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| Line | From | To | |
|---|---|---|---|
Michael, this is Detective Inspector Perez. | 0:00:02 | 0:00:04 | |
The boy that you argued with | 0:00:04 | 0:00:05 | |
is now the subject of a missing persons inquiry. | 0:00:05 | 0:00:07 | |
-What's your name? -Leanne. -I'm Robbie. | 0:00:07 | 0:00:09 | |
We were going to get off the boat together - | 0:00:09 | 0:00:10 | |
he said he'd show me round. | 0:00:10 | 0:00:12 | |
I am telling you, he never got off the ferry. | 0:00:12 | 0:00:15 | |
-FRANTIC THUDDING -Help, please! | 0:00:15 | 0:00:17 | |
Do you know a boy called Robbie Morton? | 0:00:17 | 0:00:19 | |
-Did Robbie have any luggage? -A rucksack and a holdall. | 0:00:22 | 0:00:25 | |
They're saying it's ecstasy. | 0:00:25 | 0:00:27 | |
It also contains PMA - when mixed with ecstasy, toxic. | 0:00:27 | 0:00:30 | |
Callum! What's he doing? Callum? | 0:00:30 | 0:00:32 | |
HE PANTS | 0:00:32 | 0:00:33 | |
You are to stay away from Michael Maguire. | 0:00:35 | 0:00:38 | |
-Do you understand? -Where did the body come from? | 0:00:38 | 0:00:40 | |
From inside that. You cannae lock yourself in. | 0:00:40 | 0:00:43 | |
Sir, we're being denied access to Robbie Morton's body. | 0:00:43 | 0:00:45 | |
-What are you talking about? -We can't touch him, sir. | 0:00:45 | 0:00:48 | |
What I want to know is, who has got the authority to block my... | 0:01:17 | 0:01:22 | |
Right, well, then, I need a name - | 0:01:23 | 0:01:25 | |
or at least a number, or at least a bloody... | 0:01:25 | 0:01:27 | |
SMASHING Agh! For the love of Christ! | 0:01:27 | 0:01:29 | |
DOOR OPENS | 0:01:29 | 0:01:31 | |
Who let you in? | 0:01:33 | 0:01:35 | |
How are you? | 0:01:35 | 0:01:36 | |
Great(!) | 0:01:38 | 0:01:39 | |
Jimmy, you have to leave this up to me. | 0:01:40 | 0:01:43 | |
I'm doing my best, but it's late and there's no-one available, | 0:01:43 | 0:01:45 | |
so I'm going to go home and I'm going to get some sleep. | 0:01:45 | 0:01:48 | |
Maybe you should do the same. | 0:01:48 | 0:01:51 | |
Instead of...taking it out on the china. | 0:01:51 | 0:01:53 | |
Rhona, there's somebody trying to stop me from doing my job | 0:01:54 | 0:01:57 | |
and that's pissing me off. | 0:01:57 | 0:01:59 | |
What's worrying me, Rhona, is that - at the moment - they're succeeding. | 0:02:04 | 0:02:08 | |
It's a farce. | 0:02:10 | 0:02:12 | |
It's all about people and politics and we'll get to the bottom of it. | 0:02:12 | 0:02:16 | |
I'm going to be in early tomorrow. | 0:02:20 | 0:02:23 | |
I'll see you then. | 0:02:23 | 0:02:24 | |
OK. I'll see you then. | 0:02:25 | 0:02:26 | |
-Goodnight. -Night, Jimmy. | 0:02:28 | 0:02:31 | |
DOOR OPENS | 0:02:31 | 0:02:32 | |
DOOR SHUTS | 0:02:32 | 0:02:34 | |
Well, tell her, Daddy says, | 0:02:34 | 0:02:35 | |
if she doesn't go to bed at 8.30 on school nights, | 0:02:35 | 0:02:38 | |
then no dance class at the weekend. | 0:02:38 | 0:02:40 | |
I'm sorry, love, but how do we pay school fees if I don't work? | 0:02:41 | 0:02:45 | |
Three days, maybe four. | 0:02:47 | 0:02:49 | |
Bye. | 0:02:52 | 0:02:53 | |
SPLASHING | 0:03:09 | 0:03:10 | |
It was as much as I could get, before they blocked our access. | 0:03:15 | 0:03:19 | |
He could have been attacked or it was the hydraulic claw. | 0:03:19 | 0:03:22 | |
Get any prints from the container? | 0:03:22 | 0:03:24 | |
Yeah, lots, and the quality's not great. | 0:03:24 | 0:03:26 | |
OK, well, do what you can. Anyone who handled the container, | 0:03:26 | 0:03:28 | |
we need their prints for elimination. | 0:03:28 | 0:03:31 | |
There's also this. His bag, recovered from among the rubbish. | 0:03:31 | 0:03:34 | |
We've been through it and we reckon there's about 15 grands' worth. | 0:03:34 | 0:03:38 | |
You see, where does Robbie Morton get that kind of money from? | 0:03:38 | 0:03:41 | |
I spoke to the driver who brought the container over on the ferry. | 0:03:41 | 0:03:43 | |
He left his truck down in the car deck about 6.30pm, | 0:03:43 | 0:03:46 | |
went straight to bed in his cabin. | 0:03:46 | 0:03:48 | |
Got back to the truck around 6.45am. | 0:03:48 | 0:03:51 | |
Drove straight to the recycling plant. | 0:03:51 | 0:03:54 | |
The whole plant is covered by CCTV 24/7. | 0:03:54 | 0:03:56 | |
I've been through all the footage. | 0:03:56 | 0:03:58 | |
No-one went near it the whole time it was there. | 0:03:58 | 0:04:01 | |
The victim was put in the container on the ferry on Friday night. | 0:04:01 | 0:04:06 | |
Either somebody killed Robbie Morton | 0:04:06 | 0:04:08 | |
and then dumped him in that container, | 0:04:08 | 0:04:10 | |
or he was still alive when he went in there. | 0:04:10 | 0:04:13 | |
Either way, that makes every passenger on that ferry | 0:04:13 | 0:04:16 | |
a witness and/or a suspect. | 0:04:16 | 0:04:19 | |
-Including Michael Maguire? -Well, yes, | 0:04:21 | 0:04:23 | |
because he was seen acting aggressively toward the victim. | 0:04:23 | 0:04:27 | |
His complaint against you is still pending. | 0:04:27 | 0:04:30 | |
You need to stay away from him. | 0:04:30 | 0:04:32 | |
-I need access to the body. -You'll get access to the body | 0:04:32 | 0:04:35 | |
after the pathologist has carried out his preliminary examination. | 0:04:35 | 0:04:38 | |
-He's on the two o'clock flight from Glasgow. -Why not before? | 0:04:38 | 0:04:40 | |
I need to establish exactly HOW Robbie Morton died | 0:04:40 | 0:04:43 | |
and I need to establish a time of death. | 0:04:43 | 0:04:45 | |
I'm sorry, Jimmy. I've been on the phone all morning. | 0:04:45 | 0:04:48 | |
All they're giving me is "operational reasons" and some crap | 0:04:48 | 0:04:51 | |
about neither of us having Grade 4 security clearance. | 0:04:51 | 0:04:54 | |
