Browse content similar to A Study in Pink. Check below for episodes and series from the same categories and more!
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How's your blog going? | 0:01:28 | 0:01:30 | |
Yeah, good, very good. | 0:01:31 | 0:01:35 | |
You haven't written a word, have you? | 0:01:35 | 0:01:37 | |
You just wrote "still has trust issues". | 0:01:37 | 0:01:40 | |
And you read my writing upside down. | 0:01:40 | 0:01:42 | |
You see what I mean? | 0:01:44 | 0:01:46 | |
John, you're a soldier | 0:01:46 | 0:01:50 | |
and it's going to take you a while to adjust to civilian life | 0:01:51 | 0:01:55 | |
and writing a blog about everything that happens to you will honestly help you. | 0:01:55 | 0:02:00 | |
Nothing happens to me. | 0:02:01 | 0:02:03 | |
-'What do you mean there's no ruddy car?' -He went to Waterloo, I'm sorry. | 0:02:41 | 0:02:44 | |
-Get a cab! -I never get cabs! | 0:02:44 | 0:02:47 | |
-I love you. -When? | 0:02:49 | 0:02:51 | |
Get a cab! | 0:02:51 | 0:02:53 | |
My husband | 0:03:12 | 0:03:14 | |
was a happy man who lived life to the full. | 0:03:14 | 0:03:19 | |
He loved his family and his work, | 0:03:19 | 0:03:23 | |
and that he should have taken his own life in this way | 0:03:23 | 0:03:28 | |
is a mystery | 0:03:28 | 0:03:30 | |
and a shock to all who knew him. | 0:03:30 | 0:03:33 | |
Taxi, taxi! | 0:03:46 | 0:03:48 | |
-I'll be just two minutes, mate. -What? | 0:03:52 | 0:03:54 | |
-I'm just going home to get my umbrella. -You can share mine. | 0:03:54 | 0:03:57 | |
Two minutes, all right? | 0:03:57 | 0:03:58 | |
She still dancing? | 0:04:33 | 0:04:35 | |
Yeah, if you can call it that. | 0:04:35 | 0:04:37 | |
-Did you get the car keys off her? -Got them out of her bag. | 0:04:37 | 0:04:40 | |
Where is she? | 0:04:40 | 0:04:43 | |
The body of Beth Davenport, Junior Minister for Transport, | 0:04:57 | 0:05:00 | |
was found late last night on a building site in Greater London. | 0:05:00 | 0:05:04 | |
Preliminary investigations suggest that this was suicide. | 0:05:04 | 0:05:08 | |
We can confirm that this apparent suicide closely resembles those of | 0:05:08 | 0:05:12 | |
Sir Jeffrey Patterson and James Phillimore. | 0:05:12 | 0:05:15 | |
In the light of this, these incidents are now being treated as linked. | 0:05:15 | 0:05:18 | |
The investigation is ongoing but Detective Inspector Lestrade will take questions now. | 0:05:18 | 0:05:23 | |
Detective Inspector, how can suicides be linked? | 0:05:23 | 0:05:26 | |
Well, they all took the same poison. | 0:05:26 | 0:05:29 | |
They were all found in places they had no reason to be. | 0:05:29 | 0:05:32 | |
-None of them had shown any prior indication. -But you can't have serial suicides. | 0:05:32 | 0:05:35 | |
Well, apparently you can. | 0:05:35 | 0:05:37 | |
These three people, there's nothing that links them? | 0:05:37 | 0:05:40 | |
There's no link we've found yet but | 0:05:40 | 0:05:43 | |
we're looking for it. There has to be one. | 0:05:43 | 0:05:45 | |
-If you've all got texts, please ignore them. -It just says "Wrong". | 0:05:51 | 0:05:55 | |
Well, just ignore that. If there are no more questions, | 0:05:55 | 0:05:57 | |
I'm going to bring this session to an end. | 0:05:57 | 0:06:00 | |
If they're suicides, what are you investigating? | 0:06:00 | 0:06:03 | |
As I say, these suicides are clearly linked. | 0:06:03 | 0:06:08 | |
It's an unusual situation, we've got our best people investigating. | 0:06:08 | 0:06:13 | |
Says "Wrong" again. | 0:06:16 | 0:06:18 | |
-One more question. -Is there any chance that these are murders? | 0:06:18 | 0:06:22 | |
And if they are, is this the work of a serial killer? | 0:06:22 | 0:06:25 | |
I know that you like writing about these but these do appear to be suicides. | 0:06:25 | 0:06:29 | |
We know the difference. The poison was clearly self-administered. | 0:06:29 | 0:06:33 | |
Yes, but if they are murders, how do people keep themselves safe? | 0:06:33 | 0:06:37 | |
Well, don't commit suicide. | 0:06:37 | 0:06:39 | |
Daily Mail! | 0:06:39 | 0:06:40 | |
This is a frightening time for people but all anyone has to do is exercise reasonable precautions. | 0:06:40 | 0:06:48 | |
We are all as safe as we want to be. | 0:06:48 | 0:06:51 | |
MOBILE PHONES BUZZ | 0:06:51 | 0:06:54 | |
Thank you. | 0:06:59 | 0:07:00 | |
You've got to stop him doing that. He's making us look like idiots. | 0:07:04 | 0:07:07 | |
If you can tell me how he does it, I'll stop him. | 0:07:07 | 0:07:10 | |
John! | 0:07:21 | 0:07:23 | |
John Watson! | 0:07:23 | 0:07:25 | |
-Stamford, Mike Stamford. We were at Barts together. -Yes, sorry, yes, Mike, hello. | 0:07:26 | 0:07:30 | |
-Yes, I know, I got fat. -No, no. | 0:07:30 | 0:07:33 | |
I heard you were abroad somewhere getting shot at. What happened? | 0:07:33 | 0:07:36 | |
I got shot. | 0:07:36 | 0:07:38 | |
Are you still at Barts then? | 0:07:44 | 0:07:46 | |
Teaching now, yeah, bright young things like we used to be. | 0:07:46 | 0:07:49 | |
God, I hate them. | 0:07:49 | 0:07:51 | |
What about you, just staying in town till you get yourself sorted? | 0:07:51 | 0:07:54 | |
I can't afford London on an Army pension. | 0:07:54 | 0:07:56 | |
-Couldn't bear to be anywhere else. That's not the John Watson I know. -I'm not the John Watson. | 0:07:56 | 0:08:01 | |
Couldn't Harry help? | 0:08:06 | 0:08:08 | |
Yeah, like that's going to happen(!) | 0:08:08 | 0:08:10 | |
I don't know, get a flatshare or something? | 0:08:10 | 0:08:13 | |
Who'd want me for a flatmate? | 0:08:13 | 0:08:15 | |
What? | 0:08:17 | 0:08:19 | |
You're the second person to say that to me today. | 0:08:19 | 0:08:22 | |
Who was the first? | 0:08:22 | 0:08:24 | |
How fresh? | 0:08:26 | 0:08:28 | |
Just in. 67, natural causes. | 0:08:28 | 0:08:31 | |
Used to work here. I knew him, he was nice. | 0:08:31 | 0:08:34 | |
Fine. | 0:08:34 | 0:08:37 | |
We'll start with the riding crop. | 0:08:37 | 0:08:39 | |
So, bad day was it? | 0:08:49 | 0:08:53 | |
I need to know what bruises form in the next 20 minutes. A man's alibi depends on it. Text me. | 0:08:54 | 0:08:58 | |
Listen, I was wondering. Maybe later, when you're finished... | 0:08:58 | 0:09:01 | |
You're wearing lipstick. You weren't wearing lipstick before. | 0:09:01 | 0:09:03 | |
I refreshed it a bit. | 0:09:03 | 0:09:07 | |
Sorry, you were saying? | 0:09:07 | 0:09:10 | |
I was wondering if you'd like to have coffee? | 0:09:10 | 0:09:12 | |
Black, two sugars, please. I'll be upstairs. | 0:09:12 | 0:09:15 | |
OK. | 0:09:17 | 0:09:19 | |
KNOCK ON DOOR | 0:09:22 | 0:09:24 | |
-Bit different from my day. -You've no idea! | 0:09:31 | 0:09:34 | |
Mike, can I borrow your phone? There's no signal on mine. | 0:09:34 | 0:09:36 | |
-And what's wrong with the landline? -I prefer to text. | 0:09:36 | 0:09:39 | |
Sorry, it's in my coat. | 0:09:39 | 0:09:42 | |
Here, use mine. | 0:09:43 | 0:09:46 | |
Oh, thank you. | 0:09:46 | 0:09:48 | |
This is an old friend of mine, John Watson. | 0:09:48 | 0:09:51 | |
Afghanistan or Iraq? | 0:09:55 | 0:09:57 | |
-Sorry? -Which was it, in Afghanistan or Iraq? | 0:09:59 | 0:10:02 | |
Afghanistan, sorry, how did you know? | 0:10:05 | 0:10:07 | |
Ah! Coffee, thank you. | 0:10:07 | 0:10:09 | |
What happened to the lipstick? | 0:10:09 | 0:10:11 | |
It wasn't working for me. | 0:10:11 | 0:10:13 | |
Really? It was a big improvement. Your mouth's too small now. | 0:10:13 | 0:10:17 | |
OK. | 0:10:17 | 0:10:19 | |
How do you feel about the violin? | 0:10:20 | 0:10:21 | |
I'm sorry, what? | 0:10:24 | 0:10:27 | |
I play the violin when I'm thinking and sometimes I don't talk for days on end. Would that bother you? | 0:10:27 | 0:10:31 | |
Potential flatmates should know the worst about each other. | 0:10:31 | 0:10:33 | |
-You told him about me? -Not a word. | 0:10:36 | 0:10:38 | |
Who said anything about flatmates? | 0:10:38 | 0:10:40 | |
I did. Told Mike this morning that I must be a difficult man to find a flatmate for. | 0:10:40 | 0:10:44 | |
Now here he is just after lunch with an old friend clearly just home from | 0:10:44 | 0:10:47 | |
military service in Afghanistan. Wasn't a difficult leap. | 0:10:47 | 0:10:50 | |
How did you know about Afghanistan? | 0:10:50 | 0:10:53 | |
Got my eye on a nice little place in central London. | 0:10:53 | 0:10:55 | |
We ought to be able to afford it. | 0:10:55 | 0:10:57 | |
We'll meet there tomorrow evening, seven o'clock. | 0:10:57 | 0:10:59 | |
Sorry, got to dash. I think I left my riding crop in the mortuary. | 0:10:59 | 0:11:03 | |
Is that it? | 0:11:03 | 0:11:04 | |
Is that what? | 0:11:04 | 0:11:06 | |
We've only just met and we're going to go and look at a flat? | 0:11:06 | 0:11:10 | |
Problem? | 0:11:10 | 0:11:12 | |
We don't know a thing about each other. | 0:11:14 | 0:11:16 | |
I don't know where we're meeting, I don't even know your name. | 0:11:16 | 0:11:19 | |
I know you're an Army doctor and you've been invalided home from Afghanistan. | 0:11:19 | 0:11:22 | |
You've got a brother worried about you but you won't go to him for help because you don't | 0:11:22 | 0:11:25 | |
approve of him, possibly because he's an alcoholic, more likely because he recently walked out on his wife. | 0:11:25 | 0:11:30 | |
And I know that your therapist thinks your limp's psychosomatic, quite correctly, I'm afraid. | 0:11:30 | 0:11:35 | |
That's enough to be going on with, don't you think? | 0:11:35 | 0:11:37 | |
The name's Sherlock Holmes and the address is 221B Baker Street. | 0:11:41 | 0:11:45 | |
Afternoon. | 0:11:45 | 0:11:47 | |
Yeah, he's always like that. | 0:11:50 | 0:11:53 | |
Hello. | 0:12:57 | 0:12:59 | |
-Ah - Mr Holmes. -Sherlock, please. | 0:12:59 | 0:13:02 | |
Well, this is a prime spot. Must be expensive. | 0:13:03 | 0:13:05 | |
Mrs Hudson, the landlady - she's given me a special deal. | 0:13:05 | 0:13:08 | |
Owes me a favour. A few years back, her husband got himself sentenced to death in Florida. | 0:13:08 | 0:13:13 | |
-I was able to help out. -Sorry - you stopped her husband being executed? | 0:13:13 | 0:13:17 | |
Oh, no, I ensured it. | 0:13:17 | 0:13:18 | |
Sherlock! | 0:13:20 | 0:13:22 | |
Mrs Hudson, Dr John Watson. | 0:13:22 | 0:13:24 | |
-Hello. Come in. -Thank you. -Shall we...? | 0:13:24 | 0:13:27 | |
Well, this could be very nice. | 0:13:53 | 0:13:54 | |
Very nice indeed. | 0:13:56 | 0:13:58 | |
Yes. | 0:13:58 | 0:14:00 | |
