Browse content similar to 14/01/2014. Check below for episodes and series from the same categories and more!
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Have you any idea how humiliating this already is? | 0:00:22 | 0:00:25 | |
And now I'm supposed to go into court | 0:00:25 | 0:00:26 | |
and answer questions about what he did, what I did. | 0:00:26 | 0:00:30 | |
Ms Hassoun will realise pretty quickly that she's only hurting herself. | 0:00:30 | 0:00:33 | |
And the only way to avoid being painted a common prostitute | 0:00:33 | 0:00:36 | |
is to drop all charges. | 0:00:36 | 0:00:38 | |
I'm saying how it might look to other people. | 0:00:38 | 0:00:41 | |
No. | 0:00:41 | 0:00:42 | |
No, you're talking about you. | 0:00:42 | 0:00:44 | |
You think I could be making this up? | 0:00:44 | 0:00:46 | |
How long before they do get a name? | 0:00:46 | 0:00:48 | |
How long before the Edinburgh papers find out about it too? | 0:00:48 | 0:00:51 | |
Everyone will see. You said you were fixing it. | 0:00:51 | 0:00:54 | |
Do you think I want this any more than you? | 0:00:54 | 0:00:56 | |
What are we going to do now? | 0:00:56 | 0:00:59 | |
He forced me, held me down. I'm not the liar. | 0:00:59 | 0:01:02 | |
-That wasn't him. -Who was it, then? | 0:01:02 | 0:01:04 | |
OK, if she's busy, she's busy but could you get her to call me? | 0:01:10 | 0:01:13 | |
Preferably this morning. Thank you. | 0:01:13 | 0:01:15 | |
Alex! | 0:01:20 | 0:01:21 | |
Buzz me in, eh? | 0:01:22 | 0:01:23 | |
Where's your keys? | 0:01:23 | 0:01:25 | |
I don't know. Somewhere. | 0:01:25 | 0:01:27 | |
I've been trying to book a sit-down with your lawyer. | 0:01:31 | 0:01:34 | |
When Paul Malick said she was the best that money could buy, | 0:01:34 | 0:01:38 | |
he was talking about a lot of money. | 0:01:38 | 0:01:40 | |
Do we need to start running up a bill so soon? | 0:01:40 | 0:01:42 | |
I mean, the trial's not even set yet. | 0:01:42 | 0:01:44 | |
I want us to be prepared when it is. | 0:01:44 | 0:01:47 | |
Paul says this QC's the best of the best, so... | 0:01:47 | 0:01:49 | |
I'll pay you back, you know. Every penny. | 0:01:49 | 0:01:52 | |
What are you doing back so early anyway? | 0:01:52 | 0:01:56 | |
You've been going on about being stuck inside all week. | 0:01:56 | 0:01:58 | |
I picked up my suit. Not much else to do. | 0:01:58 | 0:02:02 | |
-Jamie? -I got a call. | 0:02:02 | 0:02:06 | |
A journalist. | 0:02:08 | 0:02:10 | |
They know it's you who's been charged? | 0:02:10 | 0:02:12 | |
Yeah. Looks like. | 0:02:12 | 0:02:15 | |
I thought it'd be OK until the trial. | 0:02:15 | 0:02:18 | |
Not OK but, you know, private. | 0:02:18 | 0:02:21 | |
Privacy's out the window. | 0:02:21 | 0:02:22 | |
PHONE RINGS | 0:02:22 | 0:02:24 | |
Hey... Do you recognise this number? | 0:02:26 | 0:02:30 | |
-No. -Then don't answer it. | 0:02:30 | 0:02:32 | |
How is she? | 0:02:40 | 0:02:42 | |
She hardly ate, she hardly spoke... I don't know. | 0:02:42 | 0:02:47 | |
I need to go out and do some food shopping this afternoon. | 0:02:47 | 0:02:50 | |
Are you going to be around? | 0:02:50 | 0:02:53 | |
I've hardly got a hectic social life at the moment. | 0:02:53 | 0:02:56 | |
I know. I just don't want to leave her on her own. | 0:02:56 | 0:02:58 | |
It's fine. | 0:02:58 | 0:03:00 | |
An awful lot of whispering in this house recently. | 0:03:00 | 0:03:02 | |
We just want the baby to sleep. Did she wake you in the night? | 0:03:02 | 0:03:05 | |
No. | 0:03:05 | 0:03:06 | |
That three o'clock feed's a nightmare. | 0:03:06 | 0:03:09 | |
I got something from the doctor. I didn't hear a thing. | 0:03:09 | 0:03:13 | |
I didn't realise you were on medication. | 0:03:13 | 0:03:15 | |
I'm not "on medication". | 0:03:15 | 0:03:17 | |
It's just a sleeping pill, until this thing is over. | 0:03:17 | 0:03:21 | |
Of course. I didn't mean.... | 0:03:21 | 0:03:23 | |
I was going to make tea. Do you want one? | 0:03:28 | 0:03:31 | |
Are you ever going back to work? | 0:03:31 | 0:03:33 | |
I'm just here to help Nic out. | 0:03:34 | 0:03:37 | |
Nic seems fine. | 0:03:37 | 0:03:39 | |
I'm fine. | 0:03:39 | 0:03:41 | |
Actually, I'm starting back part-time next week. | 0:03:41 | 0:03:45 | |
No rush, then. | 0:03:45 | 0:03:47 | |
No rush. How about that tea, then? | 0:03:47 | 0:03:51 | |
Yeah. Why not? | 0:03:51 | 0:03:53 | |
Look at this. | 0:04:07 | 0:04:10 | |
Texts from her. | 0:04:10 | 0:04:11 | |
Bit cheeky, bit flirty, even the ones that don't have kisses. | 0:04:11 | 0:04:15 | |
Yeah, we'll show them to the QC. | 0:04:15 | 0:04:17 | |
And...she hasn't even unfriended me. I mean, come on. | 0:04:17 | 0:04:22 | |
You should probably close that account. | 0:04:22 | 0:04:24 | |
Why? | 0:04:24 | 0:04:26 | |
So you don't see your selfies all over the papers. | 0:04:26 | 0:04:28 | |
Yeah. I hadn't thought of that. | 0:04:28 | 0:04:31 | |
Obviously, I'm doing the thinking for the both of us. | 0:04:31 | 0:04:33 | |
Go on, then, close it, delete it, whatever you have to do. | 0:04:33 | 0:04:37 | |
OK, OK. | 0:04:37 | 0:04:38 | |
That's weird. | 0:04:40 | 0:04:42 | |
What is? | 0:04:42 | 0:04:44 | |
Zinnie hasn't unfriended me, but Rachel and Hannah from the bar have. | 0:04:44 | 0:04:48 | |
Yeah, well. | 0:04:49 | 0:04:50 | |
"Yeah, well"? | 0:04:50 | 0:04:52 | |
The police have contacted them. They know you've been charged. | 0:04:52 | 0:04:55 | |
So they just think... I mean, they automatically assume... | 0:04:55 | 0:04:58 | |
For the time being, people are going to keep their distance. | 0:04:58 | 0:05:03 | |
They're supposed to be my friends, you know? | 0:05:03 | 0:05:06 | |
I'll speak to them. They'll understand... | 0:05:06 | 0:05:08 | |
Bad idea. | 0:05:08 | 0:05:10 | |
In fact, I think you going anywhere near the club is a bad idea. | 0:05:10 | 0:05:14 | |
-It's the reopening... -All the more reason. | 0:05:14 | 0:05:16 | |
-You can't shut us out. -It's for your own good - if the staff are off with you, | 0:05:16 | 0:05:20 | |
cameras in your face... | 0:05:20 | 0:05:22 | |
Then I'll deal with it. | 0:05:22 | 0:05:23 | |
I'm taking that decision out of your hands. | 0:05:23 | 0:05:26 | |
Just in case it's bad for business. | 0:05:26 | 0:05:27 | |
Do you think it's going to be good for business? | 0:05:27 | 0:05:30 | |
You need to grow up. | 0:05:30 | 0:05:32 | |
Just let me stay in the office. I'll stay out of sight. | 0:05:32 | 0:05:35 | |
And do what? | 0:05:35 | 0:05:37 | |
Someone's got to keep an eye on the books. | 0:05:37 | 0:05:40 | |
Let me do something. | 0:05:43 | 0:05:44 | |
Please. | 0:05:44 | 0:05:45 | |
We'll see in a few days... | 0:05:47 | 0:05:49 | |
Thanks. | 0:05:49 | 0:05:51 | |
But out of hours, when no-one else is around. | 0:05:51 | 0:05:54 | |
You're acting like I... I did it. | 0:05:55 | 0:05:57 | |
I'm innocent, Alex. | 0:06:01 | 0:06:03 | |
It doesn't matter. | 0:06:03 | 0:06:05 | |
-Oh, for... -Not until the trial is finished. Until then... | 0:06:05 | 0:06:09 | |
