Browse content similar to The Great Game. Check below for episodes and series from the same categories and more!
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BALALAIKA MUSIC PLAYS | 0:00:02 | 0:00:04 | |
MAN OUTSIDE SHOUTS COMMANDS | 0:00:09 | 0:00:10 | |
Just tell me what happened from the beginning. | 0:00:10 | 0:00:14 | |
We had been to a bar, | 0:00:15 | 0:00:16 | |
nice place, and, er, I got chatting with one of the waitresses, | 0:00:16 | 0:00:21 | |
and Karen weren't happy with that, so...when we get back to the hotel, | 0:00:21 | 0:00:26 | |
we end up having a bit of a ding-dong. | 0:00:26 | 0:00:28 | |
HE SIGHS | 0:00:28 | 0:00:31 | |
She's always getting at me, saying I weren't a real man. | 0:00:31 | 0:00:35 | |
Wasn't a real man. | 0:00:35 | 0:00:37 | |
-What? -It's not "weren't", it's "wasn't". | 0:00:37 | 0:00:41 | |
Oh. | 0:00:41 | 0:00:43 | |
Go on. | 0:00:45 | 0:00:46 | |
Well...then I don't know how it happened, | 0:00:46 | 0:00:51 | |
but suddenly there's a knife in my hands... | 0:00:51 | 0:00:53 | |
..and me old man was a butcher, so I know how to handle knives. | 0:00:55 | 0:00:59 | |
-He learned us how to cut up a beast. -Taught. | 0:00:59 | 0:01:02 | |
-What? -Taught you how to cut up a beast. | 0:01:02 | 0:01:04 | |
Yeah, well, then I done it. | 0:01:04 | 0:01:06 | |
-Did it. -Did it! Stabbed her, | 0:01:06 | 0:01:08 | |
over and over and over, and I looked down, and she weren't... | 0:01:08 | 0:01:12 | |
..wasn't... | 0:01:13 | 0:01:15 | |
..moving no more. | 0:01:17 | 0:01:18 | |
Any more. | 0:01:19 | 0:01:21 | |
God help me, I dunno how it happened, but it was an accident, I swear. | 0:01:24 | 0:01:28 | |
You've got to help me, Mr Holmes! | 0:01:28 | 0:01:31 | |
Everyone says you're the best. | 0:01:32 | 0:01:34 | |
Without you... | 0:01:34 | 0:01:35 | |
I'll get hung for this. | 0:01:35 | 0:01:38 | |
No, no, Mr Bewick, not at all. | 0:01:38 | 0:01:40 | |
Hanged, yes. | 0:01:42 | 0:01:45 | |
TWO GUNSHOTS | 0:02:23 | 0:02:25 | |
DOOR OPENS | 0:02:35 | 0:02:36 | |
HE INHALES DEEPLY | 0:02:36 | 0:02:39 | |
DOOR SHUTS, HE SIGHS | 0:02:39 | 0:02:40 | |
GUNSHOTS | 0:02:41 | 0:02:43 | |
What the hell are you doing?! | 0:02:46 | 0:02:49 | |
-Bored. -What?! | 0:02:49 | 0:02:50 | |
-Bored! -No... | 0:02:50 | 0:02:52 | |
-GUNSHOT -Bored! | 0:02:52 | 0:02:54 | |
-GUNSHOT -Bored! | 0:02:54 | 0:02:56 | |
Don't know what's got into the criminal classes. | 0:02:56 | 0:03:00 | |
-Good job I'm not one of them. -So you take it out on the wall? | 0:03:00 | 0:03:04 | |
The wall had it coming. | 0:03:04 | 0:03:05 | |
-What about that Russian case? -Belarus? Open and shut domestic murder. Not worth my time. | 0:03:10 | 0:03:16 | |
Oh, shame(!) | 0:03:16 | 0:03:17 | |
Anything in? I'm starving. | 0:03:20 | 0:03:23 | |
Oh, f... | 0:03:24 | 0:03:26 | |
There's a head. | 0:03:33 | 0:03:36 | |
-A severed head! -Just tea for me, thanks. | 0:03:36 | 0:03:38 | |
-No, there's a head in the fridge. -Yes? -A bloody head! -Well, where else | 0:03:38 | 0:03:42 | |
could I put it? You don't mind, do you? | 0:03:42 | 0:03:44 | |
-Well... -Got it from Barts morgue. | 0:03:44 | 0:03:48 | |
I'm measuring the coagulation of saliva after death. | 0:03:48 | 0:03:51 | |
I see you've written up the taxi driver case. | 0:03:51 | 0:03:53 | |
Er...yes. | 0:03:53 | 0:03:55 | |
A Study In Pink. | 0:03:55 | 0:03:58 | |
Nice. | 0:03:58 | 0:03:59 | |
Well, you know. Pink lady, pink case, | 0:03:59 | 0:04:01 | |
pink phone. There was a lot of pink. Did you like it? | 0:04:01 | 0:04:05 | |
-Um...no. -Why not? I thought you'd be flattered. | 0:04:05 | 0:04:08 | |
Flattered?! "Sherlock sees through everything and everyone in seconds. | 0:04:08 | 0:04:12 | |
"What's incredible, though, is how spectacularly ignorant he is | 0:04:12 | 0:04:15 | |
-"about some things." -Hang on, I didn't mean that... | 0:04:15 | 0:04:17 | |
Oh, you meant "spectacularly ignorant" in a nice way(!) | 0:04:17 | 0:04:20 | |
-Look, it doesn't matter to me who's Prime Minister or... -I know. -..who's sleeping with who... | 0:04:20 | 0:04:24 | |
-Whether the Earth goes round the sun. -That again! It's not important! | 0:04:24 | 0:04:27 | |
Not impor...?! | 0:04:27 | 0:04:29 | |
-It's primary school stuff. How can you not know that? -Well, if I ever did, I've deleted it. | 0:04:29 | 0:04:34 | |
Deleted it? | 0:04:34 | 0:04:36 | |
Listen. This is my hard drive, and it only makes sense | 0:04:36 | 0:04:40 | |
to put things in there that are useful. REALLY useful. | 0:04:40 | 0:04:43 | |
Ordinary people fill their heads with all kinds of rubbish. | 0:04:43 | 0:04:46 | |
That makes it hard to get at the stuff that matters. Do you see? | 0:04:46 | 0:04:50 | |
But it's the solar system! | 0:04:50 | 0:04:52 | |
Oh, hell! What does that matter?! So we go round the sun. If we went round the moon, | 0:04:52 | 0:04:57 | |
or round and round the garden like a teddy bear, it wouldn't make any difference! | 0:04:57 | 0:05:00 | |
All that matters to me is the work! Without that, my brain rots! | 0:05:00 | 0:05:06 | |
Put that in your blog! Or, better still, stop inflicting your opinions on the world! | 0:05:06 | 0:05:11 | |
DOOR OPENS AND SHUTS | 0:05:13 | 0:05:16 | |
-Where are you going? -Out! I need some air. | 0:05:18 | 0:05:22 | |
-Oh, sorry, love! -Sorry. | 0:05:22 | 0:05:24 | |
Ooh-ooh! Have you two had a little domestic? | 0:05:27 | 0:05:31 | |
Ooh, it's a bit nippy out there. | 0:05:38 | 0:05:40 | |
He should have wrapped himself up a bit more. | 0:05:40 | 0:05:44 | |
Look at that, Mrs Hudson. | 0:05:47 | 0:05:50 | |
Quiet. | 0:05:51 | 0:05:53 | |
Calm. Peaceful. | 0:05:53 | 0:05:55 | |
Isn't it hateful? | 0:05:56 | 0:05:58 | |
Oh, I'm sure something will turn up, Sherlock. | 0:05:58 | 0:06:00 | |
A nice murder. That'll cheer you up. | 0:06:00 | 0:06:04 | |
Mmm. Can't come too soon. | 0:06:04 | 0:06:06 | |
Hey, what have you done to my bloody wall?! | 0:06:06 | 0:06:09 | |
I'm putting this on your rent, young man! | 0:06:10 | 0:06:14 | |
EXPLOSION BOOMS | 0:06:17 | 0:06:18 | |
CAR ALARM BEEPS | 0:06:18 | 0:06:20 | |
GROANING | 0:06:21 | 0:06:22 | |
-Morning. -Oh...m-morning. -See? Told you you should have gone with the Lilo. | 0:06:24 | 0:06:28 | |
No, no, no, it's fine, I slept fine. It's very kind of you. | 0:06:28 | 0:06:32 | |
Well, maybe next time I'll let you kip at the end of my bed, you know. | 0:06:36 | 0:06:39 | |
-NEWSREADER: -'..which was discovered mouldering...' -What about the time after that? -'..18 months ago. | 0:06:39 | 0:06:45 | |
'Experts are hailing it as the artistic find of the century...' | 0:06:45 | 0:06:48 | |
-Do you want some breakfast? -Love some. -Well, make it yourself. I'm going to have a shower. | 0:06:48 | 0:06:52 | |
'..It fetched over £20 million. | 0:06:52 | 0:06:55 | |
'This one is anticipated to do even better. Back now to our main story. | 0:06:55 | 0:07:00 | |
'There's been a massive explosion in central London. | 0:07:00 | 0:07:03 | |
'As yet, there are no reports of any casualties, and the police are unable to say | 0:07:03 | 0:07:08 | |
'if there's any suspicion of terrorist involvement.' | 0:07:08 | 0:07:11 | |
Sarah! | 0:07:12 | 0:07:13 | |
-'Police have issued an emergency number...' -Sarah! -'..for friends and relatives.' -Sorry! I've got to run! | 0:07:13 | 0:07:18 | |
Excuse me, can I get through? Excuse me. Can I get through? | 0:07:22 | 0:07:25 | |
I live over there. | 0:07:33 | 0:07:35 | |
DOOR BANGS Sherlock! | 0:07:40 | 0:07:41 | |
Sherlock! | 0:07:41 | 0:07:42 | |
-PIZZICATO NOTE -John. | 0:07:48 | 0:07:49 | |
I saw it on the telly. Are you OK? | 0:07:49 | 0:07:52 | |
Me? What? Oh, yeah, fine. | 0:07:52 | 0:07:54 | |
-Gas leak, apparently. -PIZZICATO NOTE | 0:07:54 | 0:07:57 | |
-I can't. -Can't? | 0:07:57 | 0:07:59 | |
Stuff I've got on is just too big. I can't spare the time. | 0:07:59 | 0:08:02 | |
Never mind your usual trivia. This is of national importance. | 0:08:02 | 0:08:05 | |
-PIZZICATO NOTE -How's the diet? | 0:08:05 | 0:08:08 | |
Fine. | 0:08:08 | 0:08:10 | |
Perhaps you can get through to him, John. | 0:08:10 | 0:08:12 | |
-What? -I'm afraid my brother can be very intransigent. | 0:08:12 | 0:08:15 | |
If you're so keen, why don't you investigate it? | 0:08:15 | 0:08:17 | |
No. I can't possibly be away from the office for any length of time. Not with the Korean elections so... | 0:08:17 | 0:08:23 | |
Well, you don't need to know about that, do you? | 0:08:23 | 0:08:26 | |
Besides, a case like this, it requires...legwork. | 0:08:26 | 0:08:31 | |
FALSE NOTE | 0:08:31 | 0:08:33 | |
How's Sarah, John? How was the Lilo? | 0:08:33 | 0:08:34 | |
Sofa, Sherlock. It was the sofa. | 0:08:34 | 0:08:37 | |
-Oh, yes, of course. -How...? Oh, never mind. | 0:08:37 | 0:08:41 | |
Sherlock's business seems to be booming since you and he became... | 0:08:41 | 0:08:45 | |
pals. What's he like to live with? | 0:08:45 | 0:08:48 | |
-Hellish, I imagine. -I'm never bored. | 0:08:48 | 0:08:50 | |
Good. That's good, isn't it? | 0:08:50 | 0:08:52 | |
Andrew West, known as Westie to his friends. Civil servant. | 0:09:01 | 0:09:05 | |
Found dead on the tracks at Battersea station this morning | 0:09:05 | 0:09:08 | |
with his head smashed in. | 0:09:08 | 0:09:10 | |
Jumped in front of a train? | 0:09:10 | 0:09:12 | |
Seems the logical assumption. | 0:09:12 | 0:09:15 | |
-But? -But? | 0:09:15 | 0:09:17 | |
Well, you wouldn't be here if it was just an accident. | 0:09:17 | 0:09:20 | |
Hah! | 0:09:20 | 0:09:21 | |
The MoD is working on a new missile defence system, the Bruce-Partington Program it's called. | 0:09:21 | 0:09:26 | |
The plans for it were on a memory stick. | 0:09:26 | 0:09:28 | |
That wasn't very clever. | 0:09:28 | 0:09:30 | |
-It's not the only copy. -Oh. -But it is secret. | 0:09:31 | 0:09:35 | |
And missing. | 0:09:35 | 0:09:36 | |
Top secret? | 0:09:36 | 0:09:37 | |
Very. We think West must have taken the memory stick. | 0:09:37 | 0:09:41 | |
We can't risk it falling into the wrong hands. | 0:09:41 | 0:09:43 | |
You've got to find those plans, Sherlock. | 0:09:43 | 0:09:46 | |
-Don't make me order you. -I'd like to see you try. | 0:09:46 | 0:09:51 | |
Think it over. | 0:09:51 | 0:09:54 | |
-Goodbye, John. -Mm. | 0:09:55 | 0:09:57 | |
See you very soon. | 0:09:57 | 0:09:59 | |
REPEATS RAPID PHRASE | 0:10:00 | 0:10:02 | |
FOOTSTEPS FADE | 0:10:11 | 0:10:13 | |
Why did you lie? | 0:10:13 | 0:10:16 | |
DOOR SHUTS | 0:10:16 | 0:10:17 | |
You've got nothing on. | 0:10:17 | 0:10:19 | |
Not a single case. That's why the wall took a pounding. | 0:10:19 | 0:10:21 | |
