Browse content similar to The Fairest Show Means Most Deceit. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
See what dirt you can find on her. | 0:00:05 | 0:00:08 | |
Joy. | 0:00:09 | 0:00:10 | |
You have a visitor. | 0:00:10 | 0:00:12 | |
A Mr Martin Mariner? | 0:00:12 | 0:00:15 | |
Just your type. | 0:00:15 | 0:00:16 | |
-Are you Frank Hathaway? -Are you American? | 0:00:20 | 0:00:22 | |
Yes, sir, from Nashville, Tennessee. | 0:00:22 | 0:00:25 | |
So, are you Frank Hathaway? | 0:00:25 | 0:00:28 | |
Er...yes. | 0:00:28 | 0:00:30 | |
Oh! Oh, Frank, it's so great to finally meet you! | 0:00:30 | 0:00:35 | |
Or should I call you Francis? Oh, let me take a look at you. | 0:00:35 | 0:00:39 | |
-You have two seconds to let me go. -Oh, no way. | 0:00:39 | 0:00:43 | |
I've been dreaming about this moment for years. | 0:00:43 | 0:00:46 | |
One... | 0:00:46 | 0:00:47 | |
two! MARTIN GROANS | 0:00:47 | 0:00:50 | |
-Frank... -Easy, tiger! -I did warn him. -Too much. | 0:00:50 | 0:00:53 | |
Frank, please. That hurts! | 0:00:53 | 0:00:56 | |
-A lot. -Who the hell are you? | 0:00:56 | 0:00:58 | |
I'm your uncle. | 0:00:58 | 0:01:00 | |
What?! | 0:01:01 | 0:01:03 | |
We're family, Frank. | 0:01:03 | 0:01:06 | |
Ain't it wonderful? | 0:01:06 | 0:01:08 | |
-What, you're my dad's brother? -That's right. | 0:01:31 | 0:01:33 | |
My mother is your grandmother. | 0:01:33 | 0:01:35 | |
But don't you think my dad might have mentioned you? | 0:01:35 | 0:01:37 | |
He might not even know I exist. | 0:01:37 | 0:01:39 | |
I was adopted at birth, and I was raised | 0:01:39 | 0:01:42 | |
by a wonderful British couple who moved out to Tennessee. | 0:01:42 | 0:01:46 | |
But now they've both passed, well, I'm tracing my blood relations. | 0:01:46 | 0:01:50 | |
And you, Frank, you are my first discovery. | 0:01:50 | 0:01:54 | |
-Cobblers. -Well, I'll show you. | 0:01:54 | 0:01:57 | |
Now... | 0:01:59 | 0:02:00 | |
birth certificate, and that's my mother. | 0:02:00 | 0:02:03 | |
-Elizabeth Hathaway. -Is that your grandmother? | 0:02:03 | 0:02:06 | |
Well, it's a common name. | 0:02:06 | 0:02:08 | |
Maiden name, Foster. | 0:02:08 | 0:02:10 | |
I haven't got a clue about maiden names. | 0:02:10 | 0:02:12 | |
She died years before I was born. | 0:02:12 | 0:02:14 | |
How come the father's not listed? | 0:02:14 | 0:02:16 | |
Well, young man, it's very possible that I am a love child. | 0:02:16 | 0:02:20 | |
Oh, great! | 0:02:20 | 0:02:22 | |
So now you're calling my nana a tramp as well as a liar? | 0:02:22 | 0:02:24 | |
Here's our family tree, Frank. | 0:02:24 | 0:02:27 | |
I only managed to go back to the 17th century. | 0:02:27 | 0:02:31 | |
-Incredible. -So, 1953. | 0:02:31 | 0:02:35 | |
-Is that when your nan died? -Well, around that time, yes. | 0:02:35 | 0:02:39 | |
I can't find Elizabeth's death certificate to confirm | 0:02:40 | 0:02:43 | |
the actual day, but since I know that my mother | 0:02:43 | 0:02:47 | |
died in childbirth, it's got to be my birthday - | 0:02:47 | 0:02:50 | |
4th of July, Independence Day. | 0:02:50 | 0:02:54 | |
-That's great detective work, Martin, yeah. -Thank you, ma'am! | 0:02:54 | 0:02:56 | |
Ah! | 0:02:56 | 0:02:58 | |
-She died in childbirth, did you say? -That's right. | 0:02:58 | 0:03:01 | |
Because my nana died in a car crash. | 0:03:01 | 0:03:03 | |
Are you absently certain about that, Frank? | 0:03:03 | 0:03:06 | |
Because my adoptive parents were told that my mother died | 0:03:06 | 0:03:09 | |
giving birth to me. | 0:03:09 | 0:03:11 | |
It's the only thing that about my nana that I am sure of. | 0:03:11 | 0:03:13 | |
-Ow! Frank! -Wrong Elizabeth Hathaway. Oh, what a shame. | 0:03:13 | 0:03:16 | |
-There we are. Let me help you with these. There we go. -Frank! | 0:03:16 | 0:03:20 | |
-Come on. -We're related, Frank. I can feel it! -Er...apparently not. | 0:03:20 | 0:03:24 | |
-At least let me buy you a coffee! -Come on. -Whoa! | 0:03:24 | 0:03:28 | |
AMERICAN ACCENT: Thanks for stopping by! | 0:03:28 | 0:03:30 | |
What? | 0:03:38 | 0:03:40 | |
He was obviously a conman. | 0:03:41 | 0:03:43 | |
What's he after, then? Your fortune? | 0:03:43 | 0:03:46 | |
HE SIGHS | 0:03:47 | 0:03:48 | |
So, when did this Lola start work here? | 0:03:52 | 0:03:55 | |
-Three months ago. -I gave her the job. | 0:03:55 | 0:03:58 | |
I honestly thought I could trust her, that's what hurts the most. | 0:03:58 | 0:04:01 | |
-When was this accident? -A month ago. | 0:04:01 | 0:04:03 | |
I found Lola out the back, screaming. | 0:04:03 | 0:04:05 | |
She claimed a box of Shakespeare busts had fallen off a trolley | 0:04:05 | 0:04:08 | |
-and landed on her foot. -FRANK CHUCKLES | 0:04:08 | 0:04:10 | |
Next thing we know, she's on crutches | 0:04:10 | 0:04:12 | |
and suing us for compensation. | 0:04:12 | 0:04:14 | |
-No witnesses, I take it? -Of course not. | 0:04:14 | 0:04:16 | |
Twisted ankle ligaments. | 0:04:16 | 0:04:18 | |
The only thing that's twisted is that girl's morality. | 0:04:18 | 0:04:20 | |
So you want us to prove she was faking the injury? | 0:04:20 | 0:04:23 | |
-Photos, videos, you do whatever it takes. -Surveillance isn't cheap. | 0:04:23 | 0:04:27 | |
