Browse content similar to 17/09/2013. Check below for episodes and series from the same categories and more!
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We have an opportunity here, | 0:00:21 | 0:00:23 | |
to take down the whole operation all at once. | 0:00:23 | 0:00:26 | |
This better work. | 0:00:26 | 0:00:27 | |
Lenny's not feeling too great the now. | 0:00:27 | 0:00:29 | |
He's going to rest up for a bit right? | 0:00:29 | 0:00:31 | |
He's been out of control ever since that thing with his grandson. | 0:00:31 | 0:00:34 | |
Hey, ya wee...! Lenny! Lenny! | 0:00:34 | 0:00:35 | |
Are you saying he's the one that beat up Molly? | 0:00:35 | 0:00:38 | |
This one you're not invited to. | 0:00:38 | 0:00:39 | |
Just take the car away. Come back in an hour. | 0:00:39 | 0:00:42 | |
I just wish Gareth was here. | 0:00:43 | 0:00:45 | |
I'm worried about him. | 0:00:45 | 0:00:47 | |
HE GROANS | 0:00:47 | 0:00:48 | |
That was for me..... | 0:00:49 | 0:00:51 | |
and this is for Molly. | 0:00:51 | 0:00:53 | |
Oh, my God! What happened?! | 0:00:54 | 0:00:56 | |
RECORDING: 'We have a contact at the docks here in Glasgow. | 0:01:53 | 0:01:56 | |
'I can personally vouch for him. | 0:01:56 | 0:01:59 | |
'The goods are already in transit. | 0:02:00 | 0:02:03 | |
'The vessel left port a week ago. Certificate of origin, Cyprus. | 0:02:03 | 0:02:07 | |
'Our consignment will be put into the hold. | 0:02:07 | 0:02:11 | |
'I will meet the ship and collect the goods. | 0:02:11 | 0:02:13 | |
'It will be cut as agreed, and delivered to each of you. | 0:02:13 | 0:02:16 | |
'Gentlemen, it's a pleasure to do business with you.' | 0:02:16 | 0:02:19 | |
We lost audio transmission at 2am, when the batteries cut out, | 0:03:33 | 0:03:37 | |
so that's all the audio we've got. | 0:03:37 | 0:03:39 | |
Some of it's good, some of it not so good. | 0:03:39 | 0:03:41 | |
We believe the voice to be that of this man - Pedro. | 0:03:41 | 0:03:44 | |
Although, we don't have a legitimate ID as of yet. | 0:03:44 | 0:03:46 | |
We believe he runs the supply line, with probable links to Afghanistan. | 0:03:46 | 0:03:51 | |
This is Frank Conroy, Merseyside's finest. | 0:03:52 | 0:03:55 | |
It is my belief that Billy Kennedy is looking to | 0:03:55 | 0:03:58 | |
expand his operation across the UK from Glasgow. | 0:03:58 | 0:04:01 | |
He knows Conroy is big enough to handle | 0:04:01 | 0:04:03 | |
anything that Pedro can bring in. | 0:04:03 | 0:04:05 | |
Obviously, we're liaising with our Liverpool colleagues on this one. | 0:04:05 | 0:04:08 | |
So, we know there's a shipment coming in today. | 0:04:08 | 0:04:11 | |
We can assume it's on some kind of container vessel. | 0:04:11 | 0:04:15 | |
I want these drugs intercepted at source, | 0:04:15 | 0:04:17 | |
and the men who are trafficking drugs into the country. | 0:04:17 | 0:04:20 | |
So you can forget about being at home for your families. | 0:04:20 | 0:04:23 | |
In fact, you can forget about having any sort of life at all. | 0:04:23 | 0:04:26 | |
Until we have these people and the drugs in our hands, | 0:04:26 | 0:04:29 | |
all annual leave and personal time is suspended. Understood? | 0:04:29 | 0:04:33 | |
Sir. Sir. | 0:04:33 | 0:04:34 | |
KNOCK ON DOOR | 0:04:37 | 0:04:38 | |
Come. | 0:04:38 | 0:04:39 | |
Well, you were right, sir. | 0:04:43 | 0:04:45 | |
Yeah. The scale of the problem | 0:04:46 | 0:04:48 | |
is only going to come out after more deaths. | 0:04:48 | 0:04:50 | |
We need to get this stuff off the streets. | 0:04:50 | 0:04:53 | |
Something else? | 0:04:55 | 0:04:56 | |
I was wondering where we are with Gareth. | 0:04:56 | 0:04:58 | |
He was in a pretty bad way last night. Yeah. | 0:04:58 | 0:05:02 | |
I'll arrange a meet with him, | 0:05:02 | 0:05:03 | |
see if he can start putting names to these faces. | 0:05:03 | 0:05:06 | |
You, run these photos past Stevie Burns - | 0:05:06 | 0:05:08 | |
get him to corroborate anything Gareth gives us. | 0:05:08 | 0:05:11 | |
I do not want to get stitched up over this. | 0:05:11 | 0:05:14 | |
Sir. | 0:05:14 | 0:05:15 | |
PHONE RINGS | 0:05:55 | 0:05:57 | |
I didn't want to wake you. | 0:06:24 | 0:06:26 | |
You didn't. | 0:06:27 | 0:06:29 | |
It was this one. | 0:06:29 | 0:06:31 | |
So, are you going to tell me what happened? | 0:06:37 | 0:06:39 | |
Gareth, the longer you work for people like Kennedy, | 0:06:46 | 0:06:48 | |
the more stuff like this is going to happen. | 0:06:48 | 0:06:50 | |
This was nothing to do with Billy - it wasn't him. | 0:06:56 | 0:07:00 | |
So, who was it then? | 0:07:00 | 0:07:02 | |
Nic, just leave it. | 0:07:02 | 0:07:04 | |
No. | 0:07:04 | 0:07:06 | |
I'm not some stupid wee girl. | 0:07:06 | 0:07:07 | |
I deserve to know what happened to you. | 0:07:07 | 0:07:10 | |
Look, I know you're not. | 0:07:10 | 0:07:11 | |
Well, then talk to me. | 0:07:14 | 0:07:16 | |
Because see if you can't, what are we doing here? | 0:07:17 | 0:07:20 | |
Look, I hit somebody. | 0:07:27 | 0:07:29 | |
This is pay-back. This is the way it works. | 0:07:29 | 0:07:32 | |
