Browse content similar to 14/05/2013. Check below for episodes and series from the same categories and more!
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'Michael, he touched a lot of lives.' | 0:00:21 | 0:00:24 | |
He was a wonderful doctor, and he was a good man. | 0:00:24 | 0:00:28 | |
There's a lot going on out there that I don't know about. | 0:00:28 | 0:00:31 | |
Maybe I should've called. | 0:00:33 | 0:00:35 | |
I do not want this on my patch. | 0:00:36 | 0:00:38 | |
Get that down to forensics pronto. | 0:00:38 | 0:00:40 | |
I want the SOCOs to tear that place apart. | 0:00:40 | 0:00:42 | |
They find anything that links it to Murdoch, anything at all, | 0:00:42 | 0:00:45 | |
I want to know about it. | 0:00:45 | 0:00:47 | |
MUSIC: "I Get The Sweetest Feeling" by Jackie Wilson | 0:00:54 | 0:00:57 | |
RADIO: # The closer you get The better you look, baby... | 0:00:57 | 0:01:03 | |
# You turn on your smile | 0:01:13 | 0:01:16 | |
# I feel my heart go wild | 0:01:16 | 0:01:20 | |
# I'm like a child With a brand-new toy | 0:01:20 | 0:01:26 | |
# And I get the Sweetest feeling... # | 0:01:26 | 0:01:29 | |
-Morning, Robbie. -Oh, hi. | 0:01:29 | 0:01:31 | |
Lovely day. | 0:01:31 | 0:01:33 | |
Yeah, yeah it is... | 0:01:33 | 0:01:35 | |
Sorry, I need some caffeine. | 0:01:35 | 0:01:37 | |
Oh, Sleeping Beauty. | 0:01:46 | 0:01:48 | |
I wish. | 0:01:48 | 0:01:49 | |
You look great...for your age. | 0:01:49 | 0:01:52 | |
Cow. | 0:01:52 | 0:01:54 | |
Stuart still sound, yeah? | 0:01:54 | 0:01:56 | |
Yeah, he is now, he had me up twice during the night, the wee... | 0:01:56 | 0:01:59 | |
-Lamb? -Yeah. | 0:01:59 | 0:02:01 | |
-DOORBELL BUZZES -Gonnae you get that, eh? | 0:02:01 | 0:02:04 | |
What, like this? | 0:02:04 | 0:02:06 | |
The postman will have seen worse. | 0:02:06 | 0:02:09 | |
I'm warning you. | 0:02:09 | 0:02:10 | |
Oh, God! | 0:02:16 | 0:02:17 | |
What? What is it? | 0:02:17 | 0:02:19 | |
Sorry, sorry! I've done it again. Am I too early? | 0:02:19 | 0:02:22 | |
It's just, it's my day off, but I wake up at six anyway, | 0:02:22 | 0:02:24 | |
so I went and got you these. | 0:02:24 | 0:02:26 | |
Right, well... I suppose you better come in. | 0:02:27 | 0:02:30 | |
-Are you sure? I can come back later. -No, no. Come in. Come in. | 0:02:30 | 0:02:34 | |
Here, put these in water. Give me five minutes. | 0:02:35 | 0:02:37 | |
Coffee? | 0:02:42 | 0:02:43 | |
Oh, you shall go to the ball! | 0:02:53 | 0:02:55 | |
Are you not going to be late for your work? | 0:02:55 | 0:02:58 | |
Yeah. I've got Stella to open up. Right... | 0:02:58 | 0:03:01 | |
-My turn to get all dolled up. See you later, Craig. -Sure. | 0:03:03 | 0:03:05 | |
-They're... They're lovely. -Pleasure. | 0:03:08 | 0:03:10 | |
And I'm sorry for turning up out of the blue like that again. | 0:03:10 | 0:03:13 | |
And seeing me in that state. | 0:03:13 | 0:03:15 | |
What state? You looked lovely. | 0:03:15 | 0:03:17 | |
No more surprises, please. | 0:03:19 | 0:03:21 | |
-Maybe one more? -Depends. | 0:03:21 | 0:03:23 | |
What are you doing tonight, are you free? | 0:03:23 | 0:03:25 | |
Um... Let me see... Yes. | 0:03:25 | 0:03:27 | |
Do you like opera? | 0:03:27 | 0:03:30 | |
I like Il Divo. | 0:03:30 | 0:03:32 | |
Great, Carmen's on in town. I've reserved us tickets. | 0:03:32 | 0:03:35 | |
-Great. -You don't sound very sure. | 0:03:35 | 0:03:37 | |
No, I'm... I'm delighted, honestly. | 0:03:37 | 0:03:40 | |
Carmen, it's a great story. It's a real... | 0:03:40 | 0:03:43 | |
-It's a real weepy. You'll love it. -I'm sure I will. | 0:03:43 | 0:03:46 | |
BABY BABBLES Look, I'll let you get on. | 0:03:46 | 0:03:48 | |
And I can go and pick up those tickets. | 0:03:52 | 0:03:55 | |
I have to be in my office soon, | 0:03:55 | 0:03:56 | |
and I've still got to get Stuart up... | 0:03:56 | 0:03:58 | |
And not be bothered by some dork on your doorstep at daybreak? | 0:03:58 | 0:04:02 | |
A dork with flowers is always nice. | 0:04:02 | 0:04:04 | |
The opera starts at eight, so, shall we meet at the Ship | 0:04:05 | 0:04:08 | |
-at, say, seven for a drink, and then head from there? -Perfect. | 0:04:08 | 0:04:12 | |
SIRENS WAIL | 0:04:17 | 0:04:19 | |
What is she doing? | 0:04:31 | 0:04:32 | |
OK, I've got a warrant to search the premises... | 0:04:36 | 0:04:39 | |
What's going on here? | 0:04:49 | 0:04:50 | |
Detective Sergeant Grant. | 0:04:50 | 0:04:52 | |
Oh, yeah? What the hell do you think you're doing? | 0:04:52 | 0:04:54 | |
I have here a warrant to search your premises. | 0:04:54 | 0:04:57 | |
You're making a big mistake here, Sergeant. | 0:04:57 | 0:04:59 | |
We would also like you to accompany us to the station for questioning. | 0:04:59 | 0:05:02 | |
Really? Any particular reason? | 0:05:02 | 0:05:04 | |
We are conducting enquiries into a murder | 0:05:04 | 0:05:06 | |
and we have reason to believe you can help us with those enquiries. | 0:05:06 | 0:05:09 | |
-And if I refuse? -Refusing's not an option. | 0:05:09 | 0:05:12 | |
-You are entitled to... -A lawyer under the blah, blah, blah. | 0:05:12 | 0:05:15 | |
-Yeah, I know the drill. -Correct. | 0:05:15 | 0:05:18 | |
A word outside, Sergeant. | 0:05:18 | 0:05:20 | |
Sir. | 0:05:21 | 0:05:22 | |
What, you undercover today? | 0:05:24 | 0:05:25 | |
Didn't expect to see you today, sir. | 0:05:30 | 0:05:32 | |
-What the hell is going on here? -You recall the burnt-out car | 0:05:32 | 0:05:35 | |
that was found with a body in it, up Barlanark way? | 0:05:35 | 0:05:38 | |
-What about it? -It was an Amber Cabs taxi, sir. | 0:05:38 | 0:05:40 | |
And that warrants turning this place over? | 0:05:40 | 0:05:42 | |
The cab showed signs of... | 0:05:42 | 0:05:44 | |
More importantly, why is this happening without my knowledge? | 0:05:44 | 0:05:46 | |
Su-Superintendent Cole's orders, sir. | 0:05:46 | 0:05:50 | |
Perhaps you should speak to her. | 0:05:50 | 0:05:53 | |
Get on with it, Sergeant. | 0:05:53 | 0:05:54 | |
Yes, sir. | 0:05:54 | 0:05:56 | |
Take him to the car. | 0:06:05 | 0:06:07 | |
Have a word with him, did we? On the same page now? | 0:06:07 | 0:06:10 | |
Come on, in you get, Murdoch. | 0:06:18 | 0:06:19 | |
I didn't know anything about it. | 0:06:24 | 0:06:26 | |
Aye, right. | 0:06:26 | 0:06:28 | |
Will you be coming back to the station, sir? | 0:06:28 | 0:06:30 | |
-Of course. -I just thought with it being your day off... | 0:06:30 | 0:06:33 | |
-I'll follow you. Let's go. -Yes, sir. | 0:06:33 | 0:06:36 | |
Did you take these down? | 0:07:00 | 0:07:02 | |
Erm... | 0:07:03 | 0:07:05 | |
Yeah. | 0:07:06 | 0:07:07 | |
Without consulting me? | 0:07:07 | 0:07:09 | |
I thought it might be a bit upsetting for you to... | 0:07:09 | 0:07:11 | |
Yeah, well, it was, seeing them dumped there like that. | 0:07:11 | 0:07:15 | |
