Browse content similar to 07/01/2014. Check below for episodes and series from the same categories and more!
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Tonight is going to be amazing. | 0:00:22 | 0:00:24 | |
Yep. It's going to be wicked. | 0:00:24 | 0:00:27 | |
ALL: Happy New Year! | 0:00:27 | 0:00:29 | |
What about Jamie, did he make a move? | 0:00:32 | 0:00:35 | |
You must've got a wee kiss at the bells. C'mon, who was it? | 0:00:35 | 0:00:38 | |
Will you leave it?! | 0:00:38 | 0:00:39 | |
What's wrong with you? | 0:00:39 | 0:00:42 | |
How's my brother? | 0:00:42 | 0:00:43 | |
He's about to be charged with rape. | 0:00:43 | 0:00:44 | |
I want to see him. | 0:00:44 | 0:00:46 | |
I'm afraid he's in custody and he's staying put | 0:00:46 | 0:00:48 | |
-until the courts reopen after the holidays. -This is ridiculous. | 0:00:48 | 0:00:51 | |
Who's making this accusation? | 0:00:51 | 0:00:53 | |
Step forward, number four, please. | 0:00:53 | 0:00:56 | |
-I didn't do it. -Save it for the trial, Jamie. | 0:00:59 | 0:01:01 | |
I swear to you, she's making the whole thing up. | 0:01:01 | 0:01:03 | |
'Um, what about a trial shift next week, | 0:02:16 | 0:02:18 | |
'then we can take it from there? | 0:02:18 | 0:02:20 | |
'You're very sure of yourself. | 0:02:20 | 0:02:21 | |
'Well, I've never had any complaints. | 0:02:21 | 0:02:23 | |
-'Oh, is that an invitation? -Might be. | 0:02:23 | 0:02:25 | |
'Here, Zinnie, do you want to come back to my place afterwards? | 0:02:25 | 0:02:29 | |
'Yeah, why not? | 0:02:29 | 0:02:30 | |
'You were so hot behind that bar. | 0:02:30 | 0:02:32 | |
'Never let it be said, I don't know how to treat a lady. | 0:02:32 | 0:02:35 | |
'You were what I was thinking about all night. | 0:02:35 | 0:02:37 | |
'You were so hot behind that bar...' | 0:02:37 | 0:02:39 | |
VOICES OVERLAP AND BLUR | 0:02:39 | 0:02:42 | |
PIERCING, HIGH-PITCHED TONE | 0:02:42 | 0:02:44 | |
VOICES AND TONE FADE | 0:02:49 | 0:02:51 | |
DISTANT SHOUTING | 0:03:17 | 0:03:19 | |
HE SIGHS | 0:03:21 | 0:03:22 | |
It's just a change of clothes. PHONE RINGS | 0:04:05 | 0:04:07 | |
All I want is to give them to him myself. | 0:04:07 | 0:04:09 | |
Sorry, pal... Hello? | 0:04:09 | 0:04:11 | |
-All right, OK. -No, that's fine. Bring him down. | 0:04:13 | 0:04:16 | |
All rise. | 0:04:18 | 0:04:20 | |
Please confirm your name. | 0:04:24 | 0:04:25 | |
James Matthew McAllister. | 0:04:25 | 0:04:27 | |
And your address. | 0:04:27 | 0:04:28 | |
20 Highgate Road. | 0:04:28 | 0:04:30 | |
Thank you. | 0:04:30 | 0:04:31 | |
My Lady, I move my client, James McAllister, be granted bail. | 0:04:36 | 0:04:41 | |
My colleague's correctly outlined his objections, | 0:04:42 | 0:04:45 | |
'alluding to the heinous nature of the alleged offence | 0:04:45 | 0:04:48 | |
'with which Mr McAllister is charged. | 0:04:48 | 0:04:51 | |
'Together with a fear that Mr McAllister's presence | 0:04:51 | 0:04:54 | |
'in the vicinity of her home may cause Ms Hassoun distress. | 0:04:54 | 0:04:59 | |
'However, I need not remind you that there is a presumption | 0:05:00 | 0:05:04 | |
'in favour of bail, no matter the severity of the alleged crime. | 0:05:04 | 0:05:10 | |
'I have discussed this with my client. | 0:05:11 | 0:05:14 | |
'His brother has offered temporary accommodation, | 0:05:14 | 0:05:17 | |
'away from the alleged victim. | 0:05:17 | 0:05:19 | |
'Further, my client is willing to accept | 0:05:19 | 0:05:22 | |
'any conditions your Ladyship may wish to impose.' | 0:05:22 | 0:05:25 | |
Terms are as per: | 0:05:44 | 0:05:46 | |
Not to go within a reasonable distance of the complainant. | 0:05:46 | 0:05:49 | |
I'll clarify what was set. | 0:05:49 | 0:05:50 | |
Clarify? You've only just come out! | 0:05:50 | 0:05:52 | |
Mr McAllister, I deal with a lot of these cases. | 0:05:52 | 0:05:54 | |
It's hard sometimes to keep on top of every one. | 0:05:54 | 0:05:58 | |
The nub is, he's to stay with you, not leave Glasgow, | 0:05:58 | 0:06:01 | |
be available to the police, et cetera. | 0:06:01 | 0:06:03 | |
I'm sure you can fill in the blanks. | 0:06:03 | 0:06:05 | |
Isn't that your job? | 0:06:05 | 0:06:07 | |
And I'm already late for my next appearance. | 0:06:07 | 0:06:09 | |
Just be grateful for the time of year. | 0:06:09 | 0:06:12 | |
The prisons are chocka. | 0:06:12 | 0:06:13 | |
If not, your brother may very well be heading there right now. | 0:06:13 | 0:06:17 | |
So, if you'll excuse me. | 0:06:17 | 0:06:18 | |
Bro! | 0:06:20 | 0:06:22 | |
-Thank you. -Hey. | 0:06:29 | 0:06:31 | |
I'm...so sorry. | 0:06:34 | 0:06:36 | |
Hey, you've nothing to be sorry about. | 0:06:36 | 0:06:39 | |
Let's just get you out of here, eh? | 0:06:39 | 0:06:41 | |
Right. So he's free to come and go? | 0:06:45 | 0:06:48 | |
No, conditions were set. | 0:06:48 | 0:06:50 | |
Obviously this is a temporary set back. We'd have much preferred him to stay in custody. | 0:06:50 | 0:06:54 | |
But Jamie has to stay at his brother's flat. | 0:06:54 | 0:06:56 | |
And he's not come anywhere near you, Zinnie. | 0:06:56 | 0:06:59 | |
He knows not to breach those terms. | 0:06:59 | 0:07:02 | |
They still let him out? | 0:07:02 | 0:07:04 | |
So what does that mean, that they believe him? | 0:07:04 | 0:07:06 | |
No. There's no presumption of innocence or guilt at this stage. | 0:07:06 | 0:07:09 | |
That'll only come when a jury's shown evidence | 0:07:09 | 0:07:12 | |
and then asked to make up their own minds. | 0:07:12 | 0:07:14 | |
And what if they don't believe the evidence? | 0:07:14 | 0:07:17 | |
Because at the end of the day, it's only my word against his. | 0:07:17 | 0:07:20 | |
Look, I've never pretended this was going to be easy. | 0:07:23 | 0:07:25 | |
But we do have a really strong case. | 0:07:25 | 0:07:28 | |
And you have my assurance that I'll do everything I can | 0:07:28 | 0:07:31 | |
to achieve the correct result. | 0:07:31 | 0:07:33 | |
And we're grateful. Right, Zinnie? | 0:07:33 | 0:07:36 | |
Everyone's doing what they can. | 0:07:37 | 0:07:39 | |
DOOR CLOSES | 0:07:59 | 0:08:00 | |
You don't know how good that feels. | 0:08:03 | 0:08:05 | |
That place was rancid. | 0:08:07 | 0:08:09 | |
It was a jail. What do you expect? | 0:08:09 | 0:08:12 | |
Yeah, but I'd not done anything. | 0:08:12 | 0:08:14 | |
Didn't stop them treating me like I had. | 0:08:15 | 0:08:18 | |
