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My brother is a murderer. | 0:00:07 | 0:00:08 | |
No chance for you to be a hero this time, Mr Holmes. | 0:00:08 | 0:00:10 | |
Oh, do your research. | 0:00:10 | 0:00:12 | |
I'm not a hero - I'm a high-functioning sociopath. | 0:00:12 | 0:00:16 | |
Merry Christmas! | 0:00:16 | 0:00:18 | |
GUNSHOT | 0:00:18 | 0:00:20 | |
I'm not given to outbursts of brotherly compassion. | 0:00:20 | 0:00:23 | |
You know what happened to the other one. | 0:00:23 | 0:00:25 | |
Miss me? | 0:00:30 | 0:00:31 | |
'Did you miss me? Did you miss me? Did you miss me?' | 0:00:31 | 0:00:33 | |
I've only been gone four minutes. | 0:00:33 | 0:00:35 | |
Well, I certainly hope you've learnt your lesson. | 0:00:35 | 0:00:37 | |
What you're about to see is | 0:00:40 | 0:00:42 | |
classified beyond top secret. | 0:00:42 | 0:00:44 | |
Is that quite clear? Don't minute any of this. | 0:00:44 | 0:00:49 | |
Once beyond these walls, you must never speak of it. | 0:00:49 | 0:00:52 | |
A D notice has been slapped on the entire incident. | 0:00:53 | 0:00:55 | |
Only those within this room, | 0:00:55 | 0:00:57 | |
code names Antarctica, Langdale, Porlock and Love, | 0:00:57 | 0:01:01 | |
will ever know the whole truth. | 0:01:01 | 0:01:03 | |
As far as everyone else is concerned, | 0:01:03 | 0:01:05 | |
going to the Prime Minister | 0:01:05 | 0:01:07 | |
-and way beyond, Charles Augustus... -PHONE KEYBOARD CLICKS | 0:01:07 | 0:01:09 | |
-Are you tweeting?! -No. MESSAGE SEND TONE | 0:01:09 | 0:01:12 | |
-Well, that's what it looks like! -Of course I'm not tweeting. | 0:01:12 | 0:01:14 | |
-Why would I be tweeting? -Give me that! -What? No! | 0:01:14 | 0:01:16 | |
-What are you doing?! Get off! -Give it here! | 0:01:16 | 0:01:18 | |
-"Back on terra firma." -Don't read them out. | 0:01:20 | 0:01:22 | |
-"Free as a bird." -God, you're such a spoilsport. | 0:01:22 | 0:01:24 | |
-Will you take this matter seriously, Sherlock? -I am! | 0:01:24 | 0:01:26 | |
What makes you think I'm not taking it seriously? | 0:01:26 | 0:01:28 | |
"#OhWhatABeautifulMorning" | 0:01:28 | 0:01:31 | |
Look, not so long ago I was on a mission that meant certain death - | 0:01:31 | 0:01:33 | |
my death! | 0:01:33 | 0:01:34 | |
And now I'm back, in a nice warm office, with my big brother and... | 0:01:34 | 0:01:37 | |
Are those ginger nuts? | 0:01:37 | 0:01:38 | |
-Oh, God... -LOVE ginger nuts. | 0:01:38 | 0:01:40 | |
Our doctor said you were clean. | 0:01:40 | 0:01:42 | |
I am. Utterly. | 0:01:42 | 0:01:44 | |
No need for stimulants now, remember? I have work to do. | 0:01:44 | 0:01:47 | |
You're high as a kite! | 0:01:47 | 0:01:49 | |
Natural high, I assure you. Totally natural. | 0:01:49 | 0:01:51 | |
I'm just... # ..glad to be alive! # | 0:01:51 | 0:01:54 | |
What shall we do next? What's your name? | 0:01:54 | 0:01:57 | |
Vivian. | 0:01:57 | 0:01:58 | |
-What would you do, Vivian? -Pardon? | 0:01:58 | 0:02:00 | |
Well, it's a lovely day. Go for a stroll? | 0:02:00 | 0:02:03 | |
Make a paper aeroplane? Have an ice lolly? | 0:02:03 | 0:02:06 | |
Ice lolly, I suppose. | 0:02:06 | 0:02:07 | |
Ice lolly it is! | 0:02:07 | 0:02:09 | |
-What's your favourite? -Well, really, I shouldn't... | 0:02:09 | 0:02:12 | |
-Go on. -Do they still do Mivvies? | 0:02:12 | 0:02:15 | |
-Mr Holmes... -Yes? | 0:02:15 | 0:02:17 | |
-..we do need to get on. -Yes, of course. | 0:02:18 | 0:02:21 | |
HELICOPTER WHIRS | 0:02:21 | 0:02:23 | |
'Do your research. | 0:02:25 | 0:02:27 | |
'I'm not a hero - I'm a high-functioning sociopath. | 0:02:27 | 0:02:30 | |
GUNSHOT | 0:02:30 | 0:02:31 | |
'..sociopath. GUNSHOT | 0:02:31 | 0:02:33 | |
'..sociopath.' GUNSHOT | 0:02:33 | 0:02:36 | |
I see. Who is supposed to have shot him, then? | 0:02:36 | 0:02:39 | |
Some over-eager squaddie with an itchy trigger finger - that's who. | 0:02:39 | 0:02:42 | |
-That's not what happened at all. -It is now. | 0:02:42 | 0:02:46 | |
Remarkable. How did you do it? | 0:02:46 | 0:02:48 | |
We have some very talented people working here. | 0:02:48 | 0:02:51 | |
If James Moriarty can hack every TV screen in the land, | 0:02:51 | 0:02:54 | |
rest assured we have the tech to doctor a bit of security footage. | 0:02:54 | 0:02:58 | |
That is now the official version, | 0:02:59 | 0:03:01 | |
the version anyone we want to will see. | 0:03:01 | 0:03:04 | |
No need to go to the trouble of getting | 0:03:04 | 0:03:06 | |
some sort of official pardon. | 0:03:06 | 0:03:08 | |
You're off the hook, Mr Holmes. | 0:03:08 | 0:03:11 | |
You're home and dry. | 0:03:11 | 0:03:13 | |
OK, cheers. | 0:03:13 | 0:03:14 | |
Obviously, there's unfinished business. | 0:03:14 | 0:03:16 | |
Moriarty. | 0:03:16 | 0:03:18 | |
I told you - Moriarty's dead. | 0:03:18 | 0:03:19 | |
You say he filmed that video message before he died. | 0:03:19 | 0:03:22 | |
Yes. | 0:03:22 | 0:03:24 | |
You also say you know what he's going to do next. | 0:03:24 | 0:03:28 | |
-What does that mean? -Perhaps that's all there is to it. | 0:03:28 | 0:03:31 | |
Perhaps he was just trying to frighten you. | 0:03:31 | 0:03:33 | |
No, no, he would never be that disappointing. | 0:03:33 | 0:03:35 | |
He's planned something, something long-term. | 0:03:36 | 0:03:38 | |
Something that would take effect if he never made it | 0:03:38 | 0:03:40 | |
off that rooftop alive. | 0:03:40 | 0:03:42 | |
Posthumous revenge. | 0:03:42 | 0:03:44 | |
No, better than that - posthumous game. | 0:03:44 | 0:03:47 | |
We brought you back to deal with this. | 0:03:47 | 0:03:49 | |
-What are you going to do? -Wait. | 0:03:49 | 0:03:51 | |
Wait?! | 0:03:51 | 0:03:53 | |
Of course wait. I'm the target - targets wait. | 0:03:53 | 0:03:56 | |
Look, whatever's coming, whatever he's lined up, | 0:03:56 | 0:03:59 | |
I'll know when it begins. | 0:03:59 | 0:04:00 | |
I always know when the game is on. Do you know why? | 0:04:00 | 0:04:03 | |
Why? | 0:04:03 | 0:04:05 | |
Because I love it. | 0:04:05 | 0:04:06 | |
There was once a merchant, in the famous market at Baghdad. | 0:04:40 | 0:04:43 | |
WATER SLOSHES One day he saw a stranger | 0:04:43 | 0:04:46 | |
looking at him in surprise, | 0:04:46 | 0:04:48 | |
and he knew that the stranger was Death. | 0:04:48 | 0:04:52 | |
Pale and trembling, the merchant fled the marketplace | 0:04:52 | 0:04:55 | |
and made his way many, many miles, to the city of Samarra. | 0:04:55 | 0:05:00 | |
For there he was sure Death could not find him. | 0:05:01 | 0:05:05 | |
But when, at last, he came to Samarra, | 0:05:05 | 0:05:07 | |
the merchant saw, waiting for him, the grim figure of Death. | 0:05:07 | 0:05:11 | |
"Very well," said the merchant. "I give in. I am yours." | 0:05:14 | 0:05:19 | |
"But tell me, why did you look surprised | 0:05:22 | 0:05:24 | |
"when you saw me this morning in Baghdad?" | 0:05:24 | 0:05:26 | |
"Because," said Death, | 0:05:28 | 0:05:31 | |
"I had an appointment with you tonight... | 0:05:31 | 0:05:33 | |
"..in Samarra." | 0:05:35 | 0:05:36 | |
If this gets any better, I'm going to get two knives. | 0:05:46 | 0:05:48 | |
Pays to advertise. | 0:05:48 | 0:05:49 | |
-So, what about Moriarty, then? -Oh, I have a plan. | 0:05:49 | 0:05:52 | |
I'm going to monitor the underworld, | 0:05:52 | 0:05:54 | |
every quiver of the web will tell me when the spider makes his move. | 0:05:54 | 0:05:57 | |
So, basically, your plan is just to sit there | 0:05:57 | 0:05:59 | |
solving crimes like you always do? | 0:05:59 | 0:06:02 | |
Awesome, isn't it? | 0:06:02 | 0:06:03 | |
He drowned, Mr Holmes. That's what we thought. | 0:06:04 | 0:06:08 | |
-But when they opened up his lungs... -Yes? -..sand. | 0:06:08 | 0:06:11 | |
Superficial. PHONE WHISTLES | 0:06:11 | 0:06:12 | |
Come back! It's the wrong thumb. | 0:06:15 | 0:06:17 | |
DOOR SLAMS | 0:06:17 | 0:06:19 | |
-Sherlock... -It's never twins. | 0:06:23 | 0:06:25 | |
Hopkins, arrest Wilson. Dimmock, look in the lymph nodes. | 0:06:27 | 0:06:29 | |
-'Wilson?' -'Lymph nodes?' -Sherlock... | 0:06:29 | 0:06:31 | |
Yes, you may have nothing but a limbless torso, but there'll | 0:06:31 | 0:06:33 | |
be traces of ink in the lymph nodes under the armpits. | 0:06:33 | 0:06:35 | |
If your mystery corpse had tattoos, the signs will be there. | 0:06:35 | 0:06:38 | |
-'Bloody hell! Is that a guess?' -I never guess. | 0:06:38 | 0:06:40 | |
-Sherlock... -'So, he's the killer? The canary trainer?' | 0:06:40 | 0:06:43 | |
-Of course he's the killer. -'Didn't see that coming.' | 0:06:43 | 0:06:45 | |
Hm, naturally. | 0:06:45 | 0:06:47 | |
Sherlock, you can't go on spinning plates like this. | 0:06:47 | 0:06:50 | |
That's it! The place was spinning. | 0:06:50 | 0:06:52 | |
The heart medication you're taking is known to cause bouts of amnesia. | 0:06:52 | 0:06:55 | |
Yes, I...I think so. Why? | 0:06:55 | 0:06:59 | |
Because the fingerprints on your brother's neck were your own. | 0:06:59 | 0:07:01 | |
-WATSON CHUCKLES -A jellyfish? -I know. | 0:07:01 | 0:07:04 | |
-You can't arrest a jellyfish. -You could try. -We did try. | 0:07:04 | 0:07:07 | |
-PHONE REPEATEDLY VIBRATES -Oh... | 0:07:07 | 0:07:10 | |
-Oh, God. -Mary? -59 missed calls. | 0:07:10 | 0:07:14 | |
We're in a lot of trouble. | 0:07:14 | 0:07:15 | |
MARY SCREAMS | 0:07:15 | 0:07:17 | |
Ow! Oh, my God! Oh, my God! | 0:07:17 | 0:07:20 | |
Relax, it's got two syllables... | 0:07:20 | 0:07:22 | |
I'm a nurse, darling - I think I know what to do! | 0:07:22 | 0:07:24 | |
-Come on, then... -Re! -Lax! | 0:07:24 | 0:07:26 | |
No, just drive, please, God, just drive! God, drive! | 0:07:26 | 0:07:30 | |
-SHE SCREAMS -Sherlock - Mary! | 0:07:30 | 0:07:32 | |
That's it, Mary - re... PHONE KEYBOARD CLICKS | 0:07:32 | 0:07:34 | |
-Don't you start! -..lax. | 0:07:34 | 0:07:37 | |
John, John... I think you have to pull over! | 0:07:37 | 0:07:41 | |
-Mary, Mary... -Pull over! | 0:07:41 | 0:07:44 | |
Oh, my God! MARY SCREAMS | 0:07:44 | 0:07:47 | |
Has that come out? | 0:07:51 | 0:07:53 | |
-They never come out when I take them. -Let's have a look. | 0:07:53 | 0:07:56 | |
Aw, she's so beautiful. | 0:07:56 | 0:07:58 | |
-Have another go. -What about a name? | 0:08:00 | 0:08:02 | |
-Catherine. -Uh, yeah, we've gone off that. | 0:08:02 | 0:08:04 | |
-Have we? -Yeah. -Oh. | 0:08:04 | 0:08:05 | |
-Well, you know what I think... BOTH: -It's not a girl's name. | 0:08:05 | 0:08:08 | |
Molly, Mrs H, we would love you to be godparents. | 0:08:08 | 0:08:11 | |
-Oh! -If you... -Really? -That's so lovely. | 0:08:11 | 0:08:15 | |
And, uh...you too, Sherlock? | 0:08:15 | 0:08:19 | |
-You too what? -Godfather, we'd like you to be godfather. | 0:08:19 | 0:08:22 | |
God is a ludicrous fiction, dreamt up by inadequates | 0:08:22 | 0:08:24 | |
who abnegate all responsibility to an invisible magic friend. | 0:08:24 | 0:08:27 | |
Yeah, but there'll be cake. Will you do it? | 0:08:27 | 0:08:29 | |
I'll get back to you. | 0:08:29 | 0:08:30 | |
Father, we ask you to send your blessings on this water | 0:08:30 | 0:08:33 | |
and sanctify it for our use this day. | 0:08:33 | 0:08:38 | |
In Christ's name. | 0:08:38 | 0:08:39 | |
Now, what name have you given your daughter? | 0:08:39 | 0:08:42 | |
Rosamund Mary. | 0:08:42 | 0:08:44 | |
Rosamund? | 0:08:44 | 0:08:45 | |