-It was till I had a chance to speak to you. -Sure... | 0:07:15 | 0:07:18 | |
-I'll put them back. -Don't bother. | 0:07:20 | 0:07:22 | |
I'll keep them in my room. | 0:07:22 | 0:07:24 | |
So, have you spoken to Conor? | 0:07:33 | 0:07:36 | |
-He text me. -How is he? | 0:07:37 | 0:07:40 | |
Fine, yeah. Says he'll video chat me in a few days. | 0:07:40 | 0:07:43 | |
Oh, I'd love to speak to him, too. | 0:07:43 | 0:07:45 | |
Nic, you know, you can talk to me, | 0:07:50 | 0:07:54 | |
any time, about anything. | 0:07:54 | 0:07:56 | |
I'm so sorry, I've actually got an appointment. | 0:08:05 | 0:08:08 | |
The bank manager wants to see me. | 0:08:08 | 0:08:10 | |
So, life goes on, does it? | 0:08:10 | 0:08:12 | |
Yeah, Nic. | 0:08:14 | 0:08:16 | |
So, what, you can just get on with things, | 0:08:16 | 0:08:19 | |
and put my dad right to the back of your mind? | 0:08:19 | 0:08:21 | |
No. | 0:08:21 | 0:08:23 | |
Nic, I can't. | 0:08:23 | 0:08:26 | |
I think about him all the time and it breaks my heart... | 0:08:26 | 0:08:29 | |
What, like you broke his? | 0:08:29 | 0:08:31 | |
I'd better go. | 0:08:42 | 0:08:43 | |
SHE SOBS | 0:09:16 | 0:09:19 | |
-Why wasn't I informed of this? -Speed was of the essence. | 0:09:56 | 0:09:59 | |
So, what charges have they been brought in on? | 0:09:59 | 0:10:01 | |
-Suspicion of conspiracy to murder. -Who's the victim? | 0:10:01 | 0:10:04 | |
One Derek McSween. Identified by his dental records. | 0:10:04 | 0:10:09 | |
So you think Lenny Murdoch and Billy Kennedy are in cahoots? | 0:10:09 | 0:10:13 | |
Is that so far-fetched? | 0:10:13 | 0:10:15 | |
-They're a different breed. -You can't say it's not possible. | 0:10:15 | 0:10:18 | |
No, but... Look, I know Murdoch. | 0:10:18 | 0:10:20 | |
I have a simpler take. | 0:10:20 | 0:10:22 | |
Murdoch is a known criminal and nothing can be ruled out. | 0:10:22 | 0:10:25 | |
What corroborative evidence is there? | 0:10:26 | 0:10:29 | |
Earlier today DS Grant received a forensic report | 0:10:29 | 0:10:32 | |
on the burned-out car. | 0:10:32 | 0:10:33 | |
It links the DNA of Kennedy, Murdoch and a Gareth O'Connor to the scene. | 0:10:33 | 0:10:38 | |
With respect, ma'am, is that really enough? | 0:10:38 | 0:10:40 | |
DCI Donald, we have them at our disposal, we can rattle their cages. | 0:10:40 | 0:10:43 | |
Let's try and do that to the very best of our abilities, shall we? | 0:10:43 | 0:10:47 | |
You clearly still have a problem, DCI Donald. | 0:10:49 | 0:10:52 | |
I'm sorry, but I can't help feel my status is being undermined here. | 0:10:52 | 0:10:55 | |
-When I saw DS Grant... -Nonsense. | 0:10:55 | 0:10:57 | |
I'm simply acting on information given to DS Grant earlier today. | 0:10:57 | 0:11:01 | |
But if I'm kept out the loop, what am I supposed to think? | 0:11:01 | 0:11:03 | |
That you have good officers capable of acting on new intel, | 0:11:03 | 0:11:06 | |
and that delegation isn't necessarily a bad thing. | 0:11:06 | 0:11:08 | |
But in order to delegate successfully, | 0:11:08 | 0:11:10 | |
you have to be in full possession of the facts. | 0:11:10 | 0:11:12 | |
Full possession of the facts hasn't helped us much in the past. | 0:11:12 | 0:11:15 | |
What do you mean? | 0:11:15 | 0:11:17 | |
-How long have you been trying to nail Murdoch? -Longer than I'd like. | 0:11:17 | 0:11:20 | |
No! Longer than is remotely feasible, would be more accurate. | 0:11:20 | 0:11:24 | |
What? What are you insinuating? | 0:11:24 | 0:11:27 | |
I'm stating quite plainly that in my opinion, | 0:11:27 | 0:11:30 | |
we have never brought the full force of the law down on this man. | 0:11:30 | 0:11:33 | |
God knows, I have tried. | 0:11:33 | 0:11:35 | |
I've asked the team to assemble for a briefing at 10:15. | 0:11:35 | 0:11:39 | |
You're welcome to attend. | 0:11:39 | 0:11:40 | |
Cooper. You couldn't call me, then? | 0:11:59 | 0:12:02 | |
-I was told not to. -By whom? | 0:12:02 | 0:12:05 | |
DS Grant. She said you weren't to be disturbed on your day off. | 0:12:05 | 0:12:09 | |
Anyone else talk to you? | 0:12:09 | 0:12:11 | |
-About...? -About me. | 0:12:11 | 0:12:14 | |
I just got my orders from DS Grant to pick up Kennedy, that's all. | 0:12:14 | 0:12:17 | |
So, is there anything else I need to know? | 0:12:20 | 0:12:23 | |
I take it you're going to be at the briefing? | 0:12:24 | 0:12:27 | |
Yeah, yeah, c'mon, let's go. | 0:12:27 | 0:12:29 | |
We're all aware of Lenny Murdoch and his operations | 0:12:30 | 0:12:33 | |
and no-one would like to nail him more than I would... | 0:12:33 | 0:12:35 | |
-I see you've started. -Conscious of our detention limits, ma'am. | 0:12:35 | 0:12:39 | |
From today DS Grant will be in charge of the investigation | 0:12:39 | 0:12:42 | |
into the murder of Derek McSween. | 0:12:42 | 0:12:44 | |
DS Grant has been across this case | 0:12:44 | 0:12:45 | |
with Glasgow North from the beginning. | 0:12:45 | 0:12:47 | |
-Continuity will be important. -I see no need... | 0:12:47 | 0:12:49 | |
DS Grant, I'd therefore like you | 0:12:49 | 0:12:51 | |
to conduct the interview with Lenny Murdoch. | 0:12:51 | 0:12:53 | |
DC Cooper, you will take Kennedy. OK? | 0:12:53 | 0:12:56 | |
A word, ma'am. | 0:12:56 | 0:12:57 | |
Derek McSween's burnt remains were found in an Amber Cabs taxi... | 0:13:00 | 0:13:04 | |
DS Grant has an open mind. | 0:13:14 | 0:13:16 | |
And I don't? | 0:13:16 | 0:13:18 | |
Look, I am willing to be proved wrong, | 0:13:18 | 0:13:20 | |
I just think it unlikely that Murdoch would be involved | 0:13:20 | 0:13:23 | |
with somebody like Kennedy, let alone be an accessory in a murder. | 0:13:23 | 0:13:26 | |
And why would that be, DCI Donald? | 0:13:26 | 0:13:28 | |
He might be a died-in-the-wool crook, | 0:13:28 | 0:13:30 | |
but he's not an animal like Billy Kennedy. | 0:13:30 | 0:13:32 | |
You have a very singular take on Mr Murdoch's character. | 0:13:32 | 0:13:35 | |
I just don't think we should bracket them together. | 0:13:35 | 0:13:37 | |
Having taken over this murder investigation from Glasgow North, | 0:13:37 | 0:13:41 | |
we must also remember that our station will now be under scrutiny. | 0:13:41 | 0:13:44 | |
-Under scrutiny? -It hasn't escaped the attention of our superiors | 0:13:44 | 0:13:48 | |
that Lenny Murdoch still operates with seeming impunity. | 0:13:48 | 0:13:52 | |
With respect, ma'am, I hardly think impunity... | 0:13:52 | 0:13:55 | |
Perception is all, DCI Donald. | 0:13:55 | 0:13:57 | |
I'd still like to conduct an interview. | 0:13:57 | 0:14:00 | |
Oh, I think you and I observing will prove far more useful. | 0:14:00 | 0:14:06 | |
Is that an order? | 0:14:06 | 0:14:07 | |
It can be. | 0:14:10 | 0:14:11 | |
Ma'am. | 0:14:11 | 0:14:13 | |
Talk about choosing your moment. Must be his police training. | 0:14:36 | 0:14:39 | |
