Browse content similar to Ill Met by Moonlight. Check below for episodes and series from the same categories and more!
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OWL HOOTS | 0:00:02 | 0:00:03 | |
Something came up. | 0:00:03 | 0:00:06 | |
It's not important. | 0:00:06 | 0:00:08 | |
INDISTINCT MALE VOICE | 0:00:08 | 0:00:10 | |
I said I'm sorry! | 0:00:10 | 0:00:11 | |
No, I don't want you to come over. | 0:00:15 | 0:00:18 | |
Because I can't deal with you right now! | 0:00:20 | 0:00:23 | |
GLASS SMASHING LOUDLY | 0:00:38 | 0:00:41 | |
Mia? | 0:00:45 | 0:00:46 | |
Mia, is that you? | 0:00:55 | 0:00:57 | |
Mia? | 0:01:10 | 0:01:12 | |
No, I'm afraid they're out on a job. | 0:01:57 | 0:02:00 | |
I will tell them the moment they get back, yes. | 0:02:00 | 0:02:02 | |
Thank you. Bye. | 0:02:02 | 0:02:05 | |
He got injured paragliding in Lanzarote | 0:02:05 | 0:02:07 | |
when he should have been at work. | 0:02:07 | 0:02:08 | |
That's irrelevant. You said he was faking it, I said he wasn't. | 0:02:08 | 0:02:12 | |
You owe me a tenner. | 0:02:12 | 0:02:13 | |
-Another audition? -Fashion choice. | 0:02:15 | 0:02:17 | |
Actually, I've decided to take vintage to a whole new level. | 0:02:17 | 0:02:20 | |
A very nice lady just called about a missing item. | 0:02:20 | 0:02:22 | |
She asked if you'd pop over to her estate. | 0:02:22 | 0:02:24 | |
HE SIGHS | 0:02:24 | 0:02:26 | |
You tell her if she wants to see me, she can come here. | 0:02:26 | 0:02:28 | |
-Well, hang on, shouldn't we find out...? -I'm not traipsing all over | 0:02:28 | 0:02:31 | |
some dodgy housing estate because some old bat's | 0:02:31 | 0:02:33 | |
lost her garden gnome! No, thank you. | 0:02:33 | 0:02:35 | |
Ah, he's just grumpy cos he lost a bet. | 0:02:35 | 0:02:38 | |
Yes, hello. May I speak to Lady Tania Bede, please? | 0:02:45 | 0:02:49 | |
-Lady Bede? -I'll hold. -Of Thessley Hall? | 0:02:49 | 0:02:51 | |
-That's the one. -Oh, we can make some exceptions! | 0:02:51 | 0:02:54 | |
Go and march or something. Go on. | 0:02:56 | 0:02:59 | |
The Bedes put on a charity fundraiser once a year | 0:03:16 | 0:03:18 | |
to celebrate the autumn equinox. The End of Summer Ball. | 0:03:18 | 0:03:21 | |
Ah, can't say I've ever had an invite. | 0:03:21 | 0:03:24 | |
That's because you have to be a millionaire to get on the guest list. | 0:03:24 | 0:03:27 | |
Big deal, apparently. | 0:03:27 | 0:03:29 | |
No wonder she's lost something. | 0:03:29 | 0:03:31 | |
I bet her toilets are in a different postcode. | 0:03:31 | 0:03:34 | |
Mm-hm. "Lavatories," actually, please. | 0:03:34 | 0:03:36 | |
Could we not lower ourselves to the standards of the hoi polloi? | 0:03:36 | 0:03:40 | |
Yeah, talking of hoi polloi, if something's gone missing... | 0:03:40 | 0:03:44 | |
Oh, come on. If I said that, you'd say I was jumping to conclusions. | 0:03:44 | 0:03:47 | |
That's because when you say it, you are. | 0:03:47 | 0:03:49 | |
I'm merely drawing on my many years of experience. | 0:03:49 | 0:03:52 | |
A wealth of knowledge. | 0:03:52 | 0:03:54 | |
Where do you need me, Mr Greenvale? | 0:04:01 | 0:04:04 | |
You're late. | 0:04:04 | 0:04:06 | |
-Big night, was it? -No, just... | 0:04:06 | 0:04:09 | |
-didn't get that much sleep. -Oh, yeah? | 0:04:09 | 0:04:11 | |
-I'm fine to work. -Oh, I hope so. | 0:04:11 | 0:04:12 | |
There's a lot to do if we're going to be ready for tonight. | 0:04:12 | 0:04:17 | |
Go and help Phil move the generator. | 0:04:17 | 0:04:19 | |
Your Ladyship. | 0:04:21 | 0:04:23 | |
We agreed none of you were to go into the main house. | 0:04:23 | 0:04:26 | |
We did. | 0:04:26 | 0:04:27 | |
So why are there labourers filling buckets in my utility? | 0:04:27 | 0:04:31 | |
I'll sort it. | 0:04:31 | 0:04:32 | |
I've been wanting to speak to you. | 0:04:36 | 0:04:38 | |
This is going to be my last year. | 0:04:41 | 0:04:43 | |
Running the event, I mean. | 0:04:43 | 0:04:45 | |
-But you've always... -20 years is a long time. | 0:04:45 | 0:04:48 | |
And now I've got the house in Spain... | 0:04:51 | 0:04:53 | |
I'm sure you'll find someone else. | 0:04:56 | 0:04:58 | |
Very well. | 0:04:58 | 0:05:00 | |
Thank you for letting me know. | 0:05:00 | 0:05:02 | |
Who are they? | 0:05:06 | 0:05:08 | |
They're here to see me. | 0:05:12 | 0:05:14 | |
It's a private matter. | 0:05:14 | 0:05:15 | |
FRANK SLURPS LOUDLY | 0:05:18 | 0:05:20 | |
You mentioned that... | 0:05:22 | 0:05:25 | |
LU LAUGHS NERVOUSLY | 0:05:27 | 0:05:29 | |
So you mentioned that you had an item that went missing. | 0:05:29 | 0:05:34 | |
Two, actually. | 0:05:34 | 0:05:35 | |
The first is this. | 0:05:38 | 0:05:39 | |
It's called Love-In-Idleness. | 0:05:41 | 0:05:44 | |
One of a kind. | 0:05:44 | 0:05:47 | |
It was stolen from that display cabinet last night. | 0:05:47 | 0:05:50 | |
Worth a few bob, then? | 0:05:50 | 0:05:52 | |
It's priceless. | 0:05:52 | 0:05:53 | |
It was given to me at our very first ball 20 years ago. | 0:05:53 | 0:05:56 | |
I hoped to wear it tonight. | 0:05:58 | 0:05:59 | |
It's not the most secure place to put a priceless heirloom. | 0:05:59 | 0:06:04 | |
I kept it in our safe until recently, | 0:06:04 | 0:06:07 | |
but I wanted to be able to see it. | 0:06:07 | 0:06:09 | |
-Foolish, really. -Burglar alarm? | 0:06:10 | 0:06:13 | |
Yes, but it was switched off - | 0:06:13 | 0:06:16 | |
which brings me to the second item... | 0:06:16 | 0:06:19 | |
..my daughter, Mia. She disappeared at the same time. | 0:06:21 | 0:06:25 | |
I'd... Not that I would want to do us out of a job, | 0:06:25 | 0:06:27 | |
but if your daughter's missing, | 0:06:27 | 0:06:31 | |
shouldn't you have called the police? | 0:06:31 | 0:06:33 | |
