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-ROSA: -'What would happen if you stopped trusting them, | 0:00:02 | 0:00:04 | |
'and started trusting me?' | 0:00:04 | 0:00:05 | |
There's a group I run. | 0:00:05 | 0:00:06 | |
It's a couple of times a week. We're meeting tonight. | 0:00:06 | 0:00:10 | |
Come. | 0:00:10 | 0:00:11 | |
You NUTTER! | 0:00:11 | 0:00:13 | |
-Why do you do this? -Because I am you. | 0:00:14 | 0:00:16 | |
I am the darkest part of you. | 0:00:16 | 0:00:18 | |
I am despair. | 0:00:18 | 0:00:19 | |
I am death. | 0:00:19 | 0:00:21 | |
I'm just trying to find out the truth. | 0:00:24 | 0:00:26 | |
I'm trying to find out who did this to you. | 0:00:26 | 0:00:28 | |
She was investigating something. | 0:00:29 | 0:00:32 | |
You have to tell Chrissie. | 0:00:32 | 0:00:34 | |
-MICHAEL: -I know him. | 0:00:34 | 0:00:35 | |
The man on your appeal. | 0:00:35 | 0:00:37 | |
He came in about three months ago looking for a job. | 0:00:37 | 0:00:41 | |
-CHRISSIE: -12.5% of the population within a few square miles. | 0:00:41 | 0:00:44 | |
No wonder we can't find him. | 0:00:44 | 0:00:47 | |
One of the great invisibles. | 0:00:47 | 0:00:49 | |
-KHAALID: -You have to find him. Someone is going to kill him. | 0:00:49 | 0:00:52 | |
-HAIDER: -We're born alone, we die alone. | 0:00:52 | 0:00:54 | |
Only through love and friendship can we create | 0:00:54 | 0:00:57 | |
the illusion for the moment, that we are not alone. | 0:00:57 | 0:01:00 | |
-CHRISSIE: -We'll find who did this. | 0:01:00 | 0:01:02 | |
Otherwise what are we good for? | 0:01:02 | 0:01:04 | |
Can you see me yet? | 0:01:05 | 0:01:07 | |
Night-night. | 0:01:07 | 0:01:08 | |
I'm a state authorised judge. Go on. | 0:01:11 | 0:01:13 | |
So? I had a second phone. | 0:01:14 | 0:01:17 | |
-MARCUS: -Any headway on the pay-as- you-go number | 0:01:17 | 0:01:19 | |
found on Stevie's second phone? | 0:01:19 | 0:01:21 | |
-HAIDER: -We come to this country so filled with hope, | 0:02:04 | 0:02:07 | |
so grateful for the potential. | 0:02:07 | 0:02:10 | |
Yet still they say, "Why do we leave our door blindly open | 0:02:10 | 0:02:14 | |
"to these people?" | 0:02:14 | 0:02:16 | |
But you migrated here too. | 0:02:16 | 0:02:18 | |
You see what people here do not see. | 0:02:19 | 0:02:21 | |
You of all people. | 0:02:23 | 0:02:24 | |
If only you had seen me clearly as I see you. | 0:02:26 | 0:02:29 | |
See the loneliness. | 0:02:30 | 0:02:33 | |
The isolation. | 0:02:33 | 0:02:36 | |
What it is like to be so far from your country and family. | 0:02:36 | 0:02:41 | |
What it is like to try and fit here. | 0:02:41 | 0:02:43 | |
How hard it is just to be. | 0:02:45 | 0:02:48 | |
Would you excuse me? | 0:02:55 | 0:02:56 | |
INDISTINCT | 0:03:01 | 0:03:04 | |
Why was Stevie calling you? | 0:03:23 | 0:03:25 | |
Does Chrissie know? | 0:03:32 | 0:03:33 | |
That you have a second phone or that you spoke to Stevie on it | 0:03:33 | 0:03:37 | |
in the weeks leading up to her death? | 0:03:37 | 0:03:39 | |
-It didn't seem relevant. -To who? | 0:03:41 | 0:03:44 | |
She was asking my advice. | 0:03:47 | 0:03:49 | |
She had a friend, he was here illegally. | 0:03:49 | 0:03:51 | |
For Christ's sake, Tom, that "friend" was all over a police appeal. | 0:03:51 | 0:03:54 | |
Yes, but I didn't know his name. She didn't tell me. | 0:03:54 | 0:03:57 | |
I didn't make the link. | 0:03:57 | 0:03:58 | |
She wanted to know his chances of staying here, | 0:03:58 | 0:04:00 | |
and I agreed they were pretty slim. | 0:04:00 | 0:04:02 | |
But I told her, | 0:04:02 | 0:04:03 | |
without the right paperwork... And his lawyer was pretty good. | 0:04:03 | 0:04:06 | |
I mean, as good as any of us are. She was trying to help him. | 0:04:06 | 0:04:09 | |
And what were YOU doing? | 0:04:10 | 0:04:11 | |
Oh, OK. | 0:04:14 | 0:04:15 | |
This is a cheap pay-as-you-go phone, and I use it for work, | 0:04:18 | 0:04:23 | |
and the occasional recreational activity. | 0:04:23 | 0:04:25 | |
What do you want from me? | 0:04:33 | 0:04:34 | |
You should tell Chrissie. | 0:04:34 | 0:04:35 | |
I know I should tell Chrissie if I wasn't a shit. | 0:04:37 | 0:04:40 | |
But I'm a shit. | 0:04:40 | 0:04:42 | |
Like a lot of other shits with a wife who barely looks at me. | 0:04:42 | 0:04:46 | |
Now, I'm serious. | 0:04:46 | 0:04:47 | |
The thought of seeing me naked is more than repellent to Chrissie. | 0:04:47 | 0:04:50 | |
It's practically laughable. | 0:04:50 | 0:04:51 | |
She'd rather sleep with the dog than spend a night cooched up with me. | 0:04:51 | 0:04:54 | |
And I am mortgaged up to the hilt, | 0:04:54 | 0:04:56 | |
I've got four delinquent and selfish children. | 0:04:56 | 0:04:58 | |
You know what? Forgive me if I didn't make the very obvious link | 0:04:58 | 0:05:01 | |
over a couple of phone calls. | 0:05:01 | 0:05:03 | |
Four! | 0:05:03 | 0:05:04 | |
You spoke to Stevie four times. | 0:05:06 | 0:05:08 | |
One was 19 minutes long. | 0:05:08 | 0:05:09 | |
I presumed they were screwing. | 0:05:10 | 0:05:12 | |
No. That's YOUR style, Tom. | 0:05:12 | 0:05:15 | |
Talk to Chrissie. | 0:05:15 | 0:05:16 | |
And say what? | 0:05:16 | 0:05:18 | |
We'll need a statement. | 0:05:18 | 0:05:20 | |
Talk to her before then. | 0:05:20 | 0:05:22 | |
-CHRISSIE: -The murder of Haider Jamail Abdi. | 0:05:27 | 0:05:29 | |
DS Stevenson was involved with him. How? | 0:05:29 | 0:05:33 | |
We've established that the blue Mondeo used in DS Stevenson's murder | 0:05:33 | 0:05:37 | |
was owned by Mr Jamal Abdi, | 0:05:37 | 0:05:40 | |
but it was not in his possession after October the 17th. | 0:05:40 | 0:05:43 | |
Five days later, it was used in the drive-by shooting of DS Stevenson. | 0:05:43 | 0:05:47 | |
