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| Line | From | To | |
|---|---|---|---|
TANNOY: 'Welcome aboard this NorthLink ferry service to Lerwick. | 0:00:49 | 0:00:53 | |
'Journey time today will be 12 hours. | 0:00:57 | 0:01:01 | |
'Expected arrival time is 7:00am tomorrow morning. | 0:01:01 | 0:01:04 | |
TANNOY ANNOUNCEMENT | 0:01:08 | 0:01:12 | |
PASSENGERS CHATTING | 0:01:21 | 0:01:23 | |
ARGUING | 0:01:25 | 0:01:28 | |
No, I haven't! | 0:01:28 | 0:01:29 | |
-No, I didn't! -Get off me! -Listen to me! | 0:01:29 | 0:01:32 | |
Get away from me! | 0:01:32 | 0:01:34 | |
Go on! Just get away! | 0:01:36 | 0:01:38 | |
Are you all right? | 0:01:44 | 0:01:46 | |
I fell on my arse. It's no big deal. | 0:01:46 | 0:01:48 | |
What's your name anyway? | 0:01:53 | 0:01:55 | |
-Leanne. -I'm Robbie. | 0:01:56 | 0:01:58 | |
Agh! It's mad, isn't it?! | 0:02:01 | 0:02:03 | |
SHE LAUGHS | 0:02:03 | 0:02:06 | |
I want a drink, Leanne. | 0:02:12 | 0:02:14 | |
You want a drink? | 0:02:14 | 0:02:15 | |
-Yeah. Yeah! -Let's go. | 0:02:18 | 0:02:20 | |
You're lucky you're here now cos, in the old days, | 0:02:24 | 0:02:26 | |
they never bothered with candles in Shetland. | 0:02:26 | 0:02:29 | |
-You'd just stick a wick in a puffin and away you go! -No! | 0:02:29 | 0:02:31 | |
Seriously, and it's no better for the poor wee bastards with green energy. | 0:02:31 | 0:02:35 | |
Those...wind turbines are killing machines! | 0:02:35 | 0:02:38 | |
The whole place is just feathers and decapitated puffin! | 0:02:38 | 0:02:41 | |
SHE LAUGHS | 0:02:41 | 0:02:44 | |
I'll show you round, if you like. | 0:02:50 | 0:02:51 | |
Who was that man? | 0:02:58 | 0:02:59 | |
What happened? Why was he so angry with you? | 0:02:59 | 0:03:01 | |
Hey, Leanne... | 0:03:01 | 0:03:03 | |
..you want to have some fun? | 0:03:05 | 0:03:08 | |
FIDDLE MUSIC PLAYS | 0:03:08 | 0:03:10 | |
PEOPLE CLAP ALONG | 0:03:14 | 0:03:16 | |
LAUGHTER | 0:03:25 | 0:03:27 | |
FOGHORN HONKS | 0:03:37 | 0:03:40 | |
BELL CHIMES | 0:03:42 | 0:03:45 | |
Ladies and gentlemen, welcome to Lerwick. | 0:03:45 | 0:03:48 | |
The time is now seven o'clock in the morning. | 0:03:48 | 0:03:50 | |
On behalf of NorthLink Ferries, | 0:03:50 | 0:03:52 | |
I'd like to thank you for joining us on this trip | 0:03:52 | 0:03:54 | |
and we're looking forward to seeing you on board again soon. | 0:03:54 | 0:03:58 | |
METAL CLANGS | 0:04:05 | 0:04:08 | |
DOORS SLAM | 0:04:32 | 0:04:34 | |
SHE EXHALES | 0:04:44 | 0:04:46 | |
METAL SQUEAKS | 0:04:47 | 0:04:50 | |
CROWD MURMURS | 0:04:52 | 0:04:55 | |
ENGINE PURRS | 0:05:18 | 0:05:21 | |
CROWD MURMURS | 0:05:30 | 0:05:32 | |
MAN LAUGHS | 0:05:32 | 0:05:35 | |
METAL CLANKS | 0:05:38 | 0:05:41 | |
PLANE ENGINE ROARS | 0:05:55 | 0:05:58 | |
Look, I'm just talking about getting out sometimes - | 0:06:01 | 0:06:04 | |
being a bit more normal. | 0:06:04 | 0:06:06 | |
What do you mean, "normal?" I get out plenty. | 0:06:06 | 0:06:08 | |
But when was the last time you had a date...since Mum died? | 0:06:08 | 0:06:11 | |
Look, Cass, I'm fine. | 0:06:11 | 0:06:12 | |
Yeah, well, I'm not. OK? | 0:06:12 | 0:06:14 | |
I don't want to feel responsible for you being happy - not on my own. | 0:06:14 | 0:06:18 | |
-ANNOUNCER: -Would passenger McGonagall... | 0:06:18 | 0:06:20 | |
Jimmy. | 0:06:20 | 0:06:21 | |
..flying to Qatar...? | 0:06:21 | 0:06:23 | |
Hey. | 0:06:23 | 0:06:24 | |
Look at you, Angel Girl. | 0:06:24 | 0:06:27 | |
University life's suiting you, I see. | 0:06:27 | 0:06:29 | |
Hi, Rhona. They let you and Jimmy fly together? | 0:06:31 | 0:06:34 | |
Shetland's entire criminal justice system on a plane? | 0:06:34 | 0:06:37 | |
Our flight's been called. We should probably go. | 0:06:39 | 0:06:41 | |
-ANNOUNCER: -Would any remaining passengers travelling on this flight | 0:06:41 | 0:06:44 | |
please proceed immediately to gate 25? | 0:06:44 | 0:06:47 | |
Thanks for visiting. It's been brilliant. | 0:06:47 | 0:06:49 | |
-Bye, sweetheart. See you. -Bye. | 0:06:49 | 0:06:52 | |
Cheers, lovie. | 0:06:52 | 0:06:53 | |
-You will tell him for me? -Yeah, yeah. | 0:06:54 | 0:06:57 | |
-ANNOUNCER: -This is an announcement for passengers... | 0:06:59 | 0:07:02 | |
-Dad! -..flying from Glasgow to Malaga... | 0:07:02 | 0:07:05 | |
I love you. | 0:07:05 | 0:07:07 | |
..please contact a member of staff immediately. | 0:07:07 | 0:07:10 | |
WAVES CRASH | 0:07:12 | 0:07:14 | |
SEAGULLS SQUAWK | 0:07:14 | 0:07:17 | |
WAVES CRASH | 0:07:27 | 0:07:30 | |
SEAGULLS SQUAWK | 0:08:09 | 0:08:12 | |
DOG BARKS | 0:08:12 | 0:08:14 | |
DOG BARKS | 0:08:22 | 0:08:25 | |
DOG PANTS | 0:08:26 | 0:08:30 | |
Hey, Jamie! | 0:08:30 | 0:08:32 | |
Jamie! | 0:08:32 | 0:08:34 | |
CAR ENGINE STARTS | 0:08:40 | 0:08:42 | |
MAN BREATHES HEAVILY | 0:08:44 | 0:08:47 | |
HE EXHALES | 0:08:54 | 0:08:56 | |
Hello? | 0:08:56 | 0:08:58 | |
Hello! | 0:09:00 | 0:09:02 | |
PHONE BEEPS | 0:09:06 | 0:09:08 | |
-HE BANGS ON METAL -Is anyone there?! | 0:09:08 | 0:09:10 | |
Hello?! | 0:09:10 | 0:09:12 | |
HE GROANS AND GRUNTS | 0:09:12 | 0:09:15 | |
PHONE BEEPS | 0:09:15 | 0:09:17 | |
HE GRUNTS | 0:09:17 | 0:09:19 | |
Hello! | 0:09:19 | 0:09:21 | |
Anyone, I'm in here! Help! Help! | 0:09:21 | 0:09:23 | |
Maybe if you had a name. | 0:09:23 | 0:09:25 | |
Robbie. | 0:09:25 | 0:09:26 | |
-A full name...or an address, or place of work. -No. | 0:09:26 | 0:09:31 | |
No. | 0:09:31 | 0:09:32 | |
DOOR BEEPS All right, Billy? | 0:09:32 | 0:09:36 | |
Robbie - that's all I know. | 0:09:36 | 0:09:37 | |
