | |
Oh, I sleep OK, cuz. | 0:20:22 | 0:20:23 | |
It's you I'm worried about. | 0:20:23 | 0:20:25 | |
DOOR SLAMS | 0:20:28 | 0:20:29 | |
Lyddie! | 0:20:41 | 0:20:42 | |
Hey. | 0:20:43 | 0:20:45 | |
Hello! Hi! | 0:20:45 | 0:20:47 | |
What did the doctors say? | 0:20:49 | 0:20:50 | |
-Oh... -What did they say? | 0:20:50 | 0:20:52 | |
Well, they can't diagnose anything yet. It's going to take more time. | 0:20:52 | 0:20:55 | |
-What kind of answer's that? -They're the experts. They know what they're talking about. | 0:20:55 | 0:20:58 | |
-Aye, sound like a bunch of amateurs to me. -Is everything all right? | 0:20:58 | 0:21:01 | |
Look, I know people, OK? They can pull strings, | 0:21:01 | 0:21:03 | |
get her in, seen early. Just let me help. | 0:21:03 | 0:21:04 | |
-I don't need your help, Dad. -You've got to sort this, Amber. | 0:21:04 | 0:21:07 | |
Well, how can I sort something when I don't know what it is yet? | 0:21:07 | 0:21:10 | |
See? See, this is what I mean. | 0:21:10 | 0:21:12 | |
This is why I should have been with you the day. | 0:21:12 | 0:21:14 | |
You don't ask enough questions | 0:21:14 | 0:21:15 | |
and you don't push for answers. You're too soft with them. | 0:21:15 | 0:21:17 | |
Amber, why don't you take Charlotte into the house? | 0:21:17 | 0:21:19 | |
You think I didn't ask questions? | 0:21:19 | 0:21:21 | |
Ten pages of questions, 20 pages of notes. | 0:21:21 | 0:21:24 | |
You want to check if I've missed anything out, | 0:21:24 | 0:21:25 | |
seeing as you're the expert? | 0:21:25 | 0:21:27 | |
Come on, Charlotte. | 0:21:27 | 0:21:29 | |
Come on. | 0:21:29 | 0:21:30 | |
You never let me finish. | 0:21:39 | 0:21:41 | |
Finish what? | 0:21:41 | 0:21:42 | |
Earlier, when you were asking... | 0:21:43 | 0:21:46 | |
-Just out of interest, what do yous two talk about? -Eh? | 0:21:46 | 0:21:50 | |
Well, if the romance is over and you sit down and, you know, | 0:21:50 | 0:21:52 | |
have a conversation and a laugh and that. | 0:21:52 | 0:21:55 | |
I mean, would she even know who Dusty Bin was? | 0:21:55 | 0:21:58 | |
Or Duran Duran or... Shake N' Vac? | 0:21:58 | 0:22:01 | |
Gloria? | 0:22:03 | 0:22:04 | |
She's my niece! | 0:22:04 | 0:22:05 | |
-Oh, I thought she was... -What, that we were an item? | 0:22:07 | 0:22:09 | |
HE LAUGHS | 0:22:09 | 0:22:10 | |
Well, men always prefer younger women, don't they? | 0:22:10 | 0:22:13 | |
Hmm. No' always. | 0:22:13 | 0:22:15 | |
Maybe, er... | 0:22:16 | 0:22:19 | |
..I prefer my women a bit more...mature. | 0:22:19 | 0:22:23 | |
Oh, aye? | 0:22:23 | 0:22:24 | |
I especially like it if they know who Dusty Bin is. | 0:22:24 | 0:22:28 | |
SHE GIGGLES | 0:22:28 | 0:22:30 | |
Oh, and by the way, Duran Duran - | 0:22:30 | 0:22:34 | |
lightweights. | 0:22:34 | 0:22:35 | |
Spandau Ballet, they were a band to follow. | 0:22:35 | 0:22:38 | |
-I think you'll find Duran Duran had more hits. -Oh... | 0:22:38 | 0:22:41 | |
Oh, well, the Durans may have had the hits, | 0:22:41 | 0:22:44 | |
but the Spandaus had more depth. | 0:22:44 | 0:22:46 | |
Oh? The Wild Boys, The Reflex, Rio? They all had depth. | 0:22:46 | 0:22:51 | |
You were just too busy trying to be cool to hear it. | 0:22:51 | 0:22:54 | |
-I'll convert you. -Oh, will you, now? | 0:22:54 | 0:22:57 | |
Anyway, about earlier... | 0:22:58 | 0:23:00 | |
-Oh, forget it. -I just wanted to say... | 0:23:00 | 0:23:03 | |
..I'd love to go out tonight. | 0:23:04 | 0:23:06 | |
-Seriously? -Aye. | 0:23:06 | 0:23:08 | |
Look, just let me check I can get cover. | 0:23:08 | 0:23:12 | |
-I'll pop back in later, all right? Once I'm sure. -Aye, all right. | 0:23:12 | 0:23:16 | |
-Dougie? -Aye? | 0:23:16 | 0:23:18 | |
I mean, are you sure? | 0:23:18 | 0:23:20 | |
You don't have to. | 0:23:20 | 0:23:22 | |
I want to. | 0:23:22 | 0:23:24 | |
Right. | 0:23:24 | 0:23:26 | |
I'm not accusing you of anything. I'm merely asking. | 0:23:31 | 0:23:34 | |
What's this about? | 0:23:34 | 0:23:36 | |
You served under Lenny. | 0:23:36 | 0:23:38 | |
-Aye, so? -So you might still feel a loyalty towards him. | 0:23:38 | 0:23:41 | |
I'm loyal to you, 100%. | 0:23:41 | 0:23:43 | |
Good. | 0:23:43 | 0:23:44 | |
Let's keep it that way. | 0:23:44 | 0:23:45 | |
-Is this Rick's doing? -Rick? | 0:23:47 | 0:23:50 | |
I thought this might be about his money. | 0:23:50 | 0:23:52 | |
He's a big boy, he can take care of that himself. | 0:23:53 | 0:23:56 | |
I'm going to need a wee bit more time. | 0:23:57 | 0:23:59 | |
Well, don't take too long. | 0:23:59 | 0:24:00 | |
He's not a man who's known for his patience. | 0:24:00 | 0:24:03 | |
-Is that everything? -Yeah. | 0:24:03 | 0:24:05 | |