Guilty till proven innocent. | 0:06:09 | 0:06:11 | |
It's just the way it is. | 0:06:14 | 0:06:16 | |
-Hi. -Hiya. | 0:06:39 | 0:06:42 | |
What time is it? | 0:06:42 | 0:06:44 | |
Relax, doll. It's your day off. | 0:06:44 | 0:06:48 | |
Aye, I know it's my day off. But I need to go see Mark. | 0:06:48 | 0:06:51 | |
I forgot about that. | 0:06:52 | 0:06:53 | |
I hope he's all right, man. | 0:06:55 | 0:06:57 | |
He's in the best possible place. | 0:06:59 | 0:07:01 | |
Aye. S'pose. | 0:07:01 | 0:07:04 | |
So is it just going to be you and him or you, him | 0:07:07 | 0:07:10 | |
and a counsellor or what? | 0:07:10 | 0:07:12 | |
I don't know. | 0:07:13 | 0:07:14 | |
It's a shame you cannae come. | 0:07:14 | 0:07:17 | |
I couldn't leave the pub. Next time, eh? | 0:07:19 | 0:07:22 | |
There might not be a next time. | 0:07:23 | 0:07:26 | |
What do you mean? | 0:07:26 | 0:07:28 | |
He's not going to be in rehab for ever, is he? | 0:07:28 | 0:07:31 | |
Here's your change. | 0:07:36 | 0:07:38 | |
Sorry about your wait. It's a bit hectic in here the day. Cheers. | 0:07:38 | 0:07:41 | |
Stevie, usual, pal, and one for Raymond. | 0:07:41 | 0:07:43 | |
-He'll be here in a minute. -No bother. | 0:07:43 | 0:07:46 | |
Are you short-staffed today? | 0:07:46 | 0:07:49 | |
Aye, wee Graham's running late. | 0:07:49 | 0:07:51 | |
-Maybe you shouldn't have gave Scarlett the bullet, eh? -Who rattled your cage? | 0:07:51 | 0:07:54 | |
Och, sorry, Jimmy, two seconds. I need to change the barrel. | 0:07:55 | 0:07:59 | |
-I only want a packet of crisps. -Big man, you're not going to starve, are you? Two minutes. | 0:07:59 | 0:08:04 | |
He wants to watch how he's talkin' to his customers. | 0:08:04 | 0:08:06 | |
Aye, well, Scarlett wasn't exactly a ray of sunshine behind the bar, was she? | 0:08:06 | 0:08:10 | |
Now, Raymond, he knew how to run a pub. | 0:08:10 | 0:08:12 | |
PHONE RINGS | 0:08:12 | 0:08:14 | |
Talk of the devil. | 0:08:16 | 0:08:18 | |
Hiya. | 0:08:18 | 0:08:19 | |
Slow down. | 0:08:22 | 0:08:25 | |
What's the problem? | 0:08:25 | 0:08:28 | |
Uh-huh. | 0:08:28 | 0:08:30 | |
Ah, right. | 0:08:30 | 0:08:32 | |
-I'll be right over. -Is everything all right? | 0:08:32 | 0:08:34 | |
Aye, but that's me and Raymond's afternoon session kicked into touch. | 0:08:34 | 0:08:38 | |
Sorry about that... Where's Jimmy gone? | 0:08:40 | 0:08:43 | |
I don't know. Maybe he wasn't very happy with the service in here. | 0:08:43 | 0:08:46 | |
Now can I get a packet of salt and vinegar, please? | 0:08:46 | 0:08:48 | |
-Hiya. -Hiya, pal. | 0:08:57 | 0:08:59 | |
if you're looking for the big man, he's in there. | 0:08:59 | 0:09:01 | |
No, no, I was just going to see if Stella was around. | 0:09:01 | 0:09:04 | |
I thought she might want to reschedule her appointment. | 0:09:04 | 0:09:07 | |
She's away to see... | 0:09:07 | 0:09:09 | |
What appointment? | 0:09:10 | 0:09:12 | |
She was meant to be in this morning but she never showed up. | 0:09:12 | 0:09:15 | |
Is she OK? | 0:09:18 | 0:09:20 | |
Aye, she's fine. She just had to be somewhere, that's all. | 0:09:20 | 0:09:23 | |
Listen, there's nothing to worry about. She can always reschedule. | 0:09:24 | 0:09:28 | |
-I'll tell her that, Tattie. -See you later. -See you later, pal. | 0:09:28 | 0:09:31 | |
PHONE RINGS | 0:09:52 | 0:09:54 | |
DOOR BUZZER SOUNDS | 0:10:01 | 0:10:03 | |
PHONE STILL RINGING | 0:10:06 | 0:10:09 | |
BUZZER SOUNDS AGAIN | 0:10:19 | 0:10:20 | |
What? What? What do you want? | 0:10:26 | 0:10:27 | |
'I've got a package for you.' | 0:10:27 | 0:10:29 | |
Oh. Sorry, pal. Does it just need signing for? | 0:10:29 | 0:10:33 | |
Aye. | 0:10:33 | 0:10:34 | |
I'll just be down in a minute. | 0:10:36 | 0:10:38 | |
You know, in some ways we're very fortunate. | 0:10:47 | 0:10:51 | |
How, exactly? | 0:10:51 | 0:10:53 | |
We might've been sitting right here when it came down. | 0:10:53 | 0:10:58 | |
Or wee Stuart could've been round here... | 0:10:58 | 0:11:00 | |
Yes. Small mercies, then, eh? | 0:11:00 | 0:11:05 | |
This is going to be a big job. | 0:11:05 | 0:11:07 | |
Hm. | 0:11:07 | 0:11:08 | |
The bathroom ceiling doesn't look too clever either. | 0:11:08 | 0:11:11 | |
It feels pretty damp underneath here too. | 0:11:14 | 0:11:18 | |
I hope the water hasn't got in among the wiring. | 0:11:18 | 0:11:21 | |
I'm not flicking any switches to find out. | 0:11:21 | 0:11:24 | |
Jimmy's going to come through that ceiling any minute. | 0:11:24 | 0:11:26 | |
I think we should wait outside. | 0:11:26 | 0:11:28 | |
Right, come on. We'll get your coats. | 0:11:28 | 0:11:30 | |
-My dad's not liable for this, you know. -I never said he was. | 0:11:39 | 0:11:42 | |
Malcolm could've been seriously hurt. | 0:11:42 | 0:11:45 | |
Ach, I was nowhere near...near it. | 0:11:45 | 0:11:46 | |
I'll fix it, of course. | 0:11:48 | 0:11:49 | |
Raymond, there's a pinhole leak under the bath. | 0:11:49 | 0:11:53 | |
Must've been going for weeks. | 0:11:53 | 0:11:54 | |
Weeks! What kind of landlord are you? | 0:11:54 | 0:11:56 | |
The flat's been lying empty! I've not had a viewing since before Christmas. | 0:11:56 | 0:11:59 | |
-Have you put the water off? -Of course I did. | 0:11:59 | 0:12:03 | |
Bathroom ceiling, kitchen light fitting, hall cupboard - all gubbed. | 0:12:03 | 0:12:07 | |
This just gets better(!) | 0:12:07 | 0:12:09 | |
I can fix the leak - it's the drying out that's the problem. | 0:12:09 | 0:12:12 | |
Yeah, it's not THE problem though is it - it's YOUR problem. | 0:12:12 | 0:12:15 | |
What are we going to do with no electric? | 0:12:15 | 0:12:17 | |
It's all right, Dad, you can come and stay with me. | 0:12:17 | 0:12:20 | |
For how long? | 0:12:20 | 0:12:22 | |
Just for a day or two. Nothing to worry about. | 0:12:22 | 0:12:25 | |
PHONE RINGS | 0:12:29 | 0:12:31 | |
"HOMES UNDER THE HAMMER" ON TV | 0:13:16 | 0:13:19 | |
Grace'll be due another feed soon. | 0:13:19 | 0:13:23 | |
Let me do it. Please? | 0:13:24 | 0:13:26 | |
That'll be great. Thanks. | 0:13:28 | 0:13:30 | |
DOORBELL RINGS | 0:13:31 | 0:13:33 | |
I'm sure the police would've called first | 0:13:35 | 0:13:37 | |
if they'd had anything to report. | 0:13:37 | 0:13:39 | |
It's you. | 0:13:43 | 0:13:44 | |
Were you expecting someone? | 0:13:44 | 0:13:46 | |
No, no, not at all. | 0:13:46 | 0:13:48 | |
What are you after, Uncle Gabe? | 0:13:53 | 0:13:55 | |
"Uncle" Gabe? What are you after? | 0:13:55 | 0:13:57 | |
Nothing. | 0:13:59 | 0:14:01 | |
Actually, I'm needing a favour. | 0:14:01 | 0:14:03 | |
There's all sorts of repairs needed at Liz and Malcolm's | 0:14:03 | 0:14:05 | |
and I need somewhere to crash. | 0:14:05 | 0:14:08 | |
-Here? -Well, not unless you know of a decent squat. | 0:14:08 | 0:14:13 | |
I don't know. | 0:14:13 | 0:14:15 | |
The boys' room, is that not going spare? | 0:14:15 | 0:14:18 | |
It's full of Grace's stuff... | 0:14:18 | 0:14:20 | |
You don't want to sleep next to her changing table, believe me. | 0:14:20 | 0:14:23 | |
Well, I'm sure I can cope for a couple of days. | 0:14:23 | 0:14:26 | |
