Browse content similar to 11/02/2014. Check below for episodes and series from the same categories and more!
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All I'm doing here is sitting around here, | 0:00:22 | 0:00:23 | |
getting myself worked up, about what to say. | 0:00:23 | 0:00:25 | |
You're not going to be saying anything. | 0:00:25 | 0:00:28 | |
Actually I've been thinking about that. | 0:00:28 | 0:00:29 | |
Look, sometimes things can get confused in people's heads. | 0:00:29 | 0:00:32 | |
Not for me. I know exactly what happened. | 0:00:32 | 0:00:35 | |
Do you? | 0:00:35 | 0:00:37 | |
It won't just be the jury, who won't believe her. | 0:00:37 | 0:00:39 | |
I will have her doubting herself. | 0:00:39 | 0:00:41 | |
I know I'm doing the right thing. | 0:00:41 | 0:00:44 | |
Jamie has to pay for what he did. | 0:00:44 | 0:00:47 | |
OK, take a few seconds. | 0:01:11 | 0:01:15 | |
Where will I sit? | 0:01:18 | 0:01:21 | |
You'll give evidence from the witness box here, | 0:01:21 | 0:01:23 | |
and after that, you can sit with family and friends | 0:01:23 | 0:01:26 | |
in the public gallery, or stay in the witness room, it's up to you. | 0:01:26 | 0:01:30 | |
The judge will be up here, and the jury will be over here. | 0:01:30 | 0:01:34 | |
Defence and Prosecution either side of this table. | 0:01:34 | 0:01:37 | |
Where will he sit? | 0:01:39 | 0:01:41 | |
Here. | 0:01:43 | 0:01:44 | |
And you're sure you don't want to give evidence | 0:01:47 | 0:01:49 | |
from behind the screen? | 0:01:49 | 0:01:51 | |
No. I want to face him. | 0:01:51 | 0:01:54 | |
OK. Well, have a walk around, sit where you'll be and the like, | 0:01:54 | 0:02:00 | |
so it's not all brand-new when you come in. | 0:02:00 | 0:02:03 | |
Hey, how did it go? | 0:03:02 | 0:03:05 | |
I don't know. | 0:03:05 | 0:03:07 | |
Would you mind if I take a minute? | 0:03:07 | 0:03:09 | |
Yeah, of course. | 0:03:09 | 0:03:11 | |
Is she OK? | 0:03:15 | 0:03:17 | |
A bit shocked, I think. | 0:03:17 | 0:03:20 | |
I'm sure she'll be fine. | 0:03:20 | 0:03:22 | |
Yeah, I hope so. | 0:03:22 | 0:03:26 | |
KNOCK AT DOOR | 0:03:30 | 0:03:32 | |
How are you doing? | 0:03:38 | 0:03:40 | |
I'm nervous. | 0:03:40 | 0:03:41 | |
I got a few out, so you can have a look, | 0:04:12 | 0:04:15 | |
see what you think's best. | 0:04:15 | 0:04:17 | |
These are fine, where are the ties? | 0:04:17 | 0:04:20 | |
I'm not really a tie person, bit more casual, approachable. | 0:04:20 | 0:04:24 | |
This is not a casual situation, Jamie. | 0:04:24 | 0:04:26 | |
Six-to-eight years, Mr McAllister. | 0:04:26 | 0:04:30 | |
Right. Absolutely. Sorry. | 0:04:30 | 0:04:33 | |
Nothing too sombre, you don't want to look like you're going to your own funeral. | 0:04:33 | 0:04:36 | |
No funny shit - Homer Simpson and the like. | 0:04:36 | 0:04:39 | |
Give me some credit. | 0:04:39 | 0:04:41 | |
-Just remember, you've got to look respectable, sympathetic. -Cool. | 0:04:41 | 0:04:46 | |
He needs to look innocent. | 0:04:49 | 0:04:51 | |
He IS innocent. | 0:04:51 | 0:04:53 | |
He still wants to take the stand. | 0:04:53 | 0:04:54 | |
I'm not having this conversation. | 0:04:54 | 0:04:56 | |
The way he sees it, he's not getting any say. | 0:04:56 | 0:04:59 | |
I'm his say. His case is good. | 0:04:59 | 0:05:01 | |
The less he does, the better. So, talk him out of it. | 0:05:01 | 0:05:05 | |
Right, I brought a selection. | 0:05:05 | 0:05:09 | |
Right, that's that through with. Now you, take a seat. | 0:05:09 | 0:05:12 | |
-Sorry? -Final run-through. Just in case. | 0:05:12 | 0:05:16 | |
Tomorrow, | 0:05:28 | 0:05:30 | |
do you know exactly what his lawyers will say, about Zinnie, the family? | 0:05:30 | 0:05:36 | |
Well, their most likely tactic will be to try and discredit Zinnie. | 0:05:36 | 0:05:40 | |
Are you thinking about anything in particular? | 0:05:42 | 0:05:44 | |
No, no, it's just... | 0:05:45 | 0:05:48 | |
It's just that's all she cares about. | 0:05:48 | 0:05:50 | |
How the family will look, what people will think of them, | 0:05:50 | 0:05:53 | |
about me, how I'll make her look. | 0:05:53 | 0:05:55 | |
Zinnie, that's not true. | 0:05:55 | 0:05:57 | |
They won't judge me as badly as you have, that's for sure. | 0:05:57 | 0:06:01 | |
And so on top of her infatuation with you, | 0:06:04 | 0:06:06 | |
Pippa Ballantyne's statement leaves the jury under no illusion | 0:06:06 | 0:06:10 | |
that Zinnie Hassoun was a working girl, a prostitute. | 0:06:10 | 0:06:14 | |
Both are good for us. Prostitutes can't be raped. | 0:06:14 | 0:06:18 | |
That's the perception. | 0:06:20 | 0:06:21 | |
But Zinnie was an escort, not a prostitute. | 0:06:24 | 0:06:27 | |
Well, if the word "escort" makes you feel better, you call her an "escort". | 0:06:27 | 0:06:31 | |
There IS a difference. | 0:06:31 | 0:06:33 | |
To the general public? To the jury? They won't see the difference. | 0:06:33 | 0:06:38 | |
Tomorrow is about wrecking her and her accusations. | 0:06:39 | 0:06:43 | |
However, should we need to call you to the stand, | 0:06:44 | 0:06:48 | |
what is the purpose of your testimony? | 0:06:48 | 0:06:50 | |
To consolidate the impressions given by Pippa Ballantyne. | 0:06:50 | 0:06:53 | |
You will testify that...? | 0:06:53 | 0:06:55 | |
I understood the transaction would be for company, leading to sex. | 0:06:55 | 0:07:00 | |
Good. What followed on after that night? How was Miss Hassoun? | 0:07:00 | 0:07:05 | |
She began to pester me. | 0:07:05 | 0:07:08 | |
Do you need me here for this? | 0:07:08 | 0:07:10 | |
Why? | 0:07:10 | 0:07:13 | |
I could do with getting some fresh air. | 0:07:13 | 0:07:15 | |
Don't go far. | 0:07:15 | 0:07:16 | |
Right, keep going. | 0:07:18 | 0:07:19 | |
Zinnie's chances are good, aren't they? | 0:07:25 | 0:07:27 | |
We have strong evidence, but ultimately, it is up to a jury. | 0:07:27 | 0:07:32 | |
The conviction rate in Scotland isn't what we would like. | 0:07:32 | 0:07:35 | |