For now. | 0:24:05 | 0:24:06 | |
Oh... | 0:24:09 | 0:24:11 | |
Erm... | 0:24:11 | 0:24:13 | |
I just saw Maggie. | 0:24:13 | 0:24:14 | |
Thought you might want to know that she's out. | 0:24:14 | 0:24:16 | |
You shouldn't even be standing. | 0:24:22 | 0:24:24 | |
Will you two stop fussing? I'm fine. | 0:24:24 | 0:24:26 | |
-The doctor says you've not overdo it, Mum. -Ellie, I know my own body. | 0:24:26 | 0:24:29 | |
I'm fine. | 0:24:29 | 0:24:30 | |
Right... What are yous having? | 0:24:31 | 0:24:33 | |
-Drinks are on me. -Let me. | 0:24:33 | 0:24:35 | |
Welcome home, Maggie. How are you feeling? | 0:24:37 | 0:24:39 | |
-Ah, good as new. -This is for you. It's for loss of earnings. | 0:24:39 | 0:24:42 | |
-Oh. -You cannae buy people off! -Caitlin! | 0:24:42 | 0:24:45 | |
I'm not trying to buy anybody off. | 0:24:45 | 0:24:48 | |
Alex... | 0:24:48 | 0:24:50 | |
..you tried to pay them off? | 0:24:50 | 0:24:51 | |
We won't be bought. | 0:24:51 | 0:24:52 | |
What? They need to know. | 0:24:53 | 0:24:55 | |
There are bigger things going on in the world, Caitlin. | 0:24:55 | 0:24:57 | |
There might be bigger things going on in the world right now, Ma, | 0:24:57 | 0:25:00 | |
but you're my priority. | 0:25:00 | 0:25:01 | |
Now away home and get some rest. | 0:25:01 | 0:25:03 | |
So, what? | 0:25:12 | 0:25:14 | |
Caitlin has a lassie fit and you let her get away with it? | 0:25:14 | 0:25:16 | |
Yeah, well, sometimes fighting fire with fire | 0:25:16 | 0:25:19 | |
doesn't always achieve the best outcomes. | 0:25:19 | 0:25:21 | |
In my experience, it does. | 0:25:21 | 0:25:23 | |
So... | 0:25:24 | 0:25:25 | |
..what do you want to do with her? | 0:25:27 | 0:25:29 | |
A quiet word, nothing heavy-handed. | 0:25:29 | 0:25:31 | |
Just get her to drop the complaint. | 0:25:31 | 0:25:32 | |
-Where's the fun in that? -I mean it! | 0:25:32 | 0:25:34 | |
What about Stevie? | 0:25:38 | 0:25:39 | |
I'll deal with Stevie if you sort Caitlin. | 0:25:39 | 0:25:42 | |
No, no, no, no, come on. I can do both. | 0:25:42 | 0:25:43 | |
Don't push your luck! | 0:25:43 | 0:25:45 | |
Stevie? | 0:26:06 | 0:26:08 | |
I need a quick word as soon as. | 0:26:08 | 0:26:09 | |
So, is this your new hang-out? | 0:26:31 | 0:26:35 | |
HE SIGHS | 0:26:35 | 0:26:36 | |
What do people do all day? | 0:26:36 | 0:26:38 | |
-What do you mean? -In retirement. | 0:26:38 | 0:26:40 | |
All I had to do today was take Charlotte to school. | 0:26:41 | 0:26:44 | |
And even then, Amber decided she was going to do that. | 0:26:44 | 0:26:47 | |
So I thought, "What will I do? I know, go out. | 0:26:47 | 0:26:50 | |
"Get a paper, a pint of milk, a light bulb." | 0:26:51 | 0:26:53 | |
So that's what I did. | 0:26:54 | 0:26:55 | |
That was it. | 0:26:57 | 0:26:58 | |
Buying a 60 watt light bulb was the highlight of my day. | 0:26:59 | 0:27:03 | |
-SHE LAUGHS -It's not funny. | 0:27:03 | 0:27:06 | |
-It is a bit. -Hellish. | 0:27:06 | 0:27:08 | |
Oh, you need a hobby. | 0:27:08 | 0:27:10 | |
I need my family to... | 0:27:11 | 0:27:13 | |
To what? | 0:27:13 | 0:27:14 | |
I'm sitting here, right? I'm looking round at all these buildings. | 0:27:17 | 0:27:20 | |
I worked hard, I worked very hard to get it | 0:27:20 | 0:27:22 | |
so that my family could have a decent future and... | 0:27:22 | 0:27:25 | |
You don't feel welcome any more? | 0:27:26 | 0:27:27 | |
Well, to start... | 0:27:32 | 0:27:35 | |
..Alex needs to spray his territory | 0:27:35 | 0:27:37 | |
to prove to you that he's got the Murdoch gene. | 0:27:37 | 0:27:39 | |
And Amber, well, she might be Daddy's little girl, | 0:27:39 | 0:27:43 | |
but she still needs to prove to you and herself that she can do it. | 0:27:43 | 0:27:46 | |
Do what? | 0:27:46 | 0:27:47 | |
Be a good mum to Charlotte. | 0:27:47 | 0:27:49 | |
And I can help her. | 0:27:49 | 0:27:51 | |
If she wants our help, she'll ask for it. | 0:27:51 | 0:27:54 | |
-And you're fine with that? -No. | 0:27:56 | 0:27:58 | |
It's horrible, if the truth be told. | 0:27:59 | 0:28:01 | |
And lonely. | 0:28:03 | 0:28:04 | |
And most of the time, I just feel like a spare part | 0:28:05 | 0:28:08 | |
or that I'm just getting in the way. | 0:28:08 | 0:28:11 | |
I wasn't far behind you today, you know, in the light bulb queue. | 0:28:13 | 0:28:17 | |
How do you cope? | 0:28:19 | 0:28:20 | |
Oh, I sit on a bench and I wait for other folk to turn up | 0:28:22 | 0:28:27 | |
who feel just as left out as me... | 0:28:27 | 0:28:29 | |
..and we help each other. | 0:28:31 | 0:28:32 | |
Come on, you're freezing. Let me buy you a drink. | 0:28:39 | 0:28:42 | |