-Well... -It's fine. You should stay. | 0:14:26 | 0:14:28 | |
Right, then, you'd better get your things. | 0:14:32 | 0:14:35 | |
Right, OK. I'm glad that's sorted. I'll see you later. | 0:14:35 | 0:14:40 | |
What do you fancy, Dad? | 0:14:49 | 0:14:52 | |
There's plenty of food in the house. | 0:14:52 | 0:14:55 | |
I know, but we don't know when you'll be able to go back. | 0:14:55 | 0:14:58 | |
And you need to eat before you take your medication. | 0:14:58 | 0:15:01 | |
Aye, all right. Well, I'll, er... I'll risk the soupe du jour. | 0:15:02 | 0:15:07 | |
Och, I'll just have the same. | 0:15:09 | 0:15:11 | |
Although it's never been as good since Gina left. | 0:15:11 | 0:15:15 | |
No, but then we all have to make sacrifices. | 0:15:15 | 0:15:17 | |
How bad is it? | 0:15:20 | 0:15:22 | |
Well, it's not good. The leak's got into all the light fittings. | 0:15:22 | 0:15:25 | |
So we're looking at rewiring at least. | 0:15:25 | 0:15:28 | |
How long? | 0:15:28 | 0:15:29 | |
Well, the kitchen ceiling needs plastered, the bedroom too... | 0:15:29 | 0:15:32 | |
Raymond, how long? | 0:15:32 | 0:15:35 | |
-A week at least. -A week at most! | 0:15:36 | 0:15:39 | |
I'll see what I can do. | 0:15:39 | 0:15:41 | |
Right, well, you can start by ordering a couple of soups. | 0:15:41 | 0:15:44 | |
And I'll break the news to my new house guests. | 0:15:44 | 0:15:47 | |
Americano, please. I'll be sat by the window. | 0:15:52 | 0:15:55 | |
SHE WHISPERS | 0:16:07 | 0:16:09 | |
(Yes, you are. Yes, you are.) | 0:16:09 | 0:16:12 | |
(Ssh-ssh-ssh...) | 0:16:14 | 0:16:16 | |
You're so good with her. | 0:16:16 | 0:16:18 | |
It's the other way round, I think. She's adorable. | 0:16:18 | 0:16:21 | |
I'm not sure Nic feels that way. | 0:16:21 | 0:16:23 | |
Oh, really? I thought she was doing much better. | 0:16:23 | 0:16:26 | |
She is, she is. I meant more the broken sleep and all that. | 0:16:26 | 0:16:30 | |
Do you think maybe she's... trying a bit harder cos of... | 0:16:32 | 0:16:36 | |
..cos of me? | 0:16:38 | 0:16:39 | |
Erm... | 0:16:42 | 0:16:44 | |
I know she wants to help in any way she can. | 0:16:44 | 0:16:46 | |
Zinnie, we both do. | 0:16:49 | 0:16:51 | |
Are you going to be...all right with Gabriel staying here? | 0:16:54 | 0:16:58 | |
Yeah. | 0:16:58 | 0:16:59 | |
It means we won't be able to talk that much...about what happened. | 0:17:01 | 0:17:04 | |
We don't talk that much anyway. | 0:17:06 | 0:17:08 | |
No. | 0:17:11 | 0:17:14 | |
No, I suppose not. | 0:17:14 | 0:17:15 | |
(Hey...) | 0:17:20 | 0:17:21 | |
(Hey, baby girl. You're OK.) | 0:17:22 | 0:17:26 | |
Aye, well, I'm supposed to be on tonight... | 0:17:28 | 0:17:30 | |
Well, I don't know yet. | 0:17:32 | 0:17:33 | |
Well, if you need a driver, who am I to say no? | 0:17:35 | 0:17:38 | |
FOOTSTEPS | 0:17:38 | 0:17:39 | |
Well, I'll call and confirm later. OK. Thanks. Bye. | 0:17:39 | 0:17:43 | |
Look, Liz, just leave that. That's what I'm here for. | 0:17:44 | 0:17:47 | |
Thank you, Gabriel. | 0:17:47 | 0:17:48 | |
Jeez. Are you sure you've got enough in there? | 0:17:48 | 0:17:52 | |
Well, it's not just a matter of a few clothes, you know. | 0:17:52 | 0:17:56 | |
Malcolm...needs his own things about him, you know. | 0:17:56 | 0:18:00 | |
Och, it's just such an upheaval! | 0:18:00 | 0:18:03 | |
Hey. It's going to be OK. Right? Come on. | 0:18:03 | 0:18:07 | |
Right. Gabriel's taken our case upstairs. | 0:18:20 | 0:18:25 | |
I'm surprised it wasn't a two-man job. So have you got everything? | 0:18:25 | 0:18:28 | |
Medicines, toothbrushes, pillows, slippers... | 0:18:28 | 0:18:32 | |
I do HAVE bedding, Liz. | 0:18:32 | 0:18:34 | |
Oh, I'm sure, but er... pillows are very important. | 0:18:34 | 0:18:38 | |
Oh, aye. Bradley Wiggins takes his own with him on the Tour de France. | 0:18:38 | 0:18:43 | |
-Bradley Wiggins? -Oh, aye. It's a well-known fact. | 0:18:43 | 0:18:47 | |
It must be a real pain keeping them on his bike. | 0:18:47 | 0:18:50 | |
Pillows are vital to getting a good night's sleep in a strange environment. | 0:18:50 | 0:18:55 | |
And does my flat count as a strange environment? | 0:18:55 | 0:18:57 | |
For us, yes. | 0:18:57 | 0:19:00 | |
Right, maybe we should er...make a move. | 0:19:01 | 0:19:04 | |
The place is bit of a mess. | 0:19:04 | 0:19:05 | |
I've got a meeting to go to, and then I'll go and get Stuart. | 0:19:05 | 0:19:09 | |
Och, are we supposed to sit in here all afternoon? | 0:19:09 | 0:19:12 | |
Well, I wanted to tidy up but I didn't have a chance this morning. | 0:19:12 | 0:19:14 | |
Och, Eileen...! | 0:19:14 | 0:19:16 | |
We'll take you as we find you. | 0:19:16 | 0:19:18 | |
Right, OK, OK. | 0:19:18 | 0:19:21 | |
Make yourselves at home. | 0:19:21 | 0:19:23 | |
-Thanks. Right. Come on then, Malcolm. -Aye... | 0:19:23 | 0:19:26 | |
Oh. No, no, no. Allow me. | 0:19:27 | 0:19:29 | |
-Thanks, young man! -No problem. | 0:19:33 | 0:19:34 | |
Come on, come on, I've got a meeting to go to. | 0:19:34 | 0:19:38 | |
Oh...! | 0:19:38 | 0:19:39 | |
It's lovely to see that chivalry's not dead. | 0:19:39 | 0:19:43 | |
Me? Perfect gentleman. | 0:19:43 | 0:19:44 | |
Well, son, it's a pity there's no' mair folk like you. | 0:19:44 | 0:19:48 | |
Right, so why don't you just sit here, and...do your crossword? | 0:20:05 | 0:20:11 | |
Aye. Good idea. | 0:20:11 | 0:20:13 | |
The devil makes work for idle hands, so they say. | 0:20:13 | 0:20:17 | |
Oh, a pen. I need a pen. | 0:20:17 | 0:20:19 | |
Oh, right, I'll find you one. | 0:20:19 | 0:20:21 | |
There's half a dozen in the bureau. | 0:20:21 | 0:20:23 | |
In OUR bureau, yes, but we're not at home today, are we? | 0:20:24 | 0:20:30 | |
Oh, I'm sorry. I just...forget what I'm saying sometimes, you know. | 0:20:30 | 0:20:34 | |
OK, you have a sit down, I'll find a pen for you. | 0:20:35 | 0:20:39 | |
Oh. All done? | 0:20:39 | 0:20:41 | |
And dusted, madam. | 0:20:41 | 0:20:43 | |
Aww. You've been such a help, Gabriel, thank you. | 0:20:43 | 0:20:46 | |
Ach... Any time. Here, take that. | 0:20:46 | 0:20:48 | |
Oh. Thank you. | 0:20:48 | 0:20:50 | |
There we go. | 0:20:50 | 0:20:52 | |
Yes, we'll er...we'll soon get settled in. | 0:20:52 | 0:20:55 | |
Oh, here, I haven't even thought to ask where YOU'RE going to stay, Gabriel. | 0:20:57 | 0:21:01 | |
I'm sorted. Leyla's putting me up. | 0:21:01 | 0:21:04 | |
You'll get no peace with those two young boys. | 0:21:04 | 0:21:07 | |
Right, OK. Well, I'll leave you to it. | 0:21:10 | 0:21:13 | |
-You know where I am if you need me. -Thanks. | 0:21:13 | 0:21:15 | |
Zinnie... | 0:21:36 | 0:21:38 | |
Need a wee hand? | 0:21:40 | 0:21:42 | |
Will you think I'm feeble if I say yes? | 0:21:42 | 0:21:44 | |
No. Not at all. | 0:21:44 | 0:21:46 | |
There we go. | 0:21:51 | 0:21:52 | |
-So is this you helping out again? -Mm-hm. | 0:21:54 | 0:21:57 | |
How come you're on baby-sitting duties so much? | 0:21:57 | 0:21:59 | |
I just felt like a wee walk. | 0:21:59 | 0:22:01 | |