Fingerprinted, all my stuff taken away. | 0:08:18 | 0:08:20 | |
They treated me like I was guilty. | 0:08:20 | 0:08:22 | |
Just try and forget about it, eh? There's bread and cereal. | 0:08:23 | 0:08:28 | |
What about my things? | 0:08:28 | 0:08:29 | |
We'll collect what you need later. | 0:08:29 | 0:08:31 | |
OK. | 0:08:31 | 0:08:33 | |
So...what now? | 0:08:36 | 0:08:37 | |
You stay here. Don't talk to anyone. | 0:08:39 | 0:08:42 | |
You don't go out. | 0:08:42 | 0:08:43 | |
Oh, come on! I may as well be back in jail. | 0:08:43 | 0:08:46 | |
Oh, and what, you'd rather give that cop an excuse to put you there? | 0:08:46 | 0:08:50 | |
The court could've kept you in prison, you do know that, don't you? | 0:08:50 | 0:08:53 | |
One step out of line and they will. | 0:08:53 | 0:08:54 | |
It's just, I still can't get my head around it. | 0:08:57 | 0:09:00 | |
One minute, everything's sweet. Next, all this. | 0:09:01 | 0:09:03 | |
And you're sure nothing happened? | 0:09:07 | 0:09:10 | |
I don't mean the way they're saying. | 0:09:11 | 0:09:14 | |
-But anything that might have made her accuse you? -No! | 0:09:14 | 0:09:16 | |
She was as up for it as me. Ask anyone. | 0:09:18 | 0:09:21 | |
She was the one coming on to ME. | 0:09:21 | 0:09:24 | |
Whatever changed after that, it wasn't my doing. | 0:09:28 | 0:09:31 | |
Thought she'd be there. | 0:09:36 | 0:09:39 | |
It was a bail hearing, Jamie, why would she be? | 0:09:39 | 0:09:41 | |
Besides, what good would it have done? | 0:09:41 | 0:09:45 | |
Don't know. I just want to ask why she's doing this to me. | 0:09:45 | 0:09:47 | |
I don't know. | 0:09:48 | 0:09:50 | |
-Maybe she doesn't, either. -But if I could speak to her... | 0:09:51 | 0:09:54 | |
Have you not listened to a word I've said? | 0:09:54 | 0:09:57 | |
From now on, you leave this to me. | 0:09:57 | 0:09:59 | |
Hey. Sorry, I didn't mean to wake you. | 0:10:20 | 0:10:24 | |
Thought you'd today off? | 0:10:25 | 0:10:27 | |
I have. | 0:10:27 | 0:10:28 | |
We could do something... | 0:10:30 | 0:10:32 | |
or just stay in here. | 0:10:32 | 0:10:34 | |
And have Billy walk in on us? | 0:10:34 | 0:10:35 | |
Who knows when he'll be back? | 0:10:37 | 0:10:39 | |
No. Course not. | 0:10:39 | 0:10:40 | |
What's that supposed to mean? | 0:10:41 | 0:10:43 | |
I'm just wondering what you get out of this. | 0:10:43 | 0:10:45 | |
Me? Or is it knowing you're getting one over on him? | 0:10:45 | 0:10:49 | |
We both agreed the rules. | 0:10:50 | 0:10:52 | |
KNOCKING | 0:11:22 | 0:11:23 | |
Come. | 0:11:23 | 0:11:25 | |
Sir. | 0:11:25 | 0:11:26 | |
Just going over the club's CCTV. | 0:11:29 | 0:11:31 | |
Tox report. | 0:11:31 | 0:11:32 | |
OK, give me the headlines. | 0:11:33 | 0:11:35 | |
No Rohypnol, no GHB. But Zinnie did have alcohol in her bloodstream. | 0:11:35 | 0:11:39 | |
0.19. | 0:11:39 | 0:11:40 | |
Great. McAllister's defence team's going to have a field day. | 0:11:42 | 0:11:45 | |
Oh, I do not enjoy the thought of letting this family down yet again. | 0:11:45 | 0:11:49 | |
No. | 0:11:49 | 0:11:51 | |
None of which means we give up. | 0:11:51 | 0:11:53 | |
Jamie might have better manners than his Uncle Billy, | 0:11:53 | 0:11:56 | |
but he's still a Kennedy where it counts. | 0:11:56 | 0:11:58 | |
CAR LOCK BLEEPS | 0:12:25 | 0:12:27 | |
Zinnie, Zinnie... | 0:13:07 | 0:13:10 | |
What are you doing here? | 0:13:13 | 0:13:15 | |
I didn't expect to see you. | 0:13:17 | 0:13:18 | |
I was going to call you later. | 0:13:19 | 0:13:21 | |
-See if you'd talk to me. -Why would I? | 0:13:21 | 0:13:24 | |
Please, Zinnie. The last thing I want is to give you a hard time. | 0:13:24 | 0:13:27 | |
Well, go away, then! You've nothing I want to hear. | 0:13:27 | 0:13:30 | |
Even though...I'm on your side. | 0:13:30 | 0:13:33 | |
I know this isn't something you wanted. | 0:13:34 | 0:13:36 | |
If you let me, I can help you. | 0:13:38 | 0:13:40 | |
OK. What? | 0:13:53 | 0:13:55 | |
Things are different, I get that. | 0:13:58 | 0:14:02 | |
That doesn't mean we can't make it right. | 0:14:04 | 0:14:07 | |
You can't work with Jamie, OK, but I've got other clubs. | 0:14:07 | 0:14:10 | |
What are you saying? | 0:14:11 | 0:14:13 | |
This isn't easy for either of us, Zinnie. | 0:14:14 | 0:14:17 | |
I'm still trying to make sense of what happened. | 0:14:17 | 0:14:22 | |
The last time I saw you two, you were laughing and joking. | 0:14:22 | 0:14:25 | |
Just tell me what he did to upset you and I'll make it right. | 0:14:27 | 0:14:30 | |
What he did to upset me?! | 0:14:30 | 0:14:31 | |
Or is it me that did that? | 0:14:31 | 0:14:33 | |
What? | 0:14:33 | 0:14:35 | |
I know you were angry at me. | 0:14:35 | 0:14:37 | |
But if this is your way of trying to get back at me | 0:14:37 | 0:14:39 | |
because of what happened between us, | 0:14:39 | 0:14:42 | |
then it has to stop, before it blows up in everyone's faces. | 0:14:42 | 0:14:45 | |
What do you mean, "everyone's faces"? | 0:14:45 | 0:14:47 | |
If this goes much further, Zinnie, it'll get out of hand. | 0:14:47 | 0:14:50 | |
Jamie's lawyers will go after you every bit as much as yours will him. | 0:14:51 | 0:14:55 | |
Me? | 0:14:55 | 0:14:57 | |
They'll find out about what you've been doing - the escorting. | 0:14:58 | 0:15:02 | |
Do you really want everyone knowing? | 0:15:02 | 0:15:06 | |
How would they find out? | 0:15:06 | 0:15:07 | |
You'd admit that you pay girls to sleep with you? | 0:15:08 | 0:15:11 | |
But that's not somewhere we have to go. | 0:15:11 | 0:15:13 | |
If this is about me, just tell the police you made a mistake and... | 0:15:15 | 0:15:19 | |
I'll make things better. | 0:15:19 | 0:15:21 | |
Why should it be about you? | 0:15:21 | 0:15:22 | |
Then, what do you want? | 0:15:22 | 0:15:24 | |
-Zinnie... -What's going on? | 0:15:24 | 0:15:26 | |
It's OK, I'm going. | 0:15:27 | 0:15:29 | |
Think about it. | 0:15:30 | 0:15:31 | |
No-one needs to know anything. | 0:15:33 | 0:15:34 | |
You OK? | 0:15:39 | 0:15:40 | |
I can't believe he had the nerve! | 0:15:43 | 0:15:45 | |
What makes him think anything he could say | 0:15:45 | 0:15:47 | |
would make a blind bit of difference? | 0:15:47 | 0:15:49 | |
What did he mean... | 0:15:49 | 0:15:51 | |
..when he said that nobody needed to know anything? | 0:15:52 | 0:15:55 | |
I don't know. | 0:15:57 | 0:15:58 | |
Zinnie, if he's putting some sort of pressure on you... | 0:15:59 | 0:16:03 | |