Yes, I think so, my thoughts precisely. | 0:14:00 | 0:14:02 | |
-TOGETHER: So I went straight ahead and moved in. -Soon as we get all this rubbish cleaned out... | 0:14:02 | 0:14:08 | |
-So this is all... -Well, obviously I can erm...straighten things up a bit. | 0:14:08 | 0:14:14 | |
-That's a skull. -Friend of mine. | 0:14:14 | 0:14:17 | |
When I say friend... | 0:14:17 | 0:14:18 | |
What do you think, then, Dr Watson? | 0:14:18 | 0:14:21 | |
There's another bedroom upstairs, if you'll be needing two bedrooms. | 0:14:21 | 0:14:25 | |
Of course we'll be needing two. | 0:14:25 | 0:14:27 | |
Oh, don't worry, there's all sorts round here. Mrs Turner next door's got (married ones). | 0:14:27 | 0:14:33 | |
Oh... Sherlock! The mess you've made. | 0:14:35 | 0:14:39 | |
I looked you up on the internet last night. | 0:14:45 | 0:14:47 | |
-Anything interesting? -Found your website. The Science of Deduction. | 0:14:50 | 0:14:54 | |
What did you think? | 0:14:54 | 0:14:55 | |
You said you could identify a software designer by his tie and an airline pilot by his left thumb? | 0:14:58 | 0:15:02 | |
Yes. | 0:15:02 | 0:15:03 | |
And I can read your military career in your face and your leg, | 0:15:03 | 0:15:06 | |
and your brother's drinking habits on your mobile phone. | 0:15:06 | 0:15:09 | |
How? | 0:15:09 | 0:15:10 | |
What about these suicides then, Sherlock? I thought that'd be right up your street. | 0:15:12 | 0:15:16 | |
Three exactly the same. | 0:15:16 | 0:15:19 | |
Four. | 0:15:19 | 0:15:20 | |
-There's been a fourth. And there's something different this time. -A fourth? | 0:15:22 | 0:15:26 | |
-Where? -Brixton, Lauriston Gardens. | 0:15:28 | 0:15:31 | |
What's new about this one? You wouldn't have come to me otherwise. | 0:15:31 | 0:15:34 | |
-You know how they never leave notes? -Yeah. -This one did. | 0:15:34 | 0:15:37 | |
Will you come? | 0:15:37 | 0:15:39 | |
-Who's on forensics? -Anderson. | 0:15:39 | 0:15:41 | |
He doesn't work well with me. | 0:15:42 | 0:15:43 | |
-Well, he won't be your assistant. -I NEED an assistant. | 0:15:43 | 0:15:46 | |
-Will you come? -Not in a police car, I'll be right behind. | 0:15:46 | 0:15:49 | |
Thank you. | 0:15:49 | 0:15:51 | |
Brilliant! Yes! | 0:15:59 | 0:16:01 | |
Four serial suicides, and now a note. | 0:16:02 | 0:16:04 | |
Oh, it's Christmas. Mrs Hudson, I'll be late. Might need some food. | 0:16:04 | 0:16:08 | |
I'm your landlady, dear, not your housekeeper. | 0:16:08 | 0:16:11 | |
Something cold will do. John, have a cup of tea, make yourself at home. | 0:16:11 | 0:16:15 | |
Don't wait up! | 0:16:15 | 0:16:16 | |
Look at him, dashing about... | 0:16:16 | 0:16:19 | |
My husband was just the same. But you're more the sitting-down type, I can tell. | 0:16:19 | 0:16:26 | |
I'll make you that cuppa, you rest your leg. | 0:16:26 | 0:16:28 | |
Damn my leg! Sorry, I'm so sorry - | 0:16:28 | 0:16:31 | |
It's just sometimes this bloody thing... | 0:16:31 | 0:16:34 | |
I understand, dear, I've got a hip. | 0:16:34 | 0:16:36 | |
-Cup of tea'd be lovely. Thank you. -Just this once, dear, I'm not your housekeeper. | 0:16:36 | 0:16:41 | |
-Couple of biscuits too, if you've got 'em. -Not your housekeeper! | 0:16:41 | 0:16:44 | |
You're a doctor. | 0:16:48 | 0:16:49 | |
In fact you're an Army doctor. | 0:16:50 | 0:16:52 | |
Yes. | 0:16:53 | 0:16:55 | |
Any good? | 0:16:55 | 0:16:57 | |
Very good. | 0:16:58 | 0:16:59 | |
Seen a lot of injuries, then. Violent deaths. | 0:17:00 | 0:17:03 | |
Well, yes. | 0:17:03 | 0:17:05 | |
Bit of trouble too, I bet? | 0:17:05 | 0:17:06 | |
Of course. Yes. Enough for a lifetime, far too much. | 0:17:06 | 0:17:11 | |
-Want to see some more? -Oh, God, yes. | 0:17:12 | 0:17:15 | |
-Sorry Mrs Hudson, I'll skip the tea. Off out. -Both of you? | 0:17:18 | 0:17:22 | |
Impossible suicides? Four of them? | 0:17:23 | 0:17:25 | |
No point sitting at home when there's finally something fun going on! | 0:17:25 | 0:17:28 | |
-Look at you, all happy. It's not decent. -Who cares about decent? | 0:17:28 | 0:17:31 | |
The game, Mrs Hudson, is on! | 0:17:31 | 0:17:34 | |
Taxi! | 0:17:40 | 0:17:41 | |
OK, You've got questions... | 0:18:18 | 0:18:19 | |
Yeah, where are we going? | 0:18:19 | 0:18:21 | |
Crime scene. Next? | 0:18:21 | 0:18:24 | |
-Who are you, what do you do? -What do you think? | 0:18:24 | 0:18:26 | |
-I'd say...private detective. -But? | 0:18:26 | 0:18:29 | |
But the police don't go to private detectives. | 0:18:29 | 0:18:31 | |
I'm a consulting detective. Only one in the world, I invented the job. | 0:18:32 | 0:18:36 | |
-What does that mean? -Means when the police are out of their depth, which is always, | 0:18:36 | 0:18:40 | |
-they consult me. -The police don't consult amateurs. | 0:18:40 | 0:18:44 | |
When I met you for the first time yesterday, I said Afghanistan or Iraq. You looked surprised. | 0:18:46 | 0:18:50 | |
-Yes, how DID you know? -I didn't know, I saw. | 0:18:50 | 0:18:53 | |
'Your haircut, the way you hold yourself says military. | 0:18:53 | 0:18:56 | |
-'But your conversation...' -Bit different from my day. | 0:18:56 | 0:18:59 | |
..said trained at Barts - so Army doctor, obvious. | 0:18:59 | 0:19:02 | |
'Your face is tanned... | 0:19:03 | 0:19:04 | |
'but no tan above the wrists. You've been abroad, but not sunbathing. | 0:19:04 | 0:19:08 | |
'Your limp's really bad when you walk, but you don't ask for a chair when you stand - | 0:19:08 | 0:19:12 | |
'so it's at least partly psychosomatic. | 0:19:12 | 0:19:14 | |
'That says the original circumstances of the injury were traumatic -' | 0:19:14 | 0:19:17 | |
wounded in action then. Wounded in action, suntan - Afghanistan or Iraq. | 0:19:17 | 0:19:22 | |
You said I had a therapist. | 0:19:22 | 0:19:24 | |
You've got a psychosomatic limp, of course you've got a therapist. | 0:19:24 | 0:19:27 | |
-Then there's your brother. -Mm? -Your phone. | 0:19:27 | 0:19:29 | |
'It's expensive, e-mail enabled, MP3 player.' | 0:19:29 | 0:19:31 | |
And you're looking for a flatshare. You wouldn't buy this - it's a gift. | 0:19:31 | 0:19:34 | |
'Scratches. Not one, many over time -' | 0:19:34 | 0:19:36 | |
it's been in the same pocket as keys and coins. | 0:19:36 | 0:19:38 | |
You wouldn't treat your one luxury item like this, | 0:19:38 | 0:19:40 | |
so it's had a previous owner. Next bit's easy. You know it already. | 0:19:40 | 0:19:44 | |
The engraving? | 0:19:44 | 0:19:45 | |
Harry Watson. Clearly a family member who's given you his old phone. | 0:19:45 | 0:19:48 | |
Not your father, this is a young man's gadget. | 0:19:48 | 0:19:50 | |
Could be a cousin, but you're a war hero who can't find a place to live - | 0:19:50 | 0:19:53 | |
unlikely you've got an extended family, not one you're close to. So brother it is. | 0:19:53 | 0:19:57 | |
Now, who's Clara? Three kisses says it's a romantic attachment. | 0:19:57 | 0:20:00 | |
The expense of the phone says wife, not girlfriend. | 0:20:00 | 0:20:04 | |
Must have given it to him recently, it's only six months old. | 0:20:04 | 0:20:06 | |
Marriage in trouble then - six months on he's given it away. | 0:20:06 | 0:20:09 | |
If she'd left HIM, he would have kept it. Sentiment. | 0:20:09 | 0:20:11 | |
No, he wanted rid of it. He left HER. | 0:20:11 | 0:20:13 | |
He gave the phone to you, so he wants you to stay in touch. | 0:20:13 | 0:20:15 | |
You're looking for cheap accommodation, but you're not going to your brother for help - | 0:20:15 | 0:20:20 | |
that says you've got problems with him. Maybe you liked his wife, or don't like his drinking. | 0:20:20 | 0:20:24 | |
How can you possibly know about the drinking? | 0:20:24 | 0:20:27 | |
Shot in the dark. Good one, though. | 0:20:27 | 0:20:29 | |
Power connection - tiny little scuff marks round it. | 0:20:29 | 0:20:32 | |
Every night he plugs it in but his hands are shaking. | 0:20:32 | 0:20:34 | |
You never see those marks on a sober man's phone, | 0:20:34 | 0:20:36 | |
-never see a drunk's without them. There you go, you were right. -I was right? Right about what? | 0:20:36 | 0:20:41 | |
The police don't consult amateurs. | 0:20:41 | 0:20:43 | |
That...was amazing. | 0:20:46 | 0:20:48 | |
-Do you think so? -Of course it was. It was extraordinary, it was quite extraordinary. | 0:20:52 | 0:20:56 | |
-That's not what people normally say. -What do people normally say? | 0:20:56 | 0:20:59 | |
Piss off! | 0:20:59 | 0:21:00 | |
Did I get anything wrong? | 0:21:12 | 0:21:14 | |
Harry and me don't get on, never have, | 0:21:15 | 0:21:17 | |
Clara and Harry split up three months ago | 0:21:17 | 0:21:21 | |
and they're getting a divorce, | 0:21:21 | 0:21:23 | |
and Harry is a drinker. | 0:21:23 | 0:21:24 | |
Spot on, then. I didn't expect to be right about everything. | 0:21:24 | 0:21:27 | |
Harry's short for Harriet. | 0:21:27 | 0:21:29 | |
-Harry's your sister. -Look, what exactly am I supposed to be doing here? -Sister! | 0:21:30 | 0:21:34 | |
-No - seriously, what am I doing here? -There's always something. | 0:21:34 | 0:21:37 | |
-Hello, freak! -I'm here to see Detective Inspector Lestrade. | 0:21:37 | 0:21:41 | |
Why? | 0:21:41 | 0:21:42 | |
I was invited. | 0:21:42 | 0:21:44 | |
-Why? -I think he wants me to take a look. | 0:21:44 | 0:21:46 | |
-Well, you know what I think, don't you? -Always Sally. | 0:21:46 | 0:21:49 | |
I even know you didn't make it home last night. | 0:21:49 | 0:21:52 | |
-I don't... Who's this? -Colleague of mine, Dr Watson. | 0:21:52 | 0:21:55 | |
Dr Watson, Sergeant Sally Donovan. | 0:21:55 | 0:21:57 | |
Old friend. | 0:21:57 | 0:21:58 | |
A colleague(?) How do YOU get a colleague? | 0:21:58 | 0:22:02 | |
Did he follow you home? | 0:22:02 | 0:22:03 | |
-Would it be better if I just waited... -No. | 0:22:03 | 0:22:06 | |
Freak's here. Bringing him in. | 0:22:07 | 0:22:09 | |
Ah, Anderson. Here we are again. | 0:22:18 | 0:22:21 | |
It's a crime scene. I don't want it contaminated. Are we clear on that? | 0:22:21 | 0:22:25 | |
Quite clear. | 0:22:25 | 0:22:27 | |
And is your wife away for long? | 0:22:27 | 0:22:29 | |
Oh, don't pretend you worked that out. Somebody told you that. | 0:22:29 | 0:22:31 | |
Your deodorant told me that. | 0:22:31 | 0:22:33 | |
My deodorant? | 0:22:33 | 0:22:34 | |
-It's for men. -Well, of course it's for men - I'm wearing it. | 0:22:34 | 0:22:38 | |
So's Sergeant Donovan. | 0:22:38 | 0:22:39 | |
