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-Will you be home for lunch? -No. | 0:00:20 | 0:00:22 | |
What are they up to? Just staring. | 0:00:23 | 0:00:26 | |
Probably waiting for the parlour to open. | 0:00:26 | 0:00:28 | |
I was up at six and they were there then. | 0:00:28 | 0:00:31 | |
No-one's that eager to arrange a funeral. | 0:00:31 | 0:00:34 | |
-Maybe they're interested in buying that house. -Mm. | 0:00:34 | 0:00:37 | |
Anyway... | 0:00:37 | 0:00:40 | |
I'll see you later. | 0:00:40 | 0:00:42 | |
Mr Quintus? | 0:00:56 | 0:00:58 | |
-Mr Peter Quintus? -That's right. | 0:00:58 | 0:01:01 | |
Of course, I already knew that. | 0:01:01 | 0:01:03 | |
-It's all in your file. -File. | 0:01:03 | 0:01:06 | |
Sorry? You're not from the inland revenue, are you? | 0:01:06 | 0:01:08 | |
Because my accounts are all up to date. | 0:01:08 | 0:01:11 | |
No, we're not parasites. | 0:01:11 | 0:01:13 | |
Allow me to introduce myself. I'm Mr R and my colleague here is Mr G. | 0:01:13 | 0:01:17 | |
Mr R and Mr G. | 0:01:17 | 0:01:20 | |
Well, that's not names. It's letters. | 0:01:20 | 0:01:22 | |
What exactly do you want? | 0:01:22 | 0:01:24 | |
To discuss a matter of grave importance. | 0:01:24 | 0:01:27 | |
May we come in? | 0:01:28 | 0:01:30 | |
I suppose you better. | 0:01:31 | 0:01:32 | |
Please come through. | 0:01:52 | 0:01:54 | |
-MR G CHUCKLES -Stop it. You'll set me off. | 0:01:54 | 0:01:58 | |
What's so funny? Why's he laughing? | 0:02:00 | 0:02:02 | |
He's never been able to take death seriously. | 0:02:02 | 0:02:05 | |
It's quite ironic, really. | 0:02:05 | 0:02:07 | |
-Apologies. -Apologies. | 0:02:07 | 0:02:09 | |
Now, let me explain. | 0:02:11 | 0:02:13 | |
We're employees of a very large, criminal organisation... | 0:02:13 | 0:02:17 | |
-Criminal? -Criminal. Are you deaf? | 0:02:17 | 0:02:19 | |
..and we have been entrusted to carry out a very delicate task. | 0:02:19 | 0:02:23 | |
You have 24 hours to live... | 0:02:23 | 0:02:25 | |
..and then we shall kill you. | 0:02:27 | 0:02:28 | |
-Forgot me keys. -Not again! | 0:02:56 | 0:02:58 | |
Could have sworn I put them in my back pocket. | 0:02:58 | 0:03:00 | |
Surely you check before leaving the house? | 0:03:00 | 0:03:03 | |
No. Only thing I check's my hair. | 0:03:03 | 0:03:05 | |
You want to get yourself one of these. | 0:03:06 | 0:03:08 | |
-What, a giant purse? -So much more. | 0:03:08 | 0:03:10 | |
Ten individual compartments. | 0:03:10 | 0:03:13 | |
Everything has it's place. | 0:03:13 | 0:03:15 | |
Sorry, I think I've just died of boredom. | 0:03:15 | 0:03:17 | |
Be careful what you wish for. | 0:03:17 | 0:03:20 | |
-Morning, Sebastian. -Morning. | 0:03:20 | 0:03:22 | |
Oh! | 0:03:28 | 0:03:29 | |
How wonderfully theatrical. | 0:03:31 | 0:03:34 | |
Take the rest of the day off, boys. | 0:03:34 | 0:03:37 | |
Are you the private investigator? | 0:03:37 | 0:03:39 | |
-Alas, I am merely the humble servant of such. -He makes the tea. | 0:03:39 | 0:03:42 | |
I must say, I do love the dramatic entrance. | 0:03:42 | 0:03:45 | |
I couldn't risk being followed. | 0:03:46 | 0:03:48 | |
-Oh, come on up. -It needs to be a secret that I'm here. | 0:03:48 | 0:03:51 | |
-WHISPERS: -Right, follow me. | 0:03:51 | 0:03:53 | |
I know times are hard, but taking a job from a corpse. | 0:03:58 | 0:04:01 | |
Could be the final nail in the coffin. | 0:04:01 | 0:04:04 | |
Right, I'm going to need to start by taking some details. | 0:04:14 | 0:04:18 | |
Peter Quintus, funeral director. | 0:04:18 | 0:04:20 | |
Here we are. | 0:04:20 | 0:04:22 | |
Oh, good man. I'm gasping. | 0:04:22 | 0:04:24 | |
Gah! Tastes like air-freshener. | 0:04:27 | 0:04:29 | |
-It's Earl Grey. Lu and I prefer it. -Thank you. | 0:04:29 | 0:04:31 | |
Oh, there's too many changes around here. | 0:04:31 | 0:04:34 | |
Look, there isn't time for tea. | 0:04:34 | 0:04:36 | |
I've only got 24 hours to live. | 0:04:36 | 0:04:38 | |
How'd you mean exactly? | 0:04:38 | 0:04:41 | |
I... I had a couple of visitors this morning. | 0:04:41 | 0:04:46 | |
Is this some sort of prank? | 0:04:47 | 0:04:48 | |
No. | 0:04:50 | 0:04:51 | |
We will return at ten o'clock tomorrow. | 0:04:53 | 0:04:57 | |
If you were serious, you'd do it now. | 0:04:57 | 0:04:59 | |
-We're not barbarians. -Not barbarians! | 0:04:59 | 0:05:02 | |
The criminal network we work for is made up of bankers, tycoons, | 0:05:02 | 0:05:07 | |
people of high status. | 0:05:07 | 0:05:09 | |
And it is their policy to limit the | 0:05:09 | 0:05:11 | |
distress of those close to the target. | 0:05:11 | 0:05:13 | |
You. | 0:05:13 | 0:05:14 | |
The time remaining is for you to say goodbye to your family | 0:05:14 | 0:05:18 | |
and to sort out your finances. | 0:05:18 | 0:05:19 | |
I'll go to the police. | 0:05:21 | 0:05:22 | |
As I said, the organisation is vast. | 0:05:23 | 0:05:26 | |
If you try and run or contact the police, | 0:05:27 | 0:05:29 | |
they will not only execute you, but also your loved ones. | 0:05:29 | 0:05:33 | |
