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CHINESE FLUTES PLAY | 0:00:02 | 0:00:05 | |
WOMAN: The great artisans say the more the teapot is used | 0:00:11 | 0:00:16 | |
the more beautiful it becomes. | 0:00:16 | 0:00:19 | |
The pot is seasoned by repeatedly pouring tea over the surface. | 0:00:20 | 0:00:26 | |
The deposit left on the clay creates this beautiful patina over time. | 0:00:26 | 0:00:34 | |
Some pots, the clay has been burnished by tea made over 400 years ago. | 0:00:34 | 0:00:39 | |
PA SYSTEM: This museum will be closing in 10 minutes. | 0:00:50 | 0:00:54 | |
400 years old, they're letting you use it to make yourself a brew. | 0:00:54 | 0:00:58 | |
Some things aren't supposed to sit behind glass, | 0:00:58 | 0:01:01 | |
they're made to be touched. | 0:01:01 | 0:01:02 | |
To be handled. | 0:01:02 | 0:01:05 | |
SIGHS These pots need attention. | 0:01:07 | 0:01:10 | |
The clay is cracking. | 0:01:10 | 0:01:12 | |
Well, I can't see how a tiny splash of tea is going to help. | 0:01:12 | 0:01:15 | |
Sometimes you have to look hard at something | 0:01:15 | 0:01:18 | |
to see its value. | 0:01:18 | 0:01:20 | |
See? | 0:01:22 | 0:01:24 | |
This one shines a little brighter. | 0:01:24 | 0:01:26 | |
I don't suppose... | 0:01:28 | 0:01:29 | |
Um, I mean... | 0:01:29 | 0:01:30 | |
I don't suppose that you want to have a drink? | 0:01:30 | 0:01:33 | |
Not tea, obviously. Um, in a pub, with me, tonight. | 0:01:33 | 0:01:38 | |
Um...? | 0:01:38 | 0:01:41 | |
You wouldn't like me all that much. | 0:01:41 | 0:01:43 | |
Can I maybe decide that for myself? | 0:01:44 | 0:01:46 | |
I can't. | 0:01:50 | 0:01:52 | |
I'm sorry. | 0:01:52 | 0:01:55 | |
Please stop asking. | 0:01:55 | 0:01:56 | |
THUD! | 0:01:58 | 0:02:00 | |
CLUNK! | 0:02:00 | 0:02:01 | |
LOCK CLICKS | 0:02:16 | 0:02:18 | |
Is that security? | 0:02:22 | 0:02:24 | |
Hello? | 0:02:42 | 0:02:44 | |
SIREN WAILS | 0:03:47 | 0:03:49 | |
BEEPS | 0:03:49 | 0:03:51 | |
PA SYSTEM: Can the till supervisor please go to...? | 0:03:51 | 0:03:54 | |
COMPUTER-GENERATED MESSAGE: Unexpected item in bagging area, | 0:03:54 | 0:03:57 | |
please try again. | 0:03:57 | 0:03:58 | |
GRUNTING AND GROANING | 0:03:58 | 0:04:02 | |
Argh! THUD! | 0:04:02 | 0:04:04 | |
Item not scanned. Please try again. | 0:04:06 | 0:04:08 | |
Can you maybe keep your voice down? | 0:04:08 | 0:04:10 | |
-Card not authorised. -Yes, all right! I've got it. | 0:04:21 | 0:04:24 | |
Please use an alternative method of payment. Card not authorised. | 0:04:24 | 0:04:27 | |
Please use an alternative method of payment. | 0:04:27 | 0:04:29 | |
Keep it. Keep that. | 0:04:29 | 0:04:31 | |
GRUNTS | 0:04:31 | 0:04:33 | |
SIGHS | 0:04:35 | 0:04:37 | |
MOTORCYCLE ENGINE REVS | 0:04:43 | 0:04:47 | |
CAR HORN BLARES | 0:04:51 | 0:04:52 | |
-You took your time. -Yeah, I didn't get the shopping. | 0:04:52 | 0:04:55 | |
What? Why not? | 0:04:55 | 0:04:56 | |
Because I had a row in the shop with a chip and PIN machine. | 0:04:56 | 0:05:00 | |
You... You had a row with a machine?! | 0:05:00 | 0:05:02 | |
Sort of. It sat there and I shouted abuse. Have you got cash? | 0:05:02 | 0:05:05 | |
Take my card. | 0:05:05 | 0:05:07 | |
You could always go yourself, you know, you've been sitting there all morning, | 0:05:10 | 0:05:13 | |
you've not even moved since I left. | 0:05:13 | 0:05:15 | |
GRUNTS AND GROANS | 0:05:15 | 0:05:17 | |
And what happened about that case you were offered - | 0:05:17 | 0:05:19 | |
-the Jaria diamond? -Not interested. | 0:05:19 | 0:05:22 | |
METALLIC CLANK | 0:05:22 | 0:05:23 | |
-I sent them a message. -THUD! | 0:05:23 | 0:05:27 | |
WATSON SIGHS AND TUTS | 0:05:29 | 0:05:31 | |
Don't worry about me, I can manage. | 0:05:39 | 0:05:42 | |
-Is that my computer? -Of course. | 0:05:51 | 0:05:53 | |
-What? -Mine was in the bedroom. | 0:05:53 | 0:05:55 | |
What? And you couldn't be bothered to get up? | 0:05:55 | 0:05:58 | |
It's password protected. | 0:05:58 | 0:05:59 | |
In a manner of speaking. Took me less than a minute to guess yours, | 0:05:59 | 0:06:02 | |
not exactly Fort Knox. | 0:06:02 | 0:06:04 | |
Right. Thank you. | 0:06:04 | 0:06:05 | |
SIREN WAILS | 0:06:09 | 0:06:12 | |
Oh... | 0:06:12 | 0:06:13 | |
-Need to get a job. -Oh, dull. | 0:06:19 | 0:06:22 | |
Listen, um... | 0:06:25 | 0:06:27 | |
..if you'd be able to lend me some... | 0:06:30 | 0:06:32 | |
-Sherlock, are you listening? -I need to go to the bank. | 0:06:35 | 0:06:39 | |
Yes, when you said we were going to the bank... | 0:07:03 | 0:07:05 | |
DOOR BEEPS | 0:07:13 | 0:07:15 | |
ELEVATOR PINGS | 0:07:15 | 0:07:16 | |
-Sherlock Holmes. -PHONE RINGS | 0:07:25 | 0:07:28 | |
Sherlock Holmes. | 0:07:29 | 0:07:30 | |
-Sebastian. -Hiya, buddy. | 0:07:30 | 0:07:32 | |
How long - eight years since I last clapped eyes on you? | 0:07:32 | 0:07:34 | |
-This is my friend, John Watson. -Friend? -Colleague. | 0:07:34 | 0:07:39 | |
Right. | 0:07:40 | 0:07:42 | |
PHONE RINGING | 0:07:42 | 0:07:43 | |
Grab a pew. | 0:07:43 | 0:07:44 | |
Do you need anything, coffee, water? | 0:07:44 | 0:07:46 | |
No? We're all sorted here, thanks. | 0:07:46 | 0:07:50 | |
So you're doing well. You've been abroad a lot. | 0:07:50 | 0:07:54 | |
Well, so? | 0:07:54 | 0:07:55 | |
Flying all the way around the world twice in a month. | 0:07:55 | 0:07:58 | |
SCOFFS Right. You're doing that thing. | 0:07:58 | 0:08:02 | |
We were at uni together, and this guy here had a trick he used to do. | 0:08:02 | 0:08:06 | |
It's not a trick. | 0:08:06 | 0:08:07 | |
He could look at you and tell you your whole life story. | 0:08:07 | 0:08:09 | |
-Yes, I've seen him do it. -Put the wind up everybody, we hated him. | 0:08:09 | 0:08:13 | |
We'd come down to breakfast in the formal hall | 0:08:13 | 0:08:15 | |
and this freak would know you'd been shagging the previous night. | 0:08:15 | 0:08:17 | |
-I simply observed. -Go on, enlighten me. | 0:08:17 | 0:08:19 | |
Two trips a month, flying all the way around the world, you're quite right. | 0:08:19 | 0:08:23 | |
How could you tell? Are you going to tell me there's a stain on my tie | 0:08:23 | 0:08:27 | |
from some special kind of ketchup you can only buy in Manhattan? | 0:08:27 | 0:08:29 | |
-No, I... -Is it the mud on my shoes? | 0:08:29 | 0:08:32 | |
I was just chatting with your secretary outside. | 0:08:33 | 0:08:35 | |
She told me. | 0:08:35 | 0:08:37 | |
LAUGHS | 0:08:37 | 0:08:41 | |
I'm glad you could make it over, we've had a break-in. | 0:08:43 | 0:08:46 | |
Sir William's office - the bank's former chairman. | 0:08:46 | 0:08:49 | |
The room's been left here like a sort of memorial. | 0:08:49 | 0:08:52 | |
Someone broke in late last night. | 0:08:52 | 0:08:54 | |
-What did they steal? -Nothing. | 0:08:54 | 0:08:57 | |
Just left a little message. PHONE RINGING | 0:08:57 | 0:08:59 | |
ELECTRONIC BEEP | 0:08:59 | 0:09:01 | |
60 seconds apart. | 0:09:16 | 0:09:17 | |
KEYBOARD BEEPS | 0:09:17 | 0:09:19 | |
So, someone came up here in the middle of the night, | 0:09:24 | 0:09:27 | |
splashed paint around and left within a minute. | 0:09:27 | 0:09:30 | |
How many ways into that office? | 0:09:30 | 0:09:32 | |
Well, that's where this gets really interesting. | 0:09:32 | 0:09:34 | |
Every door that opens in this bank, it gets locked right here. | 0:09:34 | 0:09:38 | |
Every walk-in cupboard, every toilet. | 0:09:38 | 0:09:40 | |
That door didn't open last night? | 0:09:40 | 0:09:42 | |
There's a hole in our security. | 0:09:42 | 0:09:44 | |
Find it and we'll pay you - | 0:09:44 | 0:09:46 | |
five figures. | 0:09:46 | 0:09:47 | |
This is an advance. | 0:09:47 | 0:09:49 | |
Tell me how he got in. | 0:09:49 | 0:09:51 | |
There's a bigger one on its way. | 0:09:51 | 0:09:52 | |
I don't need an incentive, Sebastian. | 0:09:52 | 0:09:56 | |
-He's, er... -CLEARS THROAT -..he's kidding you, obviously. | 0:09:58 | 0:10:01 | |
Shall I look after that for him? | 0:10:01 | 0:10:03 | |
Thanks. | 0:10:03 | 0:10:04 | |
Two trips around the world this month. | 0:11:53 | 0:11:56 | |
You didn't ask his secretary, you said that just to irritate him. | 0:11:56 | 0:12:00 | |
-How did you know? -Did you see his watch? | 0:12:00 | 0:12:01 | |
His watch? | 0:12:01 | 0:12:03 | |
The time was right, but the date was wrong. | 0:12:03 | 0:12:05 | |
Said two days ago. Crossed the date line twice and he didn't alter it. | 0:12:05 | 0:12:08 | |
-Within a month? How did you get that? -New Breitling. | 0:12:08 | 0:12:11 | |
Only came out this February. | 0:12:11 | 0:12:12 | |
OK. So do you think we should sniff around here for a bit longer? | 0:12:13 | 0:12:17 | |
Got everything I need to know already, thanks. | 0:12:17 | 0:12:19 | |
