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The Stevie that I knew, the Stevie I trusted, | 0:00:03 | 0:00:05 | |
that Stevie was clocking up overtime, | 0:00:05 | 0:00:06 | |
she was using police vehicles after hours, | 0:00:06 | 0:00:08 | |
withdrawing substantial amounts of cash. | 0:00:08 | 0:00:11 | |
What was she up to? | 0:00:11 | 0:00:12 | |
She gave me ?10,000 that night... | 0:00:12 | 0:00:14 | |
to look after her younger brother. | 0:00:14 | 0:00:15 | |
She was investigating something. | 0:00:15 | 0:00:17 | |
I don't care you're looking at me. | 0:00:17 | 0:00:19 | |
I care that, while you are, you're missing someone else. | 0:00:19 | 0:00:21 | |
Do you see ghosts? Not ghosts. | 0:00:21 | 0:00:22 | |
I don't believe in ghosts. | 0:00:22 | 0:00:24 | |
Then what do you see? | 0:00:24 | 0:00:26 | |
Manifests. | 0:00:26 | 0:00:27 | |
The person that I thought told me everything, | 0:00:28 | 0:00:30 | |
I can't trust her any more, so why should I trust you? | 0:00:30 | 0:00:33 | |
Because I'm alive and she's dead. | 0:00:33 | 0:00:35 | |
So? | 0:00:37 | 0:00:38 | |
I had a second phone. | 0:00:38 | 0:00:39 | |
Four numbers. | 0:00:39 | 0:00:41 | |
A takeaway, Cristal Kebabs, | 0:00:41 | 0:00:43 | |
called 19 times in seven weeks. | 0:00:43 | 0:00:45 | |
This woman, she used to come in here. | 0:00:45 | 0:00:47 | |
She used to always order... | 0:00:47 | 0:00:49 | |
22, 48. | 0:00:49 | 0:00:51 | |
FROM PHONE: Hi, this is Haider at Cristal Kebabs... | 0:00:51 | 0:00:53 | |
I pulled up some more footage, | 0:00:53 | 0:00:55 | |
anything that was near Cristal Kebabs, over a nine-week period. | 0:00:55 | 0:01:00 | |
GUNSHOT | 0:01:00 | 0:01:01 | |
It's the same car. | 0:01:01 | 0:01:03 | |
She never told you? She never said? | 0:01:05 | 0:01:07 | |
I missed it. | 0:01:07 | 0:01:08 | |
I found them at her flat. | 0:01:08 | 0:01:09 | |
I'm wondering, maybe they belong to who did this. | 0:01:09 | 0:01:12 | |
You didn't think you were the only one, did you? | 0:01:14 | 0:01:17 | |
'Hi, this is Haider at Cristal Kebabs.' | 0:01:17 | 0:01:19 | |
Is everything in a pound shop a pound? | 0:01:36 | 0:01:38 | |
You can get a bucket for a pound. | 0:01:40 | 0:01:42 | |
What kind of bucket can you get for a pound? | 0:01:49 | 0:01:51 | |
Is that him? | 0:02:04 | 0:02:05 | |
No, I don't think so. | 0:02:09 | 0:02:11 | |
Let's go in. | 0:02:15 | 0:02:16 | |
Now. | 0:02:20 | 0:02:21 | |
Are you talking to yourself, General? | 0:02:31 | 0:02:32 | |
Police. Stay calm. Nobody's being arrested. | 0:02:36 | 0:02:39 | |
We just want to ask a few questions about a possible employee - Haider? | 0:02:39 | 0:02:43 | |
There's no Haider here. | 0:02:43 | 0:02:44 | |
Would you mind putting that down please, sir? | 0:02:49 | 0:02:51 | |
Finish up here and let's question them further at the station. | 0:02:55 | 0:02:58 | |
Name? | 0:02:58 | 0:02:59 | |
Khaalid Mahmoud. | 0:03:00 | 0:03:01 | |
These your kids? | 0:03:06 | 0:03:08 | |
Ten, eight, | 0:03:08 | 0:03:10 | |
seven, five, two. | 0:03:10 | 0:03:12 | |
Respect. | 0:03:12 | 0:03:13 | |
OK, Khaalid, we'll do the rest down at the station, | 0:03:15 | 0:03:18 | |
check your paperwork. | 0:03:18 | 0:03:19 | |
LIGHTS BUZZ | 0:03:23 | 0:03:26 | |
Haider. | 0:03:48 | 0:03:50 | |
What did you expect? | 0:03:59 | 0:04:01 | |
You thought she'd wait around for you? | 0:04:01 | 0:04:03 | |
She got lonely. | 0:04:10 | 0:04:11 | |
Love finds where it falls. | 0:04:11 | 0:04:14 | |
I would have known. | 0:04:14 | 0:04:15 | |
Huh? I would have known if Stevie was... | 0:04:15 | 0:04:18 | |
Stevie? Very nice. | 0:04:18 | 0:04:20 | |
Very pleasant lady. | 0:04:20 | 0:04:22 | |
22, 48 - | 0:04:24 | 0:04:26 | |
extra chilli. | 0:04:26 | 0:04:28 | |
River? | 0:04:28 | 0:04:29 | |
We talk, she laughs, | 0:04:31 | 0:04:33 | |
we talk some more. | 0:04:33 | 0:04:35 | |
Easy. | 0:04:35 | 0:04:36 | |
You know the difference between me and you, River? | 0:04:36 | 0:04:39 | |
When she was lonely, | 0:04:39 | 0:04:41 | |
I didn't turn away. | 0:04:41 | 0:04:42 | |
Whoa, shit! | 0:04:44 | 0:04:47 | |
What are you doing?! HORNS BLARE | 0:04:47 | 0:04:49 | |
Very kind lady. | 0:04:49 | 0:04:50 | |
I touched her in places you've never had the courage to go before. | 0:04:50 | 0:04:55 | |
The Pinot comes out, | 0:04:55 | 0:04:56 | |
the tongue gets loose. | 0:04:56 | 0:04:58 | |
But what did she do so bad it made me shoot her? | 0:04:58 | 0:05:01 | |
HE GROANS River! | 0:05:01 | 0:05:04 | |
Come on. | 0:05:13 | 0:05:15 | |
We need to get back. | 0:05:15 | 0:05:17 | |
Haider? | 0:05:30 | 0:05:31 | |
He worked for you. | 0:05:31 | 0:05:33 | |
Haider? | 0:05:33 | 0:05:34 | |
No. No Haider. | 0:05:34 | 0:05:36 | |
'Hi, this is Haider at Cristal Kebabs. | 0:05:40 | 0:05:42 | |
'Your order's ready if you'd like to pick it up. 22, 48.' | 0:05:42 | 0:05:46 | |
So, who is this Haider? | 0:05:49 | 0:05:51 | |
No idea. | 0:05:53 | 0:05:54 | |
How many did you bring in? | 0:05:54 | 0:05:56 | |
Three. | 0:05:56 | 0:05:57 | |
We're talking to them now, | 0:05:57 | 0:05:59 | |
but he's not there. | 0:05:59 | 0:06:00 | |
Only one of them is black, but he's lighter skinned. | 0:06:00 | 0:06:03 | |
And he has shorter hair, and his hairline is higher. | 0:06:03 | 0:06:06 | |
We haven't got him. | 0:06:06 | 0:06:07 | |
Two of them have full paperwork. | 0:06:09 | 0:06:11 | |
We're checking it now. | 0:06:11 | 0:06:13 | |
The third one, immigration status is pending. | 0:06:13 | 0:06:15 | |
He's clearly anxious. | 0:06:15 | 0:06:17 | |
We haven't got him. | 0:06:17 | 0:06:18 | |
Ira's questioning them further now, taking swabs. | 0:06:18 | 0:06:21 | |
Well, working on the assumption | 0:06:21 | 0:06:22 | |
that she was having a relationship with this man, | 0:06:22 | 0:06:25 | |
there's a high probability... | 0:06:25 | 0:06:26 | |
