Browse content similar to A Scandal in Belgravia. Check below for episodes and series from the same categories and more!
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-'Who are you? -Jim Moriarty. | 0:00:02 | 0:00:04 | |
'Bye! | 0:00:04 | 0:00:05 | |
'Consulting criminal. | 0:00:07 | 0:00:08 | |
'I have loved this, this little game of ours. | 0:00:11 | 0:00:14 | |
-'People have died. -That's what people DO!' | 0:00:15 | 0:00:17 | |
' will stop you.' | 0:00:22 | 0:00:23 | |
If you don't stop prying... | 0:00:24 | 0:00:26 | |
..I'll burn you. | 0:00:28 | 0:00:29 | |
I will burn the heart out of you. | 0:00:30 | 0:00:32 | |
Catch you later. | 0:00:35 | 0:00:38 | |
No, you won't! | 0:00:41 | 0:00:43 | |
Sorry, boys! | 0:00:47 | 0:00:48 | |
I'm SO changeable! | 0:00:50 | 0:00:51 | |
It is a weakness with me, | 0:00:51 | 0:00:53 | |
but to be fair to myself, it is my only weakness. | 0:00:53 | 0:00:56 | |
You can't be allowed to continue. | 0:00:56 | 0:00:58 | |
You just can't. | 0:01:00 | 0:01:01 | |
I would try to convince you, | 0:01:01 | 0:01:03 | |
but everything I have to say has already crossed your mind. | 0:01:03 | 0:01:08 | |
Probably my answer has crossed yours. | 0:01:12 | 0:01:15 | |
MUSIC: "Stayin' Alive" by the Bee Gees | 0:01:40 | 0:01:43 | |
Do you mind if I get that? | 0:01:51 | 0:01:53 | |
Oh, no, please. | 0:01:53 | 0:01:55 | |
You've got the rest of your life. | 0:01:55 | 0:01:58 | |
Hello? | 0:02:00 | 0:02:01 | |
Yes, of course it is. What do you want? | 0:02:03 | 0:02:05 | |
SAY THAT AGAIN! | 0:02:10 | 0:02:12 | |
Say that again, and know that if you're lying to me, | 0:02:13 | 0:02:17 | |
I will find you, and I will skin you. | 0:02:17 | 0:02:19 | |
Wait. | 0:02:25 | 0:02:26 | |
Sorry... | 0:02:40 | 0:02:42 | |
Wrong day to die. | 0:02:42 | 0:02:44 | |
'Oh. | 0:02:44 | 0:02:46 | |
Did you get a better offer? | 0:02:46 | 0:02:48 | |
You'll be hearing from me, Sherlock. | 0:02:51 | 0:02:54 | |
So if you have what you say you have, I will make you rich. | 0:02:59 | 0:03:03 | |
If you don't, | 0:03:05 | 0:03:07 | |
I'll make you into shoes. | 0:03:07 | 0:03:10 | |
HE CLICKS HIS FINGERS | 0:03:10 | 0:03:11 | |
What happened there? | 0:03:24 | 0:03:25 | |
Someone changed his mind. | 0:03:27 | 0:03:29 | |
The question is... | 0:03:31 | 0:03:32 | |
..who? | 0:03:33 | 0:03:35 | |
-Well, now, have you been wicked, Your Highness? -WHIP CRACKS | 0:03:36 | 0:03:40 | |
FEMALE VOICE: Yes, Miss Adler. | 0:03:40 | 0:03:48 | |
POLICE CAR SIREN | 0:04:18 | 0:04:19 | |
What are you typing? | 0:04:26 | 0:04:28 | |
-Blog. -About? -Us. | 0:04:28 | 0:04:30 | |
-You mean me. -Why? | 0:04:30 | 0:04:32 | |
-HE COUGHS -Well, you're typing a lot. | 0:04:32 | 0:04:34 | |
Right, then. | 0:04:36 | 0:04:37 | |
So, what have we got? | 0:04:37 | 0:04:39 | |
-My wife seems to be spending a very long time at the office. -Boring. | 0:04:41 | 0:04:46 | |
-I think my husband might be having an affair. -Yes. | 0:04:46 | 0:04:49 | |
She's not my real aunt, she's been replaced. | 0:04:50 | 0:04:53 | |
I know she has. | 0:04:53 | 0:04:54 | |
-I know human ash. -Leave. | 0:04:54 | 0:04:56 | |
We are prepared to offer any sum of money you care to mention | 0:04:56 | 0:05:00 | |
-for the recovery of these files. -Boring. | 0:05:00 | 0:05:02 | |
We have this website, it explains the true meaning of comic books, | 0:05:02 | 0:05:06 | |
cos people miss a lot of the themes. | 0:05:06 | 0:05:08 | |
But then all the comic books started coming true. | 0:05:08 | 0:05:11 | |
Oh...interesting. | 0:05:11 | 0:05:13 | |
Geek Interpreter, what's that? | 0:05:15 | 0:05:18 | |
-That's the title. -What does it need a title for? | 0:05:18 | 0:05:20 | |
Do people actually read your blog? | 0:05:24 | 0:05:25 | |
-Where do you think our clients come from? -I have a website. | 0:05:25 | 0:05:28 | |
In which you enumerate 240 different types of tobacco ash. Nobody's reading your website. | 0:05:28 | 0:05:33 | |
Right then, dyed blonde hair, no obvious cause of death, | 0:05:33 | 0:05:37 | |
except for these speckles, whatever they are. | 0:05:37 | 0:05:40 | |
Oh, for God's sakes! | 0:05:45 | 0:05:47 | |
-What? -The Speckled Blonde?! | 0:05:47 | 0:05:49 | |
They wouldn't let us see Granddad when he was dead. | 0:05:52 | 0:05:55 | |
Is that cos he'd gone to heaven? | 0:05:55 | 0:05:57 | |
People don't really go to heaven when they die, | 0:05:57 | 0:05:59 | |
they're taken to a special room and burned. | 0:05:59 | 0:06:01 | |
Sherlock... | 0:06:01 | 0:06:03 | |
There was a plane crash in Dusseldorf yesterday. | 0:06:03 | 0:06:06 | |
-Everyone dead. -Suspected terrorist bomb. | 0:06:06 | 0:06:08 | |
-We do watch the news. -You said "boring" and turned over. | 0:06:08 | 0:06:11 | |
Well, according to the flight details, this man was checked in on board. | 0:06:11 | 0:06:15 | |
Inside his coat he's got a stub from his boarding pass, napkins from the flight, | 0:06:15 | 0:06:19 | |
even one of those special biscuits. | 0:06:19 | 0:06:21 | |
Here's his passport, stamped at Berlin Airport. | 0:06:21 | 0:06:23 | |
So this man should have died in a plane crash in Germany yesterday, | 0:06:23 | 0:06:27 | |
but instead he's in a car boot in Southwark. | 0:06:27 | 0:06:29 | |
Lucky escape. | 0:06:29 | 0:06:31 | |
Any ideas? | 0:06:31 | 0:06:32 | |
Eight so far. | 0:06:32 | 0:06:34 | |
OK, four ideas. | 0:06:38 | 0:06:39 | |
Maybe two ideas. | 0:06:44 | 0:06:45 | |
No, no, no, don't mention the unsolved ones. | 0:06:47 | 0:06:50 | |
-People want to know you're human. -Why? | 0:06:50 | 0:06:53 | |
-Because they're interested. -No, they're not. Why are they? -Hmm, look at that. | 0:06:53 | 0:06:57 | |
-1,895. -Sorry, what? | 0:06:57 | 0:07:00 | |
I reset that counter last night. This blog has had nearly 2,000 hits in the last eight hours. | 0:07:00 | 0:07:04 | |
This is your living, Sherlock, not 240 different types of tobacco ash. | 0:07:04 | 0:07:09 | |
243. | 0:07:09 | 0:07:11 | |
So what's this one? | 0:07:13 | 0:07:14 | |
Belly Button Murders? | 0:07:14 | 0:07:16 | |
The Navel Treatment? | 0:07:16 | 0:07:17 | |
Urgh! | 0:07:17 | 0:07:18 | |
-There's a lot of press outside, guys. -Well, they won't be interested in us. | 0:07:19 | 0:07:23 | |
Yeah, that was before you were an internet phenomenon. | 0:07:23 | 0:07:26 | |
A couple of them specifically wanted photographs of you two. | 0:07:26 | 0:07:30 | |
God's sake! | 0:07:30 | 0:07:31 | |
-John. -Hmm? | 0:07:32 | 0:07:33 | |
Cover your face and walk fast. | 0:07:34 | 0:07:37 | |
Still, it's good for the public image, | 0:07:37 | 0:07:39 | |
big case like this. | 0:07:39 | 0:07:41 | |
I'm a private detective, the last thing I need is a public image. | 0:07:41 | 0:07:45 | |
Hello. | 0:08:12 | 0:08:14 | |
I think it's time, don't you? | 0:08:14 | 0:08:16 | |
Oh! | 0:08:34 | 0:08:35 | |
Ugh! | 0:08:39 | 0:08:40 | |
SHE SIGHS | 0:08:40 | 0:08:41 | |
Oh! | 0:08:42 | 0:08:43 | |
Oh, dear! | 0:08:46 | 0:08:48 | |
Thumbs!? | 0:08:48 | 0:08:49 | |
The door was... | 0:08:51 | 0:08:54 | |
The door was... | 0:08:54 | 0:08:55 | |
Boys! You've got another one! | 0:08:59 | 0:09:02 | |
Ooh! | 0:09:03 | 0:09:05 | |
Tell us from the start, DON'T be boring. | 0:09:09 | 0:09:14 | |
ENGINE SPLUTTERS AND DIES | 0:09:14 | 0:09:15 | |
ENGINE BACKFIRES | 0:09:47 | 0:09:48 | |
HE SIGHS | 0:09:59 | 0:10:00 | |
Hey! | 0:10:09 | 0:10:11 | |
Are you OK? | 0:10:11 | 0:10:12 | |
Excuse me! | 0:10:14 | 0:10:15 | |
Are you all right? | 0:10:15 | 0:10:17 | |
Sir, phone call for you. | 0:10:27 | 0:10:29 | |
Carter. | 0:10:31 | 0:10:32 | |
-'Have you heard of Sherlock Holmes?' -Who? | 0:10:32 | 0:10:35 | |
Well, you're about to meet him now. This is your case, it's entirely up to you, this is just... | 0:10:35 | 0:10:39 | |
'..friendly advice, but give Sherlock five minutes on your crime scene, | 0:10:39 | 0:10:43 | |
'and listen to everything that he has to say. And as far as possible...' | 0:10:43 | 0:10:47 | |
..try not to punch him. | 0:10:47 | 0:10:48 | |
OK. | 0:10:49 | 0:10:50 | |
-Sir, this gentleman says he needs to speak to you... -Yes, I know. | 0:10:50 | 0:10:54 | |
Sherlock Holmes. | 0:10:54 | 0:10:55 | |
John Watson. Are you set up for wi-fi? | 0:10:55 | 0:10:58 | |
'You realise this is a tiny bit humiliating?' | 0:10:59 | 0:11:04 | |
It's OK, I'm fine. | 0:11:04 | 0:11:06 | |
Now... | 0:11:06 | 0:11:07 | |
..show me to the stream. | 0:11:07 | 0:11:08 | |
'I didn't really mean for you.' | 0:11:08 | 0:11:11 | |
Look, this is a six. | 0:11:11 | 0:11:13 | |
There's no point in my leaving the flat for anything less than a seven, we agreed. | 0:11:14 | 0:11:18 | |
Now go back, | 0:11:18 | 0:11:20 | |
show me the grass. | 0:11:20 | 0:11:21 | |
When did we agree that? | 0:11:21 | 0:11:22 | |
We agreed it yesterday. Stop! | 0:11:22 | 0:11:25 | |
-'Closer.' -I wasn't even at home yesterday. I was in Dublin. | 0:11:25 | 0:11:29 | |
-It's hardly my fault you weren't listening. -DOORBELL RINGS | 0:11:29 | 0:11:32 | |
-Shut up! -'Do you just carry on talking when I'm away?' -I don't know, how often are you away? | 0:11:32 | 0:11:37 | |
'Now... | 0:11:37 | 0:11:38 | |
-'..show me the car that backfired. -WATSON SIGHS | 0:11:38 | 0:11:40 | |
It's there. | 0:11:40 | 0:11:41 | |
'that's the one that made the noise, yes?' | 0:11:41 | 0:11:43 | |
Yeah. | 0:11:45 | 0:11:46 | |
If you're thinking gunshot... '..there wasn't one. | 0:11:46 | 0:11:49 | |
'He wasn't shot, | 0:11:49 | 0:11:50 | |
'he was killed by a single blow to the back from a blunt instrument, | 0:11:50 | 0:11:54 | |
'which then magically disappeared, along with the killer.' | 0:11:54 | 0:11:58 | |