-Eh? -You know, it's like he's put you under police surveillance | 0:14:39 | 0:14:43 | |
for all this time before he makes his move. | 0:14:43 | 0:14:45 | |
What are you talkin' about? | 0:14:45 | 0:14:47 | |
Well, it's no' exactly been a whirlwind romance, has it? | 0:14:47 | 0:14:49 | |
Especially when it was obvious to everyone in Shieldinch | 0:14:49 | 0:14:52 | |
that you fancied each other. | 0:14:52 | 0:14:53 | |
Cheek! He has been exercising caution. | 0:14:53 | 0:14:57 | |
Because, like me, Craig has been hurt before. | 0:14:57 | 0:14:59 | |
Well, he's throwing caution to the wind now, hasn't he? | 0:14:59 | 0:15:02 | |
-He certainly is. -And the opera? I didn't think he was that posh. | 0:15:02 | 0:15:06 | |
He's not. I think he's just trying to impress me. | 0:15:06 | 0:15:09 | |
Well, delivering flowers first thing. It's very romantic! | 0:15:09 | 0:15:13 | |
Yeah, it is. | 0:15:13 | 0:15:14 | |
Oh, but if he sees me looking like a dog's dinner again... | 0:15:14 | 0:15:16 | |
Well, there'll be no more flowers or opera. | 0:15:16 | 0:15:19 | |
He should consider himself lucky going out with a babe like you. | 0:15:19 | 0:15:23 | |
Oh, he's just... | 0:15:23 | 0:15:25 | |
He's got charm, and... a sense of humour, and... | 0:15:25 | 0:15:29 | |
when Raymond had his meltdown with Stuart, he was so supportive. | 0:15:29 | 0:15:33 | |
Aye. Aye, that's true. | 0:15:33 | 0:15:35 | |
I've got no illusions, I'm just determined to have a good time. | 0:15:35 | 0:15:39 | |
-Well, you deserve it. -Yeah, I do. | 0:15:39 | 0:15:41 | |
Oh, it's been a long time since I felt like this. | 0:15:41 | 0:15:44 | |
And that's without the sex! | 0:15:44 | 0:15:46 | |
I'll have you know that Craig and I | 0:15:46 | 0:15:48 | |
are looking for a mature, adult relationship. | 0:15:48 | 0:15:51 | |
You mean, it's your mind he's after? | 0:15:51 | 0:15:53 | |
Exactly. | 0:15:53 | 0:15:54 | |
-INTERCOM: -'I understand one of your drivers | 0:16:00 | 0:16:02 | |
'got his car nicked last week.' | 0:16:02 | 0:16:04 | |
Is that what this is about? | 0:16:05 | 0:16:07 | |
You no' taking community policing a bit far? | 0:16:07 | 0:16:10 | |
'The remains of one Derek McSween...' | 0:16:12 | 0:16:16 | |
and the burnt-out car. | 0:16:16 | 0:16:18 | |
We found your DNA at the scene. | 0:16:18 | 0:16:21 | |
My DNA? In one of my own cars? | 0:16:21 | 0:16:23 | |
My God, it's an open-and-shut case, innit? | 0:16:23 | 0:16:25 | |
This has gangland hit written all over it. | 0:16:25 | 0:16:27 | |
Yeah, if you say so. | 0:16:27 | 0:16:29 | |
How do you account for Billy Kennedy's | 0:16:29 | 0:16:31 | |
and your boy Gareth's DNA also being there? | 0:16:31 | 0:16:34 | |
I'll take a wild guess. They hired a taxi. | 0:16:34 | 0:16:37 | |
We know you have a connection with Kennedy. | 0:16:37 | 0:16:39 | |
A connection? What, like we support the same football team? | 0:16:39 | 0:16:43 | |
-You know what I'm talking about. -No, I don't think I do. | 0:16:43 | 0:16:46 | |
Well, let me make it clear. We have him next door. | 0:16:46 | 0:16:50 | |
So, for the tape, you're denying this connection? | 0:16:50 | 0:16:53 | |
OK, I admit it. | 0:16:55 | 0:16:57 | |
We go to the same Zumba class, but I don't want that getting out, | 0:16:59 | 0:17:01 | |
OK, because I've got an image to think of. | 0:17:01 | 0:17:03 | |
-SHE SIGHS -'We have all day, you know.' | 0:17:03 | 0:17:05 | |
'Well, 12 hours from when you picked me up, but who's counting? | 0:17:05 | 0:17:09 | |
'Why you doing this anyway? What's this all about?' | 0:17:09 | 0:17:12 | |
So, no connection to Kennedy? | 0:17:15 | 0:17:17 | |
Where's your boss man? In there, is he? | 0:17:17 | 0:17:20 | |
Sending a wee lassie to do a man's job? | 0:17:20 | 0:17:22 | |
Nae offence, darling. | 0:17:22 | 0:17:24 | |
Derek McSween had been acting as an informant for the past year. | 0:17:24 | 0:17:27 | |
He reported to the Drug Enforcement Division. | 0:17:27 | 0:17:30 | |
So what do I care? | 0:17:31 | 0:17:33 | |
We've been liaising with the drugs squad. | 0:17:33 | 0:17:35 | |
There's quite a portfolio on Kennedy, | 0:17:35 | 0:17:37 | |
his operations and his associates. | 0:17:37 | 0:17:40 | |
-Are you going to charge me with anything? -Not at this stage. | 0:17:46 | 0:17:49 | |
-Good, then I'll be for the off... -We're not finished. | 0:17:49 | 0:17:51 | |
-Oh, we are. -Would you like me to call your lawyer? | 0:17:51 | 0:17:54 | |
Why? The innocent have nothing to fear. | 0:17:54 | 0:17:57 | |
For the benefit of the tape, DS Grant is leaving the room. | 0:18:00 | 0:18:05 | |
-What do you think? -Leave him to sweat. | 0:18:22 | 0:18:25 | |
I'm not sure we're going to get much more out of him. | 0:18:26 | 0:18:29 | |
Let's use up our time. | 0:18:29 | 0:18:31 | |
So is there a file from this informant? | 0:18:43 | 0:18:45 | |
What intel's he provided? | 0:18:45 | 0:18:46 | |
As I said earlier, DS Grant is across all this. | 0:18:46 | 0:18:48 | |
I'm sure she'll bring you up to speed. | 0:18:48 | 0:18:50 | |
That's not answering my question. | 0:18:50 | 0:18:52 | |
Do you think you're entitled to interrogate me, DCI Donald? | 0:18:52 | 0:18:55 | |
No, ma'am. | 0:18:55 | 0:18:58 | |
But this is what happens when you jump the gun. | 0:18:58 | 0:19:00 | |
And what would you have done? | 0:19:00 | 0:19:01 | |
I would have waited and built a better case. | 0:19:01 | 0:19:03 | |
I feel bringing Murdoch in has been very informative. | 0:19:03 | 0:19:06 | |
You saw how he reacted at the mention of "drug squad" | 0:19:06 | 0:19:09 | |
and "Kennedy's associates"? | 0:19:09 | 0:19:11 | |
-Can't say I've seen anything useful so far. -I disagree. | 0:19:11 | 0:19:14 | |
Derek McSween reported that he thought the gang had an inside man. | 0:19:15 | 0:19:19 | |
-What do you mean, inside man? -A police officer. -Here? | 0:19:19 | 0:19:23 | |
We don't know for sure, but we need to be vigilant. | 0:19:23 | 0:19:27 | |
Of course. | 0:19:27 | 0:19:28 | |
What do you think? | 0:19:30 | 0:19:31 | |
It wouldn't be the first time a cop's been bought, | 0:19:33 | 0:19:35 | |
but not in this station. | 0:19:35 | 0:19:38 | |
Are you sure? | 0:19:38 | 0:19:39 | |
Positive. | 0:19:41 | 0:19:42 | |
Let's hope you're right. | 0:19:43 | 0:19:45 | |
Right, this is - | 0:19:54 | 0:19:58 | |
or rather WAS - | 0:19:58 | 0:20:00 | |
Derek McSween, otherwise known as Del. | 0:20:00 | 0:20:03 | |
A police informant we think you murdered. | 0:20:06 | 0:20:10 | |
You know him, right? | 0:20:10 | 0:20:11 | |
Oh, come on, Billy. It's a simple confirmation or denial for the tape. | 0:20:13 | 0:20:17 | |
I don't know nothing. | 0:20:17 | 0:20:18 | |
Oh, you don't know nothing? Oh. | 0:20:18 | 0:20:21 | |
