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Clearance for act two. | 0:00:16 | 0:00:17 | |
Thanks, Cal. | 0:00:17 | 0:00:19 | |
APPLAUSE | 0:00:22 | 0:00:26 | |
Ladies and gentleman, | 0:00:38 | 0:00:41 | |
welcome back to our celebration of the magical and the macabre! | 0:00:41 | 0:00:46 | |
The next part of tonight's performance | 0:00:48 | 0:00:51 | |
is not for those of a weak constitution. | 0:00:51 | 0:00:53 | |
If you are easily shocked, | 0:00:53 | 0:00:55 | |
or prone to nightmares, | 0:00:55 | 0:00:56 | |
I highly recommend you leave the theatre immediately. | 0:00:56 | 0:01:01 | |
You have been warned. | 0:01:04 | 0:01:06 | |
Now, I require a volunteer. | 0:01:07 | 0:01:11 | |
Somebody brave or, failing that... | 0:01:11 | 0:01:14 | |
..foolish. | 0:01:19 | 0:01:20 | |
Please look under your seats! | 0:01:23 | 0:01:25 | |
There's no way I'm getting on stage with that pompous prat. | 0:01:29 | 0:01:32 | |
Here! | 0:01:32 | 0:01:34 | |
Do we have a volunteer? | 0:01:34 | 0:01:35 | |
-Yep. -Yes, madam. | 0:01:35 | 0:01:37 | |
Please. She looks nervous! | 0:01:37 | 0:01:39 | |
How about a round of applause? | 0:01:39 | 0:01:41 | |
APPLAUSE | 0:01:41 | 0:01:44 | |
A little more encouragement, please, ladies and gentlemen. | 0:01:46 | 0:01:51 | |
If you'd like to come with me. | 0:01:54 | 0:01:56 | |
Please don't tell me your name. | 0:01:56 | 0:01:57 | |
I don't want to become emotionally attached, just in case. | 0:01:57 | 0:02:02 | |
Now, I would like to introduce you all | 0:02:02 | 0:02:05 | |
to a woman close to my heart. | 0:02:05 | 0:02:07 | |
I call her... | 0:02:07 | 0:02:09 | |
..the Iron Maiden! | 0:02:09 | 0:02:10 | |
GASPS, THUNDER SOUND EFFECT | 0:02:10 | 0:02:13 | |
For those of you who think these spikes are fake... | 0:02:17 | 0:02:22 | |
Solid metal. | 0:02:24 | 0:02:27 | |
Please. | 0:02:27 | 0:02:28 | |
Try to relax. | 0:02:33 | 0:02:35 | |
Don't worry, ladies and gentlemen. | 0:02:46 | 0:02:49 | |
I have no doubt she will find this to be a transformative experience. | 0:02:49 | 0:02:54 | |
SCREAMING | 0:02:59 | 0:03:01 | |
-Jill? -GASPS | 0:03:01 | 0:03:03 | |
Jill, you OK? | 0:03:05 | 0:03:06 | |
Look, there's blood! | 0:03:08 | 0:03:10 | |
Look. | 0:03:54 | 0:03:55 | |
Do I have to? | 0:03:57 | 0:03:58 | |
We should be doing this! | 0:03:58 | 0:04:00 | |
-What, gurning? -Publicising! | 0:04:00 | 0:04:01 | |
What for? | 0:04:01 | 0:04:03 | |
Look, what, let me think... Because we've got no clients! | 0:04:03 | 0:04:06 | |
Not true! What about that identity theft case? | 0:04:06 | 0:04:09 | |
Oh, he called up to cancel. | 0:04:09 | 0:04:11 | |
Turns out it was his sister, only she thought he was dead and... | 0:04:11 | 0:04:14 | |
It's a long story. | 0:04:14 | 0:04:15 | |
Well, don't worry about it, something will turn up. | 0:04:15 | 0:04:17 | |
-It always does. -Hope so, cos you've got more bills than a duck pond. | 0:04:17 | 0:04:20 | |
Chester Patterson is our main competition. | 0:04:20 | 0:04:22 | |
He is a fake! | 0:04:22 | 0:04:24 | |
He used to sell overpriced wine for a living, eh. | 0:04:24 | 0:04:27 | |
I mean, what kind of PI puts his own face on a flyer? | 0:04:27 | 0:04:30 | |
I'm twice the detective he'll ever be! | 0:04:30 | 0:04:33 | |
Well, if that's the case, how come he's opening | 0:04:33 | 0:04:35 | |
a new swanky office down the road | 0:04:35 | 0:04:37 | |
and we are just stood here, | 0:04:37 | 0:04:38 | |
I'm just stood here eating doughnuts? | 0:04:38 | 0:04:40 | |
Because, unlike Mr Chester Patterson, | 0:04:40 | 0:04:43 | |
I have integrity. | 0:04:43 | 0:04:45 | |
Says a man in a fake leather jacket. | 0:04:46 | 0:04:47 | |
Hey, this is real. Smell it. | 0:04:47 | 0:04:50 | |
Either way, integrity won't pay the bills, will it? | 0:04:50 | 0:04:52 | |
If we're so much better than him, then that's great! | 0:04:52 | 0:04:55 | |
That is brilliant. Let's shout about it. Let's tell everyone. | 0:04:55 | 0:04:58 | |
All right. And how we going to do that? | 0:04:58 | 0:05:00 | |
As you can see, these chains are very real | 0:05:02 | 0:05:06 | |
and very...strong. | 0:05:06 | 0:05:09 | |
I'm starting the stopwatch... | 0:05:21 | 0:05:23 | |
..now! | 0:05:23 | 0:05:25 | |
His record is 13 seconds. | 0:05:25 | 0:05:29 | |
It's not that interesting. Let's go. | 0:05:29 | 0:05:32 | |
Of course, he's not performed this particular trick in a while. | 0:05:34 | 0:05:37 | |
Won't be long now. | 0:05:39 | 0:05:41 | |
One final lock... | 0:05:41 | 0:05:43 | |
Ta-da! | 0:05:43 | 0:05:44 | |
"To be or not to be, that is the question. | 0:05:47 | 0:05:53 | |
"Whether 'tis nobler of the mind to suffer | 0:05:53 | 0:05:55 | |
"The slings and arrows of outrageous fortune, or..." | 0:05:55 | 0:05:58 | |
I am fortune's fool. | 0:05:58 | 0:06:00 | |
"..against a sea of troubles | 0:06:00 | 0:06:01 | |
"And, by opposing, end them." | 0:06:01 | 0:06:05 | |
APPLAUSE | 0:06:05 | 0:06:07 | |
Don't give up, Dad. | 0:06:07 | 0:06:10 | |
You just need to get your mojo back. | 0:06:10 | 0:06:11 | |
Why? | 0:06:11 | 0:06:13 | |
So I can do card tricks with the other lags? | 0:06:13 | 0:06:16 | |
"Involuntary manslaughter by gross negligence." | 0:06:20 | 0:06:23 | |
But...it was an accident! | 0:06:25 | 0:06:27 | |
You have to fight this. | 0:06:28 | 0:06:30 | |
A woman died. | 0:06:30 | 0:06:32 | |
It was my fault. | 0:06:32 | 0:06:33 | |
You've done the Iron Maiden trick a thousand times. | 0:06:34 | 0:06:37 | |
You checked it and double-checked it. | 0:06:37 | 0:06:39 | |
It's safe | 0:06:39 | 0:06:40 | |
It's clearly not. | 0:06:40 | 0:06:42 | |
For my opening night at the Terranova tomorrow. | 0:06:48 | 0:06:51 | |
Show there are no hard feelings. | 0:06:51 | 0:06:53 | |
What if it wasn't an accident? | 0:07:03 | 0:07:04 | |
"Choose Shakespeare and Hathaway, because the other guy's a pillock"? | 0:07:13 | 0:07:17 | |
-Could you please take this seriously? -I am! | 0:07:17 | 0:07:19 | |
No, you're not, you can't be writing... | 0:07:19 | 0:07:22 | |
Dear Lord, please let these clients | 0:07:22 | 0:07:24 | |
be affluent, desperate and suggestible... | 0:07:24 | 0:07:26 | |
-So much for integrity. -And thank you for the doughnuts. | 0:07:26 | 0:07:28 | |
