Browse content similar to 05/08/2014. Check below for episodes and series from the same categories and more!
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I just wanted to make sure that you were happy to continue as manager | 0:00:21 | 0:00:24 | |
for the foreseeable future? | 0:00:24 | 0:00:26 | |
-What, seriously? -Only if you want. | 0:00:26 | 0:00:28 | |
What's goin' on? Get off him! | 0:00:28 | 0:00:31 | |
HE SHOUTS | 0:00:31 | 0:00:33 | |
Stella, are you OK? | 0:00:33 | 0:00:34 | |
I'm sorry to tell you that your partner has lost her baby. | 0:00:34 | 0:00:37 | |
You shoulda died that day! | 0:00:37 | 0:00:39 | |
Aye, and you saved him. | 0:00:39 | 0:00:40 | |
No, I didnae! | 0:00:40 | 0:00:42 | |
I was goin' to leave him. | 0:00:42 | 0:00:43 | |
You don't know what you're talkin' about. | 0:00:43 | 0:00:45 | |
You don't like it? I watched him and I did nothing. | 0:00:45 | 0:00:48 | |
We are going to have a baby, you and me, one day. | 0:00:48 | 0:00:51 | |
I think so too. | 0:00:51 | 0:00:53 | |
Next time I'm goin' to look after you. | 0:00:53 | 0:00:55 | |
MUSIC: "I Wonder Why" by Dion And The Belmonts | 0:00:59 | 0:01:02 | |
# Dun-dun-dun-dun-dun # Dun-dun-da-da | 0:01:02 | 0:01:04 | |
# Know why I love you like I do? | 0:01:04 | 0:01:08 | |
# Dun-dun-dun-dun-da | 0:01:08 | 0:01:10 | |
# Know why I do | 0:01:10 | 0:01:13 | |
# Don't know why I love you | 0:01:13 | 0:01:16 | |
# Don't know why I care | 0:01:16 | 0:01:18 | |
# I just want your love to share... # | 0:01:18 | 0:01:21 | |
ALARM BEEPS | 0:01:21 | 0:01:23 | |
# I wonder why | 0:01:23 | 0:01:25 | |
# I love you like I do | 0:01:25 | 0:01:27 | |
# Is it because | 0:01:27 | 0:01:29 | |
# I think you love me too? | 0:01:29 | 0:01:32 | |
# I wonder why | 0:01:32 | 0:01:34 | |
# I love you like I do | 0:01:34 | 0:01:36 | |
# Like I do | 0:01:36 | 0:01:40 | |
# Ooh, ooh, ooh | 0:01:41 | 0:01:43 | |
# Ooh, ooh | 0:01:43 | 0:01:45 | |
# Ooh, ooh, ooh | 0:01:45 | 0:01:47 | |
# Ooh-ooh, ooh-ooh | 0:01:47 | 0:01:49 | |
# Ooh, ooh, ooh, ooh | 0:01:49 | 0:01:52 | |
# Ooh, ooh, ooh, ooh | 0:01:52 | 0:01:54 | |
# Ba-wop | 0:01:54 | 0:01:57 | |
# Wop | 0:01:57 | 0:01:59 | |
# Wop, wop, wop, wop, wop | 0:01:59 | 0:02:02 | |
# I told my friends | 0:02:02 | 0:02:03 | |
# That we would never part | 0:02:03 | 0:02:06 | |
# They often said | 0:02:06 | 0:02:08 | |
# That you would break my heart | 0:02:08 | 0:02:11 | |
# I wonder why... # | 0:02:11 | 0:02:13 | |
# Ooh | 0:02:13 | 0:02:15 | |
# I wonder why-y-y | 0:02:15 | 0:02:18 | |
# Ooh, ooh... # | 0:02:18 | 0:02:21 | |
Sh! | 0:02:21 | 0:02:23 | |
# I wonder why... # | 0:02:23 | 0:02:25 | |
Here! | 0:02:25 | 0:02:27 | |
Anniversary breakfast is served. Look! | 0:02:27 | 0:02:30 | |
Anniversary? | 0:02:30 | 0:02:32 | |
You're proper cute when you wind me up, so you are. | 0:02:32 | 0:02:35 | |
Eh? | 0:02:36 | 0:02:38 | |
What, you've not remembered? | 0:02:41 | 0:02:43 | |
Since when do we do anniversaries? | 0:02:43 | 0:02:45 | |
Since now. Kiddin' on you don't know. | 0:02:45 | 0:02:48 | |
The anniversary of what? | 0:02:48 | 0:02:51 | |
The first time you tried to unclip my bra with one hand? | 0:02:51 | 0:02:54 | |
-Aye. -Seriously, what is it we're celebrating? | 0:02:54 | 0:02:57 | |
When we slept together while my husband was on holiday? | 0:02:57 | 0:03:00 | |
Or when you were cited in my divorce? | 0:03:00 | 0:03:03 | |
Hardly worth getting the bunting out for, is it? | 0:03:03 | 0:03:06 | |
Aww. Us moving in together! | 0:03:06 | 0:03:08 | |
Sorry. I'm not really into that kind of thing. | 0:03:09 | 0:03:12 | |
Well, I am. | 0:03:12 | 0:03:14 | |
So, happy anniversary. | 0:03:14 | 0:03:15 | |
Right, I've got breakfast in bed for starters. | 0:03:18 | 0:03:21 | |
Hold on? What time is it? | 0:03:21 | 0:03:23 | |
Stevie, did you turn that alarm off?! | 0:03:24 | 0:03:27 | |
Calm down. Everything's all sorted. | 0:03:27 | 0:03:29 | |
You've got the day off, Serge is taking your shift. | 0:03:29 | 0:03:31 | |
Did you rearrange my nine o'clock meeting with Alex? | 0:03:31 | 0:03:34 | |
No, didn't think so. | 0:03:34 | 0:03:35 | |
I'm not psychic, am I? | 0:03:35 | 0:03:37 | |
Well, you should have asked! | 0:03:37 | 0:03:39 | |
It wouldn't have been a surprise then, would it? | 0:03:39 | 0:03:42 | |
MUSIC: "I Wonder Why" by Dion And The Belmonts | 0:03:43 | 0:03:46 | |
He's not gonnae be too chuffed that I'm late. | 0:03:48 | 0:03:50 | |
I'm not too chuffed that you're going. | 0:03:50 | 0:03:52 | |
I willnae be long. | 0:03:52 | 0:03:54 | |
I suppose I can just look in on Zinnie, then. | 0:03:54 | 0:03:56 | |
-Right, I need to go. -Here. | 0:03:56 | 0:03:58 | |
-What's that? -Breakfast. | 0:03:58 | 0:04:00 | |
I'm hardly going to turn up 15 minutes late with | 0:04:00 | 0:04:03 | |
half a bacon roll shoved in my mouth, am I? | 0:04:03 | 0:04:06 | |
We've got the rest of the afternoon. | 0:04:06 | 0:04:08 | |
See you later. | 0:04:08 | 0:04:10 | |
# I wonder why | 0:04:11 | 0:04:13 | |
I'm sure you're always true | 0:04:13 | 0:04:14 | |
# Always true-oo-oo | 0:04:14 | 0:04:17 | |
# Da-da-da-da-da-da-da-da... # | 0:04:17 | 0:04:19 | |
I've driven down procurement to start off with. | 0:04:23 | 0:04:27 | |
Procurement? | 0:04:27 | 0:04:28 | |
Oh, aye, I've got all the lingo now. | 0:04:28 | 0:04:31 | |
Sorry. | 0:04:31 | 0:04:33 | |
So, I've drawn up some ideas to make the Oyster a destination venue. | 0:04:33 | 0:04:38 | |
I was thinking we could maybe try a supper club or something. | 0:04:38 | 0:04:41 | |
Maybe once a month. | 0:04:41 | 0:04:44 | |
Great. That's... A supper club? | 0:04:44 | 0:04:46 | |
All right. Just an idea. | 0:04:48 | 0:04:51 | |
You know The Delaney? | 0:04:51 | 0:04:53 | |
-Uh-huh. -You know it's one of mine? | 0:04:53 | 0:04:56 | |
Manager's decided to have a nervous breakdown and a midlife crisis. | 0:04:56 | 0:05:00 | |
-I know you've got the day off... -Well, technically, aye, but... | 0:05:01 | 0:05:05 | |
A couple of guys haven't returned my calls yet. | 0:05:05 | 0:05:07 | |
Do you think you could manage a few hours down there? | 0:05:07 | 0:05:10 | |
Lunchtime is crucial and it really needs a steady hand | 0:05:10 | 0:05:13 | |
and you've got this place sorted. | 0:05:13 | 0:05:14 | |
These figures are really impressive. | 0:05:14 | 0:05:17 | |
Let me ring around again. | 0:05:20 | 0:05:22 | |
No, no, it's fine. I'll do it. | 0:05:22 | 0:05:24 | |
It's just for a few hours. | 0:05:24 | 0:05:26 | |
-Aye. Whatever you need. -Great, thanks. | 0:05:26 | 0:05:29 | |
I thought it was your day off? | 0:05:35 | 0:05:38 | |
Just making sure you're not helping yourself to the swally. | 0:05:38 | 0:05:41 | |
-Thanks. -I'm going to do the kegs for you. | 0:05:41 | 0:05:44 | |