-Why did you tell your brother you were busy? -Why shouldn't I? | 0:10:21 | 0:10:25 | |
Oh. | 0:10:25 | 0:10:26 | |
Nice. | 0:10:27 | 0:10:29 | |
Sibling rivalry. Now we're getting somewhere. | 0:10:30 | 0:10:33 | |
MOBILE PHONE RINGS | 0:10:33 | 0:10:36 | |
Sherlock Holmes. | 0:10:39 | 0:10:41 | |
Of course. How could I refuse? | 0:10:43 | 0:10:46 | |
Lestrade - I've been summoned. | 0:10:46 | 0:10:47 | |
Coming? | 0:10:47 | 0:10:49 | |
-If you want me to. -Of course. | 0:10:49 | 0:10:52 | |
I'd be lost without my blogger. | 0:10:53 | 0:10:55 | |
'You like the funny cases, don't you?' | 0:11:12 | 0:11:14 | |
-The surprising ones. -Obviously. | 0:11:14 | 0:11:17 | |
-You'll love this. That explosion. -Gas leak, yes? -No. | 0:11:17 | 0:11:22 | |
-No? -No. Made to look like one. -What? | 0:11:22 | 0:11:24 | |
Hardly anything left of the place, except a strongbox. | 0:11:24 | 0:11:28 | |
A VERY strong box, and inside it was this. | 0:11:28 | 0:11:30 | |
-You haven't opened it? -It's addressed to you, isn't it? | 0:11:30 | 0:11:33 | |
-We've X-rayed it. It's not booby-trapped. -How reassuring. | 0:11:33 | 0:11:37 | |
Nice stationery. | 0:11:46 | 0:11:48 | |
Bohemian. | 0:11:48 | 0:11:50 | |
What? | 0:11:50 | 0:11:51 | |
From the Czech Republic. No fingerprints? | 0:11:51 | 0:11:54 | |
No. | 0:11:54 | 0:11:55 | |
She used a fountain pen. Parker Duofold, iridium nib. | 0:11:55 | 0:11:59 | |
-She? -Obviously. | 0:11:59 | 0:12:01 | |
Obviously. | 0:12:01 | 0:12:02 | |
But that... That's the phone. The pink phone. | 0:12:18 | 0:12:21 | |
-What, from The Study In Pink? -Obviously, it's not the same phone, but it's supposed to look like... | 0:12:21 | 0:12:26 | |
"Study In Pink"? You read his blog? | 0:12:26 | 0:12:28 | |
Of course. We all do. | 0:12:28 | 0:12:30 | |
Do you REALLY not know that the Earth goes round the sun? | 0:12:30 | 0:12:33 | |
SHE SNIGGERS | 0:12:33 | 0:12:34 | |
It isn't the same phone. This one's brand-new. | 0:12:36 | 0:12:40 | |
Someone's taken trouble to make it look the same, which means your blog has a far wider readership. | 0:12:40 | 0:12:47 | |
'You have one new message.' | 0:12:48 | 0:12:50 | |
FIVE GREENWICH TIME SIGNAL PIPS | 0:12:50 | 0:12:56 | |
-Was that it? -No, that's not it. | 0:12:56 | 0:12:59 | |
PHONE BEEPS | 0:12:59 | 0:13:00 | |
What the hell are we supposed to make of that? | 0:13:03 | 0:13:06 | |
An estate agent's photo and the bloody Greenwich pips. | 0:13:06 | 0:13:10 | |
-It's a warning. -A warning? | 0:13:10 | 0:13:13 | |
Some secret societies used to send dried melon seeds, | 0:13:13 | 0:13:17 | |
orange pips, things like that - five pips. | 0:13:17 | 0:13:20 | |
They're warning us it's going to happen again. | 0:13:21 | 0:13:24 | |
-I've seen this place before. -Hang on. | 0:13:24 | 0:13:27 | |
-What's going to happen again? -Boom! | 0:13:27 | 0:13:29 | |
Mrs Hudson! | 0:13:49 | 0:13:52 | |
You had a look, didn't you, when you first came to see about your flat? | 0:13:54 | 0:13:58 | |
The door's been opened, recently. | 0:13:58 | 0:14:00 | |
No, can't be. That's the only key. | 0:14:00 | 0:14:02 | |
I can't get anyone interested in this flat. | 0:14:03 | 0:14:06 | |
It's the damp, I expect - that's the curse of basements. | 0:14:06 | 0:14:08 | |
I'd a place once when I was first married. Mould all up the wall... | 0:14:08 | 0:14:12 | |
Oh. Dear me. | 0:14:14 | 0:14:16 | |
Shoes. | 0:14:33 | 0:14:34 | |
He's a bomber, remember. | 0:14:37 | 0:14:38 | |
MOBILE PHONE RINGS | 0:14:50 | 0:14:53 | |
-SOFTLY: -Hello. | 0:15:03 | 0:15:05 | |
RAGGED BREATHING OVER PHONE | 0:15:05 | 0:15:08 | |
-WOMAN: -'H-Hello...sexy.' | 0:15:08 | 0:15:13 | |
-Who's this? -WOMAN SOBS | 0:15:13 | 0:15:15 | |
'I've...sent you...a little puzzle, | 0:15:15 | 0:15:21 | |
'just to say hi.' | 0:15:21 | 0:15:23 | |
Who's talking? Why are you crying? | 0:15:26 | 0:15:28 | |
WOMAN CRIES | 0:15:28 | 0:15:31 | |
'I...I'm not crying. | 0:15:31 | 0:15:33 | |
'I'm typing.' | 0:15:33 | 0:15:36 | |
And this...stupid bitch | 0:15:36 | 0:15:42 | |
is reading it out. | 0:15:42 | 0:15:44 | |
The curtain rises. | 0:15:46 | 0:15:49 | |
-What? -Nothing. -No, what did you mean? | 0:15:50 | 0:15:52 | |
I've been expecting this for some time. | 0:15:52 | 0:15:55 | |
-SOBBING: -'12 hours to solve...' | 0:15:55 | 0:15:59 | |
..my puzzle, Sherlock... | 0:16:00 | 0:16:04 | |
or I'm going to be... | 0:16:04 | 0:16:08 | |
..so...naughty. | 0:16:09 | 0:16:12 | |
-So, who do you suppose it was? -Hmm? | 0:16:47 | 0:16:49 | |
Woman on the phone - the crying woman. | 0:16:49 | 0:16:51 | |
Oh, she doesn't matter, she's just a hostage. No lead there. | 0:16:51 | 0:16:55 | |
-I wasn't thinking about leads. -You're not going to be much use to her. | 0:16:55 | 0:16:58 | |
Are they trying to trace it - trace the call? | 0:17:00 | 0:17:03 | |
-Bomber's too smart for that. -MOBILE BEEPS -Pass my phone. | 0:17:03 | 0:17:06 | |
-Where is it? -Jacket. | 0:17:06 | 0:17:08 | |
Careful! | 0:17:18 | 0:17:19 | |
Text from your brother. | 0:17:25 | 0:17:26 | |
-Delete it. -Delete it? -Plans are out of the country. Nothing we can do. | 0:17:26 | 0:17:30 | |
Well, Mycroft thinks there is. He's texted you eight times. | 0:17:30 | 0:17:33 | |
-Must be important. -Then why didn't he cancel his dental appointment? | 0:17:33 | 0:17:36 | |
-His what? -Mycroft never texts if he can talk. | 0:17:36 | 0:17:39 | |
Andrew West stole the missile plans, tried to sell them, got his head smashed in, | 0:17:39 | 0:17:43 | |
end of story. | 0:17:43 | 0:17:44 | |
The only mystery is why my brother is so determined to bore me when somebody is being so interesting. | 0:17:44 | 0:17:49 | |
Try and remember there's a woman who might die. | 0:17:49 | 0:17:51 | |
What for? There's hospitals full of people dying, Doctor. | 0:17:51 | 0:17:55 | |
Why don't you go and cry by their bedside and see what good it does them? | 0:17:55 | 0:17:59 | |
-COMPUTER BEEPS -Ah! | 0:17:59 | 0:18:01 | |
-Any luck? -Oh, yes! | 0:18:02 | 0:18:04 | |
-Oh, sorry. I didn't... -Jim, hi! Come in! Come in! | 0:18:06 | 0:18:11 | |
-Jim, this is Sherlock Holmes. -Ah. | 0:18:11 | 0:18:16 | |
-And, er... Sorry. -John Watson. Hi. | 0:18:16 | 0:18:21 | |
Hi. So you're Sherlock Holmes. | 0:18:21 | 0:18:24 | |
Molly's told me all about you. You on one of your cases? | 0:18:24 | 0:18:28 | |
Jim works in IT, upstairs. | 0:18:28 | 0:18:30 | |
-That's how we met. Office romance. -JIM CHUCKLES | 0:18:30 | 0:18:33 | |
Gay. | 0:18:33 | 0:18:35 | |
-Sorry, what? -Nothing. Um, hey. | 0:18:35 | 0:18:38 | |
-Hi. -CLATTERING | 0:18:38 | 0:18:40 | |
Sorry. Sorry! | 0:18:40 | 0:18:41 | |
Well, I'd better be off. | 0:18:44 | 0:18:46 | |
I'll see you at the Fox. | 0:18:46 | 0:18:47 | |
-About sixish? -Yeah. | 0:18:47 | 0:18:49 | |
-Bye. -Bye. | 0:18:49 | 0:18:50 | |
It was nice to meet you. | 0:18:50 | 0:18:52 | |
You too. | 0:18:53 | 0:18:55 | |
DOOR OPENS | 0:19:00 | 0:19:02 | |
What do you mean, gay? We're together. | 0:19:02 | 0:19:06 | |
Domestic bliss must suit you, Molly. You've put on 3lb since I last saw you. | 0:19:06 | 0:19:10 | |
-Two-and-a-half. -No, three. | 0:19:10 | 0:19:11 | |
-Sherlock. -He's not gay! | 0:19:11 | 0:19:13 | |
-Why do you have to spoil...? He's not! -With that level of grooming? | 0:19:13 | 0:19:17 | |
Because he puts product in his hair? I put product in my hair. | 0:19:17 | 0:19:20 | |
You wash your hair, there's a difference. | 0:19:20 | 0:19:22 | |
Tinted eyelashes, signs of taurine cream around the frown lines, | 0:19:22 | 0:19:25 | |
those tired, clubber's eyes. | 0:19:25 | 0:19:27 | |
-Then there's his underwear. -His underwear? | 0:19:27 | 0:19:29 | |
Visible above the waistline. Very particular brand. | 0:19:29 | 0:19:32 | |
Plus the suggestive fact that he left his number under this dish. | 0:19:32 | 0:19:36 | |
I'd say you'd better break it off now and save yourself the pain. | 0:19:36 | 0:19:39 | |
DOOR OPENS Charming, well done(!) | 0:19:43 | 0:19:45 | |
Just saving her time. Isn't that kinder? | 0:19:45 | 0:19:47 | |
Kinder? No, no, Sherlock, that wasn't kind. | 0:19:47 | 0:19:51 | |
Go on, then. | 0:19:54 | 0:19:56 | |
Hm? | 0:19:56 | 0:19:57 | |
You know what I do. Off you go. | 0:19:57 | 0:19:59 | |
-Oh... No. -Go on. | 0:19:59 | 0:20:01 | |
-I'm not going to let you humiliate me while I... -An outside eye, | 0:20:01 | 0:20:04 | |
-a second opinion - it's very useful to me. -Yeah, right(!) -Really! | 0:20:04 | 0:20:08 | |
Fine. CLEARS THROAT | 0:20:11 | 0:20:14 | |
-Oh, they're just a pair of sh... trainers. -Good. | 0:20:18 | 0:20:21 | |
Um... | 0:20:23 | 0:20:24 | |
They're in good nick. I'd say they were pretty new, | 0:20:25 | 0:20:29 | |
except the sole has been well worn, so the owner must have had them for a while. | 0:20:29 | 0:20:34 | |
Er, very '80s. Probably one of those retro designs. | 0:20:34 | 0:20:37 | |
You're on sparkling form. What else? | 0:20:37 | 0:20:40 | |
They're quite big. A man's. | 0:20:40 | 0:20:43 | |
But... | 0:20:43 | 0:20:45 | |
But there's traces of a name inside in felt-tip. | 0:20:46 | 0:20:50 | |
Adults don't write their names inside their shoes, so these belong to a kid. | 0:20:51 | 0:20:55 | |
Excellent. What else? | 0:20:55 | 0:20:57 | |
Er... | 0:20:57 | 0:20:59 | |
-That's it. -That's it. | 0:20:59 | 0:21:02 | |
-How did I do? -Well, John. | 0:21:02 | 0:21:03 | |
Really well. | 0:21:03 | 0:21:05 | |
I mean, you missed almost everything of importance, but, you know... | 0:21:05 | 0:21:09 | |
The owner loved these. Scrubbed them clean. | 0:21:11 | 0:21:13 | |
Whitened them. Changed the laces three...no, four times. | 0:21:13 | 0:21:16 | |
There are traces of flaky skin where his fingers have come into contact with them, so he had eczema. | 0:21:16 | 0:21:22 | |
The shoes are more worn on the inner side, so he had weak arches. | 0:21:22 | 0:21:25 | |
British-made, 20 years old. | 0:21:25 | 0:21:27 | |
-20 years? -They're not retro, they're original. | 0:21:27 | 0:21:30 | |
Limited edition - two blue stripes, 1989. | 0:21:30 | 0:21:32 | |
There's still mud on them. They look new. | 0:21:32 | 0:21:35 | |
Someone's kept them that way. | 0:21:35 | 0:21:38 | |
Quite a bit of mud caked on the soles. | 0:21:38 | 0:21:40 | |
Analysis shows it's from Sussex with London mud overlaying it. | 0:21:40 | 0:21:43 | |
-How do you know? -Pollen. Clear as a map reference. South of the river. | 0:21:43 | 0:21:47 | |
-This kid came to London from Sussex 20 years ago and left the trainers behind. -What happened to him? | 0:21:47 | 0:21:52 | |
Something bad. | 0:21:52 | 0:21:54 | |
He loved those shoes, remember. He'd never leave them filthy. | 0:21:54 | 0:21:57 | |