I'm guessing they had Robbie under surveillance - | 0:04:54 | 0:04:57 | |
he did have all those Class A drugs on him. | 0:04:57 | 0:05:00 | |
You've got a crime scene. Work that. | 0:05:03 | 0:05:05 | |
And if you DO need to re-interview Maguire, just... | 0:05:07 | 0:05:10 | |
..cover your back, eh? | 0:05:11 | 0:05:13 | |
ALARM BEEPS | 0:05:47 | 0:05:51 | |
Bella? | 0:05:51 | 0:05:52 | |
Can you hear me? | 0:05:55 | 0:05:56 | |
OVER INTERCOM: 'Are you OK?' | 0:05:58 | 0:06:00 | |
BEEPING CONTINUES | 0:06:00 | 0:06:01 | |
Craig, it's your gran. | 0:06:06 | 0:06:07 | |
Bella? Are you OK? BELLA WHIMPERS | 0:06:11 | 0:06:14 | |
Gran, what happened? Did you fall?! | 0:06:14 | 0:06:16 | |
-Granny? -SHE SOBS | 0:06:19 | 0:06:21 | |
What happened? | 0:06:21 | 0:06:22 | |
-Here. -Where's Robbie? | 0:06:22 | 0:06:24 | |
Have they found him yet? | 0:06:26 | 0:06:28 | |
We don't know yet, Bella. | 0:06:28 | 0:06:30 | |
I miss him. | 0:06:32 | 0:06:33 | |
No-one's allowed access to the car deck during a crossing. | 0:06:41 | 0:06:44 | |
Standard safety procedure. | 0:06:44 | 0:06:45 | |
So, all connecting doors from the passenger areas are locked. | 0:06:45 | 0:06:50 | |
But according to the maintenance logs, | 0:06:50 | 0:06:52 | |
the lock on one of those connecting doors | 0:06:52 | 0:06:54 | |
was repaired on Saturday morning, | 0:06:54 | 0:06:56 | |
because it had been forced during the night. | 0:06:56 | 0:06:58 | |
Well, all those doors are covered by CCTV, aren't they? | 0:06:58 | 0:07:01 | |
Yes, but the overhead light was also broken. | 0:07:01 | 0:07:06 | |
So... | 0:07:06 | 0:07:07 | |
someone forces door 5B, | 0:07:07 | 0:07:09 | |
gets Robbie Morton down to the car deck and into the container... | 0:07:09 | 0:07:13 | |
..but the passenger deck's full of people. | 0:07:15 | 0:07:17 | |
There's no way you could kill someone, | 0:07:17 | 0:07:20 | |
then move them down here unnoticed. | 0:07:20 | 0:07:23 | |
Whatever happened to Robbie happened down here. | 0:07:23 | 0:07:25 | |
OK, go back to the maintenance logs. | 0:07:25 | 0:07:28 | |
Find out who reported the broken lock and at what time. | 0:07:28 | 0:07:32 | |
And then you can ask Billy to re-trace the staff | 0:07:32 | 0:07:35 | |
and passengers from last Friday night | 0:07:35 | 0:07:37 | |
and find out if anybody saw anything suspicious | 0:07:37 | 0:07:40 | |
around about door 5B during the night. | 0:07:40 | 0:07:42 | |
You can probably start with Craig Cooper. | 0:07:42 | 0:07:44 | |
And Michael Maguire? | 0:07:44 | 0:07:46 | |
Yeah, I'll get back to you on that one. | 0:07:47 | 0:07:49 | |
-FERRY HORN BLARES IN DISTANCE -What's so urgent, Jimmy? | 0:07:49 | 0:07:52 | |
Come here. | 0:07:54 | 0:07:55 | |
I need you to have a closer look at Robbie's Morton's body. | 0:08:06 | 0:08:08 | |
But I believe there's an official pathologist coming over... | 0:08:10 | 0:08:12 | |
Yeah, but he's not going to be here till late afternoon. | 0:08:12 | 0:08:15 | |
There's trauma on the body and I need to know how it got there. | 0:08:15 | 0:08:17 | |
Can you pull some strings up at the hospital? | 0:08:17 | 0:08:20 | |
I look, but I don't touch. | 0:08:22 | 0:08:25 | |
And don't ask me to stand up in court. | 0:08:25 | 0:08:27 | |
KEYPAD TONE | 0:08:47 | 0:08:48 | |
Billy... | 0:08:50 | 0:08:51 | |
I need a smartphone charger. | 0:08:52 | 0:08:54 | |
-KNOCK AT DOOR -Hello? | 0:08:56 | 0:08:59 | |
Ah, I, erm... I was going to call in at the office, | 0:08:59 | 0:09:03 | |
but I saw the car and I... | 0:09:03 | 0:09:05 | |
Sorry, I didn't realise you were quite so snowed under. | 0:09:07 | 0:09:09 | |
Yeah, what have you done? | 0:09:09 | 0:09:11 | |
Well, you can be a surly bastard sometimes, you know?! | 0:09:11 | 0:09:14 | |
Right, it's just that the last time you wanted a word... | 0:09:14 | 0:09:17 | |
Well, this isn't about Cassie. It's about the case. | 0:09:17 | 0:09:19 | |
Oh, um... | 0:09:22 | 0:09:23 | |
OK. | 0:09:25 | 0:09:26 | |
It's not information, it's more of a request. | 0:09:26 | 0:09:29 | |
Um... | 0:09:30 | 0:09:32 | |
Kaidon Laurenson - | 0:09:33 | 0:09:35 | |
the claw operator at Gremista - | 0:09:35 | 0:09:38 | |
he's a pal of mine, poker buddy. | 0:09:38 | 0:09:41 | |
Ex-Army. He's had some issues with PTSD and stuff. | 0:09:41 | 0:09:46 | |
He's struggling - | 0:09:46 | 0:09:48 | |
not just with the discovery of the body, but with thinking | 0:09:48 | 0:09:51 | |
that it might have been the claw that crushed the boy - | 0:09:51 | 0:09:54 | |
you know, killed him. | 0:09:54 | 0:09:56 | |
Right. | 0:09:56 | 0:09:58 | |
I know there's probably some protocol in place | 0:09:58 | 0:10:00 | |
that says you can't, but if you CAN somehow | 0:10:00 | 0:10:03 | |
let him know exactly what happened, | 0:10:03 | 0:10:06 | |
then at least he'd know, | 0:10:06 | 0:10:07 | |
and he'd be able to get on with dealing with...whatever it is. | 0:10:07 | 0:10:10 | |
Yeah... Well, I wish I could. | 0:10:10 | 0:10:12 | |
Er... | 0:10:13 | 0:10:16 | |
Tell him that whenever I know anything, | 0:10:16 | 0:10:18 | |
I'll come and talk to him. | 0:10:18 | 0:10:20 | |
OK, well, thanks. | 0:10:22 | 0:10:23 | |
I appreciate it. | 0:10:25 | 0:10:26 | |
And I'm sorry. | 0:10:29 | 0:10:31 | |
I'm sorry I'm a surly bastard. | 0:10:31 | 0:10:33 | |
Ah, well... | 0:10:35 | 0:10:37 | |
Craig? | 0:10:52 | 0:10:54 | |
-Hey! -What? What is it now? | 0:10:55 | 0:10:57 | |
I just want to go over your statement, | 0:10:57 | 0:11:00 | |
about last Friday night on the ferry. | 0:11:00 | 0:11:03 | |
Friday night? I told you. I was in the bar. | 0:11:03 | 0:11:05 | |
Until it closed, at midnight. | 0:11:05 | 0:11:07 | |