That graffiti was a message. | 0:12:19 | 0:12:20 | |
Someone at the bank, working on the trading floors. | 0:12:22 | 0:12:23 | |
We find the intended recipient and... | 0:12:23 | 0:12:26 | |
They'll lead us to the person who sent it? | 0:12:26 | 0:12:28 | |
Obvious. | 0:12:28 | 0:12:29 | |
Well, there's 300 people up there, who was it meant for? | 0:12:29 | 0:12:31 | |
-Pillars. -What? | 0:12:31 | 0:12:34 | |
Pillars and the screens. | 0:12:34 | 0:12:35 | |
Very few places you could see that graffiti from. | 0:12:35 | 0:12:36 | |
That narrows the field considerably. And, of course, the message was left | 0:12:36 | 0:12:40 | |
at 11.34 last night. That tells us a lot. | 0:12:40 | 0:12:42 | |
-Does it? -Traders come to work at all hours. | 0:12:42 | 0:12:44 | |
Some trade with Hong Kong in the middle of the night. | 0:12:44 | 0:12:46 | |
That message was intended for somebody who came in at midnight. | 0:12:46 | 0:12:50 | |
Not many Van Coons in the phone book. | 0:12:50 | 0:12:53 | |
Taxi! | 0:12:53 | 0:12:54 | |
BUZZES | 0:13:09 | 0:13:10 | |
So what do we do now? Sit here and wait for him to come back? | 0:13:15 | 0:13:18 | |
-Just moved in. -What? | 0:13:18 | 0:13:20 | |
-Floor above, new label. -Could have just replaced it. | 0:13:20 | 0:13:23 | |
BUZZES | 0:13:23 | 0:13:25 | |
-No-one ever does that. -WOMAN: Hello? | 0:13:25 | 0:13:28 | |
Hi, um, I live in the flat just below you. I don't think we've met. | 0:13:28 | 0:13:33 | |
No, well, er, I've just moved in. | 0:13:33 | 0:13:35 | |
Actually, I've just locked my keys in my flat. | 0:13:37 | 0:13:41 | |
Do you want me to buzz you in? | 0:13:41 | 0:13:42 | |
Yeah. And can we use your balcony? | 0:13:42 | 0:13:45 | |
What?! | 0:13:45 | 0:13:46 | |
DOOR BUZZES | 0:14:22 | 0:14:25 | |
WATSON: Sherlock? | 0:14:25 | 0:14:28 | |
WATSON: Sherlock, are you OK? | 0:14:28 | 0:14:30 | |
Yeah, any time you feel like letting me in(!) | 0:14:36 | 0:14:38 | |
Do you think he'd lost a lot of money? | 0:14:52 | 0:14:54 | |
Suicide is pretty common among City boys. | 0:14:54 | 0:14:57 | |
-We don't know that it was suicide. -Come on. | 0:14:57 | 0:14:59 | |
The door was locked from the inside, you had to climb down the balcony. | 0:14:59 | 0:15:02 | |
Been away three days judging by the laundry. | 0:15:02 | 0:15:06 | |
Look at the case, there was something tightly packed inside it. | 0:15:08 | 0:15:10 | |
-Thanks. I'll take your word for it. -Problem? | 0:15:10 | 0:15:13 | |
Yeah, I'm not desperate to root around some bloke's dirty underwear. | 0:15:13 | 0:15:17 | |
Those symbols at the bank, the graffiti, why were they put there? | 0:15:17 | 0:15:20 | |
-Some sort of code? -Obviously. | 0:15:20 | 0:15:22 | |
Why were they painted? Want to communicate, why not use e-mail? | 0:15:22 | 0:15:25 | |
Well, maybe he wasn't answering. | 0:15:25 | 0:15:26 | |
Oh, good, you follow. | 0:15:26 | 0:15:28 | |
No. | 0:15:28 | 0:15:30 | |
What kind of a message would everyone try to avoid? | 0:15:30 | 0:15:32 | |
What about this morning? | 0:15:34 | 0:15:35 | |
-Those letters you were looking at? -Bills? | 0:15:35 | 0:15:39 | |
Yes. He was being threatened. | 0:15:41 | 0:15:44 | |
MAN'S VOICE IN BACKGROUND | 0:15:44 | 0:15:46 | |
Not by the Gas Board. | 0:15:46 | 0:15:47 | |
DIMMOCK: ...see if we can get prints off this glass. | 0:15:47 | 0:15:49 | |
Sergeant, we haven't met. | 0:15:49 | 0:15:51 | |
Yeah, I know who you are | 0:15:51 | 0:15:53 | |
and I would prefer it if you didn't tamper with any of the evidence. | 0:15:53 | 0:15:55 | |
-I phoned Lestrade. Is he on his way? -He's busy. I'm in charge. | 0:15:59 | 0:16:04 | |
And it's not Sergeant, it's Detective Inspector Dimmock. | 0:16:04 | 0:16:08 | |
We're obviously looking at a suicide. | 0:16:12 | 0:16:13 | |
It does seem the only explanation of all the facts. | 0:16:13 | 0:16:16 | |
Wrong, it's one possible explanation of some of the facts. | 0:16:16 | 0:16:18 | |
You've got a solution that you like, but you are choosing | 0:16:18 | 0:16:21 | |
to ignore anything you see that doesn't comply with it. | 0:16:21 | 0:16:23 | |
-Like? -Wound's on the right side of his head. | 0:16:23 | 0:16:25 | |
-And? -Van Coon was left-handed. | 0:16:25 | 0:16:26 | |
Requires quite a bit of contortion. | 0:16:26 | 0:16:28 | |
-Left-handed? -I'm amazed you didn't notice. All you have to do is look around this flat. | 0:16:28 | 0:16:32 | |
Coffee table on the left-hand side, | 0:16:32 | 0:16:34 | |
coffee mug handle pointing to the left. | 0:16:34 | 0:16:36 | |
Power sockets, habitually used the ones on the left. Pen and paper | 0:16:36 | 0:16:38 | |
on the left of the phone. Picked up with his right, took messages with his left. | 0:16:38 | 0:16:42 | |
-D'you want me to go on? -No, I think you've covered it. | 0:16:42 | 0:16:43 | |
I might as well, I'm almost at the bottom of the list. | 0:16:43 | 0:16:45 | |
There's a knife on the breadboard with butter on the right side of the blade | 0:16:45 | 0:16:48 | |
because he used it with his left. It's highly unlikely | 0:16:48 | 0:16:49 | |
that a left-handed man would shoot himself in the right of his head. | 0:16:49 | 0:16:52 | |
Conclusion, someone broke in here and murdered him - | 0:16:52 | 0:16:54 | |
only explanation of all of the facts. | 0:16:54 | 0:16:56 | |
-But the gun? -He was waiting for the killer. | 0:16:56 | 0:16:58 | |
-He'd been threatened. -What? | 0:16:58 | 0:17:01 | |
Today at the bank, sort of a warning. | 0:17:01 | 0:17:04 | |
He fired a shot when his attacker came in. | 0:17:04 | 0:17:06 | |
-And the bullet? -Went through the open window. | 0:17:06 | 0:17:08 | |
Oh, come on(!) | 0:17:08 | 0:17:10 | |
What are the chances of that?! | 0:17:10 | 0:17:12 | |
Wait until you get the ballistics report. | 0:17:12 | 0:17:14 | |
The bullet in his brain wasn't fired from his gun, I guarantee it. | 0:17:14 | 0:17:17 | |
If his door was locked from the inside, how did the killer get in? | 0:17:17 | 0:17:21 | |
Good, you're finally asking the right questions. | 0:17:21 | 0:17:24 | |
He's left trying to sort of cut his hair with a fork, | 0:17:31 | 0:17:33 | |
which of course can never be done. | 0:17:33 | 0:17:35 | |
It was a threat, that's what the graffiti meant. | 0:17:35 | 0:17:38 | |
I'm kind of in a meeting. | 0:17:38 | 0:17:39 | |
Can you make an appointment with my secretary? | 0:17:39 | 0:17:42 | |
I don't think this can wait. Sorry, Sebastian. | 0:17:42 | 0:17:45 | |
One of your traders, someone who worked in your office, was killed. | 0:17:45 | 0:17:49 | |
-What? -Van Coon. | 0:17:49 | 0:17:51 | |
The police are at his flat. | 0:17:51 | 0:17:52 | |
-Killed?! -Sorry to interfere | 0:17:52 | 0:17:54 | |
with everyone's digestion. Still want to make an appointment(?) | 0:17:54 | 0:17:57 | |
Would maybe nine o'clock at Scotland Yard suit? | 0:17:57 | 0:17:59 | |
Harrow, Oxford...very bright guy. | 0:18:03 | 0:18:07 | |
Worked in Asia for a while, so... | 0:18:08 | 0:18:11 | |
You gave him the Hong Kong accounts? | 0:18:11 | 0:18:13 | |
Lost 5 million in a single morning, made it all back a week later. | 0:18:15 | 0:18:19 | |
Nerves of steel, Eddie had. | 0:18:19 | 0:18:20 | |
-Who'd want to kill him? -We all make enemies. | 0:18:20 | 0:18:23 | |
You don't all end up with a bullet through your temple. | 0:18:23 | 0:18:25 | |
MOBILE RINGS Not usually. Excuse me. | 0:18:25 | 0:18:27 | |
It's my chairman. | 0:18:30 | 0:18:32 | |
Police have been on to him. | 0:18:32 | 0:18:34 | |
Apparently they're telling him | 0:18:34 | 0:18:36 | |
-it was a suicide. -Well, they've got it wrong, | 0:18:36 | 0:18:38 | |
Sebastian. He was murdered. | 0:18:38 | 0:18:39 | |
Well, I'm afraid they don't see it like that. | 0:18:39 | 0:18:42 | |
-So? -And neither does my boss. | 0:18:42 | 0:18:44 | |
I hired you to do a job. Don't get sidetracked. | 0:18:44 | 0:18:47 | |
FADING FOOTSTEPS | 0:18:47 | 0:18:51 | |
I thought bankers were all supposed to be heartless bastards. | 0:18:51 | 0:18:53 | |
HORN BLARES | 0:19:00 | 0:19:03 | |
I need you to get over to Crispians. | 0:19:41 | 0:19:44 | |
Two Ming vases up for auction - Chenghua. | 0:19:44 | 0:19:49 | |
-Will you appraise them? -Soo Lin should go - she's the expert. | 0:19:49 | 0:19:53 | |
Soo Lin has resigned her job. I need you. | 0:19:53 | 0:19:55 | |
PHONE RINGING | 0:20:44 | 0:20:46 | |
-Just locum work. -No, that's fine. | 0:20:49 | 0:20:52 | |
You're, um... Well, you're a bit over-qualified. | 0:20:53 | 0:20:56 | |
Er, I could always do with the money. | 0:20:58 | 0:21:00 | |
Well, we've got two away on holiday this week | 0:21:00 | 0:21:04 | |
and one's just left to have a baby. | 0:21:04 | 0:21:06 | |