That doll was left by the cabinet. | 0:06:34 | 0:06:37 | |
I gave it to Mia when she was a baby. | 0:06:37 | 0:06:40 | |
No doubt it's a message. | 0:06:40 | 0:06:42 | |
You think Mia took the necklace? | 0:06:42 | 0:06:44 | |
A burglar would have taken other valuables. | 0:06:44 | 0:06:46 | |
Mia and I have had some disagreements recently. | 0:06:46 | 0:06:50 | |
If the police get involved, it will all get out of hand. | 0:06:50 | 0:06:53 | |
I just want my necklace back. | 0:06:53 | 0:06:55 | |
Right. Well, so our standard terms of business | 0:06:55 | 0:06:59 | |
-would mean that you would have to... -I will give you £10,000 - | 0:06:59 | 0:07:02 | |
if, and only if, you retrieve it by tonight. | 0:07:02 | 0:07:06 | |
-You're on. -Perhaps I should show you Mia's bedroom. -Yeah. | 0:07:06 | 0:07:10 | |
WHISPERING: Ten grand for a day's work, what's not to like? | 0:07:12 | 0:07:15 | |
Yeah, but what if we don't find it in time? | 0:07:15 | 0:07:17 | |
We will! We're the dream team, remember? | 0:07:17 | 0:07:19 | |
Here. | 0:07:20 | 0:07:22 | |
This is Mia's bedroom. | 0:07:26 | 0:07:28 | |
Is there anything missing? | 0:07:32 | 0:07:35 | |
Not that I can tell. | 0:07:35 | 0:07:36 | |
A few clothes maybe. | 0:07:36 | 0:07:39 | |
We're going to need Mia's mobile and e-mail, | 0:07:39 | 0:07:43 | |
maybe a list of friends, places she liked to go, that sort of thing. | 0:07:43 | 0:07:47 | |
To be honest, her life outside of this house is a mystery to me. | 0:07:47 | 0:07:49 | |
You mentioned "disagreements." | 0:07:51 | 0:07:53 | |
Since my husband died a year ago, Mia has been... | 0:07:54 | 0:07:58 | |
troubled. | 0:07:58 | 0:08:00 | |
Coming and going at all hours. | 0:08:00 | 0:08:02 | |
Exams were a disaster. | 0:08:02 | 0:08:05 | |
And I had to stop her allowance, | 0:08:05 | 0:08:07 | |
because I found drugs in her handbag. | 0:08:07 | 0:08:08 | |
That's like me when I was 18. | 0:08:08 | 0:08:11 | |
Not the drugs! Just, you know, just generally 18-ish stuff. | 0:08:13 | 0:08:18 | |
It's, erm... | 0:08:18 | 0:08:19 | |
Has Mia run away before? | 0:08:19 | 0:08:21 | |
Yes, but something tells me this time she means it. | 0:08:21 | 0:08:24 | |
Anyone she might have spent time with recently? | 0:08:24 | 0:08:27 | |
You could try Helen. | 0:08:27 | 0:08:28 | |
They've been inseparable for years. | 0:08:28 | 0:08:30 | |
-They went to boarding school together. -Surname? | 0:08:30 | 0:08:32 | |
Nedarson. That's her there. | 0:08:32 | 0:08:34 | |
MOBILE RINGS | 0:08:37 | 0:08:39 | |
Caterers. I should take this. | 0:08:41 | 0:08:43 | |
Lady Bede speaking. | 0:08:46 | 0:08:47 | |
-WHISPERING: -Is it just me or does that woman care more about a piece | 0:08:47 | 0:08:52 | |
of jewellery than her own daughter? | 0:08:52 | 0:08:54 | |
#Justsaying | 0:08:54 | 0:08:55 | |
-Popular girl, isn't she? -Mm. Are you jealous? | 0:09:02 | 0:09:05 | |
Do you know a St Theodore's Hospital? | 0:09:05 | 0:09:07 | |
No, sorry. | 0:09:07 | 0:09:09 | |
Well, according to this, | 0:09:09 | 0:09:11 | |
Mia gave them 200 quid a couple of weeks ago. | 0:09:11 | 0:09:14 | |
I'm going to need you to check that out, Sebastian. | 0:09:14 | 0:09:17 | |
-And I want you to visit some pawn shops. -Lucky me! | 0:09:17 | 0:09:20 | |
Pawnbrokers! Try Highwall and Sons first. | 0:09:20 | 0:09:23 | |
They deal with the more pricey stuff. | 0:09:23 | 0:09:26 | |
Do you think she'll try and flog the necklace? | 0:09:26 | 0:09:29 | |
Well, why else would she take it? If she's going to run away, | 0:09:29 | 0:09:31 | |
she'll need cash. | 0:09:31 | 0:09:33 | |
And according to this, she's right on her overdraft limit. | 0:09:33 | 0:09:36 | |
I know where we can look for Helen Nedarson. | 0:09:38 | 0:09:41 | |
Great. | 0:09:41 | 0:09:42 | |
She's... Well, hang on, I haven't told you yet. | 0:09:45 | 0:09:47 | |
Yeah, you go. There's someone else who might be able to help. | 0:09:47 | 0:09:50 | |
-But don't...don't you want...? -A deadline like this calls for | 0:09:50 | 0:09:52 | |
drastic measures. Catch you later. | 0:09:52 | 0:09:54 | |
-DOOR SLAMS -OK. | 0:09:54 | 0:09:57 | |
Wrong. | 0:10:11 | 0:10:13 | |
Still wrong. | 0:10:17 | 0:10:19 | |
Spider, open the door or I'll tell your mam what you look at online. | 0:10:19 | 0:10:22 | |
She'd be relieved. | 0:10:27 | 0:10:28 | |
She thinks I spend all day looking at dirty pictures. | 0:10:28 | 0:10:31 | |
Ow! | 0:10:37 | 0:10:39 | |
Three, two, one, lift. | 0:10:43 | 0:10:46 | |
And up, go. | 0:10:46 | 0:10:48 | |
-Helen Nedarson? -Yes. | 0:10:53 | 0:10:55 | |
Hi, can I have a word? I'm Lu Shakespeare. | 0:10:55 | 0:10:58 | |
I'm looking into the disappearance of Mia Bede. | 0:10:58 | 0:11:01 | |
Mia? What's happened? | 0:11:01 | 0:11:03 | |
She disappeared last night. | 0:11:03 | 0:11:04 | |
Along with a rather expensive item belonging to her mother. | 0:11:04 | 0:11:07 | |
-Are you police? -No, I'm a private investigator. | 0:11:07 | 0:11:09 | |
Lady Tania hired us to find her daughter. | 0:11:09 | 0:11:12 | |
When did you last see Mia? | 0:11:12 | 0:11:14 | |
Yesterday afternoon. I went over to hers. | 0:11:14 | 0:11:16 | |
Did she seem distressed? Or mention any plans to go away? | 0:11:16 | 0:11:20 | |
No. Nothing like that. | 0:11:20 | 0:11:21 | |
And you haven't had contact with her since? | 0:11:21 | 0:11:23 | |
Should I be worried? | 0:11:23 | 0:11:24 | |
Well, I'm sure we'll find her. | 0:11:24 | 0:11:26 | |
Can I ask, do you recognise him? | 0:11:26 | 0:11:29 | |
Yeah. Dimitri. | 0:11:29 | 0:11:31 | |
They've been seeing each other. | 0:11:31 | 0:11:33 | |
I don't think it's serious, though. | 0:11:33 | 0:11:35 | |
