Browse content similar to The Hounds of Baskerville. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
RUNNING AND PANTING | 0:00:06 | 0:00:07 | |
A MAN YELLS | 0:00:07 | 0:00:10 | |
YELLING AND GROWLING | 0:00:11 | 0:00:13 | |
GROWLING | 0:00:17 | 0:00:19 | |
THE MAN CRIES IN PAIN | 0:00:24 | 0:00:27 | |
Oh, hello. | 0:00:32 | 0:00:34 | |
Are you all right? | 0:00:34 | 0:00:36 | |
What is it, dear? Are you lost? | 0:00:36 | 0:00:38 | |
GROWLING | 0:00:38 | 0:00:40 | |
HE SCREAMS | 0:00:41 | 0:00:43 | |
-Well, that was tedious. -You went on the tube like that? | 0:01:49 | 0:01:52 | |
None of the cabs would take me. | 0:01:52 | 0:01:54 | |
Nothing? | 0:02:03 | 0:02:05 | |
-Military coup in Uganda. -Hm. | 0:02:05 | 0:02:08 | |
Hm. | 0:02:08 | 0:02:10 | |
-Another photo of you with the er... -Oh! | 0:02:10 | 0:02:13 | |
Well, um, Cabinet reshuffle? | 0:02:13 | 0:02:17 | |
Nothing of importance? | 0:02:17 | 0:02:18 | |
-BANGS ON THE FLOOR -Oh, God! | 0:02:18 | 0:02:21 | |
John, I need some. Get me some. | 0:02:21 | 0:02:25 | |
-No. -Get me some. | 0:02:25 | 0:02:27 | |
No. Cold turkey we agreed, no matter what. | 0:02:27 | 0:02:30 | |
Anyway, you've paid everyone off, remember? | 0:02:30 | 0:02:33 | |
No-one within a two-mile radius will sell you any. | 0:02:33 | 0:02:35 | |
Stupid idea. Whose idea was that? | 0:02:35 | 0:02:37 | |
HE CLEARS THROAT | 0:02:37 | 0:02:38 | |
Mrs Hudson! | 0:02:38 | 0:02:40 | |
Look, Sherlock, you're doing really well, don't give up now! | 0:02:45 | 0:02:51 | |
Tell me where they are! | 0:02:51 | 0:02:52 | |
Please, tell me. | 0:02:52 | 0:02:54 | |
Please. | 0:02:56 | 0:02:58 | |
-Can't help, sorry. -I'll let you know next week's lottery numbers. | 0:02:58 | 0:03:01 | |
-HE LAUGHS -It was worth a try. | 0:03:01 | 0:03:03 | |
Yoo-hoo. | 0:03:08 | 0:03:09 | |
My secret supply, what have you done with my secret supply? | 0:03:09 | 0:03:12 | |
-Eh? -Cigarettes, what have you done with them? | 0:03:12 | 0:03:14 | |
You never let me touch your things! Oh, chance would be a fine thing. | 0:03:14 | 0:03:18 | |
-I thought you weren't my housekeeper. -I'm not. -Argh! | 0:03:18 | 0:03:23 | |
How about a nice cuppa and perhaps you could put away your harpoon? | 0:03:23 | 0:03:27 | |
I need something stronger than tea. Seven percent stronger. | 0:03:27 | 0:03:30 | |
-You've been to see Mr Chatterjee again. -Pardon? | 0:03:32 | 0:03:35 | |
Sandwich shop. That's a new dress, but there's flour on the sleeve. You wouldn't dress like that for baking. | 0:03:35 | 0:03:39 | |
-Sherlock... -Thumbnail. Tiny traces of foil. | 0:03:39 | 0:03:42 | |
Been at the scratch cards again. We all know where that leads. | 0:03:42 | 0:03:46 | |
Kasbah Nights. Racy for a Monday morning, wouldn't you agree? | 0:03:46 | 0:03:49 | |
I wrote a blog on the identification of perfumes. You should look it up! | 0:03:49 | 0:03:53 | |
-Please! -Don't pin your hopes on that cruise with Mr Chatterjee, he's got a wife nobody knows about. -Sherlock! | 0:03:53 | 0:03:58 | |
-Well, nobody except me. -I don't know what you're talking about, I really don't! | 0:03:58 | 0:04:02 | |
DOOR SLAMS BEHIND HER | 0:04:02 | 0:04:05 | |
-What the bloody hell was all that about? -You don't understand. | 0:04:05 | 0:04:08 | |
Go after her and apologise. | 0:04:08 | 0:04:10 | |
-Apologise? -Hmm. | 0:04:12 | 0:04:13 | |
Oh, John, I envy you so much. | 0:04:13 | 0:04:16 | |
You envy me? | 0:04:18 | 0:04:19 | |
Your mind, it's so placid, straight-forward, barely used. | 0:04:19 | 0:04:22 | |
Mine's like an engine, racing out of control. | 0:04:22 | 0:04:24 | |
A rocket, tearing itself to pieces, trapped on the launch pad. I need a case! | 0:04:24 | 0:04:28 | |
You've just solved one, by harpooning a dead pig, apparently! | 0:04:28 | 0:04:31 | |
Oh, that was this morning. | 0:04:31 | 0:04:34 | |
-When's the next one? -Nothing on the website? | 0:04:34 | 0:04:38 | |
"Dear Mr Sherlock Holmes. I can't find Bluebell anywhere. | 0:04:41 | 0:04:45 | |
"Please, please, please can you help?" | 0:04:45 | 0:04:47 | |
-Bluebell? -A rabbit, John! -Oh. -Ah, but there's more. | 0:04:47 | 0:04:50 | |
Before Bluebell disappeared, it turned luminous. | 0:04:50 | 0:04:52 | |
"Like a fairy," according to little Kirsty. Then the next morning, Bluebell was gone. | 0:04:52 | 0:04:57 | |
Hutch still locked, no sign of a forced entry. | 0:04:57 | 0:05:00 | |
What am I saying, this is brilliant! Phone Lestrade. | 0:05:00 | 0:05:03 | |
-Tell him there's an escaped rabbit. -Are you serious? -It's this or Cluedo. | 0:05:03 | 0:05:07 | |
Ah, no. We are never playing that again. | 0:05:07 | 0:05:10 | |
-Why not? -It's not possible for the victim to have done it. | 0:05:10 | 0:05:13 | |
-It was the only possible solution. -It's not in the rules. | 0:05:13 | 0:05:16 | |
Well, then, the rules are wrong! | 0:05:16 | 0:05:17 | |
DOORBELL RINGS | 0:05:17 | 0:05:19 | |
A single ring. | 0:05:19 | 0:05:20 | |
Maximum pressure, just under the half second. | 0:05:20 | 0:05:23 | |
BOTH: Client! | 0:05:23 | 0:05:25 | |
-TV: -Dartmoor, it's always been a place of myth and legend, | 0:05:26 | 0:05:30 | |
but is there something else lurking out here? | 0:05:30 | 0:05:33 | |
Something very real. | 0:05:33 | 0:05:35 | |
Dartmoor is also home to one the government's most secret of operations, | 0:05:35 | 0:05:39 | |
the chemical and biological weapons research centre, | 0:05:39 | 0:05:42 | |
which is said to be even more sensitive than Porton Down. | 0:05:42 | 0:05:46 | |
Since the end of the Second World War, | 0:05:46 | 0:05:48 | |
there have been persistent stories about the Baskerville experiments. | 0:05:48 | 0:05:52 | |
Genetic mutations, animals grown for the battlefield. | 0:05:52 | 0:05:56 | |
There are many who believe that within this compound, in the heart of this ancient wildness, | 0:05:56 | 0:06:01 | |
there are horrors beyond imagining. | 0:06:01 | 0:06:04 | |
But the real question is, are all of them still inside?' | 0:06:04 | 0:06:09 | |
I was just a kid. | 0:06:09 | 0:06:11 | |
It was on the moor. | 0:06:12 | 0:06:15 | |
It was dark, but I know what I saw. | 0:06:15 | 0:06:18 | |
I know what killed my father. | 0:06:18 | 0:06:21 | |
What did you see? | 0:06:23 | 0:06:24 | |
Oh, I was just about to say. | 0:06:24 | 0:06:27 | |
Yes, in a TV interview. I prefer to do my own editing. | 0:06:27 | 0:06:30 | |
Yes. Sorry, yes, of course. | 0:06:30 | 0:06:33 | |
-Excuse me. -BLOWS HIS NOSE | 0:06:35 | 0:06:38 | |
In your own time. | 0:06:38 | 0:06:39 | |
But quite quickly. | 0:06:39 | 0:06:41 | |
-Do you know Dartmoor, Mr Holmes? -No. | 0:06:45 | 0:06:48 | |
It's an amazing place, it's like nowhere else, | 0:06:48 | 0:06:50 | |
it's sort of bleak, but beautiful. | 0:06:50 | 0:06:54 | |
Hm, not interested. Moving on. | 0:06:54 | 0:06:56 | |
We used to go for walks, after my mum died, my dad and me. | 0:06:57 | 0:07:01 | |
Every evening, we'd go out onto the moor. | 0:07:01 | 0:07:04 | |
Good. Skipping to the night that your dad was violently killed, where did that happen? | 0:07:04 | 0:07:08 | |
There's a place, | 0:07:10 | 0:07:12 | |
it's a sort of local landmark, called Dewer's Hollow. | 0:07:12 | 0:07:17 | |
That's an ancient name for the devil. | 0:07:18 | 0:07:21 | |
So? | 0:07:22 | 0:07:23 | |
Did you see the devil that night? | 0:07:25 | 0:07:27 | |
Yes. | 0:07:30 | 0:07:31 | |
HE CRIES OUT | 0:07:31 | 0:07:33 | |
It was huge. | 0:07:33 | 0:07:35 | |
Coal-black fur with red eyes. | 0:07:35 | 0:07:40 | |
IT GROWLS | 0:07:43 | 0:07:45 | |
It got him. | 0:07:47 | 0:07:49 | |
Tore at him, tore him apart. | 0:07:49 | 0:07:51 | |
I can't remember anything else. | 0:07:53 | 0:07:56 | |
They found me the next morning, just wandering on the moor. | 0:07:56 | 0:07:59 | |
My dad's body was never found. | 0:07:59 | 0:08:01 | |
Hm. | 0:08:01 | 0:08:04 | |
Red eyes, coal-black fur, enormous... | 0:08:04 | 0:08:09 | |
A dog? Wolf? | 0:08:09 | 0:08:10 | |
Or a genetic experiment. | 0:08:10 | 0:08:12 | |
Are you laughing at me, Mr Holmes? | 0:08:14 | 0:08:16 | |
Why, are you joking? | 0:08:16 | 0:08:18 | |
My dad was always going on about the things they were doing at Baskerville. | 0:08:19 | 0:08:23 | |
About the type of monsters they were breeding there. | 0:08:23 | 0:08:26 | |
People used to laugh at him. | 0:08:26 | 0:08:29 | |
At least the TV people took me seriously. | 0:08:29 | 0:08:32 | |
-And I assume did wonders for Devon tourism. -Yeah... | 0:08:32 | 0:08:36 | |
Henry, whatever did happen to your father, it was 20 years ago. | 0:08:36 | 0:08:41 | |
Why come to us now? | 0:08:41 | 0:08:43 | |
Not sure you can help me, Mr Holmes, since you find it all so funny! | 0:08:43 | 0:08:48 | |
-Because of what happened last night. -Why, what happened last night? | 0:08:48 | 0:08:52 | |
How... How do you know? | 0:08:54 | 0:08:56 | |
I didn't know, I noticed. | 0:08:56 | 0:08:58 | |
You came up from Devon on the first train this morning. | 0:08:58 | 0:09:00 | |
You had a disappointing breakfast and a black coffee. The girl across the aisle fancied you. | 0:09:00 | 0:09:05 | |
Though initially keen, you've changed your mind. | 0:09:05 | 0:09:08 | |