-Is this all your stuff for moving in? -Yep. | 0:22:04 | 0:22:07 | |
I won't be there long, and you won't even know that I'm there. | 0:22:07 | 0:22:10 | |
Remember, I've lived with Conor and Adeeb. | 0:22:10 | 0:22:13 | |
Well, I'm definitely less trouble than them two. | 0:22:13 | 0:22:15 | |
Cheers, pal. | 0:22:25 | 0:22:27 | |
Yes, pal. | 0:22:27 | 0:22:28 | |
All right? I'll have the same as him. And a whisky while I'm waiting. | 0:22:28 | 0:22:33 | |
One of those days? | 0:22:33 | 0:22:34 | |
One of those lives. | 0:22:35 | 0:22:37 | |
-You, er...having a drink? -No, no, I'm fine. | 0:22:37 | 0:22:40 | |
Cheers. | 0:22:41 | 0:22:42 | |
-You're the manager? -Aye. | 0:22:42 | 0:22:44 | |
Just er...stick the change in the tips jar. | 0:22:46 | 0:22:48 | |
-Got to make the staff happy, eh? -Aye, tell me about it. Cheers! | 0:22:48 | 0:22:53 | |
No, that's fine. | 0:22:57 | 0:22:59 | |
Thanks for letting me know. | 0:23:01 | 0:23:03 | |
Thank you. Bye. | 0:23:03 | 0:23:05 | |
They've set a date for the trial. 11th of next month. | 0:23:08 | 0:23:11 | |
Well, that's good, isn't it? | 0:23:11 | 0:23:14 | |
I don't know. I don't know if it's...too far away or too soon. | 0:23:14 | 0:23:19 | |
Seems like ages of not knowing. | 0:23:19 | 0:23:21 | |
Have the cops been all right with you? | 0:23:21 | 0:23:23 | |
Yeah. Yeah, they have. | 0:23:23 | 0:23:26 | |
DCI Donald'll have everything in place. | 0:23:26 | 0:23:30 | |
His team will make sure you feel ready. | 0:23:30 | 0:23:32 | |
I don't think I'll ever feel ready. | 0:23:32 | 0:23:34 | |
Right. That's me all stowed away. | 0:23:36 | 0:23:39 | |
Good, good. | 0:23:39 | 0:23:41 | |
Listen, Zinnie, I'm working later tonight. Just let me know if you're wanting picked up. | 0:23:41 | 0:23:46 | |
Sorry? | 0:23:46 | 0:23:47 | |
From the club. What time do you finish - 3:00, 3:30? | 0:23:47 | 0:23:50 | |
I'm not... | 0:23:50 | 0:23:52 | |
Gabriel, Zinnie's not working at Slate any more. | 0:23:52 | 0:23:55 | |
Since when? | 0:23:55 | 0:23:56 | |
Oh, a...week or so. | 0:23:56 | 0:23:58 | |
-D'you think you might ever stick a job for more than five minutes? -Gabriel! | 0:23:58 | 0:24:01 | |
Well, come on. I mean, there's the shop, the pub, and now the club - am I the only one seeing a pattern? | 0:24:01 | 0:24:07 | |
-I'll go. -What...? | 0:24:07 | 0:24:10 | |
You weren't to know. | 0:24:11 | 0:24:12 | |
Exactly. Want to tell me what's going on? | 0:24:12 | 0:24:15 | |
I will do. Just... not this second, OK? | 0:24:15 | 0:24:19 | |
PHONE RINGS | 0:24:33 | 0:24:35 | |
Aye, that's brilliant, Stella. | 0:24:49 | 0:24:52 | |
No, you should spend a bit of time with him. | 0:24:52 | 0:24:54 | |
How is the wee man anyway, is he good? | 0:24:55 | 0:24:59 | |
Aye. | 0:24:59 | 0:25:01 | |
Right, listen, doll, I'd better go. Right, see you later. | 0:25:01 | 0:25:04 | |
Love you, bye. | 0:25:04 | 0:25:06 | |
You going to have that drink now? | 0:25:10 | 0:25:13 | |
You sort of look like you could do with one. | 0:25:13 | 0:25:16 | |
Just saying. | 0:25:16 | 0:25:18 | |
Do you know what? I'm on my break. I'll take a half. | 0:25:20 | 0:25:24 | |
I'll have the same. I didn't come here to get drunk. | 0:25:24 | 0:25:27 | |
Aye. Enjoy your beverage responsibly, eh? | 0:25:27 | 0:25:29 | |
Do you, er...fancy a quick game of pool? | 0:25:31 | 0:25:33 | |
Since it's your break, I mean. | 0:25:33 | 0:25:35 | |
-Aye. Set them up, I'll bring the beer over. -Right. | 0:25:35 | 0:25:38 | |
-Cheers, mate. -Cool. | 0:25:40 | 0:25:42 | |
Oh, you... | 0:25:44 | 0:25:47 | |
I'm glad we're not playing for money. | 0:25:47 | 0:25:48 | |
Me too. No gambling on licensed premises but. | 0:25:48 | 0:25:51 | |
Look...I've got a bit of a confession. | 0:25:54 | 0:25:58 | |
What? You're from The Good Pub Guide and I'm not in it(?) | 0:25:58 | 0:26:02 | |
No, no, no, I reckon this is a nice wee pub, actually. | 0:26:02 | 0:26:04 | |
But I didn't just... nip in for a drink. | 0:26:04 | 0:26:07 | |
Or a humiliating defeat. | 0:26:08 | 0:26:10 | |
What DID you come in for? | 0:26:11 | 0:26:13 | |
There's a...girl who works here - well, used to work here. | 0:26:13 | 0:26:17 | |
-What girl? -Her name's Zinnie. | 0:26:17 | 0:26:18 | |
Oh, aye! | 0:26:18 | 0:26:20 | |
-She was a barmaid here, right? -Mm-hm. | 0:26:20 | 0:26:22 | |
The thing is er...this mate of mine, my mate, he's... sort of being seeing her. | 0:26:22 | 0:26:27 | |
-HE LAUGHS -Is that right? | 0:26:27 | 0:26:29 | |
I don't know, I'm sort of getting bad vibes off her. | 0:26:29 | 0:26:32 | |
-You are, or your pal? -I am. | 0:26:32 | 0:26:34 | |
Getting the impression she's, like...not to be trusted. | 0:26:34 | 0:26:38 | |
Well...between me and you and that corner pocket over there, | 0:26:38 | 0:26:43 | |
mate, she was a nightmare when she was here. | 0:26:43 | 0:26:45 | |
-Seriously? -Aye. She even got the polis to me. | 0:26:45 | 0:26:48 | |
-You're kidding me? -No. So no, she's not to be trusted. | 0:26:48 | 0:26:52 | |
Thanks, man. Seriously, you've made my day. | 0:26:54 | 0:26:58 | |
I can't tell you how much better this makes me feel! | 0:26:58 | 0:27:00 | |
Well, I'm glad to be of service. | 0:27:00 | 0:27:02 | |
Oh, no, I mean... | 0:27:02 | 0:27:04 | |
Look, I didn't mean... Sorry it's a bad time for you. | 0:27:04 | 0:27:08 | |
It's all right, I've had worse. | 0:27:08 | 0:27:09 | |
Ahhh! | 0:27:11 | 0:27:13 | |
Nice one...bar manager guy. | 0:27:13 | 0:27:16 | |
-Stevie. -Jamie. Pleasure to meet you, pal. | 0:27:16 | 0:27:19 | |
So is she OK? Well, I mean, not OK... | 0:27:25 | 0:27:29 | |
Under the circumstances. The police seem to think they've got a case. | 0:27:29 | 0:27:33 | |
DCI Donald's in charge of the investigation. | 0:27:34 | 0:27:38 | |
In the end, it'll come down to who the jury believes. | 0:27:38 | 0:27:42 | |
Well, surely they're going to believe Zinnie. | 0:27:42 | 0:27:44 | |
-It's not like she'd make something like this up. -No. | 0:27:44 | 0:27:48 | |
So it was her boss? The guy. | 0:27:48 | 0:27:51 | |
Yeah. | 0:27:51 | 0:27:53 | |
And that's where it happened - in the club? | 0:27:53 | 0:27:55 | |
It was on Hogmanay. | 0:27:55 | 0:27:57 | |
Look, Zinnie, sweetheart... | 0:28:01 | 0:28:03 | |
I'm sorry. | 0:28:03 | 0:28:05 | |
I don't know what to say. | 0:28:05 | 0:28:06 | |
Please just don't say anything. | 0:28:06 | 0:28:08 | |
OK. I'm sorry. | 0:28:08 | 0:28:10 | |
-And stop apologising. God, Gabriel! -Sor... | 0:28:10 | 0:28:14 | |
I mean...OK. | 0:28:14 | 0:28:17 | |
OK. | 0:28:17 | 0:28:18 | |
Look, you're strong, you know. Stronger than you think. | 0:28:21 | 0:28:25 | |
You'll get through this. | 0:28:25 | 0:28:27 | |
And you'll put that animal away. | 0:28:29 | 0:28:30 | |
Yeah. | 0:28:33 | 0:28:34 | |
Yeah, I will. | 0:28:36 | 0:28:37 | |
Cheers, pal. Thank you. | 0:28:41 | 0:28:44 | |
Right, what you having? | 0:28:44 | 0:28:45 | |
-Is it a pain for you to do me a coffee? -No. | 0:28:45 | 0:28:48 | |
I'll have one, then - no milk and no sugar. | 0:28:48 | 0:28:51 | |
