Browse content similar to 24/09/2013. Check below for episodes and series from the same categories and more!
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I know about Molly. | 0:00:21 | 0:00:22 | |
You attacked her with a bat! | 0:00:22 | 0:00:24 | |
What kind of person does that? | 0:00:24 | 0:00:26 | |
Jimmy told me what you done. You're scum! | 0:00:26 | 0:00:29 | |
If it's Nicole you're worried about, then don't. We're done. | 0:00:29 | 0:00:33 | |
What's wrong? | 0:00:33 | 0:00:35 | |
It's just heartburn. Ohh! | 0:00:35 | 0:00:38 | |
What's wrong with her? She'll need an emergency C-section, it's a | 0:00:38 | 0:00:41 | |
very dangerous condition for mother and baby. | 0:00:41 | 0:00:43 | |
The polis were at the docks, there was an undercover guy at the gate. | 0:00:43 | 0:00:47 | |
He saw me, I saw him. | 0:00:47 | 0:00:48 | |
Where's Pedro? | 0:00:48 | 0:00:49 | |
Got a text from him in the car, haven't heard from him since. | 0:00:49 | 0:00:52 | |
Think the polis got him? Who knows? | 0:00:52 | 0:00:54 | |
Just leave it there for Billy to find? | 0:00:54 | 0:00:56 | |
What do you think'll happen then? | 0:00:56 | 0:00:58 | |
If Billy's still at large, top of his agenda will be finding out who betrayed him. | 0:00:58 | 0:01:02 | |
Where is she? I've been trying to call... Is she OK? | 0:01:55 | 0:01:57 | |
You're not needed! He needs to be here for Nicole... Go away! | 0:01:57 | 0:02:00 | |
Is she OK? Are you deaf? I said get out! | 0:02:00 | 0:02:02 | |
I'm not going anywhere till you tell me what's happening. | 0:02:02 | 0:02:05 | |
Zinnie told me what happened. | 0:02:05 | 0:02:07 | |
Nic wouldn't be here if you hadn't upset her. | 0:02:07 | 0:02:09 | |
She threw you out then, and now I'm throwing you out. Gabriel! | 0:02:09 | 0:02:12 | |
Just tell me, is Nicole and the baby all right? | 0:02:12 | 0:02:14 | |
No - she's fighting for her life in there. | 0:02:14 | 0:02:16 | |
And the baby? What's wrong with the baby?! | 0:02:16 | 0:02:19 | |
Look, she's in emergency surgery - | 0:02:19 | 0:02:21 | |
they're going to have to deliver the baby by C-section, | 0:02:21 | 0:02:23 | |
and the last thing either of them need is you causing trouble. | 0:02:23 | 0:02:26 | |
No, I'm entitled to be here. I don't think so, pal. Get your hands off me! | 0:02:26 | 0:02:29 | |
Or what? I know what you done to old Molly | 0:02:29 | 0:02:31 | |
and the boys that you're running about with. | 0:02:31 | 0:02:33 | |
I know, Gabriel. I love her! Just let me in to see her! | 0:02:33 | 0:02:35 | |
And anyway, you're no different from me! | 0:02:35 | 0:02:37 | |
What, battering old women? | 0:02:37 | 0:02:39 | |
Look, you're a threat to my niece and her baby. | 0:02:39 | 0:02:41 | |
Now do one, before I have to make you. | 0:02:41 | 0:02:43 | |
I'm warning you, Gabriel! Just go, Gareth. | 0:02:43 | 0:02:46 | |
Everybody in this town knows what you are now. What's that mean? | 0:02:46 | 0:02:50 | |
Nicole doesn't need that in her life. Bolt! | 0:02:50 | 0:02:53 | |
Kennedy's found the wire. Ohh... | 0:03:05 | 0:03:07 | |
He tossed it into the water in front of our guys. | 0:03:07 | 0:03:10 | |
He made it clear he'd seen them. | 0:03:10 | 0:03:11 | |
Where is he now? The Tall Ship. | 0:03:14 | 0:03:16 | |
He and Lenny are probably arguing about whose fault it was, or packing | 0:03:16 | 0:03:19 | |
bags for a long-haul flight. Or trying to work out who had means and opportunity to bug them. | 0:03:19 | 0:03:25 | |
Billy won't run, that'll make him look guilty. | 0:03:25 | 0:03:28 | |
The Liverpool and Glasgow mobs will hunt him for the rest of his days. | 0:03:28 | 0:03:32 | |
But that's not really Billy's style, is it? He'll be looking for blood today instead. | 0:03:32 | 0:03:36 | |
So, where is Gareth O'Connor? | 0:03:36 | 0:03:39 | |
Soon as Kennedy finds out Gareth's working for us, he is a dead man walking. | 0:03:39 | 0:03:42 | |