Not enough for them to elope! | 0:11:35 | 0:11:37 | |
Erm, where might I find him, do you know? | 0:11:37 | 0:11:40 | |
Here. He's the club captain. | 0:11:40 | 0:11:42 | |
His crew've got training at noon. | 0:11:42 | 0:11:44 | |
You've been really helpful, thanks. And if...if Mia does get in touch | 0:11:44 | 0:11:47 | |
-will you...? -I'll give you a buzz straight away. Promise. -Thanks. | 0:11:47 | 0:11:50 | |
It's me. | 0:12:01 | 0:12:02 | |
We need to talk about last night. | 0:12:02 | 0:12:04 | |
-Beer? -Nah. | 0:12:08 | 0:12:10 | |
It's a bit early, even for me. | 0:12:10 | 0:12:13 | |
Yeah, well, you're not being pursued over the dark Web | 0:12:13 | 0:12:15 | |
by Russian hackers. | 0:12:15 | 0:12:17 | |
Turns out I might've nicked a load of their Bitcoins. | 0:12:17 | 0:12:19 | |
Much as I love hearing about your cyber-geekery, | 0:12:19 | 0:12:22 | |
we're working a missing persons case and we're short on time. | 0:12:22 | 0:12:25 | |
So you want to cut some corners? | 0:12:25 | 0:12:27 | |
Yeah, can you check this mobile number? | 0:12:27 | 0:12:29 | |
Any calls or messages in the last 24 hours? | 0:12:29 | 0:12:32 | |
I could, but it's not strictly legal. | 0:12:32 | 0:12:34 | |
Since when has anything you've ever done in your life | 0:12:34 | 0:12:36 | |
been strictly legal, Spider? | 0:12:36 | 0:12:38 | |
Yeah, what I'm saying is, it'll cost you. | 0:12:38 | 0:12:40 | |
Well, in this case, money isn't an issue. | 0:12:40 | 0:12:43 | |
If we find her. | 0:12:43 | 0:12:44 | |
-PHONE RINGS -All right, I'll be in touch. | 0:12:44 | 0:12:46 | |
-Shouldn't take long. -Thanks. | 0:12:46 | 0:12:49 | |
Oh. Hello. | 0:12:49 | 0:12:51 | |
Hang on a sec. | 0:12:52 | 0:12:54 | |
Word of advice, from a friend... | 0:12:54 | 0:12:57 | |
Yeah? | 0:12:57 | 0:12:58 | |
..you might want to open some of these windows a bit. | 0:12:58 | 0:13:00 | |
You know, let some air in. Just... | 0:13:00 | 0:13:03 | |
It stinks. | 0:13:03 | 0:13:06 | |
Yeah. What did she say? | 0:13:06 | 0:13:08 | |
HE SNIFFS | 0:13:08 | 0:13:10 | |
Oh, sorry. Sorry. | 0:13:13 | 0:13:15 | |
Mr Erasmus? We're private investigators. | 0:13:21 | 0:13:26 | |
We're looking for Mia. | 0:13:26 | 0:13:28 | |
Tried Thessley Hall? | 0:13:28 | 0:13:29 | |
Lady Tania's the one that hired us. | 0:13:29 | 0:13:31 | |
Mia's gone missing. | 0:13:31 | 0:13:32 | |
I've not heard from Mia for days. | 0:13:32 | 0:13:34 | |
And you haven't been worried about that? | 0:13:34 | 0:13:36 | |
-Should I have been? -Well, it's just, I thought you two were an item. | 0:13:36 | 0:13:40 | |
It was just a casual thing. | 0:13:40 | 0:13:41 | |
-Bit of fun. -Was? Does that mean you've split up? | 0:13:41 | 0:13:45 | |
No, erm... I'd been planning on ending it, | 0:13:45 | 0:13:47 | |
but I've not heard from her. | 0:13:47 | 0:13:49 | |
-And I've been busy with training, so... -Where were you last night? | 0:13:49 | 0:13:52 | |
At home. | 0:13:52 | 0:13:54 | |
All night. Sorry, but my crew is waiting for me. | 0:13:54 | 0:13:57 | |
He's hiding something. And I'm not just talking about the sock stuffed | 0:14:06 | 0:14:09 | |
-down his... I'm joking. I wasn't looking. -Keep watch. | 0:14:09 | 0:14:12 | |
How do you know his combination? | 0:14:14 | 0:14:16 | |
Finely-honed observational skills. | 0:14:16 | 0:14:18 | |
Hm. Remind me not to stand in front of you at the cash machine. | 0:14:18 | 0:14:21 | |
-Too late. Your PIN number's five, four, three... -Shush! | 0:14:21 | 0:14:24 | |
So if you just... So you'd do this. | 0:14:26 | 0:14:29 | |
-Yes. -And then it's just... The triceps. -Yes. | 0:14:29 | 0:14:31 | |
"Polly Hoppins"? | 0:14:42 | 0:14:44 | |
Oh, I know Polly! She used to come into the salon. | 0:14:44 | 0:14:46 | |
She makes jewellery. She's got a shop in town. | 0:14:46 | 0:14:49 | |
Well, if Mia's just a bit of fun, | 0:14:49 | 0:14:51 | |
why's our rower friend spending five grand on a diamond ring? | 0:14:51 | 0:14:55 | |
Polly does remember Dimitri. | 0:14:55 | 0:14:57 | |
Definitely an engagement ring, and that's not all. | 0:14:57 | 0:15:00 | |
-Go on. -Apparently, he called her this morning, asking to return it, | 0:15:00 | 0:15:03 | |
and get a refund, and when Polly said no, | 0:15:03 | 0:15:05 | |
Dimitri just went mad. Just started yelling at her down the phone. | 0:15:05 | 0:15:08 | |
PHONE RINGS Oh! | 0:15:08 | 0:15:11 | |
What have you got for me? VIDEO GAME GUNSHOTS | 0:15:12 | 0:15:14 | |
Only two calls logged from the girl's phone in the last 24 hours. | 0:15:14 | 0:15:17 | |
One to an unregistered pay-as-you-go. | 0:15:17 | 0:15:20 | |
One to a number registered Dimitri Erasmus. | 0:15:20 | 0:15:23 | |
Both were just before midnight last night. | 0:15:23 | 0:15:26 | |
-Nothing since? -Nope. | 0:15:26 | 0:15:28 | |
I've tried tracking her GPS, but it seems like her phone is off. | 0:15:28 | 0:15:31 | |
Good work. Now, I want you to send me the exact times of those calls. | 0:15:31 | 0:15:34 | |
Yeah. I will do, along with me invoice. | 0:15:34 | 0:15:37 | |
Yes. See you later. | 0:15:37 | 0:15:39 | |
It's just work, work, work. | 0:15:41 | 0:15:43 | |
Dimitri lied. | 0:15:44 | 0:15:45 | |
They did speak last night. | 0:15:45 | 0:15:47 | |
So maybe he proposed and she said no | 0:15:47 | 0:15:50 | |
or something gave him cold feet. | 0:15:50 | 0:15:52 | |
-PHONE RINGS -Oh! | 0:15:52 | 0:15:55 | |
Hello, Lu Shakespeare speaking. | 0:15:55 | 0:15:57 | |
It's Lady Bede. | 0:15:57 | 0:15:59 | |
You've got to come back to Thessley Hall. | 0:15:59 | 0:16:03 | |
We've found something. | 0:16:03 | 0:16:05 | |
It was found in the middle of a footpath in the gardens. | 0:16:08 | 0:16:10 | |
