Browse content similar to The Chimes at Midnight. Check below for episodes and series from the same categories and more!
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-Emergency! She's dying! Emergency! -ALARM RINGS | 0:00:05 | 0:00:11 | |
Rapid heartbeat. We need to defibrillate. | 0:00:14 | 0:00:16 | |
Who is? What are you talking about? | 0:00:16 | 0:00:19 | |
Her. The other woman. | 0:00:19 | 0:00:21 | |
There is no other woman. | 0:00:21 | 0:00:22 | |
You've got this place all to yourself. | 0:00:22 | 0:00:24 | |
You were having a bad dream. | 0:00:24 | 0:00:26 | |
But it...it was so real. | 0:00:26 | 0:00:27 | |
I had a bad dream once. | 0:00:27 | 0:00:29 | |
I dreamt I was drowning in a sea of yogurt, | 0:00:29 | 0:00:31 | |
and I'm actually lactose intolerant. | 0:00:31 | 0:00:33 | |
Look. I know we've had a tough time recently, with all...the calamities. | 0:00:34 | 0:00:39 | |
But, er, we can get through it. There's no need to panic. | 0:00:39 | 0:00:41 | |
Oh, my God, it's a cockroach! | 0:00:41 | 0:00:43 | |
THEY GROAN | 0:00:43 | 0:00:44 | |
Hopefully that's the last one. | 0:00:44 | 0:00:47 | |
-There was...there was something else. -Oh, yes? | 0:00:47 | 0:00:50 | |
There was a man, climbing up the wall, and then I heard him, | 0:00:50 | 0:00:56 | |
stomp, stomp, stomping on the roof. | 0:00:56 | 0:00:58 | |
Well, if he comes back, tell him to pop in. | 0:00:58 | 0:01:01 | |
It gets ever so lonely on night shifts! | 0:01:01 | 0:01:03 | |
Soozie, why don't you go and clean the sluice room? | 0:01:03 | 0:01:06 | |
Yes, Mrs Pincott. | 0:01:06 | 0:01:07 | |
-Goodnight, Mrs Bentley. -Goodnight, dear. | 0:01:07 | 0:01:10 | |
So, no more nonsense. | 0:01:10 | 0:01:12 | |
There are no strange men. | 0:01:12 | 0:01:14 | |
You are perfectly safe here. Night-night. | 0:01:14 | 0:01:17 | |
CREAKING, WINDCHIMES JANGLE | 0:01:23 | 0:01:26 | |
CLUNKING | 0:01:26 | 0:01:28 | |
THUNDER RUMBLES | 0:01:32 | 0:01:35 | |
SHE WHIMPERS | 0:01:41 | 0:01:44 | |
All right, take it easy, cos this is a very old gate. | 0:02:04 | 0:02:07 | |
-What, this one? -Yes. Oh! -Well, yes, we're fine. | 0:02:07 | 0:02:10 | |
Right, stop here. Stop here. | 0:02:13 | 0:02:15 | |
Stop here. Stop here! | 0:02:15 | 0:02:17 | |
-So... Mr and Mrs... -Pincott. | 0:02:19 | 0:02:21 | |
Owain and Penelope. | 0:02:21 | 0:02:22 | |
How can we help you? | 0:02:22 | 0:02:24 | |
Have you ever heard of Shady Nook? | 0:02:24 | 0:02:25 | |
-Yes, -I -have. That's, er, an old folks' home, isn't it? | 0:02:25 | 0:02:28 | |
-Just down the road, by the butterfly farm. -Mm. It's our old folks' home. | 0:02:28 | 0:02:31 | |
-But I really don't know for how much longer. Read the list, Owain. -Oh... Er... | 0:02:31 | 0:02:34 | |
Er, three months ago, we had our first electrical failure. | 0:02:43 | 0:02:47 | |
Lights flickering, but our electrician couldn't seem to fix it. | 0:02:47 | 0:02:52 | |
Er, the following week, | 0:02:52 | 0:02:53 | |
the fire alarm went off in the middle of the, erm... | 0:02:53 | 0:02:56 | |
Any chance you could sum it up in a sentence? | 0:02:56 | 0:02:58 | |
Look, basically, we've had floods and fire alarms, | 0:02:59 | 0:03:02 | |
we've had anonymous complaints to social services, | 0:03:02 | 0:03:04 | |
cockroaches in the kitchen, we've had thefts from the bedroom. | 0:03:04 | 0:03:07 | |
And then, last week, it got REALLY nasty. | 0:03:07 | 0:03:09 | |
Yep, it was our anniversary. | 0:03:09 | 0:03:11 | |
25 years, we've been together. | 0:03:11 | 0:03:13 | |
-Congratulations! -Mm. | 0:03:13 | 0:03:15 | |
Only, somebody sent me this. | 0:03:15 | 0:03:17 | |
A sympathy card. | 0:03:17 | 0:03:18 | |
I-I don't know who it was, but, as you can imagine, | 0:03:18 | 0:03:22 | |
-it put quite a dampener on the day. -Can I have that? -Yeah. | 0:03:22 | 0:03:24 | |
You're welcome to it. | 0:03:24 | 0:03:26 | |
So, what do you think it is - some kind of industrial sabotage? | 0:03:26 | 0:03:29 | |
Or a practical joke? | 0:03:33 | 0:03:35 | |
If it's a joke, it's costing us thousands, as several residents | 0:03:35 | 0:03:38 | |
-have chosen to leave. -Well... -If it's a joke, it's keeping me awake | 0:03:38 | 0:03:41 | |
all night, as I wonder what they're plotting next. If it's a joke, | 0:03:41 | 0:03:45 | |
well, then I'm screaming with laughter! | 0:03:45 | 0:03:46 | |
I think we can really help you with this, can't we? | 0:03:50 | 0:03:52 | |
We could, we could do some... | 0:03:52 | 0:03:54 | |
-Um, we could do... -..undercover... | 0:03:54 | 0:03:56 | |
-BOTH: ..surveillance. -Oh, you've got to be careful. | 0:03:56 | 0:03:59 | |
I mean, it is a home, | 0:03:59 | 0:04:00 | |
and some of our residents have a nervous disposition. | 0:04:00 | 0:04:04 | |
It would need to be someone quite delicate. | 0:04:04 | 0:04:06 | |
Would anyone care for some liquid refreshment? Earl Grey? | 0:04:06 | 0:04:09 | |
Cafe au lait? Horlicks malted milk? | 0:04:09 | 0:04:12 | |
Does anyone have the remote control, or shall we just sit here | 0:04:14 | 0:04:20 | |
and die of boredom? | 0:04:20 | 0:04:21 | |
Er, right, everyone! | 0:04:21 | 0:04:23 | |
I've got someone I'd like you to meet. | 0:04:26 | 0:04:28 | |
Is it Kim Kardashian? | 0:04:28 | 0:04:30 | |
No, Mr Falstaff, it is not. | 0:04:30 | 0:04:31 | |
-Ah, well, I'm not interested. -This is, er, Ronan. | 0:04:31 | 0:04:34 | |
He's a trainee care assistant, | 0:04:34 | 0:04:36 | |
and I know you're going to make him very welcome. | 0:04:36 | 0:04:39 | |
Welcome to God's waiting room. | 0:04:39 | 0:04:41 | |
Hello! Hello! | 0:04:42 | 0:04:45 | |
-Hello! -Hello! -Hello! | 0:04:45 | 0:04:47 | |
He's nice. | 0:04:47 | 0:04:49 | |
Is there something wrong with your glasses, son? | 0:04:49 | 0:04:52 | |
Och, no. Just a bit new. Still having to wear them in. | 0:04:52 | 0:04:55 | |
-Sorry I'm late, everyone. -You are. And I'll deduct it from your wages. | 0:04:55 | 0:04:59 | |
