
Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
The gunman was late dropping off the car. | 0:00:02 | 0:00:03 | |
'He missed the boat.' LOUD THUD, MAN GRUNTS | 0:00:03 | 0:00:05 | |
They're calling again. | 0:00:05 | 0:00:06 | |
I'm going to need the name of Robbie's partner. | 0:00:06 | 0:00:09 | |
See, you and me, we haven't even got started yet! | 0:00:09 | 0:00:11 | |
'Whatever Michael Thompson was going to tell them,' | 0:00:11 | 0:00:14 | |
it was bigger than just Arthur McCall. | 0:00:14 | 0:00:16 | |
-MICHAEL: -'Level Nine... Burn...' | 0:00:16 | 0:00:18 | |
Please, get them talk to me. | 0:00:18 | 0:00:21 | |
I'll meet Freya, but, er, not here. Shetland. | 0:00:21 | 0:00:24 | |
My work is not to everybody's taste. | 0:00:24 | 0:00:27 | |
That club - Level Nine? It was owned and run by one of McCall's men. | 0:00:27 | 0:00:32 | |
-ALL: Cheers! -Who's that? -Calvin Sarwar. | 0:00:32 | 0:00:35 | |
Your client would like me to...? | 0:00:35 | 0:00:37 | |
Refocus your investigation. | 0:00:37 | 0:00:39 | |
I think something happened in Level Nine on Burns Night. | 0:00:39 | 0:00:42 | |
-OVER TANNOY: -'This flight has been delayed.' -Is it a two-pint delay? | 0:00:42 | 0:00:46 | |
SHE LAUGHS | 0:00:46 | 0:00:47 | |
She definitely had a ticket. She just didn't get on the flight. | 0:00:47 | 0:00:51 | |
MOBILE PHONE RINGS | 0:00:51 | 0:00:53 | |
CARS PASS, HORNS BLARE | 0:01:48 | 0:01:50 | |
Jimmy! It's Tosh! She just walked into | 0:01:50 | 0:01:54 | |
a police station in Cambuslang. | 0:01:54 | 0:01:56 | |
She's fine, Jimmy. | 0:01:57 | 0:01:59 | |
She's fine, OK? | 0:01:59 | 0:02:00 | |
Right. | 0:02:00 | 0:02:01 | |
Apparently, they put a hood over her head, | 0:02:03 | 0:02:05 | |
drove her to the edge of the city | 0:02:05 | 0:02:07 | |
and left her to walk back without her shoes. | 0:02:07 | 0:02:09 | |
Other than that, she's not been hurt. | 0:02:09 | 0:02:12 | |
OK? | 0:02:22 | 0:02:23 | |
OK. | 0:02:25 | 0:02:27 | |
She wanted to wait on a doctor till you got here. | 0:02:27 | 0:02:29 | |
Right, well, then, let's get you seen to, then? | 0:02:31 | 0:02:33 | |
RAIN PATTERS | 0:02:42 | 0:02:44 | |
ENGINE STARTS | 0:02:44 | 0:02:47 | |
-Right. You got any preference as to A&E departments? -No. | 0:02:47 | 0:02:51 | |
No, I mean no, not a hospital. | 0:02:54 | 0:02:56 | |
Sandyford. | 0:02:59 | 0:03:00 | |
The SARC. | 0:03:02 | 0:03:03 | |
He said I was a message you couldn't ignore. | 0:03:09 | 0:03:13 | |
THE ECHO OF CAR HORNS BLARING | 0:03:15 | 0:03:17 | |
HORNS BLARE | 0:03:23 | 0:03:25 | |
How do you like to be called? | 0:03:32 | 0:03:34 | |
Alison? | 0:03:34 | 0:03:35 | |
Is Alison OK? | 0:03:35 | 0:03:37 | |
Do you want to talk to a police officer, Alison? | 0:03:39 | 0:03:42 | |
We're not the police, we're independent, | 0:03:42 | 0:03:44 | |
-but if you want to talk to someone... -No. | 0:03:44 | 0:03:47 | |
No police. | 0:03:47 | 0:03:50 | |
But you would like us to gather evidence, is that right? | 0:03:50 | 0:03:54 | |
Would you like somebody with you while we do this, Alison? | 0:03:56 | 0:03:59 | |
Are you there? | 0:04:17 | 0:04:19 | |
Yeah, I'm here. | 0:04:19 | 0:04:20 | |
Have you washed since the event, Alison? | 0:04:23 | 0:04:26 | |
No. | 0:04:26 | 0:04:28 | |
-Have you brushed your teeth? -No. | 0:04:28 | 0:04:32 | |
-Did you vomit? -Yes. | 0:04:32 | 0:04:34 | |
After. | 0:04:35 | 0:04:36 | |
Are you aware of any injuries? | 0:04:38 | 0:04:40 | |
No. | 0:04:40 | 0:04:41 | |
I didn't fight. | 0:04:44 | 0:04:46 | |
I just did what he said. | 0:04:47 | 0:04:49 | |
Yeah, I know they say flight or fight, | 0:04:49 | 0:04:51 | |
but sometimes, your body just closes down. | 0:04:51 | 0:04:54 | |
And there are some injuries here. | 0:04:54 | 0:04:56 | |
You're just not always aware at the time. | 0:04:56 | 0:04:58 | |
GULLS CALL | 0:05:34 | 0:05:37 | |
Are you sure she's all right? | 0:05:46 | 0:05:47 | |
KEYPAD BEEPS, LOCK CLICKS | 0:05:47 | 0:05:50 | |
(I mean, if I'd been bundled intae a car | 0:05:50 | 0:05:54 | |
(and a bag stuck over my head | 0:05:54 | 0:05:55 | |
(and dropped outside the city without any shoes on, | 0:05:55 | 0:05:58 | |
(I don't think I'd be straight back to work.) | 0:05:58 | 0:06:01 | |
Hey! | 0:06:01 | 0:06:02 | |
You're looking all right. | 0:06:05 | 0:06:07 | |
I AM all right. | 0:06:07 | 0:06:10 | |
-What about you? -Oh, you know. | 0:06:10 | 0:06:12 | |
Sore. | 0:06:14 | 0:06:15 | |
But fine. | 0:06:15 | 0:06:16 | |
From the Guizer Jarl and the Jarl Squad. | 0:06:18 | 0:06:22 | |
We're not the only ones glad to have her home safe and sound. | 0:06:22 | 0:06:25 | |
OK. So, what have we got on this Burns Night attack at Level Nine? | 0:06:27 | 0:06:33 | |
Maybe the reporting officer just forgot | 0:06:34 | 0:06:36 | |
-to put the complainant's name down? -And their own? | 0:06:36 | 0:06:39 | |
No. Someone's covering something | 0:06:39 | 0:06:42 | |
and we're definitely looking in the right place | 0:06:42 | 0:06:44 | |
-or they wouldn't have bothered trying to warn us off. -Sandy... | 0:06:44 | 0:06:48 | |
check the hospitals, maybe our victim needed medical attention. | 0:06:48 | 0:06:52 | |
And see if you can find out | 0:06:52 | 0:06:53 | |
who the police surgeon at Gallowgate was at the time. | 0:06:53 | 0:06:55 | |
Er...Billy? | 0:06:57 | 0:06:59 | |
Now, either that report was filed incomplete | 0:06:59 | 0:07:02 | |
or it was tampered with after. Whichever way it happened, | 0:07:02 | 0:07:05 | |
we need to know who was working out of Gallowgate at the time. | 0:07:05 | 0:07:08 | |
-Yeah. -Also, pull everything you can find about Level Nine - | 0:07:08 | 0:07:12 | |
company directors, trading history, accounts, payroll - | 0:07:12 | 0:07:16 | |
whatever you can find. | 0:07:16 | 0:07:18 | |
Right, Tosh? | 0:07:19 | 0:07:20 | |