I mean, what exactly did he say? | 0:16:04 | 0:16:07 | |
He just said that no-one is going to win. | 0:16:07 | 0:16:09 | |
I'll be made out to be as bad as Jamie. | 0:16:09 | 0:16:11 | |
No way. Look, he's just trying to protect his brother. | 0:16:12 | 0:16:15 | |
What if he's right? | 0:16:15 | 0:16:16 | |
What if I go to court and no-one believes me? | 0:16:18 | 0:16:20 | |
Why wouldn't they? | 0:16:20 | 0:16:22 | |
-You didn't do anything wrong. -No, you didn't. | 0:16:22 | 0:16:25 | |
And, right now, | 0:16:26 | 0:16:27 | |
the only person that's got anything to be afraid of is him. | 0:16:27 | 0:16:30 | |
You told me they weren't allowed anywhere near Zinnie. | 0:16:31 | 0:16:35 | |
No, those were the conditions placed on Jamie. | 0:16:35 | 0:16:37 | |
The court had no cause to apply the same to his brother. | 0:16:37 | 0:16:40 | |
Right, so he can just get his brother to do his dirty work for him | 0:16:40 | 0:16:43 | |
-and that's OK, is it? -Is that what Zinnie said McAllister was doing? | 0:16:43 | 0:16:46 | |
It's more what she didn't say. | 0:16:46 | 0:16:49 | |
Look, I'm scared she's going to drop the charges. | 0:16:49 | 0:16:51 | |
Have you reason to think that? | 0:16:51 | 0:16:53 | |
She's wanting to do what she always does - | 0:16:53 | 0:16:55 | |
stick her head in the sand. | 0:16:55 | 0:16:57 | |
And why should that beast be allowed to intimidate her, | 0:16:57 | 0:17:00 | |
on top of everything else? | 0:17:00 | 0:17:02 | |
It's not fair that him | 0:17:02 | 0:17:03 | |
and his brother think they can just push people around. | 0:17:03 | 0:17:06 | |
No. No, it's not. | 0:17:07 | 0:17:10 | |
Knew it wouldn't last. | 0:17:12 | 0:17:14 | |
And you're in luck - I've just taken on two new girls. | 0:17:15 | 0:17:18 | |
That's not what I'm here for. | 0:17:20 | 0:17:21 | |
What, have you got a whole new list of clubs | 0:17:21 | 0:17:23 | |
-that my girls are barred from? -I explained that. Something else. | 0:17:23 | 0:17:28 | |
It's to do with Zinnie. | 0:17:28 | 0:17:29 | |
What's happened now? | 0:17:30 | 0:17:32 | |
What can you tell me about her? | 0:17:32 | 0:17:34 | |
Well, you should know, she works for you. | 0:17:34 | 0:17:36 | |
What I mean is, she stopped working here - why? | 0:17:36 | 0:17:39 | |
She quit. | 0:17:40 | 0:17:42 | |
She was looking for a fast way to make some money. | 0:17:42 | 0:17:44 | |
Maybe she found an easier way of making it. | 0:17:47 | 0:17:49 | |
So... | 0:17:51 | 0:17:53 | |
..do you want to tell me what this is all about? | 0:17:54 | 0:17:57 | |
She...messed up. | 0:17:57 | 0:17:59 | |
Some people may start asking about her. | 0:17:59 | 0:18:02 | |
OK. People? Who? | 0:18:02 | 0:18:04 | |
Police. Lawyers. | 0:18:04 | 0:18:07 | |
I'm trying to make it go away, but, if they do start asking about her, | 0:18:07 | 0:18:11 | |
I need to know there's nothing here connects me. | 0:18:11 | 0:18:13 | |
You know, you're a piece of work! | 0:18:13 | 0:18:15 | |
All right. | 0:18:18 | 0:18:19 | |
Same answer as before - no, there isn't. | 0:18:19 | 0:18:23 | |
At least, not here. | 0:18:23 | 0:18:25 | |
You see, I like to keep all my clients' real names | 0:18:25 | 0:18:28 | |
on my home computer. | 0:18:28 | 0:18:31 | |
Call it my insurance. | 0:18:31 | 0:18:33 | |
And if I'm up against a wall, I will use it. | 0:18:33 | 0:18:36 | |
And if that means your wife finding out, then tough! | 0:18:36 | 0:18:38 | |
So you better hope this, whatever this is, does go away. | 0:18:38 | 0:18:42 | |
Like you're going away. | 0:18:44 | 0:18:46 | |
-You deny harassing Miss Hassoun? -Yeah, I do. | 0:20:22 | 0:20:25 | |
That wasn't what I was there for. | 0:20:25 | 0:20:27 | |
Why were you there, then? | 0:20:27 | 0:20:29 | |
Looking for a way out of this. | 0:20:29 | 0:20:30 | |
Go on. | 0:20:32 | 0:20:34 | |
One that doesn't involve the courts. | 0:20:34 | 0:20:36 | |
And rather than pursuing a false allegation, | 0:20:36 | 0:20:39 | |
maybe that's something you should be trying to do, too. | 0:20:39 | 0:20:43 | |
Is that right? | 0:20:43 | 0:20:44 | |
No-one's going to win here, Chief Inspector. | 0:20:44 | 0:20:47 | |
Jamie is innocent, yet his name will bandied all over the news. | 0:20:47 | 0:20:49 | |
Ah, what's that - bad for business? | 0:20:49 | 0:20:51 | |
No. And if you think that is what I put first, then you're wrong. | 0:20:51 | 0:20:56 | |
I'm doing this for him. And what about Zinnie? | 0:20:56 | 0:20:59 | |
How's this meant to help her? | 0:20:59 | 0:21:01 | |
The woman was raped. | 0:21:02 | 0:21:04 | |
Are you sure about that? | 0:21:04 | 0:21:06 | |
Tell me, was she flirting - yes or no? | 0:21:06 | 0:21:09 | |
Did she willingly go back to the office - yes or no? | 0:21:10 | 0:21:14 | |
Does a woman her age know what's going on - yes or no? | 0:21:14 | 0:21:19 | |
And what was it Jamie heard - "yes" or "no"? | 0:21:20 | 0:21:23 | |
My brother is no rapist. | 0:21:24 | 0:21:26 | |
No? Then...I'm confused. | 0:21:26 | 0:21:30 | |
See, if you really believe that, why not let a jury decide, | 0:21:30 | 0:21:33 | |
instead of trying to sort things out by yourself? | 0:21:33 | 0:21:36 | |
And what if they get it wrong? | 0:21:36 | 0:21:37 | |
How will she feel, then? | 0:21:37 | 0:21:40 | |
Sending down an innocent man just so she can get back at us. | 0:21:40 | 0:21:43 | |
Oh, "us"? | 0:21:43 | 0:21:45 | |
Jamie. She's twisted things. | 0:21:45 | 0:21:48 | |
And now she's in so deep, she can't get out. | 0:21:48 | 0:21:51 | |
If you really wanted to help her, you'd get her to drop charges. | 0:21:51 | 0:21:55 | |
That's not going to happen. | 0:21:55 | 0:21:57 | |
And if you try and contact Miss Hassoun again, | 0:21:57 | 0:21:59 | |
I will do you for intimidating a witness. Do you understand? | 0:21:59 | 0:22:04 | |
And even if you do manage to intimidate her, | 0:22:04 | 0:22:07 | |
we have still got enough evidence for the Fiscal to proceed. | 0:22:07 | 0:22:11 | |
So, if you really want to help your brother, | 0:22:11 | 0:22:12 | |
I would concentrate on finding him a bloody good lawyer. | 0:22:12 | 0:22:15 | |
Ah! Oh, there you are. | 0:22:27 | 0:22:29 | |
Malcolm, are you wanting this paper? | 0:22:29 | 0:22:31 | |
No, no. You carry on. Just don't go anywhere near the crossword. | 0:22:31 | 0:22:35 | |