Aye, maybe they're doing a pensioners' deal, eh? | 0:28:42 | 0:28:44 | |
Ooh... Do you think they do malt with a straw? | 0:28:44 | 0:28:47 | |
-I think my teeth are coming a wee bit loose. -Oh, that's not funny. | 0:28:47 | 0:28:50 | |
That's damn funny. Laugh. You know you want to. | 0:28:50 | 0:28:52 | |
HE WHISTLES A JAUNTY TUNE | 0:28:52 | 0:28:54 | |
I don't want any interruptions. | 0:28:57 | 0:28:59 | |
Got a little proposition for you. | 0:29:06 | 0:29:07 | |
It needs some work, but the rental potential would be a good return | 0:29:10 | 0:29:15 | |
-if my figures add up correctly. -Oh, right. | 0:29:15 | 0:29:18 | |
I need you to get in before the auction. | 0:29:21 | 0:29:23 | |
Bit of gentle persuasion. | 0:29:23 | 0:29:25 | |
I'm not going to pay top dollar for them. Wouldn't be worth my while. | 0:29:25 | 0:29:29 | |
And are you sure that you want me to handle this for you? | 0:29:29 | 0:29:32 | |
Why wouldn't I? | 0:29:32 | 0:29:33 | |
Oh, it's just that I thought that, erm... | 0:29:33 | 0:29:36 | |
Forget it. | 0:29:36 | 0:29:38 | |
Forget I said anything. I'm glad you asked me. | 0:29:38 | 0:29:41 | |
I need someone reliable, and I trust you to do a good job. | 0:29:41 | 0:29:44 | |
Hiya! | 0:29:56 | 0:29:58 | |
Are you all right, Scarlett? | 0:29:59 | 0:30:00 | |
Aye... The man from Del Monte. | 0:30:00 | 0:30:03 | |
The man from Del Monte? Oh! | 0:30:03 | 0:30:05 | |
THAT man from Del Monte? | 0:30:05 | 0:30:07 | |
Aye! He said yes! | 0:30:07 | 0:30:09 | |
What do I do now? | 0:30:09 | 0:30:10 | |
Cover your ears. | 0:30:10 | 0:30:12 | |
I'll go get a top up. | 0:30:12 | 0:30:13 | |
I mean, do I dress up, dress down? Get the hair done? | 0:30:15 | 0:30:18 | |
Shave the legs? I mean, they've no' been touched in years. | 0:30:18 | 0:30:20 | |
And where do we go? I've got no idea. | 0:30:20 | 0:30:22 | |
Somewhere public. | 0:30:22 | 0:30:24 | |
Not too noisy and not too expensive. | 0:30:24 | 0:30:27 | |
Right, thanks. | 0:30:28 | 0:30:30 | |
See you later. | 0:30:30 | 0:30:32 | |
Stevie, can I book a wee table for the Two Jailbirds tonight? | 0:30:32 | 0:30:35 | |
Aye, sure. What's it for? | 0:30:35 | 0:30:37 | |
I've got a date. | 0:30:37 | 0:30:38 | |
-Dougie. -Right. | 0:30:39 | 0:30:41 | |
-You don't seem too pleased. -You hardly know him. | 0:30:41 | 0:30:44 | |
He's a nice guy. | 0:30:44 | 0:30:45 | |
They all are, to begin with. | 0:30:45 | 0:30:47 | |
No, he is, I can tell. | 0:30:47 | 0:30:49 | |
And gie's a nice wee table, not one too near the bogs or anything. | 0:30:49 | 0:30:52 | |
Well, a woman of your age, that might come in handy. | 0:30:52 | 0:30:55 | |
Aye. Right, near, but not too near. | 0:30:55 | 0:30:57 | |
-What's all this? -He's asked me to make a move on that. | 0:31:07 | 0:31:10 | |
Nice wee earner. | 0:31:10 | 0:31:12 | |
-Where's he getting the cash flow for this? -No idea. | 0:31:12 | 0:31:16 | |
-But I'm certain that Rick doesnae know about it. -Are you sure? | 0:31:16 | 0:31:19 | |
Well, he took me to his flat specifically | 0:31:19 | 0:31:21 | |
so Rick wouldn't see us. | 0:31:21 | 0:31:22 | |
-Love on the rocks with they two, eh? -Here's hoping. | 0:31:25 | 0:31:28 | |
Ho! You serving or what? | 0:31:31 | 0:31:34 | |
Sounds like a plan. | 0:31:34 | 0:31:35 | |
And, er...after that? | 0:31:36 | 0:31:39 | |
-See where the night takes us. -Ooh! | 0:31:39 | 0:31:41 | |
THEY LAUGH | 0:31:41 | 0:31:44 | |
-What are you doing? -Oh, Madonna, this is Dougie. | 0:31:44 | 0:31:47 | |
-What are you doing? -Madonna... | 0:31:47 | 0:31:49 | |
Oh... | 0:31:51 | 0:31:53 | |
Are we still on for tonight? | 0:31:53 | 0:31:54 | |
Dougie, I think we'd better hang fire. | 0:31:54 | 0:31:56 | |
I better go and check she's all right. | 0:31:56 | 0:31:58 | |
Do you want to look after the shop for me? Madonna! | 0:31:58 | 0:32:01 | |
It's not what you think, darling. | 0:32:09 | 0:32:12 | |
Dougie's... | 0:32:12 | 0:32:13 | |
Dougie's just a friend. | 0:32:13 | 0:32:15 | |
We were just talking. | 0:32:16 | 0:32:18 | |
-I'm sorry, Madonna. -Go away! | 0:32:19 | 0:32:22 | |
I was going to tell you. | 0:32:23 | 0:32:24 | |
When? | 0:32:28 | 0:32:29 | |
When it was right. | 0:32:31 | 0:32:32 | |
You said you wanted to be on your own. | 0:32:32 | 0:32:34 | |
You said that from now on, it was me, you and nobody else. | 0:32:34 | 0:32:38 | |
That's what you said. | 0:32:38 | 0:32:39 | |
Aye, and it's still that way. | 0:32:39 | 0:32:41 | |
Don't patronise me. | 0:32:41 | 0:32:42 | |
I saw the way you were all cuddly-cuddly. | 0:32:42 | 0:32:44 | |
Madonna, darling, I won't do this if you don't want me to. | 0:32:46 | 0:32:49 | |