See, that's what I'm worried about, | 0:07:35 | 0:07:39 | |
not what the family will look like. | 0:07:39 | 0:07:41 | |
You said you thought it would be good to have a look | 0:07:43 | 0:07:46 | |
over your initial statement, the one you recorded on the second of January. | 0:07:46 | 0:07:52 | |
Yeah...is this it? | 0:07:52 | 0:07:55 | |
SHE SIGHS | 0:07:57 | 0:07:58 | |
I think you should read it with me. | 0:08:04 | 0:08:08 | |
What? | 0:08:08 | 0:08:10 | |
I think you should read it with me, | 0:08:15 | 0:08:17 | |
So we can remind ourselves what this is about. | 0:08:17 | 0:08:20 | |
It might help, even just being here for support. | 0:08:20 | 0:08:25 | |
OK, of course. | 0:08:26 | 0:08:28 | |
'I just remember he took my drink off me... | 0:08:41 | 0:08:46 | |
'it was in a mug, then we started kissing again. | 0:08:46 | 0:08:51 | |
'I could smell the bleach from the toilets, the stale beer.. | 0:08:51 | 0:08:57 | |
'I'd gone in there... I'd kissed him, fooled around. | 0:08:57 | 0:09:01 | |
'The first time I stopped him, I don't know, he was kind of cool. | 0:09:01 | 0:09:06 | |
'Then we sort of started up again. | 0:09:08 | 0:09:11 | |
'Why didn't I just go home? | 0:09:11 | 0:09:14 | |
'He was kissing my face, my neck... | 0:09:14 | 0:09:18 | |
'then he just took my wrist, held it really hard... | 0:09:18 | 0:09:25 | |
'He sort of pinned it back against the sofa... | 0:09:27 | 0:09:31 | |
'he got on top.' | 0:09:31 | 0:09:34 | |
SHE SIGHS | 0:09:34 | 0:09:36 | |
And I couldn't breathe. | 0:09:38 | 0:09:39 | |
I said, "No, don't..." But he just ...carried on. | 0:09:41 | 0:09:47 | |
I just froze. I didn't kick, I didn't scream. | 0:09:47 | 0:09:51 | |
I just stared at the wall... | 0:09:55 | 0:09:56 | |
waiting for him to finish. | 0:10:00 | 0:10:02 | |
SHE SIGHS | 0:10:03 | 0:10:06 | |
BELL RINGS | 0:10:21 | 0:10:24 | |
Feels like a good time to take a break. | 0:10:24 | 0:10:27 | |
I'll get the door. | 0:10:27 | 0:10:29 | |
-PC Shaw? -Hi. | 0:10:38 | 0:10:40 | |
How is she? | 0:10:40 | 0:10:41 | |
She's been better. Come on in. | 0:10:41 | 0:10:45 | |
Miss Hassoun, Mrs Brodie, good afternoon. | 0:10:57 | 0:11:01 | |
They've just been reading Zinnie's witness statement. | 0:11:01 | 0:11:04 | |
As hard as it can be, it is good | 0:11:06 | 0:11:08 | |
to revisit your statement, clarify what was said. | 0:11:08 | 0:11:11 | |
Right, I need to leave and let you and the advocate get on. | 0:11:17 | 0:11:21 | |
I'll be there to meet you tomorrow when you arrive. | 0:11:21 | 0:11:25 | |
I'll let myself out. | 0:11:31 | 0:11:33 | |
And after it became apparent that she wouldn't accept the money | 0:11:39 | 0:11:42 | |
to avoid going to court, I walked away, | 0:11:42 | 0:11:45 | |
and that's the last time I saw Miss Hassoun until today. | 0:11:45 | 0:11:47 | |
So, Mr McAllister, is that everything? | 0:11:47 | 0:11:50 | |
Everything. | 0:11:51 | 0:11:52 | |
She's a working girl, becomes infatuated with a client, | 0:11:52 | 0:11:56 | |
is warned away, goes after his brother, who doesn't pay. | 0:11:56 | 0:11:58 | |
She is enraged, claims rape. | 0:11:58 | 0:12:01 | |
You try to pay her, but she rejects it, | 0:12:01 | 0:12:03 | |
expecting a higher offer to follow, but it doesn't. | 0:12:03 | 0:12:06 | |
Her accusations stem from being rebuffed. | 0:12:06 | 0:12:09 | |
I've a good feeling about our chances. | 0:12:13 | 0:12:15 | |
I hope you're right. | 0:12:15 | 0:12:17 | |
One further thing, Miss Hassoun - in all likelihood, | 0:12:26 | 0:12:29 | |
they will somehow imply that you are or have been a prostitute. | 0:12:29 | 0:12:34 | |
I am NOT a prostitute, I've never been a prostitute, | 0:12:34 | 0:12:37 | |
I couldn't ever do that. | 0:12:37 | 0:12:40 | |
You're supposed to be on our side. | 0:12:40 | 0:12:42 | |
I'm only making you aware. | 0:12:42 | 0:12:44 | |
SHE SIGHS | 0:12:44 | 0:12:46 | |
You can't react like that, not to anything. | 0:12:46 | 0:12:49 | |
Escort, prostitute - the Defence will say it's all the same to the jury. | 0:12:49 | 0:12:56 | |
Well, I'm not. I wanted to sleep with Alex. | 0:12:56 | 0:13:02 | |
I didn't realise he was going to pay. | 0:13:02 | 0:13:06 | |
Good, nice and calm. It's good you didn't know, believe me. | 0:13:06 | 0:13:11 | |
Is there anything specific you'd like to ask? | 0:13:13 | 0:13:16 | |
I just want it to be over. | 0:13:19 | 0:13:21 | |
That's understandable. You will be pulled each and every way in court. | 0:13:21 | 0:13:26 | |
Keep calm and stay focused. | 0:13:26 | 0:13:29 | |
We are as prepared as we can be. | 0:13:29 | 0:13:32 | |
PC Shaw will meet you at the court when you arrive, | 0:13:36 | 0:13:39 | |
show you what to do. | 0:13:39 | 0:13:40 | |
DOOR SHUTS | 0:13:48 | 0:13:49 | |
Are you OK? | 0:13:52 | 0:13:53 | |
Zinnie... | 0:14:01 | 0:14:02 | |
SHE SIGHS | 0:14:02 | 0:14:04 | |
DOOR SHUTS | 0:14:29 | 0:14:30 | |
Hey. | 0:14:32 | 0:14:33 | |
Hi. | 0:14:33 | 0:14:35 | |
I thought you were looking after Grace tomorrow. | 0:14:37 | 0:14:39 | |
I practise. | 0:14:39 | 0:14:42 | |
Look, she's dead-beat. | 0:14:42 | 0:14:44 | |
I'm going to take wee Grace for a walk, let her get to her bed. | 0:14:44 | 0:14:47 | |
It's a big day for her tomorrow. | 0:14:47 | 0:14:49 | |
That's good of you. | 0:14:49 | 0:14:50 | |
Tough day? | 0:14:50 | 0:14:52 | |
Uh-huh. Zinnie's liaison officer and advocate were here, just left. | 0:14:54 | 0:14:59 | |
How is she? | 0:14:59 | 0:15:00 | |
Pretty scared. | 0:15:00 | 0:15:02 | |
KNOCK AT DOOR | 0:15:04 | 0:15:05 | |
Yeah? | 0:15:05 | 0:15:07 | |
Hey, how you doing? | 0:15:09 | 0:15:11 | |
I don't know. | 0:15:11 | 0:15:12 | |
Can I sit? | 0:15:12 | 0:15:14 | |
HE SIGHS | 0:15:16 | 0:15:17 | |
Second thoughts? | 0:15:18 | 0:15:20 | |
Third, fourth, fifth. All reasons not to do it. | 0:15:21 | 0:15:25 | |
See the thing is, you deserve the justice. | 0:15:27 | 0:15:31 | |
Listen, you cannot let being scared get in your way. | 0:15:31 | 0:15:35 | |