Not unless you want her on the warpath even more than she is already. | 0:22:35 | 0:22:38 | |
What, Liz? What's put a bee in her bonnet this time? | 0:22:38 | 0:22:41 | |
You have. You haven't paid the rent this month. | 0:22:41 | 0:22:44 | |
I'm sorry, Malcolm. I clean forgot. | 0:22:44 | 0:22:46 | |
Must be catching. | 0:22:46 | 0:22:48 | |
Wait a minute. | 0:22:49 | 0:22:50 | |
You lost something? | 0:22:52 | 0:22:53 | |
-Wallet. -Oh. -Must be in my taxi. | 0:22:53 | 0:22:57 | |
'Hi, this is Mandy. Leave a message.' | 0:23:37 | 0:23:39 | |
Nah. it's not been handed in here. | 0:23:40 | 0:23:43 | |
Cheers for looking, anyway. | 0:23:43 | 0:23:46 | |
'Hi, this is Mandy. Leave a message.' | 0:23:55 | 0:23:58 | |
Yeah, listen, it's me. Call me. | 0:23:58 | 0:24:01 | |
As soon as. | 0:24:01 | 0:24:02 | |
'Yeah, listen, it's me. Call me. | 0:24:34 | 0:24:37 | |
'As soon as.' | 0:24:37 | 0:24:38 | |
MOBILE RINGS | 0:24:54 | 0:24:57 | |
Was just thinking about you. | 0:24:57 | 0:24:58 | |
'There's a first for everything. Expecting somebody else?' | 0:24:58 | 0:25:01 | |
No, Billy, I'm pleased it's you. I miss you. | 0:25:01 | 0:25:04 | |
'So how are things? What are you doing?' | 0:25:04 | 0:25:07 | |
What do you mean, what am I doing? | 0:25:07 | 0:25:10 | |
Stuck in a cold hotel room, bored out of my skull. What do you think? | 0:25:10 | 0:25:13 | |
'Not painting the town red, then?' | 0:25:13 | 0:25:15 | |
Yeah, watching telly. | 0:25:15 | 0:25:18 | |
'Anything good on?' | 0:25:18 | 0:25:20 | |
Same old. | 0:25:20 | 0:25:21 | |
'OK. Since you're not busy, I've something for you to pick up for me.' | 0:25:21 | 0:25:25 | |
Pick up what? | 0:25:25 | 0:25:26 | |
'A package. Some money Lenny owes me.' | 0:25:26 | 0:25:28 | |
Can't Lenny bring it over here himself? | 0:25:28 | 0:25:30 | |
'Why? You've something better planned? | 0:25:30 | 0:25:32 | |
'Course, if you'd rather not...' | 0:25:32 | 0:25:34 | |
Doesn't sound like I've got much choice, does it? | 0:25:34 | 0:25:36 | |
Alex McAllister's been served with a police warning. | 0:25:41 | 0:25:44 | |
Should he attempt to approach any member of the family, | 0:25:44 | 0:25:47 | |
alert the police immediately. | 0:25:47 | 0:25:49 | |
Thank you. You hear? | 0:25:49 | 0:25:51 | |
You really think that that's going to stop him? | 0:25:52 | 0:25:55 | |
If it doesn't, we call the police. | 0:25:55 | 0:25:57 | |
He'll find other ways. | 0:25:57 | 0:25:59 | |
All he wants is to make this as hard for me as possible, | 0:25:59 | 0:26:02 | |
until I give up and he wins. | 0:26:02 | 0:26:04 | |
So, maybe, I should just let him. | 0:26:04 | 0:26:06 | |
What? | 0:26:06 | 0:26:09 | |
What do I get out of this? | 0:26:09 | 0:26:11 | |
All that happens is that more people get to know and I have to put up with them looking. | 0:26:11 | 0:26:15 | |
I'm sure once most people hear the truth, they'll be very supportive. | 0:26:15 | 0:26:19 | |
They'll only hear what they want to hear. | 0:26:19 | 0:26:21 | |
All most people out there will think is, "That stuck-up cow got what she had coming." | 0:26:21 | 0:26:25 | |
No. They'll be on your side. | 0:26:25 | 0:26:26 | |
And what if I don't want that? Their pity. | 0:26:26 | 0:26:30 | |
Have you any idea how humiliating this already is? | 0:26:30 | 0:26:33 | |
And I'm supposed to go to court and answer questions about what he did, what I did... | 0:26:33 | 0:26:37 | |
I know this is going to be difficult, Zinnie, | 0:26:38 | 0:26:42 | |
and you never deserved any of this. | 0:26:42 | 0:26:44 | |
Didn't I? | 0:26:46 | 0:26:47 | |
How can you say that? | 0:26:49 | 0:26:50 | |
Zinnie, why is it you think you deserved this? | 0:26:52 | 0:26:55 | |
Is it because of the way you were with Jamie before the attack? | 0:26:55 | 0:26:58 | |
I've watched the CCTV | 0:27:00 | 0:27:01 | |
and, no matter your behaviour earlier in the evening, | 0:27:01 | 0:27:04 | |
you'd the right to say no, at any point. | 0:27:04 | 0:27:06 | |
That doesn't make you in any way responsible. | 0:27:07 | 0:27:11 | |
You do understand that? | 0:27:11 | 0:27:13 | |
Is that what you're scared of? | 0:27:13 | 0:27:14 | |
That you were friendly with him and that encouraged him? | 0:27:16 | 0:27:19 | |
Or is there something else you haven't not told us? | 0:27:22 | 0:27:26 | |
-She's told you what happened. -I know. | 0:27:26 | 0:27:28 | |
But if there is anything else that might influence | 0:27:28 | 0:27:32 | |
the course of a trial, I need to know, so is there? | 0:27:32 | 0:27:36 | |
No. But I want this to stop. Now. All of it. | 0:27:36 | 0:27:41 | |
You wish to withdraw your allegation? | 0:27:41 | 0:27:43 | |
No, Zinnie. Zinnie, you mustn't. | 0:27:43 | 0:27:46 | |
Why not? I let him rape me. | 0:27:46 | 0:27:50 | |
I was too scared to fight. | 0:27:50 | 0:27:53 | |
This is something I can control. | 0:27:55 | 0:27:58 | |
It's my decision, isn't it? | 0:27:58 | 0:28:00 | |
Alex said something to me that I didn't understand. | 0:28:03 | 0:28:06 | |
He said you were only doing this to get back at THEM. | 0:28:06 | 0:28:09 | |
Not just Jamie - Alex included himself. | 0:28:09 | 0:28:11 | |
What did he mean by that? | 0:28:11 | 0:28:14 | |
I don't know. | 0:28:14 | 0:28:17 | |
I think you do. | 0:28:17 | 0:28:18 | |
Was Alex right? Are you doing this to get back at him? | 0:28:20 | 0:28:23 | |
This has got nothing to do with him. | 0:28:23 | 0:28:24 | |
Well, something made him think that. | 0:28:24 | 0:28:26 | |
What's your relationship with Alex? | 0:28:29 | 0:28:32 | |
He's... WAS my boss. | 0:28:32 | 0:28:36 | |
And that's it? | 0:28:36 | 0:28:37 | |
Zinnie, I have to know. | 0:28:39 | 0:28:40 | |
Zinnie. | 0:28:44 | 0:28:45 | |
I slept with him. | 0:28:48 | 0:28:49 | |
How did it end? | 0:28:56 | 0:28:59 | |
Zinnie, are you accusing Jamie because you're still angry with Alex for ending a relationship? | 0:28:59 | 0:29:03 | |
No. There wasn't one. | 0:29:03 | 0:29:05 | |
Zinnie, what is it? Because if all this is some sort of reprisal... | 0:29:05 | 0:29:08 | |
It wasn't about love, OK? | 0:29:08 | 0:29:09 | |
Zinnie, I don't understand. | 0:29:11 | 0:29:13 | |
He paid me. I was an escort, OK? | 0:29:14 | 0:29:18 | |
Are you happy now? | 0:29:18 | 0:29:19 | |
Thanks for agreeing to meet here. | 0:29:30 | 0:29:32 | |
I have to tell you that rape isn't really my area. | 0:29:32 | 0:29:37 | |