Does that include NOT knowing Derek McSween? | 0:20:21 | 0:20:24 | |
-No comment. -So, you do know him? | 0:20:24 | 0:20:27 | |
Just for the tape, no comment means no comment. | 0:20:29 | 0:20:33 | |
He was murdered in a car that carries your DNA. | 0:20:38 | 0:20:42 | |
And the DNA of one Lenny Murdoch and Gareth O'Connor. | 0:20:42 | 0:20:45 | |
You were in this together, weren't you? | 0:20:45 | 0:20:48 | |
No comment. | 0:20:48 | 0:20:49 | |
Gareth, is looking like a scared little boy in the holding cell. | 0:20:49 | 0:20:54 | |
You think he's got your back? | 0:20:54 | 0:20:56 | |
You must think I'm stupid. | 0:20:56 | 0:20:58 | |
Come on, Billy. We're on to you, and you know it. | 0:20:58 | 0:21:02 | |
You really think you're going to pick up in Shieldinch | 0:21:02 | 0:21:05 | |
where your son left off, is that it? | 0:21:05 | 0:21:07 | |
No comment. | 0:21:08 | 0:21:10 | |
You won't be able to breathe. We'll be all over you like a rash. | 0:21:10 | 0:21:14 | |
I recommend you take this chance now. | 0:21:15 | 0:21:18 | |
Don't wait for one of your accomplices to drop you in it. | 0:21:18 | 0:21:22 | |
Are we done? | 0:21:22 | 0:21:24 | |
Hmm? | 0:21:25 | 0:21:26 | |
We're done. | 0:21:28 | 0:21:30 | |
COOPER SIGHS | 0:21:30 | 0:21:32 | |
So, Gareth, how do you account for your DNA being in that car? | 0:21:41 | 0:21:45 | |
-No comment. -Kennedy's pointing the finger at you, Gareth. | 0:21:45 | 0:21:49 | |
-You comfortable with that? -No comment. | 0:21:49 | 0:21:51 | |
So who's been coaching you, Gareth? | 0:21:51 | 0:21:54 | |
No comment. | 0:21:55 | 0:21:57 | |
You're young, don't throw away your life on these guys. | 0:21:57 | 0:22:01 | |
Do you think you owe them something? | 0:22:01 | 0:22:03 | |
No comment. | 0:22:03 | 0:22:05 | |
This is your chance to get out. Why don't you take it? | 0:22:05 | 0:22:08 | |
-No comment. -Do you take sugar in your tea? | 0:22:08 | 0:22:11 | |
I'm sweet enough. | 0:22:13 | 0:22:14 | |
Gina! | 0:22:20 | 0:22:22 | |
Hi! | 0:22:24 | 0:22:26 | |
I was actually hoping to see you. | 0:22:26 | 0:22:28 | |
Were you? | 0:22:28 | 0:22:30 | |
I really enjoyed the other night. | 0:22:30 | 0:22:33 | |
Yeah, me too. I got your text, thanks. | 0:22:33 | 0:22:36 | |
I just thought I wanted to see you in person. | 0:22:36 | 0:22:38 | |
Listen, I'm the one who should be grateful. | 0:22:38 | 0:22:40 | |
It's been ages since I ate out in good company. | 0:22:40 | 0:22:42 | |
I still feel bad about you paying. | 0:22:42 | 0:22:44 | |
Like I said, we can go somewhere really expensive | 0:22:44 | 0:22:47 | |
-when it's your turn. -That's what I wanted to ask. | 0:22:47 | 0:22:51 | |
Could I buy you dinner tonight? | 0:22:51 | 0:22:54 | |
Yeah, that'd be great! | 0:22:54 | 0:22:55 | |
Somewhere really special, I hope? | 0:22:57 | 0:22:59 | |
-Do you like seafood? -Love it. | 0:22:59 | 0:23:02 | |
No, I booked the table at the Lobster Creel. | 0:23:02 | 0:23:05 | |
That's really posh. I've never been. | 0:23:05 | 0:23:08 | |
You'll love it. | 0:23:08 | 0:23:10 | |
Oh, Greg! I'm sorry, I can't! | 0:23:10 | 0:23:14 | |
What is it? | 0:23:14 | 0:23:15 | |
I've already promised Eileen I'll look after the wee man. | 0:23:15 | 0:23:18 | |
How about Friday night then? | 0:23:18 | 0:23:21 | |
-Perfect. -I'll pick you up at seven. | 0:23:21 | 0:23:23 | |
Right, I... I'll really look forward to that. | 0:23:23 | 0:23:28 | |
Bye. | 0:23:28 | 0:23:30 | |
Bye. | 0:23:30 | 0:23:32 | |
You need to remember Murdoch's a very tricky customer. | 0:23:38 | 0:23:41 | |
Oh, I could see that this morning, sir. | 0:23:41 | 0:23:44 | |
Which is what concerns me | 0:23:44 | 0:23:45 | |
about this directive from Superintendent Cole. | 0:23:45 | 0:23:48 | |
Sir? | 0:23:48 | 0:23:49 | |
She is a very able officer, | 0:23:52 | 0:23:54 | |
but she doesn't have the street-smart, if you like, | 0:23:54 | 0:23:58 | |
-that you and I have. -Perhaps not, but... | 0:23:58 | 0:24:02 | |
I still have to report directly to her, sir. | 0:24:02 | 0:24:04 | |
Of course, of course! | 0:24:04 | 0:24:05 | |
I'm not trying to countermand Superintendent Cole, | 0:24:05 | 0:24:08 | |
just as your commanding officer I would expect any intel you glean | 0:24:08 | 0:24:11 | |
-to be run past me first. -Oh, absolutely. | 0:24:11 | 0:24:15 | |
I've been tracking Murdoch for a long time, | 0:24:15 | 0:24:17 | |
I can spot his false trails a mile off. | 0:24:17 | 0:24:19 | |
So it'll save us time in the long run. | 0:24:19 | 0:24:21 | |
No doubt, sir. | 0:24:21 | 0:24:23 | |
So, we're clear about the chain of command here? | 0:24:23 | 0:24:26 | |
-Crystal, sir. -Good. That'll be all. | 0:24:26 | 0:24:30 | |
Sir. | 0:24:30 | 0:24:31 | |
Hi. | 0:24:59 | 0:25:01 | |
Hi. | 0:25:01 | 0:25:03 | |
Christina, it meant a lot seeing you at the funeral... | 0:25:05 | 0:25:08 | |
after everything that happened. | 0:25:08 | 0:25:11 | |
What you're going through, I can't imagine. | 0:25:11 | 0:25:15 | |
Everything else pales. | 0:25:15 | 0:25:17 | |
I don't deserve you. | 0:25:18 | 0:25:21 | |
It's amazing how nice people've been, actually. | 0:25:21 | 0:25:24 | |
Stuff like this makes you see what really matters, I guess. | 0:25:24 | 0:25:28 | |
How's Leyla? | 0:25:30 | 0:25:31 | |
I don't know. She's not facing up to things, I don't think. | 0:25:33 | 0:25:38 | |
She'll be putting on a brave face...for you. | 0:25:38 | 0:25:42 | |
D'you think so? | 0:25:42 | 0:25:44 | |
Yeah. She's suffering, too. | 0:25:44 | 0:25:48 | |
Don't be hard on her. | 0:25:48 | 0:25:49 | |
I think I might've been already. | 0:25:51 | 0:25:53 | |
Leyla? | 0:25:57 | 0:25:59 | |
Hey. I'm glad I caught you. | 0:25:59 | 0:26:02 | |
I'm really sorry about this morning. | 0:26:02 | 0:26:05 | |
The things I said were pretty horrible | 0:26:05 | 0:26:09 | |
and not really how I feel. | 0:26:09 | 0:26:11 | |
Please, don't worry about it, Nic. | 0:26:11 | 0:26:15 | |
And, actually, I kind of would like to talk. | 0:26:15 | 0:26:17 | |
Course, come on. | 0:26:18 | 0:26:21 | |
I'm beginning to realise now, at a time like this, | 0:26:28 | 0:26:32 | |
how important your friends and family are, | 0:26:32 | 0:26:35 | |
more so than ever. | 0:26:35 | 0:26:37 | |
I've been so selfish. I'm sorry. | 0:26:39 | 0:26:41 | |
You're grieving, Nic. | 0:26:42 | 0:26:44 | |
Yeah, but so are you. How can I not...? | 0:26:44 | 0:26:46 | |
Nicole. It's OK. | 0:26:46 | 0:26:49 | |
I was thinking it might be quite nice to get away for a bit. | 0:26:53 | 0:26:57 | |
OK. | 0:26:58 | 0:27:00 | |
You know my dad used to really like Loch Awe and the fishing up there? | 0:27:00 | 0:27:04 | |
Thought it'd be good to take some time out and go up, | 0:27:05 | 0:27:09 | |
I don't know, plant a tree in his name or something. | 0:27:09 | 0:27:12 | |