I've asked all my ground crew. Nobody saw how it got there. | 0:16:11 | 0:16:14 | |
And this was on top. | 0:16:15 | 0:16:17 | |
"If you want to see your daughter again, | 0:16:21 | 0:16:23 | |
"leave £50,000 in cash under the fountain by midnight tonight." | 0:16:23 | 0:16:27 | |
-We need to call the police. -It specifically says no police. | 0:16:27 | 0:16:31 | |
Frank's an ex-officer. If he thinks we should call... | 0:16:31 | 0:16:33 | |
No police! Until she's safe. | 0:16:33 | 0:16:36 | |
It's Lady Tania's decision. | 0:16:36 | 0:16:39 | |
I'm so foolish. | 0:16:39 | 0:16:41 | |
I assumed it was just Mia being Mia. | 0:16:41 | 0:16:43 | |
-You shouldn't be blaming yourself. -Of course I should! | 0:16:43 | 0:16:46 | |
She's my daughter, and you'd understand if you... | 0:16:46 | 0:16:50 | |
Please, bring her back. | 0:16:57 | 0:16:58 | |
We'll do everything we can. | 0:16:58 | 0:17:00 | |
That's the second number Mia called last night. | 0:17:02 | 0:17:05 | |
-What, the kidnapper's? -Maybe. | 0:17:05 | 0:17:07 | |
But if it's a burner, we'll never trace it. | 0:17:07 | 0:17:10 | |
You don't know why Mia made a payment to St Theodore's Hospital | 0:17:12 | 0:17:15 | |
at the end of last month, do you? | 0:17:15 | 0:17:16 | |
I wasn't aware she had. | 0:17:16 | 0:17:18 | |
She hadn't been ill? Or had surgery or anything? | 0:17:18 | 0:17:21 | |
No. | 0:17:21 | 0:17:22 | |
No, nothing like that. | 0:17:22 | 0:17:24 | |
The ransom money... | 0:17:24 | 0:17:26 | |
-Do you have access to...? -I'll call the bank. | 0:17:26 | 0:17:28 | |
-Just in case. -Hopefully we won't need to use it. | 0:17:28 | 0:17:31 | |
The concierge at his block of flats said Dimitri | 0:17:34 | 0:17:37 | |
did go out last night. Came back in about two. | 0:17:37 | 0:17:39 | |
-Apparently, he was in a right state. -What, drunk? | 0:17:39 | 0:17:41 | |
And upset. Muttering something about being an idiot. | 0:17:41 | 0:17:44 | |
What if Mia was pregnant? | 0:17:46 | 0:17:48 | |
Pregnant? | 0:17:48 | 0:17:50 | |
Yeah. Go with me on this, right? | 0:17:50 | 0:17:51 | |
So Mia tells Dimitri. He does a bit of soul-searching, | 0:17:51 | 0:17:54 | |
does the right thing and buys her a ring... | 0:17:54 | 0:17:57 | |
but then, in the meantime, Mia's been and had a... | 0:17:57 | 0:18:00 | |
you know, termination - hence the payment to the hospital. | 0:18:00 | 0:18:03 | |
Cost more than 200 quid for a private hospital, wouldn't it? | 0:18:03 | 0:18:05 | |
Maybe that was just one instalment. | 0:18:05 | 0:18:07 | |
Go on. | 0:18:07 | 0:18:08 | |
Well, Polly said that Dimitri had a bit of a temper on him, didn't she? | 0:18:08 | 0:18:11 | |
So what if when Mia tells him she's been behind his back, | 0:18:11 | 0:18:15 | |
he gets angry, he lashes out... | 0:18:15 | 0:18:18 | |
and then he tries to cover his tracks by pretending she's run away? | 0:18:18 | 0:18:21 | |
Ah, it's a bit of a leap. | 0:18:21 | 0:18:23 | |
I mean, if he was going to kill her, why bother with a ransom note? | 0:18:23 | 0:18:26 | |
Well, 50,000's a lot, isn't it? Even for a posh boy. | 0:18:26 | 0:18:28 | |
Oh, I don't know. | 0:18:28 | 0:18:30 | |
Planting a hoodie in broad daylight's risky. | 0:18:30 | 0:18:34 | |
That's him. What do we do now? | 0:18:34 | 0:18:36 | |
Well, normally, I'd say watch and wait, but... | 0:18:37 | 0:18:39 | |
what the hell. | 0:18:39 | 0:18:41 | |
-Mr Erasmus... -I said, I haven't heard from her. | 0:18:47 | 0:18:49 | |
And yet she called your mobile just before midnight. | 0:18:49 | 0:18:52 | |
-You said you were home all night. -I was. -No, you weren't. | 0:18:52 | 0:18:56 | |
What can you tell me about this engagement ring? | 0:18:56 | 0:18:58 | |
-How do you know all this? -Was Mia pregnant? | 0:18:59 | 0:19:03 | |
Pregnant? Well, if she was, she didn't tell me. | 0:19:03 | 0:19:06 | |
-Look, we're done here. -They found Mia's hoodie. | 0:19:06 | 0:19:10 | |
It's covered in blood. | 0:19:10 | 0:19:12 | |
Some of my friends at the police force are less discreet than me. | 0:19:14 | 0:19:17 | |
OK. Yes, I spoke to her. | 0:19:17 | 0:19:19 | |
She was supposed to come round to mine. | 0:19:19 | 0:19:22 | |
You were going to propose? | 0:19:22 | 0:19:24 | |
-But she never turned up. -That must've hurt. | 0:19:24 | 0:19:26 | |
-Did you go and confront her? -No! | 0:19:26 | 0:19:28 | |
I went out, yes, but I didn't go anywhere near Thessley Hall. | 0:19:28 | 0:19:32 | |
And I've an alibi. | 0:19:32 | 0:19:34 | |
Who? | 0:19:34 | 0:19:36 | |
I can't say. | 0:19:36 | 0:19:38 | |
-Nine, nine... What was the other number again? -OK! | 0:19:38 | 0:19:41 | |
But you have to swear not to tell anyone. | 0:19:41 | 0:19:43 | |
Dimitri came to ask about Mia. | 0:19:45 | 0:19:47 | |
He didn't know why she stood him up. | 0:19:47 | 0:19:49 | |
He still planned to propose. I didn't want him to get hurt so... | 0:19:50 | 0:19:53 | |
..I told him the truth. | 0:19:57 | 0:19:59 | |
What's that? | 0:19:59 | 0:20:02 | |
Mia's been seeing someone else. | 0:20:02 | 0:20:04 | |
Dmitri's just so... | 0:20:04 | 0:20:06 | |
Handsome? | 0:20:06 | 0:20:08 | |
Loaded? | 0:20:08 | 0:20:10 | |
Ripped? | 0:20:10 | 0:20:12 | |
If you love him so much, why don't you go out with him? | 0:20:12 | 0:20:15 | |
I wish. | 0:20:15 | 0:20:17 | |
-I bet there's someone else. -No. | 0:20:18 | 0:20:21 | |
There is, isn't there? | 0:20:21 | 0:20:23 | |
Right, maybe. | 0:20:23 | 0:20:24 | |
-Who? Tell me. -It's... | 0:20:26 | 0:20:29 | |
If you say "complicated", I'm smothering you with this pillow. | 0:20:29 | 0:20:32 | |
I can't say. Not yet. | 0:20:32 | 0:20:34 | |
