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Even if you were just colleagues, there was love, perhaps. | 0:00:02 | 0:00:05 | |
What we will do for love. Die for it, even. | 0:00:05 | 0:00:09 | |
We do know that she was investigating something | 0:00:09 | 0:00:12 | |
and Haider Jamal Abdi may have been helping her. | 0:00:12 | 0:00:15 | |
I know him. The man on your appeal. | 0:00:15 | 0:00:17 | |
They come in here with their fake IDs and their licences, | 0:00:17 | 0:00:20 | |
and I send them away just as quick. | 0:00:20 | 0:00:22 | |
Tom Read, I arrest you for perverting the course of justice. | 0:00:22 | 0:00:26 | |
CHRISSIE! | 0:00:26 | 0:00:27 | |
Was there anything, anything different about her? | 0:00:27 | 0:00:30 | |
You worked with her that day. You went for dinner, for Christ's sake. | 0:00:30 | 0:00:33 | |
You must have talked about something. | 0:00:33 | 0:00:35 | |
We worked. We had lunch. | 0:00:35 | 0:00:37 | |
We worked some more. We went for Chinese. | 0:00:37 | 0:00:39 | |
We talked about nothing. | 0:00:41 | 0:00:42 | |
The last time I saw Stevie, | 0:00:42 | 0:00:44 | |
she said that she... she loved someone. | 0:00:44 | 0:00:47 | |
I thought that someone was... | 0:00:47 | 0:00:49 | |
She gave me £10,000 that night, to look after her younger brother. | 0:00:51 | 0:00:55 | |
I think... I think she knew something was coming. | 0:00:55 | 0:00:57 | |
She asked me if something happened to her, | 0:00:57 | 0:00:59 | |
to look after Frankie. | 0:00:59 | 0:01:01 | |
This programme contains some strong language | 0:01:05 | 0:01:08 | |
Just to go back over again... | 0:01:24 | 0:01:26 | |
..you come out of the Chinese restaurant... | 0:01:29 | 0:01:31 | |
Yeah. | 0:01:33 | 0:01:35 | |
After a brief exchange, she crosses the road. | 0:01:35 | 0:01:38 | |
Did you see who shot her? | 0:01:39 | 0:01:41 | |
No, my view was obscured by the van. | 0:01:41 | 0:01:44 | |
But you saw the car pull away? | 0:01:46 | 0:01:48 | |
Yes. | 0:01:49 | 0:01:50 | |
-She crosses the road... -Do you recall the last thing she said to you? | 0:01:52 | 0:01:56 | |
HE SIGHS | 0:02:00 | 0:02:01 | |
River. | 0:02:03 | 0:02:05 | |
"Screw you, Mr Magoo." | 0:02:07 | 0:02:08 | |
That's the last thing she said to you? | 0:02:10 | 0:02:13 | |
HE SNIFFLES | 0:02:13 | 0:02:15 | |
I've got blood all over my shirt. | 0:02:15 | 0:02:18 | |
What the hell was she up to? | 0:02:45 | 0:02:47 | |
She gave you that money, didn't she? | 0:02:52 | 0:02:54 | |
That's what she was giving you, outside the restaurant, the 10K? | 0:02:54 | 0:02:58 | |
She knew something was coming. | 0:02:58 | 0:03:00 | |
You are caught in what is known as a paradox, my friend. | 0:03:11 | 0:03:15 | |
The closer you get to the truth, the further away you'll get from me. | 0:03:15 | 0:03:18 | |
From who I was. | 0:03:18 | 0:03:19 | |
And then you'll see who I really am. | 0:03:23 | 0:03:25 | |
Solve this, Magoo, and you know what happens. | 0:03:27 | 0:03:30 | |
Oh, Inspector. | 0:03:45 | 0:03:47 | |
For the guilty, there is nothing that gives more masochistic pleasure | 0:03:47 | 0:03:50 | |
than to retrace one's steps. | 0:03:50 | 0:03:53 | |
To replay the details of one's most horrific crimes. | 0:03:53 | 0:03:55 | |
GUNSHOT | 0:03:56 | 0:03:58 | |
GUNSHOT | 0:04:00 | 0:04:02 | |
Alas, you could not heave your heart into your mouth | 0:04:11 | 0:04:13 | |
and tell her how you felt that night. | 0:04:13 | 0:04:16 | |
If only you had taken her in your arms. | 0:04:17 | 0:04:20 | |
If only. | 0:04:21 | 0:04:23 | |
If only. | 0:04:23 | 0:04:24 | |
If only. | 0:04:25 | 0:04:27 | |
Then she may still be alive | 0:04:27 | 0:04:29 | |
and somewhere inside of you would not have died. | 0:04:29 | 0:04:32 | |
But do not be afraid, Inspector. | 0:04:32 | 0:04:35 | |
She may be gone, | 0:04:35 | 0:04:36 | |
but I will still be there, for ever... | 0:04:36 | 0:04:39 | |
..by your side! | 0:04:40 | 0:04:42 | |
River, I went through the three key firms | 0:04:48 | 0:04:51 | |
that Stevie was investigating in the lead-up to her murder. | 0:04:51 | 0:04:54 | |
-Chrissie not in yet? -No. | 0:04:54 | 0:04:56 | |
Office Work Solutions - an employment agency in Harrow. | 0:04:56 | 0:04:59 | |
They headhunt and supply a variety of staff. | 0:04:59 | 0:05:01 | |
Cleaning contracts, mainly. | 0:05:01 | 0:05:03 | |
The second - TPA Waste Management. | 0:05:03 | 0:05:05 | |
They provide recycling contracts. | 0:05:05 | 0:05:07 | |
And the third - E&F Car Services, of which Bennigan Cars | 0:05:07 | 0:05:11 | |
is one of five subsidiary companies, all providing taxis, | 0:05:11 | 0:05:14 | |
luxury chauffeurs, a collective payroll of 1,900 employees. | 0:05:14 | 0:05:19 | |
Drivers, mainly. | 0:05:19 | 0:05:21 | |
Bennigan Cars has got 76, | 0:05:21 | 0:05:23 | |
maybe 80 applicants through in the last 18 months. | 0:05:23 | 0:05:25 | |
All applying for visas, rights to stay in the country. | 0:05:25 | 0:05:29 | |
