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Excellent. | 0:00:15 | 0:00:16 | |
We'll see you on Friday, at eight o'clock. | 0:00:16 | 0:00:18 | |
Paulina! We didn't realise you'd be reviewing us again so soon. | 0:00:21 | 0:00:25 | |
Especially after last time. | 0:00:25 | 0:00:27 | |
Yes, well, I always like to give people a chance to redeem themselves. | 0:00:27 | 0:00:31 | |
Dita! Show Ms Stainton to table seven. | 0:00:31 | 0:00:35 | |
Yes, Mrs Tekler. | 0:00:35 | 0:00:36 | |
-But... -Don't keep the customer waiting. | 0:00:36 | 0:00:38 | |
Yes, but table three! | 0:00:38 | 0:00:40 | |
Ten minutes on seven! | 0:00:50 | 0:00:53 | |
How we doing? Let's go! | 0:00:53 | 0:00:55 | |
-30 seconds, Chef. -Len, the judge is here. Table three. | 0:00:55 | 0:00:57 | |
Milo! How are we doing on the poussin? | 0:00:57 | 0:00:59 | |
Coming now, Chef. | 0:00:59 | 0:01:00 | |
-What's this?! -That's how you told me to make it. | 0:01:02 | 0:01:04 | |
This is a mess! This will not win me Arden Restaurant of the Year! | 0:01:04 | 0:01:07 | |
Service! Let's move! Come on! | 0:01:12 | 0:01:14 | |
Table three! Let's go! Let's go, let's go. | 0:01:14 | 0:01:18 | |
-Where are you going? -I need some fresh air. | 0:01:18 | 0:01:20 | |
We're in the middle of service! | 0:01:20 | 0:01:22 | |
What the... | 0:01:23 | 0:01:25 | |
SCREAMING | 0:01:25 | 0:01:26 | |
What's happening now? | 0:01:26 | 0:01:28 | |
There's somebody there! There's somebody there. | 0:01:28 | 0:01:31 | |
-Are you there? -What happened? | 0:01:31 | 0:01:32 | |
I don't know! I don't know! I don't... | 0:01:32 | 0:01:35 | |
Are you all just going to stand here? | 0:01:35 | 0:01:37 | |
Seriously. | 0:01:37 | 0:01:38 | |
-What's going on? -Can we calm down? | 0:01:38 | 0:01:41 | |
Are you all right? | 0:01:41 | 0:01:43 | |
Yeah. | 0:01:43 | 0:01:44 | |
Are you sure? Need a minute? | 0:01:44 | 0:01:46 | |
No. I'm fine. | 0:01:46 | 0:01:48 | |
Hey, hey, hey. | 0:01:48 | 0:01:49 | |
I'll take this. | 0:01:49 | 0:01:51 | |
I need to apologise. | 0:01:51 | 0:01:53 | |
First time for everything. | 0:01:54 | 0:01:56 | |
Ladies and gentlemen, please accept my apologies for the power cut. | 0:02:01 | 0:02:05 | |
It's a very old building. | 0:02:05 | 0:02:06 | |
LAUGHTER | 0:02:06 | 0:02:09 | |
Enjoy. | 0:02:12 | 0:02:13 | |
One for me... | 0:02:45 | 0:02:46 | |
and one for you. | 0:02:46 | 0:02:48 | |
Thank you muchly. | 0:02:48 | 0:02:49 | |
Oh, er, cheers! | 0:02:49 | 0:02:51 | |
Oh, cheers! | 0:02:51 | 0:02:52 | |
No! Oh, no, you don't. | 0:02:52 | 0:02:55 | |
-Oi! -What did you do that for? | 0:02:55 | 0:02:57 | |
Didn't want you to ruin your appetite. | 0:02:57 | 0:02:59 | |
-You've been invited for breakfast. -Breakfast?! Where? | 0:02:59 | 0:03:02 | |
Hiverna. | 0:03:02 | 0:03:04 | |
Isn't that that posh place by the river? | 0:03:04 | 0:03:06 | |
My mate Samantha took her boyfriend there and it cost 200 quid! | 0:03:06 | 0:03:10 | |
Why are we getting a free meal? | 0:03:10 | 0:03:12 | |
They wouldn't say on the phone, but I did some digging online... | 0:03:12 | 0:03:16 | |
Hiverna... | 0:03:16 | 0:03:19 | |
And I found this food blog, | 0:03:19 | 0:03:20 | |
Unquiet Meals. Listen to this. | 0:03:20 | 0:03:23 | |
"When the end is nigh for a restaurant, | 0:03:23 | 0:03:26 | |
"legend states it'll be visited by the four horsemen of the | 0:03:26 | 0:03:30 | |
"gastronomic apocalypse - vermin, sickness, in-fighting | 0:03:30 | 0:03:34 | |
"and, eventually, death. | 0:03:34 | 0:03:36 | |
"Judging by their current rat infestation, Hiverna's future is looking bleak." | 0:03:36 | 0:03:41 | |
Rat infestation? | 0:03:41 | 0:03:43 | |
Bon appetit! | 0:03:43 | 0:03:44 | |
So this food blogger was here last night? | 0:03:49 | 0:03:53 | |
Paulina Stainton. | 0:03:53 | 0:03:55 | |
She's had it in for me since she first walked in the door. | 0:03:55 | 0:03:58 | |
Cecilia and I call her the Wicked Witch Of The West! | 0:03:58 | 0:04:01 | |
RINGING | 0:04:04 | 0:04:07 | |
Hello, Cecilia Tekler speaking. | 0:04:07 | 0:04:10 | |
Please eat. | 0:04:10 | 0:04:11 | |
Yes. | 0:04:11 | 0:04:12 | |
Yes, that's right. | 0:04:12 | 0:04:14 | |
Ooh. | 0:04:17 | 0:04:19 | |
Ah, so you've finally honoured us with your presence! | 0:04:19 | 0:04:23 | |
This is my son Milo. | 0:04:23 | 0:04:25 | |
Training him up for the family business, eh? | 0:04:25 | 0:04:27 | |
Well, there won't be a family business at this rate. | 0:04:27 | 0:04:30 | |
Get in the kitchen, start prepping. | 0:04:30 | 0:04:33 | |
Sorry, Dad. | 0:04:33 | 0:04:35 | |
That award should've been mine. | 0:04:35 | 0:04:37 | |
We've got no chance now. | 0:04:37 | 0:04:39 | |
This was sabotage! Someone did this and I want to know who. | 0:04:39 | 0:04:44 | |
Well, look, we'll go and see this Paula Stainton, but, erm, it might be an inside job. | 0:04:45 | 0:04:53 | |
No. It's a small team, very loyal. | 0:04:53 | 0:04:56 | |
Let us put a hidden camera in the kitchen, just in case. | 0:04:56 | 0:04:59 | |
Hopefully, we'll catch them in the act. | 0:04:59 | 0:05:01 | |
-Hopefully? -Well, obviously, I can't promise anything, but... | 0:05:01 | 0:05:04 | |
I refuse to let somebody destroy this restaurant! I owe it to my brother. | 0:05:04 | 0:05:10 | |
Oh, does your brother work here, as well? | 0:05:10 | 0:05:12 | |
No. | 0:05:12 | 0:05:13 | |
We lost him years ago, but if it hadn't been for him, I wouldn't even be in this game. | 0:05:13 | 0:05:18 | |
Well, how about we place one of our colleagues undercover in the kitchen? | 0:05:19 | 0:05:24 | |
No! I didn't spend three years training at RADA to wash dishes and chop onions! | 0:05:27 | 0:05:32 | |
Oh, come on, what actor hasn't worked in a kitchen, eh? | 0:05:32 | 0:05:36 | |
And you have had worse jobs. | 0:05:36 | 0:05:38 | |
Remember when you were the mascot for Stratford Town and those little kids chased you down Knights Lane? | 0:05:38 | 0:05:44 | |
At least then I was performing. | 0:05:44 | 0:05:46 | |