What do you mean, "payback"? | 0:07:33 | 0:07:36 | |
What does it matter? It was before I met you. | 0:07:36 | 0:07:38 | |
So, how did they find you? | 0:07:40 | 0:07:41 | |
Nic, none of this matters. | 0:07:45 | 0:07:47 | |
PHONE RINGS | 0:07:47 | 0:07:49 | |
Look, can we just drop it? | 0:07:55 | 0:07:56 | |
No, we can't. It matters to me. | 0:07:56 | 0:07:59 | |
Look, I'm sorry but I need to go. | 0:07:59 | 0:08:01 | |
Where? | 0:08:01 | 0:08:03 | |
Gareth. | 0:08:04 | 0:08:06 | |
Gareth! | 0:08:06 | 0:08:07 | |
Which one of these is Pedro? | 0:08:38 | 0:08:40 | |
That's him. That's Pedro all right. | 0:08:44 | 0:08:46 | |
You're absolutely sure that's the man that Billy, Lenny | 0:08:46 | 0:08:48 | |
and you refer to as Pedro? Of course I'm certain. | 0:08:48 | 0:08:51 | |
I just need you to identify his voice. | 0:08:52 | 0:08:55 | |
The vessel left port a week ago. Certificate of origin, Cyprus. | 0:08:55 | 0:08:59 | |
Tomorrow, I'll meet the ship and collect the goods. | 0:08:59 | 0:09:02 | |
It'll be cut as agreed and then.... That's him. Are we done? | 0:09:02 | 0:09:05 | |
Well, there is still the small matter | 0:09:05 | 0:09:07 | |
of retrieving the transmitter? | 0:09:07 | 0:09:09 | |
Come on, you're the only one that can do it without raising suspicion. | 0:09:09 | 0:09:12 | |
What if he catches me? | 0:09:12 | 0:09:14 | |
OK, fine. We'll just leave it there for Billy to find. | 0:09:14 | 0:09:18 | |
What do you think is going to happen then? | 0:09:18 | 0:09:20 | |
First thing he'll do is scrap the pick-up, | 0:09:20 | 0:09:22 | |
then we lose our chance to arrest him. | 0:09:22 | 0:09:24 | |
No way. He's got too much riding on it. You don't know that. | 0:09:24 | 0:09:27 | |
Tell you what, if Billy's still at large, | 0:09:29 | 0:09:30 | |
top of his agenda will be finding who betrayed him. | 0:09:30 | 0:09:33 | |
Stevie, have a look at these for me. | 0:09:41 | 0:09:44 | |
Recognise any of them? | 0:09:51 | 0:09:53 | |
Aye, him. | 0:09:55 | 0:09:57 | |
Been in a half dozen times. | 0:09:57 | 0:09:59 | |
Name? | 0:10:00 | 0:10:01 | |
Pedro, I think. | 0:10:01 | 0:10:03 | |
Do you know his real name? | 0:10:04 | 0:10:06 | |
Well, how would I know that? | 0:10:06 | 0:10:09 | |
Any of them come in, let me know, that includes Gareth as well. | 0:10:09 | 0:10:12 | |
Why him? | 0:10:12 | 0:10:14 | |
Just do it for me, will you, Stevie? | 0:10:15 | 0:10:18 | |
Look, Will, I'm not interested. | 0:10:18 | 0:10:19 | |
I don't want anything to do with these folk. | 0:10:19 | 0:10:22 | |
Just leave me out of it. | 0:10:22 | 0:10:23 | |
Oh, it's you. | 0:10:55 | 0:10:57 | |
All I'm saying is let me in to see him. | 0:10:57 | 0:10:59 | |
And I'm saying "No". You should be ashamed of yourself. | 0:10:59 | 0:11:03 | |
What sort of game do you think you're playing, Lenny? | 0:11:03 | 0:11:06 | |
You better stay out of this. I will not, for wee Cal's sake. | 0:11:06 | 0:11:10 | |
That wean doesn't need pulling this way | 0:11:10 | 0:11:12 | |
and that like some piece of meat. | 0:11:12 | 0:11:15 | |
And if either of you had his interests at heart, | 0:11:15 | 0:11:17 | |
you'd be stopping this right now! She started it. | 0:11:17 | 0:11:20 | |
Oh, would you listen to yourself, ya big wean? | 0:11:20 | 0:11:24 | |
"It wasn't me, Miss, it was him. | 0:11:24 | 0:11:25 | |
"The big boy did it then ran away!" | 0:11:25 | 0:11:28 | |
She's not here anyway. | 0:11:28 | 0:11:30 | |
I'm going inside and I am going to close this door now, | 0:11:30 | 0:11:34 | |
and I don't expect to hear you rattling on it. | 0:11:34 | 0:11:37 | |
Can you believe him? | 0:11:49 | 0:11:50 | |
You think a man like that's going to take any notice of a piece of paper? | 0:11:50 | 0:11:54 | |
But I'll tell you this, Kelly, he'll be back. | 0:11:54 | 0:11:56 | |
Well, I'll phone the police on him - I wasn't joking. | 0:11:58 | 0:12:02 | |
I don't doubt it, hen, | 0:12:02 | 0:12:03 | |
but do you really think this is a solution? | 0:12:03 | 0:12:07 | |
I mean, wee Cal loves his granda. | 0:12:07 | 0:12:10 | |
You stop Lenny seeing him, it'll be you Cal will be angry with, not him. | 0:12:10 | 0:12:14 | |
Then that's a price I'll pay. | 0:12:14 | 0:12:16 | |
Kelly, can you not sort this out with Lenny? | 0:12:17 | 0:12:20 | |
Gran, you don't understand the half of it. | 0:12:20 | 0:12:23 | |
What is it? | 0:12:23 | 0:12:24 | |
Gran... | 0:12:27 | 0:12:29 | |
Lenny had a gun. | 0:12:29 | 0:12:31 | |
Aye. | 0:12:31 | 0:12:32 | |
He was going to kill whoever was there. | 0:12:32 | 0:12:34 | |
Oh, mother of God. | 0:12:34 | 0:12:36 | |
I saw him fire it. | 0:12:36 | 0:12:38 | |
The man is a monster. | 0:12:38 | 0:12:40 | |
You really think I'm going to let my son near him after seeing that? | 0:12:40 | 0:12:44 | |
Hey, Lenny, a word with you. | 0:12:52 | 0:12:55 | |
All right? | 0:12:55 | 0:12:56 | |
What the hell are you playing at, employing that low life? | 0:12:57 | 0:13:00 | |
What makes you think you're going to get away with talking to me like that? | 0:13:00 | 0:13:03 | |