It's got to be an eight, at least. | 0:11:58 | 0:12:00 | |
-You've got two more minutes, they want to know more about the driver. -Oh, forget him, he's an idiot. | 0:12:00 | 0:12:04 | |
-Why else would he think himself a suspect? -I think he's a suspect. | 0:12:04 | 0:12:08 | |
-'Pass me over.' -All right, but there's a mute button, and I will use it. | 0:12:08 | 0:12:12 | |
Up a bit! I'm not talking from down here! | 0:12:12 | 0:12:15 | |
OK. Just take it, take it. | 0:12:15 | 0:12:16 | |
'Having successfully committed a crime without a single witness...' | 0:12:16 | 0:12:20 | |
..why would he call the police and consult a detective? | 0:12:20 | 0:12:23 | |
-Fair play? -He's trying to be clever. It's overconfidence. -SHERLOCK SIGHS | 0:12:23 | 0:12:26 | |
Did you see him? Morbidly obese, the undisguised halitosis of a single man living on his own. | 0:12:26 | 0:12:31 | |
The right sleeve of an internet porn addict, the breathing pattern of an untreated heart condition. | 0:12:31 | 0:12:36 | |
Low self-esteem, tiny IQ and a limited life expectancy, and you think he's a criminal mastermind?! | 0:12:36 | 0:12:41 | |
-Don't worry, this is just stupid. -What did you say? Heart what? | 0:12:41 | 0:12:44 | |
Go to the stream. | 0:12:44 | 0:12:45 | |
What's in the stream? | 0:12:45 | 0:12:47 | |
-Go and see. -MRS HUDSON: -Sherlock! You weren't answering your doorbell. | 0:12:47 | 0:12:51 | |
-His room's through the back, get him some clothes. -Who the hell are you? -Sorry, Mr Holmes... | 0:12:51 | 0:12:55 | |
-'Sherlock, what's going on?' -You're coming with us. -'What's happening?' I've lost him. I don't know what... | 0:12:55 | 0:13:01 | |
-Dr Watson? -Yeah. -It's for you. -OK, thanks. -No, sir, the helicopter. | 0:13:01 | 0:13:05 | |
Please, Mr Holmes, where you're going you'll want to be dressed. | 0:13:17 | 0:13:21 | |
I know exactly where I'm going. | 0:13:44 | 0:13:46 | |
-You wearing any pants? -No. -OK. | 0:14:39 | 0:14:42 | |
THEY LAUGH | 0:14:50 | 0:14:52 | |
At Buckingham Palace. Right. HE COUGHS | 0:14:53 | 0:14:56 | |
-Ha, ha. -Aah, aah, I am seriously fighting an impulse to steal an ashtray. | 0:14:56 | 0:15:00 | |
SHERLOCK SNIGGERS | 0:15:00 | 0:15:02 | |
HE CLEARS HIS THROAT | 0:15:03 | 0:15:05 | |
-What are we doing here, Sherlock, seriously, what? -I don't know. | 0:15:06 | 0:15:11 | |
Here to see the Queen? | 0:15:11 | 0:15:13 | |
Oh, apparently, yes. | 0:15:13 | 0:15:15 | |
THEY LAUGH | 0:15:17 | 0:15:18 | |
Just once, can you two behave like grown-ups? | 0:15:18 | 0:15:22 | |
We solve crimes, I blog about it, and he forgets his pants. I wouldn't hold out too much hope. | 0:15:22 | 0:15:26 | |
-I was in the middle of a case, Mycroft. -What, the hiker and the backfire? | 0:15:26 | 0:15:30 | |
-I glanced at the police report, a bit obvious, surely? -Transparent. -Time to move on then. | 0:15:30 | 0:15:35 | |
HE CLEARS HIS THROAT | 0:15:35 | 0:15:37 | |
HE SIGHS | 0:15:37 | 0:15:38 | |
We are in Buckingham Palace, the very heart of the British nation. | 0:15:38 | 0:15:43 | |
-Sherlock Holmes, put your trousers on! -What for? | 0:15:43 | 0:15:46 | |
Your client. | 0:15:46 | 0:15:48 | |
And my client is...? | 0:15:48 | 0:15:50 | |
Illustrious, in the extreme. | 0:15:50 | 0:15:53 | |
And remaining, I have to inform you, entirely anonymous. | 0:15:53 | 0:15:58 | |
-Mycroft. -Harry. | 0:15:58 | 0:16:00 | |
-May I just apologise for the state of my little brother. -A full-time occupation, I imagine. | 0:16:00 | 0:16:05 | |
-And this must be Dr John Watson, formerly of the Fifth Northumberland Fusiliers? -Hello, yes. | 0:16:05 | 0:16:10 | |
-My employer is a tremendous fan of your blog. -Your employer? | 0:16:10 | 0:16:14 | |
-Particularly enjoyed the one about the aluminium crutch. -Thank you. -Ahem... | 0:16:14 | 0:16:18 | |
And Mr Holmes the Younger. | 0:16:18 | 0:16:20 | |
-You look taller in your photographs. -I take the precaution of a good coat and a short friend. | 0:16:20 | 0:16:25 | |
Mycroft, I don't do anonymous clients. | 0:16:25 | 0:16:27 | |
I'm used to mystery at one end of my cases, both ends is too much work. Good morning. | 0:16:27 | 0:16:32 | |
This is a matter of national importance. Grow up! | 0:16:34 | 0:16:37 | |
-Get off my sheet! -Or what? | 0:16:37 | 0:16:39 | |
Or I'll just walk away. | 0:16:39 | 0:16:41 | |
-I'll let you. -Boys, please... Not here. | 0:16:41 | 0:16:43 | |
Who is my client? | 0:16:43 | 0:16:47 | |
Take a look at where you're standing, and make a deduction. | 0:16:47 | 0:16:50 | |
You are to be engaged by the highest in the land, now, for God's sake! | 0:16:50 | 0:16:55 | |
Put your clothes on! | 0:16:55 | 0:16:57 | |
SHERLOCK SIGHS | 0:16:57 | 0:16:59 | |
I'll be mother. | 0:17:01 | 0:17:03 | |
And there is a whole childhood in a nutshell. | 0:17:03 | 0:17:06 | |
My employer has a problem. | 0:17:09 | 0:17:11 | |
A matter has come to light of an extremely delicate and potentially criminal nature, | 0:17:12 | 0:17:17 | |
-and in this hour of need, dear brother, your name has arisen. -Why? | 0:17:17 | 0:17:22 | |
We have a police force of sorts, even a marginally secret service. | 0:17:22 | 0:17:25 | |
-Why come to me? -People come to you for help, don't they, Mr Holmes? -Not to date anyone with a navy. | 0:17:25 | 0:17:30 | |
This is a matter of the highest security, and therefore of trust. | 0:17:30 | 0:17:33 | |
-You don't trust your own secret service? -Naturally not. | 0:17:33 | 0:17:36 | |
They all spy on people for money. | 0:17:36 | 0:17:38 | |
I do think we have a timetable. | 0:17:38 | 0:17:40 | |
Yes, of course. Erm... | 0:17:41 | 0:17:43 | |
What do you know about this woman? | 0:17:45 | 0:17:47 | |
Nothing whatsoever. | 0:17:51 | 0:17:52 | |
Then you should be paying more attention. | 0:17:52 | 0:17:55 | |
MESSAGE TONE | 0:17:55 | 0:17:56 | |
She's been at the centre of two political scandals in the last year, | 0:17:56 | 0:18:00 | |
and recently ended the marriage of a prominent novelist | 0:18:00 | 0:18:04 | |
by having an affair with both participants separately. | 0:18:04 | 0:18:08 | |
You know I don't concern myself with trivia. | 0:18:08 | 0:18:11 | |
Who is she? | 0:18:11 | 0:18:12 | |
Irene Adler. | 0:18:13 | 0:18:15 | |
Professionally known as "The Woman". | 0:18:15 | 0:18:19 | |
Professionally? | 0:18:19 | 0:18:20 | |
There are many names for what she does. She prefers "dominatrix". | 0:18:20 | 0:18:25 | |
-Dominatrix. -Don't be alarmed. | 0:18:30 | 0:18:32 | |
It's to do with sex. | 0:18:32 | 0:18:34 | |
Sex doesn't alarm me. | 0:18:34 | 0:18:35 | |
How would you know? | 0:18:36 | 0:18:39 | |
She provides, shall we say, recreational scolding | 0:18:39 | 0:18:42 | |
for those who enjoy that sort of thing | 0:18:42 | 0:18:44 | |
and are prepared to pay for it. | 0:18:44 | 0:18:46 | |
These are all from her website. | 0:18:46 | 0:18:48 | |
And I assume this Adler woman has some compromising photographs. | 0:19:13 | 0:19:16 | |
You're very quick, Mr Holmes. | 0:19:16 | 0:19:18 | |
Hardly a difficult deduction. Photographs of whom? | 0:19:18 | 0:19:22 | |
A person of significance to my employer. | 0:19:24 | 0:19:27 | |
-We'd prefer not to say any more at this time. -You can't tell us anything? | 0:19:27 | 0:19:31 | |
I can tell you it's a young person. | 0:19:32 | 0:19:34 | |
A young female person. | 0:19:36 | 0:19:37 | |
How many photographs? | 0:19:41 | 0:19:43 | |
A considerable number, apparently. | 0:19:43 | 0:19:45 | |
-Do Miss Adler and this young female person appear in these photographs together? -Yes. | 0:19:45 | 0:19:49 | |
-I assume in a number of compromising scenarios? -An imaginative range, we are assured. | 0:19:49 | 0:19:54 | |
John, you might want to put that cup back in your saucer now. | 0:19:54 | 0:19:57 | |
-Can you help us, Mr Holmes? -How? -Will you take the case? | 0:19:57 | 0:20:01 | |
What case? | 0:20:01 | 0:20:02 | |
Pay her, now and in full. | 0:20:02 | 0:20:03 | |
As Miss Adler remarks in her masthead, know when you are beaten. | 0:20:03 | 0:20:08 | |
She doesn't want anything. | 0:20:08 | 0:20:10 | |
She got in touch. | 0:20:11 | 0:20:12 | |
She informed us that the photographs existed. | 0:20:12 | 0:20:15 | |
She indicated that she had no intention to use them | 0:20:15 | 0:20:17 | |
to extort either money or favour. | 0:20:17 | 0:20:20 | |
Oh, a power play. | 0:20:20 | 0:20:22 | |
A power play with the most powerful family in Britain. | 0:20:22 | 0:20:25 | |
Now that is a dominatrix. Ooh, this is getting rather fun, isn't it. | 0:20:25 | 0:20:29 | |
-Sherlock... -Hmm. Where is she? | 0:20:29 | 0:20:31 | |
-In London, currently. She's staying... -Text me the details, I'll be in touch by the end of the day. | 0:20:31 | 0:20:36 | |
-Do you really think you'll have news by then? -No, I think I'll have the photographs. | 0:20:36 | 0:20:40 | |
One can only hope you're as good as you seem to think. | 0:20:40 | 0:20:43 | |
-I'll need some equipment, of course. -Anything you require, I'll have it sent... | 0:20:47 | 0:20:51 | |
-Can I have a box of matches? -I'm sorry? -Or your cigarette lighter, either will do. | 0:20:51 | 0:20:55 | |
-I don't smoke. -No, I know you don't, but your employer does. | 0:20:55 | 0:20:59 | |
We have kept a lot of people successfully in the dark | 0:21:00 | 0:21:03 | |
about this little fact, Mr Holmes. | 0:21:03 | 0:21:05 | |
I'm not the Commonwealth. | 0:21:05 | 0:21:07 | |
And that's as modest as he gets. | 0:21:07 | 0:21:09 | |
Pleasure to meet you. | 0:21:09 | 0:21:10 | |
Laters! | 0:21:10 | 0:21:12 | |
OK, the smoking, how did you know? | 0:21:15 | 0:21:19 | |
