Browse content similar to Toil and Trouble. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
LAUGHTER Let's have a peek, then! | 0:00:02 | 0:00:04 | |
We've got work to do! | 0:00:12 | 0:00:14 | |
SLOW PIANO MUSIC PLAYS | 0:00:22 | 0:00:25 | |
ANXIOUS KNOCKS ON DOOR | 0:00:31 | 0:00:33 | |
GUNSHOT | 0:00:48 | 0:00:50 | |
Try this, Frank. | 0:01:15 | 0:01:17 | |
Cheers, Will. | 0:01:17 | 0:01:18 | |
-What is that? -Hell Broth. | 0:01:27 | 0:01:29 | |
It's, er, The Mucky Mallard's infamous hangover cure. | 0:01:30 | 0:01:33 | |
Works a charm for those brave enough to drink it. | 0:01:33 | 0:01:36 | |
Still taking good care of yourself, then, Frank? | 0:01:36 | 0:01:39 | |
Hey, you're the one who requested the hot date. | 0:01:39 | 0:01:42 | |
-I need to pick your brains. -Tough. | 0:01:42 | 0:01:44 | |
William Porters. | 0:01:47 | 0:01:49 | |
-AKA Billy The Brick. -What about him? | 0:01:49 | 0:01:51 | |
The Mayor of Arden was found this morning, | 0:01:51 | 0:01:53 | |
whacked over the head with a blunt object. | 0:01:53 | 0:01:55 | |
Looks like a burglary gone wrong. | 0:01:55 | 0:01:57 | |
SIGHS: Billy's not the violent type. | 0:01:57 | 0:01:59 | |
It's going to take Forensics a day or two to confirm | 0:01:59 | 0:02:02 | |
whether a brick WAS the murder weapon. | 0:02:02 | 0:02:05 | |
But Billy missed his appointment with his parole officer | 0:02:05 | 0:02:09 | |
this morning and his landlady hasn't seen him since yesterday. | 0:02:09 | 0:02:12 | |
This is a high-profile murder, Frank. Just be straight. | 0:02:14 | 0:02:18 | |
Where would Billy go if he wanted to lie low? | 0:02:18 | 0:02:20 | |
I have no clue, sorry. | 0:02:20 | 0:02:22 | |
You'd be doing him a favour. | 0:02:24 | 0:02:27 | |
The victim had a shotgun in his hand | 0:02:27 | 0:02:29 | |
and judging by the pellets lodged in the wall, | 0:02:29 | 0:02:31 | |
he managed to get one off clear, so Billy could be injured. | 0:02:31 | 0:02:35 | |
I've not seen him since I left the force. | 0:02:38 | 0:02:40 | |
Scout's honour. | 0:02:40 | 0:02:41 | |
Fine! Have fun playing with your hangover fairies. | 0:02:44 | 0:02:48 | |
But call me if you think of anything. | 0:02:50 | 0:02:53 | |
PHONE RINGS | 0:02:53 | 0:02:55 | |
Brad Pitt's body-double, how can I help? | 0:02:57 | 0:03:00 | |
-WHISPERS: -Where've you been? I've got a client waiting for you. | 0:03:00 | 0:03:03 | |
Can't you deal with them? | 0:03:03 | 0:03:05 | |
They'll only speak to you. | 0:03:05 | 0:03:07 | |
Obviously a man of impeccable taste. I'll be there in a minute. | 0:03:07 | 0:03:09 | |
Right, well, be quick cos I get the impression he's a few jewels | 0:03:09 | 0:03:12 | |
short of a treasure chest. | 0:03:12 | 0:03:14 | |
-SWEETLY: -Frank's on his way. | 0:03:19 | 0:03:20 | |
Can we get you anything? Tea? Coffee? | 0:03:22 | 0:03:26 | |
Grog? | 0:03:26 | 0:03:27 | |
HE CLICKS TONGUE | 0:03:27 | 0:03:29 | |
I'll have to call you back later, sweetheart. | 0:03:37 | 0:03:39 | |
It's all kicking off here, I've... | 0:03:39 | 0:03:41 | |
All right. | 0:03:42 | 0:03:44 | |
Bye. | 0:03:45 | 0:03:47 | |
-KNOCK ON DOOR -Come in! | 0:03:54 | 0:03:56 | |
Mrs Cathness. | 0:03:59 | 0:04:00 | |
I've told you, call me Victoria. | 0:04:00 | 0:04:02 | |
I just wanted to make sure everything's in place for later. | 0:04:02 | 0:04:05 | |
Under the circumstances... | 0:04:05 | 0:04:06 | |
Duncan understood the importance of creating more affordable housing. | 0:04:06 | 0:04:11 | |
Consider it his legacy. | 0:04:11 | 0:04:12 | |
I'll make the necessary arrangements. | 0:04:12 | 0:04:14 | |
Excellent! See you later. | 0:04:14 | 0:04:16 | |
And congratulations. | 0:04:16 | 0:04:18 | |
-Congratulations? -Well, you know what they say, | 0:04:19 | 0:04:22 | |
"The mayor is dead, long live the mayor!" | 0:04:22 | 0:04:24 | |
Your costume's hardly inconspicuous, is it, Billy? | 0:04:32 | 0:04:34 | |
Well, I had to do something! Cops are looking for me. | 0:04:34 | 0:04:37 | |
I tried to get back to my flat this morning, | 0:04:37 | 0:04:39 | |
-but they're all over the estate. -I can't protect you. | 0:04:39 | 0:04:42 | |
You're lucky I haven't called Marlowe already. | 0:04:42 | 0:04:44 | |
-My advice? Hand yourself in. -But I didn't do it! | 0:04:44 | 0:04:46 | |
Funny, I remember you saying that the first time we met, | 0:04:46 | 0:04:48 | |
as you climbed out of a bathroom window with a rucksack full | 0:04:48 | 0:04:51 | |
of someone else's belongings. | 0:04:51 | 0:04:52 | |
I mean it this time! | 0:04:52 | 0:04:53 | |
Well, all the more reason to go to the police. | 0:04:53 | 0:04:55 | |
-Tell them it wasn't you. -They won't care if I did it or not! | 0:04:55 | 0:04:58 | |
They'll pin it on me anyway, bang me up for life. | 0:04:58 | 0:05:01 | |
I need you to clear my name. | 0:05:01 | 0:05:02 | |
I can't do it, Billy. You're a wanted man. | 0:05:02 | 0:05:05 | |
I could get into serious trouble just talking to you! | 0:05:05 | 0:05:07 | |
You owe me, Frank. Remember? | 0:05:07 | 0:05:10 | |
WHISPERS: There's no evidence that Billy did it. | 0:05:13 | 0:05:16 | |
-If Marlowe finds out, she'll... -No. I owe Billy. Big-time. | 0:05:16 | 0:05:20 | |
Now he's here to collect his pound of flesh. | 0:05:20 | 0:05:22 | |
If you don't want to get involved, that's fine. I'll do it on me own. | 0:05:22 | 0:05:24 | |
-And let you have all the fun? -Right. | 0:05:26 | 0:05:28 | |
First things first, we need to find a place to hide him. | 0:05:28 | 0:05:31 | |
Right. Your place? | 0:05:31 | 0:05:33 | |
Nah, neighbour's too nosy. | 0:05:33 | 0:05:34 | |
-What about yours? -No. My mum's staying. | 0:05:34 | 0:05:36 | |
I can't leave her alone with a suspected murderer. | 0:05:36 | 0:05:39 | |
He wouldn't last five minutes! | 0:05:39 | 0:05:41 | |
No... Oh, come on. Just for a couple of days. | 0:05:42 | 0:05:46 | |
Yeah, Gloria won't mind. | 0:05:46 | 0:05:48 | |
We'll pay you double-rates. Call it a baby-sitting bonus. | 0:05:48 | 0:05:51 | |
No! No, no, no, no, no, no! | 0:05:51 | 0:05:52 | |
I'm not having some tattooed lowlife sleeping on my sofa! | 0:05:52 | 0:05:56 | |