-That sounds perfect. -Gabe can come, too, | 0:27:16 | 0:27:19 | |
if it helps you get through. | 0:27:19 | 0:27:21 | |
Yeah? | 0:27:23 | 0:27:24 | |
OK. Well, if you don't mind, I'd quite like to say to him myself. | 0:27:26 | 0:27:29 | |
OK. | 0:27:31 | 0:27:33 | |
Go for it. | 0:27:33 | 0:27:34 | |
So what's the plan now? | 0:27:38 | 0:27:40 | |
We'll have to let them go, | 0:27:40 | 0:27:43 | |
but I think they'll have got a strong message - | 0:27:43 | 0:27:46 | |
-we're on their case. -Well, I hope so. | 0:27:46 | 0:27:49 | |
Did the search of Murdoch's premises turn up anything? | 0:27:49 | 0:27:52 | |
-Not as yet. -Well, I can assure you, | 0:27:52 | 0:27:55 | |
we'll be doing everything we can to solve this murder. | 0:27:55 | 0:27:58 | |
I'm happy to concentrate on Kennedy while DS Grant targets Murdoch. | 0:27:58 | 0:28:03 | |
Sir. | 0:28:03 | 0:28:04 | |
You entering into the spirit of cooperation, DCI Donald? | 0:28:08 | 0:28:12 | |
It's what good police work's based on, ma'am. | 0:28:12 | 0:28:15 | |
-Keep me posted. -Will do. | 0:28:16 | 0:28:19 | |
Doug. It's Craig Donald. | 0:28:34 | 0:28:37 | |
How's life in Glasgow North treating you? | 0:28:37 | 0:28:40 | |
Ha! How're the kids? | 0:28:40 | 0:28:42 | |
You're joking. Aaw. | 0:28:42 | 0:28:45 | |
Listen, mate, I need a favour. | 0:28:45 | 0:28:47 | |
You better swear to me you knew nothing about this. | 0:28:56 | 0:28:59 | |
Nothing. Honest. | 0:28:59 | 0:29:01 | |
I've not even spoken to Kennedy. I didn't even know he was back. | 0:29:01 | 0:29:04 | |
Well, he is. You get a message to him, you tell him we need to meet. | 0:29:04 | 0:29:07 | |
And not around here. | 0:29:07 | 0:29:09 | |
-Can't you call him? -Phone? Too risky. | 0:29:19 | 0:29:23 | |
-Sorry, I just thought... -Don't. Just get the message to him? | 0:29:23 | 0:29:26 | |
PHONE RINGS Aye, OK. | 0:29:26 | 0:29:29 | |
It's me. We need to meet. | 0:29:32 | 0:29:34 | |
Rearrange it. Don't argue. | 0:29:35 | 0:29:37 | |
OK. Good. | 0:29:39 | 0:29:41 | |
-Craig! -Hi, Eileen. | 0:29:44 | 0:29:47 | |
-My turn to surprise you. -Ha-ha, yeah, you certainly got me there. | 0:29:47 | 0:29:50 | |
So, do you always do your opera invites before you do raids? | 0:29:50 | 0:29:53 | |
Ah, well... I knew I was meeting my officers at Amber Cabs, | 0:29:53 | 0:29:55 | |
so I didn't see any problem with... | 0:29:55 | 0:29:57 | |
You don't have to explain. I was just joking. | 0:29:57 | 0:30:00 | |
I know, I know! | 0:30:00 | 0:30:01 | |
Look, I need to be getting back. I need to get back to the station. | 0:30:02 | 0:30:06 | |
OK, I won't hold you up. So did you get the tickets OK? | 0:30:06 | 0:30:09 | |
-Sorry? -For the opera? | 0:30:09 | 0:30:11 | |
Oh, yeah, yeah! Just been into town. Got them right here. | 0:30:11 | 0:30:13 | |
Great. Well, I'll see you tonight. | 0:30:13 | 0:30:16 | |
-Looking forward to it. -OK, bye. -See you later. | 0:30:16 | 0:30:18 | |
Where'd he go? | 0:30:25 | 0:30:27 | |
I don't know. | 0:30:27 | 0:30:29 | |
Did you see the DCI and Murdoch | 0:30:30 | 0:30:32 | |
talk at any point during this morning's raid? | 0:30:32 | 0:30:35 | |
DCI Donald got Murdoch into the car, but I was right behind them. | 0:30:35 | 0:30:40 | |
I didn't see anything. Only I... | 0:30:40 | 0:30:42 | |
What? | 0:30:42 | 0:30:44 | |
I did sense an atmosphere, but that could just be | 0:30:44 | 0:30:47 | |
because the DCI wasn't across what was going on. | 0:30:47 | 0:30:50 | |
Do you think Murdoch look betrayed? | 0:30:52 | 0:30:54 | |
There's a danger of reading too much into a look, ma'am. | 0:30:54 | 0:30:57 | |
Perhaps. | 0:30:57 | 0:30:59 | |
If he is using Murdoch as an informer, | 0:30:59 | 0:31:01 | |
is that necessarily a problem? | 0:31:01 | 0:31:03 | |
I'd like to know what Murdoch is getting out of it. | 0:31:03 | 0:31:05 | |
Money? | 0:31:05 | 0:31:07 | |
DCI Donald hasn't applied for informant funds in the last year. | 0:31:07 | 0:31:10 | |
You think they have an understanding of some sort? | 0:31:16 | 0:31:19 | |
I don't know what they have exactly, | 0:31:19 | 0:31:22 | |
but I think we need to keep closer tabs on both of them from now on. | 0:31:22 | 0:31:25 | |
You need to tell me what the hell is going on here, | 0:31:44 | 0:31:47 | |
cos I can't... I will not get you off with murder. | 0:31:47 | 0:31:49 | |
Like I told the lassie earlier, I know nothing about a body in a taxi. | 0:31:49 | 0:31:52 | |
-How do I know... -Do you think I'm going to get involved | 0:31:52 | 0:31:54 | |
-with Kennedy offing somebody? -Do you think I'm going to cover you? | 0:31:54 | 0:31:57 | |
Covering me's exactly what you're supposed to be doing. | 0:31:57 | 0:32:00 | |
Oh, despite the fact you lied to me before about your heroin stash? | 0:32:00 | 0:32:03 | |
Look, I've spent the morning with my boss trying to get the heat off you, | 0:32:03 | 0:32:07 | |
I've got my neck on the line here for you! | 0:32:07 | 0:32:08 | |
Well, that's all very touching, | 0:32:08 | 0:32:10 | |
-but we both know you're protecting you, no' me. -What do you expect? | 0:32:10 | 0:32:13 | |
This arrangement was never about heroin dealing and murder! | 0:32:13 | 0:32:18 | |
But I'm still supposed to trust you? | 0:32:18 | 0:32:20 | |
Oh, and I'm supposed to trust you? My place got turned over. | 0:32:20 | 0:32:23 | |
-What, you setting me up? -You saw what happened! | 0:32:23 | 0:32:25 | |
Did I look like a guy who knew what was going on? | 0:32:25 | 0:32:28 | |
-So you're a good actor. -I didn't know, OK? | 0:32:28 | 0:32:30 | |
You must think my head's buttoned up the back. | 0:32:35 | 0:32:38 | |
You're the chief inspector and nobody tells you anything? Oh, Sure. | 0:32:38 | 0:32:42 | |
So you're either mucking me about or you've lost control of your station. | 0:32:42 | 0:32:47 | |
When did I become a hit man, hmm? | 0:32:53 | 0:32:56 | |
Burning guys in motors? Come on! | 0:32:56 | 0:32:58 | |
So tell me about Kennedy. | 0:33:05 | 0:33:07 | |
What's to tell? | 0:33:07 | 0:33:09 | |
I've not seen him for weeks. We don't move in the same circles. | 0:33:09 | 0:33:13 | |
Make sure you keep it that way. | 0:33:15 | 0:33:17 | |
Lenny, he is a loose cannon. | 0:33:21 | 0:33:24 | |
Tell me something I don't know. | 0:33:29 | 0:33:31 | |
-Hey. -Hey. | 0:33:36 | 0:33:39 | |
Hiya. What can I get you? | 0:33:39 | 0:33:40 | |
Can I have a black coffee, please, Stella. | 0:33:40 | 0:33:42 | |
-Mind if I join you? -Of course. | 0:33:46 | 0:33:49 | |
-Well, I don't like to presume. -Since when have you been so polite? | 0:33:49 | 0:33:53 | |
I've been working on it. | 0:33:53 | 0:33:55 | |
-So, I ran into Nicole. -Right. | 0:33:56 | 0:34:00 | |
It's a great idea. | 0:34:00 | 0:34:02 | |
