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| Line | From | To | |
|---|---|---|---|
-You've found Robbie, haven't you? -I'm sorry, Leanne. -It's that guy | 0:00:02 | 0:00:04 | |
-with the rings. Have you arrested him? -I take it this is coincidence? | 0:00:04 | 0:00:07 | |
-You see your alibi coming? -You're saying you were in | 0:00:07 | 0:00:09 | |
-Mr Maguire's company... -Was there all night. | 0:00:09 | 0:00:11 | |
-I have to go away, will you come with me? -Where? -Glasgow. | 0:00:11 | 0:00:14 | |
Next time you'll hear me coming, won't you? | 0:00:14 | 0:00:16 | |
I need you to have a closer look at Robbie Morton's body. | 0:00:16 | 0:00:19 | |
-What's that? -A tattoo. | 0:00:19 | 0:00:22 | |
-You've got a connection to Glasgow. -It's just a tattoo. -No, it's not. | 0:00:22 | 0:00:25 | |
The whole family knows that he's in trouble. | 0:00:25 | 0:00:27 | |
-Tell me whatever it is you know. -I don't know anything. | 0:00:27 | 0:00:29 | |
Why did you trash Freya's workshop? Huh?! | 0:00:29 | 0:00:32 | |
He's haunted by something... or hunted. | 0:00:32 | 0:00:34 | |
GUNSHOT | 0:00:34 | 0:00:36 | |
Michael Maguire's here on witness protection. | 0:00:36 | 0:00:39 | |
MACHINES BEEP | 0:01:20 | 0:01:23 | |
INDISTINCT CHATTER | 0:01:39 | 0:01:42 | |
Any word from Sandy? | 0:01:43 | 0:01:45 | |
We've pulled in officers from everywhere we could get them. | 0:01:45 | 0:01:48 | |
Nothing's left the island since she was shot. | 0:01:48 | 0:01:50 | |
-Have you heard from the hospital? -It's touch-and-go. | 0:01:50 | 0:01:54 | |
So...Michael Maguire drives up here, shoots Leanne, | 0:01:54 | 0:01:58 | |
and leaves his car. | 0:01:58 | 0:02:00 | |
Why? Why would you? | 0:02:01 | 0:02:03 | |
PHONE BUZZES It's Billy. | 0:02:03 | 0:02:06 | |
-Billy. -Boss. A body's been pulled from the water over at Scraada. | 0:02:06 | 0:02:10 | |
I got them to send me a photo. | 0:02:10 | 0:02:12 | |
It's Maguire. Looks like he's been shot. | 0:02:12 | 0:02:15 | |
Shoots Leanne...then kills himself? | 0:02:16 | 0:02:20 | |
No. | 0:02:20 | 0:02:22 | |
Call the ferry port and the airport | 0:02:22 | 0:02:24 | |
and tell them that we're no longer looking for Michael Maguire. | 0:02:24 | 0:02:27 | |
The suspect has not been ID'd, we have no description... | 0:02:27 | 0:02:32 | |
Oh, who did she leave with Freya? | 0:02:32 | 0:02:35 | |
Denny and Jo from the station in Brae. | 0:02:35 | 0:02:37 | |
Right, get on to them and tell Sandy to meet us in Scraada. | 0:02:37 | 0:02:42 | |
Ms Galdie! | 0:03:01 | 0:03:02 | |
Two shots. | 0:03:37 | 0:03:38 | |
That's one in the head and one in the heart. | 0:03:38 | 0:03:40 | |
That's a professional hit. | 0:03:40 | 0:03:42 | |
Right, we can forget about the airport and the ferry terminal, | 0:03:44 | 0:03:47 | |
because this guy isn't going to be using public transport. | 0:03:47 | 0:03:49 | |
-Private craft? That's over a thousand miles of coastline. -I know. | 0:03:49 | 0:03:53 | |
Coastguard's satellite tracking system records most of | 0:03:53 | 0:03:55 | |
the shipping movements within a 100-mile radius of Lerwick. | 0:03:55 | 0:03:58 | |
All right, get over there and see if anything lights up, because... | 0:03:58 | 0:04:01 | |
if we're lucky - I mean if were really lucky - | 0:04:01 | 0:04:03 | |
then he hasn't left Shetland. | 0:04:03 | 0:04:05 | |
Billy? Get ahold of the ARU. | 0:04:06 | 0:04:08 | |
We're going to need somebody over at the hospital, | 0:04:08 | 0:04:10 | |
this was a professional job. If Leanne's a witness | 0:04:10 | 0:04:13 | |
then she could be in danger. | 0:04:13 | 0:04:15 | |
-Sorry. She was away before we could stop her. -Freya. | 0:04:17 | 0:04:22 | |
Is it him? Is it Michael? | 0:04:22 | 0:04:25 | |
Is there someone, a friend or a relative, that I can call? | 0:04:54 | 0:04:58 | |
No. | 0:04:59 | 0:05:01 | |
I'm fine. Thank you. | 0:05:01 | 0:05:04 | |
PHONE RINGS | 0:05:04 | 0:05:06 | |
I'm so sorry, I'm going to have to take this. | 0:05:06 | 0:05:08 | |
-Sandy. -'Coastguard have ID'd what looks like a cabin cruiser. | 0:05:08 | 0:05:13 | |
'Left Skolland at 11.47 last night' | 0:05:13 | 0:05:15 | |
on a Northerly bearing. | 0:05:15 | 0:05:17 | |
Plenty of time to shoot Maguire and get there from Scraada. | 0:05:17 | 0:05:20 | |
-OK, and do they know where that boat is now? -Out of range. | 0:05:20 | 0:05:24 | |
Right, meet me in Skolland. | 0:05:24 | 0:05:26 | |
OK, I'm going to have to go now | 0:05:30 | 0:05:32 | |
but I'm going to come back as quickly as I can. OK? | 0:05:32 | 0:05:35 | |
Shootings on Shetland, eh? Terrible. | 0:05:46 | 0:05:49 | |
That's the Age of Aquarius for you. | 0:05:49 | 0:05:52 | |
Just so I'm clear, Eric, | 0:05:52 | 0:05:54 | |
you didn't notice what time the cabin cruiser docked | 0:05:54 | 0:05:56 | |
but you did notice it leaving the harbour | 0:05:56 | 0:05:59 | |
-just before midnight last night? -Aye. | 0:05:59 | 0:06:02 | |
There was a bit of row - shouting, you know. | 0:06:02 | 0:06:05 | |
-So I looked out the window. -Hear what the shouting was about? | 0:06:05 | 0:06:08 | |
An argument of some sort. But they got going after that. | 0:06:08 | 0:06:12 | |
-Looked like they were in a hurry. -Who's they? -The crew. | 0:06:12 | 0:06:15 | |
PHONE BUZZES | 0:06:15 | 0:06:17 | |
-Can you describe any of the men you saw? -Billy. | 0:06:19 | 0:06:21 | |
No' really. It was dark. | 0:06:21 | 0:06:23 | |
-They just loaded the bags and went. -What kind of bags? | 0:06:23 | 0:06:27 | |
Couple of holdalls. One chap had a big one. | 0:06:27 | 0:06:30 | |
-Kind of long like fishing rods or... -Sir! | 0:06:30 | 0:06:33 | |
A word. | 0:06:33 | 0:06:34 | |
The harbour master says their paperwork doesn't check out. | 0:06:36 | 0:06:39 | |