-No offence. -None taken. | 0:05:56 | 0:05:58 | |
Haven't you got that audition coming up? | 0:05:58 | 0:06:01 | |
-Streetcar Named Desire? -So? -So... | 0:06:01 | 0:06:04 | |
This... This is the perfect opportunity | 0:06:04 | 0:06:07 | |
to do an intensive character study on a... | 0:06:07 | 0:06:10 | |
..uncivilised brutish thug. | 0:06:10 | 0:06:13 | |
-No offence. -It's fine, really. | 0:06:13 | 0:06:16 | |
The part of Stanley is practically yours! | 0:06:16 | 0:06:19 | |
I am perfect for the role... | 0:06:19 | 0:06:20 | |
Do you think Sebastian will be all right? | 0:06:22 | 0:06:25 | |
He's tougher than he looks. | 0:06:25 | 0:06:26 | |
Anyway, they're under strict instructions to stay put. | 0:06:26 | 0:06:29 | |
What's the worst that could happen? | 0:06:29 | 0:06:31 | |
I'm trying not to think about that. | 0:06:31 | 0:06:33 | |
So, what're we doing here? | 0:06:33 | 0:06:36 | |
I want to speak to someone who knew the victim. | 0:06:36 | 0:06:38 | |
Duncan Rexler lived on his own, | 0:06:38 | 0:06:40 | |
but he shared an office with his deputy. | 0:06:40 | 0:06:43 | |
Which one's that? | 0:06:43 | 0:06:44 | |
Ladies and gentlemen. | 0:06:44 | 0:06:46 | |
This morning we received the devastating news | 0:06:48 | 0:06:52 | |
that our beloved mayor, Duncan Rexler, | 0:06:52 | 0:06:56 | |
passed away last night. | 0:06:56 | 0:07:00 | |
He was a friend and mentor | 0:07:00 | 0:07:04 | |
and he shall be missed by all. | 0:07:04 | 0:07:05 | |
It was our first instinct to postpone, | 0:07:07 | 0:07:10 | |
but I know that Duncan would have wanted us to go ahead. | 0:07:10 | 0:07:14 | |
This is a project that he cared deeply about. | 0:07:14 | 0:07:17 | |
So it is in his name that I welcome you | 0:07:18 | 0:07:22 | |
to the launch of the Hilbury Woods Housing Development. | 0:07:22 | 0:07:26 | |
Let me introduce Victoria Cathness, of Cathness Homes, | 0:07:29 | 0:07:33 | |
who will tell you more about the plans. | 0:07:33 | 0:07:35 | |
Thank you! | 0:07:37 | 0:07:39 | |
At Cathness, we believe every family deserves a quality home. | 0:07:39 | 0:07:44 | |
Hilbury Woods will provide these homes, | 0:07:44 | 0:07:47 | |
-it'll bring much-needed new jobs to the area and... -Excuse me! | 0:07:47 | 0:07:50 | |
In light of recent protests, | 0:07:50 | 0:07:52 | |
may I ask you about the environmental impact? | 0:07:52 | 0:07:55 | |
And you are? | 0:07:55 | 0:07:56 | |
Freya Elstob, Stratford Star. | 0:07:56 | 0:07:59 | |
In fact, we've already ear-marked another plot of land to plant | 0:07:59 | 0:08:03 | |
an equivalent number of new trees. | 0:08:03 | 0:08:05 | |
So really it's more of a woodland relocation. | 0:08:05 | 0:08:08 | |
-The trees are simply moving! -But that's not... | 0:08:08 | 0:08:10 | |
Now, I'm sure you're all keen to see what this will look like. | 0:08:10 | 0:08:13 | |
CAMERA SHUTTERS CLICK REPORTERS MURMUR | 0:08:15 | 0:08:18 | |
SHE CHUCKLES | 0:08:29 | 0:08:31 | |
CHANTING: Save Hilbury Woods! Save our newts! | 0:08:35 | 0:08:38 | |
Save Hilbury Woods! Save our newts! | 0:08:38 | 0:08:41 | |
"The woods are an important breeding-ground | 0:08:41 | 0:08:43 | |
"for this endangered species." | 0:08:43 | 0:08:46 | |
Sorry, I can't bring myself to care about a load of slimy lizards. | 0:08:46 | 0:08:51 | |
Newts aren't lizards! | 0:08:51 | 0:08:53 | |
They're amphibians. | 0:08:53 | 0:08:54 | |
Well, technically, semi-aquatic salamanders. | 0:08:54 | 0:08:57 | |
Aren't you full of surprises? It's just at the end here. | 0:08:57 | 0:09:00 | |
Save our newts! Save Hilbury Woods! | 0:09:00 | 0:09:03 | |
Save our newts! | 0:09:03 | 0:09:05 | |
Like I said, full of surprises! | 0:09:05 | 0:09:08 | |
We have to go another way. | 0:09:08 | 0:09:09 | |
What do you mean "another way"? That's where I live. | 0:09:09 | 0:09:11 | |
The shop?! | 0:09:11 | 0:09:13 | |
The flat above it, to be precise. | 0:09:13 | 0:09:15 | |
I have some standards. | 0:09:15 | 0:09:16 | |
I can't go in there! | 0:09:16 | 0:09:18 | |
We'll wait until the police leave, then we'll go. | 0:09:18 | 0:09:21 | |
But that's where I got this costume. | 0:09:21 | 0:09:23 | |
You've lost me, love. | 0:09:23 | 0:09:25 | |
I didn't exactly pay for it. | 0:09:27 | 0:09:30 | |
Oh... | 0:09:31 | 0:09:33 | |
Save our newts! Save Hilbury Woods! Save our newts! | 0:09:33 | 0:09:38 | |
Save Hilbury Woods! Save our newts! | 0:09:38 | 0:09:41 | |
Oh! It's only me! | 0:09:42 | 0:09:44 | |
Sebastian, darling, you won't believe the morning I've had! | 0:09:44 | 0:09:48 | |
I was robbed. This man came in... | 0:09:48 | 0:09:50 | |
Stop there, Gloria. | 0:09:50 | 0:09:51 | |
I know all about it. | 0:09:51 | 0:09:53 | |
-In fact, it was my fault. -Oh, don't be daft! | 0:09:53 | 0:09:55 | |
-You weren't even here... -Hear me out. | 0:09:55 | 0:09:57 | |
I was offered a tantalizing nugget of R-and-D work | 0:09:57 | 0:09:59 | |
for a delicious new family touring show - | 0:09:59 | 0:10:02 | |
Treasure Island with a twist sort of thing - | 0:10:02 | 0:10:04 | |
and turned up to discover that one of my fellow thesps | 0:10:04 | 0:10:07 | |
had left his costume on the train. | 0:10:07 | 0:10:09 | |
So, natch, I told him to pick up whatever he needed from here | 0:10:09 | 0:10:12 | |
and I'd give you a call to make sure it was all tickety-boo, | 0:10:12 | 0:10:15 | |
only it totally slipped my mind! | 0:10:15 | 0:10:17 | |
What? So the man who stole my costume...? | 0:10:17 | 0:10:20 | |
Marlon. Marlon! | 0:10:20 | 0:10:23 | |
I'm sorry about the misunderstanding. | 0:10:28 | 0:10:30 | |
Marlon, Gloria. Gloria, Marlon. | 0:10:30 | 0:10:32 | |
I am so sorry, Gloria. | 0:10:32 | 0:10:35 | |
Will you ever forgive me? | 0:10:35 | 0:10:38 | |
-But... -I will cover the hire cost, | 0:10:38 | 0:10:40 | |
and we will make sure it is returned in immaculate condition. | 0:10:40 | 0:10:44 | |
What a relief! I feel silly for calling the police now. | 0:10:44 | 0:10:47 | |
Oh, I'd have done the same. | 0:10:47 | 0:10:49 | |
Oh, one more thing. | 0:10:49 | 0:10:52 | |