We should go through your statement. | 0:07:22 | 0:07:24 | |
Do you want to do this somewhere else? | 0:07:30 | 0:07:33 | |
Yeah. | 0:07:33 | 0:07:34 | |
At the airport bar, what did you drink? | 0:07:36 | 0:07:39 | |
Beer. | 0:07:39 | 0:07:40 | |
How many? | 0:07:40 | 0:07:42 | |
Three. | 0:07:42 | 0:07:43 | |
-Who paid? -Him. | 0:07:43 | 0:07:45 | |
Then me, then him again. | 0:07:45 | 0:07:48 | |
And did he pay by card or by cash? | 0:07:48 | 0:07:50 | |
Card. | 0:07:50 | 0:07:52 | |
A visa. | 0:07:52 | 0:07:54 | |
And then? | 0:07:55 | 0:07:56 | |
They announced another delay to the flight. | 0:07:58 | 0:08:00 | |
He said he knew a good bar. | 0:08:02 | 0:08:03 | |
He said we should take a cab. | 0:08:05 | 0:08:06 | |
When we got outside, there was one waiting. | 0:08:09 | 0:08:12 | |
A black saloon. | 0:08:12 | 0:08:14 | |
You still can't remember the make? | 0:08:14 | 0:08:16 | |
After a couple of minutes, I thought we were going the wrong way, | 0:08:18 | 0:08:21 | |
so I turned to look out of the window. | 0:08:21 | 0:08:23 | |
He must've had the hood in his pocket. | 0:08:25 | 0:08:28 | |
Did he say anything? | 0:08:29 | 0:08:31 | |
Just...words. | 0:08:33 | 0:08:36 | |
Names. | 0:08:37 | 0:08:39 | |
You know... | 0:08:40 | 0:08:41 | |
The names women always get called. | 0:08:42 | 0:08:44 | |
Do you know how far you drove? | 0:08:49 | 0:08:51 | |
We could've been going in circles! | 0:08:51 | 0:08:53 | |
I couldn't see. | 0:08:53 | 0:08:54 | |
Right, when you got to the place... | 0:08:55 | 0:08:57 | |
..inside... | 0:08:59 | 0:09:00 | |
could you hear anything? | 0:09:00 | 0:09:02 | |
Nothing like a road, or a railway, | 0:09:04 | 0:09:07 | |
-or planes...? -Myself! | 0:09:07 | 0:09:10 | |
I could hear myself... | 0:09:12 | 0:09:14 | |
Pathetic! | 0:09:15 | 0:09:16 | |
Tosh... | 0:09:22 | 0:09:23 | |
See, if you don't want anybody knowing about what really happened, | 0:09:25 | 0:09:29 | |
like Sandy or Billy... | 0:09:29 | 0:09:30 | |
..that's your call. | 0:09:32 | 0:09:34 | |
It's fine. | 0:09:34 | 0:09:35 | |
But I just... | 0:09:36 | 0:09:38 | |
I find it hard, | 0:09:40 | 0:09:42 | |
when I hear you talking like you've got anything to be ashamed of. | 0:09:42 | 0:09:46 | |
I didn't see it coming. | 0:09:47 | 0:09:49 | |
I didn't see the signs. | 0:09:52 | 0:09:53 | |
I walked straight into it! | 0:09:55 | 0:09:56 | |
-How stupid does that make me?! -No, no! | 0:09:56 | 0:10:00 | |
This is not about anything you did or didn't do! | 0:10:00 | 0:10:03 | |
Well, what? | 0:10:05 | 0:10:06 | |
-What, this is your fault? How is it your fault? -How's it not? | 0:10:08 | 0:10:11 | |
I'm police. | 0:10:13 | 0:10:14 | |
I'm trained. | 0:10:15 | 0:10:16 | |
-I should've known better. -Tosh! HE did this. | 0:10:18 | 0:10:21 | |
-It's not you. -Yeah! | 0:10:22 | 0:10:25 | |
But I made it easier for him! | 0:10:25 | 0:10:28 | |
TELEPHONE RINGS | 0:10:28 | 0:10:30 | |
You should...you should get that. | 0:10:30 | 0:10:33 | |
I'll see you back at the office. | 0:10:33 | 0:10:34 | |
RINGING CONTINUES | 0:10:38 | 0:10:41 | |
-'Boyd.' -Boss? The CCTV footage from the airport's just come in. | 0:10:53 | 0:10:58 | |
-They're sending it through to both of us now. -OK. | 0:10:58 | 0:11:01 | |
-Er, where are you now? -'Er, Level Nine.' | 0:11:01 | 0:11:04 | |
We've pulled DNA and fingerprints | 0:11:04 | 0:11:05 | |
off the stuff of Tosh's they left behind. | 0:11:05 | 0:11:07 | |
I'll let you know if I hear anything from the lab. | 0:11:07 | 0:11:09 | |
-'Anything else you want me to chase in the meantime?' -Um, yeah. | 0:11:09 | 0:11:14 | |
The airport bar. | 0:11:14 | 0:11:15 | |
A couple of bar bills settled | 0:11:15 | 0:11:18 | |
'with a visa card. Two beers, twice.' | 0:11:18 | 0:11:21 | |
OK. Er, what about the car? | 0:11:21 | 0:11:23 | |
'Still a blank on the make.' | 0:11:23 | 0:11:25 | |
Hold on. | 0:11:25 | 0:11:27 | |
'Are you still there, Boss?' | 0:11:33 | 0:11:35 | |
He's never to camera. | 0:11:38 | 0:11:39 | |
He knew we'd be looking. | 0:11:42 | 0:11:43 | |
Hey. | 0:11:46 | 0:11:48 | |
How we all doing? | 0:11:49 | 0:11:51 | |
I've spoken to Gallowgate. | 0:11:51 | 0:11:53 | |
They upgraded their computer system a few years back. | 0:11:53 | 0:11:56 | |
Apparently, lots of data was lost in the process, | 0:11:56 | 0:11:59 | |
including who was working out of the station | 0:11:59 | 0:12:01 | |
at the time that report was filed. | 0:12:01 | 0:12:02 | |
Right. | 0:12:04 | 0:12:05 | |
What about the hospitals? | 0:12:07 | 0:12:09 | |
Oh, it's a pretty depressing array of possible Burns Night assaults. | 0:12:09 | 0:12:13 | |
-But there is one of them. -What? | 0:12:13 | 0:12:15 | |
Just the patient gave a name, but there's a note that says | 0:12:16 | 0:12:20 | |
that, when they came to check it, it didn't match any NHS number. | 0:12:20 | 0:12:23 | |
-So, what is it, a fake name? -It looks that way, yeah. | 0:12:23 | 0:12:27 | |
-Well, what else does it say? -Female. 19 years. | 0:12:27 | 0:12:32 | |
"Broken wrist, fractured cheekbone, | 0:12:34 | 0:12:38 | |
"damage to the posterior fourchette..." | 0:12:38 | 0:12:41 | |
-whatever that is. -That's a sexual assault. | 0:12:41 | 0:12:44 | |
It's a rape. | 0:12:49 | 0:12:51 | |
Get back on to the hospital | 0:12:51 | 0:12:52 | |
-and see if you can dig up anything else, anything else at all. -OK | 0:12:52 | 0:12:55 | |
QUIET SOBBING | 0:13:01 | 0:13:03 | |
Hey. | 0:13:08 | 0:13:09 | |
I'm not all right. | 0:13:11 | 0:13:12 | |
I know I'm not all right, but... | 0:13:13 | 0:13:15 | |
when I'm here, when I'm working, I can think straight, I can... | 0:13:15 | 0:13:19 | |
The thing is... | 0:13:21 | 0:13:22 | |
..I feel like myself again when I'm here. | 0:13:23 | 0:13:25 | |