Yes, that we'll get a match from DNA on that toothbrush and razor | 0:06:26 | 0:06:29 | |
with DNA from the blue Mondeo. | 0:06:29 | 0:06:31 | |
We can cross check that with their swabs. | 0:06:31 | 0:06:33 | |
We have four, maybe five images. | 0:06:40 | 0:06:42 | |
There must be more. | 0:06:42 | 0:06:43 | |
Other cameras, a wider radius. | 0:06:43 | 0:06:45 | |
Well, we can try but... | 0:06:48 | 0:06:50 | |
'Hi, this is Haider at Cristal Kebabs. | 0:06:54 | 0:06:56 | |
'Your order's ready if you'd like to pick it up. 22, 48.' | 0:06:56 | 0:06:59 | |
So, Khaalid, there were two messages from Cristal's, | 0:07:01 | 0:07:04 | |
both of them from Haider, yet nobody seems to recall him. | 0:07:04 | 0:07:07 | |
You're from...? | 0:07:11 | 0:07:13 | |
Somalia, originally. | 0:07:13 | 0:07:14 | |
You've been here...? | 0:07:15 | 0:07:17 | |
Four years. | 0:07:18 | 0:07:20 | |
People come and go where you work? | 0:07:20 | 0:07:22 | |
Take a good look at the photo. | 0:07:22 | 0:07:25 | |
Is this Haider? | 0:07:25 | 0:07:27 | |
I don't know this man. | 0:07:27 | 0:07:29 | |
You may have forgotten him. | 0:07:29 | 0:07:30 | |
Not seen him for a few weeks. | 0:07:30 | 0:07:32 | |
No. | 0:07:32 | 0:07:33 | |
No. Haider? No. | 0:07:33 | 0:07:35 | |
Sorry, man. Sorry. | 0:07:35 | 0:07:37 | |
Any headway on the other number found on Stevie's second phone? | 0:07:40 | 0:07:43 | |
The pay as you go number? | 0:07:43 | 0:07:45 | |
We've located where it was bought - | 0:07:45 | 0:07:47 | |
a phone shop near Lincoln's Inn. | 0:07:47 | 0:07:50 | |
KNOCK ON DOOR Paid for in cash. | 0:07:50 | 0:07:52 | |
I'm getting nothing. | 0:07:52 | 0:07:53 | |
See nothing, hear nothing, say nothing. | 0:07:53 | 0:07:55 | |
Forensics are ready downstairs. | 0:07:57 | 0:07:59 | |
I'll get them. | 0:07:59 | 0:08:00 | |
We make an appeal - it makes sense. | 0:08:00 | 0:08:02 | |
Release the pictures. | 0:08:02 | 0:08:04 | |
I'll talk to press and PR. | 0:08:04 | 0:08:06 | |
This is crazy. | 0:08:06 | 0:08:07 | |
That raid will already have alerted him. | 0:08:07 | 0:08:09 | |
This will make him run faster. | 0:08:09 | 0:08:11 | |
Slug this out somewhere else. | 0:08:11 | 0:08:13 | |
You all right? | 0:08:22 | 0:08:23 | |
Why? | 0:08:25 | 0:08:26 | |
Did I see you at the theatre yesterday? | 0:08:27 | 0:08:30 | |
No. | 0:08:30 | 0:08:32 | |
You got home then? Yeah. | 0:08:41 | 0:08:43 | |
You didn't stay for the second half. No, I... | 0:08:43 | 0:08:47 | |
No. | 0:08:47 | 0:08:48 | |
You seem... | 0:08:48 | 0:08:49 | |
New lead. | 0:08:49 | 0:08:51 | |
We've got a good new lead on Stevie. | 0:08:51 | 0:08:54 | |
Right. | 0:08:54 | 0:08:55 | |
A possible relationship... | 0:08:56 | 0:08:58 | |
..so we're about to put out an appeal. | 0:09:00 | 0:09:02 | |
Well, if it helps... | 0:09:02 | 0:09:04 | |
No, it won't help. | 0:09:04 | 0:09:07 | |
What will happen is that people will look at it | 0:09:07 | 0:09:09 | |
and they'll wonder "Is that...?" | 0:09:09 | 0:09:10 | |
"Could that be...?" | 0:09:10 | 0:09:12 | |
or, "Where was he at...?" | 0:09:12 | 0:09:13 | |
And nine times out of ten, | 0:09:13 | 0:09:15 | |
when they finally make that call | 0:09:15 | 0:09:18 | |
and admit their fear that their husband, or son, | 0:09:18 | 0:09:21 | |
or lover is capable of murder... | 0:09:21 | 0:09:23 | |
Nine times out of ten, they're wrong. | 0:09:25 | 0:09:27 | |
They're wrong and they will put down that phone, | 0:09:27 | 0:09:30 | |
and smile at the one they love, and... | 0:09:30 | 0:09:33 | |
no-one will be the wiser... | 0:09:33 | 0:09:35 | |
..because the person to fear the most | 0:09:37 | 0:09:41 | |
is the one to whom you gave all your trust. | 0:09:41 | 0:09:43 | |
I'm losing her. | 0:09:53 | 0:09:56 | |
She's changing. | 0:09:56 | 0:09:58 | |
You need to see me, today. | 0:09:58 | 0:10:00 | |
INAUDIBLE CHATTER | 0:10:06 | 0:10:09 | |
It's not that you're losing me. | 0:10:15 | 0:10:17 | |
I haven't gone anywhere. | 0:10:17 | 0:10:18 | |
Razor and toothbrush... | 0:10:34 | 0:10:36 | |
are a match to DNA found in the car. | 0:10:36 | 0:10:38 | |
It's him. | 0:10:41 | 0:10:42 | |
He over brushes his teeth. | 0:10:44 | 0:10:46 | |
Triple blade. | 0:10:46 | 0:10:47 | |
Gillette. Not cheap. Perhaps she bought it for him. | 0:10:47 | 0:10:50 | |
He doesn't rinse properly. | 0:10:53 | 0:10:55 | |
Huh? | 0:10:55 | 0:10:56 | |
It blunts quicker. | 0:10:56 | 0:10:57 | |
They denied all knowledge of him? | 0:10:59 | 0:11:01 | |
There's no formal employment records at Cristal Kebabs. | 0:11:01 | 0:11:03 | |
Most of it's cash in hand work. | 0:11:03 | 0:11:05 | |
In fact, we're making assumptions he even worked there. He did. | 0:11:05 | 0:11:07 | |
You don't know that. Haider on the message | 0:11:07 | 0:11:10 | |
could be a completely different person | 0:11:10 | 0:11:12 | |
from the man embracing Stevie on the CCTV. | 0:11:12 | 0:11:14 | |
Why would she give the number of her second phone | 0:11:14 | 0:11:16 | |
to just anyone at a Kebab shop? | 0:11:16 | 0:11:18 | |
She knew him. | 0:11:18 | 0:11:19 | |
FROM TV: Police have released images of a man | 0:11:23 | 0:11:26 | |
in connection with the murder of DS Jackie Stevenson in October. | 0:11:26 | 0:11:30 | |
If anyone has seen or recognises this man, | 0:11:30 | 0:11:33 | |
they should call the investigation line | 0:11:33 | 0:11:36 | |
on 08081 570 570. | 0:11:36 | 0:11:39 | |
PRAYER BEADS RATTLE | 0:11:40 | 0:11:45 | |
Hey! | 0:11:56 | 0:11:58 | |
Do you remember holding her in your arms? | 0:11:58 | 0:12:00 | |
The slip of her blood through your fingers? | 0:12:00 | 0:12:04 | |
I did that. | 0:12:04 | 0:12:06 | |
I watched you as you left the restaurant. | 0:12:06 | 0:12:10 | |
Talking together, arguing. | 0:12:10 | 0:12:12 | |
If only you hadn't let her go. | 0:12:12 | 0:12:14 | |