This is a performance. | 0:05:46 | 0:05:48 | |
And when you're famous and you're invited onto MasterChef, just think, | 0:05:48 | 0:05:52 | |
this kind of experience will be invaluable. | 0:05:52 | 0:05:55 | |
I suppose I could use some tips on how to stop my souffles deflating... | 0:05:57 | 0:06:01 | |
Keep your station clean at all times. | 0:06:06 | 0:06:09 | |
Red board's for raw meat, yellow's for cooked, | 0:06:09 | 0:06:12 | |
blue's fish, white's dairy, brown's vegetables, | 0:06:12 | 0:06:15 | |
green's salad or fruit. | 0:06:15 | 0:06:17 | |
# I can sing a rainbow, sing a rainbow... # | 0:06:17 | 0:06:20 | |
Where do you say you were before? | 0:06:20 | 0:06:22 | |
The Marinated Squirrel. | 0:06:22 | 0:06:24 | |
Mm. It's one of those pop-up places. | 0:06:24 | 0:06:27 | |
Very exclusive. Lots of foraging. | 0:06:27 | 0:06:29 | |
Just make sure you taste everything before sending it to the pass. | 0:06:30 | 0:06:33 | |
My dad can be brutal. | 0:06:33 | 0:06:34 | |
Taste everything. | 0:06:34 | 0:06:36 | |
Gotcha. | 0:06:36 | 0:06:37 | |
Too hot? | 0:06:40 | 0:06:41 | |
Too hot. | 0:06:41 | 0:06:43 | |
Dita! This is Sebastian. | 0:06:45 | 0:06:48 | |
Dad's giving him a trial. | 0:06:48 | 0:06:49 | |
Oh, good luck! | 0:06:49 | 0:06:50 | |
Thanks. | 0:06:50 | 0:06:52 | |
I, erm, heard about the... | 0:06:52 | 0:06:53 | |
..rodent incident. | 0:06:53 | 0:06:56 | |
Oh, don't! I feel sick just thinking about it. | 0:06:56 | 0:06:58 | |
Mm. Do you know how it happened? | 0:06:58 | 0:07:01 | |
You do, don't you?! | 0:07:03 | 0:07:04 | |
Not for sure. | 0:07:04 | 0:07:06 | |
So, you know that food critic, Paulina What's-Her-Face? | 0:07:06 | 0:07:11 | |
Milo saw her, just after the lights came back on. | 0:07:11 | 0:07:15 | |
I need to apologise. | 0:07:16 | 0:07:18 | |
First time for everything! | 0:07:19 | 0:07:21 | |
-Problem with your electrics? -Sorry. Sorted now. | 0:07:30 | 0:07:33 | |
Your father never was the brightest spark. | 0:07:34 | 0:07:37 | |
Will you tell your dad? | 0:07:40 | 0:07:42 | |
He'd just shout his head off at her without any proof. | 0:07:42 | 0:07:45 | |
We've had enough bad publicity. | 0:07:45 | 0:07:48 | |
Come, I'll show you the pantry. | 0:07:48 | 0:07:49 | |
Uh, just need to, er, powder my nose first. | 0:07:49 | 0:07:52 | |
"Powder my nose"? Where did your dad find him? | 0:07:55 | 0:07:59 | |
No idea. | 0:07:59 | 0:08:00 | |
I don't know why anyone would spend 200 quid on a meal | 0:08:02 | 0:08:05 | |
when there's a perfectly good chippy round the corner. | 0:08:05 | 0:08:08 | |
I don't mind forking out for good food, so long as it doesn't come with a side order of rat. | 0:08:08 | 0:08:12 | |
Oh, speaking of which, Sebastian thinks that Paulina Stainton was in the right place at the right time. | 0:08:12 | 0:08:17 | |
I think that's her. | 0:08:26 | 0:08:28 | |
Ms Stainton? | 0:08:33 | 0:08:34 | |
Oh, yes, greetings! Do join me. | 0:08:36 | 0:08:38 | |
Er, thanks again for agreeing to meet with us. | 0:08:40 | 0:08:42 | |
Hope it wasn't too far out of your way. | 0:08:42 | 0:08:44 | |
It's one of the only places around here that does a decent coffee. | 0:08:44 | 0:08:47 | |
Oh, no, it's fine. | 0:08:47 | 0:08:48 | |
Like I said on the phone, Len Tekler hired us to... | 0:08:48 | 0:08:51 | |
Yes, and before you ask, I had nothing to do with the rat. | 0:08:51 | 0:08:54 | |
There are dozens of people who'd like to see Len Tekler humiliated. | 0:08:54 | 0:08:57 | |
Such as? | 0:08:57 | 0:08:59 | |
Disgruntled employees, dissatisfied customers... | 0:08:59 | 0:09:02 | |
Or just anyone with a modicum of good taste, really. | 0:09:02 | 0:09:05 | |
I thought the, er, the food at Hiverna was supposed to be quite highly rated? | 0:09:05 | 0:09:09 | |
It's won enough awards, hasn't it? | 0:09:09 | 0:09:10 | |
It's a tourist trap and the menu's passable, I suppose, | 0:09:10 | 0:09:14 | |
but no better than you'd find at many cheaper places. | 0:09:14 | 0:09:17 | |
And as for Len Tekler, the man's a delusional despot. | 0:09:17 | 0:09:21 | |
Not to mention his wandering hands. | 0:09:21 | 0:09:23 | |
Did you notice the new girl, the new waitress he's got working for him? | 0:09:23 | 0:09:28 | |
Something tells me she didn't get the job because of her extensive silver-service training! | 0:09:28 | 0:09:32 | |
Mm. If you hate Hiverna so much, how come you keep going back? | 0:09:32 | 0:09:37 | |
I mean, we've found half a dozen reviews that you've written in the last year. | 0:09:37 | 0:09:42 | |
Yes, because I owe it to my readers to keep up with any menu changes. | 0:09:42 | 0:09:46 | |
Some people might think you have a personal vendetta against him. | 0:09:46 | 0:09:49 | |
Perhaps I have. | 0:09:49 | 0:09:51 | |
But if I attack someone, I do so using the written word, not a deceased rodent. | 0:09:51 | 0:09:55 | |
RINGING | 0:09:55 | 0:09:57 | |
Sorry. Oh, excuse me. | 0:09:57 | 0:10:00 | |
Hello, Sebastian, we're in the mid... What? Oh, all right, all right. | 0:10:00 | 0:10:03 | |
Calm-calm down. | 0:10:03 | 0:10:05 | |
What's happened? | 0:10:05 | 0:10:07 | |
What have you done? You've only been here a couple of hours! | 0:10:20 | 0:10:23 | |
It wasn't me! During lunch, the customers just started dropping like flies. | 0:10:23 | 0:10:27 | |
Nausea, stomach cramps, and worse. | 0:10:27 | 0:10:30 | |
The toilets look like a scene from The Exorcist. | 0:10:30 | 0:10:33 | |
Urgh, that's too much information. | 0:10:33 | 0:10:35 | |
-Food poisoning? -How should I know?! | 0:10:35 | 0:10:37 | |
Well, did you see anything suspicious? | 0:10:37 | 0:10:39 | |
Nothing, but it's such a mad rush during service... | 0:10:39 | 0:10:42 | |
-Excuse me. -Oh. | 0:10:42 | 0:10:43 | |
Do you think someone tampered with the food? | 0:10:46 | 0:10:49 | |
Bit of a coincidence otherwise. | 0:10:49 | 0:10:50 | |
By the way, Mr Tekler has not taken it well. | 0:10:50 | 0:10:54 | |
You have to calm down! | 0:10:55 | 0:10:57 | |