It means "Rose of the world". Rosie for short. | 0:08:45 | 0:08:47 | |
Didn't you get John's text? | 0:08:49 | 0:08:51 | |
No. I delete his texts. I delete any text that begins "Hi." | 0:08:51 | 0:08:55 | |
No idea why people think you're incapable of human emotion. | 0:08:55 | 0:08:58 | |
-MRS HUDSON CLEARS THROAT -Sorry. | 0:08:58 | 0:09:00 | |
-WHISPERING: -Phone! | 0:09:00 | 0:09:01 | |
And now, godparents, are you ready to help the parents of this child | 0:09:01 | 0:09:06 | |
in their duties as Christian parents? | 0:09:06 | 0:09:09 | |
-BOTH: -We are. | 0:09:09 | 0:09:10 | |
-SIRI: -'Sorry, I didn't catch that. | 0:09:10 | 0:09:13 | |
'Please repeat the question.' | 0:09:13 | 0:09:15 | |
As ever, Watson, you see but do not observe. | 0:09:16 | 0:09:19 | |
To you, the world remains an impenetrable mystery, | 0:09:19 | 0:09:21 | |
whereas, to me, it is an open book. | 0:09:21 | 0:09:22 | |
Hard logic versus romantic whimsy - that is your choice. | 0:09:22 | 0:09:26 | |
You fail to connect actions to their consequences. | 0:09:26 | 0:09:28 | |
Now, for the last time, if you want to keep the rattle, | 0:09:28 | 0:09:32 | |
do not throw the rattle. | 0:09:32 | 0:09:34 | |
MESSAGE TONE | 0:09:43 | 0:09:45 | |
All right, good girl, good girl. Good girl. | 0:10:37 | 0:10:40 | |
I'd better finish this, hadn't I? | 0:10:42 | 0:10:44 | |
-Hey. -Afternoon. He says you've got a good one, Greg? | 0:10:52 | 0:10:55 | |
Oh, yeah. | 0:10:55 | 0:10:58 | |
It was David Welsborough's 50th birthday. | 0:10:58 | 0:11:01 | |
CHEERS AND APPLAUSE | 0:11:01 | 0:11:03 | |
God, 50! | 0:11:04 | 0:11:06 | |
Where does it go? | 0:11:06 | 0:11:07 | |
I know for a fact I was only 21 this time last week. | 0:11:07 | 0:11:10 | |
Yeah, well that's impossible. That was before you met me. | 0:11:10 | 0:11:12 | |
-Well, no, no, there never was... -"There never was such a time." | 0:11:12 | 0:11:16 | |
She's looking at me disapprovingly again. | 0:11:17 | 0:11:20 | |
No. She's just jealous. | 0:11:20 | 0:11:22 | |
Yeah, well, I think we both are. | 0:11:22 | 0:11:24 | |
-PHONE VIBRATES -Oh... -No, no, David. | 0:11:24 | 0:11:26 | |
-Come on, you promised. -No, it's... | 0:11:26 | 0:11:28 | |
Oh, no... Oh, it's a Skype call. | 0:11:29 | 0:11:32 | |
Oh! Then it must be Charlie. At least he's phoning, I suppose. | 0:11:32 | 0:11:36 | |
Oh, look! Hello! | 0:11:37 | 0:11:38 | |
'Hey, Dad. Happy birthday. | 0:11:38 | 0:11:41 | |
'Sorry to miss the party, but travel broadens the mind, right?' | 0:11:41 | 0:11:45 | |
No! Picture's frozen! | 0:11:47 | 0:11:49 | |
'Yeah, signal's rubbish. But I can still hear you.' | 0:11:49 | 0:11:51 | |
Why is it rubbish? Where are you? | 0:11:51 | 0:11:53 | |
-How is he? Is he eating? Ask him if he's eating. -No... | 0:11:53 | 0:11:55 | |
-MAN: -David? Come on! | 0:11:55 | 0:11:57 | |
OK, no, hang on a sec, I'll find somewhere quieter. | 0:11:57 | 0:12:00 | |
So, Charlie, where are you? | 0:12:00 | 0:12:02 | |
Are you there? | 0:12:02 | 0:12:04 | |
-'Sorry, I'm here. I'm just a bit...' -Are you all right? | 0:12:04 | 0:12:07 | |
-'It's nothing. Probably just the altitude.' -Altitude? | 0:12:07 | 0:12:10 | |
-'I'm in Tibet. Didn't you see the mountains?' -Never mind mountains. | 0:12:10 | 0:12:13 | |
Your mother wants to know if you're eating properly. | 0:12:13 | 0:12:15 | |
-'Listen, Dad, could you do me a favour?' -What? | 0:12:15 | 0:12:17 | |
-'Could you just check something on my car?' -Your car? | 0:12:17 | 0:12:20 | |
'To settle a bet. The guys here don't believe | 0:12:20 | 0:12:22 | |
'I've got a Power Ranger stuck to the bonnet. | 0:12:22 | 0:12:24 | |
-'Could you take a photo and send it?' -Uh, yes, I can do that. | 0:12:24 | 0:12:27 | |
All done. Have you got it? | 0:12:31 | 0:12:32 | |
Charlie? | 0:12:32 | 0:12:34 | |
-LESTRADE: -A week later... | 0:12:36 | 0:12:38 | |
Yeah? | 0:12:38 | 0:12:39 | |
..something really weird happens. | 0:12:39 | 0:12:42 | |
Drunk driver, he's totally smashed, the cops are chasing him, | 0:12:42 | 0:12:45 | |
and he turns into the drive of the Welsborough house | 0:12:45 | 0:12:47 | |
to try and get away. | 0:12:47 | 0:12:49 | |
Unfortunately... | 0:12:49 | 0:12:50 | |
The drunk guy survived, they managed to pull him out, | 0:13:03 | 0:13:05 | |
but when they put the fire out and examined the parked car... | 0:13:05 | 0:13:08 | |
Whose body? | 0:13:10 | 0:13:11 | |
Charlie Welsborough, the son. | 0:13:11 | 0:13:13 | |
-What? -The son who was in Tibet. DNA all checks out. | 0:13:13 | 0:13:16 | |
Night of the party, the car's empty, | 0:13:16 | 0:13:18 | |
and a week later... | 0:13:18 | 0:13:20 | |
the dead boy's found at the wheel. | 0:13:20 | 0:13:22 | |
SHERLOCK CHUCKLES | 0:13:22 | 0:13:24 | |
-Yeah, I thought it'd tickle you. -Have you got a lab report? | 0:13:24 | 0:13:26 | |
Yeah, Charlie Welsborough's the son of a Cabinet Minister, | 0:13:26 | 0:13:29 | |
so I'm under a lot of pressure to get a result. | 0:13:29 | 0:13:31 | |
Who cares about that? Tell me about the seats. | 0:13:31 | 0:13:34 | |
-The seats? -Yes, the car seats. | 0:13:34 | 0:13:36 | |
Made of vinyl. | 0:13:39 | 0:13:41 | |
Two different types of vinyl present. | 0:13:41 | 0:13:43 | |
Was it his own car? | 0:13:43 | 0:13:45 | |
Yeah, not flash - he was a student. | 0:13:45 | 0:13:47 | |
-Well, that's suggestive. -Why? | 0:13:47 | 0:13:48 | |
-Vinyl's cheaper than leather. -Yeah, right? | 0:13:48 | 0:13:51 | |
-There's something else. -Yes? | 0:13:51 | 0:13:52 | |
According to this, | 0:13:52 | 0:13:54 | |
Charlie Welsborough had already been dead for a week. | 0:13:54 | 0:13:56 | |
What? | 0:13:57 | 0:13:59 | |
The body in the car, dead for a week. | 0:13:59 | 0:14:01 | |
Oh, this is a good one. Is it my birthday? | 0:14:01 | 0:14:04 | |
You want help? | 0:14:04 | 0:14:05 | |
-Yes, please. -One condition. -OK. | 0:14:05 | 0:14:07 | |
Take all the credit. It gets boring if I just solve them all. | 0:14:07 | 0:14:10 | |
Yeah, you say that, | 0:14:10 | 0:14:12 | |
but then John blogs about it, and you get all the credit anyway. | 0:14:12 | 0:14:14 | |
He's got a point. | 0:14:14 | 0:14:15 | |
Which makes me look like some kind of prima donna | 0:14:15 | 0:14:17 | |
who insists on getting credit for something he didn't do! | 0:14:17 | 0:14:20 | |
Well, I think you've hit a sore spot, Sherlock. | 0:14:20 | 0:14:22 | |
-Like I'm some kind of credit junkie. -Definitely a sore spot. | 0:14:22 | 0:14:25 | |
-So you take all the glory, thanks... -OK! -..thanks all the same. | 0:14:25 | 0:14:28 | |
Look, just solve the bloody thing, will you? It's driving me nuts. | 0:14:28 | 0:14:31 | |
Anything you say, Giles. | 0:14:31 | 0:14:33 | |
Just kidding. | 0:14:35 | 0:14:36 | |
HE MOUTHS: What's his name? | 0:14:36 | 0:14:38 | |
-HE MOUTHS: -Greg. -What? | 0:14:38 | 0:14:39 | |
Greg. | 0:14:39 | 0:14:42 | |
It's obvious though, isn't it, what happened? | 0:14:42 | 0:14:44 | |
John, you amaze me. You know what happened? | 0:14:44 | 0:14:45 | |
Not a clue. It's just you normally say that at this point. | 0:14:45 | 0:14:47 | |
Hmm. Well, then, let's hope you solve your little problem, Greg. | 0:14:47 | 0:14:52 | |
-Hear that? -I know. | 0:14:53 | 0:14:54 | |
-So, how's it going then, fatherhood? -Oh, good, great. Yeah, amazing. | 0:14:56 | 0:14:59 | |
-Getting any sleep? -Christ, no. | 0:14:59 | 0:15:01 | |
You're at the beck and call of a screaming, demanding baby, | 0:15:01 | 0:15:04 | |
woken up at all hours to obey its every whim. | 0:15:04 | 0:15:06 | |
-Must feel very different... -Sorry, what? | 0:15:06 | 0:15:09 | |
Yes, well, you know how it is. | 0:15:09 | 0:15:10 | |
All you do is clean up their mess, pat them on the head. | 0:15:10 | 0:15:13 | |
-Are you two having a little joke? -Never a word of thanks. | 0:15:13 | 0:15:15 | |
Can't even tell people's faces apart. | 0:15:15 | 0:15:18 | |
This is a joke, isn't it? | 0:15:18 | 0:15:19 | |
Yeah, and it's all, "Oh, aren't you clever. You're so, so clever." | 0:15:19 | 0:15:22 | |
-Is it about me? -I think he needs winding. | 0:15:22 | 0:15:24 | |
-You know, I think that really might be it. -No, don't get it. | 0:15:24 | 0:15:27 | |
Charlie's family are pretty cut up about it, as you'd expect, | 0:15:27 | 0:15:30 | |
-so go easy on them, yeah? -PHONE VIBRATES | 0:15:30 | 0:15:32 | |
-You know me. MARY: -'Hey, hello.' -Yeah. -Got them, don't worry. | 0:15:32 | 0:15:34 | |
Pampers, the cream you can't get from Boots. | 0:15:34 | 0:15:36 | |
Yeah, never mind about that. Where are you now? | 0:15:36 | 0:15:38 | |
-At the dead boy's house? -Yeah. | 0:15:38 | 0:15:39 | |
'And what does he think? Any theories?' | 0:15:39 | 0:15:42 | |
Well, I texted you the details. | 0:15:42 | 0:15:43 | |
Yeah, two different types of vinyl. | 0:15:43 | 0:15:46 | |
-Hey! -How do you know about that? | 0:15:46 | 0:15:47 | |
'Oh you'd be amazed at what a receptionist picks up.' | 0:15:47 | 0:15:50 | |
-WHISPERING: -They know everything! -'Solved it, then?' | 0:15:50 | 0:15:53 | |
-I'm working on it. -'Oh, Mary, motherhood's slowing you down.' | 0:15:53 | 0:15:55 | |
-Pig! -Keep trying. | 0:15:55 | 0:15:57 | |
'So, what about it, then? | 0:15:57 | 0:15:59 | |
'What, an empty car that suddenly has a week-old corpse in it? | 0:15:59 | 0:16:01 | |
'And what are you going to call this one?' | 0:16:01 | 0:16:03 | |
Oh, the Ghost Driver. | 0:16:03 | 0:16:05 | |
-Don't give it a title. -People like the titles. | 0:16:05 | 0:16:07 | |
-They hate the titles. -Give the people what they want. | 0:16:07 | 0:16:09 | |
No, never do that - people are stupid. | 0:16:09 | 0:16:11 | |
Uh, SOME people. | 0:16:11 | 0:16:13 | |
'All people are stupid. | 0:16:13 | 0:16:14 | |
'Most people.' | 0:16:14 | 0:16:16 | |
'Bizarre enough though, isn't it, to be him?' | 0:16:16 | 0:16:17 | |
I mean, it's right up your strasse. | 0:16:17 | 0:16:19 | |
Mr and Mrs Welsborough, I really am most terribly sorry | 0:16:21 | 0:16:24 | |
-to hear about your daughter. -Son. -Son! | 0:16:24 | 0:16:26 | |
Mr and Mrs Welsborough, this is Mr Sherlock Holmes. | 0:16:26 | 0:16:29 | |
Thank you very much for coming. We've heard a great deal about you. | 0:16:29 | 0:16:31 | |
If anyone can throw any light into this darkness, surely it will be you. | 0:16:31 | 0:16:34 | |
Well, I believe that I... | 0:16:34 | 0:16:36 | |
..can. | 0:16:38 | 0:16:39 | |
-DISTORTED: -But Charlie was our whole world, Mr Holmes. I... | 0:16:40 | 0:16:43 | |
Sherlock? | 0:16:52 | 0:16:53 | |
Mr Holmes? | 0:16:53 | 0:16:54 | |
Sorry, you were saying? | 0:16:54 | 0:16:55 | |
Well, Charlie was our whole world, Mr Holmes. | 0:16:55 | 0:16:58 | |
I...I don't think we'll ever get over this. | 0:16:58 | 0:17:00 | |
No. Shouldn't think so. | 0:17:00 | 0:17:02 | |
So sorry, will you excuse me a moment? I just... | 0:17:06 | 0:17:09 | |
I'll...I'll just, um... Ahem. | 0:17:12 | 0:17:14 | |
-Now what's wrong? -Not sure, I just... | 0:17:18 | 0:17:21 | |
By the pricking of my thumbs. | 0:17:21 | 0:17:23 | |
Seriously? You? | 0:17:23 | 0:17:24 | |
Intuitions are not to be ignored, John. | 0:17:24 | 0:17:26 | |
They represent data processed too fast | 0:17:26 | 0:17:28 | |
for the conscious mind to comprehend. | 0:17:28 | 0:17:29 | |
What is this? | 0:17:29 | 0:17:31 | |