Nearly all had their cases approved by one judge, Tom Read, | 0:05:30 | 0:05:35 | |
and then went on to future employment | 0:05:35 | 0:05:37 | |
in one of those companies. | 0:05:37 | 0:05:38 | |
-And what links all those companies is... -E6 Holdings. | 0:05:38 | 0:05:42 | |
I'm trying to get a list | 0:05:48 | 0:05:51 | |
of all the shareholders, but... | 0:05:51 | 0:05:53 | |
Michael Bennigan...was on the board. | 0:06:02 | 0:06:04 | |
She was researching this as far back as 2003. | 0:06:10 | 0:06:12 | |
Certainly, she's been pulling up information on Michael Bennigan, | 0:06:14 | 0:06:17 | |
periodically, over the years. | 0:06:17 | 0:06:19 | |
It's not enough to arrest him. | 0:06:25 | 0:06:27 | |
I've applied for a warrant to get in there and search. | 0:06:27 | 0:06:30 | |
These companies come under rigorous legislation. | 0:06:32 | 0:06:35 | |
-They can't just employ illegal... -Illegal immigrants? | 0:06:35 | 0:06:37 | |
They're not illegal. | 0:06:37 | 0:06:39 | |
It's a quick fix to get them into work. | 0:06:39 | 0:06:42 | |
He must get something in return. | 0:06:42 | 0:06:44 | |
I think she sent Haider in... to see how the system worked. | 0:06:45 | 0:06:49 | |
Ira, you lead the search. | 0:06:50 | 0:06:52 | |
I should do that. I know Michael. | 0:06:52 | 0:06:54 | |
You need to deal with Tom. | 0:06:54 | 0:06:56 | |
Find me the links to Stevie's murder. | 0:06:56 | 0:06:58 | |
Where's Chrissie? | 0:07:05 | 0:07:06 | |
Compassionate leave. | 0:07:06 | 0:07:08 | |
Are you going to let her get away with that? | 0:07:09 | 0:07:12 | |
She needs to be here. | 0:07:14 | 0:07:15 | |
MOBILE PHONE RINGS | 0:07:24 | 0:07:26 | |
I don't know what tea I drink any more. | 0:07:30 | 0:07:33 | |
Tea is tea. | 0:07:33 | 0:07:34 | |
How did you find me? | 0:07:38 | 0:07:39 | |
Nina opened the door. | 0:07:39 | 0:07:40 | |
School sent her home. | 0:07:42 | 0:07:44 | |
I haven't told them where Tom is. | 0:07:46 | 0:07:48 | |
He's always working, anyway. | 0:07:49 | 0:07:52 | |
And they haven't even asked. | 0:07:52 | 0:07:53 | |
You need to come in. | 0:07:57 | 0:07:58 | |
-You need to sit in and listen to Tom's interview. -No. No. | 0:07:58 | 0:08:02 | |
If I could get Stevie in a room and find out what she's done, | 0:08:02 | 0:08:05 | |
what she did, if I could do that, I would. | 0:08:05 | 0:08:08 | |
I can't, River. | 0:08:08 | 0:08:11 | |
My husband...is sitting in a cell | 0:08:11 | 0:08:13 | |
four floors below my office. | 0:08:13 | 0:08:16 | |
I can't face anyone. I... | 0:08:16 | 0:08:19 | |
Go away. | 0:08:19 | 0:08:20 | |
-Where's your balls? -When did I ever need balls?! | 0:08:22 | 0:08:25 | |
When did balls ever make you a better detective? | 0:08:25 | 0:08:28 | |
In 33 years in the force, that's what blokes say. | 0:08:28 | 0:08:31 | |
"Where's your balls?" I got where I got. | 0:08:31 | 0:08:33 | |
I did it, and I didn't need a pair of sodding nuts. | 0:08:33 | 0:08:35 | |
Now piss off and let me do my shopping. | 0:08:35 | 0:08:37 | |
Is this really where you want to be? | 0:08:39 | 0:08:41 | |
This is where I should have been. | 0:08:41 | 0:08:44 | |
This is where I should have been for 33 years. | 0:08:44 | 0:08:46 | |
But, instead, I've worked and sweated, | 0:08:46 | 0:08:48 | |
and I've drunk pints with pissed-up commissioners, | 0:08:48 | 0:08:50 | |
and I've taken shit... Oh, God, so much shit! | 0:08:50 | 0:08:53 | |
But the one thing I could say, through all the losses, | 0:08:53 | 0:08:56 | |
through all the missed sports days, and the holidays | 0:08:56 | 0:08:59 | |
and the late nights when my kids needed me | 0:08:59 | 0:09:01 | |
and I was sweating to close a case, | 0:09:01 | 0:09:03 | |
the one thing I could say was that it was worth it. | 0:09:03 | 0:09:06 | |
And now it's not because he's guilty! | 0:09:06 | 0:09:08 | |
He's guilty, | 0:09:09 | 0:09:11 | |
River, and therefore I will be tarred with the same brush. | 0:09:11 | 0:09:14 | |
33 years, River, and this is my fucking carriage clock?! | 0:09:14 | 0:09:18 | |
Sorry. | 0:09:21 | 0:09:22 | |
I hate you. | 0:09:26 | 0:09:27 | |
I hate you for finding him out. | 0:09:30 | 0:09:32 | |
My fault. Never employ anyone good at their job. | 0:09:34 | 0:09:37 | |
I hate you. | 0:09:46 | 0:09:48 | |
I hate you, I hate you. | 0:09:50 | 0:09:51 | |
We're conducting a search. Can you please stand up, | 0:09:57 | 0:09:59 | |
away from your desks, please. Thank you. | 0:09:59 | 0:10:02 | |
HUBBUB OF VOICES | 0:10:02 | 0:10:04 | |
-Chrissie... -I'm humouring River. | 0:10:42 | 0:10:44 | |
Did you, on November 14th this year, | 0:10:50 | 0:10:53 | |
visit a bank of lockers off Dalston Lane? | 0:10:53 | 0:10:56 | |
Also on the 4th November, | 0:10:56 | 0:10:58 | |
the 23rd October, the 7th October... | 0:10:58 | 0:11:01 | |
..and on three or four other occasions | 0:11:02 | 0:11:04 | |
from September to mid August? | 0:11:04 | 0:11:06 | |