We're still sorting Marlon's digs. | 0:10:52 | 0:10:54 | |
All right if he crashes on my sofa for a day or two? | 0:10:54 | 0:10:56 | |
Absolutely fine, darling. | 0:10:59 | 0:11:02 | |
You boys have fun! | 0:11:02 | 0:11:03 | |
HE LAUGHS | 0:11:11 | 0:11:12 | |
The police called this morning. | 0:11:14 | 0:11:16 | |
I was devastated. | 0:11:16 | 0:11:17 | |
Duncan was about to retire from public service... | 0:11:17 | 0:11:21 | |
-Was Mr Rexler popular? -What do you mean? | 0:11:21 | 0:11:23 | |
Well, people don't always think too highly of their local council. | 0:11:23 | 0:11:26 | |
Right, well, the police said that he interrupted a burglary. | 0:11:26 | 0:11:29 | |
Our client just wants to make sure all bases are covered. | 0:11:29 | 0:11:32 | |
Who's your client? | 0:11:32 | 0:11:33 | |
That's confidential, isn't it? | 0:11:33 | 0:11:35 | |
It is, yes, but our aim is to ensure that justice is served. | 0:11:35 | 0:11:39 | |
Do you know who found the body? | 0:11:40 | 0:11:43 | |
A local journalist, Freya Elstob. | 0:11:43 | 0:11:45 | |
She turned up to interview him, found him dead on the floor. | 0:11:45 | 0:11:48 | |
She's here somewhere if you want to talk to her... | 0:11:48 | 0:11:51 | |
Look, I can't imagine anyone wanting to harm Duncan. | 0:11:51 | 0:11:54 | |
He was a true gentleman. | 0:11:54 | 0:11:56 | |
The actions of these vandals are not representative | 0:11:56 | 0:11:58 | |
of wider public opinion. | 0:11:58 | 0:12:00 | |
And that will be made clear at the public consultation next week. | 0:12:00 | 0:12:03 | |
Sort it. | 0:12:07 | 0:12:08 | |
I will not having this project derailed by a bunch | 0:12:08 | 0:12:10 | |
of out-of-control octogenarians! | 0:12:10 | 0:12:12 | |
Excuse me. My wife's waiting. | 0:12:16 | 0:12:17 | |
-What's an... -80-year-old people. | 0:12:19 | 0:12:21 | |
Oh! | 0:12:21 | 0:12:22 | |
Freya Elstob? I'm Luella Shakespeare, | 0:12:28 | 0:12:31 | |
-and this is... -Frank Hathaway! | 0:12:31 | 0:12:33 | |
Do we know each other? | 0:12:34 | 0:12:36 | |
I covered the Ross case. | 0:12:36 | 0:12:38 | |
You saved an honest man from a life sentence. | 0:12:38 | 0:12:40 | |
Yeah, the ungrateful git still owes me north of a grand. | 0:12:40 | 0:12:44 | |
You found Duncan Rexler's body, is that right? | 0:12:44 | 0:12:47 | |
Must've been horrible for you. | 0:12:47 | 0:12:50 | |
I knocked on his door. | 0:12:52 | 0:12:54 | |
There was no answer, so I checked the garden. | 0:12:54 | 0:12:58 | |
The back door was open, glass everywhere. | 0:12:59 | 0:13:02 | |
I went inside and... | 0:13:02 | 0:13:05 | |
..well... | 0:13:06 | 0:13:07 | |
There was a lot of blood. | 0:13:09 | 0:13:11 | |
What were you going to interview him about? | 0:13:11 | 0:13:13 | |
He phoned yesterday, asked me to pop over. | 0:13:13 | 0:13:16 | |
Probably wanted a puff piece on this development | 0:13:16 | 0:13:19 | |
to get the public on board. | 0:13:19 | 0:13:21 | |
Anything to stop the HAGS gaining more support. | 0:13:21 | 0:13:24 | |
The hags? | 0:13:24 | 0:13:26 | |
Hilbury Action Group. | 0:13:26 | 0:13:27 | |
They've been kicking up a fuss because the development | 0:13:27 | 0:13:31 | |
would destroy a breeding ground for rare newts. | 0:13:31 | 0:13:33 | |
Oh, so it's probably them who... | 0:13:33 | 0:13:34 | |
It would explain why they didn't show their faces here today. | 0:13:34 | 0:13:37 | |
They must REALLY like newts. | 0:13:37 | 0:13:40 | |
RAIN PATTERS | 0:13:42 | 0:13:44 | |
You distract him. I'll go round the back. | 0:13:46 | 0:13:48 | |
-Me distract him? -Yeah. | 0:13:48 | 0:13:50 | |
Tell him your car's broken down | 0:13:50 | 0:13:51 | |
-and you need a push or something. -Why me? | 0:13:51 | 0:13:53 | |
Why? Because you, you've got the... | 0:13:53 | 0:13:55 | |
-..feminine charms. -Hang on a minute. | 0:13:57 | 0:13:59 | |
I'm not the token pair of boobs here! We're partners, remember? | 0:13:59 | 0:14:02 | |
How about you tell him you need a push and I'll go round the back? | 0:14:02 | 0:14:05 | |
You're the designated driver. | 0:14:05 | 0:14:07 | |
Yeah. Look, fair enough. Yeah. | 0:14:08 | 0:14:10 | |
-MACHINE: -You have one saved message, received yesterday at 20:09. | 0:14:54 | 0:15:00 | |
It's Moses. I got the message about your change of heart. Call me back. | 0:15:00 | 0:15:04 | |
I'm at this charity thing later, but I'll have my mobile. | 0:15:04 | 0:15:08 | |
MACHINE BEEPS | 0:15:08 | 0:15:09 | |
PHONE RINGS | 0:15:09 | 0:15:12 | |
Christina. How can I help? | 0:15:14 | 0:15:16 | |
We found a van abandoned in Hilbury Woods, | 0:15:16 | 0:15:18 | |
about a quarter of a mile from Duncan Rexler's cottage. | 0:15:18 | 0:15:20 | |
Got Billy's prints all over it. | 0:15:20 | 0:15:23 | |
-What are you telling me for? -I thought it might jog your memory. | 0:15:23 | 0:15:26 | |
We've got to bring him in, Frank. | 0:15:26 | 0:15:28 | |
Like I said, I haven't seen him in ages. | 0:15:28 | 0:15:30 | |
-But I'll keep my eyes peeled. -Yeah, you do that. | 0:15:30 | 0:15:32 | |
HE SIGHS Oh, Billy... | 0:15:35 | 0:15:38 | |
DI Marlowe? | 0:15:38 | 0:15:40 | |
-Victoria Cathness, we met at the Rotary ball. -Yeah, sorry, I... | 0:15:40 | 0:15:43 | |
The Hilbury Action Group caused criminal damage to Cathness property | 0:15:43 | 0:15:46 | |
last night, yet nobody seems keen to arrest them. | 0:15:46 | 0:15:49 | |
It's really not my... | 0:15:49 | 0:15:50 | |
-The Chief Inspector's an old friend. -Well, that may be, but... | 0:15:50 | 0:15:53 | |
He suggested that YOU make contact with the group, | 0:15:53 | 0:15:56 | |
persuade them to desist from their illegal activities. | 0:15:56 | 0:15:59 | |
For all our sakes. | 0:15:59 | 0:16:01 | |
SIRENS IN DISTANCE | 0:16:01 | 0:16:03 | |
What were you thinking? | 0:16:08 | 0:16:09 | |
I only said I'd help because I... BILLY SLURPS | 0:16:09 | 0:16:12 | |
What are you drinking? | 0:16:12 | 0:16:14 | |
Seb made it for me. It's pretty good. | 0:16:14 | 0:16:16 | |
-Want one? -No! I'm not stopping. | 0:16:18 | 0:16:21 | |
I managed to persuade Lu to wait in the car. | 0:16:21 | 0:16:23 | |