Ooh... I think it just vaporised. May I go in? | 0:22:41 | 0:22:43 | |
Whatever you're trying to imply... | 0:22:43 | 0:22:45 | |
I'm not implying anything. I'm sure Sally came round for a nice little chat, and just happened to stay over. | 0:22:45 | 0:22:51 | |
And I assume she scrubbed your floors, going by the state of her knees. | 0:22:51 | 0:22:54 | |
You'll need to wear one of these. | 0:23:05 | 0:23:07 | |
Who's this? | 0:23:07 | 0:23:08 | |
He's with me. | 0:23:08 | 0:23:10 | |
-But who is he? -I said he's with me. | 0:23:10 | 0:23:13 | |
Aren't you going to put one on? | 0:23:15 | 0:23:17 | |
-So where are we? -Upstairs. | 0:23:20 | 0:23:23 | |
I can give you two minutes. | 0:23:30 | 0:23:32 | |
May need longer. | 0:23:32 | 0:23:35 | |
Her name's Jennifer Wilson according to her credit cards, | 0:23:35 | 0:23:37 | |
we're running them now for contact details. | 0:23:37 | 0:23:40 | |
Hasn't been here long. | 0:23:40 | 0:23:42 | |
Some kids found her. | 0:23:42 | 0:23:43 | |
Shut up. | 0:24:16 | 0:24:19 | |
-I didn't say anything. -You were thinking. It's annoying. | 0:24:19 | 0:24:21 | |
Got anything? | 0:25:34 | 0:25:36 | |
Not much. | 0:25:36 | 0:25:38 | |
She's German. | 0:25:38 | 0:25:40 | |
Rache. It's German for revenge. She could be trying to tell us something... | 0:25:40 | 0:25:43 | |
Yes, thank you for your input. | 0:25:43 | 0:25:45 | |
-So she's German? -Of course she's not. She's from out of town though. | 0:25:45 | 0:25:49 | |
Intended to stay in London for one night | 0:25:49 | 0:25:50 | |
before returning home to Cardiff. So far, so obvious. | 0:25:50 | 0:25:54 | |
-Sorry - obvious? -What about the message though? | 0:25:54 | 0:25:56 | |
Dr Watson, what do you think? | 0:25:56 | 0:25:57 | |
-Of the message? -Of the body. You're a medical man. | 0:25:57 | 0:25:59 | |
We have a whole team right outside. | 0:25:59 | 0:26:01 | |
-They won't work with me. -I'm breaking every rule letting YOU in here... | 0:26:01 | 0:26:04 | |
Yes...because you need me. | 0:26:04 | 0:26:07 | |
Yes, I do. | 0:26:08 | 0:26:10 | |
God help me. | 0:26:10 | 0:26:11 | |
-Dr Watson! -Hm? | 0:26:11 | 0:26:13 | |
Oh, do as he says. Help yourself. | 0:26:14 | 0:26:17 | |
Anderson, keep everyone out for a couple of minutes... | 0:26:19 | 0:26:23 | |
-Well? -What am I doing here? | 0:26:24 | 0:26:26 | |
-Helping me make a point. -I'm supposed to be helping you pay the rent. -This is more fun. | 0:26:26 | 0:26:30 | |
Fun? There's a woman lying dead. | 0:26:30 | 0:26:32 | |
Perfectly sound analysis, but I WAS hoping you'd go deeper. | 0:26:32 | 0:26:35 | |
Yeah... | 0:26:54 | 0:26:56 | |
Asphyxiation, probably. Passed out, choked on her own vomit. | 0:26:56 | 0:26:59 | |
Can't smell any alcohol on her. | 0:26:59 | 0:27:01 | |
It could have been a seizure. Possibly drugs. | 0:27:01 | 0:27:03 | |
You know what it was, you've read the papers. | 0:27:03 | 0:27:05 | |
Well, she's one of the suicides. The fourth...? | 0:27:05 | 0:27:07 | |
Sherlock - two minutes, I said, I need anything you got. | 0:27:07 | 0:27:10 | |
Victim is in her late 30s. Professional person, going by her clothes - | 0:27:10 | 0:27:14 | |
I'm guessing the media, going by the frankly alarming shade of pink. | 0:27:14 | 0:27:17 | |
Travelled from Cardiff today intending to stay in London one night from the size of her suitcase. | 0:27:17 | 0:27:22 | |
-Suitcase? -Yes. She's been married at least ten years, but not happily. | 0:27:22 | 0:27:25 | |
She's had a string of lovers but none of them knew she was married. | 0:27:25 | 0:27:28 | |
Oh, for God's sake, if you're just making this up... | 0:27:28 | 0:27:30 | |
Her wedding ring. Ten years old at least. | 0:27:30 | 0:27:33 | |
The rest of her jewellery has been regularly cleaned, but not her wedding ring. | 0:27:33 | 0:27:38 | |
The inside is shinier than the outside. | 0:27:38 | 0:27:40 | |
The only polishing it gets is when she works it off her finger. | 0:27:40 | 0:27:43 | |
It's not for work, look at her nails. She doesn't work with her hands so who DOES she remove her rings for? | 0:27:43 | 0:27:48 | |
Not ONE lover, she'd never sustain the fiction of being single for that long | 0:27:48 | 0:27:52 | |
-so more likely a string of them. -Brilliant. | 0:27:52 | 0:27:54 | |
-Sorry. -Cardiff? | 0:27:54 | 0:27:56 | |
-It's obvious, isn't it? -It's not obvious to me. | 0:27:56 | 0:27:59 | |
Dear God, what is it like in your funny little brains, it must be so boring. Her coat - | 0:28:00 | 0:28:05 | |
it's slightly damp, she's been in heavy rain the last few hours - | 0:28:05 | 0:28:07 | |
no rain anywhere in London in that time. | 0:28:07 | 0:28:09 | |
Under her coat collar is damp too. She's turned it up against the wind. | 0:28:09 | 0:28:13 | |
She's got an umbrella in her pocket but it's dry and unused. | 0:28:13 | 0:28:15 | |
Not just wind, strong wind - too strong to use her umbrella. | 0:28:15 | 0:28:18 | |
We know from her suitcase that she was intending to stay overnight | 0:28:18 | 0:28:21 | |
but she can't have travelled more than two or three hours because her coat still hasn't dried. | 0:28:21 | 0:28:25 | |
So - where has there been heavy rain and strong wind within the radius of that travel time? | 0:28:25 | 0:28:29 | |
Cardiff. | 0:28:29 | 0:28:31 | |
-Fantastic. -Do you know you do that out loud? | 0:28:31 | 0:28:33 | |
-Sorry, I'll shut up. -No, it's...fine. | 0:28:33 | 0:28:36 | |
-Why do you keep saying suitcase? -Yes, where is it? | 0:28:36 | 0:28:39 | |
-She must have had a phone or an organiser. Find out who Rachel is. -She was writing Rachel? | 0:28:39 | 0:28:44 | |
No, she was leaving an angry note in German - of course she was writing Rachel, no other word it can be. | 0:28:44 | 0:28:48 | |
-Why did she wait until she was dying to write it? -How do you know she had a suitcase? | 0:28:48 | 0:28:52 | |
Tiny splash marks on her right heel and calf not present on the left. | 0:28:52 | 0:28:55 | |
She was dragging a wheeled suitcase behind her with her right hand, by that splash pattern. | 0:28:55 | 0:29:00 | |
Smallish case, going by the spread. | 0:29:00 | 0:29:02 | |
Case that size, woman this clothes-conscious - | 0:29:02 | 0:29:04 | |
could only be an overnight bag so we know she was staying one night. | 0:29:04 | 0:29:07 | |
Where is it, what have you done with it? | 0:29:07 | 0:29:08 | |
There wasn't a case. | 0:29:08 | 0:29:10 | |
-Say that again. -There wasn't a case. There was never any suitcase. | 0:29:13 | 0:29:16 | |
Suitcase! Did anyone find a suitcase? Was there a suitcase in this house? | 0:29:16 | 0:29:20 | |
Sir, there was no case! | 0:29:20 | 0:29:22 | |
But they take the poison themselves, swallow the pills. | 0:29:22 | 0:29:25 | |
-There are clear signs, even you lot couldn't miss them. -Right, thanks. And...? | 0:29:25 | 0:29:28 | |
It's murder, all of them. I don't know how. | 0:29:29 | 0:29:32 | |
But they're not suicides, they're serial killings. | 0:29:32 | 0:29:34 | |
We've got a serial killer. There's always something to look forward to. | 0:29:34 | 0:29:37 | |
-Why are you saying that? -Her case! Come on, where is her case? | 0:29:37 | 0:29:41 | |
Did she eat it(?) Someone else was here, and they took her case. | 0:29:41 | 0:29:45 | |
So the killer must have driven here. Forgot the case was in the car. | 0:29:45 | 0:29:48 | |
She could have checked into a hotel, left it there. | 0:29:48 | 0:29:51 | |
No, look at her hair. She colour-coordinates her lipstick and her shoes. | 0:29:51 | 0:29:55 | |
She'd never have left any hotel with her hair still looking... | 0:29:55 | 0:29:58 | |
Oh... | 0:29:58 | 0:30:00 | |
Oh! | 0:30:01 | 0:30:02 | |
-Sherlock? -What is it, what? | 0:30:02 | 0:30:04 | |
Serial killers, always hard. You have to wait for them to make a mistake. | 0:30:04 | 0:30:08 | |
-We can't just wait! -Oh, we're done waiting. Look at her, really look! | 0:30:08 | 0:30:11 | |
Houston, we have a mistake. Get on to Cardiff. | 0:30:11 | 0:30:13 | |
Find out who Jennifer Wilson's family and friends were. Find Rachel! | 0:30:13 | 0:30:16 | |
Of course, yeah - but what mistake?! | 0:30:16 | 0:30:18 | |
Pink! | 0:30:20 | 0:30:21 | |
-ANDERSON: -Let's get on with it... | 0:30:23 | 0:30:25 | |
-He's gone. -Who, Sherlock Holmes? | 0:31:03 | 0:31:04 | |
Yeah, he just took off. He does that. | 0:31:04 | 0:31:07 | |
-Is he coming back? -Didn't look like it. | 0:31:07 | 0:31:09 | |
Right. | 0:31:10 | 0:31:12 | |
Right... | 0:31:13 | 0:31:14 | |
Yes. Sorry, where am I? | 0:31:15 | 0:31:17 | |
Brixton. | 0:31:18 | 0:31:20 | |
Do you know where I could get a cab? | 0:31:21 | 0:31:23 | |
It's just er... | 0:31:23 | 0:31:25 | |
well - | 0:31:25 | 0:31:27 | |
my leg. | 0:31:27 | 0:31:28 | |
Er... | 0:31:28 | 0:31:30 | |
..try the main road. | 0:31:31 | 0:31:33 | |
Thanks. | 0:31:33 | 0:31:34 | |
But you're not his friend. | 0:31:34 | 0:31:37 | |
He doesn't HAVE friends. | 0:31:37 | 0:31:39 | |
So who are you? | 0:31:40 | 0:31:42 | |
I'm...I'm nobody. I just met him. | 0:31:42 | 0:31:45 | |
OK, bit of advice then. Stay away from that guy. | 0:31:45 | 0:31:47 | |
Why? | 0:31:47 | 0:31:49 | |
You know why he's here? | 0:31:51 | 0:31:52 | |
He's not paid or anything. | 0:31:54 | 0:31:56 | |
He likes it. He gets off on it. | 0:31:56 | 0:31:59 | |
The weirder the crime, the more he gets off. And you know what...? | 0:32:00 | 0:32:04 | |
One day just showing up won't be enough. | 0:32:04 | 0:32:06 | |
One day we'll be standing round a body and he'll be the one that put it there. | 0:32:06 | 0:32:10 | |
-Why would he do that? -Because he's a psychopath. | 0:32:10 | 0:32:13 | |
Psychopaths get bored. | 0:32:13 | 0:32:14 | |
-LESTRADE: -Donovan! -Coming. | 0:32:15 | 0:32:17 | |
Stay away from Sherlock Holmes. | 0:32:21 | 0:32:24 | |
PHONE RINGS | 0:32:38 | 0:32:41 | |
PHONE RINGS | 0:32:42 | 0:32:46 | |
PHONE STOPS RINGING | 0:32:49 | 0:32:50 | |
Taxi! Taxi... | 0:32:54 | 0:32:56 | |
PHONE RINGS | 0:32:58 | 0:32:59 | |
PHONE RINGS OFF ABRUPTLY | 0:33:02 | 0:33:05 | |
PHONE RINGS | 0:33:16 | 0:33:17 | |
PHONE RINGS | 0:33:18 | 0:33:20 | |
PHONE KEEPS RINGING | 0:33:21 | 0:33:23 | |
Hello? | 0:33:31 | 0:33:33 | |
-MAN: -'There is a security camera on the building to your left. | 0:33:33 | 0:33:36 | |
'Do you see it?' | 0:33:36 | 0:33:38 | |
Who's this? | 0:33:42 | 0:33:43 | |
Who's speaking? | 0:33:44 | 0:33:46 | |