Oh, it's a sort of shrine, I suppose, really. | 0:17:31 | 0:17:35 | |
Bit of a fan of Mrs T. | 0:17:35 | 0:17:37 | |
A big hero of mine when I was getting started. | 0:17:37 | 0:17:40 | |
Right, yes. | 0:17:40 | 0:17:41 | |
-Who? -What? | 0:17:45 | 0:17:47 | |
-Who...? Who was this? -Are you serious? | 0:17:47 | 0:17:49 | |
-Sherlock... -It's... It's Margaret Thatcher, | 0:17:49 | 0:17:52 | |
the first female Prime Minister of this country. | 0:17:52 | 0:17:55 | |
Right. | 0:17:55 | 0:17:56 | |
-Prime Minister? -Hmm. Leader of the Government. -Right. | 0:17:56 | 0:17:59 | |
-Female? -For God's sake! You know perfectly well who she is. | 0:18:00 | 0:18:04 | |
Why are you playing for time? | 0:18:04 | 0:18:06 | |
It's the gap, look at the gap. It's wrong. | 0:18:06 | 0:18:08 | |
Everything else is perfectly ordered, managed. | 0:18:08 | 0:18:11 | |
The whole thing's verging on OCD. My respects. | 0:18:12 | 0:18:14 | |
This figurine is routinely repositioned after | 0:18:14 | 0:18:16 | |
the cleaner's been in, this picture is straightened every day, | 0:18:16 | 0:18:19 | |
yet this ugly gap remains. | 0:18:19 | 0:18:20 | |
-Something's missing from here, but only recently. -Yes, a... | 0:18:20 | 0:18:23 | |
-Plaster bust. -..plaster bust. -Oh, for God's sake! It got broken. | 0:18:23 | 0:18:26 | |
What the hell has this got to do with Charlie? | 0:18:26 | 0:18:28 | |
-Rug! -What? -Well, how could it get broken? | 0:18:28 | 0:18:30 | |
The only place for it to fall is the floor and there is a big thick rug. | 0:18:30 | 0:18:33 | |
-Does it matter? -Mrs Welsborough, my apologies. | 0:18:33 | 0:18:36 | |
-It is worth letting him do this. -Is your friend quite mad? | 0:18:36 | 0:18:38 | |
No, he's an arsehole, but it's an easy mistake. | 0:18:38 | 0:18:40 | |
Look, no, we had a break-in, some little bastard smashed it to bits. | 0:18:40 | 0:18:44 | |
We found the remains out there in the porch. | 0:18:44 | 0:18:45 | |
-The porch where we came in? -How anybody could hate her so much | 0:18:45 | 0:18:48 | |
they'd go to the trouble of smashing her likeness... | 0:18:48 | 0:18:50 | |
I'm no expert, but, uh, possibly her face. | 0:18:50 | 0:18:53 | |
Why didn't he smash all the others? Perfect opportunity, | 0:18:53 | 0:18:55 | |
and look at that one - she's smiling. | 0:18:55 | 0:18:57 | |
Oh, Inspector, this is clearly a waste of time. | 0:18:57 | 0:18:59 | |
-And if there's nothing... -I know what happened to your son. | 0:18:59 | 0:19:02 | |
You do? | 0:19:02 | 0:19:03 | |
It's quite simple, superficial, to be blunt. | 0:19:03 | 0:19:05 | |
But first, tell me, the night of the break-in, | 0:19:05 | 0:19:07 | |
this room was in darkness? | 0:19:07 | 0:19:08 | |
-Well, yes. -And the porch where it was smashed, | 0:19:08 | 0:19:11 | |
I noticed the motion sensor was damaged, | 0:19:11 | 0:19:12 | |
-so I assume it's permanently lit. -How did you notice that? | 0:19:12 | 0:19:15 | |
I lack the arrogance to ignore details - I'm not the police. | 0:19:15 | 0:19:17 | |
-So you're saying he smashed it where he could see it. -Exactly. | 0:19:17 | 0:19:20 | |
-Why? -Don't know. Wouldn't be fun if I knew. | 0:19:20 | 0:19:22 | |
Mr Holmes, please! | 0:19:22 | 0:19:23 | |
It was your 50th birthday, Mr Welsborough, of course you were | 0:19:25 | 0:19:28 | |
disappointed that your son hadn't made it back from his gap year. | 0:19:28 | 0:19:31 | |
-After all, he was in Tibet. -Yes. | 0:19:31 | 0:19:32 | |
-No. -No? | 0:19:32 | 0:19:34 | |
CROWD: # Happy birthday... # | 0:19:34 | 0:19:37 | |
The first part of your conversation was, in fact, pre-recorded video. | 0:19:37 | 0:19:41 | |
Easily arranged. | 0:19:41 | 0:19:42 | |
It's a Skype call. | 0:19:45 | 0:19:47 | |
The trick was meant to be a surprise. | 0:19:47 | 0:19:49 | |
-A trick? -Obviously. | 0:19:49 | 0:19:52 | |
Could you take a photo and send it? | 0:19:52 | 0:19:54 | |
There were two types of vinyl in the burnt-out remains of the car. | 0:19:54 | 0:19:57 | |
One, the actual passenger seat, the other, a good copy. | 0:19:57 | 0:20:00 | |
Well, good enough. | 0:20:00 | 0:20:01 | |
Effectively a costume. | 0:20:03 | 0:20:04 | |
You're joking? | 0:20:07 | 0:20:08 | |
No, I'm not. | 0:20:08 | 0:20:11 | |
All he wanted was for you to get close enough to the car | 0:20:11 | 0:20:13 | |
so he could spring the surprise. | 0:20:13 | 0:20:14 | |
-Oh, my God! -Surprise! | 0:20:18 | 0:20:20 | |
That's when it happened. | 0:20:22 | 0:20:25 | |
I can't be certain, of course, | 0:20:25 | 0:20:26 | |
but I think Charlie must have suffered some sort of a seizure. | 0:20:26 | 0:20:29 | |
You said he'd felt unwell? | 0:20:29 | 0:20:30 | |
You all right? | 0:20:30 | 0:20:31 | |
'It's nothing. Probably just the altitude.' | 0:20:31 | 0:20:34 | |
He died there and then. | 0:20:34 | 0:20:36 | |
No-one had any cause to go near his car, | 0:20:40 | 0:20:42 | |
so there he remained, in the driver's seat, hidden, until... | 0:20:42 | 0:20:45 | |
When the two cars were examined, | 0:20:50 | 0:20:53 | |
the fake seat had melted in the fire, revealing Charlie, | 0:20:53 | 0:20:57 | |
who'd been sitting there, quite dead, for a week. | 0:20:57 | 0:21:00 | |
Oh, God! | 0:21:01 | 0:21:03 | |
Poor kid. | 0:21:05 | 0:21:06 | |
Really, I'm so sorry. Mr Welsborough, Mrs Welsborough. | 0:21:06 | 0:21:09 | |
This is where it was smashed. | 0:21:12 | 0:21:14 | |
-That was amazing. -What? -The car, the kid. | 0:21:14 | 0:21:17 | |
Ancient history. Why are you still talking about it? | 0:21:17 | 0:21:19 | |
What's so important about a broken bust of Margaret Thatcher? | 0:21:19 | 0:21:21 | |
I can't stand it, never can. There's a loose thread in the world. | 0:21:21 | 0:21:24 | |
It doesn't mean you have to pull on it. | 0:21:24 | 0:21:26 | |
What kind of a life would that be? | 0:21:26 | 0:21:27 | |
Besides, I have the strangest feeling... | 0:21:27 | 0:21:29 | |
Miss me? | 0:21:29 | 0:21:31 | |
-That's mine. You two take a...bus. -Why? | 0:21:32 | 0:21:35 | |
I need to concentrate, and I don't want to hit you. | 0:21:35 | 0:21:37 | |
The Mall, please. | 0:21:37 | 0:21:39 | |
-I met her once. -Thatcher? -Rather arrogant, I thought. | 0:21:42 | 0:21:45 | |
-YOU thought that?! -Ha, I know. | 0:21:45 | 0:21:47 | |
Why am I looking at this? | 0:21:47 | 0:21:48 | |
That's her, John and Mary's baby. | 0:21:49 | 0:21:51 | |
Oh, I see, yes. | 0:21:51 | 0:21:54 | |
Looks very...fully functioning. | 0:21:54 | 0:21:57 | |
Is that really the best you can do? | 0:21:58 | 0:21:59 | |
Sorry, I've never been very good with them. | 0:21:59 | 0:22:02 | |
-Babies? -Humans. | 0:22:02 | 0:22:04 | |
Moriarty - did he have any connection with Thatcher? | 0:22:04 | 0:22:07 | |
Any interest in her? | 0:22:07 | 0:22:08 | |
Why on earth would he? | 0:22:08 | 0:22:10 | |
I don't know. You tell me. | 0:22:10 | 0:22:12 | |
In the last year of his life, | 0:22:14 | 0:22:16 | |
James Moriarty was involved with four political assassinations, | 0:22:16 | 0:22:19 | |
over 70 assorted robberies and terrorist attacks, | 0:22:19 | 0:22:23 | |
including a chemical weapons factory in North Korea, | 0:22:23 | 0:22:25 | |
and had latterly shown some interest | 0:22:25 | 0:22:27 | |
in tracking down the Black Pearl of the Borgias, | 0:22:27 | 0:22:30 | |
which is still missing, by the way, | 0:22:30 | 0:22:31 | |
in case you feel like applying yourself to something practical. | 0:22:31 | 0:22:34 | |
It's a pearl - get another one. | 0:22:34 | 0:22:36 | |
There's something important about this. | 0:22:38 | 0:22:40 | |
I'm sure. | 0:22:42 | 0:22:43 | |
Maybe it's Moriarty. | 0:22:43 | 0:22:45 | |
Maybe it's not. | 0:22:45 | 0:22:47 | |
WATER SLOSHES | 0:22:47 | 0:22:48 | |
But something's coming. | 0:22:48 | 0:22:50 | |
Are you having a premonition, brother mine? | 0:22:52 | 0:22:54 | |
The world is woven from billions of lives, | 0:22:56 | 0:22:58 | |
every strand crossing every other. | 0:22:58 | 0:22:59 | |
What we call premonition is just movement of the web. | 0:22:59 | 0:23:02 | |
If you could attenuate to every strand of quivering data, | 0:23:03 | 0:23:06 | |
the future would be entirely calculable. | 0:23:06 | 0:23:09 | |
As inevitable as mathematics. | 0:23:09 | 0:23:11 | |
-Appointment In Samarra. -I'm sorry? | 0:23:12 | 0:23:15 | |
The merchant who can't outrun Death. | 0:23:15 | 0:23:17 | |
You always hated that story as a child. | 0:23:17 | 0:23:19 | |
Less keen on predestination back then. | 0:23:19 | 0:23:23 | |
I'm not sure I like it now. | 0:23:23 | 0:23:24 | |
You wrote your own version, as I remember. | 0:23:24 | 0:23:26 | |
Appointment In Sumatra. | 0:23:26 | 0:23:28 | |
The merchant goes to a different city and is perfectly fine. | 0:23:28 | 0:23:32 | |
Goodnight, Mycroft. | 0:23:32 | 0:23:33 | |
Then he becomes a pirate, for some reason. | 0:23:33 | 0:23:35 | |
-Keep me informed. -Of what? -Absolutely no idea. | 0:23:35 | 0:23:38 | |
'Ammo!' | 0:24:04 | 0:24:06 | |
MAN SHUDDERS | 0:24:06 | 0:24:08 | |
-Oh, hi, Stella. -Greg. -You, uh...? | 0:24:20 | 0:24:24 | |
-Uh, yeah, he's just got a client, so... -Right, right, right... | 0:24:25 | 0:24:28 | |
Uh, you see a lot of each other, do you? | 0:24:30 | 0:24:32 | |
It's nothing. I mean it's nothing serious. | 0:24:32 | 0:24:35 | |
-No, no. -I just pop round every now and again for a chat. | 0:24:35 | 0:24:38 | |
Yeah, of course. | 0:24:38 | 0:24:39 | |
I mean he loves a really tricky case. | 0:24:39 | 0:24:41 | |
Yeah, he does! | 0:24:41 | 0:24:42 | |
So what you here for? | 0:24:44 | 0:24:45 | |
Well, Interpol think the Borgia Pearl trail | 0:24:45 | 0:24:48 | |
leads back to London, so... | 0:24:48 | 0:24:49 | |
The Borgia Pearl? They still after that, are they? | 0:24:49 | 0:24:52 | |
Yeah. | 0:24:52 | 0:24:54 | |
So, how did you two first meet? | 0:24:54 | 0:24:56 | |
Oh, well, there was a case about, um, ten years ago. | 0:24:56 | 0:24:59 | |
Nobody could figure it out. | 0:24:59 | 0:25:00 | |
There was an old lady found dead in a sauna. | 0:25:00 | 0:25:03 | |
-Oh, yeah? How did she die? -Hypothermia. | 0:25:03 | 0:25:06 | |
What? | 0:25:06 | 0:25:07 | |
I know, but then I met Sherlock, it was so simple the way... | 0:25:07 | 0:25:10 | |
Will you two please keep it down?! | 0:25:10 | 0:25:12 | |
-Sorry. -Sorry. | 0:25:12 | 0:25:13 | |
Now, you haven't always been in life insurance, have you? | 0:25:13 | 0:25:15 | |
You started out in manual labour. Don't bother being astonished. | 0:25:15 | 0:25:18 | |
Your right hand's almost an entire size bigger than your left - hard manual work does that. | 0:25:18 | 0:25:22 | |
I was a carpenter. Like me dad. | 0:25:22 | 0:25:24 | |
You're trying to give up smoking - unsuccessfully - | 0:25:24 | 0:25:26 | |
and you once had a Japanese girlfriend | 0:25:26 | 0:25:28 | |
that meant a lot to you but now you feel indifferent about. | 0:25:28 | 0:25:30 | |
How the hell...? | 0:25:30 | 0:25:32 | |
Ah...e-cigarettes. | 0:25:32 | 0:25:34 | |
Not just that - ten individual e-cigarettes. | 0:25:34 | 0:25:36 | |
If you just wanted to smoke indoors, you would've invested | 0:25:36 | 0:25:39 | |
in one of those irritating electronic pipe things. | 0:25:39 | 0:25:41 | |
But you're convinced you can give up, so you don't want to buy a pipe, | 0:25:41 | 0:25:44 | |
