Browse content similar to 03/07/2012. Check below for episodes and series from the same categories and more!
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I'm looking for Gabriel Brodie. Gabriel's a good friend of mine. | 0:00:22 | 0:00:25 | |
I think it's cute Iona's got a crush. | 0:00:25 | 0:00:27 | |
I think our Tom's a bit of a player. The love them and leave them type. | 0:00:27 | 0:00:31 | |
I'm going to be asking a beautiful woman | 0:00:31 | 0:00:33 | |
how lonely it feels being a prisoner's wife. | 0:00:33 | 0:00:35 | |
-Don't even think about it. -Touched a nerve, have I? | 0:00:35 | 0:00:38 | |
Gabriel Brodie called. | 0:00:38 | 0:00:40 | |
Says he wants to talk, says he's got info on Sean Kennedy. | 0:00:40 | 0:00:43 | |
Who tipped you off? | 0:00:43 | 0:00:44 | |
I'm the one asking questions here. | 0:00:44 | 0:00:47 | |
That's me off. | 0:00:49 | 0:00:51 | |
Try and get up at some point, don't waste the whole day. | 0:00:51 | 0:00:54 | |
Morning. | 0:00:57 | 0:00:58 | |
Teenagers, eh? | 0:00:58 | 0:01:00 | |
Listen, is there any chance of you shifting your car - | 0:01:00 | 0:01:03 | |
I've got a delivery coming in a couple of minutes. | 0:01:03 | 0:01:05 | |
-Right now? I'm running a bit late. -If you wouldn't mind. | 0:01:05 | 0:01:08 | |
Sure. | 0:01:08 | 0:01:09 | |
Cheers. | 0:01:09 | 0:01:11 | |
ENGINE STARTS | 0:01:27 | 0:01:29 | |
CAR CRASHES | 0:01:36 | 0:01:37 | |
All right. What's up? | 0:02:15 | 0:02:17 | |
Come and see what I woke up to this morning. | 0:02:17 | 0:02:20 | |
Oh, aye. | 0:02:23 | 0:02:24 | |
Happened through the night, some idiot joyrider. | 0:02:24 | 0:02:28 | |
No note or anything. | 0:02:28 | 0:02:29 | |
I'll sort that for you nae bother, won't take long. | 0:02:29 | 0:02:32 | |
Get it back to you tomorrow afternoon. | 0:02:32 | 0:02:34 | |
No, no, no, I really need it for today. | 0:02:34 | 0:02:35 | |
You couldn't do it any quicker, could you? | 0:02:35 | 0:02:38 | |
No way. Fully booked, it's crazy in here today. | 0:02:38 | 0:02:40 | |
Plus I wouldn't be able to get the part till tomorrow. | 0:02:40 | 0:02:43 | |
You're kidding me. I have to get this sorted. | 0:02:43 | 0:02:45 | |
What's the panic? | 0:02:45 | 0:02:47 | |
You know what it's like, I'm on my own, | 0:02:47 | 0:02:49 | |
I have to run the kids around and all that. | 0:02:49 | 0:02:52 | |
Sorry. | 0:02:52 | 0:02:53 | |
Definitely for tomorrow, though? | 0:02:53 | 0:02:55 | |
Should do, aye. | 0:02:55 | 0:02:57 | |
Right. | 0:02:57 | 0:02:59 | |
Keys are inside. | 0:02:59 | 0:03:00 | |
Bob, do you mind not mentioning this to anyone? | 0:03:00 | 0:03:04 | |
Aye, all right. | 0:03:04 | 0:03:06 | |
Thanks. | 0:03:06 | 0:03:08 | |
I can't thank you enough for agreeing to this, Murray, truly. | 0:03:28 | 0:03:33 | |
Not at all. Thank you for doing all the groundwork. | 0:03:33 | 0:03:36 | |
It's just great to be doing something positive. | 0:03:36 | 0:03:39 | |
Absolutely. Music, maestro! | 0:03:39 | 0:03:42 | |
Keep the old grey matter lively! | 0:03:42 | 0:03:44 | |
Malcolm! | 0:03:44 | 0:03:46 | |
I trust you'll be delighting us with a wee turn tomorrow? | 0:03:46 | 0:03:48 | |
I haven't actually said anything to Malcolm about it yet. | 0:03:48 | 0:03:52 | |
Oh. Sorry. | 0:03:52 | 0:03:54 | |
No, no. I just didn't want to get his hopes up | 0:03:54 | 0:03:56 | |
until I got the final confirmation from you. | 0:03:56 | 0:03:59 | |
I'll see myself out. See you tomorrow. | 0:03:59 | 0:04:01 | |
Thanks again. | 0:04:01 | 0:04:02 | |
The afternoon club? | 0:04:04 | 0:04:05 | |
I have been doing a little bit of homework | 0:04:06 | 0:04:09 | |
and I've arranged for this music therapist to run a taster session! | 0:04:09 | 0:04:13 | |
Murray says those folk at the afternoon club | 0:04:13 | 0:04:16 | |
just sit and blether and drink tea. | 0:04:16 | 0:04:19 | |
If that. | 0:04:19 | 0:04:20 | |
But tomorrow, there'll be music, songs! | 0:04:20 | 0:04:25 | |
Right up your alley! | 0:04:25 | 0:04:26 | |
Says who? | 0:04:26 | 0:04:28 | |
Dan, you tell him. Music therapy is excellent for memory. | 0:04:29 | 0:04:34 | |
What's that phrase now? | 0:04:34 | 0:04:36 | |
Cognitive rehabilitation. | 0:04:36 | 0:04:39 | |
How can music not be beneficial? It's good for lung function. | 0:04:39 | 0:04:43 | |
And concentration. | 0:04:43 | 0:04:44 | |
Yes. Now there you are! | 0:04:44 | 0:04:46 | |
And it's something you can do together. | 0:04:46 | 0:04:48 | |
Precisely! | 0:04:48 | 0:04:50 | |
And it'll be fun! | 0:04:50 | 0:04:52 | |
Here, I wonder if she'll do requests! | 0:04:52 | 0:04:55 | |
I don't think I'll be going. | 0:04:55 | 0:04:57 | |
Sorry? | 0:04:57 | 0:04:59 | |
I'll give it a miss, if you don't mind. | 0:04:59 | 0:05:01 | |
She's supposed to be very good. | 0:05:01 | 0:05:05 | |
I don't care how good she is. It's not for me. | 0:05:05 | 0:05:08 | |
Oh, Malcolm, it's music, of course it's for you! | 0:05:08 | 0:05:12 | |
I said no. | 0:05:12 | 0:05:13 | |
Right. | 0:05:16 | 0:05:17 | |
Perhaps we could talk about it later. | 0:05:22 | 0:05:24 | |
What for? Did you not hear me? | 0:05:24 | 0:05:27 | |
OK, we'll see you shortly, then. Thanks. | 0:05:43 | 0:05:46 | |
Yeah. | 0:05:46 | 0:05:48 | |
Yeah, I've got that. | 0:05:49 | 0:05:51 | |
