Browse content similar to 26/06/2012. Check below for episodes and series from the same categories and more!
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There's a load of CCTV footage to go through. | 0:00:21 | 0:00:24 | |
-My shift's nearly over. -So, stay late. | 0:00:24 | 0:00:25 | |
-There's nothing wrong with being single. -Expert, are you? | 0:00:25 | 0:00:28 | |
Maybe it's time you did something about that? | 0:00:28 | 0:00:31 | |
-I can't believe you agreed to work. -If I lose my job, none of this will happen. | 0:00:31 | 0:00:34 | |
You didn't happen to find out any more about that guy who was beaten up? | 0:00:34 | 0:00:37 | |
-Do you make a habit of tuning in to people's personal conversations? -It's just... | 0:00:37 | 0:00:40 | |
Look, Deek, don't gie up the day job. | 0:00:40 | 0:00:42 | |
No, this is important. | 0:00:42 | 0:00:43 | |
-Give me a break! Don't you think I've had enough to deal with today? -Will! -Stop it, will you? | 0:00:43 | 0:00:47 | |
'Aye.' | 0:01:22 | 0:01:24 | |
It's Sean. | 0:01:24 | 0:01:26 | |
What can I do for you? | 0:01:26 | 0:01:28 | |
The question should be, what can I do for you? I've got a wee proposition. | 0:01:28 | 0:01:33 | |
What kind of a proposition? | 0:01:33 | 0:01:35 | |
'Get yourself over here ASAP.' | 0:01:35 | 0:01:38 | |
I'm just about to open the Arcade. | 0:01:38 | 0:01:40 | |
'See you in 20 minutes.' | 0:01:40 | 0:01:41 | |
PHONE GOES DEAD | 0:01:41 | 0:01:43 | |
You're my girl, right? You don't walk away unless I say, OK? | 0:01:58 | 0:02:04 | |
Maybe start selling some bargain DVDs? Might bring in a few more new customers. | 0:02:20 | 0:02:24 | |
Aye, sounds good. | 0:02:24 | 0:02:26 | |
Could even say it was your idea, if you like. | 0:02:26 | 0:02:28 | |
Aw, I wouldnae dae that. | 0:02:28 | 0:02:30 | |
I know you're not as innocent as you like to make out. | 0:02:30 | 0:02:32 | |
I've seen you on a night out, remember. | 0:02:32 | 0:02:34 | |
I've glimpsed the darker, murkier side of Iona McIntyre. | 0:02:34 | 0:02:37 | |
Away you go. | 0:02:37 | 0:02:39 | |
Still here, then? | 0:02:42 | 0:02:43 | |
Nothing gets past you, does it? | 0:02:43 | 0:02:45 | |
Just thought you'd be finished by now. | 0:02:45 | 0:02:47 | |
It is only a mini-market you're assessing, not the Royal Bank of Scotland. | 0:02:47 | 0:02:50 | |
Not seen a lot of this warm Shieldinch hospitality everyone speaks about, | 0:02:50 | 0:02:53 | |
-apart from Iona. -People need to earn good hospitality, | 0:02:53 | 0:02:57 | |
and I don't see you going out of your way to foster warmth. ..Coming out with the gang tonight? | 0:02:57 | 0:03:01 | |
Try and stop me. I'll be gasping for a drink after all this paperwork. | 0:03:01 | 0:03:05 | |
Excellent. | 0:03:05 | 0:03:05 | |
Do you fancy coming along? | 0:03:05 | 0:03:07 | |
-Uh...I'm not sure I can make it... -Lunch-time, then? | 0:03:07 | 0:03:10 | |
OK, OK. For one. | 0:03:10 | 0:03:11 | |
Great. | 0:03:11 | 0:03:12 | |
What's up with you? You look like you won the lottery and lost the ticket. | 0:03:16 | 0:03:20 | |
Just trying to do something nice... gets you nowhere, man. | 0:03:22 | 0:03:26 | |
-I want to come to a music festival, right, and Nicole won't come. -How not? | 0:03:26 | 0:03:30 | |
Cos the boys have been acting up ever since Michael left. | 0:03:30 | 0:03:35 | |
She wants to keep an eye on them. | 0:03:35 | 0:03:36 | |
Well, why not get somebody to look after them while you two go away? | 0:03:36 | 0:03:41 | |
I do have a business to run, Sean. | 0:03:51 | 0:03:53 | |
You call that arcade a business? | 0:03:53 | 0:03:55 | |
Aye, well, it's the only one I've got. | 0:03:55 | 0:03:57 | |
Not any more. | 0:03:57 | 0:03:58 | |
I need somebody to take care of the day-to-day runnings for a bit. | 0:03:58 | 0:04:02 | |
Look after the lassies here, and on the streets, keep the cash flowing. | 0:04:02 | 0:04:06 | |
Is there not somebody else you can get to do that? | 0:04:06 | 0:04:09 | |
I'm not asking anybody else. I'm telling you. | 0:04:09 | 0:04:12 | |
OK. | 0:04:12 | 0:04:13 | |
Angie! One word of advice. | 0:04:15 | 0:04:18 | |
You give these lassies an inch, and they'll take a mile. | 0:04:18 | 0:04:21 | |
Start as you mean to go on. Tough. | 0:04:21 | 0:04:23 | |
I want you to meet my new right-hand man, Gabriel. | 0:04:25 | 0:04:27 | |
He'll be in charge of the girls for the foreseeable. | 0:04:28 | 0:04:31 | |
What? Why? If I done something wrong, tell me and I'll put it right. | 0:04:31 | 0:04:35 | |
Listen, what have I told you about questioning me, eh? | 0:04:35 | 0:04:39 | |
I think I've been spoiling her a wee bit, eh? | 0:04:39 | 0:04:42 | |
Sorry. | 0:04:42 | 0:04:43 | |
It's Gabriel you've embarrassed. It's him you should be apologising to. | 0:04:43 | 0:04:47 | |
Sorry. | 0:04:47 | 0:04:48 | |
Apology accepted. | 0:04:48 | 0:04:51 | |
Angie went straight for a bit, but she's came back in the fold now. | 0:04:51 | 0:04:56 | |
Just couldn't keep away, could you, darlin'? | 0:04:56 | 0:04:59 | |
Angie's one of my girls. I keep her, for when I need her. | 0:04:59 | 0:05:04 | |
The names of all the girls and their contact numbers are in there. | 0:05:05 | 0:05:09 | |
Make sure you get the money off them right away, | 0:05:09 | 0:05:11 | |
as in before the pubs open, eh, Angie? | 0:05:11 | 0:05:14 | |
You want to make yourself useful, you can come wi' me and talk to the girls. | 0:05:14 | 0:05:19 | |
I'll leave you to it, then, right. | 0:05:19 | 0:05:21 | |
I've got business to deal with in Shieldinch. | 0:05:21 | 0:05:23 | |
What sort of business? | 0:05:23 | 0:05:25 | |
If I told you that, I'd have to kill you. | 0:05:26 | 0:05:29 | |
Shift yourself. | 0:05:37 | 0:05:39 | |
Here, hey! That's nearly £100 light! | 0:05:49 | 0:05:54 | |
-Did you say something to them? -Like what? | 0:05:58 | 0:06:01 | |
Like, I don't know - "Let's test the new guy"? | 0:06:01 | 0:06:04 | |
At the moment, you're just a guy with a notebook. | 0:06:04 | 0:06:07 | |
Aye. | 0:06:07 | 0:06:08 | |
And the notebook says you owe me £150. | 0:06:08 | 0:06:11 | |
So what are you going to do, talk me into giving it to you? | 0:06:14 | 0:06:16 | |
I might give it a go, aye. | 0:06:16 | 0:06:18 | |
See, he's nominated me as his right-hand man, | 0:06:20 | 0:06:23 | |
and I'm nominating you as my right-hand woman, | 0:06:23 | 0:06:26 | |
which means if you don't help me, or you hinder me, | 0:06:26 | 0:06:30 | |