because that means you're not serious about quitting. | 0:25:44 | 0:25:46 | |
So instead, you buy individual cigarettes, | 0:25:46 | 0:25:48 | |
always sure that each will be your last. Anything to add, John? | 0:25:48 | 0:25:51 | |
-John? -Uh, yeah, yeah, listening. | 0:25:51 | 0:25:53 | |
-What is that? -That is...me. | 0:25:53 | 0:25:56 | |
Well, it's a me substitute. | 0:25:56 | 0:25:58 | |
Don't be so hard on yourself. | 0:25:58 | 0:25:59 | |
You know I value your little contributions. | 0:25:59 | 0:26:01 | |
Yeah? It's been there since nine this morning. | 0:26:01 | 0:26:04 | |
-Has it? Where were you? -Helping Mrs H with her sudoku. | 0:26:04 | 0:26:06 | |
-What about my girlfriend? -What? -You said I had an ex... | 0:26:06 | 0:26:09 | |
You've got a Japanese tattoo in the crook of your elbow | 0:26:09 | 0:26:11 | |
in the name Akako. | 0:26:11 | 0:26:12 | |
It's obvious you've tried to have it removed. | 0:26:12 | 0:26:14 | |
But surely that means I want to forget her, | 0:26:14 | 0:26:16 | |
not that I'm indifferent. | 0:26:16 | 0:26:17 | |
If she'd really hurt your feelings, you would've had the word obliterated. | 0:26:17 | 0:26:20 | |
The first attempt wasn't successful, and you haven't tried again, | 0:26:20 | 0:26:23 | |
so it seems you can live with the slightly blurred memory of Akako, hence the indifference. | 0:26:23 | 0:26:27 | |
I... I thought you'd done something clever. | 0:26:28 | 0:26:31 | |
Ah, now, but now you've explained it, it's dead simple, innit? | 0:26:31 | 0:26:34 | |
SHERLOCK INHALES DEEPLY | 0:26:34 | 0:26:36 | |
I've withheld this information from you until now, Mr Kingsley, | 0:26:37 | 0:26:40 | |
but I think it's time you knew the truth. | 0:26:40 | 0:26:42 | |
What do you mean? | 0:26:42 | 0:26:44 | |
Have you ever wondered if your wife was a little bit out of your league? | 0:26:44 | 0:26:46 | |
-Well... -You thought she was having an affair. | 0:26:46 | 0:26:48 | |
I'm afraid it's far worse than that - your wife is a spy. | 0:26:48 | 0:26:51 | |
-What? -That's right. Her real name is Greta Bengsdotter. | 0:26:51 | 0:26:54 | |
Swedish by birth and probably the most dangerous spy in the world. | 0:26:54 | 0:26:56 | |
She's been operating deep undercover for the past four years now | 0:26:56 | 0:26:59 | |
as your wife, for one reason only, to get near the American Embassy, | 0:26:59 | 0:27:02 | |
across the road from your flat. | 0:27:02 | 0:27:03 | |
Tomorrow the US President will be at the embassy, | 0:27:03 | 0:27:05 | |
as part of an official state visit. | 0:27:05 | 0:27:07 | |
As the President greets members of staff, Greta Bengsdotter, | 0:27:07 | 0:27:09 | |
disguised as a 22-stone cleaner, will inject the President | 0:27:09 | 0:27:12 | |
in the back of the neck with a dangerous new drug, | 0:27:12 | 0:27:14 | |
hidden inside a secret compartment inside her padded armpit. | 0:27:14 | 0:27:16 | |
This drug will render the President entirely susceptible | 0:27:16 | 0:27:19 | |
-to the will of that new master, none other than James Moriarty. -What? | 0:27:19 | 0:27:22 | |
Moriarty will then use the President as a pawn | 0:27:22 | 0:27:24 | |
to destabilise the United Nations General Assembly, | 0:27:24 | 0:27:26 | |
which is due to vote on a nuclear non-proliferation treaty, | 0:27:26 | 0:27:28 | |
tipping the balance in favour of a first-strike policy against Russia. | 0:27:28 | 0:27:31 | |
This chain of events will then prove unstoppable, | 0:27:31 | 0:27:33 | |
thus precipitating World War III. | 0:27:33 | 0:27:35 | |
-Are you serious? -No, of course not. | 0:27:35 | 0:27:37 | |
His wife left him because his breath stinks | 0:27:37 | 0:27:39 | |
and he likes to wear her lingerie. | 0:27:39 | 0:27:40 | |
I don't! | 0:27:40 | 0:27:42 | |
-Just the bras. -Get out. | 0:27:42 | 0:27:44 | |
So, what's this all about, then? | 0:27:46 | 0:27:49 | |
-Having fun. -Fun? -While I can. -Mm-hmm. | 0:27:50 | 0:27:52 | |
KNOCK AT DOOR | 0:27:52 | 0:27:54 | |
-Uh, Sherlock... -Borgia Pearl. Boring. Go! | 0:27:54 | 0:27:56 | |
-But... -Go! | 0:27:56 | 0:27:57 | |
-This had better be good. -Oh, I think you'll like it. | 0:27:59 | 0:28:01 | |
That is the bust, isn't it? The one that was broken. | 0:28:04 | 0:28:06 | |
No, it's another one - different owner. | 0:28:06 | 0:28:08 | |
Different part of town. | 0:28:08 | 0:28:10 | |
You were right - this is a thing. Something's going on. | 0:28:10 | 0:28:12 | |
What's wrong? I thought you'd be pleased. | 0:28:15 | 0:28:17 | |
-I am pleased. -You don't look pleased. | 0:28:17 | 0:28:19 | |
This is my game face. | 0:28:19 | 0:28:21 | |
And the game is on. | 0:28:22 | 0:28:24 | |
Another two have been smashed since the Welsborough one. | 0:28:25 | 0:28:27 | |
-One belonging to Mr Mohandes Hassan. -Identical busts? | 0:28:27 | 0:28:30 | |
Yeah, and this one to a Dr Barnicot in Holborn. | 0:28:30 | 0:28:32 | |
Three in total. God knows who'd want to do something like this. | 0:28:32 | 0:28:35 | |
Yeah, but some people have that complex, don't they? An idee fixe. | 0:28:35 | 0:28:38 | |
They obsess over one thing and they can't let it go. | 0:28:38 | 0:28:40 | |
No, no good. | 0:28:40 | 0:28:42 | |
There were other images of Margaret... Margaret...? | 0:28:42 | 0:28:44 | |
You know who she is. | 0:28:44 | 0:28:45 | |
..Thatcher, present at the first break-in. | 0:28:45 | 0:28:47 | |
Why would a monomaniac fixate on just one? Ooh! | 0:28:47 | 0:28:50 | |
-What? -Blood. | 0:28:50 | 0:28:51 | |
Quite a bit of it, too. | 0:28:52 | 0:28:54 | |
Was there any injury at the crime scene? | 0:28:55 | 0:28:57 | |
Nah. | 0:28:57 | 0:28:58 | |
Then our suspect must have cut themselves breaking the bust. | 0:28:58 | 0:29:01 | |
-Come on. -Holborn? -Lambeth! | 0:29:01 | 0:29:03 | |
-Lambeth? Why? -To see Toby. | 0:29:03 | 0:29:05 | |
Ah, right. Who? | 0:29:05 | 0:29:07 | |
-You'll see. -Right, are you coming? | 0:29:07 | 0:29:08 | |
No, he's got a lunch date with a brunette forensic officer | 0:29:08 | 0:29:11 | |
that he doesn't want to be late for. | 0:29:11 | 0:29:12 | |
-Who told you? -The right sleeve of your jacket, | 0:29:12 | 0:29:14 | |
plus the formaldehyde mixed with your cologne | 0:29:14 | 0:29:16 | |
and your complete inability to stop looking at your watch. | 0:29:16 | 0:29:18 | |
-Have a good time. -I will. | 0:29:18 | 0:29:20 | |
Trust me, though, she's not right for you. | 0:29:20 | 0:29:22 | |
-What? -She's not the one. | 0:29:22 | 0:29:25 | |
Well, thank you, Mystic Meg. | 0:29:25 | 0:29:27 | |
How do you work all that out? | 0:29:27 | 0:29:28 | |
She's got three children in Rio that he doesn't know about. | 0:29:28 | 0:29:31 | |
-Are you just making this up? -Possibly. -Who's Toby? | 0:29:31 | 0:29:33 | |
There's a kid I know, hacker, brilliant hacker, | 0:29:33 | 0:29:35 | |
one of the world's best. | 0:29:35 | 0:29:37 | |
Got himself into serious trouble | 0:29:37 | 0:29:38 | |
with the Americans a couple of years ago. | 0:29:38 | 0:29:40 | |
He hacked into the Pentagon security system, | 0:29:40 | 0:29:42 | |
and I managed to get him off the charge. | 0:29:42 | 0:29:44 | |
Therefore he owes me a favour. | 0:29:44 | 0:29:46 | |
-So, how does that help us? -What? -Toby the hacker? | 0:29:46 | 0:29:49 | |
-Toby's not the hacker. -What? | 0:29:49 | 0:29:51 | |
-All right, Craig? -All right, Sherlock? | 0:29:52 | 0:29:54 | |
Craig's got a dog. | 0:29:54 | 0:29:56 | |
So I see. | 0:29:56 | 0:29:58 | |
Good boy! | 0:29:58 | 0:29:59 | |
Hiya! | 0:29:59 | 0:30:01 | |
Mary? What are you...? | 0:30:01 | 0:30:03 | |
No, we, we agreed we would never bring Rosie out on a case. | 0:30:03 | 0:30:05 | |
No, exactly. So...don't wait up. | 0:30:05 | 0:30:08 | |
-Hey, Sherlock. -Hey. -Mary, what are you doing here? | 0:30:08 | 0:30:10 | |
-She's better at this than you. -Better? -So I texted her. | 0:30:10 | 0:30:13 | |
Hang on, Mary's better than me? | 0:30:13 | 0:30:15 | |
Well, she is a retired super-agent with a terrifying skill-set. | 0:30:15 | 0:30:18 | |
-Of course she's better. -Yeah, OK. -Nothing personal. | 0:30:18 | 0:30:21 | |
What, so I'm supposed to just go home now, am I? | 0:30:21 | 0:30:23 | |
What do you think, Sherlock? Shall we take him with us? | 0:30:23 | 0:30:25 | |
-John or the dog? -Ha-ha, that's funny! -John. | 0:30:25 | 0:30:27 | |
-Well... -He's handy and loyal. | 0:30:27 | 0:30:28 | |
-That's hilarious. -Hmm. -Is it too early for a divorce? | 0:30:28 | 0:30:31 | |
-Oh. -Barnicot's house, then. Anyone up for a trudge? | 0:30:31 | 0:30:34 | |
Keep up, he's fast. | 0:30:34 | 0:30:37 | |
-He's not moving. -He's thinking. | 0:30:37 | 0:30:39 | |
He's really not moving. | 0:30:42 | 0:30:44 | |
Slow but sure, John, not dissimilar to yourself. | 0:30:44 | 0:30:46 | |
You just like this dog, don't you? | 0:30:48 | 0:30:50 | |
-Well, I like you. -He's still not moving. | 0:30:50 | 0:30:52 | |
-Fascinating. -Oh! | 0:30:55 | 0:30:57 | |
SHE CLEARS HER THROAT | 0:30:58 | 0:30:59 | |
Well, what do you make of it? | 0:31:18 | 0:31:19 | |
-They were looking for something. -Yes, but it wasn't a burglar, | 0:31:19 | 0:31:22 | |
they came specifically for that Thatcher bust. Why? | 0:31:22 | 0:31:25 | |
DOG SNIFFS | 0:31:42 | 0:31:44 | |
DOG WHINES | 0:31:50 | 0:31:52 | |
Clever. | 0:31:52 | 0:31:53 | |
Well, if you were wounded and you knew you were leaving a trail, | 0:31:53 | 0:31:56 | |
-where would you go? -Like hiding a tree in a forest. | 0:31:56 | 0:31:58 | |
Or blood in a butcher's. | 0:31:58 | 0:32:00 | |
Never mind, Toby, better luck next time, hmm? | 0:32:00 | 0:32:03 | |
This is it, though. This is the one, I can feel it. | 0:32:03 | 0:32:05 | |
Not Moriarty? | 0:32:05 | 0:32:06 | |
It has to be him. It's too bizarre, it's too baroque. | 0:32:06 | 0:32:10 | |
It's designed to beguile me, tease me and lure me in. | 0:32:10 | 0:32:13 | |
At last, a noose for me to put my neck into. | 0:32:13 | 0:32:16 | |
You should have seen the state of the front room. | 0:32:35 | 0:32:38 | |
-It was like The Exorcist. -Huh. Was Rosie's head spinning round? | 0:32:38 | 0:32:42 | |
-No. Just the projectile vomiting. -Nice! -Hmm. | 0:32:42 | 0:32:46 | |
Now, you think we'd have noticed, when she was born. | 0:32:48 | 0:32:51 | |
-Hmm? Noticed what? -The little 666 on her forehead. | 0:32:51 | 0:32:56 | |
Hmm, that's The Omen. | 0:32:56 | 0:32:57 | |
-So? -Well, you said it was like The Exorcist. | 0:32:59 | 0:33:02 | |
They're two different things. | 0:33:02 | 0:33:03 | |
She can't be the devil and the Antichrist. | 0:33:03 | 0:33:05 | |
BABY CRIES | 0:33:05 | 0:33:09 | |
Yeah, can't she? | 0:33:09 | 0:33:10 | |
I'm coming, darling. Mummy's coming. | 0:33:12 | 0:33:16 | |
-LOVINGLY: -Oh, what are you doing? | 0:33:16 | 0:33:18 | |
What are you doing? Come here. | 0:33:20 | 0:33:23 | |
Have you heard of that thing? In Germany? | 0:33:23 | 0:33:27 | |
You're going to have to be more specific, Craig. | 0:33:28 | 0:33:30 | |
Ostalgie. People who missed the old days under the communists. | 0:33:30 | 0:33:34 | |
-People are weird, aren't they? -Hmm. | 0:33:34 | 0:33:36 | |
According to this, there's quite a market for Cold War memorabilia. | 0:33:36 | 0:33:40 | |
Thatcher, Reagan, Stalin. Time's a great leveller, innit? | 0:33:40 | 0:33:44 | |