If she found out what a mess you're in, | 0:16:23 | 0:16:25 | |
she'd want me to call the police! | 0:16:25 | 0:16:27 | |
Billy, why are your fingerprints in the van? | 0:16:27 | 0:16:30 | |
A mate paid me 50 quid to dump it, no questions asked. | 0:16:31 | 0:16:34 | |
SIGHS: This mate's name? | 0:16:35 | 0:16:36 | |
-HE SCOFFS -Do I look like a grass? | 0:16:36 | 0:16:40 | |
You worked for me as an informant for three years, Billy. | 0:16:40 | 0:16:43 | |
A grass is literally what you are! | 0:16:43 | 0:16:45 | |
I can't remember his name. | 0:16:49 | 0:16:51 | |
He's more of an acquaintance. | 0:16:51 | 0:16:52 | |
-See him down the pub sometimes. -Yeah. | 0:16:52 | 0:16:55 | |
So have you found out who killed the old bloke or what? | 0:16:55 | 0:16:57 | |
Cheers. | 0:17:02 | 0:17:04 | |
Well, they're getting on like a house on fire. | 0:17:04 | 0:17:07 | |
Billy's even drinking something with fruit in it. | 0:17:07 | 0:17:09 | |
-So what's all this about? -Huh? | 0:17:09 | 0:17:12 | |
-You and Billy. -Ah, ancient history. | 0:17:12 | 0:17:15 | |
Oh, come on, Frank, we're partners. | 0:17:15 | 0:17:17 | |
Or do I have to ring DI Marlowe, get her to enlighten me? | 0:17:17 | 0:17:20 | |
SIGHS: All right... | 0:17:20 | 0:17:21 | |
A few years back, I was chasing this gang. | 0:17:23 | 0:17:26 | |
They were doing over post offices. | 0:17:26 | 0:17:28 | |
My DS let something slip to the wrong person. | 0:17:28 | 0:17:31 | |
The gang found out Billy was passing me information. | 0:17:31 | 0:17:33 | |
Beat him to within an inch of his life. | 0:17:33 | 0:17:36 | |
Still, that's not your fault. | 0:17:36 | 0:17:38 | |
My informant, my responsibility. | 0:17:38 | 0:17:40 | |
Like he says, I owe him. | 0:17:41 | 0:17:42 | |
Do you think he's telling the truth? | 0:17:43 | 0:17:45 | |
Billy's never told the truth in his life. | 0:17:45 | 0:17:47 | |
If he tried, he'd go into anaphylactic shock. | 0:17:47 | 0:17:49 | |
Doesn't mean he killed Duncan Rexler, though. | 0:17:49 | 0:17:52 | |
-Talking of which, did you find those contact details? -Oh, yeah. | 0:17:52 | 0:17:55 | |
So, according to a recent newspaper report, the leader of the HAGS | 0:17:55 | 0:17:59 | |
is called Edie Grimes and she lives by the woods. | 0:17:59 | 0:18:02 | |
-No wonder she didn't want them chopped down. -Go on, then. | 0:18:02 | 0:18:06 | |
Jump in, let's go | 0:18:06 | 0:18:07 | |
and see how far she's willing to take this protest campaign. | 0:18:07 | 0:18:09 | |
Actually, you go. | 0:18:09 | 0:18:11 | |
I'm going to go and see the new mayor, find out what Duncan's | 0:18:11 | 0:18:14 | |
"change of heart" was really all about. | 0:18:14 | 0:18:16 | |
-KNOCK ON DOOR -Come in. | 0:18:20 | 0:18:22 | |
-Sorry, I can wait if you're... -Actually, we were just finished. | 0:18:25 | 0:18:28 | |
Mr Abiola kindly offered to help with Mr Rexler's obituary. | 0:18:30 | 0:18:34 | |
I'll get those quotes over to you ASAP. | 0:18:34 | 0:18:37 | |
Thanks for your time. | 0:18:37 | 0:18:38 | |
Er, just a quick question... | 0:18:45 | 0:18:47 | |
-Shouldn't you be leaving this to the police? -Oh, no. | 0:18:47 | 0:18:50 | |
They're under a lot of pressure, aren't they? Under-resourced. | 0:18:50 | 0:18:53 | |
Listen. | 0:18:56 | 0:18:58 | |
All I want to do is find Mr Rexler's murderer. | 0:18:58 | 0:19:01 | |
Very well. | 0:19:02 | 0:19:04 | |
Now you... | 0:19:04 | 0:19:06 | |
You... | 0:19:06 | 0:19:07 | |
You... You left a message on Mr Rexler's answer-phone last night. | 0:19:07 | 0:19:11 | |
-How do you know that? -Official channels. | 0:19:11 | 0:19:14 | |
I... | 0:19:14 | 0:19:15 | |
What was, erm... What was his "change of heart"? | 0:19:18 | 0:19:22 | |
I can't tell you. | 0:19:22 | 0:19:25 | |
He never called me back. | 0:19:25 | 0:19:26 | |
Do you think he changed his mind about supporting | 0:19:28 | 0:19:30 | |
-the Hilbury Wood development, or...? -Possible, I suppose. | 0:19:30 | 0:19:34 | |
He never mentioned any doubts to me. | 0:19:34 | 0:19:36 | |
It would be a brave man to go up against Victoria Cathness. | 0:19:36 | 0:19:40 | |
Why do you say that? | 0:19:40 | 0:19:42 | |
You've met her. She's, erm... | 0:19:42 | 0:19:44 | |
She's not exactly overflowing with the milk of human kindness. | 0:19:45 | 0:19:49 | |
So why are you supporting the development? | 0:19:49 | 0:19:52 | |
We need houses. | 0:19:52 | 0:19:54 | |
And...being mayor is just a stepping stone. | 0:19:56 | 0:20:00 | |
Next general election, I intend to stand as a parliamentary candidate. | 0:20:01 | 0:20:05 | |
-Wow. -If I'm going to become an MP, | 0:20:05 | 0:20:07 | |
I'm going to need the support of people like Victoria. | 0:20:07 | 0:20:11 | |
Actually, one second, I just need to catch my colleague | 0:20:11 | 0:20:14 | |
before he goes to lunch. | 0:20:14 | 0:20:15 | |
KNOCK ON DOOR | 0:20:15 | 0:20:18 | |
-Ready? -That's him. Mike! | 0:20:18 | 0:20:20 | |
-Liar, liar, pants on fire. -Hm. | 0:20:34 | 0:20:37 | |
What do you mean, "we're out"? | 0:20:39 | 0:20:41 | |
There's nothing left. | 0:20:41 | 0:20:43 | |
Not even any of those weird jelly shots? | 0:20:43 | 0:20:45 | |
-Not even the jeered welly shots. The... -I'll pop to the shops. | 0:20:45 | 0:20:48 | |
-No! Mm... Mm-nm. Too dangerous. -Well, you go, then. | 0:20:48 | 0:20:52 | |
I'm not leaving you alone in my flat! You're a... | 0:20:52 | 0:20:54 | |
..felonious vagabond. | 0:20:54 | 0:20:56 | |
I need something to settle my nerves. | 0:20:56 | 0:20:58 | |
I hate being cooped up. Reminds me of prison. | 0:20:58 | 0:21:01 | |
I get...tense. | 0:21:01 | 0:21:02 | |
I could teach you some breathing techniques. | 0:21:02 | 0:21:05 | |
Or we could go down the pub! | 0:21:05 | 0:21:07 | |
The constabulary are looking for you. | 0:21:07 | 0:21:09 | |
Unless... | 0:21:11 | 0:21:12 | |
What? | 0:21:13 | 0:21:14 | |
There's one place we could go. | 0:21:16 | 0:21:19 | |
Somewhere the police definitely wouldn't look for you. | 0:21:19 | 0:21:22 | |
But you can't go dressed like that. | 0:21:24 | 0:21:27 | |
-EDIE: -Nah... You won't change me mind. | 0:21:27 | 0:21:29 | |