'Do you see the camera, Dr Watson?' | 0:33:46 | 0:33:49 | |
-Yeah, I see it. -'Watch... | 0:33:50 | 0:33:52 | |
'There is another camera on the building opposite you. Do you see it?' | 0:33:57 | 0:34:01 | |
Mm-hm. | 0:34:01 | 0:34:02 | |
'And finally, at the top of the building on your right.' | 0:34:04 | 0:34:08 | |
CAMERA WHIRS | 0:34:08 | 0:34:10 | |
How are you doing this? | 0:34:15 | 0:34:17 | |
'Get into the car, Dr Watson. | 0:34:17 | 0:34:20 | |
'I would make some sort of threat, but I'm sure your situation is quite clear to you.' | 0:34:20 | 0:34:25 | |
-Hello. -Hi. | 0:34:42 | 0:34:44 | |
What's your name, then? | 0:34:49 | 0:34:52 | |
Er...Anthea. | 0:34:52 | 0:34:53 | |
-Is that your real name? -No. | 0:34:54 | 0:34:57 | |
I'm John. | 0:35:01 | 0:35:03 | |
Yes. I know. | 0:35:03 | 0:35:05 | |
Any point in asking... where I'm going? | 0:35:08 | 0:35:11 | |
None at all... | 0:35:14 | 0:35:16 | |
John. | 0:35:16 | 0:35:17 | |
OK. | 0:35:18 | 0:35:20 | |
Have a seat, John. | 0:35:39 | 0:35:41 | |
You know, I've got a phone. | 0:35:45 | 0:35:47 | |
I mean, very clever and all that, | 0:35:48 | 0:35:51 | |
but er... | 0:35:51 | 0:35:53 | |
you could just phone me. | 0:35:53 | 0:35:55 | |
On my phone. | 0:35:56 | 0:35:57 | |
When one is avoiding the attention of Sherlock Holmes, one learns to be discreet, hence this place. | 0:36:00 | 0:36:05 | |
Your leg must be hurting you. Sit down. | 0:36:05 | 0:36:08 | |
I don't want to sit down. | 0:36:08 | 0:36:10 | |
You don't seem very afraid. | 0:36:11 | 0:36:13 | |
You don't seem very frightening. | 0:36:13 | 0:36:14 | |
-HE CHUCKLES -Yes... | 0:36:14 | 0:36:17 | |
The bravery of the soldier. | 0:36:17 | 0:36:20 | |
Bravery is by far the kindest word for stupidity, don't you think? | 0:36:20 | 0:36:24 | |
What is your connection to Sherlock Holmes? | 0:36:24 | 0:36:26 | |
I don't have one. I barely know him, I met him...yesterday. | 0:36:27 | 0:36:33 | |
Mmm, and since yesterday you've moved in with him and now you're solving crimes together. | 0:36:33 | 0:36:37 | |
Might we expect a happy announcement by the end of the week? | 0:36:37 | 0:36:40 | |
-Who are you? -An interested party. | 0:36:40 | 0:36:43 | |
Interested in Sherlock? Why? | 0:36:43 | 0:36:45 | |
I'm guessing you're not friends. | 0:36:45 | 0:36:47 | |
You've met him. How many friends do you imagine he has? | 0:36:47 | 0:36:50 | |
-I am the closest thing to a friend that Sherlock Holmes is capable of having. -And what's that? | 0:36:51 | 0:36:56 | |
-An enemy. -An enemy? | 0:36:56 | 0:36:58 | |
In HIS mind, certainly. | 0:36:58 | 0:36:59 | |
If you were to ask him, he'd probably say his arch-enemy. | 0:36:59 | 0:37:03 | |
He does love to be dramatic. | 0:37:03 | 0:37:05 | |
Well, thank God YOU'RE above all that. | 0:37:05 | 0:37:07 | |
TEXT MESSAGE ALERT | 0:37:09 | 0:37:10 | |
I hope I'm not distracting you. | 0:37:13 | 0:37:16 | |
Not distracting me at all. | 0:37:17 | 0:37:18 | |
Do you plan to continue your association with Sherlock Holmes? | 0:37:18 | 0:37:21 | |
I could be wrong... | 0:37:21 | 0:37:22 | |
but I think that's none of your business. | 0:37:22 | 0:37:25 | |
-It could be. -It really couldn't. | 0:37:25 | 0:37:28 | |
If you DO move into, erm... | 0:37:29 | 0:37:31 | |
..221B Baker Street, | 0:37:33 | 0:37:38 | |
I'd be happy to | 0:37:38 | 0:37:39 | |
pay you a meaningful sum of money on a regular basis to ease your way. | 0:37:39 | 0:37:44 | |
Why? | 0:37:44 | 0:37:45 | |
Because you're not a wealthy man. | 0:37:45 | 0:37:47 | |
In exchange for what? | 0:37:47 | 0:37:48 | |
Information. | 0:37:49 | 0:37:51 | |
Nothing indiscreet. Nothing you'd feel...uncomfortable with. | 0:37:51 | 0:37:54 | |
-Just tell me what he's up to. -Why? | 0:37:54 | 0:37:57 | |
I worry about him. Constantly. | 0:37:58 | 0:38:02 | |
That's nice of you. | 0:38:02 | 0:38:03 | |
But I would prefer for various reasons that my concern go unmentioned, | 0:38:03 | 0:38:08 | |
we have what you might call a... difficult relationship. | 0:38:08 | 0:38:12 | |
TEXT MESSAGE ALERT | 0:38:12 | 0:38:13 | |
-No. -But I haven't mentioned a figure. | 0:38:18 | 0:38:21 | |
Don't bother. | 0:38:21 | 0:38:22 | |
You're very loyal VERY quickly. | 0:38:22 | 0:38:24 | |
No, I'm not, I'm just not interested. | 0:38:24 | 0:38:27 | |
"Trust issues"...it says here. | 0:38:32 | 0:38:34 | |
What's that? | 0:38:38 | 0:38:39 | |
Could it be that you've decided to trust Sherlock Holmes of all people? | 0:38:39 | 0:38:43 | |
-Who says I trust him? -You don't seem the kind to make friends easily. | 0:38:43 | 0:38:46 | |
Are we done? | 0:38:46 | 0:38:48 | |
You tell me. | 0:38:49 | 0:38:50 | |
I imagine people have already warned you to stay away from him, | 0:38:57 | 0:39:00 | |
but I can see from your left hand that's not going to happen. | 0:39:00 | 0:39:03 | |
-My what? -Show me. | 0:39:06 | 0:39:09 | |
Don't... | 0:39:20 | 0:39:21 | |
-Remarkable. -What is? | 0:39:29 | 0:39:31 | |
Most people...blunder round this city, and all they see are streets and shops and cars. | 0:39:31 | 0:39:38 | |
When you walk with Sherlock Holmes, you see the battlefield. | 0:39:38 | 0:39:41 | |
You've seen it already. Haven't you? | 0:39:41 | 0:39:43 | |
What's wrong with my hand? | 0:39:43 | 0:39:45 | |
You have an intermittent tremor in your left hand. | 0:39:45 | 0:39:49 | |
Your therapist thinks it's post-traumatic stress disorder. | 0:39:49 | 0:39:52 | |
She thinks you're haunted by memories of your military service. | 0:39:52 | 0:39:55 | |
Who the hell are you? | 0:39:55 | 0:39:57 | |
-How do you know that? -Fire her. She's got it the wrong way round. | 0:39:58 | 0:40:02 | |
You're under stress right now and your hand is perfectly steady. | 0:40:02 | 0:40:06 | |
You're not haunted by the war, Dr Watson... | 0:40:07 | 0:40:10 | |
You miss it. | 0:40:11 | 0:40:13 | |
Welcome back. | 0:40:15 | 0:40:17 | |
TEXT MESSAGE ALERT | 0:40:22 | 0:40:23 | |
Time to choose a side, Dr Watson. | 0:40:23 | 0:40:26 | |
I'm to take you home. | 0:40:36 | 0:40:38 | |
Address? | 0:40:47 | 0:40:49 | |
Er, Baker Street. | 0:40:49 | 0:40:51 | |
221B Baker Street. | 0:40:51 | 0:40:54 | |
But I need to stop off somewhere first. | 0:40:55 | 0:40:57 | |
Listen, your boss. Any chance you could not tell him this is where I went? | 0:41:24 | 0:41:29 | |
-Sure. -You've told him already, haven't you? | 0:41:29 | 0:41:31 | |
Yeah. | 0:41:31 | 0:41:33 | |
Hey erm... do you ever get any free time? | 0:41:36 | 0:41:40 | |
-SHE CHUCKLES -Oh, yeah. Lots. | 0:41:40 | 0:41:42 | |
-Bye... -OK. | 0:41:48 | 0:41:50 | |
HE EXHALES SLOWLY | 0:42:12 | 0:42:15 | |
What are you doing? | 0:42:18 | 0:42:19 | |
Nicotine patch. | 0:42:20 | 0:42:22 | |
Helps me think. | 0:42:22 | 0:42:24 | |
Impossible to sustain a smoking habit in London these days. | 0:42:24 | 0:42:28 | |
Bad news for brain work. | 0:42:28 | 0:42:30 | |
-It's good news for breathing. -Oh... Breathing! Breathing's boring. | 0:42:30 | 0:42:33 | |
Is that...three patches? | 0:42:33 | 0:42:34 | |
It's a three-patch problem. | 0:42:34 | 0:42:36 | |
Well...? | 0:42:40 | 0:42:42 | |
You asked me to come, I'm assuming it's important. | 0:42:44 | 0:42:47 | |
Oh - yeah, of course. Can I borrow your phone? | 0:42:48 | 0:42:50 | |
-My phone? -Always a chance that my number will be recognised. It's on the website. | 0:42:51 | 0:42:55 | |
-Mrs Hudson's got a phone. -Yeah, she's downstairs. | 0:42:55 | 0:42:57 | |
-I tried shouting but she didn't hear. -I WAS the other side of London... | 0:42:57 | 0:43:00 | |
There was no hurry. | 0:43:00 | 0:43:02 | |
Here... | 0:43:04 | 0:43:06 | |
So what's this about - the case? | 0:43:11 | 0:43:13 | |
-Her case... -HER case? -Her suitcase, yes, obviously. | 0:43:13 | 0:43:17 | |
The murderer took her suitcase, first big mistake. | 0:43:17 | 0:43:21 | |
OK, he took her case. So? | 0:43:21 | 0:43:22 | |
It's no use, there's no other way. We'll have to risk it. | 0:43:22 | 0:43:26 | |
On my desk there's a number. I want you to send a text. | 0:43:27 | 0:43:29 | |
You've brought me here... to send a text. | 0:43:31 | 0:43:34 | |
Text, yes. The number on my desk. | 0:43:34 | 0:43:36 | |
-What's wrong? -Just met a friend of yours. | 0:43:48 | 0:43:50 | |
-A friend? -An enemy. | 0:43:50 | 0:43:52 | |
Oh. Which one? | 0:43:52 | 0:43:54 | |
Well, your arch-enemy, according to him. Do people have arch-enemies? | 0:43:55 | 0:43:59 | |
Did he offer you money to spy on me? | 0:44:01 | 0:44:03 | |
-Yes. -Did you take it? | 0:44:04 | 0:44:06 | |
-No. -Pity, we could have split the fee. Think it through next time. | 0:44:06 | 0:44:09 | |
-Who is he? -The most dangerous man you've ever met, and not my problem right now. | 0:44:10 | 0:44:14 | |
On my desk, the number! | 0:44:14 | 0:44:16 | |
Jennifer Wilson. That was... | 0:44:22 | 0:44:25 | |
Hang on. Wasn't that the dead woman? | 0:44:25 | 0:44:27 | |
Yes. That's not important. Just enter the number. | 0:44:27 | 0:44:30 | |
-Are you doing it? -Yes. -Have you done it? | 0:44:30 | 0:44:32 | |
Yeah - hang on! | 0:44:32 | 0:44:35 | |
These words exactly. | 0:44:35 | 0:44:37 | |
"What happened at Lauriston Gardens? | 0:44:37 | 0:44:41 | |
"I must have blacked out. | 0:44:41 | 0:44:43 | |
"22 Northumberland Street, | 0:44:43 | 0:44:46 | |
-please come." -You blacked out? | 0:44:46 | 0:44:47 | |
What? No... No! | 0:44:47 | 0:44:50 | |
Type and send it. Quickly. | 0:44:51 | 0:44:53 | |
-Have you sent it? -What's the address? | 0:44:57 | 0:45:00 | |
22 Northumberland Street. Hurry up! | 0:45:00 | 0:45:02 | |
That's... | 0:45:09 | 0:45:10 | |
That's the pink lady's case, that's Jennifer Wilson's case. | 0:45:11 | 0:45:14 | |
Yes, obviously. | 0:45:14 | 0:45:16 | |
-Oh, perhaps I should mention - I didn't kill her. -I never said you did. | 0:45:18 | 0:45:22 | |
Why not? Given that text and the fact I have her case it's a perfectly logical assumption. | 0:45:22 | 0:45:27 | |
Do people usually assume you're the murderer? | 0:45:27 | 0:45:29 | |
Now and then, yes. | 0:45:30 | 0:45:32 | |
OK... | 0:45:33 | 0:45:34 | |
-How did you get this? -By looking. | 0:45:36 | 0:45:38 | |
-Where? -The killer must have driven her to Lauriston Gardens. | 0:45:38 | 0:45:41 | |
He could only keep her case by accident if it was in the car. | 0:45:41 | 0:45:44 | |
Nobody could be seen with this case without drawing attention - | 0:45:44 | 0:45:47 | |