When I find out who did this, I'm going to cut out their hearts, | 0:11:00 | 0:11:04 | |
dice it, deep-fry it, desiccate it, | 0:11:04 | 0:11:07 | |
and turn it into a foam, and feed it back to them! | 0:11:07 | 0:11:09 | |
We can see you're upset, Mr Tekler. | 0:11:11 | 0:11:13 | |
Upset?! | 0:11:13 | 0:11:15 | |
I'm ruined! | 0:11:16 | 0:11:19 | |
Morning. | 0:11:32 | 0:11:33 | |
A veritable cornucopia of Williams. | 0:11:37 | 0:11:40 | |
A what? | 0:11:40 | 0:11:42 | |
Bills, bills, and more bills. | 0:11:42 | 0:11:44 | |
What are you doing in? I thought we agreed to carry on with the undercover surveillance? | 0:11:48 | 0:11:52 | |
I got a call first thing. | 0:11:52 | 0:11:54 | |
Hiverna's been closed down by the council while they investigate. | 0:11:54 | 0:11:57 | |
And Len Tekler is refusing to pay us a penny. | 0:11:57 | 0:11:59 | |
Says we were negligent in our duties. | 0:11:59 | 0:12:00 | |
Oh, we can't have that! | 0:12:00 | 0:12:04 | |
Is it wise to pick a fight with a man who handles sharp knives for a living? | 0:12:04 | 0:12:08 | |
Probably not. | 0:12:08 | 0:12:10 | |
And how long will the tests take? | 0:12:12 | 0:12:14 | |
There must be some way to speed things up? | 0:12:16 | 0:12:18 | |
Because we can't afford to remain closed indefinitely! | 0:12:20 | 0:12:23 | |
That would be much appreciated. | 0:12:25 | 0:12:27 | |
KNOCKING Thank you. | 0:12:27 | 0:12:29 | |
We're closed! | 0:12:29 | 0:12:30 | |
I know! | 0:12:30 | 0:12:31 | |
Is, er, is your husband in? | 0:12:38 | 0:12:40 | |
He's upstairs. | 0:12:40 | 0:12:42 | |
He had a...a late night. | 0:12:42 | 0:12:45 | |
I've finished in the store room. | 0:12:45 | 0:12:47 | |
Shall I check on Mr Tekler? | 0:12:47 | 0:12:49 | |
If the store room's done, you can give the toilets another going over. | 0:12:49 | 0:12:52 | |
Yes, Mrs Tekler. | 0:12:52 | 0:12:54 | |
You'll have to come back later. | 0:12:58 | 0:13:00 | |
What's he doing here? | 0:13:02 | 0:13:03 | |
I'm here to persuade you to change your mind, | 0:13:03 | 0:13:05 | |
keep us on the case. | 0:13:05 | 0:13:07 | |
And why would I do that? | 0:13:07 | 0:13:09 | |
My restaurant's been shut down. | 0:13:09 | 0:13:10 | |
I've got a dozen customers threatening legal action. | 0:13:10 | 0:13:13 | |
You were supposed to stop something like this from happening! | 0:13:13 | 0:13:15 | |
Surveillance takes a long time. | 0:13:15 | 0:13:17 | |
Don't you want to know who's responsible? | 0:13:17 | 0:13:20 | |
The kitchen's been shut down! How are you going to do that? | 0:13:20 | 0:13:23 | |
Well, we've still got to check the footage from the hidden camera. | 0:13:23 | 0:13:26 | |
Let us do our job. I-I promise you, I will find out who did this. | 0:13:26 | 0:13:30 | |
Sebastian says he's checked all the footage from the hidden camera | 0:13:34 | 0:13:38 | |
and there's absolutely no sign of anyone tampering with ingredients. | 0:13:38 | 0:13:42 | |
I knew we should've put a camera in the pantry. | 0:13:42 | 0:13:45 | |
So who is this guy, then? | 0:13:45 | 0:13:46 | |
Trevor Cordiss. Another chef. | 0:13:46 | 0:13:48 | |
Apart from Paulina Stainton, he tops a long list of people Tekler thinks have a grudge against him. | 0:13:48 | 0:13:53 | |
See you later. | 0:13:56 | 0:13:58 | |
If they're enemies, what's Tekler's son doing coming out of his boat? | 0:14:00 | 0:14:05 | |
I think we should find out. | 0:14:05 | 0:14:06 | |
Hello? | 0:14:17 | 0:14:18 | |
Hello! Welcome aboard Juno's Swan! | 0:14:18 | 0:14:21 | |
Let me guess, Champagne dinner, cruise? | 0:14:23 | 0:14:26 | |
Nothing like the twinkling lights on the water for a bit of romance. | 0:14:26 | 0:14:29 | |
-No, we're not, er... -No... | 0:14:29 | 0:14:30 | |
We're actually private investigators. | 0:14:30 | 0:14:33 | |
Here to talk about Len Tekler. | 0:14:33 | 0:14:35 | |
Oh, in that case, I'm going to need another drink. | 0:14:35 | 0:14:38 | |
So you and Mr Tekler were, er, business partners? | 0:14:41 | 0:14:44 | |
We were best friends. | 0:14:46 | 0:14:48 | |
Trained together, set up our first restaurant together. | 0:14:48 | 0:14:52 | |
Course, I wouldn't spit on him now if he was on fire. | 0:14:53 | 0:14:57 | |
What went wrong? | 0:14:57 | 0:14:58 | |
It's ancient history. | 0:14:59 | 0:15:01 | |
-Please. Humour us. -It's personal. | 0:15:01 | 0:15:03 | |
Personal enough to sabotage his restaurant? | 0:15:03 | 0:15:06 | |
You what? Oh! The rat. | 0:15:06 | 0:15:10 | |
I read about that. | 0:15:10 | 0:15:12 | |
It wasn't just the rat. | 0:15:12 | 0:15:13 | |
Where were you yesterday lunchtime? | 0:15:15 | 0:15:17 | |
I was on the river. | 0:15:17 | 0:15:20 | |
Corporate client. | 0:15:20 | 0:15:21 | |
I didn't go anywhere near the Hiverna. | 0:15:21 | 0:15:23 | |
Same goes for the night before. | 0:15:23 | 0:15:25 | |
And you can give us details of those clients, can you? | 0:15:25 | 0:15:28 | |
I could. But you're not police, are you? So all you need to know is that it wasn't me. | 0:15:28 | 0:15:34 | |
Who do you think it was, then? | 0:15:34 | 0:15:35 | |
None of my business. | 0:15:35 | 0:15:37 | |
When you live on the river, you learn not to rock the boat. | 0:15:37 | 0:15:40 | |
So you fell out with Mr Tekler but you get on with his son all right? | 0:15:41 | 0:15:44 | |
You what? | 0:15:44 | 0:15:46 | |
Just saw him leaving. What was he doing here? | 0:15:46 | 0:15:48 | |
You'll have to ask the lad. | 0:15:49 | 0:15:51 | |
I think it's time you left. | 0:15:51 | 0:15:53 | |
I've got stuff to do. | 0:15:53 | 0:15:55 | |
Right, well, thanks for your time. | 0:15:55 | 0:15:58 | |
Give Len a message from me. | 0:15:58 | 0:16:00 | |
Tell him it doesn't matter how many awards he's won. | 0:16:00 | 0:16:03 | |
You serve people up trash for long enough, eventually they'll send it back. | 0:16:03 | 0:16:07 | |
Yes. | 0:16:10 | 0:16:11 | |
Well, he definitely hates Tekler enough to want Hiverna to fail. | 0:16:17 | 0:16:20 | |
Yeah, just have to keep an eye on him. | 0:16:20 | 0:16:23 | |