You've got a son in Edinburgh and a daughter in Kilkenny. Correct? | 0:05:34 | 0:05:37 | |
How do you know that? | 0:05:39 | 0:05:40 | |
It's all in your file. | 0:05:40 | 0:05:42 | |
-Who hired you? -Confidential. | 0:05:42 | 0:05:43 | |
Why do they want me dead? | 0:05:45 | 0:05:47 | |
Well, that's a matter for our employers. | 0:05:47 | 0:05:49 | |
We don't have the specific details. | 0:05:49 | 0:05:52 | |
Apparently it's something to do with your past. | 0:05:53 | 0:05:56 | |
So, let me get this straight, | 0:05:58 | 0:05:59 | |
you don't actually want us to protect you? | 0:05:59 | 0:06:01 | |
No, no, I just... I want all this to stop. | 0:06:01 | 0:06:04 | |
Mm, it's a tricky one. | 0:06:04 | 0:06:06 | |
You have to help me. There's no-one else. | 0:06:06 | 0:06:10 | |
Er... | 0:06:10 | 0:06:11 | |
-..I will pay you £10,000 cash up front... -Up front? Accepted. | 0:06:13 | 0:06:17 | |
So who hates you enough to want you dead? | 0:06:17 | 0:06:21 | |
Well, that's just it. | 0:06:21 | 0:06:23 | |
I've always considered myself to be a good person. | 0:06:23 | 0:06:25 | |
I've had my moments, admittedly, but nothing that bad. | 0:06:25 | 0:06:28 | |
I need you to make a list of anyone you can think of. | 0:06:29 | 0:06:32 | |
And just... And think about things you might've done in the past. | 0:06:32 | 0:06:35 | |
Firstly, we need to try and find out who hired | 0:06:35 | 0:06:38 | |
the suits and try and expose them. They might relent. | 0:06:38 | 0:06:42 | |
-Call off the hit. -What, you think so? | 0:06:42 | 0:06:45 | |
Well, it's worth a try, yeah. | 0:06:45 | 0:06:47 | |
I tell you what, I'll tail you this morning, | 0:06:47 | 0:06:50 | |
see if the Chuckle Brothers try to make contact again. | 0:06:50 | 0:06:52 | |
And I...will stake out your house, just see who turns up. | 0:06:52 | 0:06:57 | |
OK, but please, please hurry. | 0:06:57 | 0:07:01 | |
That's 23 hours to live. | 0:07:01 | 0:07:04 | |
Anne! | 0:07:15 | 0:07:17 | |
Anne! | 0:07:19 | 0:07:21 | |
Where's your hubby? | 0:07:22 | 0:07:24 | |
He's gone out. | 0:07:24 | 0:07:25 | |
-What do you want, Brenda? -Well, what's mine! | 0:07:26 | 0:07:29 | |
-That's all been sorted. -No, it hasn't. | 0:07:30 | 0:07:32 | |
He owes me big time. | 0:07:32 | 0:07:34 | |
Please. | 0:07:35 | 0:07:37 | |
I'm so sorry. | 0:07:41 | 0:07:42 | |
It's not you... | 0:07:43 | 0:07:45 | |
..it's him. | 0:07:46 | 0:07:48 | |
Bingo! | 0:08:16 | 0:08:18 | |
Just a reminder, we're never far away. | 0:08:19 | 0:08:22 | |
-Watching. -Watching. | 0:08:22 | 0:08:25 | |
Lu, Lu, confirmed sighting. | 0:08:35 | 0:08:38 | |
It's a black... Oh! | 0:08:38 | 0:08:40 | |
I think it's a Wolseley, | 0:08:40 | 0:08:42 | |
heading towards... | 0:08:42 | 0:08:44 | |
Turner Street. | 0:08:44 | 0:08:46 | |
I'll ask him. Just get after them. | 0:08:46 | 0:08:48 | |
-They were here. -Yeah, Lu's going to follow them. | 0:08:48 | 0:08:51 | |
Listen, she mentioned a redhead. | 0:08:51 | 0:08:54 | |
-Kind of brassy with big... -Brenda? It's my ex-wife. | 0:08:54 | 0:08:58 | |
She claims she hates my guts, but she'd take me back tomorrow. | 0:08:58 | 0:09:01 | |
-Are you sure about that? -Absolutely. | 0:09:01 | 0:09:03 | |
Ooh, got you! | 0:09:05 | 0:09:07 | |
Come on, Robyn, | 0:09:11 | 0:09:12 | |
we can do this. | 0:09:12 | 0:09:14 | |
Whoa, whoa! No, no, no, no, no! | 0:09:19 | 0:09:22 | |
Yes, get out of the way. | 0:09:28 | 0:09:30 | |
Left? Right? | 0:09:32 | 0:09:34 | |
SHE SIGHS | 0:09:34 | 0:09:36 | |
-BOTH: -Peter. | 0:09:57 | 0:09:59 | |
What did we say about going to the police? | 0:09:59 | 0:10:02 | |
I haven't. | 0:10:04 | 0:10:05 | |
I got the impression that we were being followed. | 0:10:05 | 0:10:08 | |
You were warned. | 0:10:08 | 0:10:09 | |
Warned! | 0:10:09 | 0:10:11 | |
What have you done? | 0:10:11 | 0:10:13 | |
Your children are safe. | 0:10:13 | 0:10:14 | |
Safe. | 0:10:14 | 0:10:16 | |
For now. | 0:10:19 | 0:10:20 | |
My-my-my wife? Where is she? | 0:10:22 | 0:10:26 | |
It's hard to find a body in a sea of corpses. | 0:10:27 | 0:10:30 | |
-You got the number plate? -No. | 0:10:44 | 0:10:47 | |
-No, cos a car got in the way. -Oh, marvellous! | 0:10:47 | 0:10:50 | |
You know, if you didn't drive | 0:10:50 | 0:10:52 | |
that stupid little red hairdryer, you wouldn't have lost them. | 0:10:52 | 0:10:54 | |
If you hadn't lost your licence, maybe you could... | 0:10:54 | 0:10:57 | |
-Now, now, children. Map of the crossroads you wanted. -Oh, great. | 0:10:57 | 0:11:00 | |
-Crossroads? -Yes, where I lost the Wolseley. | 0:11:00 | 0:11:02 | |
It's four, eight, 12... 12 villages. Four in each direction. | 0:11:02 | 0:11:06 | |
It doesn't mean our friendly hit men will be staying there. | 0:11:06 | 0:11:09 | |
-They might have just been passing through. -On their way to where? | 0:11:09 | 0:11:11 | |
There is nothing round any of these villages, just farmland. | 0:11:11 | 0:11:14 | |