-I haven't been briefed with this... -Is she here? | 0:11:06 | 0:11:09 | |
Is Chrissie here? | 0:11:10 | 0:11:12 | |
I'll repeat my question. | 0:11:12 | 0:11:14 | |
Did you, on November 14th of this year, | 0:11:14 | 0:11:16 | |
visit a bank of lockers off Dalston Lane? | 0:11:16 | 0:11:19 | |
-Yes. -Why did you go there? | 0:11:23 | 0:11:25 | |
-To pick up payments. -How many? | 0:11:25 | 0:11:27 | |
I don't know. Seven, eight. I lost count. | 0:11:27 | 0:11:30 | |
-What were those payments for? -I wish to confer with my client. -HE MUTTERS | 0:11:30 | 0:11:34 | |
The person who paid you may be involved in Stevie's death. | 0:11:34 | 0:11:37 | |
I need to talk to Chrissie. | 0:11:41 | 0:11:43 | |
I need to talk to her first. | 0:11:45 | 0:11:47 | |
She's listening. | 0:11:47 | 0:11:49 | |
I received a text message. | 0:12:05 | 0:12:07 | |
From who? Was it Michael Bennigan? | 0:12:07 | 0:12:10 | |
I don't know. | 0:12:10 | 0:12:12 | |
The request was simple. | 0:12:12 | 0:12:14 | |
There were certain immigration cases that would come before me. | 0:12:16 | 0:12:19 | |
I was to quickly waive these cases through. | 0:12:21 | 0:12:23 | |
There were threats... | 0:12:25 | 0:12:27 | |
to reveal certain information. | 0:12:27 | 0:12:29 | |
I refused to respond. | 0:12:29 | 0:12:30 | |
Then photographs were sent... | 0:12:32 | 0:12:35 | |
of me and others. | 0:12:35 | 0:12:37 | |
Others? | 0:12:37 | 0:12:38 | |
Taken - clearly illicitly - taken at work. | 0:12:38 | 0:12:43 | |
Compromising photographs. | 0:12:43 | 0:12:45 | |
Nothing obscene but, to the trained eye, to those that know me, | 0:12:45 | 0:12:47 | |
they would confirm... | 0:12:47 | 0:12:49 | |
that I was having affairs. | 0:12:49 | 0:12:51 | |
Affairs? Plural? | 0:12:52 | 0:12:54 | |
Yes. | 0:12:56 | 0:12:57 | |
I don't see how this connects to Stevie's death. | 0:13:00 | 0:13:04 | |
Four phone calls, Tom, the last made on the morning she died. | 0:13:04 | 0:13:07 | |
-Mm, that doesn't mean... -The day she was murdered. | 0:13:07 | 0:13:10 | |
She told me that I was to tell Chrissie. | 0:13:17 | 0:13:20 | |
If not, she would talk to her herself...that day. | 0:13:20 | 0:13:24 | |
Chrissie was already home when I got back. | 0:13:26 | 0:13:31 | |
She'd even cooked dinner. She never cooks dinner. | 0:13:31 | 0:13:34 | |
And, miraculously, by nine, all the children had fled, | 0:13:34 | 0:13:36 | |
gone to bed, homework, friends. | 0:13:36 | 0:13:39 | |
Even the dog, even the dog... | 0:13:41 | 0:13:43 | |
was somewhere else. | 0:13:43 | 0:13:44 | |
But I WAS going to tell her. | 0:13:47 | 0:13:50 | |
I was going to tell her... | 0:13:50 | 0:13:52 | |
everything...that night. | 0:13:52 | 0:13:54 | |
And then...the phone rings | 0:13:54 | 0:13:57 | |
and it's you, saying that Stevie's dead. | 0:13:57 | 0:14:00 | |
It's the relief, isn't it? | 0:14:08 | 0:14:10 | |
Because now I won't have to tell Chrissie. | 0:14:11 | 0:14:14 | |
I can comfort her... | 0:14:19 | 0:14:20 | |
..and we can go to bed and cling to one another and tell one another, | 0:14:22 | 0:14:26 | |
"Thank God we're OK." | 0:14:26 | 0:14:27 | |
"I love you, too." | 0:14:30 | 0:14:31 | |
Only we don't. | 0:14:32 | 0:14:34 | |
We didn't. | 0:14:36 | 0:14:38 | |
And I still don't know... | 0:14:42 | 0:14:43 | |
..if Stevie said anything to Chrissie at all. | 0:14:44 | 0:14:47 | |
Charge him! | 0:14:53 | 0:14:54 | |
Yeah. | 0:14:57 | 0:14:58 | |
Oh, God. | 0:15:02 | 0:15:03 | |
Mike's leaving drinks. | 0:15:03 | 0:15:05 | |
Promotion. Criminal Justice Unit. Haverford West. | 0:15:05 | 0:15:08 | |
You knew. | 0:15:11 | 0:15:12 | |
That's what she wanted to talk to you about. | 0:15:15 | 0:15:17 | |
She was talking in riddles. She was upset. | 0:15:17 | 0:15:19 | |
She called me that day and I said... | 0:15:23 | 0:15:26 | |
"We'll talk in the morning," | 0:15:26 | 0:15:27 | |
and I didn't think anything of it. I didn't, River. | 0:15:27 | 0:15:30 | |
And then she was dead. | 0:15:33 | 0:15:34 | |
-There you go. -Thanks. | 0:15:56 | 0:15:59 | |
Yeah, just...just lay it down over there. | 0:16:01 | 0:16:04 | |
Hard drives and files. | 0:16:04 | 0:16:05 | |
Michael Bennigan's lawyer will contact you directly. | 0:16:05 | 0:16:09 | |
I went through Bennigan's stuff... | 0:16:09 | 0:16:11 | |
and I found some corrupted data. | 0:16:11 | 0:16:13 | |
Look at this. | 0:16:15 | 0:16:16 | |
Uh, it looks like... | 0:16:17 | 0:16:20 | |
someone's tried to delete it. | 0:16:20 | 0:16:22 | |
I'll get tech, to see if they can clean it up. | 0:16:27 | 0:16:30 | |
The secrets of the heart are buried deep. | 0:17:36 | 0:17:38 | |
Only time will reveal how deeply they are sown. | 0:17:40 | 0:17:43 | |
Open it. | 0:18:06 | 0:18:07 | |
-BRIDIE: -'Put him down, Stevie.' | 0:18:12 | 0:18:13 | |
'Put your boy down!' | 0:18:19 | 0:18:20 | |
KEYBOARD CLICKS | 0:18:25 | 0:18:26 | |
'Put your boy down!' | 0:18:26 | 0:18:28 | |