Let her cross that road. | 0:12:14 | 0:12:15 | |
Do you know how hard it is to kill someone? | 0:12:17 | 0:12:20 | |
Jimmy doesn't know what he's talking about. | 0:12:20 | 0:12:23 | |
I wish I'd shot her in the face instead. | 0:12:23 | 0:12:26 | |
HE GASPS | 0:12:26 | 0:12:28 | |
The public should be advised | 0:12:39 | 0:12:40 | |
that we're taking this lead very seriously. | 0:12:40 | 0:12:43 | |
It could be an innocent encounter, | 0:12:43 | 0:12:45 | |
so we'd like to talk to this man, or anyone who knows him, quickly, | 0:12:45 | 0:12:49 | |
and rule him out as a suspect. | 0:12:49 | 0:12:50 | |
We also want to hear from anyone | 0:12:50 | 0:12:52 | |
who recognises the blue Ford Mondeo | 0:12:52 | 0:12:54 | |
involved in the incident. | 0:12:54 | 0:12:56 | |
OK, let's do this. | 0:12:56 | 0:12:58 | |
Key questions have already been boarded, | 0:12:58 | 0:13:00 | |
but we need names and addresses of both the caller | 0:13:00 | 0:13:03 | |
AND prospective suspects. | 0:13:03 | 0:13:05 | |
Be discerning. | 0:13:05 | 0:13:07 | |
Ranters and panters will call back. | 0:13:07 | 0:13:09 | |
Morning. Morning, Sir. | 0:13:35 | 0:13:37 | |
Blue Mondeo? Over there. | 0:13:37 | 0:13:39 | |
STEVIE: They've already stripped and searched it. | 0:14:14 | 0:14:16 | |
You're jealous. I'm not jealous. | 0:14:21 | 0:14:24 | |
This isn't jealousy. | 0:14:24 | 0:14:25 | |
I'm just trying to find out the truth. | 0:14:25 | 0:14:28 | |
I'm trying to find out who did this to you. | 0:14:28 | 0:14:31 | |
WHO YOU ARE! | 0:14:31 | 0:14:33 | |
Is it so surprising | 0:14:33 | 0:14:35 | |
that I might have had a boyfriend? | 0:14:35 | 0:14:37 | |
You have your arms around him. | 0:14:37 | 0:14:38 | |
You're smiling and you have your arms around him. | 0:14:38 | 0:14:41 | |
Didn't you ever wonder? | 0:14:41 | 0:14:42 | |
You didn't tell, I didn't ask. | 0:14:42 | 0:14:44 | |
You weren't ever curious? | 0:14:44 | 0:14:46 | |
The thought that... | 0:14:47 | 0:14:48 | |
The thought that someone... | 0:14:50 | 0:14:51 | |
And that he then... | 0:14:54 | 0:14:56 | |
That he could be the person that did this to you. | 0:14:59 | 0:15:03 | |
If it was sex you wanted... | 0:15:03 | 0:15:04 | |
Then what? | 0:15:04 | 0:15:07 | |
And then you would have given it to me? | 0:15:07 | 0:15:10 | |
If that had been true, then we would have... | 0:15:10 | 0:15:13 | |
We would have had... | 0:15:13 | 0:15:14 | |
We're born alone, we die alone. | 0:15:15 | 0:15:17 | |
You all say that... | 0:15:17 | 0:15:18 | |
but there's more to that quote, you know. | 0:15:18 | 0:15:20 | |
I couldn't take my clothes off with the lights on. | 0:15:22 | 0:15:25 | |
How was I ever going to take my clothes off for a man? | 0:15:25 | 0:15:28 | |
For just any man? | 0:15:28 | 0:15:30 | |
Sex is an itch you just scratch, | 0:15:31 | 0:15:34 | |
but love... | 0:15:34 | 0:15:35 | |
..that's the itch so far down your back, | 0:15:36 | 0:15:39 | |
you can't ever reach it with your own hand. | 0:15:39 | 0:15:41 | |
INAUDIBLE CHATTER | 0:15:55 | 0:15:58 | |
What makes you think he was there that night? | 0:15:58 | 0:16:01 | |
Yeah. Sorry, can I get a name again? | 0:16:01 | 0:16:02 | |
If he's bed bound, it makes it a bit difficult for him to get out. | 0:16:02 | 0:16:05 | |
No. | 0:16:05 | 0:16:06 | |
No, don't do that. | 0:16:06 | 0:16:09 | |
Well, have you asked him? | 0:16:09 | 0:16:11 | |
Well, if you think he's got a girlf... | 0:16:11 | 0:16:13 | |
Oh, he has got a girlfriend. | 0:16:13 | 0:16:15 | |
What makes you think he was there that night? | 0:16:15 | 0:16:17 | |
Yeah. Sorry, can I get a name again? | 0:16:19 | 0:16:22 | |
Yeah. | 0:16:22 | 0:16:24 | |
Nice, nice. | 0:16:24 | 0:16:25 | |
Loons and goons. | 0:16:25 | 0:16:26 | |
Are you enjoying pissing all over my budget as well? | 0:16:28 | 0:16:31 | |
You got anything? | 0:16:31 | 0:16:33 | |
Thames Path. Two days before. | 0:16:33 | 0:16:35 | |
A couple of sightings around the Isle of Dogs one week before that - | 0:16:35 | 0:16:38 | |
always on his own. | 0:16:38 | 0:16:40 | |
Four more with Stevie. | 0:16:40 | 0:16:42 | |
Various meetings, various places. | 0:16:42 | 0:16:44 | |
Normally in his car. | 0:16:44 | 0:16:46 | |
And this, with Stevie, four weeks before she died. | 0:16:46 | 0:16:49 | |
Boss, Michael Bennigan, Bennigan Cars. | 0:16:49 | 0:16:52 | |
Will only talk to River. | 0:16:52 | 0:16:53 | |
Oh, didn't have your direct line. | 0:17:13 | 0:17:15 | |
It's good to see you. | 0:17:17 | 0:17:18 | |
I was hoping to avoid a state visit. | 0:17:22 | 0:17:25 | |
That's the problem with this country, it still bows down to its monarchy. | 0:17:26 | 0:17:30 | |
How's Frankie doing? | 0:17:30 | 0:17:32 | |
Oh, he's quiet, yeah. Quiet. | 0:17:32 | 0:17:35 | |
Missing his sister. | 0:17:35 | 0:17:36 | |
Jimmy's not come in today. | 0:17:37 | 0:17:39 | |
I called round, but his mammy said he's not even got out of bed. | 0:17:39 | 0:17:42 | |
I know him, | 0:17:44 | 0:17:46 | |
the man on your appeal. | 0:17:46 | 0:17:48 | |
He came in, about a month before we lost Stevie, | 0:17:48 | 0:17:51 | |
looking for a job. | 0:17:51 | 0:17:53 | |
I didn't make the link. | 0:17:53 | 0:17:54 | |
There's no dignity in ageing. | 0:17:59 | 0:18:01 | |
I've got two little hearing aids, | 0:18:01 | 0:18:03 | |
cost me a thousand quid each. | 0:18:03 | 0:18:05 | |
I've got a prostate that my doctor sees | 0:18:05 | 0:18:07 | |
as a money making venture and... | 0:18:07 | 0:18:09 | |
Wait. Oh, yeah. | 0:18:10 | 0:18:11 | |
"Haider Jamal." | 0:18:14 | 0:18:17 | |
Yeah, he was from somewhere in Africa. | 0:18:17 | 0:18:19 | |
Where was it? Erm... | 0:18:19 | 0:18:20 | |
Somalia. | 0:18:21 | 0:18:23 | |
Khaalid Mahmoud, | 0:18:23 | 0:18:25 | |
dishwasher from Cristal's, | 0:18:25 | 0:18:27 | |
he's from Somalia too. | 0:18:27 | 0:18:28 | |