Wouldn't let them go unless he had to. | 0:21:57 | 0:21:59 | |
So, a child with big feet gets... | 0:21:59 | 0:22:02 | |
Oh! | 0:22:05 | 0:22:06 | |
What? | 0:22:07 | 0:22:08 | |
Carl Powers. | 0:22:08 | 0:22:10 | |
-Sorry, who? -Carl Powers, John. | 0:22:10 | 0:22:15 | |
What is it? | 0:22:15 | 0:22:17 | |
It's where I began. | 0:22:18 | 0:22:19 | |
1989, kid, champion swimmer, came from Brighton for a school sports tournament, drowned in the pool. | 0:22:23 | 0:22:29 | |
-Tragic accident. You wouldn't remember it. -But you remember. | 0:22:29 | 0:22:32 | |
-Yes. -Something fishy about it? | 0:22:32 | 0:22:34 | |
Nobody thought so. | 0:22:34 | 0:22:35 | |
Nobody except me. I was only a kid myself. I read about it in the papers. | 0:22:35 | 0:22:40 | |
-You started young, didn't you? -The boy, Carl Powers, | 0:22:40 | 0:22:43 | |
had some kind of fit in the water, | 0:22:43 | 0:22:45 | |
but by the time they got him out, it was too late. | 0:22:45 | 0:22:47 | |
There was something wrong somewhere. I couldn't get it out of my head. | 0:22:47 | 0:22:50 | |
-What? -His shoes. -What about them? -They weren't there. I made a fuss. | 0:22:50 | 0:22:54 | |
I tried to get the police interested, but nobody seemed to think it was important. | 0:22:54 | 0:22:59 | |
He'd left all the rest of his clothes in his locker, but there was no sign of his shoes. | 0:22:59 | 0:23:03 | |
Until now. | 0:23:06 | 0:23:07 | |
CLOCK TICKS | 0:23:14 | 0:23:17 | |
SIREN WAILS IN DISTANCE | 0:23:20 | 0:23:22 | |
Can I help? | 0:23:39 | 0:23:41 | |
I want to help. There's only five hours left. MOBILE BEEPS | 0:23:41 | 0:23:45 | |
It's your brother. | 0:23:47 | 0:23:49 | |
He's texting me now. | 0:23:49 | 0:23:50 | |
-How does he know my number? -Must be a root canal. | 0:23:50 | 0:23:54 | |
-Look, he did say...national importance. -Hmm! | 0:23:56 | 0:24:00 | |
-How quaint! -What is? | 0:24:00 | 0:24:02 | |
You are. Queen and country. | 0:24:02 | 0:24:05 | |
-You can't just ignore it. -I'm not ignoring it. | 0:24:05 | 0:24:08 | |
Putting my best man onto it right now. | 0:24:08 | 0:24:10 | |
Right, good! CLEARS THROAT | 0:24:10 | 0:24:13 | |
Who's that? | 0:24:13 | 0:24:15 | |
John, how nice! I was hoping it wouldn't be long. How can I help you? | 0:24:17 | 0:24:21 | |
Thank you. | 0:24:22 | 0:24:23 | |
Um, I was wanting to... | 0:24:23 | 0:24:26 | |
Your brother sent me to collect more facts | 0:24:26 | 0:24:29 | |
about the stolen plans - the missile plans. | 0:24:29 | 0:24:33 | |
-Did he? -Yes. He's investigating now. | 0:24:33 | 0:24:38 | |
He's, er...investigating away. | 0:24:38 | 0:24:42 | |
I just wondered what else you could tell me about the dead man. | 0:24:42 | 0:24:45 | |
Er, 27. Clerk at Vauxhall Cross. | 0:24:46 | 0:24:50 | |
MI6. | 0:24:50 | 0:24:51 | |
He was involved in the Bruce-Partington Program in a minor capacity. | 0:24:51 | 0:24:55 | |
Security checks A-OK. No known terrorist affiliations or sympathies. | 0:24:55 | 0:25:00 | |
Last seen by his fiancee 10.30 yesterday evening. | 0:25:00 | 0:25:05 | |
Lucy, love, I've got to go out. | 0:25:05 | 0:25:07 | |
I've got to see someone. | 0:25:07 | 0:25:09 | |
Westie! | 0:25:09 | 0:25:12 | |
He was found at Battersea, yes. So he got on the train? | 0:25:12 | 0:25:16 | |
-No. -What? | 0:25:16 | 0:25:19 | |
He had an Oyster card... | 0:25:19 | 0:25:21 | |
-..but it hadn't been used. -He must have bought a ticket. | 0:25:23 | 0:25:26 | |
Hm. There was no ticket on the body. | 0:25:26 | 0:25:29 | |
-Then... -How did he end up with a bashed-in brain on the tracks at Battersea? | 0:25:29 | 0:25:33 | |
That is the question - | 0:25:33 | 0:25:35 | |
the one I was rather hoping Sherlock would provide an answer to. | 0:25:35 | 0:25:38 | |
How's he getting on? | 0:25:38 | 0:25:40 | |
He's fine. | 0:25:40 | 0:25:42 | |
And it is going...very well. | 0:25:42 | 0:25:46 | |
He's, um... He's completely focused on it. | 0:25:46 | 0:25:48 | |
CLOCK TICKS | 0:25:51 | 0:25:54 | |
-Poison! -What are you going on about? | 0:26:01 | 0:26:03 | |
Clostridium botulinum. | 0:26:03 | 0:26:05 | |
It's one of the deadliest poisons on the planet. | 0:26:05 | 0:26:08 | |
Carl Powers. | 0:26:08 | 0:26:10 | |
Are you saying he was murdered? | 0:26:10 | 0:26:13 | |
-Remember the shoelaces? -Mmm. | 0:26:13 | 0:26:16 | |
He suffered from eczema. It would be easy to introduce the poison into his medication. | 0:26:16 | 0:26:20 | |
Two hours later he comes to London, the poison paralyses the muscles and he drowns. | 0:26:20 | 0:26:25 | |
-How come the autopsy didn't pick that up? -It's virtually undetectable. Nobody was looking for it. | 0:26:25 | 0:26:30 | |
There are still tiny traces of it in the trainers | 0:26:32 | 0:26:34 | |
from where he put the cream on his feet. | 0:26:34 | 0:26:37 | |
-That's why they had to go. -So how do we let the bomber know? -Get his attention, stop the clock. | 0:26:38 | 0:26:44 | |
-The killer kept the shoes all these years. -Yes. | 0:26:44 | 0:26:47 | |
-Meaning... -He's our bomber. | 0:26:49 | 0:26:51 | |
PHONE RINGS | 0:26:51 | 0:26:52 | |
SOBS | 0:26:55 | 0:26:58 | |
"Well done, you. | 0:26:58 | 0:27:00 | |
"Come and get me." | 0:27:02 | 0:27:05 | |
Where are you? | 0:27:05 | 0:27:07 | |
Tell us where you are. | 0:27:07 | 0:27:09 | |
SIRENS WAIL | 0:27:09 | 0:27:11 | |
-LESTRADE: -She lives in Cornwall. | 0:27:16 | 0:27:18 | |
Two men broke in wearing masks, forced her to drive to the car park | 0:27:18 | 0:27:23 | |
and decked her out in enough explosives to take down a house. | 0:27:23 | 0:27:26 | |
Told her to phone you. | 0:27:26 | 0:27:28 | |
Check the read-out from this - pager. | 0:27:28 | 0:27:31 | |
If she deviated by one word, the sniper would set her off. | 0:27:31 | 0:27:35 | |
-Or if you hadn't solved the case. -Oh...elegant! | 0:27:35 | 0:27:39 | |
Elegant? | 0:27:39 | 0:27:41 | |
What was the point? Why would anyone do this? | 0:27:41 | 0:27:44 | |
Oh...I can't be the only person in the world that gets bored. | 0:27:44 | 0:27:49 | |
MOBILE PHONE BEEPS | 0:27:49 | 0:27:51 | |
'You have one new message.' | 0:27:55 | 0:27:58 | |
FOUR GREENWICH TIME SIGNAL PIPS | 0:27:58 | 0:28:02 | |
Four pips. | 0:28:02 | 0:28:04 | |
First test passed, it would seem. | 0:28:04 | 0:28:06 | |
Here's the second. | 0:28:06 | 0:28:08 | |
-PHONE RINGS -It's abandoned, wouldn't you say? | 0:28:08 | 0:28:12 | |
I'll see if it's been reported. | 0:28:12 | 0:28:14 | |
Freak, it's for you. | 0:28:14 | 0:28:17 | |
Hello. | 0:28:21 | 0:28:24 | |
-MAN, SHAKILY: -'It's OK that you've gone to the police.' | 0:28:24 | 0:28:27 | |
Who is this? | 0:28:27 | 0:28:29 | |
Is this you again? | 0:28:29 | 0:28:30 | |
'But don't rely on them. | 0:28:30 | 0:28:33 | |
'Clever you, | 0:28:34 | 0:28:36 | |
'guessing about Carl Powers. | 0:28:36 | 0:28:40 | |
'I never liked him.' | 0:28:40 | 0:28:42 | |
-TRAFFIC ROARS -Carl laughed at me, | 0:28:45 | 0:28:47 | |
so I stopped him laughing. | 0:28:47 | 0:28:51 | |
You've stolen another voice, I presume. | 0:28:51 | 0:28:55 | |
This is about you and me. | 0:28:55 | 0:28:57 | |
Who are you? What's that noise? | 0:29:00 | 0:29:03 | |
It's the sounds of life, Sherlock. | 0:29:05 | 0:29:08 | |
But don't worry. I can soon fix that. | 0:29:11 | 0:29:15 | |
You solved my last puzzle in nine hours. | 0:29:18 | 0:29:21 | |
-This time you have eight. -CLOCK TICKS | 0:29:23 | 0:29:27 | |
Great! | 0:29:28 | 0:29:30 | |
We've found it. | 0:29:31 | 0:29:33 | |
The car was hired yesterday morning by an Ian Monkford. Banker of some kind. | 0:29:48 | 0:29:53 | |
City boy. Paid in cash. | 0:29:53 | 0:29:55 | |
Told his wife he was going away on a business trip, never arrived. | 0:29:55 | 0:29:58 | |
-You're still hanging round him. -Yeah, well... | 0:29:58 | 0:30:01 | |
-Opposites attract, I s'pose. -We're not... | 0:30:01 | 0:30:03 | |
-You should get yourself a hobby. Stamps, maybe. Model trains. Safer. -Before you ask, | 0:30:03 | 0:30:07 | |
yes, it's Monkford's blood. DNA checks out. | 0:30:07 | 0:30:10 | |
-No body. -Not yet. | 0:30:12 | 0:30:14 | |
Get a sample sent to the lab. | 0:30:14 | 0:30:16 | |
Oh...! | 0:30:19 | 0:30:20 | |
Mrs Monkford... | 0:30:22 | 0:30:23 | |
Yes. Sorry, but I've already spoken with two policemen. | 0:30:23 | 0:30:27 | |
We're not from the police, we're... | 0:30:27 | 0:30:29 | |
-TEARFULLY: -Sherlock Holmes. Very old friend of your husband's. | 0:30:29 | 0:30:32 | |
We, um... | 0:30:32 | 0:30:34 | |
we grew up together. | 0:30:34 | 0:30:37 | |
I'm sorry. Who? I don't think he ever mentioned you. | 0:30:37 | 0:30:41 | |
Oh, he must have done. This is... | 0:30:41 | 0:30:43 | |
This is horrible. I mean, I just can't believe it. | 0:30:43 | 0:30:46 | |
I only saw him the other day. | 0:30:46 | 0:30:48 | |
Same old Ian. Not a care in the world. | 0:30:48 | 0:30:51 | |
Sorry... My husband has been depressed for months. Who are you? | 0:30:51 | 0:30:57 | |
Really strange that he hired a car. Why would he do that? It's a bit suspicious, isn't it? | 0:30:58 | 0:31:03 | |
No, it isn't. He forgot to renew the tax on the car, that's all. | 0:31:03 | 0:31:06 | |
Ah, well! That was Ian. | 0:31:06 | 0:31:09 | |
-That was Ian all over. -No, it wasn't. | 0:31:09 | 0:31:12 | |
-NORMAL VOICE: -Wasn't it? Interesting. | 0:31:12 | 0:31:14 | |
-Who was that? -Why did you lie to her? | 0:31:16 | 0:31:18 | |
People don't like telling you things but they love to contradict you. Past tense, did you notice? | 0:31:18 | 0:31:23 | |
-What? -I referred to her husband in the past tense. | 0:31:23 | 0:31:25 | |
-She joined in. Bit premature. They've only just found the car. -You think she murdered her husband? | 0:31:25 | 0:31:30 | |
-That's not a mistake a murderer would make. -I see... | 0:31:30 | 0:31:33 | |
-No, I don't. What am I seeing? SALLY: -Fishing. | 0:31:33 | 0:31:36 | |
-Try fishing. -Where now? | 0:31:36 | 0:31:39 | |
Janus Cars. | 0:31:39 | 0:31:40 | |
Just found this in the glove compartment. | 0:31:40 | 0:31:43 | |
CLOCK TICKS | 0:31:44 | 0:31:46 | |
-Can't see how I can help you gentlemen. -Mr Monkford hired the car | 0:31:52 | 0:31:55 | |
-from you yesterday. -Yeah, lovely motor. | 0:31:55 | 0:31:58 | |
Mazda RX8. Wouldn't mind one of them myself. | 0:31:58 | 0:32:01 | |
Is that one? | 0:32:01 | 0:32:03 | |
No, they're all Jags. | 0:32:03 | 0:32:05 | |
I can see you're not a car man, eh? | 0:32:05 | 0:32:08 | |
-But surely you can afford one - a Mazda, I mean. -Yeah, fair point. | 0:32:08 | 0:32:12 | |
It's like working in a sweet shop. Once you start eating the Liquorice Allsorts, where does it stop? | 0:32:12 | 0:32:17 | |
