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Be careful with those pins. | 0:00:05 | 0:00:08 | |
Even stars bleed. | 0:00:08 | 0:00:09 | |
Sorry. | 0:00:09 | 0:00:10 | |
I'm still in a bit of a daze. | 0:00:10 | 0:00:12 | |
This is my dream job. | 0:00:12 | 0:00:14 | |
-Just don't ask for a selfie. -Oh, no, I'd never. | 0:00:14 | 0:00:16 | |
It becomes so tiresome. | 0:00:16 | 0:00:18 | |
KNOCK ON DOOR | 0:00:18 | 0:00:19 | |
Sally, what the hell is this? Didn't you learn anything from the preview? You can't rewrite Romeo and Juliet. | 0:00:27 | 0:00:32 | |
It's just a few more tweaks. | 0:00:32 | 0:00:34 | |
No-one tweaks the Bard. | 0:00:34 | 0:00:37 | |
Roman, we had a deal, remember? A little promise between each other. | 0:00:37 | 0:00:44 | |
There isn't a play in the world that couldn't do better with a few changes. | 0:00:44 | 0:00:48 | |
I think I'm done here. | 0:00:50 | 0:00:51 | |
So, how do I look? Would Romeo kill himself for me? | 0:00:51 | 0:00:56 | |
Oh, he'd definitely kill. | 0:00:56 | 0:00:58 | |
He wouldn't be able to help himself. | 0:00:58 | 0:01:00 | |
I need more light. | 0:01:00 | 0:01:02 | |
Romeo, Romeo, wherefore art thou... | 0:01:02 | 0:01:06 | |
What on earth?! | 0:01:08 | 0:01:09 | |
Oh, my! | 0:01:14 | 0:01:15 | |
-It would. -It wouldn't. | 0:01:41 | 0:01:44 | |
It absolutely would. | 0:01:44 | 0:01:45 | |
A gorilla. Grr! | 0:01:45 | 0:01:47 | |
A gorilla is far stronger than a lion, it'd easy beat it in a fight. | 0:01:47 | 0:01:49 | |
-FRANK MAKES GORILLA NOISES -Lion is a natural born killer. | 0:01:49 | 0:01:52 | |
Gorillas just sit about eating bananas all day. | 0:01:52 | 0:01:54 | |
Help me. | 0:01:56 | 0:01:57 | |
I'll pay anything. | 0:01:57 | 0:01:58 | |
Please take a seat. | 0:01:58 | 0:01:59 | |
Right, erm, shall we...shall we start with, er, a name? Your name. | 0:01:59 | 0:02:05 | |
-You don't know who I am? -SEBASTIAN: -Exactly! | 0:02:05 | 0:02:07 | |
The budgie smugglers had nothing to smuggle... Go away. | 0:02:07 | 0:02:11 | |
Sally Balthasar! I don't know whether to fawn or to faint. | 0:02:12 | 0:02:19 | |
Please say you'll help me. | 0:02:19 | 0:02:20 | |
Only someone's trying to kill me, and the wretched police | 0:02:20 | 0:02:23 | |
don't want to know. | 0:02:23 | 0:02:24 | |
So, who knew that you were staying here? | 0:02:24 | 0:02:27 | |
Well, I'm Sally Balthasar. Word will have got round. | 0:02:27 | 0:02:31 | |
Ward 9? | 0:02:31 | 0:02:33 | |
Soap opera? | 0:02:33 | 0:02:34 | |
Well, I prefer medical drama. | 0:02:34 | 0:02:36 | |
I played Senior Staff Nurse Nora Claret. | 0:02:36 | 0:02:39 | |
-So, nothing? -I've checked everything. | 0:02:39 | 0:02:41 | |
OK. Thanks. | 0:02:41 | 0:02:42 | |
CCTV's down, so won't get anything out of that. | 0:02:43 | 0:02:47 | |
And you were in Miss Balthasar's room because...? | 0:02:47 | 0:02:50 | |
Sally wanted me to do an early costume fitting. | 0:02:50 | 0:02:52 | |
-I'd been up all night tacking and... -You are? | 0:02:52 | 0:02:55 | |
Oh, I'm Roman Randall, the theatre director. | 0:02:55 | 0:02:57 | |
I just popped in with a few thoughts about the... | 0:02:57 | 0:03:00 | |
..play. | 0:03:00 | 0:03:01 | |
So, you're all in Stratford to put on a show? | 0:03:01 | 0:03:03 | |
A show? This is theatre. | 0:03:03 | 0:03:06 | |
Have you had threats like this before? | 0:03:06 | 0:03:08 | |
Well, hardly. I'm a national treasure. | 0:03:08 | 0:03:10 | |
I think it's probably a prank. | 0:03:10 | 0:03:12 | |
This isn't a prank! | 0:03:12 | 0:03:14 | |
This is a death threat. | 0:03:14 | 0:03:15 | |
OK, look, erm, I'll get CSI over first chance I get. | 0:03:15 | 0:03:18 | |
But we've got a lot on our plates right now. | 0:03:18 | 0:03:22 | |
So, tell me, who else might have read your updated version of Romeo and Juliet? | 0:03:22 | 0:03:27 | |
You mean Juliet and Romeo? | 0:03:27 | 0:03:29 | |
The cast were issued with more changes last night. | 0:03:29 | 0:03:31 | |
But I don't think that's it. | 0:03:31 | 0:03:33 | |
Oh, it's just a few lines here and there. | 0:03:33 | 0:03:35 | |
And is there anyone you've upset recently? | 0:03:35 | 0:03:38 | |
Well, there was this one chap... | 0:03:38 | 0:03:40 | |
..at the preview performance. | 0:03:40 | 0:03:42 | |
Horrendous fellow. | 0:03:42 | 0:03:43 | |
What's here? | 0:03:47 | 0:03:48 | |
A cup, closed in my true love's hand? | 0:03:51 | 0:03:55 | |
Poison, I see, hath been his timeless end. | 0:03:55 | 0:03:59 | |
And he foolishly thinks I should join him in heaven? | 0:03:59 | 0:04:04 | |
Slay myself for a man? Never! | 0:04:04 | 0:04:08 | |
I have a dream. | 0:04:11 | 0:04:14 | |
Not for equality. | 0:04:14 | 0:04:15 | |
But a dream for an apology. | 0:04:15 | 0:04:17 | |
A desire for every man to say sorry to every woman | 0:04:19 | 0:04:24 | |
for their unremitting abuse of power. | 0:04:24 | 0:04:29 | |
Our love has to be earned from now on, gentlemen. | 0:04:29 | 0:04:32 | |
You're a disgrace, Balthasar! | 0:04:32 | 0:04:34 | |
Do your hear that, Romeo? Do you hear me? | 0:04:34 | 0:04:37 | |
You're a despicable disgrace! | 0:04:37 | 0:04:39 | |
Do you hear that, Romeo? Too late to kill me! | 0:04:39 | 0:04:41 | |
You're a disgrace! | 0:04:41 | 0:04:42 | |
I'd only really changed the ending. | 0:04:46 | 0:04:49 | |
But now you've made some more changes? | 0:04:49 | 0:04:51 | |
Well, once you get a taste for it... | 0:04:51 | 0:04:54 | |
So, we could be talking about a kind of aggressive Shakespeare traditionalist here? | 0:04:54 | 0:05:00 | |
Which is something you don't get to say every day. | 0:05:00 | 0:05:02 | |
Well, I'll try and find him. | 0:05:05 | 0:05:07 | |
I'll go down to the hotel, see what I can dig up. | 0:05:07 | 0:05:09 | |
And I'll sashay my way over to the theatre. | 0:05:09 | 0:05:11 | |