That's it, yeah. That's it, yeah. | 0:18:28 | 0:18:30 | |
Cristal's? I don't think I know it... | 0:18:30 | 0:18:32 | |
Kebab shop, near the Bethnal Green Road. | 0:18:32 | 0:18:34 | |
Ah, well, no more takeaways. My cholesterol is sky-high. | 0:18:34 | 0:18:37 | |
No, his paperwork is obviously false. | 0:18:37 | 0:18:40 | |
You can see it pretty quick. | 0:18:40 | 0:18:41 | |
They come in here with their fake IDs and their licences, | 0:18:41 | 0:18:44 | |
and I send them away just as quick. | 0:18:44 | 0:18:46 | |
Can I take this? | 0:18:46 | 0:18:48 | |
Yeah, sure. | 0:18:48 | 0:18:49 | |
Most of the drivers have their own cars, y'know. | 0:18:51 | 0:18:53 | |
I never saw his car myself, | 0:18:53 | 0:18:54 | |
but I'm told it was a piece of shit. | 0:18:54 | 0:18:57 | |
My engineers said that it was... | 0:18:57 | 0:18:59 | |
Well, it stank of kebabs. | 0:18:59 | 0:19:01 | |
And when I offered to lease him an alternative vehicle, | 0:19:02 | 0:19:06 | |
he didn't like the terms. | 0:19:06 | 0:19:07 | |
I quibbled his paperwork | 0:19:09 | 0:19:10 | |
and he became aggressive. | 0:19:10 | 0:19:12 | |
It was a short conversation | 0:19:12 | 0:19:13 | |
but, still, it stayed with me. | 0:19:13 | 0:19:15 | |
And then... | 0:19:15 | 0:19:17 | |
..when I saw the appeal... | 0:19:18 | 0:19:20 | |
I mean, they... They looked pretty close. | 0:19:21 | 0:19:24 | |
PRAYER BEADS RATTLE | 0:19:27 | 0:19:32 | |
Were they...? | 0:19:36 | 0:19:37 | |
I mean, there was the inference in the appeal. | 0:19:39 | 0:19:42 | |
In some ways, I'm glad her father never saw this. | 0:19:48 | 0:19:51 | |
I was with him...when he met Bridie. | 0:19:52 | 0:19:55 | |
Pub in Kilburn. | 0:19:55 | 0:19:56 | |
I was set up with her mate. | 0:19:58 | 0:20:01 | |
And then, when Stevie became a police officer, | 0:20:01 | 0:20:03 | |
people didn't trust Eric any more. | 0:20:03 | 0:20:04 | |
They thought he might inform | 0:20:04 | 0:20:06 | |
and that crushed Eric. | 0:20:06 | 0:20:08 | |
but, there again, he'd a harder time than me. | 0:20:08 | 0:20:11 | |
You never saw prison. | 0:20:11 | 0:20:13 | |
Well, I scrubbed myself up...eventually. | 0:20:13 | 0:20:15 | |
You know, my girls are all married now. | 0:20:16 | 0:20:18 | |
All privately educated. | 0:20:18 | 0:20:20 | |
I've got six grandkids. | 0:20:20 | 0:20:22 | |
Congratulations. | 0:20:22 | 0:20:24 | |
You know, you'd think it wouldn't have hit me like this. | 0:20:25 | 0:20:29 | |
How are you holding up? | 0:20:31 | 0:20:33 | |
Good. | 0:20:33 | 0:20:34 | |
Yeah? | 0:20:34 | 0:20:36 | |
You can't kid a kidder. | 0:20:36 | 0:20:37 | |
She knew him. | 0:20:39 | 0:20:41 | |
Oh, Frankie, are you off? | 0:20:43 | 0:20:45 | |
Tell your mammy I'll drop round later, see how Jimmy is. | 0:20:45 | 0:20:48 | |
Ah, will you not be smoking all round the front, lads, please? | 0:20:50 | 0:20:54 | |
Show a bit of respect, now, for the workplace. | 0:20:54 | 0:20:56 | |
Frankie! | 0:20:56 | 0:20:58 | |
Did you see the appeal? | 0:21:01 | 0:21:02 | |
Yeah. | 0:21:02 | 0:21:04 | |
Did you know him? | 0:21:04 | 0:21:06 | |
Mate, does it matter? | 0:21:07 | 0:21:09 | |
Does any of this matter now? | 0:21:10 | 0:21:11 | |
I know the kebab shop. | 0:21:13 | 0:21:15 | |
We used to go after Weight Watchers. | 0:21:15 | 0:21:18 | |
22, 48. I can't... | 0:21:18 | 0:21:20 | |
I can't. | 0:21:23 | 0:21:24 | |
In my head, she's not gone. | 0:21:24 | 0:21:25 | |
She's still alive. | 0:21:28 | 0:21:29 | |
If that was him... If this is him... | 0:21:31 | 0:21:35 | |
If this was the man who... | 0:21:35 | 0:21:37 | |
Could you identify him? | 0:21:37 | 0:21:40 | |
Not really. | 0:21:40 | 0:21:41 | |
I used to sit in the car | 0:21:41 | 0:21:43 | |
and she'd go in, and pick 'em up. | 0:21:43 | 0:21:46 | |
She never told you about him? | 0:21:46 | 0:21:47 | |
I never even asked. | 0:21:47 | 0:21:49 | |
I never asked anything about Stevie | 0:21:50 | 0:21:53 | |
and now she's not here... | 0:21:53 | 0:21:55 | |
..there's no-one to ask. | 0:21:56 | 0:21:57 | |
No-one remembers her properly... | 0:22:00 | 0:22:03 | |
I do. | 0:22:03 | 0:22:04 | |
I remember. | 0:22:07 | 0:22:08 | |
Stevie asked me to give you this. | 0:22:12 | 0:22:15 | |
Take it. | 0:22:15 | 0:22:16 | |
There's a couple of hundred quid here. | 0:22:17 | 0:22:19 | |
Daft bird. | 0:22:21 | 0:22:23 | |
What she do that for? | 0:22:23 | 0:22:24 | |
Even if they are both from Somalia, what does that prove? | 0:22:42 | 0:22:46 | |
Nothing. | 0:22:46 | 0:22:47 | |
Khaalid! | 0:22:54 | 0:22:56 | |
You, boy, | 0:22:56 | 0:22:57 | |
I see you chatting to yourself. | 0:22:57 | 0:23:00 | |
I have to pick up my kids. | 0:23:00 | 0:23:02 | |
I was 14 when I came to London. | 0:23:02 | 0:23:03 | |
The first ten minutes I got here, I got mugged on the bus from Victoria. | 0:23:03 | 0:23:07 | |
I was shaking so much, my mother thought I was excited | 0:23:07 | 0:23:10 | |
but it was fear | 0:23:10 | 0:23:11 | |
because I had a torn off page of a porn mag in my wallet | 0:23:11 | 0:23:14 | |
and I was afraid the police would | 0:23:14 | 0:23:16 | |
find the mugger, and the page, | 0:23:16 | 0:23:17 | |
and arrest me. | 0:23:17 | 0:23:19 | |
I know you're scared to talk to me, Khaalid, | 0:23:24 | 0:23:26 | |
but I think you know Haider. | 0:23:26 | 0:23:28 | |
It's Haider I want. | 0:23:28 | 0:23:29 | |
How did you meet? | 0:23:36 | 0:23:37 | |
My wife know his wife... | 0:23:47 | 0:23:49 | |
from kids, before war. | 0:23:49 | 0:23:51 | |
He has a wife? | 0:23:51 | 0:23:53 | |
Back home in Mogadishu. | 0:23:53 | 0:23:55 | |
He come here for a better life for his family. | 0:23:55 | 0:23:58 | |
He washes up for a few weeks, | 0:24:00 | 0:24:02 | |
but the owner... | 0:24:02 | 0:24:04 | |
He didn't like him? | 0:24:04 | 0:24:06 | |
The owner sees him talking to a police woman. | 0:24:10 | 0:24:13 | |