Thanks. Bye. | 0:05:51 | 0:05:54 | |
PHONE RINGS | 0:05:54 | 0:05:56 | |
Oh, go away! | 0:05:57 | 0:05:59 | |
Shieldinch Health Centre, Nurse O'Hara speaking. | 0:06:02 | 0:06:05 | |
Oh, hello. | 0:06:05 | 0:06:08 | |
Yes, she's here. | 0:06:08 | 0:06:09 | |
One moment. Wee Bob. For you. | 0:06:09 | 0:06:11 | |
Wonder what he wants. | 0:06:11 | 0:06:14 | |
Bob? | 0:06:14 | 0:06:16 | |
How much bigger? | 0:06:20 | 0:06:22 | |
Course you can. Whatever it takes. | 0:06:24 | 0:06:26 | |
It'll still be done for tomorrow, right? | 0:06:26 | 0:06:29 | |
You're kidding... | 0:06:29 | 0:06:30 | |
Please, please, you have to try. | 0:06:30 | 0:06:32 | |
I'm sorry, I just really need it done for tomorrow, that's all. | 0:06:34 | 0:06:37 | |
I'll have to go just now. | 0:06:37 | 0:06:39 | |
Speak to you later, bye. | 0:06:39 | 0:06:43 | |
That's us, I think. Apart from this. | 0:06:43 | 0:06:46 | |
So we can stop wearing our pants outside our trousers now? | 0:06:46 | 0:06:50 | |
Not again. | 0:06:51 | 0:06:53 | |
INR up at 8?! | 0:06:53 | 0:06:55 | |
Came through 15 minutes ago. | 0:06:55 | 0:06:57 | |
She'll need an emergency jab I've arranged for... | 0:06:57 | 0:06:59 | |
Just shoot me now. | 0:06:59 | 0:07:00 | |
I can't trail all the way out there every time that daft old woman | 0:07:00 | 0:07:03 | |
goes on a warfarin binge. | 0:07:03 | 0:07:05 | |
It's all right, I phoned, her daughter's bringing her in. | 0:07:05 | 0:07:07 | |
-They should be here in a few minutes. -Genius. | 0:07:07 | 0:07:10 | |
And after that, I think I might require a stiff drink. | 0:07:10 | 0:07:13 | |
-You in? -Ooh... | 0:07:13 | 0:07:14 | |
Raise a glass for Dr Hunter for services to paperwork? | 0:07:14 | 0:07:17 | |
Boys are at a sleepover tonight. | 0:07:17 | 0:07:21 | |
Go on, then. | 0:07:21 | 0:07:22 | |
Do you good. | 0:07:22 | 0:07:24 | |
Malcolm, I was going through the dresser looking for a stapler, | 0:07:28 | 0:07:33 | |
I found this. | 0:07:33 | 0:07:35 | |
Great picture. | 0:07:35 | 0:07:37 | |
Wish I'd seen you in the Shieldinch Panto. | 0:07:37 | 0:07:40 | |
I hear you took the roof off. | 0:07:40 | 0:07:43 | |
How about you play us a wee tune? | 0:07:43 | 0:07:45 | |
Be good to hear that thing used. | 0:07:46 | 0:07:49 | |
Only time I see that lid up is when Liz is dusting. | 0:07:49 | 0:07:52 | |
I know you used to play. | 0:07:52 | 0:07:54 | |
It's needing tuned. | 0:07:54 | 0:07:56 | |
OK. | 0:07:59 | 0:08:01 | |
So weird. | 0:08:12 | 0:08:14 | |
I didn't even like him, we spent half the night arguing. | 0:08:14 | 0:08:17 | |
Sexual tension. Doesn't take a genius. | 0:08:17 | 0:08:19 | |
Sorry about her. She's been in Lover-land all day. | 0:08:19 | 0:08:22 | |
I keep expecting her to burst into song. Enjoy your night. | 0:08:22 | 0:08:26 | |
SHE SIGHS | 0:08:28 | 0:08:30 | |
I am dreading telling Iona, though. | 0:08:30 | 0:08:32 | |
You are joking! She doesn't know? | 0:08:32 | 0:08:36 | |
Ri-ight. | 0:08:36 | 0:08:38 | |
I even told her she was welcome to him, not that long ago. | 0:08:39 | 0:08:43 | |
Which makes it ten times worse. | 0:08:43 | 0:08:44 | |
Well...these things...happen... | 0:08:44 | 0:08:48 | |
I suppose. | 0:08:48 | 0:08:49 | |
It's not good, is it? | 0:08:49 | 0:08:52 | |
I don't even know what I would say. | 0:08:53 | 0:08:55 | |
Every version I go through in my head deserves...a right slap. | 0:08:55 | 0:08:58 | |
How about the true version? | 0:08:58 | 0:08:59 | |
Especially the true version. | 0:08:59 | 0:09:01 | |
Don't get me wrong, I'm glad that it happened... | 0:09:02 | 0:09:05 | |
Oh, really, I hadn't noticed that. | 0:09:05 | 0:09:08 | |
But Iona's my pal. At least she was. | 0:09:09 | 0:09:13 | |
I've really screwed things up, big time. | 0:09:13 | 0:09:15 | |
I don't know how I'm going to face her. | 0:09:15 | 0:09:17 | |
This is the point you're meant to say something | 0:09:17 | 0:09:19 | |
that makes it all better. | 0:09:19 | 0:09:20 | |
Tell her. Tell her. Tell her. | 0:09:20 | 0:09:22 | |
-I can't! -You can't not! She will know soon enough. | 0:09:22 | 0:09:25 | |
I'm sure she'd rather hear it from you than somebody else, | 0:09:25 | 0:09:28 | |
that's when you'll deserve a slap! | 0:09:28 | 0:09:30 | |
Soon as the light turned green, foot down, left him for dead! | 0:09:34 | 0:09:37 | |
That little TR6 could really shift. | 0:09:37 | 0:09:39 | |
Problem was when I got shown into my next appointment, | 0:09:39 | 0:09:42 | |
it was the same guy - I nearly died! | 0:09:42 | 0:09:45 | |
Can't have been your easiest pharmaceutical sales moment. | 0:09:45 | 0:09:48 | |
No, it wasn't. | 0:09:48 | 0:09:49 | |
But then he did take me for dinner that night. | 0:09:49 | 0:09:51 | |
We talked cars the whole evening. | 0:09:51 | 0:09:53 | |
Aye, I bet you did. | 0:09:53 | 0:09:54 | |
We did! | 0:09:54 | 0:09:56 | |
Look at me now, eh? | 0:09:59 | 0:10:02 | |
-What happened? -Life happened. | 0:10:02 | 0:10:04 | |
PHONE RINGS | 0:10:04 | 0:10:06 | |
What am I supposed to do with a set of lab results at this time of day? | 0:10:08 | 0:10:12 | |
Yes? | 0:10:12 | 0:10:14 | |
I ought to get the next one. She bought that one. | 0:10:20 | 0:10:22 | |
Right you are. | 0:10:22 | 0:10:24 | |
People might talk. | 0:10:26 | 0:10:27 | |