Think about it, you'd never forgive yourself if you let him walk, | 0:15:36 | 0:15:40 | |
would you? | 0:15:40 | 0:15:42 | |
No. | 0:15:42 | 0:15:44 | |
Well, that's what you need to focus on. Right? | 0:15:44 | 0:15:47 | |
HE SIGHS | 0:15:52 | 0:15:53 | |
OK, fancy coming a walk with me and Grace? | 0:15:53 | 0:15:57 | |
No, I think I'm going to stay here, | 0:15:58 | 0:16:00 | |
just to get my head in the right place. | 0:16:00 | 0:16:02 | |
OK. If you need me, you call me, all right? | 0:16:02 | 0:16:08 | |
OK. | 0:16:08 | 0:16:09 | |
How is she? | 0:16:20 | 0:16:22 | |
Getting there, I think. She knows it's going to be heavy-duty. | 0:16:22 | 0:16:26 | |
You look frazzled. Not fancy some fresh air? | 0:16:27 | 0:16:31 | |
Might do you good. | 0:16:31 | 0:16:33 | |
You know what, I think I will. | 0:16:33 | 0:16:35 | |
Feels like I've been inside all day. Will she need a feed? | 0:16:35 | 0:16:38 | |
Yeah, there's one in the change bag. | 0:16:38 | 0:16:40 | |
Right, come on, grab your coat, you have pulled. | 0:16:40 | 0:16:43 | |
You, get to bed. | 0:16:43 | 0:16:45 | |
-We'll keep this one out as long as we can. All right? -Thanks, guys. | 0:16:45 | 0:16:49 | |
Come on. | 0:16:49 | 0:16:50 | |
-Hey. -Hey. | 0:16:57 | 0:17:00 | |
Can I get you anything? | 0:17:00 | 0:17:02 | |
No, thanks. Are you OK? | 0:17:02 | 0:17:05 | |
Yeah, tired, mostly. You? | 0:17:08 | 0:17:12 | |
Not really. | 0:17:14 | 0:17:16 | |
Let's get up there, eh? | 0:17:34 | 0:17:36 | |
It suits you. | 0:17:36 | 0:17:39 | |
You reckon? | 0:17:39 | 0:17:40 | |
Yeah. | 0:17:40 | 0:17:42 | |
Well, maybe I should just concentrate on being a good uncle for now. | 0:17:42 | 0:17:45 | |
You're doing fine. | 0:17:45 | 0:17:47 | |
It's me that needs to start being more supportive. | 0:17:50 | 0:17:53 | |
What's happened? | 0:17:53 | 0:17:55 | |
I read Zinnie's statement with her this morning. | 0:17:57 | 0:18:02 | |
Didn't feel that she was lying. | 0:18:02 | 0:18:05 | |
I know she wasn't. | 0:18:05 | 0:18:07 | |
Gabriel, this whole...escorting thing really shook me up. | 0:18:07 | 0:18:14 | |
I've been so used to her lying, we all have, | 0:18:14 | 0:18:16 | |
even going back to saying that Michael came on to her. | 0:18:16 | 0:18:20 | |
God, she used to be such a...fantasist. | 0:18:20 | 0:18:26 | |
Everything's going to come out, be twisted around. | 0:18:26 | 0:18:30 | |
Listen, what Zinnie's doing is really brave. | 0:18:33 | 0:18:36 | |
You should be admiring her, you shouldn't be doubting her. | 0:18:36 | 0:18:40 | |
She's going to need all the support she can get, believe me. | 0:18:40 | 0:18:44 | |
Like she said, keep calm and centred. | 0:19:30 | 0:19:34 | |
It's just knowing that they've got my life in their hands. | 0:19:34 | 0:19:39 | |
Yours is in Galbraith's hands. | 0:19:39 | 0:19:42 | |
Remember, no reactions at all, just let her do her job. | 0:19:42 | 0:19:46 | |
I will, don't worry. | 0:19:46 | 0:19:50 | |
There, let's go. | 0:19:50 | 0:19:51 | |
Listen, you don't need to come. | 0:19:51 | 0:19:53 | |
I do. | 0:19:53 | 0:19:55 | |
-You can't come in, though. -I can't sit in the house waiting. | 0:19:55 | 0:19:58 | |
I want to be there. | 0:19:58 | 0:20:00 | |
Besides, I can make phone calls. | 0:20:00 | 0:20:02 | |
I'll keep myself busy, don't you worry. | 0:20:02 | 0:20:04 | |
Right, well, if you're sure. | 0:20:04 | 0:20:07 | |
I am. | 0:20:07 | 0:20:09 | |
We better go in. | 0:20:24 | 0:20:26 | |
Good luck. | 0:20:32 | 0:20:34 | |
HE SIGHS | 0:20:38 | 0:20:39 | |
Court! | 0:21:34 | 0:21:36 | |
Please be seated. | 0:21:45 | 0:21:46 | |
Call the diet, Her Majesty's Advocate against James McAllister. | 0:21:49 | 0:21:53 | |
The accused, James McAllister, maintains a plea of not guilty. | 0:21:53 | 0:21:59 | |
The special defence submitted is that the act of sexual | 0:21:59 | 0:22:02 | |
intercourse was consensual. | 0:22:02 | 0:22:04 | |
Karen Millar, Helen McIntyre, Paul Hamilton, Caroline Porter, | 0:22:09 | 0:22:15 | |
Frederick Eams, Liam Baxter, Sandra Good and George McCreadie. | 0:22:15 | 0:22:22 | |
Thank you. | 0:22:22 | 0:22:24 | |
My Lord, I call Crime Witness Number One, Farah Hassoun. | 0:22:24 | 0:22:29 | |
I swear by Almighty God, that I will tell the truth, | 0:22:36 | 0:22:41 | |
the whole truth, and nothing but the truth. | 0:22:41 | 0:22:44 | |
Then he grabbed my wrist, really hard...pinned me to the sofa. | 0:22:51 | 0:22:59 | |
I said, "No, don't," but... | 0:23:01 | 0:23:05 | |
..he'd changed. He carried on, and... | 0:23:07 | 0:23:11 | |
I just froze, stopped fighting, | 0:23:15 | 0:23:18 | |
I stared at the wall. | 0:23:18 | 0:23:20 | |
He had overpowered you? | 0:23:20 | 0:23:23 | |
It was too late. | 0:23:25 | 0:23:27 | |
In what way, Miss Hassoun? | 0:23:27 | 0:23:29 | |
He, erm... | 0:23:31 | 0:23:34 | |
You had been penetrated against your will? | 0:23:34 | 0:23:36 | |
Yes. | 0:23:38 | 0:23:39 | |
And how would the accused know, that it was against your will? | 0:23:40 | 0:23:43 | |
Because I said no. | 0:23:43 | 0:23:45 | |
You said no? | 0:23:45 | 0:23:47 | |
More than once? | 0:23:47 | 0:23:49 | |
Yes. | 0:23:49 | 0:23:52 | |
You're in no doubt about this? | 0:23:53 | 0:23:55 | |
None. | 0:23:55 | 0:23:57 | |
You believe you were raped? | 0:23:57 | 0:24:00 | |
I KNOW I was raped. | 0:24:01 | 0:24:04 | |
You were raped by this man, the accused, James McAllister? | 0:24:06 | 0:24:11 | |
Thank you, Miss Hassoun. | 0:24:23 | 0:24:25 | |
One thing, Miss Hassoun, why are you on Miss Ballantyne's books? | 0:24:26 | 0:24:30 | |
I'm not. | 0:24:30 | 0:24:31 | |
Really? | 0:24:31 | 0:24:33 | |
It is after all how you came to meet | 0:24:33 | 0:24:35 | |
and sleep with the accused's brother, Alexander McAllister? | 0:24:35 | 0:24:38 | |
Pippa introduced us. | 0:24:38 | 0:24:40 | |
Pippa Ballantyne, who runs the agency? | 0:24:40 | 0:24:42 | |
-Yes. -For sex? | 0:24:42 | 0:24:43 | |
No, I was company. Pippa approached me. I needed the money. | 0:24:43 | 0:24:49 | |