I can see why you would take me off this case. | 0:13:27 | 0:13:30 | |
But, please... | 0:13:30 | 0:13:31 | |
please don't. | 0:13:31 | 0:13:33 | |
OK. | 0:13:37 | 0:13:38 | |
If that ever changes... | 0:13:43 | 0:13:44 | |
..or if I ever feel you shouldn't be here... | 0:13:46 | 0:13:49 | |
then we're going to have to talk again, OK? | 0:13:49 | 0:13:52 | |
OK. | 0:13:53 | 0:13:55 | |
Tosh... | 0:13:59 | 0:14:01 | |
..we'll find him. | 0:14:04 | 0:14:05 | |
Sir! | 0:14:05 | 0:14:07 | |
The woman was tested for STIs and HIV. | 0:14:08 | 0:14:11 | |
She was of no fixed abode, but she asked for the results | 0:14:11 | 0:14:13 | |
to be sent to the person who'd brought her in. Michael Thompson. | 0:14:13 | 0:14:17 | |
-So, this data loss at Gallowgate? -Mm-hm? | 0:14:22 | 0:14:24 | |
Cock-up or conspiracy? | 0:14:25 | 0:14:28 | |
I don't know. | 0:14:29 | 0:14:30 | |
And what about Michael's handler - Asha Israni? | 0:14:30 | 0:14:34 | |
Can she cast any light on it? | 0:14:34 | 0:14:36 | |
Sure. | 0:14:36 | 0:14:38 | |
-I'll...I'll get onto that. -OK. | 0:14:38 | 0:14:41 | |
I'll see you. | 0:14:41 | 0:14:42 | |
MOBILE PHONE RINGS | 0:14:49 | 0:14:51 | |
-DS Boyd. -'Boss.' | 0:14:54 | 0:14:56 | |
We traced the Visa card he used at the airport bar. Stolen. | 0:14:56 | 0:15:00 | |
'So was the car. We caught it on CCTV leaving the car park.' | 0:15:00 | 0:15:04 | |
This wisnae opportunism, this was planned. | 0:15:04 | 0:15:07 | |
OK. Thanks for letting me know. | 0:15:07 | 0:15:09 | |
Hi. | 0:15:09 | 0:15:10 | |
Oh, hello. | 0:15:12 | 0:15:14 | |
Er, sorry. Sorry, I didn't realise you'd landed already. | 0:15:14 | 0:15:17 | |
-Oh, we...we landed early. Good tailwind, apparently. -Good. | 0:15:17 | 0:15:22 | |
-Shall we go? -Sure. | 0:15:23 | 0:15:24 | |
Freya's going to come to the hotel. | 0:15:29 | 0:15:31 | |
She didn't feel comfortable meeting at her house. | 0:15:33 | 0:15:35 | |
Makes sense. | 0:15:35 | 0:15:37 | |
So, Michael never alluded to this incident | 0:15:45 | 0:15:47 | |
in any of your conversations? | 0:15:47 | 0:15:49 | |
-Nothing about a young woman that he might've helped or, or hurt? -No. | 0:15:51 | 0:15:57 | |
-Not even a hint? -Look, he didn't even tell me that he had a son. | 0:15:57 | 0:16:01 | |
What makes you think he would have confided in me about this? | 0:16:01 | 0:16:04 | |
My job was to prepare him for his future, not rake through his past. | 0:16:04 | 0:16:08 | |
Yeah, all right, but I mean, you built a relationship with him. | 0:16:08 | 0:16:11 | |
You earned his trust, you knew him. | 0:16:11 | 0:16:13 | |
-So what, you want me to guess what his connection to her was? -No! | 0:16:13 | 0:16:16 | |
You're the expert. I'm inviting you to give an opinion. | 0:16:16 | 0:16:19 | |
OK, well, in my "expert opinion", | 0:16:19 | 0:16:21 | |
his relationship with her was probably professional. | 0:16:21 | 0:16:24 | |
Michael once told me that he wasn't leaving a personal life behind, | 0:16:24 | 0:16:28 | |
because, after working for Arthur McCall for two decades, | 0:16:28 | 0:16:30 | |
he didn't really have one. | 0:16:30 | 0:16:31 | |
Look, er... | 0:16:34 | 0:16:36 | |
Maybe, when you're through, we could... | 0:16:36 | 0:16:40 | |
I don't know... | 0:16:40 | 0:16:41 | |
Have a drink? | 0:16:41 | 0:16:43 | |
I don't think that would be a good idea. | 0:16:44 | 0:16:46 | |
MOBILE PHONE RINGS | 0:16:55 | 0:16:58 | |
KEYPAD TONE | 0:16:58 | 0:17:00 | |
-Tosh? -'Sir.' | 0:17:00 | 0:17:02 | |
I've been on to Gallowgate. I requested more information - | 0:17:02 | 0:17:05 | |
who authorised the upgrade, who implemented it, | 0:17:05 | 0:17:08 | |
whether any other data was lost. | 0:17:08 | 0:17:10 | |
'I also requested any old notebooks or duty rosters - | 0:17:10 | 0:17:14 | |
-'figured we could find our reporting officer that way.' -And? | 0:17:14 | 0:17:17 | |
They say they can't spare anyone to look. | 0:17:17 | 0:17:20 | |
I can't tell if it's a smokescreen | 0:17:20 | 0:17:22 | |
-or if they're just genuine arseholes. -'All right, well...' | 0:17:22 | 0:17:26 | |
If Michael Thompson was Arthur's muscle, | 0:17:26 | 0:17:29 | |
'then was he at Level Nine on that night?' | 0:17:29 | 0:17:33 | |
If Arthur McCall had a stake in the club, was Michael working there? | 0:17:33 | 0:17:37 | |
Billy's pulled the company records on Level Nine. | 0:17:37 | 0:17:40 | |
Want me to see what I can dig up? | 0:17:40 | 0:17:41 | |
Why not? And leave Gallowgate with me. | 0:17:41 | 0:17:44 | |
PHONE DISCONNECTS | 0:17:44 | 0:17:46 | |
No, they're claiming that an IT disaster ate their digital records. | 0:18:06 | 0:18:11 | |
'And they don't have the manpower to follow a paper trail.' | 0:18:11 | 0:18:15 | |
Well, maybe they just don't. | 0:18:15 | 0:18:17 | |
They might if the request came from a Senior Fiscal. | 0:18:17 | 0:18:20 | |
Right, well, are you sure there's a connection between this incident | 0:18:22 | 0:18:26 | |
-'and the murder of Michael Thompson?' -At the moment? | 0:18:26 | 0:18:30 | |
It's the best lead we've got! | 0:18:30 | 0:18:32 | |
OK. OK. I'll get straight onto it. | 0:18:32 | 0:18:35 | |
-Bye. -'Bye.' | 0:18:35 | 0:18:37 | |
SHE SIGHS | 0:18:49 | 0:18:51 | |
Everything all right? | 0:18:51 | 0:18:53 | |
-Just... -SHE SIGHS DEEPLY | 0:18:55 | 0:18:58 | |
..we've realised, if we want to be together, | 0:18:58 | 0:19:00 | |
then one of us is going have to give up an awful lot. | 0:19:00 | 0:19:03 | |
We're negotiating at the moment as to... | 0:19:05 | 0:19:09 | |
which one of us that's going to be. | 0:19:09 | 0:19:11 | |
You saying you might be leaving? | 0:19:13 | 0:19:15 | |
She's got the bigger job and the new grandchild... | 0:19:17 | 0:19:21 | |
Mm-hm? | 0:19:21 | 0:19:22 | |
I'm not sure what I've got to set against that, so... | 0:19:24 | 0:19:27 | |