-Neither are compensation pay-outs. -Fair enough. | 0:04:27 | 0:04:29 | |
The awful thing is, the hearing's been brought forward. | 0:04:29 | 0:04:32 | |
-It's now next week. -Well, we will get on this, right away. | 0:04:32 | 0:04:35 | |
Don't worry. | 0:04:35 | 0:04:36 | |
I...I think you put a few too many noughts on there by mistake. HE CHUCKLES | 0:04:37 | 0:04:42 | |
-Frank. -Yeah. Just... | 0:04:43 | 0:04:45 | |
Mmm. He seemed credible. | 0:04:56 | 0:04:59 | |
My nan died in a car crash. | 0:04:59 | 0:05:01 | |
What if they lied to you? That happens a lot in families. | 0:05:03 | 0:05:06 | |
I'm not related to that nutter. | 0:05:06 | 0:05:08 | |
Oh, here we go. | 0:05:10 | 0:05:12 | |
So far, so convincing. | 0:05:19 | 0:05:21 | |
Now? | 0:05:39 | 0:05:41 | |
-This seat taken? -Go ahead. -Oh, thanks. | 0:05:52 | 0:05:55 | |
Do you mind if I... | 0:05:57 | 0:05:58 | |
A right pain, those things, aren't they? | 0:06:00 | 0:06:03 | |
-Yeah, I'm sick of them. -Yeah, I know, I broke my toe last year. | 0:06:03 | 0:06:06 | |
Fell down the stairs. I was off my head! Was totally my fault. | 0:06:06 | 0:06:11 | |
-Twisted ligaments. -Oh. Right. How? -Oh, this box fell on my foot. | 0:06:11 | 0:06:17 | |
-Oh, ouch! Was that...was that at home...? -Work. | 0:06:17 | 0:06:21 | |
Oh, well, I hope you get plenty of sympathy for it. | 0:06:21 | 0:06:25 | |
-Not exactly. -No? What do you mean? | 0:06:25 | 0:06:27 | |
Well, my bosses thought I was lying, which was nice. | 0:06:27 | 0:06:30 | |
Didn't even get an apology. | 0:06:30 | 0:06:31 | |
Oh, honestly, the things employers get away with now, eh? | 0:06:31 | 0:06:34 | |
Hello, darling! | 0:06:35 | 0:06:38 | |
Small world. Oh... | 0:06:38 | 0:06:41 | |
I love the new look. | 0:06:41 | 0:06:43 | |
-Erm, I'm Gloria, Lu's friend. -Lola. | 0:06:43 | 0:06:46 | |
-We've only just met. -Really? | 0:06:46 | 0:06:48 | |
-OK if I join you? -No. I'm not staying. | 0:06:48 | 0:06:51 | |
What am I doing? I've got... | 0:06:55 | 0:06:57 | |
Carlos coming...oh, in ten minutes! | 0:06:57 | 0:06:59 | |
My masseur. | 0:07:00 | 0:07:01 | |
Beautiful man, and...surprisingly punctual for a Brazilian. | 0:07:01 | 0:07:06 | |
Nice to meet you. See you soon, Lu. | 0:07:06 | 0:07:08 | |
-Bye. -Bye. | 0:07:08 | 0:07:10 | |
-I should go, too. -Oh, right, OK. | 0:07:12 | 0:07:14 | |
Yeah, as soon as we catch her out, | 0:07:27 | 0:07:29 | |
-Mr Tarsich, I will call you right away, OK? -PHONE PINGS | 0:07:29 | 0:07:33 | |
I will. OK, yeah, bye. Bye. | 0:07:33 | 0:07:36 | |
That is the third time he's called already today. | 0:07:36 | 0:07:39 | |
It's from Sebastian. | 0:07:39 | 0:07:41 | |
According to our contact at the credit check company, | 0:07:41 | 0:07:43 | |
Lola Gower owes over 20,000 in payday loans. | 0:07:43 | 0:07:46 | |
Then she needs this compensation. | 0:07:46 | 0:07:49 | |
If she's faking it, she's doing a decent job. | 0:07:49 | 0:07:51 | |
Oh, hello. | 0:07:51 | 0:07:53 | |
He looks pleased with himself. | 0:07:53 | 0:07:55 | |
-I don't believe it! -What? | 0:08:10 | 0:08:13 | |
That Yank. | 0:08:13 | 0:08:15 | |
Stalking me. | 0:08:15 | 0:08:17 | |
Weirdo. | 0:08:20 | 0:08:22 | |
All you need to do is find out the date your nan died, | 0:08:28 | 0:08:31 | |
then if it's not July 4th, 1953, you're in the clear, aren't you? | 0:08:31 | 0:08:35 | |
How am I going to do that with Mum and Dad gone? | 0:08:35 | 0:08:38 | |
-Sounds like its a job for Frank Hathaway! -SHE LAUGHS | 0:08:41 | 0:08:43 | |
Frank Hathaway already has a job. | 0:08:43 | 0:08:46 | |
Watching somebody watch telly. | 0:08:46 | 0:08:48 | |
HE SIGHS It's going to be a long night. | 0:08:49 | 0:08:52 | |
PHONE RINGS | 0:09:14 | 0:09:16 | |
-Oh! It's him, again! -Again? -Again. | 0:09:18 | 0:09:22 | |
Hello, Mr Tarsich. | 0:09:24 | 0:09:27 | |
-ON PHONE: -Anything? | 0:09:27 | 0:09:28 | |
Er, no, she's still in her flat, I'm afraid. | 0:09:28 | 0:09:31 | |
She hasn't left since lunchtime. | 0:09:31 | 0:09:33 | |
This is pointless. | 0:09:33 | 0:09:35 | |
Yeah, well, as I said before, Mr Tarsich, patience is the key. | 0:09:35 | 0:09:39 | |
You don't understand. | 0:09:39 | 0:09:41 | |
We're not insured. | 0:09:41 | 0:09:43 | |
Well, not with the right policy, anyway. | 0:09:43 | 0:09:46 | |
Oh. | 0:09:46 | 0:09:47 | |
I haven't told Diana, but if this girl wins, it could cripple us. | 0:09:47 | 0:09:50 | |
-I see. -It was my fault. | 0:09:50 | 0:09:53 | |
I was halfway through filling in the form, | 0:09:53 | 0:09:55 | |
-and I had to go away for work. -Right. | 0:09:55 | 0:09:58 | |
Oh! | 0:10:05 | 0:10:06 | |
Double bacon, double egg. Double ketchup for the vitamins. | 0:10:08 | 0:10:12 | |
Thank you. | 0:10:12 | 0:10:14 | |
-No sign of life? -Mmm. | 0:10:14 | 0:10:17 | |
I think we need to step up our coverage. | 0:10:17 | 0:10:19 | |
Let's see if the clients will stump up for a hidden camera. | 0:10:19 | 0:10:22 | |
-Mmm. For me? -Yeah. -Mmm! | 0:10:22 | 0:10:25 | |
Is...? Oh. | 0:10:30 | 0:10:32 | |
Cheers, AJ. | 0:10:44 | 0:10:46 | |
SIREN WAILS | 0:11:10 | 0:11:12 | |