Well, we know WHY it went up the swanny. | 0:03:45 | 0:03:49 | |
You know, maybe we should be thinking about taking a wee break. | 0:03:49 | 0:03:53 | |
We need to take off somebody's head off for this first. | 0:03:53 | 0:03:57 | |
Naismith and Conroy are going to be asking questions - | 0:03:57 | 0:04:01 | |
if we don't have an answer for them, they'll be wanting blood. | 0:04:01 | 0:04:04 | |
You know, maybe... | 0:04:09 | 0:04:11 | |
..maybe Pedro's playing a double-bluff here. | 0:04:12 | 0:04:15 | |
Gets himself lifted, that's him in protection. | 0:04:15 | 0:04:20 | |
He could've planted the bug. Maybe he's been playing you all along. | 0:04:20 | 0:04:23 | |
No, Pedro's clean. | 0:04:23 | 0:04:25 | |
He's a known face. | 0:04:25 | 0:04:27 | |
He's an international, he deals with everybody, | 0:04:27 | 0:04:30 | |
and if he did turn grass, | 0:04:30 | 0:04:33 | |
there's nowhere for him to run. Not even jail. | 0:04:33 | 0:04:36 | |
Nah, we need to be looking further down the food chain. | 0:04:36 | 0:04:41 | |
Hey! Bar. | 0:04:48 | 0:04:50 | |
Just a wee minute, son. | 0:04:58 | 0:04:59 | |
It's all right, Stevie. | 0:05:20 | 0:05:23 | |
No need to be feart. | 0:05:23 | 0:05:24 | |
I'm just after a wee chat. | 0:05:26 | 0:05:27 | |
What about? | 0:05:30 | 0:05:31 | |
Apart from anything else, I just wanted to say thanks | 0:05:33 | 0:05:36 | |
for helping Gareth out a few weeks back. | 0:05:36 | 0:05:39 | |
That was nothing. Forget about it. | 0:05:39 | 0:05:42 | |
No, no, no, no. Fair's fair. | 0:05:42 | 0:05:44 | |
Fair's fair. | 0:05:45 | 0:05:47 | |
Now listen, next time, next time, I'm going to make sure you get | 0:05:47 | 0:05:51 | |
more than the few quid you got that day. | 0:05:51 | 0:05:53 | |
There won't be a next time. I'm sorry. | 0:05:56 | 0:06:00 | |
What I did, I did. | 0:06:02 | 0:06:03 | |
I'm not going to tell anybody, but... | 0:06:05 | 0:06:06 | |
..it just isn't me, not any more. | 0:06:08 | 0:06:09 | |
You'll need to find someone else. | 0:06:12 | 0:06:14 | |
Stevie, Billy's doing you a favour here. | 0:06:14 | 0:06:18 | |
And I'm grateful, Mr Kennedy, I am. | 0:06:18 | 0:06:20 | |
But the answer's no. | 0:06:23 | 0:06:24 | |
Well, Lenny, I cannae say I'm not disappointed. | 0:06:26 | 0:06:31 | |
I'm not going to deny that for a wee while there, | 0:06:31 | 0:06:35 | |
you had my total respect, son. | 0:06:35 | 0:06:37 | |
Especially when you didn't go running to the polis | 0:06:38 | 0:06:41 | |
after you and me had our wee chat about Sean. | 0:06:41 | 0:06:48 | |
Remember? | 0:06:50 | 0:06:52 | |
Mmm-hmm. | 0:06:52 | 0:06:53 | |
The thing is, son... | 0:06:53 | 0:06:55 | |
..we'd marked you down as somebody we could trust. | 0:06:57 | 0:07:00 | |
Somebody we could maybe do business with. | 0:07:00 | 0:07:03 | |
Somebody who's not going to run squealing to the polis. | 0:07:03 | 0:07:06 | |
Did we have you wrong? | 0:07:07 | 0:07:09 | |
A young man like yourself. | 0:07:11 | 0:07:14 | |
Working here. | 0:07:14 | 0:07:15 | |
See things, hear things... | 0:07:15 | 0:07:18 | |
..things you shouldn't share. | 0:07:19 | 0:07:21 | |
Come on, Lenny, you know I'm not like that. | 0:07:23 | 0:07:25 | |
All I want is to stay well out of it. That's all. | 0:07:27 | 0:07:30 | |
Come on. Back to work. | 0:07:35 | 0:07:37 | |
Mr Kennedy. | 0:07:41 | 0:07:42 | |
Stevie... | 0:07:45 | 0:07:46 | |
Hope for your sake you're not telling us porkies. | 0:07:47 | 0:07:50 | |
Cos if you are... | 0:07:51 | 0:07:52 | |
..snippity-snippity. | 0:07:54 | 0:07:55 | |
Know what I'm saying? | 0:07:57 | 0:07:58 | |
You should've let Gareth stay. | 0:08:16 | 0:08:18 | |
No, trust me, Zinnie. He's just a wannabe gangster. | 0:08:18 | 0:08:20 | |
She's better off without him. | 0:08:20 | 0:08:22 | |
We delivered the baby successfully - a little girl. | 0:08:25 | 0:08:27 | |
And the baby's OK? | 0:08:27 | 0:08:29 | |
Nicole's baby was a few weeks early, | 0:08:29 | 0:08:31 | |