Thatcher's like, I dunno, Napoleon now. | 0:33:44 | 0:33:46 | |
Yes, fascinating. Irrelevant. Where exactly did they come from? | 0:33:46 | 0:33:49 | |
I've got into the records of the suppliers - Gelder and Co. | 0:33:49 | 0:33:52 | |
Seems they're from Georgia. | 0:33:52 | 0:33:54 | |
Where exactly? | 0:33:54 | 0:33:55 | |
Tbilisi. Batch of six. One to Welsborough. One to Hassan. | 0:33:55 | 0:34:00 | |
One to Dr Barnicot. | 0:34:00 | 0:34:01 | |
Two to Miss Orrie Harker. | 0:34:01 | 0:34:03 | |
One to a Mr Jack Sandeford of Reading. | 0:34:03 | 0:34:06 | |
Lestrade? Another one? | 0:34:06 | 0:34:07 | |
-'Yeah.' -Harker or Sandeford? | 0:34:07 | 0:34:10 | |
Harker. And it's murder this time. | 0:34:10 | 0:34:13 | |
Hmm, that perks things up a bit. | 0:34:13 | 0:34:15 | |
Defensive wounds on her face and hands, throat cut. Sharp blade. | 0:34:25 | 0:34:29 | |
The same thing inside the house? The bust? | 0:34:29 | 0:34:31 | |
-Two of them this time. -Interesting. | 0:34:31 | 0:34:33 | |
That batch of statues was made in Tbilisi several years ago. | 0:34:33 | 0:34:35 | |
-Limited edition of six. -And now someone's wandering about | 0:34:35 | 0:34:38 | |
destroying them all. Makes no sense. What's the point? | 0:34:38 | 0:34:40 | |
No, they're not destroying them, that's not what's happening. | 0:34:40 | 0:34:43 | |
-Yes, it is. -Well, it is, but it's not the point. | 0:34:43 | 0:34:45 | |
I've been slow, far too slow. | 0:34:45 | 0:34:46 | |
Well, I'm still being slow over here, so if you wouldn't mind... | 0:34:46 | 0:34:49 | |
Slow but lucky, very lucky. | 0:34:49 | 0:34:50 | |
And since they smashed both busts, our luck might just hold. | 0:34:50 | 0:34:54 | |
Jack Sandeford of Reading is where I'm going next. | 0:34:54 | 0:34:56 | |
Congratulations, by the way. | 0:34:56 | 0:34:58 | |
-I'm sorry? -Well, you're about to solve a big one. | 0:34:58 | 0:35:01 | |
-Yeah, until John publishes his blog. -Yeah, until then, basically. | 0:35:01 | 0:35:05 | |
WATER SPLASHING | 0:35:14 | 0:35:17 | |
That's enough now, love. | 0:35:22 | 0:35:24 | |
Daddy has things to do, I'm afraid. | 0:35:27 | 0:35:29 | |
And you need to get to bed. Come on. | 0:35:30 | 0:35:33 | |
Wouldn't it be much simpler | 0:36:05 | 0:36:06 | |
to take out your grievances at the polling station? | 0:36:06 | 0:36:09 | |
You were on the run. Nowhere to hide your precious cargo. | 0:36:27 | 0:36:31 | |
You find yourself in a workshop, | 0:36:34 | 0:36:36 | |
plaster busts of the Iron Lady drying, it's clever. | 0:36:36 | 0:36:39 | |
Very clever. | 0:36:39 | 0:36:40 | |
But now you've met me and you're not so clever, are you? | 0:36:40 | 0:36:43 | |
Who are you? | 0:36:43 | 0:36:44 | |
My name is Sherlock Holmes. | 0:36:44 | 0:36:45 | |
Goodbye, Sherlock Holmes. | 0:36:47 | 0:36:48 | |
Argh! | 0:37:01 | 0:37:03 | |
You're out of time. | 0:38:14 | 0:38:15 | |
-Tell me about your boss, Moriarty. -Who? | 0:38:15 | 0:38:18 | |
I know it's him. It must be him. | 0:38:18 | 0:38:21 | |
You think you understand. | 0:38:21 | 0:38:23 | |
You understand nothing. | 0:38:23 | 0:38:25 | |
Well, before the police come in and spoil things, | 0:38:25 | 0:38:28 | |
why don't we just enjoy the moment? | 0:38:28 | 0:38:30 | |
Let me present Interpol's number one case. | 0:38:30 | 0:38:33 | |
Too tough for them, too boring for me. | 0:38:33 | 0:38:35 | |
The Black Pearl of the Borgias! | 0:38:35 | 0:38:39 | |
It's not possible! | 0:38:47 | 0:38:49 | |
How could she...?! | 0:38:50 | 0:38:51 | |
Everything about who I was is on there. | 0:38:56 | 0:38:58 | |
The problems of your past are your business. | 0:38:58 | 0:39:01 | |
The problems of your future... | 0:39:01 | 0:39:03 | |
..are my privilege. | 0:39:05 | 0:39:06 | |
I don't understand. | 0:39:13 | 0:39:14 | |
She... She destroyed it. | 0:39:15 | 0:39:18 | |
She? | 0:39:18 | 0:39:19 | |
You know her! You do, don't you? | 0:39:23 | 0:39:26 | |
You know the bitch?! | 0:39:26 | 0:39:28 | |
She betrayed me. | 0:39:29 | 0:39:31 | |
-Betrayed us all. -Mary. | 0:39:32 | 0:39:34 | |
This is about Mary? | 0:39:35 | 0:39:36 | |
Is that what she's calling herself now, eh? | 0:39:36 | 0:39:39 | |
-'Armed police, you're surrounded!' -Give it to me. | 0:39:39 | 0:39:41 | |
-YELLS: -Give it to me! | 0:39:43 | 0:39:45 | |
'Come out slowly, I want to see your hands above your head.' | 0:39:45 | 0:39:47 | |
Nobody shoots me! Anyone shoots, I kill this man. | 0:39:47 | 0:39:50 | |
'Lay down your weapon. Do it now!' | 0:39:50 | 0:39:53 | |
I'm leaving this place. | 0:39:53 | 0:39:55 | |
If no-one follows me, no-one dies. | 0:39:55 | 0:39:57 | |
'Lay down your weapon.' | 0:39:57 | 0:39:59 | |
You are a policeman, I'm a professional. | 0:39:59 | 0:40:02 | |
Tell her she's a dead woman. | 0:40:03 | 0:40:06 | |
She's a dead woman walking. | 0:40:06 | 0:40:08 | |
She's my friend. And she's under my protection. | 0:40:08 | 0:40:12 | |
Who are you? | 0:40:12 | 0:40:13 | |
I'm the man who's going to kill your friend. | 0:40:15 | 0:40:19 | |
Who's Sherlock Holmes? | 0:40:21 | 0:40:22 | |
Not a policeman. | 0:40:23 | 0:40:25 | |
ALARM BLARES | 0:40:27 | 0:40:29 | |
What do you think? Mate in two? | 0:40:50 | 0:40:52 | |
Don't antagonise them, darling. | 0:40:54 | 0:40:57 | |
Oh, what else is there to do? Chess palls after three months. | 0:40:57 | 0:41:00 | |
Everything palls. | 0:41:00 | 0:41:02 | |
They'll send someone soon. | 0:41:02 | 0:41:04 | |
They? Who are THEY? | 0:41:04 | 0:41:07 | |
Seems to me we put an awful lot of faith in THEY. | 0:41:07 | 0:41:10 | |
Well, I've got something THEY would dearly love, | 0:41:10 | 0:41:12 | |
if only we could get out of here. | 0:41:12 | 0:41:13 | |
I've got Ammo. | 0:41:15 | 0:41:16 | |
Ammo? | 0:41:16 | 0:41:18 | |
-MARY: -Madame Ambassador. -What took you so long? | 0:41:40 | 0:41:44 | |
-Can't get the staff. -Everyone out, now! | 0:41:44 | 0:41:46 | |
Veer left! | 0:41:50 | 0:41:52 | |
SCREAMING | 0:41:54 | 0:41:56 | |
HE LAUGHS | 0:42:01 | 0:42:02 | |
What now? What do we do? | 0:42:04 | 0:42:06 | |
We die. | 0:42:10 | 0:42:11 | |
Well? | 0:42:24 | 0:42:26 | |
He can't have got far. We'll have him in a bit. | 0:42:26 | 0:42:29 | |
-I very much doubt it. -Why? | 0:42:29 | 0:42:31 | |
Because I think he used to work with Mary. | 0:42:31 | 0:42:34 | |
GUNFIRE | 0:43:02 | 0:43:03 | |
SHOUTING IN OTHER LANGUAGE | 0:43:03 | 0:43:06 | |
Ammo. Ammo. Ammo. | 0:43:35 | 0:43:38 | |
Ammo. Ammo. Ammo. | 0:43:42 | 0:43:46 | |
Passed out again. It's no fun when they pass out! | 0:43:51 | 0:43:54 | |
We'll come back later. | 0:43:54 | 0:43:56 | |
What would he do if he knew, huh? About the English woman? | 0:43:56 | 0:44:00 | |
What would you do to a traitor? | 0:44:00 | 0:44:02 | |
Maybe we'll tell him one day. If he lives that long. | 0:44:03 | 0:44:06 | |
HE CHUCKLES | 0:44:06 | 0:44:08 | |
I am an idiot, I know nothing. | 0:45:22 | 0:45:25 | |
Well, I've been telling you that for ages. | 0:45:26 | 0:45:28 | |
That was quite a text you sent me. | 0:45:28 | 0:45:30 | |
What's going on, Sherlock? | 0:45:32 | 0:45:34 | |
I was so convinced it was Moriarty, | 0:45:34 | 0:45:35 | |
I couldn't see what was right under my nose. | 0:45:35 | 0:45:38 | |
Expected a pearl. | 0:45:38 | 0:45:39 | |
Oh, my God, that's a... | 0:45:45 | 0:45:47 | |
Yes, it's an AGRA. memory stick, like you gave John, | 0:45:47 | 0:45:50 | |
except this one belongs to someone else. Who? | 0:45:50 | 0:45:52 | |
I don't know. We... We all had one but the others were... | 0:45:52 | 0:45:55 | |
Haven't you even looked at it yet? | 0:45:55 | 0:45:57 | |
-I glanced at it but I prefer to hear it from you. -Why? | 0:45:57 | 0:46:00 | |
Because I'll know the truth when I hear it. | 0:46:01 | 0:46:04 | |
There were four of us, agents. | 0:46:11 | 0:46:14 | |
Not just agents. | 0:46:14 | 0:46:15 | |
Polite term. | 0:46:15 | 0:46:18 | |
Alex. Gabriel. | 0:46:18 | 0:46:21 | |
Me. And Ajay. | 0:46:21 | 0:46:23 | |
There was absolute trust between us. The memory sticks guaranteed it. | 0:46:25 | 0:46:29 | |
We all had one. | 0:46:29 | 0:46:31 | |
Each containing aliases, our background, everything. | 0:46:31 | 0:46:34 | |
We could never be betrayed, | 0:46:34 | 0:46:36 | |
because we had everything we needed to destroy the other. | 0:46:36 | 0:46:39 | |
-Who employed you? -Anyone who paid well. | 0:46:39 | 0:46:41 | |
I mean, we were at the top of our game for years. | 0:46:41 | 0:46:44 | |
And then it all ended. | 0:46:44 | 0:46:47 | |
There was a coup in Georgia. | 0:46:47 | 0:46:49 | |
The British Embassy in Tbilisi was taken over, lots of hostages. | 0:46:49 | 0:46:52 | |
We got the call to go in, get them out. | 0:46:52 | 0:46:54 | |
There was a change of plan, a last-minute adjustment. | 0:46:54 | 0:46:57 | |
-Who from? -I don't know, just another voice on the phone. | 0:46:57 | 0:47:01 | |
And a codeword. | 0:47:01 | 0:47:03 | |
-Ammo. -Ammo? | 0:47:04 | 0:47:06 | |
Like ammunition. | 0:47:06 | 0:47:09 | |
We went in, but then something went wrong. | 0:47:09 | 0:47:11 | |
Something went really wrong. | 0:47:12 | 0:47:14 | |
GUNFIRE, SCREAMING | 0:47:17 | 0:47:20 | |
That was six years ago. | 0:47:28 | 0:47:30 | |
It feels like forever. | 0:47:30 | 0:47:32 | |
I was the only one that made it out. | 0:47:32 | 0:47:35 | |
No. | 0:47:35 | 0:47:36 | |
What? | 0:47:36 | 0:47:37 | |
I met someone tonight. | 0:47:37 | 0:47:39 | |
Same someone who's looking for the sixth Thatcher. | 0:47:41 | 0:47:44 | |
Oh, my God, that's Ajay, that's him. What, he's alive? | 0:47:51 | 0:47:54 | |
Yeah, very much so. | 0:47:54 | 0:47:55 | |
I don't believe it, this is amazing! I thought I was the only one, | 0:47:57 | 0:47:59 | |
I thought I was the only one who got out. | 0:47:59 | 0:48:01 | |
Where is he? I need to see him, now! | 0:48:01 | 0:48:02 | |
Before you gave it to John, did you keep your memory stick safe? | 0:48:02 | 0:48:06 | |
Yeah, of course. It was our insurance. | 0:48:06 | 0:48:09 | |
Above all, they mustn't fall into enemy hands. | 0:48:09 | 0:48:11 | |
So Ajay survived as well. | 0:48:11 | 0:48:13 | |
And now he's looking for the memory stick he managed to hide, | 0:48:13 | 0:48:16 | |
with all of AGRA's old aliases on it, but why? | 0:48:16 | 0:48:19 | |
I don't know. | 0:48:19 | 0:48:21 | |
Tbilisi was six years ago, where's he been? | 0:48:21 | 0:48:23 | |
Mary, I'm sorry to tell you this, but he wants you dead. | 0:48:28 | 0:48:31 | |
SHE LAUGHS | 0:48:31 | 0:48:33 | |
Sorry, no, no, because we...we were family. | 0:48:33 | 0:48:37 | |
Families fall out. | 0:48:37 | 0:48:38 | |
The memory stick is the easiest way to track you down. | 0:48:39 | 0:48:42 | |
You're the only other survivor, it must be you that he wants, | 0:48:42 | 0:48:45 | |
and he's already killed looking for the Thatcher bust. | 0:48:45 | 0:48:48 | |
Well, he's just trying to find me. | 0:48:48 | 0:48:49 | |
He survived, that's all that matters! | 0:48:49 | 0:48:51 | |
I heard it from his own mouth. | 0:48:51 | 0:48:52 | |
"Tell her she's a dead woman walking." | 0:48:52 | 0:48:55 | |
Why would he want to kill me? | 0:48:58 | 0:49:00 | |
-He said you betrayed him. -Oh, no, no, that's insane. | 0:49:01 | 0:49:04 | |
Well, it's what he believes. | 0:49:06 | 0:49:07 | |