You see, no-one is what they seem, Inspector. | 0:18:34 | 0:18:37 | |
She didn't want you to know who she really was. | 0:18:37 | 0:18:40 | |
What to do? | 0:18:46 | 0:18:47 | |
Is the diet going well, then? | 0:19:10 | 0:19:11 | |
HE CHUCKLES | 0:19:11 | 0:19:13 | |
I don't get weighed until tomorrow. | 0:19:13 | 0:19:15 | |
You should exercise. | 0:19:15 | 0:19:16 | |
Do you? | 0:19:16 | 0:19:17 | |
Never. | 0:19:18 | 0:19:20 | |
I went to Zumba once. | 0:19:22 | 0:19:24 | |
I walked in and then I walked back out again. | 0:19:24 | 0:19:27 | |
You needed leggings. I don't have leggings. | 0:19:27 | 0:19:30 | |
I had my jeans on. | 0:19:30 | 0:19:31 | |
We raided the offices today. | 0:19:34 | 0:19:35 | |
-Frankie... -I don't know anything. | 0:19:37 | 0:19:39 | |
That was the deal. | 0:19:40 | 0:19:42 | |
Stevie said... | 0:19:43 | 0:19:46 | |
Stevie said, if I work for Michael, I was to be kept out of it all. | 0:19:46 | 0:19:49 | |
I mean... | 0:20:11 | 0:20:12 | |
You've already given me, | 0:20:12 | 0:20:14 | |
like, 200 quid. | 0:20:14 | 0:20:16 | |
She gave me ten grand for you. | 0:20:16 | 0:20:18 | |
Take it. | 0:20:18 | 0:20:19 | |
You could go somewhere with it. | 0:20:21 | 0:20:23 | |
-I don't have a passport. -Well, get one. | 0:20:24 | 0:20:26 | |
Travel. Go abroad. | 0:20:28 | 0:20:29 | |
No. You're all right. | 0:20:34 | 0:20:37 | |
-I don't want it. -Why did she want me to look after you? | 0:20:37 | 0:20:39 | |
I don't know what she wanted me to do. | 0:20:39 | 0:20:41 | |
How am I meant to help you? | 0:20:43 | 0:20:45 | |
Tell me, Frankie. | 0:20:47 | 0:20:49 | |
I can't sleep in the flat no more. | 0:20:53 | 0:20:55 | |
I can't sleep at home. I can't sleep... | 0:20:56 | 0:20:58 | |
..anywhere. | 0:21:00 | 0:21:01 | |
I walk around all night, until it's light, | 0:21:01 | 0:21:05 | |
and then I go to work... and I go home. | 0:21:05 | 0:21:08 | |
And, uh... | 0:21:10 | 0:21:11 | |
Yeah, I'm, uh... I'm drowning. | 0:21:13 | 0:21:16 | |
Come on. Come on, Frankie. | 0:21:26 | 0:21:27 | |
-Last one in is... -Chicken! | 0:21:42 | 0:21:44 | |
SHE SHRIEKS | 0:21:44 | 0:21:46 | |
RIVER LAUGHS | 0:21:48 | 0:21:50 | |
STEVIE WHOOPS | 0:22:03 | 0:22:04 | |
HE LAUGHS | 0:22:07 | 0:22:09 | |
Whoo! | 0:22:12 | 0:22:13 | |
Will your mother be up? | 0:22:56 | 0:22:58 | |
-Yeah. Looks like it. -FRANKIE CHUCKLES | 0:23:01 | 0:23:03 | |
I knew you'd come home. | 0:23:08 | 0:23:10 | |
The colour's drained out of you. | 0:23:13 | 0:23:15 | |
-Thank you. -I heard you searched Michael's place? | 0:23:20 | 0:23:24 | |
Yeah. | 0:23:24 | 0:23:26 | |
What did you do that for? | 0:23:26 | 0:23:27 | |
Just a part of the ongoing investigation. | 0:23:27 | 0:23:29 | |
Oh. | 0:23:31 | 0:23:33 | |
Right. Do yous want some toast? | 0:23:33 | 0:23:36 | |
No. | 0:23:36 | 0:23:37 | |
-How old were you there? -Oh, about... | 0:23:40 | 0:23:43 | |
about a month. | 0:23:43 | 0:23:44 | |
You were born in Cork? | 0:23:44 | 0:23:46 | |
Me waters broke when we were staying at me sister's. | 0:23:46 | 0:23:49 | |
And that's you as well? | 0:23:54 | 0:23:55 | |
Our late surprise. | 0:23:55 | 0:23:57 | |
Frankie. Upstairs and get a dry shirt on. | 0:24:01 | 0:24:05 | |
Do it. | 0:24:08 | 0:24:09 | |
He's got some idea about her flat. | 0:24:22 | 0:24:24 | |
Told him we need to sell it. | 0:24:24 | 0:24:26 | |
You can do something with money. | 0:24:26 | 0:24:29 | |
Not bricks and mortar... and a pasta machine. | 0:24:29 | 0:24:32 | |
Oh, a pasta machine? | 0:24:32 | 0:24:35 | |
You ever known our Stevie make a bowl of food in her life? | 0:24:35 | 0:24:38 | |
She made good scrambled eggs. | 0:24:38 | 0:24:40 | |
And she could laugh till she pissed herself. | 0:24:40 | 0:24:42 | |
She was loyal, passionate and true. | 0:24:44 | 0:24:47 | |
And she loved. | 0:24:49 | 0:24:51 | |
But the one person she loved with everything was that boy. | 0:24:51 | 0:24:55 | |
Why did she love that boy so much, Bridie? | 0:24:55 | 0:24:57 | |
PHONE RINGS | 0:24:57 | 0:24:59 | |
Hello? | 0:25:02 | 0:25:04 | |
Yeah. Yep, I've heard. | 0:25:07 | 0:25:08 | |
-QUIETLY: -I know. | 0:25:11 | 0:25:13 | |
No. Not now, it's not a good time. | 0:25:13 | 0:25:16 | |
Yeah. | 0:25:17 | 0:25:19 | |
OK. | 0:25:19 | 0:25:21 | |
Yes. | 0:25:21 | 0:25:22 | |
'I don't know why you've brought me here, John. | 0:25:25 | 0:25:28 | |
'Why? Hm?' | 0:25:28 | 0:25:29 | |
RECORDING PLAYS | 0:25:34 | 0:25:36 | |
'Put him down, Stevie. | 0:25:41 | 0:25:42 | |
'Put your boy down! | 0:25:46 | 0:25:47 | |
'Frankie. | 0:25:52 | 0:25:53 | |
'Come on! Come here!' | 0:25:53 | 0:25:56 | |
How do you turn that thing off? | 0:25:56 | 0:25:59 | |
RECORDING CONTINUES TO PLAY | 0:25:59 | 0:26:01 | |
Turn it off. | 0:26:03 | 0:26:04 | |
-Turn it off! -SIT DOWN! | 0:26:08 | 0:26:09 | |
What else are you prepared to lie about? | 0:26:19 | 0:26:21 | |
E6 Holdings. | 0:26:21 | 0:26:23 | |
