Browse content similar to 31/10/2017. Check below for episodes and series from the same categories and more!
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I've bought a ticket to travel round India for a month. | 0:00:21 | 0:00:23 | |
I could really do with a friend to travel with. | 0:00:23 | 0:00:26 | |
The offer to India - I would like to go. | 0:00:26 | 0:00:27 | |
We've taken in a lot of waifs and strays. | 0:00:27 | 0:00:29 | |
-Suzie, Danny, Jules. -Jules? | 0:00:29 | 0:00:31 | |
This is your home, all right? | 0:00:31 | 0:00:33 | |
-What about Suzie? -If Suzie wants to stay, then she can stay. | 0:00:33 | 0:00:36 | |
I'd love to. | 0:00:36 | 0:00:37 | |
Keep your eyes and your ears wide open. | 0:00:37 | 0:00:39 | |
Don't let Alex know. Way under the radar. | 0:00:39 | 0:00:42 | |
So I'm your spy now. | 0:00:42 | 0:00:44 | |
You were right about Stevie. We're going to have to sort him out. | 0:00:44 | 0:00:47 | |
Good morning. How are we this All Hallows Eve? | 0:00:52 | 0:00:55 | |
Fine, thanks. | 0:00:55 | 0:00:56 | |
Take my advice - don't go near the fancy dress shop in town. | 0:00:56 | 0:00:59 | |
I wasn't planning to. | 0:00:59 | 0:01:00 | |
-Wise man. -I think we're covered. | 0:01:00 | 0:01:02 | |
Can you pick it up? I'll grab a coffee. | 0:01:02 | 0:01:04 | |
Not a problem. | 0:01:04 | 0:01:05 | |
Later, Boss, Mrs Boss. | 0:01:05 | 0:01:07 | |
Do you want anything? | 0:01:07 | 0:01:08 | |
I'm looking after Charlotte later on. You can bring one round then. | 0:01:08 | 0:01:11 | |
What because I've got nothing better | 0:01:11 | 0:01:12 | |
to do than be your personal delivery service? | 0:01:12 | 0:01:14 | |
-There'll be a big tip in it for you. -PHONE RINGS | 0:01:14 | 0:01:17 | |
Hey. | 0:01:20 | 0:01:21 | |
For a wee while, aye. | 0:01:23 | 0:01:25 | |
Where are you? | 0:01:25 | 0:01:26 | |
What you doing lurking about here? | 0:01:31 | 0:01:33 | |
It's called keeping a low profile. | 0:01:33 | 0:01:35 | |
Makes sense, I suppose. | 0:01:35 | 0:01:36 | |
There's no suppose about it. I need to keep my head down. | 0:01:36 | 0:01:39 | |
What's going on? | 0:01:39 | 0:01:40 | |
Nothing. That's the problem. | 0:01:40 | 0:01:42 | |
Going to stop being so cryptic? I've got things to do. | 0:01:42 | 0:01:45 | |
You know I owe Rick money? | 0:01:45 | 0:01:46 | |
Aye. | 0:01:46 | 0:01:47 | |
He's stopped asking for it. | 0:01:47 | 0:01:49 | |
How much we talking about here? | 0:01:49 | 0:01:51 | |
30 grand. | 0:01:51 | 0:01:53 | |
He's not going to kill anybody over that amount of money. | 0:01:53 | 0:01:55 | |
Well, that's what I was thinking, but now I'm not so sure. | 0:01:55 | 0:01:58 | |
I mean, he is a psychopath. | 0:01:58 | 0:01:59 | |
But Alex isnae, and he won't give the OK. | 0:01:59 | 0:02:02 | |
Leave it with me. I'll see what the score is. | 0:02:04 | 0:02:06 | |
I appreciate it. | 0:02:06 | 0:02:07 | |
-There you go. -Thanks, darling. Oh, the weans'll be dead excited, eh? | 0:02:10 | 0:02:13 | |
Aye, it's like Christmas for Cal. | 0:02:13 | 0:02:15 | |
He's away to school dressed as a zombie. | 0:02:15 | 0:02:17 | |
Speaking of the living dead - what are you after? | 0:02:17 | 0:02:20 | |
Oh, no, no. Go ahead. Serve the man. Let him get to his work. | 0:02:20 | 0:02:22 | |
Nice of you. | 0:02:22 | 0:02:23 | |
Those floors, they'll no mop themselves, will they? | 0:02:23 | 0:02:26 | |
You know what? The Pensioners group meets this afternoon. Just gie me | 0:02:26 | 0:02:29 | |
a shout if you need a seat saved. | 0:02:29 | 0:02:31 | |
-See you, Scarlett. -Bye, darling. | 0:02:31 | 0:02:33 | |
You've got a parcel for me? | 0:02:34 | 0:02:36 | |
Hope it's nothing dodgy. | 0:02:36 | 0:02:37 | |
Relax, it's Charlotte's costume. Nothing for a pillar | 0:02:37 | 0:02:40 | |
of the community like yourself to be bothered with. | 0:02:40 | 0:02:43 | |
Keeping busy, eh? You'll be getting a wee allotment next. | 0:02:43 | 0:02:46 | |
Aye, because you never know when a freshly dug piece of ground | 0:02:46 | 0:02:49 | |
might come in handy. Want to just get me it? | 0:02:49 | 0:02:52 | |
I think it must through the back, | 0:02:52 | 0:02:54 | |
but I'm going to have to see some form of ID first. | 0:02:54 | 0:02:57 | |
You know who I am. | 0:02:57 | 0:02:58 | |
Rules is rules, Mr Murdoch. | 0:02:58 | 0:03:00 | |
Can I open my eyes yet? | 0:03:03 | 0:03:04 | |
Just a second. | 0:03:04 | 0:03:06 | |
Right, you can look now. | 0:03:09 | 0:03:11 | |
This was my surprise? | 0:03:15 | 0:03:17 | |
I got a load in for the Candle Rooms. | 0:03:17 | 0:03:19 | |
-I feel extra special now. -It's cool. | 0:03:19 | 0:03:21 | |
Do you want me to bring you one home, Katie? | 0:03:21 | 0:03:23 | |
Really? Can I dress up as a witch? | 0:03:23 | 0:03:26 | |
Of course, you're going to have to if we're going to go out guising. | 0:03:26 | 0:03:29 | |
Really? | 0:03:29 | 0:03:30 | |
You think now's the right time to be | 0:03:30 | 0:03:33 | |
traipsing round the neighbourhood? | 0:03:33 | 0:03:34 | |
I think it'll be a lot of fun. | 0:03:34 | 0:03:36 | |
So do I. | 0:03:36 | 0:03:37 | |
We've had some amazing Halloweens, haven't we, Katie? | 0:03:39 | 0:03:42 | |
Uh-huh. | 0:03:42 | 0:03:43 | |
See? What do you reckon? | 0:03:43 | 0:03:46 | |
Please, come on. | 0:03:47 | 0:03:49 | |
-Looks like we're going to go trick or treating, then. -Yay! | 0:03:49 | 0:03:53 | |
The signature looks a wee bit faded. | 0:03:57 | 0:03:58 | |
I'm not sure I can accept this. | 0:03:58 | 0:04:00 | |
Why don't you take that parcel, | 0:04:00 | 0:04:02 | |
and accept it right up where the sun don't shine? | 0:04:02 | 0:04:04 | |
That's no way to talk to a lady. | 0:04:04 | 0:04:06 | |
Eh? | 0:04:07 | 0:04:08 | |
If you don't mind me saying. | 0:04:10 | 0:04:12 | |
What if I do mind? What happens then? | 0:04:12 | 0:04:13 | |
-Well, I... -That's what I thought. | 0:04:15 | 0:04:17 | |
You keep your oar out about this, anyway. | 0:04:17 | 0:04:19 | |
I don't need the likes of you protecting me from the likes of him. | 0:04:19 | 0:04:23 | |
Is everything OK? | 0:04:26 | 0:04:28 | |
It's just your husband being his usual charming self. | 0:04:28 | 0:04:30 | |
See? Nothing to worry about. | 0:04:30 | 0:04:31 | |
I was being sarcastic! | 0:04:31 | 0:04:33 | |
Don't rise to it, Scarlett. Here. | 0:04:33 | 0:04:35 | |
Give me this and I'll get him out your hair. Come on. | 0:04:37 | 0:04:40 | |
SCRAPING | 0:04:44 | 0:04:45 | |
That is slightly annoying. | 0:04:48 | 0:04:50 | |
Sorry? | 0:04:50 | 0:04:52 | |
The spoon. | 0:04:52 | 0:04:54 | |
Aw. My bad. | 0:04:54 | 0:04:55 | |
Honey, I'm home! Light of my life? | 0:04:55 | 0:04:59 | |
She's out. | 0:04:59 | 0:05:01 | |
Out where? | 0:05:01 | 0:05:02 | |
Never said. | 0:05:02 | 0:05:03 | |
Make us a cup of tea, will you? | 0:05:05 | 0:05:07 | |
What did your last slave die of? | 0:05:07 | 0:05:09 | |
Blow to the head with an unfilled kettle. Move it. | 0:05:09 | 0:05:11 | |
Voicemail. | 0:05:13 | 0:05:14 | |
Hello, doll, it's me. Give us a bell when you get this. | 0:05:15 | 0:05:19 | |
Mwah. | 0:05:19 | 0:05:20 | |
You wanting more tea, Suzie? | 0:05:20 | 0:05:23 | |
Actually, I think I've had quite enough. Down! | 0:05:23 | 0:05:29 | |
PHONE CHIMES | 0:05:30 | 0:05:32 | |
-You could've answered it. -Ach, nothing that cannae wait. | 0:05:32 | 0:05:34 | |
-You don't have to keep coming around here, either. -I know. | 0:05:34 | 0:05:38 | |
-I'm not just going to keel over, you know. -No. | 0:05:38 | 0:05:41 | |
You might though, eh? | 0:05:41 | 0:05:43 | |
I got a call from the Transplant clinic. | 0:05:45 | 0:05:47 | |
So that's you on the list, then? | 0:05:47 | 0:05:50 | |
Well, that's me on the list to be assessed to go on the list. | 0:05:50 | 0:05:53 | |
I didn't want to tell you. I didn't want to get your hopes up. | 0:05:53 | 0:05:56 | |
Well, we should tell Ellie. She needs to know. | 0:05:56 | 0:05:59 | |
