Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Sing! -Jackie Stevenson was a brave... | 0:00:02 | 0:00:03 | |
and invaluable member of the police service. | 0:00:03 | 0:00:06 | |
You can't bring Stevie back. | 0:00:06 | 0:00:07 | |
You're still here! | 0:00:07 | 0:00:09 | |
You're still here! | 0:00:09 | 0:00:10 | |
Justice? | 0:00:10 | 0:00:11 | |
The only real justice is when you | 0:00:11 | 0:00:13 | |
take the law into your own hands. | 0:00:13 | 0:00:15 | |
I'll find who did this. | 0:00:15 | 0:00:16 | |
Sure you will. | 0:00:16 | 0:00:18 | |
She crosses the road, stops halfway, | 0:00:18 | 0:00:20 | |
and there's a look of recognition. | 0:00:20 | 0:00:22 | |
We found Stevie's DNA | 0:00:22 | 0:00:23 | |
INSIDE the car. | 0:00:23 | 0:00:25 | |
We need to get an ID on the man who dropped off the car. | 0:00:25 | 0:00:28 | |
Bruno! | 0:00:28 | 0:00:29 | |
The car was dumped here? | 0:00:29 | 0:00:30 | |
He was wearing this old coat. | 0:00:30 | 0:00:32 | |
I called to him but he kept walking... | 0:00:32 | 0:00:34 | |
It may take me time but... | 0:00:34 | 0:00:36 | |
this isn't the place for you, River. | 0:00:36 | 0:00:37 | |
I expect your psychiatric report to support me on this. | 0:00:37 | 0:00:40 | |
Not everyone fits in this world. | 0:00:40 | 0:00:42 | |
-We just have to... -Pretend? | 0:00:42 | 0:00:44 | |
So? | 0:00:46 | 0:00:48 | |
I had a second phone. | 0:00:48 | 0:00:49 | |
INDISTINCT CONVERSATION | 0:01:08 | 0:01:10 | |
Stop fiddling. | 0:01:15 | 0:01:16 | |
You look fine. | 0:01:18 | 0:01:19 | |
You pay inside. | 0:01:47 | 0:01:48 | |
Over there. | 0:01:48 | 0:01:50 | |
HE SPEAKS IN HIS OWN LANGUAGE | 0:01:55 | 0:01:58 | |
It's 15, inside and out. 15. | 0:02:00 | 0:02:02 | |
HE CONTINUES IN HIS OWN LANGUAGE | 0:02:03 | 0:02:05 | |
Cheers. | 0:02:10 | 0:02:11 | |
Technically, I unlocked it. | 0:02:11 | 0:02:14 | |
Technically, you're spoiling evidence... | 0:02:14 | 0:02:16 | |
not to mention withholding it. | 0:02:16 | 0:02:18 | |
If a party withholds evidence, | 0:02:18 | 0:02:20 | |
it's reasonable to infer that the party had "consciousness of guilt" | 0:02:20 | 0:02:23 | |
OR other motivation to avoid the evidence. | 0:02:23 | 0:02:26 | |
The fact finder may conclude | 0:02:26 | 0:02:27 | |
that the evidence could be unfavourable to the spoliator. | 0:02:27 | 0:02:32 | |
That's you. | 0:02:32 | 0:02:33 | |
He has a point. | 0:02:50 | 0:02:51 | |
They give me clowns. | 0:02:51 | 0:02:53 | |
A clown with Stevie's second phone. | 0:02:53 | 0:02:55 | |
Four numbers. | 0:02:57 | 0:02:58 | |
A takeaway, | 0:03:01 | 0:03:02 | |
Cristal Kebabs, | 0:03:02 | 0:03:03 | |
called... | 0:03:03 | 0:03:05 | |
19 times in seven weeks. | 0:03:05 | 0:03:07 | |
Second. | 0:03:08 | 0:03:10 | |
Unregistered. | 0:03:10 | 0:03:12 | |
Pay as you go, it looks like. | 0:03:13 | 0:03:15 | |
Third? | 0:03:15 | 0:03:16 | |
A sex chat line. | 0:03:18 | 0:03:19 | |
It gets lonely. | 0:03:23 | 0:03:25 | |
If you're lonely when you're alone, you're in bad company. | 0:03:25 | 0:03:28 | |
Fourth... | 0:03:28 | 0:03:29 | |
Jimmy Stevenson. | 0:03:33 | 0:03:34 | |
She called him...one..two...three... | 0:03:36 | 0:03:38 | |
four times in the first few weeks of October. | 0:03:38 | 0:03:41 | |
Last called 6.15pm | 0:03:41 | 0:03:44 | |
the night of October 21st. | 0:03:44 | 0:03:45 | |
That's the night she... | 0:03:47 | 0:03:48 | |
Looks like he called her right back. | 0:03:50 | 0:03:52 | |
He left a voicemail. | 0:03:52 | 0:03:54 | |
PHONE DIALS | 0:03:54 | 0:03:56 | |
'Please enter your four-digit PIN for access.' | 0:03:56 | 0:03:59 | |
It needs a PIN. | 0:03:59 | 0:04:00 | |
You said you hadn't talked to him in years! | 0:04:00 | 0:04:02 | |
HORNS BLARE | 0:04:08 | 0:04:09 | |
This is not our investigation. | 0:04:16 | 0:04:17 | |
If he was calling her on her second phone... | 0:04:19 | 0:04:23 | |
We have to share this. | 0:04:23 | 0:04:24 | |
You've got to bring Chrissie up to speed. | 0:04:24 | 0:04:27 | |
I left the money on the table, Jean. | 0:04:27 | 0:04:30 | |
I need to talk to Jimmy. | 0:04:35 | 0:04:37 | |
He just needs to ask him some questions. | 0:04:37 | 0:04:40 | |
I thought you weren't on her case. | 0:04:40 | 0:04:42 | |
It's all right, Mammy... | 0:04:42 | 0:04:43 | |
You're going to shit on us again, huh? | 0:04:43 | 0:04:46 | |
Shit, sleep, work, repeat. | 0:04:53 | 0:04:56 | |
He was with me. | 0:05:02 | 0:05:03 | |
Are you saying I'm lying? | 0:05:07 | 0:05:09 | |
No, Bridie, | 0:05:09 | 0:05:10 | |
I'm saying he's your son | 0:05:10 | 0:05:11 | |
and a mother protects her son. | 0:05:11 | 0:05:13 | |
You want to know who needs protecting? | 0:05:13 | 0:05:15 | |
Frankie. | 0:05:15 | 0:05:16 | |
He's not been home in two days, | 0:05:16 | 0:05:18 | |
he's so upset. | 0:05:18 | 0:05:19 | |
Tearing into this family, | 0:05:21 | 0:05:23 | |
into Jimmy, | 0:05:23 | 0:05:25 | |
the brother who loved her. | 0:05:25 | 0:05:27 | |
LOVED her. | 0:05:28 | 0:05:29 | |
It's cos you're not right in the head. | 0:05:31 | 0:05:33 | |
Stevie'd tell me about the days when she had to come round | 0:05:35 | 0:05:37 | |
and peel you off the floor - | 0:05:37 | 0:05:40 | |
cook you tea, get you clean, | 0:05:40 | 0:05:43 | |
get you working again - | 0:05:43 | 0:05:45 | |
and this is how you repay her? | 0:05:45 | 0:05:47 | |
You of all people. | 0:05:48 | 0:05:50 | |
You might want to call his lawyer. | 0:05:53 | 0:05:55 | |
He's nothing to defend. | 0:05:55 | 0:05:57 | |
I arrested him. I sent him down. | 0:06:18 | 0:06:20 | |
Because of my evidence, he served 16 years. | 0:06:20 | 0:06:24 | |
That's not wiped with a few sessions of macrame. | 0:06:24 | 0:06:27 | |