The best I could offer is to recommend one of my QCs. | 0:29:37 | 0:29:41 | |
I hoped YOU might take it. | 0:29:41 | 0:29:43 | |
No, but I do have a particular colleague in mind. | 0:29:43 | 0:29:48 | |
Her record in court is outstanding. | 0:29:48 | 0:29:50 | |
I see. | 0:29:51 | 0:29:53 | |
It's just, I was hoping it won't get that far. | 0:29:53 | 0:29:57 | |
There's no proof. Jamie has a clean record. | 0:29:57 | 0:30:00 | |
I thought if the Fiscal saw a big gun attached, he'd be more inclined to... | 0:30:00 | 0:30:04 | |
Drop the case? | 0:30:05 | 0:30:07 | |
In the knowledge that a trial would be a waste of the public purse? | 0:30:07 | 0:30:10 | |
In other words, you wanted to use my reputation to intimidate | 0:30:12 | 0:30:15 | |
the prosecution and Miss Hassoun. | 0:30:15 | 0:30:19 | |
Well, forgive me if I'm surprised, Mr McAllister. | 0:30:19 | 0:30:21 | |
It's just that you've always struck me | 0:30:21 | 0:30:24 | |
as someone who trusts the law implicitly. | 0:30:24 | 0:30:27 | |
And yet, here you are... | 0:30:27 | 0:30:28 | |
Mr Malick, my brother is innocent. | 0:30:28 | 0:30:32 | |
Whatever it takes to keep him out of prison, I'll do. | 0:30:32 | 0:30:36 | |
Well, as I said, my colleague is more than able. | 0:30:39 | 0:30:41 | |
And I'll do my best to keep an overview of things. | 0:30:41 | 0:30:44 | |
Of course, with any case where it's one person's word against another, | 0:30:47 | 0:30:52 | |
there are always ways to, er...tilt the scales. | 0:30:52 | 0:30:56 | |
I take it you are amenable to that? | 0:30:57 | 0:30:59 | |
Yes. | 0:31:01 | 0:31:03 | |
Then the first thing I need is the name of the officer dealing. | 0:31:04 | 0:31:09 | |
DCI Donald. | 0:31:09 | 0:31:11 | |
And where did this alleged incident take place? | 0:31:13 | 0:31:16 | |
At Slate. My club. | 0:31:17 | 0:31:19 | |
There's a temporary closure order. The police are all over it. | 0:31:19 | 0:31:22 | |
I'll be in touch. | 0:31:26 | 0:31:27 | |
HE SIGHS | 0:31:35 | 0:31:37 | |
OK, well, it's not good, | 0:31:37 | 0:31:39 | |
but at the same time, it's not something we can't overcome. | 0:31:39 | 0:31:42 | |
You think? | 0:31:42 | 0:31:43 | |
Alex wants to use the shame that he knows you feel to safeguard Jamie. | 0:31:44 | 0:31:51 | |
He'll undoubtedly try and use it in court. | 0:31:51 | 0:31:54 | |
But whether the jury are influenced, or even if the disclosure's allowed, | 0:31:54 | 0:31:57 | |
it'll only prove fatal if you agree with what he's saying. | 0:31:57 | 0:32:01 | |
How? | 0:32:01 | 0:32:03 | |
Zinnie, Alex is saying that, because you were an escort, | 0:32:03 | 0:32:06 | |
that makes you fair game. | 0:32:06 | 0:32:08 | |
You gave up your right to decide who you do and don't have sex with. | 0:32:08 | 0:32:12 | |
I don't go along with that. | 0:32:12 | 0:32:14 | |
Doesn't matter who it is, every woman in this city | 0:32:14 | 0:32:17 | |
has the right to be protected. | 0:32:17 | 0:32:18 | |
It doesn't make any difference, though, cos he's right. | 0:32:21 | 0:32:24 | |
-HE WHISPERS: -No. | 0:32:24 | 0:32:25 | |
Not about what Jamie did, but... | 0:32:27 | 0:32:29 | |
..about the shame you feel. | 0:32:29 | 0:32:30 | |
And the reluctance to have people pointing fingers. | 0:32:30 | 0:32:33 | |
Yeah, I can see that. | 0:32:33 | 0:32:35 | |
But what's worse - | 0:32:39 | 0:32:41 | |
that, or knowing you let a rapist walk free? | 0:32:41 | 0:32:45 | |
What do you mean, he wants it all the now? | 0:32:49 | 0:32:51 | |
I told Billy, I'm keeping it in the safe until I get back. | 0:32:51 | 0:32:54 | |
Would I know? | 0:32:54 | 0:32:55 | |
All I get is a phone call and I'm supposed to drop everything. | 0:32:55 | 0:32:58 | |
Do you think I want to be here? | 0:32:58 | 0:32:59 | |
Got somewhere better to be? | 0:32:59 | 0:33:01 | |
MOBILE RINGS No. | 0:33:02 | 0:33:03 | |
Stay and wait here while I fetch it. | 0:33:04 | 0:33:06 | |
Paul. | 0:33:08 | 0:33:09 | |
Yeah, I'm on my way over the now. | 0:33:10 | 0:33:12 | |
KEYPAD BLEEPS | 0:33:12 | 0:33:14 | |
What you playing at? I left a message. | 0:33:16 | 0:33:19 | |
And I got it, but then this came up. | 0:33:19 | 0:33:21 | |
So what's so urgent? | 0:33:21 | 0:33:22 | |
Not here. | 0:33:22 | 0:33:24 | |
But you don't know for sure it's in our room? | 0:33:28 | 0:33:30 | |
I've looked everywhere else. | 0:33:30 | 0:33:33 | |
Look, Billy's not there. All I need you to do is get it and get it back to me. | 0:33:33 | 0:33:36 | |
Not there? But for how much longer? | 0:33:36 | 0:33:38 | |
He's got me here, fetching money. Why's Billy want that if he's not | 0:33:38 | 0:33:41 | |
-on his way back from Liverpool? -Well, did he say that he was? | 0:33:41 | 0:33:44 | |
No, but that's him all over. | 0:33:44 | 0:33:46 | |
I'll go and think the room's empty and he'll pop out the bathroom. | 0:33:46 | 0:33:49 | |
-It's his way of keeping me on my toes. -Well, what're you waiting for? | 0:33:49 | 0:33:52 | |
The quicker we find it, the better. | 0:33:52 | 0:33:54 | |
Me? I'm stuck here, waiting for Lenny. | 0:33:54 | 0:33:57 | |
Who knows how long that'll be? | 0:33:57 | 0:33:59 | |
I'm really sorry. | 0:34:24 | 0:34:26 | |
Sorry for scaring you. Sorry. | 0:34:26 | 0:34:29 | |
HE BREATHES DEEPLY | 0:34:29 | 0:34:30 | |
DOOR BANGS, FOOTSTEPS | 0:34:30 | 0:34:33 | |
I'll...make us some lunch, shall I? There's that pasta that could do with being eaten. | 0:34:38 | 0:34:42 | |
-You've hardly had anything. If you fancy something different... -Leyla, will you stop? | 0:34:42 | 0:34:47 | |
We can't just ignore this. I need you to talk to me. | 0:34:47 | 0:34:51 | |
Aren't you going to say something? | 0:34:54 | 0:34:56 | |
Zinnie, what do you want me to say? | 0:34:56 | 0:34:59 | |
Just...anything. | 0:34:59 | 0:35:00 | |
Anything's got to be better than pretending nothing's happened. | 0:35:00 | 0:35:04 | |
I just...I don't understand how you could have got to that place... | 0:35:06 | 0:35:13 | |
Willing to do something like that. | 0:35:13 | 0:35:15 | |
I mean, did you see an advert, or...? | 0:35:16 | 0:35:19 | |
It wasn't... | 0:35:19 | 0:35:22 | |
It was...Pippa. | 0:35:24 | 0:35:26 | |
Rape? Tell me you're kidding me. | 0:35:28 | 0:35:31 | |
It gets worse. | 0:35:31 | 0:35:33 | |
The investigating officer is DCI Donald. | 0:35:33 | 0:35:35 | |
The club's closed. Crawling with police. | 0:35:38 | 0:35:42 | |