then you'll be next in line for punishment. | 0:06:30 | 0:06:33 | |
Right, ta. | 0:06:47 | 0:06:49 | |
Don't worry about it. I'll talk to him, right? | 0:06:49 | 0:06:51 | |
The girls aren't happy about paying money to somebody they don't know. | 0:07:04 | 0:07:08 | |
-Did you not point out the benefit? -What benefits? | 0:07:08 | 0:07:11 | |
Of dealing with me on a regular basis, rather than Sean? | 0:07:11 | 0:07:13 | |
They may need some convincing. | 0:07:13 | 0:07:15 | |
PHONE RINGS Two secs. | 0:07:15 | 0:07:17 | |
Hey. | 0:07:17 | 0:07:19 | |
Gabriel, it's Stevie. | 0:07:19 | 0:07:22 | |
Is everything OK? | 0:07:22 | 0:07:25 | |
Aye, everything's fine. It's just...I need a favour. | 0:07:25 | 0:07:30 | |
From me? | 0:07:30 | 0:07:31 | |
Here, don't think you're top of my list or anything, right? | 0:07:31 | 0:07:35 | |
Anyway, what it is, I've made plans for me and Nicole, and well... | 0:07:35 | 0:07:41 | |
she's a bit worried about leaving the boys with Leyla, | 0:07:41 | 0:07:45 | |
after all that...you know what I mean. | 0:07:45 | 0:07:48 | |
'And?' | 0:07:48 | 0:07:49 | |
I need somebody to look after the boys so she'll come. | 0:07:49 | 0:07:53 | |
But me, though, Stevie? Does Leyla know about this? | 0:07:53 | 0:07:56 | |
No, no. I'm doing this for the boys. | 0:07:56 | 0:08:00 | |
Of course. Of course, I'll keep an eye on them. | 0:08:00 | 0:08:02 | |
Aye? | 0:08:02 | 0:08:04 | |
They're family. | 0:08:04 | 0:08:06 | |
Well...cheers, Gabriel. | 0:08:06 | 0:08:09 | |
No problem. | 0:08:09 | 0:08:10 | |
Who was that? | 0:08:15 | 0:08:16 | |
That was my niece's boyfriend. | 0:08:16 | 0:08:18 | |
-He wants me to look after my nephews for a couple of days. -Family man, eh? | 0:08:18 | 0:08:23 | |
Trying to be. | 0:08:23 | 0:08:25 | |
-How come you're working for Sean, then? -A bad set of circumstances - what's your excuse? | 0:08:25 | 0:08:31 | |
Same. | 0:08:31 | 0:08:33 | |
Here. For helping me out. | 0:08:35 | 0:08:36 | |
-Put that away! -What? | 0:08:36 | 0:08:38 | |
They see you giving me money, and that's it, I become the enemy. | 0:08:38 | 0:08:42 | |
And for the record, the only people I'm helping out here is me and the girls. | 0:08:42 | 0:08:45 | |
You sitting in here on your own? | 0:08:53 | 0:08:56 | |
Oh...just worrying about Malcolm. | 0:08:56 | 0:09:00 | |
He nearly flooded the place this morning, leaving the taps on. | 0:09:01 | 0:09:05 | |
Getting him to see the funny side and laugh about it will help. | 0:09:05 | 0:09:08 | |
Laugh, because of the fact he's slowly being lost to me?! | 0:09:10 | 0:09:16 | |
We're a long way from that. | 0:09:16 | 0:09:17 | |
Anyway, he was very upset, so I just told him it was me had left them on. | 0:09:17 | 0:09:23 | |
Covering up for him's just going to make things worse. | 0:09:24 | 0:09:27 | |
He needs to acknowledge his behaviour, then he can start to own it. | 0:09:27 | 0:09:30 | |
You see? I'm not dealing with this at all. | 0:09:30 | 0:09:35 | |
You're doing fine. See you later. | 0:09:35 | 0:09:39 | |
-Hi! -Hi, Malcolm. | 0:09:39 | 0:09:42 | |
Where are you going? | 0:09:42 | 0:09:44 | |
I'm...just popping out for the paper. | 0:09:44 | 0:09:46 | |
What's so funny? | 0:09:51 | 0:09:53 | |
You are. | 0:09:53 | 0:09:54 | |
Because? | 0:09:56 | 0:09:58 | |
Because... | 0:09:58 | 0:09:59 | |
..I went over and got one earlier on. | 0:10:01 | 0:10:04 | |
Is that all of it? | 0:10:27 | 0:10:28 | |
A couple of the older girls still refused. | 0:10:28 | 0:10:32 | |
-But just get heavy with them, they'll hand it over. -How heavy? | 0:10:32 | 0:10:35 | |
Look, threats might work for Sean, because they know what he's like. | 0:10:37 | 0:10:44 | |
And I'm guessing you know all about Sean's threats, am I right? | 0:10:44 | 0:10:48 | |
The guy's a psychopath. | 0:10:50 | 0:10:51 | |
And what's the best thing to do with a psychopath? | 0:10:51 | 0:10:54 | |
What's that? | 0:10:54 | 0:10:55 | |
Avoid them. And yet, here we are. | 0:10:55 | 0:10:58 | |
PHONE RINGS | 0:10:58 | 0:11:00 | |
What? | 0:11:00 | 0:11:01 | |
Right, OK, I'm on my way back. | 0:11:04 | 0:11:06 | |
What's up? | 0:11:06 | 0:11:08 | |
A punter's back at the flat's threatening one of the girls. | 0:11:08 | 0:11:11 | |
He won't be back in a hurry. | 0:11:22 | 0:11:24 | |
I thought you were Mr Non-Violence? | 0:11:24 | 0:11:26 | |
Not when it comes to lowlifes who think it's all right to beat up young lassies. | 0:11:26 | 0:11:31 | |
Are you all right, love? | 0:11:31 | 0:11:33 | |
She'll be fine. | 0:11:33 | 0:11:35 | |
Listen, why don't you go and get yourself cleaned up before Sean gets back, OK? | 0:11:35 | 0:11:39 | |
It's good to know you can handle yourself. | 0:11:52 | 0:11:55 | |
If it was just me, he would have had a go. | 0:11:55 | 0:11:57 | |
Want me to take a look at that? | 0:11:57 | 0:11:59 | |
Is that a "thank you"? | 0:12:00 | 0:12:02 | |
It's about as close as I'm goin' to get to one, right? | 0:12:02 | 0:12:05 | |
You've got a normal life away from here, then? | 0:12:07 | 0:12:10 | |
That's all relative. | 0:12:10 | 0:12:11 | |
You know what I mean. You're not from this world, that's for sure. | 0:12:11 | 0:12:14 | |
Sean said you escaped for a while. How come you're back? | 0:12:16 | 0:12:20 | |
Getting away isn't the hard bit. The hard bit's staying away. | 0:12:23 | 0:12:28 | |
I needed a bit more money behind me, that's all. | 0:12:29 | 0:12:33 | |
Next time, I willnae be back. | 0:12:33 | 0:12:35 | |
I've seen what happens to lassies that stay in this life too long. | 0:12:35 | 0:12:38 | |
Friends? | 0:12:39 | 0:12:41 | |
Nobody you know. | 0:12:41 | 0:12:43 | |
Hey, I'm just trying to find out what the deal is with you. | 0:12:43 | 0:12:46 | |
You don't want to know, trust me. | 0:12:46 | 0:12:49 | |
I dae. | 0:12:49 | 0:12:51 | |
So what about your friends? | 0:12:51 | 0:12:53 | |
-Did they try to escape, same as you? -You don't get far. | 0:12:55 | 0:12:59 | |
In this game, you do as you're told. If you don't, well... | 0:13:02 | 0:13:05 | |
Murder? | 0:13:10 | 0:13:13 | |
Punters? | 0:13:13 | 0:13:15 | |
Punters are the least of my problems. | 0:13:15 | 0:13:18 | |
What, are you saying it's Sean? | 0:13:19 | 0:13:21 | |
It was all over the papers. | 0:13:26 | 0:13:29 | |
A Lithuanian girl... | 0:13:29 | 0:13:32 | |
Alicia. | 0:13:32 | 0:13:34 | |
What, that was him? | 0:13:34 | 0:13:37 | |