-This is Shieldinch. Folk'll talk whatever you do. -Suppose. | 0:10:27 | 0:10:30 | |
There's nothing wrong with having a drink with your pal | 0:10:30 | 0:10:32 | |
-at the end of the day. -Yeah. | 0:10:32 | 0:10:35 | |
Time you've had. You deserve to chill oot. | 0:10:35 | 0:10:38 | |
Same again? | 0:10:38 | 0:10:39 | |
Why not! | 0:10:39 | 0:10:40 | |
That's me. | 0:10:43 | 0:10:44 | |
You're going already? | 0:10:44 | 0:10:46 | |
Better call it a day. | 0:10:46 | 0:10:48 | |
Yeah, me too. Wow. | 0:10:48 | 0:10:50 | |
Thanks for everything you did today. | 0:10:50 | 0:10:53 | |
Just doing my job. See you in the morning. | 0:10:53 | 0:10:56 | |
You still wanting this? | 0:10:56 | 0:10:57 | |
Yeah, seeing as you've gone to the bother of getting it, | 0:10:57 | 0:11:00 | |
I'll take it home with me. Be nice at the weekend. | 0:11:00 | 0:11:03 | |
Quite right. | 0:11:03 | 0:11:05 | |
Cheers. | 0:11:08 | 0:11:09 | |
Ach, just sounds like he's having a bad day. | 0:12:21 | 0:12:24 | |
But he was so against the whole idea. | 0:12:24 | 0:12:29 | |
That's what was such a shock. | 0:12:29 | 0:12:31 | |
Maybe he felt railroaded. | 0:12:31 | 0:12:33 | |
I mean, my dad's spent his whole life being pushed about by bossy women. | 0:12:33 | 0:12:36 | |
He's thrawn! It's never too late for him to make a stand. | 0:12:36 | 0:12:40 | |
I think there's more to it than that. | 0:12:40 | 0:12:43 | |
He had a song for everything when we were wee. | 0:12:43 | 0:12:45 | |
# I see the moon The moon sees me. # | 0:12:45 | 0:12:49 | |
I still sing that one. | 0:12:49 | 0:12:50 | |
He'll come round. | 0:12:52 | 0:12:55 | |
See you. | 0:12:55 | 0:12:57 | |
Hello? | 0:12:59 | 0:13:01 | |
Anyone in? | 0:13:07 | 0:13:09 | |
DOOR OPENS | 0:13:52 | 0:13:54 | |
Aye, aye, aye, aye. | 0:13:54 | 0:13:56 | |
Star Wars was the best film ever. It's a belter. | 0:13:57 | 0:14:01 | |
You're watching it again. | 0:14:01 | 0:14:03 | |
-Am I? -It's a classic! | 0:14:03 | 0:14:05 | |
You're at it! | 0:14:10 | 0:14:12 | |
Hi, guys. How was your day? | 0:14:12 | 0:14:14 | |
-Aye, no bad. -Have you eaten? | 0:14:14 | 0:14:16 | |
No. Not yet. | 0:14:16 | 0:14:17 | |
I'll sort you something! Let's see what we've got. | 0:14:17 | 0:14:21 | |
Are you OK? | 0:14:21 | 0:14:22 | |
Course! | 0:14:22 | 0:14:24 | |
Want a hand? | 0:14:24 | 0:14:25 | |
No, it'll only take a minute! | 0:14:25 | 0:14:26 | |
-Ma... -> | 0:14:49 | 0:14:52 | |
TV BLARES | 0:15:07 | 0:15:08 | |
SHE YAWNS | 0:15:08 | 0:15:10 | |
Headin' up? | 0:15:15 | 0:15:18 | |
It's too early. | 0:15:18 | 0:15:20 | |
Not really. | 0:15:20 | 0:15:22 | |
C'mon. I'm tired. | 0:15:22 | 0:15:25 | |
Night, guys. | 0:15:27 | 0:15:29 | |
SHE SIGHS | 0:15:39 | 0:15:41 | |
# Dream when you're feeling blue | 0:16:14 | 0:16:21 | |
# Dream, that's the thing to do | 0:16:28 | 0:16:36 | |
# So dream | 0:16:42 | 0:16:45 | |
# Dream | 0:16:47 | 0:16:50 | |
# Dream... # | 0:16:50 | 0:16:54 | |
# Hey, boy | 0:16:54 | 0:16:56 | |
# Would you meet me on the moon tonight? | 0:16:56 | 0:16:59 | |
# I got a surprise for you | 0:16:59 | 0:17:01 | |
# All night long | 0:17:02 | 0:17:08 | |
# Long | 0:17:08 | 0:17:11 | |
# All night long | 0:17:11 | 0:17:17 | |
# Long | 0:17:17 | 0:17:21 | |
# Oh, something's got me so excited, baby | 0:17:21 | 0:17:27 | |
# A feeling I've been holding back for long | 0:17:27 | 0:17:32 | |
# You got me shook, shook down shook out on your lovin' | 0:17:32 | 0:17:35 | |
# On your lovin' | 0:17:35 | 0:17:37 | |
# And, boy, I can't wait to get started lovin' you... # | 0:17:37 | 0:17:42 | |
'Hey, this is Gabriel. Sorry I can't get to the phone right now, | 0:17:42 | 0:17:45 | |
'but if you'd like to leave your name and your number, | 0:17:45 | 0:17:48 | |
'I'll get back to you soon. Thank you.' | 0:17:48 | 0:17:51 | |
# ..And now that I can feel you coming closer to me | 0:17:51 | 0:17:55 | |
# I'm not running... # | 0:17:55 | 0:17:57 | |
You better not be ignoring me, Gabriel Brodie. | 0:17:57 | 0:18:00 | |
PHONE RINGS | 0:18:02 | 0:18:05 | |
'You have one new message.' | 0:18:09 | 0:18:12 | |
'You better not be ignoring me, Gabriel Brodie,' | 0:18:13 | 0:18:17 | |
# Come on up, boy, don't be late | 0:18:17 | 0:18:20 | |
# What I got for you won't wait | 0:18:20 | 0:18:23 | |
# All night long | 0:18:23 | 0:18:26 | |
# I'm gonna give it to you... # | 0:18:31 | 0:18:34 | |
Aye, you were right about me not sleeping. | 0:18:46 | 0:18:48 | |
What's your excuse? | 0:18:57 | 0:18:59 | |
I do know the score. | 0:19:05 | 0:19:08 | |
And I know it's been hard for you. | 0:19:08 | 0:19:12 | |
I'm really grateful for what you've done. | 0:19:12 | 0:19:15 | |
Music therapy? | 0:19:20 | 0:19:22 | |
It was just an idea. | 0:19:26 | 0:19:27 | |
But a good one. | 0:19:27 | 0:19:29 | |
The afternoon club. | 0:19:33 | 0:19:34 | |
Auld folk, round a room, | 0:19:37 | 0:19:39 | |
clapping their hands, travelling rugs over your knees... | 0:19:39 | 0:19:43 | |
I'm not ready for that. Not yet. | 0:19:43 | 0:19:46 | |
It's frightening, mind. Forgetting. | 0:19:50 | 0:19:54 | |
"Old age doesn't come itself," my mother used to say. | 0:19:57 | 0:20:02 | |
She wasn't wrong. | 0:20:02 | 0:20:04 | |
But most of the time, I feel just the same inside as I did as a young man. | 0:20:05 | 0:20:09 | |