particularly a man, which is statistically more likely. | 0:45:47 | 0:45:50 | |
So obviously he'd feel compelled to get rid of it. | 0:45:50 | 0:45:52 | |
Wouldn't have taken him more than five minutes to realise his mistake. | 0:45:52 | 0:45:55 | |
I checked every backstreet wide enough for a car five minutes from Lauriston Gardens, | 0:45:55 | 0:46:00 | |
'and anywhere you could dispose of a bulky object without being observed. | 0:46:00 | 0:46:05 | |
'Took me less than an hour to find the right skip.' | 0:46:05 | 0:46:08 | |
Pink. You got all that because you realised the case would be pink? | 0:46:09 | 0:46:12 | |
-It had to be pink, obviously. -Why didn't I think of that(?) | 0:46:12 | 0:46:15 | |
Because you're an idiot. | 0:46:15 | 0:46:16 | |
No, no, no, don't look like that. Practically everyone is. | 0:46:16 | 0:46:19 | |
Now, look. Do you see what's missing? | 0:46:19 | 0:46:22 | |
From the case? How could I? | 0:46:22 | 0:46:23 | |
Her phone. Where's her mobile phone? | 0:46:24 | 0:46:25 | |
There was no phone on the body, there's no phone in the case. | 0:46:25 | 0:46:28 | |
We know she had one. You just texted it. | 0:46:28 | 0:46:30 | |
Maybe she left it at home. | 0:46:30 | 0:46:31 | |
She has a string of lovers and she's careful about it. She never leaves her phone at home. | 0:46:31 | 0:46:36 | |
Er... | 0:46:36 | 0:46:38 | |
Why did I just send that text? | 0:46:39 | 0:46:41 | |
Well, the question is where is her phone NOW? | 0:46:41 | 0:46:44 | |
-She could have lost it. -Yes, or? | 0:46:44 | 0:46:47 | |
The murderer... You think the murderer has the phone? | 0:46:48 | 0:46:50 | |
Maybe she...left it when she left her case. Maybe he took it from her for some reason. | 0:46:51 | 0:46:57 | |
Either way, the balance of probability is the murderer has her phone. | 0:46:58 | 0:47:01 | |
Sorry...what are we doing - did I just text a murderer? What good will that do? | 0:47:01 | 0:47:06 | |
TEXT MESSAGE ALERT | 0:47:06 | 0:47:07 | |
A few hours after his last victim, | 0:47:08 | 0:47:11 | |
and now he receives a text that can only be from her. | 0:47:11 | 0:47:14 | |
If somebody had just found that phone they'd ignore a text like that, but the murderer... | 0:47:16 | 0:47:21 | |
would panic. | 0:47:21 | 0:47:23 | |
-Have you talked to the police? -Four people are dead, there isn't time. | 0:47:25 | 0:47:28 | |
So why are you talking to ME? | 0:47:28 | 0:47:30 | |
Mrs Hudson took my skull. | 0:47:30 | 0:47:32 | |
So I'm basically filling in for your skull? | 0:47:33 | 0:47:35 | |
Relax, you're doing fine. | 0:47:35 | 0:47:37 | |
-Well? -Well, what? -Well - you could just sit there and...watch telly. | 0:47:37 | 0:47:41 | |
-What, you want me to come with you? -I like company when I go out, and I think better when I talk aloud. | 0:47:41 | 0:47:46 | |
The skull just attracts attention, so... | 0:47:46 | 0:47:48 | |
-Problem? -Yeah, Sergeant Donovan. | 0:47:48 | 0:47:51 | |
What about her? | 0:47:51 | 0:47:53 | |
She said... | 0:47:53 | 0:47:54 | |
you get off on this. You enjoy it. | 0:47:54 | 0:47:56 | |
And I said "dangerous", and here you are. | 0:47:57 | 0:48:01 | |
Damn it! | 0:48:04 | 0:48:06 | |
-Where are we going? -Northumberland Street's a five-minute walk from here. | 0:48:15 | 0:48:18 | |
-You think he's stupid enough to go there? -No - I think he's brilliant enough. | 0:48:18 | 0:48:22 | |
I love the brilliant ones. They're all so desperate to get caught. | 0:48:22 | 0:48:25 | |
-Why? -Appreciation! | 0:48:25 | 0:48:27 | |
Applause! At long last the spotlight. | 0:48:27 | 0:48:29 | |
-That's the frailty of genius, John, it needs an audience. -Yeah. | 0:48:29 | 0:48:33 | |
This is his hunting ground. Right here in the heart of the city. | 0:48:33 | 0:48:38 | |
Now that we know his victims were abducted, that changes everything. | 0:48:38 | 0:48:41 | |
Because all of his victims disappeared from busy streets, | 0:48:41 | 0:48:44 | |
crowded places, but nobody saw them go. | 0:48:44 | 0:48:46 | |
Think! Who do we trust, even though we don't know them? | 0:48:47 | 0:48:50 | |
Who passes unnoticed wherever they go? | 0:48:50 | 0:48:54 | |
Who hunts in the middle of a crowd? | 0:48:54 | 0:48:56 | |
Don't know. Who? | 0:48:56 | 0:48:58 | |
Haven't the faintest. Hungry? | 0:48:58 | 0:49:00 | |
Thank you, Billy. | 0:49:04 | 0:49:05 | |
22 Northumberland Street. | 0:49:10 | 0:49:11 | |
Keep your eyes on it. | 0:49:11 | 0:49:14 | |
He's not just going to ring the doorbell. He'd need to be mad. | 0:49:14 | 0:49:17 | |
He HAS killed four people. | 0:49:17 | 0:49:19 | |
OK. | 0:49:19 | 0:49:21 | |
Sherlock! | 0:49:22 | 0:49:24 | |
Anything on the menu, whatever you want, free. | 0:49:24 | 0:49:26 | |
On the house, for you and for your date. | 0:49:26 | 0:49:29 | |
-Do you want to eat? -I'm not his date. | 0:49:29 | 0:49:30 | |
This man got me off a murder charge. | 0:49:30 | 0:49:33 | |
This is Angelo. Three years ago I proved to Lestrade at the time of a particularly vicious triple murder | 0:49:33 | 0:49:38 | |
that Angelo was elsewhere, house-breaking. | 0:49:38 | 0:49:40 | |
-He cleared my name. -I cleared it a bit. Anything happening opposite? | 0:49:40 | 0:49:44 | |
Nothing. | 0:49:44 | 0:49:45 | |
-But for this man, I'd have gone to prison. -You did go to prison. | 0:49:45 | 0:49:48 | |
I'll get a candle for the table. It's more romantic. | 0:49:48 | 0:49:51 | |
I'm not his date! | 0:49:51 | 0:49:52 | |
You may as well eat. We might have a long wait. | 0:49:54 | 0:49:57 | |
Thanks. | 0:49:58 | 0:50:00 | |
People don't have arch-enemies. | 0:50:07 | 0:50:09 | |
-I'm sorry? -In real life. | 0:50:10 | 0:50:12 | |
There are no arch-enemies in real life. Doesn't happen. | 0:50:13 | 0:50:15 | |
Doesn't it? Sounds a bit dull. | 0:50:15 | 0:50:17 | |
So who did I meet? | 0:50:17 | 0:50:19 | |
What do real people have, then, in their..."real lives"? | 0:50:19 | 0:50:23 | |
Friends? | 0:50:24 | 0:50:26 | |
People they know, people they like, people they don't like... | 0:50:26 | 0:50:30 | |
-Girlfriends, boyfriends. -Yes, well, as I was saying - dull. | 0:50:30 | 0:50:34 | |
You don't have a girlfriend, then. | 0:50:34 | 0:50:36 | |
Girlfriend? No, not really my area. | 0:50:36 | 0:50:39 | |
Mm. | 0:50:39 | 0:50:40 | |
Oh, right. | 0:50:41 | 0:50:43 | |
Do you have a...boyfriend? Which is fine, by the way. | 0:50:44 | 0:50:46 | |
I know it's fine. | 0:50:46 | 0:50:48 | |
-So you've got a boyfriend then. -No. | 0:50:49 | 0:50:51 | |
Right. OK. | 0:50:51 | 0:50:53 | |
You're unattached. Like me. | 0:50:55 | 0:50:57 | |
Fine. Good. | 0:50:58 | 0:51:01 | |
John, erm... | 0:51:08 | 0:51:10 | |
I think you should know that I consider myself married to my work, | 0:51:10 | 0:51:13 | |
-and while I'm flattered, I'm really not looking for any... -No, | 0:51:13 | 0:51:16 | |
I'm...not asking. No. | 0:51:16 | 0:51:19 | |
I'm just saying, it's all fine. | 0:51:20 | 0:51:23 | |
TAXI OUTSIDE Good. | 0:51:24 | 0:51:26 | |
Thank you. | 0:51:28 | 0:51:29 | |
Look across the street. Taxi. It's stopped. | 0:51:31 | 0:51:34 | |
Nobody getting in, and nobody getting out. | 0:51:34 | 0:51:36 | |
Why a taxi? | 0:51:37 | 0:51:38 | |
-Oh, that's clever. Is it clever? Why is it clever? -That's him. | 0:51:39 | 0:51:42 | |
Don't stare. | 0:51:43 | 0:51:44 | |
-You're staring. -We can't both stare. | 0:51:44 | 0:51:46 | |
CAR HORN | 0:52:08 | 0:52:10 | |
Sorry... | 0:52:11 | 0:52:12 | |
-I've got the cab number. -Good for you. | 0:52:13 | 0:52:15 | |
Right turn, one way, roadworks, traffic lights, bus lane, | 0:52:16 | 0:52:19 | |
pedestrian crossing, left turn only, traffic lights. | 0:52:19 | 0:52:21 | |
Sorry. | 0:52:26 | 0:52:28 | |
TYRES SQUEAL | 0:52:31 | 0:52:33 | |
Come on, John... | 0:52:38 | 0:52:39 | |
Come on, John. We're losing him! | 0:52:58 | 0:53:00 | |
This way. | 0:53:29 | 0:53:31 | |
No - THIS way! | 0:53:32 | 0:53:33 | |
Sorry... | 0:53:33 | 0:53:35 | |
Police! Open her up. | 0:54:00 | 0:54:03 | |
SHERLOCK PANTS No... | 0:54:04 | 0:54:07 | |
Teeth, tan. What - Californian...? | 0:54:07 | 0:54:09 | |
LA, Santa Monica. Just arrived. | 0:54:10 | 0:54:13 | |
-How could you possibly know that? -The luggage. | 0:54:13 | 0:54:15 | |
Probably your first trip to London, right? | 0:54:17 | 0:54:19 | |
Going by your final destination and the cabbie's route. | 0:54:19 | 0:54:22 | |
Sorry - are you guys the police? | 0:54:22 | 0:54:24 | |
Yeah. Everything all right? | 0:54:24 | 0:54:26 | |
Yeah. | 0:54:26 | 0:54:28 | |
Welcome to London. | 0:54:29 | 0:54:31 | |
Er, any problems - just let us know. | 0:54:33 | 0:54:35 | |
-Basically just a cab that happened to slow down. -Basically. | 0:54:39 | 0:54:42 | |
-Not the murderer. -Not the murderer, no. | 0:54:42 | 0:54:44 | |
Wrong country, good alibi. | 0:54:44 | 0:54:46 | |
-As they go. -Hey, where did you get this? | 0:54:46 | 0:54:49 | |
-Detective Inspector Lestrade? -Yeah. | 0:54:50 | 0:54:52 | |
I pickpocket him when he's annoying. | 0:54:52 | 0:54:54 | |
You can keep that one, I've got plenty at the flat. | 0:54:54 | 0:54:56 | |
-What? -Nothing, just..."Welcome to London". | 0:54:59 | 0:55:02 | |
HE SNIGGERS | 0:55:02 | 0:55:04 | |
-Got your breath back? -Ready when you are. | 0:55:06 | 0:55:08 | |
-JOHN PANTS -OK... | 0:55:14 | 0:55:17 | |
That was ridiculous. | 0:55:18 | 0:55:19 | |
That was the most ridiculous thing...I've ever done. | 0:55:19 | 0:55:23 | |
And you invaded Afghanistan. THEY LAUGH | 0:55:23 | 0:55:26 | |
That wasn't just me. | 0:55:27 | 0:55:29 | |
Why aren't we back at the restaurant? | 0:55:29 | 0:55:31 | |
They can keep an eye out. | 0:55:31 | 0:55:33 | |
It was a long shot anyway. | 0:55:33 | 0:55:35 | |
So what were we doing there? | 0:55:35 | 0:55:37 | |
Oh, just passing the time. | 0:55:40 | 0:55:42 | |
And proving a point. | 0:55:43 | 0:55:44 | |
-What point? -You. | 0:55:44 | 0:55:46 | |
Mrs Hudson! Dr Watson WILL take the room upstairs. | 0:55:46 | 0:55:50 | |
Says who? | 0:55:50 | 0:55:51 | |
Says the man at the door. | 0:55:51 | 0:55:53 | |
KNOCKING | 0:55:53 | 0:55:54 | |
Sherlock texted me. He said you forgot this. | 0:56:04 | 0:56:08 | |
Ah... | 0:56:09 | 0:56:10 | |
Er, thank you. | 0:56:12 | 0:56:13 | |
Thank you. | 0:56:13 | 0:56:14 | |
Sherlock, what have you done? | 0:56:15 | 0:56:17 | |
-Mrs Hudson? -Upstairs. | 0:56:17 | 0:56:20 | |