-I need to know where were you AFTER that. -Why? | 0:11:07 | 0:11:10 | |
If you could answer the question? | 0:11:10 | 0:11:12 | |
At Puggie's. | 0:11:14 | 0:11:15 | |
I was there all night, playing the fruit machines. | 0:11:17 | 0:11:21 | |
All night? | 0:11:21 | 0:11:22 | |
I've got a wee gambling problem. | 0:11:25 | 0:11:27 | |
I used the cash machine. You can check. OK? | 0:11:27 | 0:11:31 | |
-I will. -Good. | 0:11:31 | 0:11:33 | |
-I need to get on. -I'm not done. | 0:11:33 | 0:11:35 | |
At any point, did you go near the car deck? | 0:11:36 | 0:11:39 | |
No. Why would I? | 0:11:39 | 0:11:42 | |
Maybe you saw something? | 0:11:42 | 0:11:44 | |
Someone acting suspiciously around any of the doors into the car deck? | 0:11:44 | 0:11:48 | |
No. | 0:11:50 | 0:11:51 | |
Is that it? Can I go? | 0:11:54 | 0:11:57 | |
For now. | 0:11:57 | 0:11:59 | |
You sure about this, Dr McLean? | 0:12:08 | 0:12:10 | |
Martin, would I ask you to do something you're not supposed to do? | 0:12:10 | 0:12:13 | |
-Aye. -I just need a proper look at the body. | 0:12:13 | 0:12:16 | |
I didn't get a chance earlier. | 0:12:16 | 0:12:17 | |
Five minutes. OK? | 0:12:18 | 0:12:21 | |
Anyone asks, I never saw you. | 0:12:21 | 0:12:23 | |
PHONE CAMERA CLICKS | 0:12:33 | 0:12:35 | |
SHE SHIVERS | 0:13:05 | 0:13:07 | |
Excuse me? | 0:13:19 | 0:13:21 | |
I've heard. It's all over Twitter. | 0:13:21 | 0:13:23 | |
Something's happened at the energy plant. | 0:13:23 | 0:13:26 | |
You've found Robbie, haven't you? | 0:13:28 | 0:13:30 | |
I'm sorry, Leanne. | 0:13:33 | 0:13:34 | |
SHE WEEPS | 0:13:40 | 0:13:42 | |
SEAGULLS CAW | 0:13:58 | 0:14:00 | |
Leanne, did you notice Robbie leaving the passenger lounge? | 0:14:04 | 0:14:08 | |
No. | 0:14:08 | 0:14:09 | |
Do you think anybody else might have saw him? | 0:14:10 | 0:14:13 | |
No, they were all sleeping. | 0:14:13 | 0:14:15 | |
I was frantic. I asked everybody I could. | 0:14:17 | 0:14:20 | |
I tried to tell you. I knew there was something wrong. | 0:14:23 | 0:14:27 | |
He was murdered, wasn't he? | 0:14:34 | 0:14:36 | |
I can't say. | 0:14:38 | 0:14:39 | |
It's that guy with the rings. Have you arrested him? | 0:14:41 | 0:14:45 | |
Leanne, did you see anybody | 0:14:45 | 0:14:47 | |
between the connecting doors at the car deck? | 0:14:47 | 0:14:50 | |
Do you want me to get one of my officers to sit with you for a bit? | 0:15:04 | 0:15:07 | |
No. | 0:15:07 | 0:15:09 | |
No, I'll be fine. | 0:15:09 | 0:15:10 | |
OK. | 0:15:18 | 0:15:19 | |
PHONE RINGS | 0:15:26 | 0:15:27 | |
-Billy? -'The pills we found in Robbie's holdall,' | 0:15:27 | 0:15:30 | |
I've added up their street value - 16,500. | 0:15:30 | 0:15:33 | |
'So, I had a word with my pal, Angela, that works at the bank.' | 0:15:33 | 0:15:36 | |
It's all off the record and we can't use it, but... | 0:15:36 | 0:15:39 | |
Michael Maguire made a very large cash withdrawal a couple of weeks ago. | 0:15:39 | 0:15:43 | |
-How much? -'More than 10,000 is all she would say.' | 0:15:43 | 0:15:46 | |
OK, thanks. | 0:15:48 | 0:15:49 | |
Mr Maguire. | 0:16:03 | 0:16:05 | |
Sorry to bother you, sir, | 0:16:05 | 0:16:06 | |
but the statement you gave us the other day, | 0:16:06 | 0:16:08 | |
I'd like to go over it again. | 0:16:08 | 0:16:11 | |
You don't come near me. Remember? | 0:16:11 | 0:16:12 | |
DS McIntosh is questioning you. We're short on manpower. | 0:16:12 | 0:16:15 | |
So, I'm just here to corroborate. I'm sure if I step out of line, | 0:16:15 | 0:16:18 | |
you can always cook up some other complaint against me. | 0:16:18 | 0:16:20 | |
But otherwise, just ignore me. | 0:16:20 | 0:16:22 | |
You seem in a hurry. Are you meant to be somewhere? | 0:16:22 | 0:16:25 | |
I thought this was about my statement. | 0:16:25 | 0:16:28 | |
The missing boy we were asking you about? | 0:16:28 | 0:16:31 | |
He's dead. | 0:16:31 | 0:16:33 | |
I'm sorry to hear that. | 0:16:33 | 0:16:35 | |
You told us you went to your cabin around 11.30pm. That right? | 0:16:35 | 0:16:39 | |
-Yes. -We're interested in the period between 11.30 and 7am. | 0:16:39 | 0:16:43 | |
You didn't go down to the car deck at any point? | 0:16:43 | 0:16:46 | |
-No. -Are you sure? -I was in my cabin all night. | 0:16:46 | 0:16:48 | |
Can anyone corroborate that? | 0:16:48 | 0:16:50 | |
As I told your boss when he took my statement - no. | 0:16:50 | 0:16:52 | |
We'd like to take a fingerprint sample from you. Elimination purposes. | 0:16:56 | 0:16:59 | |
Unless you're arresting and charging me, I don't have to give you prints. | 0:16:59 | 0:17:02 | |
And any prints you DO take without my consent are unusable in court. | 0:17:02 | 0:17:05 | |
So, again - no. | 0:17:05 | 0:17:06 | |
-You know your rights. -Aye, I do. | 0:17:07 | 0:17:10 | |
Thanks for your time. | 0:17:12 | 0:17:14 | |
He knew. | 0:17:28 | 0:17:29 | |
He knew Robbie Morton was dead. | 0:17:33 | 0:17:35 | |
Keep an eye on his travel plans. | 0:17:37 | 0:17:39 | |
KEYPAD TONES | 0:17:39 | 0:17:42 | |
DIALLING TONE | 0:17:42 | 0:17:44 | |
Hi. We need to talk. | 0:17:44 | 0:17:46 | |
-Hey, Mick. You all right? -Hi, ma'am. | 0:17:52 | 0:17:55 | |
KEYPAD BEEPS | 0:17:55 | 0:17:57 | |
Billy, how are you getting on with re-tracing the passengers on... | 0:17:57 | 0:18:02 | |
I'm Lowrie. | 0:18:03 | 0:18:05 | |
We met. | 0:18:06 | 0:18:08 | |
The other day. | 0:18:08 | 0:18:10 | |
Yeah, I know. | 0:18:10 | 0:18:11 | |
Would you like to go for a coffee and a digestive biscuit? | 0:18:12 | 0:18:16 | |
Uh...no. | 0:18:17 | 0:18:20 | |
Why not? | 0:18:20 | 0:18:22 | |
I'm a police officer. | 0:18:23 | 0:18:25 | |
Does that mean that you don't take breaks? | 0:18:25 | 0:18:27 | |
It means I don't take them with random members of the public. | 0:18:27 | 0:18:31 | |
