Browse content similar to 11/12/2012. Check below for episodes and series from the same categories and more!
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-Is she wearing earrings? -No. | 0:00:21 | 0:00:24 | |
-She's just out of nappies, for crying out loud. -No, I'm not! | 0:00:24 | 0:00:27 | |
They're only wee ones, and they're all wearing them nowadays! | 0:00:27 | 0:00:30 | |
-You used me! -And you weren't using me?! | 0:00:30 | 0:00:34 | |
Let's not lose perspective, Eileen, it's business. | 0:00:34 | 0:00:37 | |
We're skint, we're staying in somebody else's house, | 0:00:37 | 0:00:39 | |
and you spend fifty quid on a pair of kids' shoes! | 0:00:39 | 0:00:42 | |
Madonna's in the running for the Little Miss Christmas pageant. She needs those shoes! | 0:00:42 | 0:00:46 | |
-If we're going to work together again I need more. -Of what? | 0:00:46 | 0:00:49 | |
-Money. -I'm sure that can be arranged. | 0:00:49 | 0:00:53 | |
And a place to live. | 0:00:53 | 0:00:55 | |
-Christina! Open the door. -KNOCKING | 0:01:29 | 0:01:33 | |
I know it's hard but you have to go to school. | 0:01:33 | 0:01:37 | |
Christina! Pull yourself together, hen, | 0:01:37 | 0:01:39 | |
you know you've got to come out! | 0:01:39 | 0:01:41 | |
Ta-dah! | 0:01:56 | 0:01:58 | |
I was hoping to have it finished before you saw it. | 0:02:00 | 0:02:03 | |
I know it's early. | 0:02:03 | 0:02:05 | |
-I went a wee bit overboard didn't I? -And I'm supposed to be the soft one? | 0:02:09 | 0:02:13 | |
Ach, the punters'll go nuts for it man. | 0:02:13 | 0:02:16 | |
Think of the money over the bar. | 0:02:16 | 0:02:17 | |
You're going to have to do something about that. It's squint. | 0:02:17 | 0:02:21 | |
Was thinking about the day itself. | 0:02:21 | 0:02:23 | |
You used to have the dinner down here, didn't you? | 0:02:23 | 0:02:29 | |
Want me to sort it this year? | 0:02:29 | 0:02:30 | |
-Thanks, son... but you're better off at yours. -What about you? | 0:02:30 | 0:02:33 | |
Leave it. | 0:02:33 | 0:02:35 | |
Truth is, sooner it's over the better. | 0:02:38 | 0:02:42 | |
It's not gonna be much of a Christmas without Stuart. | 0:02:42 | 0:02:45 | |
-You'll still see him. -Yeah, long enough for him to rip the paper off a pressie? | 0:02:45 | 0:02:49 | |
Not exactly be quality time is it, especially with the O'Haras hanging about? | 0:02:49 | 0:02:54 | |
How's it going with them anyway? | 0:02:54 | 0:02:56 | |
-HE SIGHS -Wee Christina's still upset. And they've got so much stuff! | 0:02:56 | 0:03:02 | |
D'you think you're goin' to be able to get it sorted in time, for the bar reporter? | 0:03:02 | 0:03:06 | |
That's my mission for today. Upshot is though, pal, I'm going to have to just leave you to it, OK? | 0:03:06 | 0:03:12 | |
-I'm just gonnae say it. And you can shout at me all you want. -No. | 0:03:12 | 0:03:16 | |
Deek's flat's crowded. You need to impress this woman. | 0:03:16 | 0:03:19 | |
-Up there's sitting empty. -For a reason. -You don't think I know that?! | 0:03:19 | 0:03:24 | |
Raymond, you need to start looking to what you want now! No the past! | 0:03:24 | 0:03:28 | |
Forget it then. | 0:03:30 | 0:03:32 | |
Bad idea. | 0:03:32 | 0:03:34 | |
Smell's away. I've aired it. | 0:04:43 | 0:04:46 | |
Raymond, it's just a room. | 0:04:51 | 0:04:53 | |
Yeah, it's just a room. | 0:04:54 | 0:04:57 | |
I let it become something it's not. | 0:05:00 | 0:05:03 | |
But what really matters is now. | 0:05:03 | 0:05:08 | |
And if moving back means I get Stuart then... | 0:05:09 | 0:05:12 | |
-Meaning you are? -Take a lot of doing to make it a home. | 0:05:12 | 0:05:17 | |
-What time's she coming? -Three. | 0:05:17 | 0:05:21 | |
It'll be tight. Right, you let her know the a change of address. | 0:05:21 | 0:05:26 | |
I'll phone Jimmy, get him to help. | 0:05:26 | 0:05:28 | |
I'll tell him there's a bacon roll waiting or something. | 0:05:28 | 0:05:31 | |
-And it's on me! -Aye! | 0:05:31 | 0:05:33 | |
-You're recovered now, aye? -Course. | 0:05:42 | 0:05:44 | |
I wouldn't let him out of bed until he was right as rain. | 0:05:44 | 0:05:47 | |
I'm just glad to be up. Was starting to go stir-crazy. | 0:05:47 | 0:05:49 | |
What he means is he missed the gossip. | 0:05:49 | 0:05:52 | |
-Pot, kettle. -All right, I did. Speaking of which, | 0:05:52 | 0:05:55 | |
-what's this I hear about a certain person moving to the Merchant City? -Robbie! | 0:05:55 | 0:05:58 | |
I'm just saying, didn't take Eileen long to shack up with Mr Money-Bags. | 0:05:58 | 0:06:02 | |
You don't get one of they flats without a down-payment. | 0:06:02 | 0:06:05 | |
Hey, What can I get you, Raymond? | 0:06:06 | 0:06:08 | |
Oh, hiya, sorry, it's not as if you and her are still an item. | 0:06:10 | 0:06:15 | |
No matter what we think of Eileen, she's a free agent | 0:06:15 | 0:06:18 | |
-so why not grab what's on offer? -Couldn't care less? | 0:06:18 | 0:06:22 | |
It's just that some of us have got better things to do than gossip. | 0:06:22 | 0:06:26 | |
Three bacon rolls to go, please. | 0:06:27 | 0:06:29 | |
(What? He's not bothered, see?) | 0:06:33 | 0:06:36 | |
Morning. | 0:06:43 | 0:06:44 | |
Would it kill you to be civil?! | 0:06:44 | 0:06:46 | |
-Ignore it. -That's easy for you to say. | 0:06:48 | 0:06:51 | |
Think about something else then. Two weeks time. | 0:06:51 | 0:06:54 | |
-On a beach. Sunshine. -HE LAUGHS | 0:06:54 | 0:06:56 | |
-Aye, aye. -Do you have to shout about it? | 0:06:56 | 0:07:00 | |
Here, let me. | 0:07:02 | 0:07:04 | |
Ho-oh! Hey, you're getting to be heavy. Who's a big boy, eh? | 0:07:04 | 0:07:09 | |
Mark... Mark, it's fine, I can manage. It's fine, I can manage. | 0:07:09 | 0:07:14 | |
They seem like a nice couple. | 0:07:17 | 0:07:19 | |
They're business partners. | 0:07:19 | 0:07:21 | |
Ah, right. Probably just tittle-tattle then. | 0:07:21 | 0:07:23 | |
What's that supposed to mean? | 0:07:23 | 0:07:25 | |
Ah, forget it. Y'know what people round here are like. | 0:07:25 | 0:07:28 | |
If you've got something to say, say it. | 0:07:28 | 0:07:31 | |