Do you know the company? | 0:26:24 | 0:26:27 | |
No comment. | 0:26:27 | 0:26:28 | |
He takes care of you, Michael. Takes care of you well. | 0:26:31 | 0:26:34 | |
He's been a good friend. | 0:26:35 | 0:26:37 | |
The last thing Stevie asked me to do, | 0:26:39 | 0:26:42 | |
before she died, was to take care of Frankie. | 0:26:42 | 0:26:45 | |
Her son. | 0:26:45 | 0:26:46 | |
I want a lawyer. | 0:26:49 | 0:26:50 | |
You can have one. | 0:26:52 | 0:26:53 | |
This is just the warm-up chat. | 0:26:56 | 0:26:58 | |
Who was the father? | 0:27:05 | 0:27:06 | |
I didn't ask. | 0:27:09 | 0:27:10 | |
Probably a poke for a pound round the back of Greens. | 0:27:11 | 0:27:14 | |
She opened her legs for everyone. | 0:27:14 | 0:27:17 | |
Cheap date. | 0:27:17 | 0:27:18 | |
She wanted to flush him away. | 0:27:21 | 0:27:23 | |
Wanted to flush that boy away. | 0:27:25 | 0:27:27 | |
I took him in. | 0:27:29 | 0:27:31 | |
I made him my own. | 0:27:31 | 0:27:33 | |
Kept him on the straight. | 0:27:33 | 0:27:35 | |
Until you let him work for Michael. | 0:27:35 | 0:27:38 | |
Oh, he's a big boy. | 0:27:38 | 0:27:40 | |
Is that why she went in to investigate? | 0:27:40 | 0:27:42 | |
To protect Frankie? | 0:27:42 | 0:27:43 | |
No comment. | 0:27:45 | 0:27:47 | |
The night Stevie was murdered, the car she was shot from... | 0:27:48 | 0:27:52 | |
..was left at a scrapyard. It's a blue Mondeo. | 0:27:54 | 0:27:56 | |
Do you recognise this car? | 0:27:59 | 0:28:01 | |
-No? -No. No. | 0:28:05 | 0:28:07 | |
But you know who dumped it. | 0:28:07 | 0:28:09 | |
You dumped it, Bridie. | 0:28:11 | 0:28:12 | |
A figure wearing that coat... | 0:28:15 | 0:28:18 | |
was seen ditching it at a scrapyard, | 0:28:18 | 0:28:20 | |
90 minutes after she was shot. | 0:28:20 | 0:28:22 | |
Five foot seven, five foot eight. | 0:28:22 | 0:28:25 | |
About your height, Bridie. | 0:28:25 | 0:28:27 | |
Oh, is it March? | 0:28:32 | 0:28:34 | |
When the mad hares breed? Because you're mad! | 0:28:34 | 0:28:38 | |
SHE CHUCKLES | 0:28:38 | 0:28:40 | |
Madness can bring its own kind of clarity, Bridie. | 0:28:41 | 0:28:45 | |
Did you shoot your own daughter? | 0:28:46 | 0:28:48 | |
Did Michael kill her? | 0:28:56 | 0:28:57 | |
Did Michael kill Stevie? | 0:28:59 | 0:29:00 | |
No comment. | 0:29:03 | 0:29:04 | |
Is that the cleaned-up files? | 0:29:20 | 0:29:23 | |
Yeah. | 0:29:23 | 0:29:24 | |
Found something? | 0:29:36 | 0:29:37 | |
Wait... | 0:29:39 | 0:29:40 | |
CAR GATHERS SPEED | 0:30:08 | 0:30:10 | |
HE REVS ENGINE | 0:30:15 | 0:30:17 | |
Easy, Tonto. | 0:30:17 | 0:30:18 | |
The one thing, | 0:30:37 | 0:30:38 | |
the one thing you asked was that they keep Frankie out of it. | 0:30:38 | 0:30:41 | |
-But they didn't, did they? -River. Please. | 0:30:41 | 0:30:44 | |
HE RINGS DOORBELL I'm doing this for Frankie. | 0:30:44 | 0:30:47 | |
Some find them a little macabre... | 0:30:55 | 0:30:58 | |
but I like them. | 0:30:58 | 0:31:00 | |
You know, slavery existed even before the Roman Occupation, | 0:31:00 | 0:31:04 | |
although the true pioneers of the English slave trade | 0:31:04 | 0:31:07 | |
didn't really kick in until the mid-16th century. | 0:31:07 | 0:31:10 | |
When Eric and I first arrived in England, it was, | 0:31:12 | 0:31:14 | |
"No Irish, no coloureds," when you tried to rent a room. | 0:31:14 | 0:31:18 | |
You had to fight to get anywhere in this country. | 0:31:18 | 0:31:21 | |
So, I like to think that, uh... | 0:31:23 | 0:31:25 | |
..I'm doing my bit for the next generation coming in. | 0:31:28 | 0:31:32 | |
I'll say the same in court. | 0:31:32 | 0:31:33 | |
I was looking at some CCTV from that night. | 0:31:36 | 0:31:38 | |
You were right - we did have that car out the back. | 0:31:38 | 0:31:42 | |
Everything is digital now, huh? | 0:31:42 | 0:31:44 | |
You paid to have Haider killed. | 0:31:49 | 0:31:51 | |
Did you do the same with Stevie? | 0:31:51 | 0:31:53 | |
You see, that's my point. | 0:31:55 | 0:31:57 | |
You can never underestimate the power of family. | 0:31:57 | 0:32:00 | |
Stevie never really understood that. | 0:32:01 | 0:32:03 | |
She always put truth before blood. | 0:32:03 | 0:32:05 | |
She was throwing around the threats. | 0:32:06 | 0:32:09 | |
Bridie and Jimmy and Frankie were upset. | 0:32:09 | 0:32:12 | |
I mean, I was willing to let it pass. | 0:32:12 | 0:32:13 | |
I mean, that girl was like a... | 0:32:13 | 0:32:15 | |
I loved her...more than my own. | 0:32:18 | 0:32:20 | |
Yeah, Stevie had a fight with Bridie, | 0:32:22 | 0:32:24 | |
threatened to tell Frankie the truth. | 0:32:24 | 0:32:27 | |
When the truth is, the only mother who will protect him now | 0:32:27 | 0:32:30 | |
is the one who brought him up. | 0:32:30 | 0:32:31 | |
It would have devastated Frankie to know who his mother really was. | 0:32:31 | 0:32:35 | |
That's why someone... had to stop her. | 0:32:37 | 0:32:39 | |
He didn't need much persuading. He was in a terrible way! | 0:32:57 | 0:33:01 | |