Huh. What, you going to search them all? | 0:11:14 | 0:11:16 | |
Yes. | 0:11:16 | 0:11:17 | |
I might get lucky, | 0:11:17 | 0:11:19 | |
-might just find the car, just parked up. -I'll jot them down for you. | 0:11:19 | 0:11:22 | |
Thank you. | 0:11:22 | 0:11:24 | |
Please, will you stop giving me this scented muck! | 0:11:24 | 0:11:28 | |
Anne! | 0:11:39 | 0:11:41 | |
-Anne. -SHE WHIMPERS | 0:11:47 | 0:11:50 | |
Oh, I thought you were dead. | 0:11:51 | 0:11:53 | |
-Look, look! -Who is it? | 0:11:53 | 0:11:55 | |
Some past victim. | 0:11:57 | 0:11:58 | |
They said if you get help again then my death will be for real. | 0:11:58 | 0:12:01 | |
-Oh, my God. -Peter, what have you done? | 0:12:01 | 0:12:04 | |
I don't know. | 0:12:04 | 0:12:06 | |
You need to think. | 0:12:06 | 0:12:07 | |
What do you think I've been doing? | 0:12:07 | 0:12:09 | |
I'm sorry, but I can't dismiss the private investigators. | 0:12:11 | 0:12:14 | |
They're my only hope. | 0:12:14 | 0:12:15 | |
But if they find out... | 0:12:17 | 0:12:18 | |
I'm just going to have to be a lot more secretive. | 0:12:21 | 0:12:23 | |
Are you going to carry on tailing Peter? | 0:12:25 | 0:12:28 | |
Well, we can't just wait for them to turn up. | 0:12:28 | 0:12:30 | |
We should be out there talking to suspects and associates. | 0:12:30 | 0:12:33 | |
PHONE RINGS | 0:12:33 | 0:12:35 | |
Shakespeare and Hathaway Private Investigators. How may I...? | 0:12:35 | 0:12:39 | |
Yes. | 0:12:39 | 0:12:40 | |
Well, I can tell him now. | 0:12:41 | 0:12:43 | |
Adieu. | 0:12:43 | 0:12:44 | |
Peter Quintus. | 0:12:46 | 0:12:48 | |
He wants to meet you in the toilets at The Hanging Man pub. | 0:12:48 | 0:12:51 | |
The toilets? | 0:12:51 | 0:12:52 | |
Apparently he's got something to show you. | 0:12:52 | 0:12:55 | |
I better get going. | 0:12:55 | 0:12:56 | |
20 hours to go. | 0:12:58 | 0:13:00 | |
Oh! We need more boots on the ground. | 0:13:00 | 0:13:02 | |
While I go and speak to the neighbourhood warden, | 0:13:03 | 0:13:05 | |
you better go and speak to Brenda. | 0:13:05 | 0:13:07 | |
Oh, and casually ask if she's hired a couple of hit men? | 0:13:07 | 0:13:10 | |
She claims Peter owes her money. | 0:13:10 | 0:13:13 | |
I know. Wear something smart. | 0:13:13 | 0:13:15 | |
-Your best suit. -Well, I'll wear my second best. | 0:13:15 | 0:13:18 | |
Numero uno's a violet number | 0:13:18 | 0:13:19 | |
with a lovely gold edging. It's hardly appropriate. | 0:13:19 | 0:13:22 | |
Whatever suits. | 0:13:22 | 0:13:24 | |
I could think of better places to meet. | 0:13:35 | 0:13:37 | |
We need to be extra careful. | 0:13:37 | 0:13:39 | |
-In here. -What? | 0:13:39 | 0:13:41 | |
-Is this really necessary? -Quiet. Now move back. | 0:13:41 | 0:13:44 | |
-I can't! The flush is stuck up me... -Shush! -It's wedged between me... | 0:13:44 | 0:13:48 | |
Stop wriggling. | 0:13:48 | 0:13:49 | |
Ooh! Sorry. | 0:13:49 | 0:13:50 | |
Keep still. | 0:13:52 | 0:13:53 | |
False alarm. Er, but we better stay here, just to be sure. | 0:13:54 | 0:13:57 | |
-It's cosy, isn't it? -The men in suits threatened my wife. | 0:13:57 | 0:14:01 | |
They tied her up. | 0:14:01 | 0:14:03 | |
They left this. | 0:14:03 | 0:14:05 | |
Looks like they mean business. | 0:14:06 | 0:14:08 | |
Have you still no idea who might have hire them? | 0:14:08 | 0:14:10 | |
Like I say, people generally like me. | 0:14:10 | 0:14:12 | |
Oh, come on! | 0:14:12 | 0:14:13 | |
An ex-business partner, or a rival maybe? | 0:14:13 | 0:14:16 | |
I'm just an ordinary, average bloke. | 0:14:16 | 0:14:18 | |
Who deals in death. | 0:14:18 | 0:14:20 | |
The sign...Everton. Were they Scousers? | 0:14:23 | 0:14:25 | |
Not from their accents. | 0:14:25 | 0:14:27 | |
-Do you mind if I keep this? -No. | 0:14:27 | 0:14:29 | |
Excuse me. | 0:14:49 | 0:14:50 | |
Hi. I wonder if you could help me. | 0:14:50 | 0:14:52 | |
I'm at your disposal, madam. | 0:14:52 | 0:14:54 | |
Oh, great! | 0:14:54 | 0:14:56 | |
Cos I'm thinking of buying a house | 0:14:56 | 0:14:58 | |
and I was just wondering, is it a nice area? | 0:14:58 | 0:15:01 | |
It's not an area, but a neighbourhood. | 0:15:01 | 0:15:03 | |
-There is a difference. -Oh. | 0:15:03 | 0:15:06 | |
I see there's a house for sale on Elsinore Drive. | 0:15:06 | 0:15:08 | |
Yeah, it looks lovely. | 0:15:08 | 0:15:10 | |
Although I'm not too keen on living so close to a funeral parlour. | 0:15:10 | 0:15:13 | |
It's the living you should be afraid of, not the dead. | 0:15:14 | 0:15:18 | |
Yeah, I suppose. | 0:15:18 | 0:15:19 | |
Although you're right to be wary. | 0:15:19 | 0:15:21 | |
Take my knowledgeable advice and avoid that street. | 0:15:21 | 0:15:24 | |
Oh, why? | 0:15:24 | 0:15:27 | |
Bad things happen there... | 0:15:27 | 0:15:28 | |
..and have for a long time. | 0:15:29 | 0:15:31 | |
How'd you mean exactly? | 0:15:31 | 0:15:33 | |
To give any actual details would betray | 0:15:33 | 0:15:36 | |
-the confidence of the community I serve. -Yeah, no, I was just, | 0:15:36 | 0:15:39 | |