He battered Molly. Does that count for anything? | 0:13:03 | 0:13:05 | |
Making mugs of us! | 0:13:05 | 0:13:07 | |
Now, OK, I thought | 0:13:07 | 0:13:09 | |
that Kelly was bang out of order taking out that Interdict. | 0:13:09 | 0:13:11 | |
I was going to try and talk to her, try and make her see sense, | 0:13:11 | 0:13:14 | |
but not any more. Is that right? | 0:13:14 | 0:13:16 | |
Well, you tell her I'll see her in court, | 0:13:16 | 0:13:18 | |
if that's the way she wants to play it. | 0:13:18 | 0:13:20 | |
Listen, Jimmy, I like you... | 0:13:20 | 0:13:22 | |
..but tread very carefully. | 0:13:24 | 0:13:25 | |
Hey. There you are. | 0:13:39 | 0:13:41 | |
So, what's the script for today? | 0:13:43 | 0:13:45 | |
I'm going to need you down at the boat shed, | 0:13:45 | 0:13:47 | |
if you're up to it. | 0:13:47 | 0:13:49 | |
You weren't looking too tricky yesterday. | 0:13:49 | 0:13:51 | |
What's the plan? We've got a delivery coming | 0:13:53 | 0:13:55 | |
with the stuff we're going to mix in with the real thing - | 0:13:55 | 0:13:58 | |
I just want you to check it. Keep an eye on the boys, | 0:13:58 | 0:14:00 | |
make sure they're set up for us arriving from the docks, that's it. | 0:14:00 | 0:14:05 | |
All right. | 0:14:05 | 0:14:07 | |
HE MENTIONS INDISTINCT BRAND NAME | 0:14:09 | 0:14:11 | |
The best. | 0:14:11 | 0:14:13 | |
All right, Billy. | 0:16:09 | 0:16:10 | |
What're you doing here? | 0:16:10 | 0:16:12 | |
Looking for you. What for? | 0:16:12 | 0:16:15 | |
It's about what happened with Lenny. | 0:16:15 | 0:16:16 | |
Look, I'm sorry if I caused you any bother. | 0:16:16 | 0:16:18 | |
If you want, I'll go back and apologise. | 0:16:18 | 0:16:21 | |
You seen Murdoch? Nah. I thought it was best to steer clear. | 0:16:21 | 0:16:24 | |
You know, what I said, I was out of order. | 0:16:24 | 0:16:27 | |
Just make sure you clear the air. | 0:16:27 | 0:16:28 | |
I don't want any hassles today. | 0:16:28 | 0:16:30 | |
So, what's happening? | 0:16:30 | 0:16:32 | |
It's just me and Pedro have got things to do. | 0:16:32 | 0:16:35 | |
You want me to stick around? Nah. | 0:16:35 | 0:16:37 | |
No, you're all right. Away you go. | 0:16:37 | 0:16:40 | |
Hey, I don't be getting in any trouble. | 0:16:40 | 0:16:43 | |
HE SIGHS | 0:16:55 | 0:16:57 | |
Sir, something from the surveillance team. | 0:17:08 | 0:17:12 | |
Gareth was at the boat shed. | 0:17:12 | 0:17:15 | |
And? | 0:17:15 | 0:17:16 | |
Kennedy got there before Gareth had his chance to retrieve the wire. | 0:17:16 | 0:17:20 | |
What happened? | 0:17:22 | 0:17:23 | |
Kennedy and Suspect Four went in to the shed | 0:17:23 | 0:17:25 | |
and then Gareth was seen leaving. | 0:17:25 | 0:17:27 | |
Suspect Four goes by the name of Pedro. | 0:17:31 | 0:17:34 | |
Go do some digging, see if you can find a real name for him. | 0:17:34 | 0:17:37 | |
What are we going to do about the transmitter? | 0:17:37 | 0:17:39 | |
Hope it stays hidden. | 0:17:39 | 0:17:40 | |
Have you seen this? | 0:18:04 | 0:18:06 | |
It's just a headline. | 0:18:06 | 0:18:08 | |
Try telling that to Conroy when it starts happening on his patch. | 0:18:08 | 0:18:12 | |
This shipment gets cut properly. Are you done? | 0:18:14 | 0:18:16 | |
You know why I'm here. | 0:18:18 | 0:18:19 | |
There you go. | 0:18:24 | 0:18:25 | |
It's all there, right? | 0:18:27 | 0:18:28 | |
I'll be in touch. See you later. | 0:18:32 | 0:18:35 | |
What happened to you? Is he in? Aye. | 0:19:13 | 0:19:16 | |
You wanted to see me, Lenny? | 0:19:30 | 0:19:32 | |
You're some piece of work, kid. | 0:19:35 | 0:19:37 | |
Lenny, I know you told Jimmy about Molly. | 0:19:40 | 0:19:42 | |
That's fair enough. Had it coming. | 0:19:44 | 0:19:47 | |
But I reckon that makes us quits. | 0:19:48 | 0:19:51 | |
Quits?! | 0:19:51 | 0:19:53 | |
After what you did to me? What're you talking about? | 0:19:53 | 0:19:56 | |
Have you seriously got the brass neck to stand there, | 0:19:56 | 0:19:59 | |
right in front of me, and lie? | 0:19:59 | 0:20:01 | |
You slipped me a mickey. | 0:20:01 | 0:20:02 | |
It's not how it seems. You've got to trust me. | 0:20:03 | 0:20:06 | |
No. I don't need it explained to me. | 0:20:06 | 0:20:08 | |
You wanted to make your bones with Billy, eh? | 0:20:09 | 0:20:12 | |
Thought you'd use me to do it. | 0:20:12 | 0:20:13 | |
Lenny, I swear... Save your breath. | 0:20:13 | 0:20:16 | |
After today, you and me are done. | 0:20:18 | 0:20:21 | |
I'm going to turn my back on you now. | 0:20:23 | 0:20:24 | |
Lenny... | 0:20:27 | 0:20:29 | |
VOICEMAIL: Hi, this is Gareth. Leave a message and I'll get back to you. | 0:21:30 | 0:21:33 | |
Gareth, it's me. | 0:21:34 | 0:21:36 | |
Listen, I really want to sort this out. | 0:21:37 | 0:21:39 | |
Will you come home, please? | 0:21:40 | 0:21:42 | |
Jimmy, is Gareth in? No. | 0:22:07 | 0:22:09 | |
Do you know where he is then? | 0:22:10 | 0:22:12 | |
I don't know. I don't care. | 0:22:12 | 0:22:14 | |
If he's got any brains, he'll keep well away from me. | 0:22:15 | 0:22:17 | |