SHE GASPS | 0:49:11 | 0:49:12 | |
I suppose I was always afraid this might happen. | 0:49:14 | 0:49:17 | |
That something in my past would come back to haunt me one day. | 0:49:17 | 0:49:20 | |
Yes, well, he's a very tangible ghost. | 0:49:20 | 0:49:23 | |
God, I just wanted a bit of peace, and I really thought I had it. | 0:49:23 | 0:49:26 | |
No, Mary... | 0:49:26 | 0:49:27 | |
You do. | 0:49:28 | 0:49:29 | |
I made a vow, remember? | 0:49:31 | 0:49:32 | |
To look after the three of you. | 0:49:34 | 0:49:36 | |
Sherlock, the dragon-slayer. | 0:49:37 | 0:49:39 | |
Stay close to me and I will keep you safe from him, I promise you. | 0:49:40 | 0:49:43 | |
There's something I think you should read. | 0:49:46 | 0:49:48 | |
What is it? | 0:49:48 | 0:49:50 | |
I hoped I wouldn't have to do this. | 0:49:50 | 0:49:52 | |
What are you...? | 0:49:56 | 0:49:57 | |
HE SNIFFS | 0:49:59 | 0:50:01 | |
-Mary... -There you go. -Oh, no! | 0:50:01 | 0:50:02 | |
It's all right. It's for the best, believe me. | 0:50:02 | 0:50:06 | |
No. | 0:50:08 | 0:50:09 | |
You just look after them till I get back. I'm sorry. | 0:50:11 | 0:50:14 | |
I'm so sorry. | 0:50:15 | 0:50:16 | |
CHILD SINGS | 0:50:17 | 0:50:21 | |
HE GROANS | 0:50:33 | 0:50:35 | |
Agra? | 0:50:47 | 0:50:48 | |
A city on the banks of the river Yamuna | 0:50:48 | 0:50:50 | |
in the northern state of Uttar Pradesh, India. | 0:50:50 | 0:50:52 | |
It is 378km west of the state capital, Lucknow. | 0:50:52 | 0:50:56 | |
What are you, Wikipedia? | 0:50:56 | 0:50:57 | |
-Yes. -AGRA is an acronym. | 0:50:57 | 0:50:59 | |
Oh, good, I love an acronym. | 0:50:59 | 0:51:01 | |
All the best secret societies have them. | 0:51:01 | 0:51:03 | |
Team of agents, the best. But you know all that. | 0:51:03 | 0:51:06 | |
Of course I do. Go on. | 0:51:06 | 0:51:08 | |
One of them, Ajay, is looking for Mary, also one of the team. | 0:51:08 | 0:51:11 | |
Indeed? Well, that's news to me. | 0:51:11 | 0:51:13 | |
Is it? He's already killed looking for that memory stick. | 0:51:13 | 0:51:17 | |
AGRA always worked for the highest bidder, | 0:51:17 | 0:51:19 | |
I thought that might include you? | 0:51:19 | 0:51:20 | |
-Me? -Well, I mean the British government, | 0:51:20 | 0:51:22 | |
or whatever government you're currently propping up. | 0:51:22 | 0:51:24 | |
AGRA were very reliable. Then came the Tbilisi incident. | 0:51:24 | 0:51:28 | |
They were sent in to free the hostages | 0:51:28 | 0:51:30 | |
but it all went horribly wrong. | 0:51:30 | 0:51:33 | |
And that was that, we stopped using freelancers. | 0:51:33 | 0:51:35 | |
-Your initiative? -My initiative. | 0:51:35 | 0:51:37 | |
Freelancers are too woolly, too messy. | 0:51:37 | 0:51:41 | |
I don't like loose ends. Not on my watch. | 0:51:41 | 0:51:44 | |
There was something else. A detail. | 0:51:47 | 0:51:50 | |
A codeword. | 0:51:51 | 0:51:52 | |
Ammo? | 0:51:54 | 0:51:56 | |
It's all I've got. | 0:51:56 | 0:51:57 | |
Little enough. | 0:51:57 | 0:51:58 | |
Could you do some digging as a favour? | 0:51:58 | 0:52:00 | |
You don't have many favours left. | 0:52:00 | 0:52:03 | |
Then I'm calling them all in. | 0:52:03 | 0:52:05 | |
And if you can find who's after her and neutralise them, what then? | 0:52:05 | 0:52:08 | |
You think you can go on saving her forever? | 0:52:08 | 0:52:10 | |
Of course. | 0:52:10 | 0:52:11 | |
Is that sentiment talking? | 0:52:11 | 0:52:13 | |
No, it's me. | 0:52:13 | 0:52:15 | |
Difficult to tell the difference these days. | 0:52:16 | 0:52:18 | |
Told you, I made a promise. A vow. | 0:52:18 | 0:52:21 | |
All right. I'll see what I can do. | 0:52:21 | 0:52:23 | |
But remember this, brother mine, | 0:52:25 | 0:52:27 | |
agents like Mary tend not to reach retirement age. | 0:52:27 | 0:52:30 | |
They get retired in a pretty permanent sort of way. | 0:52:30 | 0:52:35 | |
Not on my watch. | 0:52:37 | 0:52:39 | |
-MARY: -'My darling, I need to tell you this | 0:52:39 | 0:52:41 | |
'because you mustn't hate me for going away.' | 0:52:41 | 0:52:45 | |
-NEW YORK ACCENT: -Pardon me, I can hear a squeaking. | 0:52:45 | 0:52:48 | |
-Can you hear a squeaking? -No. | 0:52:48 | 0:52:51 | |
Only I watched a documentary on the Discovery Channel - | 0:52:51 | 0:52:54 | |
Why Planes Fail. | 0:52:54 | 0:52:56 | |
-Did you see it? -Can't say I did. -Oh, truly terrifying. | 0:52:56 | 0:52:58 | |
Swore I would never fly again, yet hear I am! Ha. | 0:52:58 | 0:53:02 | |
Everything OK, madam? | 0:53:02 | 0:53:03 | |
No. No, no, it's not, but then what's the use in complaining? | 0:53:03 | 0:53:06 | |
I hear a squeaking. Probably the wing will come off is all. | 0:53:06 | 0:53:10 | |
Everything's fine, I promise you. Just relax. | 0:53:10 | 0:53:13 | |
Oh, OK. Relax. | 0:53:13 | 0:53:15 | |
-She said relax. -SHE CHUCKLES | 0:53:15 | 0:53:18 | |
Did you have a nice time in London? | 0:53:18 | 0:53:20 | |
It was OK, I guess. But did somebody hide the sun? | 0:53:20 | 0:53:24 | |
-Did you lose it in the war? -SHE LAUGHS | 0:53:24 | 0:53:27 | |
'I gave myself permission to have an ordinary life. | 0:53:31 | 0:53:34 | |
'I'm not running, I promise you that, | 0:53:36 | 0:53:38 | |
'I just need to do this in my own way.' | 0:53:38 | 0:53:41 | |
Oh, God! I'm... I-I don't feel so good. | 0:53:41 | 0:53:44 | |
Oh, my God! | 0:53:44 | 0:53:45 | |
FLIGHT ATTENDANT BUTTON BEEPS | 0:53:45 | 0:53:48 | |
-Everything OK, madam? -I think I'm dying. | 0:53:51 | 0:53:53 | |
I don't feel so good. | 0:53:53 | 0:53:56 | |
You're all right. | 0:53:56 | 0:53:57 | |
Oh, you're sweet. You have a very kind face. | 0:53:57 | 0:54:00 | |
God will smile on you. | 0:54:00 | 0:54:02 | |
'But I don't want you and Sherlock hanging off my gun arm, | 0:54:05 | 0:54:08 | |
'I'm sorry, my love.' | 0:54:08 | 0:54:10 | |
'I know you'll try to find me but there is no point. | 0:54:22 | 0:54:25 | |
'Every move is random and not even Sherlock Holmes can anticipate | 0:54:26 | 0:54:30 | |
'the roll of a dice. | 0:54:30 | 0:54:31 | |
'I need to move the target far, far away from you | 0:54:36 | 0:54:40 | |
'and Rosie, and then I'll come back, my darling. | 0:54:40 | 0:54:43 | |
'I swear I will.' | 0:54:44 | 0:54:46 | |
LAUGHTER | 0:56:19 | 0:56:21 | |
Not like this one. | 0:56:23 | 0:56:25 | |
You haven't got a chance, not a chance. | 0:56:25 | 0:56:28 | |
I've got you where I want you. Give in, give in! | 0:56:29 | 0:56:32 | |
I will destroy you. You're completely at my mercy. | 0:56:32 | 0:56:37 | |
Mr Baker. Well, that completes the set. | 0:56:37 | 0:56:39 | |
-No, it does not. -Well, who else am I missing? | 0:56:39 | 0:56:41 | |
Master Bun, it's not a set without him. | 0:56:41 | 0:56:43 | |
How many more times, Mr Sherlock? | 0:56:43 | 0:56:45 | |
Hmm, maybe it's because I'm not familiar with the concept. | 0:56:45 | 0:56:48 | |
Oh, hi, Mary. | 0:56:48 | 0:56:49 | |
What concept? | 0:56:49 | 0:56:50 | |
Happy families. Nice trip? | 0:56:50 | 0:56:53 | |
-How the f...? -Please, Mary, there is a child present. | 0:56:53 | 0:56:57 | |
-How did you get in here? -Karim let me in. | 0:56:57 | 0:56:59 | |
Hello. | 0:56:59 | 0:57:01 | |
Karim, would you be so kind as to fetch us some tea? | 0:57:01 | 0:57:03 | |
-Sure. -Thank you. | 0:57:03 | 0:57:05 | |
Nice to meet you, missus. | 0:57:05 | 0:57:07 | |
No, I mean how did you find me? | 0:57:10 | 0:57:13 | |
I'm Sherlock Holmes. | 0:57:13 | 0:57:15 | |
No, really, though, how? | 0:57:15 | 0:57:16 | |
Every movement I made was entirely random, | 0:57:16 | 0:57:18 | |
every new personality just on the roll of a dice! | 0:57:18 | 0:57:22 | |
Mary, no human action is ever truly random. | 0:57:22 | 0:57:23 | |
An advanced grasp of the mathematics of probability, | 0:57:23 | 0:57:26 | |
mapped onto a thorough apprehension of human psychology and the | 0:57:26 | 0:57:28 | |
known dispositions of any given individual, | 0:57:28 | 0:57:30 | |
can reduce the number of variables considerably. | 0:57:30 | 0:57:32 | |
I myself know of at least 58 techniques to refine | 0:57:32 | 0:57:34 | |
a seemingly infinite array of randomly generated possibilities | 0:57:34 | 0:57:37 | |
down to the smallest number of feasible variables. | 0:57:37 | 0:57:40 | |
But they're really difficult, | 0:57:41 | 0:57:42 | |
so instead I just stuck a tracer on the inside of the memory stick. | 0:57:42 | 0:57:45 | |
HE CHUCKLES | 0:57:45 | 0:57:47 | |
-JOKINGLY: -Oh, you bastard! | 0:57:47 | 0:57:49 | |
-ANGRILY: -You bastard! -I know, but your face! | 0:57:49 | 0:57:52 | |
"The mathematics of probability"? | 0:57:52 | 0:57:54 | |
-You believed that. -"Feasible variables"? | 0:57:54 | 0:57:56 | |
Yes, I started to run out about then. | 0:57:56 | 0:57:58 | |
In the memory stick! | 0:57:58 | 0:58:00 | |
Yeah, that was my idea. | 0:58:00 | 0:58:01 | |
-AGRA? -Yes. | 0:58:12 | 0:58:14 | |
Uh-huh. You said it was your initials. | 0:58:14 | 0:58:16 | |
In a way that was true. | 0:58:19 | 0:58:20 | |
In a way? So many lies. | 0:58:20 | 0:58:24 | |
I'm so sorry. | 0:58:26 | 0:58:27 | |
And I don't just mean you. | 0:58:27 | 0:58:29 | |
What? | 0:58:29 | 0:58:31 | |
Alex, Gabriel, Ajay... | 0:58:31 | 0:58:34 | |
You're R? | 0:58:34 | 0:58:37 | |
Rosamund? | 0:58:40 | 0:58:41 | |
Rosamund Mary. | 0:58:42 | 0:58:44 | |
I always liked Mary. | 0:58:46 | 0:58:47 | |
Yeah, me too. | 0:58:48 | 0:58:50 | |
I used to. | 0:58:52 | 0:58:53 | |
I just... I didn't know what else to do. | 0:58:55 | 0:58:57 | |
You could have stayed, you could have talked to me. | 0:58:57 | 0:58:59 | |
That's what couples are supposed to do. Work things through. | 0:58:59 | 0:59:02 | |
Yes. | 0:59:04 | 0:59:06 | |
Yes, of course. | 0:59:07 | 0:59:09 | |
Mary, I may not be a very good man... | 0:59:09 | 0:59:11 | |
..but I think I'm a bit better than you give me credit for, | 0:59:12 | 0:59:15 | |
-most of the time. -All the time. | 0:59:15 | 0:59:16 | |
You're always a good man, John, I've never doubted that. | 0:59:18 | 0:59:20 | |
You never judge, you never complain. | 0:59:20 | 0:59:22 | |
I don't deserve you, I... | 0:59:22 | 0:59:24 | |
All I ever wanted to do was keep you and Rosie safe, that's all. | 0:59:27 | 0:59:31 | |
I will keep you safe. | 0:59:35 | 0:59:36 | |
But it has to be in London. | 0:59:40 | 0:59:42 | |
It's my city, I know the turf. | 0:59:42 | 0:59:43 | |
Come home and everything will be all right, I promise you. | 0:59:46 | 0:59:49 | |
Get down! | 0:59:50 | 0:59:51 | |
RAPID GUNFIRE | 0:59:51 | 0:59:53 | |
Hello again. | 0:59:59 | 1:00:00 | |
-Ajay? -Oh, you remember me, I'm touched. | 1:00:00 | 1:00:02 | |
Look, I thought you were dead, believe me, I did. | 1:00:02 | 1:00:05 | |
I've been looking forward to this for longer than you can imagine. | 1:00:05 | 1:00:08 | |
I swear to you, I thought you were dead. | 1:00:08 | 1:00:11 | |
I thought I was the only one who got out. | 1:00:11 | 1:00:14 | |
How did you find us? | 1:00:14 | 1:00:16 | |
By following you, Sherlock Holmes. I mean, you're clever. | 1:00:16 | 1:00:19 | |
You found her but I found you. So perhaps not so clever. | 1:00:19 | 1:00:23 | |
And now here we are. At last. | 1:00:23 | 1:00:26 | |
-HE CHUCKLES -Touche! | 1:00:29 | 1:00:31 | |
Listen, whatever you think you know, we can talk about this, | 1:00:31 | 1:00:35 | |
