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| Line | From | To | |
|---|---|---|---|
Do you know a boy called Robbie Morton? | 0:00:01 | 0:00:02 | |
The whole family knows that he's in trouble. | 0:00:02 | 0:00:04 | |
Robbie Morton and Michael Thompson, | 0:00:04 | 0:00:07 | |
they're father and son. | 0:00:07 | 0:00:08 | |
GUNSHOT | 0:00:08 | 0:00:10 | |
DS Asha Israni. | 0:00:10 | 0:00:12 | |
Michael Thompson's dedicated handler. | 0:00:12 | 0:00:13 | |
Arthur McCall. | 0:00:13 | 0:00:15 | |
That's who Michael Thompson was testifying against. | 0:00:15 | 0:00:18 | |
McCall is a free man. | 0:00:18 | 0:00:19 | |
You're investigating a crime. A crime that works to my advantage. | 0:00:19 | 0:00:22 | |
GUNSHOT | 0:00:22 | 0:00:24 | |
-Two shots. -That's a professional hit. | 0:00:24 | 0:00:26 | |
Michael Thompson was trying to renegotiate | 0:00:26 | 0:00:28 | |
the terms of his Witness Protection deal. | 0:00:28 | 0:00:30 | |
-Freya. -And he wanted her to be part of his new life. | 0:00:30 | 0:00:33 | |
-PHONE BLEEPS -'Freya...' | 0:00:33 | 0:00:36 | |
He said that what he had to tell them was too explosive | 0:00:36 | 0:00:39 | |
to be trusted to one junior fiscal. | 0:00:39 | 0:00:41 | |
A guy by the name of Brian McDade. | 0:00:41 | 0:00:43 | |
Brian McDade hasn't been at work for two days. | 0:00:43 | 0:00:46 | |
The shooter had help on Shetland. | 0:00:47 | 0:00:49 | |
Bella! | 0:01:21 | 0:01:22 | |
What are you doing?! | 0:01:22 | 0:01:24 | |
Bella! | 0:01:25 | 0:01:27 | |
There's no fire. | 0:01:34 | 0:01:35 | |
I promise you, Bella, there's nothing to be frightened of. | 0:01:35 | 0:01:39 | |
-ALARMS BLARE -You're all right, Bella, darling. | 0:01:44 | 0:01:47 | |
You're OK, you're OK now. You're all right now. | 0:01:47 | 0:01:49 | |
HE GROWLS SHE GASPS | 0:01:50 | 0:01:53 | |
Oh, go back to bed, Alec! | 0:01:53 | 0:01:55 | |
It's all right, sweetheart, come on. | 0:01:55 | 0:01:57 | |
DOG WHINES | 0:03:31 | 0:03:36 | |
Hey. | 0:04:30 | 0:04:32 | |
-How are you feeling? -Hmm... | 0:04:32 | 0:04:35 | |
The doctors told me it would be OK to ask you a few questions. | 0:04:35 | 0:04:38 | |
Is that all right? | 0:04:38 | 0:04:40 | |
Do you have any idea what happened to you? | 0:04:41 | 0:04:44 | |
Someone at the camping bod, they told me...about a walk. | 0:04:44 | 0:04:48 | |
I caught the bus. | 0:04:48 | 0:04:51 | |
He must have followed me. | 0:04:53 | 0:04:55 | |
-Who? Michael? -Mm-hmm. | 0:04:55 | 0:04:58 | |
Is that because he knew | 0:05:04 | 0:05:05 | |
you'd smashed up his girlfriend's workshop? | 0:05:05 | 0:05:08 | |
You weren't looking at him... | 0:05:10 | 0:05:13 | |
Leanne, when you got off the bus, did you see anybody? | 0:05:13 | 0:05:19 | |
No. | 0:05:21 | 0:05:22 | |
No-one, no-one at all? | 0:05:24 | 0:05:27 | |
OK, what happened is... | 0:05:30 | 0:05:32 | |
..is that you got shot. | 0:05:34 | 0:05:35 | |
Now, you weren't the intended target. | 0:05:37 | 0:05:39 | |
Michael Maguire's real name was Michael Thompson. | 0:05:40 | 0:05:43 | |
He's dead. | 0:05:45 | 0:05:47 | |
Now, he had his own story, you just got caught up in it. | 0:05:48 | 0:05:51 | |
You were unlucky. | 0:05:51 | 0:05:52 | |
Robbie? | 0:05:54 | 0:05:56 | |
We still don't know who killed Robbie. | 0:05:56 | 0:05:58 | |
But I don't think it was Michael. | 0:05:58 | 0:06:00 | |
Now, when you saw them together on the ferry | 0:06:02 | 0:06:05 | |
did it look to you as though they'd met by accident or by arrangement? | 0:06:05 | 0:06:10 | |
Er, I don't know. | 0:06:11 | 0:06:12 | |
OK. | 0:06:14 | 0:06:15 | |
They're nice flowers. | 0:06:19 | 0:06:20 | |
The place that Robbie worked sent them. | 0:06:22 | 0:06:24 | |
Right, look... | 0:06:26 | 0:06:27 | |
It's only small... | 0:06:27 | 0:06:30 | |
..but I figured, if you're going to be stuck here for a while... | 0:06:32 | 0:06:35 | |
Here's a theory. | 0:07:14 | 0:07:16 | |
What if it was a pure fluke | 0:07:16 | 0:07:19 | |
that Michael and Robbie bumped into each other on that ferry? | 0:07:19 | 0:07:23 | |
What if it was the first time | 0:07:23 | 0:07:25 | |
that they'd seen one another since Robbie was a kid? | 0:07:25 | 0:07:29 | |
And Robbie recognises Michael | 0:07:29 | 0:07:32 | |
but Michael, knowing that he has to stay hidden, pushes him away, | 0:07:32 | 0:07:37 | |
and says, you know, he's made a mistake, or whatever. | 0:07:37 | 0:07:41 | |
So, he waits for Leanne to go asleep, | 0:07:41 | 0:07:45 | |
and then, he goes to try and find his dad. | 0:07:45 | 0:07:48 | |
And then he sees something that he shouldn't see. | 0:07:49 | 0:07:53 | |
-Like what? -Somebody following Michael. | 0:07:55 | 0:07:58 | |
Passing information back to the gunman. | 0:07:59 | 0:08:01 | |
-A scout? -Yeah. Just a theory. | 0:08:01 | 0:08:05 | |
Whatever happened on that ferry... | 0:08:05 | 0:08:07 | |
-PHONE RINGS -..I don't like that McCall's gunman | 0:08:07 | 0:08:10 | |
had help on Shetland. | 0:08:10 | 0:08:11 | |
I don't like that his reach extends this far. | 0:08:11 | 0:08:14 | |
Boss! It's Tosh on the line. | 0:08:14 | 0:08:16 | |
OK, just put her on speakerphone. | 0:08:16 | 0:08:19 | |
'So, it turns out King's Cafe isn't a chippy any more. | 0:08:21 | 0:08:24 | |
'You can't get a special fish supper after work.' | 0:08:24 | 0:08:27 | |