What's he ever done to you? | 0:22:17 | 0:22:19 | |
What's he ever done to me? | 0:22:21 | 0:22:22 | |
He robbed this place. | 0:22:24 | 0:22:26 | |
He battered Molly with a baseball bat - | 0:22:26 | 0:22:28 | |
broke her cheekbone. | 0:22:28 | 0:22:30 | |
Left her face in a right mess. | 0:22:30 | 0:22:31 | |
What? You heard. | 0:22:33 | 0:22:35 | |
So, I battered him. | 0:22:35 | 0:22:36 | |
He's a scumbag, a rat, | 0:22:36 | 0:22:39 | |
and if I was you, I'd get rid of him right now. | 0:22:39 | 0:22:42 | |
I'm looking for Gareth. | 0:22:59 | 0:23:00 | |
He was in earlier, but I don't know where he is now. | 0:23:00 | 0:23:04 | |
Well, if you see him, can you tell him I'm looking for him? | 0:23:04 | 0:23:07 | |
Nicole, is something wrong? | 0:23:07 | 0:23:09 | |
Just tell him I'll be at the house. | 0:23:10 | 0:23:12 | |
Whoa. Whoa. | 0:23:12 | 0:23:14 | |
Come on, sit down. | 0:23:14 | 0:23:15 | |
It's fine. It's just heartburn. | 0:23:17 | 0:23:18 | |
I can go and get somebody if you want? | 0:23:18 | 0:23:21 | |
No. Just need a minute. | 0:23:21 | 0:23:22 | |
I'll just go and get you some water. | 0:23:23 | 0:23:25 | |
Nicole, is there something else wrong? | 0:23:26 | 0:23:29 | |
It looks like there is. | 0:23:31 | 0:23:32 | |
I can handle it. | 0:23:35 | 0:23:36 | |
Jimmy. | 0:23:50 | 0:23:52 | |
You got a sec? | 0:23:54 | 0:23:55 | |
Want to tell me what I'm missing here? | 0:23:57 | 0:24:00 | |
Who said you were missing anything? | 0:24:00 | 0:24:02 | |
It's just that, well, I saw you talking to Nicole earlier. | 0:24:02 | 0:24:05 | |
Aye, well, that's between me and her. Aye, and she's my niece. | 0:24:05 | 0:24:09 | |
If there's a problem, I want to know about it. | 0:24:09 | 0:24:11 | |
All right. | 0:24:13 | 0:24:14 | |
I was telling her to keep away from that scumbag she's going out with. | 0:24:16 | 0:24:19 | |
Fine. I don't like him much either. | 0:24:19 | 0:24:22 | |
This wouldn't have anything to do with you | 0:24:22 | 0:24:24 | |
having a wee word with him yesterday? | 0:24:24 | 0:24:25 | |
We've got a possible ID, sir. | 0:24:27 | 0:24:30 | |
Suspect Four, his name's Peter Andrew Marsden. | 0:24:30 | 0:24:33 | |
Excellent work, sergeant. | 0:24:33 | 0:24:34 | |
We can link him to a shipping company that operates out of Cyprus - | 0:24:34 | 0:24:38 | |
the name of the company is Cargazon. | 0:24:38 | 0:24:40 | |
The first and last letters tally with what Gareth | 0:24:40 | 0:24:43 | |
found on Kennedy's phone yesterday - C-N. | 0:24:43 | 0:24:46 | |
And they have this boat docking at Greenock today - | 0:24:47 | 0:24:50 | |
it's obviously not a container vessel. | 0:24:50 | 0:24:53 | |
It's a salvage and mooring vessel named Moriay. | 0:24:53 | 0:24:57 | |
Right. Let's get a team together. I think we're almost there. | 0:24:57 | 0:25:00 | |
VOICEMAIL: Gareth, it's me | 0:25:25 | 0:25:27 | |
Listen, I really want to sort this out. Will you come home, please? | 0:25:27 | 0:25:32 | |
All right? | 0:26:10 | 0:26:12 | |
Where've you been all day? | 0:26:14 | 0:26:17 | |
I've been working. I've been driving all day. | 0:26:17 | 0:26:20 | |
Yeah, well, I tried to phone you. | 0:26:20 | 0:26:21 | |
Can you not answer a phone? | 0:26:26 | 0:26:28 | |
Nic, I've been driving all day. | 0:26:28 | 0:26:30 | |
Well, I'm supposed to be able to rely on you. What if I needed you? | 0:26:32 | 0:26:36 | |
Nic, look, I'm sorry. Going to just leave it? | 0:26:36 | 0:26:40 | |
I know about Molly. | 0:26:40 | 0:26:42 | |
Jimmy told me. | 0:26:46 | 0:26:47 | |
Nic... | 0:26:50 | 0:26:52 | |
I don't know what to say..... | 0:26:54 | 0:26:56 | |
There's nothing you can say. | 0:26:56 | 0:26:58 | |
She's an old woman. | 0:26:59 | 0:27:01 | |
Please, I'm so sorry... | 0:27:01 | 0:27:03 | |
You attacked her with a bat. | 0:27:03 | 0:27:05 | |
What kind of a person does that? | 0:27:07 | 0:27:10 | |
Nic, I'm different now. I'm not the same person I was back then. | 0:27:10 | 0:27:13 | |
No, you're not. | 0:27:13 | 0:27:15 | |
You're not the same person to me now. | 0:27:15 | 0:27:18 | |
Please don't do this. Please listen to me. | 0:27:18 | 0:27:20 | |
I didn't care back then, about anything, Nic. | 0:27:23 | 0:27:25 | |
I didn't care whether I lived or died, you've got to understand. | 0:27:25 | 0:27:28 | |
I don't understand. | 0:27:28 | 0:27:30 | |
I don't understand at all. | 0:27:30 | 0:27:33 | |
I was high on drugs. I was out my face. | 0:27:33 | 0:27:35 | |
I just took what was in front of me. I didn't care about anything, Nic. | 0:27:35 | 0:27:39 | |
I just took anything to survive, to get money. | 0:27:39 | 0:27:42 | |
Why didn't you tell me, right at the start? | 0:27:42 | 0:27:44 | |
Why didn't you tell me? | 0:27:46 | 0:27:48 | |
How could I tell you, Nic? | 0:27:48 | 0:27:50 | |
How could I tell you? What would you say? | 0:27:50 | 0:27:53 | |
What would you've done? You would have never even spoke to me. | 0:27:53 | 0:27:55 | |
I would've dealt with it. | 0:27:55 | 0:27:57 | |