-Stella's got a meeting, so... -Aww. That's good of you. | 0:05:44 | 0:05:47 | |
I know. That IS good of me. | 0:05:47 | 0:05:49 | |
I'm a nice guy, know what I mean? | 0:05:49 | 0:05:51 | |
Finn? | 0:06:43 | 0:06:44 | |
Finn, where you going? | 0:06:46 | 0:06:47 | |
MUSIC PLAYS FROM EARPHONES | 0:06:49 | 0:06:53 | |
Hey, Finn. | 0:07:00 | 0:07:01 | |
Finn? | 0:07:01 | 0:07:03 | |
-You all right? -What are you up to? | 0:07:03 | 0:07:05 | |
Just getting out of this dump for a bit. | 0:07:05 | 0:07:08 | |
Do you want some company? | 0:07:08 | 0:07:11 | |
Yeah, why not? | 0:07:11 | 0:07:12 | |
What do you fancy? | 0:07:13 | 0:07:15 | |
Lunch or the cinema or...? | 0:07:15 | 0:07:19 | |
Lunch. | 0:07:19 | 0:07:21 | |
Might give you half my steak bake if you play your cards right. | 0:07:21 | 0:07:24 | |
I might as well stay here and do a shift then, if you're going to work. | 0:07:27 | 0:07:30 | |
It's only for a couple of hours and it's an opportunity. | 0:07:30 | 0:07:33 | |
-I'd be daft not to take it. -An opportunity? | 0:07:33 | 0:07:35 | |
He just needs somebody to cover. | 0:07:35 | 0:07:37 | |
Aye, but if he trusts me with this, who knows what it might lead to? | 0:07:37 | 0:07:40 | |
Well, at least we know now, when he says "Jump" | 0:07:40 | 0:07:42 | |
you'll be like that, "How high?" | 0:07:42 | 0:07:44 | |
Can't you just let me do this? | 0:07:44 | 0:07:46 | |
I'll meet you back at the flat, OK? | 0:07:46 | 0:07:48 | |
I'll make it up to you, I promise. | 0:07:48 | 0:07:50 | |
How are you gonnae do that? | 0:07:52 | 0:07:54 | |
I reckon I can come up with a few ideas. | 0:07:54 | 0:07:56 | |
-Aye? -Mm-hmm. | 0:07:56 | 0:07:59 | |
-See you later. -See you later. | 0:07:59 | 0:08:01 | |
Which one is it? | 0:08:12 | 0:08:13 | |
It's there. | 0:08:17 | 0:08:19 | |
Who lives there, anyway? | 0:08:21 | 0:08:22 | |
-Just a girl. -A girl? | 0:08:26 | 0:08:28 | |
Is that it? | 0:08:30 | 0:08:32 | |
Just some girl I was seeing. | 0:08:32 | 0:08:33 | |
So why are we here, then? | 0:08:38 | 0:08:40 | |
Just to make sure she's OK and all that. | 0:08:41 | 0:08:44 | |
-Nothing's wrong. -I thought you'd split up. | 0:08:44 | 0:08:47 | |
Yeah, but that was because of her mum, weren't it? | 0:08:49 | 0:08:52 | |
Do you...know your mum? Your real one. | 0:08:58 | 0:09:01 | |
I'm sorry. You don't have to talk about it. | 0:09:06 | 0:09:09 | |
It's all right. She's dead. | 0:09:09 | 0:09:10 | |
I've got two mums now. | 0:09:16 | 0:09:17 | |
Is...that her mum? | 0:09:27 | 0:09:30 | |
METAL SCRAPES | 0:09:58 | 0:10:02 | |
Stevie! | 0:10:20 | 0:10:22 | |
You've not working today? | 0:10:22 | 0:10:24 | |
No. I should have a few swallies down my neck by now, | 0:10:24 | 0:10:26 | |
-and getting a wee good back rub. -Eh? | 0:10:26 | 0:10:29 | |
It's our anniversary. | 0:10:29 | 0:10:31 | |
We're meant to be spending it together, but Stella's got to work. | 0:10:31 | 0:10:34 | |
Congratulations. | 0:10:34 | 0:10:35 | |
For your anniversary. Not that she'd rather work. | 0:10:35 | 0:10:37 | |
-She wouldn't rather work. -I know, that's what I said. | 0:10:37 | 0:10:40 | |
Listen, does that mean you've got some time on your hands, then? | 0:10:40 | 0:10:42 | |
Why, do you want to give us a back rub? | 0:10:42 | 0:10:45 | |
Look... I've got to go and see a man about a dog. | 0:10:45 | 0:10:48 | |
-I could do with some company. -Cannae, I've got loads to do. | 0:10:48 | 0:10:51 | |
I need to make lunch for Stella and all that, so... | 0:10:51 | 0:10:53 | |
-Oh, right. Are you taking bets? -What on? | 0:10:53 | 0:10:56 | |
I reckon it's two to one on salmonella | 0:10:56 | 0:10:58 | |
and evens on a chip pan fire. | 0:10:58 | 0:11:00 | |
Cheers for the confidence. | 0:11:00 | 0:11:01 | |
HE LAUGHS | 0:11:01 | 0:11:02 | |
Any time. | 0:11:02 | 0:11:03 | |
MUSIC PLAYS, PEOPLE TALK | 0:11:05 | 0:11:07 | |
You'll be fine. It's just like the Oyster. | 0:11:19 | 0:11:21 | |
Well, a bigger menu, younger clientele and better music. | 0:11:21 | 0:11:24 | |
Henry? | 0:11:24 | 0:11:26 | |
I like it, man. | 0:11:27 | 0:11:28 | |
You'll be fine, then. | 0:11:28 | 0:11:31 | |
Henry, this is Stella. | 0:11:31 | 0:11:33 | |
-Nice to meet you. -Hiya. | 0:11:33 | 0:11:34 | |
She's the new Richard. Well, for today, at least. | 0:11:34 | 0:11:37 | |
So I'm going to show her the ropes. And don't be a smart arse. | 0:11:37 | 0:11:40 | |
I should get cover for around two? | 0:11:41 | 0:11:44 | |
Aye, that's fine. | 0:11:44 | 0:11:45 | |
-Excellent. I'll be back at lunchtime. -OK. | 0:11:45 | 0:11:48 | |
KNOCK ON DOOR | 0:11:58 | 0:12:00 | |
Can I help you? | 0:12:07 | 0:12:08 | |
-Betty, isn't it? -Yes. | 0:12:08 | 0:12:11 | |
I'm looking for Eric. | 0:12:11 | 0:12:12 | |
-He's not here, I'm afraid. -I know. | 0:12:12 | 0:12:14 | |
That's why I came. | 0:12:16 | 0:12:18 | |
-Who are you? -A friend. | 0:12:18 | 0:12:21 | |
Look, we worked together | 0:12:21 | 0:12:23 | |
on the Lowther Hill project for Alan Lindsay. | 0:12:23 | 0:12:26 | |
I don't get involved in his work. | 0:12:26 | 0:12:27 | |
He came to see me. Told me about the report. | 0:12:27 | 0:12:32 | |
-How he doctored it. -I don't know anything about that. | 0:12:32 | 0:12:35 | |
And I know he wouldn't have done that unless he had to. | 0:12:35 | 0:12:38 | |
Maybe you should come in. | 0:12:41 | 0:12:43 | |
-I thought you were maybe a journalist. -No. | 0:12:47 | 0:12:50 | |
Place has been crawling with them. | 0:12:50 | 0:12:52 | |
So what's all this about the report? | 0:12:53 | 0:12:56 | |
He told me that someone had asked him to falsify the data. | 0:12:56 | 0:13:00 | |
And why would Eric do that? | 0:13:00 | 0:13:02 | |
He was being blackmailed. | 0:13:03 | 0:13:06 | |
Who knows what he gets up to. | 0:13:08 | 0:13:10 | |
You haven't heard from him? | 0:13:10 | 0:13:12 | |
I thought he'd got in hock with the bookies again, | 0:13:12 | 0:13:14 | |
so he was lying low. | 0:13:14 | 0:13:16 | |
He's done this before? | 0:13:16 | 0:13:18 | |
There's been plenty of lost weekends. | 0:13:18 | 0:13:21 | |
How long since you heard from him? | 0:13:21 | 0:13:23 | |
Four weeks. | 0:13:24 | 0:13:25 | |
That's a bit more than a lost weekend. | 0:13:29 | 0:13:31 | |
Well, you don't know Eric. | 0:13:31 | 0:13:34 | |
Have you spoken to the police? | 0:13:34 | 0:13:36 | |
He'll be back soon enough, with his tail between his legs. | 0:13:37 | 0:13:41 | |
-I'd better get on. -Right. | 0:13:43 | 0:13:45 | |
Sorry, I didn't get your name. | 0:13:47 | 0:13:49 | |
Raymond. Raymond Henderson. | 0:13:49 | 0:13:52 | |