I'm not convinced the march of progress in this city | 0:08:27 | 0:08:29 | |
is going in the right direction. | 0:08:29 | 0:08:30 | |
All right. You had any luck tracing Brian McDade? | 0:08:30 | 0:08:33 | |
Nothing from the hospitals, | 0:08:33 | 0:08:35 | |
and his family haven't heard from him for days. | 0:08:35 | 0:08:37 | |
I've put flags on his phone, his passport, | 0:08:37 | 0:08:40 | |
his numberplates, his bank cards. | 0:08:40 | 0:08:42 | |
Other than that I've got a list of his friends | 0:08:42 | 0:08:44 | |
that I'm going to start following up. | 0:08:44 | 0:08:46 | |
Tommy's promised someone to help, but I'll believe it when I see it. | 0:08:46 | 0:08:49 | |
-OK. Well, keep us posted. -'Will do.' | 0:08:49 | 0:08:53 | |
So, what now? | 0:08:53 | 0:08:55 | |
PHONE RINGS Well, someone moved the gunman's car | 0:08:55 | 0:08:58 | |
after he was done, and we don't know where to. | 0:08:58 | 0:09:01 | |
-But we do have the tyre tracks... -Hello, Lerwick Police Station. | 0:09:01 | 0:09:03 | |
..so let's use them. Sandy, get on to Forensics, | 0:09:03 | 0:09:06 | |
see if they can find what we're looking for - | 0:09:06 | 0:09:08 | |
size of vehicle, type of tyres... | 0:09:08 | 0:09:10 | |
-Boss. -Billy. | 0:09:10 | 0:09:12 | |
-It's the sound lab. -Yeah? | 0:09:12 | 0:09:14 | |
They've managed to clean up the message Michael left | 0:09:14 | 0:09:16 | |
on Freya Galdie's answering machine. | 0:09:16 | 0:09:18 | |
-MICHAEL ON RECORDING, -'Freya, I wanted to commit to you. | 0:09:20 | 0:09:23 | |
'I did. Too late now, Freya... | 0:09:23 | 0:09:26 | |
'..I want you to...burn... | 0:09:28 | 0:09:30 | |
'..Level Nine... | 0:09:30 | 0:09:32 | |
'..I need to run... | 0:09:32 | 0:09:34 | |
'..everything... | 0:09:34 | 0:09:35 | |
'..I love you.' | 0:09:35 | 0:09:37 | |
Is there anything in there that you feel you recognise? | 0:09:45 | 0:09:49 | |
No. | 0:09:49 | 0:09:51 | |
He uses the word "burn". | 0:09:51 | 0:09:52 | |
Could he be referring to anything | 0:09:54 | 0:09:57 | |
that he might have given you, any documents or...? | 0:09:57 | 0:10:00 | |
Birthday cards? One Valentine? | 0:10:00 | 0:10:03 | |
Maybe he wanted me to burn them(!) | 0:10:03 | 0:10:05 | |
What about the phrase "Level Nine"? | 0:10:05 | 0:10:08 | |
Is that familiar to you, did Michael ever talk about it? | 0:10:08 | 0:10:11 | |
Freya, is there anything you know that might help? | 0:10:13 | 0:10:16 | |
I don't know! | 0:10:16 | 0:10:17 | |
I've told you everything I ever learned about him! | 0:10:17 | 0:10:21 | |
You told us that Michael | 0:10:21 | 0:10:22 | |
never mentioned anything to you about family, | 0:10:22 | 0:10:25 | |
never mentioned anything about children. | 0:10:25 | 0:10:27 | |
Robbie Morton, | 0:10:29 | 0:10:30 | |
the boy that was killed... | 0:10:30 | 0:10:32 | |
..he was Michael's son. | 0:10:34 | 0:10:36 | |
We know that they were... | 0:10:39 | 0:10:40 | |
..estranged for a long time, but... | 0:10:43 | 0:10:46 | |
I really didn't know the first thing, did I? | 0:10:46 | 0:10:49 | |
You know that he left you a message. | 0:10:53 | 0:10:55 | |
You know that in that moment, he called you... | 0:10:56 | 0:10:59 | |
To tell me to tell them! | 0:10:59 | 0:11:01 | |
Michael was negotiating to take you with him. | 0:11:29 | 0:11:32 | |
He wanted a future with you. | 0:11:32 | 0:11:34 | |
What future? | 0:11:34 | 0:11:36 | |
-Take me where? -I don't know. | 0:11:37 | 0:11:40 | |
I'm not supposed to know that. | 0:11:40 | 0:11:42 | |
But I thought you should. | 0:11:43 | 0:11:45 | |
Someone brought Michael here, | 0:11:46 | 0:11:48 | |
invented a life for him, | 0:11:48 | 0:11:50 | |
-and they were negotiating our future. -Aye. | 0:11:50 | 0:11:53 | |
They know more about what's happened to me than I do! | 0:11:53 | 0:11:56 | |
They're the ones I should be talking to! Not you. Them! | 0:11:56 | 0:11:59 | |
Please... | 0:12:02 | 0:12:04 | |
Please... Please... | 0:12:05 | 0:12:08 | |
Get them talk to me. | 0:12:08 | 0:12:09 | |
I'll do what I can. | 0:12:11 | 0:12:13 | |
MOBILE RINGS | 0:12:17 | 0:12:21 | |
-Sandy? -'Forensics came back on the tyre tracks.' | 0:12:21 | 0:12:24 | |
We are looking for a small, two-wheel drive. | 0:12:24 | 0:12:29 | |
Billy's checking for vehicle thefts | 0:12:29 | 0:12:31 | |
and I've just done a trawl on the traffic reports. | 0:12:31 | 0:12:34 | |
Now, the station at Brae is unmanned at night, | 0:12:34 | 0:12:36 | |
but they had a phone message, left on the night of the shooting. | 0:12:36 | 0:12:40 | |
A woman reporting an incident on the B9075 at Skellister. | 0:12:40 | 0:12:44 | |
'A close shave with some joker driving around at speed | 0:12:44 | 0:12:46 | |
'with one headlight out.' | 0:12:46 | 0:12:48 | |
-I think that's worth following up. -'Yeah. On my way.' | 0:12:48 | 0:12:52 | |
MOBILE VIBRATES | 0:12:52 | 0:12:57 | |
Kyle had suspected appendicitis. | 0:13:30 | 0:13:31 | |
By the time they'd decided it wasn't, | 0:13:31 | 0:13:34 | |
and we were away from the hospital, | 0:13:34 | 0:13:35 | |
it was one o'clock in the morning. | 0:13:35 | 0:13:37 | |
Idiot came out of nowhere, one headlight, can you believe? | 0:13:37 | 0:13:41 | |
-On that stretch of road! -Did you see the driver? | 0:13:41 | 0:13:44 | |
No. I mean, I assume it was a man. | 0:13:44 | 0:13:47 | |
But I didn't see. I couldnae honestly say. | 0:13:47 | 0:13:50 | |