I was wondering what you meant, that was all. | 0:15:39 | 0:15:42 | |
Forgive me, madam, | 0:15:42 | 0:15:43 | |
I've got some very pressing business. | 0:15:43 | 0:15:46 | |
There's been a dog fouling epidemic on Beaumont Row. | 0:15:46 | 0:15:49 | |
I bid you good day. | 0:15:50 | 0:15:52 | |
Good day. | 0:15:52 | 0:15:54 | |
Good afternoon. How are you on this delightful day? | 0:15:57 | 0:16:00 | |
I'm hungover and it's going to rain later. | 0:16:00 | 0:16:03 | |
Might I enquire if you think you may have been mis-sold PPI? | 0:16:03 | 0:16:08 | |
-Not interested. -Well, what about an injury at work? | 0:16:08 | 0:16:11 | |
-I don't work. Bye. -We also do personal claims. | 0:16:11 | 0:16:14 | |
Does anybody owe you money? Or might you like to sue anyone? | 0:16:14 | 0:16:17 | |
Actually... | 0:16:19 | 0:16:21 | |
Thank you. | 0:16:26 | 0:16:27 | |
I have been having problems with my ex. | 0:16:27 | 0:16:31 | |
-He's a snivelling, little toad. -He sounds charming. | 0:16:31 | 0:16:35 | |
And I should have got more money in my divorce settlement. | 0:16:35 | 0:16:38 | |
Why do you say that? | 0:16:38 | 0:16:40 | |
Well, recently I went on this date with a financial advisor... | 0:16:40 | 0:16:45 | |
-And? -He was really hot. | 0:16:45 | 0:16:48 | |
Anyway, he said that the business, this funeral parlour, | 0:16:48 | 0:16:51 | |
is worth twice what Peter said. | 0:16:51 | 0:16:53 | |
Right. Well, there you seem to have some anger towards your ex. | 0:16:53 | 0:16:58 | |
Yeah, too right. | 0:16:58 | 0:16:59 | |
Why would you say that was? Just the money? | 0:16:59 | 0:17:01 | |
Or were there other problems? | 0:17:01 | 0:17:04 | |
Oh! | 0:17:04 | 0:17:05 | |
Well, that's rather personal. | 0:17:07 | 0:17:08 | |
Sorry, not my intention to... | 0:17:08 | 0:17:12 | |
No, well, you know, don't apologise... | 0:17:12 | 0:17:15 | |
..because, um, well, there's nothing wrong with...with getting personal. | 0:17:16 | 0:17:21 | |
That's nice. | 0:17:23 | 0:17:24 | |
Er, thank you. | 0:17:25 | 0:17:27 | |
Suits you. | 0:17:27 | 0:17:29 | |
-Do you want me to take it off for you? -No, I like it on. | 0:17:29 | 0:17:32 | |
-That's fine. -Let me. -No, no, honestly... | 0:17:32 | 0:17:34 | |
Little tease! | 0:17:36 | 0:17:38 | |
Did they hurt the wife? | 0:17:47 | 0:17:49 | |
No, just scared her. | 0:17:49 | 0:17:50 | |
Hopefully she'll be able to tell us something. | 0:17:50 | 0:17:52 | |
No sign of the Wolseley. | 0:17:52 | 0:17:55 | |
And I think this must be Pete's back garden. | 0:17:56 | 0:17:59 | |
Good. We can't risk being spotted. | 0:17:59 | 0:18:01 | |
Oh, it's bolted. | 0:18:04 | 0:18:06 | |
Oooh! | 0:18:14 | 0:18:16 | |
Shush. | 0:18:16 | 0:18:17 | |
It was a push, not a pull. | 0:18:17 | 0:18:20 | |
Another one. | 0:18:28 | 0:18:30 | |
Lu. | 0:18:44 | 0:18:46 | |
Mrs Quintus? | 0:18:50 | 0:18:52 | |
Peter. | 0:19:01 | 0:19:03 | |
How's Anne? | 0:19:04 | 0:19:06 | |
She's... | 0:19:06 | 0:19:08 | |
She's got a bad cut on the back of her head, but she'll be fine. | 0:19:08 | 0:19:11 | |
Good. Was she able to tell you anything? | 0:19:11 | 0:19:14 | |
She's still a bit drowsy. | 0:19:14 | 0:19:16 | |
-Apparently someone hit her from behind. -The men in suits? | 0:19:16 | 0:19:19 | |
She didn't get a good look, | 0:19:19 | 0:19:20 | |
but, yes, she...she thinks so. | 0:19:20 | 0:19:23 | |
So does that mean they want you both dead now? | 0:19:23 | 0:19:26 | |
I don't know. | 0:19:26 | 0:19:28 | |
Look, now that Anne's been targeted twice, | 0:19:28 | 0:19:30 | |
-shouldn't we start telling the police? -No! No, no. | 0:19:30 | 0:19:33 | |
If they're arrested then their associates will murder my family. | 0:19:33 | 0:19:37 | |
Yeah, better keep schtum. | 0:19:37 | 0:19:39 | |
Frank? What are you doing here? | 0:19:39 | 0:19:42 | |
Er, just...just visiting me Auntie Mabel. | 0:19:42 | 0:19:45 | |
Yeah, we're in a bit of a rush. | 0:19:45 | 0:19:47 | |
Oh, hello again. | 0:19:55 | 0:19:57 | |
-Have you come to see Anne? -No. | 0:19:57 | 0:20:00 | |
Well, sort of. | 0:20:00 | 0:20:01 | |
Oh, how did you know she'd been injured? | 0:20:01 | 0:20:04 | |
I saw the ambulance in the street. | 0:20:04 | 0:20:06 | |
Are you a friend of hers? | 0:20:06 | 0:20:07 | |
No. Well, not exactly. | 0:20:07 | 0:20:09 | |
No, I thought not. | 0:20:09 | 0:20:11 | |
Sorry, I beg your pardon? | 0:20:11 | 0:20:12 | |
Well, it's just friends don't normally lurk around | 0:20:12 | 0:20:14 | |
outside friend's houses, peeking in, do they? | 0:20:14 | 0:20:17 | |
Nothing could be further from the truth! | 0:20:17 | 0:20:20 | |
Do you, er, know his surname? | 0:20:23 | 0:20:25 | |
Pipkin. | 0:20:27 | 0:20:28 | |
Saw it on his badge. | 0:20:28 | 0:20:30 | |
I'll find out if he's got any previous. | 0:20:31 | 0:20:33 | |
Something odd about him. | 0:20:33 | 0:20:35 | |
Kind of...obsessive. | 0:20:35 | 0:20:37 | |
Like somebody else I know. | 0:20:39 | 0:20:41 | |