Look, you watch out. | 0:16:23 | 0:16:24 | |
I'm going to put this tracker on the scooter. | 0:16:24 | 0:16:27 | |
Make sure we know where he goes. | 0:16:27 | 0:16:28 | |
-Oh, can't I do it? -No. | 0:16:28 | 0:16:30 | |
Please, you always get to do it. I need the practice. | 0:16:30 | 0:16:33 | |
Oh. All right, here... | 0:16:33 | 0:16:35 | |
-Hurry up. -OK. | 0:16:35 | 0:16:37 | |
Have a whiff of this poison. | 0:16:53 | 0:16:55 | |
Ooh, it's garlic? | 0:16:55 | 0:16:57 | |
Here. | 0:16:57 | 0:16:58 | |
Don't know about you, I smell a rat. | 0:17:01 | 0:17:03 | |
Why on Earth did Mr Tekler keep the rat? | 0:17:25 | 0:17:28 | |
He didn't. It was chucked in the bins out the back. | 0:17:28 | 0:17:30 | |
Oh, right. So now you're rummaging behind restaurants in bins looking for dead rats? | 0:17:30 | 0:17:34 | |
Ever question your life choices, Frank? | 0:17:34 | 0:17:37 | |
This might be the proof that we need. | 0:17:37 | 0:17:39 | |
How do you know it's even the same rat? | 0:17:39 | 0:17:42 | |
Because it still has bits of fermented cabbage in its fur. | 0:17:42 | 0:17:45 | |
If a toxicology report confirms that the poison is the same as the one on the boat... | 0:17:45 | 0:17:49 | |
Hold up! You expect me to order a toxicology report for a rat?! | 0:17:49 | 0:17:54 | |
A man's livelihood is at stake. | 0:17:54 | 0:17:56 | |
And what about all those customers who got sick? | 0:17:56 | 0:17:59 | |
If something was put in their food on purpose, then that's | 0:17:59 | 0:18:01 | |
administering a noxious substance at the very least. | 0:18:01 | 0:18:04 | |
We're not going to know until Public Health get the lab reports. | 0:18:04 | 0:18:07 | |
And if a crime was committed, it's for the police to investigate. | 0:18:07 | 0:18:12 | |
But if you just... | 0:18:12 | 0:18:13 | |
Forget it, Frank. It's not happening. | 0:18:13 | 0:18:15 | |
I've got bigger pests to deal with! | 0:18:15 | 0:18:17 | |
Milo. Hi. | 0:18:37 | 0:18:39 | |
Can I have a word? | 0:18:39 | 0:18:41 | |
You're one of the investigators, aren't you? | 0:18:41 | 0:18:43 | |
That's right. Lu Shakespeare. | 0:18:43 | 0:18:45 | |
I was just wondering what you were on Juno's Swan earlier today. | 0:18:45 | 0:18:49 | |
Where? | 0:18:49 | 0:18:50 | |
The boat belonging to Trevor Cordiss. | 0:18:50 | 0:18:52 | |
Must've been mistaken. | 0:18:52 | 0:18:54 | |
Don't think I was. | 0:18:56 | 0:18:57 | |
I needed some advice. | 0:19:02 | 0:19:04 | |
From Mr Cordiss? | 0:19:04 | 0:19:05 | |
He's my godfather. | 0:19:05 | 0:19:06 | |
-Ah! -Him and my dad set up Hiverna together. | 0:19:06 | 0:19:10 | |
That was before the big row. | 0:19:10 | 0:19:11 | |
Why did they fall out? | 0:19:11 | 0:19:12 | |
Cos my dad's wrong in the head. | 0:19:14 | 0:19:16 | |
He convinced himself Trevor was after Mum. | 0:19:16 | 0:19:18 | |
And you don't think he was? | 0:19:18 | 0:19:20 | |
Trevor was a bit of a ladies' man, but he never would've betrayed his best mate like that. | 0:19:20 | 0:19:26 | |
Dad went mad, though - got his lawyers involved and booted Trevor out of the business. | 0:19:26 | 0:19:31 | |
It's a power thing with Dad - he always needs to make sure everyone knows he's top dog. | 0:19:31 | 0:19:35 | |
Why did you need advice? | 0:19:37 | 0:19:39 | |
It's nothing important. | 0:19:43 | 0:19:45 | |
Your secret's safe with me. | 0:19:48 | 0:19:50 | |
You know, you could just try talking to her. | 0:19:51 | 0:19:53 | |
Sebastian was right. | 0:20:01 | 0:20:03 | |
Milo definitely has a soft spot for the waitress. | 0:20:03 | 0:20:05 | |
No point him sabotaging the restaurant, then. | 0:20:05 | 0:20:08 | |
If it's closed, he doesn't get to see her. | 0:20:08 | 0:20:09 | |
No. Any joy with Marlowe? | 0:20:09 | 0:20:11 | |
None. | 0:20:11 | 0:20:13 | |
I think it's time we ask our client how deep his pockets are. | 0:20:13 | 0:20:16 | |
You should go home. | 0:20:20 | 0:20:22 | |
I'm not paying you if the restaurant's closed. | 0:20:22 | 0:20:24 | |
I'm happy to help. | 0:20:24 | 0:20:25 | |
Mr Tekler's been so kind to me. | 0:20:25 | 0:20:27 | |
And the council may let us reopen at any moment. We should be ready. | 0:20:27 | 0:20:31 | |
Hello? | 0:20:32 | 0:20:34 | |
Ah. | 0:20:34 | 0:20:36 | |
Is, er, Mr Tekler in? | 0:20:36 | 0:20:37 | |
He's holed up in the kitchen. | 0:20:37 | 0:20:39 | |
Doesn't want to be disturbed. | 0:20:39 | 0:20:41 | |
When he's stressed, he likes to... | 0:20:41 | 0:20:43 | |
..experiment. | 0:20:43 | 0:20:44 | |
Does he now? | 0:20:44 | 0:20:45 | |
I can pass a message. | 0:20:45 | 0:20:47 | |
We need his permission to order some tests from a private lab. | 0:20:47 | 0:20:50 | |
Tests? | 0:20:50 | 0:20:51 | |
It might prove who planted the rat. | 0:20:51 | 0:20:53 | |
It's just, they're a bit expensive, so... | 0:20:53 | 0:20:57 | |
Better to forget about it, then. | 0:20:57 | 0:20:59 | |
It all seems pointless now. | 0:20:59 | 0:21:01 | |
We should check with Mr Tekler first. | 0:21:01 | 0:21:03 | |
He did seem very keen to know who was responsible. | 0:21:03 | 0:21:06 | |
As you wish. | 0:21:08 | 0:21:10 | |
-Thank you. -Thanks. | 0:21:10 | 0:21:12 | |
Hello? | 0:21:22 | 0:21:24 | |
Hello? | 0:21:33 | 0:21:34 | |
Have a look at his mouth. | 0:22:02 | 0:22:04 | |
You can tell he's ingested some kind of poison. | 0:22:04 | 0:22:06 | |
Did you call this in straight away? | 0:22:06 | 0:22:08 | |
Course I did! | 0:22:08 | 0:22:09 | |
Look, the question is did he kill himself or did somebody else do it? | 0:22:09 | 0:22:12 | |
-It's not something you need to worry about. -But he was my client. | 0:22:12 | 0:22:14 | |
"Was" being the operative word. | 0:22:14 | 0:22:16 | |
Now he's dead, he's mine. | 0:22:16 | 0:22:17 | |
Where's Marlowe, anyway? I thought you weren't allowed out without a baby-sitter. | 0:22:17 | 0:22:23 | |
DI Marlowe is on a community engagement course. | 0:22:23 | 0:22:25 | |
Well, when she comes back, tell her to check Tekler's phone. | 0:22:27 | 0:22:30 | |