You've got a tricky conversation coming up, eh? With your pal. | 0:28:51 | 0:28:55 | |
Yeah. Yeah, right. | 0:28:55 | 0:28:57 | |
Erm, in fact, have you got any change for the payphone? | 0:28:57 | 0:29:00 | |
Aye, but I'm no' sure if it's still even working. | 0:29:00 | 0:29:02 | |
I cannae mind the last time somebody used it. | 0:29:02 | 0:29:04 | |
My phone's just died on me, so... | 0:29:04 | 0:29:06 | |
So a black coffee and change for the phone - | 0:29:06 | 0:29:08 | |
it's like I'm running a pub in the '80s, man. | 0:29:08 | 0:29:10 | |
Two seconds, Jimmy. | 0:29:10 | 0:29:12 | |
TV ON | 0:29:17 | 0:29:18 | |
PHONE RINGS | 0:29:25 | 0:29:27 | |
I'll get it. | 0:29:29 | 0:29:30 | |
Hello? | 0:29:39 | 0:29:40 | |
Hello...? | 0:29:41 | 0:29:44 | |
TV OFF | 0:29:45 | 0:29:46 | |
Nobody there. | 0:29:48 | 0:29:50 | |
-You don't think that he might... -No, no. It'll be a cold caller | 0:29:51 | 0:29:55 | |
or one of those automated dialling thingies - | 0:29:55 | 0:29:58 | |
-"You are entitled to blah blah blah." I hate those things. -No, it wasn't a machine. | 0:29:58 | 0:30:02 | |
There was definitely somebody there. | 0:30:02 | 0:30:04 | |
Um... It might have been a journalist. | 0:30:04 | 0:30:08 | |
What...? Why would a journalist...? | 0:30:08 | 0:30:11 | |
Does...? Am I mentioned? | 0:30:25 | 0:30:28 | |
No, they don't say your name. | 0:30:28 | 0:30:30 | |
Hey. | 0:30:35 | 0:30:36 | |
Conversation went that well, did it? | 0:30:43 | 0:30:46 | |
You know something, I was mad to think I could fix this | 0:30:46 | 0:30:48 | |
-just by turning up here. -You gave it a go. | 0:30:48 | 0:30:51 | |
-Sort of. -Can't do any more than that. | 0:30:51 | 0:30:54 | |
Right, 3.20, please, pal. | 0:30:54 | 0:30:56 | |
Just...keep the change. | 0:30:59 | 0:31:01 | |
-Wasn't that much of a chat, then, was it? -No. | 0:31:01 | 0:31:04 | |
Face to face would be better, but you know how it is. | 0:31:04 | 0:31:07 | |
There's no talking to some people. | 0:31:07 | 0:31:09 | |
Want a look at the paper, pal? | 0:31:23 | 0:31:26 | |
There's a shop across the road. They've got hunners of them. | 0:31:29 | 0:31:32 | |
What's the matter with him? | 0:31:35 | 0:31:36 | |
What's it to me? | 0:31:36 | 0:31:38 | |
A word of warning, young man. | 0:32:06 | 0:32:08 | |
They can get awful funny in here if you read before buying. | 0:32:08 | 0:32:12 | |
Especially that yin. Like the Gestapo in a tabard. | 0:32:12 | 0:32:15 | |
Yes, my friend is just making his selection! One moment! | 0:32:17 | 0:32:21 | |
(I'm telling you - Gestapo.) | 0:32:21 | 0:32:23 | |
I'll just leave the money on the counter for you, OK? Thank you. | 0:32:27 | 0:32:30 | |
Shop! | 0:32:34 | 0:32:35 | |
I didn't know whether to show you it or not. | 0:32:35 | 0:32:38 | |
No, you did the right thing. | 0:32:38 | 0:32:39 | |
This is it. | 0:32:41 | 0:32:42 | |
This is the start of it. | 0:32:42 | 0:32:44 | |
They really don't mention you. I checked it. | 0:32:44 | 0:32:47 | |
People know that I worked with him. They're going to ask questions. | 0:32:47 | 0:32:50 | |
What was he like with me? Did he ever try anything? | 0:32:50 | 0:32:53 | |
-It's possible, but... -What am I meant to say? | 0:32:53 | 0:32:56 | |
What am I even allowed to say? | 0:32:56 | 0:32:58 | |
If I have to talk about it, is it going to mess up the court case? | 0:32:58 | 0:33:01 | |
Zinnie, I don't know. But I think the safest thing | 0:33:01 | 0:33:04 | |
-is just to say not say anything until the trial. -That makes sense. | 0:33:04 | 0:33:08 | |
It's going to come out, though. | 0:33:08 | 0:33:10 | |
-Everything... Everyone is going to know. -Zinnie, listen... | 0:33:10 | 0:33:14 | |
-I don't want to listen, OK, Gabriel? -Sorry. | 0:33:14 | 0:33:17 | |
Just give me a second. | 0:33:18 | 0:33:20 | |
I don't believe it. | 0:33:25 | 0:33:27 | |
-Zinnie? -What is it? | 0:33:28 | 0:33:31 | |
It's him. | 0:33:31 | 0:33:33 | |
Right! | 0:33:40 | 0:33:41 | |
Gabriel! | 0:33:43 | 0:33:45 | |
Pal! You! | 0:33:48 | 0:33:49 | |
What do you think you're playing at? | 0:33:51 | 0:33:54 | |
Stop there. I want a word with you. | 0:33:54 | 0:33:56 | |
-You stay where you are. -Mate, I'm going, I'm going. | 0:34:00 | 0:34:02 | |
-Look, I just wanted to talk to Zinnie. -Zinnie? Eh? | 0:34:02 | 0:34:05 | |
Gabriel, stop! Gabriel! | 0:34:06 | 0:34:09 | |
-Scumbag! -Enough, Gabriel, enough. -No, it's not enough, not for him. | 0:34:09 | 0:34:12 | |
-You scumbag! -Get back inside. | 0:34:12 | 0:34:14 | |
Just get out of here, all right? | 0:34:14 | 0:34:15 | |
-And don't come back. -Inside now. | 0:34:15 | 0:34:17 | |
Jamie? | 0:34:22 | 0:34:23 | |
Jamie, are you here? | 0:34:26 | 0:34:27 | |
Answer your phone! | 0:34:36 | 0:34:38 | |
Jamie? | 0:35:07 | 0:35:09 | |
Jamie! | 0:35:10 | 0:35:12 | |
I'm Stella. I work for your brother. | 0:35:13 | 0:35:15 | |
Are you OK? | 0:35:15 | 0:35:18 | |
Yeah... | 0:35:18 | 0:35:19 | |
Can you hear me? | 0:35:19 | 0:35:20 | |
Somebody want to phone an ambulance please! | 0:35:22 | 0:35:25 | |
You're all right, pal, just stay where you are! | 0:35:25 | 0:35:27 | |
Right, I think that's cold enough. | 0:35:27 | 0:35:30 | |
-It's fine. -Just take it, Gabriel. | 0:35:30 | 0:35:33 | |
-Did anyone see you? -No-one I recognised. | 0:35:33 | 0:35:35 | |
It's going to happen, though, isn't it? Two and two together. | 0:35:35 | 0:35:40 | |
I can't believe you. | 0:35:40 | 0:35:42 | |
-What was I supposed to do? Just stand there... -No, of course not, | 0:35:42 | 0:35:45 | |
cos you're a Brodie man. | 0:35:45 | 0:35:47 | |
So you have to wade in there first chance you get. | 0:35:47 | 0:35:49 | |
Just like my dad. | 0:35:49 | 0:35:51 | |
Look how that turned out, Gabriel. | 0:35:51 | 0:35:53 | |
Look, Zinnie, I'm sorry. | 0:35:55 | 0:35:57 | |
I don't even know if I can call the police now. | 0:35:57 | 0:35:59 | |
-Of course you can. -What if he gets in trouble? | 0:35:59 | 0:36:02 | |
I'll take whatever's coming, all right? | 0:36:02 | 0:36:04 | |
You need to tell them that he was here. | 0:36:04 | 0:36:07 | |
Do you want me to call them? | 0:36:07 | 0:36:09 | |
No. I'll do it. | 0:36:09 | 0:36:11 | |
Where is he? | 0:36:20 | 0:36:22 | |
They've just taken him down for an X-ray. | 0:36:24 | 0:36:26 | |
But he's regained consciousness? | 0:36:26 | 0:36:28 | |
He came round in the ambulance. | 0:36:28 | 0:36:29 | |
But he's still kind of a bit out of it. | 0:36:29 | 0:36:32 | |
-Did you go with him in the ambulance? -Aye. | 0:36:32 | 0:36:35 | |
Thanks, Stella. I really, really appreciate it. | 0:36:35 | 0:36:38 | |
Anybody would have done the same. | 0:36:38 | 0:36:40 | |
Well, I'm not sure about that. | 0:36:40 | 0:36:42 | |
Aye, they would. | 0:36:42 | 0:36:43 | |
Look, tell me properly, what exactly happened? | 0:36:43 | 0:36:46 | |
I came out of the subway and I saw him | 0:36:46 | 0:36:49 | |
and I knew he wasn't right, because he could hardly stand. | 0:36:49 | 0:36:52 | |