We'll keep on fighting while there is a single newt left. | 0:21:29 | 0:21:32 | |
I'm not trying to change your mind. | 0:21:32 | 0:21:34 | |
I'm...I'm just trying to learn a bit more about your campaign. | 0:21:34 | 0:21:37 | |
-DOG BARKS -Out, Spot! Out I say! | 0:21:37 | 0:21:41 | |
Out! | 0:21:41 | 0:21:42 | |
Stupid dog. | 0:21:43 | 0:21:45 | |
Did you ever meet Duncan Rexler? | 0:21:45 | 0:21:47 | |
Many times, not that he'd listen. | 0:21:47 | 0:21:51 | |
Too busy prancing around in that silly bloody hat! | 0:21:51 | 0:21:54 | |
Oh, we've protested, we've petitioned, we've done everything. | 0:21:54 | 0:21:59 | |
Ever considered any more direct action? | 0:21:59 | 0:22:02 | |
We've got to be smart. | 0:22:04 | 0:22:06 | |
Cathness was asked to commission an ecological report, | 0:22:06 | 0:22:11 | |
but the council so far have refused to publish it! | 0:22:11 | 0:22:15 | |
If we get our hands on that, we'd have the public on our side. | 0:22:15 | 0:22:20 | |
Maybe the council'll change their mind, now Mr Rexler's gone. | 0:22:20 | 0:22:23 | |
What do you mean, gone? | 0:22:23 | 0:22:25 | |
Oh...? Oh, he was found dead this morning. | 0:22:26 | 0:22:29 | |
Sorry, I thought you knew. | 0:22:29 | 0:22:31 | |
No, I don't know anything about that. | 0:22:31 | 0:22:33 | |
Oh, no, I'm not suggesting you know anything. | 0:22:33 | 0:22:35 | |
-ANGRILY: -I don't know anything... | 0:22:35 | 0:22:37 | |
-DISTRACTED: -..about that... | 0:22:37 | 0:22:39 | |
I should get back. | 0:22:39 | 0:22:40 | |
-No wait! I... -Spot, come! | 0:22:40 | 0:22:43 | |
-Big night out? -We'll see. | 0:22:51 | 0:22:53 | |
Just the two of you? | 0:22:55 | 0:22:56 | |
It's not like that. | 0:22:56 | 0:22:58 | |
If you say so, sweetheart. | 0:22:58 | 0:23:00 | |
-Tell Marlon I'll do his washing for him. -Hm? | 0:23:01 | 0:23:04 | |
The clothes he left when he took the pirate's costume. | 0:23:04 | 0:23:07 | |
It's no bother. | 0:23:07 | 0:23:08 | |
I've got a load to do for Malcolm's show at the Windmill anyway. | 0:23:08 | 0:23:12 | |
Come on! | 0:23:12 | 0:23:13 | |
Give us a twirl! | 0:23:14 | 0:23:16 | |
Is this Mick Jagger I see before me? | 0:23:19 | 0:23:22 | |
Don't you scrub up well? | 0:23:22 | 0:23:25 | |
-You sure this is necessary? -Absolutely! | 0:23:25 | 0:23:27 | |
Watch out, Stratford, something wicked this way comes! | 0:23:27 | 0:23:32 | |
Oh, darling... | 0:23:33 | 0:23:35 | |
Ask him where he gets his Kensington Gore from, will you? | 0:23:35 | 0:23:38 | |
It's terribly realistic, look. | 0:23:38 | 0:23:40 | |
Scared me witless when I first saw him. | 0:23:40 | 0:23:43 | |
Edie Grimes knows something. | 0:23:49 | 0:23:51 | |
She went as white as a ghost | 0:23:51 | 0:23:53 | |
the minute I mentioned Duncan was dead. | 0:23:53 | 0:23:55 | |
Our new mayor lied. | 0:23:55 | 0:23:57 | |
Duncan phoned him back last night. | 0:23:57 | 0:23:59 | |
According to his call-log, they spoke for over five minutes. | 0:23:59 | 0:24:02 | |
Never trust a man who wears a big gold necklace. | 0:24:02 | 0:24:05 | |
Don't we need some kind of actual evidence, maybe a motive? | 0:24:05 | 0:24:10 | |
OK, so... | 0:24:10 | 0:24:11 | |
So, Duncan tells Moses he's withdrawing support | 0:24:14 | 0:24:16 | |
for the housing development. | 0:24:16 | 0:24:19 | |
Moses sees an opportunity to become the new mayor | 0:24:19 | 0:24:21 | |
and get the support of Victoria Cathness. | 0:24:21 | 0:24:23 | |
No, Duncan was stepping down anyway. | 0:24:23 | 0:24:25 | |
PHONE RINGS | 0:24:25 | 0:24:27 | |
Everything all right with our guest? | 0:24:31 | 0:24:33 | |
No, it's not. It's not all right at all! | 0:24:33 | 0:24:35 | |
All right, keep your codpiece on. What's happened? | 0:24:35 | 0:24:37 | |
-Billy killed the mayor, that's what's happened! -What do you mean? | 0:24:37 | 0:24:40 | |
All I know is that he walked into Gloria's shop this morning | 0:24:40 | 0:24:43 | |
-covered in blood! -Stay there. | 0:24:43 | 0:24:46 | |
-We're coming to the flat. -Er, we're not at the flat. | 0:24:46 | 0:24:49 | |
Well, where are you? | 0:24:49 | 0:24:51 | |
We're in the bar on Angus Road. | 0:24:51 | 0:24:53 | |
Look, we're on the way. | 0:24:54 | 0:24:56 | |
Try and act normal and don't let him out of your sight. | 0:24:56 | 0:25:01 | |
I swear, it wasn't me! | 0:25:01 | 0:25:03 | |
Yes, I got it. | 0:25:03 | 0:25:05 | |
But I can't! Not at the moment. | 0:25:05 | 0:25:07 | |
-Hey. -You all right? -Yes! I'm fine. | 0:25:08 | 0:25:11 | |
I thought Frank said not to use your phone. | 0:25:11 | 0:25:14 | |
Can't the police track it? | 0:25:14 | 0:25:16 | |
It's a burner. The only person with the number is my mum, | 0:25:16 | 0:25:18 | |
-and she's not going to tell anyone. -Even so... | 0:25:18 | 0:25:20 | |
Let's just have a drink, shall we? | 0:25:20 | 0:25:22 | |
So, boys, what do we fancy? | 0:25:24 | 0:25:27 | |
Beer. Two beers. | 0:25:27 | 0:25:28 | |
Nice. | 0:25:30 | 0:25:32 | |
What is this place? | 0:25:32 | 0:25:34 | |
This is...Illyria. | 0:25:34 | 0:25:35 | |
You'll have to get these. | 0:25:36 | 0:25:38 | |
Well, can't find me wallet. | 0:25:38 | 0:25:40 | |
You all right, love? | 0:25:40 | 0:25:42 | |
-We should call Marlowe. -Not yet. | 0:25:47 | 0:25:49 | |
Oh, just accept it, Frank. Billy did it! | 0:25:49 | 0:25:51 | |
I want to look him in the eyes first. | 0:25:51 | 0:25:53 | |
There might be an explanation. | 0:25:53 | 0:25:54 | |
Well, it better be a good one or I'm making the call. | 0:25:54 | 0:25:57 | |
At last! | 0:26:06 | 0:26:07 | |
Where is he? | 0:26:07 | 0:26:09 | |
He went to powder his nose. You... | 0:26:09 | 0:26:11 | |
Next time you need a crash-pad for your pet murderer, | 0:26:11 | 0:26:13 | |
use your own place! He could have stabbed me to death on my own sofa! | 0:26:13 | 0:26:16 | |
Would have been just my luck. | 0:26:16 | 0:26:18 | |
"So wise so young, they say, do never live long..." | 0:26:18 | 0:26:22 | |
How long's he been in there? | 0:26:22 | 0:26:23 | |
I don't know. Five minutes? | 0:26:23 | 0:26:25 | |
Oh, you.... | 0:26:25 | 0:26:26 | |