You'll do what you like. You always do. | 0:32:49 | 0:32:52 | |
Hey... | 0:33:00 | 0:33:01 | |
Amber, come on, wait. | 0:33:01 | 0:33:03 | |
What? | 0:33:08 | 0:33:09 | |
I was just wanting to say... | 0:33:09 | 0:33:12 | |
..I'm sorry. | 0:33:12 | 0:33:13 | |
Look, I know this thing with Charlotte, | 0:33:14 | 0:33:16 | |
it's not something I can fix or control. | 0:33:16 | 0:33:19 | |
It isn't. | 0:33:19 | 0:33:21 | |
This is it, Dad. | 0:33:21 | 0:33:22 | |
-I need to be able to do things my way without you... -Taking the reins. | 0:33:23 | 0:33:27 | |
Yeah, without you taking the reins or finishing my sentences. | 0:33:27 | 0:33:30 | |
You're a good mum, Amber. You need to know that. | 0:33:35 | 0:33:37 | |
I just... | 0:33:40 | 0:33:42 | |
I'm finding this transition hard. | 0:33:42 | 0:33:44 | |
Well, I can see that. | 0:33:46 | 0:33:48 | |
I just thought maybe sometimes you could let me help, you know? | 0:33:52 | 0:33:55 | |
Baby-sitting, taking the wean to school. | 0:33:55 | 0:33:58 | |
Well, you saved the community centre. | 0:33:58 | 0:34:00 | |
How much more do you want to do? | 0:34:00 | 0:34:02 | |
That was last week. | 0:34:02 | 0:34:03 | |
You did a good thing. | 0:34:07 | 0:34:09 | |
Aye? | 0:34:09 | 0:34:10 | |
Ah, well. | 0:34:10 | 0:34:11 | |
You don't fancy baby-sitting tonight, do you? | 0:34:14 | 0:34:17 | |
Oof, tonight? | 0:34:17 | 0:34:18 | |
Aye, of course! | 0:34:21 | 0:34:23 | |
All right, erm... | 0:34:23 | 0:34:25 | |
Three stories and then bed. | 0:34:27 | 0:34:29 | |
-OK? -OK. | 0:34:29 | 0:34:31 | |
Ho-ho-ho! Oh, I'm looking at some old photies. | 0:34:36 | 0:34:40 | |
They're amazing. | 0:34:40 | 0:34:42 | |
There's me up north with the chapel youth club. | 0:34:42 | 0:34:45 | |
Eaten alive by midges, | 0:34:46 | 0:34:48 | |
but I still got my money's worth out of that kilt. | 0:34:48 | 0:34:50 | |
And see that boy standing next to me with the sambas and the drainpipes? | 0:34:50 | 0:34:55 | |
Pure fancied him rotten. | 0:34:55 | 0:34:57 | |
He went off to be a priest after that holiday. | 0:34:58 | 0:35:00 | |
Funny, that. | 0:35:01 | 0:35:03 | |
Oh, and there's you as a baby. | 0:35:03 | 0:35:06 | |
Oh, look, you were just born! | 0:35:06 | 0:35:08 | |
Look at your daddy. Still didnae have hair back then, eh? | 0:35:08 | 0:35:11 | |
Oh, look how much he's changed. | 0:35:13 | 0:35:15 | |
Oh... | 0:35:17 | 0:35:18 | |
Look how much I've changed. | 0:35:18 | 0:35:19 | |
I know you're trying to do. | 0:35:21 | 0:35:23 | |
-What do you mean? -Trying to tell me that people have to move on in life. | 0:35:23 | 0:35:26 | |
I get it. | 0:35:26 | 0:35:27 | |
-But I won't move on from my dad. -I'm not asking you to do that. | 0:35:27 | 0:35:30 | |
Then, what are you asking? | 0:35:30 | 0:35:31 | |
I'm just asking you to accept | 0:35:33 | 0:35:34 | |
that me and your daddy have had to move on. | 0:35:34 | 0:35:37 | |
No' you. | 0:35:37 | 0:35:38 | |
Just him and me. | 0:35:39 | 0:35:41 | |
But that doesn't mean that we're going to love you any less. | 0:35:41 | 0:35:44 | |
"Scarlett O'Hara. 1983." | 0:35:51 | 0:35:54 | |
Oh, aye. | 0:35:56 | 0:35:57 | |
That's who I'd like to be again. | 0:35:57 | 0:35:59 | |
O'Hara. | 0:35:59 | 0:36:01 | |
I'd like to see if she's still in there. | 0:36:01 | 0:36:03 | |
Is that all right? | 0:36:04 | 0:36:06 | |
Only if I remain a Mullen. | 0:36:06 | 0:36:08 | |
It's a deal. | 0:36:09 | 0:36:10 | |
Why are you wearing a Lycra two-piece with citrus fruit all over it? | 0:36:11 | 0:36:15 | |
Cannae believe I left the house looking like that. | 0:36:15 | 0:36:17 | |
But, to be fair, your figure's a-mazing! | 0:36:17 | 0:36:20 | |
Madonna Mullen, would you do me the honour | 0:36:24 | 0:36:27 | |
of being my plus-one at The Jailbird tonight? | 0:36:27 | 0:36:29 | |
I'd love to. | 0:36:29 | 0:36:30 | |
But I'm washing my hair. | 0:36:30 | 0:36:33 | |
-You might want to think about asking your new friend. -Really? | 0:36:33 | 0:36:36 | |
-Be in by midnight. And I'm putting the chain on. -Right. | 0:36:36 | 0:36:40 | |
Oh, and no kissing. | 0:36:41 | 0:36:43 | |
Not until you know where he's been. | 0:36:43 | 0:36:45 | |
What you doing out? | 0:37:08 | 0:37:09 | |
I just needed a bit of air. | 0:37:09 | 0:37:11 | |
-Caitlin, there's... -Are you all right? | 0:37:14 | 0:37:16 | |
Aye. | 0:37:16 | 0:37:18 | |
Just something I want to speak to you about. | 0:37:18 | 0:37:20 | |
Right. Well, before you do, I want to ask you something. | 0:37:22 | 0:37:24 | |
When you were in hospital, I sat there and I kept getting flashes | 0:37:26 | 0:37:29 | |