You are anxious to have your first cigarette of the day. | 0:09:08 | 0:09:10 | |
Sit down, Mr Knight, and do please smoke. I'd be delighted. | 0:09:10 | 0:09:13 | |
-How on Earth did you notice all that? -It's not important... | 0:09:25 | 0:09:28 | |
-Punched out holes where your ticket's been checked. -Not now. | 0:09:28 | 0:09:31 | |
-I've been cooped-up for ages! -You're showing off. -I am a show-off, that's what we do. | 0:09:31 | 0:09:35 | |
Train napkin you used to mop up the spilled coffee. | 0:09:35 | 0:09:38 | |
Strength of the stain shows that you didn't take milk. | 0:09:38 | 0:09:40 | |
There are traces of ketchup on it and on your lips and sleeve. | 0:09:40 | 0:09:43 | |
Cooked breakfast, or the nearest thing those trains manage. Sandwich. | 0:09:43 | 0:09:47 | |
How did you know it was disappointing? | 0:09:47 | 0:09:50 | |
Is there any other type of breakfast on a train? The girl. | 0:09:50 | 0:09:53 | |
Female handwriting's distinctive, wrote her number on the napkin. | 0:09:53 | 0:09:57 | |
I can tell from the angle she wrote at that she was sat across from you. | 0:09:57 | 0:10:00 | |
After she got off, I imagine you used the napkin to mop up your spilled coffee, | 0:10:00 | 0:10:04 | |
accidentally smudging the numbers. | 0:10:04 | 0:10:06 | |
You've been over the last four digits in another pen, so you wanted to keep the number. | 0:10:06 | 0:10:10 | |
You used the napkin to blow your nose, so you're not that into her. | 0:10:10 | 0:10:13 | |
Then there's the nicotine stains on your shaking fingers. I know the signs. | 0:10:13 | 0:10:16 | |
No chance to smoke when on the train, no time to roll one before you got a cab here. | 0:10:16 | 0:10:20 | |
It's just after 9.15, you're desperate. | 0:10:20 | 0:10:23 | |
The first train from Exeter to London leaves at 5.46am. | 0:10:23 | 0:10:26 | |
You got the first one, so something important must have happened last night. Am I wrong? | 0:10:26 | 0:10:30 | |
No. | 0:10:32 | 0:10:33 | |
You're right. | 0:10:33 | 0:10:35 | |
You're completely, exactly right. | 0:10:35 | 0:10:40 | |
-Bloody hell, I heard you were quick. -It's my job. Now shut up and smoke. | 0:10:40 | 0:10:44 | |
Ahem. | 0:10:47 | 0:10:50 | |
Henry, your parents both died and you were what, seven years old? | 0:10:50 | 0:10:56 | |
I know, that... | 0:10:56 | 0:10:58 | |
HE INHALES THE SMOKE | 0:10:58 | 0:11:00 | |
That must be quite a trauma. | 0:11:02 | 0:11:05 | |
Now, have you ever thought that maybe you invented this story, this... | 0:11:05 | 0:11:09 | |
HE INHALES LOUDLY | 0:11:09 | 0:11:11 | |
..to account for it? | 0:11:12 | 0:11:14 | |
That's what Dr Mortimer says. | 0:11:14 | 0:11:18 | |
-Who? -His therapist. -My therapist. | 0:11:18 | 0:11:20 | |
Obviously. | 0:11:20 | 0:11:21 | |
Louise Mortimer. | 0:11:21 | 0:11:23 | |
She's the reason I came back to Dartmoor. | 0:11:23 | 0:11:25 | |
She thinks I have to face my demons. | 0:11:25 | 0:11:28 | |
What happened when you went back to Dewer's Hollow last night? | 0:11:28 | 0:11:32 | |
You went there on the advice of your therapist and now you're consulting a detective. | 0:11:32 | 0:11:36 | |
-What did you see that changed everything? -It's a strange place, the Hollow. | 0:11:36 | 0:11:40 | |
It makes you feel so cold inside, so afraid. | 0:11:40 | 0:11:44 | |
Yes, if I wanted poetry, I'd read John's emails to his girlfriends, much funnier. What did you see? | 0:11:44 | 0:11:49 | |
HE SIGHS | 0:11:49 | 0:11:51 | |
Footprints. | 0:11:53 | 0:11:55 | |
On the exact spot where I saw my father torn apart. | 0:11:55 | 0:11:58 | |
Man's or a woman's? | 0:11:58 | 0:12:00 | |
-Neither. They were... -Is that it? Nothing else? Footprints, is that all? | 0:12:00 | 0:12:04 | |
Yes. But they were... | 0:12:04 | 0:12:07 | |
Dr Mortimer wins. It's a childhood trauma masked by an invented memory. | 0:12:07 | 0:12:10 | |
-Boring. Goodbye, Mr Knight, thank you for smoking. -What about the footprints? | 0:12:10 | 0:12:14 | |
Oh, they're probably paw prints, could be anything, therefore nothing. | 0:12:14 | 0:12:18 | |
Off to Devon with you and have a cream tea on me. | 0:12:18 | 0:12:20 | |
Mr Holmes, they were the footprints of a gigantic hound. | 0:12:20 | 0:12:24 | |
Say that again. | 0:12:30 | 0:12:31 | |
I found footprints, they were big... | 0:12:31 | 0:12:33 | |
No, no, no, your exact words. | 0:12:33 | 0:12:35 | |
Repeat your exact words from a moment ago, exactly as you said them. | 0:12:35 | 0:12:39 | |
Mr Holmes, | 0:12:40 | 0:12:43 | |
they were the footprints of a gigantic hound. | 0:12:43 | 0:12:49 | |
-I'll take the case. -Sorry, what? | 0:12:53 | 0:12:55 | |
-Thank you for bringing this to my attention, it's very promising. -Sorry, what? | 0:12:55 | 0:12:59 | |
A minute ago, footprints were boring, now they're very promising? | 0:12:59 | 0:13:02 | |
It's got nothing to do with footprints, you weren't listening. Baskerville, heard of it? | 0:13:02 | 0:13:06 | |
Vaguely. It's very hush-hush. | 0:13:06 | 0:13:08 | |
-Sounds like a good place to start. -You'll come down? | 0:13:08 | 0:13:11 | |
I can't leave London at the moment, far too busy. | 0:13:11 | 0:13:13 | |
But don't worry, I'm putting my best man onto it. | 0:13:13 | 0:13:16 | |
I can always rely on John to send me the relevant data, as he never understands a word of it. | 0:13:16 | 0:13:20 | |
-What are you talking about? You don't have a case! You were complaining... -I've got Bluebell! | 0:13:20 | 0:13:25 | |
-The case of the vanishing glow-in-the-dark rabbit. NATO's in uproar. -Oh, you're not coming, then? | 0:13:25 | 0:13:30 | |
Oh. | 0:13:32 | 0:13:34 | |
OK. | 0:13:34 | 0:13:36 | |
OK. | 0:13:37 | 0:13:38 | |
I don't need those any more, I'm going to Dartmoor. | 0:13:47 | 0:13:50 | |
-You go on ahead, Henry, we'll follow later. -Sorry, so you are coming? | 0:13:50 | 0:13:54 | |
20-year-old disappearance, a monstrous hound? | 0:13:54 | 0:13:58 | |
I wouldn't miss this for the world! | 0:13:58 | 0:14:00 | |
-SHOUTING -..cruise together, you had no intention of taking me on a boat! | 0:14:04 | 0:14:08 | |
BANG | 0:14:08 | 0:14:09 | |
Oh! Looks like Mrs Hudson finally got to the wife in Doncaster. | 0:14:09 | 0:14:13 | |
Hm. Wait until she finds out about the one in Islamabad. | 0:14:13 | 0:14:16 | |
Paddington Station, please. | 0:14:19 | 0:14:20 | |
There's Baskerville. | 0:15:28 | 0:15:30 | |
Er... That's Grimpen Village. | 0:15:32 | 0:15:35 | |
So that must be... | 0:15:35 | 0:15:37 | |
Yes, Dewer's Hollow. | 0:15:37 | 0:15:40 | |
-What's that? -Hm? | 0:15:40 | 0:15:43 | |
A mine field? | 0:15:43 | 0:15:44 | |
Technically, Baskerville's an army base, | 0:15:44 | 0:15:49 | |
so I guess they've always been keen to keep people out. | 0:15:49 | 0:15:52 | |
Clearly. | 0:15:52 | 0:15:53 | |
Right, three tours a day. Tell your friends, tell anyone. | 0:16:18 | 0:16:22 | |
Don't be strangers. And remember, stay away from the moor at night, | 0:16:22 | 0:16:25 | |
if you value your lives! Take care. | 0:16:25 | 0:16:28 | |
THEY LAUGH | 0:16:28 | 0:16:29 | |
It's cold. | 0:16:29 | 0:16:32 | |
HE GROWLS | 0:16:40 | 0:16:41 | |
HE SCREAMS | 0:16:41 | 0:16:42 | |
SCREAMING | 0:16:42 | 0:16:44 | |
HE SIGHS | 0:16:48 | 0:16:49 | |
That part doesn't change. | 0:16:50 | 0:16:52 | |
What does? | 0:16:53 | 0:16:54 | |
Oh, there's something else. It's a word. | 0:16:55 | 0:17:00 | |
Liberty. | 0:17:05 | 0:17:07 | |
Liberty? | 0:17:07 | 0:17:09 | |
And there's another word. | 0:17:09 | 0:17:11 | |
In. | 0:17:12 | 0:17:14 | |
I. N. | 0:17:14 | 0:17:16 | |
Liberty In. What do you think it means? | 0:17:17 | 0:17:21 | |
Sorry we couldn't do a double room for you boys. | 0:17:33 | 0:17:36 | |
That's fine. We're not... | 0:17:36 | 0:17:39 | |
There you go. | 0:17:39 | 0:17:41 | |
-Oh, ta. I'll just get your change. -Ta. | 0:17:41 | 0:17:43 | |
There you go. | 0:17:53 | 0:17:54 | |
I couldn't help noticing, on the map of the moor, a skull and crossbones? | 0:17:54 | 0:17:58 | |
Oh, that. | 0:17:58 | 0:17:59 | |
-Pirates? -Er, no. The Great Grimpen Minefield, they call it. -Oh, right. | 0:18:02 | 0:18:06 | |
It's not what you think. It's the Baskerville testing site. | 0:18:06 | 0:18:10 | |
It's been going for 80-odd years. | 0:18:10 | 0:18:12 | |
-I'm not sure anyone really knows what's there any more. -Hm. | 0:18:12 | 0:18:16 | |
-Explosives? -Oh, not just explosives. | 0:18:16 | 0:18:19 | |
Break into that place and if you're lucky, you just get blown up, so they say. | 0:18:19 | 0:18:23 | |
-In case you're planning a wee stroll. -Ta. I'll remember. | 0:18:23 | 0:18:26 | |
Aye. No, it buggers up tourism a bit, so thank God for the demon hound. | 0:18:26 | 0:18:30 | |
-Did you see that show? The documentary? -Quite recently, yeah. | 0:18:30 | 0:18:34 | |
God bless Henry Knight and his monster from hell. | 0:18:34 | 0:18:36 | |
-Ever seen it? The hound? -Me? No, no. | 0:18:36 | 0:18:38 | |
Fletcher has. | 0:18:38 | 0:18:41 | |
He runs the walks, the monster walks for the tourists, you know. He's seen it. | 0:18:41 | 0:18:45 | |
That's handy for trade. | 0:18:45 | 0:18:47 | |
-I'm just saying we've been rushed off our feet, Billy. -Yeah, lots of monster hunters. | 0:18:47 | 0:18:52 | |