-Was that my phone? -Mine. | 0:05:59 | 0:06:02 | |
Aw. How come you never answered it? | 0:06:02 | 0:06:04 | |
I come out to get away fae Pete's drivel. | 0:06:04 | 0:06:06 | |
Has he heard from AJ? Cos I haven't. | 0:06:06 | 0:06:07 | |
He's due back the day. I don't even know what time his flight gets in. | 0:06:07 | 0:06:10 | |
-She's been up to high doh like this for days. -So? | 0:06:10 | 0:06:13 | |
AJ left me in charge of his business and his flat. | 0:06:13 | 0:06:15 | |
I just don't want to let him down, that's all. | 0:06:15 | 0:06:17 | |
You, Ellie, my angel, could never let anyone down. | 0:06:17 | 0:06:20 | |
Cheers, pussycat. Get yourself one tae. I'll be starting a tab. | 0:06:24 | 0:06:29 | |
This young man'll be picking it up. | 0:06:29 | 0:06:30 | |
So is this the plan? Come here, freeload, harass my staff? | 0:06:32 | 0:06:37 | |
If I was harassing your staff, sunshine, you'd know about it. | 0:06:37 | 0:06:41 | |
500 there. | 0:06:41 | 0:06:42 | |
500's not going to get it done. | 0:06:44 | 0:06:45 | |
It's a start. I'll get you the rest. | 0:06:47 | 0:06:49 | |
How much? You see, I've got something called punitive charges. | 0:06:49 | 0:06:52 | |
-30. -No, no, no, no, it's double that now. At least. | 0:06:52 | 0:06:56 | |
You're just making this up as you go along. | 0:06:56 | 0:06:59 | |
That, my boy, is the nature of the beast. | 0:06:59 | 0:07:02 | |
Listen, this whole thing between you and me. We're past that now. | 0:07:03 | 0:07:09 | |
It's a whole lot more complicated. | 0:07:11 | 0:07:13 | |
Not bad. | 0:07:18 | 0:07:20 | |
Get Pussycat to bring me out another. | 0:07:20 | 0:07:22 | |
Getting the auld place shipshape for the main man? | 0:07:33 | 0:07:35 | |
We serve food to the public, Pete. The place is cleaned constantly. | 0:07:35 | 0:07:39 | |
And nice it always looks. Right, costumes, for tonight. | 0:07:39 | 0:07:42 | |
One for you, one for AJ. | 0:07:42 | 0:07:44 | |
Right, do you think he'll be up for it? | 0:07:44 | 0:07:45 | |
After his flight and everything? | 0:07:45 | 0:07:47 | |
Are you kidding? The man's a party animal. | 0:07:47 | 0:07:49 | |
Now, they were running short on scary stuff | 0:07:49 | 0:07:51 | |
but they were doing two for the price of one on lovers from history. | 0:07:51 | 0:07:55 | |
Lovers? | 0:07:55 | 0:07:56 | |
Aye. | 0:07:56 | 0:07:57 | |
Me and AJ aren't... | 0:07:57 | 0:07:59 | |
You're not a vampire, either, and that's what you sent me for. | 0:07:59 | 0:08:03 | |
It's just a laugh, doll. | 0:08:03 | 0:08:05 | |
Aye, right... | 0:08:05 | 0:08:06 | |
-So can I leave them with you, then? -Aye. Sure. -There you go. | 0:08:06 | 0:08:09 | |
This is going to get very bad, very quick. | 0:08:21 | 0:08:23 | |
-Take it easy. -That's easy for you to say. | 0:08:23 | 0:08:25 | |
Rick's got his eye on the Jailbirds. | 0:08:25 | 0:08:27 | |
You sure? | 0:08:27 | 0:08:28 | |
Oh, he's up there right now. Free drink, noising folk up. | 0:08:28 | 0:08:32 | |
Next it's private parties, rinsing money, selling off stock. | 0:08:32 | 0:08:35 | |
You know how this goes. You've done it plenty often yourself. | 0:08:35 | 0:08:38 | |
That's how I know not to panic, OK? | 0:08:38 | 0:08:39 | |
This kind of thing takes time. | 0:08:39 | 0:08:41 | |
Oh, aye, it'll be a couple of weeks before he's milked it enough | 0:08:41 | 0:08:44 | |
to torch the place with me inside. | 0:08:44 | 0:08:45 | |
Never happen. | 0:08:45 | 0:08:47 | |
How's that? | 0:08:47 | 0:08:48 | |
There's a reason it's called The Two Jailbirds. | 0:08:48 | 0:08:51 | |
Amber. | 0:08:53 | 0:08:55 | |
He should know better than to mess with my daughter's business. | 0:08:55 | 0:08:58 | |
That makes it a family matter. | 0:08:58 | 0:08:59 | |
Is he there the now? | 0:09:01 | 0:09:02 | |
Uh, aye, feet well and truly under the table. | 0:09:02 | 0:09:04 | |
We'll see about that. | 0:09:05 | 0:09:07 | |
Five, yeah. | 0:09:10 | 0:09:11 | |
Friday the 10th. | 0:09:13 | 0:09:14 | |
Do zobaczenia pozniej. | 0:09:16 | 0:09:18 | |
Russian? | 0:09:19 | 0:09:20 | |
Polish. | 0:09:20 | 0:09:22 | |
Nice touch. | 0:09:22 | 0:09:23 | |
There's always room for common courtesy in business, Lenny. | 0:09:23 | 0:09:26 | |
I'm glad to hear you say that. | 0:09:26 | 0:09:28 | |
Because I hope, me and you, we can keep this civilised. | 0:09:28 | 0:09:31 | |
I thought you were out the game? | 0:09:31 | 0:09:33 | |
I am. | 0:09:33 | 0:09:34 | |
So, what, the wee man comes crying to you | 0:09:34 | 0:09:36 | |
-and suddenly we've got a problem? -The wee man? | 0:09:36 | 0:09:38 | |
Aye, Stevie. | 0:09:38 | 0:09:40 | |
Stevie's an all right wee guy, but nothing to me. | 0:09:40 | 0:09:43 | |
So it's a coincidence me | 0:09:43 | 0:09:45 | |
and him have a run in and then five minutes later you turn up? | 0:09:45 | 0:09:47 | |
I don't really believe in coincidence. | 0:09:47 | 0:09:49 | |
-Neither do I. -I'm here with a purpose. | 0:09:49 | 0:09:51 | |
My daughter, she half owns this place. | 0:09:51 | 0:09:54 | |
So she gets a call saying there's some creepy guy hanging around... | 0:09:54 | 0:09:57 | |
She sends her auld daddy round to check it out. | 0:09:57 | 0:10:00 | |
Have you got kids yourself? | 0:10:00 | 0:10:01 | |
-Not that I know of. -If you did, you'd know. | 0:10:01 | 0:10:03 | |
She didn't need to call me. I hear somebody's hassling my daughter - | 0:10:03 | 0:10:07 | |
the protective instinct, it just kicks in, you know what I mean? | 0:10:07 | 0:10:10 | |
I can respect that. | 0:10:10 | 0:10:11 | |
Good. Respect it enough to stay away from my family. | 0:10:11 | 0:10:15 | |
Is this you drawing a line in the sand, Mr Murdoch? | 0:10:17 | 0:10:20 | |
Aye, and I wouldn't advise you cross it. | 0:10:21 | 0:10:24 | |
Don't worry, I know better than that. | 0:10:26 | 0:10:29 | |
Good. | 0:10:30 | 0:10:31 | |
'Course, Stevie, seeing as he's nothing to you, | 0:10:32 | 0:10:36 | |
and he's not family, that puts him on my side of the line. | 0:10:36 | 0:10:40 | |
AJ will be so impressed with you. | 0:10:48 | 0:10:50 | |
AJ? | 0:10:50 | 0:10:51 | |
All the work you've put in making it all nice for him. | 0:10:51 | 0:10:54 | |
It's always nice! | 0:10:54 | 0:10:55 | |
Sorry. You seem a bit...edgy. | 0:10:55 | 0:10:57 | |
-No, I don't. -OK. | 0:10:57 | 0:10:59 | |
It's understandable, though. I mean, he is your boss, | 0:11:01 | 0:11:03 | |
your landlord, your flatmate... | 0:11:03 | 0:11:07 | |
your friend. | 0:11:07 | 0:11:08 | |
Uh-huh. So? | 0:11:08 | 0:11:11 | |
So it's natural if you miss him a wee teeny bit. | 0:11:11 | 0:11:14 | |
Maybe a teeny, tiny bit. Anyway, are you coming in? | 0:11:16 | 0:11:19 | |
You never had your breakfast this morning. | 0:11:19 | 0:11:21 | |
Och, naw, I've no got much of an appetite. | 0:11:21 | 0:11:23 | |
I'm the same. | 0:11:23 | 0:11:25 | |
Oh? | 0:11:25 | 0:11:26 | |
Ach, Mammy, I've got customers. | 0:11:26 | 0:11:28 | |
Ha-ha! | 0:11:36 | 0:11:37 | |
-Suzie, visitors. -Oh. | 0:11:37 | 0:11:39 | |
I'm sorry, ladies. I'm just on my way out. | 0:11:40 | 0:11:44 | |
I would have texted but my phone's stuck on emojis. | 0:11:44 | 0:11:47 | |
I'll swing for Madonna one of these days. | 0:11:47 | 0:11:49 | |
Do you want something or...? | 0:11:49 | 0:11:52 | |
Only to invite you round this afternoon. | 0:11:52 | 0:11:55 | |
I'm making my shortbread for the guisers. | 0:11:55 | 0:11:57 | |
The hours'll fly by. | 0:11:57 | 0:12:00 | |
I'm busy. Sorry. | 0:12:00 | 0:12:01 | |
Robbie's flat's on the market and I'm handling the sale, so... | 0:12:01 | 0:12:05 | |
What about you, Jules? | 0:12:07 | 0:12:09 | |
Me? I, er... | 0:12:09 | 0:12:11 | |
I said I was going to help decorate the pub - plastic bats, | 0:12:11 | 0:12:15 | |
fake cobwebs, and all that. | 0:12:15 | 0:12:17 | |
There'll be plenty real cobwebs since they gave me | 0:12:17 | 0:12:19 | |
the heave ho from cleaning it. | 0:12:19 | 0:12:21 | |