Says who? | 0:05:11 | 0:05:12 | |
It's my world, Frank. I can be your eyes and ears on the ground. | 0:05:12 | 0:05:17 | |
I'm also an actor. | 0:05:17 | 0:05:18 | |
So if, say, I had to go undercover and do the odd part, I'd probably be wonderful. | 0:05:18 | 0:05:24 | |
-He would. -He wouldn't. | 0:05:25 | 0:05:27 | |
BELL RINGS | 0:05:39 | 0:05:40 | |
-Good morning, madam. -Hello. | 0:05:45 | 0:05:46 | |
Sorry to bother you but, erm, I was staying here last week and I think I left my... | 0:05:46 | 0:05:52 | |
..toothbrush in my room. | 0:05:52 | 0:05:54 | |
A toothbrush? | 0:05:55 | 0:05:57 | |
It was electric. Cost me an arm and a leg. | 0:05:57 | 0:06:00 | |
So, erm, I have been using a spare, obviously. | 0:06:00 | 0:06:05 | |
Of course. | 0:06:05 | 0:06:06 | |
Could you check the lost property for me? | 0:06:06 | 0:06:08 | |
-I'll have a look. -Thanks. | 0:06:10 | 0:06:11 | |
-SEBASTIAN: -'Tis torture, and not mercy. | 0:06:25 | 0:06:27 | |
Heaven is here, where Juliet lives, | 0:06:27 | 0:06:29 | |
and every cat and dog and little mouse, every unworthy thing, | 0:06:29 | 0:06:33 | |
live here in heaven and may look on her, but Romeo may not. | 0:06:33 | 0:06:37 | |
BELLE: Roman? Roman! | 0:07:04 | 0:07:07 | |
-Roman, I don't seem to have a part any more. -What? | 0:07:07 | 0:07:09 | |
I'm not in any scenes. | 0:07:09 | 0:07:11 | |
How could she do that me? You swore this would be my big break. | 0:07:11 | 0:07:14 | |
And it will be, I promise you. | 0:07:14 | 0:07:17 | |
This is still far too tight. | 0:07:18 | 0:07:20 | |
I just followed your instructions. | 0:07:20 | 0:07:22 | |
I'm not in the Chippendales! | 0:07:22 | 0:07:24 | |
But you said... | 0:07:24 | 0:07:26 | |
What exactly are you implying? Go on. | 0:07:26 | 0:07:28 | |
I dare you. | 0:07:28 | 0:07:29 | |
Tell me I'm fat. | 0:07:29 | 0:07:31 | |
Look, I can only apologise. | 0:07:31 | 0:07:33 | |
-You're fired! -Wait. What? I can fix it. | 0:07:33 | 0:07:35 | |
The minute I find a replacement, you can go. | 0:07:35 | 0:07:38 | |
This has the names of all the cast. | 0:07:38 | 0:07:40 | |
Fabulous, I'll start looking into them. | 0:07:40 | 0:07:43 | |
Oh, she's not really fired, is she? | 0:07:43 | 0:07:46 | |
You have to set an example, my young friend. | 0:07:46 | 0:07:49 | |
The cast are grumbling, it'll soon shut them up. | 0:07:49 | 0:07:52 | |
-Now, have you learnt anything? -Erm... | 0:07:52 | 0:07:54 | |
I only just got here. | 0:07:54 | 0:07:55 | |
We'll have to fix that, then. | 0:07:55 | 0:07:58 | |
Roman? | 0:07:58 | 0:07:59 | |
-A word, if I may. -Sally. | 0:07:59 | 0:08:01 | |
This is Sebastian. | 0:08:01 | 0:08:03 | |
Make a wonderful page to Paris, don't you think? | 0:08:03 | 0:08:07 | |
But with better lines. | 0:08:07 | 0:08:09 | |
Three years of RADA at your service. | 0:08:09 | 0:08:11 | |
Sorry, I... | 0:08:16 | 0:08:18 | |
You're a star, you are. | 0:08:18 | 0:08:19 | |
Hey, you should work on the stage. | 0:08:19 | 0:08:21 | |
Anyway, thanks, yes. | 0:08:24 | 0:08:25 | |
PHONE RINGS | 0:08:28 | 0:08:31 | |
-Hello. -Yeah, listen. I've got the name of the bloke who kicked off at the preview. | 0:08:32 | 0:08:36 | |
Ooh, get you! | 0:08:36 | 0:08:37 | |
He paid for his ticket with a credit card. | 0:08:37 | 0:08:39 | |
He's called...er, Doug Lambie. | 0:08:39 | 0:08:42 | |
Doug Lambie? Hold on a minute. I know that name. | 0:08:42 | 0:08:46 | |
Yeah, he's on the, er, hotel guest list. | 0:08:46 | 0:08:50 | |
What, you memorised all the names? | 0:08:50 | 0:08:52 | |
We all have a gift, Frank. Yours will reveal itself. Eventually. | 0:08:52 | 0:08:55 | |
Er, let me think. | 0:08:55 | 0:08:57 | |
He's in Room 48. | 0:08:57 | 0:08:59 | |
Bingo. How good are we? | 0:08:59 | 0:09:01 | |
Er, listen, we did agree a flat fee with Sally, didn't we? Not an hourly rate? | 0:09:01 | 0:09:06 | |
I'll see you at the hotel. And, yes, if she asks, it was a flat fee. | 0:09:06 | 0:09:09 | |
Bye. Oh, bye, then! | 0:09:09 | 0:09:11 | |
KNOCK ON DOOR | 0:09:32 | 0:09:33 | |
So, how do you want to do this? Cos, like, he might be unhinged, a bit dangerous. | 0:09:35 | 0:09:39 | |
What, now, you bring that up? | 0:09:39 | 0:09:40 | |
I think he must be out. | 0:09:43 | 0:09:45 | |
-Hello? -Oh, ha! Would you believe it? | 0:09:45 | 0:09:48 | |
Er, we've...we've locked ourselves out, and my car keys are in the room, so... | 0:09:48 | 0:09:53 | |
I know what it looks like - a handsome married man with some young blonde floozy. | 0:09:53 | 0:09:59 | |
But we are deeply in love. | 0:10:00 | 0:10:01 | |
-Yes. -Argh! We are. | 0:10:01 | 0:10:04 | |
And we deeply need to see our spouses, so...if you could... | 0:10:04 | 0:10:08 | |
-OK. -Thank you. -Thank you. | 0:10:08 | 0:10:10 | |
Welcome! | 0:10:10 | 0:10:12 | |
Come on, babe. | 0:10:12 | 0:10:13 | |
Once more around the world! | 0:10:13 | 0:10:14 | |
Floozy! What are we looking for? | 0:10:16 | 0:10:20 | |
A nice big tin of red paint would be nice. | 0:10:21 | 0:10:23 | |
Need a password. | 0:10:26 | 0:10:27 | |
The only thing criminal in here is his taste in clothes. | 0:10:30 | 0:10:32 | |
Oh, eh! | 0:10:35 | 0:10:36 | |
Looks like my old maths teacher. | 0:10:36 | 0:10:38 | |
-What you doing? -Looking for fingerprints. | 0:10:43 | 0:10:45 | |
You know the marks where he's been swiping in the password. | 0:10:45 | 0:10:47 | |
And I think it looks like it might be a B. | 0:10:47 | 0:10:50 | |
-Hello! -Good work, Lu. | 0:10:53 | 0:10:55 | |
Right, what we got? | 0:10:55 | 0:10:57 | |
Er, mostly work e-mails. | 0:10:57 | 0:11:00 | |
Just schedules, rotas, supplies. | 0:11:00 | 0:11:03 | |
Looks like Doug Lambie is an area sales manager for Lovely Buds Garden Centres. | 0:11:05 | 0:11:11 | |
What, there's nothing about Shakespeare? No annual subscription to I Love Willie? | 0:11:11 | 0:11:15 | |