Thinks he brings trouble. | 0:24:13 | 0:24:14 | |
Did you ever get a sense of what they talked about? | 0:24:14 | 0:24:18 | |
I just thought, "She's a nice lady." | 0:24:18 | 0:24:20 | |
I just thought, "They laugh, they joke..." | 0:24:20 | 0:24:24 | |
She helped him out, let him sleep on her sofa for a couple of nights. | 0:24:24 | 0:24:27 | |
They were in a relationship. | 0:24:27 | 0:24:29 | |
No, no... | 0:24:29 | 0:24:30 | |
You seem very sure. | 0:24:30 | 0:24:32 | |
Maybe we talk to your wife. | 0:24:45 | 0:24:46 | |
I call, I call. | 0:24:49 | 0:24:51 | |
We can go straight there. | 0:24:51 | 0:24:52 | |
HE SPEAKS ARABIC | 0:25:07 | 0:25:10 | |
This is my wife. | 0:25:14 | 0:25:15 | |
She understands enough, but she speaks hardly any English. | 0:25:17 | 0:25:21 | |
We were talking to your husband about Haider. | 0:25:21 | 0:25:23 | |
We're trying to find him. | 0:25:25 | 0:25:27 | |
When did you see him last? | 0:25:28 | 0:25:29 | |
SHE SPEAKS ARABIC | 0:25:32 | 0:25:34 | |
We haven't seen Haider for weeks now. | 0:25:35 | 0:25:37 | |
Maybe he got a job somewhere else, different city. | 0:25:40 | 0:25:43 | |
Thank you. | 0:26:00 | 0:26:01 | |
Are these yours? | 0:26:07 | 0:26:09 | |
Do you have a favourite? | 0:26:14 | 0:26:15 | |
HE LAUGHS | 0:26:24 | 0:26:26 | |
The little warrior. | 0:26:29 | 0:26:31 | |
HE SPEAKS ARABIC | 0:26:31 | 0:26:35 | |
Do you know his wife? | 0:26:41 | 0:26:42 | |
Do you have any photos of the family? | 0:26:47 | 0:26:50 | |
Nice. | 0:27:06 | 0:27:08 | |
He told you nothing about DS Stevenson? | 0:27:08 | 0:27:10 | |
No, no. | 0:27:10 | 0:27:11 | |
He has nothing to do with this. | 0:27:11 | 0:27:13 | |
He loved his wife. | 0:27:13 | 0:27:14 | |
Men who loves like Haider, men like that... | 0:27:14 | 0:27:17 | |
No, not Haider. | 0:27:17 | 0:27:18 | |
They're scared. | 0:27:26 | 0:27:27 | |
Eight and a half million people in this city. | 0:27:52 | 0:27:54 | |
12.5% of the population | 0:27:54 | 0:27:57 | |
within a few square miles. | 0:27:57 | 0:27:59 | |
No wonder we can't find him... | 0:27:59 | 0:28:01 | |
or get any peace. | 0:28:01 | 0:28:03 | |
One of the great invisibles. | 0:28:03 | 0:28:05 | |
I can't stand it here any longer. | 0:28:09 | 0:28:11 | |
They're starting to say I'm losing it in the press. | 0:28:13 | 0:28:15 | |
It's taken them this long to notice. | 0:28:17 | 0:28:19 | |
Come on, let's get out of here. | 0:28:20 | 0:28:23 | |
We can work at mine. | 0:28:23 | 0:28:25 | |
Ira. | 0:28:25 | 0:28:26 | |
It's coming. | 0:28:31 | 0:28:35 | |
Kids? Yeah, already fed. | 0:28:35 | 0:28:37 | |
Goodnight. | 0:28:38 | 0:28:40 | |
Goodnight. Night-night. | 0:28:40 | 0:28:41 | |
Well, we have 419 leads and I'd say... | 0:28:49 | 0:28:53 | |
At night, she knows he is watching Mr... | 0:28:53 | 0:28:57 | |
Can't even pronounce that name. | 0:28:57 | 0:28:59 | |
..through his window | 0:28:59 | 0:29:01 | |
and he deliberately built his extension | 0:29:01 | 0:29:04 | |
facing the lady's house. | 0:29:04 | 0:29:06 | |
Out of the millions in this city, | 0:29:06 | 0:29:07 | |
we've cornered the magic, nutty percent. | 0:29:07 | 0:29:10 | |
Grade them, one to five. | 0:29:10 | 0:29:11 | |
LOUD MUSIC PLAYS | 0:29:11 | 0:29:13 | |
Joe! | 0:29:13 | 0:29:16 | |
I told Nina you'd read to her. | 0:29:16 | 0:29:19 | |
Fourth beer? | 0:29:19 | 0:29:20 | |
Third, actually. | 0:29:20 | 0:29:22 | |
Fourth. | 0:29:22 | 0:29:23 | |
It's my third! | 0:29:23 | 0:29:25 | |
Joe! Joe, that's enough! Turn it down! | 0:29:26 | 0:29:29 | |
We're not drinking in the week, apparently. | 0:29:29 | 0:29:32 | |
Keep it down! MUSIC STOPS | 0:29:32 | 0:29:34 | |
I lost a colleague a month ago. | 0:29:35 | 0:29:38 | |
Dropped down dead in the gym. | 0:29:38 | 0:29:40 | |
What does that tell you? | 0:29:40 | 0:29:41 | |
Don't go to the gym. | 0:29:41 | 0:29:43 | |
No. No, no. It tells you that we need to find other careers. | 0:29:44 | 0:29:47 | |
I am dying from the inside. | 0:29:49 | 0:29:51 | |
Are you stoned? | 0:29:59 | 0:30:00 | |
Yeah. Yeah. | 0:30:00 | 0:30:03 | |
But don't tell Chrissie. | 0:30:03 | 0:30:05 | |
I think she can guess. | 0:30:05 | 0:30:06 | |
I hate my life. | 0:30:13 | 0:30:14 | |
I take satisfaction from the fact that, one day, | 0:30:21 | 0:30:23 | |
they will have teenagers of their own. | 0:30:23 | 0:30:25 | |
No, thanks. | 0:30:30 | 0:30:31 | |
What has happened to you? | 0:30:31 | 0:30:33 | |
I'm a police officer. | 0:30:33 | 0:30:34 | |
And I'm a state-authorised judge. Go on. | 0:30:34 | 0:30:36 | |
No, thanks. | 0:30:36 | 0:30:38 | |
There was a time when you had some cojones, my friend. | 0:30:40 | 0:30:43 | |
Life neuters us all. | 0:30:44 | 0:30:45 | |
PHONE RINGS | 0:30:48 | 0:30:51 | |
You're getting sloppy. What's that? | 0:31:06 | 0:31:07 | |
Oh, you arse. | 0:31:07 | 0:31:09 | |
I've got seven years left... | 0:31:13 | 0:31:15 | |
..till I retire... | 0:31:16 | 0:31:17 | |
..a husband in midlife crisis - | 0:31:19 | 0:31:22 | |
he barely comes home any more, | 0:31:22 | 0:31:23 | |
four completely ungrateful children | 0:31:23 | 0:31:27 | |
to get through college, | 0:31:27 | 0:31:29 | |
university... | 0:31:29 | 0:31:31 | |
life... | 0:31:31 | 0:31:32 | |
..and they're the upside. | 0:31:34 | 0:31:36 | |
THEY LAUGH | 0:31:36 | 0:31:38 | |
I've lost a friend too, you know. | 0:31:43 | 0:31:45 | |
I should have realised. | 0:31:49 | 0:31:52 | |
I should have listened when she said she needed to talk. | 0:31:53 | 0:31:56 | |
I should have sensed something was wrong. | 0:31:57 | 0:32:01 | |
I ignored it, River. | 0:32:01 | 0:32:02 | |
I did, I ignored it... | 0:32:02 | 0:32:03 | |
..and you did too... | 0:32:05 | 0:32:07 | |
I'm going to make a move. | 0:32:09 | 0:32:10 | |
Ah! | 0:32:10 | 0:32:12 | |
River, do you want to...? | 0:32:12 | 0:32:15 | |