about when we were wee, you singing daft songs | 0:37:29 | 0:37:31 | |
and plaiting her hair too tight. | 0:37:31 | 0:37:33 | |
And I know how hard it must have been for you back then. | 0:37:33 | 0:37:36 | |
And I've been thinking about who I want to walk me down the aisle. | 0:37:37 | 0:37:40 | |
And I'd love it to be you. | 0:37:42 | 0:37:44 | |
If it's not too much already. | 0:37:44 | 0:37:45 | |
So, will you do it? | 0:37:47 | 0:37:48 | |
I'd be honoured. | 0:37:51 | 0:37:52 | |
Don't start greetin'. | 0:37:52 | 0:37:54 | |
You'll have me going to. | 0:37:54 | 0:37:56 | |
Right, what did you want to tell me? | 0:37:57 | 0:38:00 | |
Och... Och, nothing. | 0:38:00 | 0:38:01 | |
It can wait. It's no' important. | 0:38:01 | 0:38:04 | |
Might be director of field operations, | 0:38:34 | 0:38:36 | |
but my door is always open. | 0:38:36 | 0:38:39 | |
Appreciate it. | 0:38:39 | 0:38:40 | |
A lot of people get highfalutin when they get a promotion. Not me. | 0:38:40 | 0:38:44 | |
I'm a boss... | 0:38:44 | 0:38:46 | |
..and a pal. | 0:38:46 | 0:38:47 | |
Montego Motors. | 0:38:49 | 0:38:51 | |
-Good for a service, aye? -Best there is. | 0:38:51 | 0:38:53 | |
HE GROANS THEN HUMS SOFTLY | 0:38:58 | 0:39:00 | |
ENGINE STARTS | 0:39:02 | 0:39:04 | |
Ma! What are you doing? | 0:39:18 | 0:39:20 | |
Scarlett? | 0:39:21 | 0:39:22 | |
That's a really good carpet you've got in there. | 0:39:24 | 0:39:26 | |
That floor... It's a nice deep pile on it, isn't it? | 0:39:26 | 0:39:29 | |
Goodbye. | 0:39:29 | 0:39:30 | |
-Oh, sorry. Should have knocked. -Oh, come in. | 0:39:40 | 0:39:45 | |
-You OK? -Couldnae settle. | 0:39:48 | 0:39:50 | |
My mind's racing. | 0:39:50 | 0:39:52 | |
Thought I'd be better off here working, | 0:39:52 | 0:39:55 | |
if I've still got a job, that is. | 0:39:55 | 0:39:56 | |
Of course. You should be resting. | 0:39:58 | 0:40:00 | |
It's just sitting in a comfy chair talking to folk. | 0:40:01 | 0:40:05 | |
Well, if you're sure. | 0:40:05 | 0:40:07 | |
I'm sorry about earlier. | 0:40:07 | 0:40:09 | |
Caitlin just opens her mouth and lets her belly rumble. | 0:40:10 | 0:40:13 | |
Wonder where she gets that from, eh? | 0:40:13 | 0:40:16 | |
We've all got folk in our family like that, eh? | 0:40:16 | 0:40:18 | |
Sure have. | 0:40:18 | 0:40:19 | |
She was just looking out for me. | 0:40:21 | 0:40:23 | |
You know that, don't you? | 0:40:23 | 0:40:24 | |
What are your lecturers like? | 0:40:27 | 0:40:28 | |
Any nice ones? | 0:40:33 | 0:40:34 | |
Oh, and are you eating well? | 0:40:42 | 0:40:43 | |
Aye. Nae beans on toast, mind. | 0:40:45 | 0:40:47 | |
You're doing better than I am. | 0:40:47 | 0:40:48 | |
Oh, have you got your hard hat yet? | 0:40:51 | 0:40:53 | |
Oh, you'll need to get a picture with it on. | 0:40:53 | 0:40:55 | |
Send it to me. | 0:40:55 | 0:40:57 | |
I mean, we all make mistakes. | 0:40:58 | 0:41:00 | |
I made a fair few in my time. | 0:41:01 | 0:41:03 | |
We all have. | 0:41:03 | 0:41:05 | |
But losing a sister... | 0:41:05 | 0:41:06 | |
..I mean, that can't be easy. | 0:41:07 | 0:41:09 | |
She must be hurting. | 0:41:10 | 0:41:11 | |
I hope she'll be all right. | 0:41:13 | 0:41:14 | |
Are you all right? | 0:41:20 | 0:41:22 | |
Yeah. | 0:41:22 | 0:41:23 | |
We forget to care for the carers. | 0:41:24 | 0:41:26 | |
You're the one that's having to be strong | 0:41:26 | 0:41:28 | |
looking after her and the kids. | 0:41:28 | 0:41:30 | |
Right. I'd Better get on. | 0:41:31 | 0:41:34 | |
Those phones'll no' answer themselves, eh? | 0:41:34 | 0:41:36 | |
Mm, no, he's been up to his old tricks again. | 0:41:52 | 0:41:55 | |
Lovely. | 0:41:58 | 0:42:00 | |
Well, send me a picture with it on. | 0:42:01 | 0:42:03 | |
-Oh! -Oh! -Suzie! What are you trying to do to me? -Sorry. | 0:42:06 | 0:42:10 | |
No, Jules, it it's just Suzie creeping up on me. | 0:42:10 | 0:42:13 | |
Hi, Julesie! | 0:42:14 | 0:42:16 | |
Miss you! | 0:42:16 | 0:42:18 | |
Listen, I'm running out of fives and tens. | 0:42:18 | 0:42:20 | |
I need to get into the safe. | 0:42:20 | 0:42:21 | |
Right... Jules, I'll need to call you back. | 0:42:21 | 0:42:24 | |
Right, OK, doll. | 0:42:24 | 0:42:25 | |
I'll speak to you later. Right. Right. Bye. Bye. | 0:42:25 | 0:42:27 | |
-We're shut, can you no' read? -It's me. | 0:42:44 | 0:42:46 | |
What were you doing hiding on his taxi floor? | 0:42:48 | 0:42:50 | |
-Who telt you? -Bob telt Kim. Kim telt Madonna and Madonna telt me. | 0:42:53 | 0:42:57 | |
I just went over to ask him out. | 0:42:57 | 0:42:59 | |
-Well, why didn't you? -I don't know. I just panicked. | 0:42:59 | 0:43:02 | |
Listen, you'll need to get right back on that horse pronto | 0:43:02 | 0:43:04 | |