-You didn't know Mr Monkford. -No, he was just a client. | 0:32:17 | 0:32:20 | |
He came in here and hired one of my cars. | 0:32:20 | 0:32:22 | |
I've no idea what happened to him. Poor sod! | 0:32:22 | 0:32:24 | |
-Nice holiday, Mr Ewart? -Eh? -You've been away, haven't you? -Oh, the... | 0:32:24 | 0:32:28 | |
No, it's sun beds, I'm afraid. | 0:32:28 | 0:32:31 | |
Too busy to get away. My wife would love it, though - bit of sun. | 0:32:31 | 0:32:35 | |
-Have you got any change for the cigarette machine? -What? -I noticed one on the way in and I'm gasping. | 0:32:35 | 0:32:40 | |
Um... Oh! | 0:32:40 | 0:32:41 | |
No, sorry. | 0:32:45 | 0:32:46 | |
Oh, well! Thank you very much for your time, Mr Ewart. | 0:32:46 | 0:32:51 | |
You've been very helpful. Come on, John! | 0:32:51 | 0:32:53 | |
-I've got change, if you still want to... -Nicotine patches, remember? I'm doing well. | 0:32:55 | 0:32:59 | |
-So, what was all that about? -I needed to look inside his wallet. | 0:32:59 | 0:33:03 | |
-Why? -Mr Ewart's a liar. | 0:33:03 | 0:33:05 | |
FIZZING | 0:33:28 | 0:33:30 | |
PHONE RINGS | 0:33:33 | 0:33:35 | |
Hello. | 0:33:39 | 0:33:40 | |
The clue's in the name - Janus Cars. | 0:33:41 | 0:33:44 | |
Why would you be giving me a clue? | 0:33:46 | 0:33:48 | |
Why does anyone do anything? | 0:33:49 | 0:33:51 | |
Because I'm bored. | 0:33:54 | 0:33:56 | |
We were made for each other, Sherlock. | 0:33:56 | 0:33:58 | |
-Then talk to me in your own voice. -Patience. | 0:33:59 | 0:34:03 | |
CLOCK TICKS | 0:34:22 | 0:34:24 | |
How much blood was on that seat, would you say? | 0:34:24 | 0:34:27 | |
How much? About a pint. | 0:34:27 | 0:34:29 | |
Not about. Exactly a pint. That was their first mistake. | 0:34:29 | 0:34:31 | |
The blood's Ian Monkford's, but it's been frozen. | 0:34:31 | 0:34:35 | |
-Frozen? -There are clear signs. | 0:34:35 | 0:34:37 | |
I think Ian Monkford gave a pint of his blood some time ago | 0:34:37 | 0:34:40 | |
-and that's what they spread on the seat. -Who did? -Janus Cars. The clue's in the name. | 0:34:40 | 0:34:45 | |
-The god with two faces? -Exactly. | 0:34:45 | 0:34:48 | |
They provide a very special service. If you've got any kind of a problem - money troubles, | 0:34:48 | 0:34:52 | |
bad marriage, whatever - Janus Cars will help you disappear. | 0:34:52 | 0:34:56 | |
Ian Monkford was in trouble - financial at a guess, he's a banker - couldn't see a way out. | 0:34:56 | 0:35:01 | |
But if he were to vanish, | 0:35:01 | 0:35:03 | |
if the car he hired was found with his blood on the driver's seat... | 0:35:03 | 0:35:06 | |
-So where is he? -Colombia. -Colombia?! | 0:35:06 | 0:35:09 | |
Mr Ewart, of Janus Cars, | 0:35:09 | 0:35:11 | |
had a 20,000 Colombian peso note in his wallet. | 0:35:11 | 0:35:14 | |
Quite a bit of change, too. | 0:35:14 | 0:35:16 | |
He told us he hadn't been abroad recently, | 0:35:16 | 0:35:19 | |
but when I asked him about the cars, I could see his tan line clearly. | 0:35:19 | 0:35:23 | |
No-one wears a shirt on a sun bed. | 0:35:23 | 0:35:24 | |
-That, plus his arm. -His arm? | 0:35:24 | 0:35:26 | |
He kept scratching it. Obviously irritating him, and bleeding. | 0:35:26 | 0:35:29 | |
He'd recently had a booster jab. Hep-B, probably. Hard to tell at that distance. | 0:35:29 | 0:35:34 | |
He's just back from settling Ian Monkford into his new life in Colombia. | 0:35:34 | 0:35:37 | |
Mrs Monkford cashes in the life insurance, and she splits it with Janus Cars. | 0:35:37 | 0:35:42 | |
-Mrs Monkford? -Oh, yes. She's in on it too. | 0:35:42 | 0:35:44 | |
Go and arrest them, Inspector, that's what you do best. | 0:35:44 | 0:35:47 | |
We need to let our bomber know the case is solved. | 0:35:47 | 0:35:49 | |
I am on fire! | 0:35:51 | 0:35:53 | |
MOBILE RINGS | 0:36:07 | 0:36:08 | |
-MAN: -'He says... | 0:36:13 | 0:36:14 | |
'you can come and fetch me.' | 0:36:14 | 0:36:16 | |
Help! | 0:36:19 | 0:36:20 | |
Help me, please! | 0:36:20 | 0:36:22 | |
-Feeling better? -Mmm. | 0:36:37 | 0:36:39 | |
We've hardly stopped for breath since this thing started. | 0:36:39 | 0:36:43 | |
-Has it occurred to you...? -Probably. | 0:36:43 | 0:36:46 | |
No, has it occurred to you that the bomber's playing a game with you? | 0:36:46 | 0:36:50 | |
The envelope, breaking into the other flat, | 0:36:50 | 0:36:52 | |
-the dead kid's shoes - it's all meant for you. -Yes, I know. | 0:36:52 | 0:36:55 | |
Is it him, then? Moriarty? | 0:36:56 | 0:36:59 | |
Perhaps. | 0:36:59 | 0:37:01 | |
MOBILE PHONE BEEPS | 0:37:01 | 0:37:02 | |
-THREE PIPS -That could be anybody. -It could be, yeah. | 0:37:06 | 0:37:10 | |
Lucky for you, I've been more than a little unemployed. | 0:37:10 | 0:37:13 | |
-How d'you mean? -Lucky for you, Mrs Hudson and I watch far too much telly. | 0:37:13 | 0:37:16 | |
'..Thank you, Tyra! Doesn't she look lovely, everybody, now?' | 0:37:24 | 0:37:28 | |
MOBILE PHONE RINGS | 0:37:28 | 0:37:29 | |
'Anyway...speaking of silk purses...' | 0:37:29 | 0:37:32 | |
Hello? | 0:37:32 | 0:37:33 | |
-WOMAN, HALTINGLY: -'This one... | 0:37:33 | 0:37:36 | |
'is a bit...' | 0:37:36 | 0:37:38 | |
..defective. | 0:37:39 | 0:37:41 | |
'Sorry.' | 0:37:41 | 0:37:43 | |
She's blind. | 0:37:45 | 0:37:48 | |
'This is...' | 0:37:48 | 0:37:50 | |
..a funny one. | 0:37:52 | 0:37:54 | |
I'll give you... | 0:37:56 | 0:37:58 | |
-..12 hours. -CLOCK TICKS | 0:38:01 | 0:38:05 | |
Why are you doing this? | 0:38:07 | 0:38:10 | |
I like... | 0:38:12 | 0:38:13 | |
..to watch you... | 0:38:15 | 0:38:18 | |
dance. | 0:38:18 | 0:38:20 | |
SHE GASPS | 0:38:20 | 0:38:24 | |
-TV: -'..And I see you're back to your bad habits.' | 0:38:27 | 0:38:31 | |
-REPORTER: -'..Continuing into the sudden death of the popular TV personality Connie Prince. | 0:38:31 | 0:38:36 | |
'Miss Prince, famous for her makeover programmes, | 0:38:36 | 0:38:39 | |
'was found dead two days ago by her brother in the house they shared...' | 0:38:39 | 0:38:42 | |
Connie Prince, 54. She had one of those makeover shows on the telly. | 0:38:45 | 0:38:49 | |
-Did you see it? -No. | 0:38:49 | 0:38:51 | |
-Very popular. She was going places. -Not any more. | 0:38:51 | 0:38:55 | |
Dead two days. According to one of her staff, Raoul de Santos, | 0:38:55 | 0:38:58 | |
she cut her hand on a rusty nail in the garden. Nasty wound. | 0:38:58 | 0:39:01 | |
Tetanus bacteria enters the bloodstream, good night, Vienna. | 0:39:01 | 0:39:06 | |
I s'pose. | 0:39:06 | 0:39:08 | |
-Something's wrong with this picture. -Eh? | 0:39:08 | 0:39:11 | |
Can't be that simple, otherwise the bomber wouldn't be directing us towards it. Something's wrong. | 0:39:11 | 0:39:17 | |
-John? -Mm. | 0:39:38 | 0:39:41 | |
Cut on her hand, it's deep. Would have bled a lot, right? | 0:39:41 | 0:39:44 | |
-Yeah. -But the wound's clean. | 0:39:44 | 0:39:47 | |
Very clean, and fresh. | 0:39:47 | 0:39:50 | |
How long would the bacteria have been incubating inside her? | 0:39:53 | 0:39:56 | |
Oh, eight, ten days. | 0:39:56 | 0:39:58 | |
The cut was made later. | 0:40:00 | 0:40:02 | |
-After she was dead? -Must have been. | 0:40:02 | 0:40:05 | |
The only question is, how did the tetanus enter the dead woman's system? | 0:40:05 | 0:40:11 | |
-You want to help, right? -Of course. | 0:40:11 | 0:40:12 | |
-Connie Prince's background - family history, everything, get me data. -Right. | 0:40:12 | 0:40:16 | |
-There's something else that we haven't thought of. -Is there? | 0:40:18 | 0:40:21 | |
Yes. Why is he doing this - the bomber? | 0:40:21 | 0:40:24 | |
If this woman's death was suspicious, why point it up? | 0:40:24 | 0:40:27 | |
-Good Samaritan. -Who press-gangs suicide bombers? | 0:40:27 | 0:40:30 | |
-Bad Samaritan. -I'm...I'm serious, Sherlock. | 0:40:30 | 0:40:32 | |
Listen, I'm cutting you slack here, I'm trusting you, | 0:40:32 | 0:40:35 | |
but out there somewhere, some poor bastard's covered in Semtex | 0:40:35 | 0:40:39 | |
and he's just waiting for you to solve the puzzle, so just tell me, what are we dealing with? | 0:40:39 | 0:40:44 | |
Something new. | 0:40:45 | 0:40:47 | |
CLOCK TICKS | 0:40:50 | 0:40:51 | |
Connection, connection, connection. There must be a connection. | 0:40:57 | 0:41:01 | |
Carl Powers, killed 20 years ago. | 0:41:01 | 0:41:02 | |
The bomber knew him, admitted that he knew him. | 0:41:02 | 0:41:05 | |
The bomber's iPhone was in the stationery from the Czech Republic. | 0:41:05 | 0:41:07 | |
The first hostage from Cornwall, the second from London, | 0:41:07 | 0:41:10 | |
the third from Yorkshire, judging by her accent. | 0:41:10 | 0:41:13 | |
-What's he doing? Working his way round the world, showing off? -MOBILE PHONE RINGS | 0:41:13 | 0:41:16 | |
You're enjoying this, aren't you? | 0:41:18 | 0:41:22 | |
'Joining the...dots.' | 0:41:24 | 0:41:27 | |
Three hours. | 0:41:29 | 0:41:31 | |
CLOCK TICKS | 0:41:31 | 0:41:33 | |
Boom...boom. | 0:41:34 | 0:41:38 | |
SOBS | 0:41:38 | 0:41:41 | |
PHONE RINGS OFF | 0:41:41 | 0:41:43 | |
CLICKS PHONE OFF | 0:41:43 | 0:41:44 | |
CAT MIAOWS | 0:41:48 | 0:41:50 | |
We're devastated, of course we are. | 0:41:50 | 0:41:53 | |
Can I get you anything, sir? | 0:41:57 | 0:41:59 | |
Er, no. No, thanks. | 0:41:59 | 0:42:00 | |
Raoul is my rock. I don't think I could have managed. | 0:42:03 | 0:42:07 | |
We didn't always see eye to eye... but my sister was very dear to me. | 0:42:09 | 0:42:14 | |
CAT MIAOWS And to the, er, public, Mr Prince. | 0:42:14 | 0:42:18 | |
Oh, she was adored. | 0:42:18 | 0:42:21 | |
I've seen her take girls who looked like the back end of Routemasters | 0:42:21 | 0:42:25 | |
and turn them into princesses. | 0:42:25 | 0:42:27 | |
Still, it's a relief, in a way, to know that she's beyond this vale of tears. | 0:42:27 | 0:42:33 | |
CAT PURRS Absolutely. | 0:42:33 | 0:42:35 | |
Great. | 0:42:35 | 0:42:37 | |
Thank you. Thanks again. | 0:42:37 | 0:42:39 | |
It's a real shame. I liked her. | 0:42:39 | 0:42:41 | |
She taught you how to do your colours. | 0:42:41 | 0:42:44 | |
-Colours? -You know, what goes best with what. | 0:42:44 | 0:42:48 | |
I should never wear cerise, apparently. | 0:42:48 | 0:42:50 | |
-Drains me. -Who's that? | 0:42:50 | 0:42:53 | |
-Home Office. -Home Office? -Well, Home Secretary, actually. Owes me a favour. -A pretty girl, | 0:42:53 | 0:42:57 | |
but she messed about with herself too much. | 0:42:57 | 0:43:01 | |
They all do these days. People can hardly move their faces. It's silly, isn't it? | 0:43:01 | 0:43:06 | |
-Did you ever see her show? -Not until now. | 0:43:07 | 0:43:10 | |
CONNIE PRINCE: 'You look pasty, love. | 0:43:14 | 0:43:16 | |