Er, this is Ronan. Er, he'll be working alongside you. | 0:04:59 | 0:05:02 | |
Oh. Hello. | 0:05:02 | 0:05:03 | |
I've got cakes, everybody. | 0:05:05 | 0:05:06 | |
Would you like one, Mr Woodham? | 0:05:07 | 0:05:10 | |
Oh, not that one! | 0:05:10 | 0:05:12 | |
That's for Mrs Pincott. | 0:05:12 | 0:05:13 | |
It's got arsenic in it. | 0:05:13 | 0:05:15 | |
So, may I tempt you to some passion fruit drizzle cake? | 0:05:44 | 0:05:47 | |
Soozie, I do need to think about my girth. | 0:05:47 | 0:05:50 | |
There's nothing wrong with having something to hold on to! | 0:05:50 | 0:05:53 | |
THEY CHUCKLE | 0:05:53 | 0:05:54 | |
Hello, son! | 0:05:58 | 0:05:59 | |
Oh, you do need to do something about those glasses. | 0:06:00 | 0:06:03 | |
Mr Pincott, why don't you lend him some of your toupee tape? | 0:06:03 | 0:06:07 | |
Oh, very amusing, Mr Falstaff. | 0:06:07 | 0:06:09 | |
-What are you doing here? -I was just leaving. | 0:06:09 | 0:06:12 | |
CAMERA SHUTTER CLICKS | 0:06:19 | 0:06:21 | |
Hello! I'm Ronan. | 0:06:24 | 0:06:26 | |
-I'm a care assistant. -So? | 0:06:26 | 0:06:27 | |
I was just wondering | 0:06:27 | 0:06:29 | |
if I could put my prawn vol-au-vents in your fridge? | 0:06:29 | 0:06:31 | |
I...will not allow YOUR lunchbox | 0:06:31 | 0:06:35 | |
in my sterile area. | 0:06:35 | 0:06:37 | |
Fair enough. | 0:06:38 | 0:06:40 | |
I suppose you're quite meticulous about food hygiene. | 0:06:40 | 0:06:44 | |
I'm incredibly busy. | 0:06:44 | 0:06:46 | |
I've got 32 portions of soup to prepare, and... | 0:06:46 | 0:06:49 | |
Who let that furry freak in here?! | 0:06:51 | 0:06:54 | |
-Ronan! -Furry little stink-bag! -Mr Bull's made a mess | 0:06:55 | 0:06:58 | |
of his colostomy bag. Will you help me sort it? | 0:06:58 | 0:07:00 | |
KNIFE CLATTERS | 0:07:00 | 0:07:02 | |
They make me do things that I am...really not designed to do. | 0:07:02 | 0:07:08 | |
So, what have you found out? | 0:07:08 | 0:07:10 | |
This is the chef. | 0:07:12 | 0:07:14 | |
Ian McClurgy. | 0:07:14 | 0:07:16 | |
Makes Gordon Ramsay look quite cuddly. | 0:07:16 | 0:07:18 | |
I've not got any actual dirt on him, | 0:07:18 | 0:07:21 | |
but he is behind on his food hygiene. | 0:07:21 | 0:07:23 | |
Look. Only goes up to 2015. | 0:07:23 | 0:07:25 | |
Ah. I've got a friend in Environmental Health | 0:07:25 | 0:07:27 | |
-could look into that for us. -Now, get ready to scream. | 0:07:27 | 0:07:31 | |
-Aw! -Really? | 0:07:32 | 0:07:34 | |
Well, it's hardly a street rat from the sewers, is it, eh? | 0:07:34 | 0:07:37 | |
Huh? More like a fluffy rodent from a pet shop. | 0:07:37 | 0:07:40 | |
Which means somebody probably planted it there. | 0:07:40 | 0:07:43 | |
Maybe the same someone who's been messing with the electrics. | 0:07:43 | 0:07:46 | |
Speaking of electricity... | 0:07:46 | 0:07:48 | |
Soozie Honeywell, care assistant. | 0:07:48 | 0:07:50 | |
She's worked there six years. | 0:07:50 | 0:07:51 | |
This morning, she popped into Mr Pincott's office, | 0:07:51 | 0:07:54 | |
and THIS happened... # Dun, dun, durrr! # | 0:07:54 | 0:07:58 | |
What is it? A torrid affair or some kind of complicated | 0:07:58 | 0:08:01 | |
-medical procedure? -Well, it was hard to tell. | 0:08:01 | 0:08:03 | |
We were interrupted by another resident. | 0:08:03 | 0:08:05 | |
So, all these things that are going wrong... | 0:08:05 | 0:08:08 | |
Is someone trying to get at Shady Nook, or have they | 0:08:08 | 0:08:11 | |
got it in for Mrs Pincott - possibly because they want her husband? | 0:08:11 | 0:08:16 | |
-Right, everyone. -SHE CLAPS HER HANDS | 0:08:16 | 0:08:18 | |
Can I have your attention, please? | 0:08:18 | 0:08:20 | |
I've a very unpleasant announcement to make. | 0:08:20 | 0:08:23 | |
In the small hours of this morning, someone - | 0:08:23 | 0:08:25 | |
and you know who you are - | 0:08:25 | 0:08:27 | |
did something truly unspeakable on the stairlift. | 0:08:27 | 0:08:30 | |
It was not an accident. | 0:08:30 | 0:08:32 | |
The individual pieces had been arranged to make a smiley face. | 0:08:32 | 0:08:35 | |
But I am not smiling. | 0:08:36 | 0:08:38 | |
So...who did it? | 0:08:38 | 0:08:40 | |
Which of you is responsible for giving me six months | 0:08:40 | 0:08:43 | |
of sleepless nights, and turning my fingernails into bloody stumps? | 0:08:43 | 0:08:47 | |
Was it the cat? | 0:08:47 | 0:08:49 | |
Very funny, Mr Falstaff. | 0:08:49 | 0:08:51 | |
No, it isn't! Our business is being destroyed - it's not funny. | 0:08:51 | 0:08:54 | |
I had a pearl necklace stolen from my room. That's not funny. | 0:08:54 | 0:08:58 | |
But you...are so keen on being Mr Nice Guy, | 0:08:58 | 0:09:02 | |
that you end up being Mr Useless Waste of Space. | 0:09:02 | 0:09:06 | |
You can't let her speak to you like that. | 0:09:07 | 0:09:09 | |
Do you know, I did hear someone creeping about. | 0:09:14 | 0:09:17 | |
It was just like last week, when I heard 'em climbing on the roof. | 0:09:17 | 0:09:20 | |
We've been through that, Mrs Bentley. It was just a bad dream. | 0:09:20 | 0:09:23 | |
Well, I'm not surprised people are hearing things. | 0:09:23 | 0:09:26 | |
The Pincotts run this place like a prison camp. | 0:09:26 | 0:09:30 | |
OK, well, I know things have been a bit weird recently, | 0:09:30 | 0:09:33 | |
but, just like the stairlift, we can rise above it. | 0:09:33 | 0:09:37 | |
So let's just all put on a big smiley face. | 0:09:37 | 0:09:40 | |
CHUCKLING | 0:09:40 | 0:09:42 | |
Are you not eating, Mrs Bentley? | 0:09:53 | 0:09:55 | |
I thought I'd just push it round the plate and hope it evaporates. | 0:09:55 | 0:09:59 | |
I know how you feel. It's been a funny few days. | 0:09:59 | 0:10:01 | |
You can't possibly know how I feel. | 0:10:01 | 0:10:04 | |
Oh, nice of you to try. | 0:10:04 | 0:10:06 | |
What is this muck? | 0:10:08 | 0:10:10 | |
Omelette! | 0:10:10 | 0:10:11 | |
It says on the menu, "quiche". | 0:10:11 | 0:10:13 | |