And Norwegian police just got on to the coastguard - | 0:06:39 | 0:06:41 | |
apparently the cabin cruiser was stolen from Harstad a week ago. | 0:06:41 | 0:06:45 | |
Contact the Norwegian, Swedish, Faroese authorities. | 0:06:46 | 0:06:50 | |
Maybe they'll make landfall. | 0:06:50 | 0:06:52 | |
We lost him, didn't we? | 0:06:54 | 0:06:56 | |
Michael Maguire. Real name Michael Thompson. | 0:07:13 | 0:07:15 | |
On witness protection in Shetland for the last ten months. | 0:07:15 | 0:07:18 | |
Who was he testifying against? Who benefits from his death? | 0:07:18 | 0:07:23 | |
I'm due in Glasgow to see the senior area fiscal, Phyllis Brenan, | 0:07:23 | 0:07:27 | |
on a...unrelated matter. I will find out. | 0:07:27 | 0:07:31 | |
In the meantime, any other lines of inquiry worth pursuing? | 0:07:31 | 0:07:33 | |
HE SIGHS | 0:07:33 | 0:07:35 | |
Michael Thompson and Robbie Morton both had the same tattoo. | 0:07:35 | 0:07:39 | |
They were both on the same ferry crossing last Friday night, | 0:07:39 | 0:07:42 | |
where they got into some kind of dispute. | 0:07:42 | 0:07:45 | |
-They're connected. -Same killer? -Mm-mm. | 0:07:45 | 0:07:49 | |
-What about the girl...er, Leanne? -She's in a medically induced coma. | 0:07:49 | 0:07:52 | |
They're keeping us posted. | 0:07:52 | 0:07:55 | |
But this isn't just about us being kept in the dark historically, | 0:07:55 | 0:07:58 | |
Rhona. We've got two murders and one near-fatal shooting | 0:07:58 | 0:08:02 | |
and the chief suspect in which has got to be whoever | 0:08:02 | 0:08:06 | |
Michael Thompson was going to testify against. | 0:08:06 | 0:08:09 | |
Now, we can't be running into a wall of silence thrown up | 0:08:09 | 0:08:13 | |
by some fiscal's office in Arbroath. | 0:08:13 | 0:08:15 | |
-If they don't start co-operating with us... -I will do my best. | 0:08:15 | 0:08:18 | |
I hope this doesn't make things too difficult for you. | 0:08:23 | 0:08:27 | |
Personally. | 0:08:27 | 0:08:29 | |
Ask me after I've talked to her. | 0:08:29 | 0:08:31 | |
(I so need a fag right now.) | 0:08:31 | 0:08:33 | |
Sir? | 0:08:56 | 0:08:57 | |
Something to do with his family? | 0:09:03 | 0:09:05 | |
Michael Thompson opens this every morning and he sees this. | 0:09:11 | 0:09:14 | |
Was Michael his real name? | 0:09:49 | 0:09:51 | |
Yeah. Michael Thompson, though, not Michael Maguire. | 0:09:51 | 0:09:54 | |
-Was he married? -I don't know. | 0:09:57 | 0:09:59 | |
What about children? Did he have children? | 0:10:01 | 0:10:03 | |
Did he kill that boy, Robbie? Do you think he...? | 0:10:03 | 0:10:06 | |
We don't know who killed Robbie. | 0:10:06 | 0:10:08 | |
We don't know who killed Michael. | 0:10:09 | 0:10:11 | |
Or why. | 0:10:13 | 0:10:14 | |
But we're doing our best to find out. | 0:10:17 | 0:10:19 | |
Did anybody ever come to the house? | 0:10:23 | 0:10:26 | |
Was there anybody...hanging around? | 0:10:27 | 0:10:31 | |
Anything unusual? | 0:10:31 | 0:10:34 | |
Unusual? | 0:10:34 | 0:10:35 | |
He never talked about his past, | 0:10:36 | 0:10:38 | |
he was always going off on business trips - | 0:10:38 | 0:10:41 | |
sometimes at a couple of hours' notice. | 0:10:41 | 0:10:43 | |
His flat looked like no-one lived there. | 0:10:43 | 0:10:45 | |
And someone trashed my workshop and he knew who it was. | 0:10:45 | 0:10:49 | |
-Apart from that...no... -No. -..nothing. | 0:10:49 | 0:10:51 | |
Does this mean anything to you? | 0:10:58 | 0:11:01 | |
Is that his family? | 0:11:03 | 0:11:05 | |
I don't know. | 0:11:05 | 0:11:07 | |
I know... | 0:11:11 | 0:11:12 | |
I know you need answers. | 0:11:14 | 0:11:16 | |
I will do my best. | 0:11:17 | 0:11:19 | |
Do you reject sin so as to live in the freedom of God's children? | 0:11:33 | 0:11:36 | |
-BOTH: -I do. | 0:11:36 | 0:11:37 | |
Do you reject the glamour of evil and refuse to be mastered by sin? | 0:11:37 | 0:11:41 | |
-BOTH: -I do. | 0:11:41 | 0:11:42 | |
Do you believe in God, the Father Almighty, | 0:11:42 | 0:11:44 | |
-creator of heaven and Earth? -I do. | 0:11:44 | 0:11:46 | |
Do you believe in Jesus Christ, his only son our Lord, | 0:11:46 | 0:11:49 | |
who was born of the Virgin Mary, was crucified, died and was buried, | 0:11:49 | 0:11:53 | |
rose from the dead and is now seated at the right hand of the Father? | 0:11:53 | 0:11:57 | |
I do. | 0:11:57 | 0:11:58 | |
Christ, what a cock-up. | 0:11:58 | 0:12:01 | |
-Not our cock-up. -I never said it was. | 0:12:01 | 0:12:04 | |
We were obstructed and kept in the dark by one of the offices | 0:12:04 | 0:12:08 | |
under your jurisdiction. | 0:12:08 | 0:12:10 | |
Now, someone needs to make sure that my DI | 0:12:10 | 0:12:13 | |
-gets the co-operation that he needs. -Yeah... | 0:12:13 | 0:12:15 | |
someone has already been asked to step in | 0:12:15 | 0:12:18 | |
and oversee the situation. | 0:12:18 | 0:12:20 | |
Mum. You're hogging the wee lassie. | 0:12:20 | 0:12:22 | |
Oh, darling, I'm so sorry. | 0:12:22 | 0:12:25 | |
-Watch her head! There we are. -Have you been good for Granny? | 0:12:25 | 0:12:28 | |
Oh, good girl. | 0:12:28 | 0:12:30 | |
-Ben, darling, you remember Rhona? -How could I forget? | 0:12:30 | 0:12:33 | |
-Really glad you could come, Rhona. -Oh, thank you. It's my privilege. | 0:12:33 | 0:12:37 | |
-The, er, outlaws want a shot of her. -That was so nice, | 0:12:37 | 0:12:41 | |
-Bernadette being her middle name - I didn't know. -Wanted to surprise you. | 0:12:41 | 0:12:45 | |
-Thanks, Mum. -Thank you. | 0:12:48 | 0:12:49 | |
Bernadette. After your mum. | 0:12:52 | 0:12:54 | |
So, I'm going to call a meeting of all relevant parties. | 0:12:59 | 0:13:02 | |
How soon do you think your DI Perez can get over here? | 0:13:02 | 0:13:05 | |