Not a dicky bird. | 0:11:15 | 0:11:17 | |
Well, maybe he's not our man. | 0:11:17 | 0:11:18 | |
He's staying in the same hotel as Sally. | 0:11:18 | 0:11:20 | |
Ah, well, we'd better not forget about the other 50 guests that are staying there as well. | 0:11:20 | 0:11:24 | |
Two words, Frank - Celebrity Stalker. | 0:11:24 | 0:11:27 | |
Four words, Lu - stop reading those trashy magazines. | 0:11:27 | 0:11:31 | |
That's five. | 0:11:31 | 0:11:32 | |
Get in the car. He'll be back in a minute. | 0:11:33 | 0:11:35 | |
-We could be here hours. -Mm. | 0:11:45 | 0:11:47 | |
Oh, look, look. | 0:11:49 | 0:11:50 | |
Sally has got her own section on the soap website. | 0:11:50 | 0:11:53 | |
Ooh. And there's a link here. | 0:11:53 | 0:11:55 | |
You can watch the episodes. | 0:11:55 | 0:11:58 | |
-MUSIC FROM SOAP PLAYS -Can't you get the footie on that instead? | 0:11:58 | 0:12:00 | |
I do love a soap. | 0:12:00 | 0:12:01 | |
'Don't know why I bothered turning up for this interview. | 0:12:03 | 0:12:06 | |
'They're bound to pick you for Senior Staff Nurse. | 0:12:06 | 0:12:08 | |
'Me? Oh, I don't stand a chance against you, Nora. | 0:12:08 | 0:12:11 | |
'You're everybody's darling. | 0:12:11 | 0:12:13 | |
-'Did I tell you my mum had to go into a home? -No.' | 0:12:13 | 0:12:16 | |
What a load of rubbish! | 0:12:16 | 0:12:17 | |
-'When was this? -Last night. | 0:12:17 | 0:12:19 | |
'It's going to cost me an arm and a leg. | 0:12:19 | 0:12:20 | |
'You'll get help with that. | 0:12:20 | 0:12:22 | |
'What I need is a pay rise. | 0:12:22 | 0:12:25 | |
'And you're going to tell them that in interview, aren't you? | 0:12:25 | 0:12:28 | |
'Me? Never. I wouldn't use that. | 0:12:28 | 0:12:31 | |
'It's all about the right person for the right job. | 0:12:31 | 0:12:33 | |
'We're professionals, Wendy. | 0:12:33 | 0:12:35 | |
'Since when have you and him been friends? | 0:12:42 | 0:12:44 | |
'Oh...since last night. | 0:12:44 | 0:12:47 | |
'Wait, he's on the interview panel, in't he? | 0:12:47 | 0:12:49 | |
'Is he? He kept that quiet. | 0:12:49 | 0:12:52 | |
'I think I might have a cup of coffee. | 0:12:56 | 0:12:58 | |
'Fancy one? | 0:12:58 | 0:13:00 | |
'Milk, two sugars. | 0:13:00 | 0:13:01 | |
'Coming right up. | 0:13:02 | 0:13:03 | |
'Two coffees, please.' | 0:13:13 | 0:13:14 | |
What a load of rubbish! No wonder they cancelled it. | 0:13:16 | 0:13:19 | |
Yeah, I know. | 0:13:19 | 0:13:20 | |
RAIN DRUMS ON CAR | 0:13:20 | 0:13:22 | |
-Shall we watch some more? -Aye, go on, then. | 0:13:23 | 0:13:26 | |
MUSIC FROM SOAP PLAYS | 0:13:26 | 0:13:27 | |
I've got theatres screaming down the phone at me. | 0:13:27 | 0:13:30 | |
Word's got out since the preview. | 0:13:30 | 0:13:33 | |
They're threatening to pull out of the tour. | 0:13:33 | 0:13:35 | |
Well, that'll change after press night. | 0:13:35 | 0:13:38 | |
We'll be laughing stock, Sally. | 0:13:38 | 0:13:40 | |
This right here is career suicide. | 0:13:40 | 0:13:43 | |
I helped forge your career. | 0:13:43 | 0:13:45 | |
I'll hardly destroy it now. | 0:13:45 | 0:13:46 | |
Sally, Sally, I really need you to think about this very carefully. | 0:13:46 | 0:13:49 | |
These threats against your life, they didn't appear out of thin air. | 0:13:49 | 0:13:52 | |
People do not like what you're doing to the show. | 0:13:52 | 0:13:54 | |
And I've got private investigators looking into it. | 0:13:54 | 0:13:57 | |
You have? Since when? | 0:13:58 | 0:14:01 | |
You look worried, Roman. | 0:14:01 | 0:14:02 | |
Well, aren't you? I mean, what if these people you've hired dig too deep? | 0:14:02 | 0:14:05 | |
-I've nothing to hide. -OK, well, perhaps you should say that to Martha Weathers, | 0:14:05 | 0:14:08 | |
-and the rewrite you did for her. -You benefitted, Roman, just like I did. | 0:14:08 | 0:14:11 | |
-Antonia? -I'm still not proud of what I did. | 0:14:11 | 0:14:14 | |
-WHISPERS: -Are they arguing? -I think so. | 0:14:14 | 0:14:15 | |
Is it about me? Am I being written back in? | 0:14:15 | 0:14:17 | |
I don't know, Belle, I can't quite make out what they're saying. | 0:14:17 | 0:14:19 | |
What is this? | 0:14:21 | 0:14:23 | |
Um, I fixed Sally's dress for the matinee, and I was hoping you could put in a good word for me. | 0:14:23 | 0:14:26 | |
-I just really need this job. -Move. -Roman, wait. | 0:14:26 | 0:14:29 | |
Oh! | 0:14:45 | 0:14:46 | |
'I don't know what happened. We were outside waiting to get called | 0:14:48 | 0:14:52 | |
'for our interviews, happily drinking coffee.' | 0:14:52 | 0:14:55 | |
What? Happily drinking poisoned coffee, she means. | 0:14:55 | 0:14:58 | |
Yeah! That Nurse Claret, she is trouble, yeah? | 0:14:58 | 0:15:02 | |
Oh, there goes the evidence! | 0:15:02 | 0:15:04 | |
FRANK CHUCKLES | 0:15:04 | 0:15:06 | |
And into resus. | 0:15:12 | 0:15:13 | |
Have we got time for one more? | 0:15:19 | 0:15:21 | |
Oh, pause that a sec. | 0:15:24 | 0:15:25 | |
Well, well. | 0:15:27 | 0:15:28 | |
O, look! Methinks I see my cousin's ghost | 0:15:32 | 0:15:36 | |
seeking out Romeo, that did spit his body upon a rapier's point. | 0:15:36 | 0:15:40 | |
Stay, Tybalt, stay! | 0:15:40 | 0:15:42 | |
Romeo, Romeo, Romeo! | 0:15:44 | 0:15:48 | |
Here's drink. | 0:15:48 | 0:15:49 | |
I drink to thee. | 0:15:49 | 0:15:51 | |
How eerie. | 0:16:09 | 0:16:10 | |
I have not succumbed to sleep. | 0:16:12 | 0:16:14 | |
I think getting sacked might turn out to be a blessing. | 0:16:14 | 0:16:17 | |
If anything, this potion is making me feel stronger. | 0:16:17 | 0:16:21 | |
I feel its... | 0:16:21 | 0:16:22 | |
SHE COUGHS | 0:16:22 | 0:16:24 | |
I feel its nourishing strength... | 0:16:24 | 0:16:27 | |
SHE COUGHS | 0:16:27 | 0:16:29 | |
..enriching my womanhood. | 0:16:29 | 0:16:32 | |