-I brought you the doughnuts. -The Lord works in mysterious ways. | 0:07:28 | 0:07:31 | |
-KNOCK ON DOOR -Come in. | 0:07:31 | 0:07:33 | |
Mr and Miss Pross. | 0:07:33 | 0:07:36 | |
-They want to employ our services. -Hi. Hi. | 0:07:36 | 0:07:38 | |
Hang on, aren't you that magician? | 0:07:41 | 0:07:43 | |
Yes! Yes! The Great Prossini! | 0:07:43 | 0:07:47 | |
I saw your show a couple of years ago. | 0:07:47 | 0:07:49 | |
It's just... It was brilliant. | 0:07:49 | 0:07:52 | |
Lawrence will suffice. | 0:07:52 | 0:07:53 | |
This is my daughter, and assistant, Maggie. | 0:07:53 | 0:07:56 | |
-Please. -Yes. Yeah. | 0:07:56 | 0:07:58 | |
Are you here about what happened to that woman? | 0:08:02 | 0:08:04 | |
-I heard about it on the news. -We believe the trick was sabotaged. | 0:08:04 | 0:08:07 | |
-By? -Anton Dukes. | 0:08:07 | 0:08:09 | |
AKA The Amazing Antonio. | 0:08:09 | 0:08:11 | |
-He was there that night. -Another magician? | 0:08:11 | 0:08:14 | |
Hardly! He calls himself an "experimental illusionist". | 0:08:14 | 0:08:18 | |
He's been stealing my tricks for years. | 0:08:18 | 0:08:20 | |
And you think Mr Dukes caused the fatality in order to...? | 0:08:20 | 0:08:24 | |
Destroy Dad's career. | 0:08:24 | 0:08:26 | |
Anton's taken over our spot at the theatre. | 0:08:26 | 0:08:29 | |
The last few weeks have been a nightmare. | 0:08:29 | 0:08:32 | |
We've been spat at in the street. | 0:08:32 | 0:08:33 | |
Our van's been vandalised. | 0:08:33 | 0:08:35 | |
They even broke off my aerial | 0:08:35 | 0:08:37 | |
and threw it into a tree. | 0:08:37 | 0:08:39 | |
Dad's being charged with manslaughter. | 0:08:41 | 0:08:43 | |
He could go to jail. | 0:08:43 | 0:08:44 | |
You've got to help us. | 0:08:46 | 0:08:47 | |
Why don't we put the kettle on | 0:08:47 | 0:08:50 | |
and you can tell us all about it? | 0:08:50 | 0:08:53 | |
Sebastian? | 0:08:53 | 0:08:54 | |
Starting with how the trick's supposed to work. | 0:08:55 | 0:08:58 | |
That's not possible. The Magic Circle have... | 0:08:58 | 0:09:01 | |
Have already kicked you out. | 0:09:01 | 0:09:03 | |
Just tell them, Dad. | 0:09:03 | 0:09:04 | |
It's easier if I show you. | 0:09:08 | 0:09:10 | |
Yes. | 0:09:11 | 0:09:13 | |
Yeah. | 0:09:13 | 0:09:14 | |
-HE WHISPERS: -Just calm down. | 0:09:17 | 0:09:19 | |
Stratford's greatest con artist. | 0:09:22 | 0:09:24 | |
Callum! | 0:09:25 | 0:09:27 | |
Erm, Maggie, how've you been? | 0:09:29 | 0:09:31 | |
Who are they? | 0:09:33 | 0:09:34 | |
They're going to clear Dad's name. | 0:09:34 | 0:09:36 | |
Right. | 0:09:36 | 0:09:37 | |
I suppose you better come in then. | 0:09:37 | 0:09:39 | |
The police took the real Iron Maiden away | 0:09:43 | 0:09:45 | |
but we can use these trunks. | 0:09:45 | 0:09:47 | |
Excuse me! Mr Pross? | 0:09:47 | 0:09:50 | |
Iris! How lovely to see you. | 0:09:50 | 0:09:51 | |
You too, Mr Pross, but you're not really allowed to be in here. | 0:09:51 | 0:09:55 | |
-My manager said you're... -Barred. I'm aware. | 0:09:55 | 0:09:58 | |
Iris, these kind people are helping us discover | 0:09:58 | 0:10:01 | |
what happened to that poor woman. | 0:10:01 | 0:10:04 | |
I would consider it a great favour | 0:10:04 | 0:10:06 | |
if you would turn a blind eye. | 0:10:06 | 0:10:08 | |
We won't be long. | 0:10:08 | 0:10:09 | |
OK. | 0:10:10 | 0:10:12 | |
Just while my manager's on lunch. | 0:10:12 | 0:10:13 | |
You're an angel. | 0:10:13 | 0:10:14 | |
So, we bring the volunteer up onstage. | 0:10:16 | 0:10:19 | |
Hooray! | 0:10:19 | 0:10:20 | |
Sorry, how is that person chosen? | 0:10:20 | 0:10:23 | |
I put a joker under one of the seats during the interval. | 0:10:24 | 0:10:27 | |
So, you don't know who it is until they come onstage? | 0:10:27 | 0:10:29 | |
No. I just pick a random seat. | 0:10:29 | 0:10:30 | |
I position the volunteer. | 0:10:32 | 0:10:35 | |
Please stand in here... | 0:10:35 | 0:10:36 | |
..and try to relax. | 0:10:38 | 0:10:40 | |
Now, on the underside of this front section is a strong magnet. | 0:10:40 | 0:10:45 | |
When the device passes this point, | 0:10:45 | 0:10:48 | |
the magnet breaks a circuit, | 0:10:48 | 0:10:50 | |
opens the trap door, | 0:10:50 | 0:10:52 | |
the volunteer disappears into the trap room, | 0:10:52 | 0:10:55 | |
a spring mechanism pushes the trap door back into place | 0:10:55 | 0:10:58 | |
just before the Iron Maiden closes. | 0:10:58 | 0:11:02 | |
I wait downstairs to make sure they're all right | 0:11:02 | 0:11:04 | |
and then I just bring them up after the trick's over. | 0:11:04 | 0:11:06 | |
What, is that it? | 0:11:06 | 0:11:08 | |
Oh! | 0:11:08 | 0:11:09 | |
Then I do a bit more spiel... | 0:11:09 | 0:11:12 | |
..and Maggie emerges | 0:11:13 | 0:11:15 | |
from a secret compartment behind the spikes, | 0:11:15 | 0:11:18 | |
resplendent in sequins. | 0:11:18 | 0:11:20 | |
Is it not possible that maybe the trap door just jammed by itself? | 0:11:22 | 0:11:26 | |
No, I do a safety check every night before the second half. | 0:11:26 | 0:11:29 | |
A power-cut? | 0:11:29 | 0:11:31 | |
If the power goes, the latch opens. That's how it works. | 0:11:31 | 0:11:33 | |
But surely the police would've noticed if it'd been tampered with. | 0:11:33 | 0:11:36 | |
Not if Anton removed any evidence. | 0:11:36 | 0:11:38 | |
So, you're saying that this Anton guy - | 0:11:38 | 0:11:41 | |
from his seat, somewhere in the auditorium - | 0:11:41 | 0:11:44 | |
managed to jam the trap door shut | 0:11:44 | 0:11:46 | |
and then un-jam it, but during the show, without anybody noticing. | 0:11:46 | 0:11:49 | |
He's a magician, isn't he? | 0:11:49 | 0:11:51 | |
Well, you got your wish. | 0:11:54 | 0:11:56 | |
"Desperate, affluent and suggestible." | 0:11:56 | 0:11:58 | |
Although I don't really feel like there's much of a case here. | 0:11:58 | 0:12:01 | |
I feel like they just can't accept that The Great Prossini | 0:12:01 | 0:12:03 | |
might have messed up. | 0:12:03 | 0:12:05 | |
No, I'm not so sure. | 0:12:05 | 0:12:06 | |
Really? | 0:12:06 | 0:12:08 | |
I do think he quite liked a bit of a drink. | 0:12:08 | 0:12:10 | |
I mean, really, would you put your life in his hands? | 0:12:10 | 0:12:13 | |
Francis! | 0:12:13 | 0:12:15 | |