Given our relationship, | 0:13:05 | 0:13:07 | |
do you think that someone may have a concern about your...impartiality? | 0:13:07 | 0:13:12 | |
-Would you? -No! | 0:13:12 | 0:13:15 | |
So what's bothering you, then? | 0:13:15 | 0:13:17 | |
I suppose I don't like the idea of someone bad-mouthing you. | 0:13:18 | 0:13:21 | |
Oh, darling, really, you're going to have to toughen up. | 0:13:21 | 0:13:25 | |
Looks like it's going to be a rather bumpy ride. | 0:13:25 | 0:13:28 | |
Come on, let's go and find the Champagne. | 0:13:28 | 0:13:30 | |
PILOT: 'Ladies and gentlemen, as we start our descent into Glasgow, | 0:13:33 | 0:13:35 | |
'please make sure your seat backs and tray tables | 0:13:35 | 0:13:38 | |
'are in their full upright position. | 0:13:38 | 0:13:40 | |
'Make sure your seatbelt is securely fastened and all carry-on luggage | 0:13:40 | 0:13:43 | |
'is stowed underneath the seat in front of you | 0:13:43 | 0:13:46 | |
'or in the overhead bins.' | 0:13:46 | 0:13:47 | |
Assistant Chief Constable Henry Grimes, | 0:13:56 | 0:13:58 | |
head of the Organised Crime Group Task Force, | 0:13:58 | 0:14:00 | |
and Chief Super Mike Gillan, head of the Witness Protection Programme, | 0:14:00 | 0:14:04 | |
-and DS Asha Israni. "Iss-rani"? -"Ish-rani." -Israni. | 0:14:04 | 0:14:09 | |
Michael Thompson's dedicated handler. So... | 0:14:09 | 0:14:13 | |
This is not an enquiry into the mistakes that have been made. | 0:14:13 | 0:14:16 | |
It is a salvage operation to see how best to move forward. | 0:14:16 | 0:14:19 | |
DI Perez, you are investigating the murders of Michael Thompson, | 0:14:19 | 0:14:23 | |
-Robbie Morton and...the shooting of... -Leanne Randall. | 0:14:23 | 0:14:27 | |
..Leanne Randall. Exactly. All of which you believe to be connected. | 0:14:27 | 0:14:30 | |
-Is that right? -Yes. -What do you need? | 0:14:30 | 0:14:33 | |
Assurances from all the agencies present that they'll co-operate | 0:14:36 | 0:14:39 | |
fully with our enquiries, starting off by confirming | 0:14:39 | 0:14:42 | |
who Michael Thompson was testifying against. | 0:14:42 | 0:14:45 | |
Is there any reason why DI Perez shouldn't get what he's asking for? | 0:14:45 | 0:14:49 | |
Well, there is an issue of security. | 0:14:49 | 0:14:51 | |
A concern that the confidentiality protocols in Shetland are... | 0:14:51 | 0:14:55 | |
well, perhaps not quite as rigorous as one might wish. | 0:14:55 | 0:14:58 | |
Thanks to your obfuscations we didn't even know who Thompson was! | 0:14:58 | 0:15:02 | |
-So if you're suggesting... -His whereabouts were leaked | 0:15:02 | 0:15:04 | |
-and not by us. -Don't you dare try and pin this on us. | 0:15:04 | 0:15:06 | |
Witness Protection. The clue's in the name. (Bloody arse.) | 0:15:06 | 0:15:11 | |
Ms Kelly, insults at this juncture are unhelpful. | 0:15:11 | 0:15:15 | |
Mr Gillan, if you continue to waste my time by trying to use this as | 0:15:15 | 0:15:19 | |
a face-saving forum, then you'll be landed with the lunch bill | 0:15:19 | 0:15:22 | |
afterwards, and I was thinking Romano's and I won't hold back. | 0:15:22 | 0:15:25 | |
It's in no-one's interests for this to become public knowledge. | 0:15:26 | 0:15:30 | |
For that reason alone, DI Perez will have your full co-operation | 0:15:30 | 0:15:33 | |
in his investigation, | 0:15:33 | 0:15:34 | |
beginning with an answer to the question that he asked earlier. | 0:15:34 | 0:15:38 | |
Arthur McCall. | 0:15:43 | 0:15:45 | |
That's who Michael Thompson was testifying against. | 0:15:45 | 0:15:48 | |
Yeah, he used to run the heroin trade in the west of Scotland. | 0:16:24 | 0:16:27 | |
Never came across him myself but, you know, heard the name. | 0:16:27 | 0:16:30 | |
-So he's our chief suspect? -Yeah, looks like it. | 0:16:30 | 0:16:34 | |
-I can't believe that. -What? | 0:16:34 | 0:16:36 | |
The Snake Pit's a scented candle shop! | 0:16:36 | 0:16:39 | |
So you used to drink in the Snake Pit? | 0:16:41 | 0:16:44 | |
I used to go in there. On raids. | 0:16:44 | 0:16:48 | |
I was young. I didn't know any better. | 0:16:48 | 0:16:51 | |
Had a few mad nights in there. | 0:16:51 | 0:16:54 | |
So Shetland's like rehab for you, then? | 0:16:54 | 0:16:57 | |
Sodom and Gomorrah's rehab compared to the Snake Pit. | 0:16:57 | 0:17:00 | |
-Sometimes I miss Glasgow. Don't you? -Uh-huh. | 0:17:02 | 0:17:05 | |
Sometimes. | 0:17:05 | 0:17:07 | |
-Thomas Monro. -James! How in the name of the wee man are you? | 0:17:23 | 0:17:26 | |
That's a very nice suit. | 0:17:26 | 0:17:27 | |
-Does that mean you've finally found yourself a girlfriend? -You kiddin'? | 0:17:27 | 0:17:31 | |
Only sex I get these days is pickpockets and airport security. | 0:17:31 | 0:17:35 | |
This is the new era, Jimmy - Scottish National Police. | 0:17:35 | 0:17:38 | |
-Sorry. DS McIntosh, isn't it? -Yes. | 0:17:38 | 0:17:41 | |
That's him just showing off that he used to work in intelligence. | 0:17:41 | 0:17:45 | |
Come on, I've got you some desk space. | 0:17:45 | 0:17:48 | |
We won't be disturbed in here - techies havenae finished yet. | 0:17:50 | 0:17:54 | |
Michael Thompson. Close associate of Arthur McCall. | 0:17:55 | 0:17:58 | |
He still running heroin? | 0:17:58 | 0:18:00 | |
McCall has diversified into many other activities, | 0:18:00 | 0:18:03 | |
some of which are actually legal. | 0:18:03 | 0:18:04 | |
He's got money in wind farms, public-sector building contracts, | 0:18:04 | 0:18:08 | |
private health-care facilities. | 0:18:08 | 0:18:10 | |
It's horrible, Jimmy. | 0:18:10 | 0:18:12 | |
I thought we had Arthur when we got Michael Thompson. | 0:18:12 | 0:18:14 | |
He was close to him, you know? Inner circle. | 0:18:14 | 0:18:17 | |