All I'm saying is if it was me, | 0:07:32 | 0:07:34 | |
some guy messing about with my family, I'd want to know who he was. | 0:07:34 | 0:07:38 | |
Sponsored silence? You know what? | 0:07:48 | 0:07:51 | |
Put me down for a tenner. | 0:07:51 | 0:07:52 | |
It'll worth it not to have Liz yelling at me | 0:07:52 | 0:07:54 | |
-for using up all the hot water. -Aye. Silence is golden. | 0:07:54 | 0:07:57 | |
I reckon we'll not get a cheep out of her till six o'clock. | 0:07:59 | 0:08:02 | |
-So what is it, for charity? -Something like that. | 0:08:04 | 0:08:07 | |
Think she'll last? | 0:08:09 | 0:08:11 | |
She's stubborn enough. I suppose it depends how easy we make it for her. | 0:08:11 | 0:08:18 | |
Hmmmm. I'm game if you are. | 0:08:20 | 0:08:23 | |
All right, Liz, I was going to pick a tree up for the boys. | 0:08:27 | 0:08:31 | |
Want me to put one by? | 0:08:31 | 0:08:33 | |
Och, no, we'll no be bothering with a real one this year. | 0:08:33 | 0:08:37 | |
Oh, no, all those needles, no, no, no. | 0:08:37 | 0:08:40 | |
Thought we'd go for one of those fake ones, is that all right, pet? | 0:08:40 | 0:08:44 | |
Good idea. | 0:08:44 | 0:08:46 | |
I was thinking a big bright pink one, that'd be just the ticket. | 0:08:46 | 0:08:49 | |
That OK, Liz? | 0:08:49 | 0:08:50 | |
She hates those things! Any other time, I'd have got a lecture! | 0:08:55 | 0:09:00 | |
THEY LAUGH | 0:09:00 | 0:09:01 | |
She's good, I'll give her that. | 0:09:01 | 0:09:05 | |
That bed's for Raymond's wean, why's he not putting it up himself? | 0:09:05 | 0:09:09 | |
It's work. Want me to knock it back? | 0:09:09 | 0:09:13 | |
-Putting a wash on? -Might as well. That's me stuck in. | 0:09:13 | 0:09:17 | |
-Madonna's got a sore throat. -She was fine first thing. | 0:09:17 | 0:09:21 | |
-Aye, well... -Right, I'll see you later, darlin'. -See ya. | 0:09:21 | 0:09:27 | |
Bye Daddy!! | 0:09:28 | 0:09:31 | |
That's some holler from somebody who's no' been feeling very well. | 0:09:31 | 0:09:35 | |
Ach the wee darlin', sounds like she's swallowed sandpaper. | 0:09:35 | 0:09:39 | |
Right, I better be going. Have a good day. | 0:09:39 | 0:09:41 | |
Aye, we will. | 0:09:41 | 0:09:44 | |
In you come, Malcolm. | 0:09:49 | 0:09:52 | |
What can I do for you? | 0:09:54 | 0:09:55 | |
Liz left me a note for me, asked me to hand these photos in. | 0:09:55 | 0:09:59 | |
She reckons Raymond must've lost most of the rest in the fire. | 0:09:59 | 0:10:03 | |
Aww. Thanks. He'll be made up. | 0:10:03 | 0:10:07 | |
-Aye. Well, I'll leave you to it. -Aye. -Don't forget the bucket. | 0:10:07 | 0:10:12 | |
-Eh? No, Malcolm. That's the charity one. -Oh! | 0:10:12 | 0:10:17 | |
Whoever it's for their need's greater than mine. | 0:10:17 | 0:10:21 | |
It's your charity. The one Liz set up for you. | 0:10:21 | 0:10:24 | |
Oh, aye, that's right, of course. | 0:10:24 | 0:10:27 | |
It's a belter of a photo. Everybody says so. | 0:10:27 | 0:10:30 | |
-They're all chipping in. -Are they? That's good. | 0:10:30 | 0:10:34 | |
-What do you want? -To see Stuart. | 0:10:49 | 0:10:52 | |
We've been through this... | 0:10:52 | 0:10:54 | |
Eileen, I'm just over the road. He's here. This is daft. | 0:10:54 | 0:10:57 | |
You had your chance. Actually he's not here. | 0:10:57 | 0:11:01 | |
Where is he? It's a bit early for nursery. | 0:11:01 | 0:11:03 | |
He's at the child-minder. She'll take him. | 0:11:03 | 0:11:06 | |
So you'd rather leave our son with a stranger...? | 0:11:06 | 0:11:09 | |
Why not? I checked her references. No mention of violent crime. | 0:11:09 | 0:11:14 | |
I'd say she was the better option. | 0:11:14 | 0:11:16 | |
-Look, I didn't come here to argue. -Why then? | 0:11:19 | 0:11:22 | |
Eileen, how much do you know actually about this guy? | 0:11:24 | 0:11:27 | |
-I mean really know. -I'm not listening to this! | 0:11:27 | 0:11:30 | |
-I know he's a flash operator. I heard all about your flat in Merchant City. -So that's it! | 0:11:30 | 0:11:34 | |
-Where's his money come from? Have you asked that? -He works. Like everybody else. | 0:11:34 | 0:11:38 | |
-And what if it's not the same? -What is this? | 0:11:38 | 0:11:42 | |
I'm just saying maybe you should ask a few questions. Instead of just taking him at face value. | 0:11:42 | 0:11:47 | |
DOOR OPENS | 0:11:48 | 0:11:50 | |
Raymond, how are you? | 0:11:50 | 0:11:52 | |
We're talking here. | 0:11:52 | 0:11:54 | |
Don't let me stop you. We don't have secrets, do we darling? | 0:11:54 | 0:11:58 | |
-But we do need to discuss Christmas. -What about it? | 0:12:01 | 0:12:04 | |
Well, I'm moving back into The Ship. I'd like Stuart to be there part of the day. | 0:12:04 | 0:12:08 | |
Ah, what a shame. | 0:12:08 | 0:12:12 | |
Hope you've not gone to any bother? | 0:12:12 | 0:12:14 | |
-What's he on about? -You not told him? | 0:12:15 | 0:12:18 | |
-Mark's taking us to Portugal. -What?! | 0:12:18 | 0:12:21 | |
-He's got a villa there. -Pool. Jacuzzi. Stuart's going to love it. | 0:12:21 | 0:12:25 | |
No, he's not! It's his birthday! | 0:12:25 | 0:12:30 | |
Did it never cross your mind I might want to | 0:12:30 | 0:12:33 | |
see my son on his birthday?! He's going nowhere! | 0:12:33 | 0:12:36 | |
You can't stop me. I asked my solicitor. | 0:12:36 | 0:12:39 | |
-I'll see about that. -Raymond, be reasonable. | 0:12:39 | 0:12:41 | |
Stuart will be fine. If he needs anything... | 0:12:41 | 0:12:44 | |
well he's got me. | 0:12:44 | 0:12:46 | |
-I'm just saying, was it necessary? -The man's got anger issues. | 0:13:25 | 0:13:29 | |
Yeah. Anyway I've got to get on. | 0:13:29 | 0:13:33 | |
Sure. I'll get out of the way. | 0:13:33 | 0:13:37 | |
-Only I thought we could do lunch later. -Yeah. | 0:13:37 | 0:13:41 | |
What's this? | 0:13:41 | 0:13:44 | |
It's what we'll be discussing. They've some good jobs in there. | 0:13:44 | 0:13:48 | |
Nice little number in Newcastle. | 0:13:48 | 0:13:51 | |
Housing Officer. Twice what you get here. | 0:13:51 | 0:13:53 | |
-I can't leave here. -Why not? I'll be there too. | 0:13:55 | 0:14:00 | |