but she's still showing strong vital signs. | 0:08:31 | 0:08:34 | |
She's not in undue stress, | 0:08:34 | 0:08:35 | |
but we'll keep her in an incubator for now. | 0:08:35 | 0:08:38 | |
And what about Nicole? | 0:08:38 | 0:08:39 | |
She's doing OK. She was lucky. | 0:08:39 | 0:08:41 | |
Pre-eclampsia is serious, but it's not uncommon. | 0:08:41 | 0:08:44 | |
Essentially, her blood pressure sky-rocketed, | 0:08:44 | 0:08:47 | |
which caused her collapse earlier. | 0:08:47 | 0:08:49 | |
She lost a lot of blood in theatre, but she's through the worst of it. | 0:08:49 | 0:08:53 | |
There were no other complications. | 0:08:53 | 0:08:55 | |
Can we see them? Not yet. | 0:08:56 | 0:08:58 | |
Nicole will be unconscious for some time while we finish up | 0:08:58 | 0:09:01 | |
in theatre and transfer her to a high dependency unit here. | 0:09:01 | 0:09:05 | |
But I do believe mother and baby will recover well. | 0:09:05 | 0:09:08 | |
So what happens now? | 0:09:08 | 0:09:09 | |
You're welcome to stay here, if you wish, | 0:09:09 | 0:09:11 | |
but there's little you can do short-term. | 0:09:11 | 0:09:14 | |
Perhaps you should go home and get some rest? | 0:09:14 | 0:09:16 | |
No. Not till we're sure. | 0:09:16 | 0:09:18 | |
I'll go, I'll pick up some clothes for Nic. | 0:09:18 | 0:09:20 | |
Good idea. I'll phone Leyla, let her know what's happening. | 0:09:20 | 0:09:23 | |
Listen, thanks, Doctor. | 0:09:23 | 0:09:26 | |
Burns isn't stupid enough to lie to us. | 0:09:43 | 0:09:46 | |
Well, you've took Pedro off the table. | 0:09:49 | 0:09:52 | |
Conroy and Naismith, they've got too much to lose. | 0:09:52 | 0:09:55 | |
What about their crews, though? | 0:09:55 | 0:09:57 | |
Anybody in there to stitch us up? Blab to somebody? | 0:09:57 | 0:10:00 | |
No, they're solid. | 0:10:00 | 0:10:01 | |
These guys have done time rather than grass somebody up. | 0:10:02 | 0:10:05 | |
That only leaves one person. | 0:10:07 | 0:10:09 | |
The one person who's always pushing to be more involved. | 0:10:09 | 0:10:13 | |
Always wanting to be invited to meetings he's not invited to. | 0:10:13 | 0:10:17 | |
That wee dick! | 0:10:17 | 0:10:19 | |
He's the reason I was out of it yesterday. | 0:10:20 | 0:10:23 | |
Slipped you a Mickey? | 0:10:23 | 0:10:24 | |
I don't believe this! | 0:10:25 | 0:10:27 | |
I knew he wasn't right from the start. | 0:10:28 | 0:10:30 | |
You brought him in, Billy. I know. | 0:10:30 | 0:10:33 | |
And I trusted him. | 0:10:33 | 0:10:35 | |
This is our mistake. | 0:10:38 | 0:10:40 | |
Our problem. | 0:10:40 | 0:10:42 | |
What's goin' on? | 0:10:56 | 0:10:58 | |
So then, that's game over, right? | 0:10:58 | 0:11:00 | |
If Kennedy knows you've got him under surveillance, you've nicked him. | 0:11:00 | 0:11:03 | |
Look, we haven't got enough yet to pursue a prosecution. | 0:11:03 | 0:11:07 | |
What'd you mean, you haven't got enough?! | 0:11:07 | 0:11:09 | |
You know he was trying to bring in a shipment of heroin and he's in bed | 0:11:09 | 0:11:12 | |
with serious players from Glasgow and Liverpool. | 0:11:12 | 0:11:14 | |
And you know that he killed Matty Rhodes. | 0:11:14 | 0:11:16 | |
Yeah, but what I know and what I can prove in a court of law are two very different things, Gareth. | 0:11:16 | 0:11:22 | |
Look, now that Kennedy's found our wire, how long do you think it's | 0:11:22 | 0:11:25 | |
going to take him to figure out that it was you that put it there? | 0:11:25 | 0:11:29 | |
Kennedy is very clever. We've got nothing to tie him directly to the heroin shipment - | 0:11:29 | 0:11:34 | |
he wasn't at the scene when we busted the handover. | 0:11:34 | 0:11:37 | |
And that's my fault?! | 0:11:37 | 0:11:39 | |
He twigged straightaway the minute he seen your guy. | 0:11:39 | 0:11:41 | |
He knew that he was undercover. | 0:11:41 | 0:11:43 | |
Come on, man! What does the guy need to do? | 0:11:45 | 0:11:48 | |