How did you land Michael? | 0:18:17 | 0:18:18 | |
A lot of people round here trying to take credit for that. | 0:18:18 | 0:18:21 | |
If you ask me, he wanted to be turned. | 0:18:21 | 0:18:24 | |
-Made it very easy for us. -Why? | 0:18:24 | 0:18:27 | |
Sometimes a man's just had a bellyful. | 0:18:27 | 0:18:31 | |
Anyway, we got Michael on money-laundering charges | 0:18:31 | 0:18:33 | |
via his private-security company. | 0:18:33 | 0:18:35 | |
-Had enough to put him away for 20 years. -So you offered him a deal? | 0:18:35 | 0:18:39 | |
He'd witnessed Arthur's recreational murder of one Kevin Willkie - | 0:18:39 | 0:18:44 | |
a wee rat himself. | 0:18:44 | 0:18:45 | |
He'd had his hand in the till so Arthur took it off with a machete. | 0:18:45 | 0:18:49 | |
Michael told us where to find the body. | 0:18:51 | 0:18:53 | |
Even gave us eyewitness testimony that it was Arthur that killed him. | 0:18:53 | 0:18:57 | |
-So we put him on witness protection in Shetland. -I'm going to need to | 0:18:57 | 0:19:00 | |
speak to Arthur McCall. | 0:19:00 | 0:19:01 | |
With Michael's death, the case against Arthur collapsed. | 0:19:01 | 0:19:04 | |
As of today McCall is a free man. | 0:19:04 | 0:19:06 | |
His lawyer's already threatening a suit for wrongful arrest, | 0:19:06 | 0:19:09 | |
so you can't even put him under surveillance. | 0:19:09 | 0:19:11 | |
-He'll just tell you to piss off. -I'm also going to need a list of | 0:19:11 | 0:19:13 | |
everybody that knew Michael Thompson was stashed on Shetland, | 0:19:13 | 0:19:16 | |
because we've got a second murder there - | 0:19:16 | 0:19:18 | |
a young boy called Robbie Morton - and it's connected to the murder | 0:19:18 | 0:19:21 | |
of your star witness. Now, if there's a leak... | 0:19:21 | 0:19:25 | |
Who said anything about a leak? | 0:19:25 | 0:19:26 | |
Oh, come on, Tommy, what did you bring us all the way up here for? | 0:19:26 | 0:19:30 | |
You think there's a leak, don't you? | 0:19:30 | 0:19:33 | |
Well, if there isn't | 0:19:34 | 0:19:36 | |
I'd like to know how McCall found your man out in Shetland. | 0:19:36 | 0:19:38 | |
MACHINE BEEPS RHYTHMICALLY | 0:20:09 | 0:20:11 | |
Billy. | 0:20:25 | 0:20:27 | |
-Anything from the search teams? -No. | 0:20:27 | 0:20:30 | |
-What about the door-to-door? -Ditto, I'm afraid. | 0:20:30 | 0:20:33 | |
It's a huge area you've asked them to cover. | 0:20:33 | 0:20:35 | |
Get back onto the co-ordinator. | 0:20:35 | 0:20:37 | |
If they need more manpower, I'll see what I can do. | 0:20:37 | 0:20:39 | |
PHONE BUZZES | 0:20:39 | 0:20:42 | |
Your phone's ringing. | 0:20:42 | 0:20:44 | |
Hello? | 0:20:44 | 0:20:46 | |
Erm, yeah. | 0:20:46 | 0:20:48 | |
Sorry. His mum's away on a work trip. | 0:20:58 | 0:21:01 | |
-Have you been in the wars, Logan? -Not for the first time. | 0:21:03 | 0:21:06 | |
I'm really sorry about this. | 0:21:09 | 0:21:11 | |
Listen, Sandy, I've dealt with worse. | 0:21:11 | 0:21:13 | |
But it's best to nip these things in the bud. | 0:21:13 | 0:21:16 | |
Best if you take him home for the rest of the day. | 0:21:16 | 0:21:19 | |
We won't call it an exclusion. Just a time-out. | 0:21:19 | 0:21:22 | |
It's no excuse for him starting fights but... | 0:21:22 | 0:21:25 | |
there's been a lot happening at home recently, | 0:21:25 | 0:21:27 | |
-a lot for him to deal with. -Look... | 0:21:27 | 0:21:31 | |
Logan's been telling people that you put his dad in prison. | 0:21:33 | 0:21:37 | |
Your dad's a fine man, Logan. | 0:21:45 | 0:21:48 | |
If you think it's my fault he's in prison... | 0:21:48 | 0:21:51 | |
I mean... | 0:21:51 | 0:21:53 | |
I can see that's what it might feel like, that I took him away. | 0:21:53 | 0:21:58 | |
But that's not how it was. | 0:22:00 | 0:22:02 | |
It was Craig. | 0:22:05 | 0:22:07 | |
Craig? | 0:22:07 | 0:22:09 | |
Cousin Craig. He said you put my dad in jail. | 0:22:09 | 0:22:14 | |
Well... | 0:22:15 | 0:22:17 | |
maybe he was joking. | 0:22:17 | 0:22:19 | |
Not a very funny joke, eh? | 0:22:21 | 0:22:23 | |
Logan...listen to me. | 0:22:30 | 0:22:33 | |
Whatever Craig told you, | 0:22:34 | 0:22:37 | |
it's not true. | 0:22:37 | 0:22:38 | |
I thought if you put him in prison you could bring him back. | 0:22:39 | 0:22:44 | |
Perez, isn't it? | 0:23:20 | 0:23:21 | |
Mr McCall. | 0:23:23 | 0:23:25 | |
I wonder what it is that attracts the plain-clothes to this place. | 0:23:27 | 0:23:31 | |
The plods prefer that Paki joint down the road. | 0:23:31 | 0:23:35 | |
Maybe it's the institutional racism of the intelligence service. | 0:23:35 | 0:23:38 | |
I know why you're here. | 0:23:41 | 0:23:43 | |
It's a shame about Michael. | 0:23:45 | 0:23:46 | |
Are you going to tell me when the funeral is? | 0:23:46 | 0:23:48 | |
I've been on remand for six months. | 0:23:52 | 0:23:55 | |
This is damaging my business, | 0:23:55 | 0:23:57 | |
so I'm here to tell you, | 0:23:57 | 0:23:59 | |
you'd best bugger off back to Shetland. | 0:23:59 | 0:24:02 | |
I will. When I'm ready. | 0:24:02 | 0:24:04 | |
There's no way you're going to pin this Mick Thompson thing on me. | 0:24:04 | 0:24:07 | |
Oh... | 0:24:09 | 0:24:11 | |
Before I go.... | 0:24:11 | 0:24:12 | |
I don't think so. | 0:24:21 | 0:24:23 | |
-No... -HE CHUCKLES | 0:24:23 | 0:24:24 | |
It's no' what you think. Wee misunderstanding there. | 0:24:24 | 0:24:28 | |
Found in a skip. | 0:24:29 | 0:24:31 | |
Is that no' your wife? Your ex-wife. | 0:24:33 | 0:24:36 | |
-MCCALL LAUGHS -Your dead wife. | 0:24:36 | 0:24:37 | |
I'll tell you what... finders keepers. | 0:24:40 | 0:24:43 | |
I'll just keep hold of that myself. | 0:24:45 | 0:24:47 | |
He just make an approach? | 0:25:11 | 0:25:13 | |
Nah, just trying to rattle my cage. | 0:25:13 | 0:25:15 | |