# Look, look, lookin' for my baby | 0:14:58 | 0:15:00 | |
# Look, look, lookin' for my baby | 0:15:00 | 0:15:02 | |
# Ooh, ooh, ooh, ooh, ooh | 0:15:02 | 0:15:06 | |
# Ooh, ooh, ooh, ooh, ooh | 0:15:06 | 0:15:09 | |
# Ooh | 0:15:09 | 0:15:11 | |
# Ooh, ooh, ooh, ooh | 0:15:11 | 0:15:13 | |
# Look, look, lookin' for my baby | 0:15:13 | 0:15:15 | |
# Look, look, lookin' for my baby | 0:15:15 | 0:15:17 | |
# Lookin' for my baby | 0:15:17 | 0:15:19 | |
# Where oh where can she be? | 0:15:19 | 0:15:22 | |
# Oh, oh | 0:15:22 | 0:15:23 | |
# Someone invite me | 0:15:23 | 0:15:26 | |
# Send her back to me | 0:15:26 | 0:15:28 | |
# Look, look, lookin' for my baby | 0:15:28 | 0:15:30 | |
# Look, look, lookin' for my baby | 0:15:30 | 0:15:32 | |
# My baby's gone and left me | 0:15:32 | 0:15:34 | |
# All alone and look | 0:15:34 | 0:15:36 | |
# Whoa, oh, she's gotten someone, look | 0:15:36 | 0:15:40 | |
# Yeah, yeah, tell me what did I do? # | 0:15:40 | 0:15:45 | |
Give me a wee shout if you need anything else. | 0:15:48 | 0:15:51 | |
PEOPLE TALK, MUSIC PLAYS | 0:15:53 | 0:15:56 | |
MACHINE BEEPS | 0:16:06 | 0:16:08 | |
-Aargh. -All right? -Sorry. | 0:16:08 | 0:16:10 | |
-That's you. -Thank you. | 0:16:12 | 0:16:14 | |
I don't think the customers will appreciate your thumb in their lunch. | 0:16:19 | 0:16:23 | |
Come here. | 0:16:23 | 0:16:25 | |
Give it to me. | 0:16:25 | 0:16:26 | |
Away and wash your hands and lose the attitude, all right? | 0:16:26 | 0:16:29 | |
Think you deserve a wee coffee for that, Stevie boy. | 0:16:46 | 0:16:50 | |
MUSIC DROWNS SPEECH | 0:16:57 | 0:17:00 | |
-Hiya. -Been busy? | 0:17:04 | 0:17:06 | |
It's been brilliant, man! | 0:17:06 | 0:17:07 | |
I can get one of my other managers here in about 20 minutes. | 0:17:07 | 0:17:10 | |
-Let you get going. -Unless... -What? | 0:17:10 | 0:17:13 | |
I could finish the shift, if you want? | 0:17:14 | 0:17:17 | |
Do a full day, then you can get a better sense of what | 0:17:17 | 0:17:19 | |
I can actually do. | 0:17:19 | 0:17:21 | |
Look, you've done brilliantly. | 0:17:21 | 0:17:23 | |
Save you rearranging everybody. | 0:17:23 | 0:17:25 | |
Are you sure? | 0:17:25 | 0:17:26 | |
Aye, it's fine. | 0:17:28 | 0:17:29 | |
Cheers, Stella. | 0:17:29 | 0:17:32 | |
It's quiet in the afternoon, | 0:17:32 | 0:17:33 | |
give you some time to think about the ideas you've got for The Oyster. | 0:17:33 | 0:17:36 | |
Like the supper club? | 0:17:36 | 0:17:38 | |
See if they might work here. | 0:17:38 | 0:17:40 | |
Aye. | 0:17:41 | 0:17:43 | |
Do you think you'll get back together? | 0:17:46 | 0:17:49 | |
With who? | 0:17:49 | 0:17:50 | |
You and that girl. | 0:17:52 | 0:17:55 | |
I thought you didn't care? | 0:17:55 | 0:17:57 | |
I don't. | 0:17:57 | 0:17:58 | |
Here, look - | 0:18:00 | 0:18:02 | |
I've got a tune for you. | 0:18:02 | 0:18:04 | |
# With every single guy in town | 0:18:10 | 0:18:14 | |
-# Hey, hey, one day -Whoa | 0:18:14 | 0:18:17 | |
-# Hey, hey, one day -Whoa | 0:18:17 | 0:18:20 | |
-# Hey, hey, one day -Whoa | 0:18:20 | 0:18:23 | |
-# Hey... -Oh, la-la-la-la | 0:18:23 | 0:18:27 | |
-# Hey, hey, one day -Whoa | 0:18:27 | 0:18:30 | |
-# Hey, hey, one day -Whoa | 0:18:30 | 0:18:32 | |
-# Hey, hey, one day -Whoa... # | 0:18:32 | 0:18:36 | |
PHONE RINGS | 0:18:36 | 0:18:38 | |
-Hiya. -Hi. What you up to? | 0:18:40 | 0:18:44 | |
-Just making a wee spot of lunch. -Oh, right. What is it? | 0:18:44 | 0:18:47 | |
Got a tin of oxtail soup with your name on it. | 0:18:47 | 0:18:49 | |
-Pushing the boat out. -Living the dream, doll. | 0:18:49 | 0:18:52 | |
Right, hen, is that you done? | 0:18:52 | 0:18:54 | |
Well, that's the thing. | 0:18:54 | 0:18:56 | |
What thing? | 0:18:57 | 0:18:58 | |
Alex has asked me if I can do the rest of the day. | 0:18:58 | 0:19:01 | |
Just he's got nobody else, it'll be a really good opportunity for me. | 0:19:02 | 0:19:06 | |
What's the matter with you? Since when are you this naive? | 0:19:06 | 0:19:09 | |
Look, Stevie, he's stuck. | 0:19:09 | 0:19:12 | |
What would you do if you didn't have any cover at The Ship? | 0:19:12 | 0:19:14 | |
If you really don't want me to do it, I'll say to him. | 0:19:16 | 0:19:19 | |
But it'll be a really good chance for me. | 0:19:19 | 0:19:21 | |
Don't want to be stuck in The Oyster for the rest of my life. | 0:19:21 | 0:19:24 | |
Right, fine. I'll see you when I see you, then. | 0:19:24 | 0:19:27 | |
You OK? | 0:19:29 | 0:19:30 | |
What time do you finish? I'll pick you up. | 0:19:32 | 0:19:34 | |
I don't deserve you. | 0:19:34 | 0:19:36 | |
No, I know. So what time? | 0:19:36 | 0:19:38 | |
I don't know - about five? | 0:19:38 | 0:19:40 | |
See you, then. | 0:19:40 | 0:19:41 | |
Love you. Bye. | 0:19:41 | 0:19:43 | |
Love you. Bye. | 0:19:43 | 0:19:44 | |
# I don't know what she'll do | 0:19:46 | 0:19:49 | |
# Keep away from Sue | 0:19:49 | 0:19:51 | |
# Oh... | 0:19:51 | 0:19:53 | |
# She likes to travel around, yeah | 0:19:53 | 0:19:56 | |
# She'll love you then she'll put you down | 0:19:56 | 0:19:59 | |
# Now people let me put you wise | 0:19:59 | 0:20:02 | |
# Sue goes out with other guys | 0:20:02 | 0:20:05 | |
# Here's the moral and the story from the guy who knows... # | 0:20:05 | 0:20:08 | |
PLATE SHATTERS | 0:20:08 | 0:20:10 | |
Spanner. | 0:20:18 | 0:20:19 | |
Wrench. | 0:20:29 | 0:20:30 | |
Scalpel. | 0:20:41 | 0:20:42 | |
Very good. | 0:20:43 | 0:20:45 | |
All right. Close her up, nurse. Think she's going to make it. | 0:20:45 | 0:20:49 | |
Another successful chassis number transplant. | 0:20:50 | 0:20:53 | |
Aye. | 0:20:53 | 0:20:54 | |
After we've looked at the next one, do you fancy lunch at the pub? | 0:20:54 | 0:20:57 | |
Will I need to sit through your pathetic attempts | 0:20:57 | 0:21:00 | |
at chatting up Zinnie again? | 0:21:00 | 0:21:01 | |
Mate, that one's already on the hook. | 0:21:01 | 0:21:03 | |
Aye, yer maw. | 0:21:03 | 0:21:04 | |
Straight up. She's over me like a rash. | 0:21:04 | 0:21:06 | |
She'll be the one with a rash if you go anywhere near her. | 0:21:06 | 0:21:09 | |
All right, you. | 0:21:09 | 0:21:10 | |
Mind you, I've got to admire your optimism. | 0:21:10 | 0:21:13 | |
-God loves a trier. -All right. | 0:21:13 | 0:21:16 | |
A date. I bet you a tenner I can get her on a date. | 0:21:18 | 0:21:21 | |
-Like candy from a baby. -Aye? -Aye. | 0:21:21 | 0:21:25 | |
Hey, Zinnie. | 0:21:36 | 0:21:37 | |
Here we go... | 0:21:37 | 0:21:39 | |
-Was the pie one of your creations? -It was. | 0:21:39 | 0:21:42 | |
Cooked to perfection. | 0:21:42 | 0:21:44 | |
Well, I like to put it in the microwave | 0:21:44 | 0:21:46 | |
for an extra 30 seconds more than it needs. | 0:21:46 | 0:21:49 | |
Get the crust that wee bit crispier. | 0:21:49 | 0:21:50 | |
Ah... I knew it had that certain "je ne sais quoi". | 0:21:50 | 0:21:54 | |
-You're bilingual, now? -Man of many talents. | 0:21:54 | 0:21:56 | |