And I do miss her. | 0:19:29 | 0:19:30 | |
All the time. | 0:19:32 | 0:19:33 | |
DIALLING | 0:19:41 | 0:19:43 | |
-LINE CONNECTS -Hi. Yeah. | 0:19:46 | 0:19:48 | |
Something's come up and we'll need to meet. | 0:19:48 | 0:19:51 | |
Oh, Boss? | 0:19:53 | 0:19:55 | |
Just had a call from the Norwegian coastguard. | 0:19:55 | 0:19:57 | |
Apparently, a trawler radioed in to say they'd ran into some wreckage. | 0:20:00 | 0:20:04 | |
It's spread over a wide area, | 0:20:04 | 0:20:06 | |
but they think it looks like the remains of a small boat. | 0:20:06 | 0:20:09 | |
It could be our man. | 0:20:09 | 0:20:11 | |
-I told them to keep us posted. -OK. Thanks, Billy. | 0:20:11 | 0:20:14 | |
Sandy, you making any progress with Michael Thompson's file? | 0:20:16 | 0:20:20 | |
Still ploughing through! | 0:20:20 | 0:20:22 | |
Tosh? | 0:20:24 | 0:20:25 | |
Tosh! | 0:20:27 | 0:20:29 | |
I couldn't find a record of Michael Thompson ever having worked | 0:20:29 | 0:20:32 | |
at Level Nine, but look who ran their door security. | 0:20:32 | 0:20:34 | |
WINDOW COVER THUDS | 0:20:39 | 0:20:41 | |
KEYS RATTLE, LOCK CLICKS | 0:20:44 | 0:20:46 | |
KEYS JANGLE | 0:20:48 | 0:20:49 | |
Do you know a man called Arthur McCall? | 0:20:55 | 0:20:57 | |
-Should I? -He had a stake in a club called Level Nine | 0:20:58 | 0:21:02 | |
and you used to work there. | 0:21:02 | 0:21:04 | |
I worked in a lot of places. | 0:21:04 | 0:21:06 | |
You know, the thing about having a connection to Arthur McCall is... | 0:21:06 | 0:21:09 | |
it's going to make it a hell of a sight easier for us | 0:21:09 | 0:21:12 | |
to start tracing that debt of Craig Cooper's that you sold on. | 0:21:12 | 0:21:15 | |
Do you know the maximum sentence for supplying Class A drugs? | 0:21:17 | 0:21:20 | |
I mean, to be honest, I don't think you've got | 0:21:20 | 0:21:23 | |
-that many years left in you. HE SNORTS: -Sod off! | 0:21:23 | 0:21:26 | |
A wee bit of cooperation now | 0:21:26 | 0:21:27 | |
might soften attitudes somewhere down the line. | 0:21:27 | 0:21:30 | |
Burns Night, ten years ago, there was an assault at the club. | 0:21:32 | 0:21:35 | |
A rape. Do you remember that? | 0:21:35 | 0:21:37 | |
Aye. | 0:21:39 | 0:21:40 | |
Do you remember what happened? | 0:21:40 | 0:21:42 | |
That it was dealt with. | 0:21:44 | 0:21:45 | |
-How? -She got took to the hospital. | 0:21:47 | 0:21:50 | |
I imagine... | 0:21:51 | 0:21:52 | |
he ended up there, too. | 0:21:52 | 0:21:54 | |
Not the sort of behaviour Arthur...tolerated. | 0:21:55 | 0:21:58 | |
Do you remember her name? | 0:22:00 | 0:22:02 | |
No, just... | 0:22:02 | 0:22:03 | |
some tart who did casual bar work. | 0:22:03 | 0:22:05 | |
What about him? HE SNORTS | 0:22:07 | 0:22:10 | |
They all look the same to me, those boys. | 0:22:10 | 0:22:12 | |
Young...dumb... | 0:22:13 | 0:22:16 | |
and full of come. | 0:22:16 | 0:22:18 | |
Just like her. | 0:22:20 | 0:22:21 | |
Tosh. | 0:22:36 | 0:22:37 | |
This is her. I PNC-checked everyone on the Level Nine payroll. | 0:22:38 | 0:22:42 | |
Kelly Paterson. Occasional barmaid. | 0:22:42 | 0:22:45 | |
In 2005, she'd have been 19 years old, plus... | 0:22:45 | 0:22:48 | |
Convictions for soliciting. | 0:22:48 | 0:22:50 | |
"Tart". | 0:22:50 | 0:22:51 | |
-Tosh, he's, er... -Kelly Paterson! | 0:22:53 | 0:22:55 | |
It's her, sir. | 0:22:55 | 0:22:57 | |
I know it is. | 0:22:57 | 0:22:58 | |
Hello, this is Detective Sergeant McIntosh. | 0:22:59 | 0:23:02 | |
-I'm looking for a Kelly Paterson. -..Is there a Kelly Paterson...? | 0:23:02 | 0:23:04 | |
-..Your household with the surname Paterson? -..Kelly Paterson? | 0:23:04 | 0:23:08 | |
..Looking to trace a Kelly Paterson... | 0:23:08 | 0:23:10 | |
-..A club called Level Nine in the East End of Glasgow... -I see. | 0:23:10 | 0:23:13 | |
..Detective Inspector Perez from the Shetland Police. We're trying | 0:23:13 | 0:23:16 | |
to trace a Kelly Paterson... LINE DISCONNECTS | 0:23:16 | 0:23:18 | |
DIALLING | 0:23:27 | 0:23:29 | |
RINGING | 0:23:32 | 0:23:34 | |
'I'm sorry, but the person you have called is not available. | 0:23:34 | 0:23:38 | |
'Please call back later or leave a message...' | 0:23:38 | 0:23:40 | |
No, but thank you anyway. | 0:23:40 | 0:23:42 | |
If you don't make the Glasgow flight, | 0:23:45 | 0:23:47 | |
there is one to Edinburgh just after. | 0:23:47 | 0:23:49 | |
Sir? | 0:23:53 | 0:23:54 | |
-Call me? -CHILDREN'S VOICES: 'Alexander! | 0:23:56 | 0:23:58 | |
-'Phone for you!' -The kids have changed my ring tone! | 0:23:58 | 0:24:01 | |
-Hello? -CAR ENGINE STARTS | 0:24:01 | 0:24:03 | |
OK. | 0:24:05 | 0:24:07 | |
OK, we'll be right there. | 0:24:11 | 0:24:13 | |
KNOCK ON DOOR, DOOR OPENS | 0:24:15 | 0:24:18 | |
-'Alexander! Phone for you!' -Nearly there. | 0:24:44 | 0:24:48 | |
'Alexander! Phone for you!' | 0:24:52 | 0:24:56 | |
Factory settings! Seriously! | 0:24:56 | 0:24:59 | |
You cannot have the fairies calling you at work! | 0:24:59 | 0:25:02 | |
Him? | 0:25:20 | 0:25:21 | |
Him. | 0:25:21 | 0:25:22 | |
A new identity, a new life? | 0:25:27 | 0:25:30 | |
Never seeing my family or my friends again? | 0:25:30 | 0:25:33 | |
Well, what kind of future is that? | 0:25:34 | 0:25:36 | |
You could've said no. | 0:25:36 | 0:25:38 | |
Where were you going to send him anyway? | 0:25:41 | 0:25:43 | |
Canada. Montreal. | 0:25:43 | 0:25:45 | |
Montreal?! | 0:25:45 | 0:25:47 | |
For a man who hated maple syrup and snow? | 0:25:47 | 0:25:49 | |
Oh... SHE LAUGHS | 0:25:49 | 0:25:52 | |
Did Michael speak French? | 0:25:54 | 0:25:55 | |
-Yeah. -I don't. | 0:25:56 | 0:25:59 | |
-Well, maybe he thought you could learn. -Oh, my God, the arrogance! | 0:25:59 | 0:26:04 | |
He didn't take it for granted that you'd say yes. | 0:26:04 | 0:26:07 | |
-He wa... He was scared. -I... Not him, YOU! | 0:26:07 | 0:26:09 | |