Why didn't you tell me he'd been in contact? | 0:06:27 | 0:06:30 | |
LIGHTS BUZZ | 0:06:40 | 0:06:45 | |
When was the last time you saw her? | 0:06:54 | 0:06:56 | |
Spoke to her, even? | 0:06:56 | 0:06:58 | |
I've answered these questions before. | 0:06:58 | 0:07:00 | |
January the 19th, 1999. | 0:07:03 | 0:07:04 | |
The day I got sent down. | 0:07:06 | 0:07:08 | |
What am I doing here? | 0:07:08 | 0:07:09 | |
Old sins cast long shadows. | 0:07:10 | 0:07:13 | |
I did not... | 0:07:13 | 0:07:14 | |
kill... | 0:07:14 | 0:07:15 | |
my sister. | 0:07:15 | 0:07:16 | |
Have you spoken to her | 0:07:17 | 0:07:19 | |
via e-mail, letter or phone? | 0:07:19 | 0:07:20 | |
You went out for a drink with your brother, Francis, | 0:07:23 | 0:07:26 | |
until 8.15pm on the night DS Stevenson was killed. | 0:07:26 | 0:07:29 | |
We have a sighting of you in the local pub. | 0:07:29 | 0:07:32 | |
Then we went home. | 0:07:33 | 0:07:34 | |
And watched TV | 0:07:34 | 0:07:36 | |
with Francis and your mother... | 0:07:36 | 0:07:38 | |
X Factor. | 0:07:38 | 0:07:39 | |
..until 10.15pm. | 0:07:39 | 0:07:41 | |
You still like a drink? | 0:07:41 | 0:07:43 | |
AA. | 0:07:47 | 0:07:48 | |
Six years. | 0:07:48 | 0:07:49 | |
So, no booze, | 0:07:49 | 0:07:50 | |
no weed, no nicotine. | 0:07:50 | 0:07:52 | |
Oh, you metamorphose or you calcify. | 0:07:54 | 0:07:58 | |
They say Charlie Manson likes to make little dolls in his spare time. | 0:07:58 | 0:08:02 | |
Out of old socks. | 0:08:02 | 0:08:04 | |
16 years inside... | 0:08:06 | 0:08:08 | |
..and five months after your release, your sister, | 0:08:10 | 0:08:12 | |
the sister who put you away, | 0:08:12 | 0:08:15 | |
is dead. | 0:08:15 | 0:08:16 | |
She stood in court and gave evidence | 0:08:16 | 0:08:18 | |
that you, her own brother, murdered... | 0:08:18 | 0:08:21 | |
No... | 0:08:21 | 0:08:22 | |
butchered a man. | 0:08:22 | 0:08:24 | |
-No comment. -It's hard to get back from that. | 0:08:25 | 0:08:28 | |
That's some motive. | 0:08:28 | 0:08:30 | |
No comment. | 0:08:30 | 0:08:31 | |
LIGHTS BUZZ | 0:08:35 | 0:08:37 | |
She could be a pain in the neck. | 0:08:42 | 0:08:45 | |
She'd call you when you didn't want to speak to her | 0:08:45 | 0:08:48 | |
and then go silent when you did. | 0:08:48 | 0:08:50 | |
She'd drink too much, she'd smoke too much | 0:08:50 | 0:08:52 | |
and then, the next day, she would swear it was just the flu. | 0:08:52 | 0:08:55 | |
She loved Christmas. | 0:08:55 | 0:08:56 | |
She LOVED Christmas. | 0:08:57 | 0:08:59 | |
I hate Christmas. | 0:09:00 | 0:09:02 | |
I spent an entire Boxing Day | 0:09:02 | 0:09:04 | |
with invented relatives | 0:09:04 | 0:09:05 | |
just to keep her off my back. | 0:09:05 | 0:09:07 | |
And she had this annoying way of... | 0:09:07 | 0:09:09 | |
-River... -..interrupting! | 0:09:09 | 0:09:10 | |
Like she didn't trust I could finish my own sentences. | 0:09:12 | 0:09:15 | |
Other than that... | 0:09:17 | 0:09:18 | |
..there was very little not to like. | 0:09:20 | 0:09:22 | |
Motive is easy. | 0:09:25 | 0:09:27 | |
It's execution I'm talking about. | 0:09:28 | 0:09:31 | |
That takes nerve. | 0:09:32 | 0:09:33 | |
That takes experience. | 0:09:34 | 0:09:36 | |
That takes someone who knows what it's like to extinguish life. | 0:09:37 | 0:09:41 | |
No comment. | 0:09:41 | 0:09:42 | |
River! | 0:09:44 | 0:09:45 | |
You're mad. | 0:09:46 | 0:09:48 | |
No comment. | 0:09:50 | 0:09:51 | |
I'm calling time on this interview. | 0:09:54 | 0:09:56 | |
He didn't even have a lawyer with him! | 0:09:59 | 0:10:02 | |
He declined a lawyer. | 0:10:02 | 0:10:03 | |
They're lying about that night. | 0:10:03 | 0:10:05 | |
-I want to question Bridie again. -No. No, no. | 0:10:05 | 0:10:07 | |
-Chrissie, come on! -You've seen the description we got | 0:10:07 | 0:10:09 | |
from Bruno Marconi. It didn't give us anything. You've got no evidence. | 0:10:09 | 0:10:13 | |
I'm releasing him. | 0:10:13 | 0:10:14 | |
This is not your investigation, River. | 0:10:14 | 0:10:16 | |
Your psych report is due any day now. | 0:10:16 | 0:10:18 | |
This does not help. | 0:10:18 | 0:10:19 | |
You've got your own cases, | 0:10:21 | 0:10:22 | |
don't dump them back on my desk. | 0:10:22 | 0:10:24 | |
Foreman. Commercial Road Estate. | 0:10:24 | 0:10:26 | |
Found last night, still alive, | 0:10:26 | 0:10:27 | |
suspected electrocution | 0:10:27 | 0:10:29 | |
BUT, if there is something more suspicious... | 0:10:29 | 0:10:31 | |
Nine times out of ten... | 0:10:31 | 0:10:32 | |
-You give me statistics. -..there's a look of recognition. | 0:10:32 | 0:10:35 | |
That doesn't mean it was family. | 0:10:35 | 0:10:36 | |
We both know she was booking in extra hours | 0:10:36 | 0:10:39 | |
over the last two months. What was she up to? | 0:10:39 | 0:10:41 | |
I don't know but he's still lying about something. | 0:10:41 | 0:10:44 | |
Show me the evidence. | 0:10:44 | 0:10:45 | |
Because, at this point, the Stevie that I knew, | 0:10:45 | 0:10:48 | |
the Stevie I trusted - | 0:10:48 | 0:10:49 | |
the colleague, the friend - | 0:10:49 | 0:10:51 | |
that Stevie was clocking up overtime, | 0:10:51 | 0:10:53 | |
she was using police vehicles after hours, | 0:10:53 | 0:10:56 | |
withdrawing substantial amounts of cash. | 0:10:56 | 0:10:58 | |
That Stevie, I don't know. | 0:10:58 | 0:11:00 | |
Neither do you, unless you're lying to me too. | 0:11:01 | 0:11:04 | |
And when your psych report does come in | 0:11:06 | 0:11:08 | |
and it says you are unfit for service, | 0:11:08 | 0:11:10 | |
I cannot protect you any more. | 0:11:10 | 0:11:12 | |
Now, there's some poor sod | 0:11:14 | 0:11:16 | |
hanging between life and death | 0:11:16 | 0:11:18 | |