We know that he sometimes stayed at her flat, and our increasing concern | 0:05:47 | 0:05:51 | |
is that the murder of Haider Jamal Abdi and DS Stevenson are linked. | 0:05:51 | 0:05:55 | |
They knew one another. We've ruled out any sort of relationship, | 0:05:55 | 0:05:59 | |
but we do know that she was investigating something | 0:05:59 | 0:06:02 | |
and Mr Jamal Abdi may have been helping her. | 0:06:02 | 0:06:05 | |
Was it this investigation that led to their deaths? | 0:06:05 | 0:06:09 | |
Mr Jamal Abdi was clearly frightened | 0:06:09 | 0:06:12 | |
in the hours leading up to his murder. | 0:06:12 | 0:06:14 | |
So, was someone trying to frame him? Who? | 0:06:14 | 0:06:17 | |
And how does this link to either or both of their murders? | 0:06:17 | 0:06:22 | |
Ira has been meticulously going through | 0:06:22 | 0:06:25 | |
the CCTV footage from the library. | 0:06:25 | 0:06:27 | |
-Perhaps you'd like to bring us up to speed. -Yeah. | 0:06:27 | 0:06:30 | |
This is a list of names. | 0:06:30 | 0:06:31 | |
No amber alerts as of yet. | 0:06:31 | 0:06:32 | |
Those we know who took out books that day | 0:06:32 | 0:06:34 | |
and were in the library. I've gone through most of the people, | 0:06:34 | 0:06:37 | |
but there are one or two not yet identified. | 0:06:37 | 0:06:40 | |
And unfortunately there wasn't a camera angled on the murder. | 0:06:40 | 0:06:43 | |
Where have you been? | 0:06:46 | 0:06:47 | |
Coffee with a friend. | 0:06:49 | 0:06:51 | |
SHE LAUGHS | 0:06:51 | 0:06:53 | |
You have no friends. | 0:06:53 | 0:06:55 | |
Well, that's not strictly true. | 0:06:55 | 0:06:56 | |
I don't count. | 0:06:56 | 0:06:58 | |
Are you all right? | 0:07:02 | 0:07:03 | |
I'm fine. | 0:07:04 | 0:07:06 | |
You're keeping something from me. Do not go behind my back. | 0:07:07 | 0:07:10 | |
Hostel in Whitechapel. Came in on the appeal. We're going down now. | 0:07:11 | 0:07:15 | |
Haider had been staying there. | 0:07:15 | 0:07:17 | |
He signed in on the night of Stevie's murder. | 0:07:17 | 0:07:19 | |
Eyewitnesses saw him on the phone to his wife. | 0:07:19 | 0:07:21 | |
Then reading in his room till gone midnight. | 0:07:21 | 0:07:24 | |
I take it all back - appeals forever more. | 0:07:24 | 0:07:26 | |
What the hell was she up to? | 0:07:29 | 0:07:31 | |
And who was he so frightened of? | 0:07:33 | 0:07:35 | |
Oh, Ira said you had a new lead, the pay-as-you-go. | 0:07:41 | 0:07:44 | |
It got up and went. | 0:07:45 | 0:07:47 | |
SHE CHUCKLES | 0:07:47 | 0:07:48 | |
And now he gives me jokes. | 0:07:48 | 0:07:50 | |
River... | 0:07:53 | 0:07:54 | |
Come to me first, OK? | 0:07:55 | 0:07:57 | |
Boss is on the prowl. | 0:07:58 | 0:08:00 | |
Oh, Stevie's laptop. | 0:08:03 | 0:08:05 | |
It's on your desk. | 0:08:06 | 0:08:08 | |
We've pulled everything out now - search history, e-mails, | 0:08:08 | 0:08:15 | |
cleaned up the hard drive, etc. but there's...photos | 0:08:15 | 0:08:18 | |
and...stuff I don't want to wipe, so... | 0:08:18 | 0:08:21 | |
..can you work out what to do with it? | 0:08:23 | 0:08:26 | |
MOBILE PHONE VIBRATES | 0:08:26 | 0:08:27 | |
Hi. | 0:08:27 | 0:08:29 | |
No. No, no, no, no. | 0:08:29 | 0:08:31 | |
You do not get out of dinner tonight, my love. | 0:08:31 | 0:08:34 | |
They... Tom! Listen to me, they are your parents. | 0:08:34 | 0:08:38 | |
SHE LAUGHS | 0:08:38 | 0:08:39 | |
It's Stevie's search history. I've trawled through it twice now. | 0:08:56 | 0:09:01 | |
There's some repeated searches, but no links yet. | 0:09:01 | 0:09:04 | |
I'll go over it later. | 0:09:04 | 0:09:05 | |
Cleaner. We're trying to trace him. | 0:09:06 | 0:09:10 | |
He's there mopping the floor. Library have no record of him. | 0:09:10 | 0:09:12 | |
I'm pulling up what I can, but most of the people there that day | 0:09:12 | 0:09:15 | |
probably didn't even have a library card. | 0:09:15 | 0:09:18 | |
Just skimming the free newspapers and getting in from the cold. | 0:09:18 | 0:09:22 | |
Haider's reading list - the odd bit of poetry, | 0:09:28 | 0:09:31 | |
a taste for Dan Brown novels. | 0:09:31 | 0:09:33 | |
He'd checked out a couple of books | 0:09:33 | 0:09:35 | |
on British citizenship and the legal system. | 0:09:35 | 0:09:38 | |
Why does everybody want to come to this city? | 0:09:38 | 0:09:41 | |
You did. | 0:09:42 | 0:09:43 | |
I came because I had to, when I was 14. | 0:09:43 | 0:09:46 | |
My grandmother died and my mother lived here. | 0:09:46 | 0:09:49 | |
First week, I lived on peanut butter sandwiches. | 0:09:49 | 0:09:52 | |
It was all she had in the fridge. It rained all the time | 0:09:52 | 0:09:56 | |
and nothing was green. | 0:09:56 | 0:09:57 | |
I hated it. Hated it. | 0:09:57 | 0:09:59 | |
But you stayed. | 0:10:01 | 0:10:02 | |
It had its advantages. | 0:10:02 | 0:10:04 | |
It's a city for everyone who belongs to everywhere else. | 0:10:06 | 0:10:09 | |
I went to Cork when I was 14. | 0:10:14 | 0:10:16 | |
Rained there too. | 0:10:20 | 0:10:22 | |
GUNSHOT | 0:10:44 | 0:10:45 | |
HE PANTS | 0:10:48 | 0:10:50 | |
PANICKY BREATHING | 0:11:10 | 0:11:12 | |
River! | 0:11:15 | 0:11:16 | |
All right? | 0:11:19 | 0:11:21 | |
Yeah. | 0:11:30 | 0:11:32 | |
I can drive. | 0:11:44 | 0:11:45 | |
It's fine. | 0:11:50 | 0:11:52 | |
She's gone. | 0:12:00 | 0:12:02 | |
How would you know? | 0:12:05 | 0:12:06 | |
I'm getting a feel for it. | 0:12:10 | 0:12:12 | |
Right... | 0:12:12 | 0:12:14 | |
HE CHUCKLES | 0:12:14 | 0:12:16 | |
Right. | 0:12:18 | 0:12:20 | |
Right. | 0:12:22 | 0:12:24 | |
CHATTER | 0:12:56 | 0:13:00 | |
Excuse me, is it all right if you just pull out some records for us? | 0:13:12 | 0:13:17 | |