Yes, yeah, I see. | 0:18:31 | 0:18:33 | |
Another time, then. | 0:18:35 | 0:18:36 | |
Not a word, Billy. | 0:18:38 | 0:18:40 | |
(Not a bloody word.) | 0:18:41 | 0:18:43 | |
So, the doctors are saying he's out of danger. | 0:18:52 | 0:18:55 | |
Well, he's conscious, so that's good. | 0:18:55 | 0:18:58 | |
But it doesn't feel good. | 0:18:59 | 0:19:01 | |
Um, what about his kidney damage? | 0:19:01 | 0:19:04 | |
They're testing everyone in the family. | 0:19:05 | 0:19:07 | |
We're a big clan, | 0:19:07 | 0:19:09 | |
so they're optimistic that they'll find a match. | 0:19:09 | 0:19:12 | |
Long road, eh? | 0:19:13 | 0:19:15 | |
Yeah. Long road. | 0:19:17 | 0:19:18 | |
-Can you excuse me a minute? -Yeah. | 0:19:21 | 0:19:23 | |
-This is only an opinion, not a fact... -Right. | 0:19:27 | 0:19:30 | |
..but the physical trauma on the body is postmortem. | 0:19:30 | 0:19:34 | |
I'd say his injuries were inflicted by the hydraulic claw. | 0:19:34 | 0:19:37 | |
What's that? | 0:19:37 | 0:19:39 | |
A tattoo. | 0:19:39 | 0:19:41 | |
A fish, a tree, a bird and... I can't make that out... | 0:19:41 | 0:19:45 | |
It's a bell... It's a bell. | 0:19:45 | 0:19:47 | |
"The fish that never swam, the bird that never flew, | 0:19:48 | 0:19:51 | |
"the bell than never rang, the tree that never grew." | 0:19:51 | 0:19:55 | |
-It's the Glasgow coat of arms. -Mm. | 0:19:55 | 0:19:57 | |
Maybe we should start looking for Robbie Morton's family down there. | 0:19:57 | 0:20:02 | |
Anyway, you were saying? | 0:20:02 | 0:20:04 | |
Off the record, and with the usual health warnings... | 0:20:04 | 0:20:08 | |
-Do you see the bluish tint to his skin? -Mm-hmm. | 0:20:08 | 0:20:11 | |
Cyanosis. I'd put the cause of death as hypoxia, Jimmy. | 0:20:12 | 0:20:16 | |
Suffocated. | 0:20:16 | 0:20:17 | |
He was trying to claw his way out. | 0:20:21 | 0:20:23 | |
HORN BEEPS | 0:20:41 | 0:20:43 | |
Robbie Morton's. | 0:21:25 | 0:21:28 | |
It was damaged and we're only getting numbers, | 0:21:28 | 0:21:30 | |
not names on the call log. | 0:21:30 | 0:21:32 | |
Trapped in here, he made a lot of 999 calls over the weekend. | 0:21:32 | 0:21:36 | |
Those calls stop in the early hours this morning. | 0:21:36 | 0:21:39 | |
Either that's when his phone battery died, or... | 0:21:39 | 0:21:42 | |
Billy's going through the numbers, | 0:21:42 | 0:21:44 | |
but what we do have is 36 calls in the last week | 0:21:44 | 0:21:46 | |
from one number in particular, which we have traced. | 0:21:46 | 0:21:49 | |
Craig Cooper. | 0:21:51 | 0:21:53 | |
Right. | 0:21:53 | 0:21:55 | |
OK. Thanks, Sandy. | 0:21:55 | 0:21:56 | |
-Help! -HE PANTS | 0:22:08 | 0:22:11 | |
-HE THUMPS -Help! Help...! | 0:22:12 | 0:22:14 | |
HE SOBS | 0:22:18 | 0:22:20 | |
If you're here to help, I'm late. | 0:22:37 | 0:22:40 | |
I have to get to the ferry before four. | 0:22:40 | 0:22:42 | |
Um... I have to go away tomorrow. | 0:22:42 | 0:22:46 | |
For work. | 0:22:46 | 0:22:47 | |
Will you come with me? | 0:22:47 | 0:22:49 | |
Go where? | 0:22:49 | 0:22:51 | |
Glasgow. Take a wee break. | 0:22:52 | 0:22:54 | |
You know, we've never had a holiday together. | 0:22:57 | 0:23:00 | |
And what will I do while you're working? | 0:23:00 | 0:23:03 | |
Jesus, woman, if you can't find anything to do in a place like that, | 0:23:03 | 0:23:06 | |
there's something wrong with you. | 0:23:06 | 0:23:08 | |
Anyway, I, er... | 0:23:08 | 0:23:10 | |
I won't be working all the time. | 0:23:11 | 0:23:13 | |
I've got to get going... | 0:23:15 | 0:23:17 | |
So... Glasgow? | 0:23:20 | 0:23:22 | |
All right. | 0:23:24 | 0:23:26 | |
HE SIGHS | 0:23:41 | 0:23:42 | |
MEN CHATTER | 0:23:44 | 0:23:48 | |
< MEN CHATTER IN DISTANCE | 0:23:51 | 0:23:53 | |
MEN LAUGH | 0:23:57 | 0:23:59 | |
DOOR BELL RINGS | 0:24:41 | 0:24:43 | |
-SHE THUMPS -Craig! | 0:24:44 | 0:24:46 | |
Come on, open up! It's the police. | 0:24:50 | 0:24:53 | |
SHE KNOCKS | 0:24:53 | 0:24:55 | |
I know. But listen, they've fixed Bella's hearing aid now, | 0:25:00 | 0:25:03 | |
so no harm done, eh? DOOR SHUTS | 0:25:03 | 0:25:06 | |
-Hello? -I know she worries about him, but you know what he's like. | 0:25:06 | 0:25:09 | |
He always lands on his feet. | 0:25:09 | 0:25:11 | |
I'll call you back. | 0:25:11 | 0:25:13 | |
-Hey... -What's wrong? -Nothing... | 0:25:13 | 0:25:15 | |
-It's Craig, isn't it? -KIDS SHOUT UPSTAIRS | 0:25:16 | 0:25:19 | |
Excuse me? Keep the noise down! | 0:25:21 | 0:25:23 | |
The whole family knows that he's in trouble with Jimmy Perez. | 0:25:29 | 0:25:32 | |
My Auntie Bella brought up Craig on her own | 0:25:33 | 0:25:36 | |
and it's Bella's birthday party coming up soon | 0:25:36 | 0:25:38 | |
and Craig means the world to her and... | 0:25:38 | 0:25:41 | |
..at her age, any more trouble from him... PHONE RINGS | 0:25:42 | 0:25:46 | |
Hey, Mum. | 0:25:48 | 0:25:50 | |
We've recovered Robbie's phone. | 0:25:50 | 0:25:52 | |
36 calls from you in the last three days. | 0:25:52 | 0:25:55 | |
That's a lot of calls to someone you said you didn't know. | 0:25:55 | 0:25:58 | |
OK, I did know him. A wee bit. | 0:26:01 | 0:26:03 | |
"A wee bit"? | 0:26:03 | 0:26:04 | |
I didnae tell you before because... | 0:26:04 | 0:26:07 | |
Right, OK. I like a wee pill now and again. | 0:26:10 | 0:26:13 | |
Robbie said he'd got some really good stuff on the mainland. | 0:26:13 | 0:26:15 | |
That's why I was phoning him. | 0:26:15 | 0:26:17 | |
But I didn't get any, so I've done nothing wrong. | 0:26:17 | 0:26:19 | |
Search this place if you like, but you'll not find anything. | 0:26:19 | 0:26:22 | |
Turns out that good stuff wasnae so good after all. | 0:26:22 | 0:26:25 | |