and you haven't interviewed a single witness | 0:11:18 | 0:11:20 | |
to establish how or why. | 0:11:20 | 0:11:22 | |
Jordan Merton. | 0:11:22 | 0:11:23 | |
That's your case, get back to it. | 0:11:23 | 0:11:25 | |
Of course, yes. | 0:11:25 | 0:11:26 | |
Don't do that. | 0:11:29 | 0:11:31 | |
Do what? | 0:11:31 | 0:11:32 | |
Pretend. | 0:11:32 | 0:11:33 | |
We have to find out who's number it is, the second one - | 0:11:41 | 0:11:44 | |
the pay as you go - | 0:11:44 | 0:11:45 | |
and where it was bought. | 0:11:45 | 0:11:46 | |
I can try calling it. | 0:11:46 | 0:11:48 | |
No. Not yet. | 0:11:48 | 0:11:49 | |
We don't alert anyone yet. | 0:11:49 | 0:11:50 | |
'Please enter your four-digit PIN for access.' | 0:11:52 | 0:11:55 | |
09-71. | 0:11:56 | 0:11:58 | |
August. | 0:11:58 | 0:11:59 | |
I was born in August. | 0:11:59 | 0:12:01 | |
08! | 0:12:01 | 0:12:02 | |
08-71. | 0:12:02 | 0:12:04 | |
'Your PIN has failed.' | 0:12:05 | 0:12:07 | |
Jordan Merton. 43. | 0:12:11 | 0:12:13 | |
Been on the same site for two years. | 0:12:13 | 0:12:15 | |
Apparently there were tensions on site. | 0:12:15 | 0:12:17 | |
Possible he tripped and fell against an exposed cable. | 0:12:17 | 0:12:21 | |
How much overtime do you do? | 0:12:21 | 0:12:23 | |
-Huh? -On average? | 0:12:23 | 0:12:25 | |
Depends. | 0:12:25 | 0:12:26 | |
Five...ten hours a week if it's a heavy case. | 0:12:26 | 0:12:28 | |
Go back over Stevie's overtime. | 0:12:28 | 0:12:30 | |
Check the dates, when she took out the car... | 0:12:30 | 0:12:33 | |
Mileage. | 0:12:35 | 0:12:36 | |
-Chrissie has said... -You don't listen to Chrissie. | 0:12:36 | 0:12:38 | |
She's going to find out. | 0:12:38 | 0:12:40 | |
You should have told her about the phone, I'm just saying. | 0:12:40 | 0:12:43 | |
-Not yet. -It's evidence. -Not yet. | 0:12:43 | 0:12:45 | |
There are hardly any trees anymore. | 0:12:52 | 0:12:54 | |
No trees. | 0:12:57 | 0:12:58 | |
No oxygen. | 0:12:59 | 0:13:01 | |
No air. | 0:13:04 | 0:13:05 | |
That's the wife. | 0:13:18 | 0:13:20 | |
She's been here all night. | 0:13:21 | 0:13:23 | |
It's critical. | 0:13:23 | 0:13:24 | |
Hospital affirm he may not last the night. | 0:13:25 | 0:13:28 | |
I'm gone, aren't I? | 0:13:33 | 0:13:34 | |
Not yet. | 0:13:36 | 0:13:37 | |
-STEVIE: -Someone needs to tell her he's not going to last the night. | 0:13:43 | 0:13:46 | |
I can't do this. | 0:13:47 | 0:13:49 | |
Breathe. | 0:13:49 | 0:13:50 | |
Compton Fields. 2005. | 0:13:53 | 0:13:55 | |
That fat kid. | 0:13:55 | 0:13:57 | |
Some girls had poured petrol on him. | 0:13:57 | 0:14:00 | |
We found him half alive. | 0:14:00 | 0:14:02 | |
I couldn't do it and... | 0:14:02 | 0:14:04 | |
you took his dad round the side | 0:14:04 | 0:14:06 | |
and told him before anyone else. | 0:14:06 | 0:14:07 | |
The days you had to peel me off the floor, | 0:14:09 | 0:14:12 | |
get me clean... | 0:14:12 | 0:14:13 | |
You told your mother. | 0:14:13 | 0:14:15 | |
I get sloppy when the Pinot comes out... | 0:14:15 | 0:14:18 | |
I trusted you. | 0:14:18 | 0:14:19 | |
I trusted you. | 0:14:20 | 0:14:22 | |
He's done this before. | 0:14:36 | 0:14:37 | |
Fell off scaffolding six months after we married. | 0:14:39 | 0:14:41 | |
Broke two vertebrae. | 0:14:41 | 0:14:43 | |
I didn't think he'd wake up then, but he did. | 0:14:43 | 0:14:46 | |
He will this time. | 0:14:46 | 0:14:47 | |
His face... | 0:14:53 | 0:14:54 | |
It's just bruising. | 0:14:54 | 0:14:55 | |
Did you talk to him last night? | 0:14:58 | 0:15:01 | |
He called from the office, said he was working late. | 0:15:01 | 0:15:04 | |
Does he often work late? | 0:15:04 | 0:15:06 | |
By the time he gets home from work, I'm usually in bed. | 0:15:06 | 0:15:08 | |
Next morning, I'm up with the girls, | 0:15:10 | 0:15:12 | |
he has a quick shower, a kiss goodbye and he's gone again. | 0:15:12 | 0:15:15 | |
It's marriage, | 0:15:15 | 0:15:17 | |
we rub along all right. | 0:15:17 | 0:15:18 | |
Did he mention work...friends? | 0:15:21 | 0:15:24 | |
He got on well with a couple of the lads. | 0:15:25 | 0:15:27 | |
It caused problems with some of the others, | 0:15:27 | 0:15:29 | |
but you know what it's like. | 0:15:29 | 0:15:30 | |
You see someone every day | 0:15:32 | 0:15:33 | |
and you realise you haven't had a proper conversation in months. | 0:15:33 | 0:15:36 | |
He's a quiet man. | 0:15:36 | 0:15:38 | |
How well did you know your husband? | 0:15:40 | 0:15:42 | |
We've been married for 18 years. | 0:15:42 | 0:15:44 | |
Is there any way he could have been involved in something | 0:15:46 | 0:15:48 | |
you wouldn't know about? | 0:15:48 | 0:15:49 | |
No. No. | 0:15:49 | 0:15:51 | |
It was an accident. | 0:15:53 | 0:15:54 | |
But if he was having problems... | 0:15:54 | 0:15:56 | |
-at work. -That's not what I said. | 0:15:56 | 0:15:58 | |
HEAVY BREATHING | 0:15:58 | 0:16:00 | |
It's just water in the air pipe. | 0:16:01 | 0:16:03 | |
You need to tell her the truth... | 0:16:11 | 0:16:13 | |
..so she still has time. | 0:16:14 | 0:16:15 | |
He's not wearing his wedding ring. | 0:16:28 | 0:16:30 | |
His wedding ring... | 0:16:35 | 0:16:36 | |
It's probably at home... | 0:16:39 | 0:16:41 | |
by the bed. | 0:16:41 | 0:16:42 | |
You know he's going to die? | 0:16:45 | 0:16:46 | |
Get out. | 0:16:50 | 0:16:52 | |
Get out. | 0:16:53 | 0:16:54 | |
What was that about? | 0:16:59 | 0:17:00 | |
Health and Safety are keen to get in, so... | 0:17:04 | 0:17:07 | |
we need to determine whether we're looking at a crime scene or what. | 0:17:07 | 0:17:10 | |
Well, he has bruising. | 0:17:10 | 0:17:11 | |
He's been clasped round the neck. | 0:17:11 | 0:17:13 | |
You didn't need to do that. | 0:17:13 | 0:17:14 | |
If he dies tonight, | 0:17:14 | 0:17:16 | |