Oh, look, it's the marshmallow twins! | 0:11:22 | 0:11:25 | |
-Hi, Frank. -Hello. -Frank. | 0:11:25 | 0:11:27 | |
-Ah, Christina. -Frank. | 0:11:29 | 0:11:32 | |
Didn't take you as the gift shop type. | 0:11:32 | 0:11:34 | |
Yeah, I...ran out of waterlily soap. | 0:11:34 | 0:11:37 | |
Fraud claim involving an ex-member of staff. | 0:11:37 | 0:11:41 | |
I came to see my client. | 0:11:41 | 0:11:43 | |
Going to have to talk to the husband now. | 0:11:43 | 0:11:46 | |
You can scratch her off the list, the girl we've been trailing. | 0:11:46 | 0:11:50 | |
-Thanks. And given it's a robbery gone wrong... -Is it? | 0:11:50 | 0:11:54 | |
Back door forced, signs of a struggle, | 0:11:55 | 0:11:57 | |
blow to the head with Arden's finest, | 0:11:57 | 0:12:00 | |
till open, and money gone. | 0:12:00 | 0:12:03 | |
What does that look like to you? | 0:12:03 | 0:12:05 | |
-You see those pieces of glass? -Mmm-hmm. | 0:12:08 | 0:12:11 | |
How did they get there? | 0:12:11 | 0:12:13 | |
Embedded themselves during the struggle. | 0:12:14 | 0:12:16 | |
Yeah, but they're not embedded, are they? | 0:12:16 | 0:12:18 | |
They've just been placed there. | 0:12:18 | 0:12:20 | |
When the glass fell on the victim, she was lying still, | 0:12:20 | 0:12:23 | |
almost certainly dead. | 0:12:23 | 0:12:24 | |
Now, why would the killer add smashed glass after the murder? | 0:12:24 | 0:12:30 | |
Answer? | 0:12:30 | 0:12:31 | |
To make it look like a robbery. | 0:12:31 | 0:12:33 | |
-You might want to talk to someone called P. -P? | 0:12:33 | 0:12:38 | |
Yeah, that's the person she texted at 3:07 yesterday afternoon. | 0:12:38 | 0:12:42 | |
You tampered with the victim's phone? | 0:12:42 | 0:12:44 | |
I took a brief look, and I'm wearing a glove. | 0:12:44 | 0:12:47 | |
"We need to talk. Come and find me after closing. | 0:12:48 | 0:12:51 | |
"The cat's away. Kiss, kiss." | 0:12:51 | 0:12:55 | |
The cat being the husband, Leon. He's not back yet. | 0:12:55 | 0:12:58 | |
I'll call him if you like, save you the trouble. | 0:12:58 | 0:13:00 | |
Thanks. | 0:13:00 | 0:13:02 | |
I've got it from here, Frank. | 0:13:02 | 0:13:03 | |
-Well, just keep an open mind. -Don't patronise me! -I wasn't! | 0:13:03 | 0:13:08 | |
Good! | 0:13:08 | 0:13:09 | |
You can get on with your fraud claim, then. | 0:13:09 | 0:13:11 | |
OK, over here, guys. | 0:13:13 | 0:13:16 | |
It's like Luke Skywalker telling Yoda to sod off. | 0:13:16 | 0:13:18 | |
Yoda? Really? | 0:13:18 | 0:13:21 | |
KNOCK AT DOOR | 0:13:23 | 0:13:25 | |
So it looks like the profits from the business all went to Diana, | 0:13:25 | 0:13:28 | |
and Leon just got a monthly wage, not much of one, either. | 0:13:28 | 0:13:31 | |
So she's skinning him for his cash, and cuckolding him | 0:13:31 | 0:13:34 | |
with this P character. | 0:13:34 | 0:13:36 | |
Leon Tarsich must be in the frame, right? | 0:13:36 | 0:13:38 | |
Come through, Mr Tarsich. | 0:13:38 | 0:13:40 | |
We're very sorry for your loss. | 0:13:46 | 0:13:50 | |
I, erm... | 0:13:50 | 0:13:52 | |
I don't think I'll need... | 0:13:52 | 0:13:54 | |
The Lola thing doesn't seem like such a... | 0:13:54 | 0:13:57 | |
We understand entirely. | 0:13:59 | 0:14:02 | |
-Don't we, Frank? -Of course. Yeah. | 0:14:02 | 0:14:04 | |
Thank you. | 0:14:06 | 0:14:07 | |
The... The local police are really stretched at the moment, | 0:14:07 | 0:14:10 | |
so they've asked us to help track down Diana's killer. | 0:14:10 | 0:14:13 | |
Erm... | 0:14:13 | 0:14:15 | |
I'm really sorry to have to ask this, but, er... | 0:14:15 | 0:14:19 | |
where were you yesterday? | 0:14:19 | 0:14:21 | |
I was in Manchester, | 0:14:22 | 0:14:24 | |
at a gift shop conference. | 0:14:24 | 0:14:26 | |
I came back this morning, as soon as I heard the... | 0:14:26 | 0:14:30 | |
And everything was all right at home, was it? | 0:14:30 | 0:14:33 | |
-Yeah, it was good. -Yeah? | 0:14:33 | 0:14:36 | |
-Diana was happy? -Perfectly. | 0:14:36 | 0:14:39 | |
-No suggestion of another man? -No! | 0:14:39 | 0:14:41 | |
-Is there anything else? -No. Thank you. -Thank you. | 0:14:43 | 0:14:47 | |
We'll do everything we can to help. | 0:14:52 | 0:14:55 | |
Sebastian, find out if there was a gift shop conference | 0:15:00 | 0:15:02 | |
in Manchester yesterday. | 0:15:02 | 0:15:04 | |
Fine. By the way, did you notice his nails? | 0:15:04 | 0:15:07 | |
They were perfect. | 0:15:07 | 0:15:09 | |
-Frank. -Ugh... | 0:15:09 | 0:15:11 | |
Now, you're a businessman, first and foremost. I respect that. | 0:15:11 | 0:15:14 | |
Goodbye. | 0:15:14 | 0:15:16 | |
You find out the date your grandma died, I'll double it. | 0:15:16 | 0:15:20 | |
Frank? | 0:15:21 | 0:15:23 | |
Giving Marlowe a free Jedi lesson isn't going to pay the bills. | 0:15:23 | 0:15:26 | |
FRANK SIGHS | 0:15:27 | 0:15:28 | |
-Anything? -Mm-mm. | 0:15:30 | 0:15:31 | |
What? There's nothing anywhere about my nanna's death online? | 0:15:31 | 0:15:35 | |
-Nope. -Was she buried? -Yes. | 0:15:35 | 0:15:37 | |
Well, then, the date will be on the gravestone. | 0:15:37 | 0:15:39 | |
I'll have to find the cemetery first. | 0:15:39 | 0:15:41 | |