Long time, no see. | 0:12:15 | 0:12:17 | |
-Not long enough. -Francis? | 0:12:17 | 0:12:18 | |
Chester. You're looking...well. | 0:12:21 | 0:12:25 | |
And you must be Ms Shakespeare. | 0:12:25 | 0:12:26 | |
I heard Francis had got himself a glamorous new assistant. | 0:12:26 | 0:12:30 | |
I'm his partner. | 0:12:30 | 0:12:32 | |
Business partner. | 0:12:32 | 0:12:34 | |
He's a lucky man. | 0:12:34 | 0:12:35 | |
Chester Patterson. | 0:12:35 | 0:12:37 | |
Sure you've heard of Chester Patterson's Investigations. | 0:12:37 | 0:12:41 | |
This is my client, Mr Shiplake. | 0:12:41 | 0:12:43 | |
Mr Shiplake? Your wife was... | 0:12:43 | 0:12:45 | |
Murdered by that maniac? Yes. | 0:12:45 | 0:12:47 | |
Our condolences. | 0:12:47 | 0:12:49 | |
And we intend to sue Mr Pross for every penny he has. | 0:12:49 | 0:12:53 | |
I'm helping Mr Shiplake build a case | 0:12:53 | 0:12:55 | |
-for a private compensation claim. -PHONE RINGS | 0:12:55 | 0:12:57 | |
Excuse me, I have to take this. | 0:12:57 | 0:12:59 | |
We... We have reason to believe | 0:13:01 | 0:13:03 | |
there might be a third party involved. | 0:13:03 | 0:13:05 | |
And what reason is that? | 0:13:05 | 0:13:07 | |
Well, I'm not at liberty to say. | 0:13:07 | 0:13:09 | |
So, wait, you're working for The Great Prossini? | 0:13:10 | 0:13:13 | |
Might be. | 0:13:14 | 0:13:16 | |
That's priceless! I've looked into the incident, Francis. | 0:13:16 | 0:13:18 | |
If you think it was foul play, you're wrong. | 0:13:18 | 0:13:20 | |
Well, do you want to put your money where your mouth is then? | 0:13:20 | 0:13:22 | |
-You want to make a wager?! -Excuse us. | 0:13:22 | 0:13:24 | |
-What are you doing?! -I'm doing what you said. | 0:13:24 | 0:13:26 | |
Trying to prove we're the best in town. | 0:13:26 | 0:13:28 | |
No! This is not what I meant. | 0:13:28 | 0:13:29 | |
Listen to your hairdresser, Francis. | 0:13:29 | 0:13:31 | |
Sounds like what she lacks in expertise | 0:13:31 | 0:13:33 | |
she makes up for in female intuition. | 0:13:33 | 0:13:36 | |
Two days. | 0:13:36 | 0:13:37 | |
Two days. | 0:13:39 | 0:13:40 | |
And if we haven't proved that Pross is innocent by then, | 0:13:40 | 0:13:43 | |
then Frank and I will spend an entire day | 0:13:43 | 0:13:47 | |
handing out your flyers. | 0:13:47 | 0:13:49 | |
And if you succeed? | 0:13:49 | 0:13:51 | |
I was talking about 20 quid, | 0:13:53 | 0:13:55 | |
not humiliating myself in public | 0:13:55 | 0:13:57 | |
promoting our biggest rivals. | 0:13:57 | 0:13:59 | |
So, I got carried away! | 0:13:59 | 0:14:01 | |
As long as we solve the case, | 0:14:01 | 0:14:03 | |
it doesn't matter, does it? | 0:14:03 | 0:14:05 | |
And we are the best, remember? | 0:14:05 | 0:14:06 | |
All right! | 0:14:07 | 0:14:08 | |
Listen, I want you to go back to the office | 0:14:08 | 0:14:10 | |
and run those background checks, and talk to the daughter again. | 0:14:10 | 0:14:13 | |
But on her own this time. She might open up if her dad's not there. | 0:14:13 | 0:14:16 | |
What are you going to do? | 0:14:16 | 0:14:17 | |
I'm going to deal with this. | 0:14:17 | 0:14:19 | |
Good luck. SHE LAUGHS | 0:14:19 | 0:14:22 | |
Well, well, if it isn't Arden Constabulary's finest! | 0:14:22 | 0:14:24 | |
-I just had a phone call. -PPI? I hate those. | 0:14:24 | 0:14:27 | |
Mr Shiplake has had a very distressing experience. | 0:14:27 | 0:14:31 | |
Now he's worried that your investigation | 0:14:31 | 0:14:32 | |
is going to confuse the witnesses and mess up the trial. | 0:14:32 | 0:14:35 | |
That is rubbish. | 0:14:35 | 0:14:36 | |
Chester Patterson got him to call you | 0:14:36 | 0:14:39 | |
because he's scared we might find something. | 0:14:39 | 0:14:41 | |
Yeah, but there's nothing to find, Frank. | 0:14:41 | 0:14:43 | |
You know, there was no sign that the trap door was tampered with. | 0:14:43 | 0:14:45 | |
Right, look. | 0:14:45 | 0:14:46 | |
Hypothetically, OK, if someone wanted to sabotage... | 0:14:46 | 0:14:50 | |
Oh, who? Why? When? | 0:14:50 | 0:14:51 | |
Look, we've done a thorough investigation | 0:14:51 | 0:14:53 | |
and so has the Health and Safety Executive. | 0:14:53 | 0:14:56 | |
Now, the only fingerprints found on the device | 0:14:56 | 0:14:58 | |
were those belonging to Lawrence Pross and a resident technician. | 0:14:58 | 0:15:01 | |
-Well, you must've come up with something. -Yeah, we did. | 0:15:02 | 0:15:04 | |
In-house usher Iris Swifton. | 0:15:04 | 0:15:07 | |
She was seen having an argument with the deceased during an interval. | 0:15:07 | 0:15:10 | |
-And? -And there was a dead end! | 0:15:10 | 0:15:12 | |
It was just a customer complaint that was handled badly. | 0:15:12 | 0:15:15 | |
And anyway, if someone wanted to kill Mrs Shiplake, well, | 0:15:15 | 0:15:19 | |
she was chosen at random! | 0:15:19 | 0:15:20 | |
Yeah, but if Mr Pross is right, the victim's irrelevant. | 0:15:20 | 0:15:24 | |
Someone wanted to ruin his career. | 0:15:24 | 0:15:26 | |
Yeah, and by "someone" you mean Anton Dukes. | 0:15:26 | 0:15:29 | |
He was on a date the whole night. | 0:15:29 | 0:15:31 | |
Look, the CPS have made their decision. | 0:15:31 | 0:15:34 | |
The case is closed. | 0:15:34 | 0:15:35 | |
Well, we won't be getting in their way | 0:15:35 | 0:15:37 | |
if we have a look around ourselves, will we? | 0:15:37 | 0:15:39 | |
Have you always wanted to be a performer? | 0:15:42 | 0:15:44 | |
Not really. | 0:15:44 | 0:15:45 | |
When I was little, I planned on being an archaeologist. | 0:15:45 | 0:15:49 | |
Travel the world exploring lost temples. | 0:15:49 | 0:15:53 | |
It sounds silly now. | 0:15:53 | 0:15:55 | |
I think I just wanted to be Lara Croft. | 0:15:55 | 0:15:57 | |
I left school after my GCSEs, | 0:15:57 | 0:15:59 | |
been helping Dad ever since. | 0:15:59 | 0:16:02 | |
And how long has your dad known Anton Dukes? | 0:16:02 | 0:16:04 | |
A few years. | 0:16:04 | 0:16:06 | |
Dad helped Anton out when he first started on the circuit. | 0:16:06 | 0:16:08 | |
He was even going to propose Anton for the Magic Circle | 0:16:08 | 0:16:11 | |
but then he found out Anton was using some of his tricks, | 0:16:11 | 0:16:14 | |
passing them off as his own. | 0:16:14 | 0:16:16 | |
Dad reported him and Anton got blacklisted. | 0:16:16 | 0:16:19 | |