Somebody's been trying to get in touch with him. | 0:22:30 | 0:22:32 | |
-Also... -I've got this, Frank. | 0:22:32 | 0:22:34 | |
Now get off my crime scene. | 0:22:34 | 0:22:36 | |
He could have a temper, yeah, but it was just his creative spirit. | 0:22:41 | 0:22:45 | |
I can't believe anyone would do this to him! | 0:22:45 | 0:22:48 | |
-What, you don't think he killed himself? -No! | 0:22:48 | 0:22:51 | |
But his restaurant had been shut down, his reputation taken a hit... | 0:22:51 | 0:22:55 | |
No, he wouldn't. | 0:22:55 | 0:22:56 | |
You have to find out who did this to him! | 0:22:56 | 0:22:58 | |
We'll do everything we can. | 0:22:58 | 0:23:00 | |
Did you tell Keeler about the hidden camera? | 0:23:02 | 0:23:04 | |
Huh, happy Sam. Made it perfectly clear he didn't need my help. | 0:23:04 | 0:23:07 | |
Marlowe's not going to be very happy when she finds out. | 0:23:07 | 0:23:10 | |
Hopefully, we'll have solved the case by then. | 0:23:10 | 0:23:12 | |
Solved the case? Our client's dead. | 0:23:12 | 0:23:15 | |
I know. | 0:23:15 | 0:23:16 | |
I hate leaving things half-finished. | 0:23:16 | 0:23:18 | |
So where do we start? | 0:23:18 | 0:23:20 | |
There were three missed calls on Tekler's phone from "WWW". | 0:23:21 | 0:23:25 | |
Now, that might have been a supplier or a... | 0:23:25 | 0:23:28 | |
-We need to get Sebastian to do some digging. -WWW? | 0:23:28 | 0:23:32 | |
-Yeah. -What, like the Wicked Witch of the West? | 0:23:32 | 0:23:35 | |
I knew there was a reason I put up with you. | 0:23:38 | 0:23:41 | |
The big news is Paulina wasn't always a food writer. | 0:23:44 | 0:23:47 | |
And she wasn't always called Paulina. | 0:23:47 | 0:23:49 | |
I'll send you the details now. | 0:23:49 | 0:23:51 | |
If you've find out she used to be a rat-catcher, you are getting a pay rise. | 0:23:51 | 0:23:55 | |
Sadly not. | 0:23:55 | 0:23:56 | |
But she was a professional chef. | 0:23:56 | 0:23:58 | |
Even won a Rising Star award at the Birmingham Food Festival. | 0:23:58 | 0:24:01 | |
It was all going swimmingly until she got a job at a swanky new place just outside Birmingham. | 0:24:01 | 0:24:05 | |
Guess who was the head chef? | 0:24:05 | 0:24:07 | |
Not Jamie Oliver, then? | 0:24:07 | 0:24:08 | |
Len Tekler. | 0:24:08 | 0:24:09 | |
She left two months later and never worked in a pro kitchen again. | 0:24:09 | 0:24:12 | |
Sebastian, you are a star. | 0:24:12 | 0:24:14 | |
Does that mean I can leave early? | 0:24:14 | 0:24:16 | |
No. It means you can start checking the footage on the hidden camera. | 0:24:16 | 0:24:20 | |
I want a list of anything that went into Len's mouth. | 0:24:20 | 0:24:22 | |
I need to know when and how he was poisoned. | 0:24:22 | 0:24:25 | |
Oh, and take that hat off. | 0:24:25 | 0:24:27 | |
How did you...? | 0:24:27 | 0:24:28 | |
It's called a toque! | 0:24:29 | 0:24:31 | |
Here she comes. | 0:24:32 | 0:24:34 | |
I said everything I have to say about Len Tekler yesterday. | 0:24:38 | 0:24:41 | |
Quite frankly, I'd be happy never to hear his name mentioned again. | 0:24:41 | 0:24:44 | |
Not even now he's dead? | 0:24:44 | 0:24:45 | |
Shall we go somewhere we can talk? | 0:24:48 | 0:24:50 | |
There we go. | 0:24:53 | 0:24:54 | |
It, er, might not look much, but they do a mean lasagne. | 0:24:55 | 0:24:58 | |
So, you worked for Mr Tekler? | 0:25:00 | 0:25:02 | |
Yes, for my sins. | 0:25:03 | 0:25:05 | |
Everyone knows the industry has this macho culture. | 0:25:05 | 0:25:08 | |
Grown men dipping their genitals into the gazpacho for a laugh. | 0:25:08 | 0:25:13 | |
Forcing new recruits to eat raw chillies until they're sick. | 0:25:13 | 0:25:16 | |
But with Len Tekler, it was worse. | 0:25:16 | 0:25:18 | |
How do you mean? | 0:25:18 | 0:25:20 | |
Well, he'd come up behind me while I was cooking, hands everywhere. | 0:25:20 | 0:25:24 | |
He'd try and corner me in the pantry. | 0:25:24 | 0:25:26 | |
I mean, I knew I had to get out of there. | 0:25:26 | 0:25:29 | |
After all, how can you cook for a living when you spend every minute | 0:25:29 | 0:25:31 | |
-you're at work feeling sick to your stomach? -So you left? | 0:25:31 | 0:25:35 | |
One day he offered me a promotion. | 0:25:35 | 0:25:37 | |
But, of course, there was one condition. | 0:25:37 | 0:25:39 | |
When I turned him down and told him that I was quitting, | 0:25:39 | 0:25:42 | |
he said I'd never work in a professional kitchen again. | 0:25:42 | 0:25:46 | |
Thing is, after working with Len Tekler, I never wanted to. | 0:25:47 | 0:25:51 | |
It took a while to get over it, but then I reinvented myself. | 0:25:52 | 0:25:56 | |
New name, new hair, new career. | 0:25:56 | 0:25:59 | |
By the time I turned up to review Hiverna 15 years later, well, he didn't even recognise me. | 0:25:59 | 0:26:04 | |
To him, I was just another slab of meat. | 0:26:04 | 0:26:07 | |
Well. Anyone could see why you'd want revenge. | 0:26:07 | 0:26:10 | |
The four horsemen, like you wrote in your blog - vermin, sick... | 0:26:10 | 0:26:16 | |
You think I'd kill him? | 0:26:16 | 0:26:18 | |
No! | 0:26:18 | 0:26:20 | |
I wanted him to have a long, miserable life. | 0:26:20 | 0:26:23 | |
Being Len Tekler was his crime and his punishment. | 0:26:23 | 0:26:26 | |
And I'm not the only one who wanted to get their own back. | 0:26:26 | 0:26:30 | |
What's this? | 0:26:30 | 0:26:32 | |
It arrived anonymously this morning. | 0:26:32 | 0:26:34 | |
So this is why you were calling him earlier? | 0:26:40 | 0:26:43 | |
Well, the editor at the Stratford Star refused to publish unless I gave Len Tekler a chance to respond. | 0:26:43 | 0:26:48 | |
But it's obvious that whoever sent this wanted to destroy Tekler's reputation for good. | 0:26:48 | 0:26:53 | |
So, Len Tekler owned a restaurant with his brother, Michael. | 0:26:59 | 0:27:03 | |
Shut down after a few months. | 0:27:03 | 0:27:06 | |
Michael killed himself. | 0:27:06 | 0:27:07 | |
Well, not according to this, he didn't. | 0:27:07 | 0:27:10 | |