we can work it out. | 1:00:35 | 1:00:36 | |
She thought I was dead. | 1:00:36 | 1:00:37 | |
I might as well have been. | 1:00:38 | 1:00:40 | |
It was always just the four of us, always, remember? | 1:00:40 | 1:00:43 | |
Oh, yeah. | 1:00:43 | 1:00:44 | |
So why do you want to kill me? | 1:00:44 | 1:00:46 | |
Do you know how long they kept me prisoner? What they did to me? | 1:00:46 | 1:00:49 | |
They tortured Alex to death. | 1:00:50 | 1:00:52 | |
I can still hear the sound of his back breaking. But you? | 1:00:53 | 1:00:56 | |
You, where were you? | 1:00:56 | 1:00:57 | |
That day at the embassy, I escaped. | 1:00:57 | 1:00:59 | |
Ha! | 1:00:59 | 1:01:00 | |
But I lost sight of you too, so you explain. Where were you? | 1:01:00 | 1:01:04 | |
Oh, I got out. For a while. | 1:01:04 | 1:01:07 | |
Long enough to hide my memory stick. | 1:01:07 | 1:01:09 | |
I didn't want that to fall into their hands. | 1:01:09 | 1:01:11 | |
-I -was loyal, you see. | 1:01:11 | 1:01:14 | |
Loyal to my friends. | 1:01:14 | 1:01:15 | |
But they took me, tortured me. Not for information. | 1:01:16 | 1:01:20 | |
Not for anything except fun. | 1:01:22 | 1:01:24 | |
They thought I'd give in, die, | 1:01:26 | 1:01:29 | |
but I didn't, I lived. | 1:01:29 | 1:01:30 | |
And eventually, they forgot about me rotting in a cell somewhere. | 1:01:32 | 1:01:35 | |
Six years they kept me there. | 1:01:35 | 1:01:37 | |
Until one day I saw my chance. | 1:01:38 | 1:01:40 | |
Oh, and I made them pay. | 1:01:41 | 1:01:43 | |
You know, all the time I was there, I just kept picking up things. | 1:01:43 | 1:01:47 | |
Little whispers. Laughter. Gossip. | 1:01:47 | 1:01:51 | |
How the clever agents had been betrayed. | 1:01:51 | 1:01:54 | |
Brought down by you! | 1:01:54 | 1:01:55 | |
-Me? -TRAIN WHISTLES | 1:01:55 | 1:01:58 | |
You know I'll kill you too. You know I will, Ajay. | 1:02:06 | 1:02:09 | |
What, you think I care if I die? | 1:02:10 | 1:02:12 | |
I've dreamed of killing you... | 1:02:12 | 1:02:14 | |
..every night for six years. | 1:02:15 | 1:02:18 | |
Of squeezing the life out of your treacherous, lying throat. | 1:02:18 | 1:02:22 | |
I swear to you, Ajay. | 1:02:22 | 1:02:24 | |
What did you hear, Ajay? | 1:02:24 | 1:02:26 | |
When you were a prisoner, what EXACTLY did you hear? | 1:02:26 | 1:02:29 | |
What did I hear? | 1:02:32 | 1:02:33 | |
Ammo. | 1:02:34 | 1:02:35 | |
Every day as they tore into me, "Ammo. | 1:02:37 | 1:02:40 | |
"Ammo. | 1:02:40 | 1:02:43 | |
"Ammo. Ammo." | 1:02:43 | 1:02:45 | |
We were betrayed! | 1:02:46 | 1:02:48 | |
-And they said it was her? -That you betrayed us! | 1:02:48 | 1:02:51 | |
They said her name? | 1:02:51 | 1:02:52 | |
Yeah, they said it was the English woman. | 1:02:52 | 1:02:54 | |
No! No! | 1:02:54 | 1:02:57 | |
'The English woman, that's all he heard. | 1:03:05 | 1:03:07 | |
'Naturally, he assumed it was Mary.' | 1:03:07 | 1:03:09 | |
Couldn't this wait until you're back? | 1:03:09 | 1:03:11 | |
No, it's not over. | 1:03:11 | 1:03:12 | |
Ajay said that they'd been betrayed, | 1:03:12 | 1:03:14 | |
the hostage-takers knew AGRA were coming. | 1:03:14 | 1:03:16 | |
There was only a voice on the phone. | 1:03:16 | 1:03:18 | |
'Remember? And a codeword.' | 1:03:18 | 1:03:20 | |
"Ammo," yes, you said. | 1:03:20 | 1:03:22 | |
How's your Latin, brother dear? | 1:03:22 | 1:03:24 | |
My Latin? | 1:03:24 | 1:03:26 | |
Amo, amas, amat. | 1:03:26 | 1:03:28 | |
I love, you love, he loves. What...? | 1:03:29 | 1:03:32 | |
Not "Ammo" as in ammunition, but "Amo", meaning? | 1:03:32 | 1:03:35 | |
You'd better be right, Sherlock. | 1:03:39 | 1:03:41 | |
Bloody thing! | 1:03:57 | 1:03:59 | |
What's going on? | 1:04:01 | 1:04:03 | |
I'm very sorry, Lady Smallwood, | 1:04:03 | 1:04:05 | |
your security protocols have been temporarily rescinded. | 1:04:05 | 1:04:08 | |
What? | 1:04:08 | 1:04:09 | |
'So many lies. And I don't just mean you.' | 1:04:20 | 1:04:23 | |
-Hello. -Ah, hello. | 1:04:49 | 1:04:52 | |
-I like your daisy. -Thank you, yeah. | 1:04:52 | 1:04:54 | |
-It's not really me, though, I think. -No? -No, no, it's too floral for me. | 1:04:54 | 1:04:57 | |
I'm more of a "knackered with weary old eyes" kind of guy. | 1:04:57 | 1:05:00 | |
Well, I think they're nice. | 1:05:00 | 1:05:02 | |
Nice eyes. | 1:05:04 | 1:05:06 | |
-HE LAUGHS -Thank you. -Look... Look... | 1:05:06 | 1:05:08 | |
I don't normally do this, | 1:05:08 | 1:05:10 | |
-but, um... -But you're going to. | 1:05:10 | 1:05:11 | |
Yeah. | 1:05:11 | 1:05:13 | |
-What's this? -This is me. | 1:05:16 | 1:05:18 | |
-Thank you. Cheers. -Yeah. Great. | 1:05:18 | 1:05:22 | |
-Bye! -Bye. | 1:05:22 | 1:05:23 | |
HE CHUCKLES | 1:05:56 | 1:05:58 | |
PHONE BEEPS | 1:06:23 | 1:06:26 | |
Now, you think we'd have noticed, when she was born. | 1:06:29 | 1:06:32 | |
Hmm? Noticed what? | 1:06:32 | 1:06:33 | |
The little 666 on her forehead. | 1:06:34 | 1:06:36 | |
Hmm, that's The Omen. | 1:06:38 | 1:06:40 | |
-So? -Well, you said it was like The Exorcist. | 1:06:42 | 1:06:44 | |
They're two different things. | 1:06:44 | 1:06:45 | |
She can't be the devil and the Antichrist. | 1:06:45 | 1:06:48 | |
BABY CRIES | 1:06:48 | 1:06:51 | |
-Yeah, can't she? -Hmm. | 1:06:51 | 1:06:53 | |
I'm coming darling. I'm coming. | 1:06:54 | 1:06:56 | |
PHONE BEEPS | 1:06:56 | 1:06:58 | |
Oh, what are you doing? | 1:06:58 | 1:07:01 | |
What are you doing? | 1:07:01 | 1:07:03 | |
Come here... | 1:07:03 | 1:07:05 | |
It's OK. | 1:07:05 | 1:07:07 | |
Do you want a cuddle? | 1:07:10 | 1:07:13 | |
BABY CONTINUES TO WAIL | 1:07:13 | 1:07:15 | |
I know. | 1:07:19 | 1:07:21 | |
Oh, sweetheart. | 1:07:25 | 1:07:26 | |
Ssh. Oh, you're not going to stop crying, are you? | 1:07:31 | 1:07:35 | |
I know, shall we go and see Daddy? | 1:07:36 | 1:07:39 | |
Oh, let's go and see Daddy! | 1:07:39 | 1:07:40 | |
Daddy's here. It's OK, Rosie. | 1:07:41 | 1:07:44 | |
I'll take her. | 1:07:44 | 1:07:46 | |
-Yeah? -Yeah, I may as well get up now. | 1:07:46 | 1:07:48 | |
Hey, baby, it's Daddy. Your daddy. | 1:07:48 | 1:07:51 | |
Come here, Rose. Come here, darling, it's all right. | 1:07:51 | 1:07:54 | |
Thank you. | 1:07:56 | 1:07:57 | |
This is absolutely ridiculous and you know it. | 1:08:47 | 1:08:50 | |
How many more times? | 1:08:50 | 1:08:51 | |
Six years ago you held the brief for Foreign Operations, code name Love. | 1:08:51 | 1:08:56 | |
And you're basing all this on a code name? | 1:08:56 | 1:08:59 | |
On a whispered voice on the telephone? Come on, Mycroft. | 1:08:59 | 1:09:03 | |
You were the conduit for AGRA. | 1:09:03 | 1:09:05 | |
Every assignment, every detail they got from you. | 1:09:05 | 1:09:08 | |
It was my job. | 1:09:08 | 1:09:10 | |
Then there was the Tbilisi incident. AGRA went in. | 1:09:10 | 1:09:13 | |
-Yes. -And they were betrayed. | 1:09:13 | 1:09:14 | |
Not by me. | 1:09:14 | 1:09:15 | |
Mycroft, we have known each other a long time. | 1:09:19 | 1:09:21 | |
I promise you, | 1:09:23 | 1:09:24 | |
I haven't the foggiest idea what all this is about. | 1:09:24 | 1:09:28 | |
You wound up AGRA and all the other freelancers. | 1:09:28 | 1:09:32 | |
I haven't done any of the things you're accusing me of. | 1:09:32 | 1:09:36 | |
Not one. | 1:09:36 | 1:09:37 | |
Not. One. | 1:09:40 | 1:09:42 | |
Do you think she'll like bedtime stories? I'd like to do those. | 1:09:58 | 1:10:01 | |
Yeah? | 1:10:01 | 1:10:02 | |
Yeah. I just make a series of gurgling noises at the moment. | 1:10:02 | 1:10:05 | |
Although she does seem to enjoy them. | 1:10:05 | 1:10:07 | |
Well, I'll have to give that a go. | 1:10:07 | 1:10:09 | |
Got a lot to catch up on. | 1:10:10 | 1:10:12 | |
-AJAY: -'You think you understand. You understand nothing.' | 1:10:28 | 1:10:32 | |
-MYCROFT: -'Code names Antarctica, Langdale, Porlock and Love.' | 1:10:36 | 1:10:39 | |
-MARY: -'You'd be amazed at what a receptionist picks up. | 1:10:39 | 1:10:41 | |
'They know everything.' | 1:10:41 | 1:10:43 | |
'They said it was the English woman.' | 1:10:43 | 1:10:45 | |
'Don't minute any of this.' | 1:10:45 | 1:10:47 | |
'They know everything.' | 1:10:47 | 1:10:49 | |
-You don't make it easy, do you? -What do you mean? | 1:11:00 | 1:11:03 | |
Well, being...being so perfect. | 1:11:04 | 1:11:07 | |
Mary, I... I need to tell you... | 1:11:10 | 1:11:14 | |
-PHONE BEEPS -Hang on. | 1:11:14 | 1:11:17 | |
Can you tell me later? | 1:11:17 | 1:11:18 | |
-Yeah. -Great. -Yeah. | 1:11:20 | 1:11:22 | |
Well, no, we can't just go. | 1:11:23 | 1:11:24 | |
-Rosie. -Yeah. -Er, you go. -No! | 1:11:24 | 1:11:27 | |
I'll come as soon as I've found someone - Mrs Hudson. | 1:11:27 | 1:11:29 | |
-Corfu till Saturday. Molly? -Er, yeah, I'll try. | 1:11:29 | 1:11:31 | |
Well, we should both stay and wait for her. | 1:11:31 | 1:11:32 | |
You know that's not going to happen. | 1:11:32 | 1:11:34 | |
If there's more to this case, you need to see it. | 1:11:34 | 1:11:36 | |
Yeah, OK, you win. | 1:11:36 | 1:11:37 | |
'Ladies and gentlemen, the aquarium will be closing in five minutes. | 1:11:51 | 1:11:56 | |
'Please make your way to the exit. Thank you.' | 1:11:56 | 1:11:59 | |
Your office said I'd find you here. | 1:12:10 | 1:12:13 | |
This was always my favourite spot for agents to meet. | 1:12:13 | 1:12:16 | |
We're like them. | 1:12:18 | 1:12:21 | |
Ghostly, living in the shadows. | 1:12:21 | 1:12:24 | |
Predatory? | 1:12:24 | 1:12:25 | |
Well, it depends which side you're on. | 1:12:25 | 1:12:28 | |
Also, we have to keep moving or we die. | 1:12:28 | 1:12:31 | |
Nice location for the final act, | 1:12:31 | 1:12:32 | |
couldn't have chosen it better myself. | 1:12:32 | 1:12:34 | |
But then I never could resist a touch of the dramatic. | 1:12:34 | 1:12:36 | |
I just come here to look at the fish. | 1:12:36 | 1:12:38 | |
I knew this would happen one day. | 1:12:40 | 1:12:42 | |
-It's like that old story. -I really am a very busy man. | 1:12:44 | 1:12:46 | |
Would you mind cutting to the chase? | 1:12:46 | 1:12:48 | |
You're very sure of yourself, aren't you? | 1:12:48 | 1:12:50 | |
With good reason. | 1:12:50 | 1:12:51 | |
"There was once a merchant, in a famous market in Baghdad." | 1:12:51 | 1:12:55 | |
I really have never liked this story. | 1:12:57 | 1:12:59 | |
I'm just like the merchant in the story, | 1:12:59 | 1:13:01 | |
I thought I could out-run the inevitable. | 1:13:01 | 1:13:04 | |
I've always been looking over my shoulder, | 1:13:04 | 1:13:06 | |
-always expecting to see the grim figure of... -Death. | 1:13:06 | 1:13:10 | |
-Hello, Mary. -Hey. -John? -On his way. | 1:13:10 | 1:13:12 | |
Let me introduce Ammo. | 1:13:13 | 1:13:14 | |
You were Ammo? | 1:13:15 | 1:13:17 | |
You were the person on the phone that time? | 1:13:18 | 1:13:20 | |
Using AGRA as her private assassination unit. | 1:13:20 | 1:13:22 | |
Why did you betray us? | 1:13:22 | 1:13:24 | |
Why does anyone do anything? | 1:13:24 | 1:13:26 | |
Hmm. Let me guess, selling secrets? | 1:13:26 | 1:13:28 | |
Well, it would be churlish to refuse. | 1:13:28 | 1:13:30 | |
Worked very well for a few years. | 1:13:31 | 1:13:33 | |
I bought a nice cottage in Cornwall on the back of it. | 1:13:33 | 1:13:35 | |
But... | 1:13:35 | 1:13:37 | |
The ambassador in Tbilisi found out. I thought I'd had it. | 1:13:37 | 1:13:41 | |