there are things she needs to tell him - | 0:17:16 | 0:17:18 | |
perhaps, things she's never said. | 0:17:18 | 0:17:20 | |
Otherwise, he will die and... | 0:17:20 | 0:17:22 | |
there will be a million things | 0:17:22 | 0:17:24 | |
that she won't have said to him. | 0:17:24 | 0:17:25 | |
Who found him? | 0:17:46 | 0:17:48 | |
Sasha Mischenko, a Ukrainian. | 0:17:48 | 0:17:50 | |
Why was it live? | 0:18:04 | 0:18:06 | |
It had been temporarily covered, | 0:18:06 | 0:18:08 | |
but if you lean on it... | 0:18:08 | 0:18:09 | |
How is he? | 0:18:13 | 0:18:14 | |
Still alive. | 0:18:14 | 0:18:16 | |
Just. | 0:18:16 | 0:18:17 | |
You were the last to leave last night? | 0:18:21 | 0:18:23 | |
I do a lot of extra hours. | 0:18:23 | 0:18:25 | |
My fiancee lives in Ukraine. | 0:18:25 | 0:18:27 | |
I save money...for wedding. | 0:18:27 | 0:18:29 | |
I've spoken to one or two of your colleagues. | 0:18:33 | 0:18:36 | |
Some of the lads said there had been some tensions. | 0:18:36 | 0:18:39 | |
There are always tensions on building sites. | 0:18:39 | 0:18:41 | |
We finish our work better, we work longer. | 0:18:41 | 0:18:44 | |
The others don't like. | 0:18:44 | 0:18:46 | |
How did he seem when you last saw him? | 0:18:46 | 0:18:48 | |
He check my work. | 0:18:50 | 0:18:51 | |
He say all fine. | 0:18:51 | 0:18:53 | |
I was packing up later, | 0:18:53 | 0:18:55 | |
I hear something. | 0:18:55 | 0:18:57 | |
Voices... | 0:18:57 | 0:18:58 | |
Voices? | 0:18:58 | 0:19:00 | |
Maybe kids, maybe drunks passing below, | 0:19:00 | 0:19:03 | |
maybe sounds like close by. | 0:19:03 | 0:19:05 | |
And I see, I run... | 0:19:05 | 0:19:07 | |
and there, just there, | 0:19:07 | 0:19:09 | |
I see his body | 0:19:09 | 0:19:11 | |
all twisted, like this, and... | 0:19:11 | 0:19:13 | |
..I see live wires. | 0:19:15 | 0:19:17 | |
I feel his heart stopped | 0:19:17 | 0:19:20 | |
and I... | 0:19:20 | 0:19:21 | |
I call ambulance straight away. | 0:19:23 | 0:19:25 | |
Sorry, sorry... | 0:19:27 | 0:19:29 | |
I never see anything like that. | 0:19:29 | 0:19:31 | |
So, when are you getting married... | 0:19:36 | 0:19:39 | |
to your fiancee? | 0:19:39 | 0:19:40 | |
Oh... | 0:19:43 | 0:19:45 | |
long time. | 0:19:45 | 0:19:46 | |
Maybe next year. | 0:19:46 | 0:19:48 | |
Fishing. | 0:20:14 | 0:20:16 | |
A solitary sport. | 0:20:16 | 0:20:17 | |
I like my own company. | 0:20:18 | 0:20:19 | |
Me too. | 0:20:21 | 0:20:22 | |
You don't have to pretend when you're on your own. | 0:20:24 | 0:20:26 | |
That's a terrible newspaper. | 0:21:08 | 0:21:10 | |
It's free. | 0:21:10 | 0:21:12 | |
Here. | 0:21:16 | 0:21:17 | |
Try something new. | 0:21:20 | 0:21:21 | |
Thank you. | 0:21:25 | 0:21:26 | |
In the past, people spoke to friends not psychiatrists. | 0:21:27 | 0:21:30 | |
When was the last time you spoke to a friend? | 0:21:32 | 0:21:35 | |
Living or dead? | 0:21:36 | 0:21:38 | |
I mean normally. | 0:21:38 | 0:21:40 | |
You must get lonely. | 0:21:46 | 0:21:47 | |
Have a good day. | 0:21:50 | 0:21:51 | |
Smooth. | 0:21:54 | 0:21:56 | |
National Geographic. | 0:21:56 | 0:21:58 | |
Nice touch. | 0:21:58 | 0:22:00 | |
Really. | 0:22:00 | 0:22:02 | |
Sealed the deal with that. | 0:22:02 | 0:22:03 | |
HE SCOFFS | 0:22:04 | 0:22:06 | |
3838 - the first four digits of her warrant number. | 0:22:31 | 0:22:34 | |
'Your PIN has failed. Please re-enter the correct PIN.' | 0:22:36 | 0:22:39 | |
He did 40 days overtime in the last six months. | 0:22:44 | 0:22:47 | |
Mischenko. | 0:22:48 | 0:22:50 | |
She knows we're still investigating Stevie. | 0:22:53 | 0:22:56 | |
The job of a good investigator | 0:22:56 | 0:22:57 | |
is to know what to reveal... | 0:22:57 | 0:23:00 | |
and what to retain. | 0:23:00 | 0:23:01 | |
-And that's what you do, is it? -Huh? | 0:23:01 | 0:23:04 | |
Retain. | 0:23:04 | 0:23:05 | |
Because you could do a lot better. | 0:23:05 | 0:23:07 | |
Like what? | 0:23:07 | 0:23:08 | |
Like a little less of this. | 0:23:08 | 0:23:09 | |
-AS RIVER: -"If you're lonely when you're alone, | 0:23:09 | 0:23:11 | |
"you're in bad company." | 0:23:11 | 0:23:13 | |
"What? Huh? Next!" | 0:23:13 | 0:23:14 | |
I'm just saying, I don't like to hide things... | 0:23:20 | 0:23:23 | |
..and I'd prefer it if you could contain it, | 0:23:26 | 0:23:28 | |
at least when we're in public because, that way, I... | 0:23:28 | 0:23:30 | |
Or should I say "we" | 0:23:30 | 0:23:32 | |
look competent enough to keep our jobs. | 0:23:32 | 0:23:35 | |
Put out a search on Mischenko's fiancee. | 0:23:39 | 0:23:42 | |
Find out her name. | 0:23:42 | 0:23:43 | |
What did she give you? | 0:23:47 | 0:23:49 | |
Outside the restaurant? | 0:23:51 | 0:23:52 | |
Stevie? | 0:23:52 | 0:23:54 | |
She gives you something. | 0:23:54 | 0:23:55 | |
Money. | 0:23:56 | 0:23:58 | |
For the Chinese. | 0:23:59 | 0:24:00 | |
'Your PIN has failed. Please re-enter the correct PIN.' | 0:24:09 | 0:24:13 | |
You are a good liar, Inspector. | 0:24:18 | 0:24:20 | |
I shouldn't be surprised, | 0:24:20 | 0:24:21 | |
your entire profession is formalised curiosity. | 0:24:21 | 0:24:25 | |
Poking and prodding into others' deception | 0:24:25 | 0:24:28 | |
has prepared you well for your own. | 0:24:28 | 0:24:31 | |
£10,000. | 0:24:31 | 0:24:32 | |
That's some Chinese! | 0:24:33 | 0:24:35 | |
But beware, Inspector, | 0:24:36 | 0:24:38 | |
the greatest deception is to the self. | 0:24:38 | 0:24:41 | |
4-4-96. | 0:25:00 | 0:25:02 | |
The first day we met. | 0:25:03 | 0:25:05 | |
You didn't like the way they'd positioned me across from your desk. | 0:25:06 | 0:25:09 | |
HE LAUGHS | 0:25:09 | 0:25:11 | |
'Your PIN has failed.' | 0:25:11 | 0:25:12 | |
44-58. | 0:25:12 | 0:25:13 | |