Walk in with a severed head and ask for room service? | 0:11:48 | 0:11:51 | |
Look, you're just going to have to trust me, Gareth. | 0:11:51 | 0:11:56 | |
That's worked out really well for me so far(!) | 0:11:56 | 0:11:58 | |
Kennedy is under pressure now. He knows we're on to him. He's going to make a mistake. | 0:11:58 | 0:12:01 | |
By the time this is over, I will have a case | 0:12:01 | 0:12:04 | |
so watertight, you could build the QE2 out of it. | 0:12:04 | 0:12:06 | |
I need to see what's happening with Nicole and the baby. Let me out. | 0:12:06 | 0:12:09 | |
I'll have my one of officers contact the hospital, see if there's any news. | 0:12:09 | 0:12:13 | |
You're safe here. I'll take my chances. | 0:12:13 | 0:12:16 | |
Soon as you hit the streets, Kennedy will find you. | 0:12:16 | 0:12:19 | |
I can't protect you out there. Come on, man! Open the door! | 0:12:19 | 0:12:22 | |
I need to know you are safe. | 0:12:22 | 0:12:24 | |
I want to see my family! | 0:12:28 | 0:12:30 | |
Gabriel stopped me once before, but I'm telling you, man, I'm going right through him this time. | 0:12:30 | 0:12:35 | |
I cannot let you walk out of this police station, knowing what I do about this situation! | 0:12:35 | 0:12:41 | |
I told you what Kennedy did to Matty. | 0:12:41 | 0:12:44 | |
I gave you Pedro, I gave you the drugs. | 0:12:44 | 0:12:46 | |
I risked my life bugging the boat shed! Now, I'm done. | 0:12:46 | 0:12:49 | |
But you're not going to last the rest of the day out there. | 0:12:49 | 0:12:51 | |
I can handle myself. | 0:12:51 | 0:12:53 | |
Right. Here... | 0:12:56 | 0:12:58 | |
Hey! | 0:13:00 | 0:13:02 | |
Let's at least talk about the options, eh? | 0:13:03 | 0:13:05 | |
SHE GASPS | 0:15:49 | 0:15:51 | |
Hiya, darling. It's all right, pet. | 0:15:51 | 0:15:55 | |
I'm no' going to hurt you. What are you doing here? | 0:15:56 | 0:15:59 | |
I'm just looking for Nicole. | 0:15:59 | 0:16:01 | |
Well, she's not here. | 0:16:03 | 0:16:04 | |
HE LAUGHS | 0:16:04 | 0:16:06 | |
I can see that. She won't be back for a while, so... Is that right? | 0:16:06 | 0:16:11 | |
She's in hospital. What one? I don't know. | 0:16:13 | 0:16:18 | |
I didn't go into the ambulance with her. | 0:16:18 | 0:16:20 | |
I'm just waiting for them to call me. | 0:16:20 | 0:16:22 | |
I'll tell her that you were looking for her. | 0:16:22 | 0:16:26 | |
OK. | 0:16:29 | 0:16:31 | |
I'll be back. | 0:16:35 | 0:16:37 | |
Billy Kennedy was just here. He's looking for Nicole. | 0:17:03 | 0:17:07 | |
Are you sure it was him? Yes, I'm sure. | 0:17:07 | 0:17:09 | |
He's not a guy you forget easily. | 0:17:09 | 0:17:11 | |
Please tell me you never told Kennedy that she was here. | 0:17:11 | 0:17:14 | |
No, of course I didn't. Will you just tell me what's happening? | 0:17:14 | 0:17:17 | |
Just never mind, Zinnie, just get yourself back here as soon as, eh? | 0:17:17 | 0:17:20 | |
OK. | 0:17:20 | 0:17:21 | |
I'm on my way. | 0:17:22 | 0:17:24 | |
Right. | 0:17:24 | 0:17:25 | |
SHE GASPS | 0:17:28 | 0:17:30 | |
Are you sure it was Kennedy? | 0:17:32 | 0:17:34 | |
And now that he knows Nicole's in hospital, | 0:17:34 | 0:17:36 | |
it's not going to take him long to find out which one. | 0:17:36 | 0:17:38 | |
This is about Gareth O'Connor, isn't it? | 0:17:40 | 0:17:43 | |
He's going to try and use her to get to him. | 0:17:43 | 0:17:45 | |
OK, look, I will talk to the DCI. Well, just do it fast, eh? | 0:17:45 | 0:17:49 | |
I've done nothing wrong. I know. | 0:18:01 | 0:18:04 | |
I've given you everything that you asked for. | 0:18:04 | 0:18:07 | |
Now, please, just let me go. | 0:18:07 | 0:18:09 | |
As a police officer, | 0:18:09 | 0:18:12 | |
my overriding priority is the protection of human life. | 0:18:12 | 0:18:15 | |
If I let you walk out of here, you're a dead man. | 0:18:17 | 0:18:20 | |
I would strongly suggest you consider going in the witness protection programme. | 0:18:23 | 0:18:28 | |