What about the car? | 0:13:50 | 0:13:52 | |
It was dark, I was braking, by the time I'd turned round he was gone. | 0:13:52 | 0:13:57 | |
Sorry. | 0:13:57 | 0:13:58 | |
Here, the kids might know. | 0:14:00 | 0:14:02 | |
They were still awake, playing their game. | 0:14:02 | 0:14:04 | |
If you get a Lexus you get ten points. | 0:14:04 | 0:14:07 | |
Nine! A Lexus is nine. A Ferrari's ten. | 0:14:07 | 0:14:10 | |
So, what did you get the time you ran into the stupid driver? | 0:14:10 | 0:14:15 | |
Nothing. | 0:14:15 | 0:14:17 | |
It was a Ford Focus. We see loads. | 0:14:17 | 0:14:19 | |
A Ford Focus? You're sure? | 0:14:19 | 0:14:21 | |
And what about the colour? | 0:14:23 | 0:14:25 | |
BOTH: Silver. | 0:14:25 | 0:14:26 | |
Billy, I need a list of every silver Ford Focus registered in Shetland. | 0:14:26 | 0:14:31 | |
OK, thanks for your time. | 0:14:40 | 0:14:42 | |
If Brian does get in contact can you let us know? | 0:14:42 | 0:14:45 | |
-Brilliant. Thank you. -MOBILE RINGS | 0:14:45 | 0:14:49 | |
Billy McCabe! | 0:14:53 | 0:14:55 | |
Sergeant McIntosh. | 0:14:55 | 0:14:57 | |
Just sending you over a little something | 0:14:57 | 0:14:59 | |
we thought you should have. | 0:14:59 | 0:15:00 | |
-Ah. -'It's a message Michael left on Freya Galdie's answerphone.' | 0:15:00 | 0:15:04 | |
Sound file and transcript. | 0:15:04 | 0:15:06 | |
"Level Nine". What's Level Nine? | 0:15:06 | 0:15:08 | |
'Yeah. Well, I can tell you it has over 24 million hits on Google.' | 0:15:08 | 0:15:14 | |
Of which I am on number 12. | 0:15:14 | 0:15:16 | |
"The final dungeon of the First Quest in The Legend of Zelda" | 0:15:16 | 0:15:19 | |
Well, maybe, he got a really high score he wanted to tell her about. | 0:15:19 | 0:15:22 | |
BILLY CHUCKLES | 0:15:22 | 0:15:24 | |
-DS McIntosh? -Yes? | 0:15:24 | 0:15:26 | |
You put an ANPR request in for a car owned by a Brian McDade? | 0:15:26 | 0:15:30 | |
-Yeah. -Congratulations. | 0:15:30 | 0:15:32 | |
Traffic cameras just picked up the plates | 0:15:32 | 0:15:34 | |
driving south through the East End. | 0:15:34 | 0:15:36 | |
Billy? I've got to go. | 0:15:36 | 0:15:37 | |
If the family were coming from Lerwick... | 0:15:37 | 0:15:40 | |
..then this must be the other car. | 0:15:43 | 0:15:45 | |
And this must be where they went off. | 0:15:49 | 0:15:51 | |
What do you think? | 0:15:55 | 0:15:56 | |
Same tracks as Scotland? | 0:15:57 | 0:15:59 | |
It's hard to tell. | 0:16:01 | 0:16:02 | |
We need a print of this. | 0:16:04 | 0:16:06 | |
MOBILE RINGS | 0:16:07 | 0:16:09 | |
Billy? | 0:16:09 | 0:16:11 | |
Boss. Do you believe in ghosts? | 0:16:11 | 0:16:14 | |
Cos I think we might be looking for one. | 0:16:14 | 0:16:17 | |
'24 silver Ford Focuses, registered to owners on Shetland.' | 0:16:17 | 0:16:21 | |
And the 21st belongs to a Mr Robbie Morton. | 0:16:21 | 0:16:25 | |
-And where is it now? -'SORN'd in the garage at his place.' | 0:16:25 | 0:16:30 | |
But I've checked the forensic report we got on it after he died. | 0:16:30 | 0:16:34 | |
-It has a broken headlight. -Where's the key? | 0:16:35 | 0:16:39 | |
That's locked safely in my evidence cupboard, | 0:16:39 | 0:16:41 | |
where it's been since the day Robbie's body was found. | 0:16:41 | 0:16:44 | |
I think somebody has a spare. | 0:16:46 | 0:16:47 | |
The friend of age and guide of youth | 0:16:52 | 0:16:54 | |
Few hearts like his with virtue warm'd | 0:16:54 | 0:16:58 | |
Few heads with knowledge so inform'd | 0:16:58 | 0:17:02 | |
If there's another world, he lives in bliss | 0:17:02 | 0:17:05 | |
If there is none, he made the best of this. | 0:17:05 | 0:17:10 | |
That's a nice poem. | 0:17:29 | 0:17:31 | |
You probably know a lot about Robbie now. | 0:17:31 | 0:17:33 | |
Things I don't know and may not wish to. | 0:17:33 | 0:17:36 | |
But he'll be remembered here with nothing but fondness. | 0:17:36 | 0:17:38 | |
Caught the bastard yet, Officer? | 0:17:38 | 0:17:40 | |
Oh, geng dee wis, Alec! | 0:17:40 | 0:17:42 | |
Aye, thought not. | 0:17:43 | 0:17:45 | |
Sorry. | 0:17:45 | 0:17:46 | |
We had a fire alarm in the night | 0:17:46 | 0:17:48 | |
and what with the memorial, we're all a bit out of sorts. | 0:17:48 | 0:17:51 | |
Are you just here to pay your respects, | 0:17:51 | 0:17:53 | |
or was there something else? | 0:17:53 | 0:17:55 | |
I was wondering, did Robbie have a locker here? | 0:17:55 | 0:17:58 | |
His stuff's in here. I thought it might have been have claimed by now. | 0:17:58 | 0:18:01 | |
Here, Sandy... | 0:18:07 | 0:18:09 | |
Sir? | 0:18:23 | 0:18:24 | |
Is that what you're looking for? | 0:18:28 | 0:18:29 | |
Who else would have had access to this room? | 0:18:33 | 0:18:35 | |
-I keep it locked when I'm not here. -Always? | 0:18:35 | 0:18:38 | |
If you're thinking someone got in and took that key, | 0:18:38 | 0:18:41 | |
well, I might have left the door open once in the last week. | 0:18:41 | 0:18:43 | |
But not twice. | 0:18:43 | 0:18:45 | |
They would've had no way of putting it back. | 0:18:45 | 0:18:48 | |
You said a fire alarm went off, | 0:18:52 | 0:18:54 | |
-would that door have been opened then? -Yes. | 0:18:54 | 0:18:58 | |
-Do you have any idea what set it off? -Och, we don't know. | 0:18:58 | 0:19:01 | |
Aye, it's a mystery. | 0:19:03 | 0:19:05 | |
Aye, I only joined the police cos the careers officer | 0:19:17 | 0:19:20 | |