The evidence was right under your nose, John, | 0:21:20 | 0:21:23 | |
as ever you see, but do not observe. | 0:21:23 | 0:21:24 | |
-Observe what? -The ashtray. | 0:21:24 | 0:21:26 | |
WATSON LAUGHS | 0:21:26 | 0:21:28 | |
SHERLOCK CHUCKLES | 0:21:29 | 0:21:30 | |
SOUND OF FLASHBULBS | 0:21:30 | 0:21:31 | |
Kate? | 0:21:37 | 0:21:39 | |
We're going to have a visitor. | 0:21:39 | 0:21:42 | |
I'll need a bit of time to get ready. | 0:21:42 | 0:21:44 | |
A long time? | 0:21:44 | 0:21:46 | |
Hmm...ages. | 0:21:46 | 0:21:49 | |
What are you doing? | 0:22:04 | 0:22:05 | |
I'm going to into battle, John. | 0:22:05 | 0:22:07 | |
I need the right armour. | 0:22:07 | 0:22:10 | |
No. | 0:22:10 | 0:22:11 | |
Nah. | 0:22:11 | 0:22:12 | |
Works for me. | 0:22:12 | 0:22:14 | |
Everything works on you. | 0:22:14 | 0:22:16 | |
So, what's the plan? | 0:22:16 | 0:22:18 | |
We know her address. | 0:22:18 | 0:22:20 | |
-We just ring her doorbell? -Exactly. Just here, please. -You didn't even change your clothes. | 0:22:20 | 0:22:24 | |
Then it's time to add a splash of colour. | 0:22:24 | 0:22:26 | |
Are we here? | 0:22:33 | 0:22:35 | |
Two streets away, but this will do. | 0:22:35 | 0:22:37 | |
-For what? -Punch me in the face. | 0:22:37 | 0:22:39 | |
Shade? | 0:22:39 | 0:22:41 | |
Blood. | 0:22:42 | 0:22:44 | |
-Punch you? -Yes, punch me, in the face. Didn't you hear me? | 0:22:44 | 0:22:47 | |
I always hear "punch me" when you speak but it's usually sub-text. | 0:22:47 | 0:22:50 | |
Oh, for God's sakes! | 0:22:50 | 0:22:52 | |
Thank you, that was... | 0:22:58 | 0:23:00 | |
OK, I think we're done now, John! | 0:23:03 | 0:23:05 | |
You want to remember, Sherlock, I was a soldier. I killed people. | 0:23:05 | 0:23:09 | |
-You were a doctor! -I had bad days! | 0:23:09 | 0:23:11 | |
What are you going to wear? | 0:23:13 | 0:23:15 | |
-My battle dress. -Oh, lucky boy. | 0:23:15 | 0:23:18 | |
BUZZER | 0:23:18 | 0:23:19 | |
BELL RINGS | 0:23:23 | 0:23:26 | |
Hello? | 0:23:26 | 0:23:27 | |
Oh, very sorry to disturb you, um, I've just been attacked, um, | 0:23:27 | 0:23:32 | |
um, and I think they, they took my wallet | 0:23:32 | 0:23:36 | |
and, um, and my phone. | 0:23:36 | 0:23:39 | |
Um, please could you help me? | 0:23:39 | 0:23:42 | |
I can phone the police, if you want? | 0:23:42 | 0:23:44 | |
Thank you. Could you, please? Would you mind if I just waited here, just until they come? | 0:23:44 | 0:23:49 | |
Thank you, thank you so much. | 0:23:49 | 0:23:51 | |
BUZZER | 0:23:51 | 0:23:53 | |
Thank you. Oh. | 0:23:54 | 0:23:57 | |
I saw it all happen. | 0:23:57 | 0:23:59 | |
-It's OK, I'm a doctor. Have you got a first aid kit? -In the kitchen. Please. | 0:23:59 | 0:24:02 | |
-Thank you. -Thank you. | 0:24:02 | 0:24:04 | |
Hello, sorry to hear you've been hurt. | 0:24:05 | 0:24:07 | |
-I don't think Kate caught your name? -I'm so sorry, I'm... | 0:24:07 | 0:24:11 | |
It's always hard to remember an alias when you've had a fright. Isn't it? | 0:24:16 | 0:24:20 | |
Well, there now. | 0:24:21 | 0:24:23 | |
We're both defrocked... | 0:24:23 | 0:24:25 | |
..Mr Sherlock Holmes. | 0:24:27 | 0:24:28 | |
-Miss Adler, I presume. -Look at those cheekbones. | 0:24:28 | 0:24:33 | |
I could cut myself slapping that face. | 0:24:33 | 0:24:37 | |
Would you like me to try? | 0:24:37 | 0:24:39 | |
Right, this should do it. | 0:24:41 | 0:24:43 | |
I've missed something, haven't I? | 0:24:47 | 0:24:49 | |
Please, sit down. Or if you'd like some tea, I can call the maid. | 0:24:51 | 0:24:55 | |
-I had some at the Palace. -I know. -Clearly. | 0:24:55 | 0:24:59 | |
I had a tea too, at the Palace. If anyone's interested. | 0:25:03 | 0:25:07 | |
Do you know the big problem with a disguise, Mr Holmes? | 0:25:29 | 0:25:33 | |
However hard you try, it's always a self-portrait. | 0:25:33 | 0:25:36 | |
You think I'm a vicar with a bleeding face? | 0:25:36 | 0:25:39 | |
No, I think you're damaged, delusional | 0:25:39 | 0:25:41 | |
and believe in a higher power. In your case, it's yourself. | 0:25:41 | 0:25:44 | |
Hmm, and somebody loves you. | 0:25:46 | 0:25:48 | |
If I had to punch that face, I'd avoid your nose and teeth, too. | 0:25:48 | 0:25:52 | |
Ha-ha! Could you put something on, please? | 0:25:53 | 0:25:55 | |
-Er, anything at all. A napkin? -Why? Are you feeling exposed? | 0:25:55 | 0:26:00 | |
I don't think John knows where to look. | 0:26:00 | 0:26:02 | |
No, I think he knows exactly where. | 0:26:02 | 0:26:05 | |
I'm not sure about you. | 0:26:07 | 0:26:08 | |
If I was to look at naked women, I'd borrow John's laptop. | 0:26:08 | 0:26:11 | |
-You do borrow my laptop. -I confiscate it. | 0:26:11 | 0:26:13 | |
Never mind, we've got better things to talk about. Now, tell me, I need to know - | 0:26:13 | 0:26:17 | |
how was it done? | 0:26:17 | 0:26:20 | |
What? | 0:26:20 | 0:26:21 | |
The hiker with the bashed-in head - how was he killed? | 0:26:21 | 0:26:26 | |
That's not why I'm here. | 0:26:26 | 0:26:29 | |
You're here for the photographs, | 0:26:29 | 0:26:31 | |
but that's never going to happen and as we're chatting... | 0:26:31 | 0:26:33 | |
That story's not out. How do you know about it? | 0:26:33 | 0:26:35 | |
-I know one of the policemen. Well, I know what he likes. -Oh. | 0:26:35 | 0:26:39 | |
And you...like policemen? | 0:26:39 | 0:26:43 | |
I like detective stories. And detectives. | 0:26:43 | 0:26:45 | |
Brainy is the new sexy. | 0:26:47 | 0:26:49 | |
The position of the car relative to the hiker, | 0:26:49 | 0:26:51 | |
that and the fact that the death blow was to the back of the head, that's all you need to know. | 0:26:51 | 0:26:56 | |
-OK, tell me, how was he murdered? -He wasn't. | 0:26:56 | 0:26:59 | |
-You don't think it was murder? -I know it wasn't. -How? -The same way | 0:26:59 | 0:27:02 | |
I know the victim was a sportsman, recently returned from foreign travel | 0:27:02 | 0:27:06 | |
-and that the photographs I'm looking for are in this room. -OK, but how? | 0:27:06 | 0:27:10 | |
So they are in this room. Thank you. | 0:27:10 | 0:27:12 | |
John, man the door, let no-one in. | 0:27:12 | 0:27:14 | |
Two men alone in the countryside, several yards apart and one car. | 0:27:24 | 0:27:29 | |
-Oh, I,... I thought you were looking for the photos now. -No, no. | 0:27:29 | 0:27:33 | |
Looking takes ages, I'm just going to find them, | 0:27:33 | 0:27:36 | |
but you're clever and we've got a moment, so let's pass the time. Two men, a car, nobody else. | 0:27:36 | 0:27:40 | |
Driver's trying to fix his engine. | 0:27:40 | 0:27:44 | |
Getting nowhere. | 0:27:44 | 0:27:46 | |
And the hiker is taking a moment, looking at the sky. | 0:27:46 | 0:27:49 | |
Watching the birds? Any moment now, something is going to happen. What? | 0:27:49 | 0:27:53 | |
-The hiker is going to die. -No, that's the result. What's going to happen? | 0:27:53 | 0:27:58 | |
-I don't understand. -Oh, well try to. | 0:27:58 | 0:28:01 | |
-Why? -Because you cater to the whims of the pathetic | 0:28:01 | 0:28:04 | |
and take your clothes off to make an impression. Stop boring me and think. It's the new sexy. | 0:28:04 | 0:28:10 | |
-The car's going to backfire. There's -going to be a loud noise. -So what? | 0:28:10 | 0:28:15 | |
Noises are important. They can tell you everything. For instance... | 0:28:15 | 0:28:18 | |
BEEPING | 0:28:20 | 0:28:24 | |
Thank you. | 0:28:27 | 0:28:28 | |
On hearing a smoke alarm, a mother would look towards her child. | 0:28:28 | 0:28:32 | |
Amazing how fire exposes our priorities. | 0:28:32 | 0:28:34 | |
I really hope you don't have a baby in here. | 0:28:38 | 0:28:42 | |
All right, John, you can turn it off now. | 0:28:42 | 0:28:45 | |
I said you can turn it off now! | 0:28:45 | 0:28:47 | |
Give me a minute! | 0:28:47 | 0:28:49 | |
Thank you. | 0:28:55 | 0:28:57 | |
Hmm. | 0:28:57 | 0:28:58 | |
You should always use gloves with these things, you know. | 0:28:58 | 0:29:02 | |
Heaviest oil deposit is always on the first key used, | 0:29:02 | 0:29:04 | |
that's a 3, but after that, the sequence is impossible to read. I see it's a six digit code. | 0:29:04 | 0:29:10 | |
It can't be your birthday, no disrespect, but you were born in the '80s and 8's barely used, so... | 0:29:10 | 0:29:14 | |
I'd tell you the code right now, but you know what? I already have. | 0:29:14 | 0:29:18 | |
Think. | 0:29:20 | 0:29:21 | |
Hands behind your head, on the floor, keep it still! | 0:29:22 | 0:29:26 | |
-Sorry, Sherlock. -Miss Adler, on the floor! | 0:29:26 | 0:29:29 | |
-Don't you want me on the floor, too? -No, sir, I want you to open the safe. | 0:29:29 | 0:29:33 | |
American. Interesting. Why would you care? | 0:29:33 | 0:29:37 | |
-Sir, the safe, now, please. -I don't know the code. -We've been listening, she said she told you. | 0:29:37 | 0:29:42 | |
-If you've been listening, you'll know she didn't. -I assume I missed something. From your reputation, | 0:29:42 | 0:29:47 | |
I assume you didn't, Mr Holmes. | 0:29:47 | 0:29:50 | |
She's the one who knows the code, ask her! | 0:29:50 | 0:29:52 | |
Yes, sir, she also knows the code that calls the police and sets off the burglar alarm. | 0:29:52 | 0:29:57 | |
-I've learned not to trust her. -Mr Holmes doesn't... -Shut up! | 0:29:57 | 0:30:00 | |
One more word out of you, | 0:30:00 | 0:30:02 | |
just one and I will decorate that wall with the insides of your head. | 0:30:02 | 0:30:06 | |
That, for me, will not be a hardship. | 0:30:06 | 0:30:09 | |
-Mr Archer, at the count of three, shoot Dr Watson. -What? | 0:30:09 | 0:30:14 | |
-I don't know the code. -One. | 0:30:14 | 0:30:16 | |
-I don't know the code. -Two. -She didn't tell me, I don't know it! | 0:30:16 | 0:30:21 | |