and ask him out again. | 0:43:04 | 0:43:06 | |
How do I come back from that? | 0:43:06 | 0:43:07 | |
I hid in his taxi like Glenn Close. | 0:43:07 | 0:43:09 | |
Only thing I was missing was a bunny. | 0:43:09 | 0:43:11 | |
-I've got a plan. -A plan? | 0:43:11 | 0:43:13 | |
Repeat what I say. | 0:43:15 | 0:43:16 | |
Hiya, bubba, it's me. | 0:43:17 | 0:43:20 | |
Is Dougie still there? | 0:43:20 | 0:43:22 | |
Is Dougie still there? | 0:43:22 | 0:43:23 | |
Right. Good. Tell him no' tae budge. | 0:43:25 | 0:43:28 | |
-Tell him no' tae budge. -Oh, gie's it to me. | 0:43:28 | 0:43:31 | |
It'll be quicker! | 0:43:31 | 0:43:33 | |
Hello, Bob, listen. | 0:43:33 | 0:43:35 | |
I've nae time for explanations. | 0:43:35 | 0:43:37 | |
Just do what I tell you, right? | 0:43:37 | 0:43:39 | |
I need for you to ask Dougie | 0:43:39 | 0:43:43 | |
if he will accept Scarlett's apology. | 0:43:43 | 0:43:46 | |
Tell him it's her hormones. | 0:43:47 | 0:43:49 | |
Do I need to ask that? | 0:43:50 | 0:43:52 | |
My ma wants you to know she was only trying to leave you a Duran Duran CD. | 0:43:54 | 0:43:57 | |
She didn't mean to creep you oot. | 0:43:57 | 0:43:59 | |
Nothing creepy at all. | 0:43:59 | 0:44:01 | |
He's just smiled and said it's no' creepy at all. | 0:44:02 | 0:44:04 | |
I'm no' asking that! | 0:44:06 | 0:44:07 | |
Because I'm no'! | 0:44:08 | 0:44:10 | |
Ma, no chance. | 0:44:11 | 0:44:13 | |
Scarlett, it's me. | 0:44:13 | 0:44:15 | |
Aye, what is it you want to ask Dougie? | 0:44:16 | 0:44:18 | |
Right. | 0:44:19 | 0:44:20 | |
Aye. Mm-hm. | 0:44:22 | 0:44:24 | |
Right, aye. Mm-hm. | 0:44:24 | 0:44:25 | |
Hold on. She wants to know if you're still interested in going for a date | 0:44:27 | 0:44:30 | |
with the possibility of some hot juicy loving at yours after. | 0:44:30 | 0:44:33 | |
PHONE: I did not say that, Angus! | 0:44:33 | 0:44:35 | |
That'd gie you the dry boak, man. | 0:44:35 | 0:44:37 | |
I'd be up for that! | 0:44:37 | 0:44:38 | |
Really? Are you sure? | 0:44:38 | 0:44:40 | |
-You don't have to. -I want to! | 0:44:41 | 0:44:42 | |
He says he wants to. | 0:44:44 | 0:44:46 | |
-PHONE: Oh, my God! Oh, my God! -Oh-ho-ho-ho! | 0:44:46 | 0:44:49 | |
-PHONE: -You get up and get that hair done now! | 0:44:49 | 0:44:51 | |
Scarlett's screaming, "Oh, my God! Oh, my God!" | 0:44:51 | 0:44:54 | |
And Molly's shouting "Get up and get your hair set, now!" | 0:44:54 | 0:44:57 | |
Right, aye. Yeah, I'll tell him. | 0:44:59 | 0:45:01 | |
Same time, same place? | 0:45:01 | 0:45:02 | |
He's giving the thumbs up. All right. | 0:45:04 | 0:45:07 | |
You have nae idea what you're letting yourself in for, do you? | 0:45:09 | 0:45:12 | |
Here, will you two tell her the table's booked? | 0:45:17 | 0:45:19 | |
-And no' to be late. -I can't believe this still fits. | 0:45:21 | 0:45:24 | |
I stuck a wee safety pin at the waistband | 0:45:24 | 0:45:26 | |
but I don't think anybody'll notice. | 0:45:26 | 0:45:27 | |
What? | 0:45:29 | 0:45:31 | |
Too much? | 0:45:31 | 0:45:32 | |
No. You look... | 0:45:32 | 0:45:34 | |
You look... | 0:45:34 | 0:45:35 | |
You look like you run an oil company, | 0:45:37 | 0:45:39 | |
but that's not necessarily a bad thing, hen. | 0:45:39 | 0:45:41 | |
You're right. | 0:45:43 | 0:45:44 | |
-I'll just stick my jeggings back on. -No! -No! | 0:45:44 | 0:45:46 | |
Right. I'll catch you later. | 0:45:48 | 0:45:50 | |
-And don't be late. -Thanks, son. | 0:45:50 | 0:45:52 | |
-For what? -For organising all this. | 0:45:53 | 0:45:55 | |
Och, wheesht! | 0:45:55 | 0:45:56 | |
Right, remember, it's "yes" and not "aye". | 0:46:00 | 0:46:03 | |
Aye. | 0:46:03 | 0:46:05 | |
-And remember to pretend you'd rather be somewhere else. -Really? | 0:46:05 | 0:46:08 | |
It makes them work harder. | 0:46:08 | 0:46:09 | |
Ooh! | 0:46:09 | 0:46:10 | |
Listen, darling... | 0:46:12 | 0:46:14 | |
..I don't have to do this if you don't want me to. | 0:46:14 | 0:46:17 | |
I spent a full hour curling your hair. You do. | 0:46:17 | 0:46:19 | |
Ooh! | 0:46:19 | 0:46:20 | |
Thanks, darling. | 0:46:20 | 0:46:22 | |
-Wish me luck! -Ooh! | 0:46:24 | 0:46:26 | |
I'll no' need it, but, eh? | 0:46:27 | 0:46:29 | |
The thing about Scarlett is she may come across as scary, | 0:46:33 | 0:46:36 | |
but underneath that wee pocket rocket | 0:46:36 | 0:46:39 | |
is a woman who, ultimately, just wants to be wooed. | 0:46:39 | 0:46:43 | |
Right. | 0:46:43 | 0:46:44 | |
I can still hear you. | 0:46:44 | 0:46:46 | |
Start off cool as a cucumber. | 0:46:46 | 0:46:48 | |
And when you feel the vibe is right, | 0:46:48 | 0:46:50 | |