Our combined ages. | 0:25:15 | 0:25:16 | |
59! | 0:25:16 | 0:25:18 | |
I'm 59! | 0:25:18 | 0:25:19 | |
'Your PIN has failed.' | 0:25:22 | 0:25:24 | |
-JORDAN: -You spent much? | 0:25:50 | 0:25:52 | |
I'm just looking after it for someone. | 0:25:58 | 0:26:00 | |
Why did you look the other way? | 0:26:05 | 0:26:06 | |
Why did you ignore so much? | 0:26:08 | 0:26:09 | |
We'd still be alive | 0:26:11 | 0:26:12 | |
if you'd both just listened. | 0:26:12 | 0:26:14 | |
BELL RINGS | 0:26:19 | 0:26:21 | |
I have to keep walking. | 0:26:30 | 0:26:31 | |
He wakes if I stop walking. | 0:26:31 | 0:26:33 | |
BABY CRIES | 0:26:34 | 0:26:36 | |
Wine? I got wine. | 0:26:45 | 0:26:47 | |
I would have called, but you never pick up your phone so... | 0:26:47 | 0:26:50 | |
How's it going with Merton? | 0:26:59 | 0:27:01 | |
He'd been staying at a hotel | 0:27:02 | 0:27:05 | |
for the last couple of weeks. | 0:27:05 | 0:27:06 | |
His wife didn't mention that. | 0:27:06 | 0:27:07 | |
A couple of the lads on site noticed it. | 0:27:07 | 0:27:10 | |
He was sleeping in his office some nights. | 0:27:10 | 0:27:12 | |
No news from the hospital? | 0:27:12 | 0:27:13 | |
'95. | 0:27:19 | 0:27:21 | |
She'd just come out of Hendon. | 0:27:21 | 0:27:22 | |
You see, that's what I don't get... | 0:27:22 | 0:27:24 | |
You spent 2,224 hours together | 0:27:24 | 0:27:27 | |
between January and September of this year | 0:27:27 | 0:27:30 | |
and the fact that she was clearly up to something - | 0:27:30 | 0:27:33 | |
booking out cars, working late, drawing on funds - | 0:27:33 | 0:27:36 | |
you seem completely oblivious to... | 0:27:36 | 0:27:38 | |
..which, quite frankly, concerns me. | 0:27:39 | 0:27:42 | |
What are you covering? | 0:27:42 | 0:27:44 | |
No, worse, what am I covering for you? | 0:27:44 | 0:27:47 | |
BABY CRIES | 0:27:48 | 0:27:50 | |
He's teething. | 0:27:52 | 0:27:53 | |
Hank. | 0:27:55 | 0:27:57 | |
-His name's Hank. -Oh. | 0:27:57 | 0:27:59 | |
I need to... | 0:28:00 | 0:28:02 | |
Your bathroom. | 0:28:02 | 0:28:03 | |
I've been walking around... | 0:28:03 | 0:28:06 | |
Marianne wanted a takeaway... | 0:28:06 | 0:28:08 | |
Ooh! | 0:28:11 | 0:28:13 | |
..and I had a pint while I waited. | 0:28:13 | 0:28:14 | |
Bathroom? | 0:28:21 | 0:28:22 | |
Second left. | 0:28:22 | 0:28:24 | |
Pick him up. | 0:28:41 | 0:28:42 | |
I'll drop him. | 0:28:43 | 0:28:45 | |
Hey. | 0:28:51 | 0:28:53 | |
Hello. | 0:28:53 | 0:28:55 | |
Hello, Hank. | 0:28:55 | 0:28:56 | |
Hello, Hank. | 0:28:58 | 0:28:59 | |
Hello. | 0:28:59 | 0:29:01 | |
Hello. | 0:29:03 | 0:29:04 | |
Jimmy's lying. | 0:29:19 | 0:29:20 | |
I need to hear his voicemail. | 0:29:22 | 0:29:23 | |
Yeah. | 0:29:30 | 0:29:31 | |
She gave me £10,000 that night... | 0:29:32 | 0:29:35 | |
to look after her younger brother. I think... | 0:29:35 | 0:29:38 | |
I think she knew something was coming. | 0:29:38 | 0:29:40 | |
She asked me if something happened to her, | 0:29:42 | 0:29:45 | |
to look after Frankie. | 0:29:45 | 0:29:46 | |
She was investigating something. | 0:29:50 | 0:29:52 | |
You have to tell Chrissie. | 0:29:53 | 0:29:55 | |
When I say so. | 0:29:55 | 0:29:56 | |
My wife told me that she fancied Adam Sandler | 0:30:02 | 0:30:06 | |
a couple of days ago. | 0:30:06 | 0:30:08 | |
I mean, you think you know someone... | 0:30:08 | 0:30:11 | |
...and then... | 0:30:14 | 0:30:16 | |
What's that? | 0:30:20 | 0:30:21 | |
Sweet-and-sour chicken. | 0:30:21 | 0:30:23 | |
Mari always goes for spicy prawn noodles. | 0:30:23 | 0:30:25 | |
64, 39. | 0:30:25 | 0:30:26 | |
I better be... | 0:30:29 | 0:30:31 | |
Night. | 0:30:34 | 0:30:36 | |
DOOR SHUTS | 0:30:37 | 0:30:39 | |
Night. | 0:30:39 | 0:30:41 | |
Closing up. We are closing up. | 0:31:29 | 0:31:31 | |
This woman, | 0:31:37 | 0:31:38 | |
she used to come in here... | 0:31:38 | 0:31:40 | |
Yes. Nice lady. | 0:31:40 | 0:31:41 | |
Very sad. | 0:31:41 | 0:31:43 | |
..and she used to always order... | 0:31:43 | 0:31:44 | |
Lamb shish and large doner, | 0:31:44 | 0:31:46 | |
extra chilli. | 0:31:46 | 0:31:48 | |
22, 48. | 0:31:48 | 0:31:49 | |
You want? | 0:31:54 | 0:31:56 | |
Yes, thank you. | 0:31:57 | 0:31:59 | |
22, 48. | 0:31:59 | 0:32:00 | |
PHONE DIALS | 0:32:03 | 0:32:04 | |
'You have four saved messages.' | 0:32:04 | 0:32:06 | |
'Message one, received Friday, September 4th, 8.15pm. | 0:32:08 | 0:32:14 | |
'Hi, this is Haider at Cristal Kebabs. | 0:32:14 | 0:32:17 | |
'Your order is ready if you'd like to pick it up. 22, 48. | 0:32:17 | 0:32:20 | |
'Message two. Tuesday, September 11th. 8.43pm. | 0:32:20 | 0:32:25 | |
'Hi, 22, 48, ready to be picked up. | 0:32:25 | 0:32:29 | |
'Message three. September 19th. 11.59pm. | 0:32:29 | 0:32:34 | |
'Hi, Feeling lonely tonight, Pussycat Five? Call us. | 0:32:34 | 0:32:38 | |
'We haven't heard from you in a while. | 0:32:38 | 0:32:40 | |
'Message four. October 21st. 6.35pm. | 0:32:41 | 0:32:45 | |
-JIMMY: -'Stevie, this'll be the last time you hear my voice. | 0:32:46 | 0:32:49 | |
'So, I'm just telling you now... | 0:32:49 | 0:32:51 | |
'When you look in the mirror | 0:32:51 | 0:32:53 | |
'and you see that fat, ugly slag looking back at you, | 0:32:53 | 0:32:56 | |
'the rest of the world sees you too | 0:32:56 | 0:32:59 | |
'and knows what a bitch you are. | 0:32:59 | 0:33:01 | |
'Always have been, always will be!' | 0:33:01 | 0:33:03 | |
DIALLING TONE | 0:33:03 | 0:33:05 | |
Frankie? | 0:33:19 | 0:33:20 | |
Where was Jimmy that night? | 0:33:22 | 0:33:24 | |
-The night she was killed? -What? -Where was he? | 0:33:24 | 0:33:26 | |
We went for a drink. | 0:33:26 | 0:33:29 | |
I got pissed too quick. | 0:33:29 | 0:33:31 | |
We went home and we watched TV. | 0:33:31 | 0:33:33 | |