I'm prepared to believe you, any second now. | 0:30:21 | 0:30:25 | |
-Three! -No, stop! | 0:30:25 | 0:30:26 | |
BEEPING | 0:30:38 | 0:30:41 | |
BEEPING | 0:30:41 | 0:30:43 | |
SAFE UNLOCKS | 0:30:46 | 0:30:48 | |
Thank you, Mr Holmes. Open it, please. | 0:30:48 | 0:30:51 | |
Vatican cameos! | 0:30:55 | 0:30:57 | |
-Do you mind? -Not at all. | 0:31:15 | 0:31:16 | |
-He's dead. -Thank you. You were very observant. -Observant? | 0:31:22 | 0:31:26 | |
-I'm flattered. -Don't be. -Flattered? | 0:31:26 | 0:31:30 | |
There'll be more of them, they'll be keeping an eye on the building. | 0:31:30 | 0:31:33 | |
-We should call the police. -Yes. | 0:31:38 | 0:31:40 | |
-On their way. -For God's sake! | 0:31:44 | 0:31:46 | |
Oh, shut up, it's quick. | 0:31:46 | 0:31:47 | |
Check the rest of the house, see how they got in. | 0:31:47 | 0:31:51 | |
-Well, that's the knighthood in the bag. -Oh, and that's mine. | 0:31:51 | 0:31:56 | |
-All the photographs are on here, I presume? -I have copies, of course. -No, you don't. | 0:31:59 | 0:32:03 | |
You'll have permanently disabled any kind of uplink or connection. | 0:32:03 | 0:32:08 | |
Unless the contents of this phone are unique, you couldn't sell them. | 0:32:08 | 0:32:11 | |
-Who said I'm selling? -Well, why would they be interested? | 0:32:11 | 0:32:15 | |
-Whatever's on the phone, it's clearly not just photographs. -That camera-phone is my life, Mr Holmes. | 0:32:15 | 0:32:21 | |
I'd die before I let you take it. It's my protection. | 0:32:21 | 0:32:24 | |
-Sherlock! -It was. | 0:32:24 | 0:32:26 | |
-Must have come in this way. -Clearly. | 0:32:43 | 0:32:44 | |
It's all right, she's just out cold. | 0:32:46 | 0:32:48 | |
Oh, God knows she's used to that. There's a back door. Better check it, Dr Watson. | 0:32:48 | 0:32:52 | |
Sure. | 0:32:53 | 0:32:56 | |
You're very calm. | 0:32:57 | 0:32:59 | |
-Well, your booby trap did just kill a man. -He would have killed me. | 0:33:00 | 0:33:04 | |
It was self defence in advance. | 0:33:04 | 0:33:05 | |
What is that?! What? | 0:33:09 | 0:33:12 | |
Give it to me. | 0:33:12 | 0:33:14 | |
Now. Give it to me. | 0:33:14 | 0:33:16 | |
No. | 0:33:16 | 0:33:18 | |
-Give it to me. -Argh! No. | 0:33:18 | 0:33:21 | |
Oh, for goodness sake! | 0:33:21 | 0:33:23 | |
Drop it. | 0:33:23 | 0:33:24 | |
I...said...drop it! | 0:33:24 | 0:33:28 | |
Ah, thank you, dear. | 0:33:28 | 0:33:31 | |
Now, tell that sweet little posh thing the pictures are safe with me. | 0:33:31 | 0:33:35 | |
They're not for blackmail, just for insurance. | 0:33:35 | 0:33:39 | |
Besides, I might want to see her again. | 0:33:39 | 0:33:42 | |
Oh, no no no no no. | 0:33:42 | 0:33:46 | |
It's been a pleasure. | 0:33:46 | 0:33:47 | |
Don't spoil it. | 0:33:47 | 0:33:50 | |
This is how I want you to remember me, | 0:33:50 | 0:33:53 | |
the woman who beat you. | 0:33:53 | 0:33:57 | |
Goodnight, Mr Sherlock Holmes. | 0:33:59 | 0:34:01 | |
-Jesus! What are you doing? -He'll sleep for a few hours. | 0:34:01 | 0:34:04 | |
-Make sure he doesn't choke on his own vomit, it makes for a very unattractive corpse. -What's this? | 0:34:04 | 0:34:09 | |
-What have you given him? Sherlock? -He'll be fine. | 0:34:09 | 0:34:11 | |
-I've used it on loads of my friends. -Sherlock, can you hear me? | 0:34:11 | 0:34:16 | |
-You know, I was wrong about him. He did know where to look. -For what? What are you talking about? | 0:34:16 | 0:34:20 | |
-The key-code to my safe. -What was it? | 0:34:20 | 0:34:24 | |
Shall I tell him? | 0:34:24 | 0:34:26 | |
My measurements. | 0:34:30 | 0:34:32 | |
SIREN WAILS | 0:34:32 | 0:34:34 | |
SIRENS WAIL | 0:34:43 | 0:34:45 | |
Got it! | 0:34:45 | 0:34:47 | |
Oh, ssh ssh no, don't get up, I'll do the talking. | 0:34:47 | 0:34:52 | |
So, the car's about to backfire and the hiker, he's staring at the sky. | 0:34:55 | 0:35:02 | |
You said he could be watching birds, but he wasn't, was he? | 0:35:02 | 0:35:05 | |
He was watching another kind of flying thing. | 0:35:05 | 0:35:08 | |
The car backfires and the hiker turns to look... | 0:35:08 | 0:35:11 | |
..which was his big mistake. | 0:35:13 | 0:35:16 | |
By the time the driver looks up, the hiker is already dead. He doesn't see what killed him | 0:35:16 | 0:35:20 | |
because it's already being washed downstream. | 0:35:20 | 0:35:25 | |
An accomplished sportsman recently returned from foreign travel with... | 0:35:25 | 0:35:30 | |
a boomerang. | 0:35:30 | 0:35:31 | |
You got that from one look? | 0:35:33 | 0:35:35 | |
Definitely the new sexy. | 0:35:35 | 0:35:37 | |
I... | 0:35:39 | 0:35:41 | |
I... | 0:35:43 | 0:35:45 | |
Hush, now. | 0:35:54 | 0:35:55 | |
It's OK. | 0:35:55 | 0:35:57 | |
I'm only returning your coat. | 0:35:59 | 0:36:02 | |
John? | 0:36:08 | 0:36:09 | |
John! | 0:36:10 | 0:36:12 | |
-You OK? -How did I get here? | 0:36:16 | 0:36:19 | |
I don't suppose you remember much, you weren't making a lot of sense. | 0:36:19 | 0:36:22 | |
Oh, I should warn you, I think Lestrade filmed you on his phone. | 0:36:22 | 0:36:26 | |
-Where is she? -Where's who? -The woman, that woman. -What woman? | 0:36:26 | 0:36:30 | |
-The Woman! The Woman, woman! -Oh, Irene Adler? | 0:36:30 | 0:36:33 | |
She got away, no-one saw her. She wasn't here, Sherlock. | 0:36:33 | 0:36:36 | |
What are you? What? No, no, no. No. Back to bed. | 0:36:38 | 0:36:42 | |
You'll be fine in the morning. Just sleep. | 0:36:42 | 0:36:46 | |
Of course I'll be fine, I am fine. I'm absolutely fine. | 0:36:46 | 0:36:49 | |
Yes, you're great. Now, I'll be next door if you need me. | 0:36:49 | 0:36:52 | |
-Why would I need you? -No reason at all. | 0:36:52 | 0:36:55 | |
EROTIC MOAN TEXT ALERT | 0:36:58 | 0:37:01 | |
-The photographs are perfectly safe. -In the hands of a fugitive sex worker? | 0:37:36 | 0:37:40 | |
She's not interested in blackmail. | 0:37:40 | 0:37:42 | |
She wants...protection, for some reason. | 0:37:42 | 0:37:45 | |
I take it you've stood down the police investigation into the shooting at her house? | 0:37:45 | 0:37:50 | |
How can we do anything while she has the photographs? Our hands are tied. | 0:37:50 | 0:37:54 | |
She'd applaud your choice of words. | 0:37:54 | 0:37:56 | |
You see how this works? The camera-phone is her get out of jail free card. | 0:37:56 | 0:38:00 | |
You have to leave her alone. Treat her like royalty, Mycroft. | 0:38:00 | 0:38:03 | |
Though not the way she treats royalty. | 0:38:03 | 0:38:05 | |
EROTIC MOAN TEXT ALERT | 0:38:05 | 0:38:07 | |
What was that? | 0:38:07 | 0:38:10 | |
-Text. -But what was that noise? | 0:38:10 | 0:38:11 | |
Did you know there were other people after her too | 0:38:13 | 0:38:16 | |
before you sent John and I in there? | 0:38:16 | 0:38:18 | |
-CIA trained killers, I think. -Thanks for that. | 0:38:18 | 0:38:21 | |
It's a disgrace, sending your little brother into danger like that. | 0:38:21 | 0:38:24 | |
Family is all we have in the end, Mycroft Holmes! | 0:38:24 | 0:38:28 | |
-Oh, shut up, Mrs Hudson! -Mycroft!! | 0:38:28 | 0:38:30 | |
-Apologies. -Thank you. -Though do in fact shut up. | 0:38:36 | 0:38:40 | |
EROTIC MOAN TEXT ALERT | 0:38:40 | 0:38:42 | |
Oh, it's a bit rude, that noise, isn't it? | 0:38:42 | 0:38:45 | |
There's nothing you can do and nothing she will do, as far as I can see. | 0:38:45 | 0:38:49 | |
I can put maximum surveillance on her. | 0:38:49 | 0:38:52 | |
Why bother? You can follow her on Twitter. | 0:38:52 | 0:38:57 | |
I believe her user name is The Whip Hand. | 0:38:57 | 0:39:00 | |
Most amusing. Excuse me. Hello? | 0:39:00 | 0:39:03 | |
Why does your phone make that noise? | 0:39:09 | 0:39:13 | |
-What noise? -That noise, the one it just made. | 0:39:13 | 0:39:16 | |
It's a text alert, means I've got a text. | 0:39:16 | 0:39:18 | |
Hmm. Your texts don't usually make that noise. | 0:39:18 | 0:39:21 | |
Well, somebody got hold of the phone and apparently as a joke, | 0:39:21 | 0:39:24 | |
personalised their text alert noise. | 0:39:24 | 0:39:27 | |
Hmm, so every time they text you... | 0:39:27 | 0:39:29 | |
-EROTIC MOAN TEXT ALERT -It would seem so. | 0:39:30 | 0:39:33 | |
Could you turn that phone down a bit? At my time of life it's... | 0:39:33 | 0:39:38 | |
Ahem. | 0:39:38 | 0:39:39 | |
See I'm wondering who could have got hold of your phone. | 0:39:41 | 0:39:44 | |
-It would've been in your coat. -I'll leave you to your deductions. | 0:39:44 | 0:39:48 | |
I'm not stupid, you know. | 0:39:50 | 0:39:52 | |
Where do you get that idea? | 0:39:52 | 0:39:54 | |
Bond Air is go, that's decided. Check with the Coventry lot. | 0:39:54 | 0:39:57 | |
Talk later. | 0:39:57 | 0:39:59 | |
What else does she have? | 0:39:59 | 0:40:02 | |
Irene Adler. The Americans wouldn't be interested in her | 0:40:02 | 0:40:05 | |
for a couple of compromising photographs. | 0:40:05 | 0:40:08 | |
There's more. Much more. | 0:40:08 | 0:40:12 | |
Something big's coming, isn't it? | 0:40:12 | 0:40:15 | |
Irene Adler is no longer any concern of yours. | 0:40:15 | 0:40:19 | |
From now on, you will stay out of this. | 0:40:19 | 0:40:23 | |
-Oh, will I? -Yes, Sherlock. | 0:40:23 | 0:40:26 | |
You will. | 0:40:26 | 0:40:28 | |
Now if you'll excuse me, | 0:40:31 | 0:40:33 | |
I have a long and arduous apology to make to a very old friend. | 0:40:33 | 0:40:36 | |
Do give her my love. | 0:40:36 | 0:40:38 | |
HE PLAYS 'GOD SAVE THE QUEEN' | 0:40:38 | 0:40:42 | |
Lovely, Sherlock. That was lovely. | 0:41:11 | 0:41:13 | |
-Hmm, marvellous. -Yes, very good. | 0:41:13 | 0:41:15 | |
I wish you could have worn the antlers. | 0:41:15 | 0:41:17 | |