It don't take much these days, one mention on Twitter and whoomph! | 0:18:52 | 0:18:55 | |
We're out of WKD. | 0:18:55 | 0:18:57 | |
-Oh, right. -What with the monster and the ruddy prison, | 0:18:57 | 0:19:00 | |
I don't know how we sleep nights. | 0:19:00 | 0:19:02 | |
-Do you, Gary? -Like a baby. | 0:19:02 | 0:19:04 | |
-That's not true. He's a snorer. -Hey, ssh. | 0:19:04 | 0:19:08 | |
-Is yours a snorer? -Got any crisps? | 0:19:08 | 0:19:11 | |
Yeah. No. All right? Right, take care. Bye. Take care, bye. | 0:19:11 | 0:19:16 | |
Mind if I join you? | 0:19:17 | 0:19:18 | |
It's not true, is it, you haven't actually seen this hound thing? | 0:19:25 | 0:19:30 | |
-Are you from the papers? -No, nothing like that, just curious. | 0:19:30 | 0:19:35 | |
-Have you seen it? -Maybe. | 0:19:35 | 0:19:38 | |
Got any proof? | 0:19:38 | 0:19:40 | |
Why would I tell you if I did? Excuse me. | 0:19:40 | 0:19:43 | |
-I called Henry. -Bet's off John, sorry. -What? -Bet? | 0:19:43 | 0:19:47 | |
-My plan needs darkness. We've got another half an hour of light. -Wait, wait, what bet? | 0:19:47 | 0:19:52 | |
Oh, I bet John here 50 quid that you couldn't prove you'd seen the hound. | 0:19:52 | 0:19:55 | |
Yeah, the guys in the pub said you could. | 0:19:55 | 0:19:59 | |
-Well, you're going to lose your money, mate. -Yeah? | 0:19:59 | 0:20:02 | |
Yeah. I seen it. | 0:20:02 | 0:20:05 | |
Only about a month ago. Up at the Hollow. It was foggy, mind, couldn't make much out. | 0:20:05 | 0:20:09 | |
-I see. No witnesses, I suppose. -No, but... -Never are. | 0:20:09 | 0:20:12 | |
No, wait. There. | 0:20:12 | 0:20:15 | |
Is that it? It's not exactly proof, is it? Sorry, John, I win. | 0:20:15 | 0:20:20 | |
Wait, wait, that's not all. People don't like going up there, you know. | 0:20:20 | 0:20:25 | |
To the Hollow. | 0:20:25 | 0:20:27 | |
Gives them a bad sort of feeling. | 0:20:27 | 0:20:30 | |
Ooh, is it haunted? Is that supposed to convince me? | 0:20:30 | 0:20:34 | |
Nah, don't be stupid! Nothing like that. | 0:20:34 | 0:20:36 | |
But I reckon there is something out there. | 0:20:36 | 0:20:39 | |
Something from Baskerville, escaped. | 0:20:39 | 0:20:42 | |
-A clone? A super-dog? -Maybe. | 0:20:42 | 0:20:44 | |
God knows what they've been spraying on us all these years, or putting in the water. | 0:20:44 | 0:20:48 | |
I wouldn't trust them as far as I could spit. | 0:20:48 | 0:20:50 | |
Is that the best you've got? | 0:20:50 | 0:20:52 | |
I had a mate once who worked for the MOD. | 0:20:56 | 0:20:58 | |
One weekend we were meant to go fishing, but he never showed up. | 0:20:58 | 0:21:01 | |
Well, not till late. | 0:21:01 | 0:21:02 | |
When he did, he was white as a sheet. | 0:21:02 | 0:21:06 | |
I can see him now. | 0:21:06 | 0:21:09 | |
"I've seen things today, Fletcher," he said, | 0:21:09 | 0:21:13 | |
"that I never want to see again. | 0:21:13 | 0:21:15 | |
"Terrible things." | 0:21:15 | 0:21:19 | |
He'd been sent to some secret army place. Porton Down, maybe. | 0:21:19 | 0:21:23 | |
Maybe Baskerville, or somewhere else. | 0:21:23 | 0:21:25 | |
In the labs there, the really secret labs, | 0:21:25 | 0:21:30 | |
he said he'd seen terrible things. | 0:21:30 | 0:21:34 | |
Rats as big as dogs, he said. | 0:21:36 | 0:21:39 | |
And dogs, dogs the size of horses. | 0:21:39 | 0:21:43 | |
Um, we did say 50. | 0:21:48 | 0:21:51 | |
Ta. | 0:21:59 | 0:22:00 | |
Pass, please. | 0:22:35 | 0:22:37 | |
Thank you. | 0:22:40 | 0:22:41 | |
You've got ID for Baskerville?! | 0:22:41 | 0:22:44 | |
How? | 0:22:44 | 0:22:45 | |
It's not specific to this place. It's my brother's. | 0:22:45 | 0:22:49 | |
Access all areas. I, um, ahem, acquired it ages ago. Just in case. | 0:22:49 | 0:22:53 | |
-Brilliant. -What's the matter? -We'll get caught. -We won't! | 0:22:56 | 0:22:59 | |
-Well, not yet. -Caught in five minutes. | 0:22:59 | 0:23:01 | |
"Hi, we thought we'd have a wander around your top secret weapons base." | 0:23:01 | 0:23:04 | |
"Really? Great. Come in, kettle's boiled." That's if we don't get shot. | 0:23:04 | 0:23:08 | |
-Clear. -Thanks very much. -Thank you. | 0:23:08 | 0:23:10 | |
-Straight through, sir. -Mycroft's name literally opens doors. | 0:23:12 | 0:23:16 | |
I've told you, he practically is the British Government. | 0:23:16 | 0:23:20 | |
I reckon we've got about 20 minutes before they realise something's wrong. | 0:23:20 | 0:23:24 | |
-What is it? Are we in trouble? -Are we in trouble, sir. | 0:23:51 | 0:23:54 | |
-Yes, sir. Sorry, sir. -You were expecting us? | 0:23:54 | 0:23:56 | |
Your ID showed up straight away, Mr Holmes. Corporal Lyons, security. | 0:23:56 | 0:24:00 | |
-Is there something wrong, sir? -I hope not, Corporal, I hope not. -We don't get inspected here. | 0:24:00 | 0:24:06 | |
Ever heard of a spot check? | 0:24:06 | 0:24:07 | |
-Captain John Watson, Fifth Northumberland Fusiliers. -Sir. | 0:24:07 | 0:24:12 | |
Major Barrymore won't be pleased, sir. He'll want to see you both. | 0:24:12 | 0:24:15 | |
I'm afraid we won't have time. We need the full tour. | 0:24:15 | 0:24:17 | |
-Right away. Carry on. That's an order, Corporal. -Yes, sir. | 0:24:17 | 0:24:21 | |
-Nice touch. -Haven't pulled rank in ages. | 0:24:47 | 0:24:50 | |
-Enjoy it? -Oh, yeah. | 0:24:50 | 0:24:52 | |
MONKEY SCREECHES | 0:25:16 | 0:25:18 | |
-How many animals do you keep down here? -Lots, sir. | 0:25:20 | 0:25:23 | |
-Any ever escape? -They'd have to know how to use that lift, sir. | 0:25:23 | 0:25:27 | |
-We're not breeding them that clever. -Unless they have help. | 0:25:27 | 0:25:30 | |
-Ah, and you are? -It's all right, Dr Frankland, | 0:25:30 | 0:25:34 | |
-I'm just showing these gentlemen around. -Ah, new faces, how nice. | 0:25:34 | 0:25:37 | |
Careful you don't get stuck here, though, I only came to fix a tap. | 0:25:37 | 0:25:41 | |
-How far down does that lift go? -Quite a way, sir. | 0:25:42 | 0:25:46 | |
Hm-mm. And what's down there? | 0:25:46 | 0:25:48 | |
Well, we have to keep the bins somewhere, sir. | 0:25:48 | 0:25:51 | |
This way please, gentlemen. | 0:25:51 | 0:25:52 | |
So what exactly is it that you do here? | 0:25:57 | 0:26:00 | |
I thought you'd know, sir, this being an inspection. | 0:26:00 | 0:26:04 | |
Well, I'm not an expert, am I? | 0:26:04 | 0:26:05 | |
Everything from stem cell research to trying to cure the common cold, sir. | 0:26:05 | 0:26:10 | |
-But mostly weaponry? -Of one sort or another, yes. | 0:26:10 | 0:26:13 | |
-Biological, chemical? -One war ends, another begins, sir. | 0:26:13 | 0:26:16 | |
New enemies to fight. We have to be prepared. | 0:26:16 | 0:26:18 | |
BEEPING | 0:26:18 | 0:26:21 | |
MONKEY SCREECHES | 0:26:26 | 0:26:28 | |
OK, Michael, let's try Harlow 3 next time. | 0:26:28 | 0:26:31 | |
-Dr Stapleton... -Stapleton? | 0:26:31 | 0:26:33 | |
Yes? Who's this? | 0:26:33 | 0:26:36 | |
-Priority ultra, ma'am, orders from on high. An inspection. -Really? | 0:26:36 | 0:26:41 | |
We are to be accorded every courtesy, Dr Stapleton. What's your role at Baskerville? | 0:26:41 | 0:26:45 | |
SHE LAUGHS | 0:26:45 | 0:26:46 | |
Accorded every courtesy, isn't that the idea? | 0:26:46 | 0:26:50 | |
I'm not free to say. Official secrets. | 0:26:50 | 0:26:53 | |
Oh, you most certainly are free, and I suggest you remain that way. | 0:26:53 | 0:26:57 | |
I have a lot of fingers in a lot of pies. | 0:26:57 | 0:27:01 | |
I like to mix things up. | 0:27:01 | 0:27:03 | |
Genes, mostly. Now and again, actual fingers. | 0:27:03 | 0:27:05 | |
Stapleton! I knew I knew your name. | 0:27:05 | 0:27:09 | |
I doubt it. | 0:27:09 | 0:27:10 | |
People say there's no such thing as coincidence. | 0:27:10 | 0:27:12 | |
Dull lives they must lead. | 0:27:12 | 0:27:16 | |
-Have you been talking to my daughter? -Why did Bluebell have to die, Dr Stapleton? | 0:27:19 | 0:27:23 | |
-The rabbit? -Disappeared from inside a locked hutch, which was always suggestive. -The rabbit? | 0:27:23 | 0:27:28 | |
-Clearly an inside job. -Oh, you reckon? | 0:27:28 | 0:27:29 | |
Why? Because it glowed in the dark. | 0:27:29 | 0:27:32 | |
I have absolutely no idea what you're talking about. Who are you? | 0:27:32 | 0:27:35 | |
ALARM SOUNDS | 0:27:35 | 0:27:37 | |
-We've seen enough for now. Thank you so much. -That's it? | 0:27:39 | 0:27:41 | |
That's it. It's this way, isn't it? | 0:27:41 | 0:27:44 | |
Just a minute! | 0:27:44 | 0:27:45 | |
Did we just break into a military base to investigate a rabbit? | 0:27:45 | 0:27:49 | |
BEEPING | 0:27:49 | 0:27:51 | |
MOBILE PHONE BEEPS | 0:28:15 | 0:28:16 | |
Ha! 23 minutes. Mycroft's getting slow. | 0:28:17 | 0:28:21 | |
Hello, again. | 0:28:29 | 0:28:31 | |
Er, Major... | 0:28:37 | 0:28:38 | |
This is bloody outrageous! Why wasn't I told?! | 0:28:38 | 0:28:41 | |
Major Barrymore, is it? Yes, well, good. | 0:28:41 | 0:28:44 | |
Very good, we're very impressed. Aren't we, Mr Holmes? | 0:28:44 | 0:28:47 | |
-Hugely. -The point of Baskerville was to eliminate bureaucratic nonsense! -Sorry, Major. -Inspections! | 0:28:47 | 0:28:52 | |
-Can't remain unmonitored for ever, goodness knows what you'd get up to. Keep walking. -Sir! | 0:28:52 | 0:28:58 | |
ALARM SOUNDS | 0:28:58 | 0:28:59 | |