But I had to hear it months down the line, off someone else. | 0:27:59 | 0:28:03 | |
How can you do that? | 0:28:04 | 0:28:06 | |
I don't understand. | 0:28:06 | 0:28:08 | |
Please... Don't. | 0:28:08 | 0:28:09 | |
I'm mixed up in this world and I'm trying my best to get out for us. | 0:28:09 | 0:28:13 | |
I'm doing everything that I can. | 0:28:13 | 0:28:15 | |
Doing everything? What are you doing? | 0:28:15 | 0:28:18 | |
You've been promising me things are going to change for weeks. | 0:28:18 | 0:28:21 | |
Things are going to change. I've heard it. | 0:28:21 | 0:28:23 | |
Nic, I'm a grass. | 0:28:31 | 0:28:33 | |
I've had to go to the police to try | 0:28:33 | 0:28:35 | |
and get out of this mess with Billy and Lenny. | 0:28:35 | 0:28:38 | |
I'm a grass, Nic. | 0:28:38 | 0:28:40 | |
What does that even mean? | 0:28:40 | 0:28:41 | |
It means that I've threw away everything | 0:28:41 | 0:28:44 | |
I ever stood for just for you. | 0:28:44 | 0:28:45 | |
I'm trying to do everything for you, for us. | 0:28:45 | 0:28:48 | |
Just for me? For me? | 0:28:48 | 0:28:50 | |
You're putting me and this baby in danger. | 0:28:50 | 0:28:52 | |
Do you not understand that? | 0:28:54 | 0:28:56 | |
I don't want to be part of your world. | 0:28:56 | 0:28:58 | |
Nic, please... | 0:29:03 | 0:29:05 | |
Please listen to me. | 0:29:05 | 0:29:07 | |
I can't, I just... | 0:29:07 | 0:29:08 | |
I feel different. | 0:29:09 | 0:29:11 | |
I feel like I don't know you, | 0:29:13 | 0:29:15 | |
and I need to know who the person is that I love. | 0:29:15 | 0:29:18 | |
Nic, I care so much about you and about this baby. | 0:29:20 | 0:29:24 | |
Nic, you don't know what it's like. | 0:29:27 | 0:29:30 | |
No, I don't know what it's like. Billy Kennedy is inside my head. | 0:29:31 | 0:29:35 | |
He's a psychopath, Nic. | 0:29:35 | 0:29:37 | |
He's an absolute psychopath. You don't understand. | 0:29:37 | 0:29:40 | |
I'm frightened for my life, Nic. | 0:29:40 | 0:29:43 | |
You're scaring me, Gareth. | 0:29:43 | 0:29:44 | |
Look, I'm sorry. | 0:29:44 | 0:29:46 | |
Please... Don't. | 0:29:46 | 0:29:47 | |
Nic, everything I've done, I've done it for us. | 0:29:47 | 0:29:51 | |
I promise you, I've not done anything to try and hurt you. | 0:29:51 | 0:29:55 | |
I've done it to try and protect you, me and the baby. | 0:29:55 | 0:29:59 | |
Nic, if I could just get a job tomorrow, | 0:29:59 | 0:30:01 | |
just walk in and get a job, I would take a job, but I can't. | 0:30:01 | 0:30:04 | |
Who's going employ me, Nic? | 0:30:04 | 0:30:06 | |
Who's going employ a boy with a criminal record, | 0:30:06 | 0:30:08 | |
scars all over his face? | 0:30:08 | 0:30:09 | |
Who's going do it, Nic? Nobody. | 0:30:10 | 0:30:13 | |
I only took this job so that I wouldn't rob people. | 0:30:13 | 0:30:17 | |
But I'm in so deep now I can't get out, Nic. | 0:30:17 | 0:30:19 | |
I just can't get away from these guys. | 0:30:19 | 0:30:22 | |
So, what do you expect me to do? | 0:30:22 | 0:30:24 | |
I don't expect you to do nothing. I'm just asking... | 0:30:27 | 0:30:30 | |
I'm asking that you trust me, please. | 0:30:32 | 0:30:35 | |
And give this, just give it time. | 0:30:35 | 0:30:37 | |
And I'm so sorry about Mrs O'Hara. | 0:30:38 | 0:30:41 | |
I'm so sorry about Mrs O'H... She's... | 0:30:43 | 0:30:45 | |
She's an old woman... | 0:30:47 | 0:30:49 | |
and you broke her jaw - | 0:30:49 | 0:30:51 | |
I'll never understand that. | 0:30:51 | 0:30:52 | |
I will never understand how you can do that, | 0:30:53 | 0:30:56 | |
and stand there and lie to me about it this morning. | 0:30:56 | 0:31:00 | |
I was ashamed. | 0:31:00 | 0:31:01 | |
So you should be. | 0:31:02 | 0:31:03 | |
It makes me feel sick. | 0:31:06 | 0:31:07 | |
I trusted you. | 0:31:11 | 0:31:13 | |
Please don't do this, Nic. You're all I've got, please. | 0:31:14 | 0:31:17 | |
I think you should go. | 0:31:21 | 0:31:22 | |
Please. | 0:31:22 | 0:31:24 | |
I want you to go. | 0:31:27 | 0:31:29 | |
Please. | 0:31:33 | 0:31:34 | |
Just go. | 0:31:35 | 0:31:37 | |
Nicole. | 0:31:43 | 0:31:44 | |
Hey. Hey, I want a word with you! | 0:32:07 | 0:32:09 | |
Don't you walk away from me. Jimmy told me what you done. | 0:32:09 | 0:32:12 | |
You're scum! | 0:32:12 | 0:32:14 | |
I know. | 0:32:16 | 0:32:19 | |
If it's Nicole you're worried about, then don't. | 0:32:19 | 0:32:22 | |
We're done. | 0:32:22 | 0:32:23 | |
Nic? | 0:32:36 | 0:32:37 | |
Hey, Nicole. | 0:32:43 | 0:32:44 | |
I just saw Gareth. | 0:32:45 | 0:32:47 | |
Jimmy told me about Molly. | 0:32:51 | 0:32:52 | |
Hey, you deserve the best...and he's not it. | 0:33:02 | 0:33:05 | |
You listen to me. He bothers you again in the future, you call me. | 0:33:06 | 0:33:10 | |
And you'll do what? | 0:33:12 | 0:33:13 | |
Batter him? | 0:33:13 | 0:33:15 | |
I'm just saying, you're well out of it. | 0:33:15 | 0:33:17 | |
You're better off without him. | 0:33:17 | 0:33:20 | |
Better off on my own, again. | 0:33:20 | 0:33:22 | |
You're not on your own. | 0:33:22 | 0:33:24 | |
You've got me, Zinnie... | 0:33:24 | 0:33:26 | |