You people! | 0:26:09 | 0:26:11 | |
Is it even possible to walk out of a life and never look back? | 0:26:11 | 0:26:17 | |
You know, Freya, people come to Witness Protection | 0:26:17 | 0:26:19 | |
for different reasons. | 0:26:19 | 0:26:21 | |
Some are just unlucky. | 0:26:21 | 0:26:23 | |
They look out of the wrong window at the wrong time | 0:26:23 | 0:26:25 | |
and they see something they can't unsee, but... | 0:26:25 | 0:26:28 | |
for someone like Michael, it was the only way out of a life he... | 0:26:28 | 0:26:32 | |
he no longer wanted. | 0:26:32 | 0:26:34 | |
Look, I know you have questions, but you have to understand that, | 0:26:34 | 0:26:38 | |
even if I know the answers, I may not be able to share them. | 0:26:38 | 0:26:41 | |
Look, I have got you something that I can share. | 0:26:43 | 0:26:45 | |
Michael wanted to come clean to you about who he was, | 0:26:50 | 0:26:54 | |
the things he did before he met you. | 0:26:54 | 0:26:56 | |
He knew that it might mean losing you, | 0:26:56 | 0:26:59 | |
but he wanted to do it anyway. | 0:26:59 | 0:27:02 | |
He said there was no future without honesty. | 0:27:02 | 0:27:05 | |
His charge sheet. | 0:27:05 | 0:27:07 | |
This is what he'd have told you if he'd been here. | 0:27:07 | 0:27:10 | |
I'm glad he found his way out of that world. | 0:27:38 | 0:27:41 | |
I'm glad he found me. | 0:27:43 | 0:27:45 | |
I'm sorry that we lost him for you. | 0:27:45 | 0:27:47 | |
Me too. | 0:27:49 | 0:27:50 | |
HE KNOCKS | 0:28:15 | 0:28:17 | |
-Yeah? -I'm Detective Inspector Perez. | 0:28:22 | 0:28:25 | |
Is Kelly around? | 0:28:27 | 0:28:28 | |
You haven't missed her by much. | 0:28:28 | 0:28:30 | |
She only went this morning. | 0:28:30 | 0:28:33 | |
Do you know where? | 0:28:33 | 0:28:34 | |
We're more flatmates than friends. | 0:28:34 | 0:28:37 | |
I mean, she got some phone call that freaked her out | 0:28:37 | 0:28:40 | |
and she just took off. | 0:28:40 | 0:28:42 | |
I was thinking bailiffs, but... | 0:28:42 | 0:28:43 | |
Is she in trouble with the law? | 0:28:46 | 0:28:48 | |
No. | 0:28:48 | 0:28:49 | |
No, I just want to talk to her. MOBILE PHONE VIBRATES | 0:28:49 | 0:28:53 | |
HE SWITCHES IT OFF | 0:28:53 | 0:28:55 | |
Can you think of anyone Kelly might've gone stay with? | 0:28:56 | 0:28:59 | |
-Like family or friends or...? -Sorry. | 0:28:59 | 0:29:02 | |
I mean, like I said, we don't have much to do with each other. | 0:29:02 | 0:29:05 | |
I mean, when I'm working nights, I barely see her. | 0:29:05 | 0:29:08 | |
I'm a nurse. | 0:29:09 | 0:29:11 | |
And what about Kelly? | 0:29:13 | 0:29:15 | |
-What does she do? -Bar work. | 0:29:15 | 0:29:17 | |
But she's between jobs at the moment. | 0:29:17 | 0:29:19 | |
You know, there was one thing. | 0:29:21 | 0:29:22 | |
She was packing stuff into a bag before she left. | 0:29:22 | 0:29:25 | |
I'm pretty sure I saw her passport. | 0:29:26 | 0:29:28 | |
OK. | 0:29:29 | 0:29:30 | |
See, if you see her, or if she calls... | 0:29:33 | 0:29:35 | |
..could you ask her to call me on that number? | 0:29:37 | 0:29:40 | |
And will you please tell her that she's not in any trouble? | 0:29:40 | 0:29:44 | |
I just want to talk to her, OK? | 0:29:44 | 0:29:47 | |
OK. | 0:29:48 | 0:29:49 | |
'I'm sorry I missed your call. Everything OK?' | 0:29:50 | 0:29:52 | |
Listen, a body's just been brought in by a fishing boat. | 0:29:52 | 0:29:56 | |
'Sandy's ID'd him as the guy from Scalloway.' | 0:29:56 | 0:29:58 | |
-What, the gunman? -'Billy's informing the relevant authorities,' | 0:29:58 | 0:30:01 | |
but I figure we should keep a blackout on this | 0:30:01 | 0:30:03 | |
till we have a name, if only for Freya Galdie's sake. | 0:30:03 | 0:30:06 | |
We're transferring him to the Mainland now for postmortem. | 0:30:06 | 0:30:09 | |
That's if he doesn't burst before they get him into the car. | 0:30:09 | 0:30:12 | |
Speak to you later. | 0:30:12 | 0:30:13 | |
What?! | 0:30:14 | 0:30:16 | |
He's a man paid to do other people's violence! | 0:30:16 | 0:30:18 | |
I'm supposed to feel sentimental about his carcass?! | 0:30:18 | 0:30:21 | |
In Shetland, you called me an expensive errand boy. | 0:30:36 | 0:30:41 | |
Well, that's not all I am. And some of the things I am | 0:30:41 | 0:30:45 | |
are sitting less easily with me than they used to. | 0:30:45 | 0:30:48 | |
-Why, what's changed? -Arthur McCall has changed. | 0:30:50 | 0:30:53 | |
He was always motivated by one thing and one thing only - greed. | 0:30:54 | 0:30:59 | |
Whatever he did was done in the pursuit of profit. | 0:30:59 | 0:31:03 | |
There was a rationale to that. A logic. | 0:31:03 | 0:31:05 | |
Not any more. | 0:31:05 | 0:31:07 | |
Why? What's different? | 0:31:09 | 0:31:10 | |
There's a generation coming up behind him. | 0:31:11 | 0:31:14 | |
A new breed. | 0:31:14 | 0:31:16 | |
Perhaps he can feel his power waning or... | 0:31:16 | 0:31:19 | |
maybe it's less emotional and more neurological. | 0:31:19 | 0:31:22 | |
I'm sure I could get medical testimony to that effect | 0:31:23 | 0:31:26 | |
the next time he's in court. | 0:31:26 | 0:31:27 | |
Either way, he's not a safe person to know any more. | 0:31:27 | 0:31:30 | |
You telling me you're scared? | 0:31:33 | 0:31:35 | |
I'm telling you, he is no longer a client I want to represent. | 0:31:35 | 0:31:38 | |
Neither is he a client I can afford to offend. | 0:31:38 | 0:31:41 | |
So, you're saying that, if he was to end up going to prison... | 0:31:42 | 0:31:45 | |
..then that would solve your problems? | 0:31:47 | 0:31:49 | |
OK, then give me something that'll help. | 0:31:52 | 0:31:54 | |
I heard what happened to your colleague. | 0:32:01 | 0:32:04 | |
I'm sorry. | 0:32:05 | 0:32:06 | |
You're trying to find a match for the perpetrator's DNA. | 0:32:07 | 0:32:11 | |
You won't. | 0:32:12 | 0:32:13 | |