At least tell me where you met. | 0:20:35 | 0:20:36 | |
Right here in my own back garden. | 0:20:36 | 0:20:40 | |
You grassed your best mate up to her boyfriend just like that? | 0:20:41 | 0:20:43 | |
"Best mate"? That's a joke! I've liked Dimitri for years. | 0:20:43 | 0:20:48 | |
Mia knows that and she hooked up with him anyway | 0:20:48 | 0:20:50 | |
-just to pass the time. -Why didn't you tell me all this | 0:20:50 | 0:20:53 | |
-in the first place? -I thought Mia was just out partying somewhere. | 0:20:53 | 0:20:57 | |
And I didn't want her finding out, did I? | 0:20:57 | 0:21:00 | |
You and Dimitri? | 0:21:00 | 0:21:02 | |
SHE SIGHS | 0:21:03 | 0:21:06 | |
He was upset. We had a drink and then... | 0:21:06 | 0:21:09 | |
you know... I didn't plan it or anything. | 0:21:09 | 0:21:12 | |
-It just happened. -And you were with him till just before two? | 0:21:12 | 0:21:16 | |
After we... | 0:21:16 | 0:21:18 | |
He dozed off, | 0:21:18 | 0:21:20 | |
and when he woke up he couldn't get out of there fast enough. | 0:21:20 | 0:21:24 | |
He made me swear never to tell anyone. | 0:21:24 | 0:21:26 | |
Nothing like a vow of silence to make a girl feel special. | 0:21:27 | 0:21:30 | |
So Lady Tania said she was woken up around midnight. | 0:21:33 | 0:21:38 | |
Dimitri and Helen have given each other an alibi for that time. | 0:21:38 | 0:21:41 | |
They could both be lying. | 0:21:41 | 0:21:44 | |
Let's assume for a moment Helen's telling the truth. | 0:21:44 | 0:21:46 | |
That would mean Mia has been seeing another bloke | 0:21:46 | 0:21:49 | |
she met at Thessley Hall. | 0:21:49 | 0:21:51 | |
Well, the events crew have been in there for a while. | 0:21:51 | 0:21:53 | |
It could be one of them. I don't know how do we find out who, though. | 0:21:53 | 0:21:56 | |
By finding out who this phone number belongs to. | 0:21:56 | 0:21:59 | |
-I assume you've tried calling it? -Yeah. | 0:21:59 | 0:22:01 | |
Just keeps going to answerphone. | 0:22:01 | 0:22:03 | |
I'll keep trying - might get lucky. | 0:22:03 | 0:22:05 | |
But soft! What delight through yonder window breaks? | 0:22:05 | 0:22:09 | |
I come bearing gifts. | 0:22:09 | 0:22:11 | |
What the hell are you wearing? | 0:22:11 | 0:22:12 | |
I got it at the pawnbroker. He recognised the necklace. | 0:22:12 | 0:22:15 | |
Some guy brought it in this morning, but then left again when they | 0:22:15 | 0:22:18 | |
wouldn't match his asking price. | 0:22:18 | 0:22:19 | |
Still doesn't explain the dead animal. | 0:22:19 | 0:22:21 | |
Erm, it's faux, and the owner said he wouldn't give me the CCTV | 0:22:21 | 0:22:24 | |
unless I bought something. | 0:22:24 | 0:22:27 | |
I put it on the company credit card. | 0:22:27 | 0:22:30 | |
Erm, since when did we have a company credit card? | 0:22:30 | 0:22:32 | |
Let's have a look at that CCTV, shall we? | 0:22:32 | 0:22:34 | |
Lu? Lu? | 0:22:34 | 0:22:37 | |
Hey! | 0:22:37 | 0:22:39 | |
I recognise him. He was at the estate this morning. | 0:22:40 | 0:22:43 | |
£10 says he's Mia's secret boyfriend. | 0:22:43 | 0:22:46 | |
-I'm not making any more bets with you. -Spoil-sport. | 0:22:46 | 0:22:49 | |
And this means I get to keep the coat. | 0:22:49 | 0:22:53 | |
Right? | 0:22:53 | 0:22:54 | |
HE PURRS | 0:22:54 | 0:22:56 | |
-Any news? -Not yet. | 0:23:00 | 0:23:03 | |
We're still making enquiries. | 0:23:03 | 0:23:04 | |
In which case, why are you back here? | 0:23:04 | 0:23:06 | |
We want to talk to somebody who might have come into contact | 0:23:06 | 0:23:09 | |
with the necklace. Or Mia. | 0:23:09 | 0:23:10 | |
-Or both. -Do you, erm...do you know him? | 0:23:10 | 0:23:14 | |
It could be one of the labourers. | 0:23:14 | 0:23:17 | |
Ask Mr Greenvale. | 0:23:17 | 0:23:18 | |
Excuse me. | 0:23:18 | 0:23:20 | |
Mr Greenvale. | 0:23:24 | 0:23:26 | |
Frank Hathaway. I'm a private investigator. | 0:23:26 | 0:23:29 | |
Do you, erm, know him? | 0:23:29 | 0:23:31 | |
Yeah, it's Lee. He's been working with me. | 0:23:32 | 0:23:35 | |
There he is. | 0:23:35 | 0:23:37 | |
Lee? Lee! | 0:23:37 | 0:23:39 | |
Oh. | 0:23:39 | 0:23:41 | |
-How did you...? -I've been doing this a lot longer than you have. | 0:23:55 | 0:23:58 | |
Now, look, we've got CCTV footage of you trying to sell the necklace. | 0:23:58 | 0:24:03 | |
If you've hurt Mia... | 0:24:03 | 0:24:05 | |
"Hurt her"? I've never touched her. I was doing her a favour. | 0:24:05 | 0:24:08 | |
What, so you and your girlfriend were planning this together, | 0:24:08 | 0:24:11 | |
-were you? -"Girlfriend"? I only met her last night. | 0:24:11 | 0:24:14 | |
Look, it's true. I was working late, finishing off some lights, | 0:24:14 | 0:24:17 | |
and I saw her come out the summerhouse. | 0:24:17 | 0:24:19 | |
Mia, don't be like that! | 0:24:19 | 0:24:21 | |
I shouldn't have said anything! | 0:24:21 | 0:24:23 | |
What? | 0:24:42 | 0:24:44 | |
Lady Tania's girl, aren't you? | 0:24:44 | 0:24:46 | |
I'm nobody's girl. | 0:24:46 | 0:24:48 | |
We'll have to see about that. | 0:24:48 | 0:24:50 | |
Oh, really? | 0:24:50 | 0:24:52 | |
I'm Lee, by the way. | 0:24:52 | 0:24:54 | |
Nice to meet you, Lee By The Way. | 0:24:54 | 0:24:56 | |
I'm Mia. | 0:24:56 | 0:24:58 | |
-So what was Mia arguing with Rod about? -Not a clue. | 0:25:02 | 0:25:05 | |
We just chatted. I fancied her, gave her my number. | 0:25:05 | 0:25:09 | |
Next thing I know, she's calling, | 0:25:09 | 0:25:11 | |
inviting herself round to mine in the middle of the night. | 0:25:11 | 0:25:14 | |
-What you doing here? -Sorry. I know it's late. | 0:25:16 | 0:25:19 | |
I just thought you might...know people. | 0:25:19 | 0:25:21 | |
-What're you talking about? -You said...you know... | 0:25:21 | 0:25:24 | |