-Oh! -I just don't get it. | 0:27:10 | 0:27:12 | |
This is all happened, what, the better part of 20 years ago. | 0:27:12 | 0:27:15 | |
Why come after Tekler now? Who would have a grudge against him? | 0:27:15 | 0:27:18 | |
Trevor Cordiss said he had his first restaurant with Len. | 0:27:18 | 0:27:22 | |
Are we even sure it's the same place? | 0:27:22 | 0:27:24 | |
Ah, look, here. | 0:27:24 | 0:27:26 | |
This names Trevor as the third partner. | 0:27:26 | 0:27:28 | |
And he had a motive, didn't he? Cos Len cut him out of Hiverna unfairly. | 0:27:28 | 0:27:33 | |
I'll check the tracker. | 0:27:33 | 0:27:34 | |
Ah, no joy. | 0:27:37 | 0:27:40 | |
According to this, the scooter hasn't moved all day. | 0:27:40 | 0:27:42 | |
Maybe he walked! We really should give all this to Marlowe. | 0:27:42 | 0:27:45 | |
And what does this prove? No, I need to look him straight in the eye. | 0:27:45 | 0:27:50 | |
A list of everything Mr Tekler consumed in the kitchen in the three hours prior to his death. | 0:27:50 | 0:27:57 | |
That was only marginally less painful than an episode of Hell's Kitchen USA. | 0:27:57 | 0:28:00 | |
Thanks, Sebastian. | 0:28:00 | 0:28:02 | |
Aren't you going to read it? | 0:28:02 | 0:28:04 | |
Later. | 0:28:04 | 0:28:05 | |
Unbelievable! | 0:28:07 | 0:28:09 | |
KNOCKING | 0:28:17 | 0:28:18 | |
Ah. | 0:28:21 | 0:28:22 | |
Come in. | 0:28:22 | 0:28:24 | |
Join me in a toast to an old mate. | 0:28:24 | 0:28:25 | |
I thought you hated each other. | 0:28:26 | 0:28:29 | |
Love, hate... | 0:28:29 | 0:28:31 | |
There's two sides of the same coin. | 0:28:31 | 0:28:33 | |
Talking of which, he owed me money. | 0:28:34 | 0:28:37 | |
So, what do you want now? | 0:28:37 | 0:28:40 | |
Ah. | 0:28:44 | 0:28:45 | |
Is it true? | 0:28:46 | 0:28:48 | |
In a manner of speaking, yes. | 0:28:49 | 0:28:51 | |
Because the newspaper report said that Michael killed himself. | 0:28:51 | 0:28:54 | |
Well, he did, yes. | 0:28:54 | 0:28:56 | |
So...? | 0:28:58 | 0:29:00 | |
Len and I wanted to start our own place. | 0:29:00 | 0:29:03 | |
Trouble was, we were both skint, | 0:29:04 | 0:29:06 | |
so Len convinced his brother to use all his savings, | 0:29:06 | 0:29:11 | |
in return for a cut of the future profits. | 0:29:11 | 0:29:13 | |
Except there weren't any. | 0:29:13 | 0:29:15 | |
Poor bloke. | 0:29:15 | 0:29:17 | |
Wanted to buy a house with his girlfriend. | 0:29:17 | 0:29:19 | |
Instead Len blew the lot on experimental cookery that nobody wanted to eat, left him bankrupt. | 0:29:19 | 0:29:25 | |
The day the restaurant closed down for good, Michael hanged himself. | 0:29:27 | 0:29:33 | |
Why didn't you tell us this before? | 0:29:34 | 0:29:37 | |
It's not something I'm proud of. | 0:29:37 | 0:29:39 | |
Michael was a good man. | 0:29:40 | 0:29:42 | |
I should've seen the signs. | 0:29:44 | 0:29:46 | |
Who else knows about all this? | 0:29:47 | 0:29:49 | |
Len, obviously. | 0:29:49 | 0:29:52 | |
And he was with Cecilia by then, so she'd know. | 0:29:52 | 0:29:55 | |
Other than that, I just... | 0:29:55 | 0:29:57 | |
KNOCKING | 0:29:57 | 0:29:58 | |
Police! Mr Cordiss, it's the police! | 0:29:58 | 0:30:02 | |
I thought you were on some course? | 0:30:09 | 0:30:11 | |
Yeah, I was, | 0:30:11 | 0:30:12 | |
then I got a call from the lab confirming that Len was poisoned with zinc phosphide. | 0:30:12 | 0:30:16 | |
Stinks of garlic. | 0:30:16 | 0:30:18 | |
Yeah, we noticed. | 0:30:18 | 0:30:19 | |
So it wouldn't be out of place in a kitchen. | 0:30:19 | 0:30:21 | |
But its most common use is... | 0:30:21 | 0:30:23 | |
Rat poison. | 0:30:23 | 0:30:24 | |
You were right, Frank. | 0:30:24 | 0:30:25 | |
We should've tested the rat. | 0:30:25 | 0:30:27 | |
Well, we're going to do a chemical analysis of the samples that we've taken from the traps on the boat, | 0:30:27 | 0:30:31 | |
and we're pretty confident that there'll be a match. | 0:30:31 | 0:30:33 | |
But couldn't the poison have come from anywhere? | 0:30:33 | 0:30:35 | |
In theory, but zinc phosphide is quite old-school. | 0:30:35 | 0:30:38 | |
And most traps use anti-coagulants nowadays. | 0:30:38 | 0:30:41 | |
And, well, considering Mr Cordiss' connection to the victim... | 0:30:41 | 0:30:44 | |
That's still not enough to charge him, though. | 0:30:44 | 0:30:46 | |
No, not by itself, but we do have a witness. | 0:30:46 | 0:30:49 | |
A man matching Mr Cordiss' description was seen in the alleyway | 0:30:49 | 0:30:52 | |
behind the restaurant prior to Len's death. | 0:30:52 | 0:30:54 | |
-Ready, ma'am? -But didn't Trevor have an alibi for when the dead rat was planted on the food? | 0:30:54 | 0:30:59 | |
Maybe the rat was planted by someone else. | 0:30:59 | 0:31:02 | |
We investigate human deaths, not rat ones! | 0:31:02 | 0:31:04 | |
Yeah, we'll take it from here. | 0:31:06 | 0:31:08 | |
Let me guess. | 0:31:10 | 0:31:12 | |
You wanted to look him in the eye and now you have, you're not sure he did it? | 0:31:12 | 0:31:16 | |
Something just doesn't smell right. | 0:31:16 | 0:31:18 | |
Mm. | 0:31:18 | 0:31:19 | |
Christina! Who was the witness? | 0:31:19 | 0:31:23 | |
Sorry. | 0:31:24 | 0:31:26 | |
This place stinks. | 0:31:26 | 0:31:27 | |
Ah, don't worry on our account. | 0:31:27 | 0:31:30 | |
We won't be long. | 0:31:30 | 0:31:32 | |
We heard you made a statement to the police. | 0:31:32 | 0:31:34 | |
We were wondering why you didn't tell us about the man you saw? | 0:31:34 | 0:31:37 | |
Er, I'm so sorry, I must've still been in shock. | 0:31:37 | 0:31:41 | |
It wasn't until they started asking me all those questions I remembered. | 0:31:41 | 0:31:47 | |
What time did you see him? | 0:31:47 | 0:31:48 | |
Around...one o'clock, maybe. | 0:31:48 | 0:31:51 | |
Mrs Tekler sent me to get milk - | 0:31:51 | 0:31:54 | |
she said she'd run out and she wanted to make Mr Tekler a cup of coffee. | 0:31:54 | 0:31:58 | |
So you just went outside and you saw him? | 0:31:58 | 0:32:00 | |
No, so, it was when I got back. | 0:32:00 | 0:32:01 | |