No, that doesn't makes sense. | 0:32:16 | 0:32:18 | |
He wasn't clean. | 0:32:20 | 0:32:22 | |
-He knew what he was about. He's got a history... -Hold that thought. | 0:32:23 | 0:32:27 | |
Work with it. | 0:32:30 | 0:32:31 | |
DOOR OPENS AND CLOSES | 0:32:49 | 0:32:51 | |
Eddie Kerr's missus was just on the phone. | 0:33:00 | 0:33:03 | |
Says he had a job up north. | 0:33:04 | 0:33:05 | |
Due home a couple of days ago. | 0:33:07 | 0:33:09 | |
Hasn't shown up. | 0:33:10 | 0:33:12 | |
She seems to think you might know something about it. | 0:33:14 | 0:33:17 | |
Eddie Kerr? | 0:33:18 | 0:33:19 | |
I haven't seen him in months. | 0:33:22 | 0:33:23 | |
Jimmy! | 0:33:34 | 0:33:36 | |
-I'm glad you came by. I was just gonnae call you there. -Uh-huh? | 0:33:36 | 0:33:39 | |
Boyd! | 0:33:39 | 0:33:40 | |
The DNA results are back. Not a match for anybody on the database. | 0:33:40 | 0:33:44 | |
We're still waiting on the prints, though. | 0:33:44 | 0:33:46 | |
Aye, well, they'll be the same, because this guy's not on our... | 0:33:46 | 0:33:50 | |
Tommy, does Arthur McCall have connections outside of Scotland? | 0:33:50 | 0:33:54 | |
Oh, aye. Holland, Estonia, Bulgaria. | 0:33:54 | 0:33:57 | |
Aye. Tosh didn't mention the guy having any kind of accent, though. | 0:33:57 | 0:34:01 | |
Could be one of ours who's been abroad for a while. | 0:34:01 | 0:34:03 | |
They use them in one country and keep them clean in another. | 0:34:03 | 0:34:07 | |
What, a foreign exchange programme? | 0:34:07 | 0:34:09 | |
You ask the Bulgarian police! | 0:34:09 | 0:34:10 | |
PHONE BEEPS | 0:34:37 | 0:34:38 | |
MOBILE PHONE RINGS | 0:34:43 | 0:34:44 | |
Hello? | 0:34:49 | 0:34:51 | |
Hi, er... | 0:34:51 | 0:34:52 | |
I-I wondered if I could still take you up on that drink? | 0:34:54 | 0:34:57 | |
-'If, if you haven't changed your mind.' -No. | 0:34:57 | 0:35:00 | |
No, I haven't changed MY mind. | 0:35:02 | 0:35:04 | |
'I've got something to do in the office, | 0:35:04 | 0:35:06 | |
'but I could probably be over at your hotel in about an hour?' | 0:35:06 | 0:35:10 | |
OK, I'll, er... I'll see you then. | 0:35:10 | 0:35:12 | |
Hey, Tosh? Listen, could I ask you a question? | 0:35:29 | 0:35:32 | |
Yeah. | 0:35:33 | 0:35:34 | |
HE CLEARS HIS THROAT | 0:35:40 | 0:35:41 | |
The DNA that we got from your things in Level Nine... | 0:35:43 | 0:35:46 | |
..is the same as the DNA they got in the SARC at Sandyford. | 0:35:48 | 0:35:52 | |
Now, it didn't match anything on our records, | 0:35:54 | 0:35:58 | |
but it showed up on a database in Eastern Europe. | 0:35:58 | 0:36:01 | |
A couple of violent crimes. Both of them are still unsolved. | 0:36:01 | 0:36:04 | |
So, would you be OK to look at some photographs of potential suspects? | 0:36:06 | 0:36:10 | |
No. | 0:36:24 | 0:36:26 | |
No. | 0:36:28 | 0:36:30 | |
MOUSE CLICKS | 0:36:30 | 0:36:31 | |
Mm-mm. | 0:36:32 | 0:36:34 | |
MOUSE CLICKS | 0:36:34 | 0:36:35 | |
No. | 0:36:35 | 0:36:37 | |
MOUSE CLICKS | 0:36:37 | 0:36:38 | |
No. | 0:36:39 | 0:36:40 | |
MOUSE CLICKS | 0:36:42 | 0:36:43 | |
No. | 0:36:43 | 0:36:45 | |
MOUSE CLICKS | 0:36:45 | 0:36:46 | |
Sorry. | 0:36:50 | 0:36:52 | |
It's OK. | 0:36:54 | 0:36:55 | |
Right, so... | 0:37:02 | 0:37:03 | |
How did you end up in Scotland? | 0:37:04 | 0:37:06 | |
I came to university in Glasgow, met someone and then stayed. | 0:37:07 | 0:37:12 | |
Yeah, my daughter's working on a variation of that. | 0:37:13 | 0:37:16 | |
Hers involves following the guy to Brazil. | 0:37:16 | 0:37:19 | |
-Cheers. -Cheers. | 0:37:20 | 0:37:22 | |
How about you? | 0:37:25 | 0:37:26 | |
Why Shetland? | 0:37:26 | 0:37:28 | |
Well, I'm from Fair Isle. | 0:37:28 | 0:37:31 | |
So, for me, it was just a matter of coming home, really. | 0:37:31 | 0:37:34 | |
-After your wife died? -Uh-huh. | 0:37:34 | 0:37:37 | |
Fair Isle. Isn't that, like, | 0:37:37 | 0:37:39 | |
where there's a million sheep and no people? | 0:37:39 | 0:37:42 | |
THEY LAUGH | 0:37:43 | 0:37:44 | |
-There's...there's 70 people. -Ah. -And some sheep. | 0:37:44 | 0:37:48 | |
There's a lot of birds. | 0:37:48 | 0:37:49 | |
And it's very beautiful. | 0:37:50 | 0:37:52 | |
There's actually... | 0:37:52 | 0:37:54 | |
It's about 20 miles that way. You can see it when it's clear. | 0:37:54 | 0:37:57 | |
Listen, um, I'm sorry about the way I was earlier. | 0:37:58 | 0:38:03 | |
I've been doing this job for a long time now and... | 0:38:03 | 0:38:06 | |
some things get harder to live with. | 0:38:06 | 0:38:08 | |
But it wasn't your fault. | 0:38:09 | 0:38:11 | |
Look, what I said to Freya, when I told Freya, | 0:38:16 | 0:38:19 | |
er, I...really didn't think what that would mean for you. | 0:38:19 | 0:38:23 | |
So, I'M sorry. | 0:38:25 | 0:38:26 | |
Well, I'm not your responsibility. You... | 0:38:27 | 0:38:30 | |
You know you did the right thing by asking me to come | 0:38:30 | 0:38:34 | |
and that's all that matters. | 0:38:34 | 0:38:35 | |
Well, how'd it go? | 0:38:36 | 0:38:38 | |
Yeah, OK. I-I think she felt better. | 0:38:38 | 0:38:41 | |
-And what about you? -Oh... | 0:38:42 | 0:38:44 | |
Why'd you leave me in Glasgow? | 0:38:57 | 0:38:59 | |
Mmm? I just woke up and you were gone. | 0:39:00 | 0:39:03 | |
Well, I didn't want to outstay my welcome. | 0:39:03 | 0:39:06 | |
Really? SHE LAUGHS | 0:39:08 | 0:39:11 | |
Yeah, well... I'm the one with the room this time. | 0:39:11 | 0:39:14 | |
So, you can stay as long as you like. | 0:39:14 | 0:39:16 | |
DIY SHOW ON TV | 0:39:21 | 0:39:23 | |
CAR PULLS UP, BRAKES SCREECH | 0:39:29 | 0:39:32 | |
ENGINE IDLES, DOOR SLAMS | 0:39:38 | 0:39:39 | |
You were back early last night. | 0:40:19 | 0:40:21 | |
Ahem, only my sources told me | 0:40:29 | 0:40:31 | |
that you were in the bar at the Lighthouse Hotel | 0:40:31 | 0:40:34 | |