You should let me show you a few more sometime. | 0:21:56 | 0:21:58 | |
Oh, really? | 0:21:58 | 0:21:59 | |
Mais oui. | 0:21:59 | 0:22:01 | |
BOB CHORTLES | 0:22:01 | 0:22:04 | |
Is that your best patter? | 0:22:06 | 0:22:07 | |
Wee man, it's not about the patter, it's about the whole package. | 0:22:07 | 0:22:11 | |
Well, she didn't seem to be too impressed | 0:22:11 | 0:22:13 | |
with your "package", did she? | 0:22:13 | 0:22:15 | |
Right, pay up. I'm away for a slash. | 0:22:15 | 0:22:17 | |
There you go. And keep the change. | 0:22:19 | 0:22:23 | |
Why, thank you. | 0:22:23 | 0:22:24 | |
By the way, see if you ever fancied a wee night out, I'd be up for it. | 0:22:24 | 0:22:28 | |
Or even just a quick drink after your shift. | 0:22:28 | 0:22:30 | |
How about that? Could do with a wee pint later. | 0:22:30 | 0:22:33 | |
What time do you finish? | 0:22:33 | 0:22:35 | |
-Five. -See, that is perfect. | 0:22:36 | 0:22:39 | |
A quick snifter after work? | 0:22:39 | 0:22:41 | |
Just a couple of pals having a cheeky one? | 0:22:41 | 0:22:43 | |
-You ready? -Mm-hm. | 0:22:45 | 0:22:47 | |
-Cheers, Zinnie. -See you, boys. | 0:22:47 | 0:22:50 | |
I'll see you later, then? | 0:22:50 | 0:22:51 | |
Why not? | 0:22:51 | 0:22:53 | |
MUSIC: "Dance Girl" by The Charts | 0:23:02 | 0:23:06 | |
# Dance, dance girl | 0:23:11 | 0:23:14 | |
# Please come and dance with me | 0:23:14 | 0:23:16 | |
# Oh, dance, girl | 0:23:16 | 0:23:18 | |
# Oh, darling, can't you see? | 0:23:18 | 0:23:20 | |
# Well, I'm crazy for you | 0:23:20 | 0:23:23 | |
# And all the things that you do | 0:23:23 | 0:23:26 | |
# Whoo... | 0:23:28 | 0:23:30 | |
# Dance, dance girl | 0:23:30 | 0:23:33 | |
# You know I love you so | 0:23:33 | 0:23:35 | |
# Oh, dance, girl | 0:23:35 | 0:23:37 | |
# I'll never let you go | 0:23:37 | 0:23:39 | |
# Oh, when we are dancing | 0:23:39 | 0:23:42 | |
# Please let me hold you close | 0:23:42 | 0:23:47 | |
# You know I told you that I love you so | 0:23:47 | 0:23:53 | |
# And all of the things that you do | 0:23:53 | 0:23:57 | |
# And, darling, when we are dancing | 0:23:58 | 0:24:02 | |
# You thrill me through and through | 0:24:03 | 0:24:06 | |
# Dance, dance, girl | 0:24:08 | 0:24:10 | |
# Please come and dance with me | 0:24:10 | 0:24:12 | |
# Oh, dance, girl | 0:24:12 | 0:24:15 | |
# Oh, darling, can't you see? | 0:24:15 | 0:24:17 | |
# Well, I'm crazy for you | 0:24:17 | 0:24:20 | |
# And all the things that you do | 0:24:20 | 0:24:25 | |
# Dance, girl, dance girl Dance with me | 0:24:27 | 0:24:31 | |
# Oh, dance, girl, dance girl Dance with me | 0:24:31 | 0:24:36 | |
# Oh, dance, girl, dance girl Dance with me | 0:24:36 | 0:24:40 | |
# Oh, dance, girl... # | 0:24:40 | 0:24:43 | |
SHE LAUGHS | 0:24:45 | 0:24:47 | |
What, was that just a phase you were going through, Alex? | 0:24:47 | 0:24:49 | |
The summer of curtains, it was called. | 0:24:49 | 0:24:52 | |
Doing a bit of overtime, aye? | 0:24:52 | 0:24:54 | |
Stevie? | 0:24:54 | 0:24:55 | |
I've been sitting there like a pure lemon for the past 20 minutes. | 0:24:55 | 0:24:58 | |
-I didn't know. -Sake, Stella, I thought you might be ready to go. | 0:24:58 | 0:25:01 | |
-Hey, Stevie. -You knew she wasn't meant to be working today. | 0:25:01 | 0:25:04 | |
I asked her if she could work and she said yes. | 0:25:04 | 0:25:06 | |
So you thought you'd just leave her? | 0:25:06 | 0:25:07 | |
-You should've got somebody to cover. -I did. | 0:25:07 | 0:25:09 | |
It's our anniversary. | 0:25:09 | 0:25:11 | |
It's your anniversary? | 0:25:11 | 0:25:13 | |
You got cover? | 0:25:16 | 0:25:17 | |
She offered to stay on. | 0:25:18 | 0:25:19 | |
You told me he didn't have anybody. | 0:25:23 | 0:25:25 | |
What does it matter? Because I was here anyway. | 0:25:25 | 0:25:28 | |
What does it matter? | 0:25:28 | 0:25:29 | |
I had no idea. Stella, you should have said. | 0:25:29 | 0:25:31 | |
Then you wouldn't have asked me, would you? | 0:25:31 | 0:25:34 | |
And I really wanted to show you what I can do. | 0:25:34 | 0:25:37 | |
I know what you're capable of. | 0:25:37 | 0:25:39 | |
You're not the only one. | 0:25:39 | 0:25:40 | |
You lied to me. | 0:25:40 | 0:25:42 | |
It wasn't like that. | 0:25:42 | 0:25:43 | |
What was it like, then? | 0:25:43 | 0:25:44 | |
Look, Stevie, you're right. If I'd known, I'd never have asked. | 0:25:44 | 0:25:48 | |
Maybe she felt obliged to offer. You know what she's like. | 0:25:48 | 0:25:50 | |
No, I don't. | 0:25:52 | 0:25:53 | |
Eh, I am standing here, you know. | 0:25:54 | 0:25:55 | |
I'll go get my bag, then we can go. | 0:25:57 | 0:25:59 | |
Nothing's ever good enough. Nothing at all is ever good enough. | 0:26:20 | 0:26:23 | |
I know what it looks like, but it was a really big opportunity, OK? | 0:26:23 | 0:26:26 | |
Aye, you've said that. | 0:26:26 | 0:26:27 | |
I don't know what else you want me to say, Stevie? | 0:26:27 | 0:26:29 | |
-Stella, don't you dare. -What? | 0:26:29 | 0:26:31 | |
You went to work then lied to stay there rather than spend the day with me. | 0:26:31 | 0:26:34 | |
So don't give me that "It's no big deal" pish. | 0:26:34 | 0:26:36 | |
I didn't go to work instead of staying with you! | 0:26:36 | 0:26:39 | |
-Did you no? -That's the most ridiculous thing I've ever heard. | 0:26:39 | 0:26:41 | |
I don't say that when you go to work, do I? | 0:26:41 | 0:26:43 | |
I wouldn't go to work on our anniversary, would I? | 0:26:43 | 0:26:45 | |
Stevie, please. | 0:26:45 | 0:26:47 | |
I know how much you wanted us to spend the day together, | 0:26:50 | 0:26:53 | |
so can we just forget about it and have a nice night? | 0:26:53 | 0:26:56 | |
I didn't realise how important it was to you. | 0:26:58 | 0:27:00 | |
You look dead nice an' all. | 0:27:02 | 0:27:04 | |
I'm sorry. I was wrong. | 0:27:07 | 0:27:09 | |
-Excuse me? -What? | 0:27:10 | 0:27:12 | |
Say that again. | 0:27:12 | 0:27:13 | |
-I was wrong. -One more time. | 0:27:15 | 0:27:17 | |
I was wrong. | 0:27:19 | 0:27:21 | |
You stay here - I'm going run into the Tall Ship | 0:27:21 | 0:27:23 | |
and I want you to shout that as loud as you can. | 0:27:23 | 0:27:25 | |
Don't push it. | 0:27:25 | 0:27:26 | |
You're nowhere near that yet. | 0:27:26 | 0:27:28 | |
You've got a lot of making up to do. | 0:27:28 | 0:27:30 | |
Is that right, aye? | 0:27:30 | 0:27:32 | |
You better believe it. C'mon. | 0:27:32 | 0:27:34 | |
Stevie... | 0:27:42 | 0:27:43 | |
I'm sorry. | 0:27:47 | 0:27:48 | |
Me too. I didn't think it through. | 0:27:49 | 0:27:52 | |
No. You've nothing to apologise for. | 0:27:52 | 0:27:54 | |
-It wasn't just oxtail soup for lunch, was it? -No. | 0:27:58 | 0:28:02 | |
Asparagus! Wrapped with Parma ham. A Camembert studded with rosemary | 0:28:02 | 0:28:08 | |