Hey. How was Glasgow? | 0:09:37 | 0:09:40 | |
-How was Cassie? -Good. | 0:09:40 | 0:09:41 | |
Er...where's Sandy? | 0:09:43 | 0:09:45 | |
School run. | 0:09:45 | 0:09:47 | |
One minute he's a bachelor about town, the next he's moved in | 0:09:47 | 0:09:49 | |
with Jenny and her kids. All a bit bloody born-again, if you ask me. | 0:09:49 | 0:09:53 | |
Ah, well, you know, as long as they're happy. | 0:09:53 | 0:09:55 | |
Of course she's happy. | 0:09:55 | 0:09:56 | |
Last time I saw her old man, he was in the cells - | 0:09:56 | 0:09:58 | |
at least Sandy just works here. | 0:09:58 | 0:10:01 | |
Are you coming to the pub? | 0:10:01 | 0:10:02 | |
Er...no. | 0:10:02 | 0:10:04 | |
-No, I'm going to catch up here, thanks. -OK. | 0:10:04 | 0:10:07 | |
-Well, see you tomorrow. -Yup. | 0:10:07 | 0:10:08 | |
HE EXHALES | 0:10:12 | 0:10:14 | |
Again? Wasn't she in this morning? | 0:10:21 | 0:10:24 | |
Aye, lost track of some boy on the ferry. | 0:10:24 | 0:10:26 | |
I don't think he was as keen as she was. | 0:10:26 | 0:10:28 | |
Story of my life. | 0:10:28 | 0:10:30 | |
Right, I'm off for a drink. | 0:10:30 | 0:10:31 | |
Yeah? No whisky chasers. | 0:10:31 | 0:10:34 | |
-You told me to remind you next time. -Whatever. | 0:10:34 | 0:10:37 | |
Give us another one. | 0:10:39 | 0:10:40 | |
Come on, man, | 0:10:40 | 0:10:42 | |
you've been sat at that stool half the day. | 0:10:42 | 0:10:45 | |
It's time to move on. | 0:10:45 | 0:10:46 | |
Aye, fair enough. | 0:10:51 | 0:10:52 | |
You just missed a call from Dr McLean. | 0:11:17 | 0:11:19 | |
Ah, mother or son? | 0:11:19 | 0:11:21 | |
Not Cora - Paul. | 0:11:21 | 0:11:22 | |
He's on duty at A&E. | 0:11:22 | 0:11:25 | |
He says it's urgent. | 0:11:25 | 0:11:27 | |
All right, here, have a curry. | 0:11:27 | 0:11:29 | |
-Jimmy. -How are you doing, Paul? | 0:11:40 | 0:11:42 | |
It'll have to be confirmed, | 0:11:44 | 0:11:45 | |
but everything we're seeing points to MDMA. | 0:11:45 | 0:11:47 | |
MACHINE BEEPS | 0:11:50 | 0:11:52 | |
HE WHISPERS | 0:11:52 | 0:11:55 | |
I collected him from school. | 0:12:00 | 0:12:03 | |
He played in the garden and then on the beach. | 0:12:04 | 0:12:07 | |
MACHINE BEEPS | 0:12:07 | 0:12:09 | |
They're saying it's ecstasy. | 0:12:09 | 0:12:12 | |
Was he playing on his own? | 0:12:12 | 0:12:13 | |
Yeah, yeah, he knows not to go in the water. | 0:12:15 | 0:12:18 | |
Well, what about school? | 0:12:18 | 0:12:20 | |
Where does Callum wait for you? | 0:12:20 | 0:12:22 | |
I mean, could he have picked something up on the road? | 0:12:22 | 0:12:24 | |
No, he waits in the playground for me. | 0:12:24 | 0:12:27 | |
Do you know what? | 0:12:27 | 0:12:29 | |
I even keep Calpol locked up in a cabinet he can't reach. | 0:12:29 | 0:12:32 | |
You can search the house. | 0:12:32 | 0:12:33 | |
-SOBBING: -There is no way... | 0:12:35 | 0:12:37 | |
Which beach? | 0:12:37 | 0:12:39 | |
St Ninian's. | 0:12:41 | 0:12:44 | |
MACHINE BEEPS FASTER | 0:12:44 | 0:12:46 | |
-We need some help in here. -Callum? | 0:12:46 | 0:12:48 | |
What's he doing? Callum! | 0:12:48 | 0:12:50 | |
He's unresponsive. He's having a tonic-clonic seizure. | 0:12:50 | 0:12:53 | |
-I'm increasing his oxygen... -Callum, please, what are you doing? | 0:12:53 | 0:12:56 | |
-You just come with me. -Someone get the BM machine. | 0:12:56 | 0:12:58 | |
-Callum! Is he OK? -Come on, give them some room to work. | 0:12:58 | 0:13:00 | |
-Support his airwaves... -Is he going to be OK? | 0:13:00 | 0:13:03 | |
SEAGULLS SHRIEK | 0:13:07 | 0:13:10 | |
WAVES CRASH | 0:13:10 | 0:13:13 | |
WATER SPLASHES | 0:13:25 | 0:13:28 | |
BIRDS TWITTER | 0:13:31 | 0:13:34 | |
I'm Detective Inspector Jimmy Perez. | 0:13:43 | 0:13:45 | |
There's lots of stuff washing up on the beach | 0:13:45 | 0:13:47 | |
and I just need to know where it's coming from. | 0:13:47 | 0:13:49 | |
It'll be the wind bringing it in. | 0:13:49 | 0:13:51 | |
It's fell away now, but... | 0:13:51 | 0:13:53 | |
oh, there was a flying gale earlier. | 0:13:53 | 0:13:56 | |
When it blows from the south, things get snagged in it. | 0:13:56 | 0:13:59 | |
Yeah, down there. | 0:13:59 | 0:14:00 | |
PHONE BEEPS | 0:14:08 | 0:14:10 | |
You see, I cannae get a signal up here. | 0:14:10 | 0:14:12 | |
Can you phone that number? Her name's Tosh. | 0:14:15 | 0:14:17 | |
Tell her DI Perez says to come down here and to bring Sandy with her, | 0:14:17 | 0:14:21 | |
and tell her she's going to have to seal off the beach here. | 0:14:21 | 0:14:25 | |
-Have you got that? -Aye. | 0:14:25 | 0:14:26 | |
WAVES CRASH | 0:14:28 | 0:14:32 | |
HE GRUNTS | 0:14:43 | 0:14:45 | |
WATER SPLASHES | 0:14:53 | 0:14:55 | |
HE EXHALES | 0:15:04 | 0:15:06 | |
Ah! | 0:15:06 | 0:15:08 | |
Hey! | 0:15:08 | 0:15:11 | |
Come here! Come here! | 0:15:15 | 0:15:17 | |
Ah! | 0:15:17 | 0:15:19 | |
Ugh! | 0:15:19 | 0:15:20 | |
Come! | 0:15:20 | 0:15:22 | |
HE GROANS | 0:15:30 | 0:15:33 | |
HE PANTS | 0:15:33 | 0:15:35 | |
Ah, oh... | 0:15:37 | 0:15:40 | |
Ah... | 0:15:40 | 0:15:41 | |
Ah... | 0:15:41 | 0:15:43 | |
Ah! | 0:15:47 | 0:15:48 | |
Sir, are you all right? | 0:15:51 | 0:15:53 | |
Yeah. Did you see the car? | 0:15:53 | 0:15:56 | |
Just the lights. | 0:15:56 | 0:15:57 | |
Sir. Sir! | 0:15:57 | 0:15:59 | |
SHOWER RUNNING | 0:16:10 | 0:16:13 | |
GASPING | 0:16:14 | 0:16:17 | |
-Paul McLean called from the hospital. -Mm-hm. | 0:16:38 | 0:16:40 | |
The substance has been confirmed as MDMA | 0:16:40 | 0:16:43 | |
but it also contains PMA, easier to synthesise, cheaper to make | 0:16:43 | 0:16:47 | |