Just the same. | 0:20:09 | 0:20:10 | |
I mind saying to Eileen and Gina, but I could see by their faces, | 0:20:12 | 0:20:16 | |
they didn't believe me. | 0:20:16 | 0:20:19 | |
I don't want to surrender to the old man side of me... | 0:20:20 | 0:20:25 | |
not when mostly I don't feel old. | 0:20:25 | 0:20:28 | |
I feel old. | 0:20:32 | 0:20:34 | |
Old and useless. | 0:20:36 | 0:20:38 | |
Don't be silly. | 0:20:38 | 0:20:40 | |
Oh, but I do. | 0:20:40 | 0:20:42 | |
Sometimes. | 0:20:42 | 0:20:43 | |
See, I never knew you as a young man. | 0:20:47 | 0:20:52 | |
So when you forget stuff that happened then... | 0:20:55 | 0:21:00 | |
..I've got nothing to draw on, to help you. | 0:21:03 | 0:21:07 | |
I've just got to stand by and watch. | 0:21:07 | 0:21:09 | |
You always help. | 0:21:09 | 0:21:11 | |
It scares me. | 0:21:15 | 0:21:16 | |
The big...disappearing past. | 0:21:19 | 0:21:23 | |
And as for the future... | 0:21:28 | 0:21:31 | |
SHE CRIES | 0:21:31 | 0:21:33 | |
Sorry. | 0:21:35 | 0:21:36 | |
That's why I thought that the music therapy was a good idea. | 0:21:43 | 0:21:48 | |
Because... | 0:21:48 | 0:21:50 | |
we must've grown up singing the same songs. | 0:21:50 | 0:21:56 | |
Scared of the past, scared of the future. | 0:22:02 | 0:22:05 | |
It was just something to do now. | 0:22:09 | 0:22:13 | |
That's all it was. | 0:22:17 | 0:22:19 | |
SHE GROANS | 0:22:51 | 0:22:53 | |
'The M90 has roadworks in place, affecting traffic in both directions | 0:23:29 | 0:23:33 | |
'between junctions...' | 0:23:33 | 0:23:34 | |
FOOTSTEPS APPROACH | 0:23:34 | 0:23:36 | |
Morning. | 0:23:36 | 0:23:38 | |
You're up early. | 0:23:39 | 0:23:41 | |
Looks like it's going to be a nice day. | 0:23:50 | 0:23:54 | |
Sore head? | 0:23:54 | 0:23:55 | |
Sorry? | 0:23:55 | 0:23:57 | |
My head's fine. | 0:23:58 | 0:24:00 | |
Know what? I might grab something a bit later on. Was manic yesterday. | 0:24:03 | 0:24:06 | |
It'd be good to get in early and try and clear the decks. | 0:24:06 | 0:24:09 | |
You can't keep doing this. | 0:24:09 | 0:24:11 | |
I'll see you tonight. | 0:24:11 | 0:24:13 | |
I can take those. Thanks. | 0:24:33 | 0:24:35 | |
"A black and white masterpiece from the Film Council of Hungary." | 0:25:09 | 0:25:13 | |
Subtitled. Did you mean to get these? | 0:25:13 | 0:25:16 | |
Aye, of course I did! First date. | 0:25:16 | 0:25:19 | |
Thought I'd try something different. | 0:25:19 | 0:25:21 | |
Step out the box and all that. | 0:25:21 | 0:25:23 | |
It's one of these dodgy foreign films? | 0:25:23 | 0:25:25 | |
Probably not the best idea for a first date. | 0:25:25 | 0:25:28 | |
It's arthouse. | 0:25:28 | 0:25:30 | |
Whit's that? You like funny movies wi' romance and cheerleaders. | 0:25:30 | 0:25:33 | |
Well, this is stuff that makes you think. | 0:25:33 | 0:25:35 | |
Cheerleaders make me think. See ya later. | 0:25:35 | 0:25:39 | |
It's art! | 0:25:39 | 0:25:41 | |
Subtitles as well. | 0:25:43 | 0:25:45 | |
Since when have you been into films that you've got to read? | 0:25:45 | 0:25:48 | |
-Just cos the only thing you read is the back of crisp packets. -Ha-ha(!) | 0:25:48 | 0:25:52 | |
-I'm just trying to improve myself. -Well, I preferred you before. | 0:25:52 | 0:25:55 | |
Who're you taking anyway? | 0:25:55 | 0:25:57 | |
-I'm asking Tom. -Oh, aye? | 0:25:57 | 0:25:59 | |
This'll be his kind of thing, d'you think? | 0:25:59 | 0:26:03 | |
Think? I don't do dangerous things like think. | 0:26:03 | 0:26:06 | |
You're not well, are you? | 0:26:20 | 0:26:23 | |
I'm fine. Just got a bit of a headache. | 0:26:23 | 0:26:27 | |
You've been like this for weeks. | 0:26:27 | 0:26:29 | |
It can't be easy for you. | 0:26:31 | 0:26:33 | |
No. It isn't. | 0:26:34 | 0:26:36 | |
Listen, there's some great support groups for prisoners' families. | 0:26:37 | 0:26:41 | |
I could... | 0:26:41 | 0:26:42 | |
No, no, I don't think so. | 0:26:42 | 0:26:46 | |
Something to keep in mind, maybe. | 0:26:46 | 0:26:49 | |
Sure. Thanks. | 0:26:49 | 0:26:51 | |
Any danger of my next set of notes coming through? | 0:26:51 | 0:26:53 | |
Sorry, sorry... They were here a minute ago... | 0:26:53 | 0:26:58 | |
FOLDERS CRASH TO THE FLOOR | 0:26:58 | 0:27:00 | |
-Oh! -Leyla? | 0:27:00 | 0:27:03 | |
I'm fine. | 0:27:07 | 0:27:09 | |
You're no good to anyone in this state. Go on, go home. | 0:27:09 | 0:27:13 | |
You should rest. | 0:27:13 | 0:27:15 | |
Yep. OK. | 0:27:17 | 0:27:20 | |
I'm sure I'll be fine tomorrow. | 0:27:25 | 0:27:28 | |
That's the deal. | 0:27:28 | 0:27:30 | |
Morning, all. | 0:27:47 | 0:27:49 | |
You seem to work awful hard. | 0:27:52 | 0:27:53 | |
Not really. | 0:27:53 | 0:27:56 | |
Just check this, then that's me got most of the day off. | 0:27:57 | 0:27:59 | |
Is that right? | 0:27:59 | 0:28:01 | |
So, tell me, what do handsome financial manager types | 0:28:01 | 0:28:04 | |
do to relax, eh? | 0:28:04 | 0:28:06 | |
It's golf, isn't it? | 0:28:07 | 0:28:10 | |
Never tried it. I'm a disgrace to my profession. | 0:28:10 | 0:28:13 | |
Well, what about films? | 0:28:13 | 0:28:17 | |
Arthouse, mind, none your mainstream rubbish? | 0:28:17 | 0:28:21 | |
That's me. See you later. | 0:28:21 | 0:28:24 | |