Men's. | 0:26:28 | 0:26:29 | |
-He's gone. -Oh. | 0:26:36 | 0:26:37 | |
Never mind. | 0:26:39 | 0:26:41 | |
I told you not to let him out of your sight! | 0:26:44 | 0:26:46 | |
What should I have done? Followed him into the toilets? | 0:26:46 | 0:26:48 | |
Offer to hold Little Billy for him?! | 0:26:48 | 0:26:50 | |
I don't know how to answer that. | 0:26:50 | 0:26:52 | |
-Look, we need to find him. -And then we will what? | 0:26:53 | 0:26:56 | |
Persuade him to hand himself in. | 0:26:57 | 0:26:59 | |
Right. Did he mention any names, any places? | 0:26:59 | 0:27:02 | |
Not that I remember. | 0:27:02 | 0:27:04 | |
Oh, wait... He phoned his mum. | 0:27:04 | 0:27:06 | |
Right, get on the computer. Get her details. | 0:27:06 | 0:27:09 | |
I'll put an ear to the police scanner, see if his name pops up. | 0:27:09 | 0:27:11 | |
-What about Marlowe? -Let's find him first. | 0:27:11 | 0:27:14 | |
If he doesn't play ball, I'll call her myself. | 0:27:14 | 0:27:16 | |
Hiya! Did Sebastian mention where he...? | 0:27:16 | 0:27:19 | |
Oh, he's just gone upstairs. | 0:27:19 | 0:27:20 | |
Oh, I thought he was going... Oh, never mind. | 0:27:20 | 0:27:22 | |
Er, he's a bit busy at the moment, got a big case on. | 0:27:22 | 0:27:26 | |
Could you give him this, then? | 0:27:26 | 0:27:27 | |
His boyfriend left it in my shop. | 0:27:27 | 0:27:30 | |
Oh, I'll make sure he gets it. | 0:27:30 | 0:27:31 | |
Oh, have you met him? | 0:27:31 | 0:27:32 | |
Not our Sebastian's usual type, but it's nice he's met someone. | 0:27:32 | 0:27:36 | |
Toodly-pip. | 0:27:36 | 0:27:38 | |
Do you think she meant...? | 0:27:38 | 0:27:39 | |
Driving licence, credit card... | 0:27:42 | 0:27:45 | |
Oh, look! Loyalty card for Freddy's Fried Chicken. | 0:27:45 | 0:27:47 | |
-Receipts, rubbish... -Oh, what's that? | 0:27:47 | 0:27:50 | |
Must be his mum. | 0:27:53 | 0:27:54 | |
I know that woman. | 0:27:56 | 0:27:57 | |
Hiya, Mum. | 0:28:17 | 0:28:18 | |
I'm on my way to talk to the leader of the HAGs now, sir. | 0:28:25 | 0:28:30 | |
Yes, I'm aware Mrs Cathness is an acquaintance of yours... | 0:28:30 | 0:28:33 | |
..but I've been rather busy on the Duncan Rexler case. | 0:28:35 | 0:28:37 | |
Yes, sir. | 0:28:39 | 0:28:40 | |
Absolutely. I'll take care of it. | 0:28:40 | 0:28:42 | |
-MUMBLES: -Like I've got nothing better to do. | 0:28:44 | 0:28:47 | |
-Call me when you find something! -Yes, ma'am. | 0:28:47 | 0:28:49 | |
KNOCKING | 0:28:49 | 0:28:51 | |
-Where is he? -Who? | 0:28:54 | 0:28:56 | |
Billy. We've been doing some digging, Edie. | 0:28:56 | 0:28:58 | |
We know he's your foster son. | 0:28:58 | 0:29:00 | |
So? I haven't seen him for months. | 0:29:00 | 0:29:02 | |
-THUNDER RUMBLES -Who's bag is that? | 0:29:04 | 0:29:06 | |
We're trying to help him. | 0:29:06 | 0:29:08 | |
I think I've heard that one before! | 0:29:08 | 0:29:09 | |
-He needs to hand himself in, Edie. -Why? | 0:29:09 | 0:29:12 | |
If he confesses, says the old man threatened him with a gun | 0:29:12 | 0:29:15 | |
-and he panicked... -It's not what happened! | 0:29:15 | 0:29:17 | |
I told you to keep out of sight! | 0:29:17 | 0:29:19 | |
-So what did happen, Billy? -And no more lies. | 0:29:19 | 0:29:22 | |
OK... | 0:29:25 | 0:29:26 | |
I broke into his house. | 0:29:28 | 0:29:30 | |
Except I didn't have to break in. | 0:29:30 | 0:29:32 | |
Look, when I got there, the back door was open | 0:29:32 | 0:29:34 | |
and the glass was smashed. | 0:29:34 | 0:29:35 | |
I went into the study and my feet went from under me... | 0:29:41 | 0:29:44 | |
Ah! | 0:29:44 | 0:29:46 | |
And that's when I saw him, lying on the floor. | 0:29:51 | 0:29:53 | |
But he was already dead! | 0:29:53 | 0:29:55 | |
So what did you do? | 0:29:55 | 0:29:56 | |
I just grabbed what I came for and left. Only then my van | 0:29:56 | 0:29:59 | |
wouldn't start, so I had to leave it in the woods and leg it on foot. | 0:29:59 | 0:30:02 | |
Hang on, you said you grabbed what you came for? | 0:30:02 | 0:30:04 | |
Does that mean you were in there to steal something specific? | 0:30:04 | 0:30:07 | |
The ecological report into the Hilbury Wood Development? | 0:30:14 | 0:30:18 | |
It confirms that it is a breeding ground | 0:30:18 | 0:30:20 | |
for the great crested newt. | 0:30:20 | 0:30:22 | |
This goes public, they'll have to pull the plug. | 0:30:22 | 0:30:25 | |
-KNOCKING MARLOWE: -Mrs Grimes? | 0:30:25 | 0:30:27 | |
Mrs Grimes, are you in there? It's DI Marlowe | 0:30:28 | 0:30:31 | |
from Arden Constabulary, we need to talk. | 0:30:31 | 0:30:33 | |
I can hide you! | 0:30:33 | 0:30:34 | |
No, Mum. I don't want you getting into trouble. | 0:30:34 | 0:30:37 | |
Please, Frank. | 0:30:37 | 0:30:39 | |
They'll lock me up for the rest of my life. | 0:30:39 | 0:30:41 | |
I've done some stupid things, but I don't deserve that. | 0:30:41 | 0:30:43 | |
-KNOCKING -Open the door, please, Mrs Grimes! | 0:30:43 | 0:30:45 | |
Please! | 0:30:45 | 0:30:46 | |
I'll try. | 0:30:50 | 0:30:51 | |
Thank you. | 0:30:56 | 0:30:58 | |
-Do you know? I was just going to give you a call. -He was just... | 0:31:01 | 0:31:04 | |
I mean, look who we found. | 0:31:04 | 0:31:06 | |
Oh, good morning! | 0:31:15 | 0:31:17 | |
Is it? | 0:31:17 | 0:31:18 | |
How did it go at the station? | 0:31:20 | 0:31:22 | |
They've charged Billy with murder and Marlowe's furious with me. | 0:31:22 | 0:31:25 | |
She has got a point. So are we done? | 0:31:25 | 0:31:29 | |
No. | 0:31:29 | 0:31:30 | |
Look, Billy's a lying toe-rag, but I believe him about this. | 0:31:31 | 0:31:35 | |
More likely, Duncan Rexler was murdered to make sure | 0:31:35 | 0:31:38 | |
the Hilbury Wood development went ahead. | 0:31:38 | 0:31:40 | |
We need to use the report. | 0:31:40 | 0:31:41 | |
-What do you mean? What? Go public? -Not exactly. | 0:31:41 | 0:31:45 | |
I got your message. Thanks so much for this. | 0:31:56 | 0:31:59 | |
You are very welcome. | 0:31:59 | 0:32:00 | |
When we found out that council property had been stolen | 0:32:00 | 0:32:03 | |
from Mr Rexler's house, we wanted to return it as soon as possible. | 0:32:03 | 0:32:06 | |