and when mixed with ecstasy, toxic. | 0:16:47 | 0:16:49 | |
He's sending through the information now. | 0:16:49 | 0:16:51 | |
-What about the wee boy, Callum? -Kidney failure. | 0:16:51 | 0:16:53 | |
They're testing his mum as a possible living donor. | 0:16:53 | 0:16:55 | |
I've put out a warning and we've got uniform on the beach. | 0:16:55 | 0:16:58 | |
The bags are still coming in, but not so many. | 0:16:58 | 0:17:00 | |
And I spoke to the coastguard. Given yesterday's wind, | 0:17:00 | 0:17:02 | |
their guess is that the rucksack went in somewhere due south of St Ninian's. | 0:17:02 | 0:17:06 | |
Or it could have been dumped where we found it. | 0:17:06 | 0:17:08 | |
There's no wallet in the rucksack? No ID, no phone? | 0:17:08 | 0:17:11 | |
No. We have found this boarding pass. | 0:17:11 | 0:17:14 | |
We just can't make out the name. | 0:17:14 | 0:17:17 | |
"O... | 0:17:17 | 0:17:19 | |
"B..." | 0:17:19 | 0:17:21 | |
And I think that might be an E. | 0:17:21 | 0:17:22 | |
Billy, that girl that came in yesterday was | 0:17:27 | 0:17:29 | |
asking after the boy on the ferry - what was his name? | 0:17:29 | 0:17:32 | |
I was lucky I had booked anywhere, so... | 0:17:49 | 0:17:51 | |
Just... Wish I'd brought warmer clothes. | 0:17:53 | 0:17:56 | |
I didn't know it would be so windy. | 0:17:56 | 0:17:58 | |
-Bye, Leanne. -See you. | 0:17:59 | 0:18:01 | |
So you came into our station twice yesterday. | 0:18:05 | 0:18:07 | |
The sergeant didn't believe me | 0:18:09 | 0:18:10 | |
because I only met Robbie on the boat. | 0:18:10 | 0:18:12 | |
He thinks he gave me the slip. | 0:18:13 | 0:18:16 | |
And why are you so sure he's wrong? | 0:18:16 | 0:18:18 | |
There was this man early on in the crossing | 0:18:20 | 0:18:23 | |
and he and Robbie were arguing, and the man pushed Robbie | 0:18:23 | 0:18:26 | |
and Robbie fell, and other people saw this - | 0:18:26 | 0:18:28 | |
not just me. | 0:18:28 | 0:18:30 | |
And we were going to get off the boat together. He said he'd show me around. | 0:18:32 | 0:18:35 | |
And you've got no way of contacting him? | 0:18:35 | 0:18:37 | |
-You haven't got a phone number, or...? -He had mine. | 0:18:37 | 0:18:40 | |
Right, look, I don't have his number. I don't know where he lived. | 0:18:44 | 0:18:47 | |
I don't even know his last name, but I am telling you - | 0:18:47 | 0:18:50 | |
he never got off that ferry. | 0:18:50 | 0:18:52 | |
The man that Robbie was arguing with - can you describe him? | 0:18:56 | 0:19:00 | |
He was a tall guy... | 0:19:00 | 0:19:02 | |
Dark hair, beard and he was wearing these rings. These big silver rings. | 0:19:02 | 0:19:08 | |
Leanne, did Robbie have any luggage with him? | 0:19:10 | 0:19:14 | |
A rucksack and a holdall. | 0:19:15 | 0:19:17 | |
What was the rucksack like? | 0:19:17 | 0:19:18 | |
-Red and black. -And the holdall? | 0:19:19 | 0:19:23 | |
It was big...full. | 0:19:23 | 0:19:26 | |
How do you mean, full? | 0:19:26 | 0:19:28 | |
He said he'd been on a shopping trip. | 0:19:28 | 0:19:30 | |
-And where was the luggage when you woke up? -Like him - gone. | 0:19:34 | 0:19:39 | |
SCRUBBING | 0:19:46 | 0:19:49 | |
The airline lists for everyone named Robert or Roberts flying out | 0:20:04 | 0:20:07 | |
of Shetland in the last two weeks. I'm pulling up addresses now. | 0:20:07 | 0:20:10 | |
OK. Have you cross-referenced this with the ferry? | 0:20:10 | 0:20:12 | |
I'm on it, but the persons you roster won't be complete. | 0:20:12 | 0:20:15 | |
You can pay with cash on the day and walk on without ID. | 0:20:15 | 0:20:18 | |
-The ferry sails at 5:30 tonight. -OK, then we'd better get a move on. | 0:20:18 | 0:20:21 | |
Tosh, you make a start to Billy's list of names. | 0:20:21 | 0:20:24 | |
-Sandy, you're with me. -Been to Aberdeen and back since yesterday. | 0:20:24 | 0:20:28 | |
-What are we looking for? -Anything. | 0:20:28 | 0:20:29 | |
Anything that relates to this guy Robbie. | 0:20:29 | 0:20:32 | |
I mean, there was almost a kilo in that rucksack, | 0:20:32 | 0:20:34 | |
so if there's also a large holdall that's full, then that scares me. | 0:20:34 | 0:20:38 | |
Maybe he found out the batch was dodgy, dumped it and did a runner. | 0:21:05 | 0:21:10 | |
Maybe somebody else found out | 0:21:10 | 0:21:11 | |
and didn't like the fact that he'd come back with dodgy goods. | 0:21:11 | 0:21:14 | |
So what next? | 0:21:14 | 0:21:16 | |
Go and join Tosh. I'll catch you up later. | 0:21:16 | 0:21:19 | |
I've got a call make first. | 0:21:19 | 0:21:21 | |
KNOCK ON DOOR | 0:21:25 | 0:21:28 | |
KNOCK ON DOOR | 0:21:31 | 0:21:33 | |
Andrew, it's a social call. | 0:21:37 | 0:21:39 | |
How are they doing? | 0:21:58 | 0:21:59 | |
Oh, aye, they're loving it. | 0:22:00 | 0:22:03 | |
-America - who wouldn't? -Ah. | 0:22:03 | 0:22:06 | |
Sit down, man. You're making me nervous. | 0:22:09 | 0:22:12 | |
Right, well, the reason I'm here is that a six-year-old boy took | 0:22:20 | 0:22:23 | |
ecstasy that he'd found on a beach up at St Ninian's yesterday. | 0:22:23 | 0:22:27 | |
I heard. It's terrible. | 0:22:27 | 0:22:30 | |
The tablet he took was cut with PMA. | 0:22:30 | 0:22:33 | |
You should alert the hospitals and the drugs agencies. | 0:22:38 | 0:22:41 | |
Aye, and now I'm alerting you. | 0:22:41 | 0:22:43 | |
Have you...? | 0:22:46 | 0:22:48 | |
Have you seen anything like that in the last 24 hours? | 0:22:48 | 0:22:51 | |
You had any change of supplier recently? | 0:23:02 | 0:23:04 | |
Hey, come on, Andrew. This isn't just some tweaky batch. | 0:23:06 | 0:23:09 | |