Hey, we make a good team. | 0:14:00 | 0:14:03 | |
I know, but I've got family, and I can't leave my dad. | 0:14:03 | 0:14:06 | |
He's got Gina. And you can always jump on a plane. | 0:14:06 | 0:14:10 | |
I like what I do here. | 0:14:11 | 0:14:13 | |
What worrying about the Mullens' dodgy plumbing | 0:14:13 | 0:14:16 | |
for the rest of your life? | 0:14:16 | 0:14:18 | |
KNOCK ON DOOR | 0:14:25 | 0:14:27 | |
Hello. | 0:14:28 | 0:14:29 | |
Look at this. | 0:14:36 | 0:14:38 | |
Who in their right mind puts this stuff in cards, eh? | 0:14:38 | 0:14:41 | |
Can I have a word? | 0:14:41 | 0:14:43 | |
You said that with guys like Mark Vincent, | 0:14:59 | 0:15:05 | |
you'd make it your business to find out about them. | 0:15:05 | 0:15:10 | |
How? | 0:15:10 | 0:15:12 | |
Investigators. | 0:15:12 | 0:15:14 | |
People who get off sifting through other people's garbage. | 0:15:14 | 0:15:18 | |
Would you give me a name? | 0:15:23 | 0:15:25 | |
I thought we'd gone over what everything cost? What's this for? | 0:15:37 | 0:15:41 | |
To hire a private investigator to look into Vincent. | 0:15:41 | 0:15:44 | |
-Have you lost it? -What am I supposed to do, sit on my hands? | 0:15:44 | 0:15:47 | |
-I'm getting shafted here. -Is it sympathy you want? | 0:15:47 | 0:15:51 | |
The man is with my son. Playing daddy. | 0:15:51 | 0:15:53 | |
He's got Eileen wrapped around his little finger. | 0:15:53 | 0:15:55 | |
And I know he's not all he makes out. | 0:15:55 | 0:15:57 | |
How? Are you sure this is about Stuart? | 0:15:57 | 0:16:01 | |
Not cause you're jealous this guy may or may not, | 0:16:01 | 0:16:04 | |
-be sleeping with your ex? -Eileen can do what she likes. | 0:16:04 | 0:16:08 | |
Raymond, this is a mistake. | 0:16:08 | 0:16:10 | |
I thought we agreed you'd go through the courts. | 0:16:10 | 0:16:14 | |
That was before I knew he was taking my boy away at Christmas. | 0:16:14 | 0:16:17 | |
I can't just do nothing. | 0:16:17 | 0:16:19 | |
SHE SIGHS AND GIGGLES | 0:16:28 | 0:16:30 | |
-She's on her way! -Are you sure about this? Here we go. | 0:16:35 | 0:16:40 | |
Oh, come on, Malcolm, that's nay fair. | 0:16:41 | 0:16:44 | |
We can't be expected to go out just to suit you! | 0:16:44 | 0:16:46 | |
Oh, you're there, dear. | 0:16:49 | 0:16:51 | |
Gabriel was just asking if we could make ourselves scarce this evening. | 0:16:51 | 0:16:54 | |
-I've got a friend coming over. -Don't worry, I've said 'no'. | 0:16:54 | 0:16:58 | |
It's just we're not going to be spending the holidays together | 0:16:58 | 0:17:02 | |
so I fancied a bit of time together. Never mind. | 0:17:02 | 0:17:05 | |
Oh, she'll be away? Well, you never said that? | 0:17:05 | 0:17:09 | |
In which case it'd be selfish for us to refuse. | 0:17:09 | 0:17:12 | |
Given the season, eh? What do you say, pet? | 0:17:12 | 0:17:15 | |
No objections? That's the spirit. | 0:17:17 | 0:17:20 | |
At least you know you've talked us round. | 0:17:20 | 0:17:22 | |
Thanks, Liz. I'll not forget it. | 0:17:22 | 0:17:25 | |
And you, I owe you a pint. | 0:17:25 | 0:17:27 | |
-Aye! -You're on, son, you're on! | 0:17:27 | 0:17:30 | |
Madonna's been in that toilet for ages. | 0:17:33 | 0:17:36 | |
-Come on, Rudolph! -No chance. | 0:17:36 | 0:17:38 | |
-Shall I see if she's OK? -Ach, she's fine. | 0:17:40 | 0:17:43 | |
Just something she's started doing to get out of practising. | 0:17:43 | 0:17:46 | |
-The pageant? -Aye. -So that's what the outfits are all about too? -Aye. | 0:17:46 | 0:17:50 | |
I thought it might give us a more professional look. | 0:17:50 | 0:17:54 | |
-What's that look for? -Nothing. -Don't give me that. Spit it out! | 0:17:54 | 0:17:59 | |
All right. I just think you're taking this a bit too far. | 0:17:59 | 0:18:04 | |
I mean does Madonna even want do it? | 0:18:04 | 0:18:06 | |
She's locking herself in the toilet, is that not saying anything to you? | 0:18:06 | 0:18:09 | |
Oh, is this what I'm getting now? Skills on how to be a parent. | 0:18:09 | 0:18:13 | |
No, but I know how you can get. | 0:18:13 | 0:18:15 | |
Plus, I've seen TV shows about these things. They're dead serious. | 0:18:15 | 0:18:18 | |
You trying to say she's no gonnae be good enough? | 0:18:18 | 0:18:21 | |
She's my baby sister, of course she is. | 0:18:21 | 0:18:23 | |
I'm just saying, maybe try something smaller. Like a Talent shows or a school play. | 0:18:23 | 0:18:27 | |
Aye, you should know. You couldn't even get a part in the school Nativity. | 0:18:27 | 0:18:31 | |
Not even when they were crying out for sheep! | 0:18:31 | 0:18:33 | |
Do you know how mad you sound? | 0:18:33 | 0:18:35 | |
Better that than jealous. Besides I'm thinking about doing it an' all. | 0:18:35 | 0:18:42 | |
-What? -There's a glamorous mammy section. | 0:18:43 | 0:18:48 | |
I think it'll be right up my street. | 0:18:48 | 0:18:50 | |
Suppose I'll get on with it then, upstairs. | 0:19:00 | 0:19:03 | |
Aye, cheers, Stevie. | 0:19:03 | 0:19:05 | |
Must've heard you wrong when you said how important it was to you. | 0:19:05 | 0:19:08 | |
Hope there's something nice for me under that tree. | 0:19:13 | 0:19:15 | |
I've been very good this year. | 0:19:15 | 0:19:17 | |
Let's take this through here? | 0:19:20 | 0:19:22 | |
I know all this. | 0:20:00 | 0:20:01 | |
-What's this? -That's a registration document. | 0:20:05 | 0:20:09 | |
Mr Vincent has a penchant for buying up companies, getting them credit, | 0:20:09 | 0:20:13 | |
asset stripping, then declaring said company null and void. | 0:20:13 | 0:20:17 | |
All just this side of legal. | 0:20:17 | 0:20:19 | |
And then there's this. | 0:20:20 | 0:20:23 | |
-His bank statements?! -Nothing's private any more. | 0:20:27 | 0:20:30 | |
He's paying Eileen money. Thousands... | 0:20:36 | 0:20:39 | |
He must think she's got something worth paying for. | 0:20:39 | 0:20:41 | |
Apart from her sparkling personality, that is... | 0:20:41 | 0:20:44 | |
Right, I'll be off. | 0:20:47 | 0:20:50 | |
What did he want? | 0:21:01 | 0:21:03 | |