Frankie, you're lying. | 0:33:33 | 0:33:35 | |
Did Mammy send you? | 0:33:38 | 0:33:40 | |
No. | 0:33:40 | 0:33:41 | |
I'm in early. | 0:33:43 | 0:33:45 | |
Uncle Michael's got Jimmy and me both working for him. | 0:33:45 | 0:33:47 | |
Will he be at work? | 0:33:47 | 0:33:48 | |
Jimmy? | 0:33:48 | 0:33:50 | |
He was on an all-nighter. | 0:33:50 | 0:33:51 | |
The drivers, they all stop for breakfast by the Drake Arms. | 0:33:51 | 0:33:55 | |
River... Please, come on. | 0:33:56 | 0:33:58 | |
'Stevie, this'll be the last time you hear my voice. | 0:34:51 | 0:34:54 | |
'So I'm just telling you now, | 0:34:54 | 0:34:56 | |
'when you look in the mirror | 0:34:56 | 0:34:57 | |
'and you see that fat, ugly slag looking back at you, | 0:34:57 | 0:35:01 | |
'the rest of the world sees you too | 0:35:01 | 0:35:03 | |
'and knows what a bitch you are. | 0:35:03 | 0:35:05 | |
'Always have been, always will be!' | 0:35:05 | 0:35:08 | |
DIALLING TONE | 0:35:08 | 0:35:09 | |
Left the night she died. | 0:35:11 | 0:35:13 | |
I'm not the guilty one. | 0:35:16 | 0:35:18 | |
You stood there and did nothing, and she got shot! | 0:35:18 | 0:35:20 | |
You're lying. | 0:35:20 | 0:35:21 | |
You were in contact with her. | 0:35:21 | 0:35:23 | |
-You spoke to her. -No. | 0:35:23 | 0:35:24 | |
Not in 16 long years. | 0:35:24 | 0:35:26 | |
She left a message, said she wanted to see me | 0:35:26 | 0:35:29 | |
and then she changed her mind. | 0:35:29 | 0:35:30 | |
I rang her back on the same number | 0:35:30 | 0:35:32 | |
and she didn't pick up. | 0:35:32 | 0:35:34 | |
I tried for years to get her to visit me, | 0:35:34 | 0:35:37 | |
and she finally agreed to see me. | 0:35:37 | 0:35:39 | |
So, when she dicked me around... | 0:35:40 | 0:35:43 | |
I lost my temper. | 0:35:43 | 0:35:44 | |
I wish I never made that call. | 0:35:44 | 0:35:45 | |
That counts for nothing! | 0:35:45 | 0:35:47 | |
Have you ever cut through spinal cord? Have you? | 0:35:47 | 0:35:50 | |
Arteries? | 0:35:52 | 0:35:53 | |
Tendons? | 0:35:53 | 0:35:55 | |
It's hard work... | 0:35:55 | 0:35:56 | |
even with someone you hate. | 0:35:56 | 0:35:58 | |
So, to someone I love, | 0:35:58 | 0:36:00 | |
I don't care whether it's a gun or a knife, | 0:36:00 | 0:36:02 | |
no-one does that without any sense of the consequences. | 0:36:02 | 0:36:04 | |
And I did love her. | 0:36:08 | 0:36:09 | |
You liar! | 0:36:14 | 0:36:16 | |
River... | 0:36:16 | 0:36:17 | |
River... River! | 0:36:17 | 0:36:19 | |
-You're lying. -Yeah, he's lying. | 0:36:22 | 0:36:24 | |
Frankie! Don't do this! | 0:36:24 | 0:36:26 | |
He's lying for me. | 0:36:26 | 0:36:27 | |
You went to the pub? | 0:36:36 | 0:36:38 | |
Yeah. | 0:36:39 | 0:36:40 | |
Three points in a packet of Cheesy Wotsits and I ate two and... | 0:36:40 | 0:36:44 | |
three pints of beer, so that's... | 0:36:44 | 0:36:46 | |
I was over. | 0:36:49 | 0:36:50 | |
I used up all my points. | 0:36:50 | 0:36:51 | |
Weight Watchers? | 0:36:51 | 0:36:53 | |
Yeah, I used to go. | 0:36:53 | 0:36:54 | |
With Stevie. | 0:36:54 | 0:36:56 | |
Jimmy was having a go. | 0:36:56 | 0:36:58 | |
"Oi! Who ate Frankie? | 0:36:58 | 0:37:00 | |
"Who ate Frankie boy?" | 0:37:00 | 0:37:01 | |
And then where did you go? | 0:37:03 | 0:37:04 | |
-A place. -What sort of place? | 0:37:06 | 0:37:08 | |
-A flat. -What sort of flat? | 0:37:10 | 0:37:13 | |
Opposite Nando's. | 0:37:13 | 0:37:14 | |
Above the offie, above Maccabees. | 0:37:14 | 0:37:16 | |
You know it? | 0:37:18 | 0:37:20 | |
Oh, yeah. | 0:37:20 | 0:37:21 | |
I can't... | 0:37:23 | 0:37:24 | |
I've got to get to work. | 0:37:24 | 0:37:26 | |
Uncle Michael hates it if you're late... | 0:37:26 | 0:37:28 | |
Go on. | 0:37:28 | 0:37:29 | |
She was an old bird. | 0:37:34 | 0:37:36 | |
Pretty. | 0:37:36 | 0:37:37 | |
Jimmy said this was what I needed. | 0:37:40 | 0:37:41 | |
HE SCOFFS | 0:37:41 | 0:37:43 | |
He took you to... | 0:37:43 | 0:37:45 | |
I've got my trousers down | 0:37:45 | 0:37:47 | |
and she's trying get things working down there, | 0:37:47 | 0:37:50 | |
trying to get it to do something, | 0:37:50 | 0:37:52 | |
-but... -You couldn't. | 0:37:52 | 0:37:54 | |
I didn't want it to be like that. | 0:37:55 | 0:37:57 | |
Jimmy stayed. Well, he'd paid anyway, so... | 0:38:00 | 0:38:04 | |
And you went home. | 0:38:05 | 0:38:06 | |
Sat on the sofa, | 0:38:09 | 0:38:12 | |
ate Nando's, fell asleep. | 0:38:12 | 0:38:14 | |
Woke up a little bit later | 0:38:14 | 0:38:15 | |
and he was sitting next to me | 0:38:15 | 0:38:17 | |
watching X Factor with Mammy. | 0:38:17 | 0:38:18 | |
Don't tell Mammy. | 0:38:23 | 0:38:24 | |
HE LAUGHS | 0:38:26 | 0:38:28 | |
No, I won't. | 0:38:28 | 0:38:30 | |
Look after yourself. | 0:38:43 | 0:38:44 | |
River, is that you? | 0:38:44 | 0:38:46 | |
Michael! | 0:38:46 | 0:38:47 | |
I heard... | 0:38:48 | 0:38:49 | |
I heard you made Jimmy sweat. | 0:38:49 | 0:38:51 | |
The waiting is killing us. | 0:38:51 | 0:38:53 | |
Any news? | 0:38:53 | 0:38:56 | |
Not yet. | 0:38:56 | 0:38:57 | |
You weren't at the wake. | 0:38:57 | 0:38:58 | |
I couldn't stomach it. | 0:38:58 | 0:39:00 | |
I couldn't drink and sing when... | 0:39:00 | 0:39:02 | |
Everything all right? | 0:39:07 | 0:39:09 | |
Yeah! | 0:39:09 | 0:39:10 | |
Come on, lads. | 0:39:12 | 0:39:13 | |
The rides are stacking up. | 0:39:13 | 0:39:15 | |
Come on, now. Let's get a move on. | 0:39:15 | 0:39:16 | |
You see what you've done to me? | 0:39:21 | 0:39:22 | |
I don't care you're looking at me. | 0:39:27 | 0:39:29 | |
I care that, while you are, you're missing someone else. | 0:39:29 | 0:39:33 | |
You don't see the world straight, River. That's your problem. | 0:39:33 | 0:39:36 | |
That's your blessing... | 0:39:36 | 0:39:37 | |