He'd been on the lash with Jimmy. | 0:33:01 | 0:33:03 | |
He failed to get it up with some little tart | 0:33:03 | 0:33:05 | |
that Jimmy found for him. Came crying to me. | 0:33:05 | 0:33:08 | |
Frankie came to realise the error of his ways...in confiding in her. | 0:33:09 | 0:33:14 | |
He knew the damage that she could do. | 0:33:14 | 0:33:16 | |
He told me that Stevie was going to her boss. | 0:33:18 | 0:33:21 | |
He told Stevie things about my business. | 0:33:21 | 0:33:24 | |
Things he really shouldn't have said. | 0:33:26 | 0:33:28 | |
Now, I knew that the truth would come out - the whole truth - | 0:33:30 | 0:33:33 | |
the good and the bad. I couldn't let Frankie know that. | 0:33:33 | 0:33:36 | |
It's a terrible thing to know, | 0:33:38 | 0:33:41 | |
that you were destined for a toilet pan. | 0:33:41 | 0:33:43 | |
Because there is nothing more precious than human life. | 0:33:43 | 0:33:47 | |
A lesson, sadly, Stevie learned too late. | 0:33:47 | 0:33:50 | |
GIGGLING IN DISTANCE | 0:33:50 | 0:33:52 | |
Ha-ha! | 0:33:52 | 0:33:54 | |
That's my Monica's girls! | 0:33:54 | 0:33:56 | |
Ah! | 0:33:56 | 0:33:57 | |
Who was the father? | 0:34:01 | 0:34:02 | |
HE WHISPERS: Christ... | 0:34:12 | 0:34:14 | |
She was 14. | 0:34:16 | 0:34:17 | |
You're a monster. | 0:34:20 | 0:34:21 | |
Monsters are for children. | 0:34:21 | 0:34:23 | |
We're all grown-ups here. | 0:34:23 | 0:34:25 | |
I'd hoped employing Tom Read | 0:34:27 | 0:34:29 | |
might have provided a few insurances, | 0:34:29 | 0:34:33 | |
but in the absence of those... | 0:34:33 | 0:34:34 | |
Do you really want Frankie to know the truth? | 0:34:36 | 0:34:39 | |
The whole truth? | 0:34:39 | 0:34:41 | |
That boy won't come back from that. | 0:34:42 | 0:34:45 | |
Prison? | 0:34:45 | 0:34:47 | |
It would break Stevie's heart. | 0:34:47 | 0:34:49 | |
I will leave it...in your hands. | 0:34:50 | 0:34:54 | |
-CONFUSION OF VOICES FRANKIE: -We went for a drink, I got pissed too quick. | 0:35:04 | 0:35:08 | |
We went home and we... we watched TV. | 0:35:08 | 0:35:10 | |
RIVER: Frankie, you're lying. | 0:35:10 | 0:35:12 | |
-BRIDIE: -You saying I'm lying? | 0:35:12 | 0:35:13 | |
No, Bridie, I'm saying he's your son... | 0:35:13 | 0:35:15 | |
The person to fear the most is... | 0:35:15 | 0:35:16 | |
..and a mother protects her son. | 0:35:16 | 0:35:18 | |
..the one to whom you gave all your trust. | 0:35:18 | 0:35:20 | |
-CREAM: -If only you had replied to Stevie's question. | 0:35:20 | 0:35:22 | |
We talk, she crosses the road... | 0:35:22 | 0:35:24 | |
If only you had taken her in your arms... | 0:35:24 | 0:35:26 | |
..she turns her head...and there's a look of recognition. | 0:35:26 | 0:35:29 | |
-If only. -She knew something was coming. -If only. | 0:35:29 | 0:35:32 | |
-GUNSHOT -If only. | 0:35:32 | 0:35:34 | |
-BRIDIE: -You want to know who needs protecting? Frankie. | 0:35:42 | 0:35:45 | |
-STEVIE: -Do you blame yourself? | 0:35:45 | 0:35:46 | |
-CHRISSIE: -I should have sensed something was wrong. | 0:35:46 | 0:35:49 | |
I ignored it, River, I did, I ignored it, and you did, too. | 0:35:49 | 0:35:53 | |
-STEVIE: -You don't know what to do. | 0:35:54 | 0:35:56 | |
Sorry. | 0:36:23 | 0:36:24 | |
Sorry. | 0:36:26 | 0:36:28 | |
You're late. | 0:36:28 | 0:36:30 | |
I am indeed late, yeah. | 0:36:30 | 0:36:31 | |
Ask me why I bothered to come again, after last time. | 0:36:37 | 0:36:41 | |
Why did you come back? | 0:36:42 | 0:36:44 | |
And it wasn't because I missed your sorry faces! | 0:36:45 | 0:36:48 | |
You want to hear my story? | 0:36:51 | 0:36:53 | |
I'm six years old, I'm sitting on a bus together with my mother. | 0:36:53 | 0:36:57 | |
It's the last stop. | 0:36:57 | 0:36:58 | |
My grandmother's house is the last stop and it's a beautiful day. | 0:37:00 | 0:37:03 | |
And my grandmother says to me, "Boy, go and swim in the lake." | 0:37:04 | 0:37:08 | |
And I swim and I swim and I swim. | 0:37:10 | 0:37:12 | |
And when I come back, my mother is gone. | 0:37:14 | 0:37:16 | |
Has got back on that bus and driven away. | 0:37:18 | 0:37:21 | |
And I don't see her again for eight years. | 0:37:21 | 0:37:25 | |
Eight years. | 0:37:25 | 0:37:27 | |
And when I do see her again, I am 14 and she's stoned. | 0:37:27 | 0:37:31 | |
And we have nothing to say. | 0:37:31 | 0:37:33 | |
What would you like to say? | 0:37:33 | 0:37:36 | |
All of the things you want to say to someone who suddenly went away. | 0:37:44 | 0:37:48 | |
How you miss them. | 0:37:49 | 0:37:50 | |
How the air was sucked out of your lungs the moment they left. | 0:37:55 | 0:37:58 | |
How you will never, ever... | 0:38:01 | 0:38:02 | |
..fully inhale again in the same way. | 0:38:04 | 0:38:06 | |
How you miss them. | 0:38:11 | 0:38:12 | |
How you miss them till your teeth ache. | 0:38:14 | 0:38:16 | |
Thank you. | 0:38:34 | 0:38:36 | |
UNCERTAIN APPLAUSE | 0:38:36 | 0:38:38 | |
Yes, thank you, River. | 0:38:39 | 0:38:41 | |