and garlic, and a nice wee rocket and Parmesan salad. | 0:28:08 | 0:28:12 | |
What, you actually cooked it? | 0:28:12 | 0:28:14 | |
No, I phoned it in. Of course I cooked it. | 0:28:14 | 0:28:18 | |
Well, they're just the survivors cos I... | 0:28:18 | 0:28:20 | |
I slightly burnt the garlic bread. | 0:28:20 | 0:28:22 | |
I didn't know you were doing all this. | 0:28:24 | 0:28:26 | |
Still got a table booked in the toon if you want to get your glad rags on? | 0:28:26 | 0:28:30 | |
You've done all this and booked a table up the toon? | 0:28:30 | 0:28:32 | |
Making me look pure rubbish here, man. | 0:28:32 | 0:28:35 | |
Well... We could just stay in. | 0:28:35 | 0:28:37 | |
Can we...? | 0:28:38 | 0:28:40 | |
We never really go out anyway. | 0:28:40 | 0:28:43 | |
Right, if you want to go out, that's fine, | 0:28:43 | 0:28:44 | |
I can go and get ready... | 0:28:44 | 0:28:46 | |
No. It's fine. | 0:28:46 | 0:28:47 | |
I'm just saying, just... more than anything else, | 0:28:47 | 0:28:50 | |
I'd rather just be here with you. | 0:28:50 | 0:28:52 | |
Know what I mean? | 0:28:52 | 0:28:53 | |
Yeah, me too. | 0:28:54 | 0:28:56 | |
No more surprises. | 0:28:59 | 0:29:00 | |
Right, come on, get tore in. | 0:29:01 | 0:29:02 | |
Have you had yours? | 0:29:04 | 0:29:05 | |
Aye. Now get me a beer. | 0:29:05 | 0:29:07 | |
Wido. | 0:29:08 | 0:29:10 | |
MUSIC: "People Get Up And Drive Your Funky Soul" by James Brown | 0:29:13 | 0:29:17 | |
# Get up get yourself together | 0:29:18 | 0:29:20 | |
# And drive your funky soul | 0:29:20 | 0:29:23 | |
# They're doin' it down in Nassau | 0:29:23 | 0:29:25 | |
# Drive that funky soul | 0:29:25 | 0:29:28 | |
# They're doin' it by the beach | 0:29:28 | 0:29:30 | |
# They're drivin' that funky soul | 0:29:30 | 0:29:33 | |
# New York, get yourself together | 0:29:33 | 0:29:35 | |
# Drive your funky soul... # | 0:29:35 | 0:29:37 | |
LAUGHTER | 0:29:39 | 0:29:41 | |
I don't believe a word of it. | 0:29:41 | 0:29:42 | |
It's all true. | 0:29:42 | 0:29:43 | |
I'm the only white guy to win a Bob Marley sound-a-like competition. | 0:29:43 | 0:29:47 | |
-Where was this? -Um... Swindon. | 0:29:47 | 0:29:50 | |
SHE LAUGHS | 0:29:50 | 0:29:52 | |
What's so funny about that? | 0:29:52 | 0:29:54 | |
I don't know. I actually don't know! | 0:29:54 | 0:29:56 | |
-MUMBLES: -Ah, God... | 0:29:57 | 0:29:59 | |
Fancy another? | 0:29:59 | 0:30:00 | |
What? Embarrassing story or drink? | 0:30:00 | 0:30:02 | |
Both. I've got hunners. | 0:30:02 | 0:30:04 | |
Oh, go on, then. | 0:30:05 | 0:30:07 | |
SHE SIGHS | 0:30:09 | 0:30:12 | |
# Can you drive that funky soul? | 0:30:15 | 0:30:17 | |
# Raise up, get yourself together | 0:30:17 | 0:30:20 | |
# And drive your funky soul | 0:30:20 | 0:30:22 | |
# Start up! Get on up! | 0:30:22 | 0:30:25 | |
# Get together, drive that funky soul | 0:30:25 | 0:30:27 | |
# Leo, get yourself together | 0:30:27 | 0:30:30 | |
# And drive your funky soul | 0:30:30 | 0:30:32 | |
# Aquarius, get yourself together | 0:30:32 | 0:30:35 | |
# And drive that funky soul | 0:30:35 | 0:30:37 | |
# Get yourself together... # | 0:30:37 | 0:30:41 | |
This is actually quite fun. Just sitting here and talking nonsense. | 0:30:41 | 0:30:44 | |
-Oh, thanks very much. -Oh, you know what I mean! | 0:30:44 | 0:30:48 | |
Do you fancy dinner sometime? | 0:30:48 | 0:30:50 | |
Dinner? | 0:30:51 | 0:30:53 | |
It'll be on Bob. So might as well make the most of it. | 0:30:53 | 0:30:56 | |
How do you mean? | 0:30:56 | 0:30:57 | |
Well, he didn't think that you'd have a drink with me, | 0:30:57 | 0:31:00 | |
so I wagered him... 100 quid. | 0:31:00 | 0:31:02 | |
What? | 0:31:02 | 0:31:03 | |
I knew you'd say yes, so I thought he could treat us. | 0:31:03 | 0:31:06 | |
You're here for a bet? | 0:31:06 | 0:31:07 | |
What? No! | 0:31:07 | 0:31:09 | |
That's what you just said. | 0:31:09 | 0:31:11 | |
It wasn't like that. | 0:31:11 | 0:31:12 | |
Oh, really(?) | 0:31:12 | 0:31:14 | |
No. | 0:31:14 | 0:31:15 | |
Then why don't you tell me what it was like? | 0:31:15 | 0:31:18 | |
I'm all ears. | 0:31:18 | 0:31:20 | |
Go on, you tell me how you and Bob put a bet on you getting | 0:31:20 | 0:31:24 | |
a date with me, and how that is some sort of compliment. | 0:31:24 | 0:31:27 | |
How that's not objectifying me? | 0:31:27 | 0:31:30 | |
SHE SCOFFS | 0:31:30 | 0:31:31 | |
Oh, come on, Angus. No, sorry. | 0:31:31 | 0:31:33 | |
Objectifying, was that too big a word? | 0:31:33 | 0:31:35 | |
So what's throwing you? | 0:31:35 | 0:31:36 | |
Look, I know you don't mean to be... misogynistic, | 0:31:40 | 0:31:42 | |
it's just that you're wee bet with your pal | 0:31:42 | 0:31:45 | |
comes from the same school of thinking that sees topless women in the papers | 0:31:45 | 0:31:48 | |
as harmless fun. And you're not like that, are you? | 0:31:48 | 0:31:50 | |
Thanks for the drink. I'd better go. Leave you to have a wee think, maybe? | 0:31:52 | 0:31:56 | |
Zinnie, come on, it was just a joke. | 0:31:56 | 0:31:59 | |
You know what? You're funny, Angus. | 0:31:59 | 0:32:03 | |
But you're not that funny. | 0:32:03 | 0:32:05 | |
You're probably right. | 0:32:15 | 0:32:17 | |
Of course I am. | 0:32:17 | 0:32:18 | |
Well, do you want to know what about? | 0:32:20 | 0:32:23 | |
No' really. | 0:32:23 | 0:32:24 | |
Alex probably won't give me a job at The Delaney. | 0:32:25 | 0:32:28 | |
He probably won't. | 0:32:28 | 0:32:30 | |
But it's given me hunners of ideas for The Oyster. | 0:32:30 | 0:32:33 | |
No reason why it can't be more like The Delaney. | 0:32:33 | 0:32:37 | |
Bring in a younger crowd and that. | 0:32:37 | 0:32:39 | |
Stella... You can do anything you want. | 0:32:39 | 0:32:43 | |
You think so? | 0:32:43 | 0:32:44 | |
Aye. You've got it. That spark. Anything you turn your hand to. | 0:32:44 | 0:32:48 | |
You can make it happen, doll. | 0:32:48 | 0:32:50 | |
Thanks. That really means a lot. | 0:32:50 | 0:32:52 | |
HE SIGHS | 0:32:54 | 0:32:56 | |
I got today all wrong, didn't I? | 0:32:56 | 0:32:58 | |
Big time. | 0:32:58 | 0:32:59 | |
For all your "one in a million" qualities, | 0:33:00 | 0:33:03 | |
you can be a right pie at times. | 0:33:03 | 0:33:05 | |
I'm sorry. | 0:33:06 | 0:33:07 | |
I seem to remember something about you "making it up to me"? | 0:33:12 | 0:33:15 | |
Does that ring any bells? | 0:33:15 | 0:33:16 | |
Maybe. | 0:33:18 | 0:33:19 | |
What's that? | 0:33:21 | 0:33:22 | |
BOTH CHUCKLE | 0:33:22 | 0:33:24 | |
-Do you want to go into the bedroom? -It's a bit early, is it not? | 0:33:33 | 0:33:37 | |
And anyway, it's been ages since we've done it in the living room. | 0:33:37 | 0:33:41 | |
BOTH SIGH | 0:33:41 | 0:33:43 | |
BOTH CHUCKLE | 0:33:46 | 0:33:48 | |
Hoi, you. | 0:33:52 | 0:33:53 | |
You all right? | 0:33:53 | 0:33:55 | |