-ID unauthorised, sir. -What? -I've just had the call. | 0:28:59 | 0:29:02 | |
Is that right? Who are you? | 0:29:02 | 0:29:04 | |
Look, there's obviously been some kind of mistake. | 0:29:04 | 0:29:09 | |
Clearly not, Mycroft Holmes. | 0:29:09 | 0:29:11 | |
-Computer error. It'll all have to go in the report. -What the hell's going on? | 0:29:11 | 0:29:15 | |
It's all right, Major, I know who these gentlemen are. | 0:29:15 | 0:29:18 | |
-You do? -Yeah, I'm getting a little slow on faces, | 0:29:18 | 0:29:20 | |
but Mr Holmes here isn't someone I expected to show up in this place. | 0:29:20 | 0:29:24 | |
-Oh, well... -Good to see you again, Mycroft. | 0:29:24 | 0:29:28 | |
I had the honour of meeting Mr Holmes at the WHO conference in... Brussels, was it? | 0:29:28 | 0:29:34 | |
-Vienna. -Vienna, that's it. | 0:29:36 | 0:29:39 | |
This is Mr Mycroft Holmes, Major. There's obviously been a mistake. | 0:29:39 | 0:29:44 | |
On your head be it, Dr Frankland. | 0:29:47 | 0:29:50 | |
-I'll show them out, Corporal. -Very well, sir. | 0:29:50 | 0:29:54 | |
Thank you. | 0:30:03 | 0:30:04 | |
This is about Henry Knight, isn't it? I thought so. | 0:30:04 | 0:30:08 | |
I knew he wanted help, but I didn't realise he was going to contact Sherlock Holmes! | 0:30:08 | 0:30:13 | |
Oh, don't worry, I know who you really are. I'm never off your website. | 0:30:13 | 0:30:17 | |
-I thought you'd be wearing the hat. -That wasn't my hat. | 0:30:17 | 0:30:20 | |
-I hardly recognise him without the hat. -It wasn't my hat. | 0:30:20 | 0:30:23 | |
-I love the blog, too, Dr Watson. -Oh, cheers. | 0:30:23 | 0:30:26 | |
-The pink thing. And that one about the aluminium crutch. -Yes. | 0:30:26 | 0:30:29 | |
-You know Henry Knight? -Well, I knew his dad better. | 0:30:29 | 0:30:32 | |
He had all sorts of mad theories about this place. | 0:30:32 | 0:30:36 | |
Still, he was a good friend. | 0:30:36 | 0:30:39 | |
Listen, I can't really talk now. | 0:30:39 | 0:30:42 | |
Here's my cell number. | 0:30:42 | 0:30:44 | |
If I can help with Henry, give me a call. | 0:30:44 | 0:30:48 | |
I never did ask, Dr Frankland, what exactly is it that you do here? | 0:30:48 | 0:30:51 | |
Ah, Mr Holmes, I would love to tell you, | 0:30:51 | 0:30:54 | |
but then, of course, I'd have to kill you. | 0:30:54 | 0:30:57 | |
That would be tremendously ambitious of you. Tell me about Dr Stapleton. | 0:30:57 | 0:31:02 | |
I never speak ill of a colleague. | 0:31:02 | 0:31:04 | |
But you'd speak well of one, which you're clearly omitting to do. | 0:31:04 | 0:31:07 | |
I do seem to be, don't I? | 0:31:07 | 0:31:09 | |
-I'll be in touch. -Any time. | 0:31:09 | 0:31:11 | |
-So? -So? | 0:31:14 | 0:31:16 | |
What was all that about the rabbit? | 0:31:16 | 0:31:18 | |
Oh, please, can we not do this, this time? | 0:31:18 | 0:31:22 | |
-Do what? -You being all mysterious with your...cheekbones, | 0:31:22 | 0:31:27 | |
and turning your coat collar up so you look cool. | 0:31:27 | 0:31:30 | |
-I don't do that. -Yeah, you do. | 0:31:30 | 0:31:32 | |
So, the email from Kirsty. The missing luminous rabbit. | 0:31:46 | 0:31:52 | |
Kirsty Stapleton, whose mother specialises in genetic manipulation. | 0:31:52 | 0:31:56 | |
She made her daughter's rabbit glow in the dark? | 0:31:56 | 0:31:59 | |
Probably a fluorescent gene. | 0:31:59 | 0:32:02 | |
Removed and spliced into the specimen. Simple enough, these days. | 0:32:02 | 0:32:05 | |
So? | 0:32:05 | 0:32:07 | |
So we know that Dr Stapleton performs secret genetic experiments on animals. | 0:32:07 | 0:32:13 | |
The question is, has she been working on something deadlier than a rabbit? | 0:32:13 | 0:32:17 | |
To be fair, that is quite a wide field. | 0:32:20 | 0:32:23 | |
-Hi. -Hi. | 0:32:39 | 0:32:40 | |
Come in, come in. | 0:32:40 | 0:32:42 | |
This is, er... | 0:32:51 | 0:32:52 | |
Are you, um, rich? | 0:32:53 | 0:32:56 | |
-Yeah. -Right. | 0:32:56 | 0:32:58 | |
There's a couple of words, it's what I keep seeing. | 0:33:07 | 0:33:12 | |
Liberty. | 0:33:12 | 0:33:14 | |
-Liberty? -Liberty. And... | 0:33:14 | 0:33:18 | |
In. | 0:33:19 | 0:33:21 | |
It's just that. | 0:33:22 | 0:33:24 | |
-Have you finished? -Hm. | 0:33:24 | 0:33:26 | |
-Mean anything to you? -Liberty in death, isn't that the expression? The only true freedom. | 0:33:29 | 0:33:34 | |
What now, then? | 0:33:41 | 0:33:42 | |
-Sherlock's...got a plan? -Yes. | 0:33:42 | 0:33:45 | |
-Right. -We take you back out onto the moor. | 0:33:45 | 0:33:48 | |
-OK... -And see if anything attacks you. -What? | 0:33:48 | 0:33:51 | |
-That should bring things to a head. -At night? | 0:33:51 | 0:33:54 | |
-You want me to go out there at night? -Hm. -That's your plan? | 0:33:54 | 0:33:58 | |
-Brilliant! -Got any better ideas? -That's not a plan. | 0:33:58 | 0:34:00 | |
If there is a monster out there, John, there's only one thing to do. Find out where it lives. | 0:34:00 | 0:34:05 | |
RUSTLING IN THE BUSHES | 0:34:52 | 0:34:54 | |
HE GASPS (Sherlock. | 0:35:10 | 0:35:13 | |
(U, M, Q, R, A. Umqra? | 0:35:38 | 0:35:41 | |
(Sherlock. | 0:35:46 | 0:35:49 | |
(Sherlock. | 0:35:57 | 0:36:00 | |
(Sherlock?) | 0:36:00 | 0:36:01 | |
-Met a friend of yours? -What? | 0:36:01 | 0:36:05 | |
Dr Frankland? | 0:36:05 | 0:36:07 | |
Oh, right. Bob, yeah. | 0:36:07 | 0:36:10 | |
He seems pretty concerned about you. | 0:36:10 | 0:36:13 | |
Oh, he's a worrier, bless him. | 0:36:13 | 0:36:14 | |
He's been very kind to me since I came back. | 0:36:14 | 0:36:19 | |
-He knew your father? -Yeah. | 0:36:19 | 0:36:22 | |
But he works at Baskerville. Didn't your dad have a problem with that? | 0:36:22 | 0:36:26 | |
Well, mates are mates, aren't they? I mean, look at you and John. | 0:36:26 | 0:36:29 | |
What about us? | 0:36:29 | 0:36:31 | |
Well, I mean, he's a pretty straightforward bloke and you... | 0:36:31 | 0:36:36 | |
Well, they agreed never to talk about work, Uncle Bob and my dad. | 0:36:36 | 0:36:41 | |
Dewer's Hollow. | 0:36:44 | 0:36:45 | |
(Sherlock.) | 0:36:52 | 0:36:54 | |
METALLIC THUD | 0:37:06 | 0:37:09 | |
THUDDING CONTINUES | 0:37:10 | 0:37:13 | |
THUD | 0:37:18 | 0:37:20 | |
THUDDING CONTINUES | 0:37:23 | 0:37:25 | |
SCREECHING | 0:37:45 | 0:37:48 | |
HOWLING IN THE DISTANCE | 0:37:48 | 0:37:51 | |
HOWLING GETS LOUDER | 0:38:08 | 0:38:11 | |
GROWLING | 0:38:14 | 0:38:16 | |
SNARLING | 0:38:19 | 0:38:21 | |
Oh, my god, oh, my god, oh, my god! Oh, my god! Oh, my god! | 0:38:26 | 0:38:30 | |
Did you see it? | 0:38:30 | 0:38:32 | |
-Did you hear that? -We saw it. We saw it! | 0:38:47 | 0:38:49 | |
No, I didn't see anything. | 0:38:49 | 0:38:52 | |
What? What are you talking about? | 0:38:53 | 0:38:56 | |
I didn't see anything. | 0:38:56 | 0:38:59 | |
Look, he must have seen it. | 0:39:04 | 0:39:06 | |
I saw it. He must have. He must have. | 0:39:06 | 0:39:10 | |
I... Why? Why? Why would he say that? | 0:39:10 | 0:39:14 | |
It was there, it was. | 0:39:14 | 0:39:17 | |
Henry, Henry, I need you to sit down. Try and relax, please. | 0:39:17 | 0:39:20 | |
-I'm OK, I feel OK. -I'm going to give you something to help you sleep. All right? | 0:39:20 | 0:39:24 | |
This is good news, John. | 0:39:24 | 0:39:26 | |
It's...it's...it's good. | 0:39:26 | 0:39:30 | |
I'm not crazy. | 0:39:30 | 0:39:33 | |
There is a hound there, there is. | 0:39:33 | 0:39:37 | |
And Sherlock, he saw it too. No matter what he says, he saw it. | 0:39:37 | 0:39:43 | |
Well, he's in a pretty bad way. He's manic. | 0:39:54 | 0:39:57 | |
Totally convinced there's some mutant super-dog roaming the moors. | 0:39:57 | 0:40:02 | |
And there isn't, though, is there? | 0:40:02 | 0:40:04 | |
If people knew how to make a mutant super-dog, we'd know. | 0:40:04 | 0:40:07 | |
It'd be for sale. I mean, that's how it works. | 0:40:07 | 0:40:10 | |
Listen, on the moor I saw someone signalling, Morse. | 0:40:10 | 0:40:15 | |
I guess it's Morse. It doesn't seem to make much sense. | 0:40:15 | 0:40:18 | |
HE BREATHES DEEPLY | 0:40:18 | 0:40:19 | |
U, M, Q, R, A, does that mean anything? | 0:40:19 | 0:40:24 | |
So, OK, what have we got? | 0:40:26 | 0:40:28 | |
We know there's footprints, because Henry found them, | 0:40:28 | 0:40:32 | |
and so did the tour guide bloke. | 0:40:32 | 0:40:34 | |
We all heard something. | 0:40:34 | 0:40:36 | |
Maybe we should just look for whoever's got a big dog. | 0:40:41 | 0:40:44 | |
-Henry's right. -What? | 0:40:44 | 0:40:46 | |
I saw it, too. | 0:40:48 | 0:40:50 | |
-What? -I saw it too, John. | 0:40:50 | 0:40:53 | |
Just...just a minute, you saw what? | 0:40:53 | 0:40:56 | |
A hound. Out there in the Hollow. | 0:40:56 | 0:40:59 | |
A gigantic hound. | 0:41:01 | 0:41:03 | |
Um, look, Sherlock, we have to be rational about this. | 0:41:07 | 0:41:13 | |
OK, now you, of all people, can't just... | 0:41:13 | 0:41:19 | |
Let's just stick to what we know, yes? Stick to the facts. | 0:41:19 | 0:41:23 | |
Once you've ruled out the impossible, whatever remains, however improbable, must be true. | 0:41:23 | 0:41:27 | |
What does that mean? | 0:41:27 | 0:41:29 | |
Huh. | 0:41:34 | 0:41:36 | |
Look at me, I'm afraid, John. | 0:41:36 | 0:41:39 | |
Afraid. | 0:41:39 | 0:41:41 | |
Sherlock. | 0:41:41 | 0:41:43 | |