Maybe Donald's spotted a way to go through the books without having to tell anyone what he's up to. | 0:35:42 | 0:35:46 | |
-Is there any way he could've found out about you and Jamie? -You think I'm that careless? | 0:35:48 | 0:35:52 | |
You tell me, Lenny. | 0:35:53 | 0:35:55 | |
Either way, till we know what's going on, we keep clear. | 0:35:56 | 0:36:00 | |
Yeah, well, I could've figured that out for myself. | 0:36:00 | 0:36:03 | |
Make sure you have. | 0:36:03 | 0:36:05 | |
And you'd better be certain there's nothing there for Donald to find. | 0:36:05 | 0:36:09 | |
DOORBELL RINGS | 0:36:10 | 0:36:12 | |
Hey. Whoa, what are you doing? | 0:36:18 | 0:36:20 | |
Hey. What you...? | 0:36:22 | 0:36:24 | |
Just couldn't keep your trousers on, could you? | 0:36:26 | 0:36:28 | |
So how... How did she talk you into it? | 0:36:29 | 0:36:33 | |
It wasn't all her doing. | 0:36:35 | 0:36:37 | |
I wanted to earn money and she said she could help. | 0:36:37 | 0:36:40 | |
By selling yourself? | 0:36:41 | 0:36:43 | |
That is not what I thought it was. | 0:36:43 | 0:36:44 | |
I thought all I was there for was to make a client feel good. | 0:36:44 | 0:36:48 | |
But it was more. | 0:36:50 | 0:36:51 | |
How many... | 0:36:55 | 0:36:56 | |
..did you sleep with? How many? | 0:36:58 | 0:37:01 | |
None. Only Alex. | 0:37:01 | 0:37:05 | |
And I only went with him because... I liked him. | 0:37:05 | 0:37:08 | |
I only found out afterwards that he'd paid and... | 0:37:09 | 0:37:12 | |
the minute I did, I stopped. | 0:37:12 | 0:37:14 | |
But you still took it? | 0:37:15 | 0:37:16 | |
Even when you knew, you still took his money? | 0:37:18 | 0:37:22 | |
And I shouldn't have. I see that now. | 0:37:22 | 0:37:24 | |
I'm not trying to wriggle out of it. I'm not proud of what I did. | 0:37:24 | 0:37:28 | |
I just... I thought what I'd done was finished. | 0:37:28 | 0:37:32 | |
There didn't seem any point in refusing the money. | 0:37:32 | 0:37:34 | |
I suppose. | 0:37:36 | 0:37:37 | |
None of us had any. | 0:37:38 | 0:37:41 | |
I thought it was better off in my purse than anywhere else. | 0:37:41 | 0:37:45 | |
The money you gave me for rent... | 0:37:50 | 0:37:53 | |
..that was from him? | 0:37:55 | 0:37:58 | |
You gave me money that had paid for... | 0:38:00 | 0:38:02 | |
SHE SIGHS | 0:38:05 | 0:38:07 | |
Can you not get a lassie the same way as other boys do, eh? | 0:38:09 | 0:38:12 | |
-Course I can. -That's not what it sounds like. | 0:38:12 | 0:38:14 | |
-But she's lying, about the lot. -Oh! | 0:38:14 | 0:38:17 | |
"I didn't do it, mister." Not heard that defence for a while. | 0:38:17 | 0:38:20 | |
-But I didn't. -That's as may be. Thing is, we've got a problem. | 0:38:20 | 0:38:26 | |
You think I don't know that? | 0:38:26 | 0:38:29 | |
Don't misunderstand me, son, you're the problem. | 0:38:29 | 0:38:32 | |
Our arrangement. Without you in there, how's that going to function? | 0:38:32 | 0:38:36 | |
Alex is sorting it. | 0:38:36 | 0:38:37 | |
Alex! Oh, well that's that sorted, then, isn't it(?) | 0:38:37 | 0:38:40 | |
No... Even if he can't, it's her word against mine. | 0:38:40 | 0:38:42 | |
Are you thinking of going to court? | 0:38:42 | 0:38:45 | |
-Good luck with that, son(!) -What do you mean? | 0:38:45 | 0:38:49 | |
A Glasgow jury, | 0:38:49 | 0:38:51 | |
deciding whether you spend the next half a dozen years avoiding | 0:38:51 | 0:38:54 | |
the nonces...or maybe you think you can stick it out in the main wing. | 0:38:54 | 0:38:57 | |
Or maybe sharing a cell. Couple of guys with a daughter on the outside. | 0:38:57 | 0:39:01 | |
Either way, you're going to be their favourite target. | 0:39:01 | 0:39:05 | |
But what else can I do? | 0:39:05 | 0:39:07 | |
All I know is, this needs straightened out, | 0:39:07 | 0:39:09 | |
-and if I was you, I'd get it done before your Uncle Billy gets wind. -What's he got to do with it? | 0:39:09 | 0:39:13 | |
You really don't know him, at all, do you? | 0:39:15 | 0:39:18 | |
See, I'm a guy who likes to talk, to reason, to see things round. | 0:39:18 | 0:39:23 | |
Your uncle... he's more for the direct approach. | 0:39:24 | 0:39:28 | |
I don't understand. | 0:39:28 | 0:39:29 | |
We need the club open. We need you in it. | 0:39:31 | 0:39:34 | |
With that lassie accusing you, that's not going to happen. | 0:39:34 | 0:39:37 | |
The way Billy will see it is, maybe the city would be a better place | 0:39:37 | 0:39:42 | |
without her in it. | 0:39:42 | 0:39:43 | |
No... You can't be serious. | 0:39:46 | 0:39:49 | |
A trip you don't come back fae, | 0:39:51 | 0:39:53 | |
unless some trawler's unlucky enough to catch you in its nets. | 0:39:53 | 0:39:57 | |
So, if I was you... | 0:39:57 | 0:39:58 | |
-..I'd get it sorted. -Jamie? | 0:40:01 | 0:40:03 | |
Through here. | 0:40:05 | 0:40:07 | |
KNOCK AT DOOR | 0:40:14 | 0:40:15 | |
Ms Ballantyne. The name is Malick. | 0:40:20 | 0:40:23 | |
Oh, don't worry, we don't use real names here. | 0:40:23 | 0:40:27 | |
You misunderstand. My card. | 0:40:27 | 0:40:30 | |
I'm here on behalf of Alex McAllister. | 0:40:31 | 0:40:34 | |
BOTTLE TOP UNSCREWING, POURING | 0:40:35 | 0:40:38 | |
Join me? | 0:40:40 | 0:40:41 | |
I've told you before, you're not welcome in my clubs, | 0:40:41 | 0:40:44 | |
-and you're certainly not welcome here. -I love you, too. | 0:40:44 | 0:40:48 | |
Right, this looks like it could do with a rock in it. | 0:40:48 | 0:40:51 | |
Want to go and get us some, son? | 0:40:51 | 0:40:53 | |
All right, then, why are you here? | 0:41:00 | 0:41:03 | |
I like that about you - straight to the point. | 0:41:03 | 0:41:05 | |
It's probably the only thing I like about you. | 0:41:05 | 0:41:08 | |
Thing is, your brother's got himself in a mess. | 0:41:08 | 0:41:11 | |
And since your Uncle Billy's not around, I thought maybe I could... | 0:41:11 | 0:41:15 | |
help. | 0:41:15 | 0:41:16 | |
Like I believe that. | 0:41:17 | 0:41:18 | |
And even if I did, the answer's no. I'm not getting in your debt. | 0:41:18 | 0:41:22 | |
I'll fix it my way. | 0:41:22 | 0:41:25 | |
Course you will. | 0:41:25 | 0:41:26 | |
You know, it's funny, this. | 0:41:27 | 0:41:29 | |
The way you look down your nose to me. You're the one paying for tarts, | 0:41:29 | 0:41:32 | |
and your brother, forcing himself on lassies. | 0:41:32 | 0:41:34 | |
Your Uncle Billy, I think he had a problem with that. | 0:41:34 | 0:41:38 | |