Nothing. | 0:21:04 | 0:21:06 | |
What, so you can talk to him, no to me? | 0:21:06 | 0:21:09 | |
You best stay out of it, son. | 0:21:09 | 0:21:11 | |
Come on Murray, pick up, son! Urgh! | 0:21:21 | 0:21:25 | |
Come on, come on! | 0:21:36 | 0:21:38 | |
MOBILE PHONE RINGS INSIDE | 0:21:38 | 0:21:41 | |
Murray! It's me! I know you're in there! | 0:21:42 | 0:21:45 | |
-Raymond! -What's going on? I've been trying to call you. | 0:21:47 | 0:21:51 | |
Now is not such a good time... | 0:21:51 | 0:21:53 | |
Two consenting adults. It's still legal. | 0:21:59 | 0:22:02 | |
Sorry. | 0:22:02 | 0:22:04 | |
I'm not saying 'no'. It's a big decision. | 0:22:10 | 0:22:13 | |
What's the rush? | 0:22:13 | 0:22:15 | |
What's the hesitation? I'm offering you both a new life. | 0:22:15 | 0:22:19 | |
Aw, but what sort?! Chucking people out their homes? | 0:22:19 | 0:22:24 | |
Making a fast buck? | 0:22:24 | 0:22:26 | |
Eileen, you went into this with eyes open. | 0:22:31 | 0:22:34 | |
You burnt your bridges for something better in life. No going back now. | 0:22:34 | 0:22:38 | |
Hey! Look who's popped round to have a chat. | 0:22:49 | 0:22:53 | |
-Oh, no, of course, you can't. -I just wanted to give you that, Dad. | 0:22:53 | 0:23:00 | |
Oh, that's very kind. Isn't it, pet? | 0:23:00 | 0:23:03 | |
Take no notice, Liz disnae mind me speaking for her. | 0:23:03 | 0:23:06 | |
-Aye, sit down. -I'm not stopping. | 0:23:14 | 0:23:17 | |
And I can't see why you dropped this off today. | 0:23:17 | 0:23:20 | |
We usually give Christmas card, Christmas morning. | 0:23:20 | 0:23:23 | |
-Would I be welcome? -You're always welcome here. | 0:23:24 | 0:23:28 | |
If nowhere else? | 0:23:28 | 0:23:31 | |
-I meant to do right, Dad. -I believe you. | 0:23:33 | 0:23:37 | |
Nobody else does. | 0:23:38 | 0:23:39 | |
I'm starting to think it may be better if I moved away from here. | 0:23:41 | 0:23:46 | |
No, no, no! Home's here! I know things have been hard, | 0:23:46 | 0:23:50 | |
but Christmas has got a great way of softening hearts. | 0:23:50 | 0:23:55 | |
-I had hoped it would with you and Raymond too. -Raymond? | 0:23:55 | 0:23:59 | |
I know, I know... I'm not meddling. | 0:23:59 | 0:24:03 | |
I just hoped you'd put your differences aside | 0:24:03 | 0:24:06 | |
for one day at least. If only for the bairn. | 0:24:06 | 0:24:09 | |
Actually dad... | 0:24:10 | 0:24:12 | |
And it'd be grand to have you all sat around this table again. | 0:24:12 | 0:24:15 | |
Especially wee Stuart. That's what Christmas is all about - family. | 0:24:15 | 0:24:21 | |
Raymond. | 0:24:32 | 0:24:34 | |
Can we talk? | 0:24:41 | 0:24:43 | |
What do you want? | 0:24:43 | 0:24:44 | |
A truce. I want us to stop tearing lumps out each other. | 0:24:44 | 0:24:48 | |
-Why? -Because we don't have to. We can sort this. | 0:24:51 | 0:24:54 | |
No. There's got to be a reason. | 0:24:54 | 0:24:58 | |
You never back off unless you've got no other option. | 0:24:58 | 0:25:02 | |
I'm not backing off. | 0:25:02 | 0:25:04 | |
-Is it maybe because you've found out what he's like? -What? | 0:25:04 | 0:25:07 | |
See cos now I know why you were so keen to deny it. | 0:25:07 | 0:25:13 | |
The man's bought you. You're as bad as him. | 0:25:13 | 0:25:15 | |
How...? How? | 0:25:24 | 0:25:26 | |
You had somebody do this?! | 0:25:28 | 0:25:30 | |
Follow me and take pictures?! | 0:25:32 | 0:25:34 | |
Don't turn this round on me! You're taking money from a crook. | 0:25:34 | 0:25:38 | |
-How could you? -Don't judge me! A woman who sells herself. | 0:25:39 | 0:25:44 | |
-Sells her friends! -Why are you doing this...? What do you want? | 0:25:44 | 0:25:48 | |
-Get rid him of him. Now! -Or what? | 0:25:48 | 0:25:52 | |
Eileen, you are better than this! | 0:25:52 | 0:25:54 | |
Or WHAT?! | 0:25:54 | 0:25:55 | |
I thought not. | 0:25:57 | 0:25:59 | |
Is it seeing me happy you can't stand? | 0:26:01 | 0:26:04 | |
Cos if that's the case, | 0:26:04 | 0:26:06 | |
you won't have to worry about that for much longer! | 0:26:06 | 0:26:09 | |
-What's that supposed to mean? -I'm thinking of making a change. | 0:26:09 | 0:26:14 | |
Been stuck here for too long. | 0:26:14 | 0:26:16 | |
-Maybe get a job, move away. Might even stay in Portugal. -No. | 0:26:16 | 0:26:20 | |
Why not? Mark's a wealthy man. | 0:26:20 | 0:26:23 | |
Be nice not to have to scrimp for a change! | 0:26:23 | 0:26:25 | |
You're not taking Stuart anywhere. | 0:26:25 | 0:26:27 | |
You think you can stop me? With this?! | 0:26:27 | 0:26:29 | |
You're pathetic! You want to know about me and Mark? | 0:26:30 | 0:26:34 | |
I'll tell you. With HIM, I feel something! | 0:26:34 | 0:26:37 | |
D'you mind telling me how you got these? | 0:26:48 | 0:26:50 | |
I hired someone. Does it matter? | 0:26:50 | 0:26:52 | |
You said you'd nothing on the guy. Well now you do! | 0:26:52 | 0:26:55 | |
Really? Bank statements that aren't even yours? | 0:26:55 | 0:26:58 | |
You've no right to have these | 0:26:58 | 0:27:00 | |
and in any case all it shows is that Vincent paid Eileen some money. | 0:27:00 | 0:27:04 | |
-Oh, come off it, what for!? -I dunno. Gift. | 0:27:04 | 0:27:08 | |
-Well then you tell me? -I don't know! -Exactly. | 0:27:10 | 0:27:14 | |
I tell you, I know this. | 0:27:15 | 0:27:16 | |
That man bought housing stock on very favourable terms. | 0:27:16 | 0:27:20 | |
Now where did he get the inside information from?! | 0:27:20 | 0:27:22 | |
You think he bribed Eileen? | 0:27:24 | 0:27:26 | |
That is quite an allegation without any evidence, Raymond. | 0:27:26 | 0:27:29 | |
Vincent and Eileen are a couple. Lending each other money isn't unusual. | 0:27:29 | 0:27:32 | |
I gave Robbie cash to buy the salon. | 0:27:32 | 0:27:34 | |
He's only known her five minutes. | 0:27:34 | 0:27:36 | |
You don't give that much and not expect something in return! | 0:27:36 | 0:27:39 | |
That doesn't mean it's dodgy! | 0:27:39 | 0:27:41 | |
In any case, what you and I think doesn't matter. | 0:27:41 | 0:27:44 | |
-You need proof. -Here's your proof. | 0:27:44 | 0:27:47 | |