CHATTER | 0:13:23 | 0:13:24 | |
Haider had been here nearly three months, | 0:13:36 | 0:13:38 | |
and moved out the day after Stevie died. | 0:13:38 | 0:13:40 | |
That must have been when he moved in with Khaalid. | 0:13:40 | 0:13:42 | |
They said it's worth talking to... | 0:13:42 | 0:13:44 | |
to Mrs Sunday Akentola. She's the hostel's immigration lawyer. | 0:13:44 | 0:13:47 | |
She comes in twice a week and Haider had a couple of meetings with her. | 0:13:47 | 0:13:50 | |
Most likely to get the process started, but no-one knows | 0:13:50 | 0:13:53 | |
if he followed through. | 0:13:53 | 0:13:55 | |
Mrs Akentola. | 0:13:55 | 0:13:56 | |
Sorry... Sorry. I've finished up for today. | 0:13:56 | 0:13:58 | |
It's all right, the last thing we need is a lawyer. | 0:13:58 | 0:14:02 | |
Do you mind if we walk? | 0:14:02 | 0:14:04 | |
I've got an appointment back in my office in... | 0:14:04 | 0:14:07 | |
oh, now. | 0:14:07 | 0:14:09 | |
Paperwork, June, for a Mr Haider Jamal Abdi. Please, do sit. | 0:14:12 | 0:14:16 | |
-Here you are, Sunday. -Thanks, June. A very nice man. | 0:14:21 | 0:14:25 | |
I am sorry I didn't make the association in the press. | 0:14:25 | 0:14:28 | |
Have you ever seen this woman? | 0:14:28 | 0:14:30 | |
No. | 0:14:32 | 0:14:34 | |
So he came on his own? | 0:14:35 | 0:14:36 | |
Yes. Yes. Always on his own. | 0:14:37 | 0:14:40 | |
His wife was in... | 0:14:40 | 0:14:42 | |
Mogadishu. Yes. Very smart. Very nice man. | 0:14:42 | 0:14:45 | |
Very sad. | 0:14:48 | 0:14:49 | |
Do you have more paperwork? | 0:14:52 | 0:14:54 | |
Er, yes... Yes. | 0:14:55 | 0:14:57 | |
The problem is, everyone says we make it | 0:14:57 | 0:15:01 | |
so easy for these people to come in, | 0:15:01 | 0:15:04 | |
but the Home Office lawyers, they are vicious. | 0:15:04 | 0:15:08 | |
All are guilty until proven innocent in a system that is broken. | 0:15:08 | 0:15:12 | |
It's not what you can become here... | 0:15:12 | 0:15:14 | |
..it's what you are. | 0:15:16 | 0:15:18 | |
And we wonder why they come in underground. | 0:15:18 | 0:15:21 | |
Illegally. My job is to legitimise them. | 0:15:21 | 0:15:26 | |
Do you have a client list? | 0:15:26 | 0:15:28 | |
Yes. | 0:15:29 | 0:15:30 | |
-WOMAN: -I'm heading over to the hostel now, then back to court. | 0:15:31 | 0:15:34 | |
Thanks, Ema. | 0:15:34 | 0:15:35 | |
Client list... | 0:15:35 | 0:15:37 | |
I saw you at the immigration court earlier. | 0:15:42 | 0:15:45 | |
Yes, yeah... | 0:15:45 | 0:15:46 | |
You work there? | 0:15:46 | 0:15:48 | |
I work for a few clients. Legal firms, wherever I am needed. | 0:15:48 | 0:15:51 | |
Have you ever met this man? | 0:15:51 | 0:15:52 | |
He was staying at the hostel. | 0:15:54 | 0:15:56 | |
I'm sorry, I don't speak Arabic. | 0:15:56 | 0:15:59 | |
Um, his name, he's... he's Arabic, no? | 0:15:59 | 0:16:02 | |
No, Somalian. He was a client here. | 0:16:02 | 0:16:05 | |
I speak French, Romanian, Russian, | 0:16:06 | 0:16:09 | |
a bit of Italian - badly. | 0:16:09 | 0:16:11 | |
Did you ever see this woman before? | 0:16:11 | 0:16:13 | |
I saw her on the news. | 0:16:16 | 0:16:18 | |
Yes, she came in a few months ago. | 0:16:20 | 0:16:22 | |
Together with this man? | 0:16:23 | 0:16:25 | |
Maybe. | 0:16:27 | 0:16:29 | |
Maybe, yes. | 0:16:29 | 0:16:31 | |
Yes, maybe it WAS him. | 0:16:31 | 0:16:33 | |
She came in with him once or twice. | 0:16:34 | 0:16:37 | |
And then she came back alone. Once. | 0:16:37 | 0:16:40 | |
Mrs Akentola said she'd never met her. | 0:16:40 | 0:16:42 | |
Then I'm wrong. I'm sorry. Today is the worst day. | 0:16:44 | 0:16:48 | |
Friday is court day, so we're building up to that. | 0:16:48 | 0:16:51 | |
I need to get back there, back and forth, back and forth... | 0:16:51 | 0:16:54 | |
Are you sure you're wrong? | 0:16:54 | 0:16:56 | |
We suspect she was investigating something and this may be it. | 0:16:56 | 0:17:01 | |
You can help us. | 0:17:01 | 0:17:02 | |
Please don't say I told you. | 0:17:06 | 0:17:08 | |
She knows her. | 0:17:08 | 0:17:10 | |
Mrs Akentola knew her. | 0:17:11 | 0:17:13 | |
My suspicion is this is only a fraction of her client list, | 0:17:25 | 0:17:28 | |
but she has a pretty good strike rate, Mrs Akentola. | 0:17:28 | 0:17:31 | |
Then why is she lying about meeting Stevie? | 0:17:31 | 0:17:34 | |
If you're covering up an immigration scam... | 0:17:36 | 0:17:38 | |
That's what she was investigating. | 0:17:40 | 0:17:42 | |
Exactly, my friend. | 0:17:42 | 0:17:43 | |
There's nothing here. Overstayed visa, odd asylum case. | 0:17:46 | 0:17:50 | |
-What's interesting is... -Most of them go to appeal, | 0:17:52 | 0:17:54 | |
and only on appeal do they get a right to stay. | 0:17:54 | 0:17:57 | |
Mayonnaise. | 0:18:02 | 0:18:04 | |
Big mistake. | 0:18:05 | 0:18:06 | |
Four points. | 0:18:06 | 0:18:08 | |
It's not late. | 0:18:12 | 0:18:13 | |
-I'm here. -What? | 0:18:13 | 0:18:15 | |
-I'm sitting right opposite. -Yeah. | 0:18:15 | 0:18:18 | |
So you could talk. You could talk to me instead of her. | 0:18:18 | 0:18:22 | |
I could. | 0:18:23 | 0:18:25 | |
But then you'd have to have something interesting to say. | 0:18:25 | 0:18:27 | |
HE SIGHS | 0:18:32 | 0:18:34 | |
-Found something? -Maybe. I'm not sure yet. | 0:18:35 | 0:18:38 | |
River? | 0:18:43 | 0:18:44 | |
Are you free tonight? | 0:18:44 | 0:18:46 | |
My wife's cooking dinner | 0:18:46 | 0:18:48 | |
and said... | 0:18:48 | 0:18:49 | |
She said I should ask you if you'd like to come over. | 0:18:49 | 0:18:52 | |
I'm busy. | 0:18:52 | 0:18:54 | |
Sure. | 0:18:54 | 0:18:56 | |
Sure. Another time. | 0:18:56 | 0:18:58 | |
Um... What is she cooking? | 0:18:58 | 0:19:00 | |
Probably something...meat... | 0:19:00 | 0:19:02 | |