I thought it was easy money, | 0:24:49 | 0:24:52 | |
£300 to have dinner with a guy. | 0:24:52 | 0:24:55 | |
It was made clear that I didn't have to have sex with the clients. | 0:24:57 | 0:25:00 | |
And did you get along? | 0:25:00 | 0:25:02 | |
Yes. | 0:25:04 | 0:25:05 | |
He was nice. I was flattered. | 0:25:06 | 0:25:10 | |
And you had sex? | 0:25:10 | 0:25:11 | |
Yes. I liked him. | 0:25:11 | 0:25:15 | |
And you were paid? | 0:25:15 | 0:25:18 | |
When I realised I was being paid, I resigned immediately, | 0:25:18 | 0:25:23 | |
I was horrified. | 0:25:24 | 0:25:26 | |
Pippa told me I was being naive. | 0:25:26 | 0:25:28 | |
But you took this money? | 0:25:28 | 0:25:30 | |
I wanted to help out at home. | 0:25:31 | 0:25:34 | |
Laudable, but do you see how it looks? | 0:25:34 | 0:25:37 | |
Yes, but...I wasn't...I didn't want to be paid. | 0:25:38 | 0:25:45 | |
Thank you, Miss Hassoun. | 0:25:48 | 0:25:51 | |
No more questions, my Lord. | 0:25:52 | 0:25:54 | |
Miss Hassoun, can you confirm for the court that you are | 0:26:03 | 0:26:08 | |
no longer working as a prostitute? | 0:26:08 | 0:26:10 | |
-Objection. -Sustained. | 0:26:10 | 0:26:13 | |
You had sex with Alexander McAllister, Mr McAllister | 0:26:14 | 0:26:18 | |
paid for the sex, and you accepted the money? | 0:26:18 | 0:26:22 | |
Yes. | 0:26:22 | 0:26:23 | |
-Sounds like prostitution. -It wasn't. | 0:26:23 | 0:26:26 | |
Your parents are wealthy, true? | 0:26:26 | 0:26:28 | |
Have they disowned you? | 0:26:28 | 0:26:30 | |
Would it be fair to say that you have been lavished with gifts, | 0:26:30 | 0:26:33 | |
spoiled, even? | 0:26:33 | 0:26:35 | |
Some people might say I was. | 0:26:35 | 0:26:37 | |
In fact, your parents gave you funds to attend Glasgow University. | 0:26:37 | 0:26:41 | |
Funds you frittered away, having dropped out of university. | 0:26:41 | 0:26:44 | |
Ms Galbraith, we are going somewhere with this line of questioning? | 0:26:44 | 0:26:50 | |
Yes, my Lord, almost there. | 0:26:50 | 0:26:52 | |
You have since eked out a living, going from part-time job to part-time job, | 0:26:52 | 0:26:56 | |
reduced to lodging with the Brodies. | 0:26:56 | 0:26:59 | |
That must grate. | 0:26:59 | 0:27:01 | |
An indulged only child, who thinks the world revolves around you | 0:27:01 | 0:27:04 | |
and you're used to easy money. | 0:27:04 | 0:27:07 | |
You must have thought your prayers answered when Miss Ballantyne proposed escort life. | 0:27:07 | 0:27:10 | |
No. | 0:27:10 | 0:27:12 | |
I believe you felt entitled to Mr McAllister's flattery and money. | 0:27:12 | 0:27:16 | |
So much so, that when James McAllister did not pay you | 0:27:16 | 0:27:19 | |
anything at all, let alone £1,000, | 0:27:19 | 0:27:21 | |
you felt rebuffed. You accused him of rape to exact revenge, | 0:27:21 | 0:27:25 | |
to extort money, in exchange for his reputation. | 0:27:25 | 0:27:28 | |
-That's ridiculous! -Why else make the allegation? | 0:27:28 | 0:27:31 | |
-Because it's true! -But it isn't. | 0:27:31 | 0:27:32 | |
You had rough sex with James McAllister | 0:27:32 | 0:27:35 | |
because you thought that was what he wanted and what he'd pay for. | 0:27:35 | 0:27:40 | |
It wasn't sex. | 0:27:43 | 0:27:45 | |
Oh. Like it wasn't prostitution(?) | 0:27:45 | 0:27:48 | |
No more questions, my Lord. | 0:27:49 | 0:27:51 | |
Thank you, Miss Hassoun, you may step down now. | 0:27:58 | 0:28:02 | |
My Lord, the Prosecution requests a short recess. | 0:28:02 | 0:28:05 | |
HE SIGHS | 0:28:11 | 0:28:12 | |
DOOR OPENS | 0:28:18 | 0:28:19 | |
DOOR CLOSES | 0:28:21 | 0:28:23 | |
DOOR OPENS | 0:28:33 | 0:28:34 | |
I can't do this. | 0:28:37 | 0:28:38 | |
You already have. You did well. | 0:28:38 | 0:28:40 | |
That was not easy. | 0:28:40 | 0:28:41 | |
See? I told you. | 0:28:41 | 0:28:43 | |
What do you know? | 0:28:43 | 0:28:44 | |
You heard what she said. | 0:28:44 | 0:28:46 | |
You saw how she made me look. | 0:28:46 | 0:28:47 | |
I did. You're used to money, so you must be a prostitute. | 0:28:47 | 0:28:50 | |
It's ridiculous. | 0:28:50 | 0:28:52 | |
It's a well-worn strategy. | 0:28:52 | 0:28:54 | |
Poor little rich girl. | 0:28:54 | 0:28:56 | |
It won't work. | 0:28:56 | 0:28:57 | |
She wants the jury to envy you, therefore dislike you, | 0:28:57 | 0:29:00 | |
inclining them to disbelieve. | 0:29:00 | 0:29:01 | |
It's desperation. | 0:29:01 | 0:29:03 | |
It's too much. | 0:29:04 | 0:29:05 | |
Take your time. | 0:29:05 | 0:29:06 | |
We've got ten minutes before we have to go back. | 0:29:06 | 0:29:09 | |
You can join the public gallery when you're ready. | 0:29:09 | 0:29:12 | |
You're not just telling her what she wants to hear? | 0:29:16 | 0:29:19 | |
I wouldn't. | 0:29:19 | 0:29:20 | |
DOOR OPENS | 0:29:24 | 0:29:26 | |
SHE SIGHS | 0:29:33 | 0:29:34 | |
SHE GASPS FOR BREATH | 0:30:00 | 0:30:04 | |
HE SIGHS | 0:30:14 | 0:30:16 | |
She had bruising to the wrists and some internal bruising. | 0:30:17 | 0:30:22 | |
Although she had showered, | 0:30:22 | 0:30:23 | |
DNA evidence was obtained from Miss Hassoun and her underwear. | 0:30:23 | 0:30:27 | |
The bruising indicates force, wouldn't you say? | 0:30:29 | 0:30:33 | |
That would be my conclusion. | 0:30:33 | 0:30:36 | |
Thank you, Doctor. | 0:30:36 | 0:30:37 | |
Hogmanay - they were still buzzing from a busy night, | 0:30:43 | 0:30:47 | |
everything's heightened. | 0:30:47 | 0:30:49 | |
Miss Hassoun could have gone home, | 0:30:49 | 0:30:50 | |
yet she consented to stay, consented to have a drink with her boss, | 0:30:50 | 0:30:55 | |
consented to go into the office with him, | 0:30:55 | 0:30:57 | |
consented to intercourse with him. | 0:30:57 | 0:31:00 | |
Objection, my Lord. There was no consent. | 0:31:00 | 0:31:02 | |
Sustained. | 0:31:02 | 0:31:03 | |
Ms Galbraith, are we going somewhere? | 0:31:03 | 0:31:07 | |
A question, for instance? | 0:31:07 | 0:31:08 | |
These bruises could equally have come from consensual force, couldn't they? | 0:31:10 | 0:31:15 | |