Gabriel, he was going be my baby's dad. | 0:33:26 | 0:33:30 | |
I know you're hurting just now. | 0:33:33 | 0:33:36 | |
But trust me, you can do much, much better. | 0:33:36 | 0:33:39 | |
Just go, will you? | 0:33:42 | 0:33:44 | |
DOOR CLOSES | 0:33:45 | 0:33:46 | |
You know where I am if you need me. | 0:33:46 | 0:33:48 | |
Nic... | 0:33:52 | 0:33:54 | |
Hey... | 0:33:55 | 0:33:57 | |
What's wrong? | 0:33:57 | 0:33:59 | |
Everything all right with Nicole? | 0:34:23 | 0:34:25 | |
She was looking for you earlier. | 0:34:25 | 0:34:28 | |
Well, she found me, Stevie. | 0:34:28 | 0:34:30 | |
PHONE RINGS | 0:34:41 | 0:34:45 | |
I'll be there. | 0:34:52 | 0:34:54 | |
OK, we're going to need a full team on this, | 0:34:59 | 0:35:01 | |
including an armed unit. Sir. Cooper. | 0:35:01 | 0:35:05 | |
Thanks to DS Grant, we now know how, where and when | 0:35:05 | 0:35:08 | |
the drugs are coming in. | 0:35:08 | 0:35:10 | |
What about Gareth, sir? We pull him out, right? | 0:35:10 | 0:35:12 | |
No, no, we arrest him along with everyone else and then, when | 0:35:12 | 0:35:15 | |
it's all over, he goes into witness protection and we're home and dry. | 0:35:15 | 0:35:19 | |
I want you to watch the boatshed. | 0:35:19 | 0:35:21 | |
Sir. | 0:35:21 | 0:35:22 | |
So, you asked him to leave? | 0:35:26 | 0:35:27 | |
You won't understand. | 0:35:29 | 0:35:31 | |
So, what was it? | 0:35:32 | 0:35:34 | |
What did he do? | 0:35:34 | 0:35:35 | |
I really thought we were going to be a family. I know. | 0:35:40 | 0:35:44 | |
And now I'm going to have people queuing up to tell me I was wrong. | 0:35:44 | 0:35:47 | |
I know what they all think of him. What? | 0:35:47 | 0:35:49 | |
Same as you - | 0:35:52 | 0:35:54 | |
he's just a wee ned. I never said that. | 0:35:54 | 0:35:56 | |
Nic, it's your life. It doesn't matter what other people think. | 0:35:57 | 0:36:01 | |
Do you want him back? | 0:36:01 | 0:36:03 | |
What's wrong? | 0:36:04 | 0:36:06 | |
It's just heartburn. | 0:36:07 | 0:36:08 | |
SHE GROANS IN PAIN | 0:36:08 | 0:36:10 | |
How long's it been going on? All day. | 0:36:10 | 0:36:13 | |
That is not heartburn. I'm taking you to the Health Centre. | 0:36:13 | 0:36:16 | |
No. I'll be fine. I'm not chancing it. I'm getting your coat. | 0:36:16 | 0:36:19 | |
This is control. All units in place? | 0:36:39 | 0:36:42 | |
In position. | 0:36:42 | 0:36:45 | |
Want a coffee? No, thanks. | 0:37:00 | 0:37:04 | |
Come on, it's bound to be good. | 0:37:04 | 0:37:05 | |
Yep, I was right. | 0:37:24 | 0:37:25 | |
Take a seat. | 0:37:30 | 0:37:32 | |
What's wrong, Nicole? | 0:37:39 | 0:37:41 | |
I've been getting really sore stomach pains...and I'm dizzy. | 0:37:42 | 0:37:46 | |
Have you been sick at all? Yeah. | 0:37:46 | 0:37:49 | |
Nic, you could've told me. You were right to bring her in. | 0:37:49 | 0:37:52 | |
I would really like Doctor Stubbs to take a look at you, OK? | 0:37:57 | 0:38:00 | |
She's going to be all right though, isn't she? What about the baby? | 0:38:00 | 0:38:03 | |
I'm sure you'll both be fine. | 0:38:03 | 0:38:04 | |
SHE GROANS IN PAIN | 0:38:04 | 0:38:06 | |
The minute Doctor Stubbs is free, I will ask her to see you, OK? | 0:38:06 | 0:38:11 | |
So, where are we off to, Billy? The docks. | 0:38:37 | 0:38:40 | |
Kennedy's in transit with Gareth. | 0:39:08 | 0:39:12 | |
How do we handle him? | 0:39:15 | 0:39:17 | |
We arrest him, along with everyone else. | 0:39:17 | 0:39:19 | |
Kennedy will have told him not to say anything, | 0:39:19 | 0:39:21 | |
so when it comes to court we just accept the defence counsel's | 0:39:21 | 0:39:24 | |
plea that he was only ever a driver - no knowledge beyond that. | 0:39:24 | 0:39:28 | |
He gets off. | 0:39:28 | 0:39:30 | |
Will Kennedy buy that? | 0:39:30 | 0:39:31 | |
Gareth knew what he was getting into. | 0:39:34 | 0:39:36 | |
Murdoch's also on the move. What about Marsden? | 0:39:55 | 0:39:58 | |
On his way. | 0:40:01 | 0:40:02 | |
Control to all units, we're moving to amber. | 0:40:04 | 0:40:07 | |
Moving to Amber. | 0:40:07 | 0:40:08 | |
Take care. | 0:40:16 | 0:40:18 | |
Could you take a look at Nicole, please? What's the problem? | 0:40:18 | 0:40:21 | |
She has been having dizzy spells. Nausea? Anything abdominal? Yes. | 0:40:21 | 0:40:25 | |
Nicole, you all right? | 0:40:25 | 0:40:28 | |
Right, help me get her through. OK. Just lean on me... | 0:40:28 | 0:40:31 | |
SHE SCREAMS Nic! | 0:40:31 | 0:40:32 | |
What's happening? Ambulance, Tattie, now. | 0:40:32 | 0:40:35 | |
Tell them to hurry. | 0:40:35 | 0:40:37 | |
Lenny's at the boatshed. Something's going on. | 0:41:07 | 0:41:09 | |
Zinnie, what's going on? It's Nic, she's collapsed. | 0:41:39 | 0:41:42 | |
BP is 140 over 90. She's hypertensive. | 0:41:42 | 0:41:45 | |
There's no antepartum bleeding | 0:41:45 | 0:41:47 | |
but she reports dizziness, headaches, nausea, | 0:41:47 | 0:41:50 | |
and pain to her abdomen. | 0:41:50 | 0:41:51 | |
Nicole! Try stay calm, Mr Brodie. | 0:41:54 | 0:41:56 | |
What's wrong with her? | 0:41:56 | 0:41:57 | |