'Ah, rained every day but one...' | 0:43:16 | 0:43:19 | |
That's the brother. No love lost there, | 0:43:19 | 0:43:21 | |
-if you can believe the papers. -So I gather. | 0:43:21 | 0:43:24 | |
I've just had a fruitful chat with people who love this show. | 0:43:24 | 0:43:27 | |
The fan site's indispensable for gossip. | 0:43:27 | 0:43:30 | |
'..Don't you think, girls? Off, off, off, off, off, off, off!' | 0:43:30 | 0:43:34 | |
AUDIENCE JOINS IN CHANTING | 0:43:34 | 0:43:37 | |
It's more common than people think. | 0:43:37 | 0:43:39 | |
The tetanus is in the soil, people cut themselves on rose bushes, garden forks, | 0:43:39 | 0:43:43 | |
that sort of thing, and if left un...treated... | 0:43:43 | 0:43:47 | |
-I don't know what I'm going to do now. -Right. | 0:43:47 | 0:43:51 | |
I mean, she's left me this place... which is lovely... | 0:43:51 | 0:43:56 | |
-..but it's not the same without her. -That's why... | 0:43:58 | 0:44:01 | |
my paper wanted to get the, um...the full story straight from the horse's mouth. | 0:44:01 | 0:44:06 | |
Are you sure it's not too soon? | 0:44:06 | 0:44:08 | |
-No. -Right. | 0:44:08 | 0:44:10 | |
You fire away. | 0:44:10 | 0:44:13 | |
CAT MIAOWS | 0:44:13 | 0:44:14 | |
MOBILE PHONE RINGS | 0:44:20 | 0:44:22 | |
-John. -'Hi. Look, get over here quickly. I think I'm onto something. | 0:44:22 | 0:44:26 | |
'You'll need to pick up some stuff first. Got a pen?' | 0:44:26 | 0:44:29 | |
I'll remember. | 0:44:29 | 0:44:30 | |
DOOR CLOSES | 0:44:30 | 0:44:32 | |
-That'll be him. -What? | 0:44:32 | 0:44:33 | |
-Ah, Mr Prince, isn't it? -Yes. | 0:44:33 | 0:44:37 | |
-Very good to meet you. -Yes, thank you. | 0:44:37 | 0:44:39 | |
-So sorry to hear about... -Yes, yes, very kind. | 0:44:39 | 0:44:41 | |
Shall we, er...? CLEARS THROAT | 0:44:41 | 0:44:44 | |
You were right, the bacteria got into her another way. | 0:44:44 | 0:44:47 | |
-Oh, yes? -Yes. | 0:44:47 | 0:44:48 | |
-Right, are we all set? -Er, yes. Shall we, um...? | 0:44:48 | 0:44:51 | |
-Not too close. I'm raw from crying. -CAT MIAOWS | 0:44:54 | 0:44:57 | |
Oh, who's this? | 0:44:57 | 0:44:58 | |
Sekhmet. Named after the Egyptian goddess. | 0:44:58 | 0:45:01 | |
How nice. Was she Connie's? | 0:45:01 | 0:45:03 | |
Yes, a little present from yours truly. | 0:45:03 | 0:45:05 | |
Sherlock, light reading? | 0:45:06 | 0:45:08 | |
Oh, er... | 0:45:08 | 0:45:10 | |
-2.8. -Bloody hell! What are you playing at? -Sorry! | 0:45:10 | 0:45:13 | |
You're like Laurel and bloody Hardy, you two! What's going on? | 0:45:13 | 0:45:17 | |
-I think we've got what we came for. Excuse us. -What? -Sherlock. -What? | 0:45:17 | 0:45:21 | |
-We've got deadlines. -But you've not taken anything! | 0:45:21 | 0:45:24 | |
WATSON LAUGHS | 0:45:25 | 0:45:28 | |
Yes! Ooh, yes! | 0:45:28 | 0:45:30 | |
You think it was the cat. It wasn't the cat. | 0:45:30 | 0:45:33 | |
What? Yes. Yeah, it is. It must be. It's how he got the tetanus into her system. | 0:45:33 | 0:45:37 | |
-Its paws stink of disinfectant. -Lovely idea. | 0:45:37 | 0:45:40 | |
No, he coated it onto the claws of her cat. | 0:45:40 | 0:45:42 | |
It's a new pet, bound to be a bit jumpy around her. | 0:45:42 | 0:45:45 | |
A scratch is almost inevitable. | 0:45:45 | 0:45:47 | |
I thought of it when I saw the scratches on her arm, but it's too random and clever for the brother. | 0:45:47 | 0:45:52 | |
-He murdered his sister for her money. -Did he? -Didn't he? | 0:45:52 | 0:45:56 | |
Nope. It was revenge. | 0:45:56 | 0:45:58 | |
-Rev...? Who wanted revenge? -Raoul, the houseboy. | 0:45:58 | 0:46:00 | |
Kenny Prince was the butt of his sister's jokes. | 0:46:00 | 0:46:03 | |
Virtual bullying campaign. Finally, he had enough, fell out with her badly. It's all on the website. | 0:46:03 | 0:46:08 | |
-She threatened to disinherit Kenny, Raoul had grown accustomed to a certain lifestyle... -Wait. Wait! | 0:46:08 | 0:46:13 | |
Wait a second. What about the disinfectant on the cat's claws? | 0:46:13 | 0:46:16 | |
Raoul keeps a very clean house. You came through the kitchen door, | 0:46:16 | 0:46:19 | |
saw the state of that floor - scrubbed within an inch of its life. | 0:46:19 | 0:46:21 | |
You smell of disinfectant. No, the cat doesn't come into it. | 0:46:21 | 0:46:24 | |
Raoul's internet records do, though. I hope we can get a cab from here. | 0:46:24 | 0:46:28 | |
CLOCK TICKS | 0:46:32 | 0:46:35 | |
Raoul de Santos is your killer. | 0:46:37 | 0:46:39 | |
Kenny Prince's houseboy. | 0:46:39 | 0:46:41 | |
Second autopsy shows it wasn't tetanus that poisoned Connie Prince, | 0:46:41 | 0:46:44 | |
it was botulinum toxin. | 0:46:44 | 0:46:47 | |
We've been here before. Carl Powers. Tut-tut. | 0:46:47 | 0:46:49 | |
-Our bomber's repeated himself. -So how'd he do it? | 0:46:49 | 0:46:52 | |
-Botox injection. -Botox? | 0:46:52 | 0:46:54 | |
Botox is a diluted form of botulinum. Among other things, | 0:46:54 | 0:46:57 | |
Raoul de Santos was employed to give Connie her regular facial injections. | 0:46:57 | 0:47:01 | |
My contact at the Home Office gave me the complete records of Raoul's internet purchases. | 0:47:01 | 0:47:04 | |
He's been bulk-ordering Botox for months. | 0:47:04 | 0:47:06 | |
Bided his time, then upped the strength to a fatal dose. | 0:47:06 | 0:47:09 | |
-Are you sure about this? -I'm sure. | 0:47:09 | 0:47:11 | |
All right, my office. | 0:47:11 | 0:47:13 | |
-Hey, Sherlock, how long? -What? | 0:47:13 | 0:47:14 | |
-How long have you known? -Well, this one was quite simple. | 0:47:14 | 0:47:17 | |
And the bomber repeated himself. That was a mistake. | 0:47:17 | 0:47:19 | |
No, but Sherlock, the hostage, the old woman, she's been there all this time! | 0:47:19 | 0:47:22 | |
I knew I could save her. I also knew that the bomber had given us 12 hours. | 0:47:22 | 0:47:26 | |
I solved the case quickly, that gave me time to get on with other things. | 0:47:26 | 0:47:28 | |
Don't you see? We're one up on him. | 0:47:28 | 0:47:30 | |
PHONE RINGS | 0:47:43 | 0:47:45 | |
Hello? | 0:47:50 | 0:47:51 | |
Help me! | 0:47:53 | 0:47:55 | |
Tell us where you are. | 0:47:55 | 0:47:57 | |
-Address? -'He was so...' | 0:47:57 | 0:48:00 | |
His voice... | 0:48:00 | 0:48:03 | |
No, no, no, no! Tell me nothing about him, nothing. | 0:48:03 | 0:48:05 | |
He sounded so soft. | 0:48:05 | 0:48:08 | |
DIALLING TONE | 0:48:08 | 0:48:11 | |
Hello? | 0:48:11 | 0:48:12 | |
Sherlock? | 0:48:12 | 0:48:15 | |
What's happened? | 0:48:15 | 0:48:17 | |
-REPORTER: -'The explosion, | 0:48:28 | 0:48:30 | |
'which ripped through several floors, killing 12 people...' | 0:48:30 | 0:48:33 | |
-Old block of flats. -'..caused by a faulty gas main. | 0:48:33 | 0:48:35 | |
'A spokesman from the utility company...' | 0:48:35 | 0:48:39 | |
He certainly gets about. | 0:48:39 | 0:48:41 | |
Well, obviously I lost that round. | 0:48:41 | 0:48:43 | |
Although technically, I did solve the case. | 0:48:43 | 0:48:46 | |
He killed the old lady because she started to describe him. | 0:48:49 | 0:48:52 | |
Just once, he put himself in the firing line. | 0:48:52 | 0:48:55 | |
What d'you mean? | 0:48:55 | 0:48:57 | |
Well, usually, he... must stay above it all. | 0:48:57 | 0:49:00 | |
He organises these things, but no-one ever has direct contact. | 0:49:00 | 0:49:04 | |
What, like the Connie Prince murder, he arranged that? | 0:49:04 | 0:49:10 | |
So, people come to him wanting their crimes fixed up, like booking a holiday? | 0:49:10 | 0:49:14 | |
Novel. | 0:49:14 | 0:49:15 | |
Huh! | 0:49:17 | 0:49:20 | |
CAMERA SHUTTERS CLICK | 0:49:21 | 0:49:25 | |
Taking his time this time. | 0:49:30 | 0:49:33 | |
WATSON CLEARS HIS THROAT | 0:49:33 | 0:49:35 | |
Anything on the Carl Powers case? | 0:49:36 | 0:49:39 | |
Nothing. | 0:49:39 | 0:49:41 | |
All the living classmates check out spotless, no connection. | 0:49:41 | 0:49:44 | |
-Maybe the killer was older than Carl? -The thought had occurred. | 0:49:44 | 0:49:47 | |
So why is he doing this, then? | 0:49:47 | 0:49:49 | |
Playing this game with you. Do you think he wants to be caught? | 0:49:49 | 0:49:53 | |
-I think he wants to be distracted. -Oh... | 0:49:53 | 0:49:56 | |
I hope you'll be very happy together. | 0:49:56 | 0:49:59 | |
-Sorry, what? -There are lives at stake, Sherlock. | 0:49:59 | 0:50:04 | |
Actual human lives! Just so I know, do you care about that at all? | 0:50:04 | 0:50:07 | |
-Will caring about them help save them? -Nope. | 0:50:07 | 0:50:10 | |
-Then I'll continue not to make that mistake. -And you find that easy, do you? -Yes, very. | 0:50:10 | 0:50:14 | |
-Is that news to you? -No, no. | 0:50:14 | 0:50:17 | |
I've disappointed you. | 0:50:20 | 0:50:21 | |
That's good, that's a good deduction, yeah. | 0:50:21 | 0:50:23 | |
Don't make people into heroes, John. | 0:50:23 | 0:50:25 | |
Heroes don't exist, and if they did, I wouldn't be one of them. | 0:50:25 | 0:50:29 | |
-MOBILE PHONE BEEPS -Excellent. | 0:50:29 | 0:50:33 | |
A view of the Thames. | 0:50:33 | 0:50:34 | |
South Bank, somewhere between Southwark Bridge and Waterloo. | 0:50:34 | 0:50:38 | |
You check the papers, I'll look online. | 0:50:40 | 0:50:43 | |
Oh, you're angry with me, so you won't help. | 0:50:43 | 0:50:46 | |
Not much cop, this caring lark. | 0:50:46 | 0:50:49 | |
SIREN WAILS | 0:50:49 | 0:50:51 | |
-Archway suicide... -Ten-a-penny. | 0:51:08 | 0:51:11 | |
Two kids stabbed in Stoke Newington. | 0:51:13 | 0:51:16 | |
Ah, man found on the train line, Andrew West. | 0:51:18 | 0:51:22 | |
Nothing! | 0:51:22 | 0:51:23 | |
RINGING TONE | 0:51:23 | 0:51:26 | |
It's me. Have you found anything on the South Bank between Waterloo Bridge and Southwark Bridge? | 0:51:26 | 0:51:31 | |
BIRDSONG | 0:51:38 | 0:51:40 | |
Do you reckon this is connected, then, the bomber? | 0:51:51 | 0:51:53 | |
Must be. Odd, though, he hasn't been in touch. | 0:51:53 | 0:51:56 | |
Then we must assume that some poor bugger's primed to explode, yeah? | 0:51:56 | 0:51:59 | |
Yes. | 0:51:59 | 0:52:01 | |
-Any ideas? -Seven, so far. | 0:52:01 | 0:52:04 | |
Seven? | 0:52:04 | 0:52:05 | |
He's dead about 24 hours. | 0:52:35 | 0:52:38 | |
Maybe a bit longer. Did he drown? | 0:52:38 | 0:52:42 | |
Apparently not. Not enough of the Thames in his lungs. Asphyxiated. | 0:52:42 | 0:52:45 | |
Yes, I'd agree. | 0:52:45 | 0:52:47 | |
There's quite a bit of bruising around the nose and mouth. | 0:52:47 | 0:52:51 | |
More bruises... | 0:52:52 | 0:52:55 | |
here and here. | 0:52:55 | 0:52:57 | |
Fingertips. | 0:53:01 | 0:53:02 | |
He's late 30s, I'd say, not in the best condition. | 0:53:04 | 0:53:07 | |