There's already one wee boy that's lucky to be alive. | 0:26:25 | 0:26:28 | |
We recovered the rest of it - | 0:26:28 | 0:26:29 | |
with a street value of about 15, 16 grand. | 0:26:29 | 0:26:32 | |
And we've been through Robbie's finances - | 0:26:32 | 0:26:34 | |
his wages, his bank activity - | 0:26:34 | 0:26:36 | |
and he didnae have the kind of money to pay for that stuff. | 0:26:36 | 0:26:39 | |
So, the question is, where did the money come from? | 0:26:39 | 0:26:41 | |
-Have you got any ideas, Craig? -No. I don't know anything. | 0:26:44 | 0:26:47 | |
What are you scared of? | 0:26:54 | 0:26:56 | |
Something out there? Somebody out there? | 0:26:57 | 0:27:00 | |
Something's changed since yesterday. What's that? | 0:27:00 | 0:27:03 | |
Do you know Robbie's dead? | 0:27:08 | 0:27:10 | |
It wasn't an accident. | 0:27:11 | 0:27:13 | |
So, I'm just giving you a chance here | 0:27:14 | 0:27:16 | |
to tell me whatever it is you know. | 0:27:16 | 0:27:18 | |
I don't know anything. | 0:27:24 | 0:27:25 | |
I'm not done here. | 0:27:30 | 0:27:32 | |
I've been through all the CCTV footage from the ferry. | 0:27:53 | 0:27:56 | |
Craig Cooper's alibi checks out. | 0:27:56 | 0:27:59 | |
Doesn't mean he's not involved in some other way. | 0:27:59 | 0:28:01 | |
But look at this, boss. Door 5B. | 0:28:01 | 0:28:04 | |
Robbie. | 0:28:07 | 0:28:09 | |
Aye. | 0:28:09 | 0:28:10 | |
So, Robbie goes down to the car deck and someone follows him down | 0:28:10 | 0:28:15 | |
and at some point after 3.37, | 0:28:15 | 0:28:17 | |
locks him in the container. | 0:28:17 | 0:28:20 | |
Michael Maguire. | 0:28:20 | 0:28:21 | |
He had the cash resources to buy the drugs, he had a fight with Robbie | 0:28:21 | 0:28:25 | |
-and he doesn't have a verifiable alibi. -PHONE VIBRATES | 0:28:25 | 0:28:28 | |
-Hello? -Anything from the prints you pulled from the container? | 0:28:28 | 0:28:31 | |
It's not looking good. They're all partial. | 0:28:31 | 0:28:33 | |
Also, the ferry company got back. | 0:28:33 | 0:28:35 | |
It was one of their trainee chefs who reported the broken door. | 0:28:35 | 0:28:38 | |
He's been off sick the last few days, | 0:28:38 | 0:28:40 | |
but he's working on tonight's crossing. | 0:28:40 | 0:28:42 | |
-We could talk to him before they sail. -OK. Thanks, Billy. | 0:28:42 | 0:28:45 | |
TYRES SCREECH, SHE YELPS | 0:28:57 | 0:28:59 | |
What the hell are you playing at?! | 0:29:04 | 0:29:06 | |
I could've killed you, for Christ's sake! | 0:29:06 | 0:29:09 | |
You all right? | 0:29:15 | 0:29:16 | |
Yeah, I'm fine. | 0:29:17 | 0:29:19 | |
-You sure? -Yeah. | 0:29:19 | 0:29:20 | |
All right, I'm heading into Lerwick. Do you want a lift? | 0:29:23 | 0:29:26 | |
Er, no, it's OK. I can get the bus. | 0:29:28 | 0:29:30 | |
Um... | 0:29:33 | 0:29:35 | |
You've missed the last one, I'm afraid. | 0:29:35 | 0:29:37 | |
SEATBELT ALARM BEEPS | 0:29:40 | 0:29:43 | |
Can you put your seatbelt on, please? | 0:29:48 | 0:29:51 | |
SEATBELT CLICKS, ALARM STOPS | 0:29:58 | 0:30:00 | |
Daryl Ritchie? I'm DI Perez. | 0:30:12 | 0:30:14 | |
I need to start in ten minutes. We sail at half seven. | 0:30:14 | 0:30:17 | |
No worries. This is DC Wilson. | 0:30:17 | 0:30:18 | |
On the crossing last Friday night, you reported a broken lock | 0:30:18 | 0:30:22 | |
on one of the doors into the car deck. Door 5B? | 0:30:22 | 0:30:25 | |
-What time did you notice it at? -HUSHED VOICES | 0:30:25 | 0:30:27 | |
I was knocking off. About four in the morning. | 0:30:27 | 0:30:30 | |
I had to put my phone torch on, cos the light was burst. | 0:30:30 | 0:30:32 | |
Told the security officer, then went off to bed. I was knackered. | 0:30:32 | 0:30:35 | |
-Did you happen to notice who broke the lock? -Nah. | 0:30:35 | 0:30:38 | |
Did you see anything suspicious, or anybody acting suspiciously? | 0:30:38 | 0:30:42 | |
I don't know if you'd call it suspicious, | 0:30:43 | 0:30:46 | |
but I saw a guy hanging about during the night. | 0:30:46 | 0:30:48 | |
I saw him through the hatch to the storage room. | 0:30:48 | 0:30:51 | |
Did you see him go into, or come out of, the car deck? | 0:30:51 | 0:30:54 | |
-No. -But you did get a good look at him? | 0:30:55 | 0:30:57 | |
Aye. Big, tall guy with a beard. | 0:30:57 | 0:31:00 | |
Right, just have a wee think, Daryl. | 0:31:00 | 0:31:02 | |
Is there anything else about this guy? | 0:31:02 | 0:31:04 | |
Rings. | 0:31:07 | 0:31:08 | |
He had these rings...silver. | 0:31:09 | 0:31:12 | |
You couldnae miss them. | 0:31:12 | 0:31:14 | |
You living on Shetland? | 0:31:20 | 0:31:22 | |
No. Just...travelling around. | 0:31:22 | 0:31:25 | |
I got them in Lerwick. | 0:31:39 | 0:31:41 | |
I didn't know they made them any more. | 0:31:41 | 0:31:44 | |
Remind me of when I was a kid. Cola cubes. | 0:31:44 | 0:31:47 | |
Do you want one? | 0:31:48 | 0:31:49 | |
No. | 0:31:49 | 0:31:51 | |
Too fond of my teeth. | 0:31:52 | 0:31:54 | |
Yeah, well... A bit damp, anyway. | 0:31:54 | 0:31:56 | |
You're a stranger here yourself? | 0:32:00 | 0:32:02 | |
What makes you think that? | 0:32:04 | 0:32:06 | |
Nothing. Just...you sound like you might be a sooth-moother. | 0:32:08 | 0:32:12 | |
That's what they call an outsider here - a "sooth moother". | 0:32:14 | 0:32:17 | |
Aye. | 0:32:18 | 0:32:20 | |
-Er, stop, please. -Huh? | 0:32:30 | 0:32:32 | |
-Stop. This is where I'm staying. -Oh. | 0:32:32 | 0:32:34 | |
All right? | 0:32:38 | 0:32:39 | |
Thanks. | 0:32:39 | 0:32:41 | |
People come to Shetland and they think that... | 0:32:45 | 0:32:48 | |
because they're out on a big rock in the middle of the North Sea, | 0:32:48 | 0:32:51 | |
they think that this isn't part of real life. | 0:32:51 | 0:32:54 | |
Nothing bad ever happens. | 0:32:55 | 0:32:57 | |