told me there would be dogs. | 0:19:20 | 0:19:22 | |
And did they put me on the dog unit? Did they bollocks! | 0:19:22 | 0:19:25 | |
Shoved me right intae Organised Crime wi' Tommy Monro. | 0:19:25 | 0:19:28 | |
He disnae even like dogs! | 0:19:28 | 0:19:30 | |
-RADIO BEEPS -Oh, hold on. | 0:19:30 | 0:19:33 | |
Go ahead. | 0:19:33 | 0:19:34 | |
'Boyd, we've picked up the car, parked roadside. | 0:19:34 | 0:19:37 | |
'No sign of the driver. Do you want us to stay with it?' | 0:19:37 | 0:19:39 | |
Aye, fine, but keep in the background, | 0:19:41 | 0:19:44 | |
don't get seen yourselves. | 0:19:44 | 0:19:45 | |
What was that? That place we just passed? | 0:19:45 | 0:19:48 | |
SMASHING | 0:20:06 | 0:20:07 | |
CLATTERING BOARDS | 0:20:07 | 0:20:09 | |
COUGHING | 0:20:19 | 0:20:21 | |
Hi, can you check out a name for me, please? | 0:21:10 | 0:21:12 | |
Sir! | 0:21:16 | 0:21:17 | |
Somebody held a flame to that alarm and set it off deliberately. | 0:21:30 | 0:21:33 | |
-I want to talk to Craig Cooper. -Craig? | 0:21:35 | 0:21:39 | |
What would be his motive? | 0:21:41 | 0:21:43 | |
I don't know. | 0:21:43 | 0:21:44 | |
But he knew more about Robbie and those drugs than he was letting on. | 0:21:44 | 0:21:49 | |
And now Robbie's car's been used in a murder | 0:21:49 | 0:21:51 | |
and Craig had access to the key | 0:21:51 | 0:21:53 | |
because he delivers the laundry, and... | 0:21:53 | 0:21:55 | |
..and cos there's just too many connections to ignore, Sandy. | 0:21:56 | 0:21:59 | |
I know. | 0:21:59 | 0:22:00 | |
BANGS ON DOOR Craig! | 0:22:08 | 0:22:10 | |
Billy, can we put obs out on Craig Cooper's van? | 0:22:33 | 0:22:37 | |
And can we get somebody to check the pubs, bars... | 0:22:38 | 0:22:40 | |
Anywhere else that has a fruit machine. | 0:22:40 | 0:22:43 | |
-Table for two? -Oh, yes, please. | 0:22:50 | 0:22:52 | |
-Take a seat, I'll get your menus. -Thank you. | 0:22:52 | 0:22:54 | |
Ah, nice. | 0:22:56 | 0:22:57 | |
Mmm. So what do you want to drink? | 0:22:57 | 0:23:00 | |
Erm...vodka Martini. | 0:23:00 | 0:23:03 | |
-Who's that? -Calvin Sarwar. | 0:23:05 | 0:23:07 | |
The go-to lawyer for every B-list footballer | 0:23:07 | 0:23:11 | |
and minor celebrity in Glasgow. | 0:23:11 | 0:23:13 | |
They get excited by the vicarious association | 0:23:13 | 0:23:15 | |
to his most infamous client - Arthur McCall. | 0:23:15 | 0:23:18 | |
Miss Brenan. | 0:23:23 | 0:23:24 | |
My client would like another round of drinks when you're ready. | 0:23:24 | 0:23:28 | |
-Have you been waiting for a table? -We're fine. | 0:23:28 | 0:23:30 | |
-I'm sure I could have a word. -No, no, no need. -It's really no trouble. | 0:23:30 | 0:23:34 | |
Why don't we just go and get a fish supper instead? | 0:23:34 | 0:23:36 | |
I've always found this place slightly up its own arse. | 0:23:36 | 0:23:40 | |
-It's nice to meet you. -You, too. | 0:23:40 | 0:23:42 | |
MOBILE VIBRATES | 0:23:42 | 0:23:45 | |
MOBILE RINGS | 0:24:13 | 0:24:15 | |
Hello? | 0:24:15 | 0:24:17 | |
'Asha, it's Jimmy Perez.' | 0:24:17 | 0:24:19 | |
Michael Thompson and Robbie Morton - they were father and son. | 0:24:19 | 0:24:23 | |
Did you know that? | 0:24:23 | 0:24:26 | |
No. I didn't. | 0:24:26 | 0:24:28 | |
What, Michael never mentioned seeing his son? | 0:24:28 | 0:24:31 | |
Michael never said he had a son. | 0:24:31 | 0:24:33 | |
'OK. | 0:24:33 | 0:24:35 | |
'Uh...' | 0:24:35 | 0:24:36 | |
There's something else. | 0:24:36 | 0:24:39 | |
I've been talking to Freya Galdie, | 0:24:40 | 0:24:43 | |
'Michael's girlfriend.' | 0:24:43 | 0:24:44 | |
Yeah, I know who she is. | 0:24:44 | 0:24:46 | |
'OK. She wants to talk to you. | 0:24:46 | 0:24:49 | |
'I mean, she doesn't know your name and she doesn't know who you are,' | 0:24:49 | 0:24:52 | |
but she knows that Michael wanted to make her part of his future. | 0:24:52 | 0:24:59 | |
Well, Michael never told her that. | 0:24:59 | 0:25:01 | |
'No.' | 0:25:01 | 0:25:02 | |
I told her that. | 0:25:04 | 0:25:05 | |
-'Asha...' -I came to you in confidence, Jimmy. | 0:25:07 | 0:25:10 | |
'Yes, I know, I know you did, but, you know, right now,' | 0:25:10 | 0:25:14 | |
she needs something to hold on to, | 0:25:14 | 0:25:16 | |
and she's got nothing, | 0:25:16 | 0:25:18 | |
you know, she's not even got a memory that she can trust. | 0:25:18 | 0:25:21 | |
'And life has to feel worth living.' | 0:25:21 | 0:25:23 | |
MOBILE VIBRATES | 0:25:36 | 0:25:39 | |
Tosh. | 0:25:39 | 0:25:40 | |
Do you want the good news, or the "bit of a breakthrough" news? | 0:25:40 | 0:25:43 | |
Yeah. Both. Where are you? | 0:25:43 | 0:25:46 | |
'A bar. I'm meeting Cassie.' | 0:25:46 | 0:25:48 | |
Students are really, really young, aren't they? | 0:25:48 | 0:25:51 | |
We've found Brian McDade's car. | 0:25:51 | 0:25:54 | |
'There's a squad car keeping it under observation at the moment.' | 0:25:54 | 0:25:57 | |
OK. That is good news. | 0:25:57 | 0:25:59 | |
Well, it is for me, I'm not the one on an all-night stakeout. | 0:25:59 | 0:26:02 | |
The bit of a breakthrough is even better. | 0:26:02 | 0:26:04 | |
Level Nine's a club in the East End. | 0:26:04 | 0:26:06 | |
'At least it was. | 0:26:06 | 0:26:08 | |
'Must have been after your time and before mine. | 0:26:08 | 0:26:10 | |
'I've asked Billy to have a trawl.' | 0:26:10 | 0:26:12 | |