She's very convincing. | 0:16:32 | 0:16:34 | |
SHE COUGHS, RETCHES | 0:16:34 | 0:16:38 | |
Help me! | 0:16:40 | 0:16:41 | |
Actually, it's verging on ham now. | 0:16:41 | 0:16:43 | |
House lights, please! House lights! | 0:16:49 | 0:16:51 | |
Ladies and gentlemen, if I could have your attention, please. | 0:16:56 | 0:16:59 | |
Can I ask you all to make your way to the exits as quickly as possible? | 0:16:59 | 0:17:02 | |
-You're going to be OK. -Juliet lives on! | 0:17:29 | 0:17:31 | |
I guess you could say the writing was on the window. | 0:17:36 | 0:17:39 | |
-Oh! -Don't need the sarcasm, Frank. | 0:17:39 | 0:17:42 | |
-I'm just saying. -What are you guys doing here, anyway? | 0:17:42 | 0:17:44 | |
Sally's our client. | 0:17:44 | 0:17:45 | |
She wanted us to catch the man that's been threatening her. | 0:17:45 | 0:17:48 | |
Great job. Keep up the good work. | 0:17:48 | 0:17:50 | |
-So, did you get anywhere? -Tell you what, I'll do you a trade. | 0:17:50 | 0:17:53 | |
You first. | 0:17:53 | 0:17:54 | |
OK, well, it looks like someone spiked Juliet's drink backstage. | 0:17:54 | 0:17:58 | |
So I'm going to ask them to rush through the tox report. | 0:17:58 | 0:18:01 | |
She's been poisoned? Ah, just like Wendy, in the soap. | 0:18:01 | 0:18:04 | |
What soap? | 0:18:04 | 0:18:05 | |
If you've got something, spill. | 0:18:06 | 0:18:10 | |
Well, we've been looking into this guy, Doug Lambie. | 0:18:10 | 0:18:14 | |
Staying at the same hotel as Sally. | 0:18:14 | 0:18:16 | |
Yeah, we think he might be some kind of Shakespeare nut, you know, | 0:18:16 | 0:18:20 | |
that hates then way she's changed Romeo and Juliet. | 0:18:20 | 0:18:22 | |
-"We"? -Wait, you think that someone would kill over that? | 0:18:22 | 0:18:28 | |
-It's still a lead, Sergeant. -Oh, that's the best thing I've heard. | 0:18:28 | 0:18:32 | |
-Come on. -Yeah, and it's our lead. | 0:18:32 | 0:18:34 | |
So... We tracked him down, didn't we? | 0:18:34 | 0:18:38 | |
-You know what this means now. -What, I'm going to play Juliet? | 0:18:38 | 0:18:41 | |
The show must go on, Belle. It's time for the understudy to step up. | 0:18:41 | 0:18:45 | |
-And me? -We'll talk. | 0:18:45 | 0:18:47 | |
Heads up, everyone! We're going back to the original text. | 0:18:47 | 0:18:51 | |
Shakespeare can stop spinning in his grave. | 0:18:51 | 0:18:54 | |
LAUGHTER | 0:18:54 | 0:18:56 | |
-You wanted to see me? -Ah, yes. | 0:18:56 | 0:18:58 | |
I need you to take Belle for a costume fitting, | 0:18:58 | 0:19:00 | |
and I need everything finished by tomorrow morning. | 0:19:00 | 0:19:02 | |
-I've got my job back? -Yes! | 0:19:02 | 0:19:04 | |
Now get on with it, time is precious. | 0:19:04 | 0:19:06 | |
You won't regret it, I promise. | 0:19:06 | 0:19:08 | |
Er, OK, so... Oh, my God, this is so exciting! | 0:19:08 | 0:19:13 | |
Seems like that poisoning couldn't come too soon. | 0:19:13 | 0:19:16 | |
Never seen so many happy faces. | 0:19:16 | 0:19:17 | |
Yep. Well, thanks for the update. | 0:19:24 | 0:19:27 | |
Marlowe's taken Doug Lambie in for questioning. | 0:19:27 | 0:19:29 | |
It seems he was seen leaving the theatre earlier. | 0:19:29 | 0:19:32 | |
Oh, well, you'd better send Sally a bill, Sebastian. | 0:19:32 | 0:19:35 | |
If she's still strong enough to write the cheque. | 0:19:35 | 0:19:37 | |
What are you doing? | 0:19:39 | 0:19:41 | |
I want to find out if Wendy lives or dies. | 0:19:41 | 0:19:44 | |
You're addicted! | 0:19:44 | 0:19:46 | |
I loved this show when it was on. | 0:19:46 | 0:19:48 | |
I'd just turned 15, and I was desperate to marry a doctor. | 0:19:48 | 0:19:52 | |
Well, what about that? Roman Randall was in charge of Ward 9? | 0:19:52 | 0:19:56 | |
How did he go from running a soap opera | 0:19:56 | 0:19:58 | |
to award-winning theatre director? | 0:19:58 | 0:20:00 | |
-What, is that unusual? -It's not exactly de rigeur. | 0:20:00 | 0:20:03 | |
Mind you, he probably regrets it now, | 0:20:03 | 0:20:05 | |
the way he and Sally were arguing. | 0:20:05 | 0:20:07 | |
-When was this? -It was a right old ding-dong. | 0:20:09 | 0:20:11 | |
Shortly before she was poisoned. | 0:20:11 | 0:20:13 | |
Ah. Perhaps I should've told you that. | 0:20:15 | 0:20:17 | |
-What was the row about? -I didn't quite catch... | 0:20:17 | 0:20:22 | |
any of it. | 0:20:22 | 0:20:23 | |
-What?! -Sorry. | 0:20:23 | 0:20:24 | |
You were supposed to be undercover, winkling out clues. | 0:20:24 | 0:20:27 | |
What's the big deal? The police have made an arrest. | 0:20:27 | 0:20:30 | |
'I'm right here, Wendy. | 0:20:39 | 0:20:40 | |
'I think that promotion is yours.' | 0:20:43 | 0:20:47 | |
MACHINE BEEPS | 0:20:47 | 0:20:49 | |
MACHINE FLATLINES | 0:20:55 | 0:20:57 | |
'Oh, Wendy. | 0:21:07 | 0:21:10 | |
'You welcomed me to the hospital with open arms, | 0:21:10 | 0:21:13 | |
'and I'll never forget that. | 0:21:13 | 0:21:14 | |
'And when I get that promotion, I'll dedicate it to you. | 0:21:16 | 0:21:21 | |
'I'll tell them that everything I learned, I learned from you. | 0:21:21 | 0:21:27 | |
'That if you hadn't died so suddenly, | 0:21:27 | 0:21:30 | |
'that you would be striding around as senior staff nurse.' | 0:21:30 | 0:21:34 | |
I don't get it. Why kill off a good character and keep a rotten one? | 0:21:40 | 0:21:45 | |
I think it's called showbiz, Frank. | 0:21:45 | 0:21:47 | |
-Wendy was great. -Mm. -Are you two crying? | 0:21:49 | 0:21:53 | |
-No! -No! | 0:21:53 | 0:21:55 | |
How are you feeling? | 0:22:01 | 0:22:03 | |
Dreadful, they've been taking all sorts of bloods and samples, | 0:22:03 | 0:22:07 | |
and still no-one's told me when I can leave. | 0:22:07 | 0:22:10 | |
Well, at least you're in the best place. | 0:22:11 | 0:22:13 | |
And, erm, Belle is going to step in for you tomorrow evening. | 0:22:13 | 0:22:18 | |