I've always been able to keep myself distant. | 0:41:43 | 0:41:47 | |
Divorce myself from feelings. | 0:41:47 | 0:41:51 | |
But look, you see, body's betraying me. | 0:41:51 | 0:41:55 | |
Interesting, yes, emotions. | 0:41:55 | 0:41:56 | |
The grit on the lens, the fly in the ointment. | 0:41:56 | 0:41:59 | |
Yeah, all right, Spock, just...take it easy. | 0:41:59 | 0:42:05 | |
You've been pretty wired lately, you know you have. | 0:42:05 | 0:42:08 | |
I think you've just gone out there and got yourself a bit worked up. | 0:42:08 | 0:42:12 | |
Worked up? | 0:42:12 | 0:42:13 | |
It was dark and scary. | 0:42:13 | 0:42:15 | |
Me? There's nothing wrong with me. | 0:42:15 | 0:42:18 | |
Hm. | 0:42:25 | 0:42:26 | |
Sherlock... | 0:42:28 | 0:42:29 | |
-Sherl... -There is nothing wrong with me! Do you understand!? | 0:42:33 | 0:42:37 | |
You want me to prove it, yes? | 0:42:40 | 0:42:42 | |
We're looking for a dog, yes? A great big dog, that's your brilliant theory. Cherchez le chien! | 0:42:43 | 0:42:48 | |
Where shall we start? How about them? | 0:42:48 | 0:42:51 | |
The sentimental widow and her son, the unemployed fisherman. | 0:42:51 | 0:42:54 | |
-The answer's yes. -Yes? -She's got a West Highland Terrier called Whisky, not what we're looking for! | 0:42:54 | 0:42:58 | |
-For God's sake! -Look at his jumper, hardly worn. Clearly he's uncomfortable. | 0:42:58 | 0:43:02 | |
Could be the material or the hideous pattern, suggests it's a present. | 0:43:02 | 0:43:06 | |
He wants into his mother's good books. Why? Probably money. | 0:43:06 | 0:43:08 | |
He's treating her to a meal, but his own portion is small. | 0:43:08 | 0:43:11 | |
-He wants to impress her, but he's trying to economise on his own food. -Maybe he's not hungry. | 0:43:11 | 0:43:15 | |
No, small plate, starter. He's practically licked it clean. She's nearly finished her pavlova. | 0:43:15 | 0:43:19 | |
If she'd treated him, he'd have had as much as he wanted. | 0:43:19 | 0:43:22 | |
He's hungry and not well-off, you can tell by his cuffs and shoes. | 0:43:22 | 0:43:25 | |
Only a mother would give him a Christmas present like that. | 0:43:25 | 0:43:28 | |
It could be an aunt or older sister, but mother's more likely. | 0:43:28 | 0:43:31 | |
He was a fisherman, the scarring on his hands is distinctive, fish hooks. | 0:43:31 | 0:43:34 | |
They're old, suggesting long-term unemployment. | 0:43:34 | 0:43:36 | |
Not much industry here, so he's turned to his widowed mother for help. Widowed? | 0:43:36 | 0:43:39 | |
She's got a man's wedding ring on a chain around her neck, clearly her late husband's | 0:43:39 | 0:43:43 | |
and too big for her finger. She's well-dressed, but her jewellery is cheap. | 0:43:43 | 0:43:47 | |
She could afford better, but she's kept it, sentimental. | 0:43:47 | 0:43:49 | |
The dog? There are tiny hairs on her leg but none above the knees, | 0:43:49 | 0:43:52 | |
suggesting it's a small dog, probably a terrier. | 0:43:52 | 0:43:55 | |
It is a West Highland Terrier called Whisky. "How do you know that?" | 0:43:55 | 0:43:58 | |
She was on the same train as us and I heard her call its name. That's listening. | 0:43:58 | 0:44:02 | |
I use my senses, unlike some people, so you see, I am fine. | 0:44:02 | 0:44:05 | |
In fact, I've never been better, so just leave me alone! | 0:44:05 | 0:44:08 | |
Yeah, OK. | 0:44:09 | 0:44:11 | |
OK. | 0:44:12 | 0:44:14 | |
-Why would you listen to me? I'm just your friend. -I don't have friends. | 0:44:16 | 0:44:20 | |
No. | 0:44:20 | 0:44:21 | |
I wonder why. | 0:44:23 | 0:44:24 | |
HE SIGHS | 0:44:55 | 0:44:58 | |
SCREECHING | 0:45:11 | 0:45:13 | |
CREAKING | 0:45:34 | 0:45:35 | |
-MOANING -Oh, Mr Selden, you've done it again! | 0:45:37 | 0:45:41 | |
I keep catching it with my belt. | 0:45:43 | 0:45:46 | |
Oh, God! Oh. | 0:45:46 | 0:45:49 | |
MOBILE PHONE BEEPS | 0:45:54 | 0:45:56 | |
So? | 0:46:03 | 0:46:05 | |
Oh, you're a bad man. | 0:46:20 | 0:46:23 | |
SNARLING | 0:46:56 | 0:46:58 | |
Argh, argh! | 0:47:19 | 0:47:22 | |
COCKS TRIGGER | 0:47:22 | 0:47:24 | |
PANTS WITH FEAR | 0:47:24 | 0:47:27 | |
HE SCREAMS | 0:47:36 | 0:47:39 | |
HE PANTS AND SCREAMS | 0:47:43 | 0:47:46 | |
That's so mean! | 0:47:57 | 0:47:59 | |
-Um, more wine, doctor? -Are you trying to get me drunk, doctor? | 0:48:02 | 0:48:06 | |
The thought never occurred. | 0:48:06 | 0:48:08 | |
-Because a while ago I thought you were chatting me up. -Oh! Where did I go wrong? | 0:48:08 | 0:48:12 | |
-When you started asking about my patients. -Well, I am one of Henry's oldest friends. | 0:48:12 | 0:48:16 | |
Yeah, and he's one of my patients, so I can't talk about him. | 0:48:16 | 0:48:19 | |
Although he has told me about all his oldest friends. | 0:48:19 | 0:48:22 | |
-Which one are you? -A new one? | 0:48:22 | 0:48:25 | |
OK, what about his father? He wasn't one of your patients. | 0:48:26 | 0:48:29 | |
Wasn't he some sort of conspiracy nutter...theorist? | 0:48:29 | 0:48:33 | |
-You're only a nutter if you're wrong. -Hm, and was he wrong? | 0:48:33 | 0:48:36 | |
-I should think so. -But he got fixated on Baskerville, didn't he? | 0:48:36 | 0:48:39 | |
With what they were doing in there. | 0:48:39 | 0:48:41 | |
Couldn't Henry have gone the same way, started imagining a hound? | 0:48:41 | 0:48:45 | |
Why do you think I'll talk about this? | 0:48:45 | 0:48:47 | |
Because I think you're worried about him and because I'm a doctor too. | 0:48:47 | 0:48:52 | |
And because I have another friend who might be having the same problem. | 0:48:52 | 0:48:57 | |
SHE SIGHS | 0:49:00 | 0:49:02 | |
-Ah, Dr Watson! -Hi. -Hello. | 0:49:05 | 0:49:08 | |
-How's the investigation going? -Er, hello. | 0:49:08 | 0:49:12 | |
What, investigation? | 0:49:12 | 0:49:13 | |
Didn't you know? Don't you read the blog? Sherlock Holmes. | 0:49:13 | 0:49:16 | |
-It's... -Sherlock who? | 0:49:16 | 0:49:18 | |
Private detective. This is his PA. | 0:49:18 | 0:49:21 | |
-PA? -Well, live-in PA. -Perfect! | 0:49:21 | 0:49:24 | |
Live-in..? | 0:49:24 | 0:49:25 | |
This is Dr Mortimer, Henry's therapist. | 0:49:25 | 0:49:28 | |
Oh, hello. Bob Frankland. | 0:49:28 | 0:49:31 | |
Listen, tell Sherlock I've been keeping an eye on Stapleton. | 0:49:31 | 0:49:35 | |
-Any time he wants a little chat. All right? -Hm. | 0:49:35 | 0:49:37 | |
HE LAUGHS | 0:49:37 | 0:49:41 | |
Oh. | 0:49:41 | 0:49:43 | |
Why don't you buy him a drink? I think he likes you. | 0:49:43 | 0:49:47 | |
KNOCKING | 0:50:06 | 0:50:08 | |
Morning! Oh, how are you feeling? | 0:50:08 | 0:50:11 | |
I... | 0:50:11 | 0:50:12 | |
-I didn't sleep very well. -Oh, that's a shame. | 0:50:12 | 0:50:15 | |
Shall I make us some coffee? Oh, look, you've got damp! | 0:50:15 | 0:50:17 | |
Listen, last night... | 0:50:39 | 0:50:41 | |
Why did you say you hadn't seen anything? | 0:50:45 | 0:50:47 | |
-I mean, I only saw the hound for a minute, but... -Hound? | 0:50:47 | 0:50:50 | |
-What? -Why do you call it a hound? Why a hound? | 0:50:50 | 0:50:54 | |
-Why? What do you mean? -It's odd, isn't it? | 0:50:54 | 0:50:56 | |
It's a strange choice of words, archaic. | 0:50:56 | 0:50:58 | |
That's why I took the case. "Mr Holmes, they were the footprints of a gigantic hound." | 0:50:58 | 0:51:02 | |
Why say "hound"? | 0:51:02 | 0:51:05 | |
I don't know, I've never... | 0:51:05 | 0:51:08 | |
Actually, I'd better skip the coffee. | 0:51:06 | 0:51:08 | |
BIRDSONG | 0:51:10 | 0:51:13 | |
Did you get anywhere with that Morse code? | 0:51:37 | 0:51:40 | |
Nah. | 0:51:40 | 0:51:41 | |
U, M, Q, R, A, wasn't it? Umqra. | 0:51:41 | 0:51:45 | |
-Nothing. -Umqra... | 0:51:45 | 0:51:47 | |
Look, forget it. I thought I was onto something, I wasn't. | 0:51:47 | 0:51:50 | |
-Sure? -Yeah. | 0:51:50 | 0:51:52 | |
-How about Louise Mortimer, did you get anywhere with her? -No. | 0:51:52 | 0:51:55 | |
Too bad. But did you get any information? | 0:51:55 | 0:51:58 | |
You're being funny now? | 0:51:58 | 0:52:00 | |
Thought it might break the ice, a bit. | 0:52:00 | 0:52:03 | |
Funny doesn't suit you. Let's stick to ice. | 0:52:03 | 0:52:06 | |
-John... -It's fine. | 0:52:06 | 0:52:08 | |
Wait, something happened to me last night, something I've not experienced before. | 0:52:08 | 0:52:12 | |
-Yes, you said. Fear, Sherlock Holmes got scared, you said. -It was more than that, John. It was doubt. | 0:52:12 | 0:52:17 | |
I felt doubt. | 0:52:17 | 0:52:19 | |
I've always been able to trust my senses, the evidence of my own eyes, until last night. | 0:52:19 | 0:52:23 | |
-You can't actually believe that you saw some kind of monster? -No, I can't believe that. | 0:52:23 | 0:52:28 | |
But I did see it, so the question is, how? How? | 0:52:28 | 0:52:32 | |
Yes. | 0:52:33 | 0:52:35 | |
Yeah, right, good. | 0:52:35 | 0:52:37 | |
So you've got something to go on, then. Good luck with that. | 0:52:37 | 0:52:41 | |
Listen, what I said before, John, I meant it. | 0:52:42 | 0:52:46 | |
I don't have friends. | 0:52:46 | 0:52:49 | |
I've just got one. | 0:52:49 | 0:52:50 | |
Right. | 0:52:55 | 0:52:56 | |
John. | 0:52:59 | 0:53:00 | |
John! You are amazing! You are fantastic! | 0:53:01 | 0:53:04 | |
Yes, all right, you don't have to overdo it. | 0:53:04 | 0:53:07 | |