See if he can find any reports or incident logs | 0:26:12 | 0:26:14 | |
-Tosh! -Listen, my date's arrived, I've got to go. | 0:26:14 | 0:26:17 | |
All right, well, send your date my love. | 0:26:17 | 0:26:20 | |
And good work, Tosh. Well done. | 0:26:20 | 0:26:22 | |
-'I know, right?' -Yep. | 0:26:22 | 0:26:24 | |
CAR HORN HONKS | 0:27:18 | 0:27:20 | |
McDade's credit card has just been used in a hotel near Kelvinbridge. | 0:27:29 | 0:27:32 | |
It's your gig, you lead, I'll take my cue from you. | 0:27:43 | 0:27:46 | |
SHE BANGS | 0:27:48 | 0:27:50 | |
Mr McDade? It's the police! | 0:27:50 | 0:27:52 | |
We know you're in there. Open up, please. Or we will. | 0:27:56 | 0:27:59 | |
LOCK BEEPS | 0:27:59 | 0:28:00 | |
Mr McDade? | 0:28:05 | 0:28:07 | |
FAINT CLATTERING | 0:28:23 | 0:28:25 | |
GASPING | 0:29:01 | 0:29:03 | |
-Anybody in? -Sandy? | 0:29:24 | 0:29:26 | |
-Jenny? -We're in here. | 0:29:26 | 0:29:28 | |
-They're going to find me, Sandy. -He says he wants to speak to Perez. | 0:29:33 | 0:29:36 | |
I'm in real trouble! | 0:29:38 | 0:29:39 | |
Why did you run, Brian? | 0:29:41 | 0:29:43 | |
What are you hiding from? | 0:29:45 | 0:29:46 | |
If you don't start talking, I'll arrest you for obstruction. | 0:29:51 | 0:29:54 | |
Is that what you want? | 0:29:54 | 0:29:55 | |
You couldn't protect Michael Thompson. | 0:29:56 | 0:29:58 | |
-You can't protect me. -From who? | 0:30:00 | 0:30:03 | |
Ah, come on, man, what are you going to do? | 0:30:05 | 0:30:07 | |
Spend the rest of your life holed up in a hotel? | 0:30:07 | 0:30:09 | |
Look, I've worked with Sergeant McIntosh | 0:30:11 | 0:30:14 | |
a lot of years, a lot of years, and I'm telling you, | 0:30:14 | 0:30:16 | |
if anybody's going to be able to help you, it's her. | 0:30:16 | 0:30:19 | |
It's kind of her thing, you know? | 0:30:19 | 0:30:21 | |
-Brian, seriously. -MOBILE RINGS | 0:30:23 | 0:30:25 | |
If we found you, someone else can. | 0:30:25 | 0:30:27 | |
Tell me what you know, and let us find a way to help you. | 0:30:29 | 0:30:33 | |
I think I'm in danger. | 0:30:36 | 0:30:38 | |
From whoever killed Michael Thompson. | 0:30:40 | 0:30:42 | |
Why would you be in danger? | 0:30:42 | 0:30:44 | |
I was in a room alone with him! | 0:30:44 | 0:30:46 | |
When whoever killed him finds that out, | 0:30:48 | 0:30:51 | |
they're going to assume I know what he knew. | 0:30:51 | 0:30:54 | |
Which is? | 0:30:55 | 0:30:56 | |
The only thing he said... | 0:30:57 | 0:30:59 | |
..is that what he had to give us was "bigger than just Arthur McCall". | 0:31:00 | 0:31:05 | |
That enquiry you put in about the licensee at Level Nine? | 0:31:19 | 0:31:22 | |
They just got back to us. | 0:31:22 | 0:31:24 | |
It was owned by an associate of McCall's. | 0:31:24 | 0:31:27 | |
These need your signature. | 0:31:43 | 0:31:46 | |
You know, there's an article in this newspaper... | 0:31:48 | 0:31:50 | |
..talking about house prices in the East End. | 0:31:51 | 0:31:54 | |
You know what it says? | 0:31:55 | 0:31:57 | |
It says, "They were known to be once the stomping ground | 0:31:58 | 0:32:02 | |
"of alleged crime boss, Arthur McCall." | 0:32:02 | 0:32:06 | |
You know what I think, when I read slander like that? | 0:32:09 | 0:32:12 | |
It puts me off my sudoku. | 0:32:12 | 0:32:14 | |
I think... | 0:32:14 | 0:32:15 | |
..my Paki lawyer should be working a lot harder. | 0:32:16 | 0:32:19 | |
Yeah? | 0:32:21 | 0:32:22 | |
-Where are the kids? -They're safe. They're upstairs. | 0:32:34 | 0:32:37 | |
He's hasn't touched the gun, | 0:32:37 | 0:32:39 | |
he's not threatening anyone. | 0:32:39 | 0:32:40 | |
What about himself? | 0:32:40 | 0:32:43 | |
I'm not sure. | 0:32:43 | 0:32:45 | |
He's scared. | 0:32:45 | 0:32:46 | |
I mean, really scared. | 0:32:46 | 0:32:48 | |
CHAMBER CLICKS No. | 0:32:51 | 0:32:54 | |
It's empty. | 0:32:57 | 0:32:59 | |
Where did that come from? | 0:33:04 | 0:33:06 | |
It was in the car. | 0:33:07 | 0:33:08 | |
Robbie's car. | 0:33:10 | 0:33:11 | |
OK. Do you want to tell me... | 0:33:11 | 0:33:14 | |
..why you took Robbie's car key from the office at the care home? | 0:33:16 | 0:33:20 | |
Robbie... | 0:33:20 | 0:33:22 | |
Robbie had a thing going at the home. | 0:33:24 | 0:33:27 | |
Prescription drugs, right? | 0:33:29 | 0:33:31 | |
Selling them on, you know, recreationally. | 0:33:31 | 0:33:34 | |
He liked old people, he really did. | 0:33:36 | 0:33:39 | |
He just... | 0:33:40 | 0:33:42 | |
He just liked their pills, too. | 0:33:43 | 0:33:45 | |
OK, so, that's how it started? | 0:33:45 | 0:33:47 | |
But that's not how it ended, is it? | 0:33:50 | 0:33:52 | |
Someone found out. | 0:33:52 | 0:33:54 | |
He...offered, or threatened, I dunno, but... | 0:33:55 | 0:33:59 | |
..him and Robbie went into business together. | 0:34:01 | 0:34:03 | |
Real drugs. | 0:34:04 | 0:34:05 | |
He put up the money, | 0:34:05 | 0:34:07 | |
Robbie ran the risk for a cut of the profits. | 0:34:07 | 0:34:10 | |
I just gave a hand sometimes. | 0:34:10 | 0:34:12 | |
That time on the ferry, | 0:34:12 | 0:34:15 | |
Robbie was supposed to put the holdall in the back of my van. | 0:34:15 | 0:34:18 | |
But when he disappeared with the drugs, | 0:34:20 | 0:34:22 | |
his partner said that I was liable, that I owed him. | 0:34:22 | 0:34:26 | |
How much do you owe? | 0:34:26 | 0:34:28 | |