How did it go with Peter's ex? | 0:20:42 | 0:20:44 | |
The delightful Brenda's a complete nympho. | 0:20:44 | 0:20:47 | |
-Did she reveal anything? -In that dressing gown it was hard not to. | 0:20:47 | 0:20:50 | |
Did you manage to find anything out? | 0:20:50 | 0:20:51 | |
Only that she's hell-bent on squeezing every penny out of Peter. | 0:20:51 | 0:20:55 | |
-Then why would she want him dead? -Exactly. | 0:20:55 | 0:20:57 | |
Can't get blood out of a stone. | 0:20:57 | 0:20:59 | |
Or a corpse for that matter. | 0:20:59 | 0:21:00 | |
Gawd! We're running out of time. | 0:21:00 | 0:21:02 | |
What are you looking for? | 0:21:02 | 0:21:04 | |
That list of the villages on the crossroads. | 0:21:04 | 0:21:06 | |
I'm sure I left it here, | 0:21:06 | 0:21:07 | |
but it's obviously got lost under all Frank's rubbish. | 0:21:07 | 0:21:10 | |
Er, he threw out some papers earlier. | 0:21:10 | 0:21:12 | |
No! | 0:21:12 | 0:21:13 | |
Alwood, Heald, Bardham, | 0:21:16 | 0:21:20 | |
Riddleforth, Uckford, Osric. | 0:21:20 | 0:21:23 | |
Derren Brown would be proud. | 0:21:23 | 0:21:25 | |
Yeah. | 0:21:25 | 0:21:27 | |
Yeah. | 0:21:27 | 0:21:28 | |
Huh! | 0:21:28 | 0:21:29 | |
Why I'm doing you a favour I don't know. | 0:21:31 | 0:21:33 | |
You were obviously holding something back at the hospital. | 0:21:35 | 0:21:38 | |
I told you, I was visiting Auntie Mabel. | 0:21:38 | 0:21:40 | |
Flaming haemorrhoids. | 0:21:40 | 0:21:42 | |
Aw, my heart bleeds for you. | 0:21:42 | 0:21:44 | |
No, not me - Mabel. | 0:21:44 | 0:21:46 | |
Terrible. | 0:21:46 | 0:21:47 | |
So you don't know anything about the attack on Anne Quintus? | 0:21:47 | 0:21:50 | |
Scouts honour. | 0:21:50 | 0:21:52 | |
If I had anything concrete I'd tell you. | 0:21:52 | 0:21:54 | |
Yeah. | 0:21:54 | 0:21:56 | |
I also know what an evasive pain in the backside you are. | 0:21:56 | 0:22:00 | |
Mm, I thought you loved me? | 0:22:00 | 0:22:02 | |
Yeah, about as much as haemorrhoids. | 0:22:02 | 0:22:04 | |
Look, this background check is completely unrelated. | 0:22:04 | 0:22:07 | |
It's a different case. | 0:22:07 | 0:22:08 | |
PHONE RINGS | 0:22:08 | 0:22:10 | |
Sergeant? | 0:22:11 | 0:22:13 | |
OK. Thanks. | 0:22:15 | 0:22:17 | |
Melvin Pipkin has no previous convictions. | 0:22:19 | 0:22:22 | |
Excuse me? Hi. | 0:22:30 | 0:22:32 | |
Do you know if anyone round here owns a Wolseley? | 0:22:32 | 0:22:36 | |
Wolseley? | 0:22:36 | 0:22:37 | |
It's a car. | 0:22:37 | 0:22:39 | |
Car? No? | 0:22:39 | 0:22:40 | |
Hello, Peter. It's Lu. | 0:22:47 | 0:22:49 | |
Can you tell me, do any of these villages mean anything to you? | 0:22:49 | 0:22:54 | |
So we have Alwood, Bardham, Heald, | 0:22:54 | 0:22:58 | |
Riddleforth, Uckford... | 0:22:58 | 0:23:00 | |
No? | 0:23:00 | 0:23:01 | |
Osric? | 0:23:01 | 0:23:03 | |
No? | 0:23:03 | 0:23:04 | |
OK. | 0:23:05 | 0:23:07 | |
Yes, yes, I know, time's ticking. | 0:23:07 | 0:23:09 | |
Bye. | 0:23:09 | 0:23:10 | |
Ah, well! Thought I'd find you here. | 0:23:22 | 0:23:25 | |
-The usual, Brenda? -Thank you. | 0:23:25 | 0:23:27 | |
Did Anne give you my message? | 0:23:30 | 0:23:31 | |
About the money. | 0:23:33 | 0:23:34 | |
Are you listening? | 0:23:35 | 0:23:37 | |
-Anne's in hospital. -Hospital? | 0:23:38 | 0:23:41 | |
And I've been given a death sentence. | 0:23:41 | 0:23:44 | |
What the hell are you on about, Peter? | 0:23:44 | 0:23:46 | |
It's not long left now. | 0:23:48 | 0:23:50 | |
Do you know, you've finally cracked. | 0:23:51 | 0:23:53 | |
I always said you weren't right in the head. | 0:23:53 | 0:23:56 | |
Don't have a go. | 0:23:56 | 0:23:57 | |
And why shouldn't I? Because you have wrecked everything. | 0:23:59 | 0:24:03 | |
We weren't right together, you and me. | 0:24:06 | 0:24:08 | |
-But I did love you, though. -Don't. | 0:24:11 | 0:24:13 | |
Not that it matters any more. | 0:24:14 | 0:24:16 | |
Nothing does. | 0:24:17 | 0:24:18 | |
I'm in trouble, Bren. | 0:24:23 | 0:24:24 | |
I'm in real trouble. | 0:24:26 | 0:24:28 | |
-Is this another one of your lies? -No! | 0:24:30 | 0:24:32 | |
So, please... | 0:24:32 | 0:24:34 | |
..be nice to me. | 0:24:38 | 0:24:40 | |
Just this once. | 0:24:41 | 0:24:43 | |
Please. | 0:24:45 | 0:24:46 | |
Please. | 0:24:48 | 0:24:49 | |
No, I've really got no idea who attacked me. | 0:24:52 | 0:24:56 | |
Do you know a neighbourhood warden called Melvin? | 0:24:56 | 0:25:00 | |
Only to say hello to. | 0:25:00 | 0:25:02 | |
Well, it's just, er, I think he's a bit fixated with you. | 0:25:02 | 0:25:06 | |
Oh, he's like that with all the women on the street. | 0:25:06 | 0:25:08 | |
So you've never felt threatened by him? | 0:25:08 | 0:25:11 | |
No, no, he's just a funny little man with a funny accent. | 0:25:11 | 0:25:15 | |
Accent? | 0:25:15 | 0:25:17 | |
From Liverpool. | 0:25:17 | 0:25:18 | |
Of course, Liverpudlian. | 0:25:18 | 0:25:20 | |
So? | 0:25:20 | 0:25:22 | |
Well, Everton's in Liverpool. | 0:25:22 | 0:25:23 | |
The sign on the photo. | 0:25:23 | 0:25:25 | |