You have our gratitude. | 0:32:06 | 0:32:07 | |
Certainly... It certainly made for very interesting reading. | 0:32:07 | 0:32:12 | |
-You read it? -Yeah. | 0:32:12 | 0:32:13 | |
Yeah, so I suppose that means | 0:32:13 | 0:32:15 | |
-the whole development's going to be shelved now. -Not necessarily. | 0:32:15 | 0:32:17 | |
There are lots of factors to take into account. | 0:32:17 | 0:32:19 | |
-This is a box-ticking exercise, really. -Oh, right! Oh. | 0:32:19 | 0:32:22 | |
Oh, that's not how it came across to me, but then what do I know? | 0:32:22 | 0:32:26 | |
I'm sure it will all be sorted at the public consultation next week, | 0:32:26 | 0:32:29 | |
won't it? | 0:32:29 | 0:32:31 | |
Oh! Don't worry about circulating the report beforehand | 0:32:31 | 0:32:36 | |
cos I've made copies, so I'll just bring them with me, shall I? | 0:32:36 | 0:32:40 | |
Great! | 0:32:40 | 0:32:41 | |
-Anything yet? -Sh! | 0:32:56 | 0:32:59 | |
-What if he finds the bug? -Sh! | 0:33:02 | 0:33:04 | |
DIAL TONE, DIALLING | 0:33:04 | 0:33:06 | |
I think it's working. | 0:33:06 | 0:33:08 | |
Victoria, it's Moses. | 0:33:11 | 0:33:13 | |
We might have a problem. | 0:33:13 | 0:33:14 | |
-It doesn't matter, you have to deal with it. -Look, | 0:33:16 | 0:33:18 | |
-it was nothing... -If they discover my plans, cos I tell you what, | 0:33:18 | 0:33:21 | |
you will pay the price... | 0:33:21 | 0:33:22 | |
Even if we can prove that they're working together, | 0:33:22 | 0:33:24 | |
how will we prove that they murdered Duncan? | 0:33:24 | 0:33:27 | |
Well, if they killed once, who knows? Maybe they'll kill again. | 0:33:27 | 0:33:32 | |
Mm... But who? | 0:33:32 | 0:33:34 | |
What? Hang on a minute! | 0:33:40 | 0:33:42 | |
Did you...? Did you send me in there as bait? | 0:33:42 | 0:33:46 | |
Well, bait is a strong word. | 0:33:46 | 0:33:48 | |
Frank! Do you think they're going to try and bump me off | 0:33:48 | 0:33:50 | |
before the public consultation? | 0:33:50 | 0:33:52 | |
Oh, thanks a lot, Frank! | 0:33:52 | 0:33:53 | |
Look, you're going to be completely safe. | 0:33:53 | 0:33:55 | |
I will make sure I know where those two are at all times. | 0:33:55 | 0:33:58 | |
Oh, really? Right, so where's Victoria Cathness right now? | 0:33:58 | 0:34:02 | |
Well, she's on the... | 0:34:02 | 0:34:03 | |
Ah! Well, yes, I... | 0:34:05 | 0:34:09 | |
I'll find her, and in the meantime, | 0:34:09 | 0:34:11 | |
-you've absolutely nothing to worry about. -Right. | 0:34:11 | 0:34:13 | |
Argh! | 0:34:13 | 0:34:15 | |
Do you make a habit of spying on people? | 0:34:20 | 0:34:22 | |
Yes, actually. It's my job. | 0:34:22 | 0:34:23 | |
Well, then, I suggest you get better at it. | 0:34:23 | 0:34:26 | |
If this is about Duncan Rexler's murder, | 0:34:26 | 0:34:28 | |
I was at a charity ball all night, | 0:34:28 | 0:34:30 | |
as can be confirmed by DI Marlowe. | 0:34:30 | 0:34:33 | |
Talking of whom, if I catch you following me around again, | 0:34:33 | 0:34:36 | |
-I'm calling the police. -You won't, cos we're leaving. Sorry. | 0:34:36 | 0:34:39 | |
See? She's not the type to get her hands dirty. | 0:34:42 | 0:34:45 | |
I reckon she'd get him to do it. | 0:34:45 | 0:34:47 | |
Oh, wait! Wait! | 0:34:48 | 0:34:50 | |
Ooh! | 0:34:54 | 0:34:55 | |
She's keen to butter up the new mayor. | 0:34:55 | 0:34:57 | |
Ah, is that what you call it? | 0:34:57 | 0:34:58 | |
It was nothing. | 0:35:04 | 0:35:05 | |
A silly fling. | 0:35:06 | 0:35:08 | |
-It's over now. -We saw. | 0:35:08 | 0:35:10 | |
What do you want from me? Money? | 0:35:10 | 0:35:12 | |
We want to be illuminated. | 0:35:12 | 0:35:14 | |
You lied about speaking to Duncan again the night he died. Why? | 0:35:15 | 0:35:18 | |
It wasn't a lie. | 0:35:18 | 0:35:19 | |
We'd be happy to show these pictures to your wife...and kids. | 0:35:22 | 0:35:26 | |
-I'm telling the truth! I didn't speak to him. -OK, let's go. | 0:35:28 | 0:35:33 | |
Wait! | 0:35:34 | 0:35:36 | |
You've got the wrong end of the stick. | 0:35:38 | 0:35:40 | |
Duncan still supported the housing development. | 0:35:40 | 0:35:42 | |
Well, so why say he had a change of heart? | 0:35:42 | 0:35:45 | |
The change of heart wasn't about that. | 0:35:45 | 0:35:47 | |
He found out about Freya and me. | 0:35:48 | 0:35:49 | |
And I take it he didn't approve? | 0:35:52 | 0:35:55 | |
He left a message that night to say that he was planning | 0:35:55 | 0:35:58 | |
to stay on until he was confident that there was a | 0:35:58 | 0:36:00 | |
"successor of suitable moral calibre." | 0:36:00 | 0:36:02 | |
The whole thing was ridiculous. | 0:36:02 | 0:36:04 | |
We'd already given him his engraved bloody clock! | 0:36:04 | 0:36:06 | |
There was a call from his mobile to yours | 0:36:06 | 0:36:09 | |
25 to nine the night he died. | 0:36:09 | 0:36:12 | |
Lasted for several minutes, but you told Frank... | 0:36:13 | 0:36:15 | |
I didn't even have my phone on me. | 0:36:15 | 0:36:17 | |
I was at the charity ball by then. | 0:36:17 | 0:36:19 | |
I got dressed in the office and I must've left it behind. | 0:36:20 | 0:36:25 | |
Yeah, but the call wouldn't have registered | 0:36:25 | 0:36:28 | |
unless somebody had answered. | 0:36:28 | 0:36:29 | |
Ah! | 0:36:31 | 0:36:33 | |
So when you say "got dressed in the office", I take it you had company? | 0:36:33 | 0:36:38 | |
A certain reporter, perhaps? | 0:36:38 | 0:36:41 | |
Er, Freya? Yeah, it's Frank Hathaway. | 0:36:49 | 0:36:53 | |
I've... I've got a tip-off for you. | 0:36:53 | 0:36:56 | |
Well, it's to say thanks for helping us out yesterday. | 0:36:56 | 0:37:00 | |
The police have got a new suspect in the Duncan Rexler case. | 0:37:02 | 0:37:06 | |
Mm-hm. | 0:37:06 | 0:37:08 | |
Female, mid-to-late 20s. | 0:37:08 | 0:37:11 | |
They reckon she bashed him over the head with a carriage clock. | 0:37:11 | 0:37:15 | |
Er, well, they didn't say. | 0:37:15 | 0:37:16 | |
They're on their way to pick her up now. | 0:37:16 | 0:37:19 | |
You're welcome. | 0:37:19 | 0:37:20 | |
Glad to be of service. | 0:37:20 | 0:37:22 | |