Do you think Dukes is really capable of murder? | 0:16:20 | 0:16:22 | |
He certainly gives me the creeps. | 0:16:22 | 0:16:25 | |
And Dad had this book full of his stage notes, right? | 0:16:25 | 0:16:27 | |
Diagrams, scripts, everything. | 0:16:29 | 0:16:31 | |
The Tuesday before the accident, it went missing. | 0:16:31 | 0:16:33 | |
What, and you think Anton stole it? | 0:16:33 | 0:16:35 | |
I saw him backstage... | 0:16:35 | 0:16:37 | |
Maggie! | 0:16:38 | 0:16:40 | |
-How are tricks? -What are you doing, Anton? | 0:16:40 | 0:16:43 | |
-I was... I was looking for your dad. -He's rehearsing. | 0:16:43 | 0:16:46 | |
All right. Well, never mind. I'll catch him later. | 0:16:46 | 0:16:49 | |
I thought you two weren't speaking. | 0:16:49 | 0:16:51 | |
Who told you that? | 0:16:51 | 0:16:53 | |
Ah, speak of the devil! | 0:16:53 | 0:16:56 | |
Callum! | 0:16:56 | 0:16:58 | |
Yes, Mr Pross? | 0:16:58 | 0:16:59 | |
What have I told you about leaving the stage door unlocked? | 0:16:59 | 0:17:02 | |
Any vermin might crawl out of the sewer | 0:17:02 | 0:17:06 | |
into our crucible of magic. | 0:17:06 | 0:17:07 | |
Sorry, Mr Pross. | 0:17:07 | 0:17:08 | |
There's no need to be like that, Larry. | 0:17:08 | 0:17:11 | |
I thought we might start over. | 0:17:11 | 0:17:13 | |
Maybe I could do a guest spot here one night. | 0:17:14 | 0:17:18 | |
You wouldn't have to pay. | 0:17:18 | 0:17:20 | |
I'd do it for the exposure. | 0:17:20 | 0:17:22 | |
If you wish to expose yourself, | 0:17:22 | 0:17:24 | |
please do it elsewhere. | 0:17:24 | 0:17:26 | |
Did you tell the police? | 0:17:40 | 0:17:42 | |
Only after the accident. | 0:17:42 | 0:17:43 | |
And, of course, Anton denied taking it. | 0:17:43 | 0:17:47 | |
I hope you don't mind me asking this but... | 0:17:47 | 0:17:49 | |
..does your dad normally drink during the day? | 0:17:49 | 0:17:53 | |
No! | 0:17:53 | 0:17:54 | |
I mean... | 0:17:54 | 0:17:57 | |
My mum left when I was 15. | 0:17:58 | 0:18:00 | |
Dad took it pretty hard, hit the bottle, but... | 0:18:00 | 0:18:02 | |
..he sorted himself out. | 0:18:04 | 0:18:06 | |
It's only since the accident... | 0:18:06 | 0:18:09 | |
-He's not coping. -He's scared. | 0:18:09 | 0:18:12 | |
How's someone like him going to cope in jail? | 0:18:12 | 0:18:15 | |
It won't come to that. | 0:18:16 | 0:18:17 | |
SHE SCREAMS | 0:18:22 | 0:18:24 | |
Did you get my message about the stage notes? | 0:18:28 | 0:18:30 | |
Yeah, I ran it by Marlowe. | 0:18:30 | 0:18:32 | |
Problem is, Pross didn't report the theft at the time. | 0:18:32 | 0:18:35 | |
She reckons he's making it up. | 0:18:35 | 0:18:37 | |
Ah, well, it is a bit convenient, isn't it? | 0:18:37 | 0:18:39 | |
All your notes vanishing, | 0:18:39 | 0:18:41 | |
just as they launch a health and safety investigation. | 0:18:41 | 0:18:44 | |
-What else did she say? -She said we were wasting our time. | 0:18:44 | 0:18:46 | |
Well, she's got a point, hasn't she? | 0:18:46 | 0:18:48 | |
I mean, how long are we planning on just standing here doing nothing? | 0:18:48 | 0:18:51 | |
Look, we've got... | 0:18:51 | 0:18:54 | |
..46 hours and we'll be handing out Chester's notes. | 0:18:54 | 0:18:56 | |
Dukes is the only person we've got with a motive. | 0:18:56 | 0:18:59 | |
Right. So what are we going to find out | 0:18:59 | 0:19:01 | |
loitering outside his house all day? | 0:19:01 | 0:19:03 | |
What've I told you, eh? | 0:19:03 | 0:19:05 | |
Surveillance is 90% of the job. | 0:19:05 | 0:19:07 | |
You know we get inside people's heads, | 0:19:07 | 0:19:10 | |
-find out what lies beneath the surface. -Idiot! | 0:19:10 | 0:19:12 | |
-I was only going to show you my rabbit! -Really? | 0:19:14 | 0:19:18 | |
-Where you going? -We haven't got time for this. | 0:19:23 | 0:19:25 | |
I have met men like Dukes before. | 0:19:25 | 0:19:28 | |
Trust me, there is nothing going on beneath the surface. | 0:19:28 | 0:19:31 | |
Lu! Lu! | 0:19:31 | 0:19:33 | |
Lu. | 0:19:33 | 0:19:34 | |
Jealous? That's a laugh! | 0:19:34 | 0:19:36 | |
Pross is a dinosaur. | 0:19:42 | 0:19:43 | |
He's been doing the same tricks since the '80s. | 0:19:43 | 0:19:45 | |
Why cop...?! | 0:19:45 | 0:19:47 | |
HE GROANS AND CLEARS THROAT | 0:19:47 | 0:19:50 | |
So, why copy them, then? | 0:19:51 | 0:19:53 | |
Those old illusions are like jazz standards. | 0:19:53 | 0:19:56 | |
You take the classic trick and put a new twist on it. | 0:19:56 | 0:19:58 | |
Anyway, I've moved on since then. | 0:19:59 | 0:20:02 | |
So, why were you there that night then? | 0:20:02 | 0:20:05 | |
Well, I like to keep an eye on my competitors. | 0:20:05 | 0:20:08 | |
Even the rubbish ones. | 0:20:09 | 0:20:11 | |
Why would I sabotage his act | 0:20:13 | 0:20:15 | |
when he does such a good job of that himself? | 0:20:15 | 0:20:17 | |
Well, so you could inherit his residency at the theatre. | 0:20:17 | 0:20:19 | |
Yeah, well, the Terranova's hardly worth killing for, is it? | 0:20:22 | 0:20:26 | |
Revenge, then. | 0:20:26 | 0:20:27 | |
For having you blacklisted from the Magic Circle. | 0:20:27 | 0:20:30 | |
Maybe you never meant to hurt anybody. | 0:20:34 | 0:20:36 | |
You just wanted to embarrass Pross | 0:20:36 | 0:20:39 | |
and then it just all went wrong. | 0:20:39 | 0:20:40 | |
Obviously, badly. | 0:20:40 | 0:20:42 | |
Yeah, well, I was with my date the whole time. | 0:20:42 | 0:20:44 | |
Yeah, we heard. | 0:20:44 | 0:20:46 | |
You haven't got her contact details, have you? | 0:20:46 | 0:20:48 | |
Just in case she remembered anything useful. | 0:20:48 | 0:20:50 | |
No, sorry, can't help you there. | 0:20:50 | 0:20:52 | |
Only met her the night before. | 0:20:52 | 0:20:55 | |
Name, maybe? | 0:20:55 | 0:20:56 | |
Lilly... | 0:20:58 | 0:20:59 | |
Milly... | 0:20:59 | 0:21:01 | |
No, it's gone. | 0:21:02 | 0:21:03 | |
Police should have her details. | 0:21:03 | 0:21:05 | |
And you're confident that she'll back | 0:21:05 | 0:21:07 | |
-your version of events, are you? -Well, who knows? | 0:21:07 | 0:21:10 | |
Did my famous vanishing act during the night, | 0:21:10 | 0:21:12 | |
so she might be a bit miffed. | 0:21:12 | 0:21:13 | |
I don't like to be there when they wake up. | 0:21:14 | 0:21:16 | |