Oh, well, come round later, if you have time. | 0:12:21 | 0:12:25 | |
Oh, Suzie, please, save me from this one. She's being very mysterious. | 0:12:25 | 0:12:30 | |
-Oh? -Look, all I said was I'd had some important news | 0:12:30 | 0:12:36 | |
and I would tell you when the time was right. | 0:12:36 | 0:12:39 | |
I bet I can guess. | 0:12:39 | 0:12:41 | |
You're going to the jungle? | 0:12:41 | 0:12:43 | |
The jungle? | 0:12:43 | 0:12:44 | |
Big Brother's finished, so... | 0:12:44 | 0:12:46 | |
As if they'd have her. Come on! | 0:12:46 | 0:12:49 | |
I might see you later. | 0:12:49 | 0:12:51 | |
Oh, listen, I don't envy you, what's in front of you, hen. | 0:12:51 | 0:12:55 | |
-Why? -Well, the last lassie that lived there was | 0:12:55 | 0:12:58 | |
gunned down in the street. I mean, some folk would say it was cursed. | 0:12:58 | 0:13:03 | |
Cursed. | 0:13:03 | 0:13:04 | |
Haunted, even. | 0:13:04 | 0:13:05 | |
You do talk some nonsense, Molly O'Hara. | 0:13:06 | 0:13:09 | |
My sentiments exactly. | 0:13:09 | 0:13:11 | |
I've had some dealings with the supernatural | 0:13:11 | 0:13:15 | |
and it's not pretty, believe you me. | 0:13:15 | 0:13:19 | |
You must tell me all about it. | 0:13:19 | 0:13:22 | |
Some other time, obviously. | 0:13:22 | 0:13:24 | |
More coffee? You're going to be a bag of nerves. | 0:13:31 | 0:13:34 | |
They're doing cupcakes with witches and bats on, | 0:13:34 | 0:13:36 | |
so I've ordered some for tonight. | 0:13:36 | 0:13:38 | |
It's all big business now, that, eh? | 0:13:38 | 0:13:40 | |
Aw, are you feeling sentimental for bygone days? | 0:13:40 | 0:13:43 | |
No, I'm just remembering the time you made your own witch's | 0:13:43 | 0:13:46 | |
outfit out of a couple of bin bags and a pair of fishnet stockings. | 0:13:46 | 0:13:49 | |
Yes, I remember that. | 0:13:49 | 0:13:51 | |
-We were two hours late for that party. -Three, actually. -Oh, aye. | 0:13:52 | 0:13:56 | |
So did Charlotte like her costume? | 0:13:56 | 0:13:58 | |
I don't know. Amber's... | 0:13:58 | 0:14:01 | |
Amber's a bit down. | 0:14:03 | 0:14:04 | |
It's going to be months before the next assessment. | 0:14:06 | 0:14:08 | |
I'll give her a call later. | 0:14:08 | 0:14:11 | |
I, er... | 0:14:11 | 0:14:12 | |
What? | 0:14:14 | 0:14:15 | |
I like how involved you are in their lives. | 0:14:16 | 0:14:19 | |
It really does feel like something's changed. | 0:14:19 | 0:14:22 | |
-Lenny? -Or not. | 0:14:22 | 0:14:24 | |
This isn't what you think. | 0:14:24 | 0:14:26 | |
Oh, please, it's exactly what I think. | 0:14:26 | 0:14:28 | |
I'm sorry to interrupt. | 0:14:28 | 0:14:29 | |
Don't worry about it. He's all yours. | 0:14:29 | 0:14:32 | |
-Well? -Well, what? | 0:14:35 | 0:14:37 | |
How did it go? What did Rick say? | 0:14:37 | 0:14:39 | |
He's not going to be causing any more bother down at The Jailbirds. | 0:14:39 | 0:14:42 | |
OK. | 0:14:42 | 0:14:44 | |
You're welcome, by the way. | 0:14:44 | 0:14:45 | |
I'm sorry, Lenny, but you just took away plan B from him, | 0:14:45 | 0:14:48 | |
and plan A ends up with me dead in a ditch. | 0:14:48 | 0:14:51 | |
Not necessarily. | 0:14:51 | 0:14:52 | |
That makes me feel a whole lot better. | 0:14:52 | 0:14:53 | |
Look, Stevie. | 0:14:53 | 0:14:55 | |
Keep your head down, OK? And don't worry about the monkey. | 0:14:55 | 0:14:57 | |
I'm going to go and see the organ grinder. | 0:14:57 | 0:15:00 | |
KEY RATTLES IN LOCK | 0:15:03 | 0:15:04 | |
Yes... | 0:15:05 | 0:15:07 | |
Yes, I'm there now. | 0:15:07 | 0:15:10 | |
Oh, any minute, I think. | 0:15:11 | 0:15:13 | |
No. | 0:15:15 | 0:15:17 | |
Well, I'd have already lit the candle if you hadn't phoned me | 0:15:17 | 0:15:21 | |
to ask me to light the candle. | 0:15:21 | 0:15:24 | |
Bye-bye. Yeah, love you, too. | 0:15:24 | 0:15:26 | |
PHONE RINGS SHE SHRIEKS | 0:16:03 | 0:16:05 | |
Hello... | 0:16:12 | 0:16:13 | |
You just on your way out, then, eh? | 0:16:17 | 0:16:19 | |
Things to do. You know how it is. | 0:16:19 | 0:16:21 | |
Oh, I know exactly how it is. | 0:16:21 | 0:16:23 | |
So you won't mind if I ask you to get to the point? | 0:16:23 | 0:16:25 | |
What's that now, a month or so since you've taken the reins? | 0:16:26 | 0:16:30 | |
Why, is it time to renegotiate your wee pension plan? | 0:16:31 | 0:16:34 | |
No, no. The money's fine. | 0:16:34 | 0:16:36 | |
I can see you're doing well. | 0:16:36 | 0:16:37 | |
Did you think I wouldn't? | 0:16:37 | 0:16:39 | |
I never had any doubt in your ability to make cash. | 0:16:39 | 0:16:43 | |
It was only your judgment made me think twice about handing over. | 0:16:43 | 0:16:47 | |
How do you feel about my judgment now? | 0:16:47 | 0:16:50 | |
I'll say you've got one black mark against you. | 0:16:50 | 0:16:52 | |
-Rick? -See? You know. | 0:16:54 | 0:16:56 | |
I keep him on a short leash. | 0:16:56 | 0:16:57 | |
Long enough for him | 0:16:57 | 0:16:58 | |
to cause bother down at your sister's place of business. | 0:16:58 | 0:17:01 | |
Right, I'll have a word. | 0:17:01 | 0:17:02 | |
I already did. It's sorted. | 0:17:02 | 0:17:04 | |
Is it? Only I can't help but notice that you're here now. | 0:17:04 | 0:17:07 | |
It wasn't Amber he was down there to bother. | 0:17:07 | 0:17:10 | |
Stevie's the issue. | 0:17:13 | 0:17:15 | |
A money matter, as I understand it. | 0:17:16 | 0:17:18 | |
Aye. | 0:17:18 | 0:17:20 | |
Just money? | 0:17:20 | 0:17:21 | |
Do you know another reason? | 0:17:21 | 0:17:23 | |
No. | 0:17:23 | 0:17:25 | |
OK. | 0:17:25 | 0:17:26 | |
Seems a shame, though. He's a good guy. | 0:17:26 | 0:17:28 | |
Wouldn't be the first good guy to get in over his head. | 0:17:28 | 0:17:30 | |
No. | 0:17:30 | 0:17:31 | |
I really need to be going. | 0:17:31 | 0:17:33 | |
What if, as a personal favour to me, you cut Stevie a wee bit of slack? | 0:17:33 | 0:17:36 | |
-A personal favour? -Well, we go back a long way, me and him, you know. | 0:17:37 | 0:17:40 | |
Nobody's going to say anything about you doing your auld man a good turn. | 0:17:40 | 0:17:43 | |
I can think of one person. | 0:17:43 | 0:17:44 | |
He'll listen to you - you're the boss. | 0:17:44 | 0:17:47 | |
Fine. | 0:17:50 | 0:17:52 | |
Great - appreciated. | 0:17:53 | 0:17:54 | |
Ach, I'll tell him it's a Murdoch tradition. | 0:17:54 | 0:17:57 | |
We always give somebody a break at Halloween. | 0:17:57 | 0:17:59 | |
-Now, is that everything? -Aye. | 0:18:00 | 0:18:01 | |
I think the only thing I've left to on my to do list is take | 0:18:04 | 0:18:07 | |
the weans out guising. | 0:18:07 | 0:18:09 | |
We're going too. You should bring them over. | 0:18:09 | 0:18:10 | |
-All family now, eh? -Aye. | 0:18:10 | 0:18:12 | |
50 and five's ten. Have a nice day now. | 0:18:17 | 0:18:20 | |
It's a pity you haven't taught your son that level of politeness. | 0:18:21 | 0:18:25 | |
My wee Bubba's an angel. | 0:18:25 | 0:18:26 | |
I meant the other one. | 0:18:26 | 0:18:28 | |
Oh, Stevie... Aye. | 0:18:28 | 0:18:30 | |
What's he done now? | 0:18:30 | 0:18:32 | |
It's what he hasn't done. He never showed up at Robbie's flat, | 0:18:32 | 0:18:35 | |
left me waiting there for ages. | 0:18:35 | 0:18:36 | |
Robbie's flat? | 0:18:36 | 0:18:37 | |
And he's not answering his phone, | 0:18:37 | 0:18:39 | |
or he'd be getting a piece of my mind instead of you. | 0:18:39 | 0:18:42 | |
-What's he doing at Robbie's flat? -It's for sale. | 0:18:42 | 0:18:44 | |
He's not buying that, is he? | 0:18:44 | 0:18:46 | |
Yes, well. | 0:18:46 | 0:18:47 | |
That was the idea, if he'd had the decency to show up. | 0:18:47 | 0:18:50 | |
Darling, I think you've got the wrong end of the stick. | 0:18:50 | 0:18:53 | |
I don't need to be patronised on top of everything else. | 0:18:53 | 0:18:56 | |
I've had the place cleaned, I took time out of my day, | 0:18:56 | 0:18:59 | |
I lit a scented candle, I... | 0:18:59 | 0:19:01 | |
Oh, dear. | 0:19:01 | 0:19:03 | |