It is the only sure-fire way we can keep you safe now. | 0:18:28 | 0:18:30 | |
And if I run, will you come after me? Kennedy will find you. | 0:18:30 | 0:18:36 | |
You know that. | 0:18:36 | 0:18:37 | |
How the witness protection... I know how the witness protection works. | 0:18:38 | 0:18:42 | |
New name, new city, no life. I'm trying to save your life. | 0:18:42 | 0:18:45 | |
You're trying to save my life. | 0:18:47 | 0:18:49 | |
And I'll never get to see Nicole and the baby again. Is that right? | 0:18:51 | 0:18:54 | |
It would be for all your safety. | 0:18:57 | 0:18:59 | |
Please, Gareth, at least think about it. | 0:19:03 | 0:19:05 | |
KNOCK AT DOOR | 0:19:07 | 0:19:08 | |
Sir, can I have a word, please? Yeah, of course. | 0:19:08 | 0:19:11 | |
Will, gonnae get me out of here? | 0:19:14 | 0:19:16 | |
I've just had word that Kennedy broke into the Brodie house. | 0:19:35 | 0:19:38 | |
Not unexpected. | 0:19:38 | 0:19:40 | |
This confirms what we feared, he knows Gareth is working for us now. | 0:19:40 | 0:19:43 | |
Kennedy is not looking for Gareth, he's looking for Nicole Brodie. | 0:19:43 | 0:19:46 | |
Get yourself down the hospital, take some uniforms with you, | 0:19:46 | 0:19:48 | |
Gareth can wait. | 0:19:48 | 0:19:50 | |
Sir. | 0:19:50 | 0:19:51 | |
What am I even in here for? | 0:20:21 | 0:20:23 | |
I haven't even done anything wrong. Scumbags. | 0:20:23 | 0:20:27 | |
PHONE RINGS | 0:20:44 | 0:20:46 | |
Hello. | 0:20:51 | 0:20:52 | |
Hello, Gareth, it's me. | 0:20:52 | 0:20:55 | |
Pedro and my stuff are now residing at Her Majesty's pleasure. | 0:20:55 | 0:20:59 | |
That's not good, Billy. It isn't, is it? Where are you the now? | 0:20:59 | 0:21:04 | |
I'm in hospital with my girlfriend, she's having the baby. | 0:21:06 | 0:21:09 | |
But look, Billy, there's been some complications. | 0:21:09 | 0:21:11 | |
They're transferring us to a specialist unit in Edinburgh. | 0:21:11 | 0:21:14 | |
We're leaving right now in a taxi. I'm sorry to hear that, son. | 0:21:14 | 0:21:19 | |
But you know the rules. | 0:21:19 | 0:21:21 | |
I'm going to be needing you today. | 0:21:21 | 0:21:23 | |
Listen, you don't have to worry about Nicole and the baby. | 0:21:23 | 0:21:26 | |
They'll be all right without you. | 0:21:26 | 0:21:28 | |
I'd go so far as to say, they will be a lot safer without you. | 0:21:28 | 0:21:32 | |
OK, Billy. | 0:21:34 | 0:21:36 | |
Good boy. I'll send the car for you when I'm ready. | 0:21:38 | 0:21:42 | |
About time. Where's Nicole now? In the unit through there. | 0:21:56 | 0:21:59 | |
Any sign of Billy Kennedy, let me know immediately, OK? | 0:21:59 | 0:22:02 | |
You'll make sure that Nicole is safe, right? | 0:22:02 | 0:22:04 | |
That's why we're here. Why can't you arrest him now? | 0:22:04 | 0:22:06 | |
We don't have enough evidence to charge him | 0:22:06 | 0:22:08 | |
with anything substantial. If we haul him in for a misdemeanour, | 0:22:08 | 0:22:10 | |
his lawyers will have him back on the street within an hour. He'll pick up where he left off. | 0:22:10 | 0:22:14 | |
How's Nicole doing anyway? It was serious for a while there. | 0:22:15 | 0:22:18 | |
But the doctors seem happy. We're just waiting to get told when we can go and see her. And the baby? | 0:22:18 | 0:22:23 | |
A wee girl. She's in the incubator but just to be on the safe side. Good. | 0:22:23 | 0:22:27 | |
OK, I will check in with the DCI, | 0:22:27 | 0:22:29 | |
make sure he knows the hospital is secure. | 0:22:29 | 0:22:31 | |
PHONE RINGS | 0:22:46 | 0:22:47 | |
Cooper? | 0:22:47 | 0:22:49 | |
Good work. | 0:22:49 | 0:22:50 | |
How are they both? Good. OK, keep in touch, thanks. | 0:22:52 | 0:22:56 | |
I've just spoken with DC Cooper at the hospital. | 0:23:19 | 0:23:21 | |
How's Nicole and the baby? | 0:23:21 | 0:23:23 | |
They are both out of danger, they're going to make a full recovery. | 0:23:23 | 0:23:26 | |