Ruins the magic. | 0:21:17 | 0:21:19 | |
SHE SCOFFS | 0:21:21 | 0:21:22 | |
The man is a cockroach. | 0:21:28 | 0:21:30 | |
Yeah, but he's right, though, isn't he? | 0:21:30 | 0:21:32 | |
The Terranova's not worth killing an innocent woman for. | 0:21:32 | 0:21:35 | |
Not even if it meant getting revenge on Pross. | 0:21:35 | 0:21:37 | |
And plus, he's got an alibi. | 0:21:37 | 0:21:39 | |
Well, so, what are we supposed to do, just give up? Let Chester win? | 0:21:39 | 0:21:42 | |
No, right, listen. | 0:21:43 | 0:21:45 | |
We go back to the beginning. | 0:21:45 | 0:21:46 | |
The victim. Maggie said she chose the volunteer at random. | 0:21:46 | 0:21:49 | |
What if someone saw where she put the card | 0:21:51 | 0:21:53 | |
and moved it to Mrs Shiplake's seat? | 0:21:53 | 0:21:55 | |
Ah. | 0:21:55 | 0:21:57 | |
-Who? -Marlowe mentioned an argument that night | 0:21:57 | 0:21:59 | |
between the victim and an on-duty usher. | 0:21:59 | 0:22:02 | |
Maybe we should have a word. | 0:22:02 | 0:22:05 | |
Iris... | 0:22:11 | 0:22:13 | |
-..do you want a hand? -I'm fine. | 0:22:13 | 0:22:16 | |
Iris? | 0:22:21 | 0:22:23 | |
-Ah, you scared the life out of me! -Sorry. -It's OK. | 0:22:23 | 0:22:25 | |
I'm just a little bit jumpy since... | 0:22:25 | 0:22:28 | |
You know. | 0:22:28 | 0:22:29 | |
Yeah, yeah. I'm sure you are. | 0:22:29 | 0:22:31 | |
Is it all right if we just ask a couple of questions? | 0:22:31 | 0:22:33 | |
So, is it true that you had an argument | 0:22:36 | 0:22:39 | |
with Jill Shiplake the night she died? | 0:22:39 | 0:22:42 | |
Ooh, sorry, I didn't mean to... | 0:22:42 | 0:22:44 | |
It was my fault! | 0:22:44 | 0:22:46 | |
I killed her! | 0:22:46 | 0:22:49 | |
You killed Mrs Shiplake? | 0:22:49 | 0:22:51 | |
She was sat behind this woman with stupidly big hair | 0:22:51 | 0:22:53 | |
and she wanted to move seats | 0:22:53 | 0:22:55 | |
but I wouldn't let her. | 0:22:55 | 0:22:57 | |
Why not? | 0:22:57 | 0:22:58 | |
Cos I saw Maggie put the card under her seat | 0:22:58 | 0:23:00 | |
and I was worried that I'd mess up the trick! | 0:23:00 | 0:23:03 | |
I'm sure it wasn't your fault. | 0:23:04 | 0:23:06 | |
I should have just let her move! | 0:23:06 | 0:23:08 | |
She was already in a bad mood, bickering with her husband... | 0:23:08 | 0:23:10 | |
Why were they arguing? | 0:23:10 | 0:23:12 | |
Well, he turned up late and then she was asking him where he'd been. | 0:23:12 | 0:23:14 | |
That's all I know. | 0:23:14 | 0:23:16 | |
Thank you. | 0:23:17 | 0:23:19 | |
You've been really helpful. | 0:23:19 | 0:23:21 | |
You didn't see anything else suspicious that night? | 0:23:21 | 0:23:25 | |
Well... | 0:23:25 | 0:23:27 | |
..at the interval, we clear the auditorium and, | 0:23:27 | 0:23:29 | |
as I was doing my checks, | 0:23:29 | 0:23:32 | |
I saw Mr Shiplake coming from backstage... | 0:23:32 | 0:23:34 | |
Sorry, you're not allowed. | 0:23:35 | 0:23:37 | |
Oh, no, I'm sorry, I was looking for the toilet. | 0:23:37 | 0:23:41 | |
Just got a bit lost. | 0:23:41 | 0:23:43 | |
Did you tell the police that? | 0:23:47 | 0:23:49 | |
Well, they were asking me loads of questions | 0:23:49 | 0:23:51 | |
about the row with his wife and... | 0:23:51 | 0:23:53 | |
I guess it just slipped my mind. | 0:23:53 | 0:23:55 | |
But, like he said, he was probably just lost. | 0:23:55 | 0:23:58 | |
Does this place have CCTV? | 0:24:00 | 0:24:03 | |
There's a camera at the back by the stage door | 0:24:03 | 0:24:05 | |
but the police already checked the footage from that night. | 0:24:05 | 0:24:08 | |
What about the Tuesday before? | 0:24:08 | 0:24:10 | |
I mean, Maggie assumed that Anton stole the stage notes. | 0:24:10 | 0:24:14 | |
What if it was someone else? | 0:24:14 | 0:24:15 | |
The footage is probably still on the hard-drive but... | 0:24:15 | 0:24:18 | |
-No, I can't. -Really? | 0:24:19 | 0:24:21 | |
Not even if it would stop Pross going to jail? | 0:24:22 | 0:24:26 | |
My manager would freak out, | 0:24:26 | 0:24:28 | |
and I need this job. Sorry. | 0:24:28 | 0:24:30 | |
Well, listen, if you think of anything, it would be a big help. | 0:24:32 | 0:24:35 | |
So, Jill Shiplake comes from a very wealthy family. | 0:24:40 | 0:24:44 | |
Most of their assets are in her name. | 0:24:44 | 0:24:46 | |
Steffan Shiplake, however, | 0:24:46 | 0:24:49 | |
owns Undreamed Shores - | 0:24:49 | 0:24:51 | |
an independent travel agents. Made a loss for the last two years. | 0:24:51 | 0:24:54 | |
So, are we talking about, like, | 0:24:54 | 0:24:56 | |
an episode of My Big Fat Life Insurance Policy? | 0:24:56 | 0:24:59 | |
Well, the culprit's usually someone close to the victim | 0:24:59 | 0:25:02 | |
and Steffan stood to gain financially. | 0:25:02 | 0:25:05 | |
And he asked Marlowe to warn us off. | 0:25:05 | 0:25:07 | |
How do we prove it? | 0:25:07 | 0:25:09 | |
Well, we'll ruffle his feathers a bit, see what happens. Sebastian! | 0:25:09 | 0:25:12 | |
Can't a man enjoy his quinoa in peace? | 0:25:14 | 0:25:17 | |
Fancy going on holiday? | 0:25:17 | 0:25:19 | |
You've come here to ask me if I killed my wife?! | 0:25:21 | 0:25:23 | |
That's not what I'm saying. | 0:25:23 | 0:25:25 | |
I'm just asking why you were snooping around backstage. | 0:25:25 | 0:25:27 | |
I wasn't snooping anywhere! | 0:25:27 | 0:25:29 | |
Was it your idea to go to the magic show? | 0:25:29 | 0:25:31 | |
For your information, we won those tickets in a competition | 0:25:31 | 0:25:34 | |
organised by the theatre for couples... | 0:25:34 | 0:25:37 | |
..but you don't believe me. Just ask them. | 0:25:39 | 0:25:41 | |
Now, I... | 0:25:42 | 0:25:44 | |
..would like you... | 0:25:44 | 0:25:47 | |
..to leave! | 0:25:47 | 0:25:49 | |
OK. | 0:25:51 | 0:25:52 | |
-Good morning. -Isn't it? | 0:26:01 | 0:26:03 | |
A sports injury? I managed to do my knee skiing last month. | 0:26:03 | 0:26:07 | |
Oh, no, this is a car accident years ago. | 0:26:07 | 0:26:10 | |
Serves me right. | 0:26:11 | 0:26:13 | |
Was trying to be Lewis Hamilton. | 0:26:13 | 0:26:15 | |
So, are we...planning a trip? | 0:26:15 | 0:26:18 | |
Honeymoon. | 0:26:18 | 0:26:19 | |
Somewhere adventurous yet luxurious, | 0:26:19 | 0:26:21 | |
and Olivia's adamant we only stay in hotels with a low carbon-footprint. | 0:26:21 | 0:26:24 | |