-Well, things change. -Is there an alternative? | 0:10:13 | 0:10:16 | |
Starvation. | 0:10:16 | 0:10:17 | |
HE CLEARS HIS THROAT | 0:10:20 | 0:10:22 | |
Are you any nearer to knowing who's behind this? | 0:10:30 | 0:10:33 | |
We do have some theories. | 0:10:33 | 0:10:36 | |
Well, PLEASE find out soon. | 0:10:36 | 0:10:39 | |
-My wife is impossible to live with. -Yes, where is she? | 0:10:39 | 0:10:42 | |
-I was hoping to... -Was that an asteroid? Are we being invaded? | 0:10:42 | 0:10:47 | |
Penelope? | 0:10:50 | 0:10:51 | |
Penelope! | 0:10:54 | 0:10:55 | |
So, do you...do you think she fell, or...? | 0:11:02 | 0:11:05 | |
I think she was pushed. See the wound on the side of her head? | 0:11:05 | 0:11:08 | |
-Yeah. -Shouldn't be able to see that. | 0:11:08 | 0:11:11 | |
Any impact wound would be on the underside of the body. | 0:11:11 | 0:11:13 | |
Now, I think she was attacked first, pushed later. | 0:11:13 | 0:11:16 | |
-So possibly the biggest mystery here is... -Yes? | 0:11:16 | 0:11:19 | |
..how did you get here before me? | 0:11:19 | 0:11:21 | |
Er, this woman was our client. | 0:11:21 | 0:11:23 | |
She thought that someone was trying to destroy her business. | 0:11:23 | 0:11:26 | |
Oh, except they destroyed her. | 0:11:26 | 0:11:27 | |
-Any idea who was behind the sabotage? -We're working on it. | 0:11:28 | 0:11:31 | |
Well, the thing is, everyone who lives and works here has got | 0:11:31 | 0:11:34 | |
a cast-iron alibi. They were behind that glass, eating omelettes. | 0:11:34 | 0:11:37 | |
-I think I'm going to check the roof. -I really don't think so. | 0:11:37 | 0:11:39 | |
Hello. I just wondered if anyone wants any tea, or coffee, or... | 0:11:39 | 0:11:43 | |
Er, actually, could you help me with something? | 0:11:43 | 0:11:46 | |
I've never been up here before. I didn't even know we had a roof. | 0:11:56 | 0:11:59 | |
I mean, obviously I knew there had to be something on top - | 0:11:59 | 0:12:02 | |
I just didn't think you could go on it. | 0:12:02 | 0:12:04 | |
Don't go so far, please. | 0:12:04 | 0:12:05 | |
So, erm, could anyone have got up here? | 0:12:07 | 0:12:10 | |
I suppose they could. | 0:12:10 | 0:12:11 | |
Not the ones with Zimmer frames, obviously. | 0:12:11 | 0:12:13 | |
And when did you last see Mrs Pincott? | 0:12:13 | 0:12:15 | |
Half an hour ago. She fell off the roof. | 0:12:15 | 0:12:18 | |
I'm aware of that. | 0:12:18 | 0:12:19 | |
When did you last see her alive? | 0:12:19 | 0:12:21 | |
Oh, this morning. She had a big meeting | 0:12:21 | 0:12:23 | |
about everything that's going on around here. | 0:12:23 | 0:12:26 | |
So, would you say anyone had a grudge against her? | 0:12:26 | 0:12:28 | |
Why are you saying that? Do you think she was...? | 0:12:28 | 0:12:32 | |
Murdered? | 0:12:32 | 0:12:33 | |
No! | 0:12:35 | 0:12:37 | |
-I'm afraid it does look that way. -But who would, you know? | 0:12:38 | 0:12:41 | |
Well, possibly the same person who's behind the sabotage - | 0:12:41 | 0:12:44 | |
maybe your wife found out and threatened to take action. | 0:12:44 | 0:12:48 | |
How could they? We were all inside, having lunch. | 0:12:48 | 0:12:51 | |
That's what's puzzling me. | 0:12:51 | 0:12:54 | |
But if they can get away with it for three months | 0:12:54 | 0:12:56 | |
without being detected... | 0:12:56 | 0:12:57 | |
We're going to do everything we can to find out who did this. | 0:12:57 | 0:13:01 | |
Well, surely it's a matter for the police now? | 0:13:01 | 0:13:04 | |
Well, your wife paid us for a week of surveillance. | 0:13:04 | 0:13:07 | |
And we can work in ways that the police can't. | 0:13:07 | 0:13:10 | |
I see. | 0:13:12 | 0:13:13 | |
Fair enough. | 0:13:15 | 0:13:16 | |
Frank...? | 0:13:32 | 0:13:33 | |
Oh, this doesn't sound good. | 0:13:33 | 0:13:35 | |
-You know I put in that hidden camera? -Yes? | 0:13:36 | 0:13:39 | |
-Someone else has hidden it. -PHONE RINGS | 0:13:39 | 0:13:42 | |
Hello? | 0:13:42 | 0:13:43 | |
You only had one job to do! | 0:13:43 | 0:13:45 | |
-Yes, speaking. -Rubbish! I've had to do bed baths and bed pans. | 0:13:45 | 0:13:50 | |
It'll be a long time before I feel clean again. | 0:13:50 | 0:13:52 | |
-Really? -So, who do you think took it? -I don't know for sure. | 0:13:52 | 0:13:56 | |
-I see. -But like Quasimodo, I have a hunch. | 0:13:56 | 0:13:59 | |
Well, thanks. No, that's great. Bye, Gavin, bye. | 0:13:59 | 0:14:03 | |
-Who was that? -Gavin. | 0:14:03 | 0:14:05 | |
-Did you hear him? -Yeah, he'll find them. | 0:14:06 | 0:14:08 | |
I've just found out something really interesting. | 0:14:08 | 0:14:11 | |
Whoever's behind this sabotage must have a cupboard full of tricks. | 0:14:14 | 0:14:18 | |
Circuit breakers, live rodents... | 0:14:18 | 0:14:20 | |
Do you have a warrant to do that? | 0:14:20 | 0:14:22 | |
Well, we can certainly get one. | 0:14:22 | 0:14:24 | |
I thought you needed evidence of wrongdoing. | 0:14:24 | 0:14:26 | |
Yeah, well, well, there's certainly been plenty | 0:14:26 | 0:14:29 | |
of...of evidence of wrongdoing in this kitchen. | 0:14:29 | 0:14:31 | |
Eight months ago, | 0:14:31 | 0:14:33 | |
-three residents were admitted to hospital with listeria. -I know. | 0:14:33 | 0:14:36 | |
They nearly died. Which is why they got rid of that chef and hired me. | 0:14:36 | 0:14:40 | |
-What? -I've only been here for six months. | 0:14:41 | 0:14:43 | |
How are you settling in? | 0:14:45 | 0:14:46 | |
Well, there's been a lot of weird things going on. | 0:14:46 | 0:14:48 | |
The last few months have been a nightmare. | 0:14:48 | 0:14:50 | |
But it's got nothing to do with me. | 0:14:50 | 0:14:52 | |
-Sorry. -Yes. Fine. | 0:14:52 | 0:14:54 | |
Is there anything else you want to frame me for? | 0:14:54 | 0:14:58 | |
Oh, I know - maybe I'm Lord Lucan! | 0:14:58 | 0:15:00 | |
Room service? Hello? | 0:15:04 | 0:15:06 | |
Hi-yah! Ho! | 0:15:29 | 0:15:30 | |
Hi-yah! Hee! | 0:15:30 | 0:15:32 | |