Then she was taken hostage in that coup. | 1:13:41 | 1:13:45 | |
-SHE CHUCKLES -I couldn't believe my luck! | 1:13:45 | 1:13:47 | |
That bought me a little time. | 1:13:47 | 1:13:49 | |
But then you found out your boss had sent AGRA in. | 1:13:49 | 1:13:51 | |
Very handy. They were always such reliable killers. | 1:13:51 | 1:13:54 | |
What you didn't know, Mary, | 1:13:54 | 1:13:56 | |
was that this one also tipped off the hostage-takers. | 1:13:56 | 1:13:59 | |
Lady Smallwood gave the order. | 1:13:59 | 1:14:01 | |
But I sent another one to the terrorists, | 1:14:01 | 1:14:04 | |
with a nice little clue about her code name, | 1:14:04 | 1:14:07 | |
should anyone have an enquiring mind. | 1:14:07 | 1:14:10 | |
Seemed to do the trick. | 1:14:10 | 1:14:12 | |
And you thought your troubles were over. | 1:14:12 | 1:14:14 | |
I was tired. | 1:14:14 | 1:14:16 | |
Tired of the mess of it all. | 1:14:16 | 1:14:18 | |
I just wanted some peace, some clarity. | 1:14:20 | 1:14:23 | |
The hostages were killed. | 1:14:25 | 1:14:27 | |
AGRA too. | 1:14:27 | 1:14:29 | |
Or so I thought. | 1:14:29 | 1:14:31 | |
My secret was safe. | 1:14:31 | 1:14:33 | |
But...apparently not. | 1:14:35 | 1:14:36 | |
Just a little peace. | 1:14:38 | 1:14:40 | |
That's all you wanted too, wasn't it? | 1:14:41 | 1:14:43 | |
A family? Home? | 1:14:43 | 1:14:47 | |
Really, I understand. | 1:14:47 | 1:14:48 | |
So, just let me get out of here, right? | 1:14:51 | 1:14:55 | |
Let me just walk away. | 1:14:55 | 1:14:56 | |
I'll vanish, I'll go forever. | 1:14:56 | 1:14:59 | |
What do you say? | 1:15:01 | 1:15:02 | |
After what you did?! | 1:15:02 | 1:15:04 | |
Mary, no! | 1:15:04 | 1:15:05 | |
OK. | 1:15:06 | 1:15:08 | |
London Aquarium. Yes, now. | 1:15:10 | 1:15:13 | |
I was never a field agent. | 1:15:16 | 1:15:18 | |
I always thought I'd be rather good. | 1:15:18 | 1:15:20 | |
MARY SCOFFS | 1:15:20 | 1:15:22 | |
Well, you handled the operation in Tbilisi very well. | 1:15:22 | 1:15:24 | |
Thanks. | 1:15:24 | 1:15:26 | |
-For a secretary. -What? | 1:15:26 | 1:15:27 | |
It can't have been easy all those years, sitting in the back, | 1:15:27 | 1:15:30 | |
keeping your mouth shut when you knew you were cleverer than | 1:15:30 | 1:15:32 | |
most of the people in the room. | 1:15:32 | 1:15:33 | |
-I didn't do this out of jealousy. -No? | 1:15:33 | 1:15:36 | |
Same old drudge, day in, day out. | 1:15:38 | 1:15:41 | |
Never getting out there where all the excitement was. | 1:15:41 | 1:15:44 | |
Just back to your little flat on Wigmore Street. | 1:15:44 | 1:15:47 | |
They've taken up the pavement outside the post office there. | 1:15:47 | 1:15:50 | |
The local clay on your shoes is very distinctive. | 1:15:50 | 1:15:52 | |
-Yes, your little flat. -How do you know? -Well, on your salary, | 1:15:52 | 1:15:55 | |
it would have to be modest, | 1:15:55 | 1:15:56 | |
and you spent all the money on that cottage, didn't you? | 1:15:56 | 1:15:58 | |
And what are you, widowed or divorced? | 1:15:58 | 1:16:00 | |
Wedding ring is at least 30 years old and you've moved it | 1:16:00 | 1:16:03 | |
to another finger. That means you're sentimentally attached to it, | 1:16:03 | 1:16:06 | |
but you're not still married. | 1:16:06 | 1:16:07 | |
I favour widowed, given the number of cats you share your life with. | 1:16:07 | 1:16:09 | |
-Sherlock... -Two Burmese and a Tortoiseshell, | 1:16:09 | 1:16:11 | |
judging by the cat hairs on your cardigan. | 1:16:11 | 1:16:13 | |
A divorcee is more likely to look for a new partner, | 1:16:13 | 1:16:15 | |
a widow to fill the void left by her dead husband. | 1:16:15 | 1:16:18 | |
-Sherlock, don't. -Pets do that, or so I'm told. | 1:16:18 | 1:16:20 | |
There's clearly no-one new in your life, | 1:16:20 | 1:16:22 | |
or you wouldn't be spending your Friday nights in an aquarium. | 1:16:22 | 1:16:24 | |
That accounts for the drink problem too, | 1:16:24 | 1:16:26 | |
the slight tremor in your hand, | 1:16:26 | 1:16:27 | |
the red wine stain ghosting your top lip. | 1:16:27 | 1:16:29 | |
So, yes, I'd say jealousy was your motive after all. | 1:16:29 | 1:16:33 | |
To prove how good you are. | 1:16:34 | 1:16:36 | |
To make up for the inadequacies of your...little life. | 1:16:37 | 1:16:40 | |
Well, Mrs Norbury, | 1:16:42 | 1:16:44 | |
I must admit this is unexpected. | 1:16:44 | 1:16:46 | |
Vivian Norbury, | 1:16:46 | 1:16:48 | |
who out-smarted them all. | 1:16:48 | 1:16:51 | |
All except Sherlock Holmes. | 1:16:51 | 1:16:53 | |
There's no way out. | 1:16:56 | 1:16:57 | |
So it would seem. | 1:16:59 | 1:17:00 | |
You've seen right through me, Mr Holmes. | 1:17:02 | 1:17:04 | |
It's what I do. | 1:17:04 | 1:17:05 | |
Maybe I can still surprise you. | 1:17:07 | 1:17:10 | |
Now, come on, be sensible. | 1:17:10 | 1:17:12 | |
Hmm, no, I don't think so. | 1:17:14 | 1:17:16 | |
-Ah! -Surprise! | 1:17:27 | 1:17:30 | |
MARY GASPS FOR AIR | 1:17:30 | 1:17:31 | |
MARY GROANS | 1:17:31 | 1:17:33 | |
Everything's fine. It's going to be OK. | 1:17:35 | 1:17:37 | |
Get an ambulance! | 1:17:37 | 1:17:39 | |
-It's all right, it's all right. -Mary! -John. | 1:17:39 | 1:17:42 | |
All right, Mary? Mary? Stay with me, stay with me. | 1:17:42 | 1:17:46 | |
-Oh, come on... -No, don't worry. | 1:17:46 | 1:17:48 | |
Come on, Doctor, you can do better than that. | 1:17:48 | 1:17:50 | |
Come on, Mary. Mary? | 1:17:50 | 1:17:51 | |
Oh, God. John, I think this is it. | 1:17:51 | 1:17:53 | |
No, no, no, no. It's not. | 1:17:53 | 1:17:55 | |
-That's... -You made me so happy. | 1:17:55 | 1:17:57 | |
You gave me everything I could ever, ever have wanted... | 1:17:57 | 1:18:02 | |
Ssh, ssh, Mary, Mary, ssh, ssh. | 1:18:02 | 1:18:04 | |
-Look after Rosie. -Ssh, ssh, ssh. | 1:18:04 | 1:18:06 | |
-Promise me. -I promise. -No... -Yes, I promise. | 1:18:06 | 1:18:09 | |
-Promise me! -I promise, I promise. Ssh, ssh. | 1:18:09 | 1:18:13 | |
Hey, Sherlock. | 1:18:13 | 1:18:14 | |
Yes. | 1:18:14 | 1:18:15 | |
I... | 1:18:15 | 1:18:17 | |
so like you. | 1:18:17 | 1:18:19 | |
Did I ever say? | 1:18:19 | 1:18:21 | |
Yes, yes, you did. | 1:18:22 | 1:18:24 | |
I'm sorry for...for shooting you that time. I'm really sorry. | 1:18:24 | 1:18:30 | |
-It's all right. -I think we're even now, OK? | 1:18:31 | 1:18:34 | |
OK. | 1:18:34 | 1:18:35 | |
-Oh, I think we're... -Mary, Mary... | 1:18:35 | 1:18:37 | |
-..even, definitely even. -Ssh, ssh. -Ooh. | 1:18:37 | 1:18:40 | |
You were my whole world. | 1:18:43 | 1:18:45 | |
Being Mary Watson... | 1:18:50 | 1:18:53 | |
..was the only life worth living. | 1:18:54 | 1:18:58 | |
-Mary... -Thank you. | 1:18:58 | 1:19:00 | |
Mary... | 1:19:03 | 1:19:05 | |
HE BEWAILS | 1:19:24 | 1:19:26 | |
Don't you dare! | 1:19:42 | 1:19:44 | |
You made a vow. | 1:19:47 | 1:19:49 | |
You swore it. | 1:19:52 | 1:19:53 | |
PHONE BEEPS REPEATEDLY | 1:21:08 | 1:21:12 | |
'You've been having dreams. A recurring dream?' | 1:21:20 | 1:21:24 | |
CLOCK TICKS RHYTHMICALLY | 1:21:30 | 1:21:31 | |
Do you want to talk about it? | 1:21:33 | 1:21:34 | |
This is a two-way relationship, you know. | 1:21:44 | 1:21:46 | |
SHE SIGHS | 1:21:51 | 1:21:54 | |
The whole world has come crashing down around you. | 1:21:56 | 1:22:00 | |
Everything's hopeless. | 1:22:00 | 1:22:02 | |
Irretrievable. | 1:22:02 | 1:22:03 | |
I know that's what you must feel... | 1:22:05 | 1:22:07 | |
..but I can only help you if you completely open yourself up to me. | 1:22:08 | 1:22:11 | |
That's not really my style. | 1:22:11 | 1:22:13 | |
I need to know what to do. | 1:22:20 | 1:22:22 | |
Do? | 1:22:24 | 1:22:25 | |
About John. | 1:22:26 | 1:22:27 | |
BACK CRACKS, HE GROANS | 1:22:40 | 1:22:42 | |
Put me through to Sherrinford, please. Yes, I'll wait. | 1:23:15 | 1:23:19 | |
-SOBS: -But nothing will ever be the same again, will it? | 1:23:27 | 1:23:29 | |
I'm afraid it won't. | 1:23:29 | 1:23:31 | |
We'll have to rally round, I expect, do our bit. | 1:23:31 | 1:23:34 | |
Look after little Rosie. | 1:23:34 | 1:23:36 | |
I'm just going to, um... | 1:23:37 | 1:23:38 | |
..look through these things. There might be a case. | 1:23:40 | 1:23:43 | |
A case? Oh, you're not up to it, are you? | 1:23:43 | 1:23:47 | |
Work is the best antidote to sorrow, Mrs Hudson. | 1:23:48 | 1:23:51 | |
Yes. Yes, I expect you're right. | 1:23:51 | 1:23:54 | |
I'll make some tea, shall I? | 1:23:54 | 1:23:56 | |
-Mrs Hudson? -Yes, Sherlock? | 1:23:56 | 1:23:58 | |
If you ever think I'm becoming a bit full of myself, | 1:24:01 | 1:24:04 | |
cocky or over-confident... | 1:24:04 | 1:24:07 | |
-Yes? -..would you just say the word Norbury to me? Would you? | 1:24:07 | 1:24:11 | |
Norbury? | 1:24:11 | 1:24:13 | |
Just that. | 1:24:13 | 1:24:14 | |
I'd be very grateful. | 1:24:16 | 1:24:17 | |
What's this? | 1:24:22 | 1:24:23 | |
Oh, I brought that up. It was mixed up with my things. | 1:24:23 | 1:24:26 | |
Oh, God! Is that...? | 1:24:31 | 1:24:33 | |
-Must be. -Oh. | 1:24:33 | 1:24:35 | |
I knew it wouldn't end like this. | 1:24:36 | 1:24:38 | |
I knew Moriarty made plans. | 1:24:38 | 1:24:40 | |
'I thought that would get your attention. | 1:24:43 | 1:24:46 | |
'So, this is in case... | 1:24:46 | 1:24:48 | |
'In case the day comes. | 1:24:51 | 1:24:53 | |
'If you are watching this, I'm probably dead. | 1:24:53 | 1:24:57 | |
'I hope I can have an ordinary life but who knows? | 1:24:58 | 1:25:00 | |
'Nothing's certain, nothing's written. | 1:25:00 | 1:25:04 | |
'My old life... | 1:25:04 | 1:25:06 | |
'..it was full of consequences. | 1:25:08 | 1:25:10 | |
'The danger was the fun part but you can't outrun that forever. | 1:25:13 | 1:25:16 | |
'You need to remember that. So... | 1:25:16 | 1:25:18 | |
'..I'm giving you a case, Sherlock. | 1:25:21 | 1:25:25 | |
'Might be the hardest case of your career. | 1:25:27 | 1:25:30 | |
'When I'm...gone, if I'm gone... | 1:25:31 | 1:25:35 | |
'..I need you to do something for me.' | 1:25:38 | 1:25:40 | |
-BABY GURGLES -Hi. | 1:25:48 | 1:25:51 | |
I just wondered how things were going and... | 1:25:52 | 1:25:56 | |
..if there was anything I could do. | 1:25:57 | 1:25:59 | |
It's, er, it's from John. | 1:26:02 | 1:26:04 | |
-Right. -You don't need to read it now. | 1:26:06 | 1:26:08 | |
I'm sorry, Sherlock. | 1:26:10 | 1:26:12 | |
He says... John said if you were to come round asking after him, | 1:26:12 | 1:26:17 | |
offering to help... | 1:26:17 | 1:26:19 | |
Yes? | 1:26:20 | 1:26:22 | |
He said he'd... | 1:26:22 | 1:26:24 | |
..that he'd rather have anyone but you. | 1:26:26 | 1:26:28 | |
Anyone. | 1:26:30 | 1:26:31 | |
DOOR CLOSES | 1:26:39 | 1:26:41 | |
'I'm giving you a case, Sherlock. | 1:26:46 | 1:26:50 | |
'When I'm gone, if I'm...gone... | 1:26:53 | 1:26:57 | |
'..I need you to do something for me. | 1:26:59 | 1:27:01 | |
'Save John Watson. | 1:27:05 | 1:27:07 | |
'Save him, Sherlock. | 1:27:10 | 1:27:12 | |
'Save him.' | 1:27:14 | 1:27:16 | |
'When does the path we walk on lock around our feet? | 1:27:22 | 1:27:25 | |
'When does the road become a river with only one destination?' | 1:27:29 | 1:27:33 | |
'Death waits for us all in Samarra. | 1:27:36 | 1:27:41 | |
'But can Samarra be avoided?' | 1:27:41 | 1:27:43 | |
'Go to hell, Sherlock.' | 1:28:23 | 1:28:25 |