-You may not be the most luminous of people, but as a conductor of light, you are unbeatable. -Cheers(!) What? | 0:53:07 | 0:53:12 | |
-Some people who aren't geniuses have an ability to stimulate it in others. -You were saying sorry. | 0:53:12 | 0:53:17 | |
Don't spoil it. So what have I done that's so bloody stimulating? | 0:53:17 | 0:53:20 | |
Yeah? | 0:53:22 | 0:53:23 | |
What if it's not a word, what if it is individual letters? | 0:53:23 | 0:53:26 | |
You think it's an acronym? | 0:53:26 | 0:53:28 | |
Absolutely no idea, but... | 0:53:28 | 0:53:30 | |
-What the hell are you doing here?! -Oh, nice to see you too(!) | 0:53:33 | 0:53:36 | |
-I'm on holiday, would you believe? -No, I wouldn't. | 0:53:36 | 0:53:39 | |
-Hello, John. -Greg. | 0:53:39 | 0:53:40 | |
I heard you were in the area. What are you up to? | 0:53:40 | 0:53:42 | |
Are you after this Hound of Hell, like on the telly? | 0:53:42 | 0:53:45 | |
-I'm waiting for an explanation, Inspector, why are you here? -I've told you, I'm on holiday. | 0:53:45 | 0:53:50 | |
-You're brown as a nut. You're clearly just back from your holidays. -I fancied another one. | 0:53:50 | 0:53:54 | |
-Oh, this is Mycroft, isn't it? -Now, look... -Of course it is. | 0:53:54 | 0:53:58 | |
One mention of Baskerville and he sends down my handler to spy on me, incognito. | 0:53:58 | 0:54:03 | |
-Is that why you're calling yourself "Greg"? -That's his name. | 0:54:03 | 0:54:06 | |
-Is it? -Yes. If you'd ever bothered to find out. | 0:54:06 | 0:54:09 | |
Look, I'm not your handler. | 0:54:09 | 0:54:10 | |
And I just don't do what your brother tells me. | 0:54:10 | 0:54:13 | |
-Actually, you could be just the man we want. -Why? | 0:54:13 | 0:54:16 | |
Well, I've not been idle, Sherlock. | 0:54:16 | 0:54:19 | |
I think I might have found something. Here. | 0:54:19 | 0:54:22 | |
I didn't know if it was relevant. | 0:54:22 | 0:54:23 | |
Starting to look like it might be. That is an awful lot of meat for a vegetarian restaurant. | 0:54:23 | 0:54:28 | |
Excellent. | 0:54:28 | 0:54:29 | |
A nice, scary inspector from Scotland Yard, who can put in a few calls, might come in very handy. | 0:54:29 | 0:54:34 | |
Shop. | 0:54:34 | 0:54:35 | |
What's this? | 0:54:51 | 0:54:52 | |
-Coffee. I made coffee. -You never make coffee. | 0:54:52 | 0:54:55 | |
-Don't you want it? -You don't have to keep apologising. | 0:54:55 | 0:54:58 | |
Thanks. | 0:54:59 | 0:55:01 | |
Hm, I don't take sugar. | 0:55:07 | 0:55:09 | |
These records go back nearly two months. | 0:55:13 | 0:55:16 | |
That's nice. It's good. | 0:55:16 | 0:55:18 | |
Is that when you had the idea, after the TV show went out? | 0:55:18 | 0:55:21 | |
It's me. It was me. | 0:55:21 | 0:55:24 | |
I'm sorry, Gary. I couldn't help it. | 0:55:24 | 0:55:27 | |
-I had a bacon sandwich at Cal's wedding and one thing led to another. -Nice try. | 0:55:27 | 0:55:31 | |
Look, we were just trying to give things a bit of a boost, you know? | 0:55:31 | 0:55:36 | |
Let a great big dog run wild up on the moor, it was heaven-sent. | 0:55:36 | 0:55:40 | |
It was like us having our own Loch Ness monster. | 0:55:40 | 0:55:42 | |
-And where do you keep it? -There's an old mine shaft. It's not too far. | 0:55:42 | 0:55:46 | |
-He was all right there. -Was? | 0:55:46 | 0:55:50 | |
We couldn't control the bloody thing. It was vicious. | 0:55:50 | 0:55:53 | |
And then, a month ago, | 0:55:54 | 0:55:56 | |
Billy took him to the vet and, you know... | 0:55:56 | 0:56:01 | |
He's dead? | 0:56:01 | 0:56:03 | |
Put down. | 0:56:04 | 0:56:05 | |
Yeah. No choice. | 0:56:05 | 0:56:08 | |
So it's over. | 0:56:08 | 0:56:09 | |
It was just a joke, you know. | 0:56:09 | 0:56:11 | |
Yeah, hilarious(!) | 0:56:11 | 0:56:13 | |
You've nearly driven a man out of his mind. | 0:56:13 | 0:56:17 | |
You know he's actually pleased you're here? Secretly pleased. | 0:56:34 | 0:56:38 | |
Is he? | 0:56:38 | 0:56:39 | |
That's nice. | 0:56:39 | 0:56:41 | |
I suppose he likes having all the same faces back together. | 0:56:41 | 0:56:44 | |
Appeals to his...his... | 0:56:44 | 0:56:48 | |
Asperger's? | 0:56:48 | 0:56:49 | |
-So, you believe them about having the dog destroyed? -No reason not to. | 0:56:49 | 0:56:53 | |
Well, hopefully there's no harm done. | 0:56:53 | 0:56:55 | |
I'm not quite sure what I'd charge them with, anyway. I'll have a word with the local force. | 0:56:55 | 0:57:00 | |
Right, that's that, then. Catch you later. | 0:57:00 | 0:57:02 | |
I'm enjoying this. It's nice to get London out of your lungs. | 0:57:02 | 0:57:07 | |
-So that was their dog that people saw out on the moor? -Looks like it. | 0:57:07 | 0:57:10 | |
But that wasn't what you saw, that wasn't just an ordinary dog. | 0:57:10 | 0:57:13 | |
No. It was immense. | 0:57:13 | 0:57:14 | |
It had burning red eyes, and it was glowing, John, | 0:57:14 | 0:57:17 | |
its whole body was glowing. | 0:57:17 | 0:57:20 | |
I've got a theory, but I need to get back into Baskerville to test it. | 0:57:22 | 0:57:27 | |
How? Can't pull off the ID trick again. | 0:57:27 | 0:57:30 | |
Might not have to. | 0:57:30 | 0:57:31 | |
Hello, brother, dear. How ARE you? | 0:57:32 | 0:57:36 | |
Afternoon, sir. Can you turn the engine off? | 0:58:01 | 0:58:03 | |
Thank you. | 0:58:03 | 0:58:04 | |
I need to see Major Barrymore as soon as we get inside. | 0:58:04 | 0:58:07 | |
-Right. -Which means you'll have to start the search for the hound. -OK. | 0:58:07 | 0:58:11 | |
In the labs. | 0:58:11 | 0:58:12 | |
Stapleton's first. | 0:58:12 | 0:58:14 | |
It could be dangerous. | 0:58:14 | 0:58:16 | |
Oh, you know I'd love to(!) | 0:58:30 | 0:58:31 | |
I'd love to give you unlimited access to this place. Why not? | 0:58:31 | 0:58:35 | |
-It's a simple enough request, Major. -I've never heard of anything so bizarre. | 0:58:35 | 0:58:38 | |
You're to give me 24 hours, it's what I negotiated. | 0:58:38 | 0:58:41 | |
Not a second more. | 0:58:41 | 0:58:43 | |
I may have to comply with this order, but I don't have to like it. | 0:58:43 | 0:58:47 | |
-I don't know what the hell you expect to find here, anyway. -Perhaps the truth. -About what? | 0:58:47 | 0:58:51 | |
Oh, I see. | 0:58:51 | 0:58:53 | |
The big coat should have told me. | 0:58:53 | 0:58:55 | |
You're one of the conspiracy lot, aren't you? | 0:58:55 | 0:58:58 | |
Well, then, go ahead, seek them out, | 0:58:58 | 0:59:00 | |
the monsters, the death rays, the aliens. | 0:59:00 | 0:59:03 | |
Have you got any of those? | 0:59:03 | 0:59:06 | |
Oh, just wondering. | 0:59:06 | 0:59:07 | |
A couple. Crash landed here in the '60s. | 0:59:08 | 0:59:12 | |
We call them Abbott and Costello. | 0:59:12 | 0:59:14 | |
Good luck, Mr Holmes. | 0:59:14 | 0:59:17 | |
Aargh! Oh, God! | 0:59:44 | 0:59:47 | |
HE CRIES OUT | 0:59:47 | 0:59:49 | |
Oh! | 0:59:49 | 0:59:51 | |
Oh, God! | 1:01:19 | 1:01:21 | |
Ow! | 1:01:24 | 1:01:25 | |
LOUD ALARMS BLARE | 1:01:29 | 1:01:32 | |
Ooh... | 1:01:37 | 1:01:38 | |
ALARM CONTINUES | 1:01:38 | 1:01:41 | |
Oh, come on. | 1:01:54 | 1:01:55 | |
ALARM STOPS | 1:01:57 | 1:01:58 | |
Hello? | 1:02:04 | 1:02:05 | |
MONKEY SCREAMS | 1:03:04 | 1:03:05 | |
WHIRRING | 1:03:30 | 1:03:31 | |
No, come on. Come on. | 1:03:31 | 1:03:33 | |
WHIRRING | 1:03:33 | 1:03:34 | |
HE DIALS NUMBER | 1:03:38 | 1:03:40 | |
(No... Don't be ridiculous. | 1:03:43 | 1:03:47 | |
(Pick up.) | 1:03:47 | 1:03:48 | |
Oh, damn it. | 1:03:48 | 1:03:50 | |
(Right.) | 1:03:51 | 1:03:52 | |
GROWLING | 1:04:11 | 1:04:14 | |
GROWLING | 1:04:21 | 1:04:24 | |
PHONE RINGS | 1:04:47 | 1:04:49 | |
(It's here. It's in here with me.) | 1:04:55 | 1:04:58 | |
'Where are you?' | 1:04:58 | 1:05:02 | |
(Get me out, Sherlock, you've got to get me out. | 1:05:02 | 1:05:05 | |
(The big lab, the first lab that we saw.) | 1:05:05 | 1:05:08 | |
GROWLING | 1:05:09 | 1:05:10 | |
Oh! | 1:05:10 | 1:05:12 | |
'John... John?' | 1:05:12 | 1:05:14 | |
(Now, Sherlock! Please!) | 1:05:14 | 1:05:16 | |
'All right, I'll find you. Keep talking.' | 1:05:17 | 1:05:20 | |
(I can't, it'll hear me.) | 1:05:20 | 1:05:22 | |
'Keep talking. What are you seeing? | 1:05:22 | 1:05:25 | |
'John?' | 1:05:28 | 1:05:29 | |
(Yes, I'm here.) | 1:05:29 | 1:05:31 | |
'What can you see?' | 1:05:31 | 1:05:32 | |
(I don't know. I don't know, but I can hear it now.) | 1:05:38 | 1:05:42 | |
GROWLING | 1:05:43 | 1:05:44 | |
(Did you hear that?) | 1:05:44 | 1:05:46 | |
'Stay calm, stay calm. Can you see it? | 1:05:46 | 1:05:48 | |
'Can you see it?' | 1:05:50 | 1:05:52 | |
(No, I can't.) | 1:05:52 | 1:05:53 | |
GROWLING | 1:05:53 | 1:05:55 | |
I can see it. | 1:05:59 | 1:06:00 | |
(I can see it. | 1:06:02 | 1:06:04 | |
(It's here.) | 1:06:05 | 1:06:06 | |
Are you all right? John? | 1:06:08 | 1:06:11 | |
Jesus Christ! It was the hound! | 1:06:11 | 1:06:14 | |
Sherlock, it was here, I swear it, Sherlock, it must, it must... | 1:06:14 | 1:06:18 | |
Did-did you see it? You must have! | 1:06:18 | 1:06:22 | |
It's all right, it's OK now. | 1:06:22 | 1:06:25 | |
NO, IT'S NOT! IT'S NOT OK! | 1:06:25 | 1:06:29 | |
I saw it, I was wrong! | 1:06:29 | 1:06:30 | |
-Hm, well, let's not jump to conclusions. -What? | 1:06:30 | 1:06:33 | |