Right there, son. | 0:15:35 | 0:15:36 | |
Now, don't move or it could get very bloody, buddy. | 0:15:36 | 0:15:40 | |
Now, then, what's your game? | 0:15:40 | 0:15:42 | |
I suppose I waver between Scrabble and gin rummy. | 0:15:42 | 0:15:45 | |
Are you trying to be funny, sonny? | 0:15:45 | 0:15:48 | |
Are you trying to tickle my ribs? | 0:15:48 | 0:15:50 | |
Do you see yourself as a reincarnation of Arthur Askey? | 0:15:50 | 0:15:53 | |
I just came in here to dust your drawers. | 0:15:53 | 0:15:57 | |
Why are you so interested in my drawers? | 0:15:57 | 0:16:00 | |
-Well... -I was in the Army, you know. | 0:16:00 | 0:16:03 | |
Six months in the jungle, alongside the Gurkhas. | 0:16:03 | 0:16:06 | |
Very good workers, the Gurkhas. | 0:16:06 | 0:16:08 | |
They can bring a man to submission using only one finger. | 0:16:08 | 0:16:12 | |
OK! OK, OK, OK, OK! | 0:16:12 | 0:16:14 | |
I'm a detective! Oh, just don't tell anyone, please! | 0:16:14 | 0:16:18 | |
Oh, so you're a dick, are you? I might have known. | 0:16:18 | 0:16:21 | |
Sorry for bothering you. | 0:16:23 | 0:16:24 | |
What's this? | 0:16:30 | 0:16:31 | |
I found it in a Christmas cracker. | 0:16:32 | 0:16:34 | |
Hmm... | 0:16:36 | 0:16:37 | |
And this? | 0:16:39 | 0:16:41 | |
And this? And this? | 0:16:41 | 0:16:43 | |
So it turns out one of our residents, | 0:16:43 | 0:16:45 | |
Mr Falstaff, is a kleptomaniac. | 0:16:45 | 0:16:47 | |
But wait till you see the footage. | 0:16:49 | 0:16:51 | |
Naughty Mr Falstaff. | 0:16:52 | 0:16:54 | |
Here come the rezzies, for their din-dins. | 0:16:54 | 0:16:57 | |
And here comes the dynamite. | 0:16:57 | 0:17:00 | |
You have no right to talk to me like that! | 0:17:00 | 0:17:03 | |
-What about my rights? My right to a peaceful life? -You want | 0:17:03 | 0:17:06 | |
a peaceful life? OK, then. Goodbye. I'm leaving you. | 0:17:06 | 0:17:08 | |
Do you really think it's that easy?! | 0:17:08 | 0:17:10 | |
Just you try, I will break you. | 0:17:10 | 0:17:12 | |
Any job you go for, I will spread the vilest of rumours about you. | 0:17:12 | 0:17:16 | |
Any relationship, I'll find a way to make your lives hell. | 0:17:16 | 0:17:19 | |
You are nothing without me. | 0:17:19 | 0:17:21 | |
You are a pathetic, worthless little man. | 0:17:21 | 0:17:24 | |
Well, there you are. A clear and compelling motive for murder. | 0:17:29 | 0:17:33 | |
Well done. | 0:17:33 | 0:17:34 | |
Mr Pincott. | 0:17:35 | 0:17:38 | |
Widower. Possibly adulterer. Maybe murderer. | 0:17:38 | 0:17:41 | |
Or, is it his bit on the side? The lovely Soozie? | 0:17:41 | 0:17:44 | |
Well, if she and Mr P are a pair, | 0:17:44 | 0:17:46 | |
she does get to be Queen of Shady Nook. | 0:17:46 | 0:17:48 | |
Then there's the chef. | 0:17:48 | 0:17:50 | |
Who, according to his CV, used to be in the Army. | 0:17:50 | 0:17:53 | |
Maybe he learnt some brilliant technique on, er, | 0:17:53 | 0:17:55 | |
I don't know, how to murder someone whilst serving an omelette? | 0:17:55 | 0:17:59 | |
Yeah, how could any of them have pushed her off the roof | 0:17:59 | 0:18:02 | |
if they were all downstairs? There must be someone else. | 0:18:02 | 0:18:05 | |
But Marlowe checked the CCTV. | 0:18:05 | 0:18:07 | |
Nobody entered or left the building six hours prior to her death. | 0:18:07 | 0:18:10 | |
What about Mr Falstaff? | 0:18:10 | 0:18:12 | |
We know he's a thief, but is he a saboteur who got caught in the act? | 0:18:12 | 0:18:15 | |
Well, that's up to you to find out. | 0:18:15 | 0:18:17 | |
I don't know if I want to go back there. | 0:18:17 | 0:18:19 | |
I know he's old, but he's surprisingly vigorous. | 0:18:19 | 0:18:22 | |
-Are you OK, Mrs Bentley? -Yes, I'm fine. | 0:18:29 | 0:18:31 | |
I'll be fine, I'll be fine. | 0:18:31 | 0:18:33 | |
It's been a shock for all of us. | 0:18:33 | 0:18:35 | |
Whatever disagreements I had with Mrs Pincott, | 0:18:35 | 0:18:38 | |
no-one deserves to go like that. | 0:18:38 | 0:18:40 | |
-I used to be a nurse, you know. -Yes, I know. | 0:18:40 | 0:18:44 | |
And you're always haunted by the thought that you could have | 0:18:44 | 0:18:47 | |
done better for people, | 0:18:47 | 0:18:48 | |
that you could at least have made their last moments a bit more | 0:18:48 | 0:18:52 | |
-comfortable. -I know you. You have a heart as big as a mountain. | 0:18:52 | 0:18:55 | |
And there's nothing more anybody could have... | 0:18:55 | 0:18:58 | |
-Hello. -Yes? | 0:18:58 | 0:19:00 | |
Er, any sign of Mr Falstaff? | 0:19:00 | 0:19:02 | |
I think he went into the garden. | 0:19:02 | 0:19:06 | |
Thank you. | 0:19:06 | 0:19:07 | |
I better get some tea. | 0:19:08 | 0:19:11 | |
I think the police might want to talk to us. | 0:19:11 | 0:19:13 | |
Oh, dear. | 0:19:16 | 0:19:18 | |
Oh, dear. Oh... | 0:19:18 | 0:19:21 | |
Oh! | 0:19:21 | 0:19:22 | |
KNOCK AT DOOR | 0:19:22 | 0:19:23 | |
-Hello? -Hello. | 0:19:25 | 0:19:29 | |
-Could I have a word? -Please. | 0:19:29 | 0:19:31 | |
Er, I've said everything I know, but, erm... | 0:19:31 | 0:19:34 | |
I could really do with a coffee. | 0:19:35 | 0:19:37 | |
And if you don't mind my saying so, it looks like you could too. | 0:19:37 | 0:19:40 | |
Oh, well, we can go to the dining room. | 0:19:40 | 0:19:45 | |
Great. | 0:19:45 | 0:19:46 | |
FOOTSTEPS APPROACH | 0:20:27 | 0:20:30 | |
The person you called is not available. | 0:20:42 | 0:20:45 | |
Please leave your message after the tone. | 0:20:45 | 0:20:47 | |
Hello, son? It's me again. | 0:20:47 | 0:20:51 | |
Look, when you hear this, please call me this time? | 0:20:53 | 0:20:56 | |
I know we said that I should stick it out a bit longer... | 0:20:58 | 0:21:02 | |
Well, I have stuck it out - when we were flooded and overcome with rats. | 0:21:02 | 0:21:07 | |
And now, we've got a murderer in the house. | 0:21:07 | 0:21:12 | |
They've already killed Mrs Pincott | 0:21:15 | 0:21:17 | |
and I have a feeling it's going to be me next on the list. | 0:21:17 | 0:21:21 | |