That would not be my conclusion, no. | 0:31:15 | 0:31:17 | |
But you grant it is possible? | 0:31:17 | 0:31:19 | |
-Possible. -Possible. | 0:31:24 | 0:31:25 | |
Good. Possible. | 0:31:25 | 0:31:27 | |
She had choice after choice after choice. | 0:31:27 | 0:31:31 | |
Nothing was forced. | 0:31:31 | 0:31:32 | |
These pictures do not prove otherwise. | 0:31:33 | 0:31:36 | |
Miss Brodie, you were the first person to see Miss Hassoun | 0:31:57 | 0:32:00 | |
when she came back from Hogmanay, am I right? | 0:32:00 | 0:32:02 | |
Yeah. I was up with my wee girl, Grace. | 0:32:02 | 0:32:05 | |
She was in a positive frame of mind when she left? | 0:32:05 | 0:32:08 | |
Yeah, very. | 0:32:08 | 0:32:09 | |
And when you saw her that morning? | 0:32:09 | 0:32:12 | |
Not at all, not even close. | 0:32:12 | 0:32:15 | |
She was, stiff, rigid, like really, really tense. | 0:32:15 | 0:32:20 | |
Sorry, I'm not describing that very well. | 0:32:20 | 0:32:23 | |
You're doing fine. Please continue. | 0:32:23 | 0:32:25 | |
I went in to ask Zinnie if she'd had a good night, | 0:32:27 | 0:32:30 | |
and she said no. | 0:32:30 | 0:32:32 | |
She wouldn't tell me why, but... | 0:32:32 | 0:32:34 | |
..she was... | 0:32:35 | 0:32:37 | |
She wasn't right. | 0:32:37 | 0:32:38 | |
Eventually, she said it was to do with Jamie. | 0:32:39 | 0:32:42 | |
She called the Sexual Assault Referral Centre, | 0:32:44 | 0:32:48 | |
and we convinced Zinnie to go there and then to the police, | 0:32:48 | 0:32:52 | |
and, well, you know the rest. | 0:32:52 | 0:32:54 | |
Thank you, Miss Brodie. | 0:32:54 | 0:32:56 | |
Grace was three and a half months old on Hogmanay. Is that right? | 0:33:07 | 0:33:12 | |
Yeah. | 0:33:12 | 0:33:13 | |
A single mum, feeding through the night, tired... | 0:33:13 | 0:33:17 | |
tipsy. | 0:33:17 | 0:33:19 | |
Could you really judge Miss Hassoun's condition that morning? | 0:33:19 | 0:33:23 | |
I wasn't drunk. | 0:33:23 | 0:33:24 | |
Oh, I didn't suggest that. | 0:33:24 | 0:33:25 | |
But you do like a drink? | 0:33:25 | 0:33:27 | |
So much so that, on the 23rd of December, you judged it fit | 0:33:27 | 0:33:31 | |
to leave Grace alone while you went out drinking with Miss Hassoun. | 0:33:31 | 0:33:35 | |
For which you received a police caution for... | 0:33:35 | 0:33:38 | |
endangering the life of a child. | 0:33:38 | 0:33:41 | |
Oh, Ms Galbraith. Really? | 0:33:41 | 0:33:43 | |
Withdrawn, my Lord. | 0:33:44 | 0:33:46 | |
Miss Brodie, I put it to you | 0:33:46 | 0:33:48 | |
that you are a poor judge of character and situation. | 0:33:48 | 0:33:51 | |
This isn't about me. | 0:33:51 | 0:33:52 | |
No, it's about your judgement, Miss Brodie. | 0:33:52 | 0:33:55 | |
You will agree that you showed poor judgement, | 0:33:55 | 0:33:58 | |
leaving Grace to fend for herself at three and a half months? | 0:33:58 | 0:34:01 | |
-Yes. -With such poor judgement, can you be a reliable character witness? | 0:34:03 | 0:34:09 | |
I know what I saw. | 0:34:09 | 0:34:11 | |
Zinnie was...damaged. | 0:34:11 | 0:34:13 | |
In your judgement? | 0:34:13 | 0:34:14 | |
Yes. | 0:34:14 | 0:34:16 | |
Which was hopelessly flawed in the most serious of circumstances, | 0:34:16 | 0:34:20 | |
when a child's life was at risk, | 0:34:20 | 0:34:23 | |
let alone a young man's liberty. | 0:34:23 | 0:34:25 | |
DOOR OPENS | 0:34:39 | 0:34:40 | |
You all did really well today. | 0:34:41 | 0:34:43 | |
Didn't feel like it. | 0:34:43 | 0:34:44 | |
As emotional as you were, | 0:34:44 | 0:34:45 | |
you did not allow her to bully you into anything. | 0:34:45 | 0:34:48 | |
Everyone thinks I'm a prostitute. | 0:34:48 | 0:34:49 | |
Zinnie, you were strong in there. I'm really proud of you. | 0:34:49 | 0:34:53 | |
And you as well, Miss Brodie. | 0:34:53 | 0:34:54 | |
Me? I was rubbish. | 0:34:54 | 0:34:56 | |
No, you were honest and brave. | 0:34:56 | 0:34:58 | |
She tore me apart, made me look stupid. | 0:34:58 | 0:35:01 | |
Not so. Contrary to what she was trying to achieve, | 0:35:01 | 0:35:03 | |
I think she made you look like you were telling the truth. | 0:35:03 | 0:35:05 | |
Oh, really? The alcoholic child abuser? | 0:35:05 | 0:35:08 | |
We all make foolish decisions. Some of us get caught. | 0:35:08 | 0:35:12 | |
I'll see you in the morning. | 0:35:13 | 0:35:14 | |
I couldn't have done what you did in there today. | 0:35:17 | 0:35:21 | |
I didn't have much choice. | 0:35:21 | 0:35:22 | |
I want to go home. | 0:35:24 | 0:35:25 | |
Good idea. | 0:35:25 | 0:35:26 | |
The cadets I have are next to useless! Excuse me. | 0:35:31 | 0:35:34 | |
Annabelle. | 0:35:34 | 0:35:35 | |
So? Where do you think we stand? | 0:35:35 | 0:35:37 | |
I'm cautiously optimistic. | 0:35:37 | 0:35:38 | |
Galbraith did a pretty good job of making them seem unreliable. | 0:35:38 | 0:35:41 | |
Ach, we'll see. | 0:35:41 | 0:35:43 | |
A wee dig here and there at what is plainly solid evidence. | 0:35:43 | 0:35:45 | |
-She's got nothing of substance. -You think the jury will see that? | 0:35:45 | 0:35:48 | |
I'll bring it to their attention. And the photographs, the statement and the SARC report. | 0:35:48 | 0:35:53 | |
Do you think Zinnie did enough to convince them? | 0:35:53 | 0:35:55 | |
Thanks. | 0:35:56 | 0:35:58 | |
-It went OK, didn't it? -It went OK. | 0:36:08 | 0:36:10 | |
Miss Hassoun did well. | 0:36:10 | 0:36:12 | |
But so much of what she said has been undermined. | 0:36:12 | 0:36:14 | |
That's our strategy. Reasonable doubt is all we need. | 0:36:14 | 0:36:18 | |
You look concerned. | 0:36:19 | 0:36:21 | |
You thought she was convincing? | 0:36:21 | 0:36:23 | |
Yes. And you've got to be just as convincing | 0:36:23 | 0:36:25 | |
when you're up there tomorrow. | 0:36:25 | 0:36:27 | |
Were you aggressive in your questioning of her? | 0:36:27 | 0:36:29 | |
I had to be - her performance was good, things were going her way. | 0:36:29 | 0:36:33 | |
Might that not push a jury to pity her? | 0:36:33 | 0:36:36 | |