Oh, dear what? | 0:19:03 | 0:19:04 | |
The candle. I didn't blow it out. | 0:19:04 | 0:19:06 | |
That's all the milk gone again. Danny! | 0:19:08 | 0:19:10 | |
I'm no wanting tea, anyway. | 0:19:11 | 0:19:13 | |
I thought you popped round for a cuppa. | 0:19:13 | 0:19:15 | |
I work in a cafe, Caitlin. I came here on my break. | 0:19:15 | 0:19:18 | |
It's not tea I'm wanting, it's sympathy. | 0:19:19 | 0:19:21 | |
What is it, doll? Is it Mum? | 0:19:21 | 0:19:24 | |
Why would it be Mum? | 0:19:24 | 0:19:25 | |
No reason. Just she popped over to the Oyster, so... | 0:19:25 | 0:19:29 | |
She's fine. I've left her there helping Serge, so... | 0:19:29 | 0:19:32 | |
What, then? | 0:19:32 | 0:19:33 | |
Pete came over with some costumes... | 0:19:35 | 0:19:36 | |
He's worse than a wean. | 0:19:36 | 0:19:38 | |
You should see what he's got me wearing. | 0:19:38 | 0:19:40 | |
Aye, well, he got me Bonnie and Clyde for me and AJ, you know? | 0:19:40 | 0:19:46 | |
You've done better than I did. | 0:19:46 | 0:19:47 | |
My point is that's for a couple. We're no a couple. | 0:19:47 | 0:19:51 | |
You want to be, but. | 0:19:51 | 0:19:53 | |
I don't know. | 0:19:53 | 0:19:54 | |
Oh, come on, Ellie. | 0:19:54 | 0:19:55 | |
I know I've missed him loads | 0:19:56 | 0:19:59 | |
and I know I cannae wait to see him. | 0:19:59 | 0:20:01 | |
Well, plant a smacker on his lips as soon as he gets off the plane. | 0:20:01 | 0:20:03 | |
That's not me. | 0:20:03 | 0:20:04 | |
Well, maybe it should be you. | 0:20:04 | 0:20:06 | |
Did you shout me? | 0:20:06 | 0:20:07 | |
Aye, 20 minutes ago. Go and get a pint of milk - a big one. | 0:20:07 | 0:20:10 | |
Can I get some money? | 0:20:10 | 0:20:12 | |
I'll knock it off the rent you don't pay. Scoot. | 0:20:12 | 0:20:14 | |
Absence makes the heart grow fonder. And not just the heart. | 0:20:17 | 0:20:20 | |
Caitlin! | 0:20:20 | 0:20:22 | |
Oh, sorry. But are you planning on being all pure and demure, aye? | 0:20:22 | 0:20:25 | |
I'm no planning on anything, right? | 0:20:25 | 0:20:27 | |
I shouldn't have even told you. | 0:20:27 | 0:20:28 | |
Shut up! | 0:20:28 | 0:20:30 | |
Funny place to meet. | 0:20:51 | 0:20:53 | |
You know anybody that plays basketball? | 0:20:53 | 0:20:55 | |
-Well, no. -Well, I think we're all right, then. -Aye, but... | 0:20:55 | 0:20:58 | |
-It's all right. You're in the clear. -How? | 0:20:58 | 0:21:01 | |
I asked Alex for a favour and he said aye. | 0:21:01 | 0:21:03 | |
It was that simple? | 0:21:03 | 0:21:05 | |
I think you should maybe think about paying the money back as well, | 0:21:05 | 0:21:07 | |
make it easier for Rick to swallow. | 0:21:07 | 0:21:09 | |
Aye, I'll do my best. | 0:21:09 | 0:21:11 | |
Good, I don't want you running to me anymore. | 0:21:11 | 0:21:15 | |
What? | 0:21:15 | 0:21:16 | |
No more keeping an eye on things, no more quiet words - | 0:21:16 | 0:21:19 | |
you're on your own now. | 0:21:19 | 0:21:20 | |
It was you that asked me to keep an eye on things. | 0:21:20 | 0:21:23 | |
That's when I thought you were smart, | 0:21:23 | 0:21:25 | |
but see smart guys? They would never take on debts | 0:21:25 | 0:21:27 | |
that they cannae repay. | 0:21:27 | 0:21:29 | |
It brings too much attention to them. They're all over you. | 0:21:29 | 0:21:31 | |
The minute you done that, | 0:21:31 | 0:21:34 | |
you're no good to me. | 0:21:34 | 0:21:35 | |
I'll see you around, Stevie. | 0:21:37 | 0:21:39 | |
Leave your money on the bar on the way out. | 0:21:46 | 0:21:49 | |
Is everybody begrudging me a bevvy today? | 0:21:49 | 0:21:52 | |
-What? -Never mind. | 0:21:52 | 0:21:54 | |
I'm not sticking around, so whatever it is spit it out. | 0:21:54 | 0:21:56 | |
Rushing home? I don't blame you, considering your missus. | 0:21:56 | 0:22:00 | |
Wee Frankie floating about the place, too. | 0:22:00 | 0:22:03 | |
Me and you have got a very idea about what's funny. | 0:22:03 | 0:22:06 | |
Who's joking? We had some high old times, me and her. | 0:22:06 | 0:22:09 | |
Finish your drink and beat it. | 0:22:09 | 0:22:11 | |
No, I want a word. | 0:22:11 | 0:22:13 | |
Stevie? | 0:22:14 | 0:22:15 | |
The very same. | 0:22:15 | 0:22:17 | |
Lenny came to see me. | 0:22:17 | 0:22:18 | |
That's not like him. Your da keeps his cards | 0:22:18 | 0:22:21 | |
so close to his chest they're practically behind his back. | 0:22:21 | 0:22:24 | |
Aye, well, he asked me for a favour. | 0:22:24 | 0:22:26 | |
-You're kidding. -Nope. | 0:22:31 | 0:22:33 | |
So what? You want me to back off? | 0:22:33 | 0:22:35 | |
He's a grass. | 0:22:35 | 0:22:37 | |
He's Lenny's grass. | 0:22:37 | 0:22:38 | |
-He's known him longer than he's known me and I'm his son. -So? | 0:22:38 | 0:22:42 | |
So he could be useful down the line. | 0:22:42 | 0:22:44 | |
You know what? | 0:22:44 | 0:22:45 | |
You change your mind more than a lassie out shopping for clothes. | 0:22:45 | 0:22:49 | |
Rick... | 0:22:49 | 0:22:50 | |
Don't worry. I'm not going to touch Stevie, but I'm going to stay | 0:22:50 | 0:22:54 | |
close so I'm ready to make a move when you change your mind again. | 0:22:54 | 0:22:58 | |
Seriously? | 0:23:12 | 0:23:13 | |
What? | 0:23:13 | 0:23:15 | |
You don't need to act like I'm contagious. | 0:23:15 | 0:23:17 | |
No, but I spoke to my rep and they told me | 0:23:17 | 0:23:20 | |
to avoid all contact with you. | 0:23:20 | 0:23:21 | |
Did they now? | 0:23:23 | 0:23:24 | |
Uh-huh. | 0:23:24 | 0:23:25 | |
Well, I'm seeing mine next week. | 0:23:27 | 0:23:29 | |
I expect they'll say the same thing. | 0:23:29 | 0:23:31 | |
I expect so. | 0:23:31 | 0:23:33 | |
HORN BLARES SHE SHRIEKS | 0:23:40 | 0:23:42 | |
Hey. Have you had enough to eat, sweetheart? | 0:23:52 | 0:23:55 | |
Yes, thank you. | 0:23:55 | 0:23:56 | |
OK. Good. | 0:23:56 | 0:23:58 | |
Is that what I think it is? | 0:24:04 | 0:24:06 | |
I know the costume cost a fortune but...she's happy. | 0:24:06 | 0:24:10 | |
I remember one Christmas we bought you a doll's house - massive, big | 0:24:10 | 0:24:13 | |
thing. You spent more time playing with the box it came in, didn't she? | 0:24:13 | 0:24:17 | |
Uh-huh. | 0:24:17 | 0:24:18 | |
I think you turned it into a doll's house. | 0:24:18 | 0:24:20 | |
Well, you missed quite a few Christmases, | 0:24:22 | 0:24:24 | |
so I'm not surprised the ones you were here for stick in your mind. | 0:24:24 | 0:24:27 | |
I'll be here for the next one. | 0:24:27 | 0:24:29 | |
Let's just get Halloween out the way, shall we? | 0:24:29 | 0:24:31 | |
Now, are you still OK to babysit? | 0:24:31 | 0:24:33 | |
No problem. | 0:24:33 | 0:24:34 | |
I got the impression that you had things to do. | 0:24:34 | 0:24:37 | |
I did them. Off you go, ladies. Enjoy yourselves. | 0:24:38 | 0:24:42 | |
-Bye, darling. -Bye. -Take your time. | 0:24:42 | 0:24:44 | |
What's this? | 0:24:51 | 0:24:52 | |
How are you doing, son? | 0:25:00 | 0:25:02 | |
I cannae seem to go anywhere without bumping into you these days. | 0:25:02 | 0:25:05 | |
Get used to it. | 0:25:05 | 0:25:06 | |
Well, you know, I'd rather not if it's all the same to you, thanks. | 0:25:06 | 0:25:10 | |
Come on, Stevie. | 0:25:10 | 0:25:12 | |
You've been around the block. You know how this is ends. | 0:25:12 | 0:25:15 | |
Do I? | 0:25:15 | 0:25:16 | |
Aye, it's a food chain sort of thing. Big fish comes along, | 0:25:16 | 0:25:20 | |
sooner or later it gobbles you up. | 0:25:20 | 0:25:22 | |
There's much bigger fish than you. | 0:25:22 | 0:25:24 | |
I don't see any. | 0:25:26 | 0:25:28 | |
Seriously, take a look around. | 0:25:28 | 0:25:30 | |
Lenny's not here to hold your hand. | 0:25:31 | 0:25:33 | |
Alex isn't here to keep me on the leash. | 0:25:34 | 0:25:37 | |
See, I heard that you've been warned off. | 0:25:37 | 0:25:39 | |
It's true, I have. | 0:25:39 | 0:25:40 | |
But all that means is I'll spend some time on the naughty step | 0:25:41 | 0:25:44 | |
when you're out the picture. | 0:25:44 | 0:25:46 | |