-What are you doing? -Well, I knew you'd find the case, I'm not stupid. | 0:56:25 | 0:56:28 | |
-You can't just break into my flat. -You can't withhold evidence - and I didn't break in. | 0:56:28 | 0:56:33 | |
Well, what do you call this then? | 0:56:33 | 0:56:35 | |
-It's a drugs bust. -Seriously? This guy - a junkie? | 0:56:35 | 0:56:39 | |
-Have you met him? -John... | 0:56:39 | 0:56:41 | |
You could search this flat all day, you wouldn't find anything you could call recreational. | 0:56:41 | 0:56:45 | |
-John, you probably want to shut up now. -But come on... | 0:56:45 | 0:56:47 | |
-No... -What? | 0:56:49 | 0:56:51 | |
-You? -Shut up! I'm not your sniffer dog. | 0:56:51 | 0:56:54 | |
No, Anderson's my sniffer dog. | 0:56:54 | 0:56:56 | |
Anderson, what are YOU doing here on a drugs bust? | 0:56:58 | 0:57:00 | |
-Oh, I volunteered. -They all did. They're not strictly speaking ON the drug squad, but they're very keen. | 0:57:00 | 0:57:05 | |
-Are these human eyes? -Put those back! | 0:57:05 | 0:57:07 | |
-They were in the microwave. -It's an experiment. | 0:57:07 | 0:57:09 | |
Keep looking, guys. | 0:57:09 | 0:57:11 | |
Or you could help us properly and I'll stand them down. | 0:57:11 | 0:57:13 | |
-This is childish. -Well, I'm dealing with a child. | 0:57:13 | 0:57:15 | |
Sherlock, this is our case. I'm letting you in, but you do not go off on your own. | 0:57:15 | 0:57:19 | |
-Clear? -What - so you set up a pretend drugs bust to bully me? | 0:57:19 | 0:57:23 | |
-It stops being pretend if we find anything. -I am clean! | 0:57:23 | 0:57:27 | |
Is your flat...? All of it? | 0:57:27 | 0:57:28 | |
Don't even smoke. | 0:57:28 | 0:57:31 | |
Neither do I. | 0:57:31 | 0:57:33 | |
So let's work together. | 0:57:35 | 0:57:37 | |
-We've found Rachel. -Who is she? | 0:57:37 | 0:57:39 | |
Jennifer Wilson's only daughter. | 0:57:39 | 0:57:41 | |
Her daughter? | 0:57:41 | 0:57:43 | |
Why would she write her daughter's name? Why? | 0:57:43 | 0:57:45 | |
Never mind that, we found the case. | 0:57:45 | 0:57:48 | |
According to SOMEONE the murderer has the case, and we found it in the hands of our favourite psychopath. | 0:57:48 | 0:57:53 | |
I'm a high-functioning sociopath. Do your research. | 0:57:53 | 0:57:56 | |
You need to bring Rachel in and I need to question her. | 0:57:56 | 0:57:58 | |
-She's dead. -Excellent. How, when and why? Is there a connection? There has to be. | 0:57:58 | 0:58:02 | |
Well, I doubt it, since she's been dead for 14 years. Technically she was never alive. | 0:58:02 | 0:58:07 | |
Rachel was Jennifer Wilson's stillborn daughter, 14 years ago. | 0:58:07 | 0:58:12 | |
No, that's... | 0:58:12 | 0:58:13 | |
..that's not right. How... | 0:58:14 | 0:58:16 | |
Why would she do that? Why? | 0:58:16 | 0:58:18 | |
Why would she think of her daughter in her last moments? Yup - sociopath, I'm seeing it now. | 0:58:18 | 0:58:22 | |
She didn't think about her daughter. | 0:58:22 | 0:58:24 | |
She scratched her name on the floor with her fingernails. She was dying. | 0:58:24 | 0:58:28 | |
It took effort, it would have hurt. | 0:58:28 | 0:58:30 | |
You said that the victims all took the poison themselves, that he MAKES them take it - | 0:58:31 | 0:58:35 | |
well, maybe he...I don't know, talks to them. Maybe he used the death of her daughter somehow. | 0:58:35 | 0:58:40 | |
Yeah, but that was ages ago. Why would she still be upset? | 0:58:40 | 0:58:44 | |
Not good? | 0:58:47 | 0:58:49 | |
Bit not good, yeah. | 0:58:49 | 0:58:50 | |
If you were dying... If you'd been murdered - in your very last few seconds what would you say? | 0:58:50 | 0:58:54 | |
-"Please, God, let me live." -Use your imagination! | 0:58:54 | 0:58:57 | |
I don't have to. | 0:58:57 | 0:58:59 | |
Yeah, but if you were clever... Jennifer Wilson running all those lovers - she WAS clever. | 0:59:00 | 0:59:04 | |
She's trying to tell us something. | 0:59:04 | 0:59:06 | |
Isn't the doorbell working? Your taxi's here, Sherlock. | 0:59:06 | 0:59:09 | |
-I didn't order a taxi. Go away. -Oh, dear. They're making such a mess. What are they looking for? | 0:59:09 | 0:59:13 | |
It's a drugs bust, Mrs Hudson. | 0:59:13 | 0:59:15 | |
But they're just for my hip. They're herbal soothers... | 0:59:15 | 0:59:18 | |
Shut up, everybody! Don't speak, don't breathe. I'm trying to think. | 0:59:18 | 0:59:21 | |
Anderson, face the other way. You're putting me off. | 0:59:21 | 0:59:23 | |
-What? My FACE is(?) -Everybody quiet and still. | 0:59:23 | 0:59:26 | |
-Anderson, turn your back. -Oh, for God's sake! | 0:59:26 | 0:59:28 | |
Your back, now, please! | 0:59:28 | 0:59:30 | |
-Come on, think. Quick! -What about your taxi? | 0:59:30 | 0:59:32 | |
MRS HUDSON! | 0:59:32 | 0:59:33 | |
Oh... | 0:59:36 | 0:59:38 | |
Ah! | 0:59:38 | 0:59:40 | |
She was clever. Clever, yes! | 0:59:40 | 0:59:43 | |
She's cleverer than you lot and she's dead. Do you see, do you get it? | 0:59:43 | 0:59:48 | |
She didn't lose her phone, she never lost it. She PLANTED it on him. | 0:59:48 | 0:59:51 | |
When she got out of the car, she knew that she was going to her death. | 0:59:51 | 0:59:54 | |
-She left the phone in order to lead us to her killer. -But how? | 0:59:54 | 0:59:59 | |
What do you mean, how? | 1:00:00 | 1:00:01 | |
Rachel! | 1:00:01 | 1:00:03 | |
Don't you see? Rachel! | 1:00:04 | 1:00:06 | |
Oh... | 1:00:09 | 1:00:10 | |
Look at you lot. You're all so vacant. | 1:00:10 | 1:00:12 | |
Is it nice not being me? It must be so relaxing. | 1:00:12 | 1:00:15 | |
Rachel is not a name. | 1:00:15 | 1:00:16 | |
-Then what is it? -John - on the luggage, there's a label. | 1:00:16 | 1:00:19 | |
E-mail address. | 1:00:19 | 1:00:21 | |
Er, [email protected]. | 1:00:22 | 1:00:26 | |
She didn't have a laptop, which means she did her business on her phone. A smartphone, it's e-mail enabled. | 1:00:26 | 1:00:31 | |
So there was a website for her account. | 1:00:31 | 1:00:33 | |
The username is her e-mail address - and all together, the password is? | 1:00:33 | 1:00:36 | |
-Rachel. -So we can read her e-mails. So what? | 1:00:36 | 1:00:39 | |
Anderson, don't talk out loud. You lower the IQ of the whole street. | 1:00:39 | 1:00:42 | |
We can do much more than that. It's a smartphone, it's got GPS. | 1:00:42 | 1:00:45 | |
Which means if you lose it you can locate it online. She's leading us directly to the man who killed her. | 1:00:45 | 1:00:50 | |
-Unless he got rid of it. -We know he didn't. | 1:00:50 | 1:00:52 | |
-Come on, come on. Quickly! -Sherlock, dear. This taxi driver... | 1:00:52 | 1:00:56 | |
Mrs Hudson, isn't it time for your evening soother? | 1:00:56 | 1:00:59 | |
Get vehicles, get a helicopter. This phone battery won't last for ever. | 1:01:00 | 1:01:03 | |
-We'll just have a map reference, not a name. -It's a start! | 1:01:03 | 1:01:06 | |
-Sherlock... -Narrows it down from just anyone in London. | 1:01:06 | 1:01:09 | |
-It's the first proper lead that we've had. -Sherlock... | 1:01:09 | 1:01:11 | |
Where is it? Quickly, where? | 1:01:11 | 1:01:14 | |
Here. It's...in 221 Baker Street. | 1:01:14 | 1:01:17 | |
How can it be here? | 1:01:18 | 1:01:20 | |
How? | 1:01:20 | 1:01:22 | |
Maybe it was in the case when you brought it back and it...fell out somewhere. | 1:01:22 | 1:01:25 | |
What, and I didn't notice it? Me - I didn't notice? | 1:01:25 | 1:01:29 | |
Anyway, we texted him and he called back. | 1:01:29 | 1:01:31 | |
Guys, we're also looking for a mobile somewhere here, | 1:01:31 | 1:01:34 | |
-belonged to the victim... -'Who do we trust, even if we don't know them? | 1:01:34 | 1:01:37 | |
'Who passes unnoticed wherever they go? | 1:01:47 | 1:01:50 | |
'Who hunts in the middle of a crowd?' | 1:01:54 | 1:01:57 | |
TEXT MESSAGE ALERT | 1:02:26 | 1:02:27 | |
-Sherlock, you OK? -What...? | 1:02:35 | 1:02:38 | |
Yeah, yeah... I'm fine. | 1:02:38 | 1:02:40 | |
So, how can the phone be here? | 1:02:40 | 1:02:42 | |
Don't know. | 1:02:42 | 1:02:43 | |
-I'll try it again. -Good idea. | 1:02:43 | 1:02:45 | |
Where are you going? | 1:02:45 | 1:02:47 | |
Fresh air, just popping outside for a moment. Won't be long. | 1:02:47 | 1:02:50 | |
-You sure you're all right? -I'm fine. | 1:02:50 | 1:02:52 | |
Taxi for Sherlock Holmes. | 1:03:03 | 1:03:04 | |
I didn't order a taxi. | 1:03:07 | 1:03:10 | |
Doesn't mean you don't need one. | 1:03:10 | 1:03:12 | |
You're the cabbie. | 1:03:13 | 1:03:15 | |
The one who stopped outside Northumberland Street. | 1:03:16 | 1:03:19 | |
It was you. Not your passenger. | 1:03:24 | 1:03:26 | |
See? No-one ever thinks about the cabbie. | 1:03:26 | 1:03:29 | |
It's like you're invisible. | 1:03:29 | 1:03:31 | |
Just the back of an 'ead. | 1:03:31 | 1:03:33 | |
Proper advantage for a serial killer. | 1:03:34 | 1:03:37 | |
-Is this a confession? -Oh, yeah. | 1:03:39 | 1:03:41 | |
I'll tell you what else... | 1:03:42 | 1:03:44 | |
If you call the coppers now, I won't run. | 1:03:44 | 1:03:46 | |
I'll sit quiet and they can take me down, I promise. | 1:03:47 | 1:03:51 | |
Why? | 1:03:51 | 1:03:52 | |
-Cos you're not going to do that. -Am I not? | 1:03:52 | 1:03:55 | |
I didn't kill those four people, Mr Holmes. | 1:03:57 | 1:04:00 | |
I spoke to 'em... | 1:04:00 | 1:04:02 | |
and they killed themselves. | 1:04:02 | 1:04:04 | |
If you get the coppers now, I'll promise you one thing. | 1:04:06 | 1:04:09 | |
I will never tell you what I said. | 1:04:11 | 1:04:13 | |
No-one else will die, though, and I believe they call that a result. | 1:04:19 | 1:04:22 | |
And you won't ever understand how those people died. | 1:04:22 | 1:04:26 | |
What kind of result do you care about? | 1:04:27 | 1:04:29 | |
If I wanted to understand... | 1:04:45 | 1:04:47 | |
-..what would I do? -Let me take you for a ride. | 1:04:48 | 1:04:51 | |
-So you can kill me too? -I don't want to kill you, Mr Holmes. | 1:04:51 | 1:04:54 | |
I'm going to talk to ya... | 1:04:56 | 1:04:58 | |
..and then you're going to kill yourself. | 1:04:59 | 1:05:02 | |
DOOR OPENS AND CLOSES | 1:05:12 | 1:05:15 | |
ENGINE STARTS | 1:05:16 | 1:05:17 | |
He just got in a cab... It's Sherlock. He just drove off in a cab. | 1:05:20 | 1:05:23 | |
I told you, he does that. | 1:05:23 | 1:05:25 | |
He bloody left again. | 1:05:25 | 1:05:26 | |
We're wasting our time! | 1:05:26 | 1:05:28 | |
I'm...calling the phone, it's ringing out. | 1:05:28 | 1:05:30 | |
PHONE RINGS | 1:05:31 | 1:05:33 | |