This could kill people. | 0:23:09 | 0:23:11 | |
Not recently. | 0:23:15 | 0:23:17 | |
Maybe nine, ten months ago, I heard there was a new guy on the block. | 0:23:17 | 0:23:22 | |
-Ambitious. -And does he have a name? | 0:23:22 | 0:23:24 | |
New is all I know. | 0:23:26 | 0:23:28 | |
You know, back in the day, you used to go to a party, take an E, | 0:23:34 | 0:23:40 | |
a bit of whizz and smoke some dope to take the edge off the comedown. | 0:23:40 | 0:23:44 | |
Then someone decides what Shetland needs is sniffer dogs | 0:23:46 | 0:23:50 | |
with a nose for dope. | 0:23:50 | 0:23:52 | |
Well, people still need something for the comedown. | 0:23:53 | 0:23:57 | |
So, hey, presto. | 0:23:57 | 0:23:59 | |
Overnight, you have a heroin problem. | 0:23:59 | 0:24:02 | |
A lot of unintended consequences. | 0:24:02 | 0:24:05 | |
Just put the word out, eh, Andrew? | 0:24:11 | 0:24:13 | |
Please. | 0:24:14 | 0:24:16 | |
Jimmy, you got time for a drink? | 0:24:26 | 0:24:28 | |
Er, no, not really. | 0:24:28 | 0:24:30 | |
Er, five minutes? | 0:24:30 | 0:24:31 | |
Not drop out - leave. | 0:24:34 | 0:24:36 | |
-She has a plan. -For Christ's sake. | 0:24:37 | 0:24:40 | |
Well, I'm not entirely happy about it either, Jimmy. | 0:24:40 | 0:24:42 | |
-Why would you not tell her that? -I did. | 0:24:42 | 0:24:44 | |
She's given it a lot of thought. | 0:24:47 | 0:24:48 | |
-It's a mature, considered decision. -To which I'm saying no. | 0:24:48 | 0:24:51 | |
You're not the only one who has a say, though, are you? | 0:24:51 | 0:24:53 | |
What, you want to go there? | 0:24:53 | 0:24:55 | |
You really want to go there? | 0:24:55 | 0:24:57 | |
No, I really don't but, at the same time, | 0:24:57 | 0:24:59 | |
I'm not going to roll belly up to avoid a fight either. | 0:24:59 | 0:25:01 | |
Why? That's what you normally do with Cassie. | 0:25:01 | 0:25:03 | |
Right, come on. | 0:25:03 | 0:25:05 | |
Well, you know, ever since I've known you, | 0:25:05 | 0:25:07 | |
you'll do anything to avoid being unpopular, | 0:25:07 | 0:25:09 | |
whether it's what time she went to bed or whether she should | 0:25:09 | 0:25:12 | |
study for exams, or how much pocket money she should have got, you know. | 0:25:12 | 0:25:17 | |
I've always been the one that paid the price for you being spineless. | 0:25:17 | 0:25:21 | |
HE SIGHS | 0:25:22 | 0:25:24 | |
Right. | 0:25:26 | 0:25:28 | |
PHONE RINGS | 0:25:28 | 0:25:30 | |
-Sir. -Hey, Tosh, how you doing? | 0:25:30 | 0:25:32 | |
'Still working through the list. | 0:25:32 | 0:25:34 | |
'Sandy is with me.' Can you see what's written on that shirt? | 0:25:34 | 0:25:37 | |
Something care house. | 0:25:40 | 0:25:43 | |
Heather House - it's out by Hemelville. | 0:25:43 | 0:25:46 | |
'Do you want me to check it out?' | 0:25:46 | 0:25:48 | |
Yeah, why not? Looks like he might work there. | 0:25:48 | 0:25:50 | |
And, judging by the post on the mat, he hasn't been home for a few days. | 0:25:50 | 0:25:54 | |
-So how long has Robbie worked here? -Three years, maybe a little longer. | 0:26:02 | 0:26:05 | |
He moved there from the south. | 0:26:05 | 0:26:08 | |
Do you know what brought him here in the first place? | 0:26:08 | 0:26:10 | |
Spirit of adventure, I think. | 0:26:10 | 0:26:12 | |
Police? Has he come about the food? | 0:26:12 | 0:26:15 | |
Have you come about the food? | 0:26:15 | 0:26:17 | |
Alec, there's nothing wrong with the food. | 0:26:17 | 0:26:19 | |
And put your thyroid scar away - you're not scaring anyone. | 0:26:19 | 0:26:22 | |
I'm scaring her. | 0:26:22 | 0:26:23 | |
Viola, would you help Alec with a new dressing, please? | 0:26:25 | 0:26:29 | |
He's upset. Robbie always brings him a present when he's been south - | 0:26:29 | 0:26:33 | |
some kind of cigarettes he can't get there. | 0:26:33 | 0:26:36 | |
And does he go south often? | 0:26:36 | 0:26:37 | |
Especially recently. Some friend who's not been well. | 0:26:37 | 0:26:41 | |
But he'd have let us know if he'd had to stay. | 0:26:41 | 0:26:44 | |
Got a name for this friend | 0:26:44 | 0:26:45 | |
or any relatives that we could get in contact with? | 0:26:45 | 0:26:48 | |
I don't think he was close to his family - | 0:26:48 | 0:26:50 | |
he never talks about seeing them - | 0:26:50 | 0:26:52 | |
but I'll see if any of the others can help. | 0:26:52 | 0:26:55 | |
The thing I dread about being old, no-one touches you any more, | 0:26:55 | 0:26:59 | |
but Robbie sits with them, he holds their hands, he talks to them... | 0:26:59 | 0:27:03 | |
Even Alec, and God knows he's not easy company. | 0:27:03 | 0:27:06 | |
The residents love him. We all love him. | 0:27:06 | 0:27:08 | |
Excuse me. | 0:27:37 | 0:27:38 | |
Do you happen to know who owns the white van out in the car park? | 0:27:38 | 0:27:41 | |
DOOR SHUTS AND ENGINE STARTS Sorry. | 0:27:41 | 0:27:44 | |
Hey, hey! Stop! | 0:27:50 | 0:27:51 | |
Get out of the van! | 0:27:54 | 0:27:56 | |
HE LAUGHS | 0:27:59 | 0:28:01 | |
Sandy! | 0:28:01 | 0:28:02 | |
He is a cousin of Jenny's. | 0:28:04 | 0:28:05 | |
I've met him three, maybe four times. | 0:28:05 | 0:28:09 | |
The man's waste of bloody space. | 0:28:09 | 0:28:11 | |
OK. | 0:28:13 | 0:28:14 | |
Well, I just need to know if you can be impartial, Sand. | 0:28:16 | 0:28:18 | |
Yeah. Yeah, sure. | 0:28:21 | 0:28:23 | |
OK. | 0:28:25 | 0:28:26 | |
Next time, you'll hear me coming, won't you? | 0:28:44 | 0:28:48 | |
SHE GASPS | 0:28:48 | 0:28:51 | |
Where's Sandy? Can I talk to Sandy? | 0:28:51 | 0:28:53 | |
Well, seeing as you're known to each other, Craig, | 0:28:53 | 0:28:55 | |