Yeah, but you're Mr Family History, aren't you? | 0:15:41 | 0:15:43 | |
All I know is it's in a village somewhere in the Cotswolds. | 0:15:43 | 0:15:46 | |
The Cotswolds? | 0:15:46 | 0:15:47 | |
Yeah, my grandad travelled south with work. | 0:15:47 | 0:15:50 | |
I mean, I went there once, but I was about 11. | 0:15:50 | 0:15:53 | |
We'll have to resort to using a Ouija board at this rate. | 0:15:55 | 0:15:58 | |
I need another drink. | 0:16:01 | 0:16:02 | |
What's that? | 0:16:08 | 0:16:09 | |
Looks like blood. | 0:16:10 | 0:16:12 | |
Hey, if we could get Forrest Gump Senior done for something, | 0:16:12 | 0:16:16 | |
we could be off the hook. | 0:16:16 | 0:16:18 | |
I'm going to send one of these to my mate Freddie at forensics. | 0:16:18 | 0:16:21 | |
Ooh! | 0:16:21 | 0:16:23 | |
What is it? | 0:16:23 | 0:16:24 | |
E-mail from The Golden Horizons Gift Shop Conference in Manchester. | 0:16:24 | 0:16:29 | |
Apparently, Leon Tarsich registered yesterday morning, and guess what? | 0:16:29 | 0:16:35 | |
Afternoon and evening? Never showed up. | 0:16:35 | 0:16:38 | |
Well, I was there. | 0:16:42 | 0:16:44 | |
Did...you talk to anyone? | 0:16:44 | 0:16:47 | |
Well, not really. Look, I've already been through all this | 0:16:47 | 0:16:50 | |
-with the police. -No, we appreciate that Mr, erm... | 0:16:50 | 0:16:54 | |
-Tarshah... -Sich. -..sich. | 0:16:54 | 0:16:56 | |
Erm...I notice from your bank statements that you've been | 0:16:56 | 0:16:59 | |
making regular payments to "Bar MM" on the second Friday of every month. | 0:16:59 | 0:17:02 | |
The police let you see my bank statements? | 0:17:02 | 0:17:04 | |
You wouldn't believe how much they trust us. | 0:17:04 | 0:17:07 | |
Well, that's the Mucky Mallard. | 0:17:07 | 0:17:09 | |
I go there with a couple of mates. | 0:17:09 | 0:17:10 | |
Hey, I go there every Friday. | 0:17:10 | 0:17:13 | |
Yeah, I thought I recognised you. | 0:17:13 | 0:17:15 | |
Can I use your bathroom? | 0:17:17 | 0:17:19 | |
Er, yeah, it's just on the right past the bedroom. | 0:17:19 | 0:17:22 | |
So, then, Diana's money? Must be quite a whack of it. | 0:17:28 | 0:17:30 | |
-Does that all come to you, does it? -I haven't even thought about it. | 0:17:30 | 0:17:33 | |
Of course. Sorry, I didn't mean to, erm... | 0:17:33 | 0:17:36 | |
He's never been in the Mucky Mallard on a Friday night, | 0:17:42 | 0:17:44 | |
-I can tell you that much. -And they had separate bedrooms. | 0:17:44 | 0:17:47 | |
So, problems in the sack, wife playing away, | 0:17:47 | 0:17:50 | |
a clear financial motive, and an alibi that stinks. | 0:17:50 | 0:17:53 | |
Yeah, I'm with them now, Mr Tarsich. I'll call you back. | 0:18:00 | 0:18:03 | |
-Misrepresentation is a criminal offence, Frank. -So's murder. | 0:18:04 | 0:18:08 | |
-Stop harassing him. -Only if you promise to start. | 0:18:08 | 0:18:10 | |
I don't know why you're wasting your time. | 0:18:10 | 0:18:12 | |
-He couldn't have killed his wife, anyway. -Why not? | 0:18:12 | 0:18:14 | |
Because he was on the phone to you! | 0:18:14 | 0:18:16 | |
Based on smashed clocks at the scene, | 0:18:18 | 0:18:20 | |
an aborted 999 call on the victim's phone, and the pathology report, | 0:18:20 | 0:18:24 | |
we're sure that the attack took place at exactly 7:11. | 0:18:24 | 0:18:28 | |
Well? | 0:18:31 | 0:18:32 | |
Yeah, Leon was in the middle of one of his five minute rants with me. | 0:18:33 | 0:18:36 | |
Making a business call while committing a violent murder. | 0:18:36 | 0:18:39 | |
That's some serious multi-tasking. | 0:18:39 | 0:18:41 | |
I got a phone call from forensics. | 0:18:43 | 0:18:45 | |
You know the blood you found on those banknotes? | 0:18:45 | 0:18:47 | |
-Yeah? -It belongs to Diana. | 0:18:47 | 0:18:49 | |
-What? -So, the question is, where did you get the cash from? | 0:18:49 | 0:18:53 | |
Mr Mariner. | 0:19:01 | 0:19:03 | |
-Frank! -Are you two really related? -Yes. -No. | 0:19:05 | 0:19:09 | |
-You've got five minutes. -Thank you. | 0:19:09 | 0:19:11 | |
Frank, you gotta help me. | 0:19:15 | 0:19:17 | |
They're saying I murdered some woman. | 0:19:17 | 0:19:20 | |
-I take it you didn't kill her. -No! | 0:19:20 | 0:19:22 | |
Where did you get the money? | 0:19:22 | 0:19:24 | |
From a guy. I met him outside a pawnbroker's. | 0:19:25 | 0:19:28 | |
What pawnbroker's? | 0:19:28 | 0:19:30 | |
It was called Cash Changers, something like that. | 0:19:31 | 0:19:35 | |
-What? Quid Converters? -That's it! | 0:19:35 | 0:19:37 | |
What were you doing there? | 0:19:37 | 0:19:39 | |
I was selling my parents' jewellery. | 0:19:41 | 0:19:44 | |
-Why? -So I could hire you. | 0:19:44 | 0:19:46 | |
This guy said that he would pay double | 0:19:47 | 0:19:49 | |
whatever I was offered inside, and he did. | 0:19:49 | 0:19:52 | |
-And that's the money you gave us? -Mmm. | 0:19:52 | 0:19:55 | |
Right, listen, Martin. | 0:19:56 | 0:19:59 | |
I need you to describe this man to me. | 0:19:59 | 0:20:01 | |
A lizard tattoo on the side of his neck. | 0:20:03 | 0:20:05 | |
-It's a start. -You seem pretty keen to get Martin off the charge. | 0:20:06 | 0:20:10 | |
Well, I just... I don't think he's guilty. | 0:20:11 | 0:20:13 | |