If Sean finds out I've told you any of this, he will kill me. Then he'll come after you. | 0:13:37 | 0:13:41 | |
Well, I don't want either of us to be next, do you? | 0:13:41 | 0:13:44 | |
Come on, man, we can help each other here, eh? | 0:13:45 | 0:13:48 | |
There was another girl...she was just a kid. She tried to get away. | 0:13:50 | 0:13:56 | |
They found her strangled. | 0:13:57 | 0:13:59 | |
-Who was she? -Her name was Silvie. | 0:14:02 | 0:14:06 | |
See, | 0:14:07 | 0:14:09 | |
Silvie had this necklace that she always wore, | 0:14:09 | 0:14:11 | |
I mean she never took it off. | 0:14:11 | 0:14:12 | |
He came back with it one day, I seen him wi' it. | 0:14:14 | 0:14:17 | |
Where is it? | 0:14:18 | 0:14:20 | |
He keeps it in the back bedroom, | 0:14:23 | 0:14:25 | |
hidden in the air vent. | 0:14:25 | 0:14:27 | |
So, now you know. | 0:14:30 | 0:14:33 | |
I'm gonnae go, get the rest of your money. | 0:14:33 | 0:14:37 | |
Why did you no' open up earlier? | 0:15:03 | 0:15:05 | |
-I had to do some stuff to do for Sean. -That's interesting. | 0:15:05 | 0:15:09 | |
Depends which way you look at it. He's promoted me. | 0:15:09 | 0:15:12 | |
Really? Grand. | 0:15:12 | 0:15:15 | |
No, it's not grand, Lenny. | 0:15:15 | 0:15:16 | |
He's got me looking after the girls. | 0:15:20 | 0:15:22 | |
-I'm done with all this. -No, you're done wi' this when tell you. | 0:15:22 | 0:15:26 | |
-It's your fault I'm in this in the first place. -Was it me that told Kennedy I had MS? | 0:15:26 | 0:15:30 | |
-...No. -Aye, you're right, no. You owe me. | 0:15:31 | 0:15:36 | |
Anyway, I need you on the inside. | 0:15:36 | 0:15:38 | |
-Why? -Because as long as you're there, so am I. | 0:15:40 | 0:15:43 | |
Did he give you a reason why you're promoted? | 0:15:43 | 0:15:46 | |
He said he was going to be focussing on the business elsewhere for a while. | 0:15:46 | 0:15:50 | |
He mentioned something about Shieldinch. | 0:15:50 | 0:15:52 | |
You've no idea what I'm dealing with here. | 0:15:53 | 0:15:57 | |
-He's killed two girls, at least. -Is that right? | 0:15:57 | 0:16:01 | |
Aye. | 0:16:01 | 0:16:02 | |
He's hidden a necklace and pendant of one of the dead girls, | 0:16:02 | 0:16:05 | |
with her name engraved on it. | 0:16:05 | 0:16:06 | |
If the police find out, then... | 0:16:06 | 0:16:09 | |
Go on... | 0:16:09 | 0:16:11 | |
They'd go in, find it and then it'd be good night Mr Kennedy. | 0:16:11 | 0:16:14 | |
-Everybody's happy. -Not everybody. | 0:16:15 | 0:16:17 | |
See, then I don't get to see what he's planning on my turf, | 0:16:18 | 0:16:21 | |
-or who he's planning it with. -Ah well, | 0:16:21 | 0:16:24 | |
-we don't always get what we want. -Don't be smart with me, son. | 0:16:24 | 0:16:27 | |
What if the polis did raid the place, and he's moved the evidence? | 0:16:27 | 0:16:31 | |
You grass on him and he doesn't go down, your life's not worth living. | 0:16:31 | 0:16:34 | |
Look. | 0:16:36 | 0:16:38 | |
It's you and me. | 0:16:39 | 0:16:41 | |
No-one else. | 0:16:41 | 0:16:43 | |
I've got your back. | 0:16:43 | 0:16:45 | |
Ah, well, then all I need to worry about is my front. | 0:16:45 | 0:16:47 | |
Time to grow up, Gabriel. | 0:16:47 | 0:16:50 | |
You're playing with the big boys now. | 0:16:50 | 0:16:52 | |
..."Silvie." | 0:17:31 | 0:17:33 | |
-What the hell are you doing? -I had to find out if you were telling me the truth. | 0:17:38 | 0:17:42 | |
We're both dead now, aren't we? | 0:17:42 | 0:17:44 | |
Only if one of us tells Sean and I've got your back. | 0:17:44 | 0:17:48 | |
-What the hell does that even mean? -It means I'm not gonnae say anything to him, all right? | 0:17:48 | 0:17:53 | |
-Where is everybody? Oi! -Quick! | 0:17:53 | 0:17:56 | |
Where are you all hiding? | 0:17:56 | 0:17:58 | |
Hurry up, come on! | 0:18:00 | 0:18:02 | |
Down there. | 0:18:02 | 0:18:03 | |
What's going on? | 0:18:15 | 0:18:16 | |
CHUCKLES | 0:18:18 | 0:18:20 | |
What does it look like? | 0:18:20 | 0:18:21 | |
Something amusing you? | 0:18:21 | 0:18:23 | |
-Come here, you... -I'm sorry. | 0:18:23 | 0:18:26 | |
My fault. | 0:18:32 | 0:18:34 | |
Then I'm disappointed. | 0:18:34 | 0:18:37 | |
We had a dodgy punter in here, I had to get rid of him, | 0:18:37 | 0:18:40 | |
the adrenalin was pumping and one thing led to another.. | 0:18:40 | 0:18:44 | |
And anyway, | 0:18:44 | 0:18:46 | |
I've collected all your money, I felt I was due a reward. | 0:18:46 | 0:18:52 | |
Angie's mine. | 0:18:52 | 0:18:54 | |
-Ask for permission next time, right? -Got it. | 0:18:54 | 0:18:57 | |
Keep a hold of that. Emergency fund. | 0:19:01 | 0:19:06 | |
And Gabriel... ..It's not your good looks or charm. | 0:19:06 | 0:19:09 | |
They'll do anything to get out of paying, including doling out freebies. | 0:19:11 | 0:19:17 | |
Don't be taken for a mug again, right? | 0:19:17 | 0:19:19 | |
Come on... | 0:19:38 | 0:19:39 | |
We know both girls worked for him | 0:19:44 | 0:19:47 | |
and we know he has a reputation for violence against his employees. | 0:19:47 | 0:19:51 | |
But no concrete evidence tying him directly to either death. | 0:19:51 | 0:19:55 | |
We also have Gabriel Brodie | 0:19:59 | 0:20:03 | |
spending more and more time in Kennedy's company. | 0:20:03 | 0:20:07 | |
I can't see Lenny Murdoch being happy about that. | 0:20:07 | 0:20:10 | |
If there was any justice at all, those two would get into a good old-fashioned turf war | 0:20:12 | 0:20:17 | |
and cancel each other out for good. | 0:20:17 | 0:20:19 | |
Do you think Brodie's got any information on the murders? | 0:20:22 | 0:20:24 | |
-We could try squeezing him. -I've seen your version of squeezing. | 0:20:26 | 0:20:30 | |
I overstepped the mark with Sean. It won't happen again. | 0:20:31 | 0:20:34 | |
You staying for the briefing? | 0:20:42 | 0:20:44 | |
It is like watching paint dry. Just take the shot, man. | 0:20:58 | 0:21:02 | |
You cannae hurry genius. | 0:21:02 | 0:21:04 | |
Which is why she's hurrying you. | 0:21:04 | 0:21:06 | |
Come on! | 0:21:06 | 0:21:08 | |
Sorry I'm late, guys. | 0:21:11 | 0:21:13 | |
-Finally, you can relax. -Two empty glasses here if you're buying. | 0:21:14 | 0:21:17 | |
-Thought you weren't coming. -Here I am. | 0:21:17 | 0:21:20 | |
-I'm fine, thanks. -Suit yourself. I'm sure you usually do. | 0:21:22 | 0:21:26 | |
I'll give you a hand. | 0:21:27 | 0:21:28 | |
I might try and come along tonight. | 0:21:30 | 0:21:32 | |