that's not such a good idea, for both your sakes. | 0:28:55 | 0:28:58 | |
That's a nasty bump on your van - how did that happen? | 0:28:58 | 0:29:02 | |
-Someone went into me. -When? -A couple of days back. | 0:29:02 | 0:29:05 | |
They didn't even leave a number. | 0:29:05 | 0:29:07 | |
Do you know a boy called Robbie Morton? | 0:29:08 | 0:29:10 | |
Wait, there's a guy called Robbie works at the care home. | 0:29:16 | 0:29:18 | |
Is that who you mean? | 0:29:18 | 0:29:20 | |
-So you do know him? -I know who he is. | 0:29:20 | 0:29:23 | |
Where were you last night? | 0:29:25 | 0:29:27 | |
So you were at home last night, | 0:29:41 | 0:29:43 | |
but no-one can corroborate that? | 0:29:43 | 0:29:46 | |
-I live alone. -PHONE VIBRATES | 0:29:46 | 0:29:48 | |
Excuse me. | 0:29:48 | 0:29:50 | |
-Sandy? -Did you go to St Ninian's beach at any point? | 0:29:50 | 0:29:53 | |
-I never drink and drive. -Who said anything about driving? | 0:29:53 | 0:29:58 | |
I just assumed. It's too far to walk. | 0:29:58 | 0:30:00 | |
So you didn't go to St Ninian's beach? | 0:30:00 | 0:30:03 | |
-No, I didn't. -DOOR OPENS | 0:30:03 | 0:30:06 | |
We found what we're pretty sure is blood in the back of your van. | 0:30:11 | 0:30:15 | |
Can you explain that to us? | 0:30:17 | 0:30:19 | |
-Hello! -Hi. | 0:30:31 | 0:30:34 | |
-Oh... -Sorry. | 0:30:34 | 0:30:35 | |
I got held up. | 0:30:35 | 0:30:37 | |
Right, let's get you ready for bed. | 0:30:37 | 0:30:39 | |
Is it hair wash night again? | 0:30:39 | 0:30:41 | |
-Oh, here. -Sandy! -Sandy will do you a sarnie. | 0:30:41 | 0:30:44 | |
Logan, tea! | 0:30:44 | 0:30:46 | |
-Stop that. -Jenny, your cousin Craig... | 0:30:46 | 0:30:49 | |
What is it this time? | 0:30:51 | 0:30:52 | |
He's in a bit of trouble. | 0:30:53 | 0:30:54 | |
What? | 0:30:56 | 0:30:57 | |
-I'm sorry, I can't say. -Oh! | 0:30:58 | 0:31:00 | |
I didn't want to know anyway. I just wish he'd bloody grow up. | 0:31:02 | 0:31:05 | |
Right, you, come on. | 0:31:06 | 0:31:09 | |
Come on. Oh, oh! | 0:31:09 | 0:31:11 | |
Yes, story time. Come on. | 0:31:11 | 0:31:14 | |
I thought you'd be back yesterday. | 0:31:37 | 0:31:40 | |
Where have you been? | 0:31:40 | 0:31:41 | |
Drinking. | 0:31:43 | 0:31:45 | |
You all right? | 0:31:49 | 0:31:51 | |
Aye. | 0:31:52 | 0:31:54 | |
I am now. | 0:31:54 | 0:31:56 | |
Ah! | 0:31:57 | 0:31:58 | |
HE SIGHS | 0:31:58 | 0:32:01 | |
Deer? There aren't any deer in Shetland. | 0:32:04 | 0:32:06 | |
Apparently it was an import. | 0:32:06 | 0:32:08 | |
He claims there's some freak in Brae who pays for dead animals. | 0:32:08 | 0:32:11 | |
Who the hell puts roadkill in the boot of a van in Aberdeen | 0:32:11 | 0:32:14 | |
and then takes it on a 200-mile sea trip? | 0:32:14 | 0:32:16 | |
So...Craig admitted he was on the ferry? | 0:32:16 | 0:32:18 | |
Yes, but he doesn't know Robbie and he wasn't at St Ninian's. | 0:32:18 | 0:32:21 | |
And he doesn't know anything about a rucksack or a holdall, | 0:32:21 | 0:32:24 | |
and presumably he didn't kick lumps out of me, either. | 0:32:24 | 0:32:27 | |
Did we get the CCTV back from the ferry yet? | 0:32:27 | 0:32:29 | |
-On its way. -OK. | 0:32:29 | 0:32:32 | |
Right, well, let's get the blood analysed | 0:32:34 | 0:32:38 | |
and you two can go and visit the guy in Brae. | 0:32:38 | 0:32:41 | |
And let's issue a missing person's press release on Robbie Morton. | 0:32:41 | 0:32:47 | |
GASPING | 0:32:47 | 0:32:49 | |
HE SCREAMS | 0:32:49 | 0:32:51 | |
HE GASPS | 0:32:55 | 0:33:00 | |
HE GRUNTS | 0:33:03 | 0:33:05 | |
HE SCREAMS | 0:33:07 | 0:33:10 | |
HE GRUNTS | 0:33:11 | 0:33:13 | |
Hello?! | 0:33:29 | 0:33:31 | |
Hello?! Anyone home? HE KNOCKS DOOR | 0:33:32 | 0:33:35 | |
I'm home. | 0:33:41 | 0:33:43 | |
HE CALLS DOG | 0:33:43 | 0:33:46 | |
What do you want? | 0:33:46 | 0:33:48 | |
INDISTINCT | 0:33:59 | 0:34:01 | |
Help yourself. | 0:34:01 | 0:34:02 | |
Oh, aye? Where is she from? | 0:34:02 | 0:34:04 | |
SHE is from Glasgow. | 0:34:04 | 0:34:06 | |
Lowrie, do you know a man called Craig Cooper? | 0:34:08 | 0:34:10 | |
Yes. | 0:34:10 | 0:34:12 | |
Have you had any contact with him in the last few days? | 0:34:14 | 0:34:17 | |
Yes. | 0:34:19 | 0:34:20 | |
Could you...elaborate? | 0:34:23 | 0:34:25 | |
Well, he brought me a deer back from Aberdeen. | 0:34:25 | 0:34:28 | |
It had been hit...by a car. | 0:34:28 | 0:34:30 | |
Why would you want a deer? | 0:34:31 | 0:34:33 | |
It's very...damaged, isn't it? | 0:34:56 | 0:34:59 | |
It's the... It's the trauma to bone and tissue that interests me. | 0:34:59 | 0:35:05 | |
Where's the deer now? | 0:35:07 | 0:35:08 | |
Er, in the tank. | 0:35:08 | 0:35:11 | |
-The tank? -Aye, the water tank round the back. | 0:35:11 | 0:35:14 | |
I-I use it as an incinerator. | 0:35:35 | 0:35:37 | |
So... | 0:35:42 | 0:35:44 | |
My work is not to everybody's taste. | 0:35:49 | 0:35:51 | |
There's an exhibition soon, though. | 0:35:55 | 0:35:58 | |
You should come. | 0:35:58 | 0:35:59 | |
I swear to God, a fox and two weasels in the freezer | 0:36:04 | 0:36:07 | |
and a barbecued deer in the garden. | 0:36:07 | 0:36:09 | |
And you're saying that, pending blood results, Craig's story checks out? | 0:36:09 | 0:36:13 | |
This part of it, at least. | 0:36:13 | 0:36:14 | |
'All right. Well, make sure that he knows that we might want to talk to him again.' | 0:36:14 | 0:36:18 | |
-Sandy is speaking to him now. -OK. | 0:36:18 | 0:36:20 | |
I'm going to talk to the girl that reported Robbie missing. | 0:36:20 | 0:36:24 | |