Oh, you'll get a whole lot more than that. | 0:25:46 | 0:25:48 | |
How? | 0:25:48 | 0:25:49 | |
Revenge? | 0:25:50 | 0:25:53 | |
Justice? | 0:25:53 | 0:25:54 | |
You've overestimated your importance, son. | 0:25:59 | 0:26:02 | |
Hey, that's coming along great now, Charlotte. | 0:26:21 | 0:26:25 | |
That's a grand job you're doing. | 0:26:27 | 0:26:29 | |
PHONE RINGS | 0:26:33 | 0:26:34 | |
This is not a good time. | 0:26:39 | 0:26:41 | |
He's not backing down. He's going to do it. He's going to kill me. | 0:26:41 | 0:26:44 | |
Look, take a breath, will you? | 0:26:45 | 0:26:47 | |
Take a breath? It's not you that's about to get done in. | 0:26:47 | 0:26:50 | |
No. | 0:26:50 | 0:26:51 | |
Lenny, Lenny! | 0:26:56 | 0:26:57 | |
Lenny! | 0:26:57 | 0:26:58 | |
Is that for me? | 0:27:00 | 0:27:02 | |
What? | 0:27:02 | 0:27:03 | |
Do you want me to come and help you? | 0:27:04 | 0:27:06 | |
PHONE BEEPS | 0:27:06 | 0:27:07 | |
All right, then. | 0:27:13 | 0:27:15 | |
I'll do the grey bits, eh? | 0:27:15 | 0:27:16 | |
PHONE RINGS | 0:27:18 | 0:27:20 | |
No more distractions, sweetheart. | 0:27:28 | 0:27:30 | |
-All right, I give up. -What? | 0:27:41 | 0:27:44 | |
How long can you be in here without buying anything? | 0:27:44 | 0:27:47 | |
Can a guy not just come in and say hello to his maw? | 0:27:47 | 0:27:49 | |
You've been here for ages and hello's all you've says. | 0:27:49 | 0:27:52 | |
Something on your mind? | 0:27:52 | 0:27:54 | |
No, just business, you know. Irons in the fire and all that. | 0:27:54 | 0:27:57 | |
-Doing all right for yourself but, eh? -Aye, not bad. | 0:27:57 | 0:28:00 | |
Can I help you? | 0:28:01 | 0:28:03 | |
No. | 0:28:03 | 0:28:05 | |
I just had a sudden craving for chewing gum. | 0:28:05 | 0:28:08 | |
Bad breath, is it? | 0:28:08 | 0:28:09 | |
No, I just forgot to get some earlier. | 0:28:11 | 0:28:14 | |
90p. | 0:28:16 | 0:28:17 | |
You cannae whack the service here, can you? | 0:28:22 | 0:28:25 | |
You trying to be funny? | 0:28:25 | 0:28:26 | |
Me? No, never. | 0:28:26 | 0:28:28 | |
Am I supposed to bend over backwards | 0:28:28 | 0:28:30 | |
cos you stood up to Lenny Murdoch for about five seconds? | 0:28:30 | 0:28:34 | |
-More like ten. -Lenny? | 0:28:34 | 0:28:35 | |
I thought I was pretty heroic, myself. | 0:28:35 | 0:28:37 | |
You went the colour of off milk. | 0:28:37 | 0:28:39 | |
That was all part of my strategy. | 0:28:39 | 0:28:41 | |
Aye, right. | 0:28:41 | 0:28:43 | |
I could tell you all about it, if you fancy, | 0:28:43 | 0:28:45 | |
over a drink later? | 0:28:45 | 0:28:47 | |
Have I not heard this song before? | 0:28:48 | 0:28:50 | |
Aye, but this time I'm singing it in front of your son. | 0:28:50 | 0:28:53 | |
I'm trying to show you how sorry I am for the other night. | 0:28:53 | 0:28:56 | |
When you left me sitting on my own like an idiot? | 0:28:56 | 0:28:59 | |
That night? | 0:28:59 | 0:29:00 | |
Aye, the one I'm saying sorry for. | 0:29:00 | 0:29:04 | |
Let me make it up to you, eh, Scarlett? | 0:29:07 | 0:29:09 | |
One drink. | 0:29:13 | 0:29:15 | |
Go to Stevie's place too, if you fancy. Keep it in the family. | 0:29:15 | 0:29:18 | |
No, I wouldnae bother. We've got a group booking tonight - students. | 0:29:18 | 0:29:22 | |
You'll not be able to hear yourself think. | 0:29:22 | 0:29:25 | |
The Tall Ship? | 0:29:25 | 0:29:26 | |
Push the boat out, why don't you? | 0:29:27 | 0:29:30 | |
HE WHISTLES | 0:29:30 | 0:29:31 | |
Oh, you on the brandy in the middle of the afternoon? | 0:29:46 | 0:29:49 | |
Had a sudden craving. I don't really know why. | 0:29:50 | 0:29:54 | |
That's the rocky road, right enough. | 0:29:54 | 0:29:57 | |
Och, ignore her. She's the only person | 0:29:57 | 0:29:59 | |
I know who needs a glass of cooking sherry to make shortbread. | 0:29:59 | 0:30:04 | |
Oh, yes, your treats for the guisers. | 0:30:04 | 0:30:08 | |
Earlier you were talking about a supernatural experience...? | 0:30:08 | 0:30:14 | |
Just a lot of nonsense. | 0:30:14 | 0:30:16 | |
Och, I'm sure, but a blood-curdling tale could come in handy | 0:30:16 | 0:30:20 | |
later on - scare the kids away. | 0:30:20 | 0:30:23 | |
All I know is this - | 0:30:27 | 0:30:30 | |
Ethel Bellamy, a neighbour of mine... | 0:30:30 | 0:30:33 | |
..61 when she kicked the bucket. | 0:30:34 | 0:30:37 | |
That's no age. | 0:30:37 | 0:30:39 | |
Ethel felt the same. | 0:30:39 | 0:30:42 | |
Her lassie put the death notice in the paper - | 0:30:42 | 0:30:45 | |
"Beloved Mammy, gone too soon, rest in peace." | 0:30:45 | 0:30:50 | |
Well, the morning of the funeral, | 0:30:52 | 0:30:55 | |
I went in to feed the goldfish - | 0:30:55 | 0:30:58 | |
the newspaper torn to shreds, | 0:30:58 | 0:31:01 | |
all over the place. | 0:31:01 | 0:31:03 | |
Except for one tiny piece | 0:31:04 | 0:31:09 | |
on the wee coffee table where she kept her specs. | 0:31:09 | 0:31:14 | |
One tiny piece. | 0:31:14 | 0:31:17 | |
Only two words - | 0:31:19 | 0:31:21 | |
"Too soon." | 0:31:21 | 0:31:24 | |
"Too soon." | 0:31:24 | 0:31:26 | |
"Too soon." | 0:31:26 | 0:31:28 | |
Oh! Danny. | 0:31:36 | 0:31:39 | |
Sorry, excuse me, Jules, too. | 0:31:39 | 0:31:42 | |
If you have a minute? | 0:31:42 | 0:31:44 | |
-Yeah, no bother. -Something wrong? | 0:31:44 | 0:31:46 | |
No. No, no, no, nothing at all. | 0:31:46 | 0:31:49 | |
OK... | 0:31:49 | 0:31:50 | |
DOOR OPENS | 0:31:54 | 0:31:55 | |
Sorry, I didn't expect to be so... | 0:31:58 | 0:31:59 | |
Don't worry. We're having a great time. | 0:31:59 | 0:32:03 | |
Yeah... | 0:32:03 | 0:32:05 | |
Yeah, I can see that. | 0:32:05 | 0:32:06 | |
Isn't Grandpa good, helping you, Charlotte? | 0:32:08 | 0:32:10 | |
Yes. | 0:32:10 | 0:32:12 | |
And it was all her idea. | 0:32:12 | 0:32:14 | |
Really? | 0:32:14 | 0:32:15 | |
Aye. | 0:32:15 | 0:32:17 | |
Do you want to take over? | 0:32:18 | 0:32:19 | |
I think you should carry on, if that's OK? | 0:32:21 | 0:32:24 | |
Yeah, that's OK. | 0:32:24 | 0:32:26 | |
It's more than OK, isn't it? | 0:32:26 | 0:32:28 | |
Ridiculous, really, but something's got under my skin. | 0:32:31 | 0:32:34 | |
I don't know if it's Halloween or Molly's | 0:32:34 | 0:32:36 | |
tales of messages from dead friends. | 0:32:36 | 0:32:39 | |
Dead friends? | 0:32:39 | 0:32:40 | |
Yes, silly, I know. | 0:32:40 | 0:32:42 | |
What do you mean, dead friends? | 0:32:42 | 0:32:43 | |
-Danny. -What? | 0:32:43 | 0:32:45 | |
We're meant to be here to calm Suzie down. | 0:32:45 | 0:32:47 | |
I'm not. I think she should be worried. | 0:32:47 | 0:32:50 | |
-Do you really? -You've got to be kidding. | 0:32:50 | 0:32:53 | |
-What? -There's no such thing as ghosts. | 0:32:53 | 0:32:55 | |
Don't say the G word. | 0:32:55 | 0:32:57 | |
It's a good thing you're hot. | 0:32:57 | 0:32:58 | |
-What? -Never said anything. | 0:32:58 | 0:33:00 | |
I don't mean shadowy figures floating about like something | 0:33:00 | 0:33:03 | |
-in Harry Potter. -What, then? | 0:33:03 | 0:33:05 | |
Energy. I think if something bad happens in a place | 0:33:05 | 0:33:07 | |
then the atmosphere changes, like forever. | 0:33:07 | 0:33:10 | |
But the bad thing didn't happen here. | 0:33:10 | 0:33:13 | |
Why wouldn't Lorna haunt the pavement outside the pub? | 0:33:13 | 0:33:15 | |
Because this is her home. | 0:33:15 | 0:33:17 | |
RATTLING | 0:33:17 | 0:33:18 | |
-Sorry. -It came from out there. | 0:33:19 | 0:33:22 | |
-Wait. -Why? I thought you didn't believe in ghosts? | 0:33:22 | 0:33:25 | |
I think I can hear music. | 0:33:25 | 0:33:27 | |
Shh. | 0:33:27 | 0:33:28 | |
MUFFLED MUSIC | 0:33:28 | 0:33:29 | |
It's coming from in there. | 0:33:30 | 0:33:32 | |
-WHISPERS: -The bedroom. Lorna's bedroom. | 0:33:33 | 0:33:38 | |
-Shelley? -Shelley? | 0:33:40 | 0:33:42 | |
What are you doing here? | 0:33:42 | 0:33:43 | |
What are WE doing here? | 0:33:43 | 0:33:45 | |
Wait, you two know each other? | 0:33:45 | 0:33:47 | |