There'll probably be some meat of some kind. | 0:19:02 | 0:19:04 | |
Lamb, maybe. | 0:19:05 | 0:19:07 | |
I don't like lamb. | 0:19:09 | 0:19:10 | |
There you go. | 0:19:10 | 0:19:12 | |
MUFFLED ARGUING | 0:19:18 | 0:19:20 | |
I'm going nowhere. | 0:19:30 | 0:19:31 | |
Oh, River. | 0:19:31 | 0:19:33 | |
You go on. | 0:19:33 | 0:19:34 | |
We're in filling in forms. | 0:19:38 | 0:19:40 | |
I'm trying to keep them calm, but it's all storm with that family. | 0:19:42 | 0:19:45 | |
What forms? | 0:19:45 | 0:19:46 | |
Compensation. They've taken advice, apparently. | 0:19:46 | 0:19:50 | |
This is where Stevie would have come in, you know, acted as my ballast. | 0:19:50 | 0:19:54 | |
Do you want me to talk to them? | 0:19:54 | 0:19:55 | |
No, no. You've got enough on your plate. | 0:19:55 | 0:19:58 | |
Um, are we...getting any closer? | 0:19:58 | 0:20:01 | |
I'll take that as a hopeful sign. | 0:20:03 | 0:20:05 | |
THEY CHUCKLE | 0:20:05 | 0:20:07 | |
That family... Vultures. | 0:20:19 | 0:20:21 | |
They're grieving. | 0:20:23 | 0:20:25 | |
The press don't help. Six weeks. | 0:20:25 | 0:20:28 | |
For Christ's sake, six weeks. | 0:20:28 | 0:20:31 | |
-You can't let them dictate. -Yeah. | 0:20:31 | 0:20:33 | |
So, er, Rosa's sick. | 0:20:34 | 0:20:37 | |
Right. | 0:20:38 | 0:20:39 | |
We were meant to go out last night, | 0:20:39 | 0:20:41 | |
but she seems fine today. | 0:20:41 | 0:20:43 | |
-CHRISSIE: -Tom, listen to me. | 0:20:43 | 0:20:44 | |
Do you think she seems fine? | 0:20:44 | 0:20:46 | |
-They are your parents. -Good. Good. | 0:20:46 | 0:20:48 | |
And you need to start taking responsibility, do you hear me? | 0:20:48 | 0:20:50 | |
Sorry. Sorry! Keep me posted. | 0:20:50 | 0:20:53 | |
-Marcus and Rosa, are they...? -Are you following me? | 0:20:56 | 0:20:59 | |
This is the men's. | 0:20:59 | 0:21:01 | |
But... | 0:21:01 | 0:21:02 | |
If I was having a pee, would you hover outside like that? | 0:21:02 | 0:21:05 | |
Yeah. | 0:21:05 | 0:21:06 | |
Are they? | 0:21:06 | 0:21:08 | |
No. | 0:21:08 | 0:21:09 | |
I don't think so. | 0:21:09 | 0:21:11 | |
He might want to, but... | 0:21:11 | 0:21:14 | |
Did he say that? Oh, God. | 0:21:14 | 0:21:16 | |
Of course. | 0:21:16 | 0:21:18 | |
Why wouldn't a beautiful 30-something like Rosa | 0:21:18 | 0:21:21 | |
go for a balding, self-opinionated older man? I mean... | 0:21:21 | 0:21:26 | |
Yeah, what a catch(!) | 0:21:26 | 0:21:28 | |
God, the arrogance of you men. To think that... | 0:21:28 | 0:21:32 | |
Is that it? | 0:21:32 | 0:21:33 | |
Have you finished? | 0:21:33 | 0:21:35 | |
It doesn't matter that I am heading up this entire investigation. | 0:21:36 | 0:21:41 | |
It doesn't matter that he keeps shoving me in front of the press. | 0:21:41 | 0:21:45 | |
The weekly humiliation of questions unanswered. | 0:21:45 | 0:21:50 | |
Can you...? | 0:21:50 | 0:21:52 | |
SHE SIGHS | 0:21:52 | 0:21:53 | |
What do I say, River? | 0:21:55 | 0:21:58 | |
We have nothing. Nothing! Marcus is right. | 0:21:58 | 0:22:02 | |
Six weeks. | 0:22:02 | 0:22:03 | |
Tom has cancelled... | 0:22:05 | 0:22:07 | |
So now I have to cook and smile | 0:22:07 | 0:22:10 | |
and sing Happy-sodding-Birthday | 0:22:10 | 0:22:13 | |
to a man who has neither the inclination nor the teeth | 0:22:13 | 0:22:17 | |
to even eat sodding birthday cake. | 0:22:17 | 0:22:19 | |
Which I also made. Whilst doing this job. While he... | 0:22:19 | 0:22:23 | |
he... | 0:22:23 | 0:22:25 | |
If people say they have to work late, do they? | 0:22:25 | 0:22:28 | |
Do they have to work late? | 0:22:28 | 0:22:29 | |
Is he having an affair...Tom? | 0:22:31 | 0:22:33 | |
What makes you say that? | 0:22:36 | 0:22:38 | |
Do I even care? | 0:22:39 | 0:22:41 | |
All these bloody women with their ridiculous names. | 0:22:42 | 0:22:46 | |
Pretty... | 0:22:46 | 0:22:47 | |
and clever... | 0:22:47 | 0:22:48 | |
..and young. | 0:22:50 | 0:22:52 | |
He introduces them to me. | 0:22:54 | 0:22:56 | |
I surprised him last week. | 0:22:56 | 0:22:58 | |
He was embracing this tiny, tiny, little elfin thing. | 0:22:58 | 0:23:03 | |
with a pink woolly hat and... | 0:23:03 | 0:23:05 | |
so pretty. | 0:23:05 | 0:23:06 | |
Then he kissed me in front of her | 0:23:08 | 0:23:10 | |
and whisked me off before I could make a scene. | 0:23:10 | 0:23:14 | |
Apparently she was terribly upset because her hours had been cut | 0:23:15 | 0:23:19 | |
and apparently it's highly competitive | 0:23:19 | 0:23:21 | |
for interpreters these days. | 0:23:21 | 0:23:23 | |
-I consoled him. -MIRTHLESS LAUGH | 0:23:24 | 0:23:27 | |
-He's an ass. -Yeah. Yeah. | 0:23:27 | 0:23:30 | |
That's what Stevie used to say. | 0:23:30 | 0:23:32 | |
Ohhh... | 0:23:32 | 0:23:33 | |
She gave you that money, didn't she? | 0:23:40 | 0:23:42 | |
That's what she was giving you outside the restaurant. The 10K. | 0:23:42 | 0:23:45 | |
I'm not an idiot. | 0:23:45 | 0:23:46 | |
They were her total life savings | 0:23:47 | 0:23:49 | |
and, in the event that anything should happen, she had this idea | 0:23:49 | 0:23:53 | |
that she'd give it to you because you'd know what to do with it best. | 0:23:53 | 0:23:56 | |
That's what she's giving you, isn't it? | 0:23:58 | 0:24:00 | |
She knew something was coming. | 0:24:00 | 0:24:02 | |
Yeah. | 0:24:04 | 0:24:06 | |
I told you you were keeping something from me. | 0:24:09 | 0:24:12 | |
Her internet searches. | 0:24:12 | 0:24:14 | |
I know we dismissed a lot of them... | 0:24:14 | 0:24:16 | |
But the list of companies she was researching, | 0:24:17 | 0:24:21 | |
there are some interesting names and there's a connection somewhere. | 0:24:21 | 0:24:24 | |
So find it. | 0:24:24 | 0:24:25 | |