You have a healthy little girl. Congratulations. | 0:23:28 | 0:23:32 | |
Grace. | 0:23:36 | 0:23:38 | |
We're going to call her Grace. | 0:23:40 | 0:23:42 | |
Nicole wanted to call her Grace O'Connor, | 0:23:43 | 0:23:46 | |
but I said it's best if we call her Grace Brodie. | 0:23:46 | 0:23:50 | |
It's only right. | 0:23:50 | 0:23:51 | |
Safer. | 0:23:53 | 0:23:54 | |
Kennedy was in your house earlier. What? Zinnie Hassoun found him there. | 0:24:03 | 0:24:07 | |
What did he do? How is she? She's fine, Gareth, she's fine. | 0:24:07 | 0:24:10 | |
He didn't touch her. But he was asking about Nicole. | 0:24:10 | 0:24:14 | |
What about Nicole? He wants to know which hospital she was in. | 0:24:14 | 0:24:20 | |
Don't worry, DC Cooper is there with a team of officers. Don't worry? | 0:24:20 | 0:24:23 | |
Who are you kidding, man? You've done nothing but let me down. Now let me out. | 0:24:23 | 0:24:27 | |
Now, please, Gareth, don't do this. | 0:24:27 | 0:24:29 | |
"Please, Gareth." Please, Gareth, nothing. | 0:24:29 | 0:24:31 | |
Open the door and let me out. Open the door. OK, OK. | 0:24:31 | 0:24:37 | |
Constable. | 0:24:42 | 0:24:43 | |
Gareth... | 0:24:46 | 0:24:47 | |
Oh, Nic. | 0:25:13 | 0:25:15 | |
I'm afraid the baby will have to stay in the incubator for now. | 0:25:21 | 0:25:24 | |
I'll leave you to it. | 0:25:27 | 0:25:28 | |
She's beautiful. | 0:25:38 | 0:25:40 | |
It's like looking at Nic when she was that age. | 0:25:41 | 0:25:44 | |
Hi, gorgeous. | 0:25:44 | 0:25:47 | |
I'm your Uncle Gabriel. | 0:25:47 | 0:25:48 | |
How you doing? | 0:25:50 | 0:25:51 | |
Just wait until you're older, baby, | 0:25:51 | 0:25:54 | |
you and your Auntie Zinnie are going to have a lot of fun. | 0:25:54 | 0:25:56 | |
Will you wait until she's at least 17, 18 before you ruin her? | 0:25:56 | 0:26:00 | |
Did you manage to get hold of Leyla? | 0:26:00 | 0:26:02 | |
She says she's going to move heaven and earth | 0:26:02 | 0:26:04 | |
to get here as soon as possible. | 0:26:04 | 0:26:06 | |
I'll text her some photos. | 0:26:06 | 0:26:08 | |
MACHINE BEEPS | 0:30:42 | 0:30:44 | |
She's still doing well. | 0:30:50 | 0:30:51 | |
Her blood pressure and pulse are fine. | 0:30:52 | 0:30:54 | |
Why don't you go home and get some rest? | 0:30:57 | 0:30:59 | |
You know what, you're probably right... | 0:31:02 | 0:31:04 | |
What time can we come back in the morning? | 0:31:04 | 0:31:06 | |
Under the circumstances, any time you want. | 0:31:06 | 0:31:08 | |
Obviously we'll call you if there's any change in the night, | 0:31:08 | 0:31:11 | |
but I don't anticipate any further problems. | 0:31:11 | 0:31:14 | |
Thanks, Doctor. | 0:31:14 | 0:31:15 | |
Bye-bye, baby. See you in the morning. | 0:31:22 | 0:31:24 | |
There's nothing more we can do, guv. | 0:33:47 | 0:33:49 | |
If Gareth wants to take his chances, that's down to him. | 0:33:50 | 0:33:53 | |
Where's Kennedy? | 0:33:57 | 0:33:58 | |
He lost our surveillance team | 0:33:58 | 0:34:00 | |
after he was seen outside Amber Cabs earlier. | 0:34:00 | 0:34:02 | |
I can't just hang around here. | 0:34:05 | 0:34:06 | |
If Kennedy's looking for Gareth, he knows where he'll be going. | 0:34:06 | 0:34:09 | |
The hospital. Let's go. | 0:34:09 | 0:34:10 | |
Here he comes. | 0:34:26 | 0:34:27 | |
Thanks very much. Cheers. | 0:34:37 | 0:34:39 | |
PHONE RINGS | 0:34:45 | 0:34:47 | |
Hello. | 0:34:48 | 0:34:49 | |
Where are you? | 0:34:49 | 0:34:51 | |
St Mungo's Hospital. South entrance. | 0:34:51 | 0:34:52 | |
There'll be somebody there for you. | 0:34:54 | 0:34:55 | |
Any sign of O'Connor or Kennedy? | 0:35:07 | 0:35:09 | |
No, sir. Nicole's in HDU just on the left. | 0:35:09 | 0:35:11 | |
I've got uniform keeping a visible presence. | 0:35:11 | 0:35:14 | |
Good work, Cooper. Keep us informed. | 0:35:14 | 0:35:16 | |
MACHINE BEEPS | 0:36:46 | 0:36:48 | |
Hi, Grace | 0:37:11 | 0:37:13 | |
Aren't you a wee beauty? | 0:37:13 | 0:37:15 | |
Just like your mum. | 0:37:15 | 0:37:16 | |