He was right outside the back door, and he saw me and zoomed off. | 0:32:01 | 0:32:05 | |
How long were you gone for? | 0:32:05 | 0:32:07 | |
Five minutes, tops. | 0:32:07 | 0:32:09 | |
Mrs Tekler wanted me to go to the supermarket cos it's cheaper, but it's a bit of a hike, so I just went | 0:32:09 | 0:32:15 | |
to the corner shop and paid the difference myself. | 0:32:15 | 0:32:17 | |
Would anyone else have seen this man? | 0:32:17 | 0:32:19 | |
I wouldn't know. | 0:32:19 | 0:32:21 | |
There is one thing that's been bugging me, and I should've told the police, but... | 0:32:23 | 0:32:28 | |
-What is it? -I've never seen Mr Tekler have milk in his coffee. | 0:32:28 | 0:32:32 | |
Maybe I threw it away. | 0:32:35 | 0:32:37 | |
Look at me. | 0:32:37 | 0:32:38 | |
My bouche is not amused. | 0:32:38 | 0:32:40 | |
Dear Sebastian. | 0:32:40 | 0:32:42 | |
We're really sorry that we rushed off earlier. | 0:32:42 | 0:32:45 | |
Please can we look at the list? | 0:32:45 | 0:32:46 | |
Now, was that so hard? Won't make a difference. | 0:32:46 | 0:32:50 | |
All the ingredients Mr Tekler used he got from the pantry. | 0:32:50 | 0:32:53 | |
There, look. Ten past one. | 0:32:53 | 0:32:54 | |
One hot drink. That must be the coffee Dita was talking about. | 0:32:54 | 0:32:57 | |
Did he make it himself? | 0:32:57 | 0:32:59 | |
Well... | 0:32:59 | 0:33:00 | |
Now you ask, I can't remember. | 0:33:00 | 0:33:02 | |
This is the first time we see him with the drink. | 0:33:09 | 0:33:12 | |
Er, go back a bit. | 0:33:12 | 0:33:14 | |
There. | 0:33:16 | 0:33:18 | |
Someone left it for him. | 0:33:18 | 0:33:20 | |
Play it again. | 0:33:21 | 0:33:22 | |
Stop! | 0:33:22 | 0:33:24 | |
Zoom in. | 0:33:24 | 0:33:25 | |
Look at that ring. | 0:33:29 | 0:33:30 | |
So Cecilia must've sent Dita off to get milk just to get rid of her, | 0:33:37 | 0:33:40 | |
only she came back sooner than expected. | 0:33:40 | 0:33:43 | |
What I want to know, Frank, is why you withheld the evidence in the first place? | 0:33:43 | 0:33:46 | |
Do you know what? It completely slipped my mind. | 0:33:46 | 0:33:49 | |
I-I didn't even know the camera was still recording. | 0:33:49 | 0:33:51 | |
Well, no thanks to you, we got lucky. | 0:33:51 | 0:33:53 | |
Yeah, so the mug was placed in the dishwasher but it hadn't been turned on since Mr Tekler's death, | 0:33:53 | 0:33:58 | |
so it still contained traces of zinc phosphide. | 0:33:58 | 0:34:01 | |
And other than Mr Tekler's, the only prints on it were Cecilia's. | 0:34:01 | 0:34:05 | |
-Where is she? -She's in custody. | 0:34:05 | 0:34:06 | |
We picked her up last night. | 0:34:06 | 0:34:08 | |
And when we searched her room, we found a bottle of syrup of ipecac. | 0:34:08 | 0:34:11 | |
Syrup of what ecac? | 0:34:11 | 0:34:12 | |
Ipecac. It's a powerful emetic. | 0:34:12 | 0:34:15 | |
Put a few drops in a soup and, hey presto, a restaurant full of sick customers. | 0:34:15 | 0:34:18 | |
So what about this Trevor Cordiss? Sounds like him and Cecilia might have some history. | 0:34:18 | 0:34:22 | |
Yeah, we're going to hold on to him for now. There's a high probability that the poison came from his boat. | 0:34:22 | 0:34:26 | |
And with our witness identifying him and his vehicle, we can charge him with murder under joint enterprise. | 0:34:26 | 0:34:32 | |
So on that note, we've got paperwork to do. | 0:34:32 | 0:34:34 | |
Withhold evidence from me again and we're going to have a serious, serious falling out. | 0:34:34 | 0:34:39 | |
And here's me thinking we were BFFs. | 0:34:39 | 0:34:41 | |
Oh, sad you don't get to bring in the bad guys any more, isn't it? | 0:34:47 | 0:34:50 | |
-The vehicle... -What? | 0:34:50 | 0:34:52 | |
Keeler said it was Dita that identified the vehicle. | 0:34:52 | 0:34:54 | |
Well, according to the tracking device, Trevor's scooter never went anywhere near the restaurant! | 0:34:54 | 0:34:59 | |
Maybe Dita misremembered? Maybe he wasn't on the scooter at all. | 0:34:59 | 0:35:02 | |
She said she didn't recognise him. | 0:35:02 | 0:35:03 | |
How would she have even known he owned a scooter? | 0:35:03 | 0:35:05 | |
-Maybe she's seen him out and about. -Or she's been on the boat. | 0:35:05 | 0:35:08 | |
Or she's been lying from the very start! | 0:35:08 | 0:35:10 | |
-What are you doing? -I'm going over the background checks. | 0:35:12 | 0:35:15 | |
We must've missed something. I mean, why would she want to frame Cordiss? | 0:35:15 | 0:35:18 | |
Her middle name is Ursula? | 0:35:18 | 0:35:19 | |
According to this, yeah, why? | 0:35:19 | 0:35:21 | |
Rings a bell... | 0:35:21 | 0:35:22 | |
Yeah. Read that. | 0:35:26 | 0:35:27 | |
The brother's girlfriend. | 0:35:27 | 0:35:29 | |
Could be a coincidence? | 0:35:29 | 0:35:31 | |
We need to see Dita's birth certificate. | 0:35:31 | 0:35:33 | |
Dita, it's Lu Shakespeare. | 0:35:43 | 0:35:47 | |
Are you there? | 0:35:49 | 0:35:51 | |
Keep watch. | 0:35:53 | 0:35:55 | |
Dita? | 0:36:07 | 0:36:09 | |
Dita? | 0:36:09 | 0:36:10 | |
We're too late. | 0:36:15 | 0:36:17 | |
We'll have to go to Marlowe, see if the police can find her. | 0:36:17 | 0:36:20 | |
Can you smell that? | 0:36:22 | 0:36:23 | |
What is it? | 0:36:23 | 0:36:25 | |
I think it's petrol. | 0:36:25 | 0:36:26 | |
Why would she be keeping petrol here? | 0:36:26 | 0:36:28 | |
You don't think...? | 0:36:28 | 0:36:29 | |
Let's go round the back. | 0:36:41 | 0:36:42 | |
Dita! | 0:36:50 | 0:36:52 | |
Stay back. | 0:36:53 | 0:36:54 | |
You want to finish what you started, don't you? Destroy Len's legacy for ever. | 0:36:56 | 0:37:00 | |
Only fair. | 0:37:00 | 0:37:01 | |
He destroyed my life. | 0:37:01 | 0:37:03 | |
An eye for an eye. | 0:37:03 | 0:37:04 | |
He's your uncle. He-he's family. | 0:37:04 | 0:37:06 | |
Len's not my family! He's my father's murderer. | 0:37:06 | 0:37:09 | |
Your father killed himself. | 0:37:09 | 0:37:10 | |
Because of Len! Len tricked him into paying for that stupid restaurant. | 0:37:10 | 0:37:15 | |