It might be a bit mundane for you. | 0:21:06 | 0:21:09 | |
Er, no, mundane is good, sometimes. | 0:21:09 | 0:21:13 | |
Mundane works. | 0:21:13 | 0:21:14 | |
-It says here you were a soldier. -And a doctor. | 0:21:14 | 0:21:18 | |
Anything else you can do? | 0:21:21 | 0:21:23 | |
I learned the clarinet at school. | 0:21:23 | 0:21:25 | |
Oh... LAUGHS ..well, I'll look forward to it. | 0:21:25 | 0:21:29 | |
I said, could you pass me a pen? | 0:21:37 | 0:21:39 | |
-What? When? -About an hour ago. | 0:21:41 | 0:21:43 | |
Didn't notice I'd gone out then? | 0:21:44 | 0:21:47 | |
I went to see about a job at that surgery. | 0:21:48 | 0:21:51 | |
-How was it? -Great. She's great. | 0:21:51 | 0:21:53 | |
Who? | 0:21:53 | 0:21:55 | |
The job. | 0:21:55 | 0:21:57 | |
She?! | 0:21:57 | 0:21:58 | |
It. | 0:21:59 | 0:22:00 | |
Yeah, have a look. | 0:22:02 | 0:22:03 | |
"The intruder who can walk through walls." | 0:22:08 | 0:22:11 | |
It happened last night. | 0:22:11 | 0:22:13 | |
Journalist shot dead in his flat. | 0:22:13 | 0:22:15 | |
Doors locked, windows bolted from the inside. | 0:22:15 | 0:22:17 | |
Exactly the same as Van Coon. | 0:22:17 | 0:22:19 | |
-God! You think...? -He's killed another one. | 0:22:20 | 0:22:23 | |
Brian Lukis, freelance journalist, | 0:22:31 | 0:22:35 | |
murdered in his flat. | 0:22:35 | 0:22:37 | |
Doors locked from the inside. | 0:22:37 | 0:22:39 | |
You've got to admit, it's similar. | 0:22:39 | 0:22:41 | |
Both men killed by someone who can walk through solid walls. | 0:22:41 | 0:22:44 | |
Inspector, do you seriously believe that Eddie Van Coon was | 0:22:44 | 0:22:48 | |
just another city suicide? | 0:22:48 | 0:22:50 | |
-SIGHS -You have seen the ballistics report, I suppose? | 0:22:51 | 0:22:55 | |
And the shot that killed him. Was it fired from his own gun? | 0:22:55 | 0:22:57 | |
-No. -No. So this investigation might move | 0:22:57 | 0:23:00 | |
a bit quicker if you were to take my word as gospel. | 0:23:00 | 0:23:02 | |
I've just handed you a murder inquiry. | 0:23:04 | 0:23:08 | |
Five minutes in his flat. | 0:23:08 | 0:23:10 | |
Four floors up. | 0:23:38 | 0:23:40 | |
That's why they think they're safe. | 0:23:40 | 0:23:43 | |
Put a chain across the door, bolt it shut, think they're impregnable. | 0:23:43 | 0:23:46 | |
They don't reckon for one second that there's another way in. | 0:23:48 | 0:23:52 | |
-I don't understand. -Dealing with a killer who can climb. | 0:23:52 | 0:23:57 | |
-What are you doing? -Clings to the walls like an insect. | 0:23:57 | 0:24:00 | |
-CLUNK! -That's how he got in. | 0:24:00 | 0:24:02 | |
What?! | 0:24:02 | 0:24:03 | |
He climbed up the side of the walls, ran along the roof, | 0:24:03 | 0:24:06 | |
dropped in through this skylight. | 0:24:06 | 0:24:08 | |
You're not serious?! Like Spider-Man? | 0:24:08 | 0:24:11 | |
He scaled six floors of a Docklands apartment building, | 0:24:11 | 0:24:14 | |
-jumped the balcony and killed Van Coon. -Oh, hold on(!) | 0:24:14 | 0:24:17 | |
That's how he got into the bank - ran along the window ledge onto the terrace. | 0:24:17 | 0:24:22 | |
I have to find out what connects these two men. | 0:24:22 | 0:24:24 | |
Date stamped on the book is the same day that he died. | 0:24:52 | 0:24:55 | |
Sherlock? | 0:25:04 | 0:25:06 | |
So, the killer goes to the bank, | 0:25:17 | 0:25:20 | |
leaves a threatening cipher at the bank. | 0:25:20 | 0:25:21 | |
Van Coon panics, returns to his apartment, locks himself in. | 0:25:21 | 0:25:23 | |
Hours later, he dies. | 0:25:23 | 0:25:26 | |
The killer finds Lukis at the library, he writes the cipher | 0:25:26 | 0:25:30 | |
on the shelf where he knows it'll be seen. Lukis goes home. | 0:25:30 | 0:25:33 | |
Late that night, he dies too. | 0:25:33 | 0:25:36 | |
Why did they die, Sherlock? | 0:25:38 | 0:25:40 | |
Only the cipher can tell us. | 0:25:40 | 0:25:43 | |
The world's run on codes and ciphers, John. | 0:25:48 | 0:25:51 | |
From the million-pound security system at the bank to the PIN machine | 0:25:51 | 0:25:54 | |
you took exception to. Cryptography inhabits our every waking moment. | 0:25:54 | 0:25:57 | |
Yes, OK, but... | 0:25:57 | 0:25:59 | |
But it's all computer generated - | 0:25:59 | 0:26:00 | |
electronic codes, electronic ciphering methods. | 0:26:00 | 0:26:03 | |
This is different. | 0:26:03 | 0:26:05 | |
It's an ancient device. | 0:26:05 | 0:26:07 | |
Modern code-breaking methods won't unravel it. | 0:26:07 | 0:26:09 | |
-Where are we headed? -I need to ask some advice. | 0:26:09 | 0:26:11 | |
What?! Sorry? | 0:26:11 | 0:26:14 | |
You heard me perfectly. I'm not saying it again. | 0:26:15 | 0:26:17 | |
-You need advice? -On painting. | 0:26:17 | 0:26:19 | |
Yes, I need to talk to an expert. | 0:26:19 | 0:26:20 | |
SIREN WAILS | 0:26:20 | 0:26:23 | |
Part of a new exhibition. | 0:26:29 | 0:26:31 | |
-Interesting. -I call it... | 0:26:31 | 0:26:34 | |
Urban Bloodlust Frenzy. CHUCKLES | 0:26:34 | 0:26:37 | |
Catchy(!) | 0:26:37 | 0:26:39 | |
I've got two minutes before a Community Support Officer | 0:26:39 | 0:26:42 | |
comes around that corner. | 0:26:42 | 0:26:43 | |
Can we do this while I'm working? | 0:26:43 | 0:26:46 | |
-Know the author? -I recognise the paint. | 0:26:51 | 0:26:55 | |
It's like Michigan...hard-core propellant. | 0:26:55 | 0:26:58 | |
I'd say zinc. | 0:26:58 | 0:26:59 | |
And what about the symbols? Do you recognise them? | 0:26:59 | 0:27:02 | |
I'm not even sure it's a proper language. | 0:27:02 | 0:27:04 | |
Two men have been murdered, Raz. | 0:27:05 | 0:27:07 | |
Deciphering this is the key to finding out who killed them. | 0:27:07 | 0:27:09 | |
And this is all you've got to go on(?) | 0:27:09 | 0:27:12 | |
-It's hardly much, is it? -Are you going to help us or not? | 0:27:12 | 0:27:15 | |
I'll ask around. | 0:27:17 | 0:27:18 | |
-Somebody must know something about it. -Oi! | 0:27:18 | 0:27:20 | |
METALLIC CLATTERING | 0:27:22 | 0:27:23 | |
What the hell do you think you're doing? This gallery is a listed public building. | 0:27:23 | 0:27:26 | |
No, no. Wait, wait. It's not me who painted that. | 0:27:26 | 0:27:29 | |
I was just holding this for... | 0:27:29 | 0:27:30 | |
Bit of an enthusiast, are we? | 0:27:36 | 0:27:37 | |
POLICE RADIO IN BACKGROUND | 0:27:37 | 0:27:40 | |
She was right in the middle of an important piece of restoration. | 0:27:41 | 0:27:45 | |
Why would she suddenly resign? | 0:27:45 | 0:27:47 | |
Family problems. She said so in her letter. | 0:27:47 | 0:27:49 | |
But she doesn't have a family. She came to this country on her own. | 0:27:49 | 0:27:52 | |
-Andy! -Look, those teapots, those ceramics. | 0:27:52 | 0:27:54 | |
They've become her obsession. | 0:27:54 | 0:27:56 | |
She's been working on restoring them for weeks. | 0:27:56 | 0:27:58 | |
I can't believe that she would just...abandon them. | 0:27:58 | 0:28:02 | |
Perhaps she was getting a bit of unwanted attention? | 0:28:02 | 0:28:05 | |
DOOR SLAMS | 0:28:15 | 0:28:16 | |
You've been a while. | 0:28:17 | 0:28:18 | |
Yeah, well, you know how it is. | 0:28:21 | 0:28:23 | |
Custody sergeants don't really like to be hurried, do they? | 0:28:23 | 0:28:26 | |
Just formalities. Fingerprints, | 0:28:26 | 0:28:28 | |
charge sheet, and I've got to be in magistrates' court on Tuesday. | 0:28:28 | 0:28:31 | |
-What? -Me, Sherlock! In court, on Tuesday! | 0:28:31 | 0:28:35 | |
-They're giving me an ASBO! -Good, fine. | 0:28:35 | 0:28:38 | |
You want to tell your little pal he's welcome to go and own up any time. | 0:28:38 | 0:28:41 | |
This symbol, I still can't place it. | 0:28:41 | 0:28:43 | |
No, I need you to go to the police station | 0:28:43 | 0:28:45 | |
and ask about the journalist. The personal effects will have been impounded. | 0:28:45 | 0:28:48 | |
Get hold of his diary, or something that will tell us his movements. | 0:28:48 | 0:28:52 | |
Go and see Van Coon's PA. | 0:28:52 | 0:28:53 | |
If you retrace their steps, somewhere they'll coincide. | 0:28:53 | 0:28:57 | |
SHUTTER CLICKS | 0:29:03 | 0:29:04 | |
Scotland Yard. | 0:29:05 | 0:29:07 | |
Flew back from Dalian Friday. | 0:29:17 | 0:29:19 | |
Looks like he had back-to-back meetings with the sales team. | 0:29:19 | 0:29:22 | |
Can you print me up a copy? | 0:29:22 | 0:29:24 | |
-Sure. -What about the day he died? | 0:29:24 | 0:29:26 | |
-Can you tell me where he was? -Sorry, I've got a gap. | 0:29:26 | 0:29:29 | |
I have all his receipts. | 0:29:30 | 0:29:32 | |
-Your friend... -Listen, whatever you say, | 0:29:32 | 0:29:35 | |
I'm behind you 100 per cent. | 0:29:35 | 0:29:36 | |
...he's an arrogant sod. | 0:29:36 | 0:29:38 | |