Belle? | 0:22:18 | 0:22:20 | |
Over my dead body, Roman. | 0:22:20 | 0:22:22 | |
Quite literally, after today. | 0:22:22 | 0:22:25 | |
-I'm going to be going on, not her. -Somebody tried to kill you, Sally. | 0:22:25 | 0:22:29 | |
Yeah, and I believe they've made an arrest. | 0:22:29 | 0:22:31 | |
Now, can you get me a doctor? I need to get out of here. | 0:22:31 | 0:22:34 | |
Just met with Marlowe. They've released Doug Lambie. | 0:22:44 | 0:22:47 | |
No! We handed him to her on a plate. | 0:22:47 | 0:22:49 | |
Yeah. No-one could place him backstage at the matinee. | 0:22:49 | 0:22:52 | |
Plus, he doesn't know anything about Shakespeare. | 0:22:52 | 0:22:54 | |
-He's not the uber fan you thought he was. -Oh! | 0:22:54 | 0:22:57 | |
Let's park him for a minute. | 0:23:01 | 0:23:03 | |
What about these three? | 0:23:04 | 0:23:05 | |
Far too happy when Sally was poisoned. | 0:23:07 | 0:23:11 | |
The CCTV at the hotel's broken. but we know the message was written | 0:23:11 | 0:23:14 | |
on the window some time before 7.30am, | 0:23:14 | 0:23:17 | |
because that's roughly when Sally opened the curtains. | 0:23:17 | 0:23:19 | |
Who knew vandals were early risers? | 0:23:19 | 0:23:22 | |
Can you remember anybody else who was staying at the hotel? | 0:23:22 | 0:23:26 | |
These two. | 0:23:26 | 0:23:28 | |
Hang on. | 0:23:28 | 0:23:30 | |
What, the star and the director were staying at some big posh hotel, | 0:23:30 | 0:23:34 | |
and the understudy was staying there as well? | 0:23:34 | 0:23:36 | |
Why wasn't she lumped in somewhere with the rest of the minor players? | 0:23:36 | 0:23:39 | |
Ah. Now, I'm not entirely sure, but I did get the impression | 0:23:39 | 0:23:43 | |
that Roman and Belle were a little bit familiar with each other. | 0:23:43 | 0:23:47 | |
It's lovely the way you over share, Sebastian. | 0:23:47 | 0:23:50 | |
So, Roman moved her into his hotel. | 0:23:50 | 0:23:52 | |
With Sally out of the way, Belle was free to star as Juliet. | 0:23:52 | 0:23:56 | |
And Roman gets to save his reputation. It's perfect. | 0:23:56 | 0:23:59 | |
-Sebastian, start looking into Belle. -I'll go and see Roman. | 0:23:59 | 0:24:02 | |
And let's not forget Antonia - she'd been sacked by Sally. | 0:24:02 | 0:24:06 | |
Again, over sharing. | 0:24:06 | 0:24:08 | |
Thank you, Sebastian. | 0:24:08 | 0:24:09 | |
People have killed for a lot less. | 0:24:12 | 0:24:14 | |
You promised me Roman, you said you'd make me a star. | 0:24:14 | 0:24:17 | |
Blame Sally. I mean, what does it take to finish her off? | 0:24:17 | 0:24:20 | |
Mr Randall. | 0:24:20 | 0:24:22 | |
Hi, Lu Shakespeare from Shakespeare and Hathaway Private Investigators. | 0:24:22 | 0:24:26 | |
-Have you got a minute? -Oh, you're the people Sally hired. | 0:24:26 | 0:24:30 | |
That's right. Yeah, and, erm, I do know that you and Sally | 0:24:30 | 0:24:33 | |
were having an argument before she was poisoned. | 0:24:33 | 0:24:36 | |
It was purely a creative discussion. End of. | 0:24:36 | 0:24:41 | |
Are you married, Mr Randall? | 0:24:41 | 0:24:43 | |
-I spotted the ring. -Then why are you asking? | 0:24:43 | 0:24:46 | |
Oh, I, er, I think you both know why I'm asking. | 0:24:46 | 0:24:51 | |
What was the argument really about? | 0:24:51 | 0:24:54 | |
Who are you, anyway? | 0:24:54 | 0:24:56 | |
I'll tell you, shall I? Nobody. | 0:24:56 | 0:24:59 | |
-I don't need to talk to you. -It won't just be me asking. | 0:24:59 | 0:25:02 | |
The police are going to want to know, too. | 0:25:02 | 0:25:04 | |
-Look, Roman, I think... -Ignore her. | 0:25:04 | 0:25:05 | |
Oh! | 0:25:05 | 0:25:07 | |
Well, a lot of people have tried that. | 0:25:08 | 0:25:10 | |
Doesn't mean I'm going to go away. | 0:25:10 | 0:25:12 | |
-'You're dead! You're dead!' -SHE SCREAMS | 0:25:30 | 0:25:34 | |
'You're dead! You're dead! You're dead! You're dead!' | 0:25:36 | 0:25:40 | |
I thought they'd arrested this maniac. | 0:25:41 | 0:25:43 | |
Not enough evidence to hold him. | 0:25:43 | 0:25:44 | |
So, he's still out there, this Doug person? | 0:25:44 | 0:25:48 | |
Look, we don't even know if it's him. | 0:25:48 | 0:25:52 | |
This is our case, Frank, butt out. | 0:25:52 | 0:25:54 | |
Well, you won't want to know how the teddy was delivered, then, will you? | 0:25:54 | 0:25:58 | |
Courier service. | 0:25:58 | 0:25:59 | |
Someone called Mr Baloo left cash and the teddy for collection. | 0:25:59 | 0:26:03 | |
Mr Baloo? And no-one thought that was made up? | 0:26:03 | 0:26:06 | |
I don't know what's wrong with people. | 0:26:06 | 0:26:10 | |
I need to go back to my hotel. | 0:26:10 | 0:26:12 | |
I can't go ahead with tomorrow night's performance now. | 0:26:12 | 0:26:15 | |
Listen, you were going back on stage. Who knew that? | 0:26:15 | 0:26:17 | |
I told Roman. | 0:26:17 | 0:26:19 | |
I presume he may have told others. | 0:26:19 | 0:26:21 | |
PHONE RINGS | 0:26:21 | 0:26:23 | |
It's Lu. Excuse me. | 0:26:26 | 0:26:28 | |
Right, what have you got? | 0:26:35 | 0:26:38 | |
So, Roman didn't want to speak to me, | 0:26:38 | 0:26:39 | |
which made me think he was hiding something. | 0:26:39 | 0:26:42 | |
So I had to go back a few years, but I found this review. | 0:26:42 | 0:26:46 | |
Cos Sebastian did say it seemed odd that | 0:26:47 | 0:26:49 | |
he basically switched professions overnight. | 0:26:49 | 0:26:52 | |
So, he put on a play, so what? | 0:26:52 | 0:26:53 | |
Exactly. So I did a bit more digging, | 0:26:53 | 0:26:56 | |
and it turns out that his first wife divorced him on grounds of adultery | 0:26:56 | 0:26:59 | |
- took him for every penny he had - | 0:26:59 | 0:27:01 | |
but he still somehow found the money to stage a play. | 0:27:01 | 0:27:05 | |
Is this going anywhere? | 0:27:05 | 0:27:06 | |
-Only I've got a full and happy life waiting for me. -Patience, Frank. | 0:27:06 | 0:27:10 | |