Showed me a photograph of Fran. | 0:25:17 | 0:25:19 | |
-Jimmy... -And he knew Michael Thompson was dead. | 0:25:19 | 0:25:22 | |
Right, listen. | 0:25:24 | 0:25:26 | |
There's a file in your office. | 0:25:26 | 0:25:28 | |
Five people knew Michael was in Shetland. All of them are listed. | 0:25:28 | 0:25:32 | |
Plus everything you'll ever need on my Michael Thompson inquiry. | 0:25:32 | 0:25:35 | |
Is there any word from Michael's handler? | 0:25:35 | 0:25:37 | |
2pm over at the Serious Crime Campus. | 0:25:37 | 0:25:40 | |
They've got no choice. Phyllis Brenan's kicking shins over this. | 0:25:40 | 0:25:45 | |
They've insisted on a formal, on-the-record interview. | 0:25:45 | 0:25:49 | |
They're very defensive about this, Jimmy. They know they arsed up. | 0:25:49 | 0:25:53 | |
And Arthur McCall... | 0:25:53 | 0:25:55 | |
-Just watch your back, eh? -Aye. | 0:25:57 | 0:25:59 | |
Oh... | 0:26:01 | 0:26:02 | |
I found that in Michael Thompson's flat in Shetland. | 0:26:05 | 0:26:09 | |
I don't know any of the punters but that's St Bride's up in Dennistoun. | 0:26:10 | 0:26:15 | |
Well done. | 0:26:17 | 0:26:18 | |
The bond between dedicated witness protection officer | 0:26:18 | 0:26:21 | |
and client is like a marriage. | 0:26:21 | 0:26:24 | |
A kind of temporary marriage. | 0:26:24 | 0:26:26 | |
And like any marriage it's built on mutual trust and respect... | 0:26:26 | 0:26:30 | |
How often were you in contact with Michael Thompson? | 0:26:30 | 0:26:32 | |
-Regularly. -How regularly? | 0:26:35 | 0:26:37 | |
Well, at least, um, every couple of weeks. | 0:26:37 | 0:26:40 | |
And you never mentioned the incident on the ferry with him | 0:26:40 | 0:26:42 | |
-and Robbie Morton? -Not when it happened. | 0:26:42 | 0:26:44 | |
-But later, yes. -And your first response to that was to provide him | 0:26:44 | 0:26:49 | |
with a fake alibi and lodge a bogus complaint against me? | 0:26:49 | 0:26:53 | |
We needed to keep him safe until McCall's trial. | 0:26:53 | 0:26:55 | |
We would have handed him back to you, soon as he testified, | 0:26:55 | 0:26:57 | |
if he'd been guilty of any crime. | 0:26:57 | 0:27:00 | |
Do you think he killed Robbie Morton? | 0:27:00 | 0:27:03 | |
He was not that stupid. | 0:27:03 | 0:27:04 | |
Do you think he was in contact with anyone from his past? | 0:27:04 | 0:27:07 | |
DI Perez, as with a marriage, does your wife | 0:27:07 | 0:27:09 | |
know what you're doing and thinking every moment of every day? | 0:27:09 | 0:27:13 | |
Does that mean anything to you? | 0:27:19 | 0:27:20 | |
-No. -We found it in Michael's flat. | 0:27:26 | 0:27:28 | |
It was the only personal effect we found | 0:27:28 | 0:27:31 | |
so it must've meant something to him. | 0:27:31 | 0:27:33 | |
He didn't really talk about his family. | 0:27:33 | 0:27:35 | |
How do you feel about all this? | 0:27:48 | 0:27:52 | |
I mean, you persuade somebody to leave behind their friends | 0:27:52 | 0:27:55 | |
and their family and their loved ones | 0:27:55 | 0:27:58 | |
and to cut all ties with their past and to trust you, completely. | 0:27:58 | 0:28:03 | |
You take their life in your hands. | 0:28:03 | 0:28:05 | |
So it's not really like a marriage at all, is it? | 0:28:08 | 0:28:10 | |
It's more like having a child. | 0:28:12 | 0:28:14 | |
Look, erm, I wouldn't know. I don't have any children. | 0:28:20 | 0:28:23 | |
How'd it go with the handler? | 0:28:40 | 0:28:42 | |
Dunno. | 0:28:42 | 0:28:43 | |
She doesnae like her boss, though. | 0:28:45 | 0:28:47 | |
Tommy's moving-in present for us. | 0:28:49 | 0:28:51 | |
Right, Michael Thompson - | 0:28:51 | 0:28:55 | |
surveillance reports, | 0:28:55 | 0:28:57 | |
transcripts of intercepted phone calls. | 0:28:57 | 0:28:59 | |
I need you to start going through all of this - | 0:28:59 | 0:29:01 | |
associates, friends, family. Anyone he might have got in contact with | 0:29:01 | 0:29:05 | |
after he went into witness protection | 0:29:05 | 0:29:08 | |
or someone who found out that he was on Shetland. | 0:29:08 | 0:29:11 | |
Cos if Arthur McCall ordered Michael's death, | 0:29:11 | 0:29:14 | |
then how did he know where to find him? | 0:29:14 | 0:29:16 | |
Was it an internal leak or did Michael give himself away? | 0:29:16 | 0:29:20 | |
Now, see if you can make that link | 0:29:20 | 0:29:22 | |
-and we've got a chance of nailing Arthur. -OK. | 0:29:22 | 0:29:26 | |
Where are you going? | 0:29:28 | 0:29:29 | |
Er, Dennistoun. Then Cassie. | 0:29:29 | 0:29:33 | |
Send my love. | 0:29:33 | 0:29:34 | |
-Yes? -Oh, hello. I'm Detective Inspector Perez. | 0:29:57 | 0:30:02 | |
-Right. -I'm trying to trace a family | 0:30:02 | 0:30:06 | |
and I was wondering if you might know | 0:30:06 | 0:30:08 | |
who does the wedding photography around here. | 0:30:08 | 0:30:10 | |
Well, there's a couple. I could find you their cards. | 0:30:10 | 0:30:13 | |
I know that dress. That's one of mine. | 0:30:14 | 0:30:17 | |
-And the flower girls' dresses. -Really, you made those? | 0:30:17 | 0:30:19 | |
Every last stitch. | 0:30:19 | 0:30:21 | |
Of course, that was before people ordered on the internet. | 0:30:21 | 0:30:23 | |
They say it's silk organza but you don't know it's not polyester | 0:30:23 | 0:30:26 | |
until you've got it in your hands. | 0:30:26 | 0:30:27 | |
I take it it would be too much to ask that you remember the names? | 0:30:27 | 0:30:30 | |
No, sorry. | 0:30:30 | 0:30:32 | |
-I remember that one. Right wee tyke. -You knew him? | 0:30:32 | 0:30:35 | |
No, I didn't exactly know him... | 0:30:35 | 0:30:38 | |
What? | 0:30:38 | 0:30:40 | |
Nothing. It's just really sad. | 0:30:40 | 0:30:43 | |
I can't remember his name | 0:30:43 | 0:30:45 | |
but it was just him and his mum | 0:30:45 | 0:30:47 | |