He's been in the river a long while, the water's destroyed most of the data. | 0:53:07 | 0:53:12 | |
But I'll tell you one thing, that lost Vermeer painting's a fake. | 0:53:12 | 0:53:16 | |
-What? -We need to identify the corpse, | 0:53:16 | 0:53:18 | |
find out about his friends and... | 0:53:18 | 0:53:20 | |
Wait, wait, wait, wait. What painting? What are you on about? | 0:53:20 | 0:53:22 | |
It's all over the place, haven't you seen the posters? | 0:53:22 | 0:53:25 | |
Dutch old master, supposed to have been destroyed centuries ago. | 0:53:25 | 0:53:27 | |
Now it's turned up, worth £30 million. | 0:53:27 | 0:53:30 | |
OK, so what has that got to do with the stiff? | 0:53:30 | 0:53:33 | |
Everything. | 0:53:33 | 0:53:34 | |
-Have you ever heard of the Golem? -Golem? | 0:53:34 | 0:53:37 | |
It's a horror story, isn't it? What are you saying? | 0:53:37 | 0:53:39 | |
Jewish folk story, a gigantic man made of clay - it's also the name of an assassin. | 0:53:39 | 0:53:43 | |
Real name - Oskar Dzundza. One of the deadliest assassins in the world. | 0:53:43 | 0:53:47 | |
That is his trademark style. | 0:53:47 | 0:53:48 | |
-So this is a hit? -Definitely. | 0:53:48 | 0:53:50 | |
The Golem squeezes the life out of his victims with his bare hands. | 0:53:50 | 0:53:54 | |
But what has this got to do with that painting? I don't see... | 0:53:54 | 0:53:56 | |
You do see, you just don't observe! | 0:53:56 | 0:53:58 | |
Yes, all right, all right, girls! Calm down. | 0:53:58 | 0:54:00 | |
Sherlock, do you want to take us through it? | 0:54:00 | 0:54:04 | |
What do we know about this corpse? | 0:54:07 | 0:54:10 | |
The killer's not left us with much, just the shirt and the trousers. | 0:54:10 | 0:54:13 | |
They're pretty formal, maybe he was going out for the night. | 0:54:13 | 0:54:16 | |
The trousers are heavy duty. Polyester, nasty, same as the shirt, cheap. | 0:54:16 | 0:54:20 | |
They're both too big for him. So some kind of standard-issue uniform. | 0:54:20 | 0:54:22 | |
Dressed for work, then. What kind of work? | 0:54:22 | 0:54:24 | |
There's a hook on his belt... for a walkie-talkie. | 0:54:24 | 0:54:27 | |
Tube driver? | 0:54:27 | 0:54:29 | |
-Security guard? -More likely. | 0:54:29 | 0:54:30 | |
-That'll be borne out by his backside. -Backside?! | 0:54:30 | 0:54:32 | |
Flabby, you'd think he'd led a sedentary life. | 0:54:32 | 0:54:35 | |
Yet the soles of his feet and the nascent varicose veins in his legs show otherwise. | 0:54:35 | 0:54:39 | |
So, a lot of walking and a lot of sitting around. | 0:54:39 | 0:54:43 | |
Security guard's looking good. The watch helps too. | 0:54:43 | 0:54:45 | |
The alarm shows he did regular night shifts. | 0:54:45 | 0:54:47 | |
Maybe he just set his alarm like that the night before he died. | 0:54:47 | 0:54:50 | |
No, no, no. The buttons are stiff, hardly touched. | 0:54:50 | 0:54:53 | |
He set his alarm like that a long time ago, his routine never varied. | 0:54:53 | 0:54:56 | |
But there's something else. The killer must have been interrupted, | 0:54:56 | 0:54:58 | |
otherwise he would have stripped the corpse completely. | 0:54:58 | 0:54:59 | |
There was some kind of badge or insignia on the shirt front | 0:54:59 | 0:55:01 | |
that he tore off, suggesting the dead man works somewhere recognisable, | 0:55:01 | 0:55:05 | |
some kind of institution. | 0:55:05 | 0:55:06 | |
I found this inside his trouser pockets. | 0:55:06 | 0:55:10 | |
Sodden by the river, but still recognisably... | 0:55:10 | 0:55:14 | |
-Tickets? -Ticket stubs. He worked in a museum or gallery. Did a quick check. | 0:55:14 | 0:55:17 | |
The Hickman Gallery has reported one of its attendants as missing - Alex Woodbridge. | 0:55:17 | 0:55:21 | |
Tonight, they unveil the rediscovered masterpiece. | 0:55:21 | 0:55:24 | |
Now, why would anyone want to pay the Golem | 0:55:24 | 0:55:27 | |
to suffocate a perfectly ordinary gallery attendant? | 0:55:27 | 0:55:30 | |
Inference, the dead man knew something about it, | 0:55:30 | 0:55:32 | |
something that would stop the owner getting paid £30 million. | 0:55:32 | 0:55:35 | |
-The pictures are fake. -Fantastic. | 0:55:35 | 0:55:38 | |
-Meretricious. -And a Happy New Year. | 0:55:38 | 0:55:41 | |
Poor sod. | 0:55:42 | 0:55:43 | |
I'd better get my feelers out for this Golem character. | 0:55:45 | 0:55:47 | |
Pointless, you'll never find him, but I know a man who can. | 0:55:47 | 0:55:50 | |
-Who? -Me. | 0:55:50 | 0:55:52 | |
Why hasn't he phoned? He's broken his pattern. Why? | 0:55:58 | 0:56:01 | |
-Waterloo Bridge. -Where now, the gallery? | 0:56:04 | 0:56:07 | |
In a bit. | 0:56:07 | 0:56:09 | |
The Hickman's contemporary art, isn't it? | 0:56:09 | 0:56:11 | |
-Why have they got hold of an old master? -Don't know. | 0:56:11 | 0:56:13 | |
Dangerous to jump to conclusions. | 0:56:13 | 0:56:16 | |
Need data... | 0:56:16 | 0:56:18 | |
Stop! | 0:56:35 | 0:56:36 | |
Can you wait here? | 0:56:36 | 0:56:38 | |
I won't be a moment. | 0:56:38 | 0:56:40 | |
Sherlock? | 0:56:40 | 0:56:42 | |
Change? Any change? | 0:56:49 | 0:56:51 | |
-What for? -Cup of tea, of course. | 0:56:51 | 0:56:54 | |
Here you go, 50. | 0:56:54 | 0:56:57 | |
Thanks. | 0:56:57 | 0:56:58 | |
-What are you doing? -Investing. | 0:57:00 | 0:57:03 | |
Now we go to the gallery. Have you got any cash? | 0:57:12 | 0:57:16 | |
No, I need you to find out all you can about the gallery attendant. | 0:57:29 | 0:57:33 | |
-Lestrade will give you the address. -OK. | 0:57:33 | 0:57:37 | |
We'd been sharing about a year. | 0:57:50 | 0:57:52 | |
-Just sharing. -Mmm. | 0:57:52 | 0:57:55 | |
-May I? -Yeah. | 0:58:06 | 0:58:08 | |
Sorry. | 0:58:09 | 0:58:12 | |
Stargazer, was he? | 0:58:12 | 0:58:13 | |
God, yeah. Mad about it. | 0:58:13 | 0:58:16 | |
It's all he ever did in his spare time. | 0:58:16 | 0:58:19 | |
He was a nice guy, Alex. | 0:58:19 | 0:58:22 | |
I liked him. | 0:58:22 | 0:58:24 | |
He was, er... | 0:58:24 | 0:58:27 | |
never much of a one for hoovering. | 0:58:27 | 0:58:29 | |
What about art? Did he know anything about that? | 0:58:32 | 0:58:34 | |
It was just a job, you know? | 0:58:34 | 0:58:37 | |
Mmm. | 0:58:37 | 0:58:38 | |
Has anyone else been round asking about Alex? | 0:58:41 | 0:58:44 | |
No. | 0:58:44 | 0:58:45 | |
We had a break-in, though. | 0:58:45 | 0:58:48 | |
-When? -Last night. | 0:58:48 | 0:58:50 | |
There was nothing taken. | 0:58:50 | 0:58:52 | |
Oh, there was a message left for Alex on the land line. | 0:58:52 | 0:58:57 | |
-Who was it from? -I can play it for you, if you like. I'll get the phone. -Please. | 0:58:57 | 0:59:01 | |
PHONE BEEPS | 0:59:06 | 0:59:08 | |
-WOMAN: -'Oh, should I speak now? Alex? | 0:59:08 | 0:59:10 | |
'Love, it's Professor Cairns. | 0:59:10 | 0:59:12 | |
'Listen, you were right. You were bloody right. | 0:59:12 | 0:59:15 | |
-'Give us a call when...' -DIALLING TONE | 0:59:15 | 0:59:17 | |
Professor Cairns? | 0:59:17 | 0:59:19 | |
-No idea, sorry. -Mmm. | 0:59:19 | 0:59:21 | |
Can I try and ring back? | 0:59:22 | 0:59:24 | |
No good. I've had other calls since. Sympathy ones, you know. | 0:59:24 | 0:59:29 | |
PHONE RINGS | 0:59:30 | 0:59:32 | |
Don't you have something to do? | 0:59:52 | 0:59:55 | |
Just admiring the view. | 0:59:55 | 0:59:57 | |
Yes. | 0:59:57 | 0:59:58 | |
Lovely. Now get back to work - we open tonight. | 0:59:58 | 1:00:01 | |
-Doesn't it bother you? -What? | 1:00:02 | 1:00:05 | |
That the painting's a fake. | 1:00:05 | 1:00:07 | |
-What? -It's a fake. It has to be. It's the only possible explanation. | 1:00:07 | 1:00:11 | |
-You are in charge, aren't you, Miss Wenceslas? -Who are you? | 1:00:11 | 1:00:14 | |
Alex Woodbridge knew that the painting was a fake, | 1:00:14 | 1:00:17 | |
so somebody sent the Golem to take care of him. Was it you? | 1:00:17 | 1:00:18 | |
Golem? What the hell are you talking about? | 1:00:18 | 1:00:20 | |
Are you working for someone else? Did you fake it for them? | 1:00:20 | 1:00:23 | |
It's not a fake. | 1:00:23 | 1:00:25 | |
It is a fake. I don't know why. | 1:00:25 | 1:00:26 | |
But there's something wrong with it, there has to be. | 1:00:26 | 1:00:29 | |
-What the hell are you on about? You know I could have you sacked on the spot. -Not a problem. | 1:00:29 | 1:00:33 | |
-No? -No, I don't work here, you see. | 1:00:33 | 1:00:35 | |
Just popped in to give you a bit of friendly advice. | 1:00:35 | 1:00:37 | |
How did you get in? | 1:00:37 | 1:00:39 | |
-Please! -I want to know. | 1:00:39 | 1:00:41 | |
The art of disguise is knowing how to hide in plain sight. | 1:00:41 | 1:00:44 | |
-Who are you? -Sherlock Holmes. | 1:00:44 | 1:00:46 | |
Am I supposed to be impressed? | 1:00:46 | 1:00:48 | |
You should be. | 1:00:48 | 1:00:51 | |
Have a nice day. | 1:00:51 | 1:00:52 | |
DOOR CREAKS THEN SHUTS | 1:01:04 | 1:01:07 | |
-WOMAN: -He wouldn't. He just wouldn't. | 1:01:08 | 1:01:12 | |
-Stranger things have happened. -Westie wasn't a traitor. | 1:01:12 | 1:01:17 | |
That's a horrible thing to say! | 1:01:17 | 1:01:19 | |
I'm sorry. But you must understand... | 1:01:19 | 1:01:22 | |
That's what they think, isn't it, his bosses? | 1:01:22 | 1:01:24 | |
He was young man, about to get married, he had debts. | 1:01:24 | 1:01:27 | |
Everyone's got debts, | 1:01:27 | 1:01:29 | |
and Westie wouldn't want to clear them by selling out his country. | 1:01:29 | 1:01:33 | |
Can you, er...? Can you tell me exactly what happened that night? | 1:01:33 | 1:01:38 | |
We were having a night in. | 1:01:38 | 1:01:41 | |
Just...watching a DVD. | 1:01:41 | 1:01:44 | |
He normally falls asleep, you know, but he sat through this one. | 1:01:44 | 1:01:48 | |
He was quiet. | 1:01:50 | 1:01:51 | |
Out of the blue he said he just had to go and see someone. | 1:01:53 | 1:01:57 | |
And you've no idea who? | 1:01:57 | 1:01:58 | |
Hi, Liz. You OK, love? | 1:02:06 | 1:02:08 | |
-Yeah. -Who's this? | 1:02:08 | 1:02:11 | |
-John Watson, hi. -This is my brother, Joe. | 1:02:11 | 1:02:14 | |
John's trying to find out what happened to Westie, Joe. | 1:02:14 | 1:02:17 | |
-You with the police? -Sort of, yeah. | 1:02:17 | 1:02:19 | |
Tell them to get off their arses, will you? It's bloody ridiculous. | 1:02:19 | 1:02:22 | |
I'll do my best. | 1:02:22 | 1:02:23 | |
CLEARS THROAT Well, er, | 1:02:28 | 1:02:30 | |
thanks very much for your help. Again, I'm very, very sorry. | 1:02:30 | 1:02:35 | |
He didn't steal those things, Mr Watson. | 1:02:35 | 1:02:38 | |
I knew Westie, he was a good man. | 1:02:39 | 1:02:42 | |
He was MY good man. | 1:02:42 | 1:02:45 | |
-Spare change? -No. | 1:03:08 | 1:03:10 | |
Any spare change? | 1:03:10 | 1:03:12 | |