Well, that was mild. People say a lot worse than that. | 0:29:39 | 0:29:42 | |
This is what you wanted, isn't it? The journalist's diary? | 0:29:44 | 0:29:47 | |
What kind of a boss was he, Amanda? Appreciative? | 0:29:52 | 0:29:56 | |
Um, no. That's not a word I'd use. | 0:29:56 | 0:29:59 | |
The only things Eddie appreciated had a big price tag. | 0:29:59 | 0:30:03 | |
Like that hand cream. He bought that for you, didn't he? | 0:30:03 | 0:30:06 | |
Look at this one. | 0:30:12 | 0:30:14 | |
Got a taxi from him on the day he died, £18.50. | 0:30:14 | 0:30:16 | |
That would get him to the office. | 0:30:16 | 0:30:18 | |
Not rush hour. Check the time. Mid-morning. 18 would get him | 0:30:18 | 0:30:21 | |
-as far as... -..The West End. I remember him saying. | 0:30:21 | 0:30:24 | |
Underground, printed at one in Piccadilly. | 0:30:25 | 0:30:27 | |
So he got a Tube back to the office. | 0:30:27 | 0:30:30 | |
Why would he get a taxi into town, and then the Tube back? | 0:30:30 | 0:30:32 | |
Because he was delivering something heavy. | 0:30:32 | 0:30:35 | |
You wouldn't lug a package up the escalator. | 0:30:35 | 0:30:37 | |
Delivering?! | 0:30:37 | 0:30:39 | |
To somewhere near Piccadilly Station. | 0:30:39 | 0:30:41 | |
Dropped the package, delivered it, and then... | 0:30:41 | 0:30:43 | |
Stopped on his way. He got peckish. | 0:30:46 | 0:30:48 | |
So you bought your lunch from here en route to the station | 0:30:52 | 0:30:55 | |
but where were you headed from? | 0:30:55 | 0:30:56 | |
Where did the taxi drop you? | 0:30:56 | 0:30:58 | |
-Oof! -Right. | 0:30:58 | 0:31:00 | |
Eddie Van Coon brought a package here the day he died. | 0:31:00 | 0:31:02 | |
Whatever was hidden inside that case... | 0:31:02 | 0:31:03 | |
I've managed to piece together a picture | 0:31:03 | 0:31:05 | |
using scraps of information - credit card bills, receipts. He flew back from China, | 0:31:05 | 0:31:09 | |
-then he came here. -Sherlock. | 0:31:09 | 0:31:10 | |
Somewhere in this street, somewhere near. I don't know where, but... | 0:31:10 | 0:31:13 | |
-That shop, over there. -How could you tell? | 0:31:13 | 0:31:17 | |
Lukis' diary. He was here too. | 0:31:17 | 0:31:18 | |
-He wrote down the address. -Oh. | 0:31:18 | 0:31:22 | |
SHOP BELL RINGS | 0:31:40 | 0:31:42 | |
Hello. | 0:31:46 | 0:31:47 | |
You want...lucky cat? | 0:31:53 | 0:31:56 | |
No, thanks, no. | 0:31:56 | 0:31:59 | |
£10! £10! | 0:31:59 | 0:32:01 | |
I think your wife, she will like. | 0:32:03 | 0:32:06 | |
Um, thank you. | 0:32:06 | 0:32:08 | |
Sherlock... | 0:32:15 | 0:32:17 | |
-The label there. -Yes, I see it. | 0:32:19 | 0:32:22 | |
It's exactly the same as the cipher. | 0:32:22 | 0:32:24 | |
WATSON CLEARS THROAT | 0:32:26 | 0:32:28 | |
It's an ancient number system - Hang Zhou. | 0:32:29 | 0:32:33 | |
These days only street traders use it. | 0:32:33 | 0:32:36 | |
Those were numbers written on the wall at the bank and at the library. | 0:32:36 | 0:32:39 | |
Numbers written in an ancient Chinese dialect. | 0:32:39 | 0:32:42 | |
It's a 15. | 0:32:42 | 0:32:43 | |
What we thought was the artist's tag, it's a number 15. | 0:32:43 | 0:32:46 | |
And the blindfold, the horizontal line. That was a number as well. | 0:32:46 | 0:32:50 | |
-The Chinese number one, John. -We found it. | 0:32:50 | 0:32:52 | |
Two men travel back from China, | 0:32:58 | 0:33:01 | |
both head straight for the Lucky Cat emporium. | 0:33:01 | 0:33:06 | |
What did they see? | 0:33:06 | 0:33:08 | |
It's not what they saw. | 0:33:08 | 0:33:10 | |
It's what they both brought back in those suitcases. | 0:33:10 | 0:33:13 | |
And you don't mean duty free. | 0:33:13 | 0:33:16 | |
Thank you. | 0:33:16 | 0:33:18 | |
Think about what Sebastian told us. | 0:33:22 | 0:33:24 | |
About Van Coon, about how he stayed afloat in the market. | 0:33:24 | 0:33:27 | |
-Lost 5 million. -Made it back in a week. | 0:33:27 | 0:33:30 | |
That's how he made such easy money. | 0:33:30 | 0:33:32 | |
-He was a smuggler. -Mm. | 0:33:32 | 0:33:34 | |
Cover would have been perfect. | 0:33:34 | 0:33:36 | |
Businessman, making frequent trips to Asia. | 0:33:38 | 0:33:40 | |
Lukis was the same, a journalist writing about China. | 0:33:40 | 0:33:44 | |
Both of them smuggled stuff about. | 0:33:44 | 0:33:46 | |
The Lucky Cat was their drop-off. | 0:33:46 | 0:33:48 | |
But why did they die? | 0:33:48 | 0:33:51 | |
It doesn't make sense. If they both turn up at the shop and deliver the goods, | 0:33:51 | 0:33:54 | |
why would someone threaten them | 0:33:54 | 0:33:56 | |
and kill them after the event, after they'd finished the job? | 0:33:56 | 0:33:59 | |
What if one of them was light-fingered? | 0:34:03 | 0:34:05 | |
-How do you mean? -Stole something. | 0:34:05 | 0:34:07 | |
Something from the hoard. | 0:34:07 | 0:34:09 | |
The killer doesn't know which of them took it | 0:34:09 | 0:34:11 | |
so threatens them both. Right. | 0:34:11 | 0:34:12 | |
Remind me. | 0:34:15 | 0:34:17 | |
When was the last time that it rained? | 0:34:17 | 0:34:20 | |
It's been here since Monday. | 0:34:28 | 0:34:30 | |
HE RINGS DOORBELL | 0:34:31 | 0:34:34 | |
No-one's been in that flat for at least three days. | 0:34:42 | 0:34:45 | |
Could have gone on holiday. | 0:34:45 | 0:34:47 | |
Do you leave your windows open when you go on holiday? | 0:34:47 | 0:34:50 | |
METALLIC SCREECH | 0:34:58 | 0:35:00 | |
Sherlock! | 0:35:00 | 0:35:03 | |
GROANS WATER DRIPS | 0:35:03 | 0:35:05 | |
Someone else has been here. | 0:35:08 | 0:35:11 | |
Somebody else broke into the flat and knocked over the vase, just like I did. | 0:35:11 | 0:35:16 | |
SNIFFS DOORBELL RINGS | 0:35:23 | 0:35:27 | |
Do you think maybe you could let me in this time? | 0:35:27 | 0:35:29 | |
Can you not keep doing this, please? | 0:35:33 | 0:35:36 | |
I'm not the first. | 0:35:42 | 0:35:44 | |
-What? -Somebody's been in here before me. | 0:35:46 | 0:35:49 | |
What are you saying? | 0:35:50 | 0:35:52 | |
Size eight feet. | 0:35:54 | 0:35:57 | |
Small, but...athletic. | 0:35:57 | 0:36:02 | |
I'm wasting my breath. | 0:36:02 | 0:36:04 | |
DOORBELL RINGS | 0:36:05 | 0:36:08 | |
Small, strong hands. | 0:36:08 | 0:36:11 | |
Our acrobat. | 0:36:13 | 0:36:15 | |
Why didn't he close the window when he lef...? | 0:36:16 | 0:36:19 | |
Oh, stupid, stupid! | 0:36:19 | 0:36:21 | |
Obvious. | 0:36:21 | 0:36:23 | |
He's still here. | 0:36:23 | 0:36:25 | |
CHOKES | 0:36:43 | 0:36:45 | |
Any time you want to include me... | 0:36:48 | 0:36:51 | |
John... | 0:36:51 | 0:36:52 | |
John! | 0:36:52 | 0:36:55 | |
Oh, I'm Sherlock Holmes and I always work alone | 0:36:56 | 0:36:58 | |
because no-one else can compete with my massive intellect(!) | 0:36:58 | 0:37:01 | |
DOORBELL RINGS | 0:37:09 | 0:37:11 | |
SPLUTTERS AND COUGHS | 0:37:14 | 0:37:18 | |
GROANS | 0:37:19 | 0:37:23 | |
The milk's gone off and the washing's started to smell. | 0:37:44 | 0:37:46 | |
-Somebody left here in a hurry three days ago. -Somebody? | 0:37:46 | 0:37:49 | |
Soo Lin Yao. We have to find her. | 0:37:50 | 0:37:53 | |
How, exactly? | 0:37:53 | 0:37:54 | |
We could start with this. | 0:37:59 | 0:38:00 | |
You've gone all croaky. Are you getting a cold? | 0:38:00 | 0:38:03 | |
-COUGHS -I'm fine. | 0:38:03 | 0:38:05 | |
When was the last time that you saw her? | 0:38:06 | 0:38:09 | |
ANDY: Three days ago. Here at the museum. | 0:38:09 | 0:38:11 | |
This morning they told me she'd resigned. | 0:38:12 | 0:38:15 | |
Just like that. Left her work unfinished. | 0:38:15 | 0:38:19 | |
What was the last thing that she did on her final afternoon? | 0:38:19 | 0:38:23 | |
She does this demonstration for the tourists, a tea ceremony. | 0:38:26 | 0:38:32 | |
So she would have packed up her things and just put them in here. | 0:38:32 | 0:38:36 | |
We have to get to Soo Lin Yao. | 0:38:55 | 0:38:57 | |
-If she's still alive. -Sherlock! | 0:38:57 | 0:38:59 | |
Oh, look who it is. | 0:38:59 | 0:39:02 | |
Found something you'll like. | 0:39:02 | 0:39:03 | |
Tuesday morning, | 0:39:09 | 0:39:11 | |
all you've got to do is turn up and say the bag was yours. | 0:39:11 | 0:39:13 | |
Forget about your court date. | 0:39:13 | 0:39:15 | |
GIRL: Dude, that was rad! | 0:39:21 | 0:39:23 | |
You want to hide a tree, then a forest is the best place to do it, | 0:39:24 | 0:39:27 | |
wouldn't you say? | 0:39:27 | 0:39:29 | |
People would just walk straight past, not knowing, | 0:39:29 | 0:39:31 | |
unable to decipher the message. | 0:39:31 | 0:39:33 | |
There. I spotted it earlier. | 0:39:35 | 0:39:38 | |
They've been here. And that's the exact same paint? | 0:39:39 | 0:39:41 | |
Yeah. | 0:39:41 | 0:39:42 | |
John, if we're going to decipher this code, | 0:39:42 | 0:39:45 | |