PHONE KEEPS RINGING | 1:05:37 | 1:05:38 | |
PHONE KEEPS RINGING | 1:05:41 | 1:05:42 | |
And if it's ringing, it's not here. | 1:05:42 | 1:05:44 | |
-I'll try the search again. -Does it matter? Does any of it? | 1:05:44 | 1:05:48 | |
He's just a lunatic, and he'll always let you down. And you're wasting your time. All our time. | 1:05:48 | 1:05:54 | |
OK, everybody... | 1:06:00 | 1:06:02 | |
done here. | 1:06:02 | 1:06:04 | |
How did you find me? | 1:06:06 | 1:06:08 | |
Oh, I recognised ya. | 1:06:08 | 1:06:10 | |
Soon as I saw you chasing my cab. | 1:06:12 | 1:06:13 | |
Sherlock Holmes! | 1:06:14 | 1:06:17 | |
I was warned about you. | 1:06:18 | 1:06:19 | |
I've been on your website, too. Brilliant stuff! Loved it. | 1:06:20 | 1:06:24 | |
-Who warned you about me? -Just someone out there who's noticed. | 1:06:24 | 1:06:28 | |
Who? | 1:06:29 | 1:06:31 | |
Who would notice me? | 1:06:38 | 1:06:40 | |
-You're too modest, Mr Holmes. -I'm really not. | 1:06:40 | 1:06:43 | |
Got yourself a fan. | 1:06:43 | 1:06:45 | |
Tell me more. | 1:06:46 | 1:06:48 | |
That's all you're going to know. | 1:06:48 | 1:06:49 | |
In THIS lifetime. | 1:06:51 | 1:06:53 | |
Why did he do that? Why did he have to leave? | 1:06:54 | 1:06:56 | |
You know him better than I do. | 1:06:56 | 1:06:58 | |
I've known him for five years - and no, I don't. | 1:06:58 | 1:07:02 | |
So why do you put up with him? | 1:07:03 | 1:07:05 | |
Because I'm desperate, that's why. | 1:07:06 | 1:07:08 | |
And because Sherlock Holmes is a great man - | 1:07:10 | 1:07:12 | |
and I think one day, if we're very, very lucky, | 1:07:12 | 1:07:16 | |
he might even be a good one. | 1:07:16 | 1:07:18 | |
Where are we? | 1:07:39 | 1:07:41 | |
You know every street in London. You know exactly where we are. | 1:07:42 | 1:07:45 | |
Roland-Kerr Further Education College. | 1:07:45 | 1:07:48 | |
-Why here? -It's open. | 1:07:48 | 1:07:51 | |
Cleaners are in. | 1:07:51 | 1:07:53 | |
One thing about being a cabbie - you always know a nice quiet spot for a murder. | 1:07:53 | 1:07:57 | |
I'm surprised more of us don't branch out. | 1:07:57 | 1:08:00 | |
And you just walk your victims in? How? | 1:08:01 | 1:08:03 | |
Oh... Dull. | 1:08:05 | 1:08:07 | |
Don't worry. It gets better. | 1:08:07 | 1:08:08 | |
-You can't make people take their own lives at gunpoint. -I don't. | 1:08:09 | 1:08:14 | |
It's much better than that. | 1:08:14 | 1:08:17 | |
Don't need this with you. Cos you'll follow me. | 1:08:17 | 1:08:20 | |
BEEP | 1:08:43 | 1:08:45 | |
CONTINUED BEEPING | 1:08:46 | 1:08:47 | |
Well, what do you think? | 1:09:11 | 1:09:14 | |
It's up to you. | 1:09:15 | 1:09:17 | |
You're the one who's going to die here. | 1:09:17 | 1:09:19 | |
-No, I'm not. -That's what they all say. | 1:09:21 | 1:09:24 | |
Shall we talk? | 1:09:26 | 1:09:27 | |
Bit risky, wasn't it? | 1:09:42 | 1:09:44 | |
Took me away under the eye of about half a dozen policemen. | 1:09:45 | 1:09:48 | |
They're not that stupid. | 1:09:48 | 1:09:50 | |
And Mrs Hudson will remember you. | 1:09:50 | 1:09:52 | |
You call that a risk? Nah... | 1:09:52 | 1:09:55 | |
THIS is a risk. | 1:09:55 | 1:09:57 | |
Oh, I like this bit. | 1:10:05 | 1:10:07 | |
Cos you don't get it yet, do ya? | 1:10:07 | 1:10:09 | |
But you're about to. | 1:10:11 | 1:10:13 | |
I just have to do this... | 1:10:14 | 1:10:16 | |
Weren't expecting that, were ya? | 1:10:22 | 1:10:24 | |
Oh, you're going to love this. | 1:10:25 | 1:10:27 | |
-Love what? -Sherlock Holmes! Look at you! | 1:10:27 | 1:10:30 | |
Here in the flesh. That website of yours, your fan told me about it. | 1:10:32 | 1:10:37 | |
My fan? | 1:10:37 | 1:10:38 | |
You are brilliant. | 1:10:38 | 1:10:41 | |
You are a proper genius. | 1:10:41 | 1:10:44 | |
The Science of Deduction. Now, that... | 1:10:44 | 1:10:47 | |
is proper thinking. | 1:10:47 | 1:10:50 | |
Between you and me sitting here, why can't people think? | 1:10:51 | 1:10:54 | |
Don't it make you mad? | 1:10:56 | 1:10:58 | |
Why can't people just think? | 1:10:59 | 1:11:01 | |
Oh, I see... So you're a proper genius too. | 1:11:05 | 1:11:09 | |
Don't look it, do I? | 1:11:09 | 1:11:11 | |
Funny little man driving a cab. | 1:11:12 | 1:11:14 | |
But you'll know better in a minute. | 1:11:15 | 1:11:17 | |
Chances are it'll be the last thing you EVER know. | 1:11:17 | 1:11:20 | |
OK, two bottles. Explain. | 1:11:22 | 1:11:24 | |
There's a good bottle and a bad bottle. | 1:11:26 | 1:11:28 | |
You take the pill from the good bottle, you live. | 1:11:28 | 1:11:31 | |
You take the pill from the bad bottle...you die. | 1:11:31 | 1:11:35 | |
-Both bottles are of course identical. -In every way. | 1:11:35 | 1:11:37 | |
-And you know which is which. -Of course I know. -But I don't. | 1:11:37 | 1:11:40 | |
Wouldn't be a game if you knew. You're the one who chooses. | 1:11:40 | 1:11:43 | |
Why should I? I've got nothing to go on. What's in it for me? | 1:11:43 | 1:11:47 | |
I haven't told you the best bit yet. | 1:11:48 | 1:11:50 | |
Whatever bottle YOU choose, | 1:11:51 | 1:11:53 | |
I take the pill from the other one. | 1:11:53 | 1:11:55 | |
And then together... | 1:11:56 | 1:11:57 | |
we take our medicine. | 1:11:57 | 1:12:00 | |
I won't cheat. It's your choice. | 1:12:02 | 1:12:05 | |
I'll take whatever pill you don't. | 1:12:06 | 1:12:08 | |
Didn't expect that, did you, Mr Holmes? | 1:12:11 | 1:12:14 | |
This is what you did to the rest of them - | 1:12:14 | 1:12:16 | |
-you gave them a choice? -And now I'm giving you one. | 1:12:16 | 1:12:19 | |
You take your time. | 1:12:20 | 1:12:22 | |
Get yourself together. | 1:12:22 | 1:12:24 | |
-I want your best game. -It's not a game, it's chance. | 1:12:25 | 1:12:28 | |
I've played four times. I'm alive. | 1:12:28 | 1:12:31 | |
It's not chance, Mr Holmes, it's chess. | 1:12:32 | 1:12:35 | |
It's a game of chess, | 1:12:36 | 1:12:38 | |
with one move...and one survivor. | 1:12:38 | 1:12:42 | |
And this - this... | 1:12:43 | 1:12:46 | |
is the move. | 1:12:46 | 1:12:48 | |
Did I just give you the good bottle or the bad bottle? | 1:12:56 | 1:12:59 | |
You can choose either one. | 1:12:59 | 1:13:01 | |
No, Detective Inspector Lestrade - I need to speak to him. | 1:13:04 | 1:13:08 | |
It's important. It's an emergency. | 1:13:08 | 1:13:10 | |
Er, left here, please. Left here... | 1:13:10 | 1:13:12 | |
You ready yet, Mr Holmes? | 1:13:24 | 1:13:26 | |
-Ready to play? -Play what? It's a 50:50 chance. | 1:13:26 | 1:13:30 | |
You're not playing the numbers, you're playing ME. | 1:13:30 | 1:13:32 | |
Did I just give you the good pill or the bad pill? | 1:13:35 | 1:13:38 | |
Is it a bluff, | 1:13:38 | 1:13:40 | |
or a double bluff? | 1:13:40 | 1:13:42 | |
-Or a triple bluff? -It's still just chance. | 1:13:42 | 1:13:44 | |
Four people, in a row? It's not chance. | 1:13:44 | 1:13:46 | |
-Luck. -It's genius! | 1:13:46 | 1:13:48 | |
I know how people think. | 1:13:49 | 1:13:52 | |
-I know how people think -I -think. | 1:13:52 | 1:13:54 | |
I can see it all like a map inside my head. | 1:13:55 | 1:13:57 | |
Everyone's so stupid, even you. | 1:13:58 | 1:14:01 | |
Or maybe God just loves me. | 1:14:01 | 1:14:03 | |
Either way, you're wasted as a cabbie. | 1:14:07 | 1:14:09 | |
So... | 1:14:18 | 1:14:20 | |
You risked your life four times just to kill strangers? Why? | 1:14:21 | 1:14:25 | |
Time to play. | 1:14:25 | 1:14:26 | |
Oh, I am playing. | 1:14:26 | 1:14:29 | |
This is my turn. | 1:14:29 | 1:14:30 | |
There's shaving foam behind your left ear. Nobody's pointed it out to you. | 1:14:31 | 1:14:35 | |
Traces of where it's happened before, so obviously you live on your own - there's no-one to tell you. | 1:14:35 | 1:14:40 | |
But there's a photograph of children. Their mother's been cut out. | 1:14:40 | 1:14:43 | |
If she'd died, she'd still be there. | 1:14:43 | 1:14:45 | |
The photograph's old, but the frame's new. | 1:14:45 | 1:14:47 | |
You think of your children, but you don't get to see them. | 1:14:47 | 1:14:49 | |
Estranged father. | 1:14:49 | 1:14:52 | |
She took the kids, | 1:14:52 | 1:14:53 | |
but you still love them and it still hurts. | 1:14:53 | 1:14:57 | |
Ah, but there's more. | 1:14:58 | 1:14:59 | |
Your clothes. Recently laundered, | 1:15:01 | 1:15:03 | |
but everything you're wearing is at least...three years old? | 1:15:03 | 1:15:06 | |
Keeping up appearances, but not planning ahead. | 1:15:07 | 1:15:10 | |
And here you are on a kamikaze murder spree. What's that about? | 1:15:11 | 1:15:15 | |
Ah... | 1:15:19 | 1:15:21 | |
Three years ago. Is that when they told you? | 1:15:21 | 1:15:23 | |
Told me what? | 1:15:23 | 1:15:26 | |
-That you're a dead man walking. -So are you. | 1:15:26 | 1:15:28 | |
You don't have long, though. | 1:15:28 | 1:15:29 | |
Am I right? | 1:15:29 | 1:15:32 | |
Aneurism. Right in 'ere. | 1:15:33 | 1:15:35 | |
Any breath could be my last. | 1:15:38 | 1:15:41 | |
And because you're dying, you've just murdered four people. | 1:15:41 | 1:15:44 | |
I've outlived four people. | 1:15:44 | 1:15:46 | |
That's the most fun you can have with an aneurism. | 1:15:48 | 1:15:51 | |
No... No, there's something else. | 1:15:52 | 1:15:55 | |
You didn't just kill four people because you're bitter. Bitterness is a paralytic. | 1:15:55 | 1:15:59 | |
Love is a much more vicious motivator. | 1:15:59 | 1:16:03 | |
Somehow, this is about your children. | 1:16:05 | 1:16:08 | |
Oh... | 1:16:08 | 1:16:09 | |
-You ARE good, in't ya? -But how? | 1:16:11 | 1:16:14 | |
When I die they won't get much, my kids. | 1:16:15 | 1:16:18 | |
Not a lot of money in driving cabs. | 1:16:20 | 1:16:22 | |
-Or serial killing. -You'd be surprised. | 1:16:22 | 1:16:25 | |
Surprise me. | 1:16:25 | 1:16:26 | |
I have a sponsor. | 1:16:29 | 1:16:31 | |
-You have a what? -For every life I take, money goes to my kids. | 1:16:31 | 1:16:35 | |
The more I kill... the better off they'll be. | 1:16:35 | 1:16:39 | |
You see? It's nicer than you think. | 1:16:40 | 1:16:43 | |
Who'd sponsor a serial killer? | 1:16:43 | 1:16:45 | |
Who'd be a fan of Sherlock Holmes? | 1:16:45 | 1:16:48 | |
You're not the only one to enjoy a good murder. | 1:16:51 | 1:16:54 | |
There's others out there just like you, except you're just a man. | 1:16:54 | 1:16:58 | |
And they're so much more than that. | 1:16:59 | 1:17:02 | |
What do you mean... | 1:17:04 | 1:17:05 | |