with what looked to them very much like a date. | 0:40:34 | 0:40:36 | |
I thought you'd be staying out. | 0:40:39 | 0:40:41 | |
Or maybe bringing home a little company. | 0:40:44 | 0:40:46 | |
Oh, Jesus Christ, man! Once in a while, throw me a bone, eh? | 0:40:49 | 0:40:52 | |
What is it, Duncan?! What is it that you want to know? | 0:40:52 | 0:40:55 | |
I just want to know you're all right. | 0:40:57 | 0:40:59 | |
WATER RUNS | 0:41:03 | 0:41:05 | |
SHE SNIFFS | 0:41:12 | 0:41:13 | |
DOOR OPENS | 0:41:29 | 0:41:31 | |
Tosh... | 0:41:34 | 0:41:35 | |
How're you doing? | 0:41:37 | 0:41:38 | |
All right. | 0:41:40 | 0:41:41 | |
Mainly. | 0:41:41 | 0:41:42 | |
We'll get them. | 0:41:43 | 0:41:45 | |
Kidnap and false imprisonment? They're looking at years. | 0:41:45 | 0:41:48 | |
But so am I, though, aren't I? | 0:41:50 | 0:41:52 | |
I know justice is what everyone wants. | 0:41:55 | 0:41:57 | |
But I don't want to be stuck where I am now. | 0:41:57 | 0:42:00 | |
And, if it went to trial, I would be. | 0:42:00 | 0:42:01 | |
Like you said... | 0:42:05 | 0:42:06 | |
..years. | 0:42:07 | 0:42:08 | |
It's not about what everyone else wants, though, is it? | 0:42:14 | 0:42:17 | |
It's about what you need. | 0:42:19 | 0:42:20 | |
What if he does it again? | 0:42:22 | 0:42:24 | |
Tosh, you are not answerable for what he does. He is. | 0:42:24 | 0:42:27 | |
He's your attacker. | 0:42:28 | 0:42:30 | |
He's not your responsibility. | 0:42:30 | 0:42:32 | |
I'm around, you know, if you want to talk. | 0:42:35 | 0:42:39 | |
Thank you. | 0:42:41 | 0:42:43 | |
TELEPHONES RING | 0:42:50 | 0:42:52 | |
You've just had another delivery. | 0:42:55 | 0:42:57 | |
This one looks more promising than flowers. | 0:42:59 | 0:43:02 | |
So, this thing at work you cannae tell me about, | 0:43:31 | 0:43:35 | |
did you at least tell Asha | 0:43:35 | 0:43:37 | |
that's why you were passing up her invitation? | 0:43:37 | 0:43:39 | |
No. | 0:43:39 | 0:43:40 | |
Look, I-I... I didn't want to make excuses, | 0:43:42 | 0:43:45 | |
so I just told her it wisnae a good time. | 0:43:45 | 0:43:47 | |
Jimmy, if you don't tell her, | 0:43:49 | 0:43:51 | |
she's going to jump to the obvious conclusion. | 0:43:51 | 0:43:54 | |
What's the obvious conclusion? | 0:43:56 | 0:43:57 | |
Oh... Dear God! | 0:43:57 | 0:44:00 | |
James... | 0:44:02 | 0:44:03 | |
I can guarantee you, that at this moment in time, | 0:44:04 | 0:44:08 | |
she's thinking she got turned down because either you're not attracted | 0:44:08 | 0:44:13 | |
to her, or because you're not ready to move on from the dead wife. | 0:44:13 | 0:44:16 | |
Seriously? | 0:44:19 | 0:44:20 | |
My guess is, she's thinking it's the dead wife. | 0:44:20 | 0:44:23 | |
Christ, I thought it was Fran until you told me otherwise. | 0:44:23 | 0:44:25 | |
Look, I...I know I'm not in a position to lecture, | 0:44:28 | 0:44:31 | |
but there are some things it's just better to come clean about. | 0:44:31 | 0:44:35 | |
CAR APPROACHES | 0:44:43 | 0:44:44 | |
Who do you think you are, | 0:45:15 | 0:45:17 | |
sending me presents? | 0:45:17 | 0:45:19 | |
Sending me pictures? | 0:45:19 | 0:45:21 | |
Who do you think you are to draw me? | 0:45:21 | 0:45:24 | |
You don't know me! | 0:45:24 | 0:45:27 | |
-I... -I don't want you to draw me! | 0:45:27 | 0:45:29 | |
I don't want you to look at me. | 0:45:30 | 0:45:33 | |
I never said you could do that. | 0:45:34 | 0:45:37 | |
Erm, there's, er... | 0:45:40 | 0:45:42 | |
a seat you can... | 0:45:42 | 0:45:44 | |
you can sit. | 0:45:44 | 0:45:45 | |
CRASHING, GLASS SMASHES | 0:45:45 | 0:45:48 | |
Asha? | 0:45:59 | 0:46:00 | |
Can I talk to you for a second? | 0:46:03 | 0:46:05 | |
Er...yeah, sure. | 0:46:05 | 0:46:07 | |
Come here. | 0:46:09 | 0:46:10 | |
Look, something, something happened. | 0:46:15 | 0:46:17 | |
Very recently at work and it's not my story, I'm just a... | 0:46:18 | 0:46:24 | |
bystander. But it's... | 0:46:24 | 0:46:26 | |
It's about how men are with women and I've been struggling with it. | 0:46:29 | 0:46:34 | |
I'm struggling with it. | 0:46:36 | 0:46:38 | |
And I don't want it to intrude. | 0:46:38 | 0:46:41 | |
And so, that's what last night was about and not about anything else. | 0:46:41 | 0:46:46 | |
And... And not you...and really, really not about you. | 0:46:46 | 0:46:50 | |
I'm sorry I didn't say anything but I've got | 0:46:53 | 0:46:55 | |
so used to not sharing things. | 0:46:55 | 0:46:57 | |
I'm sorry. | 0:47:03 | 0:47:04 | |
I'm really sorry. | 0:47:07 | 0:47:09 | |
Will I see you soon? | 0:47:44 | 0:47:46 | |
I'll call you. | 0:47:48 | 0:47:49 | |
OK. | 0:47:52 | 0:47:53 | |
Kelly. | 0:48:17 | 0:48:18 | |
God, how can you stand it? | 0:48:29 | 0:48:31 | |
You know what I mean? There's nothing to focus on. | 0:48:33 | 0:48:36 | |
It's just horizon. | 0:48:38 | 0:48:39 | |
There's been a rumour about a guy shot in Shetland... | 0:48:45 | 0:48:47 | |
Mick Thompson. | 0:48:49 | 0:48:50 | |
Is that the murder you're investigating? | 0:48:51 | 0:48:54 | |
Yes, It's one of them. | 0:48:54 | 0:48:56 | |
And the only other person I've heard refer to him | 0:48:56 | 0:48:59 | |
as Mick...is a man called Arthur McCall. | 0:48:59 | 0:49:02 | |
That's, um...tea. | 0:49:17 | 0:49:19 | |
And, um... | 0:49:19 | 0:49:21 | |
I'll be in there. | 0:49:21 | 0:49:23 | |
I'd seen him around but I didn't know him. | 0:49:44 | 0:49:47 | |
He was in this big group. | 0:49:47 | 0:49:49 | |
He was good-looking, you know? | 0:49:50 | 0:49:52 | |
It was Burns Night, I wasn't working, I was just ... | 0:49:53 | 0:49:58 | |
I was just out to please myself. | 0:49:58 | 0:50:00 | |
We started messing about and we ended up outside, round the back. | 0:50:05 | 0:50:09 | |
But he was flying on something and he started to get rough, | 0:50:12 | 0:50:17 | |