-Give them two a run for their money, eh? -Great... | 0:21:32 | 0:21:35 | |
Agreed? OK. Let's see what we've come up with. | 0:21:37 | 0:21:40 | |
Hours of CCTV footage, door-to-door enquiries, | 0:21:46 | 0:21:48 | |
leafleting, witness posters and still nothing to show for it. | 0:21:48 | 0:21:51 | |
Sean Kennedy must be laughing his head off. | 0:21:51 | 0:21:55 | |
Yeah. Let him. | 0:21:55 | 0:21:57 | |
-Maybe we need to shake things up a bit? -How? | 0:21:59 | 0:22:03 | |
I don't know. Start arresting his girls, lean on his punters? | 0:22:03 | 0:22:06 | |
Cut off his income. | 0:22:06 | 0:22:07 | |
Then he will know we're desperate. | 0:22:07 | 0:22:09 | |
Besides, you arrest any of those girls, | 0:22:09 | 0:22:11 | |
you're putting their lives at risk. | 0:22:11 | 0:22:14 | |
So what's the alternative? Wait for a break that never comes? | 0:22:14 | 0:22:17 | |
Patience. That's what it's all about at this stage. | 0:22:17 | 0:22:21 | |
Anyway, shouldn't you be getting on with other things? | 0:22:25 | 0:22:28 | |
Other things, sir? | 0:22:28 | 0:22:29 | |
Thought you had a wedding to organise. | 0:22:30 | 0:22:33 | |
Can't leave it all to the boyfriend. | 0:22:33 | 0:22:35 | |
I suggest you concentrate on that, short-term. | 0:22:37 | 0:22:39 | |
I'll let you know if there's any developments. | 0:22:39 | 0:22:41 | |
Game over. | 0:22:52 | 0:22:54 | |
Are you just continuing from where you left off at lunchtime? | 0:22:54 | 0:22:56 | |
Aye, beaten again. | 0:22:56 | 0:22:58 | |
Drinks for the rest of the night are on you and Hayley. | 0:22:58 | 0:23:01 | |
I knew I should have had Deek on my side. | 0:23:01 | 0:23:03 | |
No! | 0:23:07 | 0:23:08 | |
Sorry, Iona. | 0:23:08 | 0:23:11 | |
Yes! | 0:23:21 | 0:23:23 | |
THEY LAUGH | 0:23:23 | 0:23:25 | |
-I take it you won, then. -No, THEY lost. | 0:23:30 | 0:23:34 | |
Don't you go disappearing, I've got stuff to show you - wedding cake websites. | 0:23:37 | 0:23:41 | |
-What'll it be? -A vodka-coke please, Zinnie, cheers. | 0:23:46 | 0:23:49 | |
How are you doing? | 0:23:55 | 0:23:57 | |
Better than the other week, when your mob arrested me. | 0:23:57 | 0:24:00 | |
Well, hang around with guys like Sean Kennedy | 0:24:00 | 0:24:02 | |
and you're going to attract our attention. | 0:24:02 | 0:24:05 | |
What does Lenny think about you spending so much time with Sean? | 0:24:05 | 0:24:09 | |
What's it to you? | 0:24:09 | 0:24:11 | |
I'm interested. Must be hard juggling the two of them. | 0:24:11 | 0:24:15 | |
You're not interested, you're fishing and I'm not biting. | 0:24:15 | 0:24:20 | |
Can I get you another? | 0:24:21 | 0:24:23 | |
Take a lot more than a pint to buy me, pal. | 0:24:24 | 0:24:26 | |
If you ever get thirsty, Mr Brodie, you know where to find me. | 0:24:29 | 0:24:35 | |
I think it's cute Iona's got a crush. | 0:25:18 | 0:25:20 | |
But what about when Tom heads south? | 0:25:20 | 0:25:23 | |
D'you think he'll be coming back up here to see her? | 0:25:23 | 0:25:26 | |
-Who knows? -I do, he won't. | 0:25:26 | 0:25:29 | |
I think our Tom's a bit of a player. The love 'em and leave 'em type. | 0:25:29 | 0:25:32 | |
Can't say I get the "ladies' man" vibe off him. | 0:25:32 | 0:25:34 | |
And what would you know about being a ladies' man? | 0:25:34 | 0:25:36 | |
That's true. Listen, I'll need an hour or so off this afternoon. | 0:25:36 | 0:25:40 | |
-What for? -My man's too busy saving the world, | 0:25:40 | 0:25:43 | |
so it's down to me to find reception venues. | 0:25:43 | 0:25:46 | |
I'm glad nobody else on my payroll's planning a wedding, | 0:25:46 | 0:25:49 | |
I'd be running the place on my own. | 0:25:49 | 0:25:51 | |
Can I help you? | 0:26:04 | 0:26:06 | |
Oh, I hope so. | 0:26:06 | 0:26:07 | |
What do you want? | 0:26:07 | 0:26:09 | |
Do I look like I want something? | 0:26:09 | 0:26:10 | |
I'm looking for Gabriel Brodie. Do you know where he lives? | 0:26:15 | 0:26:19 | |
What do you want with him? | 0:26:19 | 0:26:21 | |
Gabriel's a good friend of mine. | 0:26:21 | 0:26:23 | |
Since when? | 0:26:23 | 0:26:25 | |
Since me and him went into business together. | 0:26:25 | 0:26:27 | |
So, you're a friend of Lenny Murdoch's, too then? | 0:26:27 | 0:26:30 | |
It's all right, Leyla, I've got this. | 0:26:31 | 0:26:33 | |
Leyla? Nice. | 0:26:33 | 0:26:36 | |
All sorted, thanks. | 0:26:36 | 0:26:37 | |
Now, that is my kind of woman. | 0:26:50 | 0:26:52 | |
Hey, hands off. She's my sister-in-law. | 0:26:52 | 0:26:55 | |
What, that's Michael's wife? | 0:26:55 | 0:26:56 | |
She must be feeling pretty neglected at the moment. | 0:26:56 | 0:26:59 | |
What are you doing round here, anyway? | 0:27:02 | 0:27:05 | |
First day in a new job and you've let me down already. | 0:27:05 | 0:27:08 | |
-How? -One of the girls got beaten up last night. | 0:27:08 | 0:27:11 | |
Who? | 0:27:11 | 0:27:12 | |
Candice. Punter had a problem with the fee. | 0:27:12 | 0:27:16 | |
I need to know when she's gonnae get back to work. | 0:27:17 | 0:27:20 | |
Get yourself down to the hospital and find out how she is. | 0:27:20 | 0:27:23 | |
Where are you going? | 0:27:25 | 0:27:26 | |
I'm going to be asking a beautiful woman how lonely it feels | 0:27:27 | 0:27:32 | |
to be a prisoner's wife. | 0:27:32 | 0:27:34 | |
Don't even think about it. | 0:27:34 | 0:27:35 | |
Touched a nerve, have I? | 0:27:35 | 0:27:36 | |
Gabriel Brodie called. Says he wants to talk. | 0:28:01 | 0:28:04 | |
What about? | 0:28:04 | 0:28:05 | |
He says he's got info on Sean Kennedy. | 0:28:05 | 0:28:07 | |
Did he give any details? | 0:28:07 | 0:28:09 | |
It's about one of the murders. | 0:28:09 | 0:28:12 | |
Call him back. Tell him he'll have to come to the station. | 0:28:12 | 0:28:16 | |
He wasn't too keen on that when I suggested it. | 0:28:16 | 0:28:19 | |
Well, I can't get out the office this morning, it's that or nothing. | 0:28:19 | 0:28:22 | |
I made the contact, I should be the one he speaks to anyway. | 0:28:22 | 0:28:25 | |
I think I'll interview him. | 0:28:26 | 0:28:29 | |
Are you closing me out again, sir? | 0:28:29 | 0:28:32 | |
I'm running this investigation as I see fit, and it's fitting that | 0:28:34 | 0:28:36 | |
if he has vital information about the murder of a young girl, | 0:28:36 | 0:28:40 | |
then he passes it on to a senior officer. | 0:28:40 | 0:28:43 | |
So, I'll expect him here at 9.30. | 0:28:44 | 0:28:49 | |