You wouldn't want that on your conscience. | 0:21:22 | 0:21:25 | |
Would you? Please. | 0:21:25 | 0:21:27 | |
Please, son. | 0:21:27 | 0:21:30 | |
Call me. | 0:21:30 | 0:21:32 | |
I can't believe she's dead. | 0:21:35 | 0:21:38 | |
I never knew anyone quite so...alive. | 0:21:39 | 0:21:43 | |
I know this must be incredibly difficult for you, but we are | 0:21:43 | 0:21:47 | |
going to have to build a clear picture of your wife's last moments. | 0:21:47 | 0:21:51 | |
I see. | 0:21:51 | 0:21:53 | |
Is it right that she was a smoker? | 0:21:53 | 0:21:55 | |
Yeah, well, only one a day. | 0:21:55 | 0:21:57 | |
She'd go out, just before lunch, | 0:21:57 | 0:21:59 | |
round the back where no-one could see her. | 0:21:59 | 0:22:02 | |
And, erm, do you remember the last conversation that you had | 0:22:02 | 0:22:05 | |
with your wife today? | 0:22:05 | 0:22:07 | |
Well, I, er... | 0:22:09 | 0:22:10 | |
Don't you have a recording of it? | 0:22:12 | 0:22:14 | |
Yeah, Sebastian accidentally wiped it. | 0:22:14 | 0:22:17 | |
Oh... | 0:22:17 | 0:22:20 | |
Oh, I-I think I just said we'd get through this. | 0:22:20 | 0:22:24 | |
Together. | 0:22:24 | 0:22:26 | |
And I told her that I loved her. | 0:22:26 | 0:22:28 | |
KNOCK AT DOOR | 0:22:53 | 0:22:56 | |
KNOCK AT DOOR | 0:23:04 | 0:23:06 | |
Hello! | 0:23:06 | 0:23:08 | |
-YOU'RE not Mr Pincott. -That's very perceptive of you. -Where is he? | 0:23:08 | 0:23:13 | |
Mrs Bentley?! Well, how could she have gone missing? | 0:23:13 | 0:23:16 | |
Well, she is one of our more active ones. | 0:23:16 | 0:23:19 | |
When she gets on her mobility scooter, she's like Lewis Hamilton. | 0:23:19 | 0:23:22 | |
Did she say where she was going? | 0:23:22 | 0:23:23 | |
Apparently, she told Mr Woodham she was going to find some peas. | 0:23:23 | 0:23:26 | |
Find some peas? Well, we've got a kitchen full of the bloody things. | 0:23:26 | 0:23:30 | |
This Mr Woodham... Is he hard of hearing? | 0:23:30 | 0:23:32 | |
-He is a bit. -Could she have said she wanted to find some PEACE? | 0:23:32 | 0:23:35 | |
Ah, that makes sense. | 0:23:35 | 0:23:37 | |
Does Mrs Bentley have a church she goes to? | 0:23:37 | 0:23:40 | |
I'm, er, guessing she probably came this way. | 0:23:41 | 0:23:44 | |
-How do you know? -A few telltale signs. | 0:23:44 | 0:23:46 | |
Look. | 0:23:48 | 0:23:50 | |
Excuse me! Excuse me! | 0:23:50 | 0:23:54 | |
Hello! You go that way, I'll go round the back! | 0:23:54 | 0:23:56 | |
Go on. Yeah. | 0:23:56 | 0:23:58 | |
No. Go, go, go! Yeah. | 0:23:58 | 0:24:00 | |
Go on! | 0:24:02 | 0:24:04 | |
Agh! Agh! | 0:24:13 | 0:24:16 | |
Agh! Agh! | 0:24:24 | 0:24:27 | |
Who are you? What do you want? | 0:24:27 | 0:24:30 | |
My name's Frank Hathaway. I'm a private investigator. | 0:24:30 | 0:24:32 | |
I was just wondering why you came here. | 0:24:32 | 0:24:34 | |
Everyone's worried sick about you. | 0:24:34 | 0:24:36 | |
I came here to...to make my peace... | 0:24:36 | 0:24:40 | |
..with Him. | 0:24:40 | 0:24:42 | |
Is there a reason you have to make your peace with...Him? | 0:24:43 | 0:24:47 | |
It was me. I brought death to Shady Nook. | 0:24:48 | 0:24:51 | |
What, you actually pushed Mrs Pincott off the roof? | 0:24:51 | 0:24:54 | |
No, but I made it happen. I invited her here. | 0:24:54 | 0:24:58 | |
Me and my big mouth. | 0:24:58 | 0:24:59 | |
-Who are you talking about? -She killed Mrs Pincott. | 0:25:00 | 0:25:04 | |
And she'll kill us all. | 0:25:04 | 0:25:06 | |
She wants her revenge. | 0:25:06 | 0:25:08 | |
Who does? | 0:25:08 | 0:25:10 | |
Janet. Janet Jeffson. | 0:25:10 | 0:25:13 | |
Hello! | 0:25:13 | 0:25:15 | |
Agh! Argh! | 0:25:15 | 0:25:17 | |
No, she's... She's not, she's not, she's... | 0:25:17 | 0:25:20 | |
-Janet Jeffson? -That's what she said. | 0:25:27 | 0:25:29 | |
Doesn't ring any bells. | 0:25:29 | 0:25:30 | |
She was saying, "Janet did it, Janet's going to kill everyone." | 0:25:30 | 0:25:33 | |
-And then she had her accident. -Was she compos mentis? | 0:25:33 | 0:25:36 | |
It's hard to say - she was scared out of her wits. | 0:25:36 | 0:25:39 | |
There must be SOMEBODY called Jeffson connected with this place. | 0:25:39 | 0:25:42 | |
Tell you what, we'll talk to Mr Pincott, | 0:25:42 | 0:25:45 | |
-why don't you run the name through the PNC? -Fine. | 0:25:45 | 0:25:47 | |
Any other little jobs you'd like me to do? | 0:25:47 | 0:25:49 | |
Er, did you find anything on the roof? | 0:25:49 | 0:25:51 | |
Our forensics are looking in to it, thanks. | 0:25:51 | 0:25:54 | |
Well, we've never had anyone here called Jeffson I can think of. | 0:25:57 | 0:26:01 | |
Perhaps she was just confused, then. | 0:26:01 | 0:26:03 | |
Perhaps. | 0:26:03 | 0:26:05 | |
Regarding your wife's murder, there is | 0:26:05 | 0:26:08 | |
one line of inquiry we need to pursue. | 0:26:08 | 0:26:10 | |
Oh, yes? | 0:26:10 | 0:26:11 | |
What if the murderer killed your wife in order to get close to you? | 0:26:11 | 0:26:15 | |
Sorry, er, why? | 0:26:15 | 0:26:17 | |
Well, supposing somebody had feelings for you - | 0:26:18 | 0:26:22 | |
romantic feelings. | 0:26:22 | 0:26:24 | |
Oh, that's ridiculous. | 0:26:26 | 0:26:28 | |
I know I'm no Tom Cruise. | 0:26:28 | 0:26:30 | |
-It's a long time since -I -made anyone weak at the knees. | 0:26:30 | 0:26:34 | |
Well, then... | 0:26:36 | 0:26:37 | |
Yes, erm, we'll, er, continue with our enquiries. | 0:26:39 | 0:26:43 | |
-Fine. -Thank you. -Thank you. | 0:26:43 | 0:26:45 | |
And I'm really sorry if we said anything upsetting at all. | 0:26:45 | 0:26:49 | |
No, no. You're just doing your job. | 0:26:49 | 0:26:51 | |
Thank you. | 0:26:55 | 0:26:57 | |
So there are three Valentine's cards, | 0:26:59 | 0:27:00 | |
so it's been going on for some time. | 0:27:00 | 0:27:02 | |
Oh! And it's the same writing there as the condolence card. | 0:27:02 | 0:27:06 | |
-Really?! -Yeah. | 0:27:06 | 0:27:07 | |