You two know each other? | 0:33:47 | 0:33:49 | |
She's my sister. | 0:33:49 | 0:33:50 | |
You've seen how she gets. | 0:33:53 | 0:33:55 | |
Completely lost in a world of her own. | 0:33:55 | 0:33:58 | |
But this is different, | 0:33:58 | 0:34:00 | |
to involve someone else. | 0:34:00 | 0:34:02 | |
To invite someone else. | 0:34:02 | 0:34:04 | |
I know. | 0:34:04 | 0:34:06 | |
It's good to while away an hour with the wean, | 0:34:06 | 0:34:08 | |
but do you think it's important? | 0:34:08 | 0:34:11 | |
It could be. | 0:34:11 | 0:34:12 | |
Mum! | 0:34:12 | 0:34:14 | |
Coming, Charlotte. | 0:34:14 | 0:34:15 | |
The truth is we don't know enough yet. | 0:34:17 | 0:34:19 | |
But reaching out like this - | 0:34:19 | 0:34:21 | |
it might mean that Charlotte's condition isn't so severe. | 0:34:21 | 0:34:24 | |
Right, good. | 0:34:24 | 0:34:26 | |
Or... Or it could mean her condition is severe | 0:34:26 | 0:34:29 | |
but she's finding another way to communicate. | 0:34:29 | 0:34:32 | |
Or it could be a one-off and not mean anything. | 0:34:32 | 0:34:34 | |
It's no straightforward this business, is it? | 0:34:36 | 0:34:38 | |
It really isn't. | 0:34:38 | 0:34:40 | |
Well, look who we have here. | 0:34:40 | 0:34:43 | |
Wow! How fantastic do you look? | 0:34:43 | 0:34:47 | |
That's amazing, darling. | 0:34:47 | 0:34:48 | |
It really is. | 0:34:48 | 0:34:50 | |
-Give them a twirl. -Look at those wings! | 0:34:50 | 0:34:53 | |
-She's lying! -No, I'm not. | 0:34:55 | 0:34:56 | |
You can't have got the keys from a landlord, | 0:34:56 | 0:34:59 | |
because there is no landlord. | 0:34:59 | 0:35:00 | |
-The guy from the pub. -What guy? | 0:35:00 | 0:35:02 | |
-Pete? -Yes. | 0:35:02 | 0:35:04 | |
-My dad? -So that's where my spare set of keys went. | 0:35:04 | 0:35:07 | |
-You see? -That doesn't make it all right. | 0:35:07 | 0:35:10 | |
I moved in in good faith. | 0:35:10 | 0:35:11 | |
Is that...is that scoundrel charging you rent? | 0:35:11 | 0:35:15 | |
We've not came to any arrangement yet, no. | 0:35:15 | 0:35:18 | |
Oh, really? | 0:35:18 | 0:35:19 | |
It's nothing like that. | 0:35:19 | 0:35:21 | |
Like what? | 0:35:21 | 0:35:22 | |
Ewww. | 0:35:23 | 0:35:25 | |
Seriously - he's been a total gentleman. | 0:35:25 | 0:35:26 | |
Yeah, which makes him not your type. | 0:35:26 | 0:35:28 | |
Can we sort all this out and catch up properly? | 0:35:28 | 0:35:30 | |
There is no catching up. | 0:35:30 | 0:35:32 | |
You don't get to come in and be my sister all of a sudden. | 0:35:32 | 0:35:35 | |
It wasn't all of a sudden. | 0:35:35 | 0:35:37 | |
I came looking for you. | 0:35:37 | 0:35:38 | |
Cal? Gabe? You nearly ready? | 0:35:41 | 0:35:44 | |
Give them a minute. We've got all night. | 0:35:44 | 0:35:47 | |
Have you? | 0:35:47 | 0:35:48 | |
I'm here, aren't I? | 0:35:48 | 0:35:50 | |
Some of us are in costume already. | 0:35:51 | 0:35:54 | |
Ah, ah, ah. | 0:35:54 | 0:35:55 | |
What's this, for Halloween, or do you dress like that every Tuesday? | 0:35:55 | 0:35:58 | |
At least I made the effort. | 0:35:58 | 0:36:00 | |
Hey, have you got a bit of white paper? | 0:36:00 | 0:36:03 | |
DOORBELL RINGS | 0:36:05 | 0:36:06 | |
I'll get the door, I'll get the door. | 0:36:06 | 0:36:08 | |
-There you go. -Hi! | 0:36:12 | 0:36:14 | |
Hey, you made an effort. | 0:36:15 | 0:36:17 | |
-IRISH ACCENT: -There we are now - | 0:36:18 | 0:36:20 | |
Father Lenny Murdoch at your service. | 0:36:20 | 0:36:22 | |
Bravo. | 0:36:22 | 0:36:24 | |
-That really is scary. -Yeah? | 0:36:24 | 0:36:25 | |
You count yourself lucky I don't have a crucifix, | 0:36:25 | 0:36:28 | |
or a stake. | 0:36:28 | 0:36:29 | |
Well, don't you look fabulous? | 0:36:29 | 0:36:32 | |
I don't want to look fabulous. | 0:36:32 | 0:36:34 | |
Terrifying. I mean terrifying! | 0:36:34 | 0:36:37 | |
Right, OK, family selfie. Gather in. | 0:36:37 | 0:36:41 | |
It's just the family. | 0:36:41 | 0:36:42 | |
Gabriel, you can take the photo. | 0:36:42 | 0:36:44 | |
Dad, play nice. | 0:36:44 | 0:36:45 | |
Don't worry about it. | 0:36:47 | 0:36:49 | |
Right, everybody, huddle in, and big cheesy smile. | 0:36:49 | 0:36:52 | |
ALL: Cheese! | 0:36:52 | 0:36:53 | |
Look, I don't want to see anyone out on the street, | 0:36:55 | 0:36:58 | |
but my son has entrusted me to sell this flat, | 0:36:58 | 0:37:02 | |
so staying here isn't an option. | 0:37:02 | 0:37:04 | |
I can pay rent. I've got a job. | 0:37:04 | 0:37:06 | |
Since when? | 0:37:06 | 0:37:07 | |
Don't act all gobsmacked. I've always worked. | 0:37:07 | 0:37:09 | |
Just never in the same place for long. | 0:37:09 | 0:37:11 | |
-Who's buying the flat? -That's nothing to do with us. | 0:37:11 | 0:37:13 | |
Some people take in lodgers. I'm just saying. | 0:37:13 | 0:37:16 | |
I wonder if Robbie would consider renting it out. | 0:37:16 | 0:37:18 | |
I'm not sure I could afford this whole place myself. | 0:37:18 | 0:37:21 | |
No, but if you had a flatmate | 0:37:21 | 0:37:24 | |
and a live-in landlady... | 0:37:24 | 0:37:26 | |
Us two? | 0:37:26 | 0:37:27 | |
Us three. | 0:37:27 | 0:37:29 | |
I've got a place to live, thanks. | 0:37:29 | 0:37:31 | |
The pub? Listening to Pete's snoring | 0:37:31 | 0:37:34 | |
and Caitlin's bad temper? | 0:37:34 | 0:37:36 | |
And me. The pub's got me. | 0:37:36 | 0:37:38 | |
I mean, just saying. | 0:37:38 | 0:37:40 | |
You two are shacked up? | 0:37:40 | 0:37:41 | |
No! We're not even... | 0:37:41 | 0:37:43 | |
That sounds complicated. And overcrowded. | 0:37:43 | 0:37:45 | |
Exactly. | 0:37:45 | 0:37:46 | |
You're at uni, right? | 0:37:46 | 0:37:48 | |
You'd get way more peace and quiet over here, for studying, I mean. | 0:37:48 | 0:37:52 | |
Since when have you ever cared about me studying? | 0:37:52 | 0:37:54 | |
I just want to see my baby sis happy. | 0:37:54 | 0:37:56 | |
Hello! Wow! Come on in! | 0:37:59 | 0:38:02 | |
You look great. | 0:38:02 | 0:38:04 | |
Oh, here we go! We're going to have a massive haul here. | 0:38:04 | 0:38:07 | |
-Check that out! -Totally. | 0:38:07 | 0:38:08 | |
Yeah, just hope that werewolf we saw on the stairs left us some. | 0:38:08 | 0:38:11 | |
You know, I used to be a werewolf once, but I'm all right nooowwww. | 0:38:11 | 0:38:14 | |
Wow, the world's oldest Halloween joke. | 0:38:14 | 0:38:17 | |
What a scary bunch, and that's just Amber. | 0:38:17 | 0:38:19 | |
Hand over your sweeties. | 0:38:19 | 0:38:20 | |
Evening, father. | 0:38:22 | 0:38:23 | |
God bless all of you. | 0:38:23 | 0:38:25 | |
The priest thing suits him a bit too much. | 0:38:25 | 0:38:27 | |
If you've got a minute, I wouldn't mind hearing your confession. | 0:38:27 | 0:38:30 | |
Might take more than a minute. | 0:38:30 | 0:38:32 | |
So we'll make time - be worth it. | 0:38:32 | 0:38:33 | |
Might save your immortal soul. | 0:38:33 | 0:38:35 | |
You're enjoying this priest thing, aren't you? | 0:38:35 | 0:38:37 | |
Yeah, I think I'm a loss to the seminary. | 0:38:37 | 0:38:39 | |
Out you come, girls. | 0:38:39 | 0:38:41 | |
Don't be too terrified, OK? | 0:38:41 | 0:38:43 | |
Yeah, she's only a little bit evil. Aren't you, Katie? | 0:38:43 | 0:38:46 | |
Right, all ready for some trick or treating? | 0:38:46 | 0:38:49 | |
This is Scotland. It's guising we do. | 0:38:49 | 0:38:51 | |
DOORBELL RINGS | 0:38:51 | 0:38:52 | |
Come on, let's go and scare some random strangers. | 0:38:52 | 0:38:55 | |
Wouldn't mind a word. | 0:38:58 | 0:39:00 | |
Sadly, I think I'm beyond redemption. | 0:39:00 | 0:39:02 | |
SCREAMING | 0:39:02 | 0:39:03 | |
Katie? | 0:39:03 | 0:39:04 | |
What is it? Sorry, you're going to have to leave now. | 0:39:07 | 0:39:10 | |
Sorry, I.... | 0:39:12 | 0:39:14 | |
She was only a zombie. Big deal. | 0:39:14 | 0:39:16 | |
Hey, Cal. | 0:39:16 | 0:39:18 | |
What? | 0:39:18 | 0:39:19 | |
You don't know the whole story. | 0:39:19 | 0:39:21 | |
If you see a wee lassie in that | 0:39:21 | 0:39:22 | |