My name's Gareth. | 0:37:20 | 0:37:21 | |
I'm not your daddy. | 0:37:22 | 0:37:24 | |
Well... | 0:37:25 | 0:37:27 | |
not your real daddy. | 0:37:27 | 0:37:28 | |
I wish I was. | 0:37:31 | 0:37:32 | |
I wish I was there to see you grow up. | 0:37:33 | 0:37:35 | |
Be part of your life. | 0:37:38 | 0:37:39 | |
You're gonnae have the best mummy in the world. | 0:38:07 | 0:38:10 | |
You've got to listen to her. | 0:38:12 | 0:38:15 | |
Got to do what she tells you too, OK? | 0:38:15 | 0:38:17 | |
Now... | 0:38:20 | 0:38:21 | |
..she can be strict... | 0:38:23 | 0:38:24 | |
..but she knows best. | 0:38:26 | 0:38:27 | |
She knows what's right from wrong. | 0:38:30 | 0:38:32 | |
So you've got to listen to her. | 0:38:36 | 0:38:38 | |
OK? | 0:38:38 | 0:38:39 | |
She knows best. | 0:38:40 | 0:38:42 | |
Hopefully one day... | 0:38:44 | 0:38:45 | |
..she'll tell you about me. | 0:38:46 | 0:38:48 | |
Hopefully... | 0:38:49 | 0:38:50 | |
Hopefully she disnae forget me. | 0:38:54 | 0:38:56 | |
She's beautiful. | 0:39:34 | 0:39:35 | |
Just like her mum. | 0:39:37 | 0:39:39 | |
I've told everybody that... | 0:39:44 | 0:39:46 | |
we're calling her Brodie. | 0:39:46 | 0:39:48 | |
I hope that's OK. | 0:39:49 | 0:39:51 | |
Grace Brodie. | 0:39:51 | 0:39:52 | |
It's better this way. | 0:39:54 | 0:39:56 | |
And it's safer. | 0:40:02 | 0:40:03 | |
Nicole... | 0:40:10 | 0:40:11 | |
..I don't know what to do. | 0:40:13 | 0:40:15 | |
If I stay here... | 0:40:20 | 0:40:21 | |
..I'm putting you and Grace in so much danger. | 0:40:24 | 0:40:27 | |
I can't do that, I can't take the risk. | 0:40:28 | 0:40:31 | |
I'm sorry but I need to fix this. | 0:40:35 | 0:40:38 | |
I need to finish this now. | 0:40:42 | 0:40:44 | |
I'm just sorry that... | 0:40:49 | 0:40:51 | |
..I never took time to speak to you about all this stuff. | 0:40:54 | 0:40:57 | |
I promise you... | 0:40:59 | 0:41:01 | |
..I did my best to get away from it all. | 0:41:03 | 0:41:06 | |
It's too late. | 0:41:08 | 0:41:10 | |
I've got to do what I've got to do on my own. | 0:41:10 | 0:41:12 | |
For you and for Grace. | 0:41:13 | 0:41:15 | |
No-one's ever told me that they love me or they care about me, Nicole, | 0:41:20 | 0:41:23 | |
apart from you. | 0:41:23 | 0:41:24 | |
I'm so sorry. | 0:41:27 | 0:41:28 | |
I should've told you this a long time ago. | 0:41:31 | 0:41:33 | |
I love you so much. | 0:41:33 | 0:41:34 | |
Please don't ever forget me. | 0:41:36 | 0:41:38 | |
I love you, Nicole Brodie. | 0:41:44 | 0:41:45 | |
PHONE LINE RINGS | 0:42:59 | 0:43:01 | |
Hello. Where are you going? | 0:43:06 | 0:43:08 | |
I'm gonnae do what you couldn't do. | 0:43:08 | 0:43:10 | |
And what's that? | 0:43:10 | 0:43:11 | |
I'm gonnae make sure that he's no' got a reason to never ever, | 0:43:11 | 0:43:14 | |
go near Grace and Nic again. | 0:43:14 | 0:43:17 | |
No! Gareth, no. | 0:43:17 | 0:43:19 | |
MUSIC PLAYS | 0:44:41 | 0:44:43 | |
What's its name? | 0:47:21 | 0:47:22 | |
Brodie. | 0:47:24 | 0:47:26 | |
Her name's Grace Brodie. Do you understand me, Billy? | 0:47:28 | 0:47:31 | |
She's not an O'Connor. She's got nothing to do with me. | 0:47:31 | 0:47:34 | |
Right, out. | 0:47:40 | 0:47:41 | |
DOOR SLAMS SHUT | 0:47:53 | 0:47:55 | |
I cannae believe you, Lenny. | 0:48:08 | 0:48:10 | |
Gareth here's become a daddy. | 0:48:13 | 0:48:15 | |
Is that right? | 0:48:15 | 0:48:16 | |
Apparently, he had a Brodie. | 0:48:16 | 0:48:18 | |
What kind of man doesn't give his own name to his own wean? | 0:48:20 | 0:48:23 | |
I don't know. | 0:48:23 | 0:48:25 | |
The same kind of guy that lets his woman have another guy's kid. | 0:48:25 | 0:48:28 | |
I've done nothing but protect you. | 0:48:30 | 0:48:33 | |
Well, Gareth... | 0:48:34 | 0:48:35 | |
I'm afraid, for you... | 0:48:35 | 0:48:37 | |
..this is the end of the road. | 0:48:39 | 0:48:41 | |
How many times have I told you? | 0:48:46 | 0:48:48 | |