Why are we meeting here? | 0:28:54 | 0:28:57 | |
Because this is police business. | 0:28:57 | 0:28:58 | |
Look, if anyone connected to Sean Kennedy sees me, I'm a dead man. | 0:29:02 | 0:29:07 | |
We'll smuggle you out the back gate in a car | 0:29:07 | 0:29:09 | |
and drop you wherever you like. | 0:29:09 | 0:29:12 | |
Now, what's this evidence you have against him? | 0:29:12 | 0:29:16 | |
You want me to put him away, you need to talk to me, Mr Brodie. | 0:29:18 | 0:29:20 | |
You can't let him know you got this information from me. | 0:29:20 | 0:29:24 | |
If he finds out I've tipped you off...it's not just me. | 0:29:24 | 0:29:28 | |
The girls'll be in danger too. | 0:29:28 | 0:29:31 | |
Understood. | 0:29:31 | 0:29:32 | |
It's a necklace with a pendant, with the name Silvie engraved on it. | 0:29:38 | 0:29:43 | |
Maybe he kept it as a trophy, I don't know, but he's got it | 0:29:43 | 0:29:48 | |
hidden in a plastic bag in an air vent in his back bedroom. | 0:29:48 | 0:29:52 | |
I thought you two were mates? | 0:29:52 | 0:29:54 | |
I'm in way over my head with this guy and I want rid of him, | 0:29:57 | 0:30:02 | |
as much as you do. | 0:30:02 | 0:30:03 | |
Maybe more. | 0:30:05 | 0:30:06 | |
I doubt that. | 0:30:06 | 0:30:07 | |
So, if you had the necklace, is that enough to get him locked up? | 0:30:09 | 0:30:14 | |
Well, if it was enough to link him directly to the murdered girl, | 0:30:16 | 0:30:19 | |
then it might be something that proved useful, yeah. | 0:30:19 | 0:30:23 | |
So, now what do I do? | 0:30:25 | 0:30:27 | |
You do nothing. I'll take it from here. | 0:30:28 | 0:30:30 | |
MALCOLM: Is that you, Liz? | 0:31:14 | 0:31:17 | |
Jeez, you gave me a fright! | 0:31:57 | 0:32:00 | |
Obviously not enough of a one. What did you tell the cops? | 0:32:00 | 0:32:04 | |
Who? | 0:32:04 | 0:32:05 | |
Don't play games with me. You were seen. | 0:32:05 | 0:32:08 | |
I gave him enough information to get Kennedy out of my life for good. | 0:32:08 | 0:32:11 | |
-Did you spill your guts about me as well? -No why would I do that? | 0:32:11 | 0:32:15 | |
I dunno, maybe you were in the mood for confessions. | 0:32:15 | 0:32:18 | |
You said you'd had my back Lenny, | 0:32:18 | 0:32:20 | |
but I've not seen much evidence of that. | 0:32:20 | 0:32:22 | |
And you think Donald will? | 0:32:22 | 0:32:23 | |
He doesn't care about you, all he cares about is getting Kennedy. | 0:32:23 | 0:32:27 | |
Which, right now, suits me to the ground. | 0:32:27 | 0:32:30 | |
That scumbag Kennedy was here making threats about Leyla. | 0:32:30 | 0:32:34 | |
Right, that's why all the common sense went out the window. | 0:32:34 | 0:32:39 | |
So what's Donald's plan? | 0:32:39 | 0:32:41 | |
I don't know, he didn't say. | 0:32:41 | 0:32:42 | |
'Course he didn't. | 0:32:42 | 0:32:44 | |
But once I get Kennedy off my back, I want you gone as well. | 0:32:44 | 0:32:47 | |
Yeah, well, you get me the information I want | 0:32:47 | 0:32:51 | |
before they put him away and I'll gladly leave you alone. | 0:32:51 | 0:32:55 | |
We'd be quits? | 0:32:55 | 0:32:56 | |
Yeah. You can go back to your quiet life. | 0:32:57 | 0:33:01 | |
How's that lassie doin'? | 0:33:12 | 0:33:14 | |
Bruised, but not battered. | 0:33:14 | 0:33:16 | |
Good. Get her back earning ASAP. | 0:33:16 | 0:33:19 | |
I've got to nip out for a few hours. | 0:33:19 | 0:33:22 | |
Anything to do with this job in Shieldinch? | 0:33:22 | 0:33:24 | |
What do you know about that, like? | 0:33:24 | 0:33:26 | |
Just what you told me. | 0:33:26 | 0:33:27 | |
-Which is? -Nothing. | 0:33:27 | 0:33:29 | |
Exactly. | 0:33:29 | 0:33:30 | |
Look, Sean, as your right-hand man, | 0:33:31 | 0:33:34 | |
I should be doing more than walking about with some notebook. | 0:33:34 | 0:33:36 | |
Any Rent-A-Thug could do that. | 0:33:36 | 0:33:38 | |
Aye, and if this deal goes through we'll be moving up the ladder rapid | 0:33:38 | 0:33:43 | |
and you'll have plenty to do, believe me. | 0:33:43 | 0:33:45 | |
Police! Get on the floor! | 0:33:45 | 0:33:49 | |
Get your hands behind your head! | 0:33:49 | 0:33:51 | |
Room secure. | 0:33:51 | 0:33:53 | |
-Get off me! -Shut your mouth, you! | 0:33:56 | 0:33:59 | |
Turn the place over. | 0:34:03 | 0:34:04 | |
The Huffton House Hotel have got their own in-house DJ. | 0:34:08 | 0:34:12 | |
Have you actually heard him? | 0:34:12 | 0:34:13 | |
You could be dancing to Barry Manilow and Cliff all night. | 0:34:13 | 0:34:16 | |
There is such a thing as being too camp. | 0:34:16 | 0:34:17 | |
Not a chance, mate. | 0:34:17 | 0:34:19 | |
I see Tom, but where's his shadow? | 0:34:19 | 0:34:21 | |
She must be around here somewhere. | 0:34:21 | 0:34:23 | |
That's ten quid you've cost me. You're a shark! | 0:34:29 | 0:34:32 | |
Area Pool Champion for Head Office, two years undefeated. | 0:34:32 | 0:34:35 | |
I am a shark. | 0:34:35 | 0:34:36 | |
So, you let me win last night? | 0:34:36 | 0:34:40 | |
You don't seem like the kind of person who likes to lose. | 0:34:41 | 0:34:45 | |
You're pathetic. | 0:34:47 | 0:34:48 | |
Hayley? | 0:34:48 | 0:34:50 | |
Hey. | 0:34:58 | 0:35:00 | |
You know, if you want people to like you better, | 0:35:03 | 0:35:05 | |
-then pretending you're something you're not isn't the way to do it. -I agree. | 0:35:05 | 0:35:08 | |
So why don't you stop pretending you're far too good for everyone around here? | 0:35:08 | 0:35:11 | |
-You've just described yourself to a tee. -What are you talking about? | 0:35:11 | 0:35:14 | |
Patronising us by pretending to lose at pool | 0:35:14 | 0:35:16 | |
-and stringing Iona along when we know you're not really interested in her. -That's true. | 0:35:16 | 0:35:20 | |
So, you admit it, that you're stringing her along? | 0:35:20 | 0:35:23 | |
I admit I'm not really interested in her, not in the way you're saying. | 0:35:23 | 0:35:26 | |
But she's a good, decent person I enjoy spending time with. | 0:35:26 | 0:35:28 | |
Unlike me? | 0:35:28 | 0:35:30 | |
You said it. | 0:35:30 | 0:35:31 | |
If I'm so horrible, how come you followed me out here? | 0:35:31 | 0:35:34 | |
I'm asking myself the same question. | 0:35:34 | 0:35:37 | |
Maybe it's the same reason you get so upset when I'm around. | 0:35:37 | 0:35:40 | |
And why's that? | 0:35:40 | 0:35:42 | |
You want to hear my theory? | 0:35:42 | 0:35:44 | |
Can't wait. | 0:35:44 | 0:35:45 | |
OK. | 0:35:45 | 0:35:46 | |
You're happy to proceed without a solicitor, correct? | 0:35:59 | 0:36:02 | |