PHONE RINGS | 0:25:25 | 0:25:27 | |
Hello. | 0:25:28 | 0:25:30 | |
What? | 0:25:31 | 0:25:33 | |
I'll...I'll be right there. | 0:25:34 | 0:25:36 | |
Sorry. | 0:25:36 | 0:25:38 | |
-What's happened? -I was hoping you could tell me. | 0:25:47 | 0:25:49 | |
You asked me to do a background check on some warden | 0:25:49 | 0:25:52 | |
called Melvin Pipkin and the next thing he's dead. | 0:25:52 | 0:25:54 | |
What? How? | 0:25:54 | 0:25:56 | |
Hit and run. | 0:25:56 | 0:25:57 | |
What's going on, Frank? | 0:25:57 | 0:25:58 | |
Look, I did you a favour because I was sure that in due course | 0:26:00 | 0:26:03 | |
you would tell me what's going on. | 0:26:03 | 0:26:05 | |
-I know. -So, come on, then, tell me. | 0:26:05 | 0:26:08 | |
Either of you. | 0:26:08 | 0:26:09 | |
Frank and I have got history, but as for you, | 0:26:11 | 0:26:13 | |
if you're withholding information don't think for one minute | 0:26:13 | 0:26:16 | |
-that I won't arrest you. -All right, keep your hair on. | 0:26:16 | 0:26:18 | |
There's no need to take that tone. | 0:26:18 | 0:26:20 | |
Tell that to the stiff lying in the road. | 0:26:20 | 0:26:22 | |
All right, I'll tell you everything. | 0:26:22 | 0:26:24 | |
After ten o'clock tomorrow. | 0:26:26 | 0:26:28 | |
-Frank! -Please. Please, just trust me. | 0:26:28 | 0:26:31 | |
OK. You better. | 0:26:31 | 0:26:33 | |
Or no more favours. | 0:26:33 | 0:26:35 | |
I'll be waiting. | 0:26:35 | 0:26:36 | |
GENTLE SNORING | 0:26:40 | 0:26:42 | |
Wake up. | 0:26:50 | 0:26:51 | |
-What? -I said wake up! | 0:26:53 | 0:26:56 | |
What the...? | 0:26:58 | 0:27:00 | |
Oh, don't worry! Nothing happened cos you were too drunk. | 0:27:00 | 0:27:03 | |
Thank God. | 0:27:03 | 0:27:04 | |
Of course it didn't. I would never cheat on Anne. | 0:27:04 | 0:27:07 | |
This is all your doing! | 0:27:07 | 0:27:09 | |
Hurry up and get out. | 0:27:09 | 0:27:11 | |
-Get out! -Seven o'clock... -Just go, Peter. | 0:27:13 | 0:27:16 | |
-That's three hours left. -Can you go? | 0:27:16 | 0:27:18 | |
They are going to kill me! | 0:27:18 | 0:27:20 | |
Get out! | 0:27:23 | 0:27:24 | |
Get out! | 0:27:27 | 0:27:29 | |
-Has Peter been here? -No. | 0:27:37 | 0:27:39 | |
Oh! We've been looking for him half the night. | 0:27:39 | 0:27:41 | |
-Frank's still searching. -I know, he texted me. | 0:27:41 | 0:27:43 | |
-Can you try Peter's mobile? -Already have. He's not answering. | 0:27:43 | 0:27:46 | |
Just try it again. | 0:27:46 | 0:27:48 | |
Sorry. | 0:27:48 | 0:27:50 | |
It's just if we can't even find him, | 0:27:50 | 0:27:52 | |
what chance have we got of finding them? | 0:27:52 | 0:27:54 | |
-Did that list of the villages turn up? -No. | 0:27:54 | 0:27:56 | |
I thought you memorised them. | 0:27:56 | 0:27:58 | |
I didn't have a chance to look at the ones on the back. | 0:27:58 | 0:28:00 | |
Wouldn't be able to go there now anyway. | 0:28:00 | 0:28:03 | |
PHONE RINGS | 0:28:04 | 0:28:06 | |
Hello. | 0:28:16 | 0:28:17 | |
Hello. May I speak to Peter Quintus? | 0:28:17 | 0:28:20 | |
He's not here at the moment, but if you're one of his friends, | 0:28:21 | 0:28:24 | |
tell him that I'm going to throw his phone and his jacket in the dustbin. | 0:28:24 | 0:28:27 | |
OK. Do you know where he is? | 0:28:27 | 0:28:29 | |
-No. -Right. | 0:28:29 | 0:28:31 | |
Hang on, | 0:28:32 | 0:28:34 | |
I recognise that voice. | 0:28:34 | 0:28:36 | |
I think you're mistaken. | 0:28:36 | 0:28:38 | |
Are you that posh boy that did a runner? | 0:28:39 | 0:28:42 | |
No, that wasn't me. | 0:28:42 | 0:28:43 | |
You're so naughty! | 0:28:45 | 0:28:48 | |
That sexy, creamy voice. | 0:28:48 | 0:28:51 | |
Oh, I'd recognise that anywhere. | 0:28:51 | 0:28:54 | |
Do you know, that sends shivers right down my spine. | 0:28:54 | 0:28:57 | |
Anyway... | 0:28:57 | 0:28:58 | |
Um, listen, if you're nervous about a face-to-face, | 0:28:58 | 0:29:02 | |
we could always just have some fun on the phone. | 0:29:02 | 0:29:05 | |
-It's Brenda. -So where's Peter? | 0:29:06 | 0:29:08 | |
She doesn't know, but she's got his phone. | 0:29:08 | 0:29:10 | |
-Any news? -Nothing. | 0:29:12 | 0:29:14 | |
Just been to the hospital again. Anne's not there any more. | 0:29:14 | 0:29:17 | |
-Well, do you think she's done a runner with him? -No. | 0:29:17 | 0:29:20 | |
Peter's too scared they'd hurt his family. | 0:29:20 | 0:29:22 | |
Final couple of hours - you two should be watching him like a hawk. | 0:29:22 | 0:29:25 | |
BOTH: We know! | 0:29:25 | 0:29:27 | |
I'm going to go back to his house, just in case he turns up. | 0:29:27 | 0:29:29 | |
I was sure that warden was behind it, and he goes and dies on me. | 0:29:29 | 0:29:32 | |
How terribly thoughtless of him. | 0:29:32 | 0:29:34 | |
I've never been a great believer. | 0:30:25 | 0:30:27 | |
But I always tried to be a good man. | 0:30:30 | 0:30:32 | |
If you can hear me, Lord... | 0:30:37 | 0:30:39 | |
..please help me. | 0:30:41 | 0:30:42 | |
I'm begging you! | 0:30:43 | 0:30:46 | |