Yeah, it is. But it won't be painless. | 0:34:02 | 0:34:05 | |
No. | 0:34:06 | 0:34:08 | |
So are you going back to work? | 0:34:11 | 0:34:13 | |
Not sure I can face it yet. | 0:34:16 | 0:34:17 | |
It's early days. | 0:34:19 | 0:34:20 | |
Thanks. | 0:34:22 | 0:34:24 | |
Thank you, Gabriel, for all your support. | 0:34:28 | 0:34:32 | |
Look, it's nothing, anybody would've done... | 0:34:32 | 0:34:35 | |
Just shut it and learn to accept a thank you for once, will you? | 0:34:35 | 0:34:38 | |
OK. | 0:34:40 | 0:34:42 | |
And it wasn't just nothing. | 0:34:42 | 0:34:44 | |
You've gone through hell as well, | 0:34:46 | 0:34:48 | |
but you've still managed to look out for everyone else. | 0:34:48 | 0:34:50 | |
I'm really hoping this trip away can help us mend things. | 0:34:53 | 0:34:59 | |
Yeah, me too. | 0:34:59 | 0:35:02 | |
And Nicole seems to have turned a corner, though. | 0:35:02 | 0:35:05 | |
Yeah. | 0:35:05 | 0:35:07 | |
Yeah, I think she has. | 0:35:07 | 0:35:09 | |
-But, we let's not get ahead of ourselves. -No. | 0:35:09 | 0:35:12 | |
Hey, Nicole? | 0:35:17 | 0:35:18 | |
-Hiya. -Hi. How's things? | 0:35:20 | 0:35:22 | |
Not great, but what can you expect? | 0:35:24 | 0:35:27 | |
Sorry, stupid question. | 0:35:27 | 0:35:30 | |
I know what you must be going through. | 0:35:30 | 0:35:32 | |
No, you don't. | 0:35:32 | 0:35:34 | |
You're right. I don't. | 0:35:34 | 0:35:36 | |
-Gareth, what do you want from me? -I don't want anything from you. | 0:35:40 | 0:35:44 | |
I just like you, you know? | 0:35:44 | 0:35:46 | |
I don't get it. I'm three months pregnant. | 0:35:46 | 0:35:48 | |
That doesn't stop me liking you. | 0:35:48 | 0:35:50 | |
Obviously not, that's what I'm worried about. | 0:35:50 | 0:35:53 | |
Look, I've got a lot of stuff on my mind just now. | 0:35:56 | 0:35:59 | |
-You don't need any more aggravation. I get it. -No, it's... | 0:35:59 | 0:36:02 | |
I just need some space. | 0:36:04 | 0:36:07 | |
And then maybe after a while we'll be able to think about other things. | 0:36:07 | 0:36:10 | |
That's not a problem. You call me when you feel like it. | 0:36:10 | 0:36:13 | |
No, sorry, look, I didn't mean it like that. | 0:36:13 | 0:36:16 | |
I'll see you soon, OK? | 0:36:16 | 0:36:18 | |
KNOCK AT DOOR Come. | 0:36:24 | 0:36:27 | |
-DCI Donald, I'd like to run something past you. -Sure. | 0:36:27 | 0:36:30 | |
These are copies of Lenny Murdoch's phone records. | 0:36:30 | 0:36:33 | |
There's a number here that crops up again and again. | 0:36:33 | 0:36:36 | |
Take a look. | 0:36:36 | 0:36:38 | |
Recognise it? | 0:36:38 | 0:36:40 | |
Uh... No, no. Can't say I do. | 0:36:40 | 0:36:42 | |
I'll check it against our file on Murdoch. | 0:36:42 | 0:36:45 | |
I already have. There's no match. | 0:36:45 | 0:36:47 | |
-I see. -Have you had occasion to call up his phone records before? | 0:36:47 | 0:36:52 | |
Em... I'm sure we have. | 0:36:52 | 0:36:54 | |
I couldn't find any official record of it having been done. | 0:36:54 | 0:36:57 | |
Really? Uh... | 0:36:57 | 0:36:59 | |
Maybe that was something I got DC Cooper to do. I'll check. | 0:36:59 | 0:37:02 | |
Anyway, on looking over the timeline of events | 0:37:02 | 0:37:05 | |
leading up to the heroin house raid two weeks ago, | 0:37:05 | 0:37:07 | |
I noticed an interesting cross-over with these phone records. | 0:37:07 | 0:37:10 | |
This number that crops up repeatedly? | 0:37:10 | 0:37:14 | |
It called Murdoch just minutes before the raid. | 0:37:14 | 0:37:17 | |
Could be a coincidence. | 0:37:21 | 0:37:23 | |
-Or a tip-off? -Mmm... | 0:37:23 | 0:37:26 | |
It's possible, don't you think? | 0:37:26 | 0:37:29 | |
It's possible, I suppose, ma'am. | 0:37:29 | 0:37:31 | |
Maybe my insider theory isn't so fanciful after all. | 0:37:31 | 0:37:36 | |
-Possibly not. -No, no. You hang on to those. | 0:37:36 | 0:37:38 | |
Let's do everything we can to find out who owns that phone. | 0:37:38 | 0:37:42 | |
I'll get straight on to that. | 0:37:42 | 0:37:45 | |
Will, I need to see you in my office. | 0:37:53 | 0:37:56 | |
Five minutes? Great. | 0:37:56 | 0:37:58 | |
So they're on to you. | 0:38:27 | 0:38:30 | |
-Sorry? -The police. -I... | 0:38:30 | 0:38:32 | |
Look at you! You must be guilty! | 0:38:32 | 0:38:34 | |
No, no, no, it's nothing... | 0:38:34 | 0:38:35 | |
-Lenny. I'm joking! -I know, I know! | 0:38:35 | 0:38:38 | |
I heard about all the police outside your office this morning. | 0:38:38 | 0:38:42 | |
-What was all that about? -One of my cabs got nicked. | 0:38:42 | 0:38:45 | |
So they sent a whole division over? | 0:38:45 | 0:38:47 | |
I know. Total overkill, eh? They watch too much telly. | 0:38:47 | 0:38:50 | |
-Have they found the cab? -Yeah, yeah. Burnt out. | 0:38:50 | 0:38:53 | |
Really? Do they know who did it? | 0:38:53 | 0:38:56 | |
What, the Keystone cops here? Nae chance. | 0:38:56 | 0:38:58 | |
It'll be a couple of youngsters. Joyriding, you know? | 0:38:58 | 0:39:01 | |
They like to burn it out after they've used up the petrol. | 0:39:01 | 0:39:03 | |
Hey, it's quite exciting, though, isn't it? | 0:39:03 | 0:39:06 | |
I know, the Bronx has nothin' on us, eh? | 0:39:06 | 0:39:08 | |
Do you fancy a drink later? | 0:39:08 | 0:39:10 | |
Today's not a good day. | 0:39:12 | 0:39:14 | |
Can I ask you a question? | 0:39:16 | 0:39:17 | |
Am I being too forward? | 0:39:19 | 0:39:20 | |
No. No, no, not at all. | 0:39:22 | 0:39:24 | |
I'm just up to my neck in it, you know? Um...I'll call you. | 0:39:24 | 0:39:27 | |
-Will you? -Sure. Sure. | 0:39:27 | 0:39:30 | |
OK. See ya. | 0:39:31 | 0:39:33 | |
That's the number there. You recognise it? | 0:39:37 | 0:39:40 | |
Don't think so, no. | 0:39:41 | 0:39:43 | |
Do me a favour - check it out, will you? | 0:39:43 | 0:39:45 | |
But report to me, not back to Cole, yeah? | 0:39:45 | 0:39:48 | |
These are Lenny Murdoch's phone records. | 0:39:48 | 0:39:50 | |
-It can't be like before. -What? | 0:39:50 | 0:39:53 | |
I'm not willing to be caught in the middle again, sir. | 0:39:53 | 0:39:57 | |
It's just some phone records, Cooper. | 0:39:57 | 0:39:59 | |
And you help keep her off my back. | 0:39:59 | 0:40:02 | |
That's not what I'm talking about. | 0:40:02 | 0:40:04 | |
Since my suspension, I have to be seen to be above board. | 0:40:04 | 0:40:07 | |
There's nothing underhand in this, | 0:40:07 | 0:40:09 | |
I will tell Superintendent Cole you're looking into it. | 0:40:09 | 0:40:11 | |
I'm not going to be dragged into anything... | 0:40:11 | 0:40:13 | |
-Anything what? -Anything that puts me in a position | 0:40:13 | 0:40:15 | |
-where I could be suspended again. -How would that happen? | 0:40:15 | 0:40:18 | |
If I find out something about the phone numbers and don't report it. | 0:40:18 | 0:40:21 | |
Looking after number one, eh? | 0:40:22 | 0:40:24 | |