..and your curse. | 0:39:39 | 0:39:40 | |
You nutter. | 0:39:42 | 0:39:43 | |
Over there, darling. | 0:39:49 | 0:39:50 | |
Bless you, Doreen. | 0:39:50 | 0:39:51 | |
All right, Tina? | 0:40:00 | 0:40:01 | |
This is Jimmy Stevenson. | 0:40:04 | 0:40:06 | |
He used to pick our hands with compasses till they bled at school, | 0:40:06 | 0:40:09 | |
but you still don't mess with him. | 0:40:09 | 0:40:10 | |
Not now, not then. | 0:40:10 | 0:40:11 | |
How long was he there? | 0:40:13 | 0:40:14 | |
I don't remember. | 0:40:15 | 0:40:16 | |
Tina! | 0:40:16 | 0:40:17 | |
He left and, 40 minutes later, I saw it on the News At Ten. | 0:40:19 | 0:40:22 | |
He was with me. | 0:40:24 | 0:40:25 | |
'Doors opening.' | 0:40:27 | 0:40:29 | |
-Morning. -Hi, John. | 0:40:30 | 0:40:32 | |
Psych Report. | 0:40:36 | 0:40:38 | |
You passed. | 0:40:42 | 0:40:44 | |
"Traumatic grief within normal range. | 0:40:45 | 0:40:48 | |
"No other psychiatric disorder indicated. | 0:40:49 | 0:40:51 | |
"Recommendation - six sessions | 0:40:53 | 0:40:55 | |
"to be increased to 12 | 0:40:55 | 0:40:57 | |
"at the discretion of the psychiatrist in charge." | 0:40:57 | 0:41:00 | |
A copy will be forwarded to all the relevant parties. | 0:41:03 | 0:41:06 | |
You dodged a bullet. | 0:41:07 | 0:41:08 | |
I don't know how but... | 0:41:09 | 0:41:11 | |
worth dinner and flowers at least. | 0:41:11 | 0:41:14 | |
You're right. Jimmy has an alibi. | 0:41:14 | 0:41:16 | |
He always did. | 0:41:16 | 0:41:17 | |
No, no, no. | 0:41:17 | 0:41:19 | |
I've told you this already. | 0:41:19 | 0:41:20 | |
If you go behind my back... | 0:41:20 | 0:41:22 | |
So, you've been cleared. | 0:41:24 | 0:41:27 | |
-Yeah. -Yes, and I want him back. | 0:41:27 | 0:41:30 | |
He's just re-established Jimmy Stevenson's alibi | 0:41:30 | 0:41:32 | |
and I was bringing him up to speed with the latest developments. | 0:41:32 | 0:41:35 | |
Outnumbered...and outgunned. | 0:41:37 | 0:41:40 | |
-I want a copy of that report on my desk, please. -Mm-hmm. | 0:41:42 | 0:41:45 | |
You pull another stunt like that | 0:41:48 | 0:41:50 | |
and I will reverse what I have just said, | 0:41:50 | 0:41:51 | |
and you will be off this investigation toot sweet. | 0:41:51 | 0:41:54 | |
You share everything. | 0:41:54 | 0:41:56 | |
Including any new leads. | 0:41:56 | 0:41:58 | |
Log everything you can find on this | 0:42:05 | 0:42:07 | |
and give it to Chrissie at the end of the day. | 0:42:07 | 0:42:09 | |
Thank you. | 0:42:11 | 0:42:12 | |
You're wearing a dress. | 0:42:26 | 0:42:27 | |
I'm going out tonight. | 0:42:27 | 0:42:30 | |
I don't always notice. | 0:42:30 | 0:42:31 | |
Apparel, garments, | 0:42:32 | 0:42:34 | |
shirts and earrings, and stuff. | 0:42:34 | 0:42:37 | |
It passes me by. | 0:42:37 | 0:42:38 | |
It used to drive Stevie... | 0:42:38 | 0:42:40 | |
It's nice to make an effort. | 0:42:43 | 0:42:45 | |
-It shows the world that... -All is well. | 0:42:45 | 0:42:47 | |
Even if it's not. | 0:42:48 | 0:42:49 | |
You passed me. | 0:42:52 | 0:42:54 | |
Yes. | 0:42:54 | 0:42:55 | |
Six sessions. | 0:42:55 | 0:42:56 | |
I won't make six sessions. | 0:42:56 | 0:42:58 | |
It's 12... | 0:42:58 | 0:43:00 | |
and they're compulsory. | 0:43:00 | 0:43:01 | |
Why? | 0:43:07 | 0:43:08 | |
I want to know who you talk to. | 0:43:12 | 0:43:14 | |
Who you see. | 0:43:15 | 0:43:16 | |
-How long? -Since I was a boy. | 0:43:21 | 0:43:23 | |
And you have no control over them? | 0:43:25 | 0:43:27 | |
They stay as long as they need to stay | 0:43:28 | 0:43:30 | |
and then they go away. | 0:43:30 | 0:43:32 | |
How have you managed them for so long? | 0:43:33 | 0:43:36 | |
With difficulty. | 0:43:37 | 0:43:38 | |
I used to think that the people I talk to | 0:43:41 | 0:43:45 | |
were more truthful | 0:43:45 | 0:43:47 | |
than those actually alive, | 0:43:47 | 0:43:48 | |
those actually in existence. | 0:43:48 | 0:43:50 | |
So, you trust them? | 0:43:50 | 0:43:52 | |
Not all of them... | 0:43:52 | 0:43:53 | |
..and I don't trust what they can make me do. | 0:43:56 | 0:43:58 | |
What would happen if you stopped trusting them | 0:44:01 | 0:44:03 | |
and started trusting me? | 0:44:03 | 0:44:05 | |
So you can tell me how to be like everyone else? | 0:44:05 | 0:44:08 | |
Act like everyone else? | 0:44:08 | 0:44:09 | |
No. | 0:44:09 | 0:44:11 | |
So I can help you to be yourself. | 0:44:11 | 0:44:13 | |
But it's up to you if you say yes. | 0:44:15 | 0:44:17 | |
The only person who can make you say yes... | 0:44:18 | 0:44:21 | |
..is you. | 0:44:22 | 0:44:23 | |
The person I trusted most in the world - | 0:44:25 | 0:44:27 | |
the person that I thought told me everything - | 0:44:27 | 0:44:29 | |
I can't trust her anymore, so why should I trust you? | 0:44:29 | 0:44:32 | |
Because I'm alive... | 0:44:34 | 0:44:36 | |
..and she's dead. | 0:44:38 | 0:44:39 | |
Veronika Gura. | 0:44:50 | 0:44:51 | |
The name Mischenko gave for his fiancee. | 0:44:51 | 0:44:53 | |
Only one match for her. | 0:44:53 | 0:44:54 | |
An 80-year-old woman who lives in Kiev. | 0:44:54 | 0:44:57 | |
A couple of the lads in the yard | 0:44:57 | 0:44:58 | |
said that he drinks more money than he sends home | 0:44:58 | 0:45:01 | |
and he never mentions his fiancee. | 0:45:01 | 0:45:03 | |
-Pull him in. -He's signed off sick for the rest of the week. | 0:45:03 | 0:45:07 | |
He's not at his flat and the hospital just rung. | 0:45:07 | 0:45:09 | |
Apparently there's a man insisting he be allowed to speak to Merton. | 0:45:09 | 0:45:13 | |
I will be two minutes. | 0:45:17 | 0:45:18 | |
Sorry, sir, I can't let you through. | 0:45:18 | 0:45:20 | |
Just take a seat and calm down, please. | 0:45:20 | 0:45:22 | |