we need to look for more evidence. | 0:39:45 | 0:39:46 | |
Answer your phone. I've been calling you. | 0:40:48 | 0:40:50 | |
PANTING I found it. | 0:40:50 | 0:40:53 | |
It's been painted over. | 0:41:07 | 0:41:09 | |
I don't understand. It was... | 0:41:12 | 0:41:14 | |
here. | 0:41:14 | 0:41:16 | |
10 minutes ago. I saw it. | 0:41:17 | 0:41:19 | |
A whole load of graffiti. | 0:41:19 | 0:41:21 | |
Somebody doesn't want me to see it. | 0:41:21 | 0:41:23 | |
-Sherlock, what are you doing...? -Ssh! John, concentrate. | 0:41:24 | 0:41:27 | |
I need you to concentrate. Close your eyes. | 0:41:27 | 0:41:29 | |
What? Why? Why? What are you doing? | 0:41:29 | 0:41:32 | |
I need you to maximise your visual memory. | 0:41:32 | 0:41:34 | |
Try to picture what you saw. | 0:41:34 | 0:41:36 | |
-Can you picture it? -Yeah. | 0:41:36 | 0:41:38 | |
-Can you remember it? -Yes, definitely. | 0:41:38 | 0:41:40 | |
Can you remember the pattern? | 0:41:40 | 0:41:41 | |
-Yes. -How much can you remember it? | 0:41:41 | 0:41:43 | |
Look, don't worry. | 0:41:43 | 0:41:44 | |
Because the average human memory on visual matters is only 62% accurate. | 0:41:44 | 0:41:47 | |
-Well, don't worry, I remember all of it. -Really? | 0:41:47 | 0:41:50 | |
At least I would, if I could get to my pockets. I took a photograph. | 0:41:50 | 0:41:54 | |
MOBILE BEEPS | 0:41:54 | 0:41:56 | |
TRAIN RUMBLES | 0:42:00 | 0:42:04 | |
Always in pairs, John, look. | 0:42:15 | 0:42:17 | |
Numbers... | 0:42:19 | 0:42:20 | |
come with partners. | 0:42:20 | 0:42:22 | |
God, I need to sleep. | 0:42:22 | 0:42:23 | |
-Why did he paint it so near the tracks? -No idea. | 0:42:23 | 0:42:26 | |
Thousands of people pass by there every day. | 0:42:26 | 0:42:28 | |
Just 20 minutes... | 0:42:28 | 0:42:30 | |
Of course. | 0:42:32 | 0:42:33 | |
Of course, he wants information. He's trying to communicate | 0:42:33 | 0:42:36 | |
with his people in the underworld. Whatever was stolen, he wants it back. | 0:42:36 | 0:42:40 | |
It's somewhere here, in a code. | 0:42:40 | 0:42:44 | |
We can't crack this without Soo Lin Yao. | 0:42:44 | 0:42:47 | |
Oh, good. | 0:42:47 | 0:42:49 | |
Two men who travelled back from China were murdered. | 0:42:49 | 0:42:52 | |
And their killer left them messages in Hang Zhou numerals. | 0:42:52 | 0:42:55 | |
Soo Lin Yao is in danger. | 0:42:55 | 0:42:57 | |
That cipher, it was just the same pattern as the others. | 0:42:57 | 0:43:00 | |
He means to kill her as well. | 0:43:00 | 0:43:01 | |
Look, I've tried everywhere - | 0:43:01 | 0:43:03 | |
friends, colleagues. I don't know where she's gone. | 0:43:03 | 0:43:06 | |
I mean, she could be a thousand miles away. | 0:43:06 | 0:43:08 | |
-What are you looking at? -Tell me more about those teapots. | 0:43:10 | 0:43:13 | |
The pots were her obsession. They need urgent work. | 0:43:13 | 0:43:18 | |
If they dry out, then the clay can start to crumble. | 0:43:18 | 0:43:20 | |
Apparently, you have to just keep making tea in them. | 0:43:20 | 0:43:23 | |
Yesterday, only one of those pots was shining. | 0:43:23 | 0:43:27 | |
Now, there are two. | 0:43:27 | 0:43:29 | |
GRATING | 0:43:39 | 0:43:40 | |
Fancy a biscuit with that? | 0:44:19 | 0:44:22 | |
Centuries old. Don't want to break that. | 0:44:24 | 0:44:27 | |
Hello. | 0:44:34 | 0:44:36 | |
You saw the cipher. | 0:44:36 | 0:44:37 | |
Then you know he is coming for me. | 0:44:37 | 0:44:41 | |
You've been clever to avoid him so far. | 0:44:41 | 0:44:45 | |
I had to finish. | 0:44:45 | 0:44:47 | |
To finish this work. | 0:44:47 | 0:44:49 | |
It's only a matter of time. | 0:44:51 | 0:44:53 | |
I know he will find me. | 0:44:53 | 0:44:55 | |
Who is he? Have you met him before? | 0:44:55 | 0:44:58 | |
When I was a girl, we met in China. | 0:45:00 | 0:45:03 | |
I recognised his... | 0:45:05 | 0:45:08 | |
-signature. -The cipher? | 0:45:08 | 0:45:10 | |
Only he would do this. Zhi Zhu. | 0:45:12 | 0:45:16 | |
-Zhi Zhu? -The spider. | 0:45:16 | 0:45:20 | |
You know this mark? | 0:45:25 | 0:45:26 | |
Yes. It's the mark of a Tong. | 0:45:26 | 0:45:30 | |
-Huh? -Ancient crime syndicate, based in China. | 0:45:30 | 0:45:34 | |
Every foot soldier bears the mark. | 0:45:37 | 0:45:39 | |
Everyone who hauls for them. | 0:45:41 | 0:45:43 | |
Hauls? | 0:45:43 | 0:45:44 | |
You mean you were a smuggler? | 0:45:47 | 0:45:49 | |
I was 15. | 0:45:53 | 0:45:55 | |
My parents were dead. | 0:45:57 | 0:45:59 | |
I had no livelihood. | 0:46:00 | 0:46:02 | |
No way of surviving, day-to-day, | 0:46:02 | 0:46:06 | |
except to work for the bosses. | 0:46:06 | 0:46:08 | |
Who are they? | 0:46:08 | 0:46:10 | |
They are called the Black Lotus. | 0:46:10 | 0:46:14 | |
By the time I was 16, | 0:46:17 | 0:46:20 | |
I was taking thousands of pounds worth of drugs | 0:46:21 | 0:46:25 | |
across the border into Hong Kong. | 0:46:25 | 0:46:27 | |
I managed to leave that life behind me. | 0:46:31 | 0:46:34 | |
I came to England. | 0:46:35 | 0:46:37 | |
They gave me a job, here. | 0:46:39 | 0:46:41 | |
Everything was good. New life. | 0:46:44 | 0:46:48 | |
And he came looking for you. | 0:46:48 | 0:46:51 | |
Yes. | 0:46:51 | 0:46:52 | |
I hoped, after five years... | 0:46:55 | 0:46:59 | |
maybe they would have forgotten me. | 0:46:59 | 0:47:01 | |
But they never really let you leave. | 0:47:02 | 0:47:05 | |
A small community like ours... | 0:47:07 | 0:47:09 | |
..they are never very far away. | 0:47:11 | 0:47:13 | |
He came to my flat. | 0:47:19 | 0:47:21 | |
He asked me to help him to track down something that was stolen. | 0:47:21 | 0:47:25 | |
And you've no idea what it was? | 0:47:25 | 0:47:27 | |
I refused to help. | 0:47:27 | 0:47:30 | |
So, you knew him well when you were living back in China? | 0:47:30 | 0:47:34 | |
Oh, yes. | 0:47:36 | 0:47:38 | |
He's my brother. | 0:47:39 | 0:47:41 | |
Two orphans. | 0:47:55 | 0:47:58 | |
We had no choice. | 0:47:59 | 0:48:01 | |
We could work for the Black Lotus, or starve on the streets, like beggars. | 0:48:03 | 0:48:09 | |
My brother has become their puppet. | 0:48:13 | 0:48:16 | |
In the power of the one they call Shan. | 0:48:17 | 0:48:22 | |
The Black Lotus general. | 0:48:22 | 0:48:23 | |
I turned my brother away. | 0:48:27 | 0:48:29 | |
He said I had betrayed him. | 0:48:31 | 0:48:34 | |
Next day, I came to work | 0:48:36 | 0:48:39 | |
and the cipher was waiting. | 0:48:39 | 0:48:41 | |
Can you decipher these? | 0:48:47 | 0:48:49 | |
-These are numbers. -Yes, I know. | 0:48:51 | 0:48:54 | |
Here, the line across the man's eyes, it's the Chinese number one. | 0:48:54 | 0:48:59 | |
And this one is 15. But what's the code? | 0:48:59 | 0:49:02 | |
All the smugglers know it. | 0:49:03 | 0:49:05 | |
It's based upon a book... | 0:49:05 | 0:49:07 | |
DOOR THUDS | 0:49:07 | 0:49:09 | |
He's here. | 0:49:12 | 0:49:13 | |
Zhi Zhu has found me. | 0:49:14 | 0:49:18 | |
No, no, Sherlock. | 0:49:18 | 0:49:20 | |
Sherlock, wait! | 0:49:20 | 0:49:21 | |
Come here. | 0:49:21 | 0:49:23 | |
Get in. Get in! | 0:49:23 | 0:49:25 | |
GUNSHOT | 0:49:34 | 0:49:36 | |
SECOND GUNSHOT | 0:49:36 | 0:49:37 | |
MORE GUNSHOTS | 0:49:37 | 0:49:39 | |
I have to go and help him. Bolt the door after me. | 0:49:41 | 0:49:44 | |
GUNSHOT | 0:49:53 | 0:49:55 | |
GUNSHOTS | 0:50:12 | 0:50:14 | |
-Careful! -GUNSHOT | 0:50:15 | 0:50:17 | |
Some of those skulls are over 200,000 years old. Have a bit of respect. | 0:50:17 | 0:50:22 | |
Thank you. | 0:50:25 | 0:50:27 | |
Liang. | 0:51:24 | 0:51:26 | |
SPEAKS CHINESE | 0:51:27 | 0:51:29 | |
SPEAKS CHINESE | 0:51:33 | 0:51:36 | |
GUNSHOT | 0:51:38 | 0:51:40 | |
Oh, my God. | 0:51:42 | 0:51:43 | |
GULPS | 0:52:07 | 0:52:09 | |
How many murders is it going to take | 0:52:16 | 0:52:17 | |
before you start believing that this maniac's out there? | 0:52:17 | 0:52:20 | |
MUTTERS | 0:52:20 | 0:52:22 | |
A young girl was gunned down tonight. | 0:52:22 | 0:52:24 | |
That's three victims in three days. You're supposed to be finding him. | 0:52:24 | 0:52:28 | |
Brian Lukis and Eddie Van Coon | 0:52:28 | 0:52:29 | |
were working for a gang of international smugglers. | 0:52:29 | 0:52:32 | |
A gang called the Black Lotus, operating here in London | 0:52:32 | 0:52:35 | |
right under your nose. | 0:52:35 | 0:52:37 | |
Can you prove that? | 0:52:37 | 0:52:39 | |
-What are you thinking? Pork or pasta? -Oh, it's you. | 0:52:47 | 0:52:49 | |
I suppose it's never going to trouble Egon Ronay, is it? | 0:52:50 | 0:52:53 | |
I'd stick with the pasta. | 0:52:53 | 0:52:55 | |
Don't want to be doing roast pork, not if you're slicing up cadavers. | 0:52:55 | 0:52:59 | |
What are you having? | 0:52:59 | 0:53:02 | |