Sleep on the sofa. | 0:32:15 | 0:32:17 | |
It's all right. Stay the night. It's already... | 0:32:17 | 0:32:20 | |
silly o'clock. | 0:32:20 | 0:32:22 | |
I'm staying. Yeah. Yeah, good. | 0:32:22 | 0:32:25 | |
Why don't you leave the car and I'll get you a...taxi? | 0:32:25 | 0:32:29 | |
You can't drive. Thank you. Cheers. | 0:32:29 | 0:32:31 | |
Stevie. | 0:32:34 | 0:32:36 | |
I can't remember the name of the band. | 0:32:38 | 0:32:41 | |
It was something by... | 0:32:41 | 0:32:42 | |
Oh, God, sieve... | 0:32:45 | 0:32:47 | |
Sieve? | 0:32:47 | 0:32:48 | |
SHE LAUGHS | 0:32:48 | 0:32:49 | |
My head. | 0:32:49 | 0:32:51 | |
Menopause. | 0:32:51 | 0:32:52 | |
And you wouldn't sing it | 0:32:54 | 0:32:55 | |
and, so, she got pissed... | 0:32:55 | 0:32:57 | |
She got off with Barry from... | 0:32:57 | 0:32:59 | |
Oh, God. Barry! | 0:32:59 | 0:33:00 | |
From the Crime Management Team. Yeah. | 0:33:00 | 0:33:02 | |
Oh, God, yes. | 0:33:02 | 0:33:04 | |
Did she...? | 0:33:04 | 0:33:05 | |
No. No! | 0:33:05 | 0:33:07 | |
I drove her home. | 0:33:07 | 0:33:09 | |
I put her to bed. Oh. | 0:33:09 | 0:33:11 | |
Oh, Stevie. | 0:33:11 | 0:33:13 | |
Yeah, I miss her too. | 0:33:13 | 0:33:15 | |
We're all shattered underneath, really, aren't we? | 0:33:23 | 0:33:25 | |
She said you'd do that. | 0:33:44 | 0:33:46 | |
Have you got everything you need for the night? | 0:33:53 | 0:33:55 | |
Night. | 0:33:58 | 0:33:59 | |
Night. | 0:34:01 | 0:34:02 | |
You don't know what to do. | 0:34:46 | 0:34:47 | |
A question that sometimes drives me hazy... | 0:34:51 | 0:34:55 | |
..am I, or are the others, crazy? | 0:34:58 | 0:35:01 | |
Let me tell you, from someone who knows you... | 0:35:02 | 0:35:05 | |
Knew you... | 0:35:05 | 0:35:06 | |
You're bananas. | 0:35:08 | 0:35:09 | |
Barking, barking mad, | 0:35:11 | 0:35:13 | |
batty, bonkers, | 0:35:13 | 0:35:15 | |
crackers, crackpot, | 0:35:15 | 0:35:17 | |
crazy, crazed, | 0:35:17 | 0:35:19 | |
delirious, demented, | 0:35:19 | 0:35:21 | |
deranged, distracted, doolally, | 0:35:21 | 0:35:23 | |
frantic, gonzo, cuckoo. | 0:35:23 | 0:35:26 | |
You've lost your marbles. | 0:35:26 | 0:35:28 | |
Non compos mentis. | 0:35:28 | 0:35:29 | |
Not right in the head. | 0:35:29 | 0:35:31 | |
Not the full shilling. | 0:35:31 | 0:35:32 | |
Nutty, nut, nut. | 0:35:32 | 0:35:34 | |
You - | 0:35:34 | 0:35:35 | |
off your trolley, your rocker. | 0:35:35 | 0:35:38 | |
Unsound of mind, | 0:35:38 | 0:35:39 | |
out of your tree, | 0:35:39 | 0:35:41 | |
unhinged, | 0:35:41 | 0:35:42 | |
unstable, | 0:35:42 | 0:35:44 | |
rabid, raving, | 0:35:44 | 0:35:46 | |
wacko, | 0:35:46 | 0:35:48 | |
raving loony tune. | 0:35:48 | 0:35:50 | |
Find your way through your insanity. | 0:35:56 | 0:35:59 | |
Find the order in your chaos. | 0:36:00 | 0:36:02 | |
Otherwise, how will you ever find me? | 0:36:06 | 0:36:07 | |
You didn't come and see me yesterday. | 0:36:29 | 0:36:31 | |
It was a long day. | 0:36:31 | 0:36:33 | |
We worked late into the night. | 0:36:33 | 0:36:35 | |
You seem restless. | 0:36:38 | 0:36:40 | |
If she was in a relationship... | 0:36:43 | 0:36:44 | |
If she was in a relationship with this man... | 0:36:47 | 0:36:49 | |
That would make you feel...? | 0:36:51 | 0:36:52 | |
That would make me feel... | 0:36:52 | 0:36:54 | |
..surprised... | 0:36:57 | 0:36:59 | |
..because she led me to believe... | 0:37:03 | 0:37:05 | |
I believed... | 0:37:08 | 0:37:09 | |
No... | 0:37:14 | 0:37:14 | |
It's not right, the picture. | 0:37:14 | 0:37:17 | |
It doesn't look like my grandmother's lake - | 0:37:17 | 0:37:19 | |
it's too wide. | 0:37:19 | 0:37:20 | |
I could never have crossed that as a boy. | 0:37:20 | 0:37:23 | |
I nearly burst my lungs when I swam across it. | 0:37:23 | 0:37:27 | |
My lungs ached... | 0:37:27 | 0:37:28 | |
They ached. | 0:37:28 | 0:37:29 | |
My grandmother said... | 0:37:29 | 0:37:31 | |
She said that if I crossed the lake... | 0:37:32 | 0:37:34 | |
I'm not jealous. | 0:37:40 | 0:37:41 | |
I'm curious... | 0:37:47 | 0:37:48 | |
..because the last time I saw Stevie... | 0:37:49 | 0:37:51 | |
..she said that she loved someone. | 0:37:53 | 0:37:57 | |
I thought that someone was... | 0:37:57 | 0:37:59 | |
I thought that someone... | 0:38:02 | 0:38:04 | |
My grandmother, she gave me warm chocolate and bread... | 0:38:11 | 0:38:15 | |
..and she wrapped me in a towel | 0:38:17 | 0:38:20 | |
and I sat there, warm and tired... | 0:38:20 | 0:38:22 | |
I sat there on her knee and she sang to me. | 0:38:23 | 0:38:27 | |
What did she sing? | 0:38:30 | 0:38:31 | |
It doesn't translate. | 0:38:31 | 0:38:33 | |
# Kristallen den fina som solen mand skina. # | 0:38:41 | 0:38:48 | |
Stevie always... | 0:38:53 | 0:38:54 | |
She used to get so mad. | 0:38:54 | 0:38:56 | |
I'd never sing for her. | 0:38:58 | 0:39:00 | |
Why did you follow me the other night? | 0:39:06 | 0:39:08 | |
I... | 0:39:10 | 0:39:11 | |
BELL RINGS | 0:39:11 | 0:39:14 | |
It's Thursday. | 0:39:14 | 0:39:16 | |
They always test them on Thursday. | 0:39:16 | 0:39:18 | |
CREAM: "My grandmother gave me warm chocolate and bread | 0:39:36 | 0:39:39 | |
"and wrapped me in a towel... | 0:39:39 | 0:39:41 | |
"and I sat there, warm and tired - | 0:39:41 | 0:39:44 | |
"and she sang to me." | 0:39:44 | 0:39:45 | |
Such sentimentality, Inspector. | 0:39:47 | 0:39:50 | |
Such reinvention, sir. | 0:39:51 | 0:39:52 | |
Such a blatant disregard of the facts... | 0:39:53 | 0:39:56 | |
..but the truth is... | 0:39:57 | 0:39:59 | |
you sat there on her knee, while your mother... | 0:39:59 | 0:40:02 | |
Your mother just left you. | 0:40:02 | 0:40:05 | |
You were a burden to your grandmother until the day she died. | 0:40:06 | 0:40:09 | |
You weren't wanted there. | 0:40:11 | 0:40:13 | |
What did your grandmother call you? | 0:40:13 | 0:40:14 | |