Don't work too late. | 0:24:33 | 0:24:35 | |
You know he's married? | 0:25:27 | 0:25:28 | |
This is not out of some prurient interest, but if it can help... | 0:25:33 | 0:25:38 | |
Personally, I'm not a great advocate for infidelity. | 0:25:42 | 0:25:45 | |
Not that I have much experience, but... | 0:25:46 | 0:25:48 | |
I imagine that... | 0:25:50 | 0:25:51 | |
..you never feel entirely alone with the one you love. | 0:25:53 | 0:25:58 | |
There will always be another person in the room. | 0:25:58 | 0:26:02 | |
And I can see you do. | 0:26:08 | 0:26:09 | |
At this minute, Tom's wife is cooking a birthday dinner for his father | 0:26:13 | 0:26:19 | |
and his four children. | 0:26:19 | 0:26:21 | |
And again, no judgment, but it is a pretty shitty thing to do. | 0:26:21 | 0:26:26 | |
His father, the old man, is nearly 80 years old. | 0:26:26 | 0:26:29 | |
Probably put him through law school. | 0:26:29 | 0:26:31 | |
But he'd rather be spending the night with his mistress. | 0:26:33 | 0:26:37 | |
He's working late. | 0:26:37 | 0:26:39 | |
He told you that too? | 0:26:42 | 0:26:43 | |
DRY LAUGH | 0:26:47 | 0:26:49 | |
The bastard. | 0:26:49 | 0:26:51 | |
You need to tell me what's going on. | 0:26:56 | 0:26:59 | |
I want Mrs Akentola's entire client list. | 0:27:01 | 0:27:03 | |
Not just the sanitised version that she's given me. | 0:27:03 | 0:27:05 | |
As far as I can see, | 0:27:07 | 0:27:09 | |
the cases that Mrs Akentola runs through are pretty hopeless. | 0:27:09 | 0:27:13 | |
So why do so many of them get through? | 0:27:14 | 0:27:16 | |
I really need to go now. | 0:27:21 | 0:27:23 | |
Bastard. | 0:27:27 | 0:27:28 | |
Ah, Inspector. | 0:28:13 | 0:28:14 | |
Ever closer. | 0:28:16 | 0:28:17 | |
Yet ever further from the truth of who she was. | 0:28:18 | 0:28:21 | |
Don't you have somewhere to be? | 0:28:25 | 0:28:27 | |
River...in a completely sane world, | 0:28:39 | 0:28:43 | |
is madness not the only freedom? | 0:28:43 | 0:28:45 | |
Why would one not take oneself to the boundless edge | 0:28:47 | 0:28:50 | |
when there is darkness all around? | 0:28:50 | 0:28:52 | |
Give in to it. | 0:28:53 | 0:28:55 | |
Give in to it as a child does to his mother. | 0:28:57 | 0:28:59 | |
Until, wilful... | 0:29:00 | 0:29:02 | |
he defies her. | 0:29:02 | 0:29:04 | |
-MAN: -So I grabbed him and I said, "Listen, you muppet. | 0:29:17 | 0:29:22 | |
"I've paid your shitty fare, now drop me on the corner like I asked." | 0:29:22 | 0:29:27 | |
And he's like, "The postcode you entered | 0:29:27 | 0:29:30 | |
"is at the bottom of the road." And I'm like, | 0:29:30 | 0:29:33 | |
"I know where I live, shithead!" | 0:29:33 | 0:29:37 | |
And then I see I'm in my own car, | 0:29:37 | 0:29:41 | |
I'm driving up a one-way street the wrong way... | 0:29:41 | 0:29:44 | |
..and it's the sat nav. | 0:29:45 | 0:29:47 | |
I'm talking to that sat nav. | 0:29:47 | 0:29:50 | |
That's the new voice. | 0:29:50 | 0:29:52 | |
ANOTHER MAN CHUCKLES | 0:29:52 | 0:29:53 | |
So I obey it all the way home. | 0:29:53 | 0:29:56 | |
Took me three hours round the North Circular, | 0:29:58 | 0:30:00 | |
I only live ten minutes away. | 0:30:00 | 0:30:02 | |
HE LAUGHS | 0:30:02 | 0:30:05 | |
My girlfriend asked why I was late. | 0:30:05 | 0:30:06 | |
I said I'd dropped off for a drink at the pub. | 0:30:08 | 0:30:11 | |
I couldn't tell her. | 0:30:11 | 0:30:14 | |
"He's been a real shit today. | 0:30:14 | 0:30:16 | |
"He's talking through the sat nav now." | 0:30:17 | 0:30:19 | |
But I will. | 0:30:19 | 0:30:21 | |
I will tell her. | 0:30:22 | 0:30:24 | |
-Thanks. Thank you. -Thank you, Robbie. | 0:30:24 | 0:30:27 | |
If we are to see our voices as articulating those emotions | 0:30:31 | 0:30:34 | |
that perhaps we have hidden in the remotest parts of ourselves, | 0:30:34 | 0:30:38 | |
then I'd say that wasn't bad, Robbie, for him. | 0:30:38 | 0:30:41 | |
MAN CHUCKLES | 0:30:41 | 0:30:44 | |
He was helping you that day. | 0:30:44 | 0:30:47 | |
He wasn't telling you to throw yourself under that train. | 0:30:47 | 0:30:50 | |
OK. | 0:30:50 | 0:30:52 | |
OK. Anyone else? | 0:30:53 | 0:30:56 | |
River? | 0:31:00 | 0:31:02 | |
This is your second session. Is there anything you want to say? | 0:31:02 | 0:31:04 | |
No. | 0:31:04 | 0:31:06 | |
I know everyone would be very supportive of your story. | 0:31:07 | 0:31:10 | |
MAN CHUCKLES | 0:31:10 | 0:31:11 | |
My story. | 0:31:13 | 0:31:15 | |
You've listened to everyone else's. | 0:31:17 | 0:31:20 | |
So, um... | 0:31:20 | 0:31:22 | |
what have you thought, hearing how other people are coping? | 0:31:22 | 0:31:26 | |
What I've thought? | 0:31:27 | 0:31:28 | |
Yes. | 0:31:30 | 0:31:31 | |
Silence has a presence. | 0:31:39 | 0:31:40 | |
HE LAUGHS | 0:31:40 | 0:31:42 | |
Do you make that shit up yourself? "Silence has a presence." | 0:31:45 | 0:31:50 | |
What does it mean? | 0:31:51 | 0:31:52 | |
Do you want to know what I think? | 0:31:56 | 0:31:58 | |
I think our friend here should buy a map. | 0:32:04 | 0:32:06 | |
Everyone drives with sat nav now and yet nobody knows | 0:32:06 | 0:32:10 | |
where they're going or how they got there. | 0:32:10 | 0:32:13 | |
That would shut his voice up. | 0:32:14 | 0:32:16 | |
I think that Twinkle-Toes, | 0:32:16 | 0:32:18 | |
that your concern that you haven't met a boyfriend | 0:32:18 | 0:32:21 | |
because your voices keep telling you not to | 0:32:21 | 0:32:23 | |
is self delusion of the worst kind. | 0:32:23 | 0:32:25 | |
Our baby here - I have the greatest sympathy for you. | 0:32:27 | 0:32:30 | |
In this company, I'd be hanging out with Kurt Cobain in my head. | 0:32:30 | 0:32:33 | |
There are worse role models, | 0:32:33 | 0:32:35 | |