I don't eat when I'm working. Digesting slows me down. | 0:53:02 | 0:53:04 | |
So you're working here tonight? | 0:53:04 | 0:53:07 | |
-Need to examine some bodies. -Some? | 0:53:07 | 0:53:09 | |
Eddie Van Coon and Brian Lukis. | 0:53:09 | 0:53:12 | |
They're on my list. | 0:53:12 | 0:53:13 | |
Could you wheel them out again for me? | 0:53:15 | 0:53:17 | |
Well...their paperwork's already gone through. | 0:53:17 | 0:53:21 | |
-You changed your hair. -What? | 0:53:25 | 0:53:28 | |
The style. It's usually parted in the middle. | 0:53:28 | 0:53:31 | |
Yes, well... | 0:53:31 | 0:53:32 | |
It's good. | 0:53:32 | 0:53:34 | |
It...suits you better this way. | 0:53:34 | 0:53:36 | |
We're just interested in the feet. | 0:53:47 | 0:53:49 | |
-The feet? -Yes. | 0:53:49 | 0:53:50 | |
Do you mind if we have a look at them? | 0:53:50 | 0:53:52 | |
Now, Van Coon. | 0:54:00 | 0:54:02 | |
-Oh! -So... | 0:54:07 | 0:54:11 | |
So either these two men just happened to visit the same Chinese tattoo parlour, | 0:54:11 | 0:54:14 | |
-or I'm telling the truth. -What do you want? | 0:54:14 | 0:54:18 | |
I want every book from Lukis' apartment and Van Coon's. | 0:54:18 | 0:54:20 | |
Their books? | 0:54:20 | 0:54:22 | |
Not just a criminal organisation. It's a cult. | 0:54:26 | 0:54:29 | |
Her brother was corrupted by one of its leaders. | 0:54:32 | 0:54:34 | |
Soo Lin said the name. | 0:54:34 | 0:54:35 | |
Yes, Shan. General Shan. | 0:54:35 | 0:54:38 | |
We're still no closer to finding him. | 0:54:38 | 0:54:40 | |
Wrong! We've got almost all we need to know. | 0:54:40 | 0:54:42 | |
She gave us most of the missing pieces. | 0:54:42 | 0:54:45 | |
Why did he need to visit his sister? | 0:54:45 | 0:54:48 | |
-Why did he need her expertise? -She worked at the museum. | 0:54:48 | 0:54:50 | |
-Exactly. -An expert in antiquities. | 0:54:50 | 0:54:53 | |
-Of course, I see. -Valuable antiquities, John. | 0:54:54 | 0:54:56 | |
Ancient Chinese relics purchased on the black market. | 0:54:56 | 0:54:59 | |
China's home to a thousand treasures hidden after Mao's revolution. | 0:54:59 | 0:55:02 | |
The Black Lotus is selling them. | 0:55:02 | 0:55:04 | |
Check for the dates... Here, | 0:55:09 | 0:55:11 | |
John, "arrived from China four days ago". | 0:55:11 | 0:55:14 | |
Anonymous. | 0:55:15 | 0:55:16 | |
The vendor doesn't give his name. | 0:55:16 | 0:55:19 | |
"Two undiscovered treasures from the East." | 0:55:19 | 0:55:21 | |
One in Lukis' suitcase and one in Van Coon's. | 0:55:21 | 0:55:26 | |
"Antiquities... | 0:55:26 | 0:55:27 | |
"sold at auction." | 0:55:27 | 0:55:31 | |
Look, here's another one. | 0:55:31 | 0:55:33 | |
Arrived from China a month ago, | 0:55:33 | 0:55:35 | |
Chinese ceramic statue sold for £400,000. | 0:55:35 | 0:55:39 | |
Look, a month before that, Chinese painting, £500,000. | 0:55:39 | 0:55:42 | |
All of them from an anonymous source. | 0:55:42 | 0:55:44 | |
They're stealing them back in China and one by one feeding them into Britain. | 0:55:44 | 0:55:48 | |
Every single auction coincides with Lukis or Van Coon travelling to China. | 0:55:52 | 0:55:56 | |
So what if one of them got greedy when they were in China? | 0:55:56 | 0:55:58 | |
What if one of them stole something? | 0:55:58 | 0:55:59 | |
That's why Zhi Zhu's come. KNOCK AT DOOR | 0:55:59 | 0:56:02 | |
Sorry, are we collecting for charity, Sherlock? | 0:56:02 | 0:56:05 | |
What? | 0:56:05 | 0:56:06 | |
A young man's outside with crates of books. | 0:56:06 | 0:56:09 | |
So the numbers are references. | 0:56:15 | 0:56:17 | |
To books. | 0:56:17 | 0:56:18 | |
To specific pages and specific words on those pages. | 0:56:18 | 0:56:21 | |
Right, so... | 0:56:21 | 0:56:24 | |
15 and 1, that means? | 0:56:24 | 0:56:26 | |
Turn to page 15 and it's the first word you read. | 0:56:26 | 0:56:28 | |
-OK, so what's the message? -Depends on the book. | 0:56:28 | 0:56:30 | |
That's the cunning of the book code. | 0:56:30 | 0:56:33 | |
It has to be one that they both own. | 0:56:33 | 0:56:35 | |
OK, fine. This shouldn't take too long, should it(?) | 0:56:39 | 0:56:43 | |
We found these...at the museum. Is this your writing? | 0:56:55 | 0:57:00 | |
Er, we hoped Soo Lin could decipher it for us. | 0:57:00 | 0:57:03 | |
Ta. | 0:57:03 | 0:57:05 | |
Anything else I can do? | 0:57:05 | 0:57:08 | |
To assist you, I mean. | 0:57:08 | 0:57:10 | |
Some silence right now would be marvellous. | 0:57:10 | 0:57:12 | |
Cigarette. | 0:57:27 | 0:57:29 | |
Imagine. | 0:57:57 | 0:57:59 | |
CLOCK TICKS | 0:58:03 | 0:58:05 | |
WATCH BLEEPS | 0:58:10 | 0:58:13 | |
Oh... | 0:58:13 | 0:58:14 | |
CHURCH BELLS RING | 0:58:16 | 0:58:18 | |
I'm sorry to keep you waiting, | 0:58:19 | 0:58:21 | |
but we haven't got anything now until next Thursday. | 0:58:21 | 0:58:25 | |
WOMAN: This is taking ages. | 0:58:25 | 0:58:27 | |
Sorry. | 0:58:27 | 0:58:29 | |
WOMAN: What's the point of booking an appointment if they can't stick to it? | 0:58:29 | 0:58:32 | |
Um, what's going on? | 0:58:32 | 0:58:34 | |
That new doctor you hired, he hasn't buzzed the intercom for ages. | 0:58:34 | 0:58:39 | |
Let me go and have a word. | 0:58:39 | 0:58:42 | |
-Excuse me. -Sorry. | 0:58:42 | 0:58:45 | |
-KNOCKS ON DOOR -John? | 0:58:45 | 0:58:47 | |
John? | 0:58:50 | 0:58:51 | |
GENTLE SNORING | 0:58:57 | 0:59:00 | |
Looks like I'm done. I thought I had some more to see. | 0:59:02 | 0:59:06 | |
-Oh, I did one or two of yours. -One or two? | 0:59:06 | 0:59:09 | |
Well, maybe five or six. | 0:59:09 | 0:59:12 | |
I'm sorry, that's not very professional. | 0:59:12 | 0:59:14 | |
No, not really. | 0:59:14 | 0:59:17 | |
I had...a bit of a late one. | 0:59:17 | 0:59:20 | |
Oh, right. | 0:59:21 | 0:59:23 | |
Anyway, see you. | 0:59:24 | 0:59:26 | |
So...what were you doing to keep you up so late? | 0:59:26 | 0:59:31 | |
I was attending a sort of book event. | 0:59:31 | 0:59:34 | |
Oh. Oh, she likes books, does she, your girlfriend? | 0:59:34 | 0:59:38 | |
No, it wasn't a date. | 0:59:38 | 0:59:40 | |
-Good. I mean, I'm... -And I don't have one tonight. | 0:59:40 | 0:59:44 | |
A book that everybody would own. | 0:59:46 | 0:59:49 | |
15, entry 1. | 0:59:59 | 1:00:01 | |
I need to get some air. We're going out tonight. | 1:00:15 | 1:00:18 | |
-Actually, I've got a date. -What? | 1:00:18 | 1:00:20 | |
Where two people who like each other go out and have fun? | 1:00:20 | 1:00:22 | |
That's what I was suggesting. | 1:00:22 | 1:00:24 | |
No, it wasn't. At least, I hope not. | 1:00:24 | 1:00:27 | |
Where are you taking her? | 1:00:27 | 1:00:28 | |
Er, cinema. | 1:00:28 | 1:00:30 | |
Dull, boring, predictable... | 1:00:30 | 1:00:32 | |
Why don't you try this? | 1:00:32 | 1:00:34 | |
In London for one night only. | 1:00:34 | 1:00:37 | |
LAUGHS NERVOUSLY | 1:00:37 | 1:00:38 | |
Thanks, but I don't come to you for dating advice. | 1:00:38 | 1:00:41 | |
SARAH: It's years since anyone took me to the circus. | 1:00:41 | 1:00:44 | |
Right, yes. | 1:00:44 | 1:00:46 | |
A friend recommended it to me and I phoned up. | 1:00:46 | 1:00:50 | |
Oh! What are they, a touring company or something? | 1:00:50 | 1:00:52 | |
I don't know much about it. | 1:00:52 | 1:00:54 | |
I think they're probably from China. | 1:00:54 | 1:00:57 | |
I think so, yes. There's a coincidence(!) | 1:00:57 | 1:01:00 | |
That's wonderful, thank you very much. | 1:01:00 | 1:01:03 | |
Hi, I have two tickets reserved for tonight. | 1:01:04 | 1:01:07 | |
-And what's the name? -Holmes. | 1:01:07 | 1:01:09 | |
Actually, I have three in that name. | 1:01:12 | 1:01:15 | |
No, I don't think so, we only booked two. | 1:01:15 | 1:01:17 | |
Then I phoned back and got one for myself as well. | 1:01:17 | 1:01:21 | |
I'm Sherlock. | 1:01:21 | 1:01:23 | |
-Hi. -Hello. | 1:01:25 | 1:01:28 | |
You couldn't let me have just one night off. | 1:01:30 | 1:01:33 | |
Yellow Dragon Circus, in London for one day. It fits. | 1:01:33 | 1:01:36 | |
The Tong sent an assassin to England... | 1:01:36 | 1:01:38 | |
Dressed as a tightrope walker. Come on, Sherlock, behave! | 1:01:38 | 1:01:40 | |
We're looking for a killer who can climb, who can shin up a rope. | 1:01:40 | 1:01:42 | |
Where else would you find that level of dexterity? | 1:01:42 | 1:01:45 | |
Exit visas are scarce in China. | 1:01:45 | 1:01:47 | |
They need a good reason to get out of that country. | 1:01:47 | 1:01:49 | |
All I need to do is have a quick look around... | 1:01:49 | 1:01:51 | |
Fine. You do that, I'll take Sarah for a pint. | 1:01:51 | 1:01:53 | |
I need your help. | 1:01:53 | 1:01:54 | |
I do have a couple of other things on my mind this evening. | 1:01:54 | 1:01:56 | |
Like what? | 1:01:56 | 1:01:58 | |