Idiot. | 0:40:14 | 0:40:16 | |
Mutterer. | 0:40:16 | 0:40:17 | |
Babbler. | 0:40:17 | 0:40:18 | |
A fairytale you've told yourself to calm you in the dark. | 0:40:19 | 0:40:23 | |
They're all lies, sir. | 0:40:23 | 0:40:25 | |
All lies. | 0:40:25 | 0:40:29 | |
All lies! | 0:40:29 | 0:40:30 | |
River, we can go back inside now. | 0:40:40 | 0:40:42 | |
No. | 0:40:42 | 0:40:43 | |
I don't think... | 0:40:44 | 0:40:45 | |
I can't carry on today. | 0:40:47 | 0:40:48 | |
There's a group I run. | 0:40:52 | 0:40:55 | |
It's a couple of times a week. | 0:40:55 | 0:40:56 | |
We're meeting tonight. | 0:40:56 | 0:40:58 | |
Come. | 0:40:58 | 0:40:59 | |
It's a safe place where people can talk to the voices. | 0:41:04 | 0:41:08 | |
See them for what they really are. | 0:41:08 | 0:41:11 | |
You want me to sit there with all the mutterers and babblers? | 0:41:11 | 0:41:15 | |
Yes. | 0:41:17 | 0:41:19 | |
Get rid of the can or you'll have to go, sir. | 0:41:33 | 0:41:34 | |
I'm not going anywhere, boy. | 0:41:34 | 0:41:36 | |
I'm staying... | 0:41:36 | 0:41:37 | |
till someone is listening to me. | 0:41:37 | 0:41:39 | |
He won't leave the can. | 0:41:39 | 0:41:41 | |
That's fine, he can bring it in. | 0:41:41 | 0:41:43 | |
We now have a profile for Haider Jamal Abdi, | 0:41:48 | 0:41:52 | |
originally from Mogadishu. | 0:41:52 | 0:41:54 | |
Overstayed his visa... | 0:41:54 | 0:41:55 | |
over nine months ago. | 0:41:55 | 0:41:57 | |
Married, four children. | 0:41:57 | 0:41:59 | |
From all accounts, educated. | 0:41:59 | 0:42:00 | |
Lectured at the university there. | 0:42:00 | 0:42:03 | |
No criminal record, but he is our strongest suspect, | 0:42:03 | 0:42:07 | |
so I want you to go back | 0:42:07 | 0:42:09 | |
through the calls we've had post-appeal. | 0:42:09 | 0:42:12 | |
I want you to humour every one. | 0:42:12 | 0:42:15 | |
Every sighting, please. | 0:42:15 | 0:42:18 | |
We've made a shortlist of five strong leads, | 0:42:18 | 0:42:21 | |
so it is very possible | 0:42:21 | 0:42:24 | |
that Haider is our killer | 0:42:24 | 0:42:26 | |
and these will lead back to him. | 0:42:26 | 0:42:29 | |
So, come on, let's get going... | 0:42:29 | 0:42:31 | |
for Stevie. | 0:42:31 | 0:42:32 | |
Ibuprofen. | 0:42:40 | 0:42:42 | |
Four. | 0:42:42 | 0:42:44 | |
THEY LAUGH | 0:42:44 | 0:42:46 | |
There is a very, very strong chance | 0:42:46 | 0:42:49 | |
of me overdosing. | 0:42:49 | 0:42:50 | |
I left Tom still in bed. | 0:42:53 | 0:42:55 | |
He's due in court in... | 0:42:55 | 0:42:57 | |
..20 minutes. | 0:42:59 | 0:43:00 | |
About last night... | 0:43:11 | 0:43:12 | |
It's fine. | 0:43:14 | 0:43:15 | |
No, no, it really isn't... | 0:43:15 | 0:43:17 | |
Why didn't you tell me that she wanted to talk to you? | 0:43:17 | 0:43:20 | |
She always wanted to talk. | 0:43:23 | 0:43:25 | |
About what? | 0:43:25 | 0:43:27 | |
Mainly you... | 0:43:27 | 0:43:29 | |
if you're really interested. | 0:43:29 | 0:43:30 | |
I don't know. | 0:43:33 | 0:43:36 | |
I don't know. You logged in, | 0:43:36 | 0:43:37 | |
you saw her duty hours, | 0:43:37 | 0:43:39 | |
and that 10k, that was... | 0:43:39 | 0:43:41 | |
That was everything she had. | 0:43:41 | 0:43:43 | |
What was she investigating? | 0:43:44 | 0:43:46 | |
I don't know. | 0:43:48 | 0:43:49 | |
SHE EXHALES | 0:43:51 | 0:43:52 | |
Ira's about to question one of your leads. | 0:43:54 | 0:43:56 | |
Apparently he's brought his own beer. Do you want to watch? | 0:43:56 | 0:43:58 | |
SHE LAUGHS | 0:43:58 | 0:44:00 | |
Mr Lumo, you called the appeal line with some information... | 0:44:00 | 0:44:04 | |
so I'm listening. | 0:44:04 | 0:44:06 | |
I speak to the general, | 0:44:06 | 0:44:08 | |
not to the hired hand. | 0:44:08 | 0:44:09 | |
Put the can away. That stuff plays havoc with your teeth. | 0:44:09 | 0:44:13 | |
You keep saying "professor". | 0:44:14 | 0:44:16 | |
Who's the professor? | 0:44:16 | 0:44:18 | |
I want to talk to him. | 0:44:18 | 0:44:19 | |
Who? | 0:44:19 | 0:44:21 | |
I tell the one who talks to himself | 0:44:24 | 0:44:26 | |
where the professor is. | 0:44:26 | 0:44:28 | |
Where did you last see him? | 0:44:28 | 0:44:31 | |
Where all the professors go to hide. | 0:44:31 | 0:44:33 | |
River... | 0:44:35 | 0:44:36 | |
..there's someone to see you. | 0:44:37 | 0:44:39 | |
So, what can I help you with? | 0:44:44 | 0:44:46 | |
Do your parents know you're here? | 0:44:51 | 0:44:53 | |
Shall we call them? | 0:44:55 | 0:44:56 | |
I'm Tooxow. | 0:44:56 | 0:44:58 | |
I'm sorry. I'm John. | 0:44:58 | 0:45:00 | |
"Tooxow." | 0:45:01 | 0:45:03 | |
Good name. | 0:45:03 | 0:45:04 | |
How old are you? | 0:45:04 | 0:45:06 | |
Nine. | 0:45:06 | 0:45:07 | |
Nine - fine age. | 0:45:07 | 0:45:08 | |
When I was nine... | 0:45:08 | 0:45:09 | |
Don't you think your mother would be worried? | 0:45:15 | 0:45:18 | |
Where is she? | 0:45:18 | 0:45:19 | |
At home... | 0:45:21 | 0:45:22 | |
..crying. | 0:45:24 | 0:45:26 | |
Why is she crying? | 0:45:26 | 0:45:27 | |
I can't help you if you don't tell me why. | 0:45:31 | 0:45:34 | |
I'm frightened. | 0:45:36 | 0:45:37 | |
Last night, someone was trying to push open our door. | 0:45:38 | 0:45:42 | |
Why? | 0:45:44 | 0:45:45 | |
Because we're hiding someone. | 0:45:48 | 0:45:50 | |
Who? | 0:45:50 | 0:45:52 | |
Haider. | 0:45:52 | 0:45:54 | |
Listen, my boy will leave his bike where he likes, bitch. | 0:46:01 | 0:46:03 | |
Who are you calling a bitch? | 0:46:03 | 0:46:04 | |
You! I'm calling you a bitch! | 0:46:04 | 0:46:08 | |
Tooxow, don't ever run off like that again. | 0:46:08 | 0:46:10 | |
Where have you been? | 0:46:10 | 0:46:12 | |
We thought you'd been taken. | 0:46:12 | 0:46:14 | |
Where's Haider? | 0:46:14 | 0:46:16 | |
He's gone. He's gone. | 0:46:16 | 0:46:18 | |
Where is he now? | 0:46:18 | 0:46:19 | |
We were worried about Tooxow. | 0:46:19 | 0:46:21 | |