state, you show a wee bit of compassion, right? | 0:39:22 | 0:39:26 | |
I'm talking to you here. | 0:39:26 | 0:39:28 | |
K. I'm, like, sorry? | 0:39:28 | 0:39:30 | |
Oh, wow! Ah-ha! | 0:39:41 | 0:39:43 | |
Helen of Troy? | 0:39:46 | 0:39:47 | |
Naw, Cleopatra comin' atcha. | 0:39:47 | 0:39:49 | |
Of course, now I can see it. | 0:39:51 | 0:39:53 | |
I almost hate to ask but where is your Anthony? | 0:39:55 | 0:39:59 | |
"Let Rome in Tiber melt, and the wide arch of the ranged empire fall. | 0:39:59 | 0:40:04 | |
"Here is my space." Act I, Scene I. | 0:40:04 | 0:40:08 | |
That's as far as he's got and he's been reading it all afternoon. | 0:40:08 | 0:40:11 | |
It's tough going, let me tell you. | 0:40:11 | 0:40:12 | |
I've changed two barrels dressed like this. | 0:40:12 | 0:40:14 | |
Hey, Cleo, baby, I'll run you a bath of ass's milk before bed. | 0:40:14 | 0:40:18 | |
Hey, watch where you're putting that sword of yours. | 0:40:18 | 0:40:20 | |
It's moments like that I'm going to miss when I move out. | 0:40:20 | 0:40:23 | |
Move out? | 0:40:23 | 0:40:25 | |
Where to? | 0:40:25 | 0:40:26 | |
Robbie's old flat. | 0:40:26 | 0:40:28 | |
I thought he was selling up? | 0:40:28 | 0:40:30 | |
Plans can change, your majesty. | 0:40:30 | 0:40:32 | |
Much as I cherish moments of the always-up toilet seat | 0:40:34 | 0:40:38 | |
and the paper-thin walls between your bedroom and mine, I think | 0:40:38 | 0:40:42 | |
I may have found more appealing living arrangements. | 0:40:42 | 0:40:47 | |
I hope you're going to give a month's notice, | 0:40:47 | 0:40:49 | |
or pay the difference? | 0:40:49 | 0:40:51 | |
I don't think we ever put anything down on paper about that, did we? | 0:40:51 | 0:40:54 | |
I mean, Pete, you're quite the expert on letting property... | 0:40:54 | 0:40:59 | |
Him? | 0:40:59 | 0:41:01 | |
Ach, we're all pals, aren't we? | 0:41:01 | 0:41:02 | |
Let's just shake hands and wish each other well, eh? | 0:41:02 | 0:41:05 | |
How are they? | 0:41:19 | 0:41:20 | |
Better. Just watching a movie. | 0:41:20 | 0:41:23 | |
KNOCK ON DOOR | 0:41:23 | 0:41:24 | |
I think I might join them if it's going to be like that all night. | 0:41:25 | 0:41:29 | |
Annie, I'm sorry. | 0:41:29 | 0:41:30 | |
I really never thought it all through. | 0:41:30 | 0:41:32 | |
Neither did I. | 0:41:33 | 0:41:35 | |
KNOCK ON DOOR | 0:41:35 | 0:41:36 | |
-How's the girls? -Look, I appreciate the concern, | 0:41:48 | 0:41:51 | |
but I need to nip out and I don't want to be gone long. | 0:41:51 | 0:41:53 | |
What you're dealing with, son? I wouldn't wish it on anybody. | 0:41:53 | 0:41:56 | |
-Then don't make my life harder. -That's not what I'm trying to do. | 0:41:56 | 0:41:59 | |
No? Then why are you here? To ask for another favour? | 0:41:59 | 0:42:01 | |
Seems to me you didn't come through with the last one I asked you for. | 0:42:01 | 0:42:04 | |
-No? -No. Rick's still all over Stevie. | 0:42:04 | 0:42:06 | |
I mean, if you're running things... | 0:42:06 | 0:42:08 | |
I AM running things. | 0:42:08 | 0:42:10 | |
Do you know what I think to myself, and I think it | 0:42:10 | 0:42:12 | |
so often I should get a wee sign made and put on my office wall? | 0:42:12 | 0:42:16 | |
WWLD. What would Lenny do? | 0:42:16 | 0:42:18 | |
I think we both know what'd happen | 0:42:18 | 0:42:20 | |
if you found out some low-level guy was taking you for a ride. | 0:42:20 | 0:42:23 | |
Stevie'll sort out the money. | 0:42:23 | 0:42:24 | |
This isn't about the money. | 0:42:24 | 0:42:26 | |
We both know that, so can we stop playing games? | 0:42:26 | 0:42:29 | |
What games? | 0:42:29 | 0:42:30 | |
All right. | 0:42:36 | 0:42:38 | |
The guy is a grass. | 0:42:38 | 0:42:41 | |
An informant. A traitor. | 0:42:41 | 0:42:43 | |
Now you tell me - what would Lenny do? | 0:42:44 | 0:42:47 | |
Shouldn't you be packing? | 0:42:55 | 0:42:57 | |
I haven't got much stuff. | 0:42:57 | 0:42:59 | |
It's cool to travel light. | 0:42:59 | 0:43:01 | |
You always have. No baggage, eh? | 0:43:01 | 0:43:03 | |
We going to have this fight again? | 0:43:03 | 0:43:05 | |
You going to be around long enough? | 0:43:05 | 0:43:06 | |
OK, ladies, I have spoken to Robbie and we're all set. | 0:43:06 | 0:43:12 | |
Oh, this is going to be so much fun! | 0:43:12 | 0:43:14 | |
Lookin' good, good lookin'. | 0:43:31 | 0:43:33 | |
Glad to see you've made an effort. | 0:43:33 | 0:43:34 | |
What are you talking about? I've come as Robert De Niro. | 0:43:34 | 0:43:37 | |
In what movie? | 0:43:37 | 0:43:38 | |
Duh - Taxi Driver. | 0:43:38 | 0:43:42 | |
"You talkin' to me?" | 0:43:42 | 0:43:43 | |
You're hilarious. | 0:43:43 | 0:43:45 | |
Hilarious enough to buy you another of them boggin' looking drinks? | 0:43:45 | 0:43:48 | |
Aye, why no? | 0:43:48 | 0:43:50 | |
How we doing, OK? | 0:43:50 | 0:43:51 | |
Better than OK. | 0:43:52 | 0:43:53 | |
Excellent. My shout. What are you having? | 0:43:53 | 0:43:56 | |
PHONE RINGS | 0:43:57 | 0:43:59 | |
Two ticks. Finally. | 0:43:59 | 0:44:01 | |
What? Move in here? | 0:44:01 | 0:44:03 | |
There's plenty of room with Jules and Suzie gone. | 0:44:03 | 0:44:06 | |
Nah, I'm happy where I am, thanks. | 0:44:06 | 0:44:08 | |
There you go, Cleo, baby - the people have spoken. Vox popli? | 0:44:08 | 0:44:13 | |
I just think it makes sense. | 0:44:13 | 0:44:14 | |
And what about AJ? | 0:44:14 | 0:44:16 | |
AJ? | 0:44:16 | 0:44:17 | |
It would just be him and Ellie rattling around over there, | 0:44:17 | 0:44:19 | |
wouldn't it? | 0:44:19 | 0:44:21 | |
Actually, I think Caitlin might be right. | 0:44:21 | 0:44:23 | |
No, she isn't. | 0:44:23 | 0:44:24 | |
Going to shut it, you? | 0:44:24 | 0:44:26 | |
So what happened? | 0:44:30 | 0:44:31 | |
Were you dooking for apples and your phone fell in the water? | 0:44:31 | 0:44:34 | |
I needed a wee bit of time to think. | 0:44:34 | 0:44:36 | |
A bit? You've left me stewing for hours. | 0:44:36 | 0:44:39 | |
I'm sorry. You're here now. | 0:44:42 | 0:44:44 | |
I am. Maybe you shouldnae be. | 0:44:44 | 0:44:47 | |
How do you mean? | 0:44:48 | 0:44:49 | |
Your best bet, I think, make yourself scarce for a while. | 0:44:49 | 0:44:52 | |
Six months, a year. | 0:44:52 | 0:44:54 | |
I'll give you the money, set you on your way. | 0:44:54 | 0:44:57 | |
What are you even on about? | 0:44:57 | 0:44:58 | |
You asked for my advice. | 0:44:58 | 0:45:00 | |
No, I asked for your help! | 0:45:00 | 0:45:02 | |
Well, it's the best I can do. | 0:45:02 | 0:45:03 | |
Well, I'm sorry, but that just isn't good enough, Lenny. | 0:45:04 | 0:45:07 | |
You and me go way back. | 0:45:07 | 0:45:09 | |
I am not going to war with Alex for you. | 0:45:10 | 0:45:13 | |
Don't give me that. | 0:45:14 | 0:45:16 | |
I was working for you long before you even knew he was yours. | 0:45:16 | 0:45:18 | |
Yeah, well, I know now, don't I? | 0:45:18 | 0:45:21 | |
Do you not get it, Stevie? | 0:45:21 | 0:45:23 | |
This is what I've always wanted. | 0:45:23 | 0:45:25 | |
Everything I've built, my whole life - | 0:45:25 | 0:45:29 | |
somebody to pass it on to. | 0:45:29 | 0:45:31 | |
A legacy. | 0:45:31 | 0:45:33 | |
Well, you call it what you want, but from where I'm standing | 0:45:33 | 0:45:36 | |
it looks like an old man being told what to do off his wean. | 0:45:36 | 0:45:39 | |
If he's running things, | 0:45:42 | 0:45:44 | |
that's the way it's going to be. | 0:45:44 | 0:45:46 | |
Well. How the mighty fall, eh? | 0:45:48 | 0:45:51 | |
Here's the thing. | 0:46:10 | 0:46:12 | |
OK. | 0:46:12 | 0:46:13 | |
However it happens, I want it done clean. I want nobody else... | 0:46:15 | 0:46:19 | |
..affected. | 0:46:21 | 0:46:23 | |
Don't worry. I've got something subtle in mind. | 0:46:23 | 0:46:26 | |
Good. Don't mess it up. | 0:46:26 | 0:46:29 | |
PHONE RINGS | 0:46:46 | 0:46:48 | |
Hello? | 0:46:49 | 0:46:50 | |
AJ? Have you landed or...? | 0:46:50 | 0:46:52 | |
Eh? AJ, I can't hear you. | 0:46:52 | 0:46:54 | |