Please help me. | 0:30:46 | 0:30:47 | |
-This is pointless! -Temper, temper. | 0:31:06 | 0:31:09 | |
Oh, I know you missed breakfast, but this is a new low. | 0:31:15 | 0:31:18 | |
Oh! | 0:31:18 | 0:31:20 | |
-What's this? -That's Lu's list of places. | 0:31:20 | 0:31:23 | |
-Everton? -Not the one near Liverpool, obviously. | 0:31:23 | 0:31:26 | |
But there's no village called that round here. | 0:31:26 | 0:31:28 | |
That one's not a village, just a college. | 0:31:28 | 0:31:30 | |
Named after the theatre director. Sir Jasper Everton? | 0:31:30 | 0:31:34 | |
Never heard of him. | 0:31:34 | 0:31:36 | |
It's quite new. Used to be an old mill. | 0:31:36 | 0:31:38 | |
I need some wheels. | 0:31:41 | 0:31:43 | |
-Well, Lu's searching for Peter. -So call me a cab. -Oo-oh! | 0:31:43 | 0:31:46 | |
Yeah, yeah. Don't go anywhere, mate. | 0:31:51 | 0:31:55 | |
-Thanks for your time. I'll be in touch. -Thanks. Bye. | 0:32:09 | 0:32:12 | |
-KNOCK AT DOOR -Oh! | 0:32:15 | 0:32:17 | |
Oh, sorry. I didn't mean to startle you there. | 0:32:17 | 0:32:20 | |
I'm, er, I'm Lu, | 0:32:20 | 0:32:22 | |
Frank Hathaway's partner. | 0:32:22 | 0:32:23 | |
Sorry, I'm still a bit jumpy from the break-in. | 0:32:25 | 0:32:28 | |
First time back from hospital. | 0:32:29 | 0:32:31 | |
Yes, I saw the police leaving. | 0:32:31 | 0:32:33 | |
They were asking me questions about a hit and run. | 0:32:33 | 0:32:36 | |
What, what are you doing here? | 0:32:37 | 0:32:38 | |
Um, well, Peter's gone off the radar. | 0:32:38 | 0:32:41 | |
-You don't think he's.... -No. | 0:32:41 | 0:32:44 | |
No, we've still got another hour, haven't we? | 0:32:44 | 0:32:47 | |
But we do need to find him, so... | 0:32:47 | 0:32:49 | |
I don't know where he is. | 0:32:49 | 0:32:51 | |
Could we check the funeral parlour? | 0:32:51 | 0:32:54 | |
-Yeah, sure. -Great. | 0:32:54 | 0:32:56 | |
"Is this the promised end?" | 0:33:52 | 0:33:55 | |
"Or image of that horror?" | 0:33:55 | 0:33:56 | |
Is it time? | 0:33:59 | 0:34:00 | |
Almost. | 0:34:00 | 0:34:02 | |
Oh, please, | 0:34:02 | 0:34:03 | |
you don't have to do this. You could just forget about it. Please. | 0:34:03 | 0:34:07 | |
-We don't forget. -Or forgive. | 0:34:07 | 0:34:09 | |
I'll pay you. | 0:34:09 | 0:34:11 | |
Name your price. | 0:34:11 | 0:34:12 | |
There's no going back. | 0:34:12 | 0:34:14 | |
At least tell me why. | 0:34:18 | 0:34:20 | |
What have I done?! | 0:34:20 | 0:34:22 | |
You honestly have no idea? | 0:34:22 | 0:34:24 | |
No. | 0:34:24 | 0:34:25 | |
Then there's truly no hope for you. | 0:34:25 | 0:34:27 | |
Are you ready? | 0:34:30 | 0:34:32 | |
BELL TOLLS | 0:34:32 | 0:34:34 | |
How will you do it? | 0:34:34 | 0:34:35 | |
I won't get drawn into the messy details. | 0:34:35 | 0:34:38 | |
Messy. | 0:34:38 | 0:34:39 | |
But at the stroke of ten, the end will come. | 0:34:42 | 0:34:46 | |
No! No! No! | 0:34:49 | 0:34:51 | |
No. | 0:34:53 | 0:34:54 | |
No. | 0:34:54 | 0:34:56 | |
No! | 0:34:56 | 0:34:57 | |
NO! | 0:34:57 | 0:34:59 | |
No, no! | 0:35:01 | 0:35:03 | |
NO! | 0:35:06 | 0:35:08 | |
No. | 0:35:09 | 0:35:11 | |
No! | 0:35:15 | 0:35:16 | |
No. | 0:35:28 | 0:35:30 | |
-They're coming! -Peter? | 0:35:53 | 0:35:55 | |
Give me some water. | 0:35:55 | 0:35:56 | |
-Are you all right? -They poisoned me. | 0:35:56 | 0:35:59 | |
KNOCKING AT DOOR | 0:36:00 | 0:36:02 | |
No, no, no! | 0:36:02 | 0:36:04 | |
They're here, they're here! | 0:36:04 | 0:36:06 | |
Peter... | 0:36:14 | 0:36:16 | |
Peter, it's me, Frank. | 0:36:18 | 0:36:21 | |
-I'm still alive? -Yes. | 0:36:24 | 0:36:26 | |
The poison? | 0:36:27 | 0:36:29 | |
You had a panic attack and fainted. | 0:36:29 | 0:36:31 | |
Mr R and Mr G? | 0:36:35 | 0:36:37 | |
Yeah, it was...it was me knocking. | 0:36:38 | 0:36:40 | |
There's something you need to know about those two. | 0:36:41 | 0:36:44 | |
Now raise your arms and sway like trees in the wind. | 0:36:52 | 0:36:57 | |
Excellent, guys. | 0:37:02 | 0:37:04 | |
Over to you, Graham. | 0:37:04 | 0:37:06 | |
Thanks, Rog. | 0:37:06 | 0:37:07 | |
Now become the wind. | 0:37:09 | 0:37:12 | |
-Everton Arts College? -They work there. | 0:37:23 | 0:37:26 | |
Mr R's a drama professor and Mr G's a lecturer. | 0:37:27 | 0:37:30 | |
That doesn't make any sense. | 0:37:30 | 0:37:32 | |
The letter you dropped, | 0:37:32 | 0:37:33 | |
that was addressed to the college. | 0:37:33 | 0:37:35 | |
Do you know them? | 0:37:35 | 0:37:37 | |
-Have you been studying there? -Studying? | 0:37:38 | 0:37:40 | |
Please, don't get angry. | 0:37:40 | 0:37:42 | |
And there was a suitcase in your kitchen. | 0:37:42 | 0:37:44 | |
Is that why you came back from the hospital, so you could pack? | 0:37:44 | 0:37:47 | |
Yes. | 0:37:47 | 0:37:49 | |
What the hell is going on? | 0:37:50 | 0:37:52 | |
-Answer me! -Calm down. | 0:37:52 | 0:37:54 | |
Are you behind all this? | 0:37:55 | 0:37:57 | |
How could you? | 0:37:59 | 0:38:01 | |
-Whoa, that's enough of that, fella! -Back off. | 0:38:02 | 0:38:05 | |