Then he just collapsed, | 0:36:52 | 0:36:54 | |
and I went to help him. | 0:36:54 | 0:36:56 | |
Right, what subway? | 0:36:56 | 0:36:58 | |
Shieldinch. | 0:36:58 | 0:37:00 | |
Was he coming to see you? | 0:37:00 | 0:37:02 | |
No, not me, no. | 0:37:02 | 0:37:03 | |
Look, I'll take it from here. | 0:37:03 | 0:37:06 | |
Let me give you my taxi account number. | 0:37:06 | 0:37:09 | |
-Alex, I can just get the subway. -Just take it. | 0:37:09 | 0:37:11 | |
Sorry. Seriously, thank you. | 0:37:13 | 0:37:17 | |
No bother. | 0:37:18 | 0:37:19 | |
Just down there to the right. | 0:37:21 | 0:37:23 | |
-Cheers. -See you. | 0:37:23 | 0:37:24 | |
Private room, eh? | 0:37:45 | 0:37:47 | |
Did you have to pull any strings? | 0:37:47 | 0:37:50 | |
Looks like you got lucky. | 0:37:51 | 0:37:53 | |
Makes a change. | 0:37:55 | 0:37:56 | |
Aye. | 0:37:56 | 0:37:58 | |
Who did it? | 0:38:01 | 0:38:02 | |
Some guy. | 0:38:03 | 0:38:04 | |
Jamie... | 0:38:04 | 0:38:05 | |
Gabriel, I think he's called. Tall fella. | 0:38:07 | 0:38:10 | |
I don't know if he's Zinnie's new boyfriend or what. | 0:38:10 | 0:38:13 | |
Looks a bit old for her, though. | 0:38:13 | 0:38:15 | |
Gabriel Brodie. He's an in-law or something. | 0:38:16 | 0:38:20 | |
He works for Lenny Murdoch. | 0:38:20 | 0:38:21 | |
He's a cabbie. | 0:38:23 | 0:38:24 | |
Right. | 0:38:28 | 0:38:29 | |
How come you know all this? | 0:38:30 | 0:38:33 | |
I checked Zinnie out, obviously. | 0:38:33 | 0:38:35 | |
-I asked around, I got other folk to ask around. Discreetly. -OK. | 0:38:35 | 0:38:39 | |
I didn't just wander into the middle of her neighbourhood. | 0:38:39 | 0:38:42 | |
I said OK. I get it. | 0:38:42 | 0:38:44 | |
I just thought if I could talk to her, I could make her see sense. | 0:38:50 | 0:38:54 | |
Do you see what I mean? | 0:38:54 | 0:38:56 | |
Aye, but from now on, we leave it to the professionals. | 0:38:56 | 0:39:01 | |
Deal? | 0:39:01 | 0:39:03 | |
Deal. | 0:39:04 | 0:39:06 | |
OK, then. I'm going to phone Paul. | 0:39:06 | 0:39:08 | |
Would you prefer to speak somewhere more private? | 0:39:17 | 0:39:20 | |
There are no secrets here. | 0:39:20 | 0:39:22 | |
Ah, yeah. | 0:39:22 | 0:39:24 | |
I was hoping we might get an extra day or two before the story broke, | 0:39:24 | 0:39:28 | |
but the McAllisters are a big name round here - | 0:39:28 | 0:39:30 | |
always going to be news. | 0:39:30 | 0:39:32 | |
OK, take your time, just tell me what happened. | 0:39:33 | 0:39:37 | |
There's not really a lot to tell. | 0:39:37 | 0:39:39 | |
I just looked out of the window and there he was. | 0:39:39 | 0:39:41 | |
-Did he approach the house? -No. | 0:39:41 | 0:39:44 | |
Did he attempt to speak to you? | 0:39:44 | 0:39:46 | |
Well...no. | 0:39:46 | 0:39:48 | |
What's that got to do with anything? He was outside our house. | 0:39:48 | 0:39:51 | |
Well, no, he was some distance away, apparently. | 0:39:51 | 0:39:54 | |
Yeah, staring over at us! | 0:39:54 | 0:39:56 | |
I'm just trying to establish | 0:39:57 | 0:39:58 | |
whether or not he broke the conditions of his bail. | 0:39:58 | 0:40:00 | |
-He didn't get a chance. -Sorry? | 0:40:00 | 0:40:02 | |
-I went out and I... -You confronted him? | 0:40:02 | 0:40:05 | |
Well, I sent him packing, aye. | 0:40:06 | 0:40:08 | |
I really wish you hadn't done that. | 0:40:10 | 0:40:12 | |
Yeah. We all do. | 0:40:12 | 0:40:14 | |
OK, look, if it happens again... | 0:40:16 | 0:40:18 | |
Oh, God, you don't think he's going to come back? | 0:40:18 | 0:40:21 | |
No, no, I'll be paying Jamie McAllister a wee visit | 0:40:21 | 0:40:23 | |
and strongly advising him to steer well clear of this area. | 0:40:23 | 0:40:26 | |
But if he neglects to take that advice | 0:40:26 | 0:40:28 | |
and turns up on your doorstep, what are you going to do? | 0:40:28 | 0:40:31 | |
-Call you. -Correct. | 0:40:31 | 0:40:33 | |
Look, cases like this are notoriously difficult, Zinnie. | 0:40:35 | 0:40:38 | |
If we want to win, we need to do everything by the book. | 0:40:38 | 0:40:42 | |
Everything. | 0:40:42 | 0:40:43 | |
CHATTER | 0:40:48 | 0:40:50 | |
-Hi. -I thought you'd well be back by now. | 0:40:50 | 0:40:53 | |
-I know, but I was coming out of the sub... -I'm not trying to run your life | 0:40:53 | 0:40:56 | |
but you missed your appointment this morning with Tattie. | 0:40:56 | 0:41:00 | |
I totally forgot. | 0:41:00 | 0:41:02 | |
It's no good running off to see Mark | 0:41:02 | 0:41:03 | |
if you don't look after yourself, doll. | 0:41:03 | 0:41:06 | |
I'll rearrange it, all right? | 0:41:06 | 0:41:07 | |
Have you been with him all this time? | 0:41:07 | 0:41:09 | |
No, that's what I'm trying to say to you - I'd have been here earlier, | 0:41:09 | 0:41:12 | |
-but I came out the underground and... -Nice folk you work for! | 0:41:12 | 0:41:15 | |
-Sorry? -I don't know how you can take the money. | 0:41:16 | 0:41:19 | |
What are you talking about? | 0:41:19 | 0:41:20 | |
She's talking about rape. Your boss's brother. | 0:41:20 | 0:41:23 | |
He's been charged. | 0:41:23 | 0:41:25 | |
-What? -It's all in the paper. | 0:41:25 | 0:41:27 | |
He'll spend a fortune to get him off, of course. | 0:41:30 | 0:41:32 | |
Mind you, he's got a fortune to spend. | 0:41:32 | 0:41:36 | |
Whatever happened to being innocent until proven guilty? | 0:41:36 | 0:41:38 | |
I will not be setting foot in the Oyster again, | 0:41:38 | 0:41:42 | |
I'll tell you that much. | 0:41:42 | 0:41:43 | |
Well, find somewhere else to make a coffee last three hours, then. | 0:41:43 | 0:41:46 | |
I was just with him. Both of them. | 0:41:50 | 0:41:53 | |
Who? | 0:41:53 | 0:41:55 | |
Alex and his brother, at the hospital. | 0:41:55 | 0:41:57 | |
Hold on, hold on, what hospital? | 0:41:57 | 0:41:59 | |
I was coming out the underground and I saw his brother. | 0:41:59 | 0:42:02 | |
He'd been battered and he passed out right in front of me. | 0:42:02 | 0:42:04 | |
I was the one that went in the ambulance with him. My God! | 0:42:04 | 0:42:07 | |
-I know. -Did they say anything about...? | 0:42:07 | 0:42:10 | |
Well, what are they going to say? | 0:42:10 | 0:42:12 | |
Did he say who did it? This...James guy? | 0:42:12 | 0:42:15 | |
He's called Jamie, and no, he didn't say anything. | 0:42:15 | 0:42:19 | |
Jamie? Let me see. | 0:42:19 | 0:42:20 | |
Do you mind giving us a hand back here for a minute? | 0:42:32 | 0:42:35 | |
You're no' exactly snowed under... | 0:42:35 | 0:42:37 | |
It'll get busier. Come here. | 0:42:37 | 0:42:39 | |
OK. | 0:42:41 | 0:42:42 | |
-What's going on? -We're leaving. | 0:42:44 | 0:42:46 | |
What did the doctor say? | 0:42:46 | 0:42:48 | |
Just a couple of bruised ribs, minor concussion. | 0:42:48 | 0:42:51 | |
They make you stay in for that - observation, at least. | 0:42:51 | 0:42:54 | |
Otherwise known as keeping an eye on me, and you can do that, can't you? | 0:42:54 | 0:42:58 | |
-You've signed yourself out? -Mmm. | 0:42:58 | 0:43:00 | |
The nurses were giving me funny looks. | 0:43:01 | 0:43:04 | |
News travels fast. | 0:43:04 | 0:43:06 | |