Is that it? | 0:20:13 | 0:20:15 | |
Yes, that's it. | 0:20:15 | 0:20:16 | |
It's got nothing to do with the fact he's my long-lost uncle. | 0:20:16 | 0:20:20 | |
Methinks he doth protest too much. | 0:20:20 | 0:20:22 | |
Mr Tarsich. | 0:20:22 | 0:20:24 | |
He's brought your money. | 0:20:24 | 0:20:26 | |
You can count it. | 0:20:26 | 0:20:28 | |
Ah, don't worry. | 0:20:28 | 0:20:29 | |
Er...my solicitor called. | 0:20:30 | 0:20:32 | |
Lola's dropping the compensation claim. | 0:20:32 | 0:20:34 | |
-On compassionate grounds. -That must be a relief. -Yeah. | 0:20:34 | 0:20:37 | |
Oh, and I'm sorry for dropping you in it earlier. | 0:20:37 | 0:20:40 | |
Ah, no hard feelings. | 0:20:40 | 0:20:41 | |
You want to help, and I appreciate that. | 0:20:41 | 0:20:43 | |
Are you getting anywhere? | 0:20:43 | 0:20:45 | |
You don't know of any of your customers or suppliers | 0:20:45 | 0:20:48 | |
who might have, like, a lizard tattoo on the neck, do you? | 0:20:48 | 0:20:51 | |
Lizard? | 0:20:51 | 0:20:53 | |
No, I don't. | 0:20:53 | 0:20:54 | |
Sorry. | 0:20:54 | 0:20:56 | |
Er...Phil has got a tattoo. | 0:20:56 | 0:20:58 | |
I'm not sure what it's of, though. | 0:20:58 | 0:21:00 | |
-Phil? -Phil Layman. | 0:21:00 | 0:21:03 | |
-Lola's boyfriend. -Thanks. | 0:21:03 | 0:21:04 | |
I'm on my tea break, mate. | 0:21:19 | 0:21:21 | |
Turning down work, Phil? You must be doing all right. | 0:21:21 | 0:21:25 | |
Hey, nice tattoo! | 0:21:25 | 0:21:27 | |
Unusual. | 0:21:28 | 0:21:30 | |
You what? Do I know you? | 0:21:30 | 0:21:32 | |
-No, but you know my uncle. -Oh, yeah? | 0:21:32 | 0:21:34 | |
Yeah, you bought some jewellery off him outside Quid Converters. | 0:21:34 | 0:21:37 | |
Big American fella. Cheesy sod. | 0:21:37 | 0:21:40 | |
Nah, don't know nothing about it. | 0:21:40 | 0:21:42 | |
It's all right, Phil, don't worry about it. | 0:21:42 | 0:21:45 | |
I'm here to buy it back. Family heirloom, you see. | 0:21:45 | 0:21:48 | |
Yeah, my uncle. He's a few hot dogs short of a stand, | 0:21:48 | 0:21:51 | |
if you know what I mean. | 0:21:51 | 0:21:53 | |
Come on! How much do you want for it? | 0:21:53 | 0:21:55 | |
-Eh! -As I said, I don't know nothing about it. | 0:21:55 | 0:21:59 | |
I hear Lola's dropped the claim. Do you work out? | 0:21:59 | 0:22:03 | |
You...! Who are you? | 0:22:03 | 0:22:05 | |
Who am I? That's a fundamental question. Who is anyone? | 0:22:05 | 0:22:08 | |
Who are you?! | 0:22:08 | 0:22:10 | |
Tell me who sent you, or I'll break your arm in two. | 0:22:10 | 0:22:12 | |
Ooh, you've got a temper on you! | 0:22:12 | 0:22:15 | |
Ow! Ah, ah... | 0:22:15 | 0:22:17 | |
Agh, you brute! | 0:22:17 | 0:22:19 | |
-I'm a.... -Come on! -..copper. | 0:22:19 | 0:22:21 | |
-Course you are. -Try me. | 0:22:21 | 0:22:23 | |
FRANK GRUNTS | 0:22:24 | 0:22:25 | |
Cheers, Phil. | 0:22:29 | 0:22:31 | |
Don't point at me. | 0:22:32 | 0:22:34 | |
Oh! | 0:22:45 | 0:22:47 | |
So, now you know how Martin felt. | 0:22:48 | 0:22:50 | |
Thanks for the sympathy. Agh! | 0:22:50 | 0:22:53 | |
Well? | 0:22:53 | 0:22:54 | |
SHE SIGHS Found this in the glove compartment. | 0:22:54 | 0:22:57 | |
Yeah. Classic burner. | 0:22:57 | 0:22:59 | |
We've found our P. | 0:23:04 | 0:23:06 | |
Yeah. | 0:23:07 | 0:23:09 | |
We located a couple of banknotes with blood on them in his flat, | 0:23:09 | 0:23:12 | |
and we also found him | 0:23:12 | 0:23:14 | |
on CCTV in the vicinity of the gift shop at the time of the murder. | 0:23:14 | 0:23:18 | |
-And he's got previous for robbery. -How do you know that? | 0:23:18 | 0:23:21 | |
Because some people in here still rate me. | 0:23:21 | 0:23:23 | |
Never knew you were so sensitive. | 0:23:23 | 0:23:25 | |
So, Diana gets Phil over to tell him she's ending the affair. | 0:23:27 | 0:23:30 | |
He takes it badly, whacks her on the head with a big fossil. | 0:23:30 | 0:23:33 | |
And then he staged a robbery. | 0:23:33 | 0:23:35 | |
Go on, then, say it. | 0:23:36 | 0:23:38 | |
I'm not sure it was Phil who killed her. | 0:23:40 | 0:23:42 | |
-What? -Well, according to the phone, | 0:23:42 | 0:23:45 | |
Diana wasn't his only bit on the side. | 0:23:45 | 0:23:48 | |
OK. So? | 0:23:49 | 0:23:51 | |
So, why would her ending it make him so angry? | 0:23:51 | 0:23:54 | |
Frank, I'm out! | 0:23:54 | 0:23:57 | |
FRANK GROANS | 0:23:57 | 0:23:59 | |
-WHISPERS: -He's a big fan of yours. | 0:23:59 | 0:24:02 | |
He can't wait to get back to your search! | 0:24:02 | 0:24:04 | |
Well, every silver lining has a cloud. | 0:24:04 | 0:24:07 | |
SHE CHUCKLES | 0:24:07 | 0:24:08 | |
Ah-ah! Come on, walk. | 0:24:08 | 0:24:11 | |
FRANK SIGHS | 0:24:11 | 0:24:12 | |
It was when Lu gave me that look. | 0:24:15 | 0:24:17 | |
HE CHUCKLES | 0:24:17 | 0:24:18 | |
That was the moment I realised I'd walked into a secret | 0:24:18 | 0:24:21 | |
undercover operation, and I nearly had a heart attack. | 0:24:21 | 0:24:24 | |
Well, Lu says you covered it like Dame Judi herself. | 0:24:24 | 0:24:27 | |
I wasn't that good. | 0:24:28 | 0:24:29 | |
One of my regulars, that is. | 0:24:31 | 0:24:33 | |
What, the murderer? | 0:24:33 | 0:24:34 | |