They'll all know somebody just like Jamie - | 0:36:36 | 0:36:38 | |
their brother, their partner, their friend. | 0:36:38 | 0:36:41 | |
If he's a rapist, then the person they know who's just like him could be one. | 0:36:41 | 0:36:45 | |
That notion scares them, so they dismiss it to protect themselves. | 0:36:45 | 0:36:48 | |
-Therefore... -..it must be the girl's fault. | 0:36:48 | 0:36:51 | |
Jamie said half the jury are women. | 0:36:52 | 0:36:54 | |
-Should we be concerned about that? -No. | 0:36:54 | 0:36:56 | |
It often goes in favour of the accused. | 0:36:56 | 0:37:00 | |
Miss Hassoun is a prostitute. | 0:37:00 | 0:37:02 | |
Now go home, don't drink and get a good night's sleep. | 0:37:02 | 0:37:06 | |
I need you on top form in the morning. | 0:37:06 | 0:37:08 | |
-Hey. -Hey. | 0:37:17 | 0:37:19 | |
So how did it go? | 0:37:21 | 0:37:23 | |
Well, the advocate seemed happy. | 0:37:23 | 0:37:26 | |
Don't know why. | 0:37:26 | 0:37:27 | |
She told us why. | 0:37:27 | 0:37:28 | |
And you believed her? | 0:37:28 | 0:37:30 | |
Well, you're just going to have to. | 0:37:30 | 0:37:32 | |
She'll know what she's talking about, right? | 0:37:32 | 0:37:35 | |
Mm. So will Jamie's lawyer. | 0:37:35 | 0:37:37 | |
Somebody's got to lose. | 0:37:38 | 0:37:40 | |
Can we try and be a bit more positive, please? | 0:37:40 | 0:37:43 | |
Right, I'm going to have a shower. | 0:37:45 | 0:37:47 | |
So how bad was it? | 0:37:50 | 0:37:52 | |
Harrowing. | 0:37:53 | 0:37:55 | |
I don't know how she did it. | 0:37:55 | 0:37:57 | |
How can they do that to someone that's been raped? | 0:37:57 | 0:38:00 | |
And how did Zinnie cope on the stand? | 0:38:00 | 0:38:03 | |
She dealt with everything they threw at her. | 0:38:03 | 0:38:06 | |
A pity I let her down. | 0:38:06 | 0:38:07 | |
Nic, you know that's not true. | 0:38:07 | 0:38:09 | |
Yes, it is. | 0:38:09 | 0:38:10 | |
Making a habit of it, amn't I, letting people down. | 0:38:10 | 0:38:13 | |
How was Grace? | 0:38:15 | 0:38:16 | |
Great. She's a wee cracker. I loved it. | 0:38:16 | 0:38:19 | |
Yeah, well, that's cos she knows | 0:38:19 | 0:38:21 | |
you're not her alcoholic single mum with bad judgement. | 0:38:21 | 0:38:24 | |
Ah-ah-ah! | 0:38:36 | 0:38:37 | |
I thought she said no drinking. | 0:38:38 | 0:38:40 | |
Aye, she did. | 0:38:40 | 0:38:42 | |
ALEX CLEARS HIS THROAT | 0:39:00 | 0:39:02 | |
What's wrong? You're like a black cloud. | 0:39:02 | 0:39:05 | |
I'm just tired. Takes it out you. | 0:39:05 | 0:39:07 | |
JAMIE SCOFFS | 0:39:07 | 0:39:09 | |
You weren't even watching. | 0:39:11 | 0:39:13 | |
Try being the accused. | 0:39:13 | 0:39:15 | |
JAMIE SIGHS | 0:39:18 | 0:39:20 | |
Cheers. | 0:39:20 | 0:39:21 | |
Cheers. | 0:39:21 | 0:39:23 | |
Why do you think she's doing it? | 0:39:26 | 0:39:28 | |
-What? -Putting herself through it. | 0:39:29 | 0:39:32 | |
Like you said - | 0:39:32 | 0:39:34 | |
putting herself up there for Galbraith to rip her apart. | 0:39:34 | 0:39:37 | |
You tell me. | 0:39:37 | 0:39:38 | |
How would I know? | 0:39:38 | 0:39:39 | |
You've got as much chance as me knowing, we both had a shot. | 0:39:39 | 0:39:44 | |
Oh, sorry, yours was a business transaction, | 0:39:45 | 0:39:48 | |
all above board. | 0:39:48 | 0:39:49 | |
Yeah, you paid for your shot. Well done(!) | 0:39:49 | 0:39:52 | |
I was asking, that's all. | 0:39:52 | 0:39:54 | |
I couldn't tell you, honestly. | 0:39:55 | 0:39:57 | |
Fine. | 0:39:57 | 0:39:58 | |
She wasn't even convincing. | 0:40:03 | 0:40:05 | |
Galbraith seems to think she was. | 0:40:06 | 0:40:08 | |
Zinnie's just mixed up. | 0:40:09 | 0:40:11 | |
She knew what it was. I mean, they always do. | 0:40:11 | 0:40:14 | |
-HE CHUCKLES -Very enlightened(!) | 0:40:14 | 0:40:17 | |
Seriously, is it any wonder you're single? | 0:40:17 | 0:40:19 | |
I'm on my own because that's the way I like it. | 0:40:19 | 0:40:23 | |
Aye, well, you're answering for this one. | 0:40:23 | 0:40:25 | |
Are YOU giving ME advice about women? | 0:40:29 | 0:40:32 | |
You, the sad-sack divorcee holding a torch for his one true love | 0:40:34 | 0:40:38 | |
while he's shagging escorts? | 0:40:38 | 0:40:41 | |
You're just as bad as me. | 0:40:41 | 0:40:43 | |
THAT was out of order. | 0:40:43 | 0:40:45 | |
Oh, listen to yourself, Alex, sitting on your high horse. | 0:40:45 | 0:40:48 | |
OK? | 0:40:51 | 0:40:52 | |
Look, I'm sorry. But just don't lecture me. | 0:40:54 | 0:40:58 | |
I...am taking the stand tomorrow... | 0:40:58 | 0:41:01 | |
..and ruining my reputation to try to keep YOU out of jail. | 0:41:02 | 0:41:07 | |
That entitles me to say what I think. | 0:41:09 | 0:41:11 | |
KNOCK ON DOOR | 0:41:15 | 0:41:16 | |
-Hey. -Hey. | 0:41:20 | 0:41:22 | |
Nic's making some tea. Do you want one? | 0:41:22 | 0:41:26 | |
Er, no, I'm going to go to bed in a minute. | 0:41:26 | 0:41:28 | |
Zinnie... | 0:41:31 | 0:41:32 | |
..I'm sorry. | 0:41:35 | 0:41:36 | |
I'm sorry I ever doubted you. | 0:41:38 | 0:41:40 | |
I feel ashamed. | 0:41:42 | 0:41:44 | |
I feel like I've made things so much harder for you when... | 0:41:47 | 0:41:51 | |
when I should have just been a support. | 0:41:51 | 0:41:53 | |
OK. | 0:41:54 | 0:41:55 | |
Night. | 0:41:56 | 0:41:58 | |
Nothing for Zinnie. | 0:42:09 | 0:42:11 | |
HE SIGHS | 0:42:12 | 0:42:13 | |
She all right? | 0:42:13 | 0:42:14 | |
Er, yeah. She's just going to go to bed. | 0:42:14 | 0:42:17 | |
I'm not surprised. | 0:42:17 | 0:42:19 | |
Give me it here, I'll feed her. | 0:42:20 | 0:42:22 | |
Thanks. | 0:42:24 | 0:42:25 | |
Gabe, do you think could babysit Grace again tomorrow? | 0:42:26 | 0:42:30 | |
Is Grace not gonnae miss her mum? | 0:42:30 | 0:42:32 | |
It's just one more day. | 0:42:32 | 0:42:33 | |
All right, then. I suppose. | 0:42:33 | 0:42:35 | |
Thanks. | 0:42:35 | 0:42:37 | |
I'm going to put my jammies on. | 0:42:37 | 0:42:38 | |
See, if this Galbraith's set her back again... | 0:42:40 | 0:42:44 | |