although the drugs and suicide aren't ideal. | 0:32:35 | 0:32:38 | |
Your spots will go away, | 0:32:38 | 0:32:40 | |
and I'd go as far as to say that you're my favourite. | 0:32:40 | 0:32:42 | |
Bar you, my friend. Bar you, my friend. | 0:32:42 | 0:32:45 | |
MAN CHUCKLES | 0:32:45 | 0:32:46 | |
I want to be where you are. | 0:32:46 | 0:32:48 | |
You are clearly having a much better time than this sorry group | 0:32:49 | 0:32:53 | |
of self-absorbed, moaning, infantilised freaks! | 0:32:53 | 0:32:58 | |
Very good, Inspector. Very good. | 0:32:58 | 0:33:00 | |
Laugh on and laugh loud! | 0:33:00 | 0:33:02 | |
Because, frankly, this last... | 0:33:03 | 0:33:06 | |
mind-numbing hour... | 0:33:06 | 0:33:08 | |
..is an hour I will never get back in my life. | 0:33:09 | 0:33:11 | |
Which brings me back to you. | 0:33:11 | 0:33:13 | |
No children yet. How old are you? | 0:33:15 | 0:33:18 | |
Fertility drops radically at 35. | 0:33:18 | 0:33:22 | |
You might want to think about that. | 0:33:22 | 0:33:24 | |
Whatever warped Messiah complex you have might be better served | 0:33:25 | 0:33:30 | |
directed towards those you love, | 0:33:30 | 0:33:32 | |
than those you wouldn't even | 0:33:32 | 0:33:34 | |
share a cup of coffee with outside of this room. | 0:33:34 | 0:33:37 | |
As Groucho Marx so famously said "I refuse to join a club that... | 0:33:38 | 0:33:43 | |
"..that would have me as a member.' | 0:33:43 | 0:33:45 | |
CREAM AND RIVER LAUGH | 0:33:45 | 0:33:47 | |
So consider this my resignation. My cancellation. | 0:33:47 | 0:33:51 | |
I don't need my two £2 dues back, | 0:33:51 | 0:33:54 | |
because the coffee was better than the company. | 0:33:54 | 0:33:56 | |
CREAM AND RIVER LAUGH | 0:33:56 | 0:33:58 | |
So...that's something. | 0:34:06 | 0:34:09 | |
Right. | 0:34:16 | 0:34:17 | |
Sorry, have you finished? | 0:34:20 | 0:34:22 | |
So let's remember that we don't censor anyone's voices here. | 0:34:29 | 0:34:32 | |
MAN CHUCKLES | 0:34:32 | 0:34:33 | |
So, um...thank you, River. | 0:34:33 | 0:34:36 | |
Thank you. | 0:34:37 | 0:34:39 | |
OK, same time Thursday. | 0:34:41 | 0:34:43 | |
Thank you, everyone. | 0:34:43 | 0:34:46 | |
MAN CHUCKLES | 0:34:48 | 0:34:50 | |
MAN CHUCKLES | 0:34:53 | 0:34:55 | |
Don't let him in. | 0:35:28 | 0:35:29 | |
He's coming for you. | 0:35:32 | 0:35:33 | |
DISTANT CHANTING | 0:35:46 | 0:35:48 | |
-MEN CHANT: -Who are ya? Who are ya? Who are ya? Who are ya? Who are ya? | 0:35:49 | 0:35:53 | |
CHANTING CONTINUES | 0:35:53 | 0:35:55 | |
Who are ya? | 0:35:59 | 0:36:01 | |
What the hell?! | 0:36:06 | 0:36:08 | |
Crazy, man! | 0:36:08 | 0:36:09 | |
River? | 0:36:37 | 0:36:39 | |
It's all right. | 0:36:44 | 0:36:46 | |
It's all right. | 0:36:49 | 0:36:51 | |
# Sunny | 0:37:03 | 0:37:06 | |
# Yesterday my life was filled with rain | 0:37:06 | 0:37:10 | |
# Sunny | 0:37:11 | 0:37:12 | |
# You smiled at me and really eased the pain | 0:37:14 | 0:37:18 | |
# Now the dark days are done and the bright days are here | 0:37:18 | 0:37:22 | |
# My Sunny one shines so sincere | 0:37:22 | 0:37:27 | |
# Sunny one, so true, I love you | 0:37:27 | 0:37:31 | |
# Sunny | 0:37:34 | 0:37:35 | |
# Thank you for the sunshine bouquet | 0:37:37 | 0:37:40 | |
# Sunny | 0:37:41 | 0:37:42 | |
# Thank you for the love you brought my way... # | 0:37:44 | 0:37:47 | |
-STEVIE: -Red. | 0:37:50 | 0:37:51 | |
No, white. | 0:37:54 | 0:37:56 | |
Red. | 0:37:57 | 0:37:59 | |
Stick with... Stick with red. | 0:37:59 | 0:38:02 | |
# Sunny | 0:38:03 | 0:38:05 | |
# Thank you for the truth you let me see | 0:38:07 | 0:38:10 | |
# Sunny... # | 0:38:12 | 0:38:14 | |
CORK POPS | 0:38:14 | 0:38:15 | |
Breathe. | 0:38:17 | 0:38:18 | |
What have you got in the fridge? | 0:38:21 | 0:38:23 | |
Eggs. | 0:38:32 | 0:38:33 | |
Good. | 0:38:33 | 0:38:34 | |
-Now, remember how you do this. -Yeah. | 0:38:35 | 0:38:38 | |
-Because we went over this. -Yeah. | 0:38:38 | 0:38:40 | |
Pour the wine. | 0:38:43 | 0:38:44 | |
Are you hungry? It's late. | 0:39:07 | 0:39:09 | |
I-I could... | 0:39:16 | 0:39:18 | |
I have eggs. | 0:39:18 | 0:39:20 | |
Eggs is good. | 0:39:20 | 0:39:22 | |
Right. | 0:39:22 | 0:39:24 | |
You want more? | 0:39:30 | 0:39:32 | |
No. No. | 0:39:32 | 0:39:34 | |
Good eggs. | 0:39:36 | 0:39:37 | |
HE CHUCKLES | 0:39:37 | 0:39:39 | |
Do you cook a lot? | 0:39:43 | 0:39:44 | |
Oh, when I can. | 0:39:44 | 0:39:46 | |
MOBILE PHONE VIBRATES | 0:39:46 | 0:39:47 | |
-Go ahead, you... -No. | 0:39:51 | 0:39:53 | |
SIREN WAILS | 0:39:57 | 0:39:59 | |
Tonight... | 0:40:16 | 0:40:18 | |
What I said... | 0:40:18 | 0:40:19 | |
..particularly about children... | 0:40:20 | 0:40:22 | |
Oh. | 0:40:22 | 0:40:24 | |
I did have a child. | 0:40:30 | 0:40:32 | |
She died at six weeks. | 0:40:36 | 0:40:38 | |
So... | 0:40:39 | 0:40:41 | |
I'm sorry. | 0:40:41 | 0:40:42 | |
And you should note that I've shared coffee with you... | 0:40:53 | 0:40:57 | |
..what? Twice? | 0:40:58 | 0:41:00 | |
And now eggs, so... | 0:41:02 | 0:41:04 | |
'The number you have called is unavailable. | 0:41:11 | 0:41:13 | |
'Please leave a message after the tone, | 0:41:13 | 0:41:15 | |
'or press one to change your message.' | 0:41:15 | 0:41:18 | |
OVERLAPPING EXCITED VOICES | 0:41:54 | 0:41:56 | |
OVERLAPPING MALE VOICES | 0:42:04 | 0:42:06 | |
FOOTBALL MATCH ON TV | 0:42:06 | 0:42:09 | |
MEN CHEER | 0:42:09 | 0:42:11 | |
Yes! | 0:42:12 | 0:42:14 | |
OVERLAPPING CHATTER | 0:42:14 | 0:42:16 | |
Who's playing? | 0:42:19 | 0:42:21 | |
Liverpool. | 0:42:22 | 0:42:24 | |
It's not my team. | 0:42:25 | 0:42:26 | |
Wait! | 0:42:31 | 0:42:32 | |
Officer requesting backup! | 0:42:41 | 0:42:43 | |