So, Roman formed a limited company with none other than Sally. | 0:27:10 | 0:27:16 | |
She financed his play to the tune of £30,000. | 0:27:17 | 0:27:20 | |
HE WHISTLES | 0:27:20 | 0:27:21 | |
I know, right? That's a lot of money to give to a man | 0:27:21 | 0:27:23 | |
with no previous experience of directing theatre. Right? | 0:27:23 | 0:27:26 | |
-Mm, I see what you're driving at. -Thank you. | 0:27:26 | 0:27:29 | |
Just get there quicker next time. | 0:27:29 | 0:27:31 | |
Look at it! Look at it! | 0:27:34 | 0:27:37 | |
Someone needs to tell Sebastian that we are professionals. | 0:27:37 | 0:27:41 | |
Where's the recording of the threat? | 0:27:44 | 0:27:46 | |
Lu, the teddy bear didn't do it. I will stake my reputation on it. | 0:27:46 | 0:27:49 | |
We never tried slowing it down. | 0:27:49 | 0:27:53 | |
We need to talk pay rise. | 0:27:53 | 0:27:55 | |
I know Belle's real surname. | 0:27:55 | 0:27:58 | |
Turns out she changed it to Roehampton from... | 0:27:58 | 0:28:01 | |
SHE MUTTERS TO HERSELF | 0:28:01 | 0:28:04 | |
Hello. | 0:28:06 | 0:28:09 | |
-What's this? -Well, we thought we've not been properly introduced yet. | 0:28:09 | 0:28:13 | |
Yeah, I'm not speaking to her, or you. | 0:28:13 | 0:28:15 | |
Before you go, tell me about this burning desire to play Juliet. | 0:28:15 | 0:28:19 | |
One of the greatest roles in one of the greatest plays ever. | 0:28:19 | 0:28:22 | |
Goodbye. | 0:28:22 | 0:28:24 | |
-RECORDING: -You're dead! You're dead! -Oh, wrong recording. | 0:28:24 | 0:28:27 | |
Should you two be allowed out unaccompanied? | 0:28:27 | 0:28:30 | |
-SLOWED DOWN: -You're dead! You're dead! | 0:28:30 | 0:28:32 | |
That is your voice, isn't it, Belle? | 0:28:32 | 0:28:33 | |
Yeah, it could be one of a million people. | 0:28:33 | 0:28:36 | |
Yeah, but you're the only one with the surname Lambie. | 0:28:36 | 0:28:39 | |
-Doug Lambie's your dad, isn't he? -So? | 0:28:39 | 0:28:42 | |
Well, he couldn't get backstage to deliver the poison, but you could. | 0:28:42 | 0:28:45 | |
-Anything to get that part. -Look, I did no such thing. | 0:28:45 | 0:28:48 | |
-Classic case of misdirection. -Classic. | 0:28:48 | 0:28:52 | |
Your dad berates Sally, while you work secretly in the background, | 0:28:52 | 0:28:55 | |
-plotting to get rid of her. -So he looks like the prime suspect, | 0:28:55 | 0:28:58 | |
-when actually he's done nothing wrong. -No, no, no... | 0:28:58 | 0:29:00 | |
Absolutely not. I swear. | 0:29:00 | 0:29:01 | |
Well, the police got the toxicology report back this morning. | 0:29:01 | 0:29:04 | |
Weedkiller. | 0:29:04 | 0:29:05 | |
Although Sally would have to drink a litre before it killed her. | 0:29:05 | 0:29:08 | |
Pretty amateur attempt at murder, | 0:29:08 | 0:29:10 | |
but then you're both amateurs, aren't you? | 0:29:10 | 0:29:13 | |
Yes, and thanks to his job at the garden centre, | 0:29:13 | 0:29:16 | |
your dad had easy access to weedkiller, didn't he? | 0:29:16 | 0:29:18 | |
Well, who hasn't? Anyone can buy it. | 0:29:18 | 0:29:21 | |
Is that really all you've got? | 0:29:21 | 0:29:24 | |
Well, the forensics on the vial that Sally drank from | 0:29:24 | 0:29:27 | |
-are going to come back soon. -Even better, | 0:29:27 | 0:29:29 | |
because I never touched it, not once. | 0:29:29 | 0:29:31 | |
You know that threat you painted on the window? | 0:29:31 | 0:29:33 | |
Have you still got the paint in your room? Because if you haven't, | 0:29:33 | 0:29:36 | |
they'll find traces on your clothes. | 0:29:36 | 0:29:39 | |
Look, maybe me and Dad did try and scare Sally into | 0:29:39 | 0:29:41 | |
quitting the show, and maybe I do want to be a star, | 0:29:41 | 0:29:43 | |
but we're not killers. | 0:29:43 | 0:29:44 | |
Not now we're onto you. | 0:29:44 | 0:29:46 | |
Trust me, you can't prove something that isn't true. | 0:29:46 | 0:29:48 | |
Now, if you'll excuse me, I've a costume fitting with Antonia. | 0:29:48 | 0:29:51 | |
So what now? | 0:29:55 | 0:29:58 | |
You don't have to do this, Sally. We're really close. | 0:29:58 | 0:30:01 | |
I'm leaving the play. I got the message loud and clear. | 0:30:01 | 0:30:03 | |
We found out you funded Roman's first play. | 0:30:03 | 0:30:06 | |
So what? I could afford a few hundred pounds. | 0:30:06 | 0:30:08 | |
We were under the impression it was more like 30K. | 0:30:08 | 0:30:13 | |
Well, it was a long time ago. | 0:30:13 | 0:30:15 | |
Now, if you'll excuse me, my nerves are in shreds. | 0:30:15 | 0:30:18 | |
Why would she lie? | 0:30:22 | 0:30:24 | |
SOAP OPERA HOSPITAL SCENE PLAYS | 0:30:24 | 0:30:27 | |
'Oh, Wendy, | 0:30:39 | 0:30:42 | |
'you welcomed me into the hospital with open arms, | 0:30:42 | 0:30:46 | |
'and I'll never forget that. | 0:30:46 | 0:30:48 | |
'And when I get that promotion, I'll dedicate it to you. | 0:30:48 | 0:30:53 | |
'I'll tell them that everything I learned...' | 0:30:53 | 0:30:55 | |
VIDEO STOPS | 0:30:55 | 0:30:57 | |
So, a soap character gets poisoned, and then the actress playing | 0:30:57 | 0:31:02 | |
the poisoner gets the same treatment ten years later. | 0:31:02 | 0:31:04 | |
I mean, what do you make of that? | 0:31:04 | 0:31:06 | |
Er, bearing in mind that Roman was running the soap opera back then. | 0:31:06 | 0:31:09 | |
And he got £30,000 from Sally. | 0:31:09 | 0:31:11 | |
So, what if Sally bribed him to kill off the Wendy character? | 0:31:14 | 0:31:17 | |
And the actress playing Wendy wants revenge. | 0:31:17 | 0:31:20 | |
Ten years later, though. Who waits that long? | 0:31:22 | 0:31:25 | |
I think we should find her, don't you? | 0:31:25 | 0:31:27 | |
Well, er, thanks for agreeing to see us at such short notice, Martha. | 0:31:27 | 0:31:31 | |
It's, er.... | 0:31:31 | 0:31:32 | |