Must run in the family, eh? | 0:41:38 | 0:41:40 | |
You about done? Because I think you've overstayed your welcome. | 0:41:40 | 0:41:43 | |
I think I've said what I came to say. | 0:41:43 | 0:41:46 | |
HE GULPS | 0:41:46 | 0:41:48 | |
No need, son. But think on what I said. | 0:41:49 | 0:41:53 | |
I'll see myself out. | 0:41:53 | 0:41:54 | |
-I already told Alex what the score was. -He mentioned you'd spoken. | 0:42:00 | 0:42:04 | |
There was no discussion. | 0:42:04 | 0:42:05 | |
I've told him exactly how this is going to work. | 0:42:05 | 0:42:07 | |
Either he sorts this or the deal's off. | 0:42:07 | 0:42:10 | |
I won't be the only loser here. | 0:42:10 | 0:42:11 | |
No-one could expect you to. Which is why I'm here. | 0:42:11 | 0:42:15 | |
It's my intention no-one should lose. May I? | 0:42:16 | 0:42:19 | |
Ms Ballantyne, you and Mr McAllister had business dealings. | 0:42:21 | 0:42:28 | |
They only concern me in regard to how they affect the case against his brother. | 0:42:28 | 0:42:33 | |
Jamie? This is about him? | 0:42:33 | 0:42:35 | |
Miss Hassoun has accused James of rape, yes. | 0:42:35 | 0:42:40 | |
He raped her? | 0:42:40 | 0:42:41 | |
Absolutely not. | 0:42:41 | 0:42:42 | |
However, Miss Hassoun appears intent on pursuing the charge. | 0:42:43 | 0:42:46 | |
Which means Mr McAllister's legal representation will wish | 0:42:47 | 0:42:52 | |
to call her character into question. | 0:42:52 | 0:42:54 | |
Her work as an escort, for example, | 0:42:54 | 0:42:58 | |
certainly begs questions of her moral standing. | 0:42:58 | 0:43:00 | |
You're going to use this against her? | 0:43:00 | 0:43:02 | |
And where does this leave me? | 0:43:02 | 0:43:05 | |
Well, as you've rightly surmised, if this does reach court, | 0:43:05 | 0:43:10 | |
when Miss Hassoun is shown to be your call girl, | 0:43:10 | 0:43:13 | |
you will be similarly implicated. | 0:43:13 | 0:43:15 | |
Charged with living off immoral earnings. | 0:43:15 | 0:43:19 | |
Together with the media interest, | 0:43:19 | 0:43:21 | |
my client's standing in the business world would attract... | 0:43:21 | 0:43:24 | |
This is you trying to help me? | 0:43:24 | 0:43:26 | |
Or... | 0:43:29 | 0:43:31 | |
we could do things my way. | 0:43:31 | 0:43:34 | |
Which, as luck would have it, might be in your interest too. | 0:43:34 | 0:43:38 | |
What I'm here to propose is a way to stop this ever reaching | 0:43:38 | 0:43:41 | |
the inside of a courtroom. | 0:43:41 | 0:43:43 | |
What do I have to do? | 0:43:46 | 0:43:47 | |
Simply tell the truth. | 0:43:48 | 0:43:51 | |
Which is that you didn't pay Miss Hassoun to sleep with Mr McAllister. | 0:43:53 | 0:43:57 | |
Soliciting money for sex was entirely her idea. | 0:43:58 | 0:44:02 | |
As such, there's no way you could be blamed. | 0:44:02 | 0:44:04 | |
In fact, you did the only thing you could - | 0:44:06 | 0:44:09 | |
fired her to safeguard the good name of your business. | 0:44:09 | 0:44:12 | |
You're telling me to lie? | 0:44:12 | 0:44:13 | |
No. No, that would be...unethical. | 0:44:13 | 0:44:17 | |
I'm merely wondering if the account I just outlined | 0:44:18 | 0:44:22 | |
isn't closer to the truth than Miss Hassoun's - | 0:44:22 | 0:44:24 | |
the one that potentially sends you to jail. | 0:44:24 | 0:44:27 | |
If this does go to court, I'll be done for perjuring myself. | 0:44:27 | 0:44:30 | |
It won't get that far. | 0:44:32 | 0:44:35 | |
Miss Hassoun will realise pretty quickly she's only hurting herself. | 0:44:35 | 0:44:38 | |
That the only way to avoid being painted a common prostitute | 0:44:38 | 0:44:41 | |
is to drop all charges. | 0:44:41 | 0:44:44 | |
And then you - and everyone else - can forget this ever happened. | 0:44:44 | 0:44:49 | |
I think he said... | 0:44:55 | 0:44:57 | |
Billy would...do something to her. | 0:44:57 | 0:45:00 | |
Kill her. | 0:45:02 | 0:45:05 | |
Could he do that? | 0:45:06 | 0:45:08 | |
It doesn't matter because he's not going to, | 0:45:08 | 0:45:12 | |
-because we are nothing to do with his world. -But could he? | 0:45:12 | 0:45:15 | |
Listen. The man's an animal. Maybe he could, maybe he couldn't. | 0:45:18 | 0:45:22 | |
But as long as he hasn't got anything on us, then we're all OK. | 0:45:22 | 0:45:25 | |
You got that? | 0:45:25 | 0:45:27 | |
Yeah. | 0:45:30 | 0:45:32 | |
Yeah. | 0:45:32 | 0:45:33 | |
MOBILE RINGS | 0:45:35 | 0:45:38 | |
McAllister. | 0:45:44 | 0:45:45 | |
Yeah, I own it. So what? | 0:45:47 | 0:45:49 | |
No. No, I don't know anything about that. | 0:45:51 | 0:45:54 | |
Yeah, well, I think your journalist has got his facts wrong. | 0:45:55 | 0:45:58 | |
As I say, no comment. | 0:45:58 | 0:46:00 | |
What was that about? | 0:46:01 | 0:46:04 | |
It was the Clyde Enquirer. | 0:46:05 | 0:46:08 | |
They haven't got any names, but someone's tipped them off about a rape at the club. | 0:46:08 | 0:46:12 | |
You're kidding me! | 0:46:12 | 0:46:14 | |
How long before they do get a name? | 0:46:19 | 0:46:20 | |
How long before the Edinburgh papers find about it too? | 0:46:20 | 0:46:24 | |
Everyone'll see. You said you were fixing it! | 0:46:24 | 0:46:27 | |
You think I want this any more than you? | 0:46:27 | 0:46:29 | |
Well, what're we going to do now?! | 0:46:29 | 0:46:31 | |
Where are you going? | 0:46:37 | 0:46:39 | |
I'm going out. I need to clear my head. | 0:46:39 | 0:46:43 | |
Why's she doing this to me? Why? | 0:46:43 | 0:46:46 | |
Got it. The maid found it. | 0:46:54 | 0:46:58 | |
We'll have to be more careful next time. | 0:46:58 | 0:47:01 | |
I thought I was. | 0:47:02 | 0:47:03 | |
So maybe there shouldn't be a next time. | 0:47:06 | 0:47:09 | |
Maybe we shouldn't risk that. | 0:47:09 | 0:47:12 | |
What do you mean? | 0:47:12 | 0:47:14 | |
Look, I'm just trying to be sensible here. | 0:47:14 | 0:47:16 | |
One of us has to. | 0:47:16 | 0:47:18 | |
Say Billy found it? | 0:47:18 | 0:47:21 | |
I mean, me - well, I'd take my chances. | 0:47:21 | 0:47:23 | |
But I'm not letting that happen to you. | 0:47:25 | 0:47:27 | |
Isn't that my decision? | 0:47:27 | 0:47:29 | |
I'm trying to be grown-up. Look, this past week was a mistake. | 0:47:29 | 0:47:34 | |
Don't get me wrong - a really good one. | 0:47:34 | 0:47:36 | |
-But the longer it goes on... -A mistake?! -Well, I wanted it too. I'm not making out that I didn't. | 0:47:36 | 0:47:40 | |