I-I was almost moved for a moment, there, my friend. | 0:38:41 | 0:38:44 | |
Poor River. | 0:38:46 | 0:38:47 | |
-WHISPERS: -All alone. | 0:38:48 | 0:38:50 | |
Why don't you tell them about the day you thought you were Rasputin? | 0:38:51 | 0:38:55 | |
You have made your own hell, River. | 0:39:02 | 0:39:05 | |
You have bowed down to despair. | 0:39:05 | 0:39:07 | |
All I have ever done is shown you that those who feel | 0:39:07 | 0:39:10 | |
capacity for love also feel hate! | 0:39:10 | 0:39:12 | |
FEEL HATE, RIVER! | 0:39:14 | 0:39:16 | |
UNTIL DEATH IS YOUR ONLY ESCAPE! | 0:39:16 | 0:39:19 | |
No matter. The mind is its own place... | 0:39:21 | 0:39:23 | |
..and, in itself, can make a heaven of hell. | 0:39:25 | 0:39:29 | |
I'm your hell. | 0:39:29 | 0:39:30 | |
I will never leave you. | 0:39:30 | 0:39:32 | |
I'm not listening to you any more. | 0:39:34 | 0:39:36 | |
I'M NOT LISTENING! | 0:39:36 | 0:39:38 | |
I'm sorry. | 0:40:03 | 0:40:04 | |
When I was 14, I was riding buses and buying records. | 0:40:52 | 0:40:55 | |
You weren't to know. | 0:40:58 | 0:41:00 | |
-You were... -Because I didn't tell you. | 0:41:02 | 0:41:04 | |
Where we're from... | 0:41:13 | 0:41:14 | |
..where we come from, that... | 0:41:16 | 0:41:18 | |
doesn't make us, River. | 0:41:18 | 0:41:20 | |
It can't be all we are. | 0:41:22 | 0:41:24 | |
I don't know what you want from me. | 0:41:32 | 0:41:34 | |
I've put on another three pounds. | 0:42:16 | 0:42:18 | |
-I know. SCOFFS: -Right! | 0:42:23 | 0:42:25 | |
I know the truth, Frankie. | 0:42:25 | 0:42:27 | |
I, uh... | 0:42:38 | 0:42:39 | |
I passed this bloke I went to school with yesterday. | 0:42:40 | 0:42:44 | |
He had his kids with him. | 0:42:44 | 0:42:45 | |
One on his shoulder and the other was in the buggy. | 0:42:45 | 0:42:48 | |
And he asked about Stevie. | 0:42:50 | 0:42:52 | |
Gave his condolences and that. | 0:42:54 | 0:42:56 | |
But all I could think was... | 0:42:58 | 0:43:01 | |
"That's a real man." | 0:43:01 | 0:43:03 | |
"That's... That's what a real man...is." | 0:43:06 | 0:43:08 | |
Ask me why. | 0:43:14 | 0:43:15 | |
Come on. Ask me why I did it. | 0:43:19 | 0:43:21 | |
Why? | 0:43:23 | 0:43:25 | |
This time... | 0:43:25 | 0:43:26 | |
..she were going to let her do it to us again. | 0:43:27 | 0:43:31 | |
"Frankie. She's going to break the family. | 0:43:31 | 0:43:34 | |
"Again." | 0:43:34 | 0:43:36 | |
No, Mummy. No. | 0:43:36 | 0:43:38 | |
So tired of always being at Michael's beck and call. | 0:43:40 | 0:43:44 | |
I thought..."Stevie." | 0:43:45 | 0:43:48 | |
If I tell Stevie, | 0:43:49 | 0:43:51 | |
Stevie could always make it... | 0:43:51 | 0:43:54 | |
Better. | 0:43:54 | 0:43:55 | |
Only, this time... | 0:43:58 | 0:44:00 | |
HE WHIMPERS | 0:44:02 | 0:44:03 | |
Stevie wasn't listening any more. | 0:44:03 | 0:44:07 | |
Why wasn't she listening any more? | 0:44:10 | 0:44:12 | |
"We have to do this, now!" But... | 0:44:18 | 0:44:22 | |
"But what about Mummy? | 0:44:24 | 0:44:26 | |
"We can't do that to her." | 0:44:26 | 0:44:29 | |
Because Stevie left me. | 0:44:29 | 0:44:31 | |
Stevie left me... | 0:44:33 | 0:44:36 | |
with Mummy... | 0:44:36 | 0:44:37 | |
for so many years. | 0:44:37 | 0:44:40 | |
No! You weren't there! | 0:44:40 | 0:44:42 | |
YOU WEREN'T THERE! | 0:44:42 | 0:44:44 | |
It was me alone with her! | 0:44:44 | 0:44:46 | |
Me alone with Mummy! ME! NOT HER! | 0:44:46 | 0:44:49 | |
Year after year. | 0:44:49 | 0:44:51 | |
Do you know what that feels like?! | 0:44:51 | 0:44:53 | |
Francis Eric Stevenson... | 0:45:18 | 0:45:20 | |
..I arrest you for the murder | 0:45:21 | 0:45:23 | |
of Detective Sergeant Jacqueline Stevenson. | 0:45:23 | 0:45:26 | |
River, what are you doing here? | 0:46:05 | 0:46:07 | |
The cleaner let me in. | 0:46:09 | 0:46:10 | |
Oh, the kids will be back soon. | 0:46:12 | 0:46:14 | |
You have foxes. | 0:46:14 | 0:46:15 | |
I was going to make some...some tea. | 0:46:18 | 0:46:20 | |
-She's Columbian. -Who? | 0:46:20 | 0:46:22 | |
-Your cleaner. -Oh, yes. | 0:46:24 | 0:46:26 | |
-Is she? -Yeah. | 0:46:28 | 0:46:29 | |
She's new, so... | 0:46:31 | 0:46:32 | |
Tom's on his way home. | 0:46:37 | 0:46:38 | |
They've granted bail. | 0:46:41 | 0:46:42 | |
I'll need to resign. | 0:46:45 | 0:46:46 | |
I know. | 0:46:48 | 0:46:49 | |
I know, you think I'm an idiot, but he's my husband and... | 0:46:49 | 0:46:52 | |
I have to tell the kids. | 0:46:57 | 0:46:58 | |
Right. | 0:47:00 | 0:47:01 | |
-What will you say? -The truth. | 0:47:03 | 0:47:05 | |
That their father is a weak, dishonest... | 0:47:06 | 0:47:09 | |
..faithless shit. | 0:47:12 | 0:47:14 | |
Sounds good. CHRISSIE CHUCKLES | 0:47:17 | 0:47:19 | |
What are you doing here? | 0:47:22 | 0:47:24 | |
'Even if you were just colleagues, | 0:48:09 | 0:48:11 | |
'there was love, perhaps? | 0:48:11 | 0:48:14 | |
'There should be more than one word for love. | 0:48:14 | 0:48:17 | |