Give her time. It wasn't easy for her today. | 0:42:44 | 0:42:46 | |
Let's hope that she can get over it, eh? | 0:42:47 | 0:42:50 | |
Cos this one here, she's gonnae need her. | 0:42:50 | 0:42:52 | |
Right, let's get you fed, eh? | 0:42:54 | 0:42:56 | |
Hey, gorgeous. | 0:42:56 | 0:42:57 | |
How's my gorgeous wee girl? | 0:42:57 | 0:42:59 | |
Mr McAllister... | 0:43:56 | 0:43:57 | |
..did you understand your relationship with Miss Hassoun to be a transaction? | 0:43:59 | 0:44:03 | |
-Yes. -You bought Miss Hassoun for the night? | 0:44:04 | 0:44:08 | |
-Yes. -You are separated, a businessman, working long hours. | 0:44:08 | 0:44:13 | |
She was company at the end of a stressful day? | 0:44:13 | 0:44:17 | |
I suppose, yes. | 0:44:17 | 0:44:19 | |
But she began to pester you. | 0:44:19 | 0:44:21 | |
Turned up at a pub you visited and phoning you. | 0:44:21 | 0:44:24 | |
Yes. I-I had to ask, um, Miss Ballantyne to intervene. | 0:44:26 | 0:44:30 | |
And then the phone calls stopped? | 0:44:30 | 0:44:32 | |
Yes. | 0:44:32 | 0:44:33 | |
So how did you feel when she turned up as an employee at the bar you own | 0:44:33 | 0:44:38 | |
and your brother manages? | 0:44:38 | 0:44:40 | |
Disconcerted. I, um... | 0:44:44 | 0:44:45 | |
I didn't think it was a coincidence. | 0:44:47 | 0:44:48 | |
Maybe worried that she was stalking you? | 0:44:48 | 0:44:52 | |
Was it revenge, for you spurning her? | 0:44:52 | 0:44:54 | |
Or was she positioning herself for something else? | 0:44:54 | 0:44:58 | |
Objection, my Lord, this is conjecture. | 0:44:58 | 0:45:01 | |
Sustained. | 0:45:01 | 0:45:02 | |
No further questions, my Lord. | 0:45:02 | 0:45:04 | |
Mr McAllister, Miss Hassoun was paid to have a night out? | 0:45:17 | 0:45:22 | |
And she liked you? | 0:45:22 | 0:45:23 | |
Yes. I liked her. | 0:45:24 | 0:45:28 | |
But you paid Miss Ballantyne an extra £700 | 0:45:28 | 0:45:30 | |
on top of the 300. Why? | 0:45:30 | 0:45:32 | |
Um... | 0:45:33 | 0:45:35 | |
Because we had sex and that wasn't covered by the basic fee. | 0:45:35 | 0:45:39 | |
Did you discuss that with Miss Hassoun? | 0:45:39 | 0:45:41 | |
No. | 0:45:41 | 0:45:43 | |
Talking about additional money would have... | 0:45:43 | 0:45:45 | |
sullied the moment, wouldn't it? | 0:45:45 | 0:45:47 | |
Something like that. | 0:45:48 | 0:45:50 | |
Just to be crystal clear - | 0:45:50 | 0:45:51 | |
on the night in question, did you make ANY sort of agreement | 0:45:51 | 0:45:55 | |
with Miss Hassoun to pay her for sex? | 0:45:55 | 0:45:57 | |
No. | 0:45:59 | 0:46:00 | |
Did you think Miss Hassoun was trying to extort money | 0:46:02 | 0:46:05 | |
from you or your brother? | 0:46:05 | 0:46:07 | |
Not that I'm aware of. | 0:46:07 | 0:46:08 | |
In fact, Miss Hassoun refused your offer of a considerable sum | 0:46:08 | 0:46:12 | |
back in January, when you tried to pay her to withdraw the charges. | 0:46:12 | 0:46:16 | |
She wouldn't let you buy her silence. | 0:46:16 | 0:46:18 | |
It's hardly the actions of a blackmailer. | 0:46:21 | 0:46:24 | |
What were you scared of? | 0:46:24 | 0:46:25 | |
This. | 0:46:27 | 0:46:29 | |
Bringing all of this down on Jamie's head, | 0:46:29 | 0:46:32 | |
because of my own selfish needs, my own failings. | 0:46:32 | 0:46:36 | |
Not the fact that your brother might be a rapist? | 0:46:36 | 0:46:39 | |
Objection, my Lord. | 0:46:41 | 0:46:42 | |
Sustained. | 0:46:42 | 0:46:43 | |
The jury will ignore the last question for the Prosecution. | 0:46:47 | 0:46:51 | |
That meeting was also the time | 0:46:59 | 0:47:01 | |
that you saw the bruises on Miss Hassoun, true? | 0:47:01 | 0:47:04 | |
Request permission to approach the witness, my Lord. | 0:47:06 | 0:47:09 | |
Showing the witness production number 17. | 0:47:11 | 0:47:14 | |
How would you feel if you saw these on your daughter Jessica's arms? | 0:47:18 | 0:47:23 | |
Would you accept rough sex as an explanation? | 0:47:23 | 0:47:26 | |
Has the possibility of your brother being a rapist just crossed your mind? | 0:47:27 | 0:47:31 | |
No further questions, my Lord. | 0:47:36 | 0:47:39 | |
My Lord, the Defence requests a short break. | 0:47:39 | 0:47:41 | |
Right, I need you to calm down. | 0:47:45 | 0:47:47 | |
Here, have a seat. | 0:47:47 | 0:47:48 | |
-What are you playing at? -WHAT THE HELL?! -Whoa! | 0:47:50 | 0:47:53 | |
What are you playing at? | 0:47:53 | 0:47:54 | |
You've just told them I'm guilty. | 0:47:54 | 0:47:56 | |
I just answered the questions, Jamie. I didn't tell them anything. | 0:47:56 | 0:48:00 | |
-They know what you think, though, don't they? -Oh, yes. | 0:48:00 | 0:48:03 | |
What was that about? | 0:48:03 | 0:48:04 | |
What do you think? | 0:48:05 | 0:48:06 | |
I'm on my own, then. | 0:48:17 | 0:48:18 | |
I'm taking the stand. | 0:48:21 | 0:48:23 | |
I still think that's a bad idea. | 0:48:23 | 0:48:24 | |
Any other suggestions? | 0:48:24 | 0:48:27 | |
No. | 0:48:27 | 0:48:28 | |
Six to eight years, Alex. | 0:48:29 | 0:48:32 | |
Six...to eight years. | 0:48:32 | 0:48:34 | |
I hope you can enjoy them. | 0:48:35 | 0:48:37 | |
And you were surprised when Miss Hassoun left? | 0:48:45 | 0:48:48 | |
Yes. I thought we were going back to mine for breakfast. | 0:48:48 | 0:48:52 | |
And you sent her a text, Crown production number 21. | 0:48:52 | 0:48:56 | |
"Hey, gorgeous. U want a shift tonight? J x." | 0:48:56 | 0:49:00 | |
Hardly the words of someone who's ashamed of their actions. | 0:49:01 | 0:49:04 | |
I, er, wanted to see her again. | 0:49:04 | 0:49:07 | |
Would you do anything to hurt her? | 0:49:07 | 0:49:09 | |
I couldn't. | 0:49:10 | 0:49:12 | |
No more questions, my Lord. | 0:49:13 | 0:49:15 | |
You like the attention of girls, don't you, Mr McAllister? | 0:49:31 | 0:49:34 | |
Who doesn't? | 0:49:34 | 0:49:36 | |
You think you deserve it, because you have a high opinion of yourself, don't you? | 0:49:36 | 0:49:39 | |
-Not especially. -Ach, course you do - | 0:49:39 | 0:49:41 | |
young, handsome, charming, trendy job, | 0:49:41 | 0:49:45 | |