-Some things are best left to the imagination, Mrs Hudson. -Mrs H? | 0:41:17 | 0:41:21 | |
-No thank you, Sarah. -Er, no, no, he's not good with names. | 0:41:21 | 0:41:24 | |
No, I can get this. | 0:41:24 | 0:41:25 | |
Sarah was the doctor, then there was the one with the spots, | 0:41:25 | 0:41:28 | |
then the one with the nose and then, who was after the boring teacher? | 0:41:28 | 0:41:33 | |
-Nobody. -Jeanette! Ah, process of elimination. Oh, dear Lord. | 0:41:33 | 0:41:37 | |
Hello, everyone. It said on the door to come up. | 0:41:37 | 0:41:41 | |
-Hello, Molly. -Hello, Molly! | 0:41:41 | 0:41:43 | |
Everybody saying hello to each other, how wonderful! | 0:41:43 | 0:41:46 | |
-Let me, er... Holy Mary! -Wow! | 0:41:46 | 0:41:49 | |
-So we're having Christmas drinkies? -No stopping them, apparently. | 0:41:49 | 0:41:52 | |
It's the one day of the year where the boys have to be nice to me, | 0:41:52 | 0:41:56 | |
so it's almost worth it. | 0:41:56 | 0:41:58 | |
-John? -Hmm? -The counter on your blog still says 1895. -Oh, no, Christmas is cancelled(!) | 0:41:58 | 0:42:04 | |
-And you've got a photograph of me wearing that hat! -People like it. | 0:42:04 | 0:42:08 | |
-No, they don't. What people? -How's the hip? | 0:42:08 | 0:42:10 | |
Oh, it's atrocious, but thanks for asking. | 0:42:10 | 0:42:13 | |
I've seen much worse, but then I do post-mortems. | 0:42:13 | 0:42:15 | |
-Oh, God, sorry. -Don't make jokes, Molly. | 0:42:15 | 0:42:20 | |
-No, sorry. -Here you are. -Thank you. I wasn't expecting to see you. | 0:42:20 | 0:42:23 | |
I thought you were in Dorset for Christmas? | 0:42:23 | 0:42:26 | |
First thing in the morning, me and the wife, back together, sorted. | 0:42:26 | 0:42:29 | |
No, she's sleeping with a PE teacher. | 0:42:29 | 0:42:32 | |
-And John, I hear you're off to your sister's? -Yeah. | 0:42:32 | 0:42:36 | |
Sherlock was complaining. Saying. | 0:42:36 | 0:42:38 | |
First time ever, she's cleaned up her act, off the booze. | 0:42:38 | 0:42:41 | |
-Nope. -Shut up, Sherlock! | 0:42:41 | 0:42:42 | |
-I see you've got a new boyfriend, Molly. You're serious about him. -Sorry, what? | 0:42:42 | 0:42:46 | |
-You're seeing him tonight, giving him a gift. -Take a day off. | 0:42:46 | 0:42:49 | |
-Shut up. Have a drink. -Surely you see the perfectly wrapped present in the bag. | 0:42:49 | 0:42:53 | |
The others are slapdash. It's for someone special. | 0:42:53 | 0:42:56 | |
The shade of red echoes her lipstick - an unconscious association, | 0:42:56 | 0:43:00 | |
or one she's deliberately trying to encourage. Either way, Miss Hooper has love on her mind. | 0:43:00 | 0:43:05 | |
That she's serious about him is clear from the fact she's giving him a gift. | 0:43:05 | 0:43:08 | |
It suggests long-term hopes. | 0:43:08 | 0:43:11 | |
That she's seeing him tonight is evident from her make-up and clothes. | 0:43:11 | 0:43:14 | |
Obviously trying to compensate for the size of her mouth and breasts. | 0:43:14 | 0:43:18 | |
You always say such horrible things. | 0:43:26 | 0:43:29 | |
Every time. Always. | 0:43:29 | 0:43:32 | |
Always. | 0:43:32 | 0:43:34 | |
I am sorry. Forgive me. | 0:43:38 | 0:43:40 | |
Merry Christmas, Molly Hooper. | 0:43:45 | 0:43:47 | |
EROTIC MOAN TEXT ALERT | 0:43:47 | 0:43:50 | |
Oh, no! That wasn't, I didn't... | 0:43:50 | 0:43:52 | |
-No, it was me. -My God, really? | 0:43:52 | 0:43:55 | |
-What? -My phone. | 0:43:55 | 0:43:56 | |
-Fifty seven? -Sorry, what? | 0:43:56 | 0:43:59 | |
Fifty seven of those texts, the ones I've heard. | 0:43:59 | 0:44:02 | |
Thrilling that you've been counting. | 0:44:02 | 0:44:05 | |
Excuse me. | 0:44:13 | 0:44:15 | |
What's up, Sherlock? | 0:44:15 | 0:44:17 | |
-I said excuse me. -Do you ever reply? | 0:44:17 | 0:44:19 | |
PHONE RINGS | 0:44:41 | 0:44:43 | |
Oh, dear Lord, we're not going to have Christmas phone calls now, are we? | 0:44:48 | 0:44:52 | |
Have they passed a new law? | 0:44:52 | 0:44:54 | |
I think you're going to find Irene Adler tonight. | 0:44:54 | 0:44:57 | |
We already know where she is. | 0:44:57 | 0:44:59 | |
As you were kind enough to point out, it hardly matters. | 0:44:59 | 0:45:03 | |
No, I mean you're going to find her dead. | 0:45:03 | 0:45:05 | |
-You OK? -Yes. | 0:45:08 | 0:45:09 | |
The only one who fitted the description. | 0:45:28 | 0:45:30 | |
Had her brought here, your home from home. | 0:45:30 | 0:45:32 | |
You didn't need to come in, Molly. | 0:45:32 | 0:45:34 | |
It's OK, everyone else is busy with... Christmas. | 0:45:34 | 0:45:37 | |
The face is a bit sort of bashed-up, so it might be a bit difficult. | 0:45:37 | 0:45:42 | |
-That's her, isn't it? -Show me the rest of her. | 0:45:47 | 0:45:49 | |
That's her. | 0:45:55 | 0:45:56 | |
Thank you, Miss Hooper. | 0:45:56 | 0:45:58 | |
Who is she? How did Sherlock recognise her from... not her face? | 0:45:58 | 0:46:03 | |
-Just the one. -Why? -Merry Christmas. | 0:46:22 | 0:46:26 | |
Smoking indoors, isn't there one of those... one of those law things? | 0:46:31 | 0:46:35 | |
We're in a morgue. | 0:46:37 | 0:46:39 | |
There's only so much damage you can do. | 0:46:39 | 0:46:41 | |
How did you know she was dead? | 0:46:43 | 0:46:45 | |
She had an item in her possession, one she said her life depended on. | 0:46:45 | 0:46:51 | |
-She chose to give it up. -Where is this item now? | 0:46:51 | 0:46:56 | |
Look at them. | 0:46:59 | 0:47:01 | |
They all care so much. | 0:47:01 | 0:47:05 | |
Do you ever wonder if there's something wrong with us? | 0:47:08 | 0:47:11 | |
All lives end, all hearts are broken. | 0:47:11 | 0:47:16 | |
Caring is not an advantage, Sherlock. | 0:47:16 | 0:47:22 | |
This is low tar. | 0:47:25 | 0:47:27 | |
Well, you barely knew her. | 0:47:27 | 0:47:31 | |
Huh. | 0:47:31 | 0:47:33 | |
Merry Christmas, Mycroft. | 0:47:35 | 0:47:37 | |
And a happy new year. | 0:47:40 | 0:47:42 | |
He's on his way. Have you found anything? | 0:47:52 | 0:47:55 | |
-No. Did he take the cigarette? -Yes. -Shit! | 0:47:55 | 0:47:57 | |
-He's coming, ten minutes. -There's nothing in the bedroom. | 0:47:57 | 0:48:01 | |
It looks like he's clean, we've tried all the usual places. | 0:48:01 | 0:48:04 | |
Are you sure tonight's a danger night? | 0:48:04 | 0:48:07 | |
No, but then I never am. You have to stay with him, John. | 0:48:07 | 0:48:10 | |
I've got plans. | 0:48:10 | 0:48:12 | |
No. | 0:48:12 | 0:48:13 | |
Mycroft? | 0:48:16 | 0:48:18 | |
I am really sorry. | 0:48:25 | 0:48:28 | |
-You know my friends are so wrong about you. -Hmm? | 0:48:28 | 0:48:30 | |
-You're a great boyfriend. -OK, that's good. | 0:48:30 | 0:48:34 | |
-I always thought I was great. -Sherlock Holmes is a very lucky man. | 0:48:34 | 0:48:38 | |
Oh, Jeanette, please. | 0:48:38 | 0:48:40 | |
No, I mean it. It's heart-warming. You'll do anything for him. | 0:48:40 | 0:48:44 | |
And he can't even tell your girlfriends apart! | 0:48:44 | 0:48:46 | |
I'll do anything for you, just tell me what it is I'm not doing. | 0:48:46 | 0:48:49 | |
Don't make me compete with Sherlock Holmes! | 0:48:49 | 0:48:52 | |
I'll walk your dog. There, I've said it, I'll even walk your dog. | 0:48:52 | 0:48:55 | |
-I don't have a dog! -No, because that was the last one. | 0:48:55 | 0:48:59 | |
-OK. -Jesus! -I'll call you. -No! -OK. | 0:48:59 | 0:49:04 | |
That really wasn't very good, was it? | 0:49:04 | 0:49:07 | |
Oh, hi. | 0:49:20 | 0:49:21 | |
You OK? | 0:49:24 | 0:49:25 | |
I hope you didn't mess up my sock index this time! | 0:49:31 | 0:49:34 | |
VIOLIN PLAYS | 0:49:44 | 0:49:47 | |
Lovely tune, Sherlock, haven't heard that one before. | 0:50:01 | 0:50:04 | |
Ahem. Composing? | 0:50:04 | 0:50:08 | |
Helps me to think. | 0:50:08 | 0:50:09 | |
What are you thinking about? | 0:50:16 | 0:50:19 | |
The count on your blog is still stuck at 1895. | 0:50:19 | 0:50:23 | |
Yes. Faulty, can't seem to fix it. | 0:50:23 | 0:50:26 | |
Faulty, or you've been hacked and it's a message. | 0:50:26 | 0:50:29 | |
Hmm? | 0:50:29 | 0:50:30 | |
Just faulty. | 0:50:38 | 0:50:40 | |
Right. | 0:50:40 | 0:50:43 | |
Right. | 0:50:45 | 0:50:46 | |
Well, I'm going out for a bit. | 0:50:46 | 0:50:50 | |
Listen, has he ever had any kind of girlfriend, | 0:50:59 | 0:51:03 | |
boyfriend, a relationship, ever? | 0:51:03 | 0:51:07 | |
I don't know. | 0:51:07 | 0:51:09 | |
How can we not know? | 0:51:09 | 0:51:10 | |
He's Sherlock. | 0:51:10 | 0:51:11 | |
How will we ever know what goes on in that funny old head? | 0:51:11 | 0:51:15 | |
Right. See you. | 0:51:15 | 0:51:18 | |
-John? -Yeah? Hello? | 0:51:32 | 0:51:34 | |
-Hello. -So, any plans for new year tonight? | 0:51:37 | 0:51:40 | |
Um, er... nothing fixed. | 0:51:40 | 0:51:44 | |
Nothing I couldn't heartlessly abandon. | 0:51:46 | 0:51:50 | |
-You have any ideas? -One. | 0:51:50 | 0:51:53 | |
You know, Mycroft could just phone me, | 0:51:57 | 0:51:59 | |
if he didn't have this bloody stupid power complex. | 0:51:59 | 0:52:02 | |
Couldn't we just go to a cafe? | 0:52:30 | 0:52:32 | |
Sherlock doesn't follow me everywhere. | 0:52:32 | 0:52:34 | |
Through there. | 0:52:36 | 0:52:39 | |
He's on his way. | 0:52:47 | 0:52:48 | |
You were right, he thinks it's Mycroft. | 0:52:48 | 0:52:51 | |
He's writing sad music. | 0:52:56 | 0:52:58 | |
Doesn't eat, barely talks, | 0:53:00 | 0:53:03 | |
only to correct the television. | 0:53:03 | 0:53:08 | |
I'd say he was heart-broken, but, er, well he's Sherlock. | 0:53:08 | 0:53:12 | |
He does all that anyway. | 0:53:12 | 0:53:14 | |
Hello, Dr Watson. | 0:53:18 | 0:53:20 | |
Tell him you're alive. | 0:53:29 | 0:53:30 | |
He'd come after me. | 0:53:30 | 0:53:32 | |
I'll come after you if you don't. | 0:53:32 | 0:53:36 | |