-What did you see? -I told you, I saw the hound? -Huge, red eyes? -Yes. | 1:06:33 | 1:06:36 | |
-Glowing? -Yeah. | 1:06:36 | 1:06:37 | |
-No. -What? | 1:06:37 | 1:06:39 | |
I made up the bit about glowing. | 1:06:39 | 1:06:41 | |
You saw what you expected to see because I told you. | 1:06:41 | 1:06:43 | |
-You have been drugged. We have all been drugged. -Drugged? | 1:06:43 | 1:06:46 | |
-Can you walk? -Of course I can walk. -Come on, then. It's time to lay this ghost. | 1:06:46 | 1:06:50 | |
Oh, back again? What's on your mind this time? | 1:06:57 | 1:07:02 | |
Murder, Dr Stapleton. | 1:07:02 | 1:07:03 | |
Refined, cold-blooded murder. | 1:07:03 | 1:07:06 | |
Will you tell little Kirsty what happened to Bluebell, or shall I? | 1:07:11 | 1:07:14 | |
OK. What do you want? | 1:07:16 | 1:07:18 | |
Can I borrow your microscope? | 1:07:18 | 1:07:20 | |
Are you sure you're OK? You look very peaky. | 1:07:36 | 1:07:40 | |
No, I'm all right. | 1:07:40 | 1:07:41 | |
-It was the GFP gene from a jellyfish, in case you're interested. -What? | 1:07:44 | 1:07:47 | |
-In the rabbits. -Oh, right, yeah. | 1:07:47 | 1:07:50 | |
Aequorea victoria, if you really want to know. | 1:07:50 | 1:07:53 | |
-Why? -Why not? | 1:07:53 | 1:07:56 | |
We don't ask questions like that here. It isn't done. | 1:07:56 | 1:07:59 | |
It was a mix-up, anyway. My daughter ended up with one of the lab specimens, | 1:07:59 | 1:08:03 | |
so poor Bluebell had to go. | 1:08:03 | 1:08:06 | |
-Your compassion is overwhelming! -I know. | 1:08:06 | 1:08:09 | |
I hate myself sometimes. | 1:08:09 | 1:08:12 | |
So, come on, then, you can trust me, I'm a doctor, | 1:08:13 | 1:08:16 | |
what else have you got hidden away up here? | 1:08:16 | 1:08:18 | |
-SHE SIGHS -Listen, if you can imagine it, | 1:08:18 | 1:08:21 | |
someone is probably doing it somewhere. Of course they are. | 1:08:21 | 1:08:26 | |
-Cloning? -Yes, of course. Dolly the Sheep, remember? | 1:08:26 | 1:08:30 | |
-Human cloning? -Why not? | 1:08:30 | 1:08:32 | |
HE CLEARS HIS THROAT And what about animals? Not sheep. | 1:08:33 | 1:08:38 | |
Big animals. | 1:08:39 | 1:08:41 | |
Size isn't a problem. Not at all. | 1:08:41 | 1:08:44 | |
The only limits are ethics and the law and both those things can be very flexible. | 1:08:44 | 1:08:49 | |
-But not here, not at Baskerville. -It's not there! | 1:08:49 | 1:08:52 | |
-Jesus! -Nothing there! It doesn't make any sense! | 1:08:52 | 1:08:55 | |
What were you expecting to find? | 1:08:55 | 1:08:57 | |
A drug, of course. It has to be a drug. | 1:08:57 | 1:08:59 | |
An hallucinogenic or a deliriant of some kind. | 1:08:59 | 1:09:01 | |
-There's no trace of anything in the sugar. -Sugar? -Sugar, yes. | 1:09:01 | 1:09:05 | |
A simple process of elimination. I saw the hound, saw it as my imagination expected me to see it. | 1:09:05 | 1:09:10 | |
A genetically engineered monster. | 1:09:10 | 1:09:13 | |
I knew I couldn't believe my eyes, so there were seven possible reasons, | 1:09:13 | 1:09:16 | |
the most possible being narcotics. | 1:09:16 | 1:09:19 | |
Henry Knight, he saw it too, but you didn't, John. You didn't see it. | 1:09:19 | 1:09:23 | |
We have eaten and drunk the same things since we got to Grimpen, apart from one thing. | 1:09:23 | 1:09:27 | |
-You don't take sugar in your coffee. -I see, so? | 1:09:27 | 1:09:30 | |
I took it from Henry's kitchen, his sugar. | 1:09:30 | 1:09:34 | |
It's perfectly all right. | 1:09:34 | 1:09:36 | |
-But maybe it's not a drug. -No, it has to be a drug. | 1:09:36 | 1:09:38 | |
How did it get into our systems? How? | 1:09:40 | 1:09:43 | |
There has to be something, something... | 1:09:45 | 1:09:49 | |
Something... | 1:09:49 | 1:09:50 | |
Something buried deep. | 1:09:52 | 1:09:54 | |
-Get out. -What? | 1:09:54 | 1:09:57 | |
-Get out, I need to go to my mind palace. -Your what? | 1:09:57 | 1:10:00 | |
He's not going to be doing much talking for a while, we may as well go. | 1:10:01 | 1:10:05 | |
-His what? -Oh, his "mind palace". | 1:10:05 | 1:10:09 | |
It's a memory technique, a sort of mental map. | 1:10:09 | 1:10:12 | |
You plot a map with a location, it doesn't have to be a real place. | 1:10:12 | 1:10:16 | |
You deposit memories there. | 1:10:16 | 1:10:18 | |
Theoretically, you never forget anything. All you do is find your way back to it. | 1:10:18 | 1:10:22 | |
-So this imaginary location could be anything, a house or a street? -Yeah. | 1:10:22 | 1:10:25 | |
-But he said "palace", he said it was a palace? -Yeah, well, he would, wouldn't he? | 1:10:25 | 1:10:29 | |
BELL TOLLS | 1:10:52 | 1:10:53 | |
SOUND OF MARCHING BAND FADES IN AND OUT | 1:10:55 | 1:10:57 | |
DOG BARKS AND HOWLS | 1:11:09 | 1:11:13 | |
# You ain't nothing... # | 1:11:13 | 1:11:14 | |
MECHANISED VOICE: Hound. | 1:11:18 | 1:11:20 | |
DOG HOWLS | 1:11:30 | 1:11:33 | |
ANIMAL SNARLS | 1:11:35 | 1:11:38 | |
GUNSHOT | 1:11:48 | 1:11:49 | |
SHE SCREAMS AND WHIMPERS | 1:11:49 | 1:11:51 | |
SHE WHIMPERS | 1:11:55 | 1:11:57 | |
Oh, my god! | 1:11:57 | 1:11:59 | |
Oh, my god! Oh, my god! I am so... I am so sorry. I am so sorry. | 1:11:59 | 1:12:05 | |
-John? -Yeah, I'm on it. | 1:12:23 | 1:12:26 | |
Project HOUND. I must have read about it, stored it away. | 1:12:26 | 1:12:30 | |
An experiment in a CIA facility in Liberty, Indiana. | 1:12:30 | 1:12:33 | |
SHE TAPS THE KEYBOARD | 1:12:33 | 1:12:35 | |
H-O-U-N-D. | 1:12:40 | 1:12:42 | |
That's as far as my access goes, I'm afraid. | 1:12:46 | 1:12:48 | |
There must be an override, a password? | 1:12:48 | 1:12:50 | |
I imagine so, but that'd be Major Barrymore's. | 1:12:50 | 1:12:53 | |
Password, password. Password. | 1:12:55 | 1:12:58 | |
He sat here when he thought it up. | 1:12:58 | 1:13:01 | |
-Describe him to me? -You've seen him. -But describe him. | 1:13:03 | 1:13:06 | |
He's a bloody martinet, a throw-back, the sort they'd have sent into Suez. | 1:13:06 | 1:13:11 | |
Good, excellent, old-fashioned. Traditionalist. Not the sort to use his children's name as a password. | 1:13:11 | 1:13:16 | |
He loves his job, proud of it and this is work-related. So what's at eye level? | 1:13:16 | 1:13:20 | |
Books. | 1:13:20 | 1:13:22 | |
Jane's Defence Weekly, bound copies. Hannibal. | 1:13:22 | 1:13:25 | |
Wellington. Rommel. Churchill's History of the English-Speaking Peoples, all four volumes. | 1:13:25 | 1:13:30 | |
Churchill, he's fond of Churchill. | 1:13:30 | 1:13:33 | |
Copy of The Downing Street Years, one to five. Separate biographies of Thatcher. | 1:13:33 | 1:13:37 | |
Mid-1980s, at a guess. Father and son. | 1:13:37 | 1:13:40 | |
-Barrymore Senior, medals, Distinguished Service Order. -That date, I'd say Falklands veteran. | 1:13:40 | 1:13:45 | |
-Right, Thatcher's a more likely bet than Churchill. -That's the password? | 1:13:45 | 1:13:48 | |
No! With a man like Major Barrymore, only first name terms would do. | 1:13:48 | 1:13:52 | |
MACHINE BEEPS WILDLY | 1:14:01 | 1:14:04 | |
Hound. | 1:14:27 | 1:14:28 | |
Hm. | 1:14:28 | 1:14:29 | |
Jesus. | 1:14:44 | 1:14:45 | |
Project HOUND. A new deliriant drug which rendered its users incredibly suggestible. | 1:14:46 | 1:14:53 | |
They wanted to use it as an anti-personnel weapon, to totally disorientate the enemy | 1:14:53 | 1:14:57 | |
using fear and stimulus. But they shut it down and hid it away in 1986. | 1:14:57 | 1:15:02 | |
-Because of what it did to the subjects they tested it on. -And what they did to others. | 1:15:02 | 1:15:06 | |
Prolonged exposure drove them insane. Made them almost uncontrollably aggressive. | 1:15:06 | 1:15:11 | |
So, someone's been doing it again? Carrying on the experiments? | 1:15:11 | 1:15:14 | |
-Attempting to refine it, perhaps. For the last 20 years. -Who? | 1:15:14 | 1:15:18 | |
Those names mean anything to you? | 1:15:18 | 1:15:20 | |
No, not a thing. | 1:15:20 | 1:15:22 | |
(SIGHS) Five principal scientists. | 1:15:22 | 1:15:25 | |
20 years ago. | 1:15:25 | 1:15:28 | |
Maybe our friend's somewhere in the back of the picture? | 1:15:30 | 1:15:34 | |
Someone old enough to be there at the time of the experiments in 1986? | 1:15:34 | 1:15:37 | |
-Maybe somebody who says "cell phone" because of time spent in America? You remember, John? -Hm-mm. | 1:15:38 | 1:15:44 | |
Here's my, uh, cell number. | 1:15:44 | 1:15:46 | |
He gave us his number, in case we needed him. | 1:15:46 | 1:15:48 | |
Oh, my god, Bob Frankland. | 1:15:48 | 1:15:50 | |
But Bob doesn't work on... He's a virologist. This is chemical warfare. | 1:15:50 | 1:15:54 | |
That's where he started, though. | 1:15:54 | 1:15:57 | |
He's never lost the certainty, the obsession that that drug really could work. | 1:15:57 | 1:16:02 | |
Nice of him to give us his number. Let's arrange a little meeting. | 1:16:02 | 1:16:07 | |
PHONE RINGS | 1:16:09 | 1:16:12 | |
Hello? | 1:16:18 | 1:16:19 | |
WOMAN SOBS ON THE PHONE | 1:16:19 | 1:16:22 | |
-Who's this? -You've got to find Henry. | 1:16:22 | 1:16:25 | |
It's Louise Mortimer. | 1:16:25 | 1:16:26 | |
Louise, what's wrong? | 1:16:26 | 1:16:28 | |
Henry was, was remembering. Then... | 1:16:28 | 1:16:31 | |
He tried... | 1:16:32 | 1:16:34 | |
-He's got a gun, he went for the gun and tried to... -What? | 1:16:34 | 1:16:38 | |