See, I was just wondering... if you fancied going to see... | 0:28:24 | 0:28:27 | |
That'll be a no. | 0:28:46 | 0:28:48 | |
Leyla. | 0:29:32 | 0:29:33 | |
What's wrong? | 0:29:35 | 0:29:37 | |
Nothing. Never better. | 0:29:41 | 0:29:42 | |
Can I come in? | 0:29:42 | 0:29:45 | |
No. | 0:29:45 | 0:29:48 | |
Fine. You can explain out here, then. | 0:29:48 | 0:29:50 | |
Your voicemail. | 0:29:53 | 0:29:55 | |
What are you on about? | 0:29:55 | 0:29:56 | |
You don't remember? | 0:29:56 | 0:29:58 | |
That figures. | 0:29:58 | 0:30:00 | |
Goodbye, Gabriel. | 0:30:00 | 0:30:02 | |
'You better not be ignoring me, Gabriel Brodie. | 0:30:04 | 0:30:08 | |
'Pick up the phone. | 0:30:08 | 0:30:10 | |
'I've had a horrible day and I'm quite lonely. | 0:30:13 | 0:30:18 | |
'So what are you gonna do about it, eh? | 0:30:20 | 0:30:24 | |
'I need you here. Now. | 0:30:24 | 0:30:27 | |
'Gabriel! | 0:30:27 | 0:30:29 | |
'I said I need you to come round here right now...' | 0:30:31 | 0:30:34 | |
Turn it off! | 0:30:34 | 0:30:35 | |
Off. | 0:30:35 | 0:30:37 | |
Deleted. | 0:30:37 | 0:30:39 | |
Don't worry about it. I'm unshockable. | 0:30:39 | 0:30:44 | |
Sorry. It'd been a bad day. | 0:30:44 | 0:30:46 | |
Tell me about it. | 0:30:47 | 0:30:49 | |
Anything I can do? | 0:30:49 | 0:30:52 | |
No, I don't think so. | 0:30:52 | 0:30:54 | |
Look, you really shouldn't be here. | 0:30:54 | 0:30:56 | |
Look... | 0:30:56 | 0:30:58 | |
I just want to help here, OK? | 0:30:58 | 0:31:01 | |
First, you nearly set the house on fire and now this. | 0:31:01 | 0:31:05 | |
What's going on, Leyla? | 0:31:05 | 0:31:07 | |
Everything's fine. | 0:31:10 | 0:31:11 | |
Is it? | 0:31:11 | 0:31:13 | |
What do you want me to say? | 0:31:14 | 0:31:15 | |
Nothing. | 0:31:15 | 0:31:17 | |
I'm sorry, OK. | 0:31:18 | 0:31:20 | |
I know you've got a lot on your plate the now... | 0:31:21 | 0:31:25 | |
Just let me help...please? | 0:31:27 | 0:31:29 | |
I don't need your help. | 0:31:38 | 0:31:41 | |
Fine. | 0:31:42 | 0:31:44 | |
PHONE RINGS | 0:31:55 | 0:31:57 | |
Number 18, gorgeous hair by Hayley McCro... | 0:31:59 | 0:32:03 | |
Hello, Iona. | 0:32:03 | 0:32:05 | |
Aw, no, you've just missed her, sorry. Can I take a message? | 0:32:05 | 0:32:10 | |
Hello? | 0:32:10 | 0:32:11 | |
She's hung up. | 0:32:11 | 0:32:13 | |
PHONE RINGS | 0:32:18 | 0:32:19 | |
Tell her! | 0:32:28 | 0:32:29 | |
PHONE RINGS | 0:32:37 | 0:32:40 | |
-You heard, then. -Shall we? | 0:32:56 | 0:32:58 | |
I was just about to call you. | 0:33:18 | 0:33:19 | |
Is that right? | 0:33:19 | 0:33:21 | |
Tom and me... | 0:33:21 | 0:33:24 | |
I'm so sorry. I was going to tell you. | 0:33:24 | 0:33:26 | |
Aye? When? | 0:33:26 | 0:33:27 | |
Today! | 0:33:27 | 0:33:29 | |
You didn't even like the guy. | 0:33:29 | 0:33:31 | |
Or did you forget? | 0:33:31 | 0:33:34 | |
And I did! | 0:33:34 | 0:33:36 | |
As you well knew, as we discussed! | 0:33:36 | 0:33:39 | |
Yeah. | 0:33:39 | 0:33:41 | |
Whisky please, Scarlett. | 0:33:41 | 0:33:43 | |
See, I don't know what I'm missing here. | 0:33:43 | 0:33:47 | |
-What about all those things I said to you? -I know. | 0:33:47 | 0:33:51 | |
So why didn't you tell me? | 0:33:51 | 0:33:52 | |
I'm really, really sorry. I feel terrible. | 0:33:52 | 0:33:55 | |
Oh, well, I'm sorry to hear that. | 0:33:55 | 0:33:57 | |
You let me make a complete idiot of myself. | 0:33:57 | 0:34:00 | |
It wasn't like that! | 0:34:00 | 0:34:02 | |
Bet you're having a great laugh at me now. | 0:34:02 | 0:34:04 | |
Oh, Iona, poor wee thing. | 0:34:04 | 0:34:05 | |
No... Look... | 0:34:05 | 0:34:07 | |
It happened so fast, I'm still getting my head around it. | 0:34:07 | 0:34:10 | |
Friends don't do this to each other. | 0:34:10 | 0:34:13 | |
I couldn't face you. | 0:34:13 | 0:34:16 | |
What, did you do it for a bet? | 0:34:16 | 0:34:18 | |
Trying to prove your superior pulling power? | 0:34:18 | 0:34:20 | |
Course not. Look, for what it's worth, me and Tom, | 0:34:21 | 0:34:25 | |
-it's more than that. -Oh, well. | 0:34:25 | 0:34:26 | |
I don't know what yet... | 0:34:26 | 0:34:28 | |
Well, we'll all be sure to stay tuned. | 0:34:28 | 0:34:32 | |
I thought better of you. You've got no morals and no loyalty. | 0:34:32 | 0:34:35 | |
How could you do this to me? | 0:34:35 | 0:34:37 | |
It wasn't about you! | 0:34:37 | 0:34:38 | |
Oh, right. At least we know where we stand. | 0:34:38 | 0:34:42 | |
That's not what I meant. I just mean that... | 0:34:42 | 0:34:44 | |
There wasn't time to think. | 0:34:44 | 0:34:46 | |
'I need you to get a grip. | 0:35:14 | 0:35:17 | |
'And you take responsibility for the family we have left. | 0:35:17 | 0:35:19 | |
'You hear me? | 0:35:19 | 0:35:21 | |
'We may have screwed up our lives, | 0:35:21 | 0:35:23 | |
'but as long as they have one of us there, | 0:35:23 | 0:35:26 | |
'then they still have a chance of coming out of this | 0:35:26 | 0:35:28 | |
'with some semblance of normality. | 0:35:28 | 0:35:30 | |
'We had a family, Leyla. | 0:35:30 | 0:35:33 | |
'A life together bringing up those kids. | 0:35:33 | 0:35:36 | |
'I need to do this for them...and me.' | 0:35:36 | 0:35:41 | |
So what do you think? | 0:36:27 | 0:36:29 | |
I don't know. It is a bad one, but. | 0:36:29 | 0:36:32 | |
Gabriel! You couldn't get a message to Leyla, could you? | 0:36:33 | 0:36:36 | |