I've got nothing to hide. | 0:36:02 | 0:36:05 | |
I want to go back over a statement you made a while back, | 0:36:05 | 0:36:07 | |
in connection with the death of a young girl, Silvie McGregor, is that OK? | 0:36:07 | 0:36:11 | |
Sooner we get this over with, the sooner I'm out of here. | 0:36:11 | 0:36:14 | |
You said, and I quote - "I didn't know the girl. | 0:36:14 | 0:36:19 | |
"She was an acquaintance of an acquaintance." | 0:36:19 | 0:36:21 | |
Aye. | 0:36:23 | 0:36:24 | |
Then can I ask why you kept this hidden in your house? | 0:36:26 | 0:36:30 | |
For the benefit of the tape, I'm showing Mr Kennedy exhibit one, | 0:36:30 | 0:36:35 | |
the necklace and pendant engraved with the name Silvie. | 0:36:35 | 0:36:39 | |
You've gone very quiet, Mr Kennedy. | 0:36:43 | 0:36:45 | |
Who tipped you off? | 0:36:47 | 0:36:48 | |
I'm the one asking the questions here. | 0:36:48 | 0:36:51 | |
You came looking for it. Someone told you it was there. | 0:36:51 | 0:36:55 | |
We raided your flat this morning based on a tip off that drugs were being sold there. | 0:36:55 | 0:36:58 | |
I can assure you, | 0:36:58 | 0:37:01 | |
finding the necklace was just a wonderful surprise. | 0:37:01 | 0:37:04 | |
Now, why would you keep a necklace that belonged to the acquaintance | 0:37:05 | 0:37:09 | |
of an acquaintance in your house? | 0:37:09 | 0:37:12 | |
Who says I hid it? | 0:37:12 | 0:37:13 | |
I do. | 0:37:13 | 0:37:14 | |
And no doubt the DNA and the fingerprints will corroborate that. | 0:37:14 | 0:37:18 | |
You kept it as a trophy after you killed her. | 0:37:21 | 0:37:24 | |
Or maybe as a warning for any other girls that step out of line. | 0:37:26 | 0:37:31 | |
That's not why I kept it. | 0:37:33 | 0:37:34 | |
So, you do admit you kept it? | 0:37:34 | 0:37:36 | |
For the benefit of the tape, Mr Kennedy nodded. | 0:37:38 | 0:37:41 | |
For the benefit of the tape, | 0:37:41 | 0:37:42 | |
the Chief Inspector looks very pleased with himself. | 0:37:42 | 0:37:45 | |
Sean Kennedy, I am formally arresting you for the murder of Silvie McGregor. | 0:37:47 | 0:37:51 | |
I didn't keep it as a trophy. | 0:37:51 | 0:37:52 | |
Then why? | 0:37:52 | 0:37:54 | |
As insurance. | 0:37:54 | 0:37:56 | |
Insurance for what? | 0:37:56 | 0:37:57 | |
Insurance should I become a suspect. | 0:37:57 | 0:38:01 | |
You're far more than a suspect now. | 0:38:01 | 0:38:03 | |
That's why I need to put you straight right now, | 0:38:03 | 0:38:06 | |
before you waste any more police time. | 0:38:06 | 0:38:08 | |
-I didn't kill Silvie McGregor. -Then who did? | 0:38:08 | 0:38:11 | |
I'm going to need a name if you expect me to start believing you. | 0:38:13 | 0:38:16 | |
I'll give you a name, if you tell me who the grass is. | 0:38:16 | 0:38:21 | |
This is Detective Chief Inspector Donald suspending the interview at 1635 hours. | 0:38:24 | 0:38:29 | |
I don't do deals with scum. | 0:38:31 | 0:38:33 | |
Neither do I, but I'll make an exception in your case. | 0:38:33 | 0:38:35 | |
Give me the name of who murdered Silvie McGregor or I'll bang you up | 0:38:35 | 0:38:39 | |
for perverting the course of justice. | 0:38:39 | 0:38:41 | |
You need to lighten up, Chief Inspector. | 0:38:41 | 0:38:43 | |
This grass, I'll find myself. | 0:38:43 | 0:38:46 | |
As for the murderer, I'll give you his name, address, shoe size. | 0:38:46 | 0:38:52 | |
But I walk out of this place today, no more questions asked. | 0:38:52 | 0:38:56 | |
I could give you a name right now. | 0:38:57 | 0:38:59 | |
You could have him banged up | 0:38:59 | 0:39:01 | |
and be cracking open the champers within the hour. | 0:39:01 | 0:39:04 | |
OK. | 0:39:09 | 0:39:11 | |
It was a punter. | 0:39:12 | 0:39:13 | |
Do you take me for an idiot? | 0:39:15 | 0:39:16 | |
It's the truth. | 0:39:17 | 0:39:19 | |
Things got out of hand, it was an accident. | 0:39:19 | 0:39:23 | |
He freaked out. | 0:39:23 | 0:39:24 | |
Thought maybe I could make some money out him on the necklace. | 0:39:24 | 0:39:27 | |
But now...as I said, it's insurance. | 0:39:27 | 0:39:32 | |
The DNA and fingerprints on that necklace are his, not mine. | 0:39:32 | 0:39:37 | |
Sorry to spoil your big moment. | 0:39:39 | 0:39:42 | |
The man that you want to speak to is called John McColgan. | 0:39:43 | 0:39:47 | |
Ironically, I believe he's a solicitor. | 0:39:49 | 0:39:53 | |
What happened to you at lunchtime? | 0:40:03 | 0:40:05 | |
I lost my appetite. | 0:40:05 | 0:40:07 | |
-What's going on with you and Tom? -Nothing. | 0:40:09 | 0:40:12 | |
When he came back to the pub his cheek was pure bealing. | 0:40:12 | 0:40:14 | |
Did you slap him? | 0:40:14 | 0:40:16 | |
He deserved it. | 0:40:16 | 0:40:17 | |
Weird thing was he was dead upbeat. Bought us all lunch. | 0:40:18 | 0:40:23 | |
Really? | 0:40:24 | 0:40:26 | |
Well? | 0:40:38 | 0:40:40 | |
He confirmed everything Sean Kennedy said. | 0:40:43 | 0:40:45 | |
So where does that leave Gabriel Brodie? | 0:40:45 | 0:40:49 | |
In a lot of trouble, if Kennedy finds out he was the grass. | 0:40:49 | 0:40:52 | |
But hey, that's his problem now, not ours. | 0:40:52 | 0:40:55 | |
The necklace was where he'd hidden it, just like I told them. | 0:41:00 | 0:41:03 | |
I didn't have Kennedy pegged as that stupid. | 0:41:03 | 0:41:06 | |
What about the information I needed? | 0:41:06 | 0:41:09 | |
Sean said the job would move him up the ladder locally. | 0:41:09 | 0:41:12 | |
Must be pretty big. | 0:41:12 | 0:41:14 | |
He's making a push into my territory. | 0:41:14 | 0:41:16 | |
It's got to be drugs. There's only two guys big enough here to handle large amounts like that - | 0:41:19 | 0:41:24 | |
Barry Carlson, Andy Griffin. | 0:41:24 | 0:41:27 | |
I need to know which one it is. | 0:41:27 | 0:41:29 | |
I'm going back over to see the girl that told me about the necklace. | 0:41:31 | 0:41:34 | |
She might have a name. | 0:41:34 | 0:41:35 | |
You're going back to the flat to talk to a prostitute? | 0:41:35 | 0:41:38 | |
Sean gave me a wad of cash and you know what, she's welcome to it. | 0:41:38 | 0:41:42 | |
She went straight once, I'd like to think she could again. | 0:41:42 | 0:41:45 | |
Ever the hero, eh? | 0:41:45 | 0:41:47 | |
I like her. I want to help her out. | 0:41:47 | 0:41:50 | |
Cheery bye. | 0:41:53 | 0:41:54 | |
What happened to you? | 0:42:00 | 0:42:02 | |
When? | 0:42:02 | 0:42:03 | |