Just slow down! | 0:42:46 | 0:42:47 | |
I just want to talk to you! Wait! Slow down! | 0:42:47 | 0:42:52 | |
I just want to talk to you! | 0:42:52 | 0:42:54 | |
Why are you running? | 0:42:54 | 0:42:56 | |
Get down! | 0:43:00 | 0:43:01 | |
No! No! | 0:43:03 | 0:43:04 | |
HEAVY BLOWS AND GRUNTING | 0:43:04 | 0:43:06 | |
No! No! | 0:43:06 | 0:43:09 | |
Aaagh! | 0:43:09 | 0:43:10 | |
There was a playground near my grandmother's house. | 0:43:13 | 0:43:17 | |
No children. Not for miles. | 0:43:17 | 0:43:20 | |
I used to think it was just for me. | 0:43:21 | 0:43:24 | |
And I would see this old man looking down at me from his flat. | 0:43:24 | 0:43:28 | |
And he would wave at me and I would wave back. | 0:43:30 | 0:43:33 | |
So one day, I said to myself, I'll go and knock on his door, | 0:43:34 | 0:43:38 | |
I'll speak to him. | 0:43:38 | 0:43:40 | |
I was a very nervous boy. | 0:43:42 | 0:43:44 | |
But still I walked over to his block of flats and knocked on the door. | 0:43:45 | 0:43:51 | |
No-one in. | 0:43:53 | 0:43:55 | |
I walked back home across the playground... | 0:43:56 | 0:44:01 | |
..and there I saw him... | 0:44:03 | 0:44:05 | |
..lying in the snow. | 0:44:07 | 0:44:08 | |
I didn't know what had happened, but... | 0:44:13 | 0:44:15 | |
he was dead. | 0:44:15 | 0:44:17 | |
And I ran so fast... | 0:44:20 | 0:44:21 | |
..to Mr Alghren's house. | 0:44:23 | 0:44:25 | |
That's what everyone did. | 0:44:25 | 0:44:27 | |
And he said... | 0:44:27 | 0:44:29 | |
HE SPEAKS IN SWEDISH | 0:44:29 | 0:44:32 | |
"I'm a policeman, you're all right now." | 0:44:32 | 0:44:35 | |
And he took me home. | 0:44:37 | 0:44:39 | |
But what I could see that he could not... | 0:44:40 | 0:44:42 | |
..the old man came home with me. | 0:44:45 | 0:44:47 | |
And stayed. | 0:44:50 | 0:44:51 | |
And talked to me. | 0:44:54 | 0:44:56 | |
And I wasn't alone any more. | 0:44:58 | 0:45:00 | |
Do you blame yourself? | 0:45:06 | 0:45:07 | |
No. | 0:45:08 | 0:45:09 | |
He was old. It was cold. | 0:45:10 | 0:45:12 | |
For Stevie? | 0:45:12 | 0:45:14 | |
It's understandable. | 0:45:20 | 0:45:22 | |
Some people never encounter death their entire lives. | 0:45:26 | 0:45:29 | |
And you... | 0:45:29 | 0:45:32 | |
..you live with it... | 0:45:33 | 0:45:35 | |
every day. | 0:45:35 | 0:45:37 | |
MOBILE PHONE VIBRATES | 0:45:47 | 0:45:49 | |
Hello. | 0:45:56 | 0:45:58 | |
SIREN WAILS | 0:45:58 | 0:45:59 | |
Christ! You idiot! | 0:46:15 | 0:46:17 | |
Oh... | 0:46:17 | 0:46:19 | |
-Shh, shh. -Sorry, sorry. Are you all right? | 0:46:19 | 0:46:21 | |
-Yeah, yeah, I'm fine, I'm fine. -Oh, God, babe... | 0:46:21 | 0:46:24 | |
This is... | 0:46:24 | 0:46:25 | |
This is your fault. | 0:46:27 | 0:46:29 | |
Do you know I cooked lamb for you both tonight? | 0:46:29 | 0:46:31 | |
-Marianne. -Only he didn't ask you, did he? | 0:46:31 | 0:46:34 | |
Cos that's not what you do, is it? You don't actually talk, | 0:46:34 | 0:46:36 | |
actually get to know one another. | 0:46:36 | 0:46:38 | |
The only way I can do this, | 0:46:38 | 0:46:39 | |
the only way that I can wait for him to come home late at night | 0:46:39 | 0:46:42 | |
is if I know you've got his back. | 0:46:42 | 0:46:44 | |
You're his partner! That's what you're meant to be. | 0:46:44 | 0:46:46 | |
-Can we just go home? -No. He works every hour God sends for you, | 0:46:46 | 0:46:49 | |
to impress you. | 0:46:49 | 0:46:51 | |
He's bringing papers home, falling asleep in his dinner. For you! | 0:46:51 | 0:46:54 | |
And you barely even talk to him. | 0:46:54 | 0:46:56 | |
-You barely even see him. Well, -I -see him. | 0:46:56 | 0:46:59 | |
Because he's my partner. | 0:46:59 | 0:47:02 | |
And I'm married to him too. | 0:47:02 | 0:47:04 | |
So I need you...I need you to... | 0:47:04 | 0:47:07 | |
Because... | 0:47:10 | 0:47:11 | |
he is very precious...to me. | 0:47:11 | 0:47:14 | |
He's important. | 0:47:16 | 0:47:17 | |
All right? | 0:47:18 | 0:47:20 | |
SOBBING BREATHS | 0:47:20 | 0:47:22 | |
So come to dinner NEXT week. | 0:47:25 | 0:47:27 | |
Nice to meet you. | 0:47:29 | 0:47:30 | |
Come on. | 0:47:30 | 0:47:32 | |
Oh, look at this. | 0:47:34 | 0:47:35 | |
It's the same guy. | 0:47:39 | 0:47:41 | |
THEY WHISPER TOGETHER | 0:47:41 | 0:47:43 | |
Six. | 0:48:02 | 0:48:03 | |
DOOR SLAMS | 0:48:05 | 0:48:08 | |
-DOOR BANGS OPEN -Get up. | 0:48:08 | 0:48:10 | |
HE SPEAKS ROMANIAN | 0:48:13 | 0:48:14 | |
He'll need an interpreter. | 0:48:16 | 0:48:17 | |
Found wrapped in a shirt, behind a hostel radiator. | 0:48:31 | 0:48:36 | |
What's his name? | 0:48:36 | 0:48:37 | |
Fedor Postan. 34 years old. Moldovan. Unemployed. | 0:48:37 | 0:48:42 | |
Overstayed his visa in March. May have known Haider from the hostel. | 0:48:42 | 0:48:46 | |
Any previous record? | 0:48:46 | 0:48:48 | |
Where shall I begin? | 0:48:49 | 0:48:50 | |
I'm Detective Chief Inspector Chrissie Read | 0:48:50 | 0:48:53 | |
-and this is my colleague, DI River. -INTERPRETER TRANSLATES | 0:48:53 | 0:48:56 | |
You will be charged with the violent attack on my colleague, | 0:48:56 | 0:48:59 | |
Detective Sergeant King, last night. | 0:48:59 | 0:49:00 | |
-We also want to talk to you about the murder of Haider Jamal Abdi. -TRANSLATION CONTINUES | 0:49:00 | 0:49:06 | |
You do not have to say anything, | 0:49:06 | 0:49:07 | |
but it may harm your defence if you do not mention | 0:49:07 | 0:49:10 | |
-when questioned something which you later rely on in court... -Excuse me. | 0:49:10 | 0:49:13 | |
Could you please go slower? Thank you. | 0:49:13 | 0:49:16 | |
Anything you do say may be given in evidence. | 0:49:20 | 0:49:24 | |
SHE TRANSLATES | 0:49:24 | 0:49:26 | |
Do you recognise this? | 0:49:26 | 0:49:28 | |