Aye, just kiss it better. | 0:33:55 | 0:33:57 | |
-Where does it hurt? -Everywhere. | 0:33:57 | 0:33:59 | |
Right, away you go into the bedroom. | 0:34:01 | 0:34:03 | |
For what? | 0:34:03 | 0:34:06 | |
Eh, condoms(?) | 0:34:06 | 0:34:08 | |
Right. | 0:34:08 | 0:34:09 | |
Stevie, away you go. | 0:34:11 | 0:34:13 | |
-It's our anniversary. -And...? | 0:34:13 | 0:34:16 | |
We can risk it. | 0:34:16 | 0:34:17 | |
-Can we? -Aye. | 0:34:18 | 0:34:21 | |
I don't think so. | 0:34:21 | 0:34:23 | |
-Come on. -No. | 0:34:23 | 0:34:24 | |
Stevie, want to just go and get them? | 0:34:24 | 0:34:27 | |
I'll be careful. | 0:34:27 | 0:34:28 | |
Aye, and what if you're not? | 0:34:28 | 0:34:30 | |
So? | 0:34:30 | 0:34:31 | |
"So"? | 0:34:31 | 0:34:33 | |
So? | 0:34:33 | 0:34:36 | |
Is that the way you want to start an adult conversation | 0:34:36 | 0:34:38 | |
-about the consequences of getting pregnant? -No, of course not. | 0:34:38 | 0:34:41 | |
Well, what do you mean, then? | 0:34:41 | 0:34:43 | |
If it happens, it happens. | 0:34:43 | 0:34:45 | |
I think I preferred "So". | 0:34:46 | 0:34:48 | |
Do you really want to talk about having weans the now? | 0:34:48 | 0:34:51 | |
No' really, no, and we wouldn't be having this conversation | 0:34:51 | 0:34:54 | |
-if you'd actually just go and get the condoms. -Fine! | 0:34:54 | 0:34:57 | |
What? "Fine"? What? Am I nagging now an' all? | 0:34:58 | 0:35:00 | |
-No, I'll get them, all right? -Don't bother. Don't think I'm really in the mood any more, Mr See What Happens. | 0:35:00 | 0:35:05 | |
And what's that supposed to mean? | 0:35:05 | 0:35:07 | |
Well, you're willing to risk it. | 0:35:07 | 0:35:09 | |
-And you won't? -No. -Because it would be such a disaster? | 0:35:09 | 0:35:13 | |
Aye, Stevie. It would be. | 0:35:13 | 0:35:14 | |
Stevie...! | 0:35:19 | 0:35:22 | |
Stevie. | 0:35:23 | 0:35:25 | |
Let's just write today off. | 0:35:26 | 0:35:28 | |
What? | 0:35:28 | 0:35:30 | |
It's all right. It's not like we're married or anything. | 0:35:30 | 0:35:32 | |
We don't need to worry about anniversaries. I'm away to put the telly on. | 0:35:32 | 0:35:35 | |
-Just stop it. -What? -Stop punishing me for today. | 0:35:35 | 0:35:38 | |
I've not got a clue what happened today, | 0:35:38 | 0:35:41 | |
but you've made it perfectly clear I'm not part of your plans any more. | 0:35:41 | 0:35:44 | |
Is that what you think, aye? | 0:35:45 | 0:35:47 | |
Well, am I? | 0:35:47 | 0:35:49 | |
That's not fair. | 0:35:49 | 0:35:50 | |
I don't expect anything from you, but if you can't have lunch | 0:35:50 | 0:35:53 | |
with me on our anniversary what chance have we got? | 0:35:53 | 0:35:56 | |
My, God, man, we've got every chance. | 0:35:56 | 0:35:58 | |
All this anniversary stuff is just crap, | 0:35:58 | 0:36:00 | |
why do you keep using it against me? | 0:36:00 | 0:36:02 | |
I don't care if we've been together 365 days of the year or no'. | 0:36:02 | 0:36:05 | |
I've done all that stuff with Bob. | 0:36:05 | 0:36:07 | |
All the Valentine's Day cards and flowers and... | 0:36:07 | 0:36:10 | |
As if it's some sort of miracle cure, man. | 0:36:11 | 0:36:14 | |
We either love each other or we don't, we're together or we're no | 0:36:14 | 0:36:17 | |
and see all this stuff, man, it's just... | 0:36:17 | 0:36:19 | |
It doesnae matter. | 0:36:20 | 0:36:22 | |
Aye, well, it does to me! | 0:36:22 | 0:36:23 | |
It might all be pretence to you but it's about making an effort | 0:36:24 | 0:36:27 | |
and if you cannae make that effort what does that say about | 0:36:27 | 0:36:30 | |
what you think of me? Eh? | 0:36:30 | 0:36:32 | |
I'm no worth it? | 0:36:32 | 0:36:33 | |
SHE SIGHS | 0:36:37 | 0:36:39 | |
DOOR CLOSES | 0:36:40 | 0:36:43 | |
DOORBELL RINGS | 0:36:43 | 0:36:44 | |
SHE SCOFFS | 0:36:55 | 0:36:56 | |
30 seconds. | 0:37:00 | 0:37:02 | |
Right, so there's a bottle of wine, and a big bag of crisps, | 0:37:04 | 0:37:07 | |
you know the ones who can't stop at just salt and vinegar? It has to | 0:37:07 | 0:37:10 | |
be hand-dried sea salt and vintage white wine tarragon vinegar. | 0:37:10 | 0:37:13 | |
Anyway, a packet of crisps and a magazine of C-list celebrities on diets. | 0:37:13 | 0:37:19 | |
The bet thing was out of order and it was only a tenner | 0:37:19 | 0:37:22 | |
but I thought that seemed worse. | 0:37:22 | 0:37:24 | |
And I am perfectly aware of how much an idiot I've been. | 0:37:24 | 0:37:28 | |
So, apologies... | 0:37:28 | 0:37:29 | |
And, if the Mini Market had anything better, | 0:37:31 | 0:37:33 | |
I would have got you it. | 0:37:33 | 0:37:35 | |
Thank you. | 0:37:35 | 0:37:36 | |
See you. | 0:37:36 | 0:37:38 | |
Can I get you anything? | 0:38:10 | 0:38:11 | |
A time machine? | 0:38:13 | 0:38:15 | |
So you can go back to before you met me? | 0:38:17 | 0:38:19 | |
No, this morning would be fine. | 0:38:20 | 0:38:22 | |
I would have got you a record player. | 0:38:29 | 0:38:31 | |
I'd have got you a present. | 0:38:33 | 0:38:35 | |
I thought we could've listened to a record together. | 0:38:38 | 0:38:41 | |
I always thought you'd be the kind of guy that would appreciate that kind of thing. | 0:38:44 | 0:38:50 | |
Am I that old-fashioned? | 0:38:50 | 0:38:51 | |
Aye. You are. | 0:38:53 | 0:38:55 | |
I like that. PHONE CHIMES | 0:38:57 | 0:38:59 | |
Who's that? | 0:39:01 | 0:39:02 | |
Alex. Saying thanks. | 0:39:06 | 0:39:08 | |
Right. | 0:39:08 | 0:39:09 | |
-I really loved that place today. -I know you did. | 0:39:13 | 0:39:16 | |
Look, can we actually have a conversation about this? | 0:39:16 | 0:39:19 | |
Without it being about us? | 0:39:19 | 0:39:20 | |
HE SNIFFS | 0:39:26 | 0:39:27 | |
What difference does it make? | 0:39:30 | 0:39:32 | |
-What do you mean? -You'll be back in The Oyster the morrow. | 0:39:33 | 0:39:37 | |
Maybe, aye, but I'm trying to build a career. | 0:39:37 | 0:39:41 | |
And working with Alex is a really big deal. | 0:39:41 | 0:39:43 | |
But seriously, what difference does it make? | 0:39:43 | 0:39:46 | |
Working in a cafe here, or working in a cafe in town? | 0:39:46 | 0:39:48 | |
Sorry, I'm forgetting you cannae see past Shieldinch. | 0:39:48 | 0:39:51 | |
Oh, right...(!) | 0:39:51 | 0:39:52 | |
So you spend a few hours serving fancy drinks to stuck-up | 0:39:52 | 0:39:55 | |
weegies, and all of a sudden you're too good for this place? | 0:39:55 | 0:39:58 | |
-I'm not falling for it, Stevie. -What? | 0:39:58 | 0:40:00 | |
Your snidey remarks. | 0:40:00 | 0:40:02 | |
I just want more. | 0:40:02 | 0:40:04 | |
That's all. And I thought you did too. | 0:40:04 | 0:40:08 | |
How many guys my age are running a pub? | 0:40:08 | 0:40:10 | |
Plenty pulling pints, but how many managers? | 0:40:10 | 0:40:13 | |
-And that's it? -What's wrong with that? | 0:40:13 | 0:40:16 | |