Robbie... | 0:33:00 | 0:33:01 | |
Robbie? | 0:33:06 | 0:33:07 | |
The missing boy. | 0:33:09 | 0:33:10 | |
I heard he was found dead. | 0:33:12 | 0:33:13 | |
His name was Robbie. | 0:33:15 | 0:33:17 | |
You should go. | 0:33:21 | 0:33:23 | |
DOOR OPENS | 0:33:37 | 0:33:39 | |
Rhona, I'm bringing in Michael Maguire for questioning, | 0:33:41 | 0:33:45 | |
in connection with the death of Robbie Morton. | 0:33:45 | 0:33:47 | |
We've now got a witness that places him at the broken door, around 4am. | 0:33:47 | 0:33:52 | |
Did your witness see Maguire actually entering or leaving the car deck? | 0:33:52 | 0:33:56 | |
No. | 0:33:57 | 0:33:58 | |
Maguire told us he was in his own cabin all night. | 0:34:00 | 0:34:04 | |
-He lied to us. Why? -I'm with you on this, Jimmy. | 0:34:04 | 0:34:07 | |
I just need you to get physical evidence from the crime scene, | 0:34:07 | 0:34:10 | |
-link it to your suspect. -Maybe not got time for that. | 0:34:10 | 0:34:14 | |
Michael Maguire's on the eight o'clock flight to Glasgow tomorrow morning. | 0:34:14 | 0:34:17 | |
He's not booked a return. | 0:34:17 | 0:34:19 | |
I've just had a word with one of the lasses at Beatson Estate agents. | 0:34:19 | 0:34:22 | |
The lease on his flat's been terminated. | 0:34:22 | 0:34:24 | |
He's not coming back, Rhona. | 0:34:24 | 0:34:25 | |
There's a man here called Davy Neville, | 0:34:25 | 0:34:27 | |
says he wants to talk to you about Michael Maguire. | 0:34:27 | 0:34:29 | |
I was on the North Sea Princess last Friday night. | 0:34:29 | 0:34:32 | |
-Go on. -Well, Michael and me, we got to drinking at the bar - | 0:34:37 | 0:34:40 | |
bit of a laugh and a joke - and about half 11, | 0:34:40 | 0:34:43 | |
he came back to my cabin. | 0:34:43 | 0:34:45 | |
We played cards. | 0:34:45 | 0:34:46 | |
All night. | 0:34:46 | 0:34:48 | |
Steaming, the pair of us. | 0:34:48 | 0:34:49 | |
So, you're saying you were in Mr Maguire's company all night? | 0:34:51 | 0:34:54 | |
Till half seven in the morning. | 0:34:54 | 0:34:56 | |
And he didn't leave the cabin at any point? | 0:34:56 | 0:34:59 | |
Nope. He was there all night. We didn't sleep. | 0:34:59 | 0:35:02 | |
Have you any identification on you, Mr Neville? | 0:35:06 | 0:35:08 | |
Yeah. Right here. Driving licence. | 0:35:08 | 0:35:11 | |
Billy, check that out. | 0:35:20 | 0:35:22 | |
Better confirm that Mr Neville's name was on the passenger manifesto... | 0:35:23 | 0:35:27 | |
Oh, there's no point. I was a foot passenger. | 0:35:27 | 0:35:29 | |
-Paid cash. -Of course you did. | 0:35:29 | 0:35:31 | |
-This cabin of yours. What number was it? -322. | 0:35:31 | 0:35:33 | |
See, Mr Maguire told us that he spent the whole night in his own cabin. | 0:35:33 | 0:35:37 | |
He never mentioned your name, so why would that be? | 0:35:37 | 0:35:40 | |
Well, it's... It's a bit embarrassing. | 0:35:41 | 0:35:44 | |
Is it? Rock my world(!) | 0:35:44 | 0:35:45 | |
The wife's away at her sister's down south for a couple of weeks and... | 0:35:46 | 0:35:50 | |
I shouldn't really have been over in Aberdeen. | 0:35:50 | 0:35:53 | |
I've got a friend over there... if you know what I mean. | 0:35:53 | 0:35:56 | |
If my wife was to find out I'd gone off for the weekend, well... | 0:35:57 | 0:36:01 | |
Michael's a good lad. He probably didn't want to... | 0:36:01 | 0:36:05 | |
incriminate me. | 0:36:05 | 0:36:06 | |
OK. | 0:36:13 | 0:36:14 | |
I'll check out your story with Mr Maguire. | 0:36:14 | 0:36:17 | |
If I find one single anomaly... | 0:36:17 | 0:36:18 | |
..I'm going to detain both you and Mr Maguire | 0:36:20 | 0:36:22 | |
on suspicion of trying to pervert the course of justice. | 0:36:22 | 0:36:24 | |
Do you understand me? | 0:36:24 | 0:36:26 | |
Your key witness, get him over here and get Maguire in a line-up. | 0:36:31 | 0:36:35 | |
I can't. | 0:36:37 | 0:36:39 | |
He's on the overnight ferry crossing to Aberdeen. | 0:36:39 | 0:36:42 | |
Jimmy, I need a positive ID. | 0:36:42 | 0:36:44 | |
Come on, Rhona. That clown with the alibi is a delaying tactic. | 0:36:44 | 0:36:48 | |
I know that. | 0:36:48 | 0:36:49 | |
If we don't get Maguire today, then we don't get him at all. | 0:36:49 | 0:36:52 | |
And if he murdered Robbie Morton, then... | 0:36:52 | 0:36:55 | |
HE SIGHS | 0:36:56 | 0:36:58 | |
Shetland's a small place. | 0:37:01 | 0:37:03 | |
Sometimes, you can't help bumping into people | 0:37:05 | 0:37:07 | |
who you may or may not have a bone to pick with. | 0:37:07 | 0:37:10 | |
Punch a hole in Maguire's alibi | 0:37:12 | 0:37:15 | |
and maybe we're in business. | 0:37:15 | 0:37:17 | |
-Can I have a cup of tea please, Gill? -Sure. | 0:37:29 | 0:37:32 | |
I take it this is coincidence - not harassment... | 0:37:35 | 0:37:38 | |
..or victimisation? | 0:37:39 | 0:37:41 | |
WIND BUFFETS | 0:37:45 | 0:37:47 | |
That rain's coming back in. | 0:37:47 | 0:37:48 | |
That's why I like here. You can see what's coming. | 0:37:50 | 0:37:53 | |
Did you see your alibi coming? | 0:37:53 | 0:37:55 | |
Davy and me played cards all night. Stud poker. I won 90 quid. | 0:37:57 | 0:38:01 | |
Davy shouldn't really have been in Aberdeen. | 0:38:06 | 0:38:08 | |
I didn't mention it before because I didn't want to incriminate him. | 0:38:08 | 0:38:11 | |
You're seeing something that isn't there. | 0:38:15 | 0:38:17 | |
I've got a witness that places you | 0:38:20 | 0:38:23 | |
near the connecting door to the car deck in the middle of the night. | 0:38:23 | 0:38:26 | |
Is he seeing things? | 0:38:29 | 0:38:31 | |
Your alibi doesnae add up. | 0:38:35 | 0:38:37 | |
But then, I suppose it doesn't have to, does it? | 0:38:39 | 0:38:41 | |
Just buys you time... | 0:38:43 | 0:38:44 | |