It's got the same slanty Ls and then the Ts that aren't quite crossed. | 0:27:07 | 0:27:12 | |
-Ah, yeah. -Yeah. -So Mr P has a psychotic secret admirer. | 0:27:12 | 0:27:15 | |
Only question is, are they working together? | 0:27:15 | 0:27:18 | |
PHONE RINGS | 0:27:18 | 0:27:20 | |
Oh. Sebastian! | 0:27:20 | 0:27:23 | |
I know who killed Mrs Pincott. | 0:27:23 | 0:27:25 | |
Go on. | 0:27:25 | 0:27:27 | |
It was Mr Falstaff. He's behind the sabotage and everything. | 0:27:27 | 0:27:30 | |
He's doing it so his son will come and rescue him. | 0:27:30 | 0:27:32 | |
Wow! That's a really interesting theory. | 0:27:32 | 0:27:34 | |
-Completely wrong, but... -No, I promise you, it's... | 0:27:34 | 0:27:37 | |
-Oh, got to go! MR PINCOTT: -I need to talk to you. | 0:27:37 | 0:27:40 | |
No, somewhere we won't be observed. | 0:27:40 | 0:27:43 | |
OK, then, the butterfly farm. | 0:27:44 | 0:27:47 | |
About ten minutes. | 0:27:47 | 0:27:49 | |
Oh, here he is! | 0:27:53 | 0:27:55 | |
Right, let's pump up the volume. | 0:27:55 | 0:27:58 | |
Oh! He's not wearing the jacket! | 0:28:02 | 0:28:04 | |
-What? -Well, I suppose it is a climate-controlled, | 0:28:04 | 0:28:07 | |
subtropical environment, isn't it? | 0:28:07 | 0:28:09 | |
Oh, thank you, David Attenborough! | 0:28:09 | 0:28:12 | |
Stay there. I'm going in. | 0:28:12 | 0:28:14 | |
Hello! | 0:28:37 | 0:28:39 | |
Oh, Soozie! | 0:28:39 | 0:28:41 | |
-Well I...I'm glad you came. -Oh, of course I came! | 0:28:41 | 0:28:44 | |
You know I'll always bend over backwards for you, Mr Pincott. | 0:28:44 | 0:28:47 | |
Oh, well, this is | 0:28:47 | 0:28:51 | |
all a bit...er, hard. | 0:28:51 | 0:28:53 | |
I have some rather awkward questions to ask you. | 0:28:54 | 0:28:58 | |
Well, fire away. | 0:28:58 | 0:29:01 | |
There is literally no part of me that's off limits. | 0:29:01 | 0:29:04 | |
Well... | 0:29:04 | 0:29:06 | |
For the past three years, I've been receiving Valentine's cards. | 0:29:06 | 0:29:09 | |
-Have you? -I've always thought, "Oh, how sweet, that's nice!" | 0:29:09 | 0:29:12 | |
But now I need to know... | 0:29:12 | 0:29:14 | |
..did you send them to me? | 0:29:16 | 0:29:18 | |
I might have done. | 0:29:18 | 0:29:21 | |
Of course, I was always very discreet. | 0:29:21 | 0:29:24 | |
No-one could call me a marriage wrecker. | 0:29:24 | 0:29:26 | |
But now, well, | 0:29:26 | 0:29:29 | |
there's nothing left to wreck, is there? | 0:29:29 | 0:29:32 | |
Soozie, w-what are you saying? | 0:29:32 | 0:29:35 | |
What I'm saying is, your wife is dead. | 0:29:35 | 0:29:40 | |
She's in a box. | 0:29:40 | 0:29:43 | |
And now it's time for you to think outside the box. | 0:29:43 | 0:29:46 | |
Mr Falstaff! | 0:30:05 | 0:30:07 | |
Oh, hello there, son! You on some secret mission? | 0:30:07 | 0:30:10 | |
I'm just here to check on the jams and preserves. | 0:30:10 | 0:30:14 | |
And, of course, the sugar bowl. | 0:30:14 | 0:30:17 | |
-Sugar bowl? -Hmm. | 0:30:17 | 0:30:19 | |
Not everyone likes these wriggly little beasties | 0:30:19 | 0:30:22 | |
squirming in their cornflakes. | 0:30:22 | 0:30:23 | |
-How did you...? -I'm very perceptive. | 0:30:23 | 0:30:26 | |
You've been behind a whole load of the horrors here. | 0:30:32 | 0:30:35 | |
Blood-sucking bugs in the bedroom. | 0:30:35 | 0:30:37 | |
That sinister smile on the stairlift. | 0:30:38 | 0:30:40 | |
So what if I have? What are you going to do about it? | 0:30:40 | 0:30:43 | |
Not a whole lot I CAN do. | 0:30:43 | 0:30:45 | |
Especially when you're trying to bring this place to its knees, | 0:30:45 | 0:30:48 | |
so you'll be thrown out on the street, and then, perhaps, | 0:30:48 | 0:30:52 | |
your son will come and rescue you. | 0:30:52 | 0:30:54 | |
And, you know, you've got style. | 0:30:56 | 0:31:00 | |
A little scatological, but it's hard not to be impressed. | 0:31:00 | 0:31:03 | |
Thank you very much. | 0:31:03 | 0:31:05 | |
But what you did to Mrs Pincott... | 0:31:05 | 0:31:08 | |
What exactly happened? Did she catch you in the act? | 0:31:08 | 0:31:12 | |
I can't believe you think that... | 0:31:12 | 0:31:14 | |
I've often wished to wipe the smile off her face, | 0:31:14 | 0:31:17 | |
but I didn't make her go splat-io on the patio. | 0:31:17 | 0:31:21 | |
-Really? -Well, I couldn't! I was having lunch. | 0:31:23 | 0:31:25 | |
Fair dos. | 0:31:27 | 0:31:28 | |
I'm really rather hurt that you think like that. | 0:31:28 | 0:31:31 | |
I'm no angel, but I'm not Norman Bates. | 0:31:32 | 0:31:35 | |
All right, I did play around a bit because I wanted | 0:31:36 | 0:31:40 | |
to close the place down so that my son would come and fetch me. | 0:31:40 | 0:31:45 | |
I know it's wrong, but... | 0:31:46 | 0:31:49 | |
..I do get awfully lonely. | 0:31:51 | 0:31:53 | |
Please, Mr Pincott. | 0:31:57 | 0:31:59 | |
I've had six years of watching your wife torture you, | 0:31:59 | 0:32:02 | |
like a cruel child pulling the wings off a tragic insect! | 0:32:02 | 0:32:06 | |
But now we're here in the butterfly house. | 0:32:06 | 0:32:09 | |
And maybe, from the cocoon of your grief, you'll learn to fly away. | 0:32:09 | 0:32:13 | |
Into the sunset. | 0:32:13 | 0:32:15 | |
-With me! -I don't want to fly with you. | 0:32:15 | 0:32:17 | |
-What?! -Soozie, did you murder my wife? | 0:32:17 | 0:32:20 | |
No! | 0:32:20 | 0:32:22 | |
Though I may have sent her the odd abusive card. | 0:32:22 | 0:32:25 | |
Sorry. | 0:32:25 | 0:32:27 | |
-HE GRUMBLES -Oh, Soozie, | 0:32:27 | 0:32:29 | |
will you just leave me alone? | 0:32:29 | 0:32:30 | |
I thought I paid you to solve my wife's murder, not to spy on me. | 0:32:35 | 0:32:40 | |
Er, well, actually, your wife paid us | 0:32:40 | 0:32:42 | |
to find out the truth | 0:32:42 | 0:32:43 | |
and you haven't been entirely honest with us. | 0:32:43 | 0:32:45 | |
-What do you mean? -Well, you told me that the last thing you said | 0:32:45 | 0:32:48 | |