Lunchtime. You'd gone by the time I got there. | 0:42:03 | 0:42:06 | |
I hope it was nothing to do with Tom. | 0:42:06 | 0:42:08 | |
Should it be? | 0:42:08 | 0:42:09 | |
Come on, you could cut the atmosphere with a knife when you are together. | 0:42:09 | 0:42:13 | |
What can I say? He winds me up. | 0:42:13 | 0:42:15 | |
I don't understand how the two of you don't on. | 0:42:15 | 0:42:18 | |
Why don't you ask him? He seems to have all the answers. | 0:42:18 | 0:42:21 | |
He's away to a meeting in Edinburgh. | 0:42:21 | 0:42:23 | |
-He'll not be back till tomorrow. -Oh. | 0:42:23 | 0:42:25 | |
So, if you wanted to come out for a drink tonight, | 0:42:25 | 0:42:27 | |
you wouldn't have to run into him. | 0:42:27 | 0:42:30 | |
I think I'll just have a quiet night in. | 0:42:30 | 0:42:31 | |
I hate that the two of you don't get on | 0:42:31 | 0:42:33 | |
cos if things go the way I'd like, you may be seeing a lot more of him. | 0:42:33 | 0:42:38 | |
Are you all right? What happened? | 0:42:59 | 0:43:01 | |
I happened. | 0:43:02 | 0:43:04 | |
I knew they wouldn't be able to keep you in long. | 0:43:07 | 0:43:10 | |
What's going on with Angie? | 0:43:10 | 0:43:13 | |
The police didn't raid here this morning because they had nothing better to do. | 0:43:13 | 0:43:16 | |
-They were after something and they found it. -What? | 0:43:16 | 0:43:21 | |
A necklace. | 0:43:21 | 0:43:23 | |
-What necklace? -Why don't you tell him? What necklace? | 0:43:23 | 0:43:26 | |
Keeping your mouth shut now? Blabbin' my business to the filth? | 0:43:26 | 0:43:31 | |
-Wait a second. You saying she went to the police? -Aye. | 0:43:31 | 0:43:34 | |
After all I've done for her. | 0:43:34 | 0:43:36 | |
When was this? | 0:43:36 | 0:43:38 | |
There's no way they would've raided the place on the strength of a phone call. | 0:43:38 | 0:43:43 | |
She would have had to have met up with them, yeah? | 0:43:43 | 0:43:46 | |
What's your point? | 0:43:46 | 0:43:48 | |
My point is, Angie's been with me all morning. | 0:43:48 | 0:43:50 | |
She wouldn't have time to meet up with anybody. | 0:43:50 | 0:43:53 | |
It couldnae have been her. | 0:43:53 | 0:43:56 | |
So I owe you money. | 0:43:59 | 0:44:00 | |
Here. | 0:44:02 | 0:44:04 | |
I told you before about letting these tarts take you for a mug. | 0:44:04 | 0:44:06 | |
I really like her, Sean. | 0:44:06 | 0:44:08 | |
Here's the deal. | 0:44:13 | 0:44:15 | |
After this morning I've got to keep a low profile, eh? | 0:44:15 | 0:44:18 | |
-so I want you to handle the job tonight. -Tonight? | 0:44:18 | 0:44:21 | |
My dealer's bringing the merchandise into Shieldinch this evening. | 0:44:21 | 0:44:25 | |
I give you the money, you give it to him, | 0:44:25 | 0:44:27 | |
pick up the goods, bring them back here. Simple. | 0:44:27 | 0:44:30 | |
Use that money I gave you yesterday to make up the difference. | 0:44:30 | 0:44:32 | |
-Right. -The meet's on the Dock Road, 7.30. Your contact's called Andy Griffin. | 0:44:32 | 0:44:38 | |
Griffin. | 0:44:38 | 0:44:39 | |
Now, I've got a grass to find. | 0:44:40 | 0:44:42 | |
Think he bought it? | 0:44:52 | 0:44:53 | |
You went to the polis?! Are you an idiot? | 0:44:53 | 0:44:56 | |
He threatened my family. | 0:44:56 | 0:44:57 | |
He was this close to finishing me. | 0:44:57 | 0:44:59 | |
-I didnae think. -No' thinking disnae cut it, Gabriel. | 0:44:59 | 0:45:03 | |
No' thinking gets us both killed! | 0:45:03 | 0:45:06 | |
Thanks, Graham. | 0:45:12 | 0:45:14 | |
I hope you don't mind me asking but, what's up with your coupon. | 0:45:16 | 0:45:20 | |
Is someone feeling a wee bit love-sick? | 0:45:20 | 0:45:22 | |
-Robbie, just give it a rest, eh? -I know how she feels. | 0:45:22 | 0:45:25 | |
I've hardly seen Will the past couple of days and even when I do he's moaning about that job. | 0:45:25 | 0:45:29 | |
I tell him, you should try working in the Salon with Miss Crack-the-Whip McCrone. | 0:45:29 | 0:45:34 | |
Tom! What happened to Edinburgh? | 0:45:34 | 0:45:37 | |
Finished early. | 0:45:37 | 0:45:39 | |
-And you just couldn't wait to get back here to us, right? -Aye, couldn't wait. | 0:45:39 | 0:45:44 | |
I think I'm just going to go and powder my nose. | 0:45:44 | 0:45:48 | |
-Want a drink? -I've just got one. -We're fine. | 0:45:50 | 0:45:53 | |
Lager, please. | 0:45:58 | 0:46:00 | |
I mean, how the hell could the polis just let him go? | 0:46:03 | 0:46:06 | |
Because he's not as daft as he looks. At least now you know who your real pals are. | 0:46:06 | 0:46:10 | |
The dealer he's working with is Andy Griffin. | 0:46:14 | 0:46:17 | |
That right? | 0:46:17 | 0:46:18 | |
Kennedy must be bigging himself up, to Griff, giving him the impression he's up-and-coming. | 0:46:21 | 0:46:26 | |
Now that you're past it. | 0:46:26 | 0:46:28 | |
-The deal's happening tonight. -When? | 0:46:32 | 0:46:35 | |
Just under an hour. | 0:46:38 | 0:46:39 | |
-Where's Kennedy meeting him? -He's no'. I am. | 0:46:41 | 0:46:45 | |
Running a prostitute ring, now dealing drugs? You're on the slippery slope, son. | 0:46:46 | 0:46:52 | |
It makes it easier for you to step in and take the gear though, doesn't it? | 0:46:52 | 0:46:55 | |
-Except I've no intentions of stepping in. -You're just going to let it go ahead? | 0:46:55 | 0:46:58 | |
I don't want your cover blown just yet. | 0:46:58 | 0:47:00 | |
You said once I done this, we'd be quits. | 0:47:00 | 0:47:02 | |
That's when Kennedy getting locked up was a sure thing. | 0:47:02 | 0:47:05 | |
Now he's back on the streets again, I need my eyes and my ears in his camp. | 0:47:05 | 0:47:09 | |
You make sure you don't mess up tonight, because he's already wondering about you. | 0:47:10 | 0:47:14 | |
The stakes are getting higher, and the higher they get, | 0:47:16 | 0:47:19 | |
the further you get to fall. | 0:47:19 | 0:47:21 | |
Hayley. | 0:47:36 | 0:47:39 | |
-You don't have to deliberately avoid me, you know. -I'm not. | 0:47:43 | 0:47:47 | |
It's just a coincidence that I walk into the bar and you walk out? | 0:47:47 | 0:47:50 | |
I don't want Iona getting upset. | 0:47:51 | 0:47:53 | |
She thinks she's the reason you came back here tonight. | 0:47:53 | 0:47:56 | |
I can't do anything about that. | 0:47:56 | 0:47:58 | |
Maybe you should pretend that it is. | 0:48:00 | 0:48:02 | |
I'm finished pretending, Hayley. | 0:48:03 | 0:48:06 | |
So much for hating each other.. | 0:48:16 | 0:48:18 | |