so I said I wanted to stop, that I wanted go back inside. | 0:50:17 | 0:50:20 | |
And he... | 0:50:20 | 0:50:21 | |
He did what he did. | 0:50:31 | 0:50:32 | |
He raped you. | 0:50:34 | 0:50:35 | |
You went to the police but then you decided to drop the charges... | 0:50:40 | 0:50:44 | |
Why? | 0:50:44 | 0:50:45 | |
A couple of guys from the club came to the station. | 0:50:46 | 0:50:50 | |
Mick, you know, and another guy, Calvin. | 0:50:50 | 0:50:55 | |
They said Arthur didn't want to give the cops an excuse to poke around. | 0:51:01 | 0:51:06 | |
They said they'd look after me | 0:51:06 | 0:51:08 | |
and they'd take care of the guy that did it. | 0:51:08 | 0:51:11 | |
I was a user. | 0:51:11 | 0:51:13 | |
I had a history of selling sex. | 0:51:13 | 0:51:15 | |
My injuries could have come from a violent punter. | 0:51:17 | 0:51:20 | |
I mean, the cop's weren't going to take it anywhere, anyway. | 0:51:21 | 0:51:24 | |
Well, then, why go to them in the first place? | 0:51:27 | 0:51:30 | |
Kelly? | 0:51:33 | 0:51:35 | |
I didn't have many choices back then. | 0:51:35 | 0:51:37 | |
Needle or smoke. | 0:51:38 | 0:51:40 | |
Tea or coffee. | 0:51:40 | 0:51:42 | |
Who I said, "no" to. | 0:51:42 | 0:51:43 | |
I said "no" to him | 0:51:46 | 0:51:48 | |
and he broke my bones and he hurt me. | 0:51:48 | 0:51:51 | |
What about Michael Thompson? | 0:51:53 | 0:51:55 | |
He was good to me. | 0:51:56 | 0:51:57 | |
Not just then but... | 0:51:58 | 0:52:00 | |
for a long time after. | 0:52:00 | 0:52:02 | |
He looked out for me. | 0:52:05 | 0:52:06 | |
And he treated me the way he thought I should treat myself. | 0:52:08 | 0:52:12 | |
With consideration. | 0:52:13 | 0:52:15 | |
And I do now. | 0:52:16 | 0:52:18 | |
I just wish I'd been able to show him that. | 0:52:19 | 0:52:22 | |
Can you remember the names | 0:52:24 | 0:52:26 | |
of any of the police officers that you spoke to? | 0:52:26 | 0:52:28 | |
And the name of the man who assaulted you? | 0:52:31 | 0:52:33 | |
He was a student. | 0:52:34 | 0:52:36 | |
They called him "BB". You know, like the air gun. | 0:52:38 | 0:52:41 | |
Those were his initials. | 0:52:43 | 0:52:45 | |
Ben Brennan. | 0:52:49 | 0:52:50 | |
Yeah. | 0:53:00 | 0:53:02 | |
They should only take me a couple of hours to sort out. | 0:53:02 | 0:53:05 | |
Thanks, Billy, you're a life-saver. | 0:53:08 | 0:53:10 | |
Aye, that's me! | 0:53:10 | 0:53:12 | |
-Rhona? -Yeah? | 0:53:13 | 0:53:15 | |
Phyllis's son. | 0:53:15 | 0:53:16 | |
Ben? | 0:53:16 | 0:53:18 | |
-Yes. Did he go to university in Glasgow? -Yeah. Why? | 0:53:18 | 0:53:22 | |
Just... | 0:53:24 | 0:53:26 | |
trying to figure something out. | 0:53:26 | 0:53:28 | |
So, Phyllis Brenan's son... | 0:53:38 | 0:53:40 | |
..commits a rape... | 0:53:41 | 0:53:42 | |
..and Arthur McCall... | 0:53:44 | 0:53:46 | |
..makes it go away. | 0:53:47 | 0:53:48 | |
That's big. | 0:53:50 | 0:53:51 | |
That's bigger than just Arthur McCall. | 0:53:53 | 0:53:56 | |
-So, what does Arthur ask for in return? -Everything. | 0:53:57 | 0:54:00 | |
I mean, ten years on and he's still a free man, isn't he? | 0:54:02 | 0:54:05 | |
OK. | 0:54:07 | 0:54:09 | |
Then we should get the paperwork on McCall | 0:54:09 | 0:54:11 | |
and we should... | 0:54:13 | 0:54:15 | |
What? | 0:54:16 | 0:54:17 | |
I don't know. | 0:54:17 | 0:54:19 | |
Kelly. | 0:54:20 | 0:54:21 | |
I mean, do you ever think what it must be like to have | 0:54:23 | 0:54:25 | |
something like that happen to you and for there to be no redress? | 0:54:25 | 0:54:28 | |
Mm... | 0:54:28 | 0:54:29 | |
Things have changed since then. We'd handle it different now. | 0:54:31 | 0:54:35 | |
Right, so you think that if Kelly was to walk in here tomorrow | 0:54:35 | 0:54:39 | |
with the same story, that we'd get a conviction? | 0:54:39 | 0:54:42 | |
And that she wouldnae be asked on the stand what she was wearing | 0:54:42 | 0:54:45 | |
and how many sexual partners she'd had? | 0:54:45 | 0:54:46 | |
We should be doing better by them. | 0:54:50 | 0:54:52 | |
TAPPING | 0:54:53 | 0:54:55 | |
Is she around? | 0:54:58 | 0:54:59 | |
-No, she's gone for the day. I could call her... -No. | 0:55:00 | 0:55:03 | |
Billy, I'm moving out of my flat for a bit. | 0:55:06 | 0:55:09 | |
I'm going to be staying with my friends Beth | 0:55:09 | 0:55:11 | |
and Roz for a while. I'll give you the details. | 0:55:11 | 0:55:13 | |
The thing is... | 0:55:19 | 0:55:21 | |
It wasn't just the car.. | 0:55:22 | 0:55:26 | |
..and the hood over my head | 0:55:27 | 0:55:31 | |
in Glasgow. | 0:55:31 | 0:55:32 | |
There was more. You know? | 0:55:36 | 0:55:38 | |
You know. | 0:55:43 | 0:55:44 | |
Could you please tell Sandy for me? I want him to know... | 0:55:48 | 0:55:50 | |
Aye, aye, I'll tell him. | 0:55:50 | 0:55:52 | |
I would like to give you a hug. Would that be allowed? | 0:55:56 | 0:55:59 | |
Sorry. | 0:56:00 | 0:56:01 | |
Hey, lady, you call the shots round here. | 0:56:03 | 0:56:05 | |
Night. | 0:56:07 | 0:56:08 | |
No... | 0:56:36 | 0:56:37 | |
No, this doesn't make sense. It's just that there is not enough. | 0:56:38 | 0:56:43 | |
But McCall has dodged prison again and again! | 0:56:43 | 0:56:46 | |
Yeah, because he's got a good lawyer. | 0:56:46 | 0:56:48 | |
If Michael Thompson hadn't been shot, | 0:56:49 | 0:56:52 | |
McCall was looking at life in prison. | 0:56:52 | 0:56:55 | |
Every time that he's investigated, he suffers, his business suffers. | 0:56:55 | 0:56:59 | |
Think about it. If you had a Senior Fiscal in your pocket, | 0:57:00 | 0:57:06 | |
then wouldn't you expect better protection than this? | 0:57:06 | 0:57:09 | |
'What if it's not McCall | 0:57:10 | 0:57:11 | |
'who's been benefitting from Phyllis Brenan's protection? | 0:57:11 | 0:57:14 | |
'But if not McCall... | 0:57:16 | 0:57:17 | |
'..then who? | 0:57:19 | 0:57:20 |