'I've seen love that kills and I've seen love that redeems. | 0:48:17 | 0:48:20 | |
'I've seen love that believes in the guilty, | 0:48:20 | 0:48:22 | |
'and love that saves the bereaved. | 0:48:22 | 0:48:24 | |
'What we will do for love. | 0:48:30 | 0:48:32 | |
'Die for it, even.' | 0:48:35 | 0:48:36 | |
Which one? | 0:48:59 | 0:49:00 | |
Red. | 0:49:02 | 0:49:03 | |
Nice, blood. Nice. | 0:49:40 | 0:49:43 | |
Don't be nervous, man. | 0:49:45 | 0:49:47 | |
You can do this. | 0:49:47 | 0:49:49 | |
-Table for two? -Yes. | 0:50:02 | 0:50:04 | |
Hurry up. Come on, hurry up. | 0:50:13 | 0:50:15 | |
You're wearing lipstick. | 0:50:18 | 0:50:20 | |
I've ordered crispy duck, pancakes. | 0:50:23 | 0:50:26 | |
There can't be many points in seaweed, can there? | 0:50:26 | 0:50:28 | |
No. Practically pointless. | 0:50:28 | 0:50:30 | |
You look tired. | 0:50:37 | 0:50:38 | |
I should take a vacation. | 0:50:39 | 0:50:40 | |
I was thinking of a week in Ibiza. | 0:50:42 | 0:50:44 | |
And then you say... | 0:50:49 | 0:50:50 | |
I took my mother to dinner with my first pay cheque. | 0:50:54 | 0:50:57 | |
She didn't eat anything. | 0:50:57 | 0:50:59 | |
Wanted to go. | 0:50:59 | 0:51:00 | |
-And she said... -"Mais je n'aime pas la cuisine Francaise... | 0:51:02 | 0:51:05 | |
"..mon cheri." | 0:51:07 | 0:51:09 | |
You speak French now? | 0:51:13 | 0:51:14 | |
When what she meant to say was... | 0:51:19 | 0:51:21 | |
"I'm so proud of you. | 0:51:24 | 0:51:26 | |
"My beautiful boy. | 0:51:29 | 0:51:30 | |
"You have grown into a fine young man. | 0:51:31 | 0:51:34 | |
"And, one day... | 0:51:36 | 0:51:38 | |
"..you will sit here... | 0:51:40 | 0:51:42 | |
"with the woman you love." | 0:51:42 | 0:51:44 | |
And I did. I have. | 0:51:48 | 0:51:50 | |
I am. | 0:51:54 | 0:51:55 | |
Then say it. | 0:51:59 | 0:52:00 | |
Stevie! | 0:52:21 | 0:52:22 | |
We can skip the next bit. | 0:52:24 | 0:52:26 | |
No. | 0:52:26 | 0:52:27 | |
No, no. | 0:52:27 | 0:52:29 | |
This is when you give me the 10,000... | 0:52:29 | 0:52:32 | |
-and you say... -Look after Frankie. | 0:52:32 | 0:52:35 | |
And I tried. I tried. | 0:52:38 | 0:52:41 | |
And I failed. | 0:52:42 | 0:52:44 | |
And then you say? | 0:52:46 | 0:52:48 | |
Stevie, I... | 0:52:59 | 0:53:00 | |
Still can't say it. | 0:53:01 | 0:53:02 | |
Screw you, Mr Magoo. | 0:53:10 | 0:53:12 | |
GUNSHOT | 0:53:14 | 0:53:16 | |
I love you. | 0:53:51 | 0:53:52 | |
I love you more than life. | 0:53:57 | 0:53:58 | |
More than life. | 0:54:01 | 0:54:02 | |
And then you say... | 0:54:08 | 0:54:10 | |
HE LAUGHS THROUGH TEARS | 0:54:10 | 0:54:12 | |
Sing, you nutter. Sing. | 0:54:17 | 0:54:19 | |
# Oh, I love to love | 0:54:30 | 0:54:33 | |
# But my baby just loves to dance | 0:54:33 | 0:54:36 | |
# He wants to dance He loves to dance | 0:54:36 | 0:54:38 | |
# He's got to dance | 0:54:38 | 0:54:39 | |
# Oh, I love to love | 0:54:39 | 0:54:42 | |
# But my baby just loves to dance | 0:54:42 | 0:54:45 | |
# Oh, I love to love | 0:54:46 | 0:54:49 | |
# But there's no time for our romance | 0:54:49 | 0:54:53 | |
# No, no, no | 0:54:53 | 0:54:56 | |
# Oh, I love to love | 0:54:56 | 0:54:59 | |
# But my baby just loves to dance | 0:54:59 | 0:55:03 | |
# The minute the band begins to swing it | 0:55:03 | 0:55:07 | |
# He's on his feet to dig it | 0:55:07 | 0:55:09 | |
# And dance the night away | 0:55:09 | 0:55:13 | |
# Stop I'm spinning like a top | 0:55:13 | 0:55:16 | |
# We'll dance until we drop | 0:55:16 | 0:55:19 | |
# But if I had my way | 0:55:19 | 0:55:22 | |
# Oh, I love to love | 0:55:22 | 0:55:25 | |
# But my baby just loves to dance | 0:55:25 | 0:55:29 | |
# He wants to dance He loves to dance | 0:55:29 | 0:55:31 | |
# He's got to dance | 0:55:31 | 0:55:32 | |
# Oh, I love to love | 0:55:32 | 0:55:35 | |
# But my baby just loves to dance | 0:55:35 | 0:55:39 | |
# Oh, I love to love | 0:55:39 | 0:55:42 | |
# But he won't give our love a chance | 0:55:42 | 0:55:46 | |
# No, no, no | 0:55:46 | 0:55:49 | |
# Oh, I love to love | 0:55:49 | 0:55:52 | |
# But my baby just loves to dance... # | 0:55:52 | 0:55:57 | |
CAR HORN BEEPS, MUSIC STOPS ABRUPTLY | 0:55:57 | 0:55:59 | |
All right? | 0:56:16 | 0:56:18 | |
Yeah. | 0:56:18 | 0:56:19 | |
You eaten yet? | 0:56:22 | 0:56:23 | |
No. | 0:56:24 | 0:56:26 | |
Thought not. | 0:56:26 | 0:56:28 | |
17. | 0:56:43 | 0:56:45 | |
There are 17 points in seaweed. | 0:56:45 | 0:56:47 | |
And I say... | 0:56:53 | 0:56:55 | |
..I love you, too. | 0:56:58 | 0:57:00 | |
QUIET CHATTER | 0:57:26 | 0:57:28 | |
Here, would you...? | 0:57:33 | 0:57:35 | |
Here you go. | 0:57:35 | 0:57:37 | |
Want the brown one? Yeah. | 0:57:39 | 0:57:41 | |
Yeah, it's in the brown... Er, no, it's the pink one, OK? | 0:57:41 | 0:57:44 | |
-HER VOICE FADES INTO BACKGROUND -No, that's nappies. | 0:57:44 | 0:57:47 | |
I brought enough for two. | 0:57:50 | 0:57:52 | |
Hello! | 0:58:27 | 0:58:29 | |
HE LAUGHS | 0:58:29 | 0:58:30 |