So...you're not going to take your man up on his offer of a date, then? | 0:36:24 | 0:36:27 | |
What date? | 0:36:27 | 0:36:29 | |
There was no date. | 0:36:29 | 0:36:30 | |
Exhibition opening - that is a date. That's a classy date. | 0:36:30 | 0:36:34 | |
What, as opposed to your idea of a date, which is to wait for someone's | 0:36:34 | 0:36:37 | |
husband to get two years for fraud and then ask them out? | 0:36:37 | 0:36:40 | |
Jenny chucked him out before he was even charged and you know it. | 0:36:40 | 0:36:42 | |
Sandy Wilson, master of the long game. | 0:36:42 | 0:36:45 | |
Yeah... That was a date, though. | 0:36:45 | 0:36:48 | |
SHE SIGHS | 0:37:21 | 0:37:23 | |
Who told you about the driftwood rule? | 0:37:27 | 0:37:30 | |
Er, at the board where I'm staying. | 0:37:30 | 0:37:33 | |
You know, they said, if you keep it above the high watermark, then... | 0:37:33 | 0:37:36 | |
-no-one else will touch it. -That's right. -Yeah. | 0:37:36 | 0:37:40 | |
I think that's nice. | 0:37:40 | 0:37:41 | |
It's Robbie, isn't it? | 0:37:45 | 0:37:47 | |
Something's happened to Robbie. | 0:37:47 | 0:37:49 | |
We don't know what's happened to Robbie yet, Leanne, | 0:37:49 | 0:37:52 | |
but we are treating him as a missing person now, | 0:37:52 | 0:37:54 | |
so I'm going to have to take a formal statement from you, OK? | 0:37:54 | 0:37:57 | |
Yeah. | 0:37:59 | 0:38:00 | |
Leanne Fiona Randall. | 0:38:06 | 0:38:07 | |
And have you ever been known by any other name? | 0:38:09 | 0:38:11 | |
No. | 0:38:11 | 0:38:12 | |
What's your current address? | 0:38:14 | 0:38:17 | |
Oakhill Hotel, Station Rise, Aberdeen. | 0:38:17 | 0:38:20 | |
It's where I work. | 0:38:20 | 0:38:22 | |
I'm... I a live-in - I'm in hospitality. | 0:38:24 | 0:38:26 | |
OK. | 0:38:28 | 0:38:29 | |
So...tell me what you saw. | 0:38:29 | 0:38:32 | |
What happened? | 0:38:38 | 0:38:39 | |
Wall got in my way. | 0:38:41 | 0:38:43 | |
Come and help me in the studio. | 0:38:55 | 0:38:57 | |
So the man pushed Robbie and Robbie fell. | 0:39:00 | 0:39:03 | |
He tried to make out like it was no big deal, but... | 0:39:05 | 0:39:08 | |
You could see that he was shaky and upset. | 0:39:08 | 0:39:11 | |
He said that he wanted a drink, | 0:39:11 | 0:39:13 | |
so we got some beers and started talking. | 0:39:13 | 0:39:16 | |
I think that Robbie felt safer with other people around... | 0:39:16 | 0:39:19 | |
..in case the man came back. | 0:39:21 | 0:39:22 | |
So we talked and...you know. | 0:39:25 | 0:39:29 | |
-Uh-huh. -Hung out and, at some point, I fell asleep. | 0:39:29 | 0:39:33 | |
And when I woke up, Robbie was gone. | 0:39:33 | 0:39:36 | |
Go on. | 0:39:39 | 0:39:40 | |
He said he'd show me around... | 0:39:42 | 0:39:44 | |
so I waited... | 0:39:44 | 0:39:46 | |
..but he never got off the boat. | 0:39:48 | 0:39:49 | |
OK. Is there anything else you want to add? | 0:39:55 | 0:39:58 | |
You know how... | 0:40:04 | 0:40:06 | |
some people are confident and it makes you feel small? | 0:40:06 | 0:40:10 | |
Well, Robbie was confident but not like that. | 0:40:10 | 0:40:13 | |
He was just... He was just happy in his own skin. | 0:40:13 | 0:40:17 | |
If Robbie hadn't wanted to see me in Shetland, he would have just said. | 0:40:17 | 0:40:21 | |
And would you have been sad if he had? | 0:40:23 | 0:40:25 | |
Yeah. | 0:40:28 | 0:40:29 | |
-But don't write that. -No. | 0:40:30 | 0:40:32 | |
-So how long are you thinking of staying? -I don't know. | 0:40:34 | 0:40:37 | |
I came away at a bit of a whim. | 0:40:39 | 0:40:41 | |
I was owed some time off work, so... | 0:40:41 | 0:40:43 | |
Doesn't really feel like a holiday now. | 0:40:45 | 0:40:48 | |
But don't want to go back, either. | 0:40:48 | 0:40:49 | |
You have to find that man. | 0:40:56 | 0:40:57 | |
You have to. | 0:40:57 | 0:40:58 | |
You know, there's a wee charity shop near the Market Cross | 0:41:03 | 0:41:06 | |
and it sells outdoor wear, so it might be worth paying a wee visit | 0:41:06 | 0:41:09 | |
if you're thinking of staying a while. | 0:41:09 | 0:41:11 | |
Get something to keep the wind off. | 0:41:11 | 0:41:13 | |
You take care of yourself. | 0:41:14 | 0:41:16 | |
OK. | 0:41:18 | 0:41:20 | |
-Bye. -Bye. | 0:41:21 | 0:41:22 | |
PHONE RINGS | 0:41:25 | 0:41:28 | |
Hello. | 0:41:28 | 0:41:29 | |
-People are talking. -About what? | 0:41:31 | 0:41:34 | |
That kid. | 0:41:35 | 0:41:37 | |
Reliable, good product, regular supply. | 0:41:39 | 0:41:41 | |
-He's disappeared. -Right. Is there a name in relation to any of this? | 0:41:43 | 0:41:47 | |
-How's that Peerie boy doing? -He's looking for a new kidney. | 0:41:49 | 0:41:52 | |
HE SIGHS | 0:41:52 | 0:41:53 | |
PMA. | 0:41:56 | 0:41:58 | |
You know, they only use that cos you've made it harder for them | 0:41:58 | 0:42:01 | |
to get hold of what they really need. | 0:42:01 | 0:42:02 | |
No, Andrew, they use it cos they make money out of it. | 0:42:02 | 0:42:04 | |
The kid who's disappeared, is his name Robbie? | 0:42:04 | 0:42:07 | |
-Right. -And the other guy that you were interested in - | 0:42:11 | 0:42:14 | |
the new supplier - I couldn't find a name for him. | 0:42:14 | 0:42:17 | |
But it turns out the kid was working for him. | 0:42:18 | 0:42:22 | |
GASPING | 0:42:22 | 0:42:25 | |
GASPING | 0:42:35 | 0:42:39 | |
SOBBING | 0:42:49 | 0:42:52 | |
I've been through the CCTV of all the public areas. | 0:43:19 | 0:43:21 | |
The deck camera definitely shows a scuffle. | 0:43:21 | 0:43:23 | |
We've had a couple of replies from folk who say they witnessed it, | 0:43:23 | 0:43:26 | |