to your wife was, "We'll get through this, I love you," | 0:32:48 | 0:32:50 | |
when actually, what you said was, "Goodbye, I'm leaving you." | 0:32:50 | 0:32:53 | |
OK, I know I said it. | 0:32:53 | 0:32:54 | |
-Well... And? -Well, when you've been married 25 years, | 0:32:55 | 0:32:58 | |
you say that sort of thing all the time. | 0:32:58 | 0:33:00 | |
It won't be like that for us, though. | 0:33:00 | 0:33:02 | |
Every day will be like birthdays and Christmas time put together. | 0:33:02 | 0:33:05 | |
Shut up, Soozie. | 0:33:05 | 0:33:06 | |
I've just been on the phone to DI Marlowe. | 0:33:06 | 0:33:09 | |
She's exposed a few more lies. | 0:33:09 | 0:33:11 | |
According to your own records, you did have a resident called Jeffson. | 0:33:11 | 0:33:14 | |
Ellena Jeffson. | 0:33:14 | 0:33:15 | |
I remember. | 0:33:18 | 0:33:20 | |
She was a very confused woman. | 0:33:20 | 0:33:23 | |
Lived a... Lived in her own little dream world. | 0:33:23 | 0:33:25 | |
Until a year ago, when she died of a cardiac arrest. | 0:33:25 | 0:33:28 | |
And your wife was murdered on the first anniversary of her death. | 0:33:28 | 0:33:32 | |
Did you know that? | 0:33:32 | 0:33:33 | |
You must have realised that the two things were connected. | 0:33:33 | 0:33:36 | |
Well, to tell you the truth, | 0:33:36 | 0:33:37 | |
I've always been haunted by what happened. | 0:33:37 | 0:33:40 | |
Ellena could be difficult and, er, cantankerous | 0:33:40 | 0:33:43 | |
and she had hallucinations. | 0:33:43 | 0:33:44 | |
And once I got so fed up with her pushing the alarm | 0:33:44 | 0:33:47 | |
to complain about giant spiders, I...just... | 0:33:47 | 0:33:51 | |
turned the thing off. | 0:33:51 | 0:33:53 | |
-What?! -An hour later, she had a heart attack. | 0:33:53 | 0:33:57 | |
Was there an investigation? | 0:33:57 | 0:33:59 | |
A couple of residents asked some questions. | 0:33:59 | 0:34:00 | |
But my wife... | 0:34:00 | 0:34:03 | |
decided to save the day. | 0:34:03 | 0:34:04 | |
She said there must have been a problem with the alarm | 0:34:05 | 0:34:07 | |
and that she was sorry for not checking... | 0:34:07 | 0:34:10 | |
but it wouldn't happen again. | 0:34:10 | 0:34:12 | |
So you committed an act of gross negligence | 0:34:12 | 0:34:15 | |
and your wife took the blame and covered it up. | 0:34:15 | 0:34:18 | |
And then exactly a year later, someone took her life. | 0:34:18 | 0:34:20 | |
Was there anyone who was particularly close | 0:34:22 | 0:34:25 | |
to this Ellena Jeffson? | 0:34:25 | 0:34:27 | |
OK, so I haven't found the murderer, | 0:34:31 | 0:34:33 | |
but I have solved the mystery of the soiled stairlift. | 0:34:33 | 0:34:35 | |
Oh, well, you've got to start somewhere, haven't you? | 0:34:35 | 0:34:38 | |
Is Marlowe still around? | 0:34:38 | 0:34:39 | |
She went back to the station. | 0:34:39 | 0:34:41 | |
Oh, great! I can go on the roof. | 0:34:41 | 0:34:42 | |
Er, hang on! We do have a suspect to talk to, you know. | 0:34:42 | 0:34:44 | |
You talk to them. | 0:34:44 | 0:34:45 | |
I need to find out how she fell. | 0:34:45 | 0:34:47 | |
KNOCK AT DOOR | 0:34:49 | 0:34:53 | |
-Who are you?! -It's OK. | 0:34:53 | 0:34:55 | |
I'm with Frank. I'm investigating the murder. | 0:34:55 | 0:34:58 | |
Well, I didn't do it. | 0:34:58 | 0:35:00 | |
Huh! How could I? | 0:35:00 | 0:35:01 | |
I just wanted to talk to you about your old roommate. | 0:35:02 | 0:35:06 | |
The woman that lived with you just over a year ago. | 0:35:06 | 0:35:08 | |
Is it Ellena Jeffson? | 0:35:08 | 0:35:09 | |
She was a lost soul, really. | 0:35:19 | 0:35:21 | |
Didn't know who she was, or where she was, | 0:35:21 | 0:35:24 | |
but, well, it was nice having someone in the room with me, | 0:35:24 | 0:35:29 | |
and when I was in bed, | 0:35:29 | 0:35:31 | |
I could listen to her breathing. | 0:35:31 | 0:35:33 | |
Until one night... | 0:35:36 | 0:35:38 | |
Yes. | 0:35:39 | 0:35:40 | |
It was a cardiac arrest. | 0:35:40 | 0:35:42 | |
I pressed the buzzer, no-one came. | 0:35:43 | 0:35:45 | |
I screamed, no-one...no-one heard me | 0:35:47 | 0:35:49 | |
and then... | 0:35:49 | 0:35:51 | |
by the time I got help, | 0:35:51 | 0:35:54 | |
it was too late to save her. | 0:35:54 | 0:35:56 | |
And you blamed Mrs Pincott. | 0:35:57 | 0:35:59 | |
Well, she was in charge. | 0:35:59 | 0:36:00 | |
It's a difficult job, but, oh, I was... | 0:36:00 | 0:36:04 | |
I was very angry. | 0:36:04 | 0:36:05 | |
Of course you were. | 0:36:05 | 0:36:06 | |
Did you do anything about it? | 0:36:09 | 0:36:11 | |
Right, Sebastian. | 0:36:12 | 0:36:14 | |
What do you see? | 0:36:14 | 0:36:15 | |
The roof... | 0:36:15 | 0:36:17 | |
the sky. | 0:36:17 | 0:36:19 | |
And on the wall in front of you? | 0:36:20 | 0:36:22 | |
Erm... | 0:36:22 | 0:36:24 | |
Some indentations, maybe? | 0:36:24 | 0:36:27 | |
-SEBASTIAN CLICKS TONGUE -Yeah. | 0:36:27 | 0:36:29 | |
Ah. Hmm. | 0:36:31 | 0:36:33 | |
What's done that, then? | 0:36:36 | 0:36:37 | |
HE PUFFS | 0:36:44 | 0:36:46 | |
Sorry, what are you doing? | 0:37:06 | 0:37:08 | |
I'm building a killing machine. | 0:37:08 | 0:37:10 | |
When they took her body away, I went through her belongings. | 0:37:10 | 0:37:16 | |
I found this big bundle of letters. | 0:37:16 | 0:37:18 | |
It seems that she had a daughter, overseas. | 0:37:20 | 0:37:23 | |
So I wrote to the daughter and I told her everything. | 0:37:24 | 0:37:28 | |
And that was Janet Jeffson? | 0:37:29 | 0:37:32 | |
Oh, her name was Jan. | 0:37:32 | 0:37:33 | |
I don't know about the Jeffson. | 0:37:33 | 0:37:35 | |
I think Ellena had remarried. | 0:37:35 | 0:37:38 | |
Do you remember the address? | 0:37:39 | 0:37:41 | |
Er, one minute. | 0:37:41 | 0:37:43 | |
There's only one thing we need now. | 0:37:46 | 0:37:47 | |
-What? -Gravity. | 0:37:47 | 0:37:49 | |
Goodbye, cruel world. | 0:37:54 | 0:37:56 | |
There we are. | 0:38:21 | 0:38:22 | |
"Arkshire Regiment". | 0:38:29 | 0:38:30 | |