a way with the ladies... a bit of a catch. | 0:49:45 | 0:49:47 | |
Well, I don't think of myself in that way. | 0:49:48 | 0:49:51 | |
Miss Hassoun did. | 0:49:51 | 0:49:52 | |
And your position as her employer allowed you to exert power over her. | 0:49:53 | 0:49:58 | |
Objection! Conjecture. | 0:49:58 | 0:49:59 | |
Sustained. | 0:49:59 | 0:50:01 | |
We were friends. | 0:50:02 | 0:50:03 | |
Is that what you told yourself? | 0:50:03 | 0:50:05 | |
Why would a friend accuse you of rape? | 0:50:05 | 0:50:07 | |
I honestly don't know. | 0:50:07 | 0:50:09 | |
I was shocked, I still am. | 0:50:09 | 0:50:11 | |
I am...not like that. | 0:50:11 | 0:50:14 | |
What stopped you being friends, changed her opinion of you? | 0:50:14 | 0:50:17 | |
-I couldn't say. -Maybe the same thing that changed your brother's opinion of you? | 0:50:17 | 0:50:21 | |
-Objection! -Withdrawn. | 0:50:21 | 0:50:23 | |
Could you tell us how many sexual partners you've had? | 0:50:28 | 0:50:32 | |
-I don't count. -Use a word. | 0:50:34 | 0:50:35 | |
Plenty. | 0:50:35 | 0:50:37 | |
Just victims to your looks and charm? | 0:50:37 | 0:50:40 | |
I suppose. | 0:50:40 | 0:50:42 | |
Oh, so you admit there have been victims? | 0:50:42 | 0:50:44 | |
No, th-that's not what I meant. | 0:50:44 | 0:50:45 | |
That's what you said. Seconds ago. | 0:50:45 | 0:50:47 | |
I put it to you that Miss Hassoun is one of a long line of victims. | 0:50:47 | 0:50:50 | |
-No. She was a... -Objection. Conjecture. | 0:50:50 | 0:50:53 | |
Sustained. | 0:50:53 | 0:50:54 | |
Can I refer you to Crown production number 26, | 0:50:57 | 0:51:00 | |
your statement to the police. | 0:51:00 | 0:51:01 | |
-You say here, "She whispered 'yes' in my ear." -That's right. | 0:51:01 | 0:51:05 | |
-And you're quite sure about that? -I am. | 0:51:05 | 0:51:07 | |
What else did she say after that? | 0:51:07 | 0:51:09 | |
I'm sorry. I don't understand. | 0:51:10 | 0:51:12 | |
It's quite straightforward. | 0:51:12 | 0:51:13 | |
You're contending that Miss Hassoun said yes. | 0:51:13 | 0:51:16 | |
Did she say anything else? | 0:51:16 | 0:51:18 | |
I don't remember. | 0:51:21 | 0:51:23 | |
That's right. | 0:51:23 | 0:51:24 | |
Because you told the police, | 0:51:24 | 0:51:26 | |
"You can't expect me to remember every last detail." | 0:51:26 | 0:51:29 | |
But you clearly do remember the "yes". | 0:51:29 | 0:51:31 | |
Miss Hassoun says that, | 0:51:34 | 0:51:36 | |
though she was initially willing, she changed her mind. | 0:51:36 | 0:51:39 | |
Do you remember her hesitating at any stage? | 0:51:39 | 0:51:41 | |
-No, no. -Really? | 0:51:41 | 0:51:43 | |
Because, in your statement, you say, | 0:51:43 | 0:51:45 | |
"After a while, she pulled back, saying it was going too fast." | 0:51:45 | 0:51:49 | |
Yes, but... | 0:51:49 | 0:51:50 | |
She did say no, didn't she? | 0:51:50 | 0:51:51 | |
Well, n-not in that way. | 0:51:51 | 0:51:53 | |
Not long after she said yes, she was saying no again, wasn't she? | 0:51:53 | 0:51:56 | |
But she stopped saying no. | 0:51:56 | 0:51:58 | |
She stopped saying no? | 0:52:02 | 0:52:05 | |
Mm-hm. | 0:52:06 | 0:52:08 | |
Did you ever have her consent for what you did? | 0:52:08 | 0:52:11 | |
No more questions, my Lord. | 0:52:19 | 0:52:21 | |
DOOR OPENS | 0:52:27 | 0:52:29 | |
DOOR CLOSES | 0:52:30 | 0:52:32 | |
HE SIGHS | 0:52:32 | 0:52:34 | |
HE SNIFFS | 0:52:34 | 0:52:35 | |
It's time. You ready? | 0:53:09 | 0:53:12 | |
DOOR OPENS | 0:53:23 | 0:53:24 | |
They're back. | 0:53:26 | 0:53:27 | |
Court! | 0:54:08 | 0:54:10 | |
Please be seated. | 0:54:26 | 0:54:27 | |
Members of the jury, will your spokesperson please stand? | 0:54:34 | 0:54:37 | |
Have you reached a verdict? | 0:54:40 | 0:54:41 | |
Yes, we have. | 0:54:41 | 0:54:42 | |
What is your verdict in respect of the accused, James McAllister, | 0:54:42 | 0:54:47 | |
on the charge on the indictment? | 0:54:47 | 0:54:49 | |
Guilty. | 0:54:49 | 0:54:50 | |
Is that unanimous or by a majority? | 0:54:50 | 0:54:53 | |
Unanimous. | 0:54:53 | 0:54:54 | |
Thank you. Please be seated as I record the verdict. | 0:54:54 | 0:54:57 | |
Members of the jury, is your verdict correctly recorded as follows? | 0:55:05 | 0:55:10 | |
"The jury unanimously find the accused, James McAllister, | 0:55:10 | 0:55:15 | |
"guilty as liabled of the charge on the indictment." | 0:55:15 | 0:55:18 | |
James McAllister... | 0:55:25 | 0:55:27 | |
..you have been found guilty of the crime of rape. | 0:55:30 | 0:55:33 | |
Sentencing will be adjourned | 0:55:34 | 0:55:36 | |
to allow for a Criminal Justice Social Work Report. | 0:55:36 | 0:55:41 | |
You will be remanded in custody pending sentencing. | 0:55:41 | 0:55:45 | |
You can expect a lengthy custodial sentence. | 0:55:47 | 0:55:50 | |
Please take him down. | 0:55:52 | 0:55:54 | |
QUIET CHATTER | 0:55:54 | 0:55:56 | |
Members of the jury, my instructions to you during the trial | 0:55:57 | 0:56:03 | |
were that the verdict was your responsibility and yours alone. | 0:56:03 | 0:56:08 | |
It is clear that you took this responsibility seriously | 0:56:10 | 0:56:15 | |
and arrived at your decision conscientiously. | 0:56:15 | 0:56:18 | |
I thank you for your public service | 0:56:19 | 0:56:22 | |
and for your time serving on this jury. | 0:56:22 | 0:56:25 | |
Guess who turned up today? He's just out of rehab. | 0:56:30 | 0:56:33 | |
Stevie, I really want you to see him. | 0:56:33 | 0:56:35 | |
You call what he did to me a MISTAKE? | 0:56:35 | 0:56:37 | |
Your brother...raped me. | 0:56:37 | 0:56:40 | |
All I'm asking for is five minutes. | 0:56:40 | 0:56:43 | |
I really think it would help him. | 0:56:43 | 0:56:44 | |
I don't want you to go. | 0:56:44 | 0:56:46 | |
I like you, Tattie, but I won't break up a marriage. | 0:56:46 | 0:56:50 | |
I telt you to disappear, | 0:56:50 | 0:56:51 | |
but now you're back, tryin' to worm your way in wi' Stella. | 0:56:51 | 0:56:54 | |
Stevie! | 0:56:54 | 0:56:55 |