No. The husband. | 0:24:34 | 0:24:36 | |
I didn't know his real name. Poor bloke. | 0:24:36 | 0:24:40 | |
Well, what name did he use with you? | 0:24:40 | 0:24:42 | |
-Linda. -Linda? | 0:24:43 | 0:24:45 | |
How many more parishes to check? | 0:24:50 | 0:24:52 | |
Er... | 0:24:52 | 0:24:53 | |
103. | 0:24:53 | 0:24:55 | |
PHONE RINGS | 0:24:55 | 0:24:56 | |
Oh. | 0:24:56 | 0:24:57 | |
I've got to take this. | 0:24:58 | 0:25:00 | |
I'll meet you outside. | 0:25:00 | 0:25:02 | |
-Yes? -Having fun? -No. | 0:25:03 | 0:25:07 | |
Family, eh? Well, I've worked out where Leon Tarsich | 0:25:07 | 0:25:10 | |
really spent those Friday nights. | 0:25:10 | 0:25:12 | |
Well, go on. | 0:25:12 | 0:25:13 | |
The Moody Mule. | 0:25:13 | 0:25:15 | |
You're joking. | 0:25:15 | 0:25:16 | |
Which rather begs the question, did the wife know? | 0:25:16 | 0:25:19 | |
Hang on. It's Friday today. | 0:25:21 | 0:25:23 | |
Exactly. Second of the month. | 0:25:23 | 0:25:25 | |
Hi. | 0:25:59 | 0:26:01 | |
I'm Adele. | 0:26:04 | 0:26:05 | |
Linda. | 0:26:07 | 0:26:08 | |
-Can I get another one, Gina, please? -OK. | 0:26:10 | 0:26:14 | |
You celebrating? | 0:26:14 | 0:26:16 | |
Or drowning your sorrows? | 0:26:16 | 0:26:18 | |
Bit of a week. | 0:26:21 | 0:26:23 | |
-Death in the family. -No! | 0:26:24 | 0:26:27 | |
Oh, that's awful. I'm so sorry. | 0:26:28 | 0:26:30 | |
I lost my... | 0:26:32 | 0:26:33 | |
dog recently. | 0:26:33 | 0:26:34 | |
Were you very close? | 0:26:40 | 0:26:41 | |
Yeah. | 0:26:43 | 0:26:44 | |
And no. | 0:26:49 | 0:26:50 | |
It was my wife. | 0:26:58 | 0:27:01 | |
Oh, my gosh! | 0:27:01 | 0:27:02 | |
Had she been ill? | 0:27:07 | 0:27:08 | |
Yeah. | 0:27:11 | 0:27:12 | |
Even so... | 0:27:14 | 0:27:15 | |
..poor you. | 0:27:17 | 0:27:18 | |
Part of me feels relieved. | 0:27:20 | 0:27:22 | |
-Well, if she'd been ill for a long time... -It's... It's not that. | 0:27:22 | 0:27:25 | |
-She couldn't accept this. -No? | 0:27:29 | 0:27:32 | |
Found out a few months back. | 0:27:34 | 0:27:36 | |
Two weeks later, | 0:27:37 | 0:27:38 | |
-she started sleeping with an employee's boyfriend. -Unbelievable! | 0:27:38 | 0:27:41 | |
That's not the worst of it, though. | 0:27:44 | 0:27:45 | |
Oh! From cigarettes? | 0:27:49 | 0:27:52 | |
She burned you? | 0:27:56 | 0:27:57 | |
So, Diana was physically abusing Leon | 0:28:02 | 0:28:05 | |
because he wasn't the man she thought she married. | 0:28:05 | 0:28:07 | |
And he knew about her affair. | 0:28:07 | 0:28:09 | |
I'd have been out of there like a shot. | 0:28:09 | 0:28:12 | |
He had no money, though. | 0:28:12 | 0:28:14 | |
Yeah, he's got plenty now, hasn't he? | 0:28:14 | 0:28:16 | |
So, that's a double motive for murder - | 0:28:16 | 0:28:18 | |
revenge and cash - plus a lack of alibi. | 0:28:18 | 0:28:21 | |
Except we know he didn't do it, because when Diana was killed, | 0:28:21 | 0:28:23 | |
he was on the phone to me. | 0:28:23 | 0:28:26 | |
We've missed something. | 0:28:26 | 0:28:27 | |
-What? -I don't know, but we've got to find it. | 0:28:27 | 0:28:31 | |
I'll speak to you later. | 0:28:31 | 0:28:32 | |
So, was he impressed with my handiwork? | 0:28:34 | 0:28:37 | |
Yes. Very. He's... Yeah. | 0:28:37 | 0:28:39 | |
He didn't say anything, did he? | 0:28:39 | 0:28:42 | |
It's all right. | 0:28:42 | 0:28:43 | |
I only do this job for the lavish salary. | 0:28:43 | 0:28:46 | |
PHONE RINGS Oh! | 0:28:46 | 0:28:48 | |
Lola's curtains. | 0:28:49 | 0:28:51 | |
Er...sorry, what? | 0:28:51 | 0:28:52 | |
Who has a night in by the telly with the curtains wide open? | 0:28:52 | 0:28:55 | |
-Maybe she's claustrophobic. -Maybe she wanted to be seen. | 0:28:57 | 0:29:01 | |
By who? | 0:29:01 | 0:29:02 | |
I haven't got that far. I'll see you later. | 0:29:03 | 0:29:06 | |
-Perhaps she's an exhibitionist. -Well, it wasn't much of a show. | 0:29:06 | 0:29:09 | |
All she did was get up a couple of times to get the remote. | 0:29:09 | 0:29:12 | |
What if we were the audience? | 0:29:23 | 0:29:25 | |
FRANK SIGHS | 0:29:25 | 0:29:26 | |
It's all right. I trust you. | 0:29:30 | 0:29:32 | |
Oh, thanks, Frank. | 0:29:32 | 0:29:33 | |
What do they call this place? | 0:29:36 | 0:29:38 | |
Oh, er... | 0:29:38 | 0:29:39 | |
..Risley Cross. | 0:29:42 | 0:29:44 | |
I've been here before. | 0:29:45 | 0:29:47 | |
-Gloria! -Oh! -Oh, sorry. | 0:29:50 | 0:29:52 | |
Leon Tarsich - he hired women's clothes from you, is that right? | 0:29:52 | 0:29:54 | |
Mmm. All the time. Dresses, hats, shoes. | 0:29:54 | 0:29:58 | |
-Wigs? -Course. He borrowed one last week. | 0:29:58 | 0:30:01 | |
Which one? | 0:30:01 | 0:30:02 | |
Oh... | 0:30:02 | 0:30:04 | |
Did he ask specifically for long, blonde hair? | 0:30:11 | 0:30:14 | |
Oh, he insisted. | 0:30:14 | 0:30:16 | |
But, to be honest, I was quite surprised | 0:30:16 | 0:30:18 | |
when he choose this old thing. Ugh. | 0:30:18 | 0:30:21 | |
KNOCKS AT DOOR | 0:30:25 | 0:30:27 | |
Miss Whetton? | 0:30:34 | 0:30:36 | |
Yes. | 0:30:36 | 0:30:37 | |
Erm...we were told that you were the churchwarden. | 0:30:37 | 0:30:40 | |
Yes, that's right. Morning, Vicar. | 0:30:40 | 0:30:42 | |