and, well, she died | 0:30:47 | 0:30:49 | |
from heroin, a couple of years after this photo was taken. | 0:30:49 | 0:30:53 | |
And do you know what happened to him? | 0:30:56 | 0:30:58 | |
They took him into care. Then he ran away. | 0:30:58 | 0:31:02 | |
Right. | 0:31:02 | 0:31:03 | |
God knows where he is now. | 0:31:04 | 0:31:06 | |
Cora. | 0:31:17 | 0:31:19 | |
I want you to fast-track some DNA work for me. | 0:31:19 | 0:31:23 | |
This is nice. | 0:31:35 | 0:31:36 | |
I know, Dad. It's nice. | 0:31:37 | 0:31:40 | |
Too nice. | 0:31:40 | 0:31:41 | |
Things can never be too nice, Cassie. | 0:31:43 | 0:31:45 | |
Have you been to see Gran and Grandad yet? | 0:31:48 | 0:31:50 | |
-Stop trying to change the subject. -You're putting it off, aren't you? | 0:31:52 | 0:31:55 | |
I'm going to see them this afternoon. Satisfied? | 0:31:55 | 0:31:58 | |
So...are you going to tell me about Edison? | 0:32:01 | 0:32:04 | |
Edison Orantes Carvaehellio. He's Brazilian. | 0:32:05 | 0:32:09 | |
And we're late. | 0:32:10 | 0:32:12 | |
Brazil is booming these days, Mr Perez. More booming than Europe. | 0:32:16 | 0:32:20 | |
Me and Cassie could do really well. | 0:32:20 | 0:32:22 | |
Edison's just finished an MBA at Strathclyde Business School. | 0:32:22 | 0:32:25 | |
Sao Paolo is the hottest spot in Brazil right now. | 0:32:25 | 0:32:29 | |
Right. | 0:32:29 | 0:32:30 | |
Erm...we've got an idea. | 0:32:32 | 0:32:34 | |
Scottish produce into the Brazilian market. | 0:32:35 | 0:32:39 | |
Wild salmon, Harris tweed... | 0:32:39 | 0:32:42 | |
square sausages. | 0:32:42 | 0:32:44 | |
It's a joke. | 0:32:46 | 0:32:47 | |
Yeah, I know. | 0:32:48 | 0:32:49 | |
I, uh... I need to check some messages. | 0:32:55 | 0:32:58 | |
-Listen, Dad, Edison's really going places. -Yeah. Sao Paolo. | 0:33:01 | 0:33:05 | |
-And taking you with him. -It's dead safe. | 0:33:05 | 0:33:08 | |
His mum's only been carjacked like three times. | 0:33:08 | 0:33:12 | |
I'm kidding. | 0:33:12 | 0:33:13 | |
I'm in love, Dad. | 0:33:19 | 0:33:21 | |
You don't say. | 0:33:24 | 0:33:26 | |
I like seeing you happy, Cass. | 0:33:31 | 0:33:33 | |
OK? | 0:33:37 | 0:33:39 | |
Yeah. OK. | 0:33:40 | 0:33:42 | |
Yeah. | 0:33:44 | 0:33:46 | |
We're getting there. | 0:33:46 | 0:33:47 | |
-Hello, there. -Jimmy! | 0:34:11 | 0:34:14 | |
-You wee smasher. -Hi, George. -Hi. | 0:34:16 | 0:34:19 | |
So what brings you to Glasgow, Jimmy? | 0:34:19 | 0:34:21 | |
He never learns, does he, James? | 0:34:21 | 0:34:23 | |
You know James can't talk about his work. | 0:34:23 | 0:34:26 | |
-Aye, you havenae changed, George. -I know. | 0:34:26 | 0:34:29 | |
-You all thought I'd be dribbling in a care home by now. -If only. | 0:34:29 | 0:34:33 | |
Hey! Who's going to protect you when I'm gone? | 0:34:33 | 0:34:35 | |
Protect me? Just because we had that wee break-in yesterday. | 0:34:35 | 0:34:39 | |
-You had a break-in? -Aye - just kids. | 0:34:39 | 0:34:41 | |
They scarpered the minute they heard my feet on the stairs. | 0:34:41 | 0:34:44 | |
Did they take anything? | 0:34:44 | 0:34:45 | |
A photo. | 0:34:45 | 0:34:47 | |
Frannie at that marathon. | 0:34:48 | 0:34:50 | |
They must have thought the frame was silver. | 0:34:51 | 0:34:54 | |
It was only plated. | 0:34:54 | 0:34:55 | |
You don't have a copy of that one, do you, Jimmy? I did love it. | 0:34:58 | 0:35:02 | |
Er, no. No, I don't think so. I don't have one of them. | 0:35:06 | 0:35:09 | |
Tommy. It's Jimmy Perez. | 0:35:13 | 0:35:16 | |
How do I find Arthur McCall? | 0:35:17 | 0:35:19 | |
Well... | 0:35:58 | 0:35:59 | |
look at you, Mr Perez, | 0:35:59 | 0:36:02 | |
walking in here, uninvited. | 0:36:02 | 0:36:05 | |
I find that plain disrespectful. | 0:36:05 | 0:36:07 | |
Let me guess. | 0:36:10 | 0:36:12 | |
You're investigating a crime. | 0:36:12 | 0:36:15 | |
A crime that works to my advantage. | 0:36:15 | 0:36:17 | |
You might even think I'm responsible for that crime. | 0:36:17 | 0:36:21 | |
That I ordered that crime. | 0:36:21 | 0:36:24 | |
You might even think I had | 0:36:26 | 0:36:28 | |
inside knowledge that allowed me | 0:36:28 | 0:36:31 | |
to have that crime committed. | 0:36:31 | 0:36:33 | |
But you cannae prove it. | 0:36:35 | 0:36:37 | |
Cos there's nae evidence. | 0:36:38 | 0:36:40 | |
I can get inside your life. | 0:36:53 | 0:36:55 | |
Inside your head. | 0:36:58 | 0:37:00 | |
I can do a lot of damage. | 0:37:02 | 0:37:04 | |
So why don't you piss off | 0:37:07 | 0:37:09 | |
back to Shetland and shag a sheep? | 0:37:09 | 0:37:12 | |
Your wife's dead. | 0:37:13 | 0:37:15 | |
You can shag anything you like. | 0:37:17 | 0:37:19 | |
Tell Alan to clean himself up before he comes in. | 0:38:30 | 0:38:34 | |
Don't want blood on the carpet. | 0:38:34 | 0:38:35 | |
PHONE RINGS | 0:38:45 | 0:38:46 | |
HE EXHALES | 0:38:50 | 0:38:52 | |
-Tosh. -Look, I'm losing the ability to focus my eyes here, | 0:38:56 | 0:38:59 | |
I'm going to call it a day. | 0:38:59 | 0:39:01 | |
OK. You find anything? | 0:39:01 | 0:39:04 | |
Nothing yet. But I heard from Sandy. | 0:39:04 | 0:39:06 | |
They've confirmed it was the same gun used to shoot Leanne | 0:39:06 | 0:39:09 | |
and Michael. No change in her condition. What about you? | 0:39:09 | 0:39:13 | |
Did you find anything? | 0:39:13 | 0:39:14 | |
I don't know. Maybe. | 0:39:16 | 0:39:19 | |
Are you OK? | 0:39:19 | 0:39:20 | |
Yeah, I'm fine. | 0:39:20 | 0:39:22 | |
-I'll let you know if my maybe becomes a something, OK? -OK. | 0:39:23 | 0:39:28 | |
-Have a good night. -You too. | 0:39:28 | 0:39:31 | |
LIVELY MUSIC PLAYS | 0:39:48 | 0:39:51 | |
Evening, everybody! Are you all right? | 0:40:25 | 0:40:28 | |