more than a man? | 1:17:05 | 1:17:07 | |
An organisation...? What? | 1:17:08 | 1:17:10 | |
There's a name, that no-one says. | 1:17:10 | 1:17:15 | |
And I'm not going to say it either. | 1:17:15 | 1:17:16 | |
Now, enough chatter. | 1:17:18 | 1:17:20 | |
Time to choose. | 1:17:22 | 1:17:24 | |
Sherlock?! | 1:17:29 | 1:17:30 | |
Sherlock! | 1:17:34 | 1:17:36 | |
What if I don't choose either? I could just walk out of here. | 1:17:36 | 1:17:40 | |
You can take a 50:50 chance, | 1:17:43 | 1:17:46 | |
or I can shoot you in the head. | 1:17:46 | 1:17:49 | |
Funnily enough, | 1:17:50 | 1:17:52 | |
no-one's ever gone for that option. | 1:17:52 | 1:17:54 | |
I'll have the gun, please. | 1:17:54 | 1:17:56 | |
Are you sure? | 1:17:57 | 1:17:59 | |
Definitely. The gun. | 1:18:00 | 1:18:02 | |
You don't want to phone a friend(?) | 1:18:02 | 1:18:04 | |
The gun. | 1:18:05 | 1:18:08 | |
I know a real gun when I see one. | 1:18:13 | 1:18:14 | |
-None of the others did. -Clearly. | 1:18:16 | 1:18:19 | |
Well, this has been very interesting. | 1:18:20 | 1:18:23 | |
I look forward to the court case. | 1:18:23 | 1:18:26 | |
Just before you go, did you figure it out? | 1:18:29 | 1:18:31 | |
Which one's the good bottle? | 1:18:33 | 1:18:35 | |
Course. Child's play. | 1:18:35 | 1:18:37 | |
Well, which one, then? | 1:18:38 | 1:18:39 | |
Which one would you have picked? | 1:18:41 | 1:18:42 | |
Just so I know whether I could have beaten you. | 1:18:42 | 1:18:46 | |
Come on! | 1:18:47 | 1:18:49 | |
Play the game. | 1:18:49 | 1:18:50 | |
Oh! | 1:19:04 | 1:19:05 | |
Interesting. | 1:19:06 | 1:19:09 | |
So what do you think? | 1:19:17 | 1:19:19 | |
Shall we? | 1:19:20 | 1:19:22 | |
Really... What do you think? | 1:19:24 | 1:19:26 | |
Can you beat me? | 1:19:28 | 1:19:29 | |
Are you clever enough... | 1:19:31 | 1:19:34 | |
..to bet your life? | 1:19:35 | 1:19:36 | |
-FAINTLY: -SHERLOCK! | 1:19:49 | 1:19:50 | |
I bet you get bored, don't you? | 1:19:52 | 1:19:54 | |
I know you do. | 1:19:55 | 1:19:57 | |
A man like you. So clever. | 1:19:57 | 1:20:01 | |
But what's the point of being clever if you can't prove it? | 1:20:02 | 1:20:06 | |
Still the addict. | 1:20:07 | 1:20:09 | |
But this...this is what you're really addicted to. | 1:20:11 | 1:20:14 | |
You'll do anything... | 1:20:16 | 1:20:18 | |
..anything at all, to stop being bored. | 1:20:19 | 1:20:23 | |
You're not bored now, are ya? | 1:20:25 | 1:20:27 | |
Isn't it good? | 1:20:28 | 1:20:29 | |
GUNSHOT | 1:20:29 | 1:20:30 | |
CABBIE GASPS | 1:20:41 | 1:20:43 | |
Was I right? | 1:20:44 | 1:20:46 | |
I was, wasn't I? | 1:20:46 | 1:20:47 | |
Did I get it right?! | 1:20:47 | 1:20:49 | |
OK... Tell me this. | 1:20:53 | 1:20:56 | |
Your sponsor. Who was it? | 1:20:57 | 1:20:59 | |
The one who told you about me, my fan. | 1:20:59 | 1:21:02 | |
I want a name. | 1:21:02 | 1:21:03 | |
No... | 1:21:03 | 1:21:05 | |
You're dying, but there's still time to hurt you. | 1:21:05 | 1:21:08 | |
Give me...a name. | 1:21:08 | 1:21:11 | |
HE GASPS | 1:21:11 | 1:21:12 | |
A name! Now. | 1:21:13 | 1:21:16 | |
The name! | 1:21:18 | 1:21:19 | |
-HE GASPS -MORIARTY! | 1:21:19 | 1:21:23 | |
SIRENS WAIL | 1:21:37 | 1:21:39 | |
Why have I got this blanket? They keep putting this blanket on me. | 1:21:44 | 1:21:48 | |
-Yeah, it's for shock. -I'm not in shock. | 1:21:48 | 1:21:49 | |
Yeah, but some of the guys want to take photographs. | 1:21:49 | 1:21:52 | |
So, the shooter. No sign? | 1:21:54 | 1:21:56 | |
Cleared off before we got here. But a guy like that would have had enemies, I suppose. | 1:21:56 | 1:22:00 | |
One of them could have been following him, but... | 1:22:00 | 1:22:03 | |
we've got nothing to go on. | 1:22:03 | 1:22:05 | |
Oh, I wouldn't say that. | 1:22:05 | 1:22:07 | |
OK. Give me. | 1:22:08 | 1:22:10 | |
The bullet they just dug out of the wall's from a handgun. | 1:22:10 | 1:22:13 | |
A kill shot over that distance, that's a crack shot. But not just a marksman, a fighter. | 1:22:13 | 1:22:17 | |
His hands couldn't have shaken at all so clearly he's acclimatised to violence. | 1:22:17 | 1:22:21 | |
He didn't fire until I was in immediate danger though, so strong moral principle. | 1:22:21 | 1:22:25 | |
You're looking for a man probably with a history of military service, and... | 1:22:25 | 1:22:29 | |
nerves of steel... | 1:22:29 | 1:22:30 | |
-Actually, do you know what? Ignore me. -Sorry? -Ignore all of that. | 1:22:37 | 1:22:40 | |
It's just the er...the shock talking. | 1:22:40 | 1:22:43 | |
-Where are you going? -I just need to...talk about the rent. | 1:22:43 | 1:22:46 | |
-I've still got questions. -What now? I'm in shock - look, I've got a blanket. | 1:22:46 | 1:22:49 | |
-Sherlock! -And, I just caught you a serial killer... More or less. | 1:22:49 | 1:22:54 | |
OK. We'll pull you in tomorrow, off you go. | 1:22:57 | 1:23:00 | |
Erm - Sergeant Donovan has... just been explaining everything. | 1:23:08 | 1:23:12 | |
The two pills... | 1:23:12 | 1:23:14 | |
Dreadful business, isn't it? Dreadful. | 1:23:15 | 1:23:17 | |
Good shot. | 1:23:18 | 1:23:19 | |
-Yes. Yes, must have been. Through that window. -Well, you'd know. | 1:23:20 | 1:23:23 | |
Need to get the powder burns out of your fingers. | 1:23:26 | 1:23:28 | |
I don't suppose you'd serve time for this, but let's avoid the court case. | 1:23:28 | 1:23:32 | |
-Are you all right? -Yes, of course I'm all right. | 1:23:32 | 1:23:35 | |
-Well, you have just killed a man. -Yes... | 1:23:35 | 1:23:36 | |
That's true, isn't it? | 1:23:40 | 1:23:41 | |
But he wasn't a very nice man. | 1:23:42 | 1:23:45 | |
-No. No, he wasn't, really, was he? -Frankly a bloody awful cabbie. | 1:23:46 | 1:23:50 | |
SHERLOCK CHUCKLES That's true, he was a bad cabbie. | 1:23:50 | 1:23:53 | |
You should have seen the route he took us to get here. | 1:23:53 | 1:23:56 | |
Stop it! We can't giggle, it's a crime scene. Stop it. | 1:23:56 | 1:23:59 | |
-Well, you're the one who shot him. -Keep your voice down. | 1:23:59 | 1:24:01 | |
-Sorry, it's just erm... nerves, I think. -Sorry. | 1:24:01 | 1:24:05 | |
-You were going to take that damn pill, weren't you? -Course I wasn't. | 1:24:05 | 1:24:09 | |
Biding my time. Knew you'd turn up. | 1:24:10 | 1:24:12 | |
No, you didn't. | 1:24:12 | 1:24:13 | |
That's how you get your kicks, isn't it - you risk your life to prove you're clever. | 1:24:13 | 1:24:17 | |
-Why would I do that? -Because you're an idiot. | 1:24:17 | 1:24:20 | |
-Dinner? -Starving. | 1:24:22 | 1:24:24 | |
End of Baker Street there's a good Chinese. Stays open till two. | 1:24:24 | 1:24:27 | |
You can tell a good Chinese by the bottom third of the door handle. | 1:24:27 | 1:24:30 | |
Sherlock... That's him, that's the man I was talking to you about. | 1:24:30 | 1:24:34 | |
I know exactly who that is. | 1:24:34 | 1:24:36 | |
So... Another case cracked. | 1:24:36 | 1:24:39 | |
How very public-spirited. | 1:24:39 | 1:24:41 | |
Though that's never really your motivation, is it? | 1:24:41 | 1:24:44 | |
What are you doing here? | 1:24:45 | 1:24:46 | |
As ever, I'm concerned about you. | 1:24:46 | 1:24:48 | |
Yes, I've been hearing about your "concern". | 1:24:48 | 1:24:50 | |
Always so aggressive. | 1:24:50 | 1:24:52 | |
Did it never occur to you that you and I belong on the same side? | 1:24:52 | 1:24:55 | |
Oddly enough - no. | 1:24:55 | 1:24:57 | |
We have more in common than you'd like to believe. | 1:24:57 | 1:25:00 | |
This petty feud between us is simply childish. | 1:25:00 | 1:25:03 | |
People will suffer. And you know how it always upset Mummy. | 1:25:03 | 1:25:07 | |
I upset her? | 1:25:08 | 1:25:10 | |
Me? | 1:25:10 | 1:25:12 | |
It wasn't me that upset her, Mycroft. | 1:25:12 | 1:25:14 | |
No. No, wait... | 1:25:14 | 1:25:16 | |
Mummy? Who's Mummy? | 1:25:16 | 1:25:17 | |
Mother. Our mother. | 1:25:17 | 1:25:20 | |
This is my brother, Mycroft. | 1:25:20 | 1:25:21 | |
Putting on weight again? | 1:25:21 | 1:25:23 | |
-Losing it, in fact. -He's your brother? | 1:25:24 | 1:25:27 | |
Course he's my brother. | 1:25:27 | 1:25:29 | |
-So he's not... -Not what? | 1:25:30 | 1:25:31 | |
I don't know... Criminal mastermind? | 1:25:33 | 1:25:35 | |
-Close enough. -For goodness' sake. | 1:25:36 | 1:25:38 | |
I occupy a minor position in the British government. | 1:25:38 | 1:25:41 | |
He IS the British government, when he's not too busy being the British secret service | 1:25:41 | 1:25:46 | |
or the CIA on a freelance basis. | 1:25:46 | 1:25:47 | |
Good evening, Mycroft. Try not to start a war before I get home, | 1:25:47 | 1:25:51 | |
you know what it does for the traffic. | 1:25:51 | 1:25:53 | |
So, when you say you're concerned about him - you actually are concerned? | 1:25:55 | 1:25:59 | |
Yes, of course. | 1:25:59 | 1:26:00 | |
I mean, it actually is a childish feud? | 1:26:01 | 1:26:03 | |
He's always been so resentful. | 1:26:04 | 1:26:06 | |
-You can imagine the Christmas dinners. -Yeah... | 1:26:06 | 1:26:10 | |
No... God, no. | 1:26:10 | 1:26:12 | |
I'd better erm... | 1:26:13 | 1:26:15 | |
Hello again. | 1:26:15 | 1:26:17 | |
-Hello. -We met earlier on this evening. | 1:26:17 | 1:26:20 | |
-Oh! -OK. Goodnight. | 1:26:21 | 1:26:23 | |
Goodnight, Dr Watson. | 1:26:23 | 1:26:25 | |
-So, dim sum. -Mmm! | 1:26:27 | 1:26:29 | |
-I can always predict the fortune cookies. -No, you can't. | 1:26:29 | 1:26:31 | |
Almost can. You did get shot, though. | 1:26:31 | 1:26:33 | |
-Sorry? -In Afghanistan. There was an actual wound. | 1:26:33 | 1:26:36 | |
-Oh. Yeah, shoulder. -Shoulder! I thought so. | 1:26:36 | 1:26:38 | |
-No, you didn't. -The left one. -Lucky guess. -I never guess. | 1:26:38 | 1:26:41 | |
Yes, you do. | 1:26:41 | 1:26:43 | |
-What are you so happy about? -Moriarty. | 1:26:43 | 1:26:46 | |
-What's Moriarty? -I've absolutely no idea. | 1:26:46 | 1:26:49 | |
Sir, shall we go? | 1:26:50 | 1:26:53 | |
Interesting, that soldier fellow. | 1:26:53 | 1:26:56 | |
He could be the making of my brother... | 1:26:56 | 1:26:59 | |
or make him worse than ever. | 1:26:59 | 1:27:00 | |
Either way, we'd better upgrade their surveillance status. | 1:27:01 | 1:27:04 | |
Grade three active. | 1:27:04 | 1:27:07 | |
Sorry, sir - whose status? | 1:27:07 | 1:27:09 | |
Sherlock Holmes, and Dr Watson. | 1:27:11 | 1:27:14 | |
Subtitles by Red Bee Media Ltd | 1:27:48 | 1:27:50 | |
E-mail [email protected] | 1:27:51 | 1:27:53 |