We've been watching Ward 9. We're big fans now, aren't we? | 0:31:32 | 0:31:37 | |
-Oh, yeah, big fans. -Thank you. | 0:31:37 | 0:31:39 | |
Would you like a cup of tea? | 0:31:39 | 0:31:41 | |
Oh! | 0:31:48 | 0:31:49 | |
We were really upset when your character died. | 0:31:49 | 0:31:52 | |
Looks like you were the Queen of Soapland. | 0:31:59 | 0:32:02 | |
We appear to be out of tea. Never mind, please sit. | 0:32:04 | 0:32:08 | |
Oh! Oh! Ah! | 0:32:15 | 0:32:17 | |
So, erm, we checked the TV and film database, | 0:32:20 | 0:32:25 | |
and it looks like you didn't stay in acting. | 0:32:25 | 0:32:27 | |
-I did try. -But? | 0:32:27 | 0:32:30 | |
I was Nurse Wendy. No-one wanted me as anyone else. | 0:32:30 | 0:32:34 | |
That's a shame, I could do with a nurse right now. Ooh! | 0:32:34 | 0:32:38 | |
Well, we thought you were great. | 0:32:38 | 0:32:40 | |
And so did the press, by the looks of things. | 0:32:40 | 0:32:44 | |
Why would they kill off such a popular character? | 0:32:44 | 0:32:47 | |
-The producer never said. -What, it was Roman's decision? | 0:32:47 | 0:32:50 | |
I got the script, and it had been changed at the last minute. | 0:32:50 | 0:32:55 | |
-He didn't even warn me. -Ah, that's brutal, that is.. | 0:32:55 | 0:32:59 | |
Remind me not to go into telly. | 0:32:59 | 0:33:01 | |
When you say "changed," what do you mean? | 0:33:01 | 0:33:03 | |
Sally's character was meant to be killed off, not mine. | 0:33:03 | 0:33:08 | |
Are you sure about that? | 0:33:08 | 0:33:11 | |
All of that...to this. | 0:33:11 | 0:33:17 | |
Tell me, did you really like my performance? | 0:33:20 | 0:33:24 | |
You can tell me over a cup of tea. Would you like one? | 0:33:26 | 0:33:30 | |
Yep. | 0:33:32 | 0:33:33 | |
Oh, my word. | 0:33:37 | 0:33:39 | |
-Roman! -I don't care. | 0:33:43 | 0:33:45 | |
I've got you, I've got a play that everyone's going to love, | 0:33:45 | 0:33:48 | |
and best of all, Sally is dead. | 0:33:48 | 0:33:50 | |
Or at least resting, as they say. | 0:33:50 | 0:33:52 | |
I can't thank you enough for keeping me on. | 0:33:52 | 0:33:54 | |
We're all one big happy family now. | 0:33:54 | 0:33:57 | |
-Good luck, you. -I'll see you later. -You'll be brilliant. | 0:33:57 | 0:34:01 | |
Belle, visitor. | 0:34:04 | 0:34:06 | |
Can I get an autograph before you get too famous? | 0:34:08 | 0:34:11 | |
Dad! | 0:34:11 | 0:34:13 | |
Erm, those investigators. They know we were threatening Sally. | 0:34:13 | 0:34:18 | |
And have we been arrested? The show must go on, Belle. | 0:34:18 | 0:34:22 | |
Always. | 0:34:22 | 0:34:24 | |
I know you didn't succeed, | 0:34:31 | 0:34:32 | |
but I thought I should at least pay you for your time. | 0:34:32 | 0:34:34 | |
We're still on the case, Sally. Belle and her dad were trying to | 0:34:34 | 0:34:38 | |
scare you, but we're not convinced they were trying to kill you. | 0:34:38 | 0:34:41 | |
It was Belle? That little minx! | 0:34:41 | 0:34:45 | |
-Roman never could pick a winner. -There is still someone out there. | 0:34:45 | 0:34:48 | |
Yes, but I've quit the play, whoever it is has got their wish. | 0:34:48 | 0:34:51 | |
We went to see Martha Weathers today. | 0:34:51 | 0:34:56 | |
Martha? Last I heard, she'd, er, had a breakdown. | 0:34:56 | 0:35:00 | |
-How is she? -Still broken. | 0:35:00 | 0:35:02 | |
In fact I'd say she badly needs looking after, | 0:35:02 | 0:35:06 | |
so, if you've got a spare 30,000... | 0:35:06 | 0:35:09 | |
You were going to be written out of Ward 9, | 0:35:09 | 0:35:11 | |
until you went to Roman Randall and offered him 30k to stage his play. | 0:35:11 | 0:35:15 | |
Yeah, not the few hundred pounds that you claimed. | 0:35:15 | 0:35:19 | |
Why lie about it? | 0:35:19 | 0:35:20 | |
Unless it was a bribe to get Roman to change his mind | 0:35:20 | 0:35:24 | |
-about which nurse to kill off. -Don't just blame me. | 0:35:24 | 0:35:26 | |
Roman jumped at the chance. His wife took him for every penny. | 0:35:26 | 0:35:30 | |
Did Roman want to become a theatre director? Is that what it was? | 0:35:30 | 0:35:34 | |
Did you promise him you could make it happen for him? | 0:35:34 | 0:35:36 | |
Sally, surely not? Don't do this to me. | 0:35:36 | 0:35:39 | |
I was a big star back then, Sebastian. | 0:35:43 | 0:35:47 | |
Something you might never experience. | 0:35:47 | 0:35:49 | |
Found it very hard to let go. | 0:35:51 | 0:35:53 | |
I was in love with the fame, magazine covers, | 0:35:53 | 0:35:57 | |
the red carpets at award nights. | 0:35:57 | 0:36:00 | |
It's something I couldn't give up very easily. | 0:36:00 | 0:36:04 | |
Is Martha angry with me? | 0:36:04 | 0:36:06 | |
She didn't know anything about it... | 0:36:06 | 0:36:09 | |
which killed one of our theories stone dead. | 0:36:09 | 0:36:12 | |
Well, I hope this can remain our secret. | 0:36:12 | 0:36:17 | |
-Anyway, I must go to the theatre. -I don't think that's wise. | 0:36:17 | 0:36:20 | |
And deny me the pleasure of seeing how utterly terrible Belle is? | 0:36:20 | 0:36:24 | |
It'll be a joy sacking her after. | 0:36:24 | 0:36:26 | |
So, who we left with now? | 0:36:28 | 0:36:31 | |
What? Sally just paid, job's done. | 0:36:31 | 0:36:35 | |
Can't leave it alone now! | 0:36:35 | 0:36:37 | |
It's just the way I am. | 0:36:39 | 0:36:42 | |
OK. | 0:36:42 | 0:36:44 | |
So, Roman's got his reputation back. | 0:36:44 | 0:36:45 | |
-Is that enough to kill for? -Well, it could be. | 0:36:45 | 0:36:49 | |
It could be another dead end. | 0:36:49 | 0:36:52 | |
We're pretty good at finding those lately. | 0:36:52 | 0:36:55 | |
Oh, come on, Grumpy McGrumpface. Let's go over what we know, then. | 0:36:55 | 0:37:01 | |
Right... | 0:37:01 | 0:37:03 | |
O, be some other name! | 0:37:03 | 0:37:06 | |
'Belle is set to be a star...' | 0:37:06 | 0:37:07 | |
What's in a name? That which we call a rose | 0:37:07 | 0:37:10 | |