-but no-one who heard what it was about. -Excuse me. -The ferry list's in. | 0:43:26 | 0:43:29 | |
-462 passengers, 312 of them male. -I just need to have a quick word. | 0:43:29 | 0:43:32 | |
-I'm sorry, he's in a meeting just now. -It's really important. | 0:43:32 | 0:43:34 | |
-Sorry, can I help? -Do you want us to start trying to...? | 0:43:34 | 0:43:37 | |
-Hang on. -Please! | 0:43:37 | 0:43:39 | |
You have to come. You have to come now. | 0:43:39 | 0:43:41 | |
Those? | 0:43:41 | 0:43:43 | |
So you're saying that the man that Robbie quarrelled with was | 0:43:45 | 0:43:48 | |
wearing rings like those? | 0:43:48 | 0:43:50 | |
No, not like - the same. He was wearing those exact same rings. | 0:43:50 | 0:43:53 | |
Excuse me. | 0:43:56 | 0:43:57 | |
That poster - do you happen to know where the rings are from? | 0:43:58 | 0:44:01 | |
Yeah. It's Freya Galdie. | 0:44:01 | 0:44:03 | |
She's got a studio out by Nibon, but the exhibition opens tonight, | 0:44:04 | 0:44:07 | |
-so you'll more likely catch her there. -OK. | 0:44:07 | 0:44:10 | |
Is it for yourself? | 0:44:30 | 0:44:32 | |
Er...I'm not sure I could get away with it, | 0:44:33 | 0:44:35 | |
actually, especially the crown. | 0:44:35 | 0:44:38 | |
That's a brudekrone, a Norwegian bridal crown, so, no, probably not. | 0:44:38 | 0:44:43 | |
But everything else is for sale. | 0:44:43 | 0:44:45 | |
Well, I'm not here to buy, unfortunately. | 0:44:45 | 0:44:48 | |
See the rings on the flyer there? | 0:44:48 | 0:44:51 | |
-Mmm-hmm. -They yours? -Mmm-hmm. | 0:44:51 | 0:44:53 | |
OK, I'm Detective Inspector Perez. | 0:44:53 | 0:44:55 | |
Do you have records as to who you sold those to? | 0:44:55 | 0:44:58 | |
Um, actually, they weren't sold. | 0:44:58 | 0:45:00 | |
I gave them to a friend. | 0:45:00 | 0:45:02 | |
-Oh! Well, would you mind telling me who? -Freya! | 0:45:02 | 0:45:05 | |
Michael, this is Detective Inspector Perez. | 0:45:06 | 0:45:09 | |
He's been asking about your rings. | 0:45:09 | 0:45:11 | |
Yeah, we're looking for someone who was involved in some minor | 0:45:11 | 0:45:15 | |
altercation on the ferry the night before last - | 0:45:15 | 0:45:18 | |
-somebody that fits your description. -Oh. | 0:45:18 | 0:45:21 | |
-I just want to ask you a few questions. -Sure. | 0:45:21 | 0:45:24 | |
-Let's go somewhere a little less public, shall we? -OK. | 0:45:24 | 0:45:26 | |
I won't be long. | 0:45:26 | 0:45:28 | |
So, what's this about? | 0:45:39 | 0:45:40 | |
Well, like I said... | 0:45:40 | 0:45:41 | |
No, I mean, there was an exchange of words on the ferry. | 0:45:41 | 0:45:45 | |
It lasted all of 30 seconds, that's all. | 0:45:45 | 0:45:48 | |
Doesn't merit questions from the police, | 0:45:48 | 0:45:50 | |
let alone a detective inspector. | 0:45:50 | 0:45:51 | |
The boy you argued with is now the subject of a missing persons enquiry. | 0:45:54 | 0:45:58 | |
Jesus. | 0:45:58 | 0:46:00 | |
Next time a stranger picks a fight with me, I'm walking away. | 0:46:03 | 0:46:06 | |
Is that what happened? | 0:46:08 | 0:46:09 | |
-He picked a fight? -Aye. | 0:46:09 | 0:46:13 | |
Well, some of the blame is mine. | 0:46:13 | 0:46:15 | |
I was twice his age and at least twice as sober. | 0:46:15 | 0:46:17 | |
I should've known better. | 0:46:17 | 0:46:19 | |
It's just... Sometimes, someone pushes your button, you know? | 0:46:19 | 0:46:22 | |
Maybe you don't. | 0:46:25 | 0:46:26 | |
Missing person? Shite! | 0:46:28 | 0:46:31 | |
I'm going to have to take a statement. | 0:46:33 | 0:46:36 | |
-From me? -Mmm-hmm. | 0:46:36 | 0:46:37 | |
All right. | 0:46:38 | 0:46:40 | |
Mind if we do it at my place? | 0:46:43 | 0:46:45 | |
It's only a few minutes over there. | 0:46:45 | 0:46:47 | |
I can get back to the party. | 0:46:47 | 0:46:48 | |
OK. | 0:46:50 | 0:46:51 | |
Moved from Inverness ten months ago, | 0:46:54 | 0:46:56 | |
still haven't got round to unpacking. | 0:46:56 | 0:46:58 | |
Tea? | 0:47:00 | 0:47:01 | |
Aye, thanks. | 0:47:01 | 0:47:03 | |
What is it you do here, Michael? | 0:47:28 | 0:47:30 | |
Security consultant. | 0:47:30 | 0:47:32 | |
Mostly construction. | 0:47:32 | 0:47:34 | |
What was the ferry trip for? | 0:47:35 | 0:47:36 | |
Oh, I'm still back and forth seeing clients. | 0:47:39 | 0:47:41 | |
Left it a bit late to book a flight. | 0:47:41 | 0:47:43 | |
So the boy with this big bag - he banged into me | 0:47:45 | 0:47:48 | |
and I told him to look where he was going. | 0:47:48 | 0:47:51 | |
And he, well, he didn't like that at all. | 0:47:51 | 0:47:53 | |
A few of the witnesses, they say that you pushed him | 0:47:53 | 0:47:56 | |
and you were angry, and he was scared. | 0:47:56 | 0:47:59 | |
Aye, by the time anyone looked over, that would be about right. | 0:48:00 | 0:48:04 | |
You see, I'm a big man, Inspector, and the world is full | 0:48:04 | 0:48:07 | |
of cocky wee Davids looking for a Goliath to take down. | 0:48:07 | 0:48:10 | |
Sometimes you get sick of being in someone's ego trip. | 0:48:10 | 0:48:14 | |
But... | 0:48:17 | 0:48:19 | |
You could see by his eyes that...he'd taken something - | 0:48:19 | 0:48:23 | |
it speeded him up, made him quick to the draw. | 0:48:23 | 0:48:26 | |
Hmm-mm. | 0:48:26 | 0:48:28 | |
A better man would have walked away. | 0:48:29 | 0:48:31 | |
What happened to your hand? | 0:48:36 | 0:48:38 | |
Oh, I'm not sure. | 0:48:40 | 0:48:42 | |
I think I was drunk. | 0:48:42 | 0:48:44 | |
I must have had an altercation with a wall or something. Eejit. | 0:48:44 | 0:48:48 | |