Budget? | 0:26:26 | 0:26:27 | |
Not an issue. | 0:26:27 | 0:26:29 | |
Please take a seat. | 0:26:29 | 0:26:30 | |
HE COUGHS | 0:26:32 | 0:26:36 | |
Sorry. Can't shake off this bug I picked up in Whistler. | 0:26:36 | 0:26:39 | |
Water? | 0:26:39 | 0:26:40 | |
If it's not too much trouble. | 0:26:40 | 0:26:42 | |
Decent of you. | 0:26:59 | 0:27:01 | |
Now... | 0:27:01 | 0:27:02 | |
..let's see what we can find. | 0:27:04 | 0:27:08 | |
Listen to this. | 0:27:11 | 0:27:13 | |
I want to see you, too. | 0:27:17 | 0:27:18 | |
It's not a good time. | 0:27:20 | 0:27:22 | |
Because I've got some private detectives sniffing around | 0:27:22 | 0:27:25 | |
and it won't look good, will it? | 0:27:25 | 0:27:27 | |
All right, calm down! | 0:27:29 | 0:27:30 | |
I'll come round after work. | 0:27:30 | 0:27:33 | |
Five o'clock. | 0:27:33 | 0:27:34 | |
But we'll have to be discreet. | 0:27:34 | 0:27:36 | |
Looks like he's traded his wife in for a newer model. | 0:27:37 | 0:27:40 | |
Hmm, he didn't exactly seem heartbroken when I saw him. | 0:27:40 | 0:27:43 | |
ALARM BEEPS | 0:27:50 | 0:27:53 | |
Now, remember what I told you about tailing people. | 0:27:58 | 0:28:01 | |
Slow, smooth, steady. | 0:28:01 | 0:28:03 | |
SHE SCREAMS | 0:28:07 | 0:28:08 | |
I thought you might try something like this. | 0:28:11 | 0:28:13 | |
Just to win a silly bet. | 0:28:13 | 0:28:15 | |
Hey! That's wilful destruction of property. | 0:28:15 | 0:28:18 | |
We both know you lack reasonable grounds | 0:28:18 | 0:28:21 | |
to listen to my client's private conversations. | 0:28:21 | 0:28:23 | |
What were you hoping to find? | 0:28:23 | 0:28:24 | |
-Evidence. And we did. -Of what? | 0:28:24 | 0:28:27 | |
He has been conducting an extramarital affair. | 0:28:27 | 0:28:30 | |
And you can prove that this relationship | 0:28:30 | 0:28:33 | |
started prior to Mrs Shiplake's death, can you? | 0:28:33 | 0:28:35 | |
Your client was in the perfect position | 0:28:38 | 0:28:40 | |
to place the joker under his wife's seat. | 0:28:40 | 0:28:42 | |
Divorce costs a lot of money. | 0:28:42 | 0:28:44 | |
Now he gets the assets, the life insurance, | 0:28:44 | 0:28:46 | |
the compensation pay-out. | 0:28:46 | 0:28:48 | |
It's a strong motive, Chester. | 0:28:48 | 0:28:49 | |
Yeah, and we have a witness | 0:28:49 | 0:28:51 | |
who saw him sneaking backstage during the interval. | 0:28:51 | 0:28:53 | |
Wild speculation. | 0:28:53 | 0:28:55 | |
If you continue bothering Mr Shiplake, | 0:28:55 | 0:28:57 | |
I'll have you charged with harassment. | 0:28:57 | 0:28:59 | |
And don't bother with another bug. | 0:28:59 | 0:29:01 | |
My client won't be so careless in the future | 0:29:01 | 0:29:03 | |
about what he says on the phone! | 0:29:03 | 0:29:05 | |
-He's worried. -Good. | 0:29:08 | 0:29:10 | |
We still need to get some proof, though. | 0:29:12 | 0:29:15 | |
So, the box office manager | 0:29:18 | 0:29:19 | |
says that the Shiplakes' tickets were issued | 0:29:19 | 0:29:21 | |
under a complimentary code. | 0:29:21 | 0:29:24 | |
So, he was telling the truth. | 0:29:24 | 0:29:25 | |
Except no-one can remember issuing them | 0:29:25 | 0:29:27 | |
and they've never heard of this couples competition. | 0:29:27 | 0:29:30 | |
Maybe Shiplake had an accomplice. | 0:29:30 | 0:29:31 | |
Who else could've processed the tickets? | 0:29:31 | 0:29:34 | |
Well, resident performers are allowed comps, | 0:29:34 | 0:29:36 | |
so maybe Maggie or Lawrence. | 0:29:36 | 0:29:37 | |
Oh, and Callum told the police | 0:29:37 | 0:29:40 | |
that nobody went backstage during the interval. | 0:29:40 | 0:29:42 | |
So, either he didn't see Shiplake... | 0:29:42 | 0:29:44 | |
Or Callum is lying. | 0:29:44 | 0:29:46 | |
Callum? | 0:29:50 | 0:29:52 | |
-No. He wouldn't. -You believe he was conspiring with Anton Dukes? | 0:29:52 | 0:29:57 | |
No. Steffan Shiplake. | 0:29:57 | 0:29:59 | |
-What? -The evidence suggests... | 0:29:59 | 0:30:01 | |
Oh, evidence... | 0:30:01 | 0:30:02 | |
..my foot! | 0:30:02 | 0:30:04 | |
Dukes did it. | 0:30:04 | 0:30:06 | |
He is an immoral, plagiarising, | 0:30:06 | 0:30:09 | |
ungrateful wretch! | 0:30:09 | 0:30:10 | |
PHONE RINGS | 0:30:10 | 0:30:14 | |
My solicitor. | 0:30:14 | 0:30:15 | |
Lawrence Pross speaking. | 0:30:16 | 0:30:19 | |
Trust me, Callum wouldn't hurt a fly. | 0:30:20 | 0:30:23 | |
-Can you be sure? -That's it! | 0:30:23 | 0:30:24 | |
Maggie, I'll go. | 0:30:26 | 0:30:30 | |
You are about to witness a superhuman feat... | 0:30:32 | 0:30:38 | |
Not there! The... | 0:30:38 | 0:30:41 | |
How many times do I have to tell you?! It's there. | 0:30:41 | 0:30:43 | |
There you are, you slug! | 0:30:44 | 0:30:47 | |
-Is it true? -Is what true? | 0:30:47 | 0:30:49 | |
My solicitor told me you've spoken to the Health and Safety Executive. | 0:30:49 | 0:30:52 | |
-Offered to be their expert witness. -Mr Pross, shall we go outside? | 0:30:52 | 0:30:55 | |
How could you? Without me, you wouldn't even have an act! | 0:30:55 | 0:30:58 | |
Right, Callum, can you get him out of here, please? | 0:30:58 | 0:31:00 | |
So you are helping him! | 0:31:00 | 0:31:02 | |
It's my job, Mr Pross. | 0:31:02 | 0:31:03 | |
To stab me in the back?! | 0:31:03 | 0:31:04 | |
Admit it, Pross. You're finished. | 0:31:04 | 0:31:07 | |
Right. | 0:31:07 | 0:31:08 | |
While you're banged up, I might even offer Maggie some work. | 0:31:08 | 0:31:11 | |
I'd have to give her a test-drive first though. | 0:31:14 | 0:31:17 | |
-I'll kill you! -Not the face! | 0:31:17 | 0:31:19 | |
-No! Stop it. -PROSS WAILS | 0:31:19 | 0:31:21 | |
Stop it. Stop! | 0:31:21 | 0:31:23 | |
Stop it. | 0:31:23 | 0:31:25 | |
Oh! | 0:31:25 | 0:31:30 | |
-Mr Pross! -Why the devil did you come between us? | 0:31:34 | 0:31:37 | |
I was going to tell them that it was a freak accident. | 0:31:37 | 0:31:40 | |
Unforeseeable. | 0:31:40 | 0:31:41 | |
You know, for old time's sake. | 0:31:41 | 0:31:43 | |
But you deserve to be banged up. | 0:31:43 | 0:31:45 | |
Are you all right? | 0:31:47 | 0:31:49 | |
You're very lucky, Mr Pross. | 0:31:51 | 0:31:53 | |
Am I? | 0:31:53 | 0:31:55 | |
Well, there's no permanent damage | 0:31:55 | 0:31:56 | |