She's not answering her phone. | 0:36:36 | 0:36:38 | |
Probably won't see her today, pal. | 0:36:38 | 0:36:40 | |
Well, if you do, can you let her know I won't have her motor fixed | 0:36:40 | 0:36:43 | |
till tomorrow at the earliest? | 0:36:43 | 0:36:45 | |
Getting a bit of work done, Murray? | 0:36:45 | 0:36:46 | |
Sheer jealousy, that's all it is. | 0:36:46 | 0:36:48 | |
Some folk can't stand other folk having nice things | 0:36:48 | 0:36:51 | |
that they've worked hard for. | 0:36:51 | 0:36:53 | |
Some idiot reversed into it. | 0:36:53 | 0:36:56 | |
Excuse me a minute. | 0:36:57 | 0:36:59 | |
Bob, who's car's this? | 0:37:15 | 0:37:17 | |
-Leyla's. -You'd think she'd have come to see me. Did you know about this? | 0:37:18 | 0:37:22 | |
Course not. | 0:37:22 | 0:37:23 | |
Right. A word with Mrs Brodie. | 0:37:23 | 0:37:26 | |
Hold on a minute. | 0:37:26 | 0:37:27 | |
Did you know about it? | 0:37:27 | 0:37:29 | |
No. I'm sure there's an explanation. | 0:37:29 | 0:37:31 | |
Yeah, and Leyla owes me it. | 0:37:31 | 0:37:33 | |
-Just leave her be, man. -I don't think so. | 0:37:33 | 0:37:36 | |
I'll sort this. | 0:37:37 | 0:37:38 | |
You DID know about this. It's a cover-up. | 0:37:40 | 0:37:43 | |
No, I didn't. But I know my family | 0:37:43 | 0:37:45 | |
and what they've been through. | 0:37:45 | 0:37:48 | |
And I'm telling you, stay away from Leyla. | 0:37:48 | 0:37:51 | |
What's that got to do with a hit and run? | 0:37:51 | 0:37:52 | |
I should call the police. | 0:37:52 | 0:37:54 | |
Like we should've when you panned in the Oysters' windows | 0:37:54 | 0:37:57 | |
and fitted up my nephews? | 0:37:57 | 0:37:59 | |
Couple of hundred? | 0:38:00 | 0:38:02 | |
Three. | 0:38:02 | 0:38:03 | |
Are you mad? I'd get a new one for that. | 0:38:03 | 0:38:06 | |
Done. I know I've been. | 0:38:09 | 0:38:11 | |
I don't want your money. | 0:38:11 | 0:38:13 | |
You're no getting it. Bob is. | 0:38:13 | 0:38:16 | |
You're getting your mid-life crisis tragic wagon | 0:38:16 | 0:38:19 | |
brought back to its former glory. | 0:38:19 | 0:38:20 | |
I'm still going to see Leyla. She owes me an apology. | 0:38:20 | 0:38:23 | |
Hey! How about engaging the human side of your brain for a change? | 0:38:23 | 0:38:27 | |
Maybe the only cries for help you see | 0:38:27 | 0:38:29 | |
are coming from your bathroom mirror, but I know one when I see one. | 0:38:29 | 0:38:33 | |
I'm going to put it right. | 0:38:33 | 0:38:35 | |
For my brother's wife. | 0:38:36 | 0:38:38 | |
Don't even think about asking for today as well, by the way. | 0:38:39 | 0:38:44 | |
Right. | 0:38:47 | 0:38:49 | |
That's me off. | 0:38:50 | 0:38:52 | |
I'll just help Murray to set up, meet with the therapist | 0:38:52 | 0:38:58 | |
and maybe see the old folk started. | 0:38:58 | 0:39:01 | |
Right. See you later, dear. | 0:39:05 | 0:39:07 | |
W... | 0:39:09 | 0:39:10 | |
BUZZER RINGS | 0:39:19 | 0:39:21 | |
HE WHISTLES | 0:39:30 | 0:39:31 | |
HE KNOCKS ON DOOR | 0:39:31 | 0:39:33 | |
HE KNOCKS ON WINDOW | 0:39:37 | 0:39:39 | |
BUZZER RINGS | 0:39:44 | 0:39:46 | |
SHE GROANS | 0:39:46 | 0:39:47 | |
BUZZER RINGS | 0:39:53 | 0:39:55 | |
BUZZER RINGS | 0:39:58 | 0:40:02 | |
You owe me 300 quid. | 0:40:02 | 0:40:04 | |
That's how much Bob's skinned off me to fix the dent | 0:40:15 | 0:40:18 | |
that you put in Murray's car. | 0:40:18 | 0:40:21 | |
Oh. That. You could've just texted. | 0:40:21 | 0:40:24 | |
I've just faced off with him there just now... | 0:40:27 | 0:40:29 | |
he was all for calling the police. What happened? | 0:40:29 | 0:40:32 | |
SHE SNIGGERS | 0:40:33 | 0:40:36 | |
Were you drunk? | 0:40:37 | 0:40:39 | |
Like you are now? | 0:40:43 | 0:40:45 | |
Like you were when you nearly burnt down the house? | 0:40:47 | 0:40:50 | |
Right. | 0:40:56 | 0:40:58 | |
From the beginning. | 0:40:59 | 0:41:02 | |
I'm listening. | 0:41:04 | 0:41:06 | |
I'm not judging. | 0:41:06 | 0:41:08 | |
Yeah, right. | 0:41:08 | 0:41:10 | |
I'll get you your money tomorrow, OK? | 0:41:13 | 0:41:17 | |
I don't care about the money. | 0:41:18 | 0:41:20 | |
What would Michael think if he knew you were here? | 0:41:24 | 0:41:28 | |
Michael? | 0:41:28 | 0:41:29 | |
Michael's in jail. You're... | 0:41:32 | 0:41:36 | |
I'm trying to help you here. I don't want to jump on you! | 0:41:38 | 0:41:41 | |
Is that why you told him? | 0:41:44 | 0:41:47 | |
Told who what? | 0:41:47 | 0:41:49 | |
Michael. That we...again... | 0:41:49 | 0:41:53 | |
Nice surprise when I went to visit him. | 0:41:55 | 0:41:58 | |
Why did you do that? | 0:41:58 | 0:42:02 | |
Why did you have to make things worse? | 0:42:02 | 0:42:04 | |
He was trying to control my life... | 0:42:04 | 0:42:07 | |
You can't help yourself, can you? | 0:42:07 | 0:42:11 | |
You're pathetic! | 0:42:11 | 0:42:12 | |
Didn't think that when you were leaving that voicemail. | 0:42:18 | 0:42:22 | |
I'd like you to leave. | 0:42:24 | 0:42:26 | |
Now. | 0:42:26 | 0:42:28 | |
Don't do this. | 0:42:29 | 0:42:31 | |
SHE LAUGHS | 0:42:34 | 0:42:37 | |
What about my niece and my nephews? | 0:42:39 | 0:42:44 | |
How can I leave them in the care of a drunk? | 0:42:44 | 0:42:46 | |
Get out! | 0:42:48 | 0:42:50 | |
SHE SOBS | 0:43:16 | 0:43:18 | |
Excuse me a wee minute. | 0:43:44 | 0:43:46 | |