But a jury has to be sure. Otherwise they'll acquit. | 0:27:47 | 0:27:51 | |
And they might not be so soft on Eileen... | 0:27:51 | 0:27:53 | |
But he's the one behind it. | 0:27:53 | 0:27:54 | |
But you don't get to pick. So my advice is forget it. | 0:27:54 | 0:27:58 | |
Hey! He's thrown people out of their homes. | 0:28:03 | 0:28:06 | |
He's set to make a killing. The whole thing stinks to high heaven. But you don't care? | 0:28:06 | 0:28:11 | |
-OK. OK, I'll talk to her. -Talk to him! | 0:28:11 | 0:28:14 | |
No! Like I said. You don't get to pick. | 0:28:14 | 0:28:17 | |
Eileen? Can you come with me, please? | 0:28:27 | 0:28:31 | |
-I've got somewhere I need to be. -I know, look I want to keep this as low-key as possible, | 0:28:31 | 0:28:35 | |
but an allegation has been made. I'm sorry. | 0:28:35 | 0:28:38 | |
What've you told him? | 0:28:47 | 0:28:49 | |
-I showed him the statements. What was I supposed to do? -You went to the police?! | 0:28:49 | 0:28:53 | |
Just tell them about Mark Vincent. It's him they want. | 0:28:53 | 0:28:55 | |
Eileen, can you get in the car, please? | 0:28:55 | 0:28:57 | |
You must really hate me! | 0:28:59 | 0:29:01 | |
Even more than you love your own son! | 0:29:01 | 0:29:04 | |
I don't. I don't. | 0:29:07 | 0:29:13 | |
KNOCK ON THE DOOR | 0:29:16 | 0:29:18 | |
Hello, I'm after a Raymond Henderson. | 0:29:29 | 0:29:32 | |
He's not here the now. Can I help? | 0:29:32 | 0:29:34 | |
I've an appointment. Jo Tait. | 0:29:34 | 0:29:36 | |
I'm the bar reporter. | 0:29:36 | 0:29:38 | |
Well if he's not here... | 0:29:38 | 0:29:40 | |
ENGINE STARTS | 0:29:48 | 0:29:50 | |
Mate, you better get back to the pub. | 0:30:02 | 0:30:05 | |
Oh, f... | 0:30:07 | 0:30:08 | |
I really can't wait much longer. | 0:30:26 | 0:30:28 | |
RUNNING FOOTSTEPS APPROACH | 0:30:28 | 0:30:30 | |
Mr Henderson, better late than never. Jo Tait. | 0:30:32 | 0:30:35 | |
I was just saying how you were out getting more stuff... | 0:30:35 | 0:30:38 | |
-Aye. That's right. -Nice picture. | 0:30:38 | 0:30:41 | |
Look, I know this place doesn't look much now but... | 0:30:41 | 0:30:44 | |
No, I mean it's a nice picture. It's great you've got the mother in. | 0:30:44 | 0:30:48 | |
Are you still communicating? | 0:30:48 | 0:30:49 | |
Hold on, I thought this was about what I had to offer? | 0:30:49 | 0:30:53 | |
-It is. -Well in that case, what does it matter how things are with me and Eileen? | 0:30:53 | 0:30:57 | |
Mr Henderson, your relationship is only of concern, | 0:30:57 | 0:31:00 | |
in as much as it affects Stuart. | 0:31:00 | 0:31:02 | |
Just let her know what having Stuart means to you. | 0:31:03 | 0:31:05 | |
That would be helpful. | 0:31:07 | 0:31:09 | |
It means... everything. | 0:31:17 | 0:31:18 | |
I thought that I would never be a father again. | 0:31:20 | 0:31:23 | |
See, me and Eileen already had two. And er... | 0:31:24 | 0:31:30 | |
Both times... | 0:31:30 | 0:31:32 | |
Well, so... | 0:31:34 | 0:31:36 | |
So, when it happened again. I was terrified. | 0:31:36 | 0:31:42 | |
But having Stuart depend on me... | 0:31:44 | 0:31:48 | |
is the best feeling in the world. And yeah, I still get scared. | 0:31:49 | 0:31:55 | |
But, see, now everything makes sense, | 0:31:55 | 0:32:01 | |
and I know that I can look after my son.... | 0:32:01 | 0:32:05 | |
All I'm asking you for is that chance. | 0:32:05 | 0:32:10 | |
Would you be willing to do that in partnership with Ms Donachie? | 0:32:11 | 0:32:15 | |
Yeah. | 0:32:21 | 0:32:24 | |
Take a seat. | 0:32:34 | 0:32:36 | |
Now we have called your lawyer a call. | 0:32:39 | 0:32:41 | |
But I must stress, you're not under arrest, | 0:32:41 | 0:32:44 | |
but it will be a lot easier if you can answer a couple of questions. | 0:32:44 | 0:32:47 | |
OK? | 0:32:47 | 0:32:48 | |
Eileen, an allegation's been made that you were given money by | 0:32:48 | 0:32:52 | |
Mark Vincent in order to corruptly supply confidential information. | 0:32:52 | 0:32:56 | |
All I need you to do is tell me what the money was really for and then we can let this whole thing go. | 0:32:56 | 0:33:02 | |
No comment. | 0:33:09 | 0:33:11 | |
OK. What can I do for you? | 0:33:15 | 0:33:17 | |
What I want from you doesn't require any effort. You just listen. | 0:33:20 | 0:33:26 | |
Then get in your car and you never come back. | 0:33:26 | 0:33:31 | |
-I found some things out about you. -Did you now? | 0:33:31 | 0:33:35 | |
And that information is now with the police. | 0:33:35 | 0:33:38 | |
In fact, they're talking to Eileen even as we speak. | 0:33:38 | 0:33:42 | |
Sooner or later they're going to want to talk to you. | 0:33:42 | 0:33:45 | |
Not least about the cash that you paid her for the inside information. | 0:33:45 | 0:33:50 | |
Inside information? No. I did give her money, yeah. | 0:33:50 | 0:33:55 | |
To buy bits and bobs for our holiday. I'm particular how my women look. | 0:33:55 | 0:33:59 | |
Save it. It was thousands! You're in this up to your neck! | 0:33:59 | 0:34:02 | |
Can you prove that? | 0:34:02 | 0:34:04 | |
Cos believe me, one thing I always do is cover my own back. | 0:34:04 | 0:34:08 | |
Tell that to the police. | 0:34:08 | 0:34:10 | |
Gladly. Or rather my lawyer will. | 0:34:10 | 0:34:13 | |
See that's one of the perks, | 0:34:14 | 0:34:16 | |
being able to afford people that can sort things out. | 0:34:16 | 0:34:19 | |
Not that I suppose Eileen can. | 0:34:19 | 0:34:21 | |
Which is, phew, well, it's unfortunate. | 0:34:21 | 0:34:24 | |
All right. What do I have to do? | 0:34:27 | 0:34:30 | |
To make you disappear, what do you want? | 0:34:30 | 0:34:33 | |
You're offering me a deal? | 0:34:33 | 0:34:36 | |
To tell the police that Eileen wasn't involved! | 0:34:36 | 0:34:39 | |
Now that is touching. OK, let me see. I know. | 0:34:39 | 0:34:45 | |
What about you buy my properties off me. | 0:34:45 | 0:34:48 | |
At a mark-up, of course. A man has to eat. | 0:34:48 | 0:34:50 | |
I can't do that. I haven't got that sort of money. | 0:34:50 | 0:34:53 | |