-and Mr Dukes doesn't want to press charges. -Too right. | 0:31:56 | 0:31:59 | |
-He's the criminal around here. -Careful there. | 0:31:59 | 0:32:01 | |
I have witnesses who say you threatened to kill him. | 0:32:01 | 0:32:04 | |
KNOCK ON DOOR | 0:32:04 | 0:32:06 | |
Oh, hello. | 0:32:06 | 0:32:09 | |
-Not interrupting, are we? -No, we're done. | 0:32:09 | 0:32:11 | |
And so are you. | 0:32:11 | 0:32:13 | |
I don't want you anywhere near Steffan Shiplake, | 0:32:13 | 0:32:15 | |
Anton Dukes or the Terranova Theatre... | 0:32:15 | 0:32:18 | |
-But I... -..or I will arrest you for perverting the course of justice. | 0:32:18 | 0:32:21 | |
Clear? Thank you. | 0:32:21 | 0:32:23 | |
I've messed everything up, haven't I? | 0:32:27 | 0:32:29 | |
-That's not true, Dad. -Yes. It is. | 0:32:29 | 0:32:32 | |
Oh, look on the bright side, | 0:32:32 | 0:32:34 | |
if you do end up going to prison, | 0:32:34 | 0:32:36 | |
at least you're a trained escapologist, aren't you? | 0:32:36 | 0:32:39 | |
So, what now? | 0:32:42 | 0:32:44 | |
I've got no idea. | 0:32:44 | 0:32:45 | |
Ah, you shouldn't have. | 0:32:48 | 0:32:49 | |
I have this effect on most women, you know. | 0:32:49 | 0:32:52 | |
Actually, they're for my parents. | 0:32:52 | 0:32:53 | |
I was just on the way to the graveyard. | 0:32:53 | 0:32:55 | |
The CCTV footage you wanted. | 0:32:58 | 0:33:00 | |
Oh, what made you change your mind? | 0:33:00 | 0:33:01 | |
If somebody does something wrong, | 0:33:03 | 0:33:04 | |
they deserve to be punished. | 0:33:04 | 0:33:06 | |
How long do I have to endure this? | 0:33:08 | 0:33:09 | |
It's like watching an am-dram production of Waiting For Godot. | 0:33:12 | 0:33:15 | |
We have to watch the whole thing. | 0:33:15 | 0:33:16 | |
Pross said he had his stage notes first thing, | 0:33:16 | 0:33:19 | |
but they were gone by the evening show. | 0:33:19 | 0:33:21 | |
-What was that? -What was what? | 0:33:21 | 0:33:22 | |
Go back! | 0:33:22 | 0:33:24 | |
There! | 0:33:26 | 0:33:28 | |
That could be anyone. | 0:33:28 | 0:33:30 | |
Not just anyone. Play it again. | 0:33:30 | 0:33:32 | |
Look how he's walking. | 0:33:34 | 0:33:35 | |
We found Mr Pross' stage notes in a bin bag round the back. | 0:33:48 | 0:33:52 | |
So, with the CCTV footage and the usher's witness statement, | 0:33:52 | 0:33:55 | |
I'm confident that Shiplake will crack. | 0:33:55 | 0:33:58 | |
Oh, sorry, what was that? | 0:33:58 | 0:34:00 | |
"You were right, Frank. | 0:34:00 | 0:34:01 | |
"Sorry for ever doubting you!" | 0:34:01 | 0:34:04 | |
-She loves me really. -Yeah. No, I can see that. | 0:34:04 | 0:34:06 | |
-Yeah. -Yeah. -It's in her eyes. | 0:34:06 | 0:34:08 | |
I can't tell you how grateful I am. | 0:34:08 | 0:34:11 | |
That makes two of us. | 0:34:11 | 0:34:13 | |
As soon as my arm is better, | 0:34:13 | 0:34:14 | |
I'll talk to the Terranova about having us back. | 0:34:14 | 0:34:16 | |
I can't wait. | 0:34:16 | 0:34:18 | |
You...might want to retire the old iron maiden trick, though. | 0:34:18 | 0:34:20 | |
PHONE RINGS | 0:34:20 | 0:34:22 | |
It's Marlowe. | 0:34:24 | 0:34:26 | |
Hello? | 0:34:26 | 0:34:27 | |
Well, have you charged him? | 0:34:30 | 0:34:32 | |
Well, that can't be right. | 0:34:32 | 0:34:34 | |
What's wrong? | 0:34:37 | 0:34:38 | |
That is him! He's lying. | 0:34:39 | 0:34:41 | |
How many more times? | 0:34:41 | 0:34:43 | |
Steffan Shiplake has an alibi for when this was taken. | 0:34:43 | 0:34:45 | |
Well, then he paid someone to cover for him. | 0:34:45 | 0:34:48 | |
What, the whole of the Stratford Small Business Association? | 0:34:48 | 0:34:52 | |
Yeah, maybe not. | 0:34:52 | 0:34:53 | |
Whoever this is, it's not him. | 0:34:53 | 0:34:55 | |
Show me the shot of him leaving again. | 0:34:57 | 0:34:59 | |
-Show me again. -Why? There's no clear shot of his face. | 0:35:04 | 0:35:08 | |
Just show me! | 0:35:08 | 0:35:09 | |
There! | 0:35:16 | 0:35:18 | |
-What am I looking for? -That's Anton's poster. | 0:35:18 | 0:35:21 | |
The date says this was taken the week before the accident. | 0:35:24 | 0:35:27 | |
Yeah, if that's true, | 0:35:27 | 0:35:30 | |
then there's no way that poster would've been there. | 0:35:30 | 0:35:32 | |
That's... | 0:35:32 | 0:35:34 | |
This has been faked. | 0:35:34 | 0:35:35 | |
-Get out! -We've come to apologise. | 0:35:42 | 0:35:43 | |
-I'm not interested. -Mr Shiplake, honestly... | 0:35:43 | 0:35:46 | |
My wife's dead and you had me dragged off to a police station! | 0:35:46 | 0:35:50 | |
Don't you want to find out who's trying to frame you? | 0:35:50 | 0:35:53 | |
Someone went out of their way | 0:35:57 | 0:35:59 | |
to make us think it was you on that CCTV. | 0:35:59 | 0:36:01 | |
And the same person probably planted the stage notes on your property. | 0:36:01 | 0:36:04 | |
We've been trying to find out | 0:36:04 | 0:36:06 | |
why someone would want to see you locked up. | 0:36:06 | 0:36:09 | |
And? | 0:36:09 | 0:36:10 | |
You told our colleague | 0:36:10 | 0:36:12 | |
that you injured your leg in a car accident. | 0:36:12 | 0:36:15 | |
That's right. | 0:36:16 | 0:36:18 | |
Was...anyone else injured? | 0:36:18 | 0:36:20 | |
-I don't see what this has got... -Please, Mr Shiplake. | 0:36:23 | 0:36:28 | |
OK. Yeah. Yes. | 0:36:28 | 0:36:30 | |
A couple. | 0:36:32 | 0:36:33 | |
According to an article that we've got, you were... | 0:36:33 | 0:36:37 | |
You were charged with causing death by dangerous driving. | 0:36:37 | 0:36:41 | |
It was raining. | 0:36:49 | 0:36:51 | |
They just came out of nowhere. I... | 0:36:53 | 0:36:55 | |
I didn't do anything wrong. | 0:36:57 | 0:37:00 | |
The case was dropped. | 0:37:00 | 0:37:02 | |
Insufficient evidence. | 0:37:02 | 0:37:04 | |
This was years ago! | 0:37:04 | 0:37:05 | |
Why are you dragging this up now? | 0:37:05 | 0:37:07 | |
The thing is, we think that maybe... | 0:37:07 | 0:37:09 | |
Maybe your wife wasn't the intended victim that night. | 0:37:09 | 0:37:11 | |
Maybe it was you. | 0:37:13 | 0:37:15 | |
I don't understand. | 0:37:15 | 0:37:17 | |
Did you two swap seats before the second half? | 0:37:17 | 0:37:20 | |
-PA: -Please take your seats. | 0:37:26 | 0:37:28 | |
The Amazing Antonio is about to commence. | 0:37:28 | 0:37:31 | |