16½ grand. | 0:34:29 | 0:34:30 | |
I told him I couldn't pay. | 0:34:31 | 0:34:33 | |
Next thing I know, some guy phones me, | 0:34:33 | 0:34:37 | |
says the debt's been sold on | 0:34:37 | 0:34:38 | |
and that all I have to do to cancel it, is steal a car. | 0:34:38 | 0:34:41 | |
They told me where to leave it, | 0:34:41 | 0:34:44 | |
and where to pick it up again. | 0:34:44 | 0:34:47 | |
It took longer than they said. | 0:34:47 | 0:34:49 | |
When I did eventually pick it up again... | 0:34:51 | 0:34:53 | |
..the gun was on the back-seat. | 0:34:56 | 0:34:58 | |
I thought they'd come back for it. | 0:34:59 | 0:35:00 | |
OK, the thing is, that, Craig, | 0:35:02 | 0:35:05 | |
you could have told us all this days ago and you didn't. | 0:35:05 | 0:35:09 | |
So, what's changed? | 0:35:10 | 0:35:11 | |
They're calling again. | 0:35:14 | 0:35:15 | |
I might be stupid, but I'm not that stupid. | 0:35:18 | 0:35:21 | |
This debt's never going to be paid, is it? | 0:35:21 | 0:35:24 | |
What do they want you to do now? | 0:35:24 | 0:35:26 | |
Petrol through a letterbox. | 0:35:28 | 0:35:30 | |
You got an address? | 0:35:31 | 0:35:33 | |
Get down to my house. Take some uniforms. | 0:35:55 | 0:35:58 | |
Just make sure there's nothing going on. | 0:35:58 | 0:36:01 | |
And then, once you've done that, | 0:36:01 | 0:36:02 | |
I'm going to have to ask you to step down | 0:36:02 | 0:36:06 | |
until I've got Craig formally charged and processed. | 0:36:06 | 0:36:11 | |
Cos you're family, and we're going to have to play this by the book, | 0:36:11 | 0:36:14 | |
-so that we don't do anything to threaten the case. OK? -OK. | 0:36:14 | 0:36:18 | |
I'm going to need the name of Robbie's partner. | 0:36:29 | 0:36:32 | |
Now, look, I know, I know you're scared, | 0:36:32 | 0:36:35 | |
and I will do everything that I can to protect you, | 0:36:35 | 0:36:39 | |
but see the guy that sold on your debt? | 0:36:39 | 0:36:41 | |
He was throwing you to the wolves, and he knew it. | 0:36:43 | 0:36:46 | |
And he doesnae deserve your silence. | 0:36:48 | 0:36:50 | |
DOOR CLOSES > | 0:36:53 | 0:36:55 | |
Can you confirm your name is Alec Ramsay? | 0:37:01 | 0:37:03 | |
You obviously know fine well who I am. | 0:37:03 | 0:37:06 | |
Alec Ramsay, I'm charging you with being concerned | 0:37:06 | 0:37:09 | |
in the sale or supply of controlled drugs. | 0:37:09 | 0:37:12 | |
Drugs? My arse! What are you talking about? | 0:37:12 | 0:37:16 | |
We have a warrant to search these premises for evidence. | 0:37:16 | 0:37:20 | |
Oh, that gobshite Craig Cooper. | 0:37:23 | 0:37:26 | |
He'd say anything to save his own skin! | 0:37:26 | 0:37:29 | |
Yeah, he told me he owed you money. | 0:37:29 | 0:37:31 | |
Aye, he did, but not for drugs. | 0:37:31 | 0:37:34 | |
Little shite had a gambling habit like an itchy rash, ask anyone. | 0:37:35 | 0:37:39 | |
He also told me that you sold the debt on. | 0:37:39 | 0:37:42 | |
So, who did you sell it on to, Alec? | 0:37:42 | 0:37:44 | |
Someone in a pub who gave me a number. | 0:37:45 | 0:37:47 | |
-I don't have it now. -Then I'll need your phone. | 0:37:49 | 0:37:52 | |
-Lost it. -Where? | 0:37:52 | 0:37:55 | |
If I knew that, | 0:37:57 | 0:37:59 | |
it wouldn't be lost now, would it? | 0:37:59 | 0:38:02 | |
OK. | 0:38:02 | 0:38:04 | |
Search. | 0:38:04 | 0:38:06 | |
You might want to take a seat, this could take a while. | 0:38:06 | 0:38:09 | |
MOBILE RINGS | 0:38:30 | 0:38:34 | |
Tosh. | 0:38:34 | 0:38:36 | |
I've just spoken to Brian McDade. | 0:38:36 | 0:38:38 | |
The only thing Michael told him was that the information he had | 0:38:38 | 0:38:40 | |
was bigger than just Arthur McCall. | 0:38:40 | 0:38:42 | |
But there's something else. | 0:38:42 | 0:38:44 | |
That club, Level Nine, | 0:38:44 | 0:38:46 | |
it was owned and run by one of McCall's men. | 0:38:46 | 0:38:50 | |
'Basically, it was a money-laundering front. | 0:38:50 | 0:38:53 | |
'Sir, whatever Michael Thompson was going to tell them' | 0:38:53 | 0:38:55 | |
that was bigger than just Arthur McCall, | 0:38:55 | 0:38:58 | |
it's connected to that place. | 0:38:58 | 0:39:00 | |
Phone? | 0:39:10 | 0:39:12 | |
Right. Add on a charge of obstruction and bring him in. | 0:39:14 | 0:39:17 | |
You cannae arrest me! | 0:39:20 | 0:39:22 | |
I'm 70 years old! | 0:39:22 | 0:39:24 | |
You know, Robbie Morton was 19. | 0:39:26 | 0:39:28 | |
He died in a metal box choking for air | 0:39:29 | 0:39:32 | |
wi' a bag of your drugs for company. | 0:39:32 | 0:39:35 | |
See, you and me, we havnae even got started yet. | 0:39:35 | 0:39:38 | |
KNIFE REPEATEDLY SCRAPES | 0:39:51 | 0:39:56 | |
Billy, that gun that we got off Craig Cooper, | 0:40:06 | 0:40:09 | |
-is it with Forensics yet? -Aye. | 0:40:09 | 0:40:11 | |
-Right. Well, let me know as soon as they get back to us. -Sure. Sir? | 0:40:11 | 0:40:14 | |
There's someone here to see you. | 0:40:17 | 0:40:19 | |
Just off the Glasgow flight. | 0:40:21 | 0:40:22 | |
So, your client sent you to Shetland, | 0:40:37 | 0:40:40 | |
to tell me that he's feeling persecuted? | 0:40:40 | 0:40:44 | |
Mr McCall is disappointed and distressed | 0:40:44 | 0:40:48 | |
that despite the collapse of the case against him... | 0:40:48 | 0:40:50 | |
"Distressed"? | 0:40:50 | 0:40:52 | |
Arthur McCall? | 0:40:52 | 0:40:54 | |
He is still the subject of sustained and repeated harassment | 0:40:55 | 0:40:59 | |