The Delaney probably takes half of what we do at The Ship. | 0:40:16 | 0:40:18 | |
-I don't think so. -Aye, right(!) -And anyway, that's not what it's about. | 0:40:18 | 0:40:21 | |
Working with Alex will actually open doors for me. | 0:40:21 | 0:40:24 | |
Maybe it will, but you'll never be satisfied. | 0:40:24 | 0:40:27 | |
There will always be someone doing better, or a job you'd rather have. | 0:40:27 | 0:40:30 | |
So, what...? I'm just to settle for something then, aye? | 0:40:30 | 0:40:33 | |
I'm not saying that. | 0:40:33 | 0:40:35 | |
What is wrong with wanting more, striving for something better? | 0:40:35 | 0:40:39 | |
Nothing. | 0:40:39 | 0:40:40 | |
Nothing at all as long as you can see what really matters. | 0:40:40 | 0:40:44 | |
What's really important. | 0:40:44 | 0:40:47 | |
-Well, a career is really important to me. -Above everything? | 0:40:47 | 0:40:50 | |
Of course not... | 0:40:50 | 0:40:51 | |
All I'm saying is, that... see | 0:40:53 | 0:40:55 | |
if I'm going to go to work, then I want it to be the best I can do. | 0:40:55 | 0:40:59 | |
Aye, exactly, but that's all it is, Stella. Work. | 0:40:59 | 0:41:03 | |
A career is really different to work. | 0:41:04 | 0:41:06 | |
But at what expense? Us? | 0:41:06 | 0:41:10 | |
A future? | 0:41:10 | 0:41:12 | |
A family. | 0:41:12 | 0:41:14 | |
-A family. -Aye. | 0:41:16 | 0:41:18 | |
(You want to go there, do you?) | 0:41:21 | 0:41:22 | |
Why no'? You say that like it's something you can't talk about. | 0:41:22 | 0:41:27 | |
Or is it something you don't want to talk about? | 0:41:27 | 0:41:30 | |
I think about it all the time. | 0:41:38 | 0:41:39 | |
What it would be like if I never miscarried. | 0:41:42 | 0:41:44 | |
I look at weans, and I think... | 0:41:50 | 0:41:52 | |
Well, I try to guess what age they are... | 0:41:55 | 0:41:58 | |
And I think, "Would my baby be like that?" | 0:41:59 | 0:42:02 | |
"What would she be like." | 0:42:04 | 0:42:06 | |
I do that. | 0:42:09 | 0:42:10 | |
-Do you? -Uh-huh. | 0:42:12 | 0:42:13 | |
I watch wee guys playing football and... | 0:42:17 | 0:42:19 | |
..I think to myself, "Oh, I wonder | 0:42:21 | 0:42:24 | |
"if my wee one will be like this one, or that one?" | 0:42:24 | 0:42:27 | |
It's like I'm waiting on my life to start, do you know what I mean? | 0:42:30 | 0:42:33 | |
And we had a glimpse. | 0:42:37 | 0:42:38 | |
A chance to see what our lives would have been like. | 0:42:39 | 0:42:42 | |
And then it just got took away. | 0:42:45 | 0:42:46 | |
Oh, I know. | 0:42:49 | 0:42:50 | |
Stevie, I mourn that baby. | 0:42:55 | 0:42:57 | |
I really do. I grieve. | 0:42:59 | 0:43:03 | |
And the guilt, man? You've no idea. | 0:43:06 | 0:43:08 | |
But, look, I'm only 22. | 0:43:10 | 0:43:14 | |
We've got plenty of time to think about having weans. | 0:43:17 | 0:43:20 | |
If you hadn't miscarried, we'd be a family the now. | 0:43:22 | 0:43:25 | |
I know, but I did miscarry. | 0:43:25 | 0:43:28 | |
And you've just been saying how much you regret it. | 0:43:28 | 0:43:31 | |
No, I never said that. | 0:43:33 | 0:43:34 | |
What? | 0:43:36 | 0:43:38 | |
It hurts me. Deeply. But... | 0:43:39 | 0:43:44 | |
Maybe it just wasn't meant to be. | 0:43:44 | 0:43:46 | |
So what, you're saying you're glad it happened?! | 0:43:46 | 0:43:49 | |
No, that's not what I'm saying. | 0:43:49 | 0:43:51 | |
I'm just... I'm not going to let it take over me for life. | 0:43:51 | 0:43:55 | |
For whatever reason, I miscarried... | 0:43:55 | 0:43:57 | |
We know why you miscarried! | 0:43:57 | 0:43:59 | |
No, we don't. | 0:43:59 | 0:44:01 | |
That junkie scumbag brother of yours! | 0:44:01 | 0:44:04 | |
How many times do I need to tell you? It wasn't his fault. | 0:44:04 | 0:44:06 | |
-Then whose was it, then? -Nobody's! | 0:44:06 | 0:44:09 | |
It wasn't anybody's fault. | 0:44:09 | 0:44:11 | |
It happened, OK, | 0:44:14 | 0:44:15 | |
and I'm not going to spend the rest of my life wishing it didn't. | 0:44:15 | 0:44:19 | |
Do you know something? See you, I don't even know you any more, man. | 0:44:19 | 0:44:22 | |
For God's sake. Of course you know me, | 0:44:22 | 0:44:24 | |
it's just that you only hear what you want to hear. | 0:44:24 | 0:44:28 | |
This is why we don't talk. | 0:44:28 | 0:44:29 | |
-Of course we talk! -No, we don't. | 0:44:29 | 0:44:32 | |
We laugh and we joke and that's brilliant, but most of the time | 0:44:32 | 0:44:36 | |
it's just because we're too afraid to actually speak to each other. | 0:44:36 | 0:44:39 | |
That's rubbish. | 0:44:39 | 0:44:40 | |
You just think that all it takes is some big gesture | 0:44:40 | 0:44:43 | |
to make it all go away. | 0:44:43 | 0:44:44 | |
Like having weans - you think that that'll just solve all our problems | 0:44:45 | 0:44:50 | |
and actually keep us together. | 0:44:50 | 0:44:52 | |
What are you talking about? | 0:44:52 | 0:44:54 | |
I don't want to have weans just to keep us together! | 0:44:54 | 0:44:56 | |
Well, I don't want to have weans with somebody that doesn't face up to things. | 0:44:56 | 0:44:59 | |
Do you know something? You're right. Feels like I do know you after all. | 0:44:59 | 0:45:04 | |
No, don't walk away from me. | 0:45:04 | 0:45:06 | |
You can't have it both ways, Stevie. | 0:45:10 | 0:45:12 | |
What are you talking about? | 0:45:12 | 0:45:13 | |
See, the only way I can actually cope with what happened | 0:45:13 | 0:45:16 | |
is to believe that it happened for a reason, | 0:45:16 | 0:45:19 | |
to find some glimmer of hope in it. | 0:45:19 | 0:45:21 | |
Mark got clean because of it. | 0:45:23 | 0:45:26 | |
See that waste of space that you're talking about. | 0:45:26 | 0:45:28 | |
But you... | 0:45:30 | 0:45:31 | |
What about me? | 0:45:31 | 0:45:33 | |
You want to make the miscarriage the defining moment in our lives. | 0:45:35 | 0:45:39 | |
And see if you want to talk about my brother, let's talk about my brother. | 0:45:39 | 0:45:43 | |
-Stella, don't, man. -Why not? | 0:45:43 | 0:45:45 | |
Why don't we talk about when he was lying there dying | 0:45:45 | 0:45:48 | |
and you stood over him, and you didn't do anything to help him. | 0:45:48 | 0:45:51 | |
Do you want me to think of that every time I look at you? | 0:45:53 | 0:45:56 | |
Do you? | 0:45:58 | 0:45:59 | |
Then don't do that to me, Stevie, don't make that one thing | 0:46:02 | 0:46:08 | |
everything that we are about. | 0:46:08 | 0:46:10 | |
I won't let what you did tear us apart. Do you want to know why? | 0:46:12 | 0:46:17 | |
Because I love you. | 0:46:21 | 0:46:22 | |
I may not buy you a card with a puppy on the front of it | 0:46:26 | 0:46:28 | |
or buy you aftershave or whatever, but I work hard in this relationship. | 0:46:28 | 0:46:33 | |