Morning, Miss Whetton. | 0:30:42 | 0:30:43 | |
Er...I wonder if you could help. | 0:30:43 | 0:30:46 | |
We're trying to find out if a relation of mine | 0:30:46 | 0:30:48 | |
is buried here in the village. | 0:30:48 | 0:30:50 | |
-Ah. -Might we have a look at the parish burial records? | 0:30:50 | 0:30:53 | |
Ah, well, the register, actually, is held at Hardleton. | 0:30:53 | 0:30:56 | |
-It's the next village. -Ah. | 0:30:56 | 0:30:59 | |
But there's only one graveyard here in this village. | 0:30:59 | 0:31:02 | |
It's behind the church there. | 0:31:02 | 0:31:05 | |
Great. Well, we'll take a look. Thank you. | 0:31:05 | 0:31:07 | |
Right. Well, I might remember them. | 0:31:07 | 0:31:10 | |
I've lived all my life in this village, | 0:31:11 | 0:31:14 | |
and my father was vicar of that church. | 0:31:14 | 0:31:17 | |
Great. Well, we're looking for my grandmother. | 0:31:18 | 0:31:21 | |
She was called Elizabeth Hathaway. Died in 1953. | 0:31:21 | 0:31:24 | |
Yeah, we think she might be my mother. | 0:31:24 | 0:31:26 | |
Ah. | 0:31:28 | 0:31:29 | |
Er...the name's... | 0:31:30 | 0:31:32 | |
It's not ringing any bells. | 0:31:32 | 0:31:34 | |
Sorry. Good luck, though. | 0:31:34 | 0:31:37 | |
She knew her. | 0:31:45 | 0:31:46 | |
-Feel familiar, Frank? -I'd be lying if I said yes. | 0:31:54 | 0:31:58 | |
I've found her. | 0:32:04 | 0:32:06 | |
Really? | 0:32:06 | 0:32:08 | |
Ooh. | 0:32:08 | 0:32:09 | |
Does it say when she died? | 0:32:09 | 0:32:11 | |
It does, yeah. | 0:32:11 | 0:32:12 | |
February 11th...1952. | 0:32:15 | 0:32:20 | |
The year before you were born. | 0:32:20 | 0:32:22 | |
MARTIN SIGHS | 0:32:22 | 0:32:23 | |
It's not her. | 0:32:24 | 0:32:26 | |
Did you find what you're looking for? | 0:32:32 | 0:32:35 | |
We did, unfortunately. | 0:32:36 | 0:32:38 | |
Well, here... | 0:32:41 | 0:32:43 | |
Here's a little something for your journey. | 0:32:43 | 0:32:46 | |
Oh, gosh, thank you, ma'am! | 0:32:46 | 0:32:48 | |
You, erm... | 0:32:57 | 0:32:58 | |
You knew my grandmother, didn't you? | 0:32:58 | 0:33:00 | |
She was a friend of mine. | 0:33:03 | 0:33:05 | |
Why didn't you tell us? | 0:33:06 | 0:33:08 | |
It's better... | 0:33:08 | 0:33:09 | |
I've left something on the... On the stove. | 0:33:12 | 0:33:15 | |
What a kind lady. | 0:33:21 | 0:33:23 | |
FRONT DOOR CLOSES | 0:33:23 | 0:33:24 | |
All right, Bab? Here to read your gas meter. | 0:33:29 | 0:33:31 | |
Er, yeah. Sure, come in. | 0:33:31 | 0:33:33 | |
-The meter's in there. -Oh, ta. Won't be a minute. | 0:33:36 | 0:33:39 | |
-What the hell are you doing? -I'm so sorry! | 0:34:01 | 0:34:04 | |
I was just seeing who made your armchair. | 0:34:04 | 0:34:06 | |
I really like it, see. | 0:34:06 | 0:34:08 | |
-It's exactly what I've been looking for. -Get out! | 0:34:08 | 0:34:11 | |
Definitely. | 0:34:11 | 0:34:13 | |
You're lucky I don't report you. | 0:34:13 | 0:34:15 | |
It really is a lovely chair. | 0:34:20 | 0:34:23 | |
-Ta-da! -Ah! | 0:34:47 | 0:34:48 | |
They're definitely fake. | 0:34:48 | 0:34:50 | |
So he WAS in there! You're a genius, Lu! | 0:34:52 | 0:34:55 | |
-See, Phil Layman may be a thief, but he's not our murderer. -Lola! | 0:34:55 | 0:34:59 | |
Oh, well, there's a miraculous recovery. | 0:35:00 | 0:35:03 | |
She knows we're on to her. | 0:35:03 | 0:35:05 | |
Right. | 0:35:05 | 0:35:07 | |
Let's see who she runs to. | 0:35:07 | 0:35:09 | |
There you go. A cup of builder's works wonders in these situations. | 0:35:09 | 0:35:13 | |
-Thanks, Frank. -So, what now? | 0:35:13 | 0:35:16 | |
I'm going to get the first flight back to the States. | 0:35:17 | 0:35:20 | |
What, you're giving up? | 0:35:20 | 0:35:21 | |
Well, like you say, there's a lot of Elizabeth Hathaways, | 0:35:21 | 0:35:24 | |
and I'm out of cash. | 0:35:24 | 0:35:26 | |
So I can't exactly afford to hire you to help me, now, can I? | 0:35:26 | 0:35:30 | |
Well, never mind. You gave it your best shot. | 0:35:32 | 0:35:34 | |
I have got the strongest of feelings that I know that woman, Theresa. | 0:35:38 | 0:35:43 | |
Yeah, but to be fair, you swore blind I was your nephew. | 0:35:43 | 0:35:46 | |
-That's true. -You're a nice fella, but your hunches are rubbish. | 0:35:46 | 0:35:49 | |
It's a fair cop, governor. | 0:35:49 | 0:35:51 | |
-PHONE RINGS -Oh! | 0:35:51 | 0:35:52 | |
Did Sebastian get in the flat? | 0:35:57 | 0:35:58 | |
He did, and found hairs from Leon's wig under Lola's armchair. | 0:35:58 | 0:36:02 | |
You're kidding! Nice one. Does she suspect anything? | 0:36:02 | 0:36:05 | |
She's on her bike. Literally. Just pulled into Ridgemead car park. | 0:36:05 | 0:36:08 | |
I'm on my way. | 0:36:08 | 0:36:10 | |
Any chance of a lift? | 0:36:10 | 0:36:11 | |
Sure. | 0:36:11 | 0:36:13 | |
CAMERA SHUTTER CLICKS | 0:36:13 | 0:36:14 | |
For services rendered. | 0:36:21 | 0:36:23 | |
Well, that's her debts paid. | 0:36:27 | 0:36:29 | |
CAR ENGINE STARTS | 0:36:29 | 0:36:31 | |
Glad to see you back on your feet, Lola. | 0:36:36 | 0:36:38 | |
Can you move your car, please? | 0:36:38 | 0:36:40 | |
I don't think DI Marlowe would thank her. | 0:36:40 | 0:36:42 | |
And she is on her way. | 0:36:42 | 0:36:44 | |