Well, if you don't, the lovely Eileen might end up behind bars. | 0:34:53 | 0:34:56 | |
Where as me... | 0:34:56 | 0:34:58 | |
Shall we say 250K? Yeah, that should just about cover it. | 0:34:59 | 0:35:05 | |
I just told you, I HAVEN'T GOT THAT SORT OF MONEY! | 0:35:05 | 0:35:09 | |
How about friends? Well, there must be someone that'll help you out. | 0:35:09 | 0:35:14 | |
I'll give you till close of play. | 0:35:18 | 0:35:20 | |
SHE SOBS | 0:35:30 | 0:35:35 | |
-Sure you won't? -Can we get this over with? | 0:36:00 | 0:36:03 | |
You've made an offer to buy Deek's flat. I've accepted. | 0:36:05 | 0:36:09 | |
-But I need it in cash. -Cash? Sounds a bit desperate? | 0:36:09 | 0:36:14 | |
I haven't got time to mess about. | 0:36:14 | 0:36:16 | |
-HE SIGHS -And I don't wanna buy Deek's flat. | 0:36:18 | 0:36:20 | |
-What? -Nah, I've changed my mind. | 0:36:20 | 0:36:23 | |
But what I'd like to know is what made you change yours? | 0:36:23 | 0:36:27 | |
-But you're getting it for a song! -Price is immaterial. | 0:36:27 | 0:36:30 | |
What I want to know is why the big hurry? | 0:36:30 | 0:36:33 | |
Look, I really didn't want to come here. | 0:36:34 | 0:36:37 | |
If there was anyone else... | 0:36:39 | 0:36:41 | |
All right, I do need the money. It's for family. | 0:36:49 | 0:36:53 | |
I've made mistakes, right?! I lost Deek because of one of them. | 0:36:57 | 0:37:03 | |
Now I'm about to lose what I've got left. | 0:37:03 | 0:37:06 | |
This to do with Vincent? | 0:37:08 | 0:37:10 | |
I need the money to stop him incriminating Eileen. | 0:37:15 | 0:37:20 | |
I've had to offer to buy his flats off him. | 0:37:22 | 0:37:24 | |
Fine. But I'm still not buying Deek's. | 0:37:32 | 0:37:36 | |
-Eh? -But I'll lend you the money. -Lend? -Aye, it's Christmas. | 0:37:36 | 0:37:43 | |
If you can't help out a neighbour at this time a year, when can you? Why don't you let me handle this? | 0:37:43 | 0:37:48 | |
Dealing with people like Vincent, | 0:37:49 | 0:37:51 | |
well that's more my forte than it's yours. | 0:37:51 | 0:37:54 | |
PHONE RINGS | 0:38:06 | 0:38:08 | |
SHE TUTS AND SIGHS | 0:38:08 | 0:38:10 | |
Hamilton residence. No, I'm sorry she can't come to the phone. | 0:38:25 | 0:38:30 | |
She's in bed. | 0:38:30 | 0:38:31 | |
No, nothing serious. | 0:38:32 | 0:38:35 | |
She likes to take the weight off her feet since she got the bunions. | 0:38:35 | 0:38:39 | |
Hah! Oh, it's her own fault. | 0:38:40 | 0:38:42 | |
Doctor Dan advised her to wear sensible shoes. | 0:38:42 | 0:38:47 | |
But well... You know what women are like. Aye, bye! | 0:38:47 | 0:38:51 | |
What's the matter? You not want folk to know your ailments? | 0:38:54 | 0:38:57 | |
Aye, it wouldn't be nice having everyone knowing. | 0:38:57 | 0:39:01 | |
Sniggering behind your back. | 0:39:01 | 0:39:02 | |
Bit like having your face plastered all over a bucket. | 0:39:03 | 0:39:07 | |
Then again it's only sad old Malcolm. Who cares? | 0:39:08 | 0:39:13 | |
You can laugh in his face! Come tomorrow he won't even remember! | 0:39:13 | 0:39:17 | |
So you don't need to worry, pet. | 0:39:18 | 0:39:20 | |
I'll still be the one getting the pity. | 0:39:20 | 0:39:23 | |
It's all I'm good for! | 0:39:23 | 0:39:24 | |
No! That's not it at all! | 0:39:27 | 0:39:30 | |
Ha! Got you at last, eh?! Then what is it? | 0:39:30 | 0:39:34 | |
You think I...? I was doing it for you. | 0:39:36 | 0:39:41 | |
Then don't! I'm not a charity. | 0:39:41 | 0:39:45 | |
Do you not think I've lost enough already without losing my dignity as well?! | 0:39:45 | 0:39:50 | |
Tell me, DC Cooper, did you spend much time in uniform? | 0:40:04 | 0:40:08 | |
Some. | 0:40:08 | 0:40:09 | |
Then you'll remember the first rule - avoid domestics like the plague. | 0:40:09 | 0:40:14 | |
Particularly if they involve Raymond Henderson. | 0:40:14 | 0:40:16 | |
There is evidence that money has changed hands. | 0:40:16 | 0:40:18 | |
And Vincent's explanation is iffy in the extreme. | 0:40:18 | 0:40:21 | |
HE SIGHS | 0:40:21 | 0:40:23 | |
OK. If we get more, then you can go back to it. Happy? | 0:40:23 | 0:40:26 | |
But not when it's part of some domestic bust-up. | 0:40:26 | 0:40:29 | |
I'll drop it if you want? | 0:40:31 | 0:40:33 | |
That's up to you. I wish you'd never picked it up. | 0:40:33 | 0:40:37 | |
Good luck to them. | 0:40:55 | 0:40:56 | |
Better use of my money than a lot of things. A pint. | 0:40:56 | 0:41:00 | |
At least they don't parade some poor soul in order to get your cash. | 0:41:00 | 0:41:04 | |
You OK? What's up? | 0:41:04 | 0:41:06 | |
-I want my picture off that. Now! -The bucket? | 0:41:08 | 0:41:12 | |
Can you believe Liz would do such a thing just in order to | 0:41:12 | 0:41:15 | |
indulge this charity thing of hers? | 0:41:15 | 0:41:18 | |
Malcolm, that 'charity thing' | 0:41:18 | 0:41:20 | |
is raising a lot of money for the Music Therapy class. | 0:41:20 | 0:41:22 | |
But why me?! Why not somebody else? | 0:41:22 | 0:41:26 | |
Maybe because you're popular. You're half the reason most people come. | 0:41:27 | 0:41:31 | |
And maybe when they think how much you put in it gets them | 0:41:31 | 0:41:34 | |
to chip in a few quid too. It's not charity. It's pay-back. | 0:41:34 | 0:41:39 | |
Cheers. | 0:41:42 | 0:41:43 | |
TV IS ON | 0:41:50 | 0:41:51 | |
-What're you doing back? -I live here. Remember? | 0:41:54 | 0:41:58 | |
You've been working. Thought you might stop off for a bevy. | 0:41:58 | 0:42:01 | |
I will. Where's my wee princess? | 0:42:01 | 0:42:04 | |
Doing her homework. It's a wee project. | 0:42:04 | 0:42:08 | |
-I thought she wasnae at school. -Daddy! | 0:42:08 | 0:42:11 | |
Darling. What's happened to you? | 0:42:13 | 0:42:16 | |
What d'you mean what's happened? What's it look like? | 0:42:16 | 0:42:18 | |
It looks like a Belisha beacon. What've you done to her?! | 0:42:18 | 0:42:21 | |
Just a wee fake tan. I think it looks great. | 0:42:21 | 0:42:24 | |
Fake tan! At her age?! | 0:42:24 | 0:42:27 | |
It's just a wee test run. I'll wash it off the night. | 0:42:27 | 0:42:30 | |