I think Nicole has what's called pre-eclampsia. | 0:41:57 | 0:42:00 | |
It's not uncommon in first pregnancies. OK, so... | 0:42:00 | 0:42:03 | |
She's going to need an emergency C-section. | 0:42:03 | 0:42:05 | |
It's a very dangerous condition for mother and baby. | 0:42:05 | 0:42:07 | |
Well, how dangerous? | 0:42:07 | 0:42:09 | |
It can be life-threatening. | 0:42:09 | 0:42:11 | |
Right, OK, you go with them. | 0:42:12 | 0:42:13 | |
I'll jump in a taxi and follow you down there, all right? | 0:42:13 | 0:42:17 | |
Gabriel, you need to go - you're next of kin. | 0:42:17 | 0:42:20 | |
Right, well, I'll make sure Zinnie gets there safely. | 0:42:20 | 0:42:23 | |
SIREN BLARES | 0:42:37 | 0:42:41 | |
Marsden's here. | 0:42:47 | 0:42:48 | |
Yes. Yes. | 0:42:48 | 0:42:50 | |
All units, standby. | 0:42:51 | 0:42:54 | |
PHONE RINGS | 0:43:01 | 0:43:03 | |
BOTH MEN SPEAK GREEK | 0:43:05 | 0:43:09 | |
In position. | 0:43:28 | 0:43:29 | |
All units, Marsden is heading towards the ship. | 0:43:30 | 0:43:33 | |
He's going through the paperwork. | 0:43:49 | 0:43:51 | |
Still no sign of Kennedy. | 0:44:01 | 0:44:03 | |
Billy didn't get where he is without showing caution. | 0:44:04 | 0:44:08 | |
Marsden's in. He's making the collection. | 0:44:28 | 0:44:31 | |
He has hands on. | 0:45:03 | 0:45:05 | |
Let's see him try to talk his way out of this one. | 0:45:05 | 0:45:08 | |
Stop. | 0:45:30 | 0:45:31 | |
Now get us out of here, now! | 0:45:33 | 0:45:35 | |
We've lost Kennedy. | 0:45:39 | 0:45:41 | |
Control to all units, no-one shows until I say. | 0:45:45 | 0:45:48 | |
Go! All units, go! | 0:45:53 | 0:45:55 | |
SIRENS BLARE | 0:45:55 | 0:45:57 | |
Armed police! Get out of the car with your hands in the air! | 0:46:04 | 0:46:07 | |
Out of the vehicle, now! Get down! Armed police! | 0:46:07 | 0:46:09 | |
Get out the vehicle! | 0:46:09 | 0:46:11 | |
Armed police! Get down! | 0:46:12 | 0:46:15 | |
Stay down! Get down on the ground! | 0:46:15 | 0:46:18 | |
Get down! Armed police! Stay down! Don't move! | 0:46:18 | 0:46:21 | |
Step away from the vehicle. | 0:46:26 | 0:46:28 | |
Step away! | 0:46:28 | 0:46:29 | |
Get down! On your knees, get down! | 0:46:31 | 0:46:33 | |
Arms out. | 0:46:35 | 0:46:36 | |
Well, Mr Marsden... | 0:46:39 | 0:46:42 | |
it's not your day. | 0:46:42 | 0:46:44 | |
Get him down the station. | 0:46:45 | 0:46:48 | |
Where are you going? | 0:47:10 | 0:47:11 | |
Should I not come in with you? | 0:47:11 | 0:47:13 | |
Get back to Shieldinch. Keep your phone on and I'll call you later. | 0:47:13 | 0:47:17 | |
But, Billy... What? | 0:47:17 | 0:47:19 | |
Don't you need me here? Going toe just beat it, will you? | 0:47:19 | 0:47:22 | |
The police were at the docks. | 0:47:45 | 0:47:47 | |
There was an undercover guy at the gate. And? | 0:47:47 | 0:47:49 | |
He saw me. I saw him. You think you were followed? | 0:47:49 | 0:47:51 | |
We need to get this stuff out of here and disposed of it, | 0:47:51 | 0:47:54 | |
and everything else that could tie us to this place. | 0:47:54 | 0:47:56 | |
Right, come on, come on. Do it! Do it! | 0:47:56 | 0:47:58 | |
Where's Pedro? | 0:47:58 | 0:47:59 | |
I got a text from him in the car, I haven't heard from him since. | 0:47:59 | 0:48:02 | |
Do you think the police got him? Who knows? | 0:48:02 | 0:48:04 | |
And the gear? Aw, man. | 0:48:04 | 0:48:07 | |
Half a million quid! I know. | 0:48:07 | 0:48:09 | |
Where's Gareth? | 0:48:09 | 0:48:11 | |
I sent him back to Shieldinch. | 0:48:11 | 0:48:14 | |
Just tell me, is she going to be OK? | 0:48:18 | 0:48:20 | |
We must deliver the baby as soon as possible. | 0:48:20 | 0:48:22 | |
Any delay could endanger them both. | 0:48:22 | 0:48:24 | |
Let me call Gareth. Just forget about him, Zinnie. | 0:48:24 | 0:48:26 | |
She's seizing again. We need to get her to theatre now. Nicole! | 0:48:26 | 0:48:30 | |
No, sir. | 0:48:37 | 0:48:40 | |
Yes, sir. | 0:48:40 | 0:48:41 | |
Kennedy's still at the boat shed with Murdoch. | 0:48:43 | 0:48:46 | |
Looks as though they've sent Gareth away on some sort of errand. | 0:48:46 | 0:48:50 | |
If Kennedy is acting normally with Gareth, | 0:48:50 | 0:48:52 | |
perhaps he doesn't suspect anything yet. | 0:48:52 | 0:48:54 | |
So, how do you want to play it with Marsden, sir? | 0:48:54 | 0:48:56 | |
He can deny involvement all he likes - we caught him red-handed. | 0:48:56 | 0:48:59 | |
He'll do time for the drugs, no question. | 0:48:59 | 0:49:01 | |
He's up to his eyeballs in it with those two, we just can't prove it. | 0:49:02 | 0:49:06 | |
We need to get him to name names. | 0:49:06 | 0:49:09 | |
We're going to need some leverage if he's going to start talking. | 0:49:09 | 0:49:11 | |
The only thing we can do is dangle the carrot | 0:49:12 | 0:49:14 | |
of a more lenient sentence, I guess. | 0:49:14 | 0:49:16 | |
For that amount of heroin? Well, it's worth a try. | 0:49:16 | 0:49:18 | |
You know the score. What do we do next? | 0:49:27 | 0:49:30 | |
Wait for the police to make a move? Just keep the heid, will you? | 0:49:30 | 0:49:33 | |