Alex Woodbridge didn't know anything special about art. | 1:03:19 | 1:03:22 | |
-And? -And... | 1:03:22 | 1:03:23 | |
Is that it? No habits, hobbies, personality? | 1:03:23 | 1:03:26 | |
Give us a chance. He was an amateur astronomer. | 1:03:26 | 1:03:28 | |
-Hold that cab. -Spare change, sir? -Don't mind if I do. | 1:03:28 | 1:03:32 | |
WATSON: Can you wait here? | 1:03:32 | 1:03:33 | |
Fortunately, I haven't been idle. Come on. | 1:03:36 | 1:03:41 | |
Beautiful, isn't it? | 1:04:04 | 1:04:06 | |
-I thought you didn't care about... -Doesn't mean I can't appreciate it. | 1:04:08 | 1:04:13 | |
Listen, Alex Woodbridge had a message on the answerphone at his flat. | 1:04:13 | 1:04:17 | |
-A Professor Cairns. -This way. | 1:04:17 | 1:04:19 | |
Nice. Nice part of town. | 1:04:19 | 1:04:23 | |
-Any time you want to explain? -Homeless network. | 1:04:26 | 1:04:29 | |
-Really is indispensable. -Homeless network? | 1:04:29 | 1:04:33 | |
-My eyes and ears, all over the city. -Ah, that's...clever. | 1:04:33 | 1:04:36 | |
-So you scratch their backs, and...? -Yes, then disinfect myself. | 1:04:36 | 1:04:40 | |
Sherlock! Come on! | 1:04:59 | 1:05:01 | |
What's he doing sleeping rough? | 1:05:04 | 1:05:06 | |
Well, he has a very distinctive look. He has to hide somewhere where tongues won't wag...much. | 1:05:06 | 1:05:10 | |
-Oh sh... -What? | 1:05:10 | 1:05:12 | |
-I wish I... -Don't mention it. | 1:05:12 | 1:05:14 | |
-No! No! No! No! -TYRES SQUEAL | 1:05:22 | 1:05:26 | |
It'll take us weeks to find him again. | 1:05:26 | 1:05:28 | |
Or not. I have an idea where he might be going. | 1:05:28 | 1:05:31 | |
-What? -I told you, someone left Alex Woodbridge a message. | 1:05:31 | 1:05:34 | |
There can't be that many Professor Cairns in the book. Come on. | 1:05:34 | 1:05:38 | |
'Jupiter, the fifth planet in our solar system, and the largest. | 1:05:44 | 1:05:49 | |
'Jupiter is a gas giant. Planet Earth would fit into it 11 times.' | 1:05:49 | 1:05:54 | |
Yes, we know that. | 1:05:54 | 1:05:56 | |
FILM SPOOLS | 1:05:56 | 1:05:57 | |
-'Titan is the largest moon...' -Come on, Neptune. | 1:06:00 | 1:06:04 | |
-THUMP -'Many are actually long dead...' | 1:06:08 | 1:06:11 | |
-Tom, is that you? -'..exploded into supernovas.' | 1:06:11 | 1:06:14 | |
'Discovered by Urbain Le Verrier in 1846...' | 1:06:16 | 1:06:20 | |
FILM SPOOLS | 1:06:21 | 1:06:23 | |
-'..composed mainly of hydrogen.' -SHE STRUGGLES | 1:06:23 | 1:06:27 | |
-'Their light takes so long to reach us...' -Golem! | 1:06:27 | 1:06:30 | |
'..many are actually long dead, exploded into...' | 1:06:30 | 1:06:34 | |
FILM SPOOLS | 1:06:34 | 1:06:36 | |
I can't see him. I'll go round. | 1:06:36 | 1:06:38 | |
Who are you working for this time, Dzundza? | 1:06:40 | 1:06:43 | |
'A star begins as a collapsing ball of material composed mainly of...' | 1:06:47 | 1:06:51 | |
Golem! COCKS GUN | 1:06:51 | 1:06:53 | |
Let him go... | 1:06:56 | 1:06:58 | |
or I will kill you. | 1:06:58 | 1:07:00 | |
FILM SPOOLS | 1:07:03 | 1:07:05 | |
'The fourth planet of the solar system, named after the Roman god of war.' | 1:07:08 | 1:07:14 | |
'..it is a gas giant...' | 1:07:21 | 1:07:24 | |
FILM SPOOLS | 1:07:24 | 1:07:26 | |
'..takes so long to reach us... | 1:07:34 | 1:07:36 | |
FILM SPOOLS | 1:07:36 | 1:07:39 | |
'..into supernovas...' | 1:07:39 | 1:07:41 | |
GUNSHOT | 1:07:41 | 1:07:44 | |
'..exploded into supernovas...' | 1:07:44 | 1:07:47 | |
It's a fake. It has to be. | 1:07:49 | 1:07:51 | |
That painting has been subjected to every test known to science. | 1:07:51 | 1:07:54 | |
It's a very good fake, then. | 1:07:54 | 1:07:56 | |
You know about this, don't you? This is you, isn't it? | 1:07:56 | 1:07:59 | |
Inspector, my time is being wasted. | 1:07:59 | 1:08:00 | |
Would you mind showing yourself and your friends out? | 1:08:00 | 1:08:03 | |
-PHONE RINGS -The painting is a fake. | 1:08:03 | 1:08:06 | |
It's a fake, that's why Woodbridge and Cairns were killed. | 1:08:08 | 1:08:12 | |
Oh, come on, proving it's just a detail. The painting is a fake. | 1:08:13 | 1:08:17 | |
I've solved it, I've figured it out. | 1:08:17 | 1:08:19 | |
It's a fake, that's the answer, that's why they were killed. | 1:08:19 | 1:08:23 | |
OK, I'll prove it. Give me time. Will you give me time? | 1:08:27 | 1:08:30 | |
-CLOCK STARTS TICKING -'Ten...' -It's a kid. | 1:08:30 | 1:08:34 | |
-Oh God, it's a kid. -What did he say? -"Ten." | 1:08:34 | 1:08:37 | |
-'Nine...' -It's a countdown. He's giving me time. | 1:08:37 | 1:08:39 | |
-Jesus... -It's a fake, but how can I prove it? How?! How?! | 1:08:39 | 1:08:41 | |
'Eight...' | 1:08:41 | 1:08:43 | |
This kid will die. Tell me why the painting is a fake. Tell me! | 1:08:43 | 1:08:46 | |
-'Seven...' -No, shut up. | 1:08:46 | 1:08:47 | |
Don't say anything. It only works if I figure it out. | 1:08:47 | 1:08:49 | |
It must be possible. It must be staring me in the face. | 1:08:51 | 1:08:53 | |
-'Six...' -How? | 1:08:53 | 1:08:55 | |
-Woodbridge knew, but how?! -'Five...' | 1:08:56 | 1:08:58 | |
-It's speeding up! -Sherlock! | 1:08:58 | 1:09:00 | |
-'Four... ' -Oh! In the Planetarium, you heard it too. | 1:09:01 | 1:09:03 | |
Oh, that is brilliant, that is gorgeous! | 1:09:03 | 1:09:05 | |
-'Three...' -What's brilliant? What is?! | 1:09:05 | 1:09:08 | |
This is beautiful. Love this! | 1:09:08 | 1:09:10 | |
-'Two...' -Sherlock! | 1:09:10 | 1:09:11 | |
The Van Buren Supernova. | 1:09:11 | 1:09:14 | |
TICKING STOPS | 1:09:14 | 1:09:15 | |
'Please, is somebody there? Somebody help me.' | 1:09:15 | 1:09:19 | |
There you go. Go and find out where he is and pick him up. | 1:09:19 | 1:09:23 | |
Van Buren Supernova, so-called. | 1:09:23 | 1:09:28 | |
Exploding star. Only appeared in the sky in 1858. | 1:09:28 | 1:09:32 | |
So how could it have been... | 1:09:32 | 1:09:35 | |
painted in the 1640s? | 1:09:35 | 1:09:39 | |
PHONE BEEPS Oh... | 1:09:39 | 1:09:43 | |
Oh. | 1:09:43 | 1:09:45 | |
Oh, Sherl... | 1:09:45 | 1:09:47 | |
You know, it's interesting. Bohemian stationery, | 1:09:50 | 1:09:54 | |
an assassin named after a Prague legend, and you, Miss Wenceslas. | 1:09:54 | 1:09:58 | |
This whole case has a distinctly Czech feeling about it. | 1:09:58 | 1:10:01 | |
Is that where this leads? | 1:10:01 | 1:10:03 | |
What are we looking at, Inspector? | 1:10:04 | 1:10:07 | |
Well, criminal conspiracy, fraud, | 1:10:07 | 1:10:10 | |
accessory after the fact, at the very least. | 1:10:10 | 1:10:13 | |
The murder of the old woman, all the people in the flat... | 1:10:13 | 1:10:16 | |
I didn't know anything about that. | 1:10:16 | 1:10:18 | |
All those things, please, believe me. | 1:10:18 | 1:10:21 | |
I just wanted my share. | 1:10:23 | 1:10:26 | |
The 30 million. | 1:10:26 | 1:10:27 | |
SHE SIGHS | 1:10:34 | 1:10:36 | |
I found a little old man in Argentina. | 1:10:36 | 1:10:38 | |
A genius - I mean, really. | 1:10:40 | 1:10:43 | |
Brushwork, immaculate. | 1:10:43 | 1:10:45 | |
-Could fool anyone. -Mmm. | 1:10:45 | 1:10:48 | |
Well, nearly anyone. | 1:10:48 | 1:10:50 | |
But I didn't know how to go about convincing the world the picture was genuine. | 1:10:53 | 1:10:57 | |
It was just an idea. | 1:10:58 | 1:11:00 | |
A spark which he blew into a flame. | 1:11:02 | 1:11:04 | |
Who? | 1:11:04 | 1:11:06 | |
I don't know. | 1:11:06 | 1:11:08 | |
-LESTRADE LAUGHS -It's true! | 1:11:08 | 1:11:10 | |
It took a long time, but eventually I was... | 1:11:10 | 1:11:14 | |
put in touch with people. | 1:11:14 | 1:11:16 | |
His people... | 1:11:18 | 1:11:21 | |
Well, there was never any real contact. | 1:11:22 | 1:11:24 | |
Just messages... | 1:11:26 | 1:11:29 | |
..whispers. | 1:11:31 | 1:11:34 | |
And did those whispers have a name? | 1:11:34 | 1:11:38 | |
Moriarty. | 1:11:47 | 1:11:49 | |
-WATSON: So this is where West was found? -Yeah. | 1:12:04 | 1:12:07 | |
-Are you going to be long? -I might be. | 1:12:07 | 1:12:09 | |
-Are you the police, then? -Sort of. | 1:12:09 | 1:12:11 | |
-I hate 'em. -The police? | 1:12:11 | 1:12:13 | |
No, jumpers. | 1:12:13 | 1:12:14 | |
People who chuck 'emselves in front of trains. Selfish bastards. | 1:12:14 | 1:12:18 | |
Well, that's one way of looking at it. | 1:12:18 | 1:12:21 | |
I mean it. It's all right for them. | 1:12:21 | 1:12:23 | |
It's over in a split second, strawberry jam all over the lines. What about the drivers, eh? | 1:12:23 | 1:12:27 | |
They've got to live with it, haven't they? | 1:12:27 | 1:12:29 | |
Yeah, speaking of strawberry jam, there's no blood on the line. | 1:12:29 | 1:12:33 | |
-Has it been cleaned off? -No, there wasn't that much. | 1:12:33 | 1:12:37 | |
-You said his head was smashed in. -It was, but there wasn't much blood. | 1:12:37 | 1:12:41 | |
-OK. -Well, I'll leave you to it, then. | 1:12:42 | 1:12:48 | |
-Just give us a shout when you're off. -Right. | 1:12:48 | 1:12:52 | |
Right, so, Andrew West...got on the train somewhere. Or did he? | 1:12:52 | 1:12:59 | |
There was no ticket on the body. | 1:12:59 | 1:13:02 | |
How did he end up here? | 1:13:04 | 1:13:06 | |
CLANKING | 1:13:06 | 1:13:07 | |
-The points. -Yes! | 1:13:13 | 1:13:14 | |
I knew you'd get there eventually. | 1:13:14 | 1:13:17 | |
West wasn't killed here, that's why there was so little blood. | 1:13:17 | 1:13:19 | |
-How long have you been following me? -Since the start. | 1:13:19 | 1:13:22 | |
You don't think I'd give up on a case like this | 1:13:22 | 1:13:24 | |
just to spite my brother, do you? | 1:13:24 | 1:13:26 | |
Come on, we've got a bit of burglary to do. | 1:13:26 | 1:13:30 | |
Missile defence plans haven't left the country, | 1:13:34 | 1:13:36 | |
otherwise Mycroft's people would have heard about it. | 1:13:36 | 1:13:39 | |
Despite what people think, we do still have a secret service. | 1:13:39 | 1:13:42 | |
Yeah, I know, I've met them. | 1:13:42 | 1:13:44 | |
Which means whoever stole the memory stick can't sell it | 1:13:44 | 1:13:47 | |
or doesn't know what to do with it. | 1:13:47 | 1:13:48 | |
My money's on the latter. | 1:13:48 | 1:13:50 | |
We're here. | 1:13:50 | 1:13:52 | |
Where? | 1:13:52 | 1:13:54 | |
Sherlock! What if there's someone in? | 1:14:02 | 1:14:06 | |
There isn't. | 1:14:07 | 1:14:09 | |
WATSON: Jesus... | 1:14:12 | 1:14:13 | |
-Where are we? -Oh, sorry, didn't I say? Joe Harrison's flat. | 1:14:15 | 1:14:18 | |
Joe...? | 1:14:18 | 1:14:20 | |
Brother of West's fiancee. He stole the memory stick, | 1:14:22 | 1:14:26 | |
killed his prospective brother-in-law. | 1:14:26 | 1:14:28 | |
Then why did he do it? | 1:14:41 | 1:14:43 | |
KEYS RATTLING | 1:14:43 | 1:14:45 | |
Let's ask him. | 1:14:45 | 1:14:47 | |