This is what happens to people who cross me. | 0:48:50 | 0:48:52 | |
What about the people you've crossed, like Lenny? | 0:48:57 | 0:49:00 | |
You just don't see it, Lenny. | 0:49:04 | 0:49:05 | |
He's not your partner. He's your boss. | 0:49:07 | 0:49:09 | |
He's been playing you like a mug. | 0:49:11 | 0:49:13 | |
Ever since wee Cal's kidnapping. | 0:49:13 | 0:49:14 | |
Are you my boss, Billy? | 0:49:18 | 0:49:19 | |
No, we're partners, all right. | 0:49:22 | 0:49:24 | |
And you just cost us a hell of a lot of cash, grassing us up. | 0:49:24 | 0:49:27 | |
GARETH BREATHES RAPIDLY | 0:49:29 | 0:49:31 | |
So, this is it? | 0:49:32 | 0:49:34 | |
You're going to kill me like you killed Matty? | 0:49:34 | 0:49:37 | |
Matty Rhodes got what was coming to him. | 0:49:38 | 0:49:40 | |
I'm just sorry it wasnae me that whacked him. | 0:49:42 | 0:49:44 | |
He's lying, Lenny. He killed Matty. | 0:49:47 | 0:49:50 | |
He even showed me the body. Told me if I told anyone... | 0:49:51 | 0:49:54 | |
he'd kill Nicole and the baby. | 0:49:54 | 0:49:56 | |
Let me tell you...one of three things about your pal Matty. | 0:49:56 | 0:50:00 | |
He was just another useless wee bonehead. | 0:50:01 | 0:50:04 | |
Born stupid, died a junkie. | 0:50:04 | 0:50:07 | |
And if Billy had anything to do with his demise, | 0:50:07 | 0:50:10 | |
he was doing me a favour. | 0:50:10 | 0:50:11 | |
Right. Come on. | 0:50:13 | 0:50:15 | |
Lenny? | 0:50:23 | 0:50:25 | |
I'm sorry for everything I did to you. | 0:50:25 | 0:50:26 | |
I did it to protect you from the polis. | 0:50:28 | 0:50:30 | |
To protect Nicole and the baby. | 0:50:32 | 0:50:35 | |
So, that's it, eh? | 0:50:40 | 0:50:41 | |
That's why you drugged me? | 0:50:43 | 0:50:46 | |
To protect me, eh? | 0:50:46 | 0:50:47 | |
Keep the polis away from me. | 0:50:47 | 0:50:49 | |
You drugged me to keep me away from the meeting. | 0:50:51 | 0:50:53 | |
You were trying to take my place. | 0:50:53 | 0:50:55 | |
Now, move. | 0:50:58 | 0:50:59 | |
DOOR CREAKS OPEN | 0:51:17 | 0:51:18 | |
DOOR CLANGS SHUT | 0:51:25 | 0:51:27 | |
SOMBRE INSTRUMENTAL | 0:51:30 | 0:51:32 | |
SEAGULLS CRY | 0:51:47 | 0:51:50 | |
INDISTINCT TANNOY | 0:51:51 | 0:51:53 | |
Gareth. | 0:52:01 | 0:52:03 | |
Far enough. | 0:52:58 | 0:53:00 | |
GARETH SIGHS | 0:53:00 | 0:53:01 | |
GARETH BREATHES RAPIDLY | 0:53:01 | 0:53:03 | |
Stupid wee boys. | 0:53:07 | 0:53:09 | |
Always wanting to save their own skin by blaming somebody else, eh? | 0:53:11 | 0:53:14 | |
You knew the rules. | 0:53:16 | 0:53:18 | |
I told you. | 0:53:18 | 0:53:20 | |
I warned you. | 0:53:20 | 0:53:22 | |
Don't mess with me again. | 0:53:23 | 0:53:25 | |
Did you no' hear me? | 0:53:27 | 0:53:28 | |
Any last words? | 0:53:30 | 0:53:32 | |
GARETH SIGHS | 0:53:32 | 0:53:34 | |
Tell Nic and Grace... | 0:53:39 | 0:53:40 | |
SEAGULLS CRY | 0:53:41 | 0:53:43 | |
POIGNANT PIANO RECITAL | 0:53:43 | 0:53:46 | |
Make it disappear. | 0:54:10 | 0:54:11 | |
What if it was your family the guy was menacing? | 0:55:49 | 0:55:51 | |
You listen to me. | 0:55:51 | 0:55:52 | |
You do NOT take on Billy Kennedy. | 0:55:52 | 0:55:55 | |
I'll deal with him. | 0:55:55 | 0:55:56 | |
Sir, Kennedy's boatshed's gone up in flames. | 0:55:56 | 0:55:58 | |
Ah, you're kidding me! | 0:55:58 | 0:56:00 | |
You torched it? | 0:56:00 | 0:56:01 | |
We agreed. This was a risk. | 0:56:01 | 0:56:04 | |
What's your problem, Lenny? You...are my problem! | 0:56:04 | 0:56:08 | |
Gareth would do anything for us. | 0:56:08 | 0:56:09 | |
Gabriel, please, find him for me. | 0:56:09 | 0:56:14 | |
(OK.) | 0:56:14 | 0:56:16 | |
Gareth? Aye. | 0:56:16 | 0:56:18 | |
When he mentioned Rhodes, I asked him, do you think he could hurt Cal? | 0:56:18 | 0:56:21 | |
And? Gareth said, "Aye, if somebody paid him well enough." | 0:56:21 | 0:56:25 | |
Mr Murdoch, I'm afraid I've got some bad news. | 0:56:25 | 0:56:29 | |
Subtitles by Red Bee Media Ltd | 0:56:33 | 0:56:35 |