That's big of you(!) | 0:47:40 | 0:47:42 | |
Look, maybe if I'd met you before... | 0:47:42 | 0:47:44 | |
Yeah. | 0:47:46 | 0:47:47 | |
Story of my life. | 0:47:48 | 0:47:50 | |
SHE SIGHS | 0:47:53 | 0:47:55 | |
Well, what are you waiting for? Your end-of-term report(?) | 0:47:55 | 0:47:59 | |
HE SIGHS | 0:48:05 | 0:48:07 | |
We need our heads examined. | 0:48:17 | 0:48:19 | |
You can go if you want. | 0:48:21 | 0:48:23 | |
Nah. I'll stay for a bit. | 0:48:24 | 0:48:27 | |
Gabriel, I'm not forcing you to make this more than you want it to be. | 0:48:29 | 0:48:34 | |
There's probably some lovely woman just waiting there for you. | 0:48:35 | 0:48:40 | |
Safe as they come. | 0:48:40 | 0:48:41 | |
It'll never be that way with me. | 0:48:43 | 0:48:46 | |
I'm sorry. When I gave you that money, I wasn't thinking. | 0:49:11 | 0:49:17 | |
No, it's fine. I shouldn't have reacted how I did, | 0:49:17 | 0:49:22 | |
and... And as for the rest... | 0:49:22 | 0:49:26 | |
well, you've explained, and that's OK. | 0:49:26 | 0:49:29 | |
But it's not, though, is it? | 0:49:30 | 0:49:32 | |
Zinnie, what do you want me to say? | 0:49:35 | 0:49:38 | |
I can't pretend I understand what you did. Or...that I agree. | 0:49:39 | 0:49:44 | |
But what I think doesn't matter. | 0:49:44 | 0:49:48 | |
I'm more worried about what a jury are going to think. | 0:49:49 | 0:49:53 | |
How? | 0:49:53 | 0:49:54 | |
Say it all does come out. | 0:49:56 | 0:49:57 | |
A lot of people, hearing something like that... | 0:49:57 | 0:50:02 | |
What? | 0:50:02 | 0:50:03 | |
They're going to think that a woman who'll consent to be paid | 0:50:04 | 0:50:10 | |
to be with a man - whether she knew what it involved or not - that's... | 0:50:10 | 0:50:13 | |
That's someone who sees sex as something you use. | 0:50:16 | 0:50:20 | |
-But I don't. -And when she doesn't get what she wants, | 0:50:20 | 0:50:23 | |
-she's just as capable of screaming rape. -But that's not how it was! | 0:50:23 | 0:50:26 | |
Maybe not, but you have to see what it might look like. | 0:50:26 | 0:50:30 | |
"Maybe, maybe not" - I thought you believed me. | 0:50:30 | 0:50:34 | |
I do. Zinnie, of course I do. | 0:50:34 | 0:50:37 | |
Then you wouldn't say "maybe". | 0:50:37 | 0:50:39 | |
I'm saying...how it might look to other people. | 0:50:40 | 0:50:43 | |
No. No, you're talking about you. You think I could be making this up? | 0:50:43 | 0:50:49 | |
No. No, no, no. | 0:50:49 | 0:50:50 | |
Leyla, I slept with Alex because I wanted to. | 0:50:50 | 0:50:54 | |
I didn't realise any money was involved. | 0:50:54 | 0:50:56 | |
I just... I don't believe this. | 0:50:57 | 0:50:59 | |
You know, I could have coped with anything else - | 0:50:59 | 0:51:02 | |
other people knowing... All I needed was you. | 0:51:02 | 0:51:05 | |
-Where are you going? -Out. -Zinnie, please! | 0:51:05 | 0:51:09 | |
DOOR BANGS | 0:51:09 | 0:51:10 | |
CAR BEEPS | 0:53:00 | 0:53:02 | |
What are you doing here? Leave me alone. | 0:53:37 | 0:53:40 | |
I can't, Zinnie. | 0:53:40 | 0:53:42 | |
You need to listen. You have to know the damage you're causing. | 0:53:42 | 0:53:47 | |
-The police told you to stay away from me. -The papers have got a hold of it. | 0:53:47 | 0:53:51 | |
Jamie's name'll be in there. | 0:53:51 | 0:53:53 | |
How long till people know it's you who's accusing him? | 0:53:53 | 0:53:56 | |
Oh, the papers can't print it, but the internet will. | 0:53:56 | 0:54:00 | |
Is that what you want? Hm? | 0:54:00 | 0:54:02 | |
Then tell me - what is it you do want? | 0:54:02 | 0:54:05 | |
What is in this for you? | 0:54:05 | 0:54:07 | |
Is it money? | 0:54:08 | 0:54:10 | |
It is, isn't it? | 0:54:10 | 0:54:11 | |
-That's why you did this. -What?! | 0:54:11 | 0:54:14 | |
OK, you win. So how much? No, no, no, no. | 0:54:15 | 0:54:19 | |
-You want to go back to uni, right? -So? | 0:54:20 | 0:54:23 | |
I'll pay. Fees. Living costs. Whatever. | 0:54:23 | 0:54:26 | |
You think this is about money? | 0:54:27 | 0:54:30 | |
Isn't it? Think about it. In a few years, you'll be gone. | 0:54:30 | 0:54:35 | |
There'll be no more working in bars or shops - | 0:54:35 | 0:54:37 | |
you'll be doing what you want. Making a life. | 0:54:37 | 0:54:40 | |
You'll be someone who matters. | 0:54:41 | 0:54:44 | |
Or you could say no, and then what've you got? | 0:54:45 | 0:54:50 | |
Nothing. | 0:54:50 | 0:54:52 | |
You'll just be that woman who accused a lad and was found out in court. | 0:54:52 | 0:54:56 | |
So go on, take it. | 0:54:58 | 0:55:01 | |
-How can you think that...?! -Because that is who you are! | 0:55:02 | 0:55:06 | |
I can give you more than you ever dreamt of. | 0:55:06 | 0:55:10 | |
All you have to do is go to the police, and tell them you lied. | 0:55:10 | 0:55:13 | |
I lied?! Well, who did this? | 0:55:13 | 0:55:16 | |
He forced himself into me, held me down. I'm not the liar. | 0:55:17 | 0:55:21 | |
No, no, no. That wasn't him. | 0:55:21 | 0:55:23 | |
Who was it, then? | 0:55:23 | 0:55:24 | |
So, no - I'm not backing down, | 0:55:26 | 0:55:30 | |
and don't kid yourself you're doing this for him. | 0:55:30 | 0:55:32 | |
This is about you. | 0:55:32 | 0:55:34 | |
You're scared that everyone's going to see you for what | 0:55:34 | 0:55:36 | |
you actually are. Well, they will. Cos you're worse than him. | 0:55:36 | 0:55:39 | |
I'm innocent, Alex. | 0:56:25 | 0:56:26 | |
It doesn't matter, not until the trial's finished. | 0:56:26 | 0:56:29 | |
Until then... | 0:56:29 | 0:56:31 | |
Guilty, until proven innocent. | 0:56:31 | 0:56:33 | |
In the end, it'll come down to who the jury believes. | 0:56:33 | 0:56:36 | |
Well, surely they're going to believe Zinnie? | 0:56:36 | 0:56:38 | |
It's not like she'd make something like this up. | 0:56:38 | 0:56:41 | |
-There's a girl who works here, well, used to work here... -What girl? | 0:56:41 | 0:56:46 | |
-Name's Zinnie... -Mate, she was a nightmare when she was here. | 0:56:46 | 0:56:48 | |
-Seriously? -Aye. She even got the polis to me. | 0:56:48 | 0:56:52 | |
-You're kidding me? -No, she's no' to be trusted. | 0:56:52 | 0:56:55 | |
No, it wasn't a machine. There was definitely somebody there. | 0:56:55 | 0:56:58 | |
It might have been a journalist. | 0:56:58 | 0:57:00 | |
Why would a journalist... | 0:57:00 | 0:57:01 | |
Hey, stop there. I want a word with you. | 0:57:03 | 0:57:06 |