move in like a Navy Seal with the accents. | 0:46:50 | 0:46:53 | |
Accents? | 0:46:54 | 0:46:55 | |
Yeah. You know, when you're getting in about the neck and the ears. | 0:46:55 | 0:47:00 | |
Slip in a wee voice. | 0:47:00 | 0:47:02 | |
Sends women doolally. | 0:47:02 | 0:47:04 | |
A-hem! | 0:47:04 | 0:47:06 | |
What if you cannae do accents? | 0:47:09 | 0:47:12 | |
Everybody can do an accent. | 0:47:13 | 0:47:14 | |
I specialise in Russian and French. | 0:47:14 | 0:47:17 | |
What kind of things do you say? | 0:47:18 | 0:47:20 | |
It's not what you say, Angus. | 0:47:20 | 0:47:21 | |
It's the way it's delivered that gets the desired results. | 0:47:21 | 0:47:25 | |
-BAD RUSSIAN ACCENT: -Zat's a nice coat you're wearing, hen! | 0:47:25 | 0:47:29 | |
A basic sentence made electric by the use of an accent. | 0:47:29 | 0:47:34 | |
-BAD FRENCH ACCENT: -What is ze film you are watching? Is it any go-o-od? | 0:47:34 | 0:47:38 | |
Perfectly normal thing to say. | 0:47:39 | 0:47:41 | |
Elevated, once again, by an accent. | 0:47:41 | 0:47:44 | |
Scarlett's knees would literally... | 0:47:46 | 0:47:49 | |
..buckle. | 0:47:49 | 0:47:50 | |
Choose an accent you're comfy with. | 0:47:52 | 0:47:54 | |
Geordie, Cockney, Australian. | 0:47:54 | 0:47:55 | |
G'day, mate. | 0:47:58 | 0:47:59 | |
You two never answer your phones? | 0:47:59 | 0:48:02 | |
-Sorry, boss. -You've got a city centre pick-up ten minutes ago. | 0:48:02 | 0:48:05 | |
An airport hire's just come in, too. | 0:48:05 | 0:48:07 | |
-But I've got plans... -Cancel them! -But I can't! | 0:48:07 | 0:48:09 | |
Do you want to keep this job or not? | 0:48:09 | 0:48:12 | |
Then I suggest you get to it. | 0:48:12 | 0:48:13 | |
-Make sure the lid's on tight. -I have. Screwed shut. | 0:48:20 | 0:48:23 | |
Now, give it a good shake. | 0:48:23 | 0:48:24 | |
Right above your head. | 0:48:26 | 0:48:27 | |
Now, to the other side. | 0:48:29 | 0:48:31 | |
The other side. | 0:48:31 | 0:48:32 | |
Now twirl it up and twirl it down. | 0:48:35 | 0:48:36 | |
-You're joking. -No! You have to do it for at least five minutes. | 0:48:38 | 0:48:41 | |
I'm going to have some fun with him. | 0:48:46 | 0:48:48 | |
-I can tell. -You sure are. | 0:48:48 | 0:48:50 | |
-Same again? -Aye. | 0:48:50 | 0:48:52 | |
I mean, yes, please. | 0:48:52 | 0:48:54 | |
-I was this close! -Keep your voice down! | 0:49:03 | 0:49:06 | |
I told you to have a quiet word with her, no' go at her wi' a crowbar. | 0:49:06 | 0:49:09 | |
My way gets results. | 0:49:09 | 0:49:11 | |
The only results it gets is having the police sniffing about. | 0:49:11 | 0:49:13 | |
You going soft on me? | 0:49:13 | 0:49:15 | |
Are you that stupid? | 0:49:15 | 0:49:17 | |
Caitlin told the entire bar this afternoon | 0:49:17 | 0:49:19 | |
that I was trying to pay her off. | 0:49:19 | 0:49:21 | |
And, as if by magic, a few hours later, | 0:49:21 | 0:49:22 | |
the police find her half dead in her own living room? | 0:49:22 | 0:49:25 | |
When I ask you to do something, you do it. My way. | 0:49:25 | 0:49:28 | |
What's the update wi' Stevie? | 0:49:30 | 0:49:32 | |
-It's been dealt with. -Because that wouldnae be fair, would it? | 0:49:32 | 0:49:36 | |
We made a deal. | 0:49:36 | 0:49:38 | |
Same again? | 0:49:52 | 0:49:53 | |
Maybe he got held up. | 0:49:55 | 0:49:57 | |
-Maybe there's roadworks. -Well, I know that's not the case. | 0:49:57 | 0:50:00 | |
Anyway, how much do I owe you for the drinks, hen? | 0:50:02 | 0:50:04 | |
Hey, put your money away. I don't know about you, but I'm starving. | 0:50:04 | 0:50:09 | |
Do you mind if I join you for dinner? | 0:50:09 | 0:50:11 | |
-Feels a bit light. Sure you've given me the right envelope? -I'm sure. | 0:50:23 | 0:50:27 | |
-Still waiting on a few payments to come in. -I see. | 0:50:27 | 0:50:30 | |
You cannae let people pay just when they feel like it. | 0:50:30 | 0:50:33 | |
-You need to be firm. -I know what I'm doing. -Not what I'm hearing. | 0:50:33 | 0:50:36 | |
-Oh, really? -Aye, really. News travels fast. You're a pushover. | 0:50:36 | 0:50:42 | |
-Grandad? -Hey, darling. | 0:50:42 | 0:50:46 | |
What are you doing up? I've read you your stories. | 0:50:46 | 0:50:49 | |
-I need a drink and I can't find dinosaur. -Dinosaur? | 0:50:49 | 0:50:54 | |
Oh. There we go. | 0:50:54 | 0:50:57 | |
You go back to your bed and I'll bring you a drink in in a minute. | 0:50:58 | 0:51:01 | |
-Had any dealings with Stevie lately? -No, why should I? | 0:51:04 | 0:51:08 | |
You brought him up through the ranks, thought he'd | 0:51:08 | 0:51:11 | |
pop by occasionally, get a bit of advice from time to time. | 0:51:11 | 0:51:14 | |