Well, I'm no' too good at speeches. But, er... Where's my granny? | 0:40:28 | 0:40:32 | |
-She's here! -Oh, my wee granny Bella is... | 0:40:32 | 0:40:38 | |
the biggest, best influence on my life. | 0:40:38 | 0:40:41 | |
-VARIOUS: Aw! -Aw! | 0:40:41 | 0:40:42 | |
I know I've no' exactly been a saint these last few years, but, er... | 0:40:42 | 0:40:46 | |
..everything good in me is her doing. | 0:40:48 | 0:40:50 | |
So, I'll ask you all to raise your glasses to Granny Bella! | 0:40:50 | 0:40:54 | |
Happy birthday! | 0:40:54 | 0:40:55 | |
-VARIOUS: Happy birthday! -Happy birthday! -Happy birthday! | 0:40:55 | 0:40:59 | |
Here's to the next 80 years. | 0:40:59 | 0:41:02 | |
-I'll be right back. -OK. | 0:41:06 | 0:41:08 | |
Craig. | 0:41:12 | 0:41:13 | |
Sandy, I telt Jimmy Perez already... | 0:41:14 | 0:41:17 | |
I know what you said to Logan about me and his dad. | 0:41:17 | 0:41:19 | |
Do you no' think Jenny's kids have got enough on their plates? | 0:41:19 | 0:41:22 | |
I dunno what you're talking about. I never said nothing. | 0:41:22 | 0:41:25 | |
"I never said nothing, I never did nothing, everybody's picking on me." | 0:41:25 | 0:41:28 | |
How many times have we got to hear it? | 0:41:28 | 0:41:30 | |
And how many times will you deny you were involved with Robbie Morton? | 0:41:30 | 0:41:33 | |
Cos I know you were, and you're not getting rid of this one. | 0:41:33 | 0:41:36 | |
-Not this time. -You know what this is, Sandy? | 0:41:36 | 0:41:38 | |
This is police harassment. | 0:41:38 | 0:41:39 | |
Logan probably just made it up to get the attention. | 0:41:39 | 0:41:42 | |
You come near Logan again and I swear I'll have you charged | 0:41:42 | 0:41:44 | |
and off this island before you can blink! | 0:41:44 | 0:41:46 | |
What's going on? | 0:41:46 | 0:41:48 | |
What's it look like? | 0:41:51 | 0:41:53 | |
GENTLE PIANO PLAYS | 0:42:03 | 0:42:04 | |
Hi. | 0:42:23 | 0:42:24 | |
I think we owe you an apology. | 0:42:27 | 0:42:30 | |
How's that? | 0:42:31 | 0:42:33 | |
Is there somewhere more private we could talk? | 0:42:34 | 0:42:36 | |
Thank you. | 0:42:39 | 0:42:41 | |
-Do you have anything to drink? -Yeah. | 0:42:52 | 0:42:54 | |
No, I was, er...I was thinking more minibar. | 0:42:58 | 0:43:01 | |
Well, you wouldn't if you saw what was in it. | 0:43:02 | 0:43:04 | |
It's supposed to be for a friend. | 0:43:17 | 0:43:19 | |
I don't think he deserved it, anyway. | 0:43:20 | 0:43:22 | |
-Cheers. -Cheers. | 0:43:24 | 0:43:26 | |
We weren't straight with you today. | 0:43:33 | 0:43:35 | |
My boss is too busy trying to cover his back. | 0:43:37 | 0:43:40 | |
And mine. | 0:43:42 | 0:43:43 | |
OK. | 0:43:43 | 0:43:44 | |
Before he was killed, | 0:43:46 | 0:43:48 | |
Michael Thompson was trying to renegotiate the terms | 0:43:48 | 0:43:51 | |
of his witness protection deal. | 0:43:51 | 0:43:53 | |
Shetland was only ever meant to be a staging post. | 0:43:53 | 0:43:56 | |
We'd set him up with a new life after the trial but then... | 0:43:56 | 0:43:59 | |
-he met someone. -Freya. -Yeah. | 0:43:59 | 0:44:02 | |
And he wanted her to be part of his new life. | 0:44:02 | 0:44:05 | |
He, er... He hadn't yet found a way to tell her that. | 0:44:05 | 0:44:08 | |
-Do you want to sit down? -Thanks. | 0:44:11 | 0:44:14 | |
Anyway... | 0:44:21 | 0:44:22 | |
..in exchange he offered to give us something big - | 0:44:24 | 0:44:29 | |
something new, something that would change the whole game. | 0:44:29 | 0:44:31 | |
My job was just to deliver him to a meeting with someone | 0:44:31 | 0:44:34 | |
from the fiscal office, a guy by the name of Brian McDade. | 0:44:34 | 0:44:38 | |
But Michael was only in the meeting for a few minutes | 0:44:38 | 0:44:40 | |
before he walked out. He said that what he had to tell them... | 0:44:40 | 0:44:45 | |
was too explosive to be trusted to one junior fiscal. | 0:44:45 | 0:44:48 | |
He said he wanted more of them and he wanted them to be senior. | 0:44:48 | 0:44:52 | |
And then within a week... | 0:44:54 | 0:44:56 | |
he was dead. | 0:44:56 | 0:44:58 | |
So you think that Brian McDade was the source of the leak? | 0:44:59 | 0:45:02 | |
I don't know. But I think if there is a leak | 0:45:02 | 0:45:05 | |
they would rather bury it than try to stop it. | 0:45:05 | 0:45:08 | |
You said that... | 0:45:13 | 0:45:15 | |
your boss was covering your back, too - how's that? | 0:45:15 | 0:45:18 | |
When Robbie Morton's disappearance became a murder enquiry | 0:45:19 | 0:45:24 | |
I wanted to pull Michael out. | 0:45:24 | 0:45:26 | |
But he begged for time. He wanted to come clean to Freya, so... | 0:45:27 | 0:45:32 | |
I cooked up an alibi. | 0:45:32 | 0:45:34 | |
I bought him 24 hours. | 0:45:34 | 0:45:36 | |
You know, if I took him out when I should have, he'd still be alive. | 0:45:41 | 0:45:44 | |
So why didn't you? | 0:45:50 | 0:45:52 | |
Cos... | 0:45:54 | 0:45:55 | |
..what's the point of a new life if it's not worth living? | 0:45:58 | 0:46:01 | |
Do you want another drink? | 0:46:18 | 0:46:19 | |
Sure. | 0:46:23 | 0:46:24 | |
It's good whisky. | 0:46:31 | 0:46:33 | |
So what did your friend do to unearn it? | 0:46:36 | 0:46:38 | |
Friend's probably the wrong word. Um... | 0:46:40 | 0:46:43 | |
My daughter was three years old when I met her mother | 0:46:45 | 0:46:48 | |
and Duncan's her father and we co-parent. | 0:46:48 | 0:46:52 | |
Not very harmoniously. | 0:46:54 | 0:46:56 | |
-So is that your way of telling me that you're married? -No. | 0:46:57 | 0:47:00 | |
No, Fran died. She's dead. | 0:47:03 | 0:47:05 | |
I'm very sorry. | 0:47:07 | 0:47:09 | |
It's not really how you expect things to go wrong, is it? | 0:47:16 | 0:47:19 | |
I didn't expect things to go wrong. | 0:47:21 | 0:47:23 | |