by any other name would smell as sweet. | 0:37:10 | 0:37:12 | |
'Doug Lambie would do anything for his daughter.' | 0:37:12 | 0:37:14 | |
So Romeo would, were he not Romeo call'd... | 0:37:14 | 0:37:17 | |
'Roman, as we know, benefits hugely. | 0:37:17 | 0:37:19 | |
'And Antonia gets to keep her job.' | 0:37:19 | 0:37:21 | |
Romeo, doff thy name, and take from that name, | 0:37:21 | 0:37:25 | |
which is no part of thee, take all myself. | 0:37:25 | 0:37:28 | |
Of course! | 0:37:34 | 0:37:35 | |
We appear to be out of tea. | 0:37:35 | 0:37:37 | |
Martha said "we". | 0:37:37 | 0:37:39 | |
Someone was looking after her. She couldn't give us a cup of tea, | 0:37:39 | 0:37:42 | |
because she didn't know where it was kept. | 0:37:42 | 0:37:44 | |
You'll have to explain the relevance. | 0:37:44 | 0:37:46 | |
Belle wasn't the only person who changed her name. | 0:37:46 | 0:37:50 | |
No! Still as clear as mud. | 0:37:50 | 0:37:52 | |
The row Sally and Roman had - do you remember it? | 0:37:52 | 0:37:55 | |
-I told you before... -It doesn't matter what it was about. | 0:37:55 | 0:37:57 | |
It matters who heard it. | 0:37:57 | 0:38:00 | |
Get on the phone to Sally, tell her to get out of the theatre. | 0:38:00 | 0:38:02 | |
That's the last place she should've gone. | 0:38:02 | 0:38:04 | |
Well, that was utterly dreadful. | 0:38:19 | 0:38:21 | |
Christina, get to the theatre as soon as you can. | 0:38:27 | 0:38:30 | |
-Come on! -This is a residential area. -Come on! | 0:38:32 | 0:38:35 | |
-Where is she? -Up there. | 0:38:40 | 0:38:43 | |
Oh, why did she have to be so high up? | 0:38:43 | 0:38:46 | |
No! I don't understand! | 0:38:47 | 0:38:50 | |
No, please! | 0:38:50 | 0:38:53 | |
I won't jump, not for anyone. | 0:38:53 | 0:38:56 | |
You don't want to do that. | 0:38:56 | 0:38:58 | |
Do you, Antonia? | 0:38:58 | 0:39:02 | |
So far, no-one's been badly hurt, but it's a long way down. | 0:39:02 | 0:39:06 | |
It's been a long way down for the last ten years. | 0:39:06 | 0:39:09 | |
Yeah, we know. We know. We went to see Martha. | 0:39:09 | 0:39:13 | |
She can't fend for herself. | 0:39:13 | 0:39:16 | |
You've been there, haven't you, looking after her? | 0:39:16 | 0:39:19 | |
Ah, I sat on your pin cushion. | 0:39:19 | 0:39:21 | |
Oh! Oh! Ah! | 0:39:21 | 0:39:23 | |
It's Martha Weathers, used to be Martha Briars. | 0:39:25 | 0:39:28 | |
She's your big sister, isn't she? | 0:39:28 | 0:39:31 | |
She changed her surname. A lot of actors do that. | 0:39:31 | 0:39:34 | |
Is it when you overheard the row between Sally and Roman? | 0:39:36 | 0:39:40 | |
Is that when you realised what she'd done to Martha? | 0:39:40 | 0:39:44 | |
You look worried, Roman. | 0:39:44 | 0:39:46 | |
Aren't you? I mean, what if these people you've hired dig too deep? | 0:39:46 | 0:39:49 | |
-I've got nothing to hide. -OK, well, perhaps you should | 0:39:49 | 0:39:52 | |
say that to Martha Weathers and the rewrite you did for her. | 0:39:52 | 0:39:54 | |
Suddenly it clicked, didn't it? | 0:39:54 | 0:39:56 | |
Sally just can't stop changing scripts. | 0:39:58 | 0:40:02 | |
'And the next thing I know, Wendy is writhing around on the floor, | 0:40:02 | 0:40:06 | |
'clutching her stomach.' | 0:40:06 | 0:40:08 | |
Nice bit of symmetry, mm? | 0:40:11 | 0:40:13 | |
Poisoning Sally like Nora poisoned Wendy in the soap. | 0:40:13 | 0:40:17 | |
I think it's called resonance. | 0:40:18 | 0:40:21 | |
Take one more step, and I'll do it. I will. | 0:40:21 | 0:40:23 | |
Do you want to spend the rest of your life in prison? | 0:40:23 | 0:40:26 | |
Who's going to look after Martha? | 0:40:26 | 0:40:29 | |
You saw her, you saw what killing her character did to her. | 0:40:29 | 0:40:34 | |
Martha used to be amazing. | 0:40:34 | 0:40:37 | |
She was lively, loving, talented, | 0:40:37 | 0:40:41 | |
and Sally took all that away from her. | 0:40:41 | 0:40:44 | |
She killed her twice over. | 0:40:45 | 0:40:48 | |
All those posters and pictures on her wall. | 0:40:48 | 0:40:52 | |
People used to adore her, and now all she's got is me. | 0:40:53 | 0:40:59 | |
Everyone's forgotten her. | 0:40:59 | 0:41:01 | |
This is not the answer, Antonia. | 0:41:01 | 0:41:05 | |
There's a big difference between killing someone on a page | 0:41:05 | 0:41:08 | |
and killing them for real. | 0:41:08 | 0:41:10 | |
-She needs to pay for what she's done! -She will. | 0:41:10 | 0:41:13 | |
No-one's going to want to work with Sally again, or Roman. | 0:41:13 | 0:41:18 | |
You've won, Antonia. | 0:41:18 | 0:41:21 | |
You did right by Martha. | 0:41:21 | 0:41:23 | |
FOOTSTEPS Better late than never. | 0:41:36 | 0:41:39 | |
I didn't know it would come to this. If I had, I... | 0:41:39 | 0:41:42 | |
You'd have done exactly same thing. | 0:41:42 | 0:41:44 | |
All you're interested in is walking down the red carpet. | 0:41:44 | 0:41:48 | |
I wouldn't like her to take my temperature. | 0:42:10 | 0:42:12 | |
Don't know where that thermometer's been. | 0:42:12 | 0:42:14 | |
-The reviews are in! -Oh! -Listen to this. | 0:42:14 | 0:42:17 | |
"Belle Roehampton should have spared us all | 0:42:18 | 0:42:21 | |
-"and drunk the poison in the first act." -Ho-ho! | 0:42:21 | 0:42:24 | |
"And Roman Randall's direction had more in common with a | 0:42:24 | 0:42:26 | |
"pre-school panto, but at least those are usually charming." | 0:42:26 | 0:42:30 | |
Ho-ho! There's two more deaths right there. | 0:42:30 | 0:42:33 | |
-Sh. Shush. Shush. -Come back, Sally, all is forgiven. | 0:42:33 | 0:42:35 | |
Will you be quiet, both of you? | 0:42:35 | 0:42:37 | |
'See if I can organise a slot for her ASAP. | 0:42:37 | 0:42:39 | |
'It's her only hope.' | 0:42:39 | 0:42:41 | |
Frank, what are you doing?! | 0:42:41 | 0:42:43 | |
Two words, Lu - the end. | 0:42:43 | 0:42:46 |