Hmm, I believe you. | 0:53:36 | 0:53:37 | |
You were dead on a slab. | 0:53:37 | 0:53:41 | |
It was definitely you. | 0:53:41 | 0:53:42 | |
DNA tests are only as good as the records you keep. | 0:53:42 | 0:53:45 | |
-And I bet you know the record keeper. -I know what he likes. | 0:53:45 | 0:53:48 | |
And I needed to disappear. | 0:53:48 | 0:53:50 | |
Then how come I can see you and I don't even want to? | 0:53:50 | 0:53:54 | |
Look, I made a mistake, | 0:53:54 | 0:53:56 | |
I sent something to Sherlock for safekeeping, now I need it back. | 0:53:56 | 0:54:00 | |
-I need your help. -No. -It's for his own safety. | 0:54:00 | 0:54:03 | |
So is this. Tell him you're alive. | 0:54:03 | 0:54:06 | |
-I can't. -Fine, I'll tell him | 0:54:06 | 0:54:10 | |
-and I still won't help you. -What do I say? | 0:54:10 | 0:54:15 | |
What do you normally say?! You've texted him a lot! | 0:54:15 | 0:54:19 | |
-Just the usual stuff. -There is no usual in this case. | 0:54:19 | 0:54:23 | |
"Good morning. I like your funny hat. | 0:54:23 | 0:54:27 | |
"I'm sad tonight, let's have dinner. | 0:54:27 | 0:54:29 | |
"Hmm, you look sexy on Crimewatch, let's have dinner. | 0:54:29 | 0:54:33 | |
"I'm not hungry. | 0:54:33 | 0:54:35 | |
"Let's have dinner". | 0:54:35 | 0:54:39 | |
-You flirted with Sherlock Holmes? -At him. He never replies. | 0:54:39 | 0:54:43 | |
No, Sherlock always replies to everything. | 0:54:43 | 0:54:45 | |
He's Mr Punchline. | 0:54:45 | 0:54:47 | |
He will outlive God trying to have the last word. | 0:54:47 | 0:54:50 | |
Does that make me special? | 0:54:50 | 0:54:52 | |
-I don't know, maybe. -Are you jealous? | 0:54:52 | 0:54:56 | |
-We're not a couple. -Yes, you are. | 0:54:56 | 0:55:00 | |
There, "I'm not dead. | 0:55:00 | 0:55:03 | |
"Let's have dinner". | 0:55:03 | 0:55:07 | |
Who the hell knows about Sherlock Holmes? But for the record, | 0:55:07 | 0:55:11 | |
if anyone out there still cares, I'm not actually gay. | 0:55:11 | 0:55:15 | |
Well, I am. Look at us both. | 0:55:15 | 0:55:19 | |
EROTIC MOAN TEXT ALERT | 0:55:22 | 0:55:24 | |
I don't think so, do you? | 0:55:34 | 0:55:38 | |
-Stop it! -Stop it! | 0:56:41 | 0:56:43 | |
Sherlock! | 0:56:45 | 0:56:47 | |
-Oh, Sherlock, Sherlock... -Don't snivel, Mrs Hudson, | 0:57:06 | 0:57:09 | |
it'll do nothing to impede the flight of a bullet. | 0:57:09 | 0:57:12 | |
What a tender world that would be. | 0:57:14 | 0:57:16 | |
Oh, please, Sherlock... | 0:57:16 | 0:57:18 | |
I believe that you have something that we want, Mr Holmes. | 0:57:18 | 0:57:21 | |
Then why don't you ask for it? | 0:57:21 | 0:57:23 | |
Oh, I've been asking this one, she doesn't seem to know anything. | 0:57:27 | 0:57:31 | |
But you know what I'm asking for, don't you, Mr Holmes? | 0:57:31 | 0:57:35 | |
I believe I do. | 0:57:43 | 0:57:46 | |
Please, help. | 0:57:48 | 0:57:49 | |
First get rid of your boys. | 0:57:50 | 0:57:52 | |
-Why? -I dislike being outnumbered, | 0:57:52 | 0:57:54 | |
it makes for too much stupid in the room. | 0:57:54 | 0:57:56 | |
-You two, go to the car. -Then get into the car and drive away. | 0:57:58 | 0:58:01 | |
Don't try to trick me, you know who I am, it doesn't work. | 0:58:01 | 0:58:04 | |
Next, you can stop pointing that gun at me. | 0:58:10 | 0:58:12 | |
So you can point a gun at me? | 0:58:12 | 0:58:14 | |
I'm unarmed. | 0:58:14 | 0:58:15 | |
-Mind if I check? -Oh, I insist. | 0:58:15 | 0:58:18 | |
Argh! | 0:58:28 | 0:58:30 | |
Moron. | 0:58:30 | 0:58:33 | |
-Oh, thank you. -You're all right now, you're all right. | 0:58:35 | 0:58:38 | |
-Jeez, what the hell is happening? -Mrs Hudson has been attacked by an American, | 0:59:06 | 0:59:10 | |
I'm restoring balance to the universe. | 0:59:10 | 0:59:12 | |
Mrs Hudson, my God, are you all right? | 0:59:12 | 0:59:15 | |
Jesus, what have they done to you? | 0:59:15 | 0:59:17 | |
Oh, I'm just being so silly. | 0:59:17 | 0:59:19 | |
Take her downstairs and look after her. | 0:59:19 | 0:59:21 | |
It's all right, I'll have a look at that. | 0:59:21 | 0:59:26 | |
I'm fine, I'm fine. | 0:59:26 | 0:59:27 | |
-Are you going to tell me what's going on? -I expect so, now go. | 0:59:28 | 0:59:31 | |
Lestrade? | 0:59:35 | 0:59:36 | |
We've had a break-in at Baker Street. | 0:59:36 | 0:59:39 | |
Send your least irritating officers and an ambulance. | 0:59:39 | 0:59:42 | |
Oh, no, no, no, we're fine. | 0:59:42 | 0:59:45 | |
No, it's the burglar, he's got himself rather badly injured. | 0:59:45 | 0:59:49 | |
Oh, a few broken ribs, fractured skull, suspected punctured lung... | 0:59:50 | 0:59:55 | |
He fell out of a window. | 0:59:56 | 0:59:58 | |
Oh, it stings. | 0:59:59 | 1:00:01 | |
Oh, that was right on my bins. | 1:00:07 | 1:00:10 | |
GROANING OUTSIDE | 1:00:10 | 1:00:12 | |
And exactly how many times did he fall out the window? | 1:00:14 | 1:00:18 | |
It's all a bit of a blur, Detective Inspector. | 1:00:18 | 1:00:21 | |
I lost count. | 1:00:21 | 1:00:23 | |
She'll have to sleep upstairs in our flat tonight, | 1:00:28 | 1:00:31 | |
we need to look after her. | 1:00:31 | 1:00:33 | |
-No... -She's fine. -No, she's not, look at her. | 1:00:33 | 1:00:35 | |
She's got to take some time away from Baker Street. | 1:00:35 | 1:00:38 | |
She can stay with her sister, doctor's orders. | 1:00:38 | 1:00:41 | |
-Don't be absurd. -She's in shock, for God's sake, | 1:00:41 | 1:00:43 | |
and all over some stupid camera-phone - where is it anyway? | 1:00:43 | 1:00:46 | |
Safest place I know. | 1:00:46 | 1:00:48 | |
You left it in the pocket of your second best dressing gown, you clot! | 1:00:48 | 1:00:53 | |
I managed to sneak it out when they thought I was having a cry. | 1:00:53 | 1:00:57 | |
Thank you. | 1:00:57 | 1:00:59 | |
Shame on you, John Watson. | 1:00:59 | 1:01:01 | |
-Shame on me? -Mrs Hudson leave Baker Street? | 1:01:01 | 1:01:04 | |
England would fall. | 1:01:04 | 1:01:06 | |
Where is it now? | 1:01:18 | 1:01:21 | |
Where no-one will look. | 1:01:21 | 1:01:23 | |
Whatever's on that phone is more than just pictures. | 1:01:23 | 1:01:27 | |
Yes, it is. | 1:01:27 | 1:01:29 | |
So, she's alive then. | 1:01:32 | 1:01:33 | |
How are we feeling about that? | 1:01:35 | 1:01:37 | |
BIG BEN CHIMES | 1:01:38 | 1:01:41 | |
Happy New Year, John. | 1:01:41 | 1:01:43 | |
Do you think you'll be seeing her again? | 1:01:43 | 1:01:45 | |
HE PLAYS 'AULD LANG SYNE' | 1:01:50 | 1:01:53 | |
TEXT ALERT | 1:02:01 | 1:02:03 | |
-Is that a phone? -It's a camera-phone. | 1:02:26 | 1:02:29 | |
-And you're x-raying it? -Yes, I am. | 1:02:29 | 1:02:31 | |
-Whose phone is it? -A woman's. | 1:02:31 | 1:02:33 | |
Your girlfriend? | 1:02:33 | 1:02:35 | |
She's my girlfriend because I'm x-raying her possessions? | 1:02:35 | 1:02:38 | |
-Well, we all do silly things! -Yes... | 1:02:38 | 1:02:40 | |
..they do, don't they? | 1:02:42 | 1:02:45 | |
Very silly. | 1:02:45 | 1:02:47 | |
She sent this to my address. | 1:02:51 | 1:02:53 | |
-She loves to play games. -She does? | 1:02:53 | 1:02:56 | |
Hey, Sherlock... | 1:03:43 | 1:03:45 | |
We have a client. | 1:03:45 | 1:03:47 | |
What, in your bedroom? | 1:03:47 | 1:03:49 | |
Oh. | 1:03:51 | 1:03:53 | |
So, who's after you? | 1:03:56 | 1:03:58 | |
-People who want to kill me. -Who's that? | 1:03:58 | 1:04:01 | |
Killers. | 1:04:01 | 1:04:02 | |
It would help if you were a tiny bit more specific. | 1:04:02 | 1:04:05 | |
-So you faked your own death to get ahead of them? -It worked for a while. | 1:04:05 | 1:04:08 | |
-Except you let John know you're alive, therefore me. -I knew you'd keep my secret. | 1:04:08 | 1:04:13 | |
You couldn't. | 1:04:13 | 1:04:14 | |
But you did, didn't you? | 1:04:14 | 1:04:16 | |
Where's my camera-phone? | 1:04:17 | 1:04:19 | |
It's not here. | 1:04:19 | 1:04:20 | |
We're not stupid. | 1:04:20 | 1:04:21 | |
What have you done with it? If they've guessed, they'll be watching you. | 1:04:21 | 1:04:25 | |
Then they'll know I took a safety deposit box | 1:04:25 | 1:04:28 | |
at a bank on the Strand a few months ago. | 1:04:28 | 1:04:30 | |
I need it. | 1:04:30 | 1:04:32 | |
Well, we can't just go and get it, can we? | 1:04:32 | 1:04:34 | |
Molly Hooper, she could collect it, take it to Barts. | 1:04:35 | 1:04:39 | |
Then one of your homeless network could bring it here, leave it in the cafe, | 1:04:39 | 1:04:44 | |
one of the boys downstairs could bring it up the back. | 1:04:44 | 1:04:46 | |
Very good, John, excellent plan, full of intelligent precautions. | 1:04:46 | 1:04:50 | |
Thank you. So, why don't I phone... | 1:04:50 | 1:04:53 | |
So, what do you keep on here? | 1:04:54 | 1:04:57 | |
In general, I mean? | 1:04:57 | 1:04:59 | |
Pictures, information, anything I might find useful. | 1:04:59 | 1:05:02 | |
-For blackmail? -For protection. | 1:05:02 | 1:05:04 | |
I make my way in the world, I misbehave. | 1:05:05 | 1:05:08 | |
I like to know people will be on my side exactly when I need them to be. | 1:05:08 | 1:05:12 | |
-So how do you acquire this information? -I told you - I misbehave. | 1:05:12 | 1:05:16 | |
-But you've acquired something more danger than protection. Do you know what it is? -Yes... | 1:05:16 | 1:05:21 | |
..but I don't understand it. | 1:05:21 | 1:05:22 | |
I assumed. Show me. | 1:05:22 | 1:05:24 | |
The passcode. | 1:05:26 | 1:05:28 | |
It's not working. | 1:05:41 | 1:05:42 | |
No, because it's a duplicate I had made | 1:05:42 | 1:05:45 | |
into which you just entered the numbers 1058. | 1:05:45 | 1:05:47 | |
I assumed you'd choose something more specific than that, but thanks, anyway. | 1:05:47 | 1:05:52 | |
I told you that camera-phone was my life. | 1:06:02 | 1:06:05 | |