An optimist, uh? | 0:47:25 | 0:47:27 | |
I should go. | 0:47:33 | 0:47:34 | |
OK. | 0:47:37 | 0:47:38 | |
Hey... | 0:47:49 | 0:47:50 | |
Do you bite your nails and then you paint them | 0:47:54 | 0:47:56 | |
or do you paint them and then you bite? | 0:47:56 | 0:47:59 | |
I paint them. | 0:47:59 | 0:48:00 | |
DOOR BEEPS AND UNLOCKS | 0:48:32 | 0:48:35 | |
Alexander. | 0:48:39 | 0:48:40 | |
Thanks for covering for me earlier, Billy. | 0:48:42 | 0:48:44 | |
I had to pick up Jenny's son. | 0:48:44 | 0:48:46 | |
Everything OK? | 0:48:46 | 0:48:48 | |
Yeah. Yeah, sure. | 0:48:48 | 0:48:50 | |
Only it's five o'clock in the morning | 0:48:51 | 0:48:53 | |
and you're not due in till nine. | 0:48:53 | 0:48:55 | |
Couldn't sleep. Thought I might as well make a start going through | 0:48:55 | 0:48:59 | |
-those door-to-door reports. -Might help with the insomnia. | 0:48:59 | 0:49:02 | |
-No-one came back with anything. -Still. On the desk? -Aye. | 0:49:04 | 0:49:09 | |
PHONE BUZZES | 0:49:29 | 0:49:32 | |
-Cora. -Ah, Jimmy. Did I wake you? | 0:49:44 | 0:49:47 | |
No. Er...yeah. | 0:49:47 | 0:49:50 | |
That DNA test you asked for? I've got the result. | 0:49:50 | 0:49:54 | |
Robbie Morton and Michael Thompson - they're father and son. | 0:49:56 | 0:50:01 | |
Whoa, er... | 0:50:04 | 0:50:06 | |
OK. | 0:50:08 | 0:50:09 | |
Thanks. | 0:50:19 | 0:50:20 | |
-Father and son? -Yeah, that's not all. | 0:50:41 | 0:50:44 | |
Before Michael was killed | 0:50:44 | 0:50:46 | |
he was trying to renegotiate his witness protection deal. | 0:50:46 | 0:50:50 | |
In return he was offering them something big. | 0:50:50 | 0:50:53 | |
Nobody knows what it was | 0:50:53 | 0:50:55 | |
but he did have a meeting with a junior fiscal called Brian McDade. | 0:50:55 | 0:50:58 | |
Who told you this? | 0:50:58 | 0:51:01 | |
Asha Israni. In confidence. | 0:51:01 | 0:51:03 | |
A whistle-blower? | 0:51:03 | 0:51:06 | |
So you were right - she doesn't like her boss. | 0:51:06 | 0:51:09 | |
Ah, hello. This is DC Wilson from Lerwick Police. | 0:51:17 | 0:51:21 | |
I was just wondering about the changeover day | 0:51:21 | 0:51:23 | |
for your holiday cottage? | 0:51:23 | 0:51:24 | |
Yesterday. | 0:51:25 | 0:51:27 | |
And do you have a contact number for whoever was renting it last week? | 0:51:30 | 0:51:34 | |
Brian McDade hasn't been at work for two days. He's called in sick. | 0:51:37 | 0:51:41 | |
It's very out of character, apparently. | 0:51:41 | 0:51:43 | |
-DC Wilson. -Mrs Whelan. Listen, I-I won't keep you. | 0:51:48 | 0:51:51 | |
I just need to ask you about the holiday cottage you were renting. | 0:51:51 | 0:51:54 | |
You said on the phone you saw a car there some time after 11.30 | 0:51:54 | 0:51:57 | |
-on Tuesday night? -Aye, that's right. | 0:51:57 | 0:51:59 | |
We were all still up playing Monopoly. | 0:51:59 | 0:52:02 | |
It was just a bit odd. Erm... | 0:52:02 | 0:52:04 | |
the driver, well, he just got out and ran off. | 0:52:04 | 0:52:07 | |
And this driver, did you get a good look at him? | 0:52:07 | 0:52:09 | |
-It was dark. Sorry. -Is there anything you can remember? | 0:52:09 | 0:52:12 | |
Erm... | 0:52:12 | 0:52:14 | |
-He had a bag. -What kind of bag? -Wait a minute, Abby. | 0:52:14 | 0:52:16 | |
Eh, long. Like the kind for keeping fishing rods in. | 0:52:16 | 0:52:19 | |
-And did you see which way he went? -Towards Skolland. | 0:52:19 | 0:52:22 | |
-I'm talking. -So, the car. Can you remember where it was left? | 0:52:22 | 0:52:25 | |
-Yeah, but, erm, hold on. -Stop talking! -It won't be there now. | 0:52:25 | 0:52:29 | |
-His mate came back for it, about... 1am? -His mate? A second man. | 0:52:29 | 0:52:33 | |
-You're sure about that? -Yeah, no, the other guy was different - | 0:52:33 | 0:52:36 | |
-skinny. Younger, maybe. -Come on! -One minute! | 0:52:36 | 0:52:39 | |
This is very important, can you remember where the car was parked? | 0:52:39 | 0:52:43 | |
-I mean exactly where it was? -Yes. | 0:52:43 | 0:52:45 | |
Neighbour says the car's gone. Hasn't seen him in a couple of days. | 0:52:47 | 0:52:52 | |
I'd say, DS McIntosh, we have reason to believe | 0:52:53 | 0:52:56 | |
Mr McDade's life may be in danger. | 0:52:56 | 0:52:59 | |
Don't we? | 0:53:00 | 0:53:01 | |
Yes, sir. | 0:53:02 | 0:53:04 | |
Tosh, upstairs. | 0:53:15 | 0:53:17 | |
He sees this... | 0:53:35 | 0:53:37 | |
and runs. | 0:53:37 | 0:53:39 | |
Do you think he's the source of the leak? | 0:53:39 | 0:53:42 | |
And now he's scared. | 0:53:42 | 0:53:44 | |
ANSWERING MACHINE BEEPS | 0:54:12 | 0:54:14 | |
MACHINE BEEPS | 0:54:38 | 0:54:39 | |
'Freya, I don't know if you can hear this...' | 0:54:41 | 0:54:44 | |
STATIC | 0:54:44 | 0:54:48 | |
MACHINE BEEPS | 0:54:50 | 0:54:52 | |
'Freya, I don't know if you can hear this...' | 0:55:03 | 0:55:07 | |
STATIC | 0:55:07 | 0:55:11 | |
Get uniforms over here, secure this place and keep an eye on it. | 0:55:17 | 0:55:19 | |
PHONE RINGS Sandy. | 0:55:19 | 0:55:22 | |
-The shooter had a car. I've got an eyewitness. -OK. | 0:55:22 | 0:55:24 | |
He drove to a spot two miles short of Skolland some time after 11pm. | 0:55:24 | 0:55:28 | |
He took his bag out the car - a long bag - | 0:55:28 | 0:55:31 | |
and went on foot in the direction of Skolland harbour. | 0:55:31 | 0:55:34 | |
-Looked like he was in a hurry. -Have you got the car? | 0:55:34 | 0:55:36 | |
It was driven away at 1am by someone else. | 0:55:36 | 0:55:40 | |
The shooter had help on Shetland. | 0:55:40 | 0:55:42 | |
I'm going to get the 7.30 flight. Meet me at the airport. | 0:55:44 | 0:55:47 | |
-PILOT: -'Ladies and gentlemen, as we start our descent into Sumburgh, | 0:55:48 | 0:55:51 | |
'please make sure your seat backs and tray tables...' | 0:55:51 | 0:55:54 |