Oh, that's not so bad then, eh? You know you're unbelievable. | 0:42:30 | 0:42:33 | |
I might've known you wouldn't understand! | 0:42:33 | 0:42:36 | |
I'm just giving her a chance to win. Come here, darlin'. | 0:42:36 | 0:42:38 | |
This pageant thing again! | 0:42:38 | 0:42:40 | |
We are talking about a wee lassie's dreams here. | 0:42:40 | 0:42:43 | |
You might be happy with your lot, but some of us can dream bigger! | 0:42:43 | 0:42:47 | |
Are you sure this is about Madonna? | 0:42:47 | 0:42:50 | |
Tell you what, I'm going to the pub! URGH! | 0:42:50 | 0:42:53 | |
-I bet you're needing a stiff drink. -What? | 0:43:00 | 0:43:03 | |
Well, can't have been easy for you keeping your mouth shut. | 0:43:03 | 0:43:06 | |
You've usually got something to say about most things... | 0:43:06 | 0:43:09 | |
I'm not staying. I just need to have a word with Stevie. | 0:43:09 | 0:43:13 | |
A wee bit of order, folks! Cheers. | 0:43:13 | 0:43:16 | |
Now we all know Liz has been doing a wee sponsored silence. | 0:43:18 | 0:43:21 | |
And we hope she's set an example for a few other women here! | 0:43:21 | 0:43:26 | |
Me?! Ya wee toe rag. | 0:43:26 | 0:43:28 | |
But for now, this belongs to Liz. | 0:43:29 | 0:43:33 | |
-No, it doesn't. -How not? | 0:43:33 | 0:43:37 | |
Och, I broke the rules. | 0:43:37 | 0:43:39 | |
I spoke before I should have, so I can't take it. | 0:43:39 | 0:43:43 | |
As a matter of fact, | 0:43:43 | 0:43:45 | |
I seem to have got this wrong from start to finish, apparently. | 0:43:45 | 0:43:49 | |
So, sorry, everybody. | 0:43:49 | 0:43:52 | |
Somebody's gonnae have to take it. | 0:43:52 | 0:43:54 | |
Take it. You deserve it. | 0:44:00 | 0:44:03 | |
If Liz spoke sooner than she should have, it was my fault. | 0:44:03 | 0:44:06 | |
First my stupid teasing. | 0:44:06 | 0:44:09 | |
Then I let my pride get in the way of all these other folk being helped. | 0:44:09 | 0:44:13 | |
And been grateful for Liz's caring. So, will you accept my apology? | 0:44:13 | 0:44:19 | |
Get a room you two! | 0:44:21 | 0:44:23 | |
So from now on, Liz has my full support! | 0:44:23 | 0:44:26 | |
Mr Vincent, Lenny Murdoch. Nice to meet you. | 0:44:45 | 0:44:49 | |
-Where's Raymond? -Called away. | 0:44:50 | 0:44:53 | |
But I'm the person putting up the money, so I'm the only one that needs to be here. | 0:44:53 | 0:44:57 | |
Come on through. I'll not keep you long. | 0:44:57 | 0:45:01 | |
-We're both busy men. -So, you've got the money? | 0:45:01 | 0:45:04 | |
-Yes. -Good. Then there's a few wee expenses, we need to discuss. | 0:45:04 | 0:45:09 | |
Well, the 250k is for the flats, but Henderson wants me to go as well. | 0:45:11 | 0:45:16 | |
So I'd say a relocation dividend is due. | 0:45:16 | 0:45:19 | |
Shall we say another 10%? | 0:45:19 | 0:45:22 | |
10%. I hope there's room for negotiation eh? | 0:45:22 | 0:45:28 | |
You are going to be reasonable, Mr Vincent. | 0:45:28 | 0:45:31 | |
Well, 10% is my offer. | 0:45:31 | 0:45:32 | |
Though I'm willing to go eight to show goodwill. | 0:45:32 | 0:45:35 | |
I never made myself clear. | 0:45:37 | 0:45:39 | |
See I was thinking more 0%. | 0:45:39 | 0:45:43 | |
-HE LAUGHS -What's going on? | 0:45:45 | 0:45:48 | |
Mr Henderson is going to buy the flats from you. | 0:45:48 | 0:45:51 | |
But for the exact price that you paid. No mark-up. | 0:45:51 | 0:45:54 | |
No profit. | 0:45:54 | 0:45:55 | |
I gave Mr Henderson the price. | 0:45:57 | 0:45:58 | |
So he can either pay up or forget it. | 0:45:58 | 0:46:01 | |
See that's just not gonna happen. | 0:46:01 | 0:46:04 | |
You don't intimidate me. What are you, some kinda two-bit gangster? | 0:46:04 | 0:46:10 | |
Oh, that's a pity. | 0:46:11 | 0:46:13 | |
See right up to that second there, I thought maybe you and me were two of a kind. | 0:46:13 | 0:46:17 | |
But we're not. Cos I always know who I'm doing business with. | 0:46:17 | 0:46:21 | |
-I leave nothing to chance. -What are you talking about? | 0:46:21 | 0:46:25 | |
Mark Vincent, yeah, I know about you. | 0:46:25 | 0:46:26 | |
You've got a wife, house in Balmedie. | 0:46:26 | 0:46:29 | |
Nice out there, isn't it? Clean air. Couple of kids. | 0:46:29 | 0:46:33 | |
What else do I know about you. | 0:46:33 | 0:46:34 | |
Oh yeah, yeah, you've cost people a lot of money. | 0:46:34 | 0:46:38 | |
You've got enemies. | 0:46:38 | 0:46:40 | |
I'm a businessman, of course I make enemies. | 0:46:40 | 0:46:42 | |
And you always make sure you get out before anything sticks. | 0:46:42 | 0:46:45 | |
And everybody's just got to write off their loss. | 0:46:45 | 0:46:48 | |
Of course when it's personal they might not be as willing to do that. | 0:46:48 | 0:46:51 | |
-Personal? -Sorry did I not say. | 0:46:51 | 0:46:54 | |
One of the people you put out their homes was my grandson. | 0:46:55 | 0:47:00 | |
So unless you're willing to accept Mr Henderson's very reasonable offer, | 0:47:00 | 0:47:04 | |
I'm not likely to forget that. | 0:47:04 | 0:47:06 | |
I will haunt you. I will follow you wherever you go. | 0:47:09 | 0:47:13 | |
Hurting you. | 0:47:13 | 0:47:15 | |
In the only way people like you get hurt, in the pocket. | 0:47:15 | 0:47:20 | |
I'll make sure you never make one penny profit ever again. | 0:47:20 | 0:47:27 | |
So what do you say, do we have a deal? | 0:47:30 | 0:47:35 | |
OK, I spoke to Mr Vincent, he assures me | 0:47:55 | 0:47:59 | |
he can account for every penny. | 0:47:59 | 0:48:01 | |
Says it was for flights that you booked on his behalf. | 0:48:01 | 0:48:04 | |
Can you confirm this? | 0:48:04 | 0:48:05 | |
Yeah. | 0:48:07 | 0:48:09 | |
He also mentioned he'd be leaving Glasgow. | 0:48:09 | 0:48:12 | |
Maybe not such a good idea to follow him. | 0:48:12 | 0:48:14 | |
Right, so the case is closed. | 0:48:19 | 0:48:22 | |
But if I get wind of anything else like this | 0:48:22 | 0:48:25 | |
I will be forced to pursue it fully. Understood? | 0:48:25 | 0:48:28 | |
OK. Thank you. | 0:48:30 | 0:48:32 | |