Don't! Don't. | 1:14:57 | 1:14:59 | |
He wasn't meant to... | 1:15:05 | 1:15:07 | |
What's Lucy gonna say? Jesus. | 1:15:09 | 1:15:12 | |
Why did you kill him? | 1:15:12 | 1:15:14 | |
It was an accident. I swear it was. | 1:15:14 | 1:15:17 | |
But stealing the plans for the missile defence program wasn't an accident, was it? | 1:15:17 | 1:15:22 | |
I started dealing drugs. | 1:15:22 | 1:15:24 | |
I mean, the bike thing's a great cover, right? | 1:15:26 | 1:15:28 | |
I don't know how it started. | 1:15:28 | 1:15:31 | |
I just got out of my depth. | 1:15:31 | 1:15:33 | |
I owed people thousands. Serious people. | 1:15:33 | 1:15:37 | |
Then at Westie's engagement do, he starts talking about his job. | 1:15:37 | 1:15:42 | |
I mean, usually, he's so careful. | 1:15:45 | 1:15:47 | |
'But that night, after a few pints, he really opened up. | 1:15:47 | 1:15:52 | |
'He told me about these missile plans. | 1:15:52 | 1:15:54 | |
'Beyond top secret. | 1:15:54 | 1:15:57 | |
'He showed me the memory stick, he waved it in front of me.' | 1:15:57 | 1:16:01 | |
You hear about these things getting lost, | 1:16:01 | 1:16:04 | |
ending up on rubbish tips and whatnot. | 1:16:04 | 1:16:06 | |
But there it was. And I thought... | 1:16:06 | 1:16:09 | |
'Well, I thought it could be worth a fortune. | 1:16:09 | 1:16:12 | |
'It was pretty easy to get the thing off him, he was so plastered.' | 1:16:12 | 1:16:15 | |
Next time I saw him, | 1:16:18 | 1:16:20 | |
'I could tell by the look on his face that he knew.' | 1:16:20 | 1:16:23 | |
-What are you doing here? -What have you done with the plans? | 1:16:23 | 1:16:27 | |
What happened? | 1:16:27 | 1:16:30 | |
'I was going to call an ambulance, but it was too late. | 1:16:35 | 1:16:39 | |
'I just didn't have a clue what to do. So I dragged him in 'ere.' | 1:16:39 | 1:16:45 | |
I just sat in the dark, thinking. | 1:16:45 | 1:16:48 | |
When a neat little idea popped into your head. | 1:16:49 | 1:16:51 | |
Carrying Andrew West way away from here. His body would have gone on for ages | 1:17:32 | 1:17:36 | |
if the train hadn't hit a stretch of track that curved. | 1:17:36 | 1:17:40 | |
-And points. -Exactly. | 1:17:40 | 1:17:42 | |
Do you still have it, then - the memory stick? | 1:17:45 | 1:17:48 | |
Fetch it for me, if you wouldn't mind. | 1:17:49 | 1:17:52 | |
Distraction over - the game continues. | 1:18:02 | 1:18:04 | |
Maybe that's over, too. We've heard nothing from the bomber. | 1:18:04 | 1:18:07 | |
Five pips, remember, John. | 1:18:07 | 1:18:08 | |
It's a countdown. We've only had four. | 1:18:08 | 1:18:12 | |
SHOUTING ON TELEVISION | 1:18:12 | 1:18:15 | |
No, no, no! Course he's not the boy's father. | 1:18:15 | 1:18:20 | |
Look at the turn-ups on his jeans! | 1:18:20 | 1:18:22 | |
-I knew it was dangerous. -Hm? | 1:18:24 | 1:18:27 | |
Getting you into crap telly. | 1:18:27 | 1:18:29 | |
Not a patch on Connie Prince. | 1:18:29 | 1:18:32 | |
-Have you given Mycroft the memory stick yet? -Yep. He was over the moon. | 1:18:32 | 1:18:36 | |
Threatened me with a knighthood...again. | 1:18:36 | 1:18:40 | |
-You know, I'm still waiting. -Hm? | 1:18:40 | 1:18:44 | |
For you to admit that a little knowledge of the solar system | 1:18:44 | 1:18:46 | |
and you'd have cleared up the fake painting a lot quicker. | 1:18:46 | 1:18:49 | |
It didn't do you any good, did it? | 1:18:49 | 1:18:51 | |
No, but I'm not the world's only consulting detective. | 1:18:51 | 1:18:53 | |
-True. -I won't be in for tea. | 1:18:53 | 1:18:55 | |
I'm going to Sarah's. There's still some of that risotto left in the fridge. | 1:18:55 | 1:18:59 | |
-Milk, we need milk. -I'll get some. | 1:18:59 | 1:19:02 | |
-Really? -Really. | 1:19:02 | 1:19:03 | |
-And some beans, then? -Mm. | 1:19:06 | 1:19:08 | |
DOOR CLOSES | 1:19:16 | 1:19:18 | |
FOOTSTEPS | 1:19:47 | 1:19:49 | |
Bought you a little getting-to-know-you present. | 1:20:21 | 1:20:25 | |
That's what it's all been for, isn't it? | 1:20:25 | 1:20:28 | |
All your little puzzles, making me dance. | 1:20:31 | 1:20:33 | |
All to distract me from this. | 1:20:33 | 1:20:36 | |
Evening. | 1:20:48 | 1:20:50 | |
This is a turn-up, isn't it, Sherlock? | 1:20:55 | 1:20:57 | |
-John! What the hell...? -Bet you never saw this coming. | 1:20:57 | 1:21:02 | |
What...would you like me to make him say...next? | 1:21:08 | 1:21:15 | |
Gottle o' gear, gottle o' gear, | 1:21:17 | 1:21:20 | |
-gottle o' gear. -Stop it. | 1:21:20 | 1:21:22 | |
Nice touch, this. The pool, | 1:21:22 | 1:21:25 | |
where little Carl died. | 1:21:25 | 1:21:28 | |
I stopped him. I can stop John Watson, too. | 1:21:28 | 1:21:33 | |
-Stop his heart. -Who are you? | 1:21:33 | 1:21:38 | |
DOOR OPENS | 1:21:38 | 1:21:40 | |
I gave you my number. | 1:21:40 | 1:21:42 | |
I thought you might call. | 1:21:42 | 1:21:45 | |
Is that a British Army Browning L9A1 in your pocket, | 1:21:59 | 1:22:03 | |
or are you just pleased to see me? | 1:22:03 | 1:22:06 | |
Both. | 1:22:07 | 1:22:09 | |
Jim Moriarty. Hi. | 1:22:11 | 1:22:14 | |
Jim? | 1:22:16 | 1:22:19 | |
Jim from the hospital? | 1:22:19 | 1:22:21 | |
Oh, did I really make such a fleeting impression? | 1:22:23 | 1:22:26 | |
But then, I suppose, that was rather the point. | 1:22:26 | 1:22:29 | |
Don't be silly. Someone else is holding the rifle. | 1:22:31 | 1:22:35 | |
I don't like getting my hands dirty. | 1:22:35 | 1:22:38 | |
I've given you a glimpse, Sherlock, just a teensy glimpse | 1:22:41 | 1:22:46 | |
of what I've got going on out there in the big bad world. | 1:22:46 | 1:22:51 | |
I'm a specialist, you see. | 1:22:51 | 1:22:54 | |
Like you. | 1:22:54 | 1:22:56 | |
Dear Jim... | 1:22:56 | 1:22:57 | |
..please will you fix it for me | 1:22:59 | 1:23:02 | |
to get rid of my lover's nasty sister? | 1:23:02 | 1:23:06 | |
Dear Jim, please will you fix it for me to disappear to South America? | 1:23:06 | 1:23:10 | |
Just so. | 1:23:10 | 1:23:11 | |
Consulting criminal. | 1:23:11 | 1:23:14 | |
-Brilliant. -Isn't it? | 1:23:14 | 1:23:18 | |
No-one ever gets to me. | 1:23:18 | 1:23:21 | |
And no-one ever will. | 1:23:23 | 1:23:25 | |
-I did. -COCKS GUN | 1:23:25 | 1:23:26 | |
You've come the closest. Now you're in my way. | 1:23:26 | 1:23:28 | |
-Thank you. -Didn't mean it as a compliment. | 1:23:28 | 1:23:30 | |
-Yes, you did. -Yeah, OK, I did. | 1:23:30 | 1:23:32 | |
But the flirting's over, Sherlock. | 1:23:32 | 1:23:34 | |
-SINGSONG -Daddy's had enough now. | 1:23:34 | 1:23:37 | |
I've shown you what I can do. | 1:23:37 | 1:23:39 | |
I cut loose all those people, all those little problems, | 1:23:39 | 1:23:43 | |
even 30 million quid, just to get you to come out and play. | 1:23:43 | 1:23:47 | |
So take this as a friendly warning... my dear. | 1:23:47 | 1:23:51 | |
Back off. | 1:23:51 | 1:23:54 | |
Although I have loved this, | 1:23:55 | 1:23:59 | |
this little game of ours. | 1:23:59 | 1:24:01 | |
Playing Jim from IT. Playing gay. Did you like the little touch with the underwear? | 1:24:01 | 1:24:07 | |
-People have died. -That's what people do! | 1:24:07 | 1:24:10 | |
-I will stop you. -No, you won't. | 1:24:12 | 1:24:15 | |
Are you all right? | 1:24:15 | 1:24:17 | |
You can talk, Johnny boy. | 1:24:19 | 1:24:21 | |
Go ahead. | 1:24:21 | 1:24:23 | |
-Take it. -Mm? Oh... | 1:24:23 | 1:24:27 | |
..that? The missile plans. | 1:24:28 | 1:24:31 | |
Boring! | 1:24:36 | 1:24:37 | |
I could have got them anywhere. | 1:24:37 | 1:24:40 | |
Sherlock, run! | 1:24:40 | 1:24:42 | |
-HE LAUGHS -Good! | 1:24:42 | 1:24:45 | |
Very good. | 1:24:45 | 1:24:48 | |
If your sniper pulls that trigger, Mr Moriarty, then we both go up. | 1:24:48 | 1:24:52 | |
Isn't he sweet? I can see why you like having him around. | 1:24:52 | 1:24:56 | |
But then, people do get so sentimental about their pets. | 1:24:56 | 1:24:59 | |
They're so touchingly loyal. | 1:24:59 | 1:25:01 | |
But oops! | 1:25:01 | 1:25:02 | |
You've rather shown your hand there, Dr Watson. | 1:25:03 | 1:25:07 | |
Gotcha. | 1:25:11 | 1:25:13 | |
Westwood. Do you know what happens if you don't leave me alone, Sherlock? To you? | 1:25:17 | 1:25:23 | |
Oh, let me guess. I get killed. | 1:25:23 | 1:25:26 | |
Kill you? | 1:25:26 | 1:25:27 | |
No, don't be obvious. I mean, I'm going to kill you anyway, some day. | 1:25:27 | 1:25:32 | |
I don't want to rush it, though. | 1:25:32 | 1:25:33 | |
I'm saving it up for something special. | 1:25:33 | 1:25:36 | |
No, no, no, no, no. If you don't stop prying, I'll burn you. | 1:25:36 | 1:25:42 | |
I'll burn the heart out of you. | 1:25:44 | 1:25:49 | |
I have been reliably informed that I don't have one. | 1:25:50 | 1:25:53 | |
But we both know that's not quite true. | 1:25:53 | 1:25:55 | |
Well, I'd better be off. | 1:25:59 | 1:26:03 | |
Well, so nice to have had a proper chat. | 1:26:03 | 1:26:06 | |
What if I was to shoot you now? | 1:26:06 | 1:26:08 | |
Right now? | 1:26:08 | 1:26:10 | |
Then you could cherish the look of surprise on my face. | 1:26:10 | 1:26:13 | |
Cos I'd be surprised, Sherlock. | 1:26:14 | 1:26:16 | |
Really, I would. | 1:26:16 | 1:26:18 | |
And just a teensy bit...disappointed. | 1:26:18 | 1:26:23 | |
And of course, you wouldn't be able to cherish it for very long. | 1:26:25 | 1:26:28 | |
Ciao, Sherlock Holmes. | 1:26:29 | 1:26:33 | |
Catch you...later. | 1:26:34 | 1:26:39 | |
-No, you won't! -DOOR CLOSES | 1:26:40 | 1:26:43 | |
All right? Are you all right? | 1:26:48 | 1:26:51 | |
Yeah, I'm fine. I'm fine. Sherlock... | 1:26:51 | 1:26:55 | |
Sherlock! | 1:26:55 | 1:26:57 | |
HE GASPS | 1:26:58 | 1:27:00 | |
Oh, Christ. | 1:27:04 | 1:27:05 | |
-Are you OK? -Me? Yeah, fine. I'm fine. Fine. | 1:27:15 | 1:27:19 | |
That, er...thing that you... that you did, | 1:27:21 | 1:27:25 | |
that, um...you offered to do... that was, um...good. | 1:27:25 | 1:27:31 | |
-I'm glad no-one saw that. -Mm? | 1:27:32 | 1:27:36 | |
You ripping my clothes off in a darkened swimming pool. | 1:27:36 | 1:27:40 | |
People might talk. | 1:27:40 | 1:27:41 | |
They do little else. | 1:27:42 | 1:27:45 | |
-Oh... -Sorry, boys. I'm so changeable! | 1:27:50 | 1:27:55 | |
It is a weakness with me, but to be fair to myself, | 1:27:55 | 1:27:57 | |
it is my only weakness. | 1:27:57 | 1:27:59 | |
You can't be allowed to continue. | 1:27:59 | 1:28:01 | |
You just can't. | 1:28:03 | 1:28:04 | |
I would try to convince you, | 1:28:04 | 1:28:07 | |
but everything I have to say has already crossed your mind. | 1:28:07 | 1:28:11 | |
Probably my answer has crossed yours. | 1:28:16 | 1:28:18 | |
Subtitles by Red Bee Media Ltd | 1:28:52 | 1:28:55 | |
E-mail [email protected] | 1:28:55 | 1:28:58 |