Yeah. Just like you did when I got suspended | 0:40:24 | 0:40:27 | |
Ah-ha! We both know you got yourself into that one. | 0:40:27 | 0:40:29 | |
Right, and I'm not going to make the same mistake again. | 0:40:29 | 0:40:32 | |
So you're refusing an order, Constable? | 0:40:35 | 0:40:38 | |
I'm not refusing an order, I'm making a judgement call. | 0:40:38 | 0:40:41 | |
And I think it's best for the both of us that I decline this task. | 0:40:41 | 0:40:44 | |
In other words, I'm on my own. | 0:40:44 | 0:40:46 | |
On this one, sir, yeah. | 0:40:46 | 0:40:48 | |
-You're not contemplating an action of your own, are you, Cooper? -No. | 0:40:52 | 0:40:56 | |
Aside from this, I'm here to carry out your orders, sir. | 0:40:56 | 0:40:59 | |
Good to know. That'll be all, Constable. | 0:40:59 | 0:41:03 | |
Thanks. | 0:41:03 | 0:41:04 | |
PHONE CHIMES | 0:41:14 | 0:41:16 | |
COMPUTER CHIMES | 0:41:30 | 0:41:32 | |
Upstairs. Five minutes. | 0:41:57 | 0:41:59 | |
-Hi. -You look gorgeous! | 0:42:10 | 0:42:13 | |
-Hot date, aye? -None of your business. | 0:42:13 | 0:42:16 | |
-White wine for the lady, please, Stevie? -Aye, all right. | 0:42:16 | 0:42:19 | |
-He's not here, is he? -No. | 0:42:21 | 0:42:24 | |
Good. Want to get the first one of them down my neck. | 0:42:24 | 0:42:27 | |
Oh, I'm nervous. | 0:42:27 | 0:42:29 | |
Why are you nervous? You've had drinks with him before? | 0:42:29 | 0:42:32 | |
I know, but that was different. This is a date. | 0:42:32 | 0:42:35 | |
With the flowers and everything this morning, it's like we're... | 0:42:35 | 0:42:37 | |
-Getting more serious? -Yeah. | 0:42:37 | 0:42:40 | |
-There you go. -Thanks. -Good luck. | 0:42:40 | 0:42:43 | |
Thanks, I'll need it. | 0:42:43 | 0:42:46 | |
Well, a couple more of these down your neck | 0:42:46 | 0:42:48 | |
-and you'll be up for anything. -You stop that! | 0:42:48 | 0:42:51 | |
Right, c'mon. Let's take the weight of those heels. | 0:42:51 | 0:42:53 | |
You don't think this is a bit much, do you? | 0:42:53 | 0:42:55 | |
No, are you kidding? He's not going to take his hands off you. | 0:42:55 | 0:42:58 | |
-You'll distract him from the opera. -Craig's not like that. | 0:42:58 | 0:43:00 | |
"Craig's not like that!" Aye, right. Tell me that tomorrow! | 0:43:00 | 0:43:04 | |
Going to have to have a word with that tenant of mine. | 0:43:16 | 0:43:18 | |
He's got a place like a cowp. Drink? | 0:43:18 | 0:43:21 | |
So what's so urgent? | 0:43:24 | 0:43:26 | |
These were taken yesterday, Kennedy...and you. | 0:43:28 | 0:43:33 | |
They don't mean anything. | 0:43:39 | 0:43:41 | |
Don't insult my intelligence. Are you two working together? | 0:43:41 | 0:43:44 | |
No. | 0:43:44 | 0:43:47 | |
Did you get involved in that heroin deal | 0:43:47 | 0:43:48 | |
-a few weeks back because of him? -I already telt you, no. | 0:43:48 | 0:43:51 | |
Don't lie to me. Drugs are his thing. | 0:43:51 | 0:43:54 | |
It's too much of a coincidence. | 0:43:54 | 0:43:56 | |
All right. I met him the other day in the street. | 0:43:58 | 0:44:01 | |
We done a one-off deal a couple of weeks ago. | 0:44:01 | 0:44:04 | |
-It was better you didn't know. -Better I didn't know?! | 0:44:04 | 0:44:07 | |
Well, look at the state of you now. | 0:44:07 | 0:44:09 | |
If any of my team get a hold of this... | 0:44:09 | 0:44:12 | |
You better make sure they don't. | 0:44:12 | 0:44:14 | |
What do you want me to do! That's twice you've lied to me! | 0:44:14 | 0:44:17 | |
I told you weeks ago - I can't help you if you're involved with Kennedy. | 0:44:17 | 0:44:21 | |
You've no choice. | 0:44:21 | 0:44:23 | |
Aye, I do. I'm out. | 0:44:23 | 0:44:25 | |
This arrangement is over. | 0:44:25 | 0:44:27 | |
This arrangement is over when I say it's over. | 0:44:28 | 0:44:31 | |
It's over, Lenny. | 0:44:31 | 0:44:33 | |
We are going after Billy Kennedy. | 0:44:33 | 0:44:35 | |
-If the trail leads to your door then... -Then what? | 0:44:35 | 0:44:39 | |
Then you've brought it on yourself. | 0:44:39 | 0:44:41 | |
Well. | 0:44:48 | 0:44:50 | |
-I suppose I could say the same thing about you. -What?! | 0:44:50 | 0:44:53 | |
PHONE: 'I've got my neck on the line here for you.' | 0:44:57 | 0:44:59 | |
'Well, that's all very touching. | 0:44:59 | 0:45:01 | |
'But we both know you're protecting you, not me.' | 0:45:01 | 0:45:03 | |
Not bad eh? This one's my favourite. | 0:45:03 | 0:45:07 | |
'This arrangement was never about heroin dealing and murder! | 0:45:07 | 0:45:13 | |
'But I'm still supposed to trust you?' | 0:45:13 | 0:45:16 | |
Great wee things them, aren't they? | 0:45:16 | 0:45:18 | |
You know the best thing? I can send this wherever I want, | 0:45:18 | 0:45:22 | |
by text or email, to anybody I want. | 0:45:22 | 0:45:24 | |
So it's like I said. | 0:45:26 | 0:45:29 | |
This is over when I say it's over. | 0:45:29 | 0:45:31 | |
PHONE CHIMES | 0:46:11 | 0:46:13 | |
19:21, he leaves the flat above the Tall Ship pub. | 0:46:28 | 0:46:31 | |
PHONE RINGS | 0:46:44 | 0:46:48 | |
Sir. | 0:46:48 | 0:46:49 | |
Hi. Where are you right now? | 0:46:49 | 0:46:53 | |
I'm... I'm still at the station, sir. | 0:46:53 | 0:46:56 | |
-OK, I'll see you there in 20 minutes. -'Sir.' | 0:46:56 | 0:47:00 | |
Shit! | 0:47:01 | 0:47:03 | |
It's just gone straight to message. | 0:47:03 | 0:47:05 | |
He must've got called away on a job. | 0:47:05 | 0:47:07 | |
Yeah, I suppose so. These things happen, don't they? | 0:47:07 | 0:47:10 | |
Aye. I'm sure he'll call you soon. | 0:47:10 | 0:47:12 | |
Yeah. Well, I think we've blown the opera though. | 0:47:12 | 0:47:17 | |
You could go to the pictures. There's still time yet. | 0:47:17 | 0:47:19 | |
Yeah...we'll do something. | 0:47:19 | 0:47:21 | |
It's my shout. Do you want another drink? | 0:47:21 | 0:47:24 | |
Kelly-Marie, you don't have to hang around, I'm fine. | 0:47:24 | 0:47:26 | |
It's no bother, I'm enjoying your chat. | 0:47:26 | 0:47:30 | |
Why not? | 0:47:30 | 0:47:31 | |
Same again. | 0:47:33 | 0:47:34 | |
-What are you doing? -Calm down. | 0:47:39 | 0:47:42 | |
Through here. | 0:47:42 | 0:47:44 | |
Have you got something to tell me? | 0:47:52 | 0:47:55 | |
About a hit you arranged? | 0:47:55 | 0:47:56 | |
Are you giving me into a row? | 0:47:56 | 0:47:58 | |
What is it? Just slipped your mind, did it? | 0:47:58 | 0:48:00 | |
The other day you toasted somebody? | 0:48:00 | 0:48:03 | |
-Lenny, you're not my keeper. -You're damn right I'm not, | 0:48:03 | 0:48:05 | |
but I'm covering for you and what do I get in return? | 0:48:05 | 0:48:08 | |
You torch my cabs? What, are you nuts? | 0:48:08 | 0:48:10 | |
Aye, probably, but needs must. | 0:48:10 | 0:48:14 | |
I was doin' you a favour. The guy was a grass... | 0:48:14 | 0:48:16 | |
Aye, aye, I heard that spiel down the cop shop. | 0:48:16 | 0:48:19 | |