SHE TRANSLATES | 0:49:28 | 0:49:30 | |
HE WHISPERS | 0:49:39 | 0:49:40 | |
No comment. | 0:49:40 | 0:49:42 | |
You have been caught on camera mopping a floor in the library | 0:49:45 | 0:49:48 | |
where Mr Jamal Abdi was murdered. | 0:49:48 | 0:49:50 | |
Yet the cleaning company has no record of your employment. | 0:49:50 | 0:49:53 | |
SHE INTERPRETS | 0:49:53 | 0:49:55 | |
No comment. | 0:50:03 | 0:50:05 | |
Your prints are on this knife. | 0:50:07 | 0:50:09 | |
We will link you to this murder. | 0:50:11 | 0:50:13 | |
So maybe you want to rethink. | 0:50:13 | 0:50:15 | |
I'm offering you the chance to help us and do yourself a favour. | 0:50:16 | 0:50:20 | |
Give me a motive, because we have the weapon. So start talking. | 0:50:20 | 0:50:24 | |
SHE INTERPRETS | 0:50:24 | 0:50:26 | |
HE SPEAKS ROMANIAN | 0:50:33 | 0:50:34 | |
-I want to give a statement. -Good. | 0:50:34 | 0:50:36 | |
SHE INTERPRETS | 0:50:36 | 0:50:38 | |
HE SPEAKS ROMANIAN | 0:50:38 | 0:50:39 | |
I get a text. | 0:50:39 | 0:50:42 | |
Someone leaves money for me to pick up. | 0:50:43 | 0:50:45 | |
Where? | 0:50:45 | 0:50:47 | |
SHE INTERPRETS HE REPLIES | 0:50:47 | 0:50:49 | |
The carwash in Dalston Lane. | 0:50:49 | 0:50:51 | |
HE SPEAKS ROMANIAN | 0:50:51 | 0:50:53 | |
I get a locker number and a key. | 0:50:53 | 0:50:55 | |
HE SPEAKS ROMANIAN | 0:50:55 | 0:50:57 | |
I was meant to pick up a second instalment after the job was done. | 0:50:57 | 0:51:01 | |
So you haven't picked it up yet? | 0:51:01 | 0:51:04 | |
DCI Read is leaving the interview room. | 0:51:04 | 0:51:06 | |
SHE INTERPRETS DOOR SHUTS | 0:51:06 | 0:51:09 | |
-Chrissie. -You get a confession out of him and fast. | 0:51:12 | 0:51:14 | |
-Are these his things? -Yes, ma'am. | 0:51:14 | 0:51:17 | |
Ah, locker 19. | 0:51:19 | 0:51:22 | |
-I work with Tom. -I know you do. | 0:51:22 | 0:51:24 | |
You need to look at this list. | 0:51:26 | 0:51:28 | |
This is Mrs Akentola's entire client list. | 0:51:34 | 0:51:38 | |
Nothing left out. I don't think Fedor even knew the man he killed. | 0:51:38 | 0:51:42 | |
But these people are broke and will do anything for a few hundred pounds | 0:51:42 | 0:51:46 | |
and a promise of a visa. | 0:51:46 | 0:51:47 | |
I can get others. | 0:51:47 | 0:51:49 | |
One or two lawyers who I suspect are doing exactly the same - | 0:51:49 | 0:51:52 | |
ensuring clients' applications go through. Paying judges when needed, | 0:51:52 | 0:51:56 | |
to overlook discrepancies and approve their right to stay here. | 0:51:56 | 0:52:00 | |
Which judges? | 0:52:02 | 0:52:03 | |
Which judges?! | 0:52:04 | 0:52:06 | |
My client is waiting here! How long are you going to hold him? | 0:52:06 | 0:52:09 | |
We're charging him. | 0:52:09 | 0:52:10 | |
Thank you. | 0:52:12 | 0:52:13 | |
-Chrissie. -Not yet. Not yet. | 0:52:17 | 0:52:20 | |
Find out if there's a camera on locker 19. | 0:52:21 | 0:52:23 | |
Couple of thousand. | 0:52:48 | 0:52:50 | |
Is that the going rate now? | 0:52:51 | 0:52:53 | |
Police. We need to pull up some CCTV footage, please. | 0:52:54 | 0:52:58 | |
Thank you. | 0:52:58 | 0:52:59 | |
This is the last couple of days. | 0:53:07 | 0:53:09 | |
It's there. | 0:53:09 | 0:53:10 | |
This was yesterday? | 0:53:15 | 0:53:17 | |
Yeah. | 0:53:17 | 0:53:18 | |
Go back. | 0:53:23 | 0:53:25 | |
There. | 0:53:29 | 0:53:30 | |
Zoom in. | 0:53:34 | 0:53:36 | |
I want all this footage. | 0:53:51 | 0:53:52 | |
Get the whole team on this. | 0:53:54 | 0:53:56 | |
We've bought a new sofa. | 0:54:37 | 0:54:40 | |
Had the roof done in August. | 0:54:40 | 0:54:43 | |
Came to about £10,000. | 0:54:45 | 0:54:47 | |
Paid for it in cash. | 0:54:47 | 0:54:48 | |
He said it was... | 0:54:51 | 0:54:53 | |
..a back-dated...rebate. | 0:54:57 | 0:55:00 | |
-SHE SNIFFLES -And there was more. | 0:55:02 | 0:55:05 | |
It doesn't mean he was involved in Stevie's death. | 0:55:06 | 0:55:09 | |
Wait outside the house. Just give me...ten minutes. | 0:55:16 | 0:55:20 | |
Just...time to clear the kids. | 0:55:20 | 0:55:22 | |
-Chrissie... -Please don't. | 0:55:22 | 0:55:24 | |
Hello. You want a drink? | 0:56:06 | 0:56:08 | |
I sent the kids out for fish and chips. | 0:56:08 | 0:56:10 | |
Genius. I've a tonne of work to sign off on, so... | 0:56:10 | 0:56:12 | |
What? | 0:56:15 | 0:56:18 | |
DOORBELL | 0:56:18 | 0:56:19 | |
TOM SIGHS | 0:56:27 | 0:56:29 | |
Hello! | 0:56:34 | 0:56:36 | |
We need to take you in, Tom. | 0:56:36 | 0:56:38 | |
All right... | 0:56:39 | 0:56:41 | |
Chrissie? | 0:56:41 | 0:56:42 | |
We need to ask you some questions. | 0:56:42 | 0:56:44 | |
Yeah. Chrissie.... | 0:56:46 | 0:56:48 | |
You are under arrest. | 0:56:48 | 0:56:50 | |
-I just need to... -No. Leave those. | 0:56:56 | 0:56:59 | |
We need to go through everything. | 0:56:59 | 0:57:00 | |
Chrissie. | 0:57:03 | 0:57:05 | |
Chrissie! | 0:57:08 | 0:57:09 | |
Tom Read, I am arresting you for perverting the course of justice. | 0:57:09 | 0:57:13 | |
You do not have to say anything, but it may harm your defence | 0:57:13 | 0:57:17 | |
if you do not mention | 0:57:17 | 0:57:18 | |
when questioned something which you later rely on in court. | 0:57:18 | 0:57:21 | |
Excuse me. Chrissie? | 0:57:21 | 0:57:23 | |
CHRISSIE! | 0:57:24 | 0:57:25 | |
Come on, Tom. | 0:57:27 | 0:57:29 | |
# Sunny | 0:57:59 | 0:58:01 | |
# Yesterday my life was filled with rain | 0:58:01 | 0:58:07 | |
# Sunny | 0:58:07 | 0:58:08 | |
# You smiled at me and really eased the pain | 0:58:09 | 0:58:14 | |
# The dark days are done and the bright days are here | 0:58:14 | 0:58:18 | |
# My Sunny one shines so sincere | 0:58:18 | 0:58:22 | |
# Sunny one, so true, I love you. # | 0:58:22 | 0:58:27 |