-You are kidding? -What's so important? | 1:01:58 | 1:02:01 | |
Sherlock, I'm in the middle of a date. | 1:02:01 | 1:02:03 | |
You're going to chase some killer while I'm trying to... | 1:02:03 | 1:02:05 | |
What? | 1:02:05 | 1:02:07 | |
While I'm trying to get off with Sarah. | 1:02:07 | 1:02:09 | |
Hey... Ready? | 1:02:09 | 1:02:12 | |
Yeah. | 1:02:12 | 1:02:13 | |
MURMUR OF CONVERSATION | 1:02:16 | 1:02:18 | |
You said circus. This is not a circus. | 1:02:22 | 1:02:26 | |
Look at the size of this crowd. | 1:02:26 | 1:02:27 | |
Sherlock, this is...art. | 1:02:27 | 1:02:30 | |
This is not their day job. | 1:02:30 | 1:02:32 | |
Sorry, I forgot, they're not a circus, they're a gang of international smugglers. | 1:02:32 | 1:02:37 | |
LOUDER DRUM BEAT | 1:02:56 | 1:02:58 | |
WHOOSH AUDIENCE GASPS | 1:03:47 | 1:03:50 | |
APPLAUSE | 1:03:52 | 1:03:54 | |
Classic Chinese escapology act. | 1:04:09 | 1:04:12 | |
-Hm? -The crossbow's on a delicate string. | 1:04:12 | 1:04:15 | |
The warrior has to escape his bonds before it fires. | 1:04:15 | 1:04:19 | |
HE SHOUTS | 1:04:26 | 1:04:27 | |
DRUM BEAT QUICKENS | 1:04:34 | 1:04:37 | |
-GONG -Oh! | 1:04:39 | 1:04:41 | |
THEY LAUGH | 1:04:41 | 1:04:43 | |
She splits the sandbag, the sand pours out. | 1:04:53 | 1:04:56 | |
Gradually, the weight lowers into the bowl. | 1:04:56 | 1:04:59 | |
ESCAPOLOGIST SHOUTS AND STRAINS | 1:05:04 | 1:05:06 | |
APPLAUSE | 1:05:38 | 1:05:39 | |
-Thank God. -My God! | 1:05:39 | 1:05:41 | |
APPLAUSE RESTARTS | 1:06:00 | 1:06:03 | |
Ladies and gentlemen. | 1:06:12 | 1:06:15 | |
From the distant moonlit shores of the Yangtze River, | 1:06:15 | 1:06:20 | |
we present, for your pleasure, | 1:06:20 | 1:06:23 | |
the deadly Chinese bird spider. | 1:06:23 | 1:06:27 | |
APPLAUSE | 1:06:29 | 1:06:30 | |
Did you see that? | 1:06:36 | 1:06:37 | |
Well, well. | 1:07:00 | 1:07:02 | |
DOOR OPENS | 1:07:03 | 1:07:05 | |
COAT HANGERS RATTLE | 1:07:13 | 1:07:16 | |
DOOR OPENS AND CLOSES | 1:07:21 | 1:07:24 | |
Found you. | 1:07:31 | 1:07:33 | |
-Come on. -Come on. Let's go! | 1:08:38 | 1:08:41 | |
I sent a couple of cars. The old hall is totally deserted. | 1:08:41 | 1:08:45 | |
Look, I saw the mark at the circus. The tattoo that we saw | 1:08:45 | 1:08:48 | |
on the two bodies, the mark of the Tong. | 1:08:48 | 1:08:50 | |
Lukis and Van Coon were part of a smuggling operation. | 1:08:50 | 1:08:53 | |
One of them stole something in China. Something valuable. | 1:08:53 | 1:08:56 | |
The circus performers were gang members | 1:08:56 | 1:08:57 | |
-sent here to get it back. -Get what back? | 1:08:57 | 1:08:59 | |
We don't know. | 1:09:01 | 1:09:02 | |
You don't know? | 1:09:02 | 1:09:04 | |
Mr Holmes, I've done everything you asked. | 1:09:05 | 1:09:09 | |
Lestrade, he seems to think your advice is worth something. | 1:09:09 | 1:09:13 | |
I gave the order for a raid. | 1:09:13 | 1:09:14 | |
Please tell me I'll have something to show for it. | 1:09:14 | 1:09:16 | |
Other than a massive bill for overtime. | 1:09:16 | 1:09:19 | |
They'll be back in China by tomorrow. | 1:09:24 | 1:09:25 | |
No, they won't leave without what they came for. | 1:09:25 | 1:09:28 | |
We need to find a hideout. | 1:09:28 | 1:09:30 | |
A rendezvous. | 1:09:30 | 1:09:31 | |
Somewhere in this message it must tell us. | 1:09:33 | 1:09:36 | |
Well, I think perhaps I should leave you to it. | 1:09:40 | 1:09:42 | |
-No, you don't have to go. Stay. -Yes, it'd be better if you left now. | 1:09:42 | 1:09:46 | |
He's kidding. Please stay if you'd like. | 1:09:46 | 1:09:49 | |
Is it just me or is anyone else starving? | 1:09:49 | 1:09:51 | |
Oh, God. | 1:09:51 | 1:09:53 | |
So this is what you do. | 1:10:06 | 1:10:08 | |
You and John, you solve puzzles for a living. | 1:10:08 | 1:10:11 | |
Consulting detective. | 1:10:11 | 1:10:14 | |
Oh. | 1:10:14 | 1:10:16 | |
Oh! | 1:10:17 | 1:10:18 | |
What are these squiggles? | 1:10:22 | 1:10:24 | |
They're numbers. An ancient Chinese dialect. | 1:10:24 | 1:10:26 | |
Oh, right. Well, of course I should have known that. | 1:10:26 | 1:10:31 | |
(I've done punch and a bowl of nibbles.) | 1:10:36 | 1:10:40 | |
Mrs Hudson, you are a saint. | 1:10:40 | 1:10:42 | |
If it was Monday, I'd have been to the supermarket. | 1:10:42 | 1:10:44 | |
Thank you. Thank you. | 1:10:44 | 1:10:46 | |
SIRENS PASS BY | 1:10:46 | 1:10:48 | |
-So these numbers, it's a cipher? -Exactly. | 1:10:53 | 1:10:56 | |
And each pair of numbers is a word? | 1:10:56 | 1:10:57 | |
How did you know that? | 1:10:59 | 1:11:00 | |
Well, two words have already been translated. Here. | 1:11:00 | 1:11:03 | |
-John. -Mmm? | 1:11:05 | 1:11:07 | |
John, look at this. | 1:11:07 | 1:11:08 | |
Soo Lin at the museum, she started to translate the code for us. | 1:11:10 | 1:11:14 | |
We didn't see it. | 1:11:14 | 1:11:16 | |
Nine mill. | 1:11:16 | 1:11:18 | |
Does that mean millions? | 1:11:20 | 1:11:21 | |
Nine million quid. For what? | 1:11:21 | 1:11:24 | |
We need to know the end of this sentence. | 1:11:24 | 1:11:27 | |
Where are you going? | 1:11:27 | 1:11:29 | |
-To the museum, to the restoration room. We must have been staring right at it. -At what? | 1:11:29 | 1:11:33 | |
The book, John. The book. The key to cracking the cipher. | 1:11:33 | 1:11:35 | |
Soo Lin used it to do this. Whilst we were running around the gallery, | 1:11:35 | 1:11:39 | |
she started to translate the code. It must be on her desk. | 1:11:39 | 1:11:42 | |
Taxi! | 1:11:44 | 1:11:45 | |
ANGRY VOICE | 1:11:45 | 1:11:47 | |
Entschuldigen Sie, bitte. | 1:11:47 | 1:11:48 | |
Ja, danke(!) | 1:11:48 | 1:11:50 | |
THEY MUTTER | 1:11:50 | 1:11:52 | |
INAUDIBLE | 1:12:03 | 1:12:05 | |
A book that everybody would own. | 1:12:14 | 1:12:16 | |
Please, wait! | 1:12:19 | 1:12:21 | |
Bitte! | 1:12:21 | 1:12:23 | |
Was wollt er? | 1:12:24 | 1:12:27 | |
Hey, du, was machst du? | 1:12:27 | 1:12:29 | |
-Minute! -Gib mir doch mein Buch zuruck! | 1:12:29 | 1:12:31 | |
Yeah. No, absolutely. | 1:12:33 | 1:12:35 | |
I mean, a quiet night in is just what the doctor ordered. | 1:12:35 | 1:12:38 | |
I mean, I love to go out of an evening and wrestle a few Chinese gangsters generally, | 1:12:40 | 1:12:45 | |
-but a girl can get too much. -OK. | 1:12:45 | 1:12:47 | |
Er, shall we get a takeaway? | 1:12:51 | 1:12:54 | |
Yeah. | 1:12:54 | 1:12:55 | |
Page 15, entry 1... | 1:12:56 | 1:12:58 | |
Page 15, entry 1. | 1:12:58 | 1:13:00 | |
Dead man. | 1:13:03 | 1:13:05 | |
You were threatening to kill them. | 1:13:05 | 1:13:08 | |
That's the first cipher. | 1:13:08 | 1:13:10 | |
9... 0... 15... | 1:13:13 | 1:13:17 | |
er, 15 and 36. | 1:13:17 | 1:13:18 | |
36, 39, 39... | 1:13:18 | 1:13:21 | |
39... | 1:13:21 | 1:13:23 | |
9... | 1:13:23 | 1:13:24 | |
"Nine", "mill", "for"... | 1:13:28 | 1:13:32 | |
KNOCK AT DOOR | 1:13:41 | 1:13:43 | |
Blimey, that was quick. I'll just pop down. | 1:13:43 | 1:13:45 | |
Do you want me to lay the table? | 1:13:45 | 1:13:48 | |
-Um...eat off trays? -Yeah. | 1:13:48 | 1:13:51 | |
70...35... | 1:13:53 | 1:13:56 | |
Jade... | 1:13:59 | 1:14:00 | |
Jade. | 1:14:00 | 1:14:03 | |
Sorry to keep you. How much do you want? | 1:14:05 | 1:14:07 | |
-Do you have it? -What? | 1:14:07 | 1:14:09 | |
-Do you have the treasure? -I don't understand. | 1:14:09 | 1:14:12 | |
MUTTERS | 1:14:17 | 1:14:19 | |
"Nine mill for Jade pin. | 1:14:25 | 1:14:30 | |
"Dragon den, black... | 1:14:30 | 1:14:32 | |
"tramway." | 1:14:32 | 1:14:34 | |
DOOR SHUTS | 1:14:40 | 1:14:42 | |
HOLMES: John! John, I've got it. | 1:14:45 | 1:14:47 | |
The cipher, the book. It's the London A-Z that they're us... | 1:14:47 | 1:14:51 | |
WOMAN: A book is like a magic garden, | 1:15:07 | 1:15:12 | |
carried in your pocket. | 1:15:12 | 1:15:14 | |
-Chinese proverb, Mr Holmes. -I'm... | 1:15:28 | 1:15:32 | |
I'm not Sherlock Holmes. | 1:15:32 | 1:15:34 | |
Forgive me if I do not take your word for it. | 1:15:34 | 1:15:37 | |
Ow! | 1:15:37 | 1:15:40 | |
Debit card, name of... | 1:15:43 | 1:15:45 | |
S Holmes. | 1:15:45 | 1:15:46 | |
Take my card. | 1:15:46 | 1:15:47 | |
Yes, that's not actually mine. He lent that to me. | 1:15:47 | 1:15:50 | |
And a cheque for £5,000 made out in the name of Mr Sherlock Holmes. | 1:15:50 | 1:15:56 | |
Yeah, he gave me that to look after. | 1:15:56 | 1:16:00 | |
Tickets from the theatre collected by you, name of Holmes. | 1:16:00 | 1:16:04 | |
Yes, OK. | 1:16:04 | 1:16:05 | |
-What's the name? -Er, Holmes. | 1:16:05 | 1:16:06 | |
I realise what this looks like. | 1:16:06 | 1:16:08 | |
But I'm not him. | 1:16:08 | 1:16:10 | |
-We heard it from your own mouth. -What? | 1:16:10 | 1:16:13 | |