You can't let that stop you getting medical attention. | 0:43:06 | 0:43:09 | |
I feel OK now, and... | 0:43:09 | 0:43:11 | |
What's he doing here? | 0:43:11 | 0:43:12 | |
I called him. | 0:43:13 | 0:43:15 | |
-Paul's advice. -Brilliant. | 0:43:15 | 0:43:17 | |
It's called managing the situation. You are the victim here. | 0:43:17 | 0:43:20 | |
-Evening, gentlemen. -Chief Inspector. | 0:43:22 | 0:43:24 | |
You look in a terrible state. | 0:43:24 | 0:43:26 | |
It's not safe to walk the streets these days. | 0:43:26 | 0:43:28 | |
Is that right? Which streets in particular? | 0:43:28 | 0:43:31 | |
My brother was visiting one of my businesses, at my request. | 0:43:31 | 0:43:35 | |
As he was leaving, he was jumped | 0:43:35 | 0:43:37 | |
in an entirely unprovoked attack by a Gabriel Brodie. | 0:43:37 | 0:43:41 | |
-Is that so? -Yes. | 0:43:42 | 0:43:44 | |
I'd like to hear it from him. | 0:43:44 | 0:43:46 | |
Go ahead, Jamie, there's nothing to fear. | 0:43:47 | 0:43:49 | |
It's true, like he said. | 0:43:49 | 0:43:51 | |
Gabriel Brodie. | 0:43:51 | 0:43:53 | |
So, the question remains, Chief Inspector - | 0:43:53 | 0:43:56 | |
what are you going to do about it? | 0:43:56 | 0:43:58 | |
So what does he look like exactly, this Jamie? | 0:44:04 | 0:44:07 | |
Early 20s. Your height. Maybe a bit taller. | 0:44:08 | 0:44:12 | |
Blue hoodie with a khaki jacket over it? | 0:44:12 | 0:44:15 | |
Aye, how did you know? | 0:44:15 | 0:44:16 | |
He was in here all afternoon. I was playing pool with him. | 0:44:16 | 0:44:19 | |
-No way. -Seriously. | 0:44:19 | 0:44:21 | |
You better keep that to yourself | 0:44:21 | 0:44:23 | |
if there's more people like Molly about. | 0:44:23 | 0:44:25 | |
He was asking about Zinnie. | 0:44:25 | 0:44:27 | |
-Zinnie? -Mm-hm. | 0:44:27 | 0:44:28 | |
-What, do you think it's her? -It's looking that way, isn't it? | 0:44:30 | 0:44:33 | |
-Usual, Gabe? -Aye. | 0:44:38 | 0:44:39 | |
PHONE RINGS | 0:44:48 | 0:44:52 | |
-Here you go. -Ta. | 0:45:03 | 0:45:04 | |
Absolutely dreadful to contemplate. | 0:45:04 | 0:45:08 | |
The trial's going to begin 11th of February. | 0:45:08 | 0:45:10 | |
-It's shameful. -That's why we should boycott the Oyster. | 0:45:10 | 0:45:13 | |
I think that's an excellent idea. | 0:45:13 | 0:45:17 | |
I don't want to be contributing to a rapist's defence fund. | 0:45:17 | 0:45:20 | |
Gabriel, this might not mean anything to you, | 0:45:21 | 0:45:24 | |
but just in case it does... | 0:45:24 | 0:45:26 | |
Come on, spit it out. | 0:45:27 | 0:45:29 | |
Jamie McAllister, the guy that's in the papers? | 0:45:29 | 0:45:32 | |
-Yeah? -He was in here this afternoon. | 0:45:32 | 0:45:35 | |
Right. | 0:45:35 | 0:45:36 | |
He was asking questions about Zinnie. | 0:45:36 | 0:45:39 | |
-Was he now? -Mm-hm. | 0:45:39 | 0:45:41 | |
What sort of questions? | 0:45:41 | 0:45:42 | |
I dunno, I suppose he was just trying to dig up dirt on her. | 0:45:42 | 0:45:45 | |
And did you hand him a shovel? | 0:45:45 | 0:45:47 | |
Gabriel Brodie? | 0:45:48 | 0:45:49 | |
All right, all right. | 0:45:51 | 0:45:53 | |
What's he done now? | 0:45:57 | 0:45:59 | |
We don't know Gabriel's done anything, do we? | 0:45:59 | 0:46:01 | |
-Mr Brodie. -Detective Chief Inspector. | 0:46:12 | 0:46:14 | |
It seems you and I have a different understanding | 0:46:14 | 0:46:16 | |
of what it means to send someone packing. | 0:46:16 | 0:46:18 | |
See, to my mind that suggests a stern talking to, a flea in the ear. | 0:46:18 | 0:46:22 | |
Not concussion and a fractured cheekbone. | 0:46:22 | 0:46:25 | |
McAllister deserved all that, and a whole lot more. | 0:46:25 | 0:46:28 | |
If he's found guilty, the courts will decide his punishment. | 0:46:28 | 0:46:31 | |
What do you mean, if? | 0:46:31 | 0:46:32 | |
-If. -You think Zinnie's lying? | 0:46:32 | 0:46:35 | |
-Don't put words in my mouth. -Well, say some of your own, then. | 0:46:35 | 0:46:38 | |
We have built a case strong enough to put in front of a jury, | 0:46:38 | 0:46:42 | |
and it is not being helped by you administering beatings. | 0:46:42 | 0:46:45 | |
The last thing I need is for this to look like some family feud. | 0:46:45 | 0:46:48 | |
What do you mean, family feud? I'd never heard of the guy till today. | 0:46:48 | 0:46:52 | |
You'd certainly heard of his uncle. You definitely knew his cousin. | 0:46:52 | 0:46:55 | |
I don't get you. | 0:46:55 | 0:46:57 | |
Billy and Sean Kennedy. | 0:46:57 | 0:46:59 | |
-Did you really not know that? -No. | 0:47:00 | 0:47:03 | |
But it all makes more sense. | 0:47:03 | 0:47:05 | |
We both know how they like to treat their women. | 0:47:05 | 0:47:08 | |
They're animals. | 0:47:08 | 0:47:10 | |
And McAllister's another one. | 0:47:10 | 0:47:12 | |
That's for the courts to decide. Not you. | 0:47:12 | 0:47:14 | |
Do I make myself clear? | 0:47:14 | 0:47:16 | |
Hey, whether I charge you or release you depends entirely | 0:47:16 | 0:47:20 | |
on your answer to that question. So, do I make myself clear? | 0:47:20 | 0:47:22 | |
-Aye, you do. -Good. | 0:47:22 | 0:47:25 | |
He was asking about her, you know. In the pub. | 0:47:25 | 0:47:28 | |
Where are you going? | 0:47:41 | 0:47:43 | |
I'm just going to nip out to the club for an hour. | 0:47:43 | 0:47:46 | |
-Show them who's boss? -I don't want them thinking we're hiding. | 0:47:46 | 0:47:49 | |
Yeah. Just me. | 0:47:49 | 0:47:50 | |
-Jamie. -Alex... | 0:47:50 | 0:47:52 | |
I'm, eh... | 0:47:54 | 0:47:55 | |
I'm scared. | 0:47:56 | 0:47:58 | |
I mean, if it's like this on the outside, | 0:48:00 | 0:48:02 | |
-what's it going to be like inside jail? -You're not going to jail. | 0:48:02 | 0:48:05 | |
What if I do? | 0:48:05 | 0:48:06 | |
Are they going to put me in with a load of perverts and paedophiles? | 0:48:06 | 0:48:09 | |
You're not going to jail. | 0:48:09 | 0:48:11 | |
I mean, rape... | 0:48:11 | 0:48:13 | |
I didn't jump out from an alley-way! | 0:48:13 | 0:48:15 | |
No. I didn't hold a knife to her throat. No, no, no. | 0:48:15 | 0:48:19 | |
Why is this happening to me? | 0:48:19 | 0:48:21 | |
BUZZER SOUNDS | 0:48:21 | 0:48:23 | |
Come on up. | 0:48:29 | 0:48:30 | |
It's the police. | 0:48:34 | 0:48:36 | |
What do they want now? | 0:48:36 | 0:48:38 | |
You tell me. | 0:48:38 | 0:48:39 | |
I've had enough nasty surprises to last me a lifetime. | 0:48:39 | 0:48:42 | |
I swear I don't know. | 0:48:42 | 0:48:43 | |
KNOCK AT THE DOOR | 0:48:43 | 0:48:45 | |
It's open. | 0:48:45 | 0:48:46 | |
Ah, DCI Donald. | 0:48:48 | 0:48:49 | |
What's it been? Minutes? | 0:48:49 | 0:48:51 | |
I'm no happier to see you than you are me, Mr McAllister. | 0:48:51 | 0:48:54 | |
Then why are you here? | 0:48:54 | 0:48:56 | |
I want to know what Jamie was doing in Shieldinch. | 0:48:56 | 0:48:59 | |
In his own words, please. | 0:48:59 | 0:49:01 | |
It's like we said. I went to check out the cafe Alex owns. | 0:49:01 | 0:49:05 | |
So you weren't in the Tall Ship pub | 0:49:06 | 0:49:08 | |