I can't hear you very well. | 0:46:54 | 0:46:57 | |
Uh-huh. | 0:46:58 | 0:46:59 | |
That's fine. No, it's fine, yeah. | 0:47:00 | 0:47:04 | |
It's just another week, so I'll manage. | 0:47:04 | 0:47:07 | |
Yeah. AJ? | 0:47:07 | 0:47:08 | |
You look nice, Bonnie. | 0:47:10 | 0:47:11 | |
Not much use without Clyde. | 0:47:12 | 0:47:15 | |
He's not coming? | 0:47:16 | 0:47:17 | |
Another week. It's building works. | 0:47:19 | 0:47:20 | |
What, at the airport? That sounds weird. | 0:47:20 | 0:47:23 | |
I don't know, Mum, do I? The line was terrible. | 0:47:23 | 0:47:26 | |
It was terrible. | 0:47:27 | 0:47:28 | |
Oh, darling. | 0:47:28 | 0:47:30 | |
God. Look at the state of me. | 0:47:31 | 0:47:33 | |
Greetin' like a daft teenager about a boy. | 0:47:35 | 0:47:38 | |
There's no shame in having feelings, Ellie. | 0:47:38 | 0:47:40 | |
I don't think I realised how desperate I was to see him | 0:47:43 | 0:47:45 | |
until I found out I'm not going to. | 0:47:45 | 0:47:47 | |
Well, at least now you know. | 0:47:47 | 0:47:49 | |
What? | 0:47:50 | 0:47:52 | |
How you've been all day, for weeks. | 0:47:52 | 0:47:55 | |
On edge, | 0:47:55 | 0:47:56 | |
anxious, | 0:47:56 | 0:47:58 | |
losing your appetite. | 0:47:58 | 0:48:00 | |
Oh, no. | 0:48:01 | 0:48:03 | |
Oh, aye. | 0:48:03 | 0:48:04 | |
I don't think you just fancy AJ, Ellie. | 0:48:04 | 0:48:06 | |
I'm in love with him. | 0:48:08 | 0:48:10 | |
And now you need to tell him. | 0:48:10 | 0:48:12 | |
It's not that simple. | 0:48:13 | 0:48:15 | |
Oh, aye, it is. If you care about someone | 0:48:15 | 0:48:18 | |
and there's even a chance that they care about you? | 0:48:18 | 0:48:21 | |
You cannae let that go, hen. | 0:48:22 | 0:48:25 | |
Life's too short. | 0:48:25 | 0:48:26 | |
Back so soon? | 0:48:37 | 0:48:38 | |
I said I would be, didn't I? | 0:48:38 | 0:48:40 | |
-She went out like a light. -Even after all those sweeties? | 0:48:42 | 0:48:44 | |
She seemed to enjoy herself, though, eh? | 0:48:44 | 0:48:46 | |
Yeah, yeah, I think really she did. | 0:48:46 | 0:48:48 | |
Aye, me too. | 0:48:48 | 0:48:49 | |
Should I call Alex? | 0:48:51 | 0:48:52 | |
I think I'd leave them in peace, for tonight at least. | 0:48:53 | 0:48:57 | |
Yeah, it's awful for him, for all of them. | 0:48:57 | 0:48:59 | |
Aye, horrendous. | 0:48:59 | 0:49:00 | |
Right, mother's privilege. I'm going to see if anyone left us | 0:49:02 | 0:49:05 | |
any decent chocolate. | 0:49:05 | 0:49:07 | |
Why don't you go out? | 0:49:07 | 0:49:09 | |
It's still early - you could see how it's going at The Jailbirds. | 0:49:09 | 0:49:13 | |
Yeah, I mean, we've got a big group in and I can't get hold of Stevie. | 0:49:13 | 0:49:17 | |
You don't mind? | 0:49:17 | 0:49:18 | |
Not at all. | 0:49:18 | 0:49:19 | |
We're here with Charlotte. | 0:49:19 | 0:49:21 | |
OK, cool. | 0:49:21 | 0:49:22 | |
MUSIC PLAYS | 0:49:27 | 0:49:28 | |
-What can I get you? -Single malt, please. | 0:49:35 | 0:49:38 | |
# Bela Lugosi's dead... | 0:49:49 | 0:49:52 | |
# Undead, undead, undead... # | 0:50:01 | 0:50:04 | |
-Take one yourself. -Cheers. | 0:50:14 | 0:50:15 | |
# ..file past his tomb | 0:50:20 | 0:50:22 | |
# Strewn with time's dead flowers | 0:50:22 | 0:50:26 | |
# Bereft in deadly bloom | 0:50:26 | 0:50:28 | |
# Alone in a darkened room | 0:50:28 | 0:50:32 | |
# The count | 0:50:33 | 0:50:34 | |
# Bela Lugosi's dead... # | 0:50:39 | 0:50:41 | |
SCREAMING OUTSIDE | 0:50:45 | 0:50:47 | |
-You jumpy too? -Me? | 0:50:47 | 0:50:49 | |
Nah. | 0:50:49 | 0:50:50 | |
I think what happened at Alex's got to us all a little. | 0:50:51 | 0:50:54 | |
Aye, maybe a wee bit. | 0:50:55 | 0:50:56 | |
So is this the shape of things to come? | 0:50:58 | 0:51:01 | |
Baby-sitting, Halloween, family Christmases? | 0:51:03 | 0:51:08 | |
I hope so. | 0:51:08 | 0:51:09 | |
And how long before you get bored of it? | 0:51:11 | 0:51:13 | |
Honestly? I cannae say. | 0:51:13 | 0:51:15 | |
But when I seen Alex tonight... | 0:51:17 | 0:51:19 | |
Annie. Those kids. | 0:51:19 | 0:51:21 | |
I don't know if I could handle if anything happened to Amber | 0:51:24 | 0:51:26 | |
or the weans. | 0:51:26 | 0:51:27 | |
Or you. | 0:51:28 | 0:51:30 | |
Well, I had to live with that feeling for a very long time. | 0:51:30 | 0:51:33 | |
-Too long. -Yes. | 0:51:33 | 0:51:35 | |
Yeah, I get it. | 0:51:35 | 0:51:36 | |
Finally. | 0:51:36 | 0:51:38 | |
I was always a wee bit slow on the uptake. | 0:51:38 | 0:51:40 | |
Can I tell you something? | 0:51:43 | 0:51:44 | |
'Course. | 0:51:44 | 0:51:46 | |
I think that there've been times when you've treated people like... | 0:51:47 | 0:51:50 | |
..like trophies. | 0:51:52 | 0:51:54 | |
-Lydia. -No, hear me out, please. | 0:51:54 | 0:51:57 | |
Amber, the grandchildren. Me, even. | 0:51:57 | 0:51:59 | |
Maybe me especially. | 0:52:01 | 0:52:02 | |
But today - | 0:52:03 | 0:52:06 | |
the way you were with Charlotte, | 0:52:06 | 0:52:08 | |
the way you were with Cal. | 0:52:08 | 0:52:10 | |
Cal? | 0:52:10 | 0:52:12 | |
You set him straight. You told him a certain way to behave. | 0:52:12 | 0:52:15 | |
You sounded like a grandfather. | 0:52:16 | 0:52:18 | |
You sounded like the head of the family. | 0:52:21 | 0:52:25 | |
It suits you, Lenny. | 0:52:25 | 0:52:26 | |
Single malt. | 0:52:39 | 0:52:41 | |
MUSIC PLAYS: Lagartija Nick by Bauhaus | 0:52:57 | 0:53:01 | |
Whoa, whoa. | 0:53:39 | 0:53:41 | |
Stevie, come on, you've had enough, son. | 0:53:41 | 0:53:43 | |
Come on. Come on. Out you go. | 0:53:43 | 0:53:46 | |
Get some fresh air. | 0:53:47 | 0:53:49 | |
Top up? | 0:54:13 | 0:54:14 | |
We're responsible for a child, remember? | 0:54:14 | 0:54:17 | |
Ach, she's down for the night. | 0:54:17 | 0:54:19 | |
I've had enough anyway. | 0:54:19 | 0:54:20 | |
OK. | 0:54:22 | 0:54:24 | |
Y'know, I think if you're going to | 0:54:25 | 0:54:27 | |
make that connection with the kids... | 0:54:27 | 0:54:28 | |
..then you need to maintain it, | 0:54:30 | 0:54:33 | |
be a constant in their lives. | 0:54:33 | 0:54:35 | |
How many times do I need to say? | 0:54:36 | 0:54:38 | |
I'm not going anywhere. | 0:54:38 | 0:54:40 | |
Say it to me one more time. | 0:54:45 | 0:54:46 | |
I am not going anywhere. | 0:54:50 | 0:54:56 | |
Wait. | 0:55:04 | 0:55:05 | |
WHISPERS: Thanks for walking me home. | 0:55:26 | 0:55:28 | |
-WHISPERS: -My pleasure. | 0:55:28 | 0:55:29 | |
Why are we whispering? | 0:55:32 | 0:55:34 | |
I don't know. | 0:55:34 | 0:55:35 | |
-Why are the lights off? -I don't know. | 0:55:36 | 0:55:38 | |
OK. | 0:55:38 | 0:55:41 | |
Shut up. | 0:55:41 | 0:55:42 | |
Stevie! Stevie, Stevie, what's happened? | 0:55:55 | 0:56:00 | |
Call an ambulance! Stevie! | 0:56:00 | 0:56:03 | |
I did say bring something different to the table. | 0:56:10 | 0:56:12 | |
Is it not a bit dangerous, writing all that down? | 0:56:12 | 0:56:15 | |
I'm still owed 30 grand. | 0:56:15 | 0:56:16 | |
They're worth more than that. | 0:56:16 | 0:56:17 | |
This is it, then. The return of the king. | 0:56:17 | 0:56:19 | |
Oh, is that today, aye? | 0:56:19 | 0:56:21 | |
I thought today was, "I pure fancy you, AJ" day. | 0:56:21 | 0:56:23 | |
What if he laughs in my face? | 0:56:23 | 0:56:24 | |
I want you primped, preened and primed and in your pulling knickers. | 0:56:24 | 0:56:27 | |
Use your eyes, woman. | 0:56:27 | 0:56:29 | |
-Bad news? -Nothing to worry about. | 0:56:32 | 0:56:33 | |
You're the last person I expected to see. | 0:56:33 | 0:56:36 | |
Well, technically this still is my practice. | 0:56:36 | 0:56:38 | |
Unbelievable. | 0:56:38 | 0:56:39 | |
She's intimidating witnesses. | 0:56:39 | 0:56:40 | |
A doctor's not just what I am. It's who I am. | 0:56:40 | 0:56:44 | |
You've always got bribery and | 0:56:44 | 0:56:45 | |
intimidation to fall back on, I suppose. | 0:56:45 | 0:56:47 | |
Get out! | 0:56:47 | 0:56:48 | |
You're disgusting. | 0:56:48 | 0:56:49 |