SHE SOBS | 1:16:38 | 1:16:39 | |
He's gone. But you've got to stop him, I don't know what he might do. | 1:16:39 | 1:16:43 | |
Where, where are you? | 1:16:43 | 1:16:45 | |
His house. I'm OK. I'm OK. | 1:16:45 | 1:16:47 | |
Right, stay there. We'll get someone to you, OK? | 1:16:47 | 1:16:50 | |
-Henry? -He's attacked her. -Gone? -Hm. | 1:16:50 | 1:16:53 | |
There's only one place he'll go, back to where it started. | 1:16:53 | 1:16:56 | |
Lestrade? Get to the Hollow. Dewer's Hollow, now! And bring a gun. | 1:16:56 | 1:17:00 | |
FERAL SQUEAL ECHOES | 1:17:01 | 1:17:03 | |
HE PANTS | 1:17:07 | 1:17:09 | |
I'm sorry. | 1:17:41 | 1:17:43 | |
I'm so sorry, Dad. | 1:17:47 | 1:17:49 | |
-No, Henry, no, no! -Get back! | 1:17:54 | 1:17:57 | |
-Get away from me! -Easy, Henry, easy. Just relax. | 1:17:57 | 1:18:00 | |
I know what I am, I know what I tried to do. | 1:18:00 | 1:18:03 | |
-Just put the gun down, it's OK. -No, no! I know what I am! | 1:18:03 | 1:18:07 | |
Yes, I'm sure you do, Henry. | 1:18:07 | 1:18:08 | |
It's all been explained to you, hasn't it? | 1:18:08 | 1:18:12 | |
-Explained very carefully. -What? | 1:18:12 | 1:18:14 | |
Someone needed to keep you quiet, | 1:18:14 | 1:18:17 | |
needed to keep you as a child, to reassert the dream you both clung on to, | 1:18:17 | 1:18:21 | |
because you had started to remember. | 1:18:21 | 1:18:23 | |
Remember now, Henry, you've got to remember what happened here when you were a little boy. | 1:18:23 | 1:18:29 | |
I thought it had got my dad. | 1:18:29 | 1:18:33 | |
The hound. I thought... Oh, Jesus! | 1:18:33 | 1:18:36 | |
I don't...I don't know any more! I don't! | 1:18:36 | 1:18:39 | |
-No, Henry! Henry, for God's sake! -Henry, remember. "Liberty In." Two words. | 1:18:39 | 1:18:43 | |
Two words a frightened little boy saw here 20 years ago. You'd started to piece things together. | 1:18:43 | 1:18:48 | |
Remember what happened here that night. | 1:18:48 | 1:18:51 | |
It wasn't an animal, was it, Henry? | 1:18:51 | 1:18:53 | |
Not a monster. | 1:18:53 | 1:18:55 | |
A man. | 1:18:56 | 1:18:58 | |
ATTACKER GRUNTS LIKE AN ANIMAL | 1:19:07 | 1:19:10 | |
BOY PANTS IN FEAR | 1:19:11 | 1:19:13 | |
THE MAN PANTS WITH EXERTION | 1:19:18 | 1:19:21 | |
MUTED SCREAM | 1:19:38 | 1:19:41 | |
You couldn't cope. You were just a child. | 1:19:41 | 1:19:45 | |
So you rationalised it into something very different. | 1:19:45 | 1:19:48 | |
Then you started to remember, so you had to be stopped. | 1:19:48 | 1:19:51 | |
Driven out of your mind so that no-one would believe a word that you said. | 1:19:51 | 1:19:55 | |
Sherlock! | 1:19:55 | 1:19:56 | |
It's OK. | 1:19:56 | 1:19:58 | |
It's OK, mate. | 1:19:58 | 1:20:00 | |
But we saw it, the hound, last night. We did, we s... | 1:20:00 | 1:20:04 | |
No, but there was a dog, Henry, | 1:20:04 | 1:20:07 | |
leaving footprints, scaring witnesses, but nothing more than an ordinary dog. | 1:20:07 | 1:20:11 | |
We both saw it, saw it as our drugged minds wanted us to see it. | 1:20:11 | 1:20:15 | |
Fear and stimulus, that's how it works. | 1:20:15 | 1:20:18 | |
But there never was any monster. | 1:20:20 | 1:20:22 | |
HOWLS AND SNARLS | 1:20:22 | 1:20:26 | |
Sherlock? | 1:20:26 | 1:20:28 | |
-No! No, no, no, no! -Henry, Henry... -Sherlock! | 1:20:28 | 1:20:31 | |
No, no! No, no, no, noooo! | 1:20:31 | 1:20:34 | |
Henry. | 1:20:34 | 1:20:35 | |
DOG SNARLS AGGRESSIVELY | 1:20:37 | 1:20:39 | |
Sherlock, are you seeing this? | 1:20:39 | 1:20:41 | |
-Right, he is not drugged, Sherlock, so what's that? -Oh, oh, no! -What is it?! | 1:20:41 | 1:20:45 | |
All right, it's still here. | 1:20:45 | 1:20:48 | |
But it's just a dog, Henry. It's nothing more than an ordinary dog. | 1:20:48 | 1:20:52 | |
My god! | 1:20:52 | 1:20:54 | |
ANIMAL SNARLS FIERCELY | 1:20:54 | 1:20:56 | |
Oh, Christ! | 1:20:56 | 1:20:58 | |
DOG CONTINUES TO SNARL | 1:21:06 | 1:21:08 | |
HE BREATHES HEAVILY THROUGH THE MASK | 1:21:08 | 1:21:10 | |
< No. No! | 1:21:12 | 1:21:14 | |
SNARLING ECHOES | 1:21:18 | 1:21:19 | |
It's not you, not you! | 1:21:21 | 1:21:23 | |
Argh... Urgh... | 1:21:23 | 1:21:25 | |
HE BREATHES HEAVILY | 1:21:27 | 1:21:30 | |
-The fog. -What? -It's the fog, the drug, it's in the fog! | 1:21:31 | 1:21:35 | |
Aerosol dispersant, that's what it said in the records. Project HOUND, it's the fog! | 1:21:35 | 1:21:39 | |
A chemical minefield. | 1:21:39 | 1:21:41 | |
-DOG SNARLS -For God's sake, kill it! Kill it! | 1:21:41 | 1:21:45 | |
LOUD GUNSHOTS | 1:21:45 | 1:21:48 | |
ANIMAL SQUEALS IN PAIN, THEN FALLS SILENT | 1:21:49 | 1:21:52 | |
Look at it, Henry. | 1:21:58 | 1:22:00 | |
-No, no, no. -Come on, look at it! | 1:22:00 | 1:22:03 | |
You bastard. | 1:22:08 | 1:22:10 | |
You...bastard! | 1:22:10 | 1:22:14 | |
-20 years! 20 years of my life, making no sense! -It's all over now, come on. | 1:22:14 | 1:22:17 | |
Why didn't you just kill me? | 1:22:17 | 1:22:19 | |
Because dead men get listened to, he needed to do more than kill you. | 1:22:19 | 1:22:23 | |
He had to discredit every word you ever said about your father. | 1:22:23 | 1:22:26 | |
And he had the means right at his feet. | 1:22:26 | 1:22:29 | |
A chemical minefield, pressure pads in the ground, | 1:22:29 | 1:22:33 | |
dosing you up every time that you came back here. | 1:22:33 | 1:22:35 | |
Murder weapon and scene of the crime all at once. | 1:22:35 | 1:22:38 | |
Ha ha, oh, this case, Henry. Thank you. | 1:22:38 | 1:22:42 | |
-It's been brilliant! -Sherlock. -What? | 1:22:42 | 1:22:45 | |
Timing. | 1:22:46 | 1:22:48 | |
-Not good? -No, no, it's OK. | 1:22:49 | 1:22:52 | |
It's fine. Because this means... | 1:22:52 | 1:22:56 | |
this means that my dad was right. | 1:22:56 | 1:23:00 | |
He'd found something out, hadn't he? | 1:23:00 | 1:23:02 | |
And that's why you killed him, because he was right, | 1:23:02 | 1:23:06 | |
and he'd found you right in the middle of an experiment! | 1:23:06 | 1:23:13 | |
SOUND OF DOG SNARLING AND GROWLING | 1:23:13 | 1:23:16 | |
GUNSHOTS | 1:23:16 | 1:23:18 | |
Frankland! | 1:23:20 | 1:23:22 | |
-Frankland! -Keep running. | 1:23:24 | 1:23:26 | |
Come on, keep up! | 1:23:30 | 1:23:33 | |
It's no use, Frankland. | 1:23:33 | 1:23:35 | |
WARNING ALARM BEEPS | 1:23:51 | 1:23:55 | |
HIS BREATHING SLOWS | 1:23:57 | 1:23:58 | |
HE SIGHS | 1:24:01 | 1:24:02 | |
Thanks, Bill. | 1:24:39 | 1:24:40 | |
-So they didn't have it put down then, the dog? -Obviously. | 1:24:41 | 1:24:45 | |
I suppose they just couldn't bring themselves to do it. | 1:24:45 | 1:24:48 | |
I see. | 1:24:48 | 1:24:49 | |
No, you don't. | 1:24:50 | 1:24:52 | |
-No, I don't. Sentiment? -Sentiment. | 1:24:53 | 1:24:55 | |
Listen, what happened to me in the lab? | 1:24:58 | 1:25:00 | |
Do you want some sauce with that? | 1:25:01 | 1:25:03 | |
I hadn't been to the Hollow. How come I heard those things there? Fear and stimulus, you said? | 1:25:03 | 1:25:08 | |
You must have been dosed with it elsewhere. In the lab, maybe? | 1:25:08 | 1:25:11 | |
You saw those pipes, pretty ancient, leaky as a sieve. | 1:25:11 | 1:25:14 | |
-And they were carrying the gas, so... Um, ketchup was it, or brown? -Hang on. | 1:25:14 | 1:25:18 | |
You thought it was in the sugar. You were convinced it was in the sugar. | 1:25:18 | 1:25:22 | |
I'd better get going, there's a train leaving in half an hour, so if you want... | 1:25:22 | 1:25:26 | |
Oh, God! It was you. | 1:25:26 | 1:25:28 | |
You locked me in that bloody lab. | 1:25:28 | 1:25:31 | |
-I had to, it was an experiment. -An experiment?! -Ssh. | 1:25:31 | 1:25:34 | |
-I was terrified, scared to death! -I thought the drug was in the sugar, so I put some in your coffee. | 1:25:34 | 1:25:39 | |
Then I arranged everything with Major Barrymore. Totally scientific, laboratory conditions, literally. | 1:25:39 | 1:25:45 | |
SOUND OF GROWLING | 1:25:46 | 1:25:49 | |
-(It's in here with me.) -All right, keep talking, I'll find you. | 1:25:49 | 1:25:54 | |
-Keep talking. -(I can't, it'll hear me.) -Tell me what you're seeing. | 1:25:54 | 1:25:58 | |
HE TAPS A KEY: SOUND OF GROWLING ECHOES | 1:25:58 | 1:26:00 | |
I don't know, but I can hear it now. | 1:26:00 | 1:26:04 | |
I knew what effect it had had on a superior mind, so I needed to try it on an average one. | 1:26:04 | 1:26:09 | |
You know what I mean. | 1:26:09 | 1:26:12 | |
-But it wasn't in the sugar. -No, well, | 1:26:12 | 1:26:16 | |
-I wasn't to know you'd already been exposed to the gas. -So you got it wrong. -No. -Hmm. | 1:26:16 | 1:26:20 | |
-You were wrong. It wasn't in the sugar, you got it wrong. -A bit. | 1:26:20 | 1:26:25 | |
It won't happen again. | 1:26:26 | 1:26:28 | |
Any long-term effects? | 1:26:31 | 1:26:33 | |
None at all. You'll be fine once you've excreted it. We all will. | 1:26:33 | 1:26:37 | |
I think I might have taken care of that already. | 1:26:38 | 1:26:41 | |
-Where are you going? -I won't be a minute. | 1:26:46 | 1:26:49 | |
Got to see a man about a dog. | 1:26:50 | 1:26:52 | |
All right, let him go. | 1:27:10 | 1:27:12 | |
DOOR SLAMS | 1:27:43 | 1:27:44 | |
Subtitles by Red Bee Media Ltd | 1:27:45 | 1:27:47 | |
E-mail [email protected] | 1:27:47 | 1:27:49 |