Put the scissors down. I come in peace. | 0:43:50 | 0:43:53 | |
Do you want me to hold her down so you can get a clean shot? | 0:43:53 | 0:43:56 | |
Robbie! | 0:43:56 | 0:43:57 | |
No. | 0:43:57 | 0:43:58 | |
-Look, I'm so sorry... -I'm really sorry... | 0:43:58 | 0:44:01 | |
I'll go first. | 0:44:01 | 0:44:02 | |
I get it now. I do. | 0:44:02 | 0:44:06 | |
I really wish things had happened differently. | 0:44:06 | 0:44:09 | |
-I would've spoken to you. -I know. | 0:44:09 | 0:44:11 | |
I'm so sorry. | 0:44:11 | 0:44:13 | |
I'm sorry about before. That wasn't nice. | 0:44:15 | 0:44:19 | |
Quite some change of tune you had, mind. | 0:44:20 | 0:44:23 | |
Believe you me, I was more surprised than anybody. | 0:44:24 | 0:44:27 | |
I think you'll find I was, but never mind. | 0:44:27 | 0:44:30 | |
Right. Come 'ere. | 0:44:32 | 0:44:35 | |
Who DID tell you? | 0:44:37 | 0:44:40 | |
I found out yesterday. I saw you together. | 0:44:40 | 0:44:42 | |
Oh. That's not good. | 0:44:42 | 0:44:45 | |
I saw you kiss him. | 0:44:45 | 0:44:47 | |
It was obvious he was a goner. | 0:44:47 | 0:44:49 | |
You think so? | 0:44:49 | 0:44:50 | |
Don't worry, there's plenty more hot financial managers out there! | 0:44:50 | 0:44:54 | |
Aye, well, send them all to me, eh? | 0:44:54 | 0:44:57 | |
Nearly forgot. | 0:45:05 | 0:45:07 | |
It's arthouse and it's on tonight. | 0:45:10 | 0:45:13 | |
I thought you and Tom might like it. | 0:45:13 | 0:45:15 | |
Something different, eh? | 0:45:15 | 0:45:17 | |
The Film Council of Hungary. Yay. | 0:45:17 | 0:45:20 | |
Well, enjoy. See you later. | 0:45:22 | 0:45:26 | |
Thanks. | 0:45:26 | 0:45:28 | |
-Subtitled? -Yuck! | 0:45:32 | 0:45:34 | |
Leyla, come on, wake up! | 0:45:36 | 0:45:40 | |
Oh, no. | 0:45:42 | 0:45:44 | |
Come on. Let's get you up. | 0:45:44 | 0:45:46 | |
What? | 0:45:46 | 0:45:47 | |
It's all right. I've got you. | 0:45:47 | 0:45:50 | |
You're all right. | 0:45:50 | 0:45:53 | |
You've got to be kidding. | 0:45:53 | 0:45:55 | |
Is she off her face? | 0:45:55 | 0:45:57 | |
We've got this, eh, Leyla? You just sit there. | 0:45:57 | 0:46:01 | |
I'll get you some water. | 0:46:01 | 0:46:04 | |
You can't be doing this. You cannot be doing this! | 0:46:04 | 0:46:08 | |
Where's Conor and Adeeb? Text them. | 0:46:08 | 0:46:11 | |
Tell them to stay away longer. | 0:46:11 | 0:46:13 | |
What d'you want me to say? | 0:46:13 | 0:46:15 | |
Anything! Just not the truth. | 0:46:15 | 0:46:17 | |
You'll soon feel better. | 0:46:19 | 0:46:22 | |
What else do we need? Aspirin, coffee... | 0:46:22 | 0:46:26 | |
bucket. A bucket, Nicole, quick! | 0:46:26 | 0:46:29 | |
I'm fine. | 0:46:29 | 0:46:31 | |
SHE VOMITS | 0:46:33 | 0:46:36 | |
-Did you send the text? -Here. | 0:46:39 | 0:46:41 | |
Still no sign of your therapist woman? | 0:46:57 | 0:46:59 | |
She must have been held up. | 0:46:59 | 0:47:01 | |
Have you got a mobile number for her? | 0:47:01 | 0:47:03 | |
I made all the arrangements by letter, to be on the safe side. | 0:47:03 | 0:47:07 | |
I have an address, that's all. | 0:47:07 | 0:47:11 | |
Stirling way. | 0:47:11 | 0:47:12 | |
Can you manage there, sir? | 0:47:12 | 0:47:14 | |
To think of all the bother I went to getting funding. | 0:47:14 | 0:47:16 | |
Well, she can sing for it. Pardon the pun. | 0:47:16 | 0:47:19 | |
Time's marching on. Maybe I should fire up the urn, eh? | 0:47:21 | 0:47:24 | |
Right. | 0:47:24 | 0:47:25 | |
Right, then, let's make a start, shall we? | 0:47:25 | 0:47:30 | |
Now, does everyone know... | 0:47:32 | 0:47:36 | |
..A Wee Deoch An Doris? | 0:47:37 | 0:47:40 | |
What a state to get yourself in. | 0:47:48 | 0:47:50 | |
Leave it. She's not well. | 0:47:50 | 0:47:53 | |
She's just drunk! | 0:47:53 | 0:47:55 | |
I'm sorry. | 0:47:55 | 0:47:57 | |
Too little, too late. | 0:47:57 | 0:47:59 | |
That's helpful(!) | 0:47:59 | 0:48:01 | |
Just had a bit much. | 0:48:01 | 0:48:03 | |
A bit?! You were out cold! | 0:48:03 | 0:48:07 | |
You spewed in a bucket! | 0:48:07 | 0:48:09 | |
Leyla, it's the middle of the day. | 0:48:09 | 0:48:12 | |
When did you start drinking? Breakfast? | 0:48:12 | 0:48:14 | |
That's what alkies do! | 0:48:14 | 0:48:16 | |
Nicole, don't. | 0:48:16 | 0:48:18 | |
Say something. | 0:48:20 | 0:48:21 | |
Leyla! Tell me you'll sort this. For my dad. For the boys. | 0:48:23 | 0:48:28 | |
I was on your side. | 0:48:31 | 0:48:33 | |
What was it you meant? | 0:48:48 | 0:48:51 | |
When you said to Leyla that you were on her side? | 0:48:51 | 0:48:54 | |
Having a drink, it's been helping her cope. | 0:48:54 | 0:48:59 | |
You call that coping? | 0:49:00 | 0:49:02 | |
I felt sorry for her. | 0:49:04 | 0:49:05 | |
After everything that's happened. | 0:49:06 | 0:49:08 | |
I've got you, and she's... | 0:49:08 | 0:49:12 | |
she's got nothing but grief off everyone. | 0:49:12 | 0:49:14 | |
I thought, if it happened in the house, if she kept a lid on it, | 0:49:16 | 0:49:19 | |
everything would be OK. | 0:49:19 | 0:49:21 | |
After nearly setting the house alight? | 0:49:21 | 0:49:23 | |
You never said anything to me. | 0:49:23 | 0:49:25 | |
I thought I was doing the right thing. Till now. | 0:49:25 | 0:49:30 | |
I never realised how bad she was. | 0:49:30 | 0:49:31 | |