Back off. | 0:38:05 | 0:38:06 | |
You're right. | 0:38:09 | 0:38:11 | |
It was my idea. | 0:38:12 | 0:38:15 | |
Everything. | 0:38:15 | 0:38:16 | |
I'm leaving you | 0:38:18 | 0:38:20 | |
for Mr R. | 0:38:20 | 0:38:22 | |
-Roger. -What? | 0:38:23 | 0:38:25 | |
But before going, I wanted you to experience just for one day... | 0:38:25 | 0:38:29 | |
..just a fraction of the fear | 0:38:31 | 0:38:32 | |
that I've had to feel for the last two years. | 0:38:32 | 0:38:35 | |
Some days I thought the punches and the kicks would never stop. | 0:38:37 | 0:38:41 | |
I thought I was going to die. | 0:38:42 | 0:38:44 | |
Was it you that put her in hospital? | 0:38:46 | 0:38:48 | |
I texted you to meet me at The Hanging Man. | 0:38:55 | 0:38:58 | |
I meant to reply. What did you want? | 0:38:58 | 0:39:01 | |
I just needed you with me | 0:39:01 | 0:39:04 | |
for support. Is that too much to ask? | 0:39:04 | 0:39:06 | |
Of course not. | 0:39:06 | 0:39:08 | |
Sorry, sorry. I was busy. | 0:39:08 | 0:39:11 | |
Busy! Do you know what I'm going through? | 0:39:11 | 0:39:14 | |
I'm running out of time! | 0:39:14 | 0:39:15 | |
Don't walk away from me! | 0:39:17 | 0:39:18 | |
You get back here! | 0:39:18 | 0:39:20 | |
SHE SCREAMS | 0:39:23 | 0:39:25 | |
That's it! | 0:39:25 | 0:39:26 | |
He's always been violent. | 0:39:26 | 0:39:28 | |
Just ask Brenda. | 0:39:29 | 0:39:30 | |
What kind of man are you? | 0:39:32 | 0:39:33 | |
I honestly think that I would be dead now | 0:39:34 | 0:39:38 | |
if it wasn't for that lovely warden. | 0:39:38 | 0:39:40 | |
Melvin? | 0:39:42 | 0:39:43 | |
Last year he came to my aid in the garden | 0:39:45 | 0:39:47 | |
when Peter attacked me. | 0:39:47 | 0:39:49 | |
He's been looking out for me ever since. | 0:39:49 | 0:39:52 | |
-Not any more. -That's right. | 0:39:52 | 0:39:54 | |
Hang on, | 0:39:57 | 0:39:59 | |
how did you know he was dead? | 0:39:59 | 0:40:01 | |
Did you kill him? | 0:40:01 | 0:40:02 | |
I want a word with you. | 0:40:06 | 0:40:07 | |
Not you again. | 0:40:09 | 0:40:10 | |
I saw the ambulance. | 0:40:10 | 0:40:12 | |
Did you hurt her? | 0:40:12 | 0:40:13 | |
You mind your own business. | 0:40:13 | 0:40:15 | |
As a servant of this community, it IS my business. | 0:40:15 | 0:40:17 | |
You get that away from me. | 0:40:17 | 0:40:20 | |
I haven't finished yet. | 0:40:21 | 0:40:23 | |
You listen to me... | 0:40:23 | 0:40:25 | |
You stay where you are. | 0:40:27 | 0:40:30 | |
I told you last time I'd call the police. | 0:40:30 | 0:40:33 | |
HORN HONKS | 0:40:33 | 0:40:35 | |
You're looking at a long sentence for this. | 0:40:49 | 0:40:51 | |
Not without proof. | 0:40:53 | 0:40:55 | |
Now get out. | 0:40:57 | 0:40:58 | |
Get out, all of you! | 0:41:00 | 0:41:02 | |
So whose idea was it to tie you up? | 0:41:10 | 0:41:13 | |
Mine. | 0:41:13 | 0:41:15 | |
I was trying to get Peter to fire you. | 0:41:15 | 0:41:17 | |
You should go to the police about the abuse. | 0:41:17 | 0:41:20 | |
I will. | 0:41:20 | 0:41:21 | |
I'm sorry if I led you on a wild goose chase. | 0:41:21 | 0:41:24 | |
Ah, with ten grand from Peter, don't apologise. | 0:41:24 | 0:41:27 | |
I can't help feeling like Peter's getting off lightly, though. | 0:41:42 | 0:41:45 | |
Two years max. | 0:41:45 | 0:41:47 | |
Where you going? | 0:41:49 | 0:41:51 | |
Well, you never know... | 0:41:51 | 0:41:53 | |
Nah. No dents, no blood, nothing. | 0:41:56 | 0:41:59 | |
Oh! | 0:42:16 | 0:42:17 | |
Melvin's badge. | 0:42:17 | 0:42:19 | |
Looks like we've just found our proof. | 0:42:20 | 0:42:22 | |
Should have locked him up years ago! | 0:42:26 | 0:42:29 | |
She belongs to me. | 0:42:29 | 0:42:31 | |
She's my wife! | 0:42:31 | 0:42:33 | |
I love you, Anne. | 0:42:34 | 0:42:36 | |
I never meant to hurt you. | 0:42:36 | 0:42:38 | |
Yes, you did. | 0:42:38 | 0:42:39 | |
Now rot in hell. | 0:42:40 | 0:42:41 | |
Now are you ready to tell me everything? | 0:42:50 | 0:42:52 | |
Here we are. | 0:42:56 | 0:42:57 | |
-Earl Grey for you, Lu. -Thanks. | 0:42:57 | 0:42:59 | |
-Bog-standard for you, Frank. -Thank you. | 0:42:59 | 0:43:02 | |
Funny case this, isn't it? | 0:43:03 | 0:43:05 | |
I mean, the good man turned out to be bad, not good, | 0:43:05 | 0:43:09 | |
and the bad men turned out to be good and not bad. | 0:43:09 | 0:43:12 | |
You know, bad not good, good not bad. | 0:43:12 | 0:43:14 | |
You know, see what I mean? | 0:43:14 | 0:43:16 | |
-Aw, words aren't your strong point, are they? -No. | 0:43:16 | 0:43:18 | |
There must be a better way of putting all that. | 0:43:18 | 0:43:20 | |
-Allow me. -Oh, here we go. | 0:43:20 | 0:43:22 | |
The bard has a phrase for everything. | 0:43:22 | 0:43:25 | |
Ahem! | 0:43:25 | 0:43:26 | |
"O, what may man within him hide, | 0:43:26 | 0:43:29 | |
"Though angel on the outward side!" | 0:43:29 | 0:43:32 | |
Marvellous. | 0:43:32 | 0:43:33 | |
Thank you. | 0:43:33 | 0:43:35 | |
I was talking about the tea. | 0:43:35 | 0:43:37 | |
Philistine! | 0:43:37 | 0:43:38 |