..and by the time I've unpicked it, | 0:38:46 | 0:38:48 | |
you're off on the first flight to Glasgow. | 0:38:48 | 0:38:51 | |
Just to keep you honest. | 0:39:02 | 0:39:03 | |
Prove to me you didn't kill Robbie Morton. | 0:39:07 | 0:39:10 | |
I'm sorry. | 0:39:16 | 0:39:18 | |
Does Freya know you're not coming back? | 0:39:20 | 0:39:23 | |
PHONE VIBRATES | 0:39:29 | 0:39:30 | |
-Hiya, Cassie? -'Hi, Dad. | 0:39:34 | 0:39:36 | |
'Listen, if it'll make you feel better, | 0:39:36 | 0:39:38 | |
'I'll take my exams, I'll get my credits. | 0:39:38 | 0:39:40 | |
'That way, I could always go back if I changed my mind.' | 0:39:40 | 0:39:43 | |
Yeah, but you're not going to change your mind, are you? | 0:39:43 | 0:39:46 | |
I just don't want to spend the next four years treading water, | 0:39:46 | 0:39:48 | |
just because university is what people like me are supposed to do. | 0:39:48 | 0:39:52 | |
-I've got other plans. -'What does that mean?' | 0:39:52 | 0:39:55 | |
'When can you come back to Glasgow again?' | 0:39:55 | 0:39:57 | |
Cassie, I've just come back. | 0:39:57 | 0:39:58 | |
'I've met someone and I'd really like you to meet him.' | 0:39:58 | 0:40:01 | |
His name's Edison. | 0:40:03 | 0:40:04 | |
-Edison? -'And we'll explain.' | 0:40:06 | 0:40:08 | |
Look, Cassie.... | 0:40:12 | 0:40:13 | |
..I trust you, OK? | 0:40:15 | 0:40:18 | |
But just let me down gently, eh? | 0:40:19 | 0:40:22 | |
Thanks, Dad. I love you. | 0:40:23 | 0:40:26 | |
I love you back. | 0:40:26 | 0:40:27 | |
CAR DOOR SHUTS | 0:40:39 | 0:40:40 | |
Hello? | 0:40:49 | 0:40:50 | |
No... | 0:41:03 | 0:41:05 | |
Excuse me. | 0:41:10 | 0:41:11 | |
Have you arrested him yet? | 0:41:11 | 0:41:13 | |
-Leanne, this really isn't any of your business... -He did it. | 0:41:13 | 0:41:15 | |
I know he did it. You should have seen the look on his face | 0:41:15 | 0:41:18 | |
-when I was talking about Robbie. -"The look on his face"? | 0:41:18 | 0:41:21 | |
Did you approach him? | 0:41:21 | 0:41:22 | |
Right, get in here. | 0:41:24 | 0:41:25 | |
That man may or may not be dangerous. | 0:41:29 | 0:41:33 | |
But you - sit down - you are not to go near him again, OK? | 0:41:33 | 0:41:38 | |
He killed Robbie... | 0:41:38 | 0:41:39 | |
My job is to arrest and charge whoever killed Robbie Morton. | 0:41:39 | 0:41:44 | |
And believe me, it's complicated. | 0:41:44 | 0:41:47 | |
So, if I find that you've done something | 0:41:47 | 0:41:50 | |
that's going to compromise my case against Robbie's killer, | 0:41:50 | 0:41:53 | |
you're in a lot of trouble. Do you understand me? | 0:41:53 | 0:41:55 | |
Yeah. | 0:41:57 | 0:41:58 | |
I don't understand, Leanne. | 0:42:07 | 0:42:10 | |
Why is this so important to you? | 0:42:10 | 0:42:12 | |
SHE SOBS | 0:42:13 | 0:42:15 | |
Leanne, where's your family? | 0:42:31 | 0:42:34 | |
I don't see my family. | 0:42:39 | 0:42:40 | |
Well, do you not think maybe you should go back to work in Aberdeen? | 0:42:45 | 0:42:50 | |
I'll keep you in touch with you. | 0:42:51 | 0:42:53 | |
Robbie's not... | 0:42:55 | 0:42:56 | |
He's just a boy you met on a ferry. | 0:42:59 | 0:43:01 | |
Don't invest too much in him. | 0:43:03 | 0:43:05 | |
And please, stay away from Michael Maguire. | 0:43:06 | 0:43:11 | |
KNOCK AT DOOR | 0:43:11 | 0:43:13 | |
Yeah? | 0:43:13 | 0:43:14 | |
Sir. | 0:43:15 | 0:43:16 | |
We've got a reported crime you might want to look into...personally. | 0:43:22 | 0:43:26 | |
SHE SIGHS | 0:43:32 | 0:43:34 | |
-Are you OK? -Yes. | 0:43:40 | 0:43:41 | |
Have you been through this? Has there been anything taken, or...? | 0:43:49 | 0:43:52 | |
No, I don't think so. | 0:43:52 | 0:43:54 | |
Does anybody have a grudge against you? | 0:43:54 | 0:43:57 | |
-No. -Or Mr Maguire? | 0:43:57 | 0:43:59 | |
No, why would this have anything...? | 0:43:59 | 0:44:01 | |
CAR APPROACHES | 0:44:01 | 0:44:04 | |
Freya, do you want to tell me anything? | 0:44:04 | 0:44:06 | |
Ah, Christ! | 0:44:14 | 0:44:16 | |
There's a robbery been reported on Miss Galdie's property. | 0:44:16 | 0:44:19 | |
I'm going to have to take a sample of fingerprints from both of you. | 0:44:19 | 0:44:22 | |
-Just for elimination. -Hold on. | 0:44:22 | 0:44:24 | |
Has anything been taken? | 0:44:26 | 0:44:28 | |
-No. -But a crime's been committed. | 0:44:28 | 0:44:30 | |
Yeah, not if Miss Galdie doesn't report it as a crime. | 0:44:30 | 0:44:33 | |
Freya... | 0:44:40 | 0:44:42 | |
do you want to report a crime on your property? | 0:44:42 | 0:44:45 | |
No. | 0:44:52 | 0:44:53 | |
Right, so... Get him out of here. | 0:44:55 | 0:44:58 | |
Robbie Morton. | 0:45:05 | 0:45:07 | |
-The missing boy...? -Yeah, he's dead. | 0:45:07 | 0:45:09 | |
He got locked in a shipping container on the ferry on Friday night. | 0:45:09 | 0:45:13 | |
When he was found, | 0:45:13 | 0:45:15 | |
he'd torn his nails off at the root trying to claw his way out. | 0:45:15 | 0:45:18 | |
He must have made a hell of a racket, nobody heard him... | 0:45:18 | 0:45:22 | |
so he asphyxiated. | 0:45:22 | 0:45:24 | |
As part of that process, he would have suffered headaches, | 0:45:25 | 0:45:29 | |
nausea, disorientation, possibly even hallucinations. I don't know. | 0:45:29 | 0:45:33 | |
But I do know it took a hell of a long time. | 0:45:33 | 0:45:36 | |
On top of all of that, | 0:45:37 | 0:45:39 | |
we still haven't managed to find anybody to mourn for him. | 0:45:39 | 0:45:43 | |
Let's get this tidied up. | 0:45:53 | 0:45:55 | |
A bell, a bird, a fish and a tree. | 0:46:04 | 0:46:07 | |
You got a connection to Glasgow? | 0:46:14 | 0:46:17 | |
It's just a tattoo. | 0:46:19 | 0:46:20 | |
No, it's not. | 0:46:29 | 0:46:30 | |
-You get any prints at all? -No, nothing. | 0:46:38 | 0:46:41 | |