What's all is this about? | 0:36:45 | 0:36:46 | |
This is about you two murdering Diana. | 0:36:46 | 0:36:49 | |
And framing Phil. | 0:36:49 | 0:36:51 | |
-What? -I know you both hated Diana, maybe with good reason. | 0:36:51 | 0:36:55 | |
You definitely needed the cash. | 0:36:55 | 0:36:56 | |
So the two of you came up with the perfect murder. | 0:36:56 | 0:36:59 | |
Well, nearly. | 0:36:59 | 0:37:01 | |
Have you seen my phone? I had it here, I'm sure of it. | 0:37:02 | 0:37:07 | |
It'll turn up, darling. Always does. | 0:37:07 | 0:37:09 | |
First, you cooked up Lola's fake compensation claim. | 0:37:09 | 0:37:12 | |
Made the two of you look like enemies. | 0:37:12 | 0:37:15 | |
Next, you convinced Diana to hire us. | 0:37:15 | 0:37:18 | |
You'd worked out that private investigators | 0:37:18 | 0:37:20 | |
would give you the perfect alibi. | 0:37:20 | 0:37:22 | |
Then, on the day of the murder, you got hold of Diana's phone. | 0:37:22 | 0:37:25 | |
MESSAGE ALERT | 0:37:29 | 0:37:31 | |
You set the trap. | 0:37:33 | 0:37:35 | |
TV PLAYS | 0:37:39 | 0:37:41 | |
LU ON PHONE: Yeah, well, as I said before, Mr Tarsich, | 0:38:49 | 0:38:52 | |
patience is the key. | 0:38:52 | 0:38:53 | |
You don't understand. | 0:38:53 | 0:38:55 | |
We're not insured. Well, not with the right policy, anyway. | 0:38:55 | 0:38:59 | |
A few minutes later, you returned to your flat, | 0:39:00 | 0:39:03 | |
and swapped places again. | 0:39:03 | 0:39:05 | |
Meanwhile, Phil arrived at Arden Dreams, | 0:39:08 | 0:39:11 | |
straight into the trap that you'd set him. | 0:39:11 | 0:39:14 | |
Instead of reporting the crime, he took the money. | 0:39:22 | 0:39:25 | |
Just as you'd hoped. | 0:39:25 | 0:39:26 | |
Which meant that when you led us to Phil, | 0:39:46 | 0:39:48 | |
all the evidence was laid out to make it look like he was the killer. | 0:39:48 | 0:39:51 | |
Your partners certainly chose the wrong people to cheat on. | 0:39:56 | 0:39:59 | |
SIRENS APPROACH | 0:39:59 | 0:40:02 | |
-I should leave you on your own more often. -If you insist. | 0:40:13 | 0:40:16 | |
-Go on, then Frank. Rub it in. -Yoda, you are! | 0:40:16 | 0:40:20 | |
SHE LAUGHS | 0:40:20 | 0:40:21 | |
Ah, you're a great copper, Christina. | 0:40:21 | 0:40:23 | |
I'm hardly in the position to gloat, am I? | 0:40:23 | 0:40:25 | |
-I didn't spot it. -Thanks, Frank. See you later. | 0:40:25 | 0:40:29 | |
Ah. Hanging out with Martin's made you go all soft. | 0:40:29 | 0:40:31 | |
Ah, don't be daft! | 0:40:31 | 0:40:33 | |
I don't condone murder, obviously, but... | 0:40:33 | 0:40:36 | |
I do feel a teeny bit sorry for Leon. | 0:40:36 | 0:40:39 | |
I mean, just hiding his cross-dressing from his wife | 0:40:39 | 0:40:41 | |
for all that time - it must have been agony. | 0:40:41 | 0:40:43 | |
Yeah. It's amazing what people will put up with just to keep a secret. | 0:40:43 | 0:40:47 | |
We're looking for my grandmother. She was called Elizabeth Hathaway. | 0:40:51 | 0:40:54 | |
-She died in 1953. -Yeah, we think she may be my mother. | 0:40:54 | 0:40:57 | |
Here's a little something for your journey. | 0:40:59 | 0:41:01 | |
Oh, gosh, thank you, ma'am! | 0:41:01 | 0:41:04 | |
-The vicar's daughter! -What? | 0:41:07 | 0:41:09 | |
We need to get to the airport! | 0:41:09 | 0:41:10 | |
-Got to stop Martin. Go on, get in. -After you. | 0:41:12 | 0:41:15 | |
-No after you. -After you. -Just get in! | 0:41:15 | 0:41:17 | |
KNOCKS AT DOOR | 0:41:18 | 0:41:20 | |
SHE SIGHS | 0:41:26 | 0:41:27 | |
What is it? | 0:41:30 | 0:41:32 | |
I understand why you tried to hide it. | 0:41:33 | 0:41:36 | |
Your father had a reputation to protect. | 0:41:37 | 0:41:40 | |
SHE SIGHS | 0:41:40 | 0:41:41 | |
I... | 0:41:43 | 0:41:45 | |
I don't know what... | 0:41:45 | 0:41:48 | |
What you're talking about. | 0:41:48 | 0:41:50 | |
Oh, Theresa. | 0:41:50 | 0:41:52 | |
It's been 65 years. | 0:41:52 | 0:41:54 | |
Don't you think it's time you admitted the truth? | 0:41:56 | 0:41:58 | |
Mama? | 0:42:05 | 0:42:07 | |
Yes! | 0:42:07 | 0:42:09 | |
SHE CHUCKLES | 0:42:09 | 0:42:10 | |
HE SOBS | 0:42:11 | 0:42:12 | |
It was the 1950s. | 0:42:25 | 0:42:26 | |
If people found out Theresa got pregnant out of wedlock, | 0:42:26 | 0:42:28 | |
there'd have been a massive scandal. | 0:42:28 | 0:42:30 | |
Especially with her dad being the local rev. | 0:42:30 | 0:42:33 | |
She was sent away to have Martin. | 0:42:33 | 0:42:35 | |
Her dad bribed a registrar to put another woman's name | 0:42:35 | 0:42:37 | |
on the birth certificate. | 0:42:37 | 0:42:39 | |
Theresa suggested her recently departed best friend, my nana. | 0:42:39 | 0:42:43 | |
Do you know what's great about all this is that you can find out | 0:42:43 | 0:42:45 | |
-from Theresa everything you didn't know about your gran. -Huh. | 0:42:45 | 0:42:48 | |
I've already found out everything I need to know. | 0:42:48 | 0:42:50 | |
Apparently, my nana was a superb dancer. | 0:42:50 | 0:42:55 | |
Which, of course, is where I get my innate sense of... | 0:42:55 | 0:42:57 | |
..rhythm. | 0:42:59 | 0:43:01 | |
Cheers! | 0:43:01 | 0:43:02 | |
THEY CHUCKLE | 0:43:02 | 0:43:04 |