OK. | 0:48:51 | 0:48:53 | |
Well, thanks for your cooperation. | 0:48:54 | 0:48:56 | |
Will you still be around if I want to talk to you again? | 0:48:58 | 0:49:01 | |
Um, I've a trip to Aberdeen for a few days, | 0:49:01 | 0:49:03 | |
but...otherwise, I'm all yours. | 0:49:03 | 0:49:05 | |
Right. | 0:49:07 | 0:49:08 | |
PHONE RINGS | 0:49:31 | 0:49:34 | |
-Hello. -'Hello, Dad. | 0:49:41 | 0:49:43 | |
'Are you angry?' | 0:49:43 | 0:49:45 | |
No. | 0:49:45 | 0:49:47 | |
'I'm not angry. I just have some questions that I need to ask you.' | 0:49:47 | 0:49:51 | |
It's a big door you're shutting, Cassie, | 0:50:04 | 0:50:08 | |
'and it's one that I never got to walk through, so maybe I'm setting | 0:50:08 | 0:50:11 | |
'too much store by it but I need to know' | 0:50:11 | 0:50:15 | |
this is the right decision... | 0:50:15 | 0:50:17 | |
for you. | 0:50:17 | 0:50:18 | |
'It's gone midnight, | 0:50:27 | 0:50:28 | |
'you're home alone working again and you're worried about me?' | 0:50:28 | 0:50:32 | |
Well, no, I'm not working, actually. | 0:50:32 | 0:50:36 | |
I'm reading. | 0:50:36 | 0:50:38 | |
Have you ever read Finnegans Wake? | 0:50:38 | 0:50:41 | |
No-one's read Finnegans Wake, Dad. | 0:50:41 | 0:50:43 | |
'It's a book people pretend to read.' | 0:50:43 | 0:50:46 | |
Hmm-hmm. | 0:50:46 | 0:50:48 | |
SHE GASPS | 0:50:53 | 0:50:57 | |
SHE CRIES | 0:51:00 | 0:51:03 | |
KNOCK ON DOOR | 0:51:20 | 0:51:22 | |
It's open. | 0:51:22 | 0:51:23 | |
The way he was watching me... | 0:51:37 | 0:51:39 | |
..and his books. | 0:51:41 | 0:51:43 | |
These big tomes. | 0:51:45 | 0:51:47 | |
You know what it reminded me of? | 0:51:47 | 0:51:48 | |
Reminded me of a lifer's cell - | 0:51:48 | 0:51:51 | |
no possessions and it's full of the books that nobody | 0:51:51 | 0:51:54 | |
but a lifer's got the time to read. | 0:51:54 | 0:51:58 | |
Jimmy, can I have a word? | 0:51:58 | 0:51:59 | |
Complaint? What kind of complaint? | 0:52:09 | 0:52:11 | |
-Aggressive behaviour, incivility, inappropriate language. -What? | 0:52:11 | 0:52:15 | |
-You want me to read them out again? -No, it's... | 0:52:15 | 0:52:18 | |
I was with Michael Maguire for long enough to take his statement and at | 0:52:18 | 0:52:22 | |
no point was I aggressive or uncivil or inappropriate in my language. | 0:52:22 | 0:52:27 | |
I mean, if I had been, why would he have let me in his flat? | 0:52:27 | 0:52:30 | |
That's one of the instances that he cites of aggressive behaviour. | 0:52:30 | 0:52:33 | |
-Apparently, you forced your way past him. -Let me see this. | 0:52:33 | 0:52:36 | |
No, no. This isn't a complaint. | 0:52:42 | 0:52:45 | |
No, this is a strategy. | 0:52:45 | 0:52:46 | |
Hi. | 0:52:56 | 0:52:57 | |
Michael, where have you been? | 0:52:59 | 0:53:02 | |
Aye, I'm sorry. I had to sort a few things out. | 0:53:02 | 0:53:06 | |
I didn't know where you were. I didn't know what was happening. | 0:53:06 | 0:53:10 | |
I was scared. | 0:53:10 | 0:53:11 | |
Don't be scared. | 0:53:11 | 0:53:14 | |
It's all right. I'm here now. | 0:53:14 | 0:53:16 | |
-Well... -What? | 0:53:17 | 0:53:20 | |
I...I wasn't scared for myself. | 0:53:20 | 0:53:22 | |
I don't ask, Michael. | 0:53:23 | 0:53:25 | |
It doesn't mean I don't deserve to be told. | 0:53:25 | 0:53:28 | |
I'm fine, Freya. | 0:53:31 | 0:53:33 | |
His arrival in Shetland coincided | 0:53:34 | 0:53:37 | |
with a change in the local drug supply. | 0:53:37 | 0:53:39 | |
He's been linked to a missing person. | 0:53:39 | 0:53:41 | |
-He probably lied his way through... -Jimmy, you can't talk to him. | 0:53:41 | 0:53:45 | |
Because he's had you hogtie me with a bogus heap of bullshit. | 0:53:45 | 0:53:49 | |
Whatever it is, Jimmy, whatever it is, | 0:53:49 | 0:53:51 | |
this has to be dealt with by a rank inspector. | 0:53:51 | 0:53:53 | |
And until I can find someone to come over here and take your statement, | 0:53:53 | 0:53:57 | |
you are to stay away from Michael Maguire. Do you understand? | 0:53:57 | 0:54:00 | |
Someone is yanking both our chains here, Rhona. | 0:54:23 | 0:54:26 | |
Does that not concern you? | 0:54:27 | 0:54:29 | |
PHONE RINGS | 0:54:36 | 0:54:38 | |
Hello? | 0:54:38 | 0:54:40 | |
This way. | 0:54:46 | 0:54:48 | |
Over here. | 0:54:52 | 0:54:53 | |
Where did the body come from? | 0:55:18 | 0:55:20 | |
From inside that. | 0:55:20 | 0:55:21 | |
It came off the ferry on Friday. | 0:55:21 | 0:55:24 | |
Those containers, you can only open them and shut them from the outside. | 0:55:24 | 0:55:29 | |
You cannae lock yourself in. | 0:55:29 | 0:55:31 | |
Right, get the body down. | 0:55:36 | 0:55:38 | |
The container's the crime scene. Sandy, you call Cora. | 0:55:38 | 0:55:41 | |
Get the boy down. | 0:55:47 | 0:55:48 | |
PHONE RINGS | 0:55:50 | 0:55:55 | |
Hello. | 0:55:58 | 0:55:59 | |
On whose authority? | 0:56:11 | 0:56:13 | |
Tosh, I want a complete media blackout on this. | 0:56:23 | 0:56:26 | |
-No sirens, no flashing lights. -OK. | 0:56:26 | 0:56:28 | |
PHONE RINGS | 0:56:29 | 0:56:33 | |
PHONE RINGS Ah, for f... | 0:56:39 | 0:56:42 | |
Sandy, can you see what she wants? | 0:56:42 | 0:56:44 | |
Hello? | 0:56:44 | 0:56:46 | |
Sir! Sir! You have to stop. | 0:56:53 | 0:56:56 | |
Rhona. She says we're being denied access to Robbie Morton's body. | 0:56:56 | 0:57:00 | |
-What are you talking about? -They won't tell her why. | 0:57:00 | 0:57:02 | |
The team's on its way from the mainland. | 0:57:02 | 0:57:04 | |
We can't touch him, sir. | 0:57:04 | 0:57:05 | |
We can't touch him. | 0:57:05 | 0:57:07 |