Oh, Nicole! | 0:49:31 | 0:49:34 | |
What? | 0:49:34 | 0:49:35 | |
You've been making it easy for her. | 0:49:35 | 0:49:37 | |
What? I haven't done anything! | 0:49:37 | 0:49:40 | |
It's the same thing, isn't it? | 0:49:40 | 0:49:41 | |
We already knew something wasn't right, | 0:49:41 | 0:49:43 | |
and you kept letting it happen. | 0:49:43 | 0:49:45 | |
So? | 0:49:45 | 0:49:48 | |
No, no, you're not blaming me for this. | 0:49:49 | 0:49:52 | |
It's her, she should've known when to stop! | 0:49:52 | 0:49:55 | |
All I'm saying is a blind eye is the last thing she needs. | 0:49:55 | 0:49:59 | |
You should've known better. | 0:49:59 | 0:50:02 | |
What? With all my years of experience? | 0:50:02 | 0:50:04 | |
Just a waste of space me, aren't I? | 0:50:04 | 0:50:06 | |
For not sticking by her 24 hours of the day, not hiding her purse. | 0:50:06 | 0:50:10 | |
Look, it's all right. | 0:50:10 | 0:50:12 | |
-I thought I was doing the right thing! For everyone! -Aye. | 0:50:12 | 0:50:16 | |
But she should've done the right thing too. | 0:50:18 | 0:50:20 | |
So what happens now? | 0:50:33 | 0:50:34 | |
Come 'ere. | 0:50:40 | 0:50:41 | |
SINGING FROM INSIDE | 0:50:55 | 0:50:57 | |
How are you feeling? | 0:51:31 | 0:51:32 | |
Yeah. Better, thank you. | 0:51:32 | 0:51:37 | |
Good. | 0:51:37 | 0:51:38 | |
I'm glad you're back. | 0:51:38 | 0:51:40 | |
There's a couple of things I want to make clear. | 0:51:40 | 0:51:43 | |
OK. | 0:51:44 | 0:51:46 | |
Today was... | 0:51:48 | 0:51:50 | |
Today was a mistake. | 0:51:52 | 0:51:54 | |
I feel ashamed to have let myself get into that state | 0:51:54 | 0:51:59 | |
and I'd like to apologise to you both. | 0:51:59 | 0:52:01 | |
It won't happen again. | 0:52:01 | 0:52:02 | |
It's all right. | 0:52:04 | 0:52:06 | |
However... | 0:52:07 | 0:52:10 | |
Nicole, I really don't appreciate | 0:52:11 | 0:52:15 | |
being given lifestyle advice from you. | 0:52:15 | 0:52:17 | |
Especially after everything you've put us through. | 0:52:17 | 0:52:19 | |
You're out of order speaking to me that way. | 0:52:19 | 0:52:22 | |
You don't have a clue, do you? | 0:52:24 | 0:52:26 | |
What it's like trying to hold... | 0:52:26 | 0:52:28 | |
What only just counts as a family together, day in day out. | 0:52:28 | 0:52:32 | |
On my own, thanks to your dad. | 0:52:32 | 0:52:33 | |
Hang on. | 0:52:33 | 0:52:36 | |
You're not blaming my dad for the state you got in, are you? | 0:52:36 | 0:52:38 | |
Every day is hard for me. I worry about you all constantly. | 0:52:38 | 0:52:44 | |
I like the odd drink to unwind, it helps take the edge off. | 0:52:44 | 0:52:47 | |
SHE TUTS | 0:52:47 | 0:52:48 | |
Look, today was different. | 0:52:48 | 0:52:52 | |
I've had a lot on my mind, work's been busy... | 0:52:52 | 0:52:55 | |
I just couldn't locate my off switch. | 0:52:55 | 0:52:57 | |
I'm not angry with you. | 0:53:00 | 0:53:03 | |
But what you insinuated earlier, | 0:53:03 | 0:53:05 | |
that I've got some kind of problem with alcohol, | 0:53:05 | 0:53:09 | |
is actually quite insulting. | 0:53:09 | 0:53:11 | |
-But I've seen everything... -And wrong. I'm not an alc... | 0:53:11 | 0:53:14 | |
I could stop drinking any time, right now if I wanted, | 0:53:14 | 0:53:17 | |
but that would be acknowledging something that just isn't the case. | 0:53:17 | 0:53:20 | |
So I'll deal with this. | 0:53:20 | 0:53:23 | |
But on my terms. | 0:53:23 | 0:53:26 | |
No more days like today. | 0:53:26 | 0:53:28 | |
I'm going to go grab a shower. | 0:53:30 | 0:53:34 | |
Perhaps you two could make a start on supper? | 0:53:34 | 0:53:36 | |
Stop worrying. It's over. | 0:53:39 | 0:53:42 | |
# Just a wee deoch an doris | 0:53:49 | 0:53:52 | |
# Just a wee drop, that's all | 0:53:52 | 0:53:56 | |
# Just a wee deoch an doris afore ye gang awa' | 0:53:56 | 0:54:01 | |
# There's a wee wifie waitin' in a wee but 'n' ben | 0:54:01 | 0:54:06 | |
# If you can say "It's a braw bricht moonlicht nicht" | 0:54:06 | 0:54:09 | |
# Then yer a'richt, ye ken. # | 0:54:09 | 0:54:12 | |
That was lovely. | 0:54:14 | 0:54:17 | |
You all right, Dad? | 0:54:30 | 0:54:32 | |
Dad? | 0:55:03 | 0:55:04 | |
Dad, come away and sit beside us, you're fine. | 0:55:04 | 0:55:08 | |
HE PLAYS "If You Were The Only Girl (In The World)" | 0:55:15 | 0:55:20 | |
'We had a family, Leyla. | 0:55:55 | 0:55:58 | |
'A life together, bringing up those kids.' | 0:55:58 | 0:56:01 | |
SHE SOBS | 0:56:47 | 0:56:49 | |
-You'll be there, won't you? -I'll be there to give evidence. | 0:56:58 | 0:57:00 | |
-At least you'll have him there. -If he can tear himself away from his DCI. | 0:57:00 | 0:57:04 | |
-I know you think you've been there. -I have. | 0:57:04 | 0:57:06 | |
Drinking a few too many glasses of wine is hardly the same | 0:57:06 | 0:57:08 | |
as shooting up down some back alley, Stevie. | 0:57:08 | 0:57:10 | |
Did both men take part in the assault? | 0:57:10 | 0:57:12 | |
Punching, kicking. I thought they were going to kill me. | 0:57:12 | 0:57:15 | |
-I've just seen Stella. -Oh, aye? | 0:57:15 | 0:57:17 | |
She's sick and tired of all this baby talk. | 0:57:17 | 0:57:19 | |
I didn't mean any harm. | 0:57:19 | 0:57:20 | |
Try and think before you open your big gob. | 0:57:20 | 0:57:23 | |
Subtitles by Red Bee Media Ltd | 0:57:36 | 0:57:39 |