questioning Ms Hassoun's neighbours and friends? | 0:49:08 | 0:49:11 | |
Trying to gather negative information? | 0:49:11 | 0:49:13 | |
Right, you have both now been in Shieldinch | 0:49:16 | 0:49:19 | |
contacting or attempting to contact Ms Hassoun. | 0:49:19 | 0:49:22 | |
It's beginning to look like a coordinated campaign | 0:49:22 | 0:49:24 | |
of intimidation against a witness, | 0:49:24 | 0:49:26 | |
and I'm going to make sure it's mentioned in court as such. | 0:49:26 | 0:49:29 | |
-What does he mean, both? -Later. | 0:49:29 | 0:49:31 | |
-Alex... -I said later. | 0:49:31 | 0:49:33 | |
OK, well, maybe not quite a co-ordinated campaign. | 0:49:36 | 0:49:40 | |
But intimidation nonetheless. | 0:49:40 | 0:49:42 | |
BABY GURGLES | 0:49:46 | 0:49:49 | |
You look like you could do that with your eyes closed. | 0:49:52 | 0:49:55 | |
NICOLE YAWNS | 0:49:55 | 0:49:56 | |
I think I probably have a few times. | 0:49:56 | 0:49:58 | |
Do you want me to do the 3am feed? | 0:49:58 | 0:50:00 | |
No, don't be daft. | 0:50:00 | 0:50:02 | |
I want to. I'm not going to take my sleeping pill tonight. | 0:50:02 | 0:50:06 | |
Are you sure that's a good idea? | 0:50:06 | 0:50:10 | |
Yeah. I just want to get control of my life. | 0:50:10 | 0:50:13 | |
I lost it when, um... | 0:50:14 | 0:50:17 | |
when it happened. So I just want to get it back. | 0:50:17 | 0:50:22 | |
You will. | 0:50:22 | 0:50:23 | |
You're being really strong. | 0:50:23 | 0:50:25 | |
I don't feel strong, Nic. I feel really scared. | 0:50:25 | 0:50:29 | |
Yeah, but you're not letting that stop you, are you? | 0:50:29 | 0:50:32 | |
Zinnie, you're doing the right thing. | 0:50:35 | 0:50:37 | |
Oh, God, I hope so. | 0:50:40 | 0:50:41 | |
TV SWITCHES OFF | 0:50:46 | 0:50:49 | |
So what are you going to say to your boss in the morning, then? | 0:50:54 | 0:50:57 | |
"Morning, boss." | 0:50:57 | 0:51:00 | |
There's folk talking about a boycott. | 0:51:00 | 0:51:02 | |
I'm not getting involved. | 0:51:02 | 0:51:04 | |
If it turns out it is Zinnie...? | 0:51:04 | 0:51:07 | |
If, if, if. | 0:51:07 | 0:51:08 | |
If it's Zinnie, if he done it, if he goes to jail. | 0:51:08 | 0:51:11 | |
There's nothing we can do. | 0:51:12 | 0:51:14 | |
-Aye, you're right. -I know. | 0:51:14 | 0:51:16 | |
Hey, let's go to bed. | 0:51:22 | 0:51:24 | |
Are you sure? | 0:51:24 | 0:51:26 | |
Positive. | 0:51:26 | 0:51:27 | |
Do you not need to talk to Tattie? | 0:51:28 | 0:51:30 | |
I know my own body. I'll be fine. | 0:51:32 | 0:51:35 | |
You think we should try again? | 0:51:35 | 0:51:38 | |
We weren't exactly trying before, were we? | 0:51:38 | 0:51:41 | |
Well, no, but... | 0:51:41 | 0:51:43 | |
I really don't want to think about any of that | 0:51:43 | 0:51:45 | |
until I know that Mark's sorted. | 0:51:45 | 0:51:47 | |
That could take a long time. | 0:51:47 | 0:51:49 | |
We've got time. | 0:51:49 | 0:51:50 | |
I'm not going anywhere. Are you? | 0:51:51 | 0:51:53 | |
No. | 0:51:53 | 0:51:55 | |
Right, then - bedtime. | 0:51:55 | 0:51:57 | |
I've missed you. | 0:51:57 | 0:51:58 | |
Me too. | 0:51:59 | 0:52:01 | |
Well? Come on, then, spill. | 0:52:13 | 0:52:15 | |
What did he mean, you went to see her? | 0:52:15 | 0:52:18 | |
-I went to see her. -Why? For what? | 0:52:19 | 0:52:22 | |
I thought I could buy her off. | 0:52:28 | 0:52:30 | |
Oh, my God, you think I did it. | 0:52:32 | 0:52:34 | |
-You really do. -Of course I don't. | 0:52:34 | 0:52:36 | |
I wanted to put a stop to it before it got out of hand. | 0:52:37 | 0:52:40 | |
It's too late for that now, obviously. | 0:52:42 | 0:52:45 | |
Now it's court. | 0:52:45 | 0:52:46 | |
Yeah, and how's that going to look | 0:52:46 | 0:52:49 | |
when it comes out in court that you offered her money? | 0:52:49 | 0:52:52 | |
She's a prostitute, Jamie. | 0:52:55 | 0:52:57 | |
Money is what they respond to. | 0:52:59 | 0:53:02 | |
Usually. | 0:53:02 | 0:53:03 | |
What are you saying? I don't understand. | 0:53:05 | 0:53:08 | |
She sells herself for cash. | 0:53:08 | 0:53:10 | |
Escort, prostitute, use whatever word you like | 0:53:10 | 0:53:12 | |
but that is what she is. | 0:53:12 | 0:53:14 | |
I don't understand. How do you...? | 0:53:14 | 0:53:16 | |
You...and her? | 0:53:25 | 0:53:27 | |
Just think what our legal rottweiler will make of that. | 0:53:29 | 0:53:33 | |
Someone will have serious credibility issues. | 0:53:33 | 0:53:35 | |
-Why didn't you tell me this before? -I don't know. | 0:53:35 | 0:53:38 | |
You should have told me. Oh, my God! | 0:53:38 | 0:53:40 | |
I didn't think I needed to, OK? | 0:53:40 | 0:53:43 | |
I was embarrassed. | 0:53:43 | 0:53:46 | |
I AM embarrassed. | 0:53:46 | 0:53:48 | |
I just thought the whole thing was so ridiculous, | 0:53:48 | 0:53:51 | |
-it'd go away on its own. -And now? | 0:53:51 | 0:53:53 | |
And now you're in the papers. | 0:53:53 | 0:53:54 | |
Now you're getting attacked in the street. | 0:53:54 | 0:53:57 | |
This whole thing could be a way to get back at you. | 0:54:05 | 0:54:08 | |
I know. | 0:54:08 | 0:54:09 | |
She could have set out to trap me. | 0:54:09 | 0:54:11 | |
You need to calm down. Get some sleep. | 0:54:11 | 0:54:14 | |
Tomorrow we'll go to your lawyer, together, | 0:54:14 | 0:54:18 | |
and we'll tell her everything. | 0:54:18 | 0:54:20 | |
I'm not going to take any more chances, Jamie. | 0:54:23 | 0:54:26 | |
We are going to destroy her like the liar she is. | 0:54:26 | 0:54:30 | |
Hey, you! | 0:55:26 | 0:55:28 | |
-You forgot your cake. -Cheers, doll. | 0:55:28 | 0:55:31 | |
All part of the service. | 0:55:31 | 0:55:32 | |
I thought you'd never be ready. | 0:55:34 | 0:55:35 | |
I don't think I am. | 0:55:35 | 0:55:37 | |
Zinnie, you look great. We're going out. Now come on. | 0:55:37 | 0:55:42 | |
-Morning, guys. -Hiya. -Morning. | 0:55:43 | 0:55:46 | |
Do you think they seemed a bit weird? | 0:55:50 | 0:55:53 | |
Not at all. Let's go. | 0:55:53 | 0:55:56 | |
Here. | 0:56:10 | 0:56:12 | |
OK, then. Rottweiler time. | 0:56:17 | 0:56:20 | |
-Isn't Billy due back? -He was, aye. | 0:56:25 | 0:56:28 | |
Where is he, then? | 0:56:28 | 0:56:29 | |
Right now, checking in at Liverpool Airport for a flight to Spain. | 0:56:29 | 0:56:32 | |
Might there be a room going? | 0:56:32 | 0:56:34 | |
Who are you thinking of sending over? | 0:56:34 | 0:56:37 | |
A friend of mine from the hospital might be looking for a place. | 0:56:37 | 0:56:40 | |
We discussed a few different options. One of which was adoption. | 0:56:40 | 0:56:45 | |
-Nic? -Are you not at all curious as to how your husband makes his money? | 0:56:45 | 0:56:49 | |
I don't pry into his business. | 0:56:49 | 0:56:51 | |
You know more than you're letting on. Question is, how much? | 0:56:51 | 0:56:55 | |
It's important you find something to get into, and this could be it. | 0:56:55 | 0:57:00 | |
But it'd be three weeks away. | 0:57:00 | 0:57:02 | |
Which will give us both some thinking time. | 0:57:02 | 0:57:04 | |
And that's what we need? | 0:57:04 | 0:57:06 | |
Can't do any harm. | 0:57:06 | 0:57:08 |