I'm retired, as you like to keep reminding me. | 0:51:14 | 0:51:17 | |
Surely if he wants advice, he's going to come to you. | 0:51:17 | 0:51:19 | |
One boss, one set of rules. | 0:51:19 | 0:51:22 | |
Anything else? | 0:51:24 | 0:51:25 | |
-Sorry, I don't have much of an appetite. -Thanks, pal. | 0:51:30 | 0:51:33 | |
You really like him, don't you? | 0:51:39 | 0:51:41 | |
Is he really worth all this? | 0:51:44 | 0:51:45 | |
Upsetting Madonna, upsetting you, and that upsets me. | 0:51:46 | 0:51:49 | |
Maybe it's best if you focus on what you know won't hurt you. | 0:51:52 | 0:51:56 | |
-Do you know what the best bit was? -What? -Getting ready. | 0:51:58 | 0:52:02 | |
The bath, the hair, the make-up. | 0:52:02 | 0:52:05 | |
Possibility of what might happen. | 0:52:05 | 0:52:08 | |
Felt like the old me again. | 0:52:09 | 0:52:11 | |
Ah, well, Scarlett O'Hara's definitely left this building now. | 0:52:13 | 0:52:18 | |
-Come on, you don't need a man to make you happy. -I know that. | 0:52:18 | 0:52:22 | |
-But I wanted it. That's the difference. -Scarlett. | 0:52:22 | 0:52:25 | |
-You've got some explaining to do. -I got held up. Alex... | 0:52:27 | 0:52:32 | |
I don't want to hear it. | 0:52:32 | 0:52:33 | |
What I do want to hear is you apologising to my maw | 0:52:33 | 0:52:36 | |
and I suggest you do it right now. | 0:52:36 | 0:52:38 | |
-Scarlett... -You've got some cheek. | 0:52:46 | 0:52:49 | |
I got sent on a job and my phone died on me. | 0:52:49 | 0:52:52 | |
Do you know how humiliating that was? | 0:52:53 | 0:52:55 | |
Sitting there, everybody watching me, waiting. | 0:52:55 | 0:52:58 | |
Do you think this comes easy, all this? Asking a man out at my age? | 0:52:58 | 0:53:03 | |
And still you never showed. That tells me everything I need to know. | 0:53:03 | 0:53:07 | |
I need somebody who is kind and honest and reliable | 0:53:07 | 0:53:11 | |
and you are none of they things. | 0:53:11 | 0:53:12 | |
To cut a long story short, I lost my charger. | 0:53:15 | 0:53:20 | |
What? | 0:53:21 | 0:53:22 | |
I swear. | 0:53:25 | 0:53:27 | |
On Simon Le Bon's life. | 0:53:27 | 0:53:29 | |
Aye, your cab's on its way. All right, bye. | 0:53:41 | 0:53:44 | |
Ellie's worried sick, she's just about tae phone the polis. | 0:54:08 | 0:54:11 | |
Aye, I was just about to call her, but... | 0:54:11 | 0:54:14 | |
What is it? | 0:54:14 | 0:54:17 | |
What is it? | 0:54:17 | 0:54:18 | |
-I really want to be at your wedding, Caitlin. -What are you on about? | 0:54:23 | 0:54:27 | |
Course you'll be there. | 0:54:27 | 0:54:30 | |
I want to walk you up the aisle and have everyone look at you | 0:54:30 | 0:54:34 | |
and be all proud. | 0:54:34 | 0:54:36 | |
What is it? | 0:54:37 | 0:54:38 | |
Oh, Caitlin. | 0:54:40 | 0:54:42 | |
Ma, what is it? Tell me. | 0:54:42 | 0:54:44 | |
-At the hospital... -The hospital, right. | 0:54:51 | 0:54:55 | |
They said... | 0:54:55 | 0:54:56 | |
They said that... | 0:54:59 | 0:55:02 | |
That said that I've got cancer in my liver. | 0:55:02 | 0:55:05 | |
Caitlin, I'm terrified. | 0:55:08 | 0:55:10 | |
I've just found my wee family again. | 0:55:10 | 0:55:14 | |
I don't want to lose yous. Please tell me that'll not happen. | 0:55:14 | 0:55:20 | |
Please, Caitlin. | 0:55:20 | 0:55:22 | |
I'm scared. | 0:55:26 | 0:55:28 | |
GOLD BY SPANDAU BALLET PLAYS | 0:55:30 | 0:55:35 | |
What are you doing up? | 0:55:49 | 0:55:51 | |
Gran's snoring. Plus, I wanted to know you got home safe. | 0:55:51 | 0:55:55 | |
-Did you have pudding? -No, darling, I wasnae that hungry. | 0:55:59 | 0:56:03 | |
-Did your hair stay curly? -It stayed curly right to the end. | 0:56:04 | 0:56:09 | |
-Do you think you'll see him again? -No, darling. | 0:56:11 | 0:56:16 | |
I think I just prefer it you and me in our onesies doing a wordsearch. | 0:56:16 | 0:56:20 | |
You were right about Stevie. | 0:56:48 | 0:56:50 | |
We're going to have to sort him out. | 0:56:50 | 0:56:53 | |
How are we this All Hallows' Eve? | 0:56:57 | 0:56:59 | |
You all ready for some trick or treating? | 0:56:59 | 0:57:01 | |
-Father Lenny Murdoch at your service. -Messages from dead friends. | 0:57:01 | 0:57:06 | |
SCREAMING | 0:57:06 | 0:57:08 | |
-Getting the old place shipshape for the main man? -We're no' a couple. | 0:57:08 | 0:57:11 | |
-You want to be, but. -I know. I cannae wait to see him. | 0:57:11 | 0:57:14 | |
This is going to get very bad, very quick. | 0:57:14 | 0:57:15 | |
The guy is a grass. | 0:57:15 | 0:57:18 | |
The wee man comes crying to you, suddenly we've got a problem? | 0:57:18 | 0:57:20 | |
I am not going to war wi' Alex for you. | 0:57:20 | 0:57:22 |