you've been in trouble with the police and stuff. | 0:25:24 | 0:25:28 | |
Here. | 0:25:28 | 0:25:29 | |
Oh, my God! Where did you get that? | 0:25:29 | 0:25:33 | |
It's mine. | 0:25:33 | 0:25:35 | |
Sort of. | 0:25:35 | 0:25:36 | |
I need a favour. | 0:25:36 | 0:25:38 | |
Why would she give you the necklace if you'd only just met? | 0:25:38 | 0:25:41 | |
She was desperate for cash. Said she couldn't flog it herself, | 0:25:41 | 0:25:44 | |
cos there'd be people looking for her. | 0:25:44 | 0:25:46 | |
She offered me a cut if I did it. | 0:25:46 | 0:25:47 | |
Only the pawnbroker reckons it's not even legit. | 0:25:47 | 0:25:50 | |
-What, the necklace was fake? -Went back to my place to tell Mia, | 0:25:50 | 0:25:53 | |
and she freaked out. | 0:25:53 | 0:25:54 | |
Left saying she'd have to make the money some other way. | 0:25:54 | 0:25:57 | |
What do you think happened with Ron to make Mia desperate for cash? | 0:25:57 | 0:26:01 | |
Don't know. | 0:26:01 | 0:26:03 | |
Yeah, Mia came to see me. | 0:26:05 | 0:26:07 | |
Maybe I should have mentioned it, | 0:26:07 | 0:26:08 | |
but I knew you'd jump to conclusions. | 0:26:08 | 0:26:10 | |
What were you arguing about? | 0:26:10 | 0:26:12 | |
Mia was upset, that's all. | 0:26:13 | 0:26:15 | |
She'd had a fight with her mum. | 0:26:15 | 0:26:17 | |
Something about her allowance. | 0:26:17 | 0:26:18 | |
Do you know why she needed money? | 0:26:18 | 0:26:20 | |
She never said. Too busy calling Lady Tania | 0:26:20 | 0:26:23 | |
all the names under the sun. | 0:26:23 | 0:26:25 | |
Why did Mia come to you? | 0:26:25 | 0:26:28 | |
I've known Mia since she was a baby. | 0:26:28 | 0:26:30 | |
We get on. | 0:26:30 | 0:26:32 | |
Or at least we did until I told her she should apologise to her mum. | 0:26:32 | 0:26:36 | |
Mia doesn't like being told what to do. | 0:26:36 | 0:26:38 | |
I'm sorry, I have to ask this. | 0:26:38 | 0:26:40 | |
Are you and Mia in a relationship? | 0:26:40 | 0:26:43 | |
No. | 0:26:44 | 0:26:45 | |
She's not even half my age. | 0:26:46 | 0:26:48 | |
Well, wouldn't stop most men. | 0:26:48 | 0:26:50 | |
-And I'm not most men. -Yeah. | 0:26:50 | 0:26:52 | |
I'm sorry, look, I haven't got time for this. I've got to get on. | 0:26:54 | 0:26:56 | |
-We've got people turning up soon. -Yeah, sorry. | 0:26:56 | 0:26:59 | |
-Thanks. -Thanks. | 0:26:59 | 0:27:01 | |
So we still don't have a clue why Mia needed the money. | 0:27:15 | 0:27:19 | |
But it doesn't matter, does it? Cos either Mia was grabbed this morning | 0:27:19 | 0:27:22 | |
when she left Lee's flat, in which case the person'll be at the party | 0:27:22 | 0:27:25 | |
tonight to collect the ransom... | 0:27:25 | 0:27:27 | |
Or she wrote the note herself, as she'd be there to collect it. | 0:27:27 | 0:27:31 | |
Well, I haven't got any plans for tonight. | 0:27:31 | 0:27:34 | |
-We need to get kitted out. -You haven't got a dinner jacket, then? | 0:27:34 | 0:27:37 | |
Well, as it happens, no. | 0:27:37 | 0:27:38 | |
-But that's not what I'm talking about. -Oh. | 0:27:38 | 0:27:40 | |
Ah, Frankie! | 0:27:45 | 0:27:46 | |
Now, what have I told you about bringing people back here? | 0:27:48 | 0:27:51 | |
It's bad luck to have a woman onboard. | 0:27:51 | 0:27:54 | |
Bring a woman back here, trust me, I don't think you'd have much luck! | 0:27:54 | 0:27:57 | |
It's fine. We're partners. | 0:27:57 | 0:28:00 | |
Now, listen, we need some comms gear. | 0:28:00 | 0:28:01 | |
Discreet. | 0:28:01 | 0:28:03 | |
-Environment? -A party. | 0:28:03 | 0:28:06 | |
The End of the Summer Ball at Thessley Hall. | 0:28:06 | 0:28:08 | |
Nice! | 0:28:08 | 0:28:10 | |
All right. I've got some kit, but there's one problem. | 0:28:10 | 0:28:13 | |
-What? -I'll need to be there. | 0:28:13 | 0:28:14 | |
Well, can't you just teach us to operate it ourselves? | 0:28:14 | 0:28:17 | |
Yes, I could, but I've heard those balls are epic, | 0:28:17 | 0:28:19 | |
and I don't get out much. | 0:28:19 | 0:28:21 | |
So what do you say? | 0:28:22 | 0:28:24 | |
-Well, thanks, AJ. Keep the change. -Thanks very much, | 0:28:42 | 0:28:45 | |
Miss Shakespeare. May I say how delightful you look this evening. | 0:28:45 | 0:28:48 | |
-Yes, you may. -Frank, I don't have the words, mate. | 0:28:48 | 0:28:51 | |
It was all they had left. | 0:28:51 | 0:28:53 | |
Well, I think you look very handsome. | 0:28:53 | 0:28:55 | |
Where's your mate? I thought he was meeting us here. | 0:28:57 | 0:29:00 | |
Oh, he's undercover. | 0:29:00 | 0:29:02 | |
-Refreshments? -Ooh, thank you. | 0:29:11 | 0:29:12 | |
-SHE GASPS -Sebastian, you look amazing! | 0:29:12 | 0:29:15 | |
-Sh! I'm invisible. -Yes, no, of course. | 0:29:15 | 0:29:17 | |
Good luck with that. | 0:29:17 | 0:29:19 | |
Right, got your earpieces in? | 0:29:19 | 0:29:21 | |
-Yeah. -Affirmative. | 0:29:21 | 0:29:23 | |
What did you do with your radio pack? | 0:29:26 | 0:29:27 | |
I've stuffed... None of your business. | 0:29:27 | 0:29:30 | |
Excuse me. | 0:29:30 | 0:29:32 | |
Now, you know the drill - | 0:29:35 | 0:29:36 | |
-circulate amongst the guests and keep your eyes peeled. -OK! | 0:29:36 | 0:29:41 | |
Hi, I'm Spider. | 0:29:54 | 0:29:56 | |
Oh, creep. | 0:29:56 | 0:29:58 | |
GLASS CLINKING | 0:30:02 | 0:30:04 | |
Ladies and gentlemen, welcome to Thessley Hall. | 0:30:07 | 0:30:11 | |
This evening is all about raising funds for local charities, | 0:30:11 | 0:30:15 | |
so when our fairies come around with the raffle, | 0:30:15 | 0:30:18 | |
please dig deep. | 0:30:18 | 0:30:21 | |
And in the meantime, please help yourselves to the buffet, | 0:30:21 | 0:30:25 | |
and the bar, | 0:30:25 | 0:30:26 | |