It took me so long to build this. | 0:46:52 | 0:46:54 | |
-In Glasgow... -No. No, not Glasgow. Not now. | 0:46:57 | 0:47:00 | |
-Please, Freya. We can talk there. -We can talk here, Michael. | 0:47:00 | 0:47:03 | |
You can talk to me here. | 0:47:04 | 0:47:05 | |
Please, talk to me. | 0:47:12 | 0:47:14 | |
Michael? | 0:47:16 | 0:47:17 | |
Michael? | 0:47:19 | 0:47:20 | |
BUS ENGINE IDLES | 0:47:40 | 0:47:42 | |
BUS DOOR HYDRAULICS HISS | 0:47:46 | 0:47:49 | |
-What have we got? -Pathologist has done his initial examination. | 0:48:04 | 0:48:07 | |
Confirms cause of death as hypoxia. | 0:48:07 | 0:48:09 | |
We're still waiting on some tox results, | 0:48:09 | 0:48:11 | |
but initial findings show alcohol and marijuana in his system. | 0:48:11 | 0:48:15 | |
Any luck tracing the family? | 0:48:15 | 0:48:17 | |
Aye, he's registered as missing. | 0:48:17 | 0:48:19 | |
I made some calls and managed to track down his social work report. | 0:48:19 | 0:48:22 | |
-PHONE RINGS -His mum died when he was seven. | 0:48:22 | 0:48:24 | |
-He was taken into care, ran away at 14. -Hello? Yeah, just a minute. | 0:48:24 | 0:48:27 | |
He might be officially missing, but no-one's been looking for him. | 0:48:27 | 0:48:30 | |
Sir? It's Freya Galdie. | 0:48:30 | 0:48:32 | |
She says it's urgent. | 0:48:32 | 0:48:33 | |
He's not answering his phone. I think he's... | 0:48:39 | 0:48:42 | |
-He just left. -Left where? Yours? | 0:48:42 | 0:48:45 | |
He was upset. He was angry. | 0:48:45 | 0:48:47 | |
He's not here. | 0:48:51 | 0:48:52 | |
I think he knows who broke into my workshop. | 0:48:52 | 0:48:55 | |
I think... I think he's gone after them. | 0:48:55 | 0:48:57 | |
The break-in. I think it's something to do with his old life. | 0:49:00 | 0:49:03 | |
In Glasgow? | 0:49:03 | 0:49:04 | |
Freya, You need to tell me what you know. Everything you know. | 0:49:06 | 0:49:10 | |
He's been in prison. | 0:49:13 | 0:49:14 | |
He told me when we first met. | 0:49:16 | 0:49:17 | |
That's why he came to Shetland. A new life - that's what he told me. | 0:49:19 | 0:49:24 | |
A new man. | 0:49:25 | 0:49:27 | |
But I don't think this old life is over for him. | 0:49:29 | 0:49:32 | |
Freya, I think you should go home and wait there. | 0:49:40 | 0:49:42 | |
Then if Michael comes back, or he gets in contact with you, | 0:49:42 | 0:49:45 | |
I want you to phone me straightaway. OK? | 0:49:45 | 0:49:48 | |
Michael Maguire. He's got connections to Glasgow. | 0:50:25 | 0:50:28 | |
He knows the law and police procedure like the back of his hand. | 0:50:28 | 0:50:32 | |
He's been in prison. He may well be violent. | 0:50:32 | 0:50:35 | |
See, if he's gone after the people that are involved in this break-in, | 0:50:35 | 0:50:39 | |
then that someone's in danger. | 0:50:39 | 0:50:40 | |
Freya doesn't have any enemies. | 0:51:06 | 0:51:08 | |
So, why would someone smash up her workshop? | 0:51:12 | 0:51:15 | |
She's an angel. | 0:51:16 | 0:51:18 | |
That's what I call her, my "angel". | 0:51:19 | 0:51:22 | |
Not to her face. She'd hate that. | 0:51:24 | 0:51:26 | |
Says she's not here to redeem me. | 0:51:27 | 0:51:29 | |
"It's not all about me," she says. | 0:51:31 | 0:51:34 | |
SHE SCREAMS | 0:51:35 | 0:51:36 | |
'This guy's flat is sterile.' | 0:51:36 | 0:51:38 | |
Looks like he's just marking time here on Shetland. | 0:51:38 | 0:51:41 | |
And I have been watching him and I'm seeing a man who's... | 0:51:43 | 0:51:46 | |
He's looking over his shoulder, isn't he? | 0:51:46 | 0:51:49 | |
It's like he's haunted by something, or HUNTED. | 0:51:49 | 0:51:52 | |
He's been in prison, he told Freya that. | 0:51:52 | 0:51:54 | |
Yet, when we did background checks on him, nothing about prison came up. | 0:51:54 | 0:51:58 | |
Why did you trash Freya's workshop? | 0:52:01 | 0:52:03 | |
Huh? | 0:52:05 | 0:52:06 | |
You think I killed Robbie? Eh? | 0:52:09 | 0:52:12 | |
Is that it? | 0:52:14 | 0:52:15 | |
Get Perez on my back? | 0:52:17 | 0:52:18 | |
So, either he's lying, | 0:52:18 | 0:52:20 | |
or the computer is lying. | 0:52:20 | 0:52:22 | |
-A clean sheet? -A clean skin. | 0:52:22 | 0:52:24 | |
That's it, isn't it? | 0:52:28 | 0:52:30 | |
Michael Maguire is here on witness protection. | 0:52:32 | 0:52:36 | |
GUNSHOT | 0:52:36 | 0:52:37 | |
GUNSHOT | 0:52:42 | 0:52:43 | |
Now, if he's here on witness protection, | 0:52:57 | 0:52:59 | |
that means he's involved in one of two things - | 0:52:59 | 0:53:01 | |
either organised crime or terrorism. | 0:53:01 | 0:53:04 | |
He's been in prison, he's a witness, | 0:53:04 | 0:53:06 | |
but he's not some innocent bystander | 0:53:06 | 0:53:09 | |
caught in the wrong place at the wrong time. | 0:53:09 | 0:53:11 | |
Now, Robbie Morton - he's got same tattoo, he's also from Glasgow. | 0:53:11 | 0:53:14 | |
Now, if he recognised Maguire on the ferry crossing, | 0:53:14 | 0:53:18 | |
-that's a motive for killing him. -And the break-in? | 0:53:18 | 0:53:21 | |
Connected to whatever Maguire was involved in back in Glasgow. | 0:53:21 | 0:53:24 | |
So, Robbie told the people that Maguire was grassing up | 0:53:24 | 0:53:27 | |
that he was being kept on Shetland? | 0:53:27 | 0:53:28 | |
Right, we need to find Maguire and get him into protective custody. | 0:53:28 | 0:53:31 | |
MAGUIRE PANTS | 0:53:33 | 0:53:35 | |
Thanks. | 0:53:52 | 0:53:53 | |
There's been some kind of incident at the Gott turn-off. | 0:53:53 | 0:53:56 | |
It's pretty garbled, the reception's fuzzy, | 0:53:56 | 0:53:59 | |
but the caller's talking about hearing gunshots. | 0:53:59 | 0:54:01 | |
HE PANTS | 0:54:05 | 0:54:07 | |
WAVES CRASH | 0:55:23 | 0:55:25 | |
BOLT CLACKS | 0:55:54 | 0:55:55 | |
GUNSHOT | 0:56:02 | 0:56:03 | |
SEA BIRDS CALL | 0:56:07 | 0:56:09 |