This is the woman that you've been writing to? | 0:38:39 | 0:38:43 | |
Yes. | 0:38:43 | 0:38:44 | |
Yes, it is. | 0:38:44 | 0:38:46 | |
-PHONE RINGS Hello? -I've just found our murderer. | 0:38:49 | 0:38:51 | |
Yeah, and we've just found the method. | 0:38:51 | 0:38:53 | |
Oh, no. | 0:38:56 | 0:38:58 | |
Hi. | 0:39:05 | 0:39:07 | |
Ian McClurgy? | 0:39:07 | 0:39:09 | |
Hello. | 0:39:09 | 0:39:11 | |
We've got something that belongs to you. | 0:39:11 | 0:39:14 | |
It's the letters to your mum | 0:39:14 | 0:39:16 | |
from when you were in Helmand Province. | 0:39:16 | 0:39:18 | |
She kept every one. | 0:39:18 | 0:39:20 | |
We weren't sure who they were from to begin with, cos you'd | 0:39:20 | 0:39:23 | |
signed them "love, Ian" and Mrs Bentley misread it as "Jan". | 0:39:23 | 0:39:26 | |
Thank you. | 0:39:26 | 0:39:28 | |
Must've been hard for you, being so far away from her. | 0:39:28 | 0:39:30 | |
I knew she was on the way out. | 0:39:32 | 0:39:34 | |
She was getting confused, but I had no idea she was so close to the end. | 0:39:34 | 0:39:39 | |
When she died, Mrs Bentley wrote to you and told you what happened. | 0:39:39 | 0:39:43 | |
Then you came to work here. | 0:39:45 | 0:39:47 | |
Only you weren't working. | 0:39:48 | 0:39:50 | |
You were observing. | 0:39:50 | 0:39:52 | |
Like for instance, you knew that every day at 12, | 0:39:52 | 0:39:56 | |
Mrs Pincott went out for a cigarette. | 0:39:56 | 0:39:58 | |
But today wasn't just any day. | 0:39:58 | 0:40:01 | |
Mrs Pincott. | 0:40:07 | 0:40:08 | |
Yes? | 0:40:08 | 0:40:09 | |
-Do you know what day it is? -What do you mean? | 0:40:09 | 0:40:11 | |
I mean what day | 0:40:11 | 0:40:13 | |
and what happened a year ago. | 0:40:13 | 0:40:14 | |
-Erm... -You should know. | 0:40:15 | 0:40:17 | |
It should haunt you at every waking moment. | 0:40:18 | 0:40:20 | |
You killed a resident. | 0:40:22 | 0:40:23 | |
Oh, for God's sake, we did nothing wrong. | 0:40:23 | 0:40:26 | |
And anyway, the woman was a vegetable. | 0:40:26 | 0:40:28 | |
It was meant to be quiche for lunch, but you made an omelette. | 0:40:30 | 0:40:33 | |
What is this muck? | 0:40:33 | 0:40:34 | |
Because, presumably, | 0:40:34 | 0:40:36 | |
you couldn't roll pastry with a blood-spattered rolling pin. | 0:40:36 | 0:40:39 | |
You hit her on the head. I mean, I imagine you just meant | 0:40:39 | 0:40:41 | |
to knock her unconscious | 0:40:41 | 0:40:43 | |
so that when she fell off the roof it would look like suicide. | 0:40:43 | 0:40:46 | |
But what happened? Did things get out of hand? | 0:40:46 | 0:40:49 | |
And then, of course, the final flourish. | 0:40:51 | 0:40:53 | |
You took her body and put her on a wheelchair at the top of a ramp... | 0:40:53 | 0:40:56 | |
..and used some kind of timing device. | 0:40:58 | 0:41:02 | |
There were burn marks on the floor. | 0:41:02 | 0:41:03 | |
What was it? Corrosive acid? | 0:41:06 | 0:41:08 | |
And then when you were downstairs serving lunch... | 0:41:14 | 0:41:16 | |
..she fell from the roof. | 0:41:22 | 0:41:23 | |
So what if I did? It was divine justice. | 0:41:26 | 0:41:30 | |
And at least no-one else will suffer like my mother did. | 0:41:30 | 0:41:33 | |
What would you say if I told you that Mrs Pincott was innocent? | 0:41:33 | 0:41:38 | |
No! She did it. | 0:41:38 | 0:41:40 | |
-She admitted it. -No. It was Mr Pincott | 0:41:40 | 0:41:42 | |
-that turned off the alarm. -SIRENS WAIL | 0:41:42 | 0:41:45 | |
And his wife was so keen to protect him that she took the blame. | 0:41:45 | 0:41:48 | |
You just murdered an innocent woman. | 0:41:48 | 0:41:50 | |
No! | 0:41:50 | 0:41:52 | |
-No! -Ian... Ian! | 0:41:52 | 0:41:54 | |
-Stop there. -Oi. -Take it easy. Stay there, stay there. | 0:41:54 | 0:41:56 | |
Right, calm down. | 0:41:56 | 0:41:58 | |
Ian McClurgy, I'm arresting you on suspicion of murder. | 0:41:58 | 0:42:01 | |
You do not have to say anything but it may harm your defence | 0:42:01 | 0:42:04 | |
if you do not mention when questioned something you later | 0:42:04 | 0:42:06 | |
rely on in court. Anything you do say may be given in evidence. | 0:42:06 | 0:42:09 | |
Do you understand? | 0:42:09 | 0:42:11 | |
Well, thank you for coming in this hour of our need. | 0:42:14 | 0:42:18 | |
You're welcome. | 0:42:18 | 0:42:19 | |
Mr Pincott's speaking to the police | 0:42:19 | 0:42:21 | |
and Soozie's clearing out her locker. | 0:42:21 | 0:42:22 | |
I don't think you're going to see either of them again. | 0:42:22 | 0:42:24 | |
Well, God knows what'll happen to us. | 0:42:24 | 0:42:26 | |
We'll probably be out on the street. | 0:42:26 | 0:42:28 | |
-I'm sure they'll find you somewhere. -Oh, I know. | 0:42:28 | 0:42:30 | |
I got through the war and an ill-advised marriage, | 0:42:31 | 0:42:34 | |
I dare say I can cope with this. | 0:42:34 | 0:42:36 | |
Any sign of Sebastian? | 0:42:36 | 0:42:37 | |
Yes, he went off with Mr Falstaff. | 0:42:37 | 0:42:40 | |
-Really? -Yes. | 0:42:40 | 0:42:41 | |
It's wonderful to see him happy just this once. | 0:42:42 | 0:42:45 | |
-Come on, Johnny! -Come on, Johnny! -Come on, Johnny! | 0:42:45 | 0:42:48 | |
-There we are. -HE LAUGHS | 0:42:48 | 0:42:50 | |
THEY CHUCKLE | 0:42:50 | 0:42:52 | |
Come on, Sebastian. Come on! | 0:42:53 | 0:42:56 | |
Come on. Come on. | 0:42:57 | 0:42:58 | |
Yes! | 0:42:58 | 0:42:59 | |
Another win for the Leicestershire Legend! | 0:43:01 | 0:43:03 | |
A win!? I could hardly see you for dust. | 0:43:03 | 0:43:05 | |
Oh, you're such a loser! | 0:43:05 | 0:43:06 | |
A loser? You're such a liar! | 0:43:06 | 0:43:08 | |
-Oh! -Here you go. -APPLAUSE | 0:43:11 | 0:43:15 | |
I feel like Elizabeth Taylor in National Velvet. | 0:43:15 | 0:43:17 | |
Aw, you look like her. | 0:43:17 | 0:43:18 | |
Smell like her. | 0:43:18 | 0:43:20 | |
Are you ready to go? | 0:43:20 | 0:43:21 | |
Can I come back tomorrow? | 0:43:22 | 0:43:23 | |
Behave yourself. | 0:43:25 | 0:43:26 | |
THEY CHEER | 0:43:41 | 0:43:44 |