Haider went to look for him. | 0:46:21 | 0:46:23 | |
Suddenly, I see him outside running, | 0:46:23 | 0:46:25 | |
running frightened. | 0:46:25 | 0:46:27 | |
You have to get him before they do. | 0:46:27 | 0:46:29 | |
He was helping your friend. | 0:46:29 | 0:46:30 | |
Now they will kill him too. I need to see his things. | 0:46:30 | 0:46:33 | |
Where do professors go to hide? | 0:46:47 | 0:46:49 | |
Where's the library? | 0:46:50 | 0:46:52 | |
Was anyone following him? Leave that. I dunno. Thank you. | 0:46:52 | 0:46:55 | |
No! | 0:47:54 | 0:47:56 | |
Haider. | 0:47:59 | 0:48:00 | |
River, my friend... | 0:48:05 | 0:48:07 | |
..she told me we'd meet one day. | 0:48:08 | 0:48:10 | |
Call an ambulance! | 0:48:28 | 0:48:30 | |
Can you see me yet? | 0:49:13 | 0:49:15 | |
You can't blame yourself. | 0:49:27 | 0:49:28 | |
You saw my colour, | 0:49:28 | 0:49:30 | |
you saw what was there on the surface and you made assumptions. | 0:49:30 | 0:49:33 | |
Everyone always does. | 0:49:33 | 0:49:35 | |
We come to this country so filled with hope, | 0:49:35 | 0:49:38 | |
so grateful for the potential, | 0:49:38 | 0:49:40 | |
yet still they say, | 0:49:40 | 0:49:42 | |
"Why do we leave our door blindly open to these people?" | 0:49:42 | 0:49:45 | |
Bring in our drugs, criminals, | 0:49:45 | 0:49:48 | |
terrorists while we breed... | 0:49:48 | 0:49:51 | |
"Breed." | 0:49:51 | 0:49:52 | |
But you migrated here too. | 0:49:54 | 0:49:56 | |
You see what people here do not see. | 0:49:56 | 0:49:59 | |
See the loneliness. | 0:49:59 | 0:50:00 | |
The isolation. | 0:50:01 | 0:50:03 | |
What it is like to be so far from your country and family. | 0:50:03 | 0:50:07 | |
What it is like to try and fit here. | 0:50:07 | 0:50:09 | |
How hard it is just to be. | 0:50:11 | 0:50:15 | |
You should get some sleep tonight. | 0:50:28 | 0:50:30 | |
Yeah. | 0:50:30 | 0:50:32 | |
Think it's true? | 0:50:34 | 0:50:36 | |
That Khaalid was right? | 0:50:36 | 0:50:37 | |
She was helping him? Yeah. | 0:50:37 | 0:50:40 | |
Can you read Arabic? | 0:50:54 | 0:50:55 | |
Badly. | 0:50:55 | 0:50:57 | |
A bit. | 0:50:57 | 0:50:58 | |
I've written up everything. | 0:51:01 | 0:51:03 | |
"My dear wife... | 0:51:09 | 0:51:10 | |
"..please accept my greetings and respect. | 0:51:11 | 0:51:15 | |
"Please don't worry about me, | 0:51:16 | 0:51:18 | |
"dear bello, my beautiful. | 0:51:18 | 0:51:20 | |
"A dear friend once told me, 'We're born alone, we die alone.' | 0:51:23 | 0:51:29 | |
"It is only through our..." | 0:51:30 | 0:51:33 | |
PHONE VIBRATES | 0:51:33 | 0:51:35 | |
Tomorrow. | 0:51:37 | 0:51:38 | |
This can wait. | 0:51:38 | 0:51:41 | |
His wife - someone needs to tell her. | 0:51:41 | 0:51:44 | |
It's already done. | 0:51:44 | 0:51:45 | |
Whatever Stevie was involved in, | 0:51:47 | 0:51:49 | |
the one person that could have helped us... | 0:51:49 | 0:51:51 | |
Whoever silenced them is as scared as hell. | 0:51:53 | 0:51:56 | |
Where do we go now? | 0:51:57 | 0:52:00 | |
I don't know. | 0:52:00 | 0:52:01 | |
I keep getting it so wrong. | 0:52:02 | 0:52:03 | |
Night. Night. | 0:52:21 | 0:52:23 | |
'We're born alone, we die alone. | 0:52:44 | 0:52:46 | |
'Only through love and friendship | 0:52:48 | 0:52:50 | |
'can we create the illusion for the moments that we're not alone. | 0:52:50 | 0:52:54 | |
'Please do not worry about me, my dear bello, | 0:52:55 | 0:52:58 | |
'my beautiful, | 0:52:58 | 0:53:00 | |
'my love, | 0:53:00 | 0:53:02 | |
'my beautiful wife.' | 0:53:02 | 0:53:03 | |
Now, listen to me. | 0:53:04 | 0:53:07 | |
There are things I never told you. | 0:53:07 | 0:53:10 | |
There were things I did not spill. | 0:53:10 | 0:53:12 | |
How can a man... | 0:53:12 | 0:53:14 | |
A man like myself... | 0:53:14 | 0:53:16 | |
..how can he spill his heart into his mouth? | 0:53:17 | 0:53:20 | |
We're not built for this. | 0:53:22 | 0:53:23 | |
All I do know is... | 0:53:25 | 0:53:27 | |
when I close my eyes, | 0:53:27 | 0:53:29 | |
it is you who I see. | 0:53:29 | 0:53:31 | |
When I go to sleep, | 0:53:33 | 0:53:34 | |
it is you I feel curled next to me. | 0:53:34 | 0:53:37 | |
So, | 0:53:39 | 0:53:41 | |
it is raining today | 0:53:41 | 0:53:43 | |
and all I can think is... | 0:53:43 | 0:53:46 | |
I miss you. | 0:53:46 | 0:53:47 | |
You OK? | 0:54:03 | 0:54:05 | |
Yeah. | 0:54:08 | 0:54:09 | |
Tomorrow. | 0:54:12 | 0:54:14 | |
Start again tomorrow. | 0:54:14 | 0:54:17 | |
New start. New leads. | 0:54:17 | 0:54:19 | |
We'll find who did this. | 0:54:19 | 0:54:20 | |
Otherwise, what are we good for? | 0:54:21 | 0:54:23 | |
Yeah. | 0:54:25 | 0:54:27 | |
PHONE BEEPS | 0:54:27 | 0:54:28 | |
Oh, shit. | 0:54:30 | 0:54:32 | |
SHE SIGHS | 0:54:33 | 0:54:34 | |
Tom's not back and it's sodding parents evening AGAIN. | 0:54:34 | 0:54:38 | |
My bet is he's lurking around the chambers of Lincoln's Inn | 0:54:38 | 0:54:42 | |
trying to find a bar after hours. | 0:54:42 | 0:54:44 | |
Oh! | 0:54:46 | 0:54:47 | |
Hello, Tom. Hmm? | 0:55:10 | 0:55:12 | |
Oh. HE LAUGHS | 0:55:12 | 0:55:15 | |
Hey... I'm meeting someone. | 0:55:15 | 0:55:17 | |
Ah, "someone." | 0:55:17 | 0:55:18 | |
Oh, at last. | 0:55:18 | 0:55:20 | |
Please, not a lawyer. | 0:55:20 | 0:55:21 | |
I'm still paying for last night. | 0:55:25 | 0:55:27 | |
PHONE DIALS | 0:55:39 | 0:55:43 | |
PHONE RINGS | 0:55:43 | 0:55:48 | |
MUSIC: Maybe I'm Amazed by Carleen Anderson | 0:58:04 | 0:58:08 | |
# Maybe I'm amazed at the way you love me all the time | 0:58:14 | 0:58:18 | |
# Or maybe I'm afraid of the way I love you. # | 0:58:21 | 0:58:24 | |
Antony Gormley is the creator | 0:58:29 | 0:58:31 | |
of one of the most iconic sculptures in Britain. | 0:58:31 | 0:58:34 | |
We follow him through an extraordinary year, | 0:58:34 | 0:58:37 | |
and discover the influences that have shaped his life's work. | 0:58:37 | 0:58:40 |