I just need to talk to him, please? | 0:45:22 | 0:45:24 | |
And say what? | 0:45:24 | 0:45:25 | |
He left it by my bed. | 0:45:36 | 0:45:38 | |
-JORDAN: -It's not his fault. | 0:45:39 | 0:45:41 | |
Most nights he'd stay at mine. | 0:45:41 | 0:45:43 | |
I just couldn't do it. | 0:45:43 | 0:45:45 | |
He was scared she'd notice it was gone when he went back to her. | 0:45:45 | 0:45:47 | |
How could I tell her? | 0:45:47 | 0:45:49 | |
He asked for it back. | 0:45:50 | 0:45:52 | |
And I knew... | 0:45:52 | 0:45:53 | |
I just knew he'd never tell her the truth. | 0:45:53 | 0:45:56 | |
I was trying to stop him leaving | 0:45:56 | 0:45:59 | |
and I grabbed him. | 0:45:59 | 0:46:00 | |
I shoved him too hard... | 0:46:00 | 0:46:01 | |
Now he'll never know how much I loved him. | 0:46:03 | 0:46:06 | |
No, no. There's no need for that. | 0:46:10 | 0:46:13 | |
If there's anything you still need to say... | 0:46:28 | 0:46:31 | |
Tell her the truth. | 0:46:33 | 0:46:35 | |
Anything still unsaid. | 0:46:36 | 0:46:37 | |
Where did he leave it? | 0:46:45 | 0:46:46 | |
Where did he leave it? | 0:46:49 | 0:46:50 | |
Go to your husband. | 0:46:58 | 0:47:00 | |
Talk to him, tell him. | 0:47:00 | 0:47:03 | |
He's going to die? | 0:47:06 | 0:47:07 | |
Yes. | 0:47:07 | 0:47:08 | |
Bastard. | 0:47:24 | 0:47:26 | |
Bastard! | 0:47:28 | 0:47:29 | |
BASTARD! | 0:47:33 | 0:47:35 | |
Stevie... | 0:48:50 | 0:48:52 | |
You wore lipstick that day. | 0:49:11 | 0:49:12 | |
Jordy Merton passed away an hour ago. | 0:49:23 | 0:49:26 | |
His wife was by his side. | 0:49:27 | 0:49:29 | |
Post mortem's 9am tomorrow morning. | 0:49:29 | 0:49:32 | |
I pulled up some more footage. | 0:49:32 | 0:49:35 | |
Anything that was near Cristal Kebabs over a nine-week period. | 0:49:35 | 0:49:39 | |
It's the same car... | 0:49:43 | 0:49:44 | |
Blue Mondeo. | 0:49:44 | 0:49:45 | |
And that looks like... | 0:49:47 | 0:49:50 | |
She never told you? | 0:50:25 | 0:50:26 | |
She never said? | 0:50:28 | 0:50:30 | |
He was right. Jimmy was right. | 0:50:33 | 0:50:35 | |
I missed it. | 0:50:36 | 0:50:38 | |
You didn't think you were the only one, did you? | 0:50:50 | 0:50:52 | |
# I've spent all my money on whisky and beer | 0:51:40 | 0:51:43 | |
# And now I'm returning | 0:51:44 | 0:51:46 | |
# With gold in great store | 0:51:46 | 0:51:49 | |
# And I never will play the wild rover no more... # | 0:51:49 | 0:51:52 | |
That's lovely. Thank you very much. | 0:52:09 | 0:52:12 | |
Straight through. | 0:52:12 | 0:52:13 | |
Ticket holders only. | 0:52:15 | 0:52:16 | |
Of course, of course. | 0:52:16 | 0:52:18 | |
Box office is straight round the corner. | 0:52:18 | 0:52:21 | |
That's the front row. | 0:52:27 | 0:52:28 | |
APPLAUSE | 0:52:53 | 0:52:55 | |
Plead no more. | 0:53:00 | 0:53:01 | |
Impartial to infringe our laws. | 0:53:01 | 0:53:04 | |
The enmity and | 0:53:05 | 0:53:07 | |
discord, which of late... | 0:53:07 | 0:53:09 | |
HE CONTINUES INAUDIBLY | 0:53:09 | 0:53:11 | |
HE LAUGHS | 0:53:42 | 0:53:43 | |
I don't know what I'm doing here. | 0:53:44 | 0:53:46 | |
-Why did you...? -Yes. | 0:53:48 | 0:53:50 | |
I'm saying yes. | 0:53:51 | 0:53:52 | |
I'll try to trust you. | 0:53:54 | 0:53:56 | |
Rosa. | 0:53:56 | 0:53:57 | |
We trust to our peril... | 0:54:14 | 0:54:16 | |
but to not is to be alone... | 0:54:16 | 0:54:18 | |
..and then... | 0:54:21 | 0:54:23 | |
Oh, the silence. | 0:54:23 | 0:54:25 | |
Is that not why you keep us all so close? | 0:54:28 | 0:54:31 | |
You see, I understand you, Inspector, | 0:54:31 | 0:54:33 | |
I really do. | 0:54:33 | 0:54:34 | |
This pretence of yours. | 0:54:35 | 0:54:37 | |
But are you capable of anything more? | 0:54:38 | 0:54:41 | |
Love all, trust few, | 0:54:41 | 0:54:43 | |
do wrong to none. | 0:54:43 | 0:54:45 | |
If only that were true. | 0:54:45 | 0:54:46 | |
So, wind her in slowly. | 0:54:47 | 0:54:50 | |
Yes, pull her close to your breast. | 0:54:50 | 0:54:53 | |
Then, once in your grasp, break her heart. | 0:54:53 | 0:54:56 | |
Break her heart as you did to Stevie. | 0:54:58 | 0:55:00 | |
You nutter! | 0:55:02 | 0:55:03 | |
Why do you do this? | 0:55:05 | 0:55:07 | |
Why do you do this? | 0:55:07 | 0:55:09 | |
Because I am you. | 0:55:09 | 0:55:10 | |
I am the darkest part of you. | 0:55:11 | 0:55:13 | |
I am the heartbreaker. | 0:55:13 | 0:55:15 | |
I am despair. | 0:55:15 | 0:55:16 | |
I am death. | 0:55:16 | 0:55:18 | |
River... | 0:55:44 | 0:55:46 | |
you can't get rid of me that easily. | 0:55:46 | 0:55:48 | |
Let me in! Let me in! | 0:55:57 | 0:56:00 | |
Let me in! Let me in! | 0:56:00 | 0:56:03 | |
BANGING ON DOOR | 0:56:03 | 0:56:05 | |
BELL RINGS AND BANGING STOPS | 0:56:05 | 0:56:06 | |
BELL RINGS | 0:56:11 | 0:56:13 | |
Bridie... | 0:56:30 | 0:56:31 | |
I found them at her flat | 0:56:32 | 0:56:34 | |
and thought they were yours. | 0:56:34 | 0:56:36 | |
Now I realise you'd never have had the balls. | 0:56:36 | 0:56:39 | |
So, I'm wondering... | 0:56:40 | 0:56:42 | |
I'm wondering, "Maybe they belong to who did this." | 0:56:43 | 0:56:47 | |
Do your job. | 0:56:52 | 0:56:54 | |
Stop looking at us and catch who did this. | 0:56:54 | 0:56:56 | |
PHONE DIALS | 0:57:46 | 0:57:48 | |
'Hey, looking for fun? | 0:57:53 | 0:57:54 | |
'Who am I talking to?' | 0:57:54 | 0:57:56 | |
Pussycat Five. | 0:57:57 | 0:57:59 | |
'Feeling lonely tonight, Pussycat Five?' | 0:58:01 | 0:58:03 | |
# There's a light | 0:58:31 | 0:58:33 | |
# A certain kind of light | 0:58:35 | 0:58:37 | |
# That's never shone on me | 0:58:38 | 0:58:41 | |
# I want my whole life to be | 0:58:43 | 0:58:47 | |
# Lived with you | 0:58:47 | 0:58:49 | |
# Lived with you | 0:58:49 | 0:58:52 | |
# There's a way... # | 0:58:52 | 0:58:53 |