I know when it's in my hand. | 1:06:05 | 1:06:06 | |
Oh, you're rather good. | 1:06:06 | 1:06:09 | |
You're not so bad. | 1:06:09 | 1:06:11 | |
Hamish. | 1:06:14 | 1:06:16 | |
John Hamish Watson, just if you were looking for baby names. | 1:06:17 | 1:06:22 | |
There was a man, an MOD official and I knew what he liked. | 1:06:24 | 1:06:28 | |
One of the things he liked was showing off. | 1:06:29 | 1:06:32 | |
He told me this email was going to save the world. | 1:06:32 | 1:06:34 | |
He didn't know but I photographed it - he was a bit tied up at the time. | 1:06:34 | 1:06:38 | |
It's a bit small on that screen, can you read it? | 1:06:38 | 1:06:41 | |
-Yes. -Code, obviously. | 1:06:41 | 1:06:44 | |
I had one of the country's best cryptographers take a look, | 1:06:44 | 1:06:47 | |
though he was mostly upside down, as I recall. | 1:06:47 | 1:06:50 | |
Couldn't figure it out. | 1:06:50 | 1:06:52 | |
What can you do, Mr Holmes? | 1:06:54 | 1:06:55 | |
Go on, impress a girl. | 1:06:55 | 1:06:58 | |
There's a margin for error, | 1:07:15 | 1:07:16 | |
but I'm pretty sure there's a 747 leaving Heathrow tomorrow at 6.30 for Baltimore. | 1:07:16 | 1:07:20 | |
Apparently it's going to save the world, I'm not sure how, | 1:07:20 | 1:07:23 | |
but give me a moment, I've only been on the case eight seconds. | 1:07:23 | 1:07:26 | |
Oh, come on, it's not code, these are seats on a jet. | 1:07:28 | 1:07:31 | |
Look, no 'I' because it can be mistaken for one. | 1:07:31 | 1:07:33 | |
No letters past 'K' - the width of the plane is the limit. | 1:07:33 | 1:07:36 | |
The numbers always appear not in sequence, | 1:07:36 | 1:07:38 | |
but the letters have little runs of sequence families and couples sitting together. | 1:07:38 | 1:07:43 | |
Only a Jumbo's wide enough for a letter 'K' or rows past 55, so there's always an upstairs. | 1:07:43 | 1:07:47 | |
A row 13 eliminates superstitious airlines. | 1:07:47 | 1:07:49 | |
The style of the flight number, '007', eliminates a few more. | 1:07:49 | 1:07:52 | |
Assuming a British point of origin because of the original source, | 1:07:52 | 1:07:56 | |
and assuming the crisis is imminent, the only flight that matches | 1:07:56 | 1:07:59 | |
all the criteria and departs within the week is the 6.30 to Baltimore tomorrow from Heathrow. | 1:07:59 | 1:08:05 | |
Please don't feel obliged to tell me that was amazing, | 1:08:06 | 1:08:10 | |
John's expressed that in every possible variant available in English. | 1:08:10 | 1:08:13 | |
I would have you right here, on this desk, | 1:08:13 | 1:08:16 | |
until you begged for mercy twice. | 1:08:16 | 1:08:18 | |
John, can you check those flight schedules, see if I'm right? | 1:08:22 | 1:08:25 | |
I'm on it, yeah. | 1:08:27 | 1:08:29 | |
I've never begged for mercy in my life. | 1:08:29 | 1:08:31 | |
Twice. | 1:08:31 | 1:08:32 | |
Yeah, you're right, flight double 'o' seven. | 1:08:32 | 1:08:36 | |
-What did you say? -You're right. | 1:08:36 | 1:08:38 | |
No, what did you say after that? | 1:08:38 | 1:08:40 | |
Double 'o' seven, flight double 'o' seven. | 1:08:40 | 1:08:43 | |
Double 'o' seven, double 'o' seven... | 1:08:43 | 1:08:45 | |
Something, double 'o' seven... | 1:08:45 | 1:08:47 | |
What? | 1:08:47 | 1:08:48 | |
Double 'o' seven, double 'o' seven, what? | 1:09:05 | 1:09:09 | |
What, something, what?! | 1:09:09 | 1:09:10 | |
Bond Air is go. | 1:09:13 | 1:09:15 | |
Bond Air is go. | 1:09:15 | 1:09:16 | |
Bond Air is go. | 1:09:18 | 1:09:21 | |
BLOWS RASPBERRY | 1:09:27 | 1:09:30 | |
'Bond Air is go, that's decided. | 1:10:21 | 1:10:25 | |
'Check with the Coventry lot.' | 1:10:25 | 1:10:27 | |
-Coventry. -I've never been. | 1:10:31 | 1:10:34 | |
Is it nice? | 1:10:35 | 1:10:37 | |
Where's John? | 1:10:37 | 1:10:39 | |
He went out, a couple of hours ago. | 1:10:39 | 1:10:41 | |
I was just talking to him. | 1:10:41 | 1:10:43 | |
He said you do that. | 1:10:43 | 1:10:45 | |
What's Coventry got to do with anything? | 1:10:45 | 1:10:48 | |
It's a story, probably not true - | 1:10:50 | 1:10:52 | |
in the Second World War, the Allies knew Coventry was going to get bombed, because | 1:10:52 | 1:10:57 | |
they'd broken the German code, but didn't want the Germans to know that, | 1:10:57 | 1:11:01 | |
-so they let it happen anyway. -Have you ever had anyone? | 1:11:01 | 1:11:04 | |
I'm sorry? | 1:11:06 | 1:11:08 | |
And when I say had, I'm being indelicate. | 1:11:08 | 1:11:11 | |
-I don't understand. -I'll be delicate then. | 1:11:11 | 1:11:13 | |
-Let's have dinner. -Why? | 1:11:18 | 1:11:19 | |
-You might be hungry. -I'm not. -Good. | 1:11:19 | 1:11:22 | |
Why would I...want to have dinner... | 1:11:22 | 1:11:29 | |
..if I wasn't hungry? | 1:11:29 | 1:11:31 | |
Mr Holmes, if it was the end of the world, | 1:11:31 | 1:11:35 | |
if this was the very last night... | 1:11:35 | 1:11:37 | |
..would you have dinner with me? | 1:11:39 | 1:11:42 | |
Sherlock? | 1:11:42 | 1:11:43 | |
Too late. | 1:11:43 | 1:11:45 | |
That's not the end of the world, that's Mrs Hudson. | 1:11:45 | 1:11:50 | |
Sherlock, this man was at the door, is the bell still not working? | 1:11:50 | 1:11:54 | |
He shot it. | 1:11:54 | 1:11:55 | |
Have you come to take me away again? | 1:11:55 | 1:11:57 | |
-Yes, Mr Holmes. -Well, I decline. | 1:11:57 | 1:11:59 | |
I don't think you do. | 1:11:59 | 1:12:02 | |
There's going to be a bomb on a passenger jet. | 1:12:30 | 1:12:32 | |
The British and Americans know about it, | 1:12:32 | 1:12:35 | |
but rather than expose their source they're going to let it happen - the plane will blow up. | 1:12:35 | 1:12:40 | |
Coventry all over again. | 1:12:40 | 1:12:43 | |
The wheel turns, nothing is ever new. | 1:12:43 | 1:12:46 | |
Well, you're looking all better. | 1:13:20 | 1:13:24 | |
How you feeling? | 1:13:24 | 1:13:27 | |
Like putting a bullet in your brain, sir. | 1:13:27 | 1:13:29 | |
Hmm. | 1:13:29 | 1:13:31 | |
They'd pin a medal on me if I did... | 1:13:32 | 1:13:35 | |
..sir. | 1:13:35 | 1:13:37 | |
The Coventry conundrum. | 1:14:15 | 1:14:18 | |
What do you think of my solution? | 1:14:18 | 1:14:20 | |
The flight of the dead. | 1:14:22 | 1:14:24 | |
Plane blows up midair, mission accomplished for the terrorists, | 1:14:26 | 1:14:30 | |
hundreds of casualties, but nobody dies. | 1:14:30 | 1:14:32 | |
Neat, don't you think? | 1:14:32 | 1:14:35 | |
You've been stumbling around the fringes of this one for ages. | 1:14:35 | 1:14:38 | |
Or were you too bored to notice the pattern? | 1:14:38 | 1:14:42 | |
They wouldn't let us see Granddad when he was dead. | 1:14:42 | 1:14:45 | |
She's not my real aunt - I know human ash. | 1:14:45 | 1:14:49 | |
We ran a similar project with the Germans a while back, | 1:14:49 | 1:14:52 | |
though I believe one of our passengers didn't make the flight. | 1:14:52 | 1:14:56 | |
But that's the deceased for you... | 1:14:58 | 1:15:01 | |
..late, in every sense of the word. | 1:15:01 | 1:15:04 | |
How is the plane going to fly? | 1:15:04 | 1:15:06 | |
Oh, of course, unmanned aircraft, hardly new. | 1:15:06 | 1:15:09 | |
It doesn't fly. | 1:15:09 | 1:15:10 | |
It will never fly. | 1:15:10 | 1:15:12 | |
This entire project is cancelled. | 1:15:12 | 1:15:14 | |
The terrorist cells have been informed we know about the bomb. | 1:15:14 | 1:15:18 | |
We can't fool them now. | 1:15:18 | 1:15:20 | |
We've lost everything. | 1:15:22 | 1:15:24 | |
One fragment of one email, | 1:15:24 | 1:15:26 | |
and months and years of planning - finished. | 1:15:26 | 1:15:31 | |
-Your MOD man. -That's all it takes. | 1:15:32 | 1:15:35 | |
One lonely, naive man, desperate to show off, | 1:15:35 | 1:15:38 | |
and a woman clever enough to make him feel special. | 1:15:38 | 1:15:42 | |
You should screen your defence people more carefully. | 1:15:44 | 1:15:46 | |
I'm not talking about the MOD man, Sherlock, I'm talking about you! | 1:15:46 | 1:15:51 | |
The damsel in distress. | 1:15:53 | 1:15:55 | |
In the end, are you really so obvious? | 1:15:57 | 1:16:01 | |
Because this was textbook. | 1:16:01 | 1:16:02 | |
The promise of love, the pain of loss, the joy of redemption. | 1:16:04 | 1:16:08 | |
Then give him a puzzle and watch him dance. | 1:16:10 | 1:16:13 | |
Don't be absurd! | 1:16:15 | 1:16:16 | |
Absurd? | 1:16:16 | 1:16:18 | |
How quickly did you decipher that email for her? | 1:16:18 | 1:16:21 | |
Was it the full minute? | 1:16:21 | 1:16:23 | |
Or were you really eager to impress? | 1:16:23 | 1:16:26 | |
I think it was less than five seconds. | 1:16:26 | 1:16:28 | |
I drove you into her path. | 1:16:29 | 1:16:31 | |
I'm sorry, I didn't know. | 1:16:34 | 1:16:37 | |
Mr Holmes, I think we need to talk. | 1:16:37 | 1:16:39 | |
So do I, there are a number of aspects I'm still not clear on. | 1:16:39 | 1:16:43 | |
Not you, Junior, you're done now. | 1:16:43 | 1:16:45 | |
There's more, loads more. | 1:16:46 | 1:16:48 | |
On this phone I've got secrets, pictures | 1:16:48 | 1:16:51 | |
and scandals that could topple your whole world. | 1:16:51 | 1:16:54 | |
You have no idea how much havoc I can cause and exactly one way to stop me. | 1:16:54 | 1:16:58 | |
Unless you want to tell your masters | 1:16:58 | 1:17:00 | |
that your biggest security leak is your own little brother. | 1:17:00 | 1:17:04 | |
We have people who can get into this. | 1:17:12 | 1:17:14 | |
I tested that theory for you. | 1:17:14 | 1:17:17 | |
I let Sherlock Holmes try it for six months. | 1:17:17 | 1:17:20 | |
Sherlock, dear, tell him what you found when you x-rayed my phone. | 1:17:20 | 1:17:24 | |
Four additional units wired inside the casing, | 1:17:24 | 1:17:26 | |