And see for all your grand gestures, I'm not sure that you do. | 0:46:35 | 0:46:38 | |
S... | 0:46:40 | 0:46:41 | |
DOOR SLAMS | 0:46:41 | 0:46:43 | |
You all right? | 0:47:43 | 0:47:45 | |
Not really, no. | 0:47:45 | 0:47:46 | |
I had no idea... | 0:47:58 | 0:47:59 | |
..that we were so far apart. | 0:48:01 | 0:48:03 | |
We're not. | 0:48:05 | 0:48:06 | |
I don't see having weans as some gesture. | 0:48:08 | 0:48:12 | |
I know. It came out all wrong. | 0:48:12 | 0:48:15 | |
Sounded like you meant it from where I was standing. | 0:48:15 | 0:48:18 | |
It's like... | 0:48:22 | 0:48:23 | |
..you see having a family with me as your worst nightmare. | 0:48:25 | 0:48:30 | |
-No, it's not. -That's how it feels. | 0:48:30 | 0:48:32 | |
I go to work. | 0:48:34 | 0:48:35 | |
I like it, you know what I mean, but I don't live for it. | 0:48:36 | 0:48:39 | |
Cos I'd rather be here with you. | 0:48:41 | 0:48:43 | |
And when I think about you, all I want for us is to have a family. | 0:48:44 | 0:48:48 | |
I'm sorry if you think that sounds wrong. | 0:48:51 | 0:48:53 | |
I don't think it sounds wrong. | 0:48:55 | 0:48:57 | |
Maybe I want too much, man. | 0:49:02 | 0:49:04 | |
You're probably right. | 0:49:08 | 0:49:10 | |
There's always going to be somebody doing better than me, | 0:49:11 | 0:49:14 | |
doing better in their job or facing bigger challenges or whatever, but... | 0:49:14 | 0:49:19 | |
I'd just never live with myself if I didn't give it a go. | 0:49:21 | 0:49:25 | |
Took a chance. | 0:49:27 | 0:49:28 | |
For us. | 0:49:31 | 0:49:32 | |
For our family. | 0:49:36 | 0:49:37 | |
Whenever that's going to be. | 0:49:39 | 0:49:41 | |
See when you said earlier on that I could do anything... | 0:49:51 | 0:49:54 | |
Did you mean it? | 0:49:56 | 0:49:57 | |
Of course I did. | 0:49:59 | 0:50:01 | |
But you don't want me to? | 0:50:02 | 0:50:04 | |
Look, it's OK. It's just... | 0:50:04 | 0:50:06 | |
..there'd be a time when you'd be pushing me out the door for a chance like this. | 0:50:08 | 0:50:12 | |
And that's what it is, Stevie. It's a chance. | 0:50:14 | 0:50:16 | |
I wasn't going anywhere with Gina. | 0:50:18 | 0:50:20 | |
But see with Alex? I actually feel as if I could go somewhere. | 0:50:21 | 0:50:25 | |
But I need you to want it and all. | 0:50:27 | 0:50:29 | |
I want everything for you. | 0:50:33 | 0:50:35 | |
Aye, me too. | 0:50:37 | 0:50:39 | |
-I mean, for you. -I know. | 0:50:41 | 0:50:43 | |
There's plenty time. | 0:50:48 | 0:50:50 | |
Maybe. | 0:50:50 | 0:50:52 | |
But if you don't mind, I'm not going to just wait till you're ready. | 0:50:54 | 0:50:58 | |
Cos we might miss it. | 0:50:58 | 0:51:01 | |
We might be sitting here in ten years' time having the exact same conversation. | 0:51:01 | 0:51:05 | |
Aye, we might. | 0:51:07 | 0:51:09 | |
So I'm going to keep bugging you. | 0:51:10 | 0:51:13 | |
Aye, OK. | 0:51:13 | 0:51:14 | |
You don't mind? | 0:51:14 | 0:51:16 | |
Nope. | 0:51:16 | 0:51:17 | |
That's if your PA will pass on my message! | 0:51:20 | 0:51:23 | |
Come here, you. | 0:51:23 | 0:51:25 | |
I'm sure most couples spend their anniversary fighting. | 0:51:33 | 0:51:36 | |
You think so? | 0:51:36 | 0:51:38 | |
Aye. Just so they can make up. | 0:51:38 | 0:51:40 | |
I can see a certain logic in that. | 0:51:42 | 0:51:44 | |
Can you? | 0:51:44 | 0:51:46 | |
And judging by the day we've had... | 0:51:46 | 0:51:49 | |
we're definitely going to break some records tonight. | 0:51:49 | 0:51:53 | |
I love you, Stevie Burns. | 0:51:55 | 0:51:56 | |
No, you don't. | 0:51:58 | 0:52:00 | |
What, you want me to prove it? | 0:52:00 | 0:52:02 | |
You can try. | 0:52:02 | 0:52:03 | |
OK. | 0:52:03 | 0:52:05 | |
Give it your best shot. | 0:52:05 | 0:52:08 | |
Don't know if you can handle that. | 0:52:08 | 0:52:10 | |
I should be saying that to you. | 0:52:10 | 0:52:12 | |
What, really? | 0:52:12 | 0:52:14 | |
Better make sure there's enough condoms. | 0:52:14 | 0:52:17 | |
I do love you. | 0:52:22 | 0:52:23 | |
I know. | 0:52:25 | 0:52:26 | |
Give me a kiss. | 0:52:29 | 0:52:31 | |
MUSIC: "Angels" by The xx | 0:52:38 | 0:52:42 | |
# Light reflects from your shadow | 0:52:50 | 0:52:54 | |
# It is more than I thought could exist | 0:52:54 | 0:53:01 | |
# You move through the room | 0:53:01 | 0:53:03 | |
# Like breathing was easy | 0:53:03 | 0:53:06 | |
# If someone believed me | 0:53:06 | 0:53:09 | |
# They would be as in love with you as I am | 0:53:09 | 0:53:14 | |
# They would be as in love with you as I am | 0:53:14 | 0:53:19 | |
# They would be as in love with you as I am | 0:53:19 | 0:53:25 | |
# They would be in love, love, love | 0:53:25 | 0:53:30 | |
# And every day I am learning about you | 0:53:32 | 0:53:37 | |
# The things that no-one else sees | 0:53:37 | 0:53:42 | |
# And the end comes too soon | 0:53:43 | 0:53:45 | |
# Like dreaming of angels | 0:53:45 | 0:53:49 | |
# And leaving without them | 0:53:56 | 0:53:58 | |
# And leaving without them | 0:54:06 | 0:54:09 | |
# Being as in love with you as I am | 0:54:12 | 0:54:17 | |
# Being as in love with you as I am | 0:54:17 | 0:54:22 | |
# Being as in love with you as I am | 0:54:22 | 0:54:27 | |
# Being as in love, love, love | 0:54:27 | 0:54:33 | |
# Love, love, love | 0:54:34 | 0:54:37 | |
# Love, love, love | 0:54:39 | 0:54:43 | |
# And with words unspoken | 0:54:45 | 0:54:48 | |
# A silent devotion | 0:54:48 | 0:54:51 | |
# I know you know what I mean | 0:54:51 | 0:54:55 | |
# And the end is unknown | 0:54:55 | 0:54:58 | |
# But I think I'm ready | 0:54:58 | 0:55:01 | |
# As long as you're with me | 0:55:01 | 0:55:04 | |
# Being as in love with you as I am | 0:55:04 | 0:55:09 | |
# Being as in love with you as I am | 0:55:09 | 0:55:14 | |
# Being as in love with you as I am | 0:55:14 | 0:55:19 | |
# Being as in love, love, love. # | 0:55:19 | 0:55:25 | |
-I'm going to go. -You're skiving on your first day? | 0:55:29 | 0:55:32 | |
Cool. I'll just come with you. | 0:55:32 | 0:55:35 | |
Sorry, but this is private. | 0:55:35 | 0:55:37 | |
-Somebody's got to know where he is, what's happened to him. -It's not me. | 0:55:37 | 0:55:40 | |
Well, I'm going to find out who does. | 0:55:40 | 0:55:42 | |
Raymond's worried about what happened to Turnbull. | 0:55:42 | 0:55:44 | |
Maybe we should be asking more questions. | 0:55:44 | 0:55:46 | |
-Turnbull will turn up when he's ready. -You think? | 0:55:46 | 0:55:49 | |
'That was the school on the phone.' | 0:55:49 | 0:55:51 | |
'Finn went to registration and he's now dogged it.' | 0:55:51 | 0:55:54 | |
Kirsty Lindsay, please. | 0:55:54 | 0:55:55 | |
LAUGHTER AND JEERING | 0:55:55 | 0:55:57 | |
-Settle down! -Can I help you? | 0:55:57 | 0:55:59 | |
Catriona Ellis, she does live here, right? | 0:55:59 | 0:56:02 |