by both yourself and your colleagues in Glasgow. | 0:40:59 | 0:41:03 | |
However, as a gesture of conciliation and cooperation, | 0:41:03 | 0:41:07 | |
he's asked me to give you this. | 0:41:07 | 0:41:10 | |
An address in Aberdeen. | 0:41:10 | 0:41:12 | |
He thought that a visit to those premises | 0:41:12 | 0:41:14 | |
might prove useful in your investigation | 0:41:14 | 0:41:16 | |
into ecstasy tablets containing PMA. | 0:41:16 | 0:41:19 | |
And in return for this gesture, your client would like me to...? | 0:41:19 | 0:41:24 | |
Refocus your investigation. | 0:41:25 | 0:41:27 | |
Mr Sarwar, you and I both know | 0:41:42 | 0:41:43 | |
that I'm going to give this to my colleagues in Aberdeen, | 0:41:43 | 0:41:46 | |
and that it's not going to make the slightest bit of difference | 0:41:46 | 0:41:49 | |
as to how I conduct my investigation. So... | 0:41:49 | 0:41:52 | |
..why are you here? | 0:41:54 | 0:41:56 | |
You overestimate my client's subtlety. | 0:41:59 | 0:42:01 | |
I'm here because he sent me to deliver a message. | 0:42:03 | 0:42:06 | |
OK. | 0:42:08 | 0:42:09 | |
Well, I've got the message. | 0:42:09 | 0:42:12 | |
You'll forgive me if I feel free to ignore it. | 0:42:14 | 0:42:16 | |
Your choice, of course. | 0:42:16 | 0:42:18 | |
Is that it? | 0:42:18 | 0:42:21 | |
All the way to Shetland just for this? | 0:42:21 | 0:42:23 | |
Doesn't that just make you a very, very expensive errand boy? | 0:42:26 | 0:42:31 | |
Whatever I am, | 0:42:32 | 0:42:34 | |
I'm not in the habit of challenging Mr McCall's requests. | 0:42:34 | 0:42:37 | |
Certainly not these days. | 0:42:37 | 0:42:39 | |
My client has always been a man who likes to demonstrate his power. | 0:42:40 | 0:42:45 | |
And the older and more unpredictable he becomes, | 0:42:45 | 0:42:48 | |
the more forcibly and randomly he likes to demonstrate it. | 0:42:48 | 0:42:51 | |
You should be careful. | 0:42:54 | 0:42:55 | |
Thank you. | 0:43:00 | 0:43:01 | |
-You OK? -Och, aye, just... | 0:43:19 | 0:43:21 | |
All right, you know? | 0:43:21 | 0:43:23 | |
Boss. | 0:43:29 | 0:43:31 | |
-It's Duncan. -Hey, Jimmy. | 0:43:31 | 0:43:34 | |
Sorry to disturb you, but look, um... | 0:43:36 | 0:43:40 | |
I was just wondering... | 0:43:41 | 0:43:43 | |
..um, now Cassie's not around | 0:43:45 | 0:43:47 | |
is there any chance I could crash in her room? | 0:43:47 | 0:43:50 | |
-Or I could give you a lift home. Just give me a... -Hang on. | 0:43:52 | 0:43:54 | |
I didn't mean just for now. | 0:43:57 | 0:43:59 | |
-See you later. -Jimmy? | 0:44:13 | 0:44:15 | |
Thank you. | 0:44:15 | 0:44:17 | |
Boss, Forensics got back to us. | 0:44:21 | 0:44:24 | |
The gun you took from Craig Cooper | 0:44:24 | 0:44:26 | |
is the one that was used to shoot Michael Thompson and Leanne Randall. | 0:44:26 | 0:44:29 | |
Right. Get me Craig Cooper's first statement. | 0:44:29 | 0:44:32 | |
He was late! | 0:44:44 | 0:44:45 | |
The gunman was late dropping off the car. | 0:44:46 | 0:44:49 | |
-He missed the boat! -Wait, wait, wait a minute. | 0:44:49 | 0:44:51 | |
We have a witness who said they saw him get ON the boat. | 0:44:51 | 0:44:54 | |
No, we've got an eyewitness who said that they saw a man | 0:44:54 | 0:44:57 | |
getting on the boat carrying a bag, | 0:44:57 | 0:44:59 | |
the kind that's used for fishing rods. | 0:44:59 | 0:45:01 | |
HE thought it was the gun, we all thought it was the gun, | 0:45:01 | 0:45:04 | |
but it can't have been, and Forensics have just confirmed it. | 0:45:04 | 0:45:07 | |
-So, it was a bloody fishing rod! -Yes. | 0:45:07 | 0:45:10 | |
What about the woman who saw a man dumping the car? | 0:45:10 | 0:45:12 | |
Yeah, that was him. | 0:45:12 | 0:45:14 | |
My guess would be that once he realised he'd missed the boat, | 0:45:14 | 0:45:16 | |
he went back to the car and put the gun in there, | 0:45:16 | 0:45:18 | |
that made it somebody else's problem. | 0:45:18 | 0:45:20 | |
But, Rhona, the thing is, that means he's still on the island now, | 0:45:20 | 0:45:23 | |
-if we can get to him before Arthur McCall... -But where is he? | 0:45:23 | 0:45:26 | |
Boss, we had a burglary reported yesterday - a farm near Whiteness. | 0:45:26 | 0:45:31 | |
So, when you came out, | 0:45:34 | 0:45:36 | |
you checked every building and there was no sign? | 0:45:36 | 0:45:40 | |
I'd been in the pen an hour. They must have gotten clean away. | 0:45:40 | 0:45:43 | |
Anywhere around here he could shelter... | 0:45:48 | 0:45:51 | |
within walking distance? | 0:45:51 | 0:45:52 | |
KEYPAD TONES | 0:47:00 | 0:47:02 | |
Rhona, we've missed him. | 0:47:05 | 0:47:09 | |
Logan says you're a detective. Where's your badge? | 0:47:35 | 0:47:39 | |
Well, I didn't bring any of my policing stuff today | 0:47:39 | 0:47:42 | |
because it's my day off. | 0:47:42 | 0:47:43 | |
I don't have my badge! | 0:47:43 | 0:47:45 | |
ALL LAUGH AND SHOUT | 0:47:47 | 0:47:52 | |
You're climbing far too fast for me! | 0:48:01 | 0:48:03 | |
Come on, Logan. | 0:48:12 | 0:48:14 | |
Good boy! | 0:48:15 | 0:48:17 | |
Gillian. Elizabeth. | 0:48:18 | 0:48:20 | |
We have to get the bairns out of here. | 0:48:20 | 0:48:22 | |
We've got to get them back on the bus. | 0:48:22 | 0:48:24 | |
Get them to round up their things! | 0:48:24 | 0:48:26 | |
We've got to get on the bus, Logan, good boy! | 0:48:26 | 0:48:28 | |