He took everything my father had and threw it away. | 0:37:15 | 0:37:18 | |
And because of him, I was left with nobody! | 0:37:18 | 0:37:21 | |
What about your mum? | 0:37:21 | 0:37:23 | |
What? | 0:37:23 | 0:37:24 | |
Ursula. | 0:37:24 | 0:37:26 | |
Well, Len, wouldn't even talk to her, cut her off completely. | 0:37:26 | 0:37:29 | |
Couple of weeks after Dad died, Mum found out she was pregnant with me. | 0:37:30 | 0:37:35 | |
Went to see the three of them - Len, Trevor, Cecilia. | 0:37:35 | 0:37:38 | |
Asked for help. | 0:37:39 | 0:37:41 | |
They sent her packing. | 0:37:42 | 0:37:43 | |
Reckoned she was trying it on! | 0:37:43 | 0:37:45 | |
What did she do? | 0:37:45 | 0:37:47 | |
What could she do? She couldn't cope. | 0:37:47 | 0:37:49 | |
She started using, and... | 0:37:50 | 0:37:52 | |
..after she overdosed, I was put in care. | 0:37:54 | 0:37:57 | |
Brought up by strangers because my uncle cared more about cooking | 0:37:58 | 0:38:02 | |
than he ever cared about another human being. | 0:38:02 | 0:38:05 | |
So when you turned up here to get a job, Len didn't even know who you were? | 0:38:05 | 0:38:08 | |
You wanted to ruin him, didn't you? First with the rat... | 0:38:08 | 0:38:11 | |
SCREAMING | 0:38:20 | 0:38:22 | |
I was happy to take the plate in myself, but it worked so much better when he did it. | 0:38:22 | 0:38:26 | |
And when that didn't shut the restaurant down, you put the ipecac syrup in the food. Clever, that. | 0:38:26 | 0:38:31 | |
Make everybody ill. | 0:38:31 | 0:38:33 | |
Ruining his reputation wasn't enough, was it? | 0:38:33 | 0:38:35 | |
You wanted to see him dead. | 0:38:35 | 0:38:37 | |
You knew the police would need a witness to tie Trevor Cordiss to the murder, | 0:38:37 | 0:38:40 | |
so you made up a story about seeing him outside when Cecilia sent you for the milk. | 0:38:40 | 0:38:44 | |
And you made it look like Cecilia was lying, | 0:38:44 | 0:38:46 | |
that the milk was just an excuse for her to get rid of you | 0:38:46 | 0:38:49 | |
so that she could get the poison from Trevor, | 0:38:49 | 0:38:51 | |
when in fact, you'd already got the poison from the boat. | 0:38:51 | 0:38:54 | |
And it was you that made Len's coffee, wasn't it? | 0:38:54 | 0:38:58 | |
And it was you who made sure it was Cecilia gave it to him. | 0:38:58 | 0:39:01 | |
I made Mr Tekler a coffee. Shall I take it to him? | 0:39:12 | 0:39:15 | |
No, I'll do it. | 0:39:15 | 0:39:17 | |
If you're waiting for me to say I'm sorry, I'm not. | 0:39:23 | 0:39:27 | |
Len had it coming. | 0:39:27 | 0:39:29 | |
And as for Trevor and Cecilia, they could've helped Mum, but they didn't. | 0:39:29 | 0:39:35 | |
So they can rot in jail for all I care. | 0:39:35 | 0:39:38 | |
We're going to have to call the police. | 0:39:38 | 0:39:42 | |
You won't. | 0:39:42 | 0:39:44 | |
I'm not going to jail. | 0:39:44 | 0:39:45 | |
Not for him. | 0:39:45 | 0:39:47 | |
I'm not going anywhere, and neither are you. | 0:39:47 | 0:39:52 | |
You see, I'm pretty sure Len Tekler is in hell, but I'm thinking maybe we should just go and check. | 0:39:52 | 0:39:57 | |
-Dita, no! -No! -Wait! | 0:39:57 | 0:39:59 | |
What're you doing here? | 0:39:59 | 0:40:01 | |
Look, Milo doesn't deserve this, either. He's your cousin! | 0:40:02 | 0:40:05 | |
-We're cousins?! -Don't do this, Dita, please. | 0:40:05 | 0:40:08 | |
Call the police! | 0:40:13 | 0:40:14 | |
Dita! Stop! | 0:40:28 | 0:40:30 | |
Aw! | 0:40:31 | 0:40:33 | |
Does that ever actually work? Just shouting "stop!" at someone? | 0:40:33 | 0:40:36 | |
Not often, I'll admit. | 0:40:36 | 0:40:38 | |
Any ideas? | 0:40:38 | 0:40:39 | |
Have you ever commandeered a swan? | 0:40:43 | 0:40:45 | |
-Oh! -Where are you going?! | 0:40:45 | 0:40:48 | |
-Come on! -You're going the wrong way! | 0:40:48 | 0:40:51 | |
-What? -Let me steer. | 0:40:51 | 0:40:52 | |
-No, I'm steering. I'll steer. Get off. -Steer it the right way! | 0:40:52 | 0:40:56 | |
How could she be quicker? There's two of us and only one of her! | 0:40:56 | 0:40:59 | |
Well, just pedal faster! | 0:40:59 | 0:41:01 | |
Pedal faster. | 0:41:01 | 0:41:02 | |
I'm going as fast as I can! | 0:41:02 | 0:41:04 | |
Come on, we can do this! | 0:41:04 | 0:41:06 | |
-I'm doing it. -Come on! | 0:41:06 | 0:41:08 | |
Let me go! | 0:41:08 | 0:41:10 | |
He deserved it! | 0:41:10 | 0:41:11 | |
Nah, can't do that. | 0:41:11 | 0:41:12 | |
No, we're doing a citizens arrest for the murder of Len Tekler. | 0:41:12 | 0:41:16 | |
Len Tekler, yes. | 0:41:16 | 0:41:18 | |
SIRENS | 0:41:18 | 0:41:20 | |
No! I wouldn't do that, Dita. | 0:41:20 | 0:41:22 | |
Please, Dita. | 0:41:22 | 0:41:24 | |
If you really want to ruin the reputation of Len Tekler, then just tell everyone the truth. | 0:41:24 | 0:41:29 | |
How're you feeling now? | 0:41:43 | 0:41:45 | |
Like Chris Froome at the end of the Tour de France. | 0:41:45 | 0:41:47 | |
I didn't think you were performing tonight? | 0:41:51 | 0:41:54 | |
I'm not. | 0:41:54 | 0:41:55 | |
Just haven't done any laundry in a while. | 0:41:55 | 0:41:58 | |
Da-da! | 0:41:58 | 0:42:00 | |
Just to thank you both for going above and beyond the call of duty over the past couple of days. | 0:42:00 | 0:42:04 | |
Aw, you shouldn't have! | 0:42:04 | 0:42:05 | |
He most certainly should. | 0:42:05 | 0:42:06 | |
Sebastian, American Hot. | 0:42:06 | 0:42:09 | |
I love a hot American. | 0:42:09 | 0:42:10 | |
Lu. | 0:42:10 | 0:42:12 | |
Hawaiian. | 0:42:12 | 0:42:13 | |
Old-school! | 0:42:13 | 0:42:14 | |
Thank you muchly. | 0:42:14 | 0:42:15 | |
And a meat feast for Frankie. | 0:42:15 | 0:42:17 | |
Here's to Shakespeare and Hathaway. | 0:42:17 | 0:42:19 | |
We have saved Cecilia and Trevor from jail, | 0:42:19 | 0:42:23 | |
we have put a murderer behind bars | 0:42:23 | 0:42:25 | |
and Milo has even promised to settle the bill. | 0:42:25 | 0:42:28 | |
SHE SCREAMS | 0:42:29 | 0:42:31 | |
HE LAUGHS | 0:42:31 | 0:42:33 | |
I couldn't resist! | 0:42:33 | 0:42:34 | |
Oh! | 0:42:36 | 0:42:38 |