Did you find anything? On the CCTV? | 0:37:31 | 0:37:33 | |
As a matter of fact, we did. Yeah. | 0:37:34 | 0:37:36 | |
Well...? | 0:37:36 | 0:37:38 | |
You must've watched that iron maiden trick 100 times, eh? | 0:37:38 | 0:37:41 | |
Probably, yeah. | 0:37:41 | 0:37:42 | |
Still, you didn't want to leave anything to chance. | 0:37:42 | 0:37:45 | |
Is that why you took the stage notes? | 0:37:45 | 0:37:48 | |
Sorry, I don't... | 0:37:48 | 0:37:50 | |
You sent Mr and Mrs Shiplake tickets in the post, | 0:37:50 | 0:37:53 | |
telling them they'd won some competition. | 0:37:53 | 0:37:55 | |
And then, that night, you waited until Maggie had hidden the joker | 0:37:55 | 0:37:58 | |
under the seat and you moved it, didn't you? | 0:37:58 | 0:38:01 | |
And then, after Callum had done his safety checks, | 0:38:01 | 0:38:03 | |
you removed the magnet | 0:38:03 | 0:38:05 | |
from underneath the iron maiden. | 0:38:05 | 0:38:06 | |
You had to find a way to put it back without being noticed. | 0:38:26 | 0:38:29 | |
So, after Mrs Shiplake died, | 0:38:29 | 0:38:31 | |
you ran onstage and you waited for an opportunity, didn't you? | 0:38:31 | 0:38:34 | |
And then you put the magnet back. | 0:38:34 | 0:38:36 | |
Why would I have wanted to kill Mrs Shiplake? | 0:38:36 | 0:38:38 | |
I already told you, it was just a stupid row | 0:38:38 | 0:38:40 | |
because she wanted to move seats! | 0:38:40 | 0:38:42 | |
Yes, and you couldn't allow that, could you? | 0:38:42 | 0:38:45 | |
Not when you'd already hidden the joker under Mr Shiplake's seat. | 0:38:45 | 0:38:49 | |
I can't see anything. | 0:38:51 | 0:38:53 | |
Her hair's too big. | 0:38:53 | 0:38:55 | |
-So? -Can we swap seats? | 0:38:55 | 0:38:57 | |
Then I won't be able to see anything! | 0:38:57 | 0:38:59 | |
-I haven't been able to see and I can't see... -OK. OK. | 0:38:59 | 0:39:01 | |
-It's our date night. -Yeah, feels like it. | 0:39:01 | 0:39:05 | |
-Can we enjoy the rest of the evening now, please? -Yes. | 0:39:05 | 0:39:09 | |
You blamed Steffan Shiplake for the accident that killed your parents. | 0:39:09 | 0:39:13 | |
You wanted your revenge ever since. | 0:39:16 | 0:39:18 | |
But then your little plan went horribly wrong, didn't it, | 0:39:18 | 0:39:20 | |
-when they swapped places? -No! | 0:39:20 | 0:39:22 | |
And then we showed up asking about the CCTV, | 0:39:22 | 0:39:26 | |
and you saw an opportunity, didn't you, | 0:39:26 | 0:39:28 | |
to frame him for the murder that you committed, | 0:39:28 | 0:39:31 | |
putting Mr Shiplake in jail where you felt he belonged? | 0:39:31 | 0:39:34 | |
It was you on the CCTV, wasn't it? | 0:39:34 | 0:39:37 | |
You faked it. | 0:39:37 | 0:39:38 | |
You lied about seeing him backstage | 0:39:38 | 0:39:40 | |
and you planted the notes at the travel agency. | 0:39:40 | 0:39:43 | |
-Come on, it was you, wasn't it? -SIREN WAILS | 0:39:43 | 0:39:45 | |
That way! | 0:39:47 | 0:39:49 | |
You are about to witness a superhuman feat... | 0:39:50 | 0:39:55 | |
..of endurance and escapology! | 0:39:56 | 0:39:59 | |
Raise the box. | 0:40:15 | 0:40:17 | |
Higher. | 0:40:19 | 0:40:21 | |
Leave me alone. | 0:40:23 | 0:40:25 | |
Stop! | 0:40:25 | 0:40:27 | |
Don't stop, you idiot! | 0:40:27 | 0:40:29 | |
I've got this one! | 0:40:29 | 0:40:31 | |
Back! It isn't what you think. | 0:40:31 | 0:40:33 | |
I promise. | 0:40:33 | 0:40:36 | |
Stay back! | 0:40:36 | 0:40:37 | |
-All right. -What's going on? | 0:40:39 | 0:40:40 | |
-You need to calm down. -You're ruining my act! | 0:40:42 | 0:40:45 | |
The police are just outside, Iris. | 0:40:46 | 0:40:48 | |
You might as well just give it up. | 0:40:48 | 0:40:49 | |
What about Steffan Shiplake? | 0:40:49 | 0:40:51 | |
He gets to limp away again, scot-free? | 0:40:51 | 0:40:53 | |
He killed my parents! | 0:40:53 | 0:40:55 | |
-And you killed an innocent woman. -It was an accident. -No. | 0:40:55 | 0:40:58 | |
It was murder. You could've helped her, | 0:40:58 | 0:41:00 | |
but you watched her be led to her death. | 0:41:00 | 0:41:02 | |
I'm really sorry about this, ladies and gentlemen! | 0:41:02 | 0:41:04 | |
Stay back! | 0:41:04 | 0:41:06 | |
Police! Everybody stay in your seats. | 0:41:06 | 0:41:08 | |
-Ow! -Don't... | 0:41:08 | 0:41:09 | |
Ow! Ow! | 0:41:09 | 0:41:10 | |
Can someone let me down, please? | 0:41:21 | 0:41:23 | |
I thought I told you to stay away from the theatre. | 0:41:28 | 0:41:30 | |
The thing is, I know how difficult it is | 0:41:30 | 0:41:32 | |
-for you to allocate appropriate resources... -Shut up, Frank. | 0:41:32 | 0:41:35 | |
-Shutting up. -Did she say anything? | 0:41:35 | 0:41:37 | |
Yeah. I think she'll make a full confession. | 0:41:37 | 0:41:39 | |
I'll talk to the CPS in the morning. | 0:41:39 | 0:41:41 | |
Second time lucky, eh? | 0:41:41 | 0:41:43 | |
What's so urgent? | 0:41:44 | 0:41:46 | |
Do you want to tell him or shall I? | 0:41:46 | 0:41:48 | |
Erm... | 0:41:48 | 0:41:50 | |
How shall I put this? | 0:41:50 | 0:41:51 | |
Hey-hey! There we go! | 0:41:55 | 0:41:57 | |
Thanks. | 0:42:00 | 0:42:01 | |
So, what now? | 0:42:01 | 0:42:03 | |
Like I said, | 0:42:03 | 0:42:05 | |
I persuade the Terranova to take us back. | 0:42:05 | 0:42:07 | |
And maybe train up a new assistant. | 0:42:08 | 0:42:10 | |
Excuse me? | 0:42:11 | 0:42:12 | |
Well, I might be wrong, | 0:42:12 | 0:42:15 | |
but I get the impression that Maggie's ready for a new adventure. | 0:42:15 | 0:42:18 | |
Is this true? | 0:42:19 | 0:42:21 | |
Well... | 0:42:21 | 0:42:23 | |
You know I've always loved helping you with your tricks. | 0:42:23 | 0:42:27 | |
I remember looking after your rabbits when I was tiny. | 0:42:27 | 0:42:30 | |
But... | 0:42:30 | 0:42:32 | |
But I... | 0:42:32 | 0:42:33 | |
I'd kind of like to see the world outside of Stratford. | 0:42:34 | 0:42:38 | |
-I'm sorry, just... -No! Don't be. | 0:42:40 | 0:42:45 | |
It's my fault. I've been too caught up in my magic to notice. | 0:42:45 | 0:42:48 | |
-Thank you, both. -Oh! | 0:42:51 | 0:42:55 | |
A token of my appreciation. | 0:42:55 | 0:42:58 | |
Is it true you bet that other detective | 0:43:00 | 0:43:01 | |
-that you could clear my dad's name? -Oh, yes. -So what did you win? | 0:43:01 | 0:43:05 | |
THEY LAUGH | 0:43:11 | 0:43:15 |