and may I wish you a magical evening. | 0:30:26 | 0:30:30 | |
And now, a toast. | 0:30:30 | 0:30:32 | |
To the end of summer! | 0:30:38 | 0:30:40 | |
-ALL: -To the end of summer! | 0:30:40 | 0:30:42 | |
Do you have the money? | 0:30:58 | 0:31:00 | |
Yes. | 0:31:00 | 0:31:01 | |
I'll leave it by the fountain just before midnight. | 0:31:01 | 0:31:04 | |
Do you think we'll get her back? | 0:31:05 | 0:31:08 | |
Absolutely. | 0:31:08 | 0:31:09 | |
Don't let it out of your sight. | 0:31:20 | 0:31:21 | |
Yeah, I'm not a complete idiot. Nobody's been near it all night. | 0:31:21 | 0:31:25 | |
Sebastian, where are you? | 0:31:25 | 0:31:27 | |
Sorry, had to get more fizz. | 0:31:27 | 0:31:28 | |
This lot drink like fish. | 0:31:28 | 0:31:30 | |
Spider? | 0:31:30 | 0:31:32 | |
Spider? | 0:31:34 | 0:31:35 | |
Yeah, I wouldn't bother if I was you. Last I... | 0:31:35 | 0:31:37 | |
Evening! | 0:31:37 | 0:31:39 | |
..saw him he was stuffing his face with smoked salmon. | 0:31:39 | 0:31:42 | |
It's nearly midnight. | 0:31:42 | 0:31:44 | |
I know. | 0:31:44 | 0:31:45 | |
What if nobody comes? | 0:31:45 | 0:31:47 | |
We'll deal with that if it happens. | 0:31:47 | 0:31:49 | |
WOMAN SCREAMS | 0:31:49 | 0:31:51 | |
Come on, everybody! Drink up! | 0:31:54 | 0:31:57 | |
It's supposed to be a party! | 0:31:57 | 0:32:01 | |
Think that's funny, do you? | 0:32:01 | 0:32:03 | |
Thank you. At least there's one gentleman around here. | 0:32:03 | 0:32:06 | |
Has anyone ever told you, you have a very large... | 0:32:09 | 0:32:15 | |
-nose? -LAUGHTER | 0:32:15 | 0:32:17 | |
But it's lovely. | 0:32:17 | 0:32:18 | |
What happened to her? | 0:32:20 | 0:32:22 | |
I've no idea. One minute, she was fine, the next she was like this. | 0:32:22 | 0:32:25 | |
I'll get her inside. | 0:32:25 | 0:32:27 | |
It's all right. I'll do it. | 0:32:27 | 0:32:28 | |
SHE GIGGLES | 0:32:28 | 0:32:30 | |
-Time for a lie down, I think. -But I hardly know you! | 0:32:30 | 0:32:33 | |
I only had a glass of Champagne. | 0:32:40 | 0:32:43 | |
Course you did. | 0:32:43 | 0:32:45 | |
It's a very long time since a man took me to bed. | 0:32:48 | 0:32:53 | |
I thought you were married for 20 years. | 0:32:53 | 0:32:55 | |
Oh, it turns out that I wasn't my husband's type. | 0:32:55 | 0:32:58 | |
It's very simple, darling. | 0:32:59 | 0:33:00 | |
I wanted to get away from my parents and he wanted a beard. | 0:33:00 | 0:33:03 | |
But sh... | 0:33:06 | 0:33:07 | |
-WHISPERING: -It's our little secret. | 0:33:07 | 0:33:10 | |
So Mia... | 0:33:11 | 0:33:12 | |
Mia. Darling Mia... | 0:33:12 | 0:33:15 | |
She was a gift from the fairies. | 0:33:16 | 0:33:18 | |
Why don't you stay here and give me a cuddle? | 0:33:21 | 0:33:24 | |
If you can tear yourself away, we've got a bit of a problem. | 0:33:25 | 0:33:28 | |
-What sort of problem? -No problem here. | 0:33:28 | 0:33:30 | |
The bag's gone. | 0:33:30 | 0:33:32 | |
One of the guests wasn't feeling well. | 0:33:32 | 0:33:34 | |
She asked for a glass of water. I couldn't exactly say no. | 0:33:34 | 0:33:37 | |
And this guy started chatting me up. | 0:33:37 | 0:33:39 | |
I mean, I looked away for literally a second. | 0:33:39 | 0:33:41 | |
Well, that's all it takes. | 0:33:41 | 0:33:43 | |
What are we going to do? | 0:33:43 | 0:33:45 | |
Who are you talking to? | 0:33:47 | 0:33:49 | |
OK. | 0:33:49 | 0:33:51 | |
Look, when you say that Mia was a present from the fairies, | 0:33:53 | 0:33:58 | |
what did you mean? That Lord Bede wasn't her dad? | 0:33:58 | 0:34:02 | |
If you tell me the truth, it might help me to find her. | 0:34:03 | 0:34:06 | |
Or mean I lose her forever. | 0:34:08 | 0:34:09 | |
Party's not over yet. | 0:34:26 | 0:34:27 | |
I've got an early start. I'm flying back to Spain. | 0:34:29 | 0:34:31 | |
Mia going with you? | 0:34:31 | 0:34:33 | |
I told you, we're not together. | 0:34:33 | 0:34:35 | |
No. | 0:34:35 | 0:34:37 | |
She's your daughter. | 0:34:37 | 0:34:39 | |
Is that why she came here last night? Did she come to tell you? | 0:34:39 | 0:34:42 | |
That was the first I knew about it. | 0:34:46 | 0:34:49 | |
When did Mia find out? | 0:34:49 | 0:34:51 | |
Before he died, Lord Bede told her he wasn't her real dad. | 0:34:51 | 0:34:54 | |
A couple of weeks ago, she nicked my comb, | 0:34:54 | 0:34:56 | |
sent it off to some private hospital to test the DNA. | 0:34:56 | 0:34:59 | |
St Theodore's. | 0:34:59 | 0:35:01 | |
That's what the £200 was for. | 0:35:01 | 0:35:03 | |
She got the results yesterday. | 0:35:03 | 0:35:05 | |
Why test you? | 0:35:05 | 0:35:07 | |
Mia reckons she's always sensed something between me and her mum. | 0:35:07 | 0:35:12 | |
And as she was born nine months after the first ball... | 0:35:12 | 0:35:15 | |
She's a bright kid. | 0:35:15 | 0:35:16 | |
What happened last night? Why did Mia storm off? | 0:35:16 | 0:35:19 | |
She was upset that her mum lied to her for so long. | 0:35:19 | 0:35:22 | |
She wanted to come to Spain with me, | 0:35:22 | 0:35:25 | |
and I told her I can't afford to support her. | 0:35:25 | 0:35:28 | |
I can barely keep a shirt on my own back. | 0:35:28 | 0:35:30 | |
That's why she wanted the money. | 0:35:30 | 0:35:33 | |
We've got to get out of... | 0:35:33 | 0:35:35 | |
Hello, Mia. | 0:35:35 | 0:35:37 | |
Are they police? | 0:35:37 | 0:35:40 | |
Not exactly, but they know. | 0:35:40 | 0:35:42 | |
Know what? | 0:35:42 | 0:35:44 | |
That you took the necklace to pay your own way. When Lee couldn't sell | 0:35:44 | 0:35:48 | |
it, you came up with a new plan to make some money. | 0:35:48 | 0:35:50 | |
SHE GASPS | 0:36:06 | 0:36:08 | |
Then you recruited your old man to create a distraction by spiking | 0:36:11 | 0:36:17 | |