"I am Sherlock Holmes and I always work alone." | 1:16:13 | 1:16:17 | |
Because no-one else can compete with my massive intellect. | 1:16:17 | 1:16:21 | |
Did I really say that? | 1:16:21 | 1:16:23 | |
I suppose there's no use me trying to persuade you I was doing an impression. | 1:16:26 | 1:16:31 | |
I am Shan. | 1:16:33 | 1:16:34 | |
You're... You're Shan? | 1:16:36 | 1:16:39 | |
Three times we tried to kill you and your companion, Mr Holmes. | 1:16:39 | 1:16:42 | |
What does it tell you when an assassin cannot shoot straight? | 1:16:42 | 1:16:46 | |
GUN COCKS | 1:16:47 | 1:16:49 | |
GUN CLICKS | 1:16:59 | 1:17:01 | |
It tells you that they're not really trying. | 1:17:01 | 1:17:05 | |
Tramway. | 1:17:06 | 1:17:08 | |
There. | 1:17:24 | 1:17:26 | |
-Not blank bullets now. -OK. | 1:17:29 | 1:17:33 | |
If we wanted to kill you, Mr Holmes, we would have done it by now. | 1:17:33 | 1:17:36 | |
We just wanted to make you inquisitive. | 1:17:36 | 1:17:39 | |
-Do you have it? -Do I have what? | 1:17:41 | 1:17:44 | |
-The treasure. -I don't know what you're talking about. | 1:17:44 | 1:17:47 | |
I would prefer to make certain. | 1:17:47 | 1:17:51 | |
Everything in the West has its price. | 1:17:55 | 1:17:58 | |
And the price for her life - information. | 1:17:58 | 1:18:03 | |
SARAH GROANS | 1:18:06 | 1:18:09 | |
(I'm sorry. I'm sorry.) | 1:18:09 | 1:18:12 | |
-Where's the hairpin? -What? | 1:18:27 | 1:18:30 | |
The Empress pin valued at £9 million sterling? | 1:18:30 | 1:18:34 | |
We already had a buyer in the West | 1:18:34 | 1:18:36 | |
and then one of our people was greedy, he took it, | 1:18:36 | 1:18:38 | |
brought it back to London, and you, Mr Holmes, have been searching. | 1:18:38 | 1:18:41 | |
Please, please. Listen to me. I'm not... | 1:18:41 | 1:18:45 | |
I'm not Sherlock Holmes. You have to believe me. | 1:18:45 | 1:18:48 | |
I haven't found whatever it is you're looking for. | 1:18:48 | 1:18:50 | |
-I need a volunteer from the audience. -No, please, please! | 1:18:50 | 1:18:54 | |
Ah, thank you, lady. | 1:18:54 | 1:18:56 | |
Yes, you'll do very nicely. | 1:18:56 | 1:19:01 | |
MUFFLED GROANS | 1:19:01 | 1:19:03 | |
Ladies and gentlemen, from the distant, moonlit shores of NW1, | 1:19:22 | 1:19:29 | |
we present for your pleasure, | 1:19:29 | 1:19:33 | |
-Sherlock Holmes' pretty companion in a death-defying act. -Please! | 1:19:33 | 1:19:39 | |
You've seen the act before. How dull for you. | 1:19:42 | 1:19:47 | |
You know how it ends. | 1:19:47 | 1:19:48 | |
I'm not Sherlock Holmes! | 1:19:48 | 1:19:50 | |
I don't believe you. | 1:19:50 | 1:19:52 | |
You should, you know. | 1:19:52 | 1:19:54 | |
Sherlock Holmes is nothing at all like him. | 1:19:54 | 1:19:57 | |
How would you describe me, John? | 1:19:57 | 1:20:00 | |
-Resourceful? Dynamic? Enigmatic? -Late? | 1:20:00 | 1:20:04 | |
That's a semi-automatic. If you fire it, | 1:20:04 | 1:20:06 | |
the bullet will travel at over 1,000 metres per second. | 1:20:06 | 1:20:08 | |
Well? | 1:20:08 | 1:20:10 | |
-Well... -THUMP | 1:20:10 | 1:20:12 | |
..the radius curvature of these walls is nearly four metres. | 1:20:12 | 1:20:14 | |
If you miss, the bullet will ricochet. | 1:20:14 | 1:20:16 | |
Could hit anyone. | 1:20:16 | 1:20:18 | |
Might even bounce off the tunnel and hit you. | 1:20:18 | 1:20:20 | |
WHOOSH THUMP | 1:21:18 | 1:21:20 | |
GROANS | 1:21:21 | 1:21:24 | |
FOOTSTEPS RECEDE | 1:21:33 | 1:21:35 | |
It's all right. | 1:21:41 | 1:21:42 | |
GRUNTS | 1:21:42 | 1:21:44 | |
You're going to be all right. It's over now. | 1:21:44 | 1:21:47 | |
Don't worry. | 1:21:53 | 1:21:55 | |
Next date won't be like this. | 1:21:55 | 1:21:57 | |
We'll just slip off. No need to mention us in your report. | 1:22:11 | 1:22:14 | |
-Mr Holmes... -I have high hopes for you, Inspector. | 1:22:14 | 1:22:17 | |
A glittering career. | 1:22:17 | 1:22:19 | |
I go where you point me. | 1:22:19 | 1:22:21 | |
Exactly. | 1:22:23 | 1:22:25 | |
POURING LIQUID | 1:22:29 | 1:22:31 | |
WATSON: Ta. | 1:22:31 | 1:22:34 | |
-So, nine million. -Million. | 1:22:34 | 1:22:36 | |
Million, yes. Nine million for Jade pin dragon den black tramway. | 1:22:36 | 1:22:41 | |
An instruction to all their London operatives. | 1:22:41 | 1:22:43 | |
A message. What they were trying to reclaim. | 1:22:43 | 1:22:46 | |
-What, a jade pin? -Worth £9 million. | 1:22:46 | 1:22:48 | |
Bring it to the Tramway, their London hideout. | 1:22:48 | 1:22:50 | |
Hang on. A hairpin worth £9 million? | 1:22:50 | 1:22:53 | |
-Apparently. -Why so much? | 1:22:53 | 1:22:55 | |
Depends who owned it. | 1:22:55 | 1:22:57 | |
Two operatives based in London. | 1:23:03 | 1:23:05 | |
They travel over to Dalian to smuggle those vases. | 1:23:05 | 1:23:08 | |
One of them helps himself to something, a little hairpin. | 1:23:08 | 1:23:11 | |
-Worth £9 million. -Eddie Van Coon was the thief, | 1:23:11 | 1:23:14 | |
he stole the treasure when he was in China. | 1:23:14 | 1:23:16 | |
How do you know it was Van Coon, not Lukis? | 1:23:16 | 1:23:18 | |
-Even the killer didn't know that. -Because of the soap. | 1:23:18 | 1:23:21 | |
PHONE RINGS | 1:23:29 | 1:23:31 | |
-Amanda? -HOLMES: He brought you a present. | 1:23:33 | 1:23:35 | |
Oh, hello. | 1:23:35 | 1:23:37 | |
A little gift when he came back from China. | 1:23:37 | 1:23:39 | |
-How do you know that? -You weren't just his PA, were you? | 1:23:39 | 1:23:44 | |
Someone's been gossiping. | 1:23:44 | 1:23:45 | |
-No. -Then I don't understand why... | 1:23:45 | 1:23:47 | |
Scented hand soap in his apartment. | 1:23:47 | 1:23:49 | |
300ml of it. Bottle almost finished. | 1:23:49 | 1:23:53 | |
-Sorry...? -I don't think Eddie Van Coon was the type of chap to buy himself hand soap, | 1:23:53 | 1:23:58 | |
not unless he had a lady coming over. | 1:23:58 | 1:24:00 | |
And it's the same brand as that hand cream there on your desk. | 1:24:00 | 1:24:02 | |
Look, it wasn't serious between us. | 1:24:04 | 1:24:08 | |
It was over in a flash, it couldn't last. He was my boss. | 1:24:08 | 1:24:13 | |
What happened? Why did you end it? | 1:24:13 | 1:24:15 | |
I thought he didn't appreciate me. | 1:24:17 | 1:24:20 | |
Took me for granted. | 1:24:20 | 1:24:22 | |
Stood me up once too often. | 1:24:24 | 1:24:25 | |
We'd plan to go away for the weekend, and then he'd just leave. | 1:24:25 | 1:24:29 | |
Fly off to China at a moment's notice. | 1:24:29 | 1:24:32 | |
And he brought you a present from abroad to say sorry. | 1:24:32 | 1:24:34 | |
Can I just have a look at it? | 1:24:36 | 1:24:39 | |
He really climbed up onto the balcony? | 1:24:45 | 1:24:48 | |
Nail a plank across the window and all your problems are over. | 1:24:48 | 1:24:51 | |
Thanks. | 1:24:53 | 1:24:55 | |
He said he bought it in a street market. | 1:24:55 | 1:24:58 | |
Oh, I don't think that's true. I think he pinched it. | 1:24:58 | 1:25:01 | |
Yeah, that's Eddie. | 1:25:01 | 1:25:03 | |
Didn't know its value, just thought it would suit you. | 1:25:03 | 1:25:05 | |
Oh? What's it worth? | 1:25:05 | 1:25:08 | |
£9 million. | 1:25:10 | 1:25:12 | |
Oh, my God. | 1:25:15 | 1:25:16 | |
Oh, my God! | 1:25:16 | 1:25:18 | |
Nine million?! | 1:25:21 | 1:25:22 | |
Over 1,000 years old | 1:25:35 | 1:25:37 | |
and it's sitting on her bedside table every night. | 1:25:37 | 1:25:39 | |
He didn't know its value. Didn't know why they were chasing him. | 1:25:39 | 1:25:42 | |
Should've just got her a lucky cat. | 1:25:44 | 1:25:46 | |
-You mind, don't you? -What? | 1:25:50 | 1:25:53 | |
That she escaped. General Shan. | 1:25:53 | 1:25:56 | |
It's not enough that we got her two henchmen. | 1:25:56 | 1:25:58 | |
Must be a vast network, John. | 1:25:58 | 1:25:59 | |
Thousands of operatives. | 1:25:59 | 1:26:01 | |
You and I, we barely scratched the surface. | 1:26:01 | 1:26:04 | |
You cracked the code though, Sherlock. | 1:26:04 | 1:26:06 | |
And maybe Dimmock can track down all of them now he knows it. | 1:26:06 | 1:26:09 | |
No. No, I crack this code, | 1:26:09 | 1:26:13 | |
all the smugglers have to do is pick up another book. | 1:26:13 | 1:26:17 | |
SIREN BLARES | 1:26:38 | 1:26:40 | |
Without you... | 1:26:42 | 1:26:45 | |
without your assistance, | 1:26:45 | 1:26:48 | |
we would not have found passage into London. | 1:26:48 | 1:26:52 | |
You have my thanks. | 1:26:55 | 1:26:57 | |
We did not anticipate... | 1:27:08 | 1:27:10 | |
We did not know this man would come. | 1:27:11 | 1:27:14 | |
This Sherlock Holmes. | 1:27:16 | 1:27:19 | |
And now your safety is compromised. | 1:27:22 | 1:27:26 | |
I will not reveal your identity. | 1:27:36 | 1:27:38 | |
GUNSHOT | 1:27:48 | 1:27:50 | |
Subtitles by Red Bee Media Ltd | 1:27:58 | 1:28:01 |