-I owe you. -Course you do. It's a loan. | 0:48:52 | 0:48:56 | |
What, do I look like the fat guy in the red jacket? | 0:48:56 | 0:49:01 | |
So you scared him off? | 0:49:01 | 0:49:02 | |
Let's just say he didn't like me rattling his skeletons around. | 0:49:02 | 0:49:06 | |
Why didn't I see any of that family stuff? | 0:49:06 | 0:49:08 | |
Must have come in later. | 0:49:08 | 0:49:10 | |
Listen, just the one thing. | 0:49:14 | 0:49:16 | |
Collateral for the loan. I was thinking The Ship. | 0:49:18 | 0:49:23 | |
What?! No! No way! | 0:49:26 | 0:49:31 | |
What else you got? | 0:49:31 | 0:49:33 | |
You're not getting your hands on my pub again. | 0:49:33 | 0:49:35 | |
Fine. I'll call Vincent? Tell him the deal's off? | 0:49:35 | 0:49:39 | |
You kept stuff back about Vincent. You played me! | 0:49:42 | 0:49:46 | |
No, no. You played yourself, mate. | 0:49:46 | 0:49:50 | |
I just wound you up and let you run. | 0:49:50 | 0:49:52 | |
But why? | 0:49:56 | 0:49:59 | |
Why not? Collateral, is The Ship. | 0:49:59 | 0:50:03 | |
Miss one payment, she's mine. | 0:50:03 | 0:50:08 | |
HE SIGHS | 0:50:32 | 0:50:36 | |
He's asleep. Gina put him down. | 0:50:40 | 0:50:43 | |
-And I'm sorry. -Are you? -I know you won't believe me. | 0:50:45 | 0:50:51 | |
Are you surprised? | 0:50:51 | 0:50:53 | |
I lost it. I didn't even recognise myself doing half those things. | 0:50:55 | 0:51:01 | |
Like getting me locked up? | 0:51:01 | 0:51:03 | |
Can we not do this? | 0:51:05 | 0:51:08 | |
I'm so tired of us battling each other. | 0:51:08 | 0:51:11 | |
No. No, I deserve an answer. | 0:51:11 | 0:51:15 | |
-I never meant that to happen. -I was humiliated. | 0:51:16 | 0:51:19 | |
I know, and I'm sorry. But please listen. | 0:51:19 | 0:51:28 | |
This person, that's been getting things wrong... it's not me. | 0:51:32 | 0:51:38 | |
You have to see that. | 0:51:38 | 0:51:40 | |
I've been bashing around. Hitting out at you. | 0:51:42 | 0:51:46 | |
When you're the one person that I should've come to for help. | 0:51:47 | 0:51:52 | |
So what happens now? | 0:51:52 | 0:51:55 | |
I've bought the homes. I got the police off your back. | 0:51:55 | 0:52:00 | |
I'm trying to get back what I really want. | 0:52:00 | 0:52:03 | |
Which is what? | 0:52:05 | 0:52:06 | |
This. Us. | 0:52:08 | 0:52:10 | |
Do you mean that?! You want us to come back | 0:52:14 | 0:52:18 | |
after everything that's happened?! | 0:52:18 | 0:52:20 | |
I was right about Vincent. | 0:52:20 | 0:52:22 | |
The man left his kids, did he tell you that?! | 0:52:22 | 0:52:24 | |
But he's gone now. He's out of your life. | 0:52:26 | 0:52:29 | |
So we can all move back here, and start over. | 0:52:31 | 0:52:34 | |
He's gone and you think I'm just going to come running? | 0:52:37 | 0:52:42 | |
How sad does that make you? Poor, poor Raymond. | 0:52:44 | 0:52:48 | |
Cos that's never gonna happen. Now you listen to me. | 0:52:48 | 0:52:52 | |
I was arrested! I was humiliated! And for what?! | 0:52:52 | 0:52:57 | |
For trying to keep my child safe? | 0:52:57 | 0:52:59 | |
-For getting involved with another man? -Eileen... | 0:52:59 | 0:53:01 | |
No, this is my turn! OK, the man left his kids! | 0:53:01 | 0:53:05 | |
No, I didn't know that! | 0:53:05 | 0:53:07 | |
But you just couldn't resist telling me, could you? | 0:53:07 | 0:53:11 | |
Cos that way, you get to point out my mistakes yet again! | 0:53:11 | 0:53:15 | |
Well anything I have done pales beside what you did. | 0:53:16 | 0:53:21 | |
So sorry, it doesn't even begin to cut it. | 0:53:22 | 0:53:26 | |
And I wouldn't get back into your bed if you were the last man alive! | 0:53:27 | 0:53:32 | |
Now, I'm gonna go and get my son. | 0:53:34 | 0:53:37 | |
You're going to pay for this Raymond. | 0:53:42 | 0:53:45 | |
For what you did today. | 0:53:45 | 0:53:46 | |
You're never going to stop paying. | 0:53:48 | 0:53:50 | |
Here? Is it true? | 0:54:49 | 0:54:51 | |
Lenny's in there. Saying you bought the flats back. | 0:54:52 | 0:54:55 | |
-Where did the money come from? -Nothing for you to worry about. | 0:54:55 | 0:54:59 | |
Here you are? Spill the beans! | 0:55:07 | 0:55:10 | |
Sorry, mate, didn't want you hiding your light under a bushel. | 0:55:10 | 0:55:14 | |
So have you bought them? | 0:55:14 | 0:55:17 | |
Yeah. Everybody gets to move back in. | 0:55:17 | 0:55:19 | |
LAUGHING AND CHEERING | 0:55:19 | 0:55:21 | |
That definitely deserves a drink! | 0:55:24 | 0:55:27 | |
Stevie, open up a tab, eh? This one's on me. | 0:55:27 | 0:55:29 | |
Mine's a malt. | 0:55:29 | 0:55:31 | |
Thank you. Thank you so much. | 0:55:31 | 0:55:33 | |
This is the best Christmas present ever! | 0:55:33 | 0:55:35 | |
I told Madonna she'd be home for Christmas. So that gets me out of a tight spot! | 0:55:35 | 0:55:38 | |
This'll take more than one drink to sink in. | 0:55:38 | 0:55:41 | |
Here. Think this'll suit you more than me! | 0:55:41 | 0:55:44 | |
Aye, you're a real hero. Here's to Christmas. | 0:55:47 | 0:55:50 | |
Yay! To Christmas! | 0:55:50 | 0:55:53 | |
To you and yours, eh? Can't argue with that. | 0:55:53 | 0:55:56 | |
It's a serious competition. | 0:56:10 | 0:56:11 | |
But she's allowed to have some fun! | 0:56:11 | 0:56:13 | |
Aye well, it'll not be fun when she's up there, | 0:56:13 | 0:56:15 | |
embarrassing herself in front of the other weans will it. | 0:56:15 | 0:56:18 | |
Right, one, two three, turn. | 0:56:18 | 0:56:20 | |
I don't believe it. They're writing about us on a blog now. | 0:56:20 | 0:56:24 | |
They're not even pictures of me. | 0:56:24 | 0:56:27 | |
I thought we could maybe go out for our dinner tonight, | 0:56:27 | 0:56:29 | |
just the two of us, might have something to celebrate later on. | 0:56:29 | 0:56:32 | |
Aye, well we'll see. | 0:56:32 | 0:56:35 | |
-What happened?! -Vincent. | 0:56:35 | 0:56:38 | |
We're due to move in today, I promised Madonna we'd be in for Christmas! | 0:56:38 | 0:56:41 | |
Could you speak to Gina, see if you could stay a bit longer. | 0:56:41 | 0:56:44 | |
Subtitles by Red Bee Media Ltd | 0:56:56 | 0:57:00 |