your mother's drink. | 0:36:17 | 0:36:19 | |
Bit cruel, wasn't it? Letting Lady Tania think her daughter had been | 0:36:34 | 0:36:38 | |
-kidnapped. -"Cruel"? | 0:36:38 | 0:36:39 | |
And she keeps my child secret from me for 19 years. | 0:36:40 | 0:36:44 | |
I loved that woman, | 0:36:44 | 0:36:46 | |
but as far as Her Ladyship was concerned, | 0:36:46 | 0:36:48 | |
it was just a bit of summer madness. She went back to her husband, | 0:36:48 | 0:36:51 | |
her country pile, her title, like it hadn't even happened. | 0:36:51 | 0:36:55 | |
How about you, Mia? Were you really going to just take the money and go? | 0:36:57 | 0:37:01 | |
Let your mum think you're dead? | 0:37:01 | 0:37:03 | |
Why should I care? | 0:37:03 | 0:37:06 | |
She lied to me for my whole life. | 0:37:06 | 0:37:10 | |
She cared more about this stupid necklace than she did me. | 0:37:10 | 0:37:14 | |
Give her this with my regards. | 0:37:14 | 0:37:16 | |
Wait a minute. Show me that. | 0:37:16 | 0:37:17 | |
This is her priceless heirloom? | 0:37:21 | 0:37:23 | |
Except the pawnbroker said it was junk. | 0:37:23 | 0:37:26 | |
Well, yeah, course it's junk. | 0:37:26 | 0:37:28 | |
I paid a tenner for it in a market in Marrakech. | 0:37:28 | 0:37:30 | |
That's all I could afford at the time. | 0:37:30 | 0:37:32 | |
She kept it? | 0:37:33 | 0:37:36 | |
More than that. | 0:37:36 | 0:37:37 | |
She was willing to pay £10,000 to get it back. | 0:37:37 | 0:37:41 | |
What for? I told her, then - it's worthless. | 0:37:41 | 0:37:43 | |
Not to her. | 0:37:45 | 0:37:46 | |
Maybe it was more than a bit of summer madness. | 0:37:48 | 0:37:50 | |
This'll help. | 0:38:10 | 0:38:11 | |
What happened? | 0:38:14 | 0:38:16 | |
A funny turn. | 0:38:17 | 0:38:19 | |
Why are you here? | 0:38:30 | 0:38:32 | |
I was... | 0:38:33 | 0:38:36 | |
reminiscing. | 0:38:36 | 0:38:38 | |
Don't. | 0:38:39 | 0:38:41 | |
I have something for you. | 0:38:45 | 0:38:47 | |
Mia? | 0:38:55 | 0:38:57 | |
Safe and sound. | 0:38:57 | 0:38:58 | |
SHE SIGHS | 0:38:58 | 0:39:00 | |
That man... | 0:39:03 | 0:39:06 | |
the private investigator... | 0:39:06 | 0:39:07 | |
He didn't say anything, did he? | 0:39:07 | 0:39:10 | |
I already knew. | 0:39:10 | 0:39:12 | |
Mia told me. | 0:39:12 | 0:39:14 | |
Mia knew? | 0:39:14 | 0:39:17 | |
How? | 0:39:17 | 0:39:19 | |
You should talk to her. | 0:39:19 | 0:39:21 | |
Ron, | 0:39:24 | 0:39:25 | |
-Ron, I... -I hated you... | 0:39:25 | 0:39:29 | |
when she told me. | 0:39:29 | 0:39:31 | |
-Yes. -But now, | 0:39:34 | 0:39:38 | |
I wonder... | 0:39:38 | 0:39:40 | |
maybe you thought... | 0:39:40 | 0:39:43 | |
You told me, that night, that you wanted to see the world. | 0:39:43 | 0:39:48 | |
And who was I to stop you? | 0:39:49 | 0:39:52 | |
I would've stayed. | 0:39:52 | 0:39:54 | |
Perhaps. | 0:39:56 | 0:39:58 | |
I hear you planned to wear this tonight. | 0:40:04 | 0:40:06 | |
You must've known I'd recognise it. | 0:40:10 | 0:40:12 | |
So...? | 0:40:14 | 0:40:16 | |
I hoped... | 0:40:20 | 0:40:22 | |
Tell me. | 0:40:25 | 0:40:27 | |
I thought... | 0:40:29 | 0:40:33 | |
with Jeremy gone... | 0:40:33 | 0:40:35 | |
..perhaps we... | 0:40:38 | 0:40:40 | |
Perhaps...? | 0:40:43 | 0:40:45 | |
It might not be too late. | 0:40:48 | 0:40:50 | |
Perhaps. | 0:40:52 | 0:40:54 | |
They are supposed to be for the guests. | 0:40:57 | 0:41:00 | |
I owe you a debt of gratitude. | 0:41:08 | 0:41:10 | |
The ten grand will be fine. | 0:41:10 | 0:41:13 | |
We're just glad to be of service, aren't we? | 0:41:13 | 0:41:15 | |
All's well that ends well. | 0:41:15 | 0:41:17 | |
Ooh. | 0:41:17 | 0:41:19 | |
Mum... | 0:41:19 | 0:41:21 | |
can we talk? | 0:41:21 | 0:41:23 | |
HE BELCHES Excuse me. | 0:41:25 | 0:41:28 | |
# If you're afraid that I won't make the grade | 0:41:32 | 0:41:37 | |
# Well, then I'll sail this ship alone | 0:41:37 | 0:41:44 | |
# And if you agree to him instead of me | 0:41:48 | 0:41:54 | |
# Well, then I'll sail this ship alone | 0:41:54 | 0:42:01 | |
# Well they said if I wrote the perfect letter | 0:42:04 | 0:42:09 | |
# That I would have a chance | 0:42:09 | 0:42:13 | |
# Well, I wrote it and you burned it | 0:42:13 | 0:42:17 | |
# And now do I have a chance anyway now? # | 0:42:17 | 0:42:23 | |
Oh. | 0:42:23 | 0:42:25 | |
Hey. Fancy a dance? | 0:42:25 | 0:42:29 | |
No, I...I don't dance. | 0:42:29 | 0:42:31 | |
Why? You got two left feet? | 0:42:31 | 0:42:32 | |
No, I don't want to show everybody else up. | 0:42:32 | 0:42:34 | |
Oh, come on. Worst that could happen, you can wake up tomorrow, | 0:42:34 | 0:42:37 | |
and pretend it was all a weird dream. | 0:42:37 | 0:42:39 | |
-There you are! There must and shall be dancing. -Ooh! | 0:42:39 | 0:42:43 | |
Can I ask a favour? I think my mum's been through enough... | 0:42:47 | 0:42:50 | |
Ah, it's all right. Your secret's safe with us. | 0:42:50 | 0:42:53 | |
Thanks. | 0:42:53 | 0:42:55 | |
They look good, don't they? | 0:42:55 | 0:42:58 | |
Yeah. It's not really my specialist subject. | 0:42:58 | 0:43:01 | |
We don't usually deal in happy-ever-afters. | 0:43:01 | 0:43:04 | |
Still, I think she'll be happy. | 0:43:04 | 0:43:06 | |
Some people aren't meant to be alone. | 0:43:07 | 0:43:10 | |
Come on! | 0:43:24 | 0:43:26 | |
Arriba! | 0:43:26 | 0:43:28 | |
Frank's got the moves! | 0:43:28 | 0:43:31 | |
THEY LAUGH | 0:43:31 | 0:43:33 | |
You should do Strictly. | 0:43:35 | 0:43:36 | |
Ooh! | 0:43:41 | 0:43:43 | |
# She's got it | 0:43:43 | 0:43:45 | |
# Oh, baby, she's got it. # | 0:43:45 | 0:43:47 | |
Morning! | 0:43:51 | 0:43:53 | |
Morning. | 0:43:53 | 0:43:55 | |
SIGHING | 0:43:57 | 0:43:59 | |
Morning! | 0:44:03 | 0:44:05 |