How much did he know? | 0:48:19 | 0:48:21 | |
Not much. | 0:48:21 | 0:48:23 | |
Why my cabs? Are you trying to wind me up? | 0:48:24 | 0:48:27 | |
It keeps us in the clear. | 0:48:27 | 0:48:29 | |
Who'd be stupid enough to use a cab that's got their DNA all over it? | 0:48:30 | 0:48:34 | |
Huh? | 0:48:34 | 0:48:36 | |
That's what your lawyer would tell them. | 0:48:36 | 0:48:40 | |
-And that's it, is it? -Aye, that's it. | 0:48:40 | 0:48:42 | |
No other reason? | 0:48:42 | 0:48:44 | |
Don't ever try and play me, Billy, do you hear? | 0:48:45 | 0:48:47 | |
There was a problem. It got sorted. | 0:48:47 | 0:48:50 | |
End of. | 0:48:50 | 0:48:52 | |
If me and you are going to work together, | 0:48:52 | 0:48:54 | |
you're going to need to tone it down. | 0:48:54 | 0:48:57 | |
I'll bear that in mind. | 0:48:57 | 0:49:00 | |
If you want to talk, do it through Gareth. And no phones. | 0:49:00 | 0:49:03 | |
Right. We need to go. | 0:49:12 | 0:49:13 | |
Well, just the one for the road before I go, if that's OK. | 0:49:15 | 0:49:18 | |
I'm glad I caught you, | 0:49:26 | 0:49:27 | |
I thought it was only fair to give you a heads-up as soon as possible. | 0:49:27 | 0:49:30 | |
That's great, sir. | 0:49:30 | 0:49:32 | |
I've gone some way to remedying the situation this morning. | 0:49:32 | 0:49:35 | |
I had a word with Lenny Murdoch, managed to get him to talk. | 0:49:35 | 0:49:39 | |
We've got him rattled. | 0:49:39 | 0:49:41 | |
I asked him for some information on Kennedy and I get the feeling | 0:49:41 | 0:49:44 | |
he'll feed us some crumbs to try and keep us at bay. | 0:49:44 | 0:49:47 | |
I will have to report to Superintendent Cole. | 0:49:47 | 0:49:50 | |
Of course you will. She must be kept informed. | 0:49:50 | 0:49:52 | |
Lenny'll be useful to us. | 0:49:53 | 0:49:55 | |
If we play the long game, he'll help us get Kennedy | 0:49:55 | 0:49:59 | |
-OK, sir. -And then we'll get him, too. | 0:49:59 | 0:50:03 | |
Sir. | 0:50:03 | 0:50:04 | |
So. How's it gone today? | 0:50:42 | 0:50:44 | |
-Well, I followed Donald to the Tall Ship. -Mm-hmm. | 0:50:44 | 0:50:46 | |
I knew it. I knew he'd go running to Murdoch | 0:50:56 | 0:50:59 | |
after I showed him the phone records. | 0:50:59 | 0:51:01 | |
There's more. He asked me in for a word. | 0:51:01 | 0:51:04 | |
What did he want? | 0:51:04 | 0:51:06 | |
To prove that he's our best point of contact for Lenny. | 0:51:06 | 0:51:09 | |
That they've been talking. | 0:51:09 | 0:51:11 | |
Unbelievable! This must be the start of his cover-up. | 0:51:11 | 0:51:15 | |
But why do that? It's so risky. | 0:51:15 | 0:51:17 | |
It certainly smacks of desperation. | 0:51:17 | 0:51:19 | |
I can only guess that Murdoch's put the squeeze on him. | 0:51:19 | 0:51:22 | |
Anything further on the murder investigation? | 0:51:22 | 0:51:25 | |
No. We're going to be reliant on witnesses. | 0:51:25 | 0:51:27 | |
Don't hold your breath. | 0:51:27 | 0:51:30 | |
So what's our next move? | 0:51:30 | 0:51:32 | |
Let's bide our time, see what unfolds. | 0:51:33 | 0:51:37 | |
-Continue to keep me posted. -Yes, ma'am. | 0:51:37 | 0:51:40 | |
You know, if we play our cards right, | 0:51:40 | 0:51:43 | |
we might just get all three of them. | 0:51:43 | 0:51:45 | |
-I'm off. -Oh, Eileen. | 0:51:49 | 0:51:52 | |
Thanks, Kelly-Marie, | 0:51:52 | 0:51:53 | |
you stopped me looking like a total Norma Nae Mates. | 0:51:53 | 0:51:56 | |
-What if he comes in? -Tell him I hate bloody opera! | 0:51:56 | 0:51:59 | |
Night. | 0:52:00 | 0:52:01 | |
Night. | 0:52:04 | 0:52:05 | |
I mean, I don't get it. | 0:52:21 | 0:52:23 | |
This morning he was like Don Juan on speed. | 0:52:23 | 0:52:26 | |
How can he turn into scumbag rat in the one day? | 0:52:26 | 0:52:31 | |
I'm totally humiliated. | 0:52:31 | 0:52:32 | |
-You left messages? -Two texts. | 0:52:34 | 0:52:36 | |
Completely blanked. And a voice message. | 0:52:36 | 0:52:40 | |
-It's weird. -Totally. | 0:52:40 | 0:52:42 | |
You don't think he was put off by your keenness? | 0:52:43 | 0:52:47 | |
Eh? He was the one that came on strong. | 0:52:47 | 0:52:50 | |
Are you forgetting the flowers, and the opera. | 0:52:50 | 0:52:53 | |
And it was him that asked me out for a drink. | 0:52:53 | 0:52:56 | |
True. | 0:52:56 | 0:52:58 | |
Well, I just hope nothing's happened to him. | 0:52:58 | 0:53:01 | |
Yeah, me too. | 0:53:01 | 0:53:02 | |
Cos I want to be the one to wring his neck. | 0:53:02 | 0:53:05 | |
Och, look. I'm sure there's going to be some sort of explanation. | 0:53:05 | 0:53:08 | |
-I've got a feeling it'll be the usual one. -What's that? | 0:53:08 | 0:53:11 | |
"Man behaves like arse." | 0:53:11 | 0:53:13 | |
Here, have some more medicine. | 0:53:13 | 0:53:15 | |
Still here? | 0:53:30 | 0:53:32 | |
Catching up on paperwork. | 0:53:32 | 0:53:34 | |
Sir? | 0:53:39 | 0:53:41 | |
Yeah? | 0:53:41 | 0:53:42 | |
Can I help? | 0:53:42 | 0:53:45 | |
I thought you were steering clear of trouble? | 0:53:45 | 0:53:48 | |
What's happened? | 0:53:48 | 0:53:49 | |
You don't want to know. | 0:53:50 | 0:53:53 | |
Cole's gunning for you again, isn't she? | 0:53:53 | 0:53:55 | |
If we could just nail Murdoch and Kennedy, you'd be off the hook. | 0:53:58 | 0:54:02 | |
It's the key to all this. | 0:54:02 | 0:54:03 | |
If I caught Bible John I wouldn't be off the hook, believe me. | 0:54:03 | 0:54:07 | |
You just do your job, keep your bosses happy. | 0:54:07 | 0:54:11 | |
Don't get dragged into my mess. | 0:54:11 | 0:54:13 | |
You know, Cooper... | 0:54:18 | 0:54:20 | |
..all I ever wanted to do was catch the bad guys, | 0:54:22 | 0:54:24 | |
put them in prison. | 0:54:24 | 0:54:27 | |
I know, sir. | 0:54:27 | 0:54:28 | |
I thought I could stay one step ahead of them. | 0:54:31 | 0:54:33 | |
Turns out they were running circles around me. | 0:54:34 | 0:54:38 | |
Let's work something out. | 0:54:38 | 0:54:40 | |
It's late. Time to go home. | 0:54:42 | 0:54:44 | |
All right, well, the offer's there, OK? | 0:54:48 | 0:54:50 | |
Goodnight, Cooper. | 0:54:51 | 0:54:53 | |
Goodnight, sir. | 0:54:53 | 0:54:55 | |
If you're having second thoughts about having a wean - | 0:55:35 | 0:55:38 | |
about us - tell me? | 0:55:38 | 0:55:41 | |
Doesn't look like the kind of picture you would take, | 0:55:41 | 0:55:44 | |
if it was one drunken night, does it? | 0:55:44 | 0:55:47 | |
Are you gonnae tell Raymond we're not entertaining that rent rise? | 0:55:47 | 0:55:50 | |
Are you gonnae tell him to fix that shower unit and they blinds? | 0:55:50 | 0:55:53 | |
Look at you! You don't even deserve her, do you know that? | 0:55:53 | 0:55:57 | |
Nae wonder she came to somebody that knew how to love her. | 0:55:57 | 0:56:00 | |
Subtitles by Red Bee Media Ltd | 0:56:18 | 0:56:21 |