What was all that about a carriage clock? | 0:37:23 | 0:37:27 | |
-Where do you keep a carriage clock? -I dunno. | 0:37:27 | 0:37:30 | |
-Mantelpiece, usually. -Mm. | 0:37:30 | 0:37:32 | |
Wasn't one there. | 0:37:32 | 0:37:33 | |
But I did find this clock key in the fireplace by the body. | 0:37:33 | 0:37:38 | |
And Moses said Duncan got a clock for his retirement present. | 0:37:38 | 0:37:41 | |
You really think this is going to work? | 0:37:43 | 0:37:45 | |
SHE GASPS | 0:37:48 | 0:37:49 | |
You're good. You're very good. | 0:37:52 | 0:37:54 | |
Oh, there'll be no talking to you now. | 0:37:54 | 0:37:56 | |
I wouldn't bother, love. | 0:38:07 | 0:38:09 | |
We'll only fish it out again. | 0:38:09 | 0:38:11 | |
Moses told us what happened between you that night. | 0:38:12 | 0:38:14 | |
Does it suit me? | 0:38:19 | 0:38:20 | |
THEY GIGGLE | 0:38:20 | 0:38:22 | |
Take it off. | 0:38:22 | 0:38:24 | |
I'm going to be late for the stupid charity dinner. | 0:38:24 | 0:38:26 | |
-Can I see you afterwards? -No, Rachel will be there. | 0:38:26 | 0:38:29 | |
Tomorrow, then? | 0:38:30 | 0:38:31 | |
Look, Freya, I don't know if I can keep doing this. | 0:38:31 | 0:38:34 | |
What do you mean? | 0:38:34 | 0:38:36 | |
Duncan knows. | 0:38:37 | 0:38:39 | |
He's threatening to stay on another term. | 0:38:39 | 0:38:41 | |
I've got to do everything I can to prove to him | 0:38:41 | 0:38:43 | |
-that I'm a safe pair of hands. -But I love you, you told me that... | 0:38:43 | 0:38:47 | |
Unless I stop seeing you, | 0:38:47 | 0:38:48 | |
he's going to do everything he can to prevent me from becoming mayor. | 0:38:48 | 0:38:51 | |
-What choice do I have? -Maybe I could talk to him, I could explain... | 0:38:52 | 0:38:56 | |
He won't listen. I don't have time for this now. | 0:38:56 | 0:38:59 | |
I'll call you. | 0:39:01 | 0:39:02 | |
Lock up behind you, yeah? | 0:39:07 | 0:39:09 | |
DOOR CLOSES | 0:39:12 | 0:39:14 | |
PHONE RINGS | 0:39:18 | 0:39:21 | |
It was you that answered the call, wasn't it? | 0:39:25 | 0:39:28 | |
And then terrified of losing Moses, you tried to get | 0:39:28 | 0:39:30 | |
Mr Rexler to change his mind about standing for re-election. | 0:39:30 | 0:39:35 | |
When he refused, you went to his house and you murdered him. | 0:39:35 | 0:39:39 | |
That's ridiculous! | 0:39:39 | 0:39:40 | |
But then you staged a burglary, didn't you? | 0:39:40 | 0:39:42 | |
Just fired off a shot from the gun | 0:39:42 | 0:39:44 | |
so that it would look like Mr Rexler had disturbed an intruder. | 0:39:44 | 0:39:48 | |
And you made up a story about him arranging a meeting with you, | 0:39:48 | 0:39:51 | |
so you had an excuse to find the body. | 0:39:51 | 0:39:54 | |
It wouldn't matter that your DNA was all over the place. | 0:39:54 | 0:39:57 | |
It wasn't me! | 0:39:57 | 0:39:58 | |
You're holding the murder weapon. | 0:40:00 | 0:40:02 | |
No! You're wrong! | 0:40:02 | 0:40:03 | |
Look at your hands, Freya. | 0:40:03 | 0:40:05 | |
CLOCK SHATTERS | 0:40:09 | 0:40:12 | |
Moses is very ambitious, very driven. | 0:40:14 | 0:40:16 | |
I've always loved that about him. He needed to become mayor. | 0:40:18 | 0:40:20 | |
So, yes, I went to Mr Rexler's house, but just to talk. | 0:40:20 | 0:40:24 | |
He loves me, I love him. It's not just some stupid fling. | 0:40:24 | 0:40:27 | |
-Let me... -But you are ruining two people's lives. -Please... | 0:40:27 | 0:40:30 | |
But he wouldn't listen to you, would he? | 0:40:30 | 0:40:33 | |
He said that Moses would never leave his wife. | 0:40:33 | 0:40:36 | |
That...I shouldn't have been so naive. | 0:40:36 | 0:40:40 | |
Then he ordered me to get out. | 0:40:41 | 0:40:42 | |
Go! | 0:40:42 | 0:40:43 | |
Is that why you killed him? | 0:40:47 | 0:40:49 | |
-Cos he told you a truth you just couldn't bear to hear? -No! | 0:40:49 | 0:40:53 | |
I don't know. | 0:40:56 | 0:40:57 | |
All I could think was this stupid, judgmental old man was forcing Moses | 0:40:58 | 0:41:03 | |
to throw away what we have together and I couldn't let that happen. | 0:41:03 | 0:41:06 | |
And now Moses has dumped you anyway. | 0:41:06 | 0:41:08 | |
Maybe I should've broken his skull instead. | 0:41:10 | 0:41:13 | |
It's his fault. | 0:41:13 | 0:41:15 | |
His promises, his lies. | 0:41:15 | 0:41:17 | |
He's turned me into... | 0:41:18 | 0:41:20 | |
I'm better than this! | 0:41:22 | 0:41:24 | |
Yeah, Christina, it's me. | 0:41:28 | 0:41:31 | |
Frank. | 0:41:33 | 0:41:34 | |
Listen, I've got somebody here you're going to want to talk to. | 0:41:34 | 0:41:38 | |
You are better than him. | 0:41:38 | 0:41:40 | |
Men, eh? | 0:41:43 | 0:41:44 | |
Ah! So Marlowe let you out, then? | 0:41:52 | 0:41:54 | |
On bail. | 0:41:54 | 0:41:56 | |
Oh, the CPS are still deciding | 0:41:56 | 0:41:58 | |
whether they're going to charge him for the break-in. | 0:41:58 | 0:42:00 | |
I'd ask our new mayor to put in a good word for you, | 0:42:00 | 0:42:02 | |
but I'm not sure how long he'll be in the role. | 0:42:02 | 0:42:04 | |
He might not have known about the murder, but having an affair | 0:42:04 | 0:42:07 | |
with your predecessor's killer won't look good in the polls. | 0:42:07 | 0:42:10 | |
I'll be all right. I'm sorry I abandoned you in that bar, mate. | 0:42:10 | 0:42:13 | |
Me mum was nagging me to get that report to her. | 0:42:13 | 0:42:15 | |
Nice place, though, that Illyria. | 0:42:15 | 0:42:17 | |
I think that barmaid fancied me. | 0:42:17 | 0:42:19 | |
Who could resist? | 0:42:19 | 0:42:21 | |
I think you owe us all a pint, don't you, Billy? | 0:42:21 | 0:42:23 | |
Sorry, Frank. Can't find my wallet. | 0:42:23 | 0:42:26 | |
No such luck. | 0:42:26 | 0:42:28 | |
THEY LAUGH | 0:42:28 | 0:42:29 | |
Same again? | 0:42:31 | 0:42:33 | |
A strawberry cider, please. | 0:42:33 | 0:42:35 | |
-EDIE: -He's a good boy, really. | 0:42:38 | 0:42:40 | |
And at least he broke in this time for a good cause! | 0:42:40 | 0:42:43 | |
I take back everything bad I've ever said about him. | 0:42:43 | 0:42:46 | |
Here's to Billy, saviour of the newts! | 0:42:46 | 0:42:49 | |
To Billy. And to a debt paid. | 0:42:49 | 0:42:51 |