Billy, I could do 12 years here. We've not made a bean. | 0:49:33 | 0:49:36 | |
What about Pedro? | 0:49:38 | 0:49:39 | |
Are you sure he's not going to talk? He's not that stupid. | 0:49:39 | 0:49:42 | |
Away up the road, you. | 0:49:45 | 0:49:46 | |
There's no need for the two of us to be here. | 0:49:46 | 0:49:49 | |
Go on. I'll keep you clued up. Go on. | 0:49:49 | 0:49:52 | |
Come on. Come on. Move it, guys! Come on! | 0:49:58 | 0:50:02 | |
TAPE RECORDER BEEPS | 0:50:03 | 0:50:05 | |
Interview commences with Mr Peter Marsden | 0:50:09 | 0:50:12 | |
and his representative at 1502 hours. | 0:50:12 | 0:50:15 | |
Present are DS Rachel Grant and DCI Craig Donald. | 0:50:15 | 0:50:18 | |
Mr Marsden, what exactly is your relationship with William Kennedy? | 0:50:18 | 0:50:23 | |
Old friends. And Lenny Murdoch? | 0:50:23 | 0:50:25 | |
He's somebody Billy knew. | 0:50:27 | 0:50:29 | |
And you're in business together? | 0:50:29 | 0:50:32 | |
I'm showing Mr Marsden exhibit RG179 through to RG182. | 0:50:37 | 0:50:43 | |
These were taken yesterday. | 0:50:44 | 0:50:46 | |
Can you identify any of the other associates of Billy Kennedy | 0:50:47 | 0:50:50 | |
arriving along with you? | 0:50:50 | 0:50:51 | |
No. I don't know them. | 0:50:54 | 0:50:56 | |
You were at a meeting with them less than 24 hours ago | 0:50:56 | 0:50:58 | |
and you look very friendly. | 0:50:58 | 0:51:00 | |
Want to tell us what the meeting was about? | 0:51:02 | 0:51:05 | |
No comment. | 0:51:06 | 0:51:08 | |
Well, we had that meeting bugged, so I can tell you. | 0:51:10 | 0:51:12 | |
You were discussing the importation of the goods | 0:51:13 | 0:51:16 | |
we found in your possession at the docks today... | 0:51:16 | 0:51:18 | |
namely uncut heroin with a street value | 0:51:18 | 0:51:21 | |
running into tens of millions of pounds. | 0:51:21 | 0:51:23 | |
Mr Marsden, we caught you taking possession of the drugs. | 0:51:25 | 0:51:28 | |
You're going down for a long time. | 0:51:30 | 0:51:33 | |
Why should Kennedy and all the others | 0:51:33 | 0:51:35 | |
be at liberty while you're not? | 0:51:35 | 0:51:37 | |
We will get the others. | 0:51:38 | 0:51:40 | |
Maybe not all, but certainly Kennedy. | 0:51:40 | 0:51:43 | |
If you help us achieve that, it might buy you favour | 0:51:43 | 0:51:46 | |
when it comes to sentencing. | 0:51:46 | 0:51:47 | |
The Sheriff does have a number of tariff options open to him, | 0:51:49 | 0:51:53 | |
within reason, of course. | 0:51:53 | 0:51:54 | |
Naturally, you'd have to have displayed a willingness to help. | 0:51:56 | 0:51:59 | |
We want names. | 0:52:03 | 0:52:04 | |
Everyone involved in the supply line. | 0:52:05 | 0:52:07 | |
Everyone responsible for distribution. | 0:52:07 | 0:52:10 | |
We know you're connected to Frank Conroy. Who else? | 0:52:10 | 0:52:13 | |
I've no comment to make. | 0:52:16 | 0:52:18 | |
Just give us Kennedy and Murdoch, we'll do the rest. | 0:52:23 | 0:52:27 | |
You're on your own. | 0:52:36 | 0:52:38 | |
So, what do we do now, sir? | 0:52:54 | 0:52:56 | |
Well, we're left with Gareth - he's our best asset as things stand. | 0:52:56 | 0:52:59 | |
Should we think about pulling him out, sir? | 0:52:59 | 0:53:01 | |
Kennedy's going to eventually work it out and, | 0:53:01 | 0:53:03 | |
until then, Gareth's living on borrowed time. | 0:53:03 | 0:53:06 | |
No. We need Gareth to stay undercover. | 0:53:06 | 0:53:09 | |
I want Billy Kennedy off my streets once and for all, | 0:53:09 | 0:53:11 | |
and he is our best chance of doing that. | 0:53:11 | 0:53:13 | |
He's as much riding on this as anyone else. | 0:53:15 | 0:53:17 | |
Well, let's just hope they don't find the wire. | 0:53:17 | 0:53:19 | |
Ho! | 0:53:33 | 0:53:35 | |
What're you doing here? What're you on about, Stevie? | 0:53:35 | 0:53:38 | |
Nicole. What about her? She just collapsed in the Health Centre. | 0:53:38 | 0:53:41 | |
She's away to the hospital. Did you not know? | 0:53:41 | 0:53:43 | |
Woah! | 0:54:18 | 0:54:19 | |
He could've planted the bug. | 0:56:02 | 0:56:04 | |
Maybe he's been playing you all along. No, Pedro's clean. | 0:56:04 | 0:56:07 | |
We need to be looking further down the food chain. | 0:56:07 | 0:56:09 | |
I said get out. | 0:56:09 | 0:56:10 | |
Just tell me, is Nicole and the baby all right? | 0:56:10 | 0:56:13 | |
No, she's not going to be all right. | 0:56:13 | 0:56:14 | |
She's fighting for her life in there. | 0:56:14 | 0:56:16 | |
I've given you everything, that you asked for. | 0:56:16 | 0:56:19 | |
Now, please, just let me go. | 0:56:19 | 0:56:21 | |
If I let you walk out of here, you're a dead man. | 0:56:21 | 0:56:24 | |
I'm going toe be needing you today. | 0:56:24 | 0:56:26 | |
And listen, you don't have to worry about Nicole and the baby, | 0:56:26 | 0:56:29 | |
they'll be all right without you. | 0:56:29 | 0:56:30 | |
In fact, I'd go so far as to say, they'd be a much safer without you. | 0:56:30 | 0:56:34 | |
OK, Billy. | 0:56:34 | 0:56:35 | |
Subtitles By Red Bee Media Ltd | 0:56:37 | 0:56:40 |