CLATTERING | 0:49:01 | 0:49:05 | |
SLUMPING | 0:49:29 | 0:49:30 | |
-PA: -'Would all passengers travelling to Shetland | 0:49:41 | 0:49:43 | |
'on flight number HM605 please note this flight has been delayed. | 0:49:43 | 0:49:46 | |
'Further information will be displayed on the departures board | 0:49:46 | 0:49:49 | |
-'when it becomes available.' -Unbelievable, eh? | 0:49:49 | 0:49:52 | |
Sorry, I saw your reaction. Delays, eh? | 0:49:53 | 0:49:57 | |
Sumburgh? Why am I even surprised? | 0:49:57 | 0:50:00 | |
Is it a two-pint delay, or more? | 0:50:02 | 0:50:04 | |
SHE CHUCKLES | 0:50:04 | 0:50:07 | |
I've had more! Definitely. | 0:50:07 | 0:50:09 | |
-Did you get him? -No, he stole a bow rider. | 0:50:16 | 0:50:20 | |
Too small for the Coastguard to track. | 0:50:20 | 0:50:22 | |
And now, the weather's coming in, so... | 0:50:22 | 0:50:24 | |
You OK? | 0:50:25 | 0:50:27 | |
He knocked me out. From behind! | 0:50:27 | 0:50:30 | |
Didn't waste any time on me, just didn't want me getting up. | 0:50:30 | 0:50:32 | |
Logan here has to shine a torch in my eyes every hour. | 0:50:34 | 0:50:37 | |
Make sure my brain's still working. | 0:50:38 | 0:50:40 | |
So, what now? | 0:50:42 | 0:50:43 | |
Well, we've still got Level Nine to be looking into, | 0:50:43 | 0:50:46 | |
but Tosh is going to be back in a couple of hours. | 0:50:46 | 0:50:48 | |
-We'll make a plan then, OK? -OK. | 0:50:48 | 0:50:51 | |
Ready in five! | 0:50:53 | 0:50:54 | |
-SIZZLING What? -I cooked. | 0:50:56 | 0:50:59 | |
I'm going to the airport, to pick up Tosh. | 0:51:01 | 0:51:03 | |
Oh, come on, indulge me. Eat fast. | 0:51:03 | 0:51:06 | |
Aye, OK, OK. Right. | 0:51:07 | 0:51:09 | |
-Thanks. -You're welcome! -MOBILE VIBRATES | 0:51:09 | 0:51:12 | |
Hello? | 0:51:12 | 0:51:14 | |
Look, er... | 0:51:14 | 0:51:15 | |
I'll meet Freya. | 0:51:15 | 0:51:18 | |
But not here. | 0:51:18 | 0:51:19 | |
-'Shetland.' -OK. | 0:51:21 | 0:51:24 | |
Look, I just need a reason to be there, in case anyone asks. | 0:51:24 | 0:51:28 | |
Well, you could always say you're coming to see me, a friend... | 0:51:28 | 0:51:33 | |
Well, I mean, if that helps. | 0:51:33 | 0:51:35 | |
I'll let you know when I'm arriving. | 0:51:36 | 0:51:38 | |
Jesus, you always been that bad, | 0:51:43 | 0:51:45 | |
or is it just that you're out of practice? | 0:51:45 | 0:51:48 | |
I don't know. | 0:51:48 | 0:51:49 | |
I don't know if there's an undercurrent to everything | 0:51:49 | 0:51:53 | |
or whether it's just my imagination. | 0:51:53 | 0:51:56 | |
I mean, I don't know how you've got the mental energy to play around. | 0:51:56 | 0:52:01 | |
I really...I really don't. | 0:52:01 | 0:52:02 | |
The undercurrents are the best thing about it, Jimmy. | 0:52:02 | 0:52:05 | |
Neither's quite knowing what the other one's meaning. | 0:52:05 | 0:52:08 | |
It's the stuff of life. | 0:52:08 | 0:52:09 | |
Right, well, then, could you not just find a way | 0:52:09 | 0:52:12 | |
of being cryptic with your wife? | 0:52:12 | 0:52:14 | |
You should try a career in marriage guidance. | 0:52:14 | 0:52:17 | |
I mean, that is...that is a rare gift of insight you got there(!) | 0:52:17 | 0:52:21 | |
You could double it up with master classes in telephone technique. | 0:52:21 | 0:52:25 | |
Come on. Help me clear the table. | 0:52:25 | 0:52:27 | |
If you're going to bring work home at least tidy it away, eh? | 0:52:27 | 0:52:30 | |
Oh, someone had a crap Burns Night. | 0:52:33 | 0:52:35 | |
RINGING TONE | 0:52:54 | 0:52:56 | |
Tosh, call me when you pick this up. | 0:52:56 | 0:52:58 | |
The message that Michael left for Freya on her answerphone, | 0:52:58 | 0:53:01 | |
I don't think he is saying "burn". | 0:53:01 | 0:53:04 | |
I think he's talking about Burns Night, January the 25th. | 0:53:04 | 0:53:08 | |
I think something happened in Level Nine on Burns Night. | 0:53:08 | 0:53:11 | |
SHE LAUGHS | 0:53:11 | 0:53:13 | |
Come on. One more. | 0:53:13 | 0:53:16 | |
All right, it's my round. | 0:53:17 | 0:53:19 | |
When is your flight anyway? | 0:53:19 | 0:53:21 | |
I've got time if you have. | 0:53:21 | 0:53:24 | |
I've got all the time in the bloody world. | 0:53:24 | 0:53:26 | |
PLANE DRONES | 0:53:41 | 0:53:43 | |
THEY CHATTER EXCITEDLY | 0:54:05 | 0:54:08 | |
-VOICEMAIL: -'Hi, this is DS McIntosh, try me at work on 01632349671.' | 0:54:45 | 0:54:51 | |
No, she definitely said she was on that flight. | 0:54:51 | 0:54:54 | |
-Just let me check with Glasgow. -OK. | 0:54:54 | 0:54:56 | |
Passenger, A McIntosh. | 0:55:00 | 0:55:03 | |
She was? | 0:55:04 | 0:55:06 | |
I see. | 0:55:09 | 0:55:10 | |
No, Tommy, I've just spoken with Loganair. | 0:55:10 | 0:55:12 | |
She definitely had a ticket, she just didn't get on the flight. | 0:55:12 | 0:55:16 | |
Got a trace on her phone. | 0:55:16 | 0:55:18 | |
The coordinates are saying she's in the East End. | 0:55:18 | 0:55:21 | |
I'll get officers over there right away. | 0:55:21 | 0:55:23 | |
No, no, no, no, down here. Down here. | 0:55:31 | 0:55:33 | |
MOBILE RINGS | 0:55:55 | 0:55:58 | |
KEYPAD TONES | 0:56:03 | 0:56:06 | |
Sir? It's DS Boyd. | 0:56:10 | 0:56:12 | |
'I've been working with DS McIntosh. | 0:56:12 | 0:56:15 | |
'I'm in Level Nine. | 0:56:15 | 0:56:17 | |
'I think we've found something.' | 0:56:17 | 0:56:19 | |
MOBILE RINGS | 0:56:22 | 0:56:25 |