I suspect containing acid or a small explosive. | 1:17:26 | 1:17:29 | |
Any attempt to open it will burn the hard drive. | 1:17:29 | 1:17:32 | |
Explosive. | 1:17:32 | 1:17:33 | |
It's more me. | 1:17:33 | 1:17:35 | |
Some data is always recoverable. | 1:17:35 | 1:17:38 | |
Take that risk. | 1:17:38 | 1:17:39 | |
You have a passcode to open this. | 1:17:39 | 1:17:41 | |
I deeply regret to say, we have people who can extract it from you. | 1:17:41 | 1:17:45 | |
-Sherlock? -There will be two passcodes - | 1:17:45 | 1:17:47 | |
one to open the phone, one to burn the drive. | 1:17:47 | 1:17:50 | |
Even under duress, you can't know which one she's given | 1:17:50 | 1:17:53 | |
-and there would be no second attempt. -He's good, isn't he? | 1:17:53 | 1:17:56 | |
I should have him on a leash. | 1:17:56 | 1:17:58 | |
In fact, I might. | 1:17:58 | 1:18:00 | |
We destroy this, then. No-one has the information. | 1:18:00 | 1:18:04 | |
Fine, good idea. | 1:18:04 | 1:18:05 | |
Unless there are lives of British citizens | 1:18:05 | 1:18:08 | |
depending on the information you burn. | 1:18:08 | 1:18:10 | |
-Are there? -Telling you would be playing fair. | 1:18:10 | 1:18:14 | |
I'm not playing any more. | 1:18:14 | 1:18:16 | |
A list of my requests, | 1:18:19 | 1:18:21 | |
and some ideas about my protection once they're granted. | 1:18:21 | 1:18:25 | |
I'd say it wouldn't blow much of a hole in the wealth of a nation, but then I'd be lying. | 1:18:27 | 1:18:32 | |
-I imagine you'd like to sleep on it. -Thank you, yes. | 1:18:35 | 1:18:39 | |
Too bad. | 1:18:39 | 1:18:40 | |
Off you pop and talk to people. | 1:18:41 | 1:18:43 | |
You've been very...thorough. | 1:18:47 | 1:18:50 | |
I wish our lot were half as good as you. | 1:18:51 | 1:18:54 | |
I can't take all the credit, I had a bit of help. | 1:18:54 | 1:18:58 | |
Jim Moriarty sends his love. | 1:18:59 | 1:19:01 | |
Yes, he's been in touch. | 1:19:01 | 1:19:03 | |
Seems desperate for my attention, | 1:19:03 | 1:19:07 | |
which I'm sure can be arranged. | 1:19:07 | 1:19:09 | |
I had all this stuff and never knew what to do with it. | 1:19:09 | 1:19:12 | |
Thank God for the consultant criminal. | 1:19:12 | 1:19:15 | |
Gave me a lot of advice about how to play the Holmes boys. | 1:19:15 | 1:19:19 | |
Do you know what he calls you? | 1:19:19 | 1:19:21 | |
The Ice Man... | 1:19:21 | 1:19:24 | |
..and the Virgin. | 1:19:24 | 1:19:25 | |
Didn't even ask for anything, he just likes to cause trouble - | 1:19:26 | 1:19:30 | |
that's my kind of man. | 1:19:30 | 1:19:31 | |
And here you are, | 1:19:31 | 1:19:33 | |
the dominatrix who brought a nation to its knees. | 1:19:33 | 1:19:38 | |
Nicely played. | 1:19:38 | 1:19:40 | |
No. | 1:19:40 | 1:19:42 | |
Sorry? | 1:19:43 | 1:19:44 | |
I said no. | 1:19:47 | 1:19:48 | |
Very, very close, but no. | 1:19:48 | 1:19:51 | |
You got carried away. | 1:19:51 | 1:19:52 | |
The game was too elaborate, you were enjoying yourself too much. | 1:19:52 | 1:19:56 | |
There's no such thing as too much. | 1:19:56 | 1:19:58 | |
Oh, enjoying the thrill of the chase is fine. | 1:19:58 | 1:20:00 | |
Craving the distraction of the game, I sympathise, but sentiment? | 1:20:00 | 1:20:04 | |
Sentiment is a chemical defect found in the losing side. | 1:20:04 | 1:20:07 | |
Sentiment? What are you talking about? | 1:20:07 | 1:20:10 | |
You. | 1:20:10 | 1:20:12 | |
Oh, dear God. | 1:20:13 | 1:20:15 | |
Look at the poor man. | 1:20:15 | 1:20:17 | |
You don't actually think I was interested in you? | 1:20:18 | 1:20:21 | |
Why? | 1:20:21 | 1:20:23 | |
Because you're the great Sherlock Holmes, | 1:20:23 | 1:20:25 | |
the clever detective in the funny hat? | 1:20:25 | 1:20:27 | |
No. | 1:20:27 | 1:20:30 | |
Because I took your pulse. | 1:20:35 | 1:20:37 | |
Elevated. | 1:20:47 | 1:20:49 | |
Your pupils dilated. | 1:20:49 | 1:20:51 | |
I imagine John Watson thinks love's a mystery to me, | 1:20:55 | 1:20:58 | |
but the chemistry is incredibly simple and very destructive. | 1:20:58 | 1:21:02 | |
When we first met, you told me that disguise is always a self-portrait - how true of you. | 1:21:02 | 1:21:07 | |
the combination to your safe, your measurements - | 1:21:07 | 1:21:10 | |
but this, this is far more intimate, | 1:21:10 | 1:21:11 | |
this is your heart and you should never let it rule your head. | 1:21:11 | 1:21:15 | |
You could have chosen any number and walked out with everything. | 1:21:15 | 1:21:19 | |
But you just couldn't resist it, could you? | 1:21:19 | 1:21:22 | |
I've always assumed that love is a dangerous disadvantage. | 1:21:22 | 1:21:27 | |
Thank you for the final proof. | 1:21:27 | 1:21:29 | |
Everything I said, it's not real. | 1:21:30 | 1:21:33 | |
I was just playing the game. | 1:21:35 | 1:21:37 | |
I know. | 1:21:37 | 1:21:40 | |
And this is just losing. | 1:21:40 | 1:21:42 | |
There you are, Brother, | 1:21:50 | 1:21:53 | |
hope the contents make up for any inconvenience caused tonight. | 1:21:53 | 1:21:56 | |
-I'm certain they will. -If you're feeling kind, lock her up, | 1:21:56 | 1:21:59 | |
let her go and I doubt she'll survive long. | 1:21:59 | 1:22:01 | |
-Are you expecting me to beg? -Yes. | 1:22:01 | 1:22:04 | |
Please. | 1:22:09 | 1:22:10 | |
You're right. | 1:22:12 | 1:22:14 | |
I won't even last six months. | 1:22:15 | 1:22:17 | |
Sorry about dinner. | 1:22:19 | 1:22:21 | |
You don't smoke. | 1:22:46 | 1:22:47 | |
I also don't frequent cafes. | 1:22:47 | 1:22:50 | |
This the file on Irene Adler? | 1:22:58 | 1:23:01 | |
Closed forever. | 1:23:01 | 1:23:03 | |
I am about to go and inform my brother - | 1:23:03 | 1:23:06 | |
or, if you prefer, you are - | 1:23:06 | 1:23:08 | |
that she somehow got herself into a witness protection scheme in America. | 1:23:08 | 1:23:13 | |
New name, new identity. | 1:23:13 | 1:23:16 | |
She will survive and thrive... | 1:23:16 | 1:23:20 | |
..but he will never see her again. | 1:23:20 | 1:23:22 | |
Why would he care? | 1:23:22 | 1:23:23 | |
He despised her at the end. | 1:23:23 | 1:23:25 | |
Won't even mention her by name, just 'The Woman'. | 1:23:25 | 1:23:28 | |
Is that loathing or a salute? | 1:23:28 | 1:23:31 | |
One of a kind, the one woman who matters. | 1:23:32 | 1:23:36 | |
He's not like that. | 1:23:36 | 1:23:38 | |
He doesn't feel things that way, I don't think. | 1:23:38 | 1:23:42 | |
My brother has the brain of a scientist or a philosopher, | 1:23:42 | 1:23:45 | |
yet he elects to be a detective. | 1:23:45 | 1:23:47 | |
What might we deduce about his heart? | 1:23:49 | 1:23:51 | |
I don't know. | 1:23:51 | 1:23:52 | |
Neither do I. | 1:23:52 | 1:23:54 | |
But, initially, he wanted to be a pirate. | 1:23:54 | 1:23:57 | |
He'll be OK with this - | 1:24:00 | 1:24:01 | |
witness protection, never seeing her again - he'll be fine. | 1:24:01 | 1:24:04 | |
I agree. | 1:24:04 | 1:24:07 | |
That's why I decided to tell him that. | 1:24:07 | 1:24:09 | |
Instead of what? | 1:24:11 | 1:24:13 | |
She's dead. | 1:24:14 | 1:24:15 | |
She was captured by a terrorist cell in Karachi two months ago | 1:24:17 | 1:24:20 | |
and beheaded. | 1:24:20 | 1:24:23 | |
It was definitely her? | 1:24:27 | 1:24:29 | |
She's done this before. | 1:24:29 | 1:24:30 | |
I was thorough this time. | 1:24:30 | 1:24:32 | |
It would take Sherlock Holmes to fool me, | 1:24:33 | 1:24:36 | |
and I don't think he was on hand, do you? | 1:24:36 | 1:24:40 | |
So... | 1:24:41 | 1:24:43 | |
What shall we tell Sherlock? | 1:24:50 | 1:24:52 | |
Clearly you've got news. | 1:24:59 | 1:25:01 | |
If it's about the Leeds triple murder, it was the gardener. | 1:25:01 | 1:25:04 | |
-Did nobody notice the earring? -Hi. | 1:25:04 | 1:25:07 | |
Er no, it's, um...it's about Irene Adler. | 1:25:07 | 1:25:11 | |
Well? | 1:25:13 | 1:25:15 | |
Something happened? Has she come back? | 1:25:15 | 1:25:17 | |
No, she's...I bumped into Mycroft downstairs, he had to take a call. | 1:25:17 | 1:25:21 | |
Is she back in London? | 1:25:21 | 1:25:23 | |
No... | 1:25:23 | 1:25:25 | |
She's, er... | 1:25:25 | 1:25:26 | |
-She's in America. -America? | 1:25:30 | 1:25:33 | |
Got herself on a witness protection scheme, apparently. | 1:25:33 | 1:25:36 | |
Don't know how she swung it, but...well, you know. | 1:25:36 | 1:25:41 | |
-I know what? -You won't be able to see her again. | 1:25:41 | 1:25:44 | |
-Why would I want to see her again? -Didn't say you did. | 1:25:44 | 1:25:47 | |
-Is that her file? -Yes, I was going to take it back to Mycroft. | 1:25:47 | 1:25:51 | |
-Do you want to... -No. | 1:25:51 | 1:25:52 | |
Listen, actually... | 1:26:01 | 1:26:02 | |
But I will have the camera-phone though. | 1:26:02 | 1:26:05 | |
-There's nothing on it, it's been stripped... -I know, but I... | 1:26:06 | 1:26:09 | |
..I'll still have it. | 1:26:09 | 1:26:11 | |
I've got to give this back to Mycroft, you can't keep it. | 1:26:11 | 1:26:14 | |
Sherlock, I have to give this to Mycroft, it's the government's now... | 1:26:16 | 1:26:20 | |
Please. | 1:26:20 | 1:26:22 | |
Thank you. | 1:26:34 | 1:26:36 | |
-Well, I'd better take this back. -Yes. | 1:26:38 | 1:26:40 | |
Did she ever text you again, after all that? | 1:26:49 | 1:26:53 | |
Once, a few months ago. | 1:26:53 | 1:26:56 | |
What did she say? | 1:26:56 | 1:26:58 | |
"Goodbye, Mr Holmes." | 1:26:58 | 1:27:00 | |
EROTIC MOAN TEXT ALERT | 1:28:08 | 1:28:10 | |
When I say run... | 1:28:12 | 1:28:14 | |
..run! | 1:28:14 | 1:28:16 | |
HE LAUGHS | 1:28:30 | 1:28:33 | |
The Woman. | 1:28:33 | 1:28:35 | |
-THE -Woman. | 1:28:42 | 1:28:44 | |
Subtitles by Red Bee Media Ltd | 1:29:21 | 1:29:23 | |
E-mail [email protected] | 1:29:23 | 1:29:26 |