Who says I don't hate you? | 0:48:18 | 0:48:20 | |
No! No! No! | 0:48:41 | 0:48:46 | |
Where the hell is it? | 0:48:46 | 0:48:47 | |
-What have you lost? -An envelope. A brown envelope. | 0:48:49 | 0:48:53 | |
-In the piano? -I put it in there for safe keeping, and now it's gone. Did you move it? | 0:48:53 | 0:48:59 | |
-I don't know, did I? -Don't play games with me, Malcolm, this is life or death. | 0:49:00 | 0:49:04 | |
I'm trying to remember. | 0:49:04 | 0:49:06 | |
Did you play the piano today? | 0:49:08 | 0:49:10 | |
I... | 0:49:10 | 0:49:12 | |
-Did you clear anything from inside it? -I don't remember. | 0:49:12 | 0:49:15 | |
Come on, man! It's important! | 0:49:15 | 0:49:17 | |
I moved something... I put it... | 0:49:17 | 0:49:20 | |
-Right? -Where did I put it? | 0:49:20 | 0:49:21 | |
For God's sake, think, man! | 0:49:21 | 0:49:24 | |
What is going on?! | 0:49:24 | 0:49:25 | |
Malcolm's moved something of mine, something really important! | 0:49:25 | 0:49:29 | |
I need that envelope. | 0:49:29 | 0:49:30 | |
You're not going to get it by yelling like that. | 0:49:30 | 0:49:33 | |
You've no idea how much I need that envelope. | 0:49:33 | 0:49:35 | |
Do you remember moving an envelope of Gabriel's? | 0:49:35 | 0:49:39 | |
Look, Malcolm, try and remember. Where did you put it? | 0:49:39 | 0:49:43 | |
Ah! Is this it? | 0:49:43 | 0:49:46 | |
-I couldn't remember. -It's OK, you're all right, dear. | 0:49:48 | 0:49:51 | |
Gabriel?! | 0:49:56 | 0:49:58 | |
-What on earth has got into you lately? -I have to go. | 0:49:58 | 0:50:03 | |
-What was all that about in there?! -Look, I was out of order, I know. | 0:50:03 | 0:50:06 | |
Do you not think that you owe Malcolm an apology? | 0:50:06 | 0:50:09 | |
He's positively shaking. | 0:50:09 | 0:50:11 | |
-I'll talk to him later, Liz. I'll make it up to him. I really... -You have to go, yes, you said. | 0:50:11 | 0:50:16 | |
You need to acknowledge and face up to what is really happening here. | 0:50:16 | 0:50:21 | |
You can't ignore it any longer. None of us can. | 0:50:23 | 0:50:25 | |
Malcolm's not well and we all have to rally round for him. | 0:50:27 | 0:50:33 | |
I will, I promise. | 0:50:33 | 0:50:35 | |
Because if you ever behave like that again, | 0:50:37 | 0:50:40 | |
you will no longer be welcome in our house. Do you understand? | 0:50:40 | 0:50:43 | |
Gabriel... | 0:50:46 | 0:50:47 | |
..Is everything all right? | 0:50:49 | 0:50:52 | |
Everything's... | 0:50:52 | 0:50:54 | |
..fine. | 0:50:56 | 0:50:58 | |
Sean couldnae make it. | 0:51:42 | 0:51:43 | |
There you go. | 0:51:58 | 0:52:00 | |
We good? | 0:52:06 | 0:52:07 | |
Wa-hey! Here's my man. | 0:52:32 | 0:52:35 | |
We are going to make some serious money, man! Time to celebrate. | 0:53:09 | 0:53:13 | |
It's been a long day, I'm going to head up the road. | 0:53:13 | 0:53:16 | |
Nobody's going anywhere man, we're going to party! | 0:53:16 | 0:53:18 | |
No' me, mate. | 0:53:18 | 0:53:20 | |
Take Angie, there. Angie. | 0:53:21 | 0:53:22 | |
She's your favourite, aye? | 0:53:24 | 0:53:26 | |
I'm offering her to you, as a reward for a good job. | 0:53:26 | 0:53:30 | |
I appreciate it, but I'm OK. | 0:53:30 | 0:53:32 | |
You already said no to a party, you cannae say no to me twice, | 0:53:33 | 0:53:38 | |
I might start thinking you don't like me or something. | 0:53:38 | 0:53:41 | |
When you're done there, we are going to a party, right? Nae arguments. | 0:53:49 | 0:53:54 | |
-How long should we leave it? -Two minutes, tops? | 0:54:28 | 0:54:33 | |
Thanks a lot! | 0:54:33 | 0:54:37 | |
-You tell me, then? -I dunno, what's normal for you? | 0:54:37 | 0:54:39 | |
You're asking somebody in my profession what's normal? | 0:54:39 | 0:54:42 | |
Tell you what, we'll make it 20 minutes. | 0:54:44 | 0:54:47 | |
No sack that, make it 25. | 0:54:47 | 0:54:49 | |
I've got a reputation to think of, after all. | 0:54:49 | 0:54:52 | |
THEY LAUGH | 0:54:52 | 0:54:54 | |
What is this like! | 0:54:56 | 0:54:58 | |
SHE SIGHS | 0:55:10 | 0:55:12 | |
-Did Gabriel go? -Yes, he did. | 0:55:13 | 0:55:17 | |
I better apologise to him. | 0:55:18 | 0:55:20 | |
It's Gabriel who owes you an apology. | 0:55:21 | 0:55:27 | |
As do I. | 0:55:27 | 0:55:28 | |
You? Why? | 0:55:28 | 0:55:31 | |
Because I was wasn't helping. | 0:55:31 | 0:55:34 | |
You ALWAYS help. | 0:55:34 | 0:55:36 | |
I wasn't dealing well with everything that was going on, | 0:55:36 | 0:55:41 | |
and I got cross, just like Gabriel. | 0:55:41 | 0:55:43 | |
Well, I won't hold it against you. | 0:55:43 | 0:55:45 | |
People are just going to have to get used to me being forgetful | 0:55:45 | 0:55:49 | |
and putting things in the wrong place. | 0:55:49 | 0:55:51 | |
You mean like "planting" the remote in the pot? | 0:55:51 | 0:55:55 | |
Maybe I thought if it grew, we'd get more channels. | 0:55:57 | 0:56:01 | |
You know, something tells me that... | 0:56:13 | 0:56:17 | |
..just maybe, we're going to be OK. | 0:56:19 | 0:56:24 | |
Yeah, sure we are. | 0:56:24 | 0:56:26 | |
It's all there, man. | 0:56:37 | 0:56:39 | |
What made you think it wouldn't be? | 0:56:39 | 0:56:40 | |
It's my turn wi' Angie. | 0:56:41 | 0:56:43 | |
-...No chance. -What? | 0:56:43 | 0:56:46 | |
Look, I'm in charge of the girls now, | 0:56:46 | 0:56:48 | |
so I get to decide when and where they work. | 0:56:48 | 0:56:51 | |
You got a problem with that, then I walk right now. | 0:56:51 | 0:56:53 | |
See, this is what I'm talking about, eh? | 0:56:55 | 0:56:58 | |
This is what I need from my right-hand man. | 0:57:04 | 0:57:07 | |
Forward thinking, and commitment. You still here? | 0:57:08 | 0:57:12 | |
With us two working together, | 0:57:14 | 0:57:15 | |
Lenny Murdoch doesn't stand a chance, right? | 0:57:15 | 0:57:19 | |
Right. | 0:57:22 | 0:57:23 | |
-Sore head? -My head's fine. -You can't keep doing this. | 0:57:25 | 0:57:28 | |
I'll see you tonight. | 0:57:28 | 0:57:29 | |
-Tell her, tell her, tell her. -I can't... | 0:57:29 | 0:57:32 | |
-You can't NOT. -Iona's my pal, or at least she was. | 0:57:32 | 0:57:35 | |
I've really screwed things up, big time. | 0:57:35 | 0:57:37 | |
Any danger of my next set of notes coming through? | 0:57:37 | 0:57:40 | |
-I'm fine. -You're no good to anyone in this state. Go home. | 0:57:43 | 0:57:46 | |
Were you drunk? Like you were when you nearly burnt down the house? | 0:57:46 | 0:57:49 | |
